Episode Transcript
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Speaker 1 (00:01):
It is time now for today's Strawberry Letter. And if
you need advice on relationships, work, sex, parenting, and more,
please submit your Strawberry Letter to Steve HARVEYFM dot com
and click submit Strawberry Letter. We could be reading your
letter live on the air, just like we're gonna read
this one right right now. That's for you, Jay, You
never know, it could be yours. You never know, You
(00:23):
never know. Buckle up and hold on type. We got
it for you here. It is the Strawberry Letter. Subject
the Hood, the Bad, and the Bougee. Dear Stephen Shirley.
I met a very beautiful woman that is hood and bougie.
She's a bad dresser, she has a bad figure, she's
got a bad ride, and she's got a mean walk.
(00:43):
I mean bad as in good, Steve, real good. We
met a lounge and she stood out from her group
of girlfriends. She was poised and graceful, and I watched
her sib wine while her friends were all loudly chanting
and taking shots. She walked asked me to get to
the bar, and I followed her so I could buy
her a drink. Hell I bought her a whole bottle.
(01:07):
We sat at the bar and talked a minute, and
she gave me a business card so I could come
by her nail salon and get a manicure. I walked
her to her car and she kissed me on the cheek.
I was in heaven, and as soon as the nail
salon opened, I called to make an appointment. I knew
the salon wasn't in the best part of town, but
I still wanted to see my girl again. When I
(01:30):
walked in, the receptionist looked at me like I was lost.
She rolled her eyes and she pointed to my girl.
My girl looked totally different from the night before. Her
hair was in corn rows and she had on a
bodysuit and some air Jordan's. She was loud and cursed
a lot as she did my nails. She referred to
me as her in word when other ladies commented on
(01:51):
me being in the salon. She was so hood in
the hood, and it was amazing to see this side
of her. We've been hanging out a lot and she
prefers to eat soul food and wings most of the time,
so I had to adjust to that and take an
assets at Nahis. At this point, I will do whatever
this girl wants to do, because the sex is off
(02:12):
the chain, and I have a lot of fun with her,
even though I have to keep my pistol on me
when I'm in her neighborhood. Am I crazy to be
falling for this woman? Nope, not at all. I mean,
why would you even say that. One thing for sure
is that the heart wants what the heart wants. It
doesn't matter if this girl is hood, if she's rocking
corn rows, calling you her in word and cursing a
(02:34):
lot while she's doing your nails, you really like her
and you want to be with her. It's all in
the letter. I mean, just know that this is who
she is and what she does and don't try to
change her. All right, This is who she is and
that's okay. You need to decide and think about what
your future is gonna look like with her, and you
got to ask yourself some questions. Can you take her
(02:54):
to meet your family? Can you go to your work
Christmas party when they start having Christmas parties again? And
can you take her to church with you? Will you
be embarrassed to take her around your friends? And most importantly,
can your stomach take much more of the soul food
and the wings. Okay, if the answer to all of
these questions is just then I say go get your girl.
(03:14):
You know. But because she's already calling you her N word,
and you called her your girl in the letter, so
I think you know you guys are a match. There
is a saying that opposites attract attract. This sounds like
one of those cases to me, But it sounds okay
right now, Steve, Well, my man, the subject is the Hood,
(03:37):
the Bad and the Bushia. But just you wrote this
letter about this girl, this letter also tells me a
lot about you. You got some concerns about the girl. Understanding,
I got some concerns about you. So this is gonna
(04:01):
be a teaching and learning moment for all of us.
So when the letter first came out, The Hood, the Bad,
and the Budhie, I thought it was about our morning
show being quite honest with you, because the Hood on
the show, it's him her name caller for real. The
(04:21):
Bad on the show's Janthon bro I'm on, I'm on
Kire spits Thomas Miles and myself, and the Budgie on
the show is a person who just answered this letter
as a bullshie person, the whole responsors budgie. He's already
(04:45):
calling you the Nwood and it didn't even sound like
and you called her her your girl. So you know
see how bullshie that was, because she the budgie on
this show. Buddy, wasn't about this show. It's about this
damn letter and brother right now, I really don't see
(05:06):
the problem you got with the girl. I'm gonna show
you the problem that's within yourself. You saw this girl,
bad dress up, bad figure, bad riding, you say, Steve,
I mean in a good way. I knew exactly what
you went home. I've been there. We met in the lounge.
She stood out from a group of girlfriend poise, graceful.
(05:27):
Watched her sip wine while her friends all loudly chatting
and take a shot. She walked past me to get
to the bar. I followed this thing to buy her drink. Hell.
I bought the whole body. We said at the bar,
talked to men, and she gave me a business car.
Shot could come out in her nail salon, get a manicure.
I walked her to the car. She kissed you on
(05:49):
the cheap boy, your ass was in Heather ain't nothing
wrong because she dress up nice, she cleaned up nice.
She know how to act in public. She got two sides.
You saw the good side, but you took your ass
to the nail appointment the next morning. You couldn't wait.
(06:10):
And when you walked through the door, you met somebody else.
You said. It wasn't in the best part of town.
You gotta act like your environment. If you're gonna get
with them, you gotta get with them. So now you're
(06:31):
the bad part of town. You can't be bullish. Ye
over Hill when you' at the lounge. We worked now,
and when I come back, I'll show you what happened.
All right, We'll be back with part two of Steve's
response to today's Strawberry letter, The Hood, the Bad, and
the Bushee, at twenty three minutes after the hour right
after this. You're listening, all right, Come on, Steve, Let's
(06:56):
recap today's Strawberry letter. The subject the Hood, Bad and
the Busheye oh, this man met this very beautiful woman,
he says, hood and Bushie. I understand right off the top.
She's a bad dresser, bad figure, bad by the bad walk.
You followed her to the ball end of the bar.
You brought her a drink, y'all talk, walked her to
(07:17):
the car, She gave your business card, kissed you on
the cheek. You was in heaven, boys. She was fine, sophisticated.
While the girls was loud and chatting, she was sipping wine,
meaning she know how to be where she is. She
know how to act apart play the role she had
you hook line and sinker. It worked, didn't it. Then
you showed up the next day to men nail salon
(07:37):
that she owned to get your nails done. Everybody know
who she was because she toldly you was coming. Now
you came to the shop, they rolled in their eyes.
She right there. She looked totally different. Her hair was
in corn roll. She had on a body suit and
some ad Jordan's. A nice outfit you got corn roll
(07:58):
you brought you were a body suit was mad George's.
Because you know what's sitting down in there, man George.
You know that the ankles that's lowered down into these
ab Jordan's, and you got a batty suit on with it.
You know everything that's stuck down in them shootings just
right and tight. So she went it, but she got
her hand corn roll probably had a wig on last
night or weave or something like that, because you didn't
pay no attention to the corn roll, so she didn't
(08:19):
put on her best and went out and dressing. She
got you right where she wanted. She was loud and
she cussed a lot of She did my nails because
it was in the worst part of town. You said.
She referred to me as her n word when other
ladies commented on me being in the salon. What he
in in fa on? This my end right here? Who
(08:39):
you think? Just it? You see who he is? You
see who he went on? It? This mine? Yeah, she
was so hood in the hood, and it was amazing
to see this side of her. We've been hanging out
a lot and she prefers to eat soul food and
wings most of the time. So I had to adjust
to that and take antasters at night. Let's talk right
(08:59):
here here the problem we got what man don't like
soul food a chicken? Ways? What kind of man is you? What? Hell? Yeah?
Now you ain't here mad at her because she got
corn rolls of body suiting, some jawings on and she
want to eat so food and chicken. Ways, you gotta
take antasts where punk ass come from every night? Shoe
(09:23):
little ass don't want to eat no soul food and
no chicken ways. Now you gotta take a who has
to take antasts for chicken ways? What kind of man
is this? You softed and medicated cotton. You in here
trying to date somebody that's real and you can't even
eat the chicken ways without vomiting. Joe, punk Ass, come
from hell. You've been watching sports and ain't been able
(09:46):
to eat no damn chicken wings. You ain't probably ain't
even got no black friends. Come of here talking about something.
Y'all got some antasts for what? Because I find to
eat these wings? What you can tell us too? Man?
You black and you can't eat soul food because you
need a task? It's what That's really what this letter about.
(10:07):
It ain't about her being too hood. It's about yo
ass being soft as medicated catting. So now at this
point I would do whatever this girl wants to do
because the sex is off the chain, and I got
a lot of fun with her. And even though I
had to keep my pistol on me when I'm in
(10:28):
her neighborhood. Am I crazy from falling from this woman?
You know already failed. You whipped dog that little tight
body suit with him corn rolls jammed down in them. George,
working with it got you sprung. You would love Why
(10:48):
would you leave hum now chully with that boodie answer?
Time out? You know, will you be able to take
her to your mom and teach charging around your friends? Yeah,
because you know how to dress up. She food you
tonight before. She knows how to be whatever. She's a chameleon.
She knows how to put on and be what she
gotta be. But you ain't got no problems with whatever
(11:09):
she is in that bedroom. Obviously, that ain't no problem.
You ain't got no problem hanging out and y'all having fun.
Seems like a real sweet person to me, that knows
how to play the game show punking. She polish up
good everything. What about heard about him having to keep
(11:31):
his pistol on him money? He said her neigh now
listened to Matt. We just did a story about a
celebrity who got followed home, who lives in a really,
really good neighborhood. The fact that you have to have
your pistol in that neighborhood, so you ain't the only one.
(11:55):
You ain't the only one got a pistol. I can
promise you you ain't only one over there got a system.
I bet you. If them girls open up that desh
tray at that nail salon, it's about eight them in now,
it's probably one of these stations. You just number nine,
You going number nine? This is eight all of them
in there. So what you got your pistol on you?
(12:19):
So listen to me what your little scary ass want
to do. That's all I got success. I'm so mad
about the soul food chicken wing line. I can't even
address nothing else. He talking about who the hell got
to take antasts because they didn't have some colleague greens.
You can't eat an egg, macmoni and cheese. Now your
(12:40):
ass got antasted. You don't ate some yams, and you
got a antastic. I'm just trying to figure out what
you nade some open. Now your ass gotta take an antasted.
I'm trying to figure out how weak are you? Where
your little booty poop? But come from, what are you
dating a girl for? If you can't eat the damn food? You?
Who the hell gotta take an antast? And that's some
damn fried chicken I'm just shame it. I'd apologize to
(13:02):
the hood public for reading with ragged as let on
now show anyway, Go ahead, leave us your comments on
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Talk with Junior at forty six minutes after. Right after this,
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