Episode Transcript
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Speaker 1 (00:00):
Coming up at about four minutes after the hour. It's
my strawberry letter for today and the subject is does
she pass her leftovers to me? Figure that out? Find
out what's going on at the top of the hour.
But right now it is time for the nephew and
today's spring phone call. What you got for a snap?
Steps upon the team with the dream of a hardcore
(00:22):
lean Your dream wasn't grapp to be pointed graphic Yeah,
tough rock, baby, top rock. When you at man, this
is the nephew coming at you. If you ain't heard
it before, here it is the nephew pranks, chub rock sile,
what ain't for the helping? Somebody fini use my instrumental
hello and then act like they're gonna just use my hello. Hello.
(00:42):
May I speak to chub Hey? I need to talk
to you man. This d Low from our flow Jaim
Productions out of Jacksonville, Florida. My name d Low from
flow Jam Productions out of Jacksonville, Florida. Can you hear me? Brother, brother?
Bring your blood pressure down a couple of not just
be hold on because of me and you already got
(01:03):
a problem. Now my understanding of somebody using my instrumental
on some kind of records you got called if you
was mine and all that, all them, all that music
is my music, and I got a problem with all
of that. Brother, calm your blood pressure down. You know
what I'm saying to you, my brother, pressure calmed down.
All I'm saying to you will ain't nobody finn release,
(01:25):
no CD, no album. I'm using my music out. It
ain't finning out. I understand who you will and all
the stuff you'ven't done in the past, but you ain't
gonna use my stuff though. Brother. Let me tell you something.
Anything I ever got in my life in twenty years
of recording, I don't know how you got my number.
Who you are? You know who you're supposed to be representing.
But anything I do is always straight up. We do
(01:47):
our music ourselves or for producer. I'm using he does
his thing, I pay him, or do whatever I gotta do.
You're calling me. I don't even know who you are,
but you need to calm down your blood pressure. If
you want to continue this conversation, if we can get
to some kind of figuring out of who you are
and what you're talking about, you want to yell at
me and try to do that. I don't. I don't
go for yelling and intimidation. I ain't one of these
(02:09):
young dudes out there. So if you don't bring your
blood pressure down, then I'm gonna have a problem. My
blood pressure will go up and then we'll have a
real real problem. Do you feel what I'm saying to you?
I understand everything that you're saying to me. All I'm
saying to you, I know I know my music when
I hear and I think your boy cow that took
my music from me. Now, if you the stuff you
(02:31):
got on, if you was mine, o't les's mine. I
ain't nobody tripping with y'all on what you do. I'm
just trying to tell you you said all that stuff
is mine? You talking about those are my lyrics on
that playboy? You don't write no lyrics for me? Were
you crazy? No, I'm trying like one of them. Lath
You don't knowbody touch my lyrics? Be you're saying all
that I'm not. I ain't talking about the mule the lyrics.
(02:52):
I'm talking about the music itself. That's what I'm talking about.
The lyrics I don't know nothing about that. Might be
you but I'm just trying to let you know about
the music that belong to mate. Convert that mike that
you got there might be me. Convert the mike ain't
no mike. The music is mine. Let's get that out
there now. The music on this song you got, if
(03:13):
you was mine, that's my music. Brother. You ain't Bobby Woolman.
How could it be your music? The interpretation of the
music was from Bobby wool mack Hey. Brother. Now, I
don't know if you're the one that stole my music.
I don't know if it was your boy cal who
called himself DJ Rexhall, whoever he called himself. All I'm
trying to let you know where this music belonged to me.
(03:33):
All right, So what do you want? If you want
to meet me on the streets of way and you
can handle it the way you want to handle it
with me, you want to handle it that way. You
ain't saying nothing to me, man, You ain't saying that's
what you're saying me, brother, That's that's all I want
of them to keep blasts. You don't say me. Did
you just say something about my rector? You don't talk
on you. You don't talk about my we gonna we
(03:54):
will me if you keep talking about my you don't
bring my up on nothing, you know nothing, you ain't nothing.
If you want to talk as men, then we sit
down and we talk as men, because I don't know
what you're talking about. But if you're come in to
bed throwing my name in the middle of severy, then
I got a problem with that being and I'll handle
it with you. I'm not new young, I don't make records.
(04:14):
I ain't gonna miss you on the record. I'm gonna
come see you so we can sit down eye the
eye and we get down to what it is. And
all I'm saying is I got a problem with it
and have been a bigger problem I got at this point.
Now is for you to tell me. Do I want
to meet you on the streets somewhere, And you know what,
I ain't got no problem with that. You wanna want
me to find really want me to see you? Now?
(04:34):
You know what your problem is, man. Your problem is
that you ain't getting a successful as heavy day. You
didn't do with Biggie with Biggie Smalls, did That's your problem, man,
That's have no problem that those are incredible artists who
have done all kinds of beautiful things in music. I
have done my thing in music, all of those things
that you're trying to get me to go past the
(04:54):
line of sensibility that goes to young ands. And like
I said before, forget about that. What I I said
earlier stands brother, when you want to see you don't care?
Why do you want to me that? How about I
got a better idea for you. I'm doing a club
date in Jacksonville, flos Brothers who you can, got my
guests and come see me personally and make sure we
come with this vigor though, Come with this vigor or
(05:17):
what you're talking about. You're gonna quit using these big words.
What is this? Ain't no big words you're gonna use.
But you're wanna come there with this attitude. You ain't
gonna see no bodyguard there, you feel me. All I'm
saying to you is the music belongs to me. That's
what I'm saying to you, man, That's all I'm saying
to you. And who your boy ever? Thenly to swipe
my music, laid it under you and you don't put
(05:38):
some tracks on top of it. Ain't right? Dog, brother.
Let me tell you something the guy is a guy
of incredible integrity saying it the truth. Brother, it's the truth.
I mean, I'm sorry, man, I mean clear that Trump said,
and I'm sorry that you up saying. Bring all of that,
Forget all of that, forget everything we're talking about right now.
(06:00):
I want you to know this. Can I tell you
something else again? Can I say something else to you?
Can you say it? Calmly? I can't. You can't. Yes,
this is if you time me from the Steve Harvey
Morning Show. You just got pranked by Monica. You just
got franked by your boy name shot Man. You guys
(06:20):
are crazy. You're serious. You can't be serious? Baby, Wow man,
Wow man, that's crazy man, Shot Look all right, cool
and I gotta get everybody back and then you have
it that bigger keep that same energy. Classy though. That's
(06:48):
what I liked about him. He kept a classy. But
you know I've noticed about you when you whenever you
prank the rappers, you always real humbly scared at just
what different you know? You know you don't you don't
have like chill take, you don't have that same biggle
when you're talking to them after. But they different. They
(07:09):
come from a different place. You gotta be you gotta
know what you're dealing with. Be nice and make sure
they're all right when you get off the phone. You
don't want no drama. You're gonna find out like Drake
prank pretty boy Drinke, I do that taste fool? You
bet you want prank, Boosey. We paid money to hear
(07:39):
that you would get them good too. Are getting good
but wiping down to be different outter m m m
m all right, Memphis, Tennessee. There's only one show you
can get, and that's Friday with you Tonight, the second
show Friday. Everything else is gone. I write, the nephew
is in Memphis Tonight. Only show on the table is
(08:01):
the second show. So get it white again. Got a
few up left, but the nephew is in Memphis, Tennessee.
Got all my Bobby's cube spots written down. I'm gonna
be five pounds heavily when I leave in alright, coming
up the strawberry letter. Uh did she pass her leftovers
to me? We'll find out right after this. You're listening
(08:22):
to the Steve Harvey Morning Show.