October 6, 2025 • 8 mins
Steve Harvey Morning Show Online: http://www.steveharveyfm.com/
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Episode Transcript
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Speaker 1 (00:00):
Time to ask the CLO our Chief Love Officer, Steve Harvey.
Here we go with Jamie in Springfield. Jamie writes, I
am I'm a thirty three year old married woman. I
had an argument with my husband and he said he
regrets marrying me. Later on, he apologized and said he
didn't mean it. Did he really mean it? Don't people
(00:24):
say what they truly feel when they're moved?
Speaker 2 (00:26):
He said, no, No, people don't really truly me say
what they mean when they mad. Sometimes you less some
stuff out at the particular moment. He did regret, man,
and he meant it at that particular moment. Yeah, he
regretted it at that particular moment. But he came back
(00:47):
and apologized to you.
Speaker 3 (00:49):
And she's supposed to let that go.
Speaker 2 (00:52):
That's pretty well, you know, I ain't never said it
out loud.
Speaker 3 (00:59):
All right, Here you go with the truth. Finally. Yeah,
that's pretty bad. That's very hurtful.
Speaker 2 (01:10):
But that's why, man, you have to be careful in anger. Man,
you have to be careful when you're angry. The best
thing to do for fellas when you're angry, walk away,
because you can't take back a lot of stuff you said.
And that goes for women too, because women have very
very sharp tongues. Man, because y'all can cut, y'all can
cut deep, y'all, y'all got a machete, and y'all y'all
(01:33):
can say someff to a man that can damage him
and you can't get it back. And we know it's
you know, and you should never say something to your
partner that you know will hurt them. You can't go
to that vulnerable place because now the one person that
I love and trust and depend on is out to
(01:55):
hurt me.
Speaker 4 (01:56):
Oh come on, man, you shouldn't do that.
Speaker 3 (01:58):
You're absolutely right read y h.
Speaker 4 (02:02):
Okay, because you know your man's weak spot.
Speaker 3 (02:06):
Yeah, oh yeah, yep, all right, moving on.
Speaker 1 (02:10):
So so he shouldn't He should apologize and they should
try to make it work.
Speaker 3 (02:15):
That's what you're saying.
Speaker 4 (02:16):
Well, anger, but he made a big mistake. He shouldn't
have said No, he should not have hate our marriage.
Speaker 3 (02:23):
I don't never say that.
Speaker 4 (02:25):
That's thing right there.
Speaker 3 (02:26):
Yeah, you know I.
Speaker 2 (02:28):
Wish I had never married you.
Speaker 4 (02:35):
Just saying it makes something.
Speaker 2 (02:37):
Yeah, Lord, I don't know how you go get that
one back.
Speaker 3 (02:41):
I've never said that one, but you've said it.
Speaker 4 (02:44):
But but you know you need to say that as
you pack it.
Speaker 2 (02:48):
That's what you say after you signed the least at
your other apartment.
Speaker 3 (02:58):
As from that.
Speaker 2 (02:59):
Yeah, that's how I'm gone and on the way out here,
let me give you something.
Speaker 4 (03:04):
Yeah, it's like a parting gift.
Speaker 3 (03:06):
Yeah, exit all right.
Speaker 1 (03:11):
Oh, Moving on to Gloria in Atlantic City, Gloria says,
I'm in a singing group. My boyfriend and my close
friends have stopped coming to support me because I sing
the same songs every time I perform. They think I
need to switch up my songs. Should I switch up
my songs or my friends? Is what she wants to know.
Speaker 4 (03:31):
Gloria and Atlantic, Well, baby, listen to me. You sang
the same song.
Speaker 2 (03:38):
Now, your boyfriend Neil ain't the only one that's hearing
these songs. It just some people that go to stuff
regular night, and you know they waitt on you to
sing some most songs too. What's the matter, you don't
know no more.
Speaker 1 (03:52):
A repertoire.
Speaker 2 (03:53):
I mean, if we're gonna go down here and all
you gonna sing, is it same song?
Speaker 4 (03:57):
You know what I mean? Songs is out there you
can learn. Get your band together, you say she had
a group. Yeah, yeah, yeah, but they ain't that good. Thought,
take care of anybody.
Speaker 2 (04:14):
We ain't coming down here here the same song, Yeah,
it ain't that good in the same same song.
Speaker 4 (04:23):
Yeah.
Speaker 3 (04:24):
So she she's thinking about quitting her friends over.
Speaker 2 (04:27):
This, Well, you're gonna have to quit a whole You're
gonna have to quit going down to that club in
a minute because you don't get a new show.
Speaker 4 (04:35):
Yeah, you gotta get a new show you need.
Speaker 2 (04:41):
Yeah, you're sitting up in the here and that we're
gonna do. If she if she, I know, she finished same,
that's supreme till she came.
Speaker 1 (04:48):
A Broadway show, does the same thing every night for
months and months.
Speaker 4 (04:53):
Residence in Vegas.
Speaker 2 (04:55):
Yeah, yeah, yeah, she ain't got none of that. She
ain't got none of that. She ain't on Broadways. She
ain't got no residency. She down there Piccolos all right.
Speaker 1 (05:11):
Moving on to Avenel and Tyler, Avenel writes, I love
to drink and have a good time, and when I drink,
I get flirty. My husband knows how I am, and
after twenty two years of marriage, it shouldn't bother him.
He said that he does not trust me, and is
this just an excuse? Avanel wants to know to keep
(05:32):
me out of the club so he can just go.
Speaker 4 (05:36):
Avenel.
Speaker 3 (05:37):
You don't seething?
Speaker 4 (05:38):
None wrong you're doing?
Speaker 1 (05:41):
You're doing?
Speaker 4 (05:43):
Is this just here? He know how I am? Is
this his way of keeping me out the clubs so
he can go by hisself? Avenel? He tired of?
Speaker 2 (05:50):
You know? Yes with Avenel, guys an Avenel?
Speaker 4 (05:55):
You own an Avenel.
Speaker 3 (06:01):
Because of the name Avenel.
Speaker 4 (06:05):
Maxine Jackson.
Speaker 3 (06:07):
What is her husband's name?
Speaker 2 (06:10):
Beautfut Beautford Rolling Jackson.
Speaker 3 (06:18):
Jenail Maxine and Buford Rolling. Okay, wow, so he doesn't.
Speaker 4 (06:26):
You need to quit drinking?
Speaker 3 (06:28):
Yeah, and stop flirting in the club? Husband, What are
you doing?
Speaker 2 (06:34):
He don't trust you? Why y'all still at the club?
The name Avenue? Y'all at a tavern.
Speaker 3 (06:43):
Of marriage?
Speaker 4 (06:44):
Yeah?
Speaker 1 (06:46):
All right, last one, Steve, Here we go. This is
from Morris in Baton Rouge. Morris says, my wife and
I see a lot of men going in and out
of the neighbor's house. She just moved in and told
us that she's a massage therapist. She only massages men.
From what we can see.
Speaker 3 (07:04):
Is she doing more than rubbing on.
Speaker 1 (07:07):
Those men.
Speaker 4 (07:10):
Who wrote this letter?
Speaker 1 (07:11):
The husband Morris Morris, you know what's happening over there.
Speaker 3 (07:17):
And he wants to go over there.
Speaker 2 (07:18):
What is Morris Morris trying to find figure out before
he signed up for his massage?
Speaker 4 (07:24):
Is in more to it? And Morris, you know good
and well. If I'm over your house and I'm laying
on the table, okay, and you rubbing me.
Speaker 3 (07:35):
Come on, that's the scene. That's the scene.
Speaker 4 (07:37):
Uh huh, I hear. I'm all involved your thumb. You're
doing glutes. You're doing glutes.
Speaker 3 (07:48):
Massage.
Speaker 4 (07:49):
Eventually, I'm gonna have to turn over.
Speaker 1 (07:52):
All right on that note, Thank god, we're out of time.
Speaker 3 (07:56):
You're listening Steve Harvey Morning Show
Time to ask the CLO our Chief Love Officer, Steve Harvey.
Here we go with Jamie in Springfield. Jamie writes, I
am I'm a thirty three year old married woman. I
had an argument with my husband and he said he
regrets marrying me. Later on, he apologized and said he
didn't mean it. Did he really mean it? Don't people
(00:24):
say what they truly feel when they're moved?
Speaker 2 (00:26):
He said, no, No, people don't really truly me say
what they mean when they mad. Sometimes you less some
stuff out at the particular moment. He did regret, man,
and he meant it at that particular moment. Yeah, he
regretted it at that particular moment. But he came back
(00:47):
and apologized to you.
Speaker 3 (00:49):
And she's supposed to let that go.
Speaker 2 (00:52):
That's pretty well, you know, I ain't never said it
out loud.
Speaker 3 (00:59):
All right, Here you go with the truth. Finally. Yeah,
that's pretty bad. That's very hurtful.
Speaker 2 (01:10):
But that's why, man, you have to be careful in anger. Man,
you have to be careful when you're angry. The best
thing to do for fellas when you're angry, walk away,
because you can't take back a lot of stuff you said.
And that goes for women too, because women have very
very sharp tongues. Man, because y'all can cut, y'all can
cut deep, y'all, y'all got a machete, and y'all y'all
(01:33):
can say someff to a man that can damage him
and you can't get it back. And we know it's
you know, and you should never say something to your
partner that you know will hurt them. You can't go
to that vulnerable place because now the one person that
I love and trust and depend on is out to
(01:55):
hurt me.
Speaker 4 (01:56):
Oh come on, man, you shouldn't do that.
Speaker 3 (01:58):
You're absolutely right read y h.
Speaker 4 (02:02):
Okay, because you know your man's weak spot.
Speaker 3 (02:06):
Yeah, oh yeah, yep, all right, moving on.
Speaker 1 (02:10):
So so he shouldn't He should apologize and they should
try to make it work.
Speaker 3 (02:15):
That's what you're saying.
Speaker 4 (02:16):
Well, anger, but he made a big mistake. He shouldn't
have said No, he should not have hate our marriage.
Speaker 3 (02:23):
I don't never say that.
Speaker 4 (02:25):
That's thing right there.
Speaker 3 (02:26):
Yeah, you know I.
Speaker 2 (02:28):
Wish I had never married you.
Speaker 4 (02:35):
Just saying it makes something.
Speaker 2 (02:37):
Yeah, Lord, I don't know how you go get that
one back.
Speaker 3 (02:41):
I've never said that one, but you've said it.
Speaker 4 (02:44):
But but you know you need to say that as
you pack it.
Speaker 2 (02:48):
That's what you say after you signed the least at
your other apartment.
Speaker 3 (02:58):
As from that.
Speaker 2 (02:59):
Yeah, that's how I'm gone and on the way out here,
let me give you something.
Speaker 4 (03:04):
Yeah, it's like a parting gift.
Speaker 3 (03:06):
Yeah, exit all right.
Speaker 1 (03:11):
Oh, Moving on to Gloria in Atlantic City, Gloria says,
I'm in a singing group. My boyfriend and my close
friends have stopped coming to support me because I sing
the same songs every time I perform. They think I
need to switch up my songs. Should I switch up
my songs or my friends? Is what she wants to know.
Speaker 4 (03:31):
Gloria and Atlantic, Well, baby, listen to me. You sang
the same song.
Speaker 2 (03:38):
Now, your boyfriend Neil ain't the only one that's hearing
these songs. It just some people that go to stuff
regular night, and you know they waitt on you to
sing some most songs too. What's the matter, you don't
know no more.
Speaker 1 (03:52):
A repertoire.
Speaker 2 (03:53):
I mean, if we're gonna go down here and all
you gonna sing, is it same song?
Speaker 4 (03:57):
You know what I mean? Songs is out there you
can learn. Get your band together, you say she had
a group. Yeah, yeah, yeah, but they ain't that good. Thought,
take care of anybody.
Speaker 2 (04:14):
We ain't coming down here here the same song, Yeah,
it ain't that good in the same same song.
Speaker 4 (04:23):
Yeah.
Speaker 3 (04:24):
So she she's thinking about quitting her friends over.
Speaker 2 (04:27):
This, Well, you're gonna have to quit a whole You're
gonna have to quit going down to that club in
a minute because you don't get a new show.
Speaker 4 (04:35):
Yeah, you gotta get a new show you need.
Speaker 2 (04:41):
Yeah, you're sitting up in the here and that we're
gonna do. If she if she, I know, she finished same,
that's supreme till she came.
Speaker 1 (04:48):
A Broadway show, does the same thing every night for
months and months.
Speaker 4 (04:53):
Residence in Vegas.
Speaker 2 (04:55):
Yeah, yeah, yeah, she ain't got none of that. She
ain't got none of that. She ain't on Broadways. She
ain't got no residency. She down there Piccolos all right.
Speaker 1 (05:11):
Moving on to Avenel and Tyler, Avenel writes, I love
to drink and have a good time, and when I drink,
I get flirty. My husband knows how I am, and
after twenty two years of marriage, it shouldn't bother him.
He said that he does not trust me, and is
this just an excuse? Avanel wants to know to keep
(05:32):
me out of the club so he can just go.
Speaker 4 (05:36):
Avenel.
Speaker 3 (05:37):
You don't seething?
Speaker 4 (05:38):
None wrong you're doing?
Speaker 1 (05:41):
You're doing?
Speaker 4 (05:43):
Is this just here? He know how I am? Is
this his way of keeping me out the clubs so
he can go by hisself? Avenel? He tired of?
Speaker 2 (05:50):
You know? Yes with Avenel, guys an Avenel?
Speaker 4 (05:55):
You own an Avenel.
Speaker 3 (06:01):
Because of the name Avenel.
Speaker 4 (06:05):
Maxine Jackson.
Speaker 3 (06:07):
What is her husband's name?
Speaker 2 (06:10):
Beautfut Beautford Rolling Jackson.
Speaker 3 (06:18):
Jenail Maxine and Buford Rolling. Okay, wow, so he doesn't.
Speaker 4 (06:26):
You need to quit drinking?
Speaker 3 (06:28):
Yeah, and stop flirting in the club? Husband, What are
you doing?
Speaker 2 (06:34):
He don't trust you? Why y'all still at the club?
The name Avenue? Y'all at a tavern.
Speaker 3 (06:43):
Of marriage?
Speaker 4 (06:44):
Yeah?
Speaker 1 (06:46):
All right, last one, Steve, Here we go. This is
from Morris in Baton Rouge. Morris says, my wife and
I see a lot of men going in and out
of the neighbor's house. She just moved in and told
us that she's a massage therapist. She only massages men.
From what we can see.
Speaker 3 (07:04):
Is she doing more than rubbing on.
Speaker 1 (07:07):
Those men.
Speaker 4 (07:10):
Who wrote this letter?
Speaker 1 (07:11):
The husband Morris Morris, you know what's happening over there.
Speaker 3 (07:17):
And he wants to go over there.
Speaker 2 (07:18):
What is Morris Morris trying to find figure out before
he signed up for his massage?
Speaker 4 (07:24):
Is in more to it? And Morris, you know good
and well. If I'm over your house and I'm laying
on the table, okay, and you rubbing me.
Speaker 3 (07:35):
Come on, that's the scene. That's the scene.
Speaker 4 (07:37):
Uh huh, I hear. I'm all involved your thumb. You're
doing glutes. You're doing glutes.
Speaker 3 (07:48):
Massage.
Speaker 4 (07:49):
Eventually, I'm gonna have to turn over.
Speaker 1 (07:52):
All right on that note, Thank god, we're out of time.
Speaker 3 (07:56):
You're listening Steve Harvey Morning Show
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