October 11, 2025 • 27 mins
It’s Saturday, and that means PREVIOUSLY ON… Jason is reporting live from New York Comic Con with Rosie. They cover the latest trailers and news out of NYCC, including: A Knight Of The Seven Kingdoms, Teenage Mutant Ninja Turtles: Chrome Alone 2, and an update on the sequel to The Lord of the Rings; The Hunt For Gollum. Fortnite pulls and updates the “Peaceful Hips” emote for the Peacemaker skin, and NANA celebrates its 25th anniversary with Vivienne Westwood. PLUS Rosie has a special interview with the director of the new erotic horror movie out now, Bone Lake, Mercedes Bryce Morgan.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
On today's episode News, we're talking about trailer, We're talking
about the Hunt forg Alum, We're talking about Fortnite and more. Hello,
(00:20):
and name is Jason Cepcio and I'm Rosie Night and
welcome back to Extra Vision of the podcast where we
dive deep in your favorite jokes, movies, comics, pop culture
company from my art. We'll bring you three episodes a week,
plus news.
Speaker 2 (00:30):
Newsy News.
Speaker 3 (00:31):
In today's previously on News episode, we are catching up
with the biggest peek news of the week, including Elijah.
Speaker 4 (00:37):
Wood talks the sequels, What.
Speaker 5 (00:40):
It's Happening, and Fornight's controversial Peacemaker Remote Dance is returning.
Speaker 4 (00:48):
But first News.
Speaker 1 (00:51):
I'm at New York City Comic Con right now recording
this from my hotel room.
Speaker 4 (00:55):
And here at.
Speaker 1 (00:56):
New York City Comic Con, there have been trailers a debuting,
including the new trailer from the Game of Throne spin
off A Night of the Seven Kingdoms, The Duncan Egg
Novella's Come to Screen. I was in the room. It
was wonderful. The cast, Uh, they nailed it with the casting.
The actors Peter and Dex who play Dunk and Egg respectively,
(01:21):
are wonderful. The trailer is get you know, got thrills,
got a little bit of the levity. That is an
interesting new Tonal energy for a Game of Thrones universe,
for Westrus in general. And I'm excited comes out January eighteenth.
Speaker 6 (01:39):
Wow, and the room was a buzzin'.
Speaker 1 (01:41):
George seems in fine fedal. He was talking a lot,
he was talking about writing, he was.
Speaker 5 (01:48):
He was, he's wearing a bowler hat.
Speaker 4 (01:51):
Wearing a bowler hat.
Speaker 1 (01:53):
He's him as an English as an English person, what
is culturally? Tell me what the bowler hat means?
Speaker 3 (02:02):
I know, every time I see someone doing a bowler hat,
I feel like they're gonna do like a little like.
Speaker 2 (02:06):
Hello, my darlin, hell little frog, you know.
Speaker 4 (02:18):
But yeah, it's like it's a hat from like the.
Speaker 3 (02:25):
Lots of people wearing it in like old timey England.
It's basically popular to the seventies and they really did
used to kind of rocket like George was rocketed. Just
wear it with a little suit, just like little guy,
but pretty fancy.
Speaker 4 (02:37):
I felt happy for he looked very excited to be there.
Speaker 3 (02:40):
I thought this trailer was absolutely delightful, very charming, really sweet,
very fun, also very exciting to our Discord members.
Speaker 4 (02:48):
This was a even for the outside of.
Speaker 5 (02:51):
The GOT fandom.
Speaker 3 (02:53):
This tone, this levity, the chemistry really spoke to people.
Speaker 5 (02:57):
GOT a few different people starting to read the book,
which you.
Speaker 3 (03:00):
Have a great The novella you have time to read
them right before January eighteenth is relatively small.
Speaker 1 (03:06):
And I would say if you are a if you're
like you know, I'd like to read the Game of
Thrones books and understand what it's about. But I don't
want to read like hundreds and hundreds and thousands of pages.
In fact, I'd like to kind of like dip my
toe and see what it's about. The Duncan Egg novella's
like the first book I think, is like maybe one
hundred and fifty ish pages.
Speaker 2 (03:27):
It gets fast.
Speaker 1 (03:28):
And it's a wonderful, tight, little heartwarming tale.
Speaker 3 (03:32):
Check it out.
Speaker 1 (03:34):
Next trailer Teenage Bean Ninja, Turtles, Chrome Alone Too.
Speaker 4 (03:38):
Why was this? Singun?
Speaker 7 (03:39):
And?
Speaker 4 (03:40):
I love this direct kind.
Speaker 3 (03:42):
Of continuation a short film that will run before the
new spongebook SquarePants movie such for SquarePants continuing.
Speaker 4 (03:49):
The Mayhem timeline. I love this.
Speaker 3 (03:52):
It looks like basically they're gonna have to deal with bootleggers.
Doing rip off toys, which I thought was really fun,
very meta. As you know, Ninja Turtles were immediately turned
into toys made by Playmates and were immediately copied by
every other toy brand when they were successful. The Street Sharks,
you know, the Radical Dinosaurs or whatever they were called.
(04:14):
So yeah, I thought this looked great. Animation's beautiful. I
would love this, you.
Speaker 2 (04:18):
Know, I'm not.
Speaker 3 (04:19):
I love SpongeBob, but I wasn't desperate to go to
see the fourth SpongeBob movie in the theaters. But now
I probably will because this looked gorgeous just on my phone,
like New and Mayhem is a gorgeous movie. Chrome alone
two looks cute as heck.
Speaker 4 (04:33):
I love these kids. I want to see them again.
Speaker 1 (04:36):
Me too. Up next Lord of the Rings spinoff news uh.
Star of the Lord of the Rings trilogy, Elijah Wood,
has said after he has apparently read the script for
the upcoming Gollum spin off, The Hunt for Gollum, written by, written,
(04:58):
and directed by the legend himself, Andy serkis Oh, Elijah
Wood is quoted as saying, keeping a close eye on
production and quote, the thing that is so exciting is
that it is really getting the creative band back together,
and then he went on to basically say, hey, great script. Now, yeah,
exciting news. But let's temper that excitement because script means
(05:22):
we may never see this. Yeah, it's not even they're
not even shooting playing. It's just like someone's real.
Speaker 3 (05:28):
Great script scripts in Hollywood, baby, there's a lot of
great scripts.
Speaker 4 (05:33):
I love that he likes it. I feel like Elijah Wood, if.
Speaker 3 (05:36):
You know his imprint that he made his film Imprintspeck Division,
he made Rabbit Trap. I think he has great taste,
interesting kind of perceptions of what is good and bad
in Hollywood.
Speaker 5 (05:47):
So the fact he likes it is positive. But like
you say, could.
Speaker 3 (05:51):
Also see it become a kind of overstuffed cameo fest
like many of these do. And that is Colleida did
report on that saying, currently the script includes a lot
of familiar faces.
Speaker 7 (06:02):
But we'll see because you know what they will say.
Speaker 3 (06:05):
It was like just like you know, George Ahmots and
they loved to do a little crossover, loved that people
integrated in the world.
Speaker 1 (06:12):
Let's take a quick break when we read back morning
and we're back with more news fortnite. Oh and their
(06:34):
and their developer and Company, epic that makes Fortnite, was
horrified to learn that the peacemaker emote that was put
into the game by their partners, their creative partners that
weren't brothers.
Speaker 7 (06:49):
Peaceful Hips It's called.
Speaker 1 (06:51):
Peaceful Lips was actually, they learned after the events of
the penultimate episode of two, was actually a swastik reference.
And it's right there in the opening It's right there
in the opening dance of the of the show. And
apparently nobody told that their.
Speaker 3 (07:09):
Crazy work, Like can you imagine the email on the
door that someone put that together and was like, you
had us selling an emote to kids that was a
swasti cut, Like, hey, absolute beef.
Speaker 5 (07:24):
That must have been happening.
Speaker 6 (07:26):
I cannot even imagine.
Speaker 1 (07:27):
It's horrible, but great spoiler control, Yeah, hilarious spoiler control.
Speaker 3 (07:33):
And also James Gun's probably like, well, just you saw it,
you know what it was, like, you approved it. So
they have brought it back and basically what it is
now is instead of the arms going up and down
separately to make the swastika, they go down at the
same time, they go up at the same time, and
he does his peaceful hips.
Speaker 4 (07:49):
I think they should have kept it because like crazy,
but also obviously.
Speaker 3 (07:53):
Online gaming big space for nazis, so I get it,
and you know they I respect that Fortnite pulled there
and I appreciate.
Speaker 5 (08:01):
That they have brought it back.
Speaker 3 (08:03):
And yes, also guys, this is something for the girlies
out there.
Speaker 4 (08:08):
Just need to say this Nana.
Speaker 3 (08:10):
It is the twenty fifth anniversary of I U is
Our's incredible manga, Sapphic legendary punk manga which never finished
and is supposedly coming back. But more importantly because we've
all lived with the Sapphic mystery of No Ending for
twenty five years, so the most important thing is that
(08:31):
soon Nana and Vivian Westward, who inspired many of the
outfits that I would draw into the comic, and especially
the famous jewelry that many of us have tried to
find from Nana, they are doing an official fashion collaboration
with Vivian Westward, So you will save up all your
money for that now and see how that comes out.
(08:52):
But for the gays and the girlies, it's a big moment.
We all want that Nana ring, We own that Nana
light a necklace. It's time we're gonna take a break
and then and you will be able to hear my
interview with Mercedes Bryce Morgan, the director of the.
Speaker 5 (09:06):
New erotic corror movie Bone Late.
Speaker 3 (09:09):
Very very fun chat, very very fun movie.
Speaker 4 (09:28):
Homotheticals.
Speaker 3 (09:28):
It going.
Speaker 7 (09:29):
Hi, Rosie, I'm wonderful.
Speaker 6 (09:31):
How are you? I love to hear it.
Speaker 7 (09:32):
Well.
Speaker 3 (09:33):
I appreciate you joining us on x ray Vision. This
is a podcast about like movies and TV and comic books,
and a lot of our kind of mine and Jason's
upbringing was comic books.
Speaker 6 (09:44):
So we always ask kind of like, what was your
origin story?
Speaker 3 (09:47):
But I would love to know what your directorial origin
story was totally.
Speaker 7 (09:52):
So I have been directing ever since I was a kid.
I would play with Star Wars action figures with the
my friends on the road from the mountain. We would
go shoot it on our mini dB cam. But then
in high school ridiculously, now I made a living shooting
Obgyn and wedding videos. Incredible, and I escaped from my
(10:13):
small hometown and I went to USC Film School. And
I say that I was always too busy making stuff
to go to class. And I was the kind of
person where I was like, oh the fuck are you
guys sitting in class? Like over I'm like making things, like,
let's go make things. And so I got started with
that and I did a lot of music videos and
commercials and that kind of led me into being able
to take everything I learned from that into my features
(10:36):
to go, Okay, you know, we're an indie project, but
how do we do these wild funge shops and capture
these moments? And so, you know, one thing kind of
just led to the next thing and then here we
are with all Mike. That's a very short version.
Speaker 6 (10:48):
Yeah, I love it the DLD.
Speaker 3 (10:49):
You know, it's only a twenty minute in a THEW
Weekend talk about just that fucking started for any time,
uh and for old time. But yeah, it's something I
I just really loved about this movie was the kind
of the freedom that you give the story to go
wherever it wants to go. I would say it's twisty,
(11:10):
but that kind of also under sells like the emotional
hathen like humor of the movie. So when did you
first think about the idea that would become Bone Lake?
Speaker 7 (11:22):
Yeah? So I actually I got sent the script and
I think my agents knew me, and they're like, oh,
she likes things that are erratic and subversive and intense,
and I'm like, those are all things that I love,
and so it was kind of just this match made
that was really wonderful. And so I read it and
I thought, oh man, the reaction I had reading this
(11:44):
of caring about these characters but then also gasping at
these plot twists is something I want to give to
other people.
Speaker 6 (11:52):
You do a great job of doing just that in
the movie.
Speaker 3 (11:56):
One of my favorite things about the film is it
kind of it's very genre bendy. You think it's one thing,
you think it's something else, and it was I'm a
big as a millennial.
Speaker 6 (12:06):
I'm like a big.
Speaker 3 (12:07):
Iroic thrillers passing because that was kind of a very
big part of my upbringing and the kind of nineties
movies that I loved. So was that something intentional that
you get into this story the kind of history of
horror and how it ended up kind of shaping these stories.
Speaker 7 (12:22):
Yeah, most definitely. I mean, like, I love that era
of movies. They're so fun and over the top in
a way that is just so entertaining to watch. But
I think what's fun about those movies is they're all
sex centered. It's so cool to bring sex back into movies,
but a lot of those movies kind of weaponize women
the tests in a way where it's like it was
(12:44):
bad that they were sexual and we shouldn't have trusted them.
And I wanted to do something where it's taking the
fun of that, but we're not punishing our female characters
that way because they're all sexual beings and we see
that go down in a different way.
Speaker 6 (12:58):
Yeah, it's a lot of fun.
Speaker 3 (13:00):
Could you talk about how as a director you kind
of balance The movie feels grounded, it's got that great
feeling of this could happen to you. We've all had
that kind of feeling of what if I turned up
to my Airbnb and someone else was there. How did
you balance keeping it grounded while also kind of changing
it up when it came to those erratic reveals and shocks.
Speaker 6 (13:21):
Because it's so well done, it kind of flows.
Speaker 3 (13:23):
But when I was rewatching the movie, I was like, wait,
there is so much here and so much space that
you cover emotionally. So could you talk a little bit
about the challenges I guess of directing this one.
Speaker 7 (13:34):
For sure, I think that it's especially for me, it
was really important to have Sagean Diego grounded with just
really good actors of just the interact in a way
that is very believable of everything they're going through, and
we can see that there's this reality and this emotionality
to the relationship dynamics, because I think everyone can relate
to what they're going through in many different ways. But
(13:56):
then I also when we see where Will and Sin
gets too, it's let's have fun, let's be fucking silly,
and let's just go for it. And so it was
just kind of matching up those things of having that
basis but then not treating itself too seriously.
Speaker 3 (14:13):
Yeah, I also loved I feel like in a lot
of movies like this, the concept of a kind of
you know, you get somewhere, you have to share a
space with strangers, and it all becomes very Lord of
the Flies and how far can we be pushed? You
get to give Sage and Diego a different kind of story,
and could you talk a little bit about the subversive
(14:34):
nature of kind of well, relationships are flawed, but if
we stick together, like maybe it's worth it, because that's
such a good takeaway.
Speaker 2 (14:41):
Yeah.
Speaker 7 (14:42):
Now, I think that anyone who thinks that they can
be better than now of controlling their emotions or saying
it's fun. I don't have to tell my partner I'm
thinking my orgasms or I'm not satisfied in my job,
and everything that shapes their dynamic together is kind of
kidding themselves because it's gonna come out at one point
(15:03):
or another. And so I think ours is just kind
of the lifted interpretation of instead of it just they
break up. If it doesn't work out, they might die.
Speaker 3 (15:11):
Yeah, I love that's a great horror steak to add
to this one. When you were coming into this, read
the script, loved it. What were your kind of personal
touch thones throughout? Are you somebody who likes to watch
movies that are in the same vein? Were you listening
to music that was really specific? Like what was the
creative art that was inspiring you the most as you
(15:32):
made this one.
Speaker 7 (15:33):
Yeah, it was definitely watching other movies like Ready or
Not as a big Tonal cop on Bull Dead too
for Shout Desired, and then very different genre but Who's
Afraid of Virginia Wolf? And then also just nineties erotic thriller.
It's just having all of those things kind of a
mixture together. It is something that was really inspirational.
Speaker 6 (15:51):
How are you feeling now?
Speaker 3 (15:53):
You know you've made the movie and it is about
to be out there in I feel like this is
getting like a lot of hype.
Speaker 6 (16:01):
A lot of heat too. Is not your first time
in the rodeo.
Speaker 3 (16:04):
But at the same time, like, how are you feeling now?
People are excited and they're getting to watch it for
the first time.
Speaker 7 (16:09):
It feels so cool because my dream for this movie
has been to have it come out in theaters and
so just to see that that's the home because we don't.
Not every movie comes on person well, and so to
have that is so special because I think that this
is a theatrical movie, and I know everyone wants to
say the movie is like theatrical movie, but for me,
it's that it's the experience of having people react and
(16:31):
being able to hear someone laugh.
Speaker 6 (16:33):
No, totally.
Speaker 3 (16:33):
I was watching it at home so we could so
I could do this interview, but I'm going to see
it tonight in a bition, And there was so many
moments where.
Speaker 6 (16:42):
I was literally like yelling to the other room and
going like, oh man, you can't watch it, but you're
gonna love this one. Like when you see it in
the movie.
Speaker 4 (16:48):
There, so I feel like it's definitely those kind.
Speaker 6 (16:51):
Of gasps and chuckles and fun.
Speaker 3 (16:55):
How what do you feel about I feel like twenty
twenty five has been a very like credible time for horror,
but it's also introduced like some new trends and different
ways of approaching stuff, and feel like maybe we're leaving
some of the you know as they call it, like
elevated horror, but like leaving that kind of conversation behind
and having a broader conversation about what.
Speaker 6 (17:16):
Horror can be.
Speaker 3 (17:18):
Yeah, what do you feel like the big horror story
is from twenty twenty five? Like what other horror movies
you've loved and this work that's gotten you through?
Speaker 7 (17:26):
No totally. I mean, first of all, I love all
horror movies. But I think even just to kind of
speak to what you were saying of like be let
through the elevated horror and now we're kind of out
of that a little bit, it's such an interesting thing
to analyze. It's almost like I like comparing it to
the Batman movies, where it's like you started out with
can't be Batman Robin, and then we're like, no, no, no,
we have to be really serious and now let's be
(17:48):
fun with this again. Okay, let's be very serious again
and just kind of see edflow. And I think it's
the same thing with horror movies, where we're like, we're
can't be we're serious, we're elevated, let's have fun again.
And I think that just you know, there's been so
many movies, but like even seeing Weapons recently, but there's
(18:08):
moments that are very funny.
Speaker 6 (18:09):
It's so funny.
Speaker 7 (18:11):
Yeah, it's kind of cool to see that combo and
mixture of things. And so I've just been like inspired
by fellow directors around me.
Speaker 4 (18:20):
I love that.
Speaker 3 (18:20):
I was gonna say, it's a wonderful time, especially for
like indie horror and small with like this and Good Boy.
I feel like both of those are just so anticipated
right now. What is a horror film that you have
really loved it or a TV programmer book and a
thing that you've loved in the horror genre that maybe
you feel like it's gone a little bit under the
radar over the last.
Speaker 7 (18:40):
Year, under the radar, let's see. I mean, it's hard
to say because under the radar is different for different people.
Speaker 6 (18:47):
So it's definitely subjective.
Speaker 7 (18:48):
Yes, I mean, Freaks is a very classic movie, but
it's something that I don't hear people talk about anymore,
and for me, that's something that I'm always excited to
talk about because the fact that that was made so
long ago and it just still hits home is amazing.
And I also don't think that movie could be made today,
(19:08):
so the fact that it was made when it was
is very special.
Speaker 6 (19:11):
Yeah, I totally agree. I love Freaks also like still.
Speaker 3 (19:15):
The only main stream studio movie with like a fully
disabled cost or like a predominantly disabled cost special Yeah,
I love that.
Speaker 6 (19:23):
You pointed that one out.
Speaker 3 (19:25):
When you are coming to these things as a director,
what was it like for you to go from being.
Speaker 6 (19:32):
Somebody who loves horror movies, which you still.
Speaker 3 (19:33):
Are, But what was it like to go from kind
of a consumer and an amateur to making this your
actual career.
Speaker 6 (19:41):
Like what has that journey been like for you?
Speaker 7 (19:43):
Yeah? For sure, I mean I think that, like I said,
I kind of want to make things that are the
kind of things I want to watch, So I when
I watch movies, you know, I was on the jury
of Fantastic That's this year, and so it's also been
cool to have things in the festival and then also
be in the jury and see when I become a
set about things where I go, man, that protagonist was
so stupid. I want to tell them like run at
(20:05):
this point, but when they do something that's really smart
and so you know, there's a moment in this movie
we realize they're like, ah, so smart, that's so nice.
Speaker 4 (20:14):
Yeah, it was lovely.
Speaker 6 (20:15):
Always a lovely surprise. I have a smart protagonist.
Speaker 7 (20:18):
Yeah, So I think it's things like that or just
you know, as I'm watched and become inspired more and more,
as there's more horror films every year, it's like, okay,
how can we add this to this center own way? Well,
there's not as many sexual movies out there are a lot,
but like right now, it's like something that we're rebringing
out to people, and so it's been exciting to take
attribute that way.
Speaker 3 (20:38):
Yeah. Could you talk a little bit about that, a
little bit more about that actually, because I do feel
like the way sex is portrayed in this movie is
very different from the kind of current trends of this
more puritanical idea of like do we need sexy?
Speaker 5 (20:51):
Sex?
Speaker 6 (20:51):
Is an integral pop this film.
Speaker 3 (20:53):
Could you talk a little bit about how great it
is to direct that as a woman and to be
getting to bring that back into the space maybe a
more holistic and thoughtful way than in the past.
Speaker 7 (21:04):
Totally, I think I had maybe a rare American upbringing
experience where I.
Speaker 6 (21:09):
Was raised in a very sex positive household.
Speaker 7 (21:11):
And so, yes, and so it was funny enough that
my parents were showing me movies with sex scenes more
so than even I was allowed to watch some horror films,
And so for me, it wasn't something that I thought
about as that different or crazy to be like that
until you hear from other people, that is. And so
(21:32):
to bring this back in I think that you know,
there's some there's some people it's not for them, and
that's okay, because people who are looking for this it's
going to be even more for them, and I think
that's just even more exciting.
Speaker 3 (21:44):
Yeah, what do you think about the way that horror
and passion and romance and sex. I feel like they
have always been in twined, you know, ever since Bella
Lagosi talking about like it's women who love blood, you know,
but also kind of just like now there is more
than ever with romanticy with stuff like that could you
(22:04):
talk a little bit about balancing the fact that you
need a couple you can root for who need to
feel grounded and real, but are also, you know, in
a situation where everything is getting more and more out
of control and unrealistic. Like what is how do you
ground those two different kind of sides of the movie?
Speaker 7 (22:23):
Yeah, I think it's knowing what elements are at what point,
and so it's like, as we know that Sasian Diego
or our compass of groundedness, everything about around them doesn't
have to be. But I think it's because those are consistent.
The way I kind of looked at it, it is like, Okay,
this will be this will be our forest throat. And
I think also, you know, as viewers, we've seen so
many different genres, so I think people are really excited
(22:47):
to combine genres and like that's what we're looking for.
Speaker 3 (22:51):
Yeah, is there a moment that you're most excited to
see people react to or kind of hear the reactions from.
Speaker 7 (22:59):
Yes, Uh, there is a chainsaw moment. Right, let's say
what happens. But that is the most audible reaction we
have gotten from people yatching the movie. I level it
very vocal about that moment.
Speaker 3 (23:15):
Was there something about the movie as you were making
it that ended up surprising you, Like, was there an
approach you were going to take to one character or
a different plot point that kind of ended up shifting
once you got on set and got to work with everyone.
Speaker 7 (23:28):
Yeah, I think that. For example, for Diego's character, something
that was kind of found when we were shooting it
is he kind of lets them walk over him the
whole movie, which like it's very lovable in a way
because he doesn't it's ma Chiesmo in some ways but
not in other ways. It's kind of interesting combination. But
(23:49):
then at the end he kind of has this moment
on the boat where he yells back, and that's something
that Margo brought as an actor. So there's just little
moments like that where I think it like helped him
like reach a new level for himself more of seeing
these characters stick up for themselves. And so that's something
that was kind of brought.
Speaker 3 (24:08):
In what now Bone Lake Because this is the nature
of this we're doing the drink. You've been junketing all day,
I'm sure talking to tons of people. The movie's about
to be out there. Do you already know or have
an idea of the next project you're going to be
working on and what you're most excited to kind of pursue.
Speaker 7 (24:23):
Yes, So I'm literally prepping a movie right now. Give
that for a PRIs and then prepping again. I can't
talk about yet, but I have that, and then I'm planning.
I love the horror space.
Speaker 6 (24:36):
I love horror.
Speaker 7 (24:37):
Comedy, but I also love things that are lifted in
a different way. So the other movie is a surrealistdramedy
and some siding with them as well.
Speaker 6 (24:44):
Yeah, that sounds really fun, and I mean, isn't that
The joy of making a movie is if you want
it to be, you can do something different every single time.
Speaker 3 (24:52):
Yeah. Okay, So if people are gonna go and see
Bone Lake and it's the night before they're gonna go,
what would be like the one movie you tell them
to watch beforehand, or what would your three top selections
be if you were offering to different people with different tastes.
Speaker 7 (25:07):
Yes, I would say watch a nineties a Rod thriller
so you can compare it to how they didn't know
com bearing can trast those. I would say watch ready
or not just to get in like the headspace stuff.
When this is and then let's see. But the last
(25:27):
I would say, watch something puritanical so that this is
not great. I don't know what that puritanical movie is,
but please send me ideas time.
Speaker 6 (25:40):
To watch like a puritanical PG horror.
Speaker 7 (25:44):
Like, yeah, exactly what whatever that movie is. I'm actually
very interested to watch a PG horror movie.
Speaker 3 (25:49):
Oh, I'm like, wait a minute, this is a different conversation,
but yeah, David dakots thirteen thirteen series All PG.
Speaker 6 (25:56):
But the implications are there, guys.
Speaker 3 (26:01):
When it comes to the rest of your year, we're
about to go into this Halloween to Christmas corridor. We
do something on our podcast where on Fridays we say
thank Colectus is Friday, and we talk about something we're
really excited about.
Speaker 4 (26:13):
For that weekend.
Speaker 3 (26:14):
What's your thing that's kind of what you're most excited
about as the month as we head into October and
into the Christmas period.
Speaker 7 (26:23):
Yeah, I mean usually I would say spooky season, since
I watch like all year was spooky season, But because
I will be on set instead of celebrating Halloween, I
think I'm just I'm just excited to keep making things
because I think it's such an honor to be able
to do that because it's a hard industry, and so
I'm just grateful every single day I get to go
(26:44):
on Saturday.
Speaker 6 (26:45):
I love it.
Speaker 3 (26:46):
Thank you so much. I appreciate you. And yeah, congrats
on the movie. I thought it was amazing. I'm very
excited to see it on a Biggert screen tonight.
Speaker 4 (26:54):
Thank you so much.
Speaker 1 (26:56):
On next week's episodes of X ray Vision, we're diving
into the season two finale.
Speaker 2 (27:02):
Please baker up.
Speaker 1 (27:04):
A fun conversation, can't wait for you guys to hear
it and Horror Movies two thousand and five. Visually You're
twenty twenty five.
Speaker 4 (27:11):
That's it for news. Bye.
Speaker 1 (27:15):
X ray Vision is hosted by Jason Concepcion and Rosie
Knight and is a production of iHeart Podcasts.
Speaker 3 (27:20):
Our executive producers are Joel Monique and Aaron Korfman.
Speaker 1 (27:24):
Our supervising producer is Abu Zafar.
Speaker 3 (27:26):
Our producers are Common Laurent, Dean Jonathan and Bay Wag.
Speaker 1 (27:31):
A theme song is by Brian Vasquez, with alternate theme
songs by Aaron Kauffman.
Speaker 3 (27:35):
Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and
Heidi Our discord moderator,
On today's episode News, we're talking about trailer, We're talking
about the Hunt forg Alum, We're talking about Fortnite and more. Hello,
(00:20):
and name is Jason Cepcio and I'm Rosie Night and
welcome back to Extra Vision of the podcast where we
dive deep in your favorite jokes, movies, comics, pop culture
company from my art. We'll bring you three episodes a week,
plus news.
Speaker 2 (00:30):
Newsy News.
Speaker 3 (00:31):
In today's previously on News episode, we are catching up
with the biggest peek news of the week, including Elijah.
Speaker 4 (00:37):
Wood talks the sequels, What.
Speaker 5 (00:40):
It's Happening, and Fornight's controversial Peacemaker Remote Dance is returning.
Speaker 4 (00:48):
But first News.
Speaker 1 (00:51):
I'm at New York City Comic Con right now recording
this from my hotel room.
Speaker 4 (00:55):
And here at.
Speaker 1 (00:56):
New York City Comic Con, there have been trailers a debuting,
including the new trailer from the Game of Throne spin
off A Night of the Seven Kingdoms, The Duncan Egg
Novella's Come to Screen. I was in the room. It
was wonderful. The cast, Uh, they nailed it with the casting.
The actors Peter and Dex who play Dunk and Egg respectively,
(01:21):
are wonderful. The trailer is get you know, got thrills,
got a little bit of the levity. That is an
interesting new Tonal energy for a Game of Thrones universe,
for Westrus in general. And I'm excited comes out January eighteenth.
Speaker 6 (01:39):
Wow, and the room was a buzzin'.
Speaker 1 (01:41):
George seems in fine fedal. He was talking a lot,
he was talking about writing, he was.
Speaker 5 (01:48):
He was, he's wearing a bowler hat.
Speaker 4 (01:51):
Wearing a bowler hat.
Speaker 1 (01:53):
He's him as an English as an English person, what
is culturally? Tell me what the bowler hat means?
Speaker 3 (02:02):
I know, every time I see someone doing a bowler hat,
I feel like they're gonna do like a little like.
Speaker 2 (02:06):
Hello, my darlin, hell little frog, you know.
Speaker 4 (02:18):
But yeah, it's like it's a hat from like the.
Speaker 3 (02:25):
Lots of people wearing it in like old timey England.
It's basically popular to the seventies and they really did
used to kind of rocket like George was rocketed. Just
wear it with a little suit, just like little guy,
but pretty fancy.
Speaker 4 (02:37):
I felt happy for he looked very excited to be there.
Speaker 3 (02:40):
I thought this trailer was absolutely delightful, very charming, really sweet,
very fun, also very exciting to our Discord members.
Speaker 4 (02:48):
This was a even for the outside of.
Speaker 5 (02:51):
The GOT fandom.
Speaker 3 (02:53):
This tone, this levity, the chemistry really spoke to people.
Speaker 5 (02:57):
GOT a few different people starting to read the book,
which you.
Speaker 3 (03:00):
Have a great The novella you have time to read
them right before January eighteenth is relatively small.
Speaker 1 (03:06):
And I would say if you are a if you're
like you know, I'd like to read the Game of
Thrones books and understand what it's about. But I don't
want to read like hundreds and hundreds and thousands of pages.
In fact, I'd like to kind of like dip my
toe and see what it's about. The Duncan Egg novella's
like the first book I think, is like maybe one
hundred and fifty ish pages.
Speaker 2 (03:27):
It gets fast.
Speaker 1 (03:28):
And it's a wonderful, tight, little heartwarming tale.
Speaker 3 (03:32):
Check it out.
Speaker 1 (03:34):
Next trailer Teenage Bean Ninja, Turtles, Chrome Alone Too.
Speaker 4 (03:38):
Why was this? Singun?
Speaker 7 (03:39):
And?
Speaker 4 (03:40):
I love this direct kind.
Speaker 3 (03:42):
Of continuation a short film that will run before the
new spongebook SquarePants movie such for SquarePants continuing.
Speaker 4 (03:49):
The Mayhem timeline. I love this.
Speaker 3 (03:52):
It looks like basically they're gonna have to deal with bootleggers.
Doing rip off toys, which I thought was really fun,
very meta. As you know, Ninja Turtles were immediately turned
into toys made by Playmates and were immediately copied by
every other toy brand when they were successful. The Street Sharks,
you know, the Radical Dinosaurs or whatever they were called.
(04:14):
So yeah, I thought this looked great. Animation's beautiful. I
would love this, you.
Speaker 2 (04:18):
Know, I'm not.
Speaker 3 (04:19):
I love SpongeBob, but I wasn't desperate to go to
see the fourth SpongeBob movie in the theaters. But now
I probably will because this looked gorgeous just on my phone,
like New and Mayhem is a gorgeous movie. Chrome alone
two looks cute as heck.
Speaker 4 (04:33):
I love these kids. I want to see them again.
Speaker 1 (04:36):
Me too. Up next Lord of the Rings spinoff news uh.
Star of the Lord of the Rings trilogy, Elijah Wood,
has said after he has apparently read the script for
the upcoming Gollum spin off, The Hunt for Gollum, written by, written,
(04:58):
and directed by the legend himself, Andy serkis Oh, Elijah
Wood is quoted as saying, keeping a close eye on
production and quote, the thing that is so exciting is
that it is really getting the creative band back together,
and then he went on to basically say, hey, great script. Now, yeah,
exciting news. But let's temper that excitement because script means
(05:22):
we may never see this. Yeah, it's not even they're
not even shooting playing. It's just like someone's real.
Speaker 3 (05:28):
Great script scripts in Hollywood, baby, there's a lot of
great scripts.
Speaker 4 (05:33):
I love that he likes it. I feel like Elijah Wood, if.
Speaker 3 (05:36):
You know his imprint that he made his film Imprintspeck Division,
he made Rabbit Trap. I think he has great taste,
interesting kind of perceptions of what is good and bad
in Hollywood.
Speaker 5 (05:47):
So the fact he likes it is positive. But like
you say, could.
Speaker 3 (05:51):
Also see it become a kind of overstuffed cameo fest
like many of these do. And that is Colleida did
report on that saying, currently the script includes a lot
of familiar faces.
Speaker 7 (06:02):
But we'll see because you know what they will say.
Speaker 3 (06:05):
It was like just like you know, George Ahmots and
they loved to do a little crossover, loved that people
integrated in the world.
Speaker 1 (06:12):
Let's take a quick break when we read back morning
and we're back with more news fortnite. Oh and their
(06:34):
and their developer and Company, epic that makes Fortnite, was
horrified to learn that the peacemaker emote that was put
into the game by their partners, their creative partners that
weren't brothers.
Speaker 7 (06:49):
Peaceful Hips It's called.
Speaker 1 (06:51):
Peaceful Lips was actually, they learned after the events of
the penultimate episode of two, was actually a swastik reference.
And it's right there in the opening It's right there
in the opening dance of the of the show. And
apparently nobody told that their.
Speaker 3 (07:09):
Crazy work, Like can you imagine the email on the
door that someone put that together and was like, you
had us selling an emote to kids that was a
swasti cut, Like, hey, absolute beef.
Speaker 5 (07:24):
That must have been happening.
Speaker 6 (07:26):
I cannot even imagine.
Speaker 1 (07:27):
It's horrible, but great spoiler control, Yeah, hilarious spoiler control.
Speaker 3 (07:33):
And also James Gun's probably like, well, just you saw it,
you know what it was, like, you approved it. So
they have brought it back and basically what it is
now is instead of the arms going up and down
separately to make the swastika, they go down at the
same time, they go up at the same time, and
he does his peaceful hips.
Speaker 4 (07:49):
I think they should have kept it because like crazy,
but also obviously.
Speaker 3 (07:53):
Online gaming big space for nazis, so I get it,
and you know they I respect that Fortnite pulled there
and I appreciate.
Speaker 5 (08:01):
That they have brought it back.
Speaker 3 (08:03):
And yes, also guys, this is something for the girlies
out there.
Speaker 4 (08:08):
Just need to say this Nana.
Speaker 3 (08:10):
It is the twenty fifth anniversary of I U is
Our's incredible manga, Sapphic legendary punk manga which never finished
and is supposedly coming back. But more importantly because we've
all lived with the Sapphic mystery of No Ending for
twenty five years, so the most important thing is that
(08:31):
soon Nana and Vivian Westward, who inspired many of the
outfits that I would draw into the comic, and especially
the famous jewelry that many of us have tried to
find from Nana, they are doing an official fashion collaboration
with Vivian Westward, So you will save up all your
money for that now and see how that comes out.
(08:52):
But for the gays and the girlies, it's a big moment.
We all want that Nana ring, We own that Nana
light a necklace. It's time we're gonna take a break
and then and you will be able to hear my
interview with Mercedes Bryce Morgan, the director of the.
Speaker 5 (09:06):
New erotic corror movie Bone Late.
Speaker 3 (09:09):
Very very fun chat, very very fun movie.
Speaker 4 (09:28):
Homotheticals.
Speaker 3 (09:28):
It going.
Speaker 7 (09:29):
Hi, Rosie, I'm wonderful.
Speaker 6 (09:31):
How are you? I love to hear it.
Speaker 7 (09:32):
Well.
Speaker 3 (09:33):
I appreciate you joining us on x ray Vision. This
is a podcast about like movies and TV and comic books,
and a lot of our kind of mine and Jason's
upbringing was comic books.
Speaker 6 (09:44):
So we always ask kind of like, what was your
origin story?
Speaker 3 (09:47):
But I would love to know what your directorial origin
story was totally.
Speaker 7 (09:52):
So I have been directing ever since I was a kid.
I would play with Star Wars action figures with the
my friends on the road from the mountain. We would
go shoot it on our mini dB cam. But then
in high school ridiculously, now I made a living shooting
Obgyn and wedding videos. Incredible, and I escaped from my
(10:13):
small hometown and I went to USC Film School. And
I say that I was always too busy making stuff
to go to class. And I was the kind of
person where I was like, oh the fuck are you
guys sitting in class? Like over I'm like making things, like,
let's go make things. And so I got started with
that and I did a lot of music videos and
commercials and that kind of led me into being able
to take everything I learned from that into my features
(10:36):
to go, Okay, you know, we're an indie project, but
how do we do these wild funge shops and capture
these moments? And so, you know, one thing kind of
just led to the next thing and then here we
are with all Mike. That's a very short version.
Speaker 6 (10:48):
Yeah, I love it the DLD.
Speaker 3 (10:49):
You know, it's only a twenty minute in a THEW
Weekend talk about just that fucking started for any time,
uh and for old time. But yeah, it's something I
I just really loved about this movie was the kind
of the freedom that you give the story to go
wherever it wants to go. I would say it's twisty,
(11:10):
but that kind of also under sells like the emotional
hathen like humor of the movie. So when did you
first think about the idea that would become Bone Lake?
Speaker 7 (11:22):
Yeah? So I actually I got sent the script and
I think my agents knew me, and they're like, oh,
she likes things that are erratic and subversive and intense,
and I'm like, those are all things that I love,
and so it was kind of just this match made
that was really wonderful. And so I read it and
I thought, oh man, the reaction I had reading this
(11:44):
of caring about these characters but then also gasping at
these plot twists is something I want to give to
other people.
Speaker 6 (11:52):
You do a great job of doing just that in
the movie.
Speaker 3 (11:56):
One of my favorite things about the film is it
kind of it's very genre bendy. You think it's one thing,
you think it's something else, and it was I'm a
big as a millennial.
Speaker 6 (12:06):
I'm like a big.
Speaker 3 (12:07):
Iroic thrillers passing because that was kind of a very
big part of my upbringing and the kind of nineties
movies that I loved. So was that something intentional that
you get into this story the kind of history of
horror and how it ended up kind of shaping these stories.
Speaker 7 (12:22):
Yeah, most definitely. I mean, like, I love that era
of movies. They're so fun and over the top in
a way that is just so entertaining to watch. But
I think what's fun about those movies is they're all
sex centered. It's so cool to bring sex back into movies,
but a lot of those movies kind of weaponize women
the tests in a way where it's like it was
(12:44):
bad that they were sexual and we shouldn't have trusted them.
And I wanted to do something where it's taking the
fun of that, but we're not punishing our female characters
that way because they're all sexual beings and we see
that go down in a different way.
Speaker 6 (12:58):
Yeah, it's a lot of fun.
Speaker 3 (13:00):
Could you talk about how as a director you kind
of balance The movie feels grounded, it's got that great
feeling of this could happen to you. We've all had
that kind of feeling of what if I turned up
to my Airbnb and someone else was there. How did
you balance keeping it grounded while also kind of changing
it up when it came to those erratic reveals and shocks.
Speaker 6 (13:21):
Because it's so well done, it kind of flows.
Speaker 3 (13:23):
But when I was rewatching the movie, I was like, wait,
there is so much here and so much space that
you cover emotionally. So could you talk a little bit
about the challenges I guess of directing this one.
Speaker 7 (13:34):
For sure, I think that it's especially for me, it
was really important to have Sagean Diego grounded with just
really good actors of just the interact in a way
that is very believable of everything they're going through, and
we can see that there's this reality and this emotionality
to the relationship dynamics, because I think everyone can relate
to what they're going through in many different ways. But
(13:56):
then I also when we see where Will and Sin
gets too, it's let's have fun, let's be fucking silly,
and let's just go for it. And so it was
just kind of matching up those things of having that
basis but then not treating itself too seriously.
Speaker 3 (14:13):
Yeah, I also loved I feel like in a lot
of movies like this, the concept of a kind of
you know, you get somewhere, you have to share a
space with strangers, and it all becomes very Lord of
the Flies and how far can we be pushed? You
get to give Sage and Diego a different kind of story,
and could you talk a little bit about the subversive
(14:34):
nature of kind of well, relationships are flawed, but if
we stick together, like maybe it's worth it, because that's
such a good takeaway.
Speaker 2 (14:41):
Yeah.
Speaker 7 (14:42):
Now, I think that anyone who thinks that they can
be better than now of controlling their emotions or saying
it's fun. I don't have to tell my partner I'm
thinking my orgasms or I'm not satisfied in my job,
and everything that shapes their dynamic together is kind of
kidding themselves because it's gonna come out at one point
(15:03):
or another. And so I think ours is just kind
of the lifted interpretation of instead of it just they
break up. If it doesn't work out, they might die.
Speaker 3 (15:11):
Yeah, I love that's a great horror steak to add
to this one. When you were coming into this, read
the script, loved it. What were your kind of personal
touch thones throughout? Are you somebody who likes to watch
movies that are in the same vein? Were you listening
to music that was really specific? Like what was the
creative art that was inspiring you the most as you
(15:32):
made this one.
Speaker 7 (15:33):
Yeah, it was definitely watching other movies like Ready or
Not as a big Tonal cop on Bull Dead too
for Shout Desired, and then very different genre but Who's
Afraid of Virginia Wolf? And then also just nineties erotic thriller.
It's just having all of those things kind of a
mixture together. It is something that was really inspirational.
Speaker 6 (15:51):
How are you feeling now?
Speaker 3 (15:53):
You know you've made the movie and it is about
to be out there in I feel like this is
getting like a lot of hype.
Speaker 6 (16:01):
A lot of heat too. Is not your first time
in the rodeo.
Speaker 3 (16:04):
But at the same time, like, how are you feeling now?
People are excited and they're getting to watch it for
the first time.
Speaker 7 (16:09):
It feels so cool because my dream for this movie
has been to have it come out in theaters and
so just to see that that's the home because we don't.
Not every movie comes on person well, and so to
have that is so special because I think that this
is a theatrical movie, and I know everyone wants to
say the movie is like theatrical movie, but for me,
it's that it's the experience of having people react and
(16:31):
being able to hear someone laugh.
Speaker 6 (16:33):
No, totally.
Speaker 3 (16:33):
I was watching it at home so we could so
I could do this interview, but I'm going to see
it tonight in a bition, And there was so many
moments where.
Speaker 6 (16:42):
I was literally like yelling to the other room and
going like, oh man, you can't watch it, but you're
gonna love this one. Like when you see it in
the movie.
Speaker 4 (16:48):
There, so I feel like it's definitely those kind.
Speaker 6 (16:51):
Of gasps and chuckles and fun.
Speaker 3 (16:55):
How what do you feel about I feel like twenty
twenty five has been a very like credible time for horror,
but it's also introduced like some new trends and different
ways of approaching stuff, and feel like maybe we're leaving
some of the you know as they call it, like
elevated horror, but like leaving that kind of conversation behind
and having a broader conversation about what.
Speaker 6 (17:16):
Horror can be.
Speaker 3 (17:18):
Yeah, what do you feel like the big horror story
is from twenty twenty five? Like what other horror movies
you've loved and this work that's gotten you through?
Speaker 7 (17:26):
No totally. I mean, first of all, I love all
horror movies. But I think even just to kind of
speak to what you were saying of like be let
through the elevated horror and now we're kind of out
of that a little bit, it's such an interesting thing
to analyze. It's almost like I like comparing it to
the Batman movies, where it's like you started out with
can't be Batman Robin, and then we're like, no, no, no,
we have to be really serious and now let's be
(17:48):
fun with this again. Okay, let's be very serious again
and just kind of see edflow. And I think it's
the same thing with horror movies, where we're like, we're
can't be we're serious, we're elevated, let's have fun again.
And I think that just you know, there's been so
many movies, but like even seeing Weapons recently, but there's
(18:08):
moments that are very funny.
Speaker 6 (18:09):
It's so funny.
Speaker 7 (18:11):
Yeah, it's kind of cool to see that combo and
mixture of things. And so I've just been like inspired
by fellow directors around me.
Speaker 4 (18:20):
I love that.
Speaker 3 (18:20):
I was gonna say, it's a wonderful time, especially for
like indie horror and small with like this and Good Boy.
I feel like both of those are just so anticipated
right now. What is a horror film that you have
really loved it or a TV programmer book and a
thing that you've loved in the horror genre that maybe
you feel like it's gone a little bit under the
radar over the last.
Speaker 7 (18:40):
Year, under the radar, let's see. I mean, it's hard
to say because under the radar is different for different people.
Speaker 6 (18:47):
So it's definitely subjective.
Speaker 7 (18:48):
Yes, I mean, Freaks is a very classic movie, but
it's something that I don't hear people talk about anymore,
and for me, that's something that I'm always excited to
talk about because the fact that that was made so
long ago and it just still hits home is amazing.
And I also don't think that movie could be made today,
(19:08):
so the fact that it was made when it was
is very special.
Speaker 6 (19:11):
Yeah, I totally agree. I love Freaks also like still.
Speaker 3 (19:15):
The only main stream studio movie with like a fully
disabled cost or like a predominantly disabled cost special Yeah,
I love that.
Speaker 6 (19:23):
You pointed that one out.
Speaker 3 (19:25):
When you are coming to these things as a director,
what was it like for you to go from being.
Speaker 6 (19:32):
Somebody who loves horror movies, which you still.
Speaker 3 (19:33):
Are, But what was it like to go from kind
of a consumer and an amateur to making this your
actual career.
Speaker 6 (19:41):
Like what has that journey been like for you?
Speaker 7 (19:43):
Yeah? For sure, I mean I think that, like I said,
I kind of want to make things that are the
kind of things I want to watch, So I when
I watch movies, you know, I was on the jury
of Fantastic That's this year, and so it's also been
cool to have things in the festival and then also
be in the jury and see when I become a
set about things where I go, man, that protagonist was
so stupid. I want to tell them like run at
(20:05):
this point, but when they do something that's really smart
and so you know, there's a moment in this movie
we realize they're like, ah, so smart, that's so nice.
Speaker 4 (20:14):
Yeah, it was lovely.
Speaker 6 (20:15):
Always a lovely surprise. I have a smart protagonist.
Speaker 7 (20:18):
Yeah, So I think it's things like that or just
you know, as I'm watched and become inspired more and more,
as there's more horror films every year, it's like, okay,
how can we add this to this center own way? Well,
there's not as many sexual movies out there are a lot,
but like right now, it's like something that we're rebringing
out to people, and so it's been exciting to take
attribute that way.
Speaker 3 (20:38):
Yeah. Could you talk a little bit about that, a
little bit more about that actually, because I do feel
like the way sex is portrayed in this movie is
very different from the kind of current trends of this
more puritanical idea of like do we need sexy?
Speaker 5 (20:51):
Sex?
Speaker 6 (20:51):
Is an integral pop this film.
Speaker 3 (20:53):
Could you talk a little bit about how great it
is to direct that as a woman and to be
getting to bring that back into the space maybe a
more holistic and thoughtful way than in the past.
Speaker 7 (21:04):
Totally, I think I had maybe a rare American upbringing
experience where I.
Speaker 6 (21:09):
Was raised in a very sex positive household.
Speaker 7 (21:11):
And so, yes, and so it was funny enough that
my parents were showing me movies with sex scenes more
so than even I was allowed to watch some horror films,
And so for me, it wasn't something that I thought
about as that different or crazy to be like that
until you hear from other people, that is. And so
(21:32):
to bring this back in I think that you know,
there's some there's some people it's not for them, and
that's okay, because people who are looking for this it's
going to be even more for them, and I think
that's just even more exciting.
Speaker 3 (21:44):
Yeah, what do you think about the way that horror
and passion and romance and sex. I feel like they
have always been in twined, you know, ever since Bella
Lagosi talking about like it's women who love blood, you know,
but also kind of just like now there is more
than ever with romanticy with stuff like that could you
(22:04):
talk a little bit about balancing the fact that you
need a couple you can root for who need to
feel grounded and real, but are also, you know, in
a situation where everything is getting more and more out
of control and unrealistic. Like what is how do you
ground those two different kind of sides of the movie?
Speaker 7 (22:23):
Yeah, I think it's knowing what elements are at what point,
and so it's like, as we know that Sasian Diego
or our compass of groundedness, everything about around them doesn't
have to be. But I think it's because those are consistent.
The way I kind of looked at it, it is like, Okay,
this will be this will be our forest throat. And
I think also, you know, as viewers, we've seen so
many different genres, so I think people are really excited
(22:47):
to combine genres and like that's what we're looking for.
Speaker 3 (22:51):
Yeah, is there a moment that you're most excited to
see people react to or kind of hear the reactions from.
Speaker 7 (22:59):
Yes, Uh, there is a chainsaw moment. Right, let's say
what happens. But that is the most audible reaction we
have gotten from people yatching the movie. I level it
very vocal about that moment.
Speaker 3 (23:15):
Was there something about the movie as you were making
it that ended up surprising you, Like, was there an
approach you were going to take to one character or
a different plot point that kind of ended up shifting
once you got on set and got to work with everyone.
Speaker 7 (23:28):
Yeah, I think that. For example, for Diego's character, something
that was kind of found when we were shooting it
is he kind of lets them walk over him the
whole movie, which like it's very lovable in a way
because he doesn't it's ma Chiesmo in some ways but
not in other ways. It's kind of interesting combination. But
(23:49):
then at the end he kind of has this moment
on the boat where he yells back, and that's something
that Margo brought as an actor. So there's just little
moments like that where I think it like helped him
like reach a new level for himself more of seeing
these characters stick up for themselves. And so that's something
that was kind of brought.
Speaker 3 (24:08):
In what now Bone Lake Because this is the nature
of this we're doing the drink. You've been junketing all day,
I'm sure talking to tons of people. The movie's about
to be out there. Do you already know or have
an idea of the next project you're going to be
working on and what you're most excited to kind of pursue.
Speaker 7 (24:23):
Yes, So I'm literally prepping a movie right now. Give
that for a PRIs and then prepping again. I can't
talk about yet, but I have that, and then I'm planning.
I love the horror space.
Speaker 6 (24:36):
I love horror.
Speaker 7 (24:37):
Comedy, but I also love things that are lifted in
a different way. So the other movie is a surrealistdramedy
and some siding with them as well.
Speaker 6 (24:44):
Yeah, that sounds really fun, and I mean, isn't that
The joy of making a movie is if you want
it to be, you can do something different every single time.
Speaker 3 (24:52):
Yeah. Okay, So if people are gonna go and see
Bone Lake and it's the night before they're gonna go,
what would be like the one movie you tell them
to watch beforehand, or what would your three top selections
be if you were offering to different people with different tastes.
Speaker 7 (25:07):
Yes, I would say watch a nineties a Rod thriller
so you can compare it to how they didn't know
com bearing can trast those. I would say watch ready
or not just to get in like the headspace stuff.
When this is and then let's see. But the last
(25:27):
I would say, watch something puritanical so that this is
not great. I don't know what that puritanical movie is,
but please send me ideas time.
Speaker 6 (25:40):
To watch like a puritanical PG horror.
Speaker 7 (25:44):
Like, yeah, exactly what whatever that movie is. I'm actually
very interested to watch a PG horror movie.
Speaker 3 (25:49):
Oh, I'm like, wait a minute, this is a different conversation,
but yeah, David dakots thirteen thirteen series All PG.
Speaker 6 (25:56):
But the implications are there, guys.
Speaker 3 (26:01):
When it comes to the rest of your year, we're
about to go into this Halloween to Christmas corridor. We
do something on our podcast where on Fridays we say
thank Colectus is Friday, and we talk about something we're
really excited about.
Speaker 4 (26:13):
For that weekend.
Speaker 3 (26:14):
What's your thing that's kind of what you're most excited
about as the month as we head into October and
into the Christmas period.
Speaker 7 (26:23):
Yeah, I mean usually I would say spooky season, since
I watch like all year was spooky season, But because
I will be on set instead of celebrating Halloween, I
think I'm just I'm just excited to keep making things
because I think it's such an honor to be able
to do that because it's a hard industry, and so
I'm just grateful every single day I get to go
(26:44):
on Saturday.
Speaker 6 (26:45):
I love it.
Speaker 3 (26:46):
Thank you so much. I appreciate you. And yeah, congrats
on the movie. I thought it was amazing. I'm very
excited to see it on a Biggert screen tonight.
Speaker 4 (26:54):
Thank you so much.
Speaker 1 (26:56):
On next week's episodes of X ray Vision, we're diving
into the season two finale.
Speaker 2 (27:02):
Please baker up.
Speaker 1 (27:04):
A fun conversation, can't wait for you guys to hear
it and Horror Movies two thousand and five. Visually You're
twenty twenty five.
Speaker 4 (27:11):
That's it for news. Bye.
Speaker 1 (27:15):
X ray Vision is hosted by Jason Concepcion and Rosie
Knight and is a production of iHeart Podcasts.
Speaker 3 (27:20):
Our executive producers are Joel Monique and Aaron Korfman.
Speaker 1 (27:24):
Our supervising producer is Abu Zafar.
Speaker 3 (27:26):
Our producers are Common Laurent, Dean Jonathan and Bay Wag.
Speaker 1 (27:31):
A theme song is by Brian Vasquez, with alternate theme
songs by Aaron Kauffman.
Speaker 3 (27:35):
Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and
Heidi Our discord moderator,
Hosts And Creators
Jason Concepcion
Rosie Knight
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