Take It Personal (Ep 129: 90's Flashback Pt. 2)

Episode Transcript
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(00:00):
Hey, Roger the announcer hearing,thanks for tuning in to episode one twenty
nine to take a personal radio.Today we bring you the second installment of
our nineties flashback series. This decadewas a special time for many of us,
and if you lived it, youloved it. We have music from
the Smashing Pumpkins, Bush Back,Guns N' Roses, ice Que, Sublime,

(00:20):
No Doubt, Cypress Hill, andplenty more. We also have special
tributes dedicated to Nirvana, Green Day, and a tribe called Quest At the
Break. We're back on our ninetiesstop from movie soundtracks to the infamous beef
between Axel Rose and Kurt Cobain,and who knows what else will happen where
Kev's might go. Stay tuned becauseif this is an episode, here's no
love yo. Just for last yap. Do y'all know the name, Name

(00:59):
name? Take right now you gettuned in to take it person, get
post, give personal. I'm comehere to put y'all up for some man.
Revolution is here, doubt, nodoubt y'all to care rest one checking

(01:19):
out to take your personal radio show. Y'all check it out, y'all.
This and he didn't come in yo, Yo, what uppings Black Door from
the legendary Roots crew, and you'rechecking out. Take your personal radio radio.
You'll check the shout sober of thenumber one Pete Rock. Yo,
Yo, what up? This isDiamond D representing digging in the crates right
here. Or take it personal radiothe best in hip hop. You are

(01:42):
now checking out with y'all know thename boy foul months you already know what
it is. I want to givea big shout out. Take it personal
shows. This is Chuck Dava boyand you're checking out. Take it personal,
so y'all do that right now you'relistening to take it personally and perfect
that fly you her you her joysuffers under Summon the Green Lights, Bandage

(02:04):
everisodes EP and D. Can takea personal radio just to choose to check
them out, check them out,check them out, yo. All this
day checking out and check your personalchecking out. Take the personal with my
people prison. They don't care anymoreabout this hip hop man. What you're
eating for ry a staff on manman might check it out. Your boy

(02:25):
ams searching right now you're checking out. Take the personal, but a kid
to take a personal personal by y'all, ladies and gentlemen right now, if
you don't know what the fuck isabout to go on, just just take
a personal with my boy full offlavor. Cav Law ain't a Ron Roger.
He announcer as three sixty when it'sstaking ass. This is take it

(02:46):
personal and we're in the field.Yes, yes, yes, I won't
let you tell me. Will Igive you up? Gotta have so faithful

(03:08):
Sunday. It's the one good thingthat I've got. I won't let's downs.
Don't give me up because I wantto be live with little love just
to go own. Oh one ofknows I want to come boy to know

(03:46):
what I want to be. Iwant to be. I'm s for a
little to a hundred stupor find joyAnd I guess it was nothing and this
was the race briefly rank you coosin a fit fact place and like what

(04:15):
we me games not sing o.I don't want to give a show heavy.
I think that's something show. Ithink it's time to something deep inside
me. Someone else. I've gotto be make up picture in a rand,

(04:39):
make up singing in the race.Don't you understand? Sometimes nothing I
had to do, it's a chaseand maid down We had to see it

(05:00):
that I don't belong to you,empt you don't belong to me. Freak
watches we get watch to stay.He knows we Shaw has fun boy,

(05:31):
Why can't your body be the buddybitch I could have been? Don't run
boy, you fancy fancy you wantthe risk out of the place, will

(05:51):
back Hume got a round place forthe bullet empty bullet empty. We playing
the games back to into you andcome so heavy. I think that Sue.

(06:13):
I think it's times that shows supervendeep inside me. Someone I don't
be back. Fitch think that I'llbe back. Don't you understand? Sometimes
you don't. Nothing takes eyes andlaid down to We have to see that

(06:46):
I don't belive you and you don'tbelive me. F f F you got

(07:20):
take your Personal Radio episode one twentynine and folks about five episodes A go
DJ three to sixty put his nutson the table with the Chef's Special episode.
Well, if you listen to episodeone twenty eight, now you know
that he is thrown out the gobbelgoal, he's whip bragol. It's all

(07:40):
on the table. A full onfucking Italian feast is going on. Here
we are back. Episode one twentynine is going to stay in the nineteen
nineties zone. We are taking youon an audio journey that nobody's ever taken
you on before. The only thingmissing from this episode is Mario Lopez showing
up wearing a zero boogie outfit andsome nice Neon orange Oakley shades. But

(08:01):
hey, guys, we still gotabout two or three more these left in
the chamber, and Mario Lopez isknown the fucking show's face anywhere and everywhere,
so it could happen. You know, I love these episodes. Unlike
Aaron and Kevin. I'll tell youwhy I love these episodes because I have
a sophisticated musical power. Wait wait, wait, wait wait, Okay,
let's just let's just Unlike Aaron andKevin, I love these eyes too.

(08:26):
But I've never thought we'd have toplay Brian Adams for thirty one seconds.
I mean, we can get ofthis show, Kevin Costner movies. Yeah.
The beauty of this show is thatit's a flashback, and a flashback
doesn't necessarily mean either songs that you'relistening to in the car or you're streaming
on Spotify when you're working out.It is to induce a feeling, and

(08:48):
that is what this show in theprevious episode are doing. They are taking
you back in time, whether youlike the song or not, and it
is associating you with a moment inyour life. And for many of us,
this was our coming of age,right, Kevin and I were buying
bottles of jargon left and right aroundthis era. Right, this is this

(09:11):
is the nineties, So this isthis is our time. I mean for
dre and wait, you got artletters around this time. But it is
a special time for many people.And as I said earlier, if you
lived in the nineties, you lovedthe nineties. And this show I loved
because it truly captured not just musicthat I enjoyed or music that I you

(09:35):
know, I grew up listening toor associate with movies and one off,
but it really captures the nineties asa whole. So whether you liked the
music or you're not familiar with themusic, once you listen to this particular
episode, you're gonna get a fullunderstanding what the nineties was like. So
that was at pad Oswald from VHone. I loved the nineties right there.
It was at Jason Gloves, sothat was that was me. I

(09:56):
didn't even write that that was onthis episode. We had music from Bon
Jovie, Janet Jackson, the SmashingPumpkins. We got Bush, We've got
Bush, got Better, we gotGuns and Roses, we got ice Cube,
we got Ghetto Boys, we gotLive, Sublime, No Doubt,

(10:16):
Safer Still and much more. Wegot an upcoming episode it's going to feature
in our R and B and reggaewith from hip hop. We got a
lot of stuff on deck. Butenjoy this episode. It's gonna be I
think you said two and then maybethree more. It all depends, but
this is a good one. Andby the way, we're doing three tributes
and Arvana, green Day and atribe called Question this episode, so it's

(10:39):
really special. I can't wait todive in Drake. Most sequels listen aren't
better than the original. But asfar as this show goes episode one twenty
eight probably through I don't know one, thirty two or thirty three, who
will be presented as a series,it's like a continuation of a deeper dive
into one of the best decades.Only differences is we jump into a lot

(11:01):
of different pools a lot of differentstyles of music, so I'd say the
last one was hard to beat,but this entire era, it brings back
all those memories you never want toforget. I know we aren't at that
place where our kids are listening tothe show yet, keV. I know
you're still craft in that one.But it must feel good to know that
your wife or maybe some of yourfriends that aren't fully invested into hip hop,

(11:22):
they can actually hear what we dowhat makes tips special. So,
however you look at it, I'malways willing to make mistakes in order to
try new shit out. This showwill never get stuck and be one dimensional
if it hasn't been done by thetime we put out the next tip book.
Trust me, we thought about itor probably going to do it.
So with that said, enjoy thiscollage of things that had a moment in

(11:43):
the nineteen nineties. Wade, letthem know. I'm sure you've got plenty
to say. What that I alwayshave so much to say? Being four
or four on the intro so longspeaking as usual the neighborhood knucklehead. This
is not my favorite kind of show. However, what I do love Number
one is the way that dre weavesin some pretty magical verses from some of

(12:05):
our favorite mcs out of completely outof not even left field, out of
fucking Rover. And then my otherfavorite thing is some of the awesome banter
that you're going to be hearing inbetween breaks, So get ready for that
ship because that's always highly entertaining.Before we get out of here, I
think we got to give two shotouts. One to my man Bill Murray
because he's seventy two years old andhe's laying at Dick to Kellie go Murray

(12:30):
on that one way to go Bill. That is an unexpected couple that I
don't think anyone sauce come in.This is nas as ex wife, This
is Bill Murray. Bill motherfucking Murray, give herd of milkshake. She must
love proton packs. And unfortunately thisis an rip shot out because man,

(12:52):
the greatest wrestling hill of all timepassed away. And that's mister iron Chic
scheeky baby, you were the greatestfuck you precis shit. And we haven't
had an r IF shout out ina minute, and I'm glad we haven't
put iron sheet you will be missman. You uh you allowed to us
share in a new era of wrestlingwhen you dropped the belt for Hogan at

(13:13):
Garden and Man, I don't know. You guys all grew up. One
iron sheet eighty one for a wrestleris like one hundred and seventy five for
a regular person. So he livedthe hell of a life. That is
true in wrestling here he definitely livedvery long. But r If shout out
to the Iron sheet and what thatsaid. Let's get into the show,
man, I can't wait. Thisis a microcosmo on my fucking brain.

(13:37):
I can't wrestler with you. Let'sgo. What was your favorite sound in
the nineties? New jack, swing, grunge, trip hop, Indian run,
alternative, neo soul, skot drummingbass. We're golden era hip hop.
Be sure to share your comments withus on our Instagram or on this

(13:58):
episode page. I'm don't take yourpersonal radio dot com. And if you
don't already know, every episode wedo is available for free to download on
our website, along with the tracklist of every show. Okay, now
the moment you've all been with whodidn't love a little fun jovie going?
Let's start the show. You.I'll make your famous. I'll make your

(14:33):
famous. I'll make you famous.I'll make your famous. WI filming an
hour? He is my movie heregood four film in the earth was last
night's been? I don't know.I'm lo fy. I knows where I've
been. I'm a devil on therun of the six gone love the candling

(14:58):
where yeah and there? If hehadn't quite the next till he be dead,
dead dead? How do you haveanything to say? I know it's
your honor. I did. Youcan go to hell, hell hell,

(15:24):
you go into this world with theseal boned sin will he Stad gave the
song. I didn't have the steal. I have to win with that.
I don't want it. Yeah,I want it, man, I'm a
gone your stable. I'm with Cane. What's the able but the catspre if

(15:48):
you can, I'm gold blame thetake me but the tip. I'm going
aply Lord, I never true versebut a true b side calling you into

(16:52):
my line. You see you needto search your heart such you meither you'll
say snow. Don't tell me it'snot worth trying full. You can't tell

(17:23):
me it's not worth trying full.You know stream everything I do, I
do it for you a fool AND'sa fool of me. Fo a met

(17:45):
look into your eyes. You findsnothing to take me, take my life

(18:08):
all I would say, Grandfries,don't damn me. It's not worth trying
for I can't help. But there'snothing I long more. Yeah, I

(18:29):
would fight for you. I lovefor you, walk the wild for you.
Yeah, I fine high entrance.You see him, both persuade and
batman. Not because I have tobe here, because I choose to be

(18:55):
hused to be hused to be using, used to be your grand top wilne
on see you became the light onthe dark side of me. Live remains
the drum, last high enough thehill. But did you know that when

(19:18):
it's knows my eyes become a lightand the light that you shine can be
seen. I can be to kissfather rose on. The more I get
a this stage, out the fees, and now that Joe roses the blue,

(19:44):
my light hits the blue, mothat your roses in blue, A
light hits the clue on the green, Sidy car No, no, come

(20:38):
on, come on and where loveit will love it? Ye, my

(21:11):
darling, bit us sweet man Marids. That is all I'm chinking with me,

(21:33):
so good bye. Don't we bothknow I'm not what you you need.
We not like treat you kin,and I hoe you have volume dreamed

(22:48):
of and I wish you joy andhappyness what above almost I wish you love?

(23:55):
No h my Vivian, one moretime. Dinner, napkin, dinner,
napkin. Get me in the blackelbowed off the table. Don't slouch,

(24:15):
slouch, slouch, play whistle onmy pillow, leave the window on
my ground, awake of lonely,the sar of silence in the bedroom all

(24:37):
around, touch me now, Iclose my eyes, the dam way in
my being the babo reading short ofshocker on. I got this girl,

(25:18):
but I was six years old andwhat I love most she had so much
sould. She was old school withour sister short he never to throughout my
life she would be dead for theorder regular, not a church girl.
She was secular, not about themoney. Those stuffs was my checkut of.
But I respected her. She hitme at the heart. A few
New York niggas had did her inthe park, but she was dere for

(25:41):
me and I was there for her. Pull out a chaff for her turn
on the effort her and just coolout, cool out and listened to us
sitting on bold wishing that I coulddo a ntially give it was MENTI be
that it would be because we relatedphysically and mentally. She was fun then
I he geeked when she come around, slim was fresh, show when she

(26:03):
was underground, original pure, Atap of the down, sister, I
tell you I'm missing, I'm missing. I'm sure. As the sun rising

(26:26):
in the east, it also setsin the west, the west, the
west. It gets a better sendbacker again. Winne wh me when me,
when me, it gets a bettersend backer again? Winne when me,
when me? When I'm going changeyou thing? You need to live

(27:00):
cheap signing empty beach. I hada dreamer, was your heming? Damn
show your love. I'm walking untilthe day night Gotti, you was smiling.
Man more. I now be yourmother some things to read your pain,

(27:25):
your mind and you only jam insidethe smoky can't fancy you black and
blue. I give you something sweetySTAPs. You come and do my j

(27:48):
go book. But it's just agirl. Don't see your stakers in your
whole way. Damn one one,one one one. Sometimes I sit back

(28:29):
with a Boo the sack minds andanother bo thinking how can we exist through
the facts, bringing the school textbooksbibles except fuck the school lecture, come
lives, get me beat stuff.So I be goes for my projects.
I take my pennt pad for theweekend, hitting nails while I'm sleeping.
But two days State, you maysay, I need the time alone to
relax my domelod phone after night athome. You see, the streets had
me stress something terrible. Fucking withthe corners. Have a nigga up in

(28:52):
Bellevue, HTM. It were numbersfrom eight to ten the future in the
maximum state pen scrim So I comesback home, nobody. He's out for
Shorty too Ot from the two pilliestogether in the Prince. We call him
Boots, he said, Nis theniggas Cody bustling off the roofs. So
I went a bulletproof a pack ofblack tray dudes in hell so deep shut
his eyes like it was sleep,started coughing when I peeped to watch me

(29:12):
speak. I sat back like tomack. My army suit was black.
He was chilling on these princers wherehe pucked his loose cracks. I took
the down when he passed it.This little bastard keep me blasted and starts
chucking mash shit man the school I'mtold him the Niggas schooler, because when
the pistol closer win us murder Petercool one to fuck the niggas and struck
families fucked up. I could havecut him, man, but didn't look

(29:33):
when you bucked up, mistakes happened, So take he never bust up at
the trap catch and selle make thewhite man bleep short He's laughless, cold,
blunted as he spoke to foul onlytwelve, trying to tell me that
he liked my stalf and I rosewhite Man up Blunt's ass for my clothes.
That phones only the pull the earthsmoked through my owse and so full
little man, I'm anna cost brose. And that's some joes in the skull
of Eaga sell if he chose fursof wisdom from guys trying to rise up

(29:56):
a ball keeper eye'all for Jeck Shorty, while one love jem. I want
to talk about masturbation now. Ijust want you to know that it's it's
a perfectly normal thing, and Ihave to admit it you know, conturive
masturbating. When I was a littleyounger, I used to call it this
trophy in the silama. I neverdid it would make clicks. But you

(30:21):
know your uncle Mort he pets theone I snake five six times a thing.
So it's like a practice for it. To me, it's like it's
like a bad inn tennis ball againsta brick wall, which can be fun.
It can be fun, but it'snot a game, right, it's
not a game. Well, whatyou want is you want a partner to
return the home. You want topartner. You want a partner. You

(30:44):
want to partner, You want apartner. I love, I want you
to love. I am a fieldgame. I want you as such,
my fair I want you to fallagain, I said, I want you
to remind me. Anybody else whenI'm making down, should myself, anybody

(31:17):
else should know you're right. Idon't do my day. You're gonna try,

(31:41):
but he's my choice. Don't don'tsee me and don't want you to
eat, to be less and Ibecause many needs to go with you,
one that you might run free toplace, don't ware doesn't QUI sa should

(32:17):
go The things I don't do I'mthinking all of my school they lost to
lose in fust things I do toyou and I'm not watch it and stop
up. Why did you marry soquickly? Well that way I mistake squickly

(32:42):
and chase me down to cancer.And I thought it was no man,
I can such a suchs I'm gonnamarry you. That is such a bull.
She asked me to marry her down. Here's your father. I believe
that every house fellow parents, andI think they'd be wonderful as a positive
influence in their lives. They havepart of what they're scared of going over
there. They don't want to goover there, but they're very there.

(33:04):
Had alas for the mother, theywere born. They were born in the
morning, aren't you No. I'mbe for you. I wish nothing but
the best for you both. Iknow the version of me. She perverted

(33:29):
like me, which she does onyou. Under her, she's got money
and she has your baby. Shemake mother baby for you know. I

(33:52):
never dilian dime, but scare mylife. And to remind you, I'm
twenty away away. It's not fairto night. I'm at chi pills.

(34:23):
You mean you really are kicking trumps. I need them truck net the fack
I have to say, just secret. You can't see right because I can't.
The world is a vampire vami sentto Dan. Secret destroyers hold you

(34:49):
out to the plains. And whydo I again for my pain? The
trade desires and adopt me so thegame nor sup show, Oh my c

(35:20):
cool like Spirain is down, thered came. Silrain is down as the
red came, and he only sayingsprains down the red came now feature of

(36:47):
tide to will face got reel akaysmile, Sprain will slides to I found
to let li for for girls tomachine. I want my money. You

(37:52):
would turn, would you? Sweetheart? Sweetheart? You read Mary the course
horse horse man. I got fuckinghid hid see your fams and the one

(38:39):
don't go get my son to winthe everyone I do win the war within.
You can reform sin till the samemany go. See when one I
be your g rock the little devilLand South Suicide Queen Queen queen before dat

(39:21):
all your arm you're ready for youward she is change. Change. This
day has been real disappointing. Idon't mind saying was because she didn't get
to kill everyone. Call come ahigh boy when you wish you never met
mister, I'm already there there yourball all come on in the room,

(40:07):
brainiact um dumb. Trust the scientificalapproach to the course and the force isn't
tripical? Can you find your waythrough the lyrics that be catching them?
So another rhyme across the room.They'd be betting them. Then they take
the loss, take the loss tothe master, and I throws crazy blows
and they know I'll be classing allacross the room. One of the ceilings
and the walls to fulla fuck theendo. I had the bull come around

(40:29):
they block with my cock deitle systemand turning up the tent and then started
this the man they didn't want tobattle if they didn't when they told me
they had to open the thick funwhen they tried to ignore me, Hey,
mollafuckers, I know you hit mecalling you, but you wanting somebody.
I see that your holditudes trying ain'tthe future in your fronts was getting
on like Marma, gang can getsitting on the hood of your bullshit low

(40:51):
right and Candillac back up your boy, then let's start the battle. Act
like you know the master, don'tplay when they come to my brain.
Mama toorrow, what another day?Frollow and stand away behind it, not

(41:25):
gonna running. Stay okay, showtomorrow morn right here, now, right

(42:13):
now. You know I'm com yourrowney roddy pipers here. We found out
the Saturday morning on WW meet aventOn Demis that he would be making a
big statement, profound statement that hadto make the impact of the New World

(42:36):
Order Daddy coming up later on inthe programmed line and the time I'm Chip
fancies I was a monkey dating mybrains in the mount to kill the chunky
with the plastic guy balls, spraypaint the vegetables, stock boot stalls with
the beefcake, prannios killing license puttingindustral stock car flaming with the looser of

(42:59):
the cricket, your baby to Rinowith the bight of reteam. You got
a couple of couchess. Can sleepon the love seat until I keep seeing
I'm a saying to complain about ashotgun wedding in a stain on my shirt.
Don't believe everything that you breathe toget a parking polation and a maggot
on your sleep, so shave yourface. Whistle means in the dark,

(43:19):
saving all your foot set them runningdown the trailer park. Yo, cut
it. So I'm a baby,so I don't you kill me? Or

(43:44):
I'm a baby, so I youkill me. How many m seat you
must get this? How many msea you must get this. I can
break it down like whatever you're wanting. When I gets I hate you for
Jude is when I'm pissed. Missthe rock shot rocking, not quick,
bitch, get off my pritique.I wrote them up and pull them up,

(44:07):
didn't shoot them up. Wonderfu.I'm clever because I wear my mother
and the winter and to stage andthen get copy gage and bust them off.
I'm off, and then I leaveto think I'm just a pigmania murder
of a murder type thinking your shitand you're ass thinking I sink you're blinking.
I wed them, don't forget.I never shad about him, but
he was talking shit to my mister, but I together him. Yeah,

(44:30):
you can get the miss. Wonderhow did the ends must mister H.

(44:58):
James gonna be the damn that theygonna throw it back to you by now
he should have somehow realize what yougotta do. I don't believe that anybody
feels the way I do about younow. Backbeat, the water's on the

(45:21):
street, that the fire in yourHoti's house. I'm sure you've heard it
all before, but you never reallyhad him out. I don't believe that
anybody feels the way I do aboutyou now. And all the roles we

(45:42):
have to walk, the winding andall the lights I lead as better a
blinding bella anything said I like toSaity, but I don't know how you
call baby. You gotta be theone that saves me. And after Yo,

(46:17):
my WANs w someday we might putback on this and signed it.
Saving Private Ryan is one decent thingwe were able to pull out of this
whole got off the shooting. Misswhat I mean by that Church used to

(46:39):
put me in the ship sniper riferenywhere up to include one mile eight off
Hitler, the clear light of slight, certain back and back, taller sports,
over fours, over the court overrestless man talks and it buzzes like

(47:02):
a friend. Janrier, you comeup, call a restless god. It's

(47:28):
making it feel crashed by This iswhat you get. This is what you

(47:51):
get. This is what you getwhen you met nobody. I'm gonna say

(48:31):
tripping. My mind is blocked.Nate Dog just fitted, so it's time
to can cock. No one cando what better like this two man crew.
They say we want headed quits.Now what shout on? Strike one
one man? Nate dogs a match, strike two to d standing stealing.
They tracked strike three. You cancall us two one three. It's the

(48:52):
ellen, the beat that makes meact like it and s cloth of that
ul be we've bu been from.Nobody does as the presumable vehicle of O.

(49:24):
G. Simpson is still traveling veryslowly north down. At that point
we'll just have to wait and seewhich way is going to go. But
at this point is still a fairlya dangerous situation. At the same time,
the highway patrol does not want toetaminate this vehicle. We can only
train and they'll be able to pullthis off. In the same measure to
stop talk to the same man,still ye sleep, I see down me

(50:14):
rude, I never down. Nono one s the places lay. No
change. I can change. Ican change. I can change. But

(50:37):
I'm kidding in my moment. Iam jeus in my moment. But I'm
a million different people from one tothe next. I can't change my mom
no, no, no, no, no, where disastnesses have experienced a

(51:00):
due respect, sir. I believethis is going to be our finest horn.
We never lost an American in spacewhere shirts I'm not gonna lose one
on my walk. Failure is notan Is it getting better? What do
you feel the same? Will itmake it easier? Now? You got

(51:25):
some to blame your same water loveone lie when it's one lead in the
night? Water love? We getto share? Please your babyhef do care?

(52:02):
Did I disappoint you? All?Live bettaste in your mind? You
act like you never had. Youwant me to do with that? Will

(52:22):
too late to night to drive thepast into the line. We're one,
We're not the same. We getto hurry each other, hurry each other.

(52:54):
Maybe it was the love of theplanet. Maybe it was just my
growing dislike for this one. Foras long as I can remember, I
had dreamed of going into space.My father was right. It didn't matter
how much I lied on my resume. My real resume was in my cells
and cells cells unmarine on the avenueoh, I hard you talk and stop

(53:22):
blame. I turned on the lastDV and the radio. Still I can't
escape the ghost wu why be toowell? Crazes summer lay? Where is

(53:49):
the line? But I recognize,but I want everyone go for it,

(54:22):
dear. I was cool. Yeah, that was a mega loop. That
was a lot of liquid refreshments.I'm enjoying traditional American youth activity. I

(54:45):
immkiller dream made red band skin.I've been waiting boy sign with a home
tattoo. Happy birthday to you,screen boy. Take you'll take a little

(55:20):
time, might take a little crimeto come on. Dun Now we try
to stay blind to my felside chime, stay wild the wind and blow when

(55:59):
you try, they'll never take mealive. I'm getting high with my bone

(56:20):
file cocked on me supper time ofdie. Even at the U crossing rockets
on the back of the bus,I was a pool of through like school
kicking a tusting ma'am labored, that'sa troublemaker. Who can you blame?
Smoking weed up? We take awaythe back show on my whole business,
bulling down the freeway, swerving door. I'm a crossing bone and curtain and
my business grubby baby, and theytried to understand it. What shaid I

(56:42):
do? I had to feed myfucking famly, whatever ben I do from
being dumb, I'm slinging with thehomie for hanging with the bhonies in the
club. Cut my mind, nodanger, never been a stranger Arma side.
My city's full of gang bangers anddrive by hid do we die at
an early age? He was soyoung but still a pick the money.
Twelve days and pumping my brees upthe court, my full of sick thoughts,

(57:05):
and I ain't going back to court. What you thought? I'm lacking
in a sea, running from myenemies when I litter beat the twenty three
Greeks. So much pain than painstress. My brain can't even I can't
even can't even pain stress. Mybrain can't even. I can't even like,

(57:25):
can't so inside something inside crack fromnow. And I want you to

(58:46):
put an equal amount of blueberries ineach muffin. An equal amount of blueberries
in each muffin. You know howlong that's going to do. I don't
care how long it takes. Putan equal amount in each muffish. Muffish
you shit kicking, stinky horse fallingmotherfucker you you fuck me up over out
sticking all the fucking dead fucking I'llget straight to the point. I found

(59:07):
marijuana in the house. Well,I never thought of myself as the type
of father who'd have to drug testhis kids. I'm willing to do just
that if that's what it takes tofind out who brought a jointment of his
house. This comes, Mama,take this back from me. I can't

(59:44):
hear his aids an. He's gettingdie to die to say feels like dom
Mack. You know I have astar war. Don't even water Michael.

(01:00:40):
Check the bag. She grew upin the Indian of town. Had a

(01:01:32):
good look at mine. Never wasaround, but she grew up tall,
and she grew up right with theIndiana boys on the Indiana night. Moved

(01:01:52):
down here. The ag eighteen threwthe boys away. It was more than
they say. I was into us. The bus dotted moving instead of diggy
baby, buddy. Got to keepmoving, keep moving up. Last skins

(01:02:16):
with j what my time to givethe how you sell me to re up
tidy gains me? Dig into yourright books, calling life right, Bapa.

(01:02:42):
They got me selling flags got I'mgonna explain Jess rolls up. No
gangs be thrown up, but stillundre got action. They swept like keep
all of my t shirt. I'mthinking a mom you had no mom thinking
that you got boo time to likeyou shot up on to my mamma,
don't talk about pobla telling my flatcut to my back and I'm like a
slip even I'm in the last clicklike it's stick. Get niggas from my

(01:03:04):
pocket, Spencer. I'm wearing itdown. I get be hot before we
barket shot. Got only so muchtime in this bathtod and it became in
brom when I was saying they progressedthat shaking the least better be ready when
they were loving your neststat sick whenthen your chest you gone about it ain't
hit for good y'all be bombing backand both to let me know you're understood
here. We suck this. Noman can know the rules, brothers.

(01:03:40):
Don't cannot shut the fuck up manand just try to call your none talking
bathroom all right at the club right, some of the clubs get made to
stip away from the black gack,get in the bargain, made to buy
it like a play for a hundreddollars, rubber snip. I set him
up in the back room when hehitting the base in your teen minutes time
to need the club. They'd beback with two and treat people with it.

(01:04:01):
Man, they ain't come back forthe cocaine. Cocaine came back face.
You're sounding like this ship is thewheal or something like it's gonna change
the world. I mean, Idon't know about all that change the world
ship, but what I do knowis that they'd be gonna crazy over this
man and the buses, the business. You didn't do anything for this bad

(01:04:28):
second lonely man. So manang manwith online but no change man this eye

(01:04:49):
but he tells me. Man downaround its fashion here, mister buster,

(01:05:50):
where the fuck you atcake? Scrapfor li So I know you got You
got your dick on hard for fuckingyou run off the hood you threw up
with. Niggas you grew up with, don't even re respect your ass.
Let's watch top for the doctor tocheck your ass. Nigga used to be
my homie, used to be myace. Now I want to slap the
six downs your mouth. Thick aboutdown to the road fucking meet now,

(01:06:13):
fucking you the hole. Don't thinkI forgot Let you slide, let me
ride. Just another homicide, esme. So woman talking on stopping on
the easiest greet that you can walkon. So stripe on your copton and
have your looks and watch your backbecause you might get smoked loakes and pass
the food and stay a little keithbeat because you lost all your homies.

(01:06:34):
Love. Now call it what youwant to. You're fucked with me and
I with some mustard. I fuckwith you. Yeah, I'm sucking about.
We have your motherfucking record company surroundsit. Put down the candy and
let the little boy go out.You know what I'm saying, Like,

(01:06:57):
motherfucker bow wow wow you be Yogi, be a joggie dogs and the motherfucking
the hands waw waw you be Yogiba death Rosen the motherfucking bo woh wow.
You be Yogi by the sounds ofa dog. Bring me to one
another day. Play with my phonewith your Jimmy. It seems like you're

(01:07:19):
God for making jokes about your Jimmywhen he's a Jimmy joke about your mama
that you might not like. Iheard she was the Brisco dank the fucking
mama. I'm talking about you andMike so the top jim him you tick.
Your bark was loud, but yourbite wasn't vicious, and the rhymes
you were kicking was quite boot delicious. You get with doggie dog? Oh?

(01:07:39):
Is he crazy with your mama?Ain't your daddy? Holland bay back
soone that lets you know that ifyou fuck with Drake nigger, you're fucking
with death broke and I ain't evenswinging him. Thanks. I'm Holland one
night seven with my picking your mombe a just waking up in the morning.

(01:08:00):
Gotta thank God. I don't know, but today seems kind of I
no bucket from the dog, nosmall, and mama cut the breakfast with
no hall. I got my girlbone but didn't dig out. Funny got
a call from a girl wanna digout? So who did them? But
later, as I hit the dog, thinking while I live another twenty fuck,

(01:08:23):
I gotta go because I got niedmy topping. If I hit the
switch, I can make the asstruck. Had to stop at a wear
Mike looking in my min not ajacker in sight, and everything is all
right. I gotta beat from Kimand she can fuck now all the the
homies and a Max and y'all whichbart y'all playing basketball? Give me on

(01:08:46):
the court and I'm troubled. Lastweek buck around and got a triple double.
Freaking niggas every way, like mJay, I can't believe today was
a good jack. I sit alonein my four cornered room, staring at

(01:09:11):
the candle. Let me block andlike I can't sweep. I'm tossing turn
candlesticks in the dark business. Somebody'sbeing burned four walls just staring at a
nigga. I'm paranoid, stupid withmy finger on the trigger. My mother's
always dressing. I ain't living right, but I ain't going out without a

(01:09:33):
fight. See every time my eyesclosed, I start sweating and the blood
starts coming out my note. It'ssomebody watching the act, but I don't
know who it is, so I'mwatching my back. I can see him
when I'm keeping the colors. WhenI awake out and see the heels,
a black hat like our own,a black suit and a cane like my

(01:09:54):
own. Somebody say, take achill, be the fuck that shit.
There's a nigga trying to kill onme. I'm pumping in the clip when
the wind blows every twenty seconds.Got me people in out my window,
invested getting a joint for tracks,checking my telphone for test. I'm staring
at the woman on the corner.It's fucked up when your mind's playing tricks

(01:10:15):
on you. I make big money. I tried big cars. Everybody knows
me. It's like I'm a moviestop. But late at night, something

(01:10:36):
ain't right. I feel I'm bigtailedby the same stucker's head lights. Tet
that move that I ran off theflock when at that nigga last week that
I shot wasn't at the one Ibe for five thousand dollars. Thought he
had came, but it was gone. Mad a flower, It's und to
my seat. N my papa fuersuck because they know just in the line
I was scared of the a motherfuss. Put the left in the pope

(01:10:58):
pines and burn back quick. Ifit's dollars, get this ship over with
then it come. Just like Ithicked. I got my head on the
motherfucking tricks. When I saw againstarted giggling. Three blind crippling crazy singer
sits. I wondered about a swall. I take my boys in the where
I go because a pound no.I keep looking over my shoulder, blowing

(01:11:18):
around tone. My mind is playingtricks on me. This year Halloween fell

(01:11:39):
on a weekend. Me didn't geta buzz a trick a tree and robbing
little kids for bags. Telling theman got behind our ass, so it's
feeded up the pace. Took alook back and he was right before our
face. He being for squabbling,no doubt. So I swung and hit
the nigger in his mouth. Hewas going down. We get, but

(01:12:00):
this wasn't no ordinary nigga. Hestood about six or seven feet. Now
that's the nigga I'll be seeing inmy sleep. So we triple team darn
him, dropping them motherfucking bees onhim. The more I swung, the
more blood flute. Then he disappeared. That my boys, it's up there
too. Then I felt just likea fiend. It wasn't even close to

(01:12:21):
Halloween. It was fucking fuck onthe streets. My hands were all bloody,
but punching on the concrete, goddamnhondy. My mind is playing checks,
saying tracks, yell, this issmooth you'll check the challage and sober
the number one b rock checking outthinking personal show. I remember this for

(01:12:43):
a spellers, y'all. I say, think that's twenty two years ago.
To keep it attracted. The birthof what y'all when they hit the bot
toe with my toes. But mygranddaddy came so well, he's ghet them
all the biggers of the toes.Now my supported Joe, the little black
boy grows eighteen years younger. There, my mama, but a real they
got beaten with the girl loved traumaand single Aaron hood there rostood by the
time she was twenty one and hadanother one. This one's a girl.

(01:13:08):
Let's name Adam Saint Baba's the first. But you don't give a damn right
heart responsible claim. I'm thinking that, mamma, said Jill. But the
brother Keith w getting stilly old tarry. You will tear out your high on
your side while the baby makers slide. Your mama got to watch to the
game. Andy gets the five kidshunting. Here it is after ten years
without no scout saying Mama's getting marriedin the house her and listen positive bo

(01:13:30):
when negative foot the woman the mastermother Queen's Rose in the chopped up shall
Voom telling you what I'm gonna dodo and when they reminisce silver you My
God. So man, So Iwould like to go up nine Sea coming

(01:13:57):
at Your Coming out of mixed onethat was Troy by Pete Rock and Seals,
who've arguably one of the greatest hiphop songs of all time. I
think before that we played Ghetto Boysby Mind playing tricks on Me another one.
Both these are top five greatest ofall time songs in my books,

(01:14:18):
certainly two of the top ten.Yeah, I mean Troy Is that's a
song that will never ever be touched. I mean if Pete rockin Seals God
bless and they have a great catalog, but that is one of those songs
that is again one of the greatest. So besides some of the hip hop,
we played a lot of great jointWe played Karma Police by Radiohead.

(01:14:41):
This is a group that I thinkall of us could agree, at least
I know Dre and myself magree.I don't know where Kevin and Wade stand.
Radiohead is. But first of all, before there was fucking bullshit Coldplay,
there was Radiohead. Yeah, Radioheadwas that group that did so much
for music, but didn't I getthe accolades until years later. They've had

(01:15:03):
many great albums. Karma Police isprobably one of the greatest songs of the
nineties. It kind of ushered ina new wave again of the British alternative
music. You had Oasis. Whoelse was big in the nineties that kind
of came through with the euro fuckingwave. Well, I mean Duran,

(01:15:24):
Duran stuff, the verb Oh,that was the Bitter Sweet Symphony. There
was a lot. One of thebiggest I would say comebacks, and I
don't know if you want to saydisappointments, but the biggest comeback of the
nineties was supposed to be Guns andRoses. Yeah, they came out in
nineteen eighty seven, dropped Appetite forDestruction. Toward a few years after that.

(01:15:47):
That was probably one of the biggestrecords, if not the biggest record
of the midnight ninthies. I'm sorry, mid eight mid eighties. Right before
that, I think you had likeJackson dropped Thriller in eighty three, but
Appetite for Destruction the year prior wasslippery when the wet that was Bon Jovi
eighty six, but once Appetite cameout, that was it. So in

(01:16:08):
nineteen ninety one, and actually wrotethis down September seventeenth to be exact,
they dropped before it even became athing, a double album. Yeah,
I remember Use Your Illusion one andtwo. And they were riding the wave
because they were coming out with thebiggest movie of the summer, which is
Terminator Too. Yeah, so youcould be Mine was in that movie.

(01:16:30):
So they had hoped that they weregoing to be the biggest thing in music
yet again. And do you knowwho came out one week after they dropped
Us Yours? Nirvana? Nirvana,both on the same record label. So
initially, initially Axel Rose, whowasn't loved this because now he was so

(01:16:51):
used to being the top dog,he was taking a backseat because everybody ran
out and bought never mind by Nirvana. They fresh the newest thing in music
and everybody wanted them, you know, and mind you, a double album
was like thirty five dollars back then, so it's like, hey, thirty
five bucks in one hand, orlet's jamp some a lot to digest,

(01:17:14):
a lot to digest and listen.Do you want to know why I think
Nirvana took off the way that Nirvanadid. Again, we talked about this
last show, fucking MTV. Yeah, power of MTV back then was undeniable.
If you had MTV in your backpocket, you're gonna smash. But
oddly enough, that was their downfall. They hated that MTV and popularized them

(01:17:38):
and anti. Yeah, I mean, so that's the whole thing. They
wanted to always be anti. Butcould you imagine being a part of Geffen
Records, expecting so much from onegroup and then like the whole floor gets
taken out and you go in acompletely different direction. Because after that,
that's when they started actually experimenting withhip hop as well and saying, maybe

(01:17:59):
we gotta do this is a littlebit different. So Nirvana opened up the
lane big time for that label.Before that, they were on Subpop,
so you know, this was theirfirst major label. This was their second
album. So because again their video, it was about the video video sold
at period. Yeah, teh wasthe video that you could put on an

(01:18:20):
MTV and it was probably on anytime. And you know, as as stupid
as it sounds, having a littlechild swimming naked as the cover of your
album, that probably like a lotof people are like, what the fuck
is this? You know, andthat probably never know, No, it
wouldn't, and that that probably worsdpeople to pick that up in the store

(01:18:42):
and be like, oh, Nirvana, what the fuck is this? You
know? Ironically that baby is suingthe estate? Oh he did, but
yeah, not gonna get it.But I'm just saying, that's so serious.
Yeah, yeah, oh man,that's like wow, that's who do
you guys know that there was anactual, legitimate beef between Actel and Kurt
Cobaneef. So when I told youhe first came out, you know,

(01:19:05):
Axel wasn't it wasn't thrilled because hewas jealous, right, human nature.
But he was a fan of KurtSoban. He really actually liked Nirvana and
he wanted to work with Rvan andKurt wanted nothing to do with Axel Rose
because he didn't like his personality,you know, like how he acted in
public. He didn't like what hestood for. He thought he was a

(01:19:27):
homophobe, he thought he was aracist, all these things. Right,
it's from Indiana. What do youexpect there? You go? So,
Axel would repeatedly call Kurt to workwith him, and I think at the
time, Gunnam Roses and Metallica weregoing on tour and they wanted they went
on tour together. They went ontour together, and they wanted I think

(01:19:49):
Narvana to open up with them tobe on tour. Okay, Kurt wanted
nothing to do with them. Fastforward to the year ninety two MTV Awards
and backs age. They got intoto like a fight, um and he
was he was yelling at you know, kurk Lemaine, who the fuck you
think you are? And at thetime, Kurt was dating Courtney Love before

(01:20:13):
he married her. Um, Ithink Axels is something like shut your bitch
up. It was like, wow, yeah, So they had this unresolved
beef I think until the day heactually died. But initially, you know
that he wanted to work with him, he was a fan, and then
they became, you know, enemiesand and you know Kurt, Kurt was
a stubborn dude that he had likehis values and if he liked you,

(01:20:36):
he liked you. And I'm talkinglike I knew the guy personally. I'm
just telling you the shit I read. But is there is there a video
of that fight or no? Itwas backstage guy. Uh we're smart.
I wish smartphones were around it forthat. The guy Kurt from Metallica tells
the story. But yeah, andthen, um I wanted kurk Leomaane dying.

(01:20:56):
You know it wasn't he died inninety four. Kid. Yeah,
I thought Kirkerbean was amazing. Isay this earlier. He's like a generational
talent in music. I thought hehad the qualities of like the Beatles when
it came to songwriting and you know, hooks, the courses. It was
very very reminiscent of other way JohnLennon and Paul would write a song and

(01:21:20):
like also you can hear the influencebetween David Bowie and Michael Stipe Marim It
incurs me. And I thought Narvanawas amazing and they you know, they
weren't around too long. It's prettywild how talents like that, um I
have so many mental issues and drugaddiction and just spiraling downward, but they're

(01:21:44):
so damn gifted. It's like it'slike they can't deal with it or the
rest of the world doesn't see it. Yeah, I don't know something or
maybe both, but it's such aheavy weight that they just can't escape it.
And can't find happiness when when youknow it really blows my mind.
I mean, and he's not theonly one. There's so many artists of

(01:22:05):
course, EXPERI it's the same exactthing. I think. Also, when
you've got nothing, you've got nothingto lose, so you put it all
out there. You know, whenwhen you've got like responsibilities or a family
or a job, that kind ofrestricts you from just saying, fuck it,
I'm gonna go live in a ina shed and just work on music
until I figure it. I mean, you know it. Life kind of

(01:22:26):
holds most people back, But whenyou've got nothing, sometimes it allows you
to take chances that I would neverbe able to do because I think too
responsibly, you know. So that'sthat's a big part of it as well.
Do you think also that maybe,you know, his personality being such
an introvert has something to do with, you know, not wanting to be

(01:22:46):
around these people and you know you'retalking about actual rose and you know,
personality conflict, and you know hejust, yeah, I got those lies,
not one. He doesn't want tobe around. Motherfucker's like some people
can't handle success, like they knowit's not like you when I want getting
at success. He wants to bea musician. He wants to be free,
you wants to be able to writethe song if he wants to write.

(01:23:09):
But with that came success, andI think some people just don't know
how to how to deal with it. You know, it's new territory for
them. But you also look atthe tours that they when they first started
out, they were never on bigtours. They were playing like with the
Buzzcocks and the Melvin's, like reallyunderground groups, and that kind of is

(01:23:30):
what they've always want to be notedfor. They don't want to, you
know, always have something that youknow, there was a lot of money
behind it or let's just say thewheel of the music industry. So you
know, it's a they liked it. Raw always did grunge, right,
They didn't start grunge. I thinkthey just put it on the front page
of the newspaper. Yeah, youknow, you had Alison Chains, you

(01:23:54):
had Pearl Jam, you had SoundGarden. I mean there was tons of
groups that came out of you know, the Washington state area. But I
don't I don't think they started grunt. They just kind of made it.
Yeah, Yeah, Hey, forships and giggles in this time period.
What is one of these songs fromthis kind of genre of show that we're

(01:24:15):
doing. What's one of these songsor groups that you you really like that
is really fucking whack? Well whatI like? But is whack or what
do you mean, like like aguilty pleasure? I guess like if I
really liked Counting Crows, but Ifelt like you like, you really like
it, but you're like, man, I look like a herb saying this,
But I like this song. Howabout that Sushi and the Banshees kiss

(01:24:36):
them for me? That sampled schoole D. I love that. That's
a good Sushie and the Banshees,And yeah, I don't that was a
big one for nightclubs. Man.I always just try to, like,
you know, throw that through withthe original. That was very very big.
I love Sushi and the Batche's good, good group. But you know,
b York was strange back then.York was good though, Yeah,

(01:24:57):
but she was great when she waswith the Sugarcubes, you know, and
then she became like this um figure, you know, political figure and always
had something to say. You know. She was like the first version of
Lady Gaga, you know, alwaysin the forefront of this some political discussion.
I don't know what's the guiltyper I'mgonna be honest. I like all

(01:25:17):
these songs. I mean not listento a lot of these songs today or
have listened to them in ten,fifteen, twenty years. But I don't
know what song I hated im ArdantBrooks bitch. Oh yeah, I could
hate that ship. Yeah, AndI like, stop stop sampling like you
know, the uh the break fromled Zeppelin and try to be fucking cool

(01:25:38):
in your song or some shit likethat was just some water that was to
be shocking, horrible shit. Imean, I got one. I got
real. I got a good one, man, But not songs we played
on the show. You're just aboutsongs from the night. Yeah, just
in general, dude, you don'tlike and your first question was what do
you like that you think is whackor like other people? Oh, I

(01:25:58):
got a good one. I gota good one. It's probably from nineteen
ninety okay, about three Milli Vanillisongs. That was actually from the eighties,
but I hear you wasn't. Ithought it was around mc hammertime.
Now it was around Peyton Full Timebecause they they they took the Ashley's roach
clip and all the samples from Peytonfull that rock Him did because I used

(01:26:21):
to interweave those two together all thetime, because that ship was fucking wight.
Yeah, I think it was eightyeight. Damn I missed a decade.
Yeah, the Vanilli songs are right, Tommy Millie Vanilli. I'm not
saying they're the same, but likethey're like P M Dawn, Like it
was well produced, the break veryreally good. You know what I'm saying,

(01:26:45):
you can't front on it. Andthen PM Dawn was always they were
always suckers in the eyes of peoplewho are truly down. You know,
they loved the story of Caress andthen jumping up on stage and then yeah,
I mean, you know, untilthat guy died, that was a
good pop. Yeah, but untilthat guy died, never really had the
clout of people who were down.And you know, cash Money used to

(01:27:05):
DJ for them all over the world. And he's still, I think,
is trying to resurrect that whole thingwith the with the other guy in the
group. Is that what's the otherguy's name, Prince B. Yeah,
I don't know. I don't knowif you guys ever remembered a group called
Big Audio Dynamite And in the ninetiesthey came out with that song Rush.

(01:27:27):
That a jam that was a jamall over the college times and every house
party. Ah, that song wasso dope. So that's the perfect way
that they fused like a guy whoused to be in you know, like
a clash type group and then kindof soloed out and knew how to sample
but also play live instruments. Thatthe song he's speaking of rushed to the

(01:27:51):
atmisphere, So dope. You knowthis song, you would know it if
you heard it. And then theysample in the background teenage Wayland, the
pianos, yep. So fucking dope. So dope, good good, so
good. We'll speaking of dope.Let's get into our first Medley tribute,
which is uh, Nirvana communiately yes, so check it out Medley Tribute Nirvana.

(01:28:18):
And then after that, I thinkwe're going into tribe called Quests.
Oh, we got we got abang bang, we got out the backdack
back bang, and then and thencoming up, we got the fucking tribe
called Quest tribute. Man read thiship hop group of the nineties Peters.
Listen to how soft is Jason's voicewent and happy at the same time.

(01:28:42):
Next up, We've got the jobcalled Quest Sweet Sweet release, brought to
you by My Atlanta and now ourfirst tribute of episode one twenty nine.

(01:29:21):
This band was formed in Washington Stateand was an intricate part of the grunge
movement. Never Mind released on Septembertwenty fourth, nineteen ninety one, their
sophomore album, and from that dayforward, these guys changed the way music
would sound for years to come.This is Dave, Chris and Kurt better

(01:29:41):
known as Nirvana enjoyed. Why wouldyou did find the music of Pavana freedom?
Why being in septeen on anything thatyou like and playing whatever you want
as sloppy as you are, aslong as it's good that has passion hobably
to have any good music? Howboutthem sly viralents? Either, that's fun.
It's pure fun, fun fun,fun. Me down Lizzy from with

(01:30:11):
into thank you for this show.What you have a clue that you war
me? I can see you everynight free standing in your blind time pick

(01:30:46):
up to keep up, stay withyou. I'm taking nish one you hear
me? I see you every lieset come as you won as you were?

(01:31:31):
Is I wan you to be asa friend. As a friend,
isn't take your time chic is yourdon't believe, take your rest as a

(01:31:55):
friend, isn't believe mp das fudSouth to reach is as a trend.

(01:32:26):
This is brown is a brown treedown. Unfecting, was affected, was

(01:32:59):
suffocting. I'm so happy because today found my friends. In my head,
I'm so wealthy, That's okay,So are you goes Sunday mornings every

(01:33:29):
day from care, my skin,my camels, in our days because I
found God. I'm so lonely,that's okay in my head, and I'm

(01:34:12):
not st and just maybe I'm toopainful all love, I'm shoe. I'm
so excited. I can't wait tomeet you that I don't care. I'm
so horned, that's okay. Iwill ask, yeah, yeah, yea,

(01:35:00):
I imagine I'm back. John track, I'm Missing You but I'm not
count track, You'm right track KillingYou, Joe track, Joe rack track,
I miss You, I'm track,i Love you, I'm back,

(01:35:26):
John track back Chill I'm never Mindwas definitely an album we wanted to make.
You know. I mean everything aboutthat record is exactly when. We
have no regrets other than maybe theproduction was too slick. I mean,

(01:35:48):
now that I look back on it, I don't think it's as raw as
it could have been, you know, And that's our fault. I can't
blame it on anyone else. Totop sproket trap to become cross can pose

(01:36:21):
from see so kay fashy fee somethingand away something something and away something yeah

(01:37:11):
something away something, Yeah, howyou have done? It's it's uh not
as I think. Then throwing abomb into the whole music business. I

(01:37:35):
wish you would have thrown a bombin a music business. They opened it
then at least dismembered, dismembered,dismember kids food well, the Chagres strange

(01:37:57):
against the one by Sunday, that'sit, say lovey, that's just sat
god boy. Don't my water brace, don't my water brings? The one

(01:38:28):
back pay sound, that's just sangalong, that's just s god body,
don't my water brain, don't mywater brace? She s said. We

(01:38:57):
wanted to participate in the music industry, so we participated with m PV.
Was sold out. Yeah, jus I quit. I quit like a
shooting like a pass. Well,I'm loved inside your heart ship, But

(01:39:23):
weeks i've been join to your magnessstrap, I was shackled. Eat your
cancer well, babe, by wayas to your prises, by far to

(01:40:12):
your prises. Lie, don't lie, don't lie, don't lie. Read

(01:41:19):
me my friend, rape me,rape me again. On wild bye one

(01:41:40):
bye all wild bye all one again, waste great woe, and every one

(01:42:45):
of those married sins were explained theanti great song. I don't know.
I just thought, got tired ofpeople trying to put too much meaning into
my lyrics. You know, let'sme too farfold hold, I'm not let
down back in the town, thesun is gone that he led the days

(01:43:11):
town. I haven't fun. Ithink I'm down, maybe just happy.
They don't just happy happy they gotwas happy my heart stroke that let me

(01:43:40):
count and you with come around anddon't claws never come down over have be

(01:44:10):
come down and come down, comedown, I come down, I get
down, I be got down.He'll be got down. Don't don't don't,
don't, don't, don't, don'tdon't do m wooter? Should I

(01:44:44):
be all cheese? Wooters? Couldsays gay? What else could I write?
I write, what else should Ibe? All Jesus my song in

(01:45:19):
my side one, in my songever side, I wish I was like

(01:45:39):
you easily mused. I myness asolved. Everything is my fault. I'll
take all blame, el shame,some freezer bir choking as my side.

(01:46:15):
My side it was. It wassigns were all westposstand spoken, wasn't well,

(01:47:28):
although I wasn't bad, said Iwas a strand where's came as a
surprise. I spoke into hisself thatdadlow time ago allow, I mean we

(01:47:59):
never as a day of those Withour second tribute to the show, This

(01:48:34):
one's dedicated to everyone's favorite group fromQueen's Not Named Run DMC, A tribe
called Quest is arguably the gateway intohip hop for many growing up. Their
debut Classic People's Instinctive Travels and thePaths of Rhythm, dropped in nineteen ninety
and then the following year they createdwhat many consider the greatest hip hop album

(01:48:55):
of the nineties, a low endtheory. But wait, they didn't stop
there. Two years later, nineteenninety three, they dropped the most enjoyable,
most replayable, and most perfect album, Midnight Morockers. Nineteen ninety three,
three consecutive classic albums. In ninetysix, they joined forces with an
unknown producer by the name j Dand gave us Beats Rhymes in Life.

(01:49:18):
While the album wasn't like the previousones, it was another milestone for the
group, with chart topping singles andGrammy Award nominations for both Best Rap and
Rap Performance. Then came the LoveMovement before the Lone Ranger went solo.
We've covered Tribe many times on theshow, and it never gets old.
Here's our tribute to one of thegreatest and most important groups and not just

(01:49:42):
hip hop, but in music history. Tribe called Quest. Come in,
mister djes, same fight on themicrophone, down and drive westo ro in

(01:50:10):
the house tonight LEAs eating out tonight, you know tonight market like this right.
I left my wallet and Elsa mywallet, and Elsa left my wallet,

(01:50:30):
and else gunto. I gotta getit. I got got to get
it. I left my wallet andElsa let my wallet, and Nelson left
my wallet and else cunto. Igot to get it. A guy got
to my mother went away for I'mmy flooring ships. Some friends on the
Ocellana ship she made a big mistakewhile leaving me home. I had to

(01:50:50):
run, so I picked up thephone up to see what was going down.
Don't hit my pickup up so wecould drop around to the door start
a sepent before my mother left they'all, but I needed one more sh
cain't heavy cover with a hundred greenbacks and to be left footlay and we
made big tracks to troop download thoughy'all older country with ain't too what too.

(01:51:11):
Were paid and went through it atthe list the nation we was on
the quest, I leave leading theback two. He didn't get rest troop
down the rood for two days anda half. The sun had just wasn't
on a dusty path. Just afig jup had caught my eye a member
for some baron who was four feethigh. I pushed over to ask where
we was at this index finger Hetells up the sat elsa under. He

(01:51:32):
says, my name is Dachel,and you need the Rutch as I tell
you your prior to leader civilization tosort of reservation. He said, a
mouth out there's a fast two station, see y'all. As I thought,
since emotional, Alice said, willbe laid back tongs that ain't us to

(01:52:14):
succeed in a cheap at twenty one, just like bringling brothers out things in
us down, Captain, they don'task us the voter's profound. Do it
both strong, We do it bothfor me. Huber in your booment and
your bhooberty. You seek humen inyour booming and your baby. You see
hument in your booming and your bhooberty. You seek huber in your booming and
your bhoobery. Your cheap or yourheart or your bema, or your legend

(01:52:35):
or your bends the rave of thetown. So your folding, your friends,
So push it along trails we laid. Don't deserve the gong, don't
deserve the breen. The tranquil is. You're gonna make your umball your fist
before we put hip hop on abrand new twist, a brand new twist
football on the stick so low keythat you pop up leaving stick. But
yeah, it's so loud that itstaid it. The crowds of the gide

(01:52:58):
takes to beat they bowed, sowave ubsquire are just your attire up.
We have no time to following.Comya. If you're on a former path
then let me do the leaves joinin the of the I to the music.
Doesn't need to your serine with thebirds and the bees and awful ding
things like getting stomach when you gottago to work here and disclosed the feelings.

(01:53:20):
I don't really mind if this wholeboy, Yeah, because the job
the resurrectors is to wake up thedens of pay pertation. It's not hard
to discipher and have a go.We got the chass. You got the
chass, you got the chat.You got the chass, you got the
chat, you got the chaz joFife. Don't need for introduction because you's

(01:53:43):
not who I be. The wifedog you have the one who loves the
sport and sees I got stund graceand was in my dask. I'm like
the chase rushing yo. I emphasized. Now most people remember fight from the
Fight like Smoothness year when I wastime to hit you with the rough provins.
I'm still vexed human got to comefrom the first book. Who tries
to flex, I'll be back inyour jaw. I'm on you. So
you wrote you up like a split. Don't ever try for that sls that

(01:54:05):
to get quick I'm forever propping joke. It's like a fat in fight.
Tell you I'm even wants the leftthat we can do this in like tell
up my posse up for Linda andone nine two put up my brothers,
say that the booklint sue all mycool up and stroll outand tell y'all don't
sleep because it only takes a meto watch it get beat. Brothers want
to play rock? Was that youwant to get? So? I wanna

(01:54:26):
be here with whichever sego help me? You get snuck. Don't ever try
to stop to a kid you can'tcan't wait? Well, might swear the
brother that your curl was slaped with? How an eagle? He's an eagle?
Wanna be an eagle? Two bybegin on the ground. It's something
down I want to do. Ilove Jack, but that doesn't mean that
I'm feeling I really against the roundwhen I can swinging for him and it
ain't form, It ain't form,it ain't more boom, oh broom,

(01:54:47):
mind your phone check one two?What is this to file for? This
hanthing? With the rough neck business? I float like gravity, never had
a cavity, got more robs thanthe one that's got family. Don't he
just want I send the yells againsome paper bang. No shame in my
game because I always do the samestiles upun styles, upun stuns is what
I have. You want to justa fightful, but you still don't know
that half. I support new balancespeakers to up one an arrow about messing

(01:55:11):
round with the ticket sercise, andI never have stopped because I'm not a
half stacker. Drink a lot ofstas on they call me got the pepper.
If you're to come beet with PScompetition, her name is special less
and won't your sucker with the mission. I never worked as we think it's
all about me, even though deepin my heart it really get beat.
I just try my bit to likego all out. Somebody say your short
black, your boys and out Sulunation lothers. That's creation minds getting flooded

(01:55:36):
ejaculation right over the two inch statethe halfs jack forward and cocado run the
cap, not the less, notthe words. And occasionally I goes to
get my going across to us thefloors as I go with in betune,
the gritting the dirt, listen tothe mission, listen missings out to work
um as a cracker monitone chilling upthe chat. So get your own smoking

(01:55:58):
on the bet because they try todo to the best of the drake m
drabfoord, dad strap or drapings adshrack a rack Jo here we ya,

(01:56:21):
here we go, here we goroof everything. Here we go here hip
hip hip hip hivery Here we goYo, here we go Yo. So
I saw us was the scenario herewe go, Yo, here we go,

(01:56:43):
Here we go, Yo, herewe go Yo. So I saw
us was the scenario here we goyo, here we go Yo. So
I saw us was the scenario Aobho no thick one bon no ze,
no no check. You spoke can'twrap? Well, what do you know?
The dead dog gets burst up toback the batteries included and those strings
attached. No hope part the timefor move facing gots to get the so

(01:57:05):
I can bring home the Bacon brother'sfront. They say the trip can't float,
but we've been over to do theimpossible, like what quake jump?
So sleep with your one like cool. I hope you get your zes true,
but here's the real school. I'mold there and then some shot doctor
had some must inside your eye toshow you where I come from. I'm
vexed human. I've had it upto hear my days of pain. Does
the over hey college, I meansend there he for the water. Go

(01:57:27):
get a tap of I direct itfrom the TMP Street meaning from the get
go and sit back, relax andlet yourself go flp butch hurt by hackling.
Yes, yes, yaw yall whogot the fob and the trip dog
lop door inside outside? Come around? Who right? Some may I say,
call me show me the word isthe herb and the people like Bob

(01:57:48):
Molly back over the black black peopleare will take us the gate contact.
Can I get a h hurt womwith my brother name tip ready up pleas
he's stop man track like I ain'tshumping chick a chick a check it out
book four ounce to the ounce andwow, how to our wow? How

(01:58:10):
to our brown now well took astill gets Downwin people be the so why

(01:58:33):
be sublime? It's enjoyable to knowyou and the concubos niggas. Take off
your coachladies act like Jims, sitdown Indian stows. You cite these him
see lyrically. I'm Ario and Dreddyon the Moomo lou to Christy speedy or
infectious? What the SloMo Hermi inthe eighties avs on the blomo him.
I never letting the cus to getthe paper on the caper. But now
let me take it to the queenside. I'm taking it to the Brooklyn

(01:58:57):
side. All the less attenial practicewho invade the hold up the second son
because the almost there. You couldbe a black panos or your soul you
could be white. And but don'twrap the road. See my shins universal
if we got knowledge of the rdelp myself. See there's no one else
who could drop on the angle thatcute at that. So through that drat
dude that that that come on,do that? Do that? Dude that

(01:59:18):
that that do that? Do that? Dude that that that I'm bugging out?
Will let me get back because ofthe wet and niggas so fun and
tell the others because we all thebrothers alert how to build Mike's in my
workshop class. So give me thesoul, un, let's not make it
the last row. True we aretruth. Back in eighty nine, I

(01:59:53):
simply flitting in the place, Bunny, Bunny, buddy, all up in
your face, a lot of kidsas one, but they had no texts.
I said questions like, but nowwas at the case. I have
a quest to have the mike inmy hand. Without that, it's like
Kryptonite and Superman. So shah Head, come in with the sugar cuts,
wipe toss money, but on stagecall me Dyanna money. When's the last
time you hurt the pipers? Poppyclip brixing Onimus can never hear me coffee

(02:00:16):
top notch baby never coming less scotsand let me you got still believe the
questions, Sit back, relax,get up out the battles. Not that
gives a dance floor. Come movethat ass now believe it. You can
check the steps a row with shotheat and the brother abstract niggas. Though
the time went quistions in the damnI never let a statue tell me how
nice I am. Come in withmore hits than the braves and the nicky's

(02:00:39):
living mad like the whole size manbe the back at schools trying to this.
It makes me laugh with my trackBricket is ower Dan a DC twenty
aircraft. So the next time thatyou think you want something, here and
fix something for takeovers to say hereto down. Yes, oh god,

(02:01:32):
oh my god, yes, ohgod, oh my god, yes,
oh god, oh my god.That's oh God. Listen up, everybody,
the bottom line. I'm a blackintellect, but my mind reposition like
the bullet dragging mound. Just liverlike a the halic sounds. Now when
I say the hall it dinner,winding the hot of the awad up in

(02:01:55):
the bottom j lick your wind up, get dapping up the bull something number
seven, Nigga lix lick snix boy. When you have backside lix lix snex
boy, but you have backside,let's sen to the wada shot heat.
Let's say alide to everybody. Happenson my side, even in sense like
the mingo and I got a greengoo, We got mikes window go no

(02:02:16):
one, little niggle who can runwhen your ass being short bark the bustle's
voices ass like one full of troublefor two f the base. You know
the stunt. It's not the flippers. I like what meats hard like to
yon ship steady eating booty um seekslike cheese backs. My man, I'll
be sure if affect you, youstill have a pressure on doing for men
do it's not like honey doper wantto give it me but just a case

(02:02:39):
o oh mindington dmc. Now theformula is this me tip ben ali.
But those who can't count it goeswant to break the big up. This
whopping Wether's runner is hard to do. But never me. Some mothers try
to differmlik. You see him,but me not here about them bbmc.
But shit is whitten trinny gladiator,and that's a hesitator. He pushed the

(02:03:00):
beata from here to Grenada. It'sthe energetic will be sound pathetic. When's
the last time you heard of adeticwork work worn yourself, delphus set a

(02:03:40):
let yourself, delf pot yourself delfussouth. Then relent yourself, delfu self
yourself, help stuff claus yourself sluysun, clamut yourself stuff clams yourself up

(02:04:11):
sun damn. Honey, check itout. You got me messmal rides with
your black head and your fat assstops street forward Street is my every day,
but your one got to stop whenyou trip my way. If I
was working at the klobby, wouldnot pay ayo mommy in fight diggy,
he got something to say. Ilike them brown yellow pater rican i Haitian
name Miss fight Bo from the Zulunation. So you're in the gym back,

(02:04:31):
we can get down. Now,that's not the boot to each town.
You got DBD up on your bedroomwall. But I'm about the reminisce
is how I bore a pretty littlesomething on the New York streets. This
is how I representable. But thishere talking about you, yo? What
took you out? The sections on? My mom pulled the whole damn route
there and route rout the seconds on, my mom poled the whole damn route,

(02:04:55):
the route us the seconds on,my mom poled the whole day and
route the routing round. Let yourself, girlth you settle them, re let
yourself, girlth you senttle them,re let yourself, girl, You settle
them, re let yourself. Growthyou sent to the left yourself girl,

(02:05:16):
sun to them, re hurt yourself, girlth you settle them, re lect
yourself, girlf sent to them,re urt yourself, girlf. You settle
them, you let yourself, girlf. You send to them, hurt yourself,
girl. You settle them. Relet yourself, girl, and said
to them, hurt yourself, outyourself. I really know how it feels

(02:05:36):
to be stressed out, stressed downwhen your fencefice with your adversity. I
really know how it feels to bestressed out, stressed down. We're gonna
name this thing work out, evenJeline, you ain't want to complaint with

(02:05:57):
the things in the game once I'mtype bron like flame and wis that I
remember, can't dream they got thisget old kid in the fiend. Don't
stress that because it's not in yourblood stream, your whole being. Because
Serena's you remember kicks on got youfought in the storms up the set.
But the brothers on the block backin nine treks to sever jeez, he
said, you and she catcause aslat. He'll whip me on the Afternue
where they'd be acting brand news.I'm starting on these block joints for Shorty

(02:06:20):
Boom. All of a sudden,I saw these two kids fronting talking out
their joints. But they wasn't sayingand my hand was on my fooie.
They was acting Uncoia, were wordup, your whiter was sight cuart up.
But I swallowed my father let thatnonsense rye because the positive it seems
that they't get in bye. Wewas at the jack can't making these cast
for Philly slam Man Ketty running allfactor Willie. I had my cash Bis,

(02:06:43):
my rent loop and my play Joe. I gotta see so they throw
all my girls. I blow tookthem ships and my parm let them hit
the floor. Kept my eye ballssoup before them pigs Poe Poe. I
got to go on the ass seemy pro rode by folk. But I
gotta steady freaky boys like Joe Joe, and I was doing that till my
man. I I can hit onerow to have my pocket. So to
your dass right, you'll want goto feeling. When you feel like you're

(02:07:04):
feeling, you be having good boys, but the evils be reveling in the
stresses. The lighte could take youoff the right cab jealous, the aty
tense to infltrate the staff. Wegotta hold the dance that we can move
one past all that bir cities sowe could get through fast fight when making

(02:07:45):
making making, y'all, you're allpointy, fight once again to your old
boy, fight once again to yourown point once again to watch me bust,
stay shit and rage. Come on. This is the year that I

(02:08:26):
come in at just seven stakes.My style is great action, people scan,
I dominate. My rooms are harderthan last night's surrection. Don't play
me close. I have this mikeup in your middle session. My shit
has slept. Simply mean me thatmy joints tighter and the mic making sure
productors tight. Sometimes I might catchyour severe case somebody's body. About the
end of the day, you'll beon my job, Rena's money. My

(02:08:46):
hobbies for nfcs to the test.And if you're front of put my foot
up in your freaking chest. Freestop fanatic and never will it, never
stop your crew assists. You mightjust want to go over the yell.
I gotta put some action on paper. Make sure my first jump up and
spread out like the raper. Theonly tip I got for a way up
to watch the door knob hit mewith the dirty door shit a bit.

(02:09:07):
That was my train of thought,but for so long I thought now on
at a level, so preaches thedevil to turn up the base a lady,
little one, the devil we knowthe d shovel, provide the line,
provide the tib the lady set thestyle like the squirrel swept the nuts.
You know what fellers good for themulat smoke. No rulers we in
the name clone me slick tipped theruler. Yeah yeah, yeah, your

(02:09:48):
on point tip. You're once againfight. You're on point tip. You
once again fight your on point tip. You're once again fight. They so
that kid is asen me up mywhole head season me just like Tita did
wing. Now look at what youstart is two boys, question it or
not hust the whole world see it. It's what you can't my peoples,

(02:10:11):
they complain sitting raven Ran, yourname is out of my mouth like an
ancient chat. Got me like adog as a fallsen pan speaking of which
gotta leash and a which just surrock you miss make a militant move,
beat my strategy. You're not madat me, not dealing with nobody.
Now, that's what you told me. I said, a ya with school,

(02:10:31):
we can just be friendly because YO, to me, messing it up
her mind not corrupted, the LCcups her shit. I'm on my ja
y'all come on bullshit and hoping atthe day go slow. Got me like
a friend. What confuses me,though, it gets is when we breathe
tell me what's the deal? Yo? Now you club my heart on the

(02:10:52):
evening gets my cheek moved in Youconfused days? Should I just sit out
all compardo? Tell me find myway? Now you put my heart for
evening? You confuse things? Comeon? Should I just sit Come on?
Now? Why you want to go? And you that love her?
Now? Why you want to goand do that? But do that?

(02:11:13):
But now why you want to go? And you that love her? Now?
Why you want to go and dothat? But do that? But
new that? Hum? Check itout now? Huh no doubt now,
uh yeah, check it out now, no doubt y'all. Special girl,

(02:11:39):
real good girl, biggest thing inmy itty bitty bird called her up and
she made me feel right. Whishthe bliss can never take flights, sitting
back with this mic in my hand, spitting hot shit, trying to see
Grahams and print it on my mindevery minute, make my plans and you
always into jaw such a fib ranthing, vib thing or vibrant thing,

(02:12:03):
and either though we both fly,give each other's face and not the evil
eye hacking like growing up. Don'teven try to hide because the spot blown
up girlfriend telling you she want tosee I say, I don't know what
you say, gladly, And whenwe both do head we go on and
on and on and on and onand sweet it than vena jerry can the

(02:12:26):
rhynd where you know about guess minesitting around on my abstract car, this
halfstract thing going halfstat car. Y'all. Such a fib brand thing, viving
thing or vibrant thing. YEA,such a vibrant thing, vibit thing,
or vibrant thing, checking nagging,check it looking more? Yea such a

(02:12:48):
vibrant thing, viboring thing, avibrant than big yall checking y'all checking whig
jack checking job y'all getting back tomy MC status. So little Willie did
I kick make the other niggas madness? Moving to you old Tanner situation showty
because she said over she really wasplaying with sho shook the thing and violated

(02:13:09):
not his wolf like thoughts of formulating. I'm saying there wasn't some hart thol
she here for my shore back NiggaWells sits here. Linden represent represents that
Trump quest represent represents a Trump poorpot trouble Rubber Robert ro Robert Rob four,

(02:13:35):
First Represent Represents and Triumph Call Requestconsisted of four members four five Dog
Bausi Dog Dog Dogali, Shahid Muhammad, Cute Tip and and and and Cherobi.
He fine, Oh so you justheard the Tribe called Quest tribute.

(02:14:13):
Look, we've covered Tribe over andover again on the show, but it
never gets old. I mean,that's that's the group where the music is
timeless. And I always say this, name me another group that has three
consecutive classics, like a tropical Quest. I know those groups like EPMD that
have classics three in a row.But I don't know man Low and Theory

(02:14:37):
Midnight Rotters, the two best backedat back albums. It's never on that
level. That's the thing. Itlevel No No, So yeah, trip
called Quests, Man, it wasmaybe cute. Would you say a tribe
called Quest? You know like thelyric in old hip hop like coffee Shop

(02:14:58):
Chicks and white Dudes. Do youthink that was like Tribe was their gateway
drug in the hip hop because Ifeel like Tribes was the I don't want
to use the word safe. Ithink safe is the right word. I
think Tribe was the safe group fora lot of people that were kind of
teetering on that line of like shouldI listen to hip hop? Like what's

(02:15:18):
it about? And I think becauseq Tip had that appeal and he worked
with you know, Delight and whatelse was qam Jam by the way,
I think he was able to bringpeople over to the Tribe's side, and
yeah, mats were feeling it.Not only that, it was also college

(02:15:39):
time. They had that college um, you know appeal for sure. And
at that time, I don't knowif you guys all remember this, but
MTV was doing all those spring breakeditions, so they would be performing on
Daytona. Yeah, they'd be performingall over the beaches exposure, so the
exposure was crazy and the fact thatyou'd have I don't know who was hosting

(02:16:01):
at the time of probably was dreand ed Lover before the Bill Bellamy days.
But yeah, they had Tribe onstage and that's when they brought out
Buster for scenario and the whole,the whole vibe change because you saw Buster
starting to emerge as a star andthen shortly after that you saw you know,

(02:16:24):
the slow demise and breakup of leaders, and that actually happened on an
MTV interview as well. Around thestreets of New York you could see the
screw faces. No, it's it'sall there, but Arlie Brown was looking
hurt. Yeah. You know,you bring up an interesting point about Buster
Rhymes, and because of that wholescenario you just laid out. I wonder

(02:16:46):
what percent like what what what percentageof folks who like started getting on the
tribe bus was because of Buster Rhymes'sverse on scenario. You think, I
don't know if they got all theTribe us because Buster, I don't know.
You gotta remember hip hop was reallystarting to truly be in the forefront

(02:17:07):
at that time in the nineties.And you also have to bring up record
stores existed still, and what didkids do. They went to record stores
to actually find new music. SoI don't care if you were, you
know, a complete head, ifyou were a college kid, or if
you were just starting out trying topick out what you wanted. Tribe was
in all of those stores, andhip hop was very, very popular or

(02:17:30):
just starting to become like the numberone genre. So there's no way it
wasn't forced on you. Whether youthought it was or wasn't. I think
there's a maybe not a huge percent. But there's certainly a sliver of people
back then who were buying the Tribealbum and were disappointed to not hear Buster
rhymes on more than one song becausethey had no idea leaving into it.

(02:17:52):
They had they had no idea goinginto it that he wasn't like part of
the Tribe. I think you're completelyforgetting the nineteen nine First of all,
before they even dropped an album,Q Tip was all over Jungle Brothers,
so people started they knew who Tribewas, right, But you're forgetting they
had two huge radio hits. Theyhad Can I Kick It? Which is
the lou Read sample, right.I mean, if that didn't grab all

(02:18:13):
the fucking white people in New York, I don't know what did. And
ps, they've never collected a dimeon that song. Loue Reid gets all
the money. And then, bythe way, I think that was the
same year that Marky Mark dropped Wildside, which is another lou Read sample,
which which is how that song becameso big because people heard the Marquie Mark

(02:18:33):
and then they heard the Tribe.Ball quest right anyway, beneat Apple Bam
was a huge fucking hit. Tiggreat record, so people knew who Tribe
were before the Muster invasion on scenario. I think more people found out about
leaders because of that. I believethat. That's what I think. Yeah,
and then you can you can accentuateit a touch more. The movies

(02:18:56):
became very afrocentric at that time.So this whole like understanding black culture,
black studies in college classes, itwas very different. They never had stuff
like that, and it was allbecoming a part of mass influence, and
that's what we were all into.We wanted to learn more, We wanted
to be more understanding. We wantedto try to not just bridge things through

(02:19:18):
music. You know, it wasmore about understanding and the culture and Tribe
was one of those groups like JungleBrothers that always tried to bring in that
afrocentric way. And you know,whether it was the way they dressed,
whether they stopped wearing gold and werethe medallion, regardless that they were looked
at as like, wow, thoseare those guys. You know, I
want to I want to know more. And you know what, guys,

(02:19:41):
when you when you think about thisfor a minute, Tribe did what Daylock
did. They started out hippie kidsthat other races that you know, white
people liked and we're open to andthey kind of they hooked them. And
then they came back with the secondalbum and punch you in the fucking face
and went more into what we wouldcall like real hip hop, and everybody's

(02:20:01):
already hooked. And then they justexploded second album on man explosion and then
it was a ball game. Itwas fucking ball game. They were a
less aggressive version of say Public Enemy, well less aggressive than you know or
like X Clan or PRT or anybodyor even you know Nubian Cynics. Yeah,

(02:20:26):
I think PRT Nubian is a perfectexample. What was what was a
movie from the nineties, like acomedy that had the original come out in
the nineties, and then they dida sequel, like, I don't know,
a year or two later, andit's like the same fucking movie and
they just recycled the jokes and andbecause it's party major, that's what I

(02:20:46):
feel like, us talking about thetribe called Quest has become on this show.
It's like we've already covered that.It's like the fucking sequel where we
just repeat all the scene ship letme, let me, let me throw
out two songs and let's go two. We played beck on mixed one.
Right, can anyone explain to mewhat the fuck that song is about?

(02:21:07):
Losers? We're not supposed to knowsome about cheese whiz, all right,
hold on, hold on. Youhave to also remember at that time,
being a slacker was very, veryin vogue. They made shirts that said
slacker. I want to say,um smashing Pumpkins. Billy Corgan wore a
slacker T shirt. What I'm sayingis that song itself loser whole. Keith

(02:21:30):
is like, what the fuck areyou saying? Bro? Yeah, what
if he said, what the wordis? What's calling? Well, here's
the thing. He was always downwith the B season stuff, so he'd
always knew how to incorporate a littlebit of sample, but to be abstract
and obscure and so strange with yourlyrics, you know, saying shit that
no one would know, which makepeople remember it. I think Beck just
cause he'd appreciate that. Yeah.Beck was just trying to stand behind a

(02:21:54):
different door. And here's the thing. He was Harold It is one of
the greatest instrumentalist and you know guyswho was like so super talented. He
played multiple instruments. So Beck gotmajor accolades at that time, more than
one song. Yo, I thinkBeck was on the spectrum. Beck was,
He's amazing dude, and he scoresmovies. Now he is out there,

(02:22:16):
he's super talented. Before we jumpedfrom Mixed two, can we collectively
agree that wonder Wall is the greatestUH karaoke song of the nineties. It
is good. I won't lie fuckingpay damn good smacked skills on twenty two
beers in you about that, ofcourse as a motherfucker the next morning,
but I can throw that one down. You're doing a fake English accent the

(02:22:41):
whole bit. I'm a fucking gazeafter that one night. All right.
With that said, let's get himMixed two. He is smashing Pumpkins nineteen
seventy times. Get ready for Mixedtwo. On this one, we've got
music from Pearl Jam, Why SoulAsylum, let me sign three to eleven,
Blur and ever Last. But beforewe get started, please take a

(02:23:05):
moment to review, take it personalon your preferred streaming platform, re appreciate,
and now I'm mixed in. Ithink you got to change. I
can be really women. When wewere back women breaker, when bad,

(02:24:11):
Gonna shake down, ninety seven,gonna begin, cool kids, never have
a time, gonna begin, lightwild ride up, full stream shot shot

(02:24:48):
lights by show, never see round. Yeah. When I answered, I'm

(02:25:31):
gonna say this is a friend ofmine, that means you're connector yet Now,
if I said it's that this isa friend, Dolls, that would
mean you will make guy a yafriend of mine, friend of ours?
Well, like, what do Icall you a friend of ours? Or
if your fucking mouse showed about me? Don't got you got a couple of

(02:25:52):
puzzles. I got something. Somebodiesare gonna begin, Yeah, yeah,
what do you want? A hundredwise guy? Don't carry his money in
a walk? Hey, whise goutcarries money in a low mean honey,
got somebody somebody else, sluc Idon't remember. And that's when this said

(02:26:13):
lost my live friend. I saidshe diessy of a broken heart disease.
I listened through the seminary trees,wicks, sun coming up, and the

(02:26:37):
funeral and dun long looking on thehuman law. Now, I always seemed
such a way. She always hada plaining thing, I wondered, she
hung around this place all right?Well, you ready to be on American

(02:27:24):
hilarious phone videos. What absolutely putdown that glass? An pick up that
that Finifi bring up over your head. You hit the hind close dry,
think to your heart getting it?You know I got it and say I'm
stupid imbat being hitting the nat hittingthe next she said, it's cold house

(02:27:46):
side and she hands me maring coldsoul is burned about things alive that she
said it's open again and I mightas woke in my phone. She over

(02:28:11):
sleeps, swells, sling him.She screams, and a voice says scream.
She says, baby, you swearhim. I must steel only She
says, baby, Well, Ican't help me scare of it all phone

(02:28:35):
time. Marie's gonna wash away,right? Marino guns in at it all,
ring out to make the cat andcreak it into the end for the
duck down. What a cat looking? It was the number one defense in

(02:29:00):
the league. What ain't risk beplayed by Miami? And boy do they
ain't ring the belt? You butyou're from the real world. You have
to laugh at me when I lookat the girl some day, the greedy
they want to why I'm such ababy call the don't make me cry,

(02:29:22):
But then nothing I can do.I'm ben let you in me. You
got nothing limp to see. I'mon about at you until I get my
way. I'm on dance you won'tsing. I'm gonna love you, but

(02:29:48):
you want to win my ring.Then nothing I can do. I want
to be with you. Come,I only want to be. You've been

(02:30:22):
minutes on left, going around aroundsits alone, my lamb, trying to
find a thought that escape to mind. She says, there's the one I
love the movie stop stop fu behind. She never lets me here, only

(02:30:56):
tell me where she's been when he'shad too much to dream. I said
it, I don't care. Ijust rub my hands to her dark here,
and then I read a God,you gotta helmet fly away and just

(02:31:18):
let her cry. The chance falldown, my read, let her sea,
let her, let her walk rightout. The sun comes up tomorrow,

(02:31:43):
let her be let her Oh mygod, those booty are amazing.
They're mine, well too better.We're gonna have to return them, return
them. They're gonna hear you,hear you, bet you. It's about
the front door, like a ghostinto a fog when no one notices the

(02:32:05):
contrast, white on white. Inbetween the mooning you angels get a better
view of crumbling difference between wrong andright. I walk in the air between
the rain, through myself and backagain where I don't know reaccepts she's dying

(02:32:33):
through the door. I hear cryingwhite. I don't run here, y'all
always stand up the straight Round here, something rightys. We came from Nashville

(02:33:03):
with the suit kids in her hand. Says she likes to me to car
slack outs and she walks along theend of whirl the ocean meets the lamp
slack. She's walking on a wileand surfers, sparks a car outside of

(02:33:24):
my house and takes her clothes off. Says she's close to understanding Jesus,
and she knows she's mom, justa little misunderstood. She has trouble at
you normal. She's nervous right here, caring out her name. Round here,

(02:33:56):
y'all look say right here like liver side, like grown m see

(02:34:26):
manchimen around life. Life never beenagain. You are the loser. You

(02:34:46):
right now that I did not tobe b queen. Let me tell you
something I don't care about being yourstupid prom queet prom queen from Queet from
bulls Where can mind being the beanto the lord to from She's gone to

(02:35:07):
leven, come to become so Ican see my arm. We were out
on the day my dad's card weld, hearing far hearing her straight up a

(02:35:33):
caring stone engine stand. I couldn'tstop see I served to the right.
I'll never focut the sun at night, the screaming, the tires, the
busting bass, the painful scream evermind her last Oh we're bom I got

(02:36:22):
did you can get away with?They're slow, Jack, Pat, and
they're slow and I'm hungry. Imade the dog is dead some do I
got to give up next week.I never liked you your film, not
even when I swooped or stupid fuckit made me sick. He went crazy.

(02:36:46):
Never you said you did, Clyde. He never got to me,
not for a minute less. You'rea drive out jack, that's what you
are. I came, you knowwhat I was thinking about my wife to
that dang because you're never gonna geta chance to do it to her again.

(02:37:07):
She's a dead woman, just likeyou're a dead man. Dead.
It's your mused me. You can'tsee his blood stopping butts and beads and
just old kiss means that you lift. Now I'm browning in the food.

(02:37:37):
See I'll always been a fire.But without you, I give up.
No, I can't sing a lovesong like the way it's meant to be.
Well, I guess I'm bad,bad any more, my baby.
That should be the line, theline, the line women, and he

(02:38:52):
slowed it diesy begin it just won'ton trying and back a model treatment.
Oh live place still ship. Hetold me one time, plant yourself,

(02:39:46):
get attached to anything you are notwilling to walk out on your flash around
the corner. There's your these thingsby you bring thanking to weave the church.

(02:40:13):
Ba by agree to you. Heresaid your life. You lead them.
Your bone mood is it's your anchoris out. You've been swept away

(02:40:33):
the greatest stuff. Teachers won't ansitateyou there by yourself change. There's enough

(02:41:09):
to see. Four others thing toput a hole in the world. Okay,
all right, make this stake hallone else three squakers, one on
the axle. I can't really seea cellular remote at the time of running
off the wristwatch. I'm there,which wait, wait, get on the
shoulder fight you love in the middleof good night, like a five hour

(02:41:41):
five you. The boat touched down. I was a key that kid us
turning so time that I couldn't eatit, sleep so many secod time,
promise myself, my wo one morepromise action. He just seems no one

(02:42:09):
can't help me now eat this,No way out this time. I haven't
really let myself pray go away,tain't ever going bad away. One way

(02:42:31):
track seemed like a shippy getting somewheresomehow, either n not been taking foon
aweaching like a madman, laughing atthe game, little touched little game.

(02:42:58):
It's just easing feeling with the rightway, never going back wrong way way
track seemed like I should be getsit somewhere. Then, if you have

(02:43:20):
a critic, I don't think shelikes a special sauce. Rick. This
is what I'm talking. See whatI mean. It's it's bump, it's
juiciest, three inches thick. Cananybody tell her what's wrong with this picture?
Sture n let your life shine down, Hann let your life shine down,

(02:44:28):
Hanna, let your life shine down. Haven't let your life shine down?
You see a lot You're already strongenough to point that high power to
perception of yourself. You wants youwith yourself right? How we you see

(02:44:48):
the sense of staken ons time totest. I ate his liver with some
father beans, and I scanned youfly back to school all at this time,
fly far far. She loves me? Maybe with understood why I feel

(02:45:46):
this swey Hello? What I mustdo if you get on? As see
her eyes to me when she says, when she says she loves me.

(02:46:18):
Where you got your reasons, andyou've got your life, and you've got
your manipulations. They come down toflight saying, but you don't know,

(02:46:41):
but you if you kid on,lassie, she loves me. Maybe when
I say why I love and whileI was still ye feet the last what

(02:47:13):
she says? What she says sheloves Closing time, Open all the doors

(02:47:43):
and let you out into the world. Closing time, turn all over the
light, time over every boy andever glow. Closing time. You don't
have to go home, but youcan't stay here. I know I want

(02:48:13):
to take me home. I knowI want to take me home. I
know want to take me home,Take me home. Closing time. Time

(02:48:35):
for you to go out to theplaces you will be from closing time.
This room will be open until yourbrother's or your sisters come. So gather
up your jackets, moving to theaxits, and I hope you have found

(02:49:00):
the friend closing time. Every newbeginning comes from some other beginners. Yeah,
I know, I want to takeme a hoome. I know I

(02:49:20):
want to take me a hoome.I know I want to take me home,
Take me home. Closing time.Every new beginning comes from some other

(02:49:41):
beginnings. I don't want, Idon't I don't fractic Sandaria. I know,
Crystal Ball. I had a milliondollars, but I came down and

(02:50:07):
I can't find that China in thatSancho that she's found without paper, Captain
Sancho, and I slapped her toDad. I really know, but I
really want to see. I can'tdefine it's love. I leave, Oh

(02:50:35):
my soul. Will I have toplease like it back my kinnah of my
own. Daddy's gonna love. Ibuilfrit fuelfrit break, and I got leave
it up. Oh yeah, well, I swear that flue. I say,

(02:51:05):
I can't divine make it down,my soul. You feel you've been
rehabilitated rehabilitating. It's just a bullshitword. So you want to stand to

(02:51:30):
form some stop wasting my time entirelyend in runs into the streets. Let
me up a cigarette, ascot shoeson my to for the reason reasons went
wrong, got to fund the reasonwhy the moneys I got a damnation stick

(02:51:56):
in hid. I can't read them. Get right uses so long the one
you got because you might get runover, hoole, you might get the

(02:52:16):
shot deva startlest I just did itoff my chest, never had the battle
with the bull proof. Take asmall example, take as lifting it from
me game tagle off your body,give it off to share it in.
It's what I got. It's withinmy reach and the subflocks downst stripped from
long bagging. I came back toyou ain't gonna get what you deserve,
Try and test that you're gonna get. So that's what I got to start

(02:52:39):
the right how you're feeling win thedesk gets hot. It's what I got,
I said, remember that. It'swhat I got. Rember love,
it's what I got, I said, remember that love. It's like that

(02:53:00):
guy got bust out from black cornside. I can go man, not no
why I'm battle back. Cord imBe wrote, when I'm in the second
farmy side race, slight rat system, Mama's laws just the biggest who was
my staptism? When I'm buad y'alljust kicking what I need with you was
understanding that I'm standing on my owntwo down with my own who so cancer,

(02:53:22):
I'm back to the motor. I'mbroke to stop off with him off
that came back. I can't goback like a musupit. I can lose
slight scu return to the left,fright to tight man when the sound wasn't
the matches. I get bet tonice to night, but not more than
I a lightful bus flight. Thesecond I want my text and computers want
to write your stallas black scout mindsbasic gets the sis Be got with the
family brand stamps. He Mury gotup on biglics. Knowledge is that he

(02:53:43):
got damn uh, I'm the watsmaninstead of the the steway over my life.
The mic out rush, slight boxetins, I split south slack the channel
when you stroll out of speak boat. It came to the page and went
towards I evil walking down the astlesthouse. I freaked the bottle. That's
not when I blatch just like theseats when he ain't at any rate brus
at interest because I how on thewhite clothes. They couldn't count episode.
They had to rinse the home.It's like that. I'm coming from the

(02:54:05):
go rapper. I'm on the bonetato beating, and the whole patchans,
oh you don't. I come upput you and you don't get don't.
So that's a queen white and therock the rock. So that's rough shore.
He shot show Joe shop and tryto trust you like a regret.

(02:54:37):
Got to dead on myself. Caststar. That's yo, that's bad.
Watch me now a looking in mylines. They come to the monkey slide,
I get the bone to Joe andwe'll hit was saying. It says
that they don't mean a thing.This is a bud Star we bring and

(02:54:58):
it's funning. The last of mytime, Mom. Something you need to
get on my chest. No matterone may come the shine dream malone.
When by all mixed up, youdon't know what to do. They sing
you turn a round by the person, it's you gonna make might be the
thing, but they wast give methe laughing, So just get onto your
mass. All they start, youdon't know what to do, sing,

(02:55:22):
you burn around by the person.It's you gotta mark might be the thing,
but you know this will pass.So just get off of your mass
and as its brick and got youam mad? But what's Ata sent you
when you got to call a grindexact and you just can't Ben, Ben,
you don't even don't make it mollyagain. Now funny the last night
saw my mom need to get onmy chest and no matter one will come

(02:55:46):
the shine Dame Malone that out thatdeal with oh dummy coming. That is
a guy that a kill the sunny. Oh damn me, that is a

(02:56:07):
guy that it kill them funning.I know pe O s d and you
own as usually eat the reason forcardiac arrest the back forth to silly hawkcore
warn the best plug a bot ofblow the hand from the gunasax the lee
to sleep not a crick when Slipperin my word cut on a real down
heard, I'm just some man withoutthe man kind. Can just my hands

(02:56:28):
been sitting in my DNA play.I'm a rap man who never saw a
man rock the boks in the bookyet I still snaps goes in the car.
I can raise mad hands in thesky. What I'm doing the clip
to play a nigga for a fool, I mean a blessed chat or an
up stead rent the GT save homefor the time, because from the fundamenting
queasy, just to educate the rapperwhen I was just a kan back then

(02:56:52):
famous, just a dream and thatwould be the fist of the scream.
Shover speaks for weights and as boththe girls like true that trap ash I
was going so I can put thehorse through the blow birtle skirtles. Girl
starves me child and clap your hands, I mean the fabulist stand so you
just played a Baptist band and bringthe breeze, Bring the breeze over.

(02:57:26):
Can't you on me? Can't youon me? All around the world statues
crumbled for me? Who knows howlong I love you? Everywhere I go,
people stop. In this scene twentyfive years old, my mother god

(02:57:50):
rested, so want the life.Put your arms around me, baby,
put your arms around I'm baby justswan the fly. Put arms around me,
baby, put the arms around baby. I don't know if I can

(02:58:31):
do this, Okay, Hey,I got a family. I'm going to
ship the bag and the rest ofmy life because I got shot out of
the wall with Rod. That's apretty fucking stupid Want to me, what
is the most important day in life? What are you talking about? What's
the most important thing? Respect?Depending on other people? We love Disneyland

(02:58:52):
in it God's will close? Isn'tpeople do what is most necessary to them
at any given moment? Right now? It is most necessary to Saddam's troops
just to put down the umbras?Want that the gymnastic stop words, walk

(02:59:30):
right through my star. Learn yourtruth? Time taking up my time?

(03:00:13):
Don't you say until you please?Let me ada? I tell you then
I mess is fine? I gowalking in the spy away legal listen to

(03:01:01):
kill you. I'm working into Scotts. Where's my shirt? Throw every nat
today's the driving test. It's mymost capable of the outfits. Okay,
I go all by. Let's rightnow. Oh and we got another notice

(03:01:26):
from fire departments saying very to sayto do it? Be here, Garlin,
where are you gonna find in Lucy? You know I don't speak Mexican?
Why not go? Great? Whatwas that all about? She's from
as solid. So it's an entirelydifferent countries. Oh what does that matter?
You get upset if someone thinks youlook a little sunset? Oh okay,

(03:01:48):
so everything is all my fault.I'm always wrong, right, such
a breast. I have ever beenclose to chances, close to folks in

(03:02:11):
hand? Have you ever been toopowerful? So? Have you good laps?
None? But anyone, anyone?I have been Because let's impression that

(03:02:43):
I get better liked because I justwonder and makes wonder I never had.

(03:03:07):
I'm better than I can wood Acas, I'm sure is good. And let's
the Imprussian lad again e a sportsin the game. Welcome to this friendly
match between England and Italy London,the setting for today's Gape and I hope
you're looking forward to this as muchas we are. So time now to

(03:03:28):
go live into the stadium to joinJohn Martson and Andy Gray. Yes,
thanks jas Andy and I are dissipatingsomething a bit special out there today,
and the crowder up for this oneas well. I got were frost to
get stuff and be a joyment,a really great atmosphere here in the stadium,
and Fort d says, keepable,frightful hut my head shake by a

(03:04:13):
jump out check. It wasn't easy, could not be an end. So
when I've been, I've been,when I make all of the time,

(03:04:37):
I have a show on n outshare. All right, I got an

(03:05:01):
idea, but it's got to staybetween us. It's really simple. We
just got to make an agreement orno, it's it's more than an agreement.
That are packed, no money involved, more important than any bet.
Here's the deal. We all getlaid before we graduate. It's got to
be valid consensual sex. No prostitutesthink that much less. So basically,

(03:05:28):
prom is our last chance. Promsucks. I know you've got to think
about it this one. I meanall the parties afterwards, chicks are gonna
want to do Yeah. Yeah,he's right. It's like just like tradition
or with the rose bowl. Sothat gives us exactly three weeks to the
day. We're gonna do this,all right, to the next step A

(03:06:00):
visions. I was in the mine, was looking into the mirror to see
a little bit clearer rocks in thecity, thinking sis and memories. I
can't forget the curtsey of body.And when I feel a bit naughty,
I ride it on the bac zewhose looks for no one ever does.

(03:06:26):
I'm not sick, but I'm not, and it's far because I'm do you

(03:06:58):
at the time to listen to mewide nothing and everything around. I am
one of those my line time bythat bulls into the phone outside about it

(03:07:20):
sometimes get myself great, dreamt mymind place, drinks all bay it,
don't keep setting up. I begI'm like I just said, I do
like I done. Well, doyou want to play games here? I'm

(03:07:43):
working with you. I'll do adamn luck right now, yeah, right
now, darning tooting, took loveand drunk trying to sleep. I'm counting

(03:08:03):
ship, not running time ticks bystill I dry, rasper cross shops in
my mind on my own here wego, ice feel like they're gonna bleed

(03:08:41):
right up and on my skill.My mouth's dry, my face is done,
is bun out in my arms,my own show. Wh Why heard

(03:09:43):
you cry aloud all the way tobe sent for my time on dast said
around village. All right, boyherself, the world don't get a light.
Now let's try are one and I'lljust ve both move and stays to

(03:10:13):
my back time. So ushit youbeen thinking about the chair man the time
that suchs the world, because youknow where I'll be by I colorround the

(03:10:52):
time that such the world because stillwell, I'll be coverade. Hey,
hey, hey, camel cowboys,we hit it. I just want to
get some breath. And then hehad here before you. No, don't
know. Most people come into bikelet ramp into in the morning. See
this is why I'm a favorite onthe fresh performos, because you're fresh off

(03:11:15):
the folks and you're already fucking people. Oh my god, take a breather,
you feel better. I'm set aroundand watch the tip, but nothing's
on. I changed the chanals forit now, or to sweet all my
thoughts just for a bit. I'mset cover all the same old shit in

(03:11:41):
the house, sweat the lock doors, and I'm fucking I'm hell me off

(03:12:09):
the speedrol seat and get me move. I sure hself can't do it by
myself. I'm feeling like a doggingheat barn and dorgs on the summer street.
I lock the doorge and by sailingI lost a came by my list

(03:12:37):
and be away and dame and eyes. That's what I'm shame. God novations
my race, No time out theracia. My next ye we'll be out

(03:13:13):
in the air and then we'll beback. Fuck. I have to worry
about your meals and played out anew Saturday Nights and the new shows me
to put on a show. MaybeBye Bye birth or by fair Lake La.
You could be Liza do Why don'tyou just blow it out? Okay?

(03:13:39):
If I call Jill for prison,you think that would wake up for
the other ones? Sure? Didyou only yet? One caloth? The
prison call is like the Kingdom calls. I will never be a very nice
chest chest another turner boy, thefox stuck in the earth road ton grab

(03:14:01):
you by the rest, directs youwhere to go, So make the best
stop. This has the known aswhy. It's not a question by unless
and learning time. It's something unpredectableand in the end that's right. I
hope you at the time of yourlife. So take the photographs and stell

(03:14:35):
friends in your mind, and yourhonor shall being got out in good time.
Tatoos a mamories and ask get onchild got him for what he is
wet it was worth of the war. I'm unpretectable, but in the end

(03:14:56):
that's right. You at the timeI'm of your life. It's something jetables

(03:15:33):
right, I helpe you have thetime of your life. I ruled her

(03:16:03):
off for the chance of today,racked the stall of things. I would
say. She came over, Ilost my nerve. I took her back
and for me to deserve. Whyno, it's okay, idea, why

(03:16:31):
no blame with me? That's okaybecause I don't have the dame way.

(03:17:03):
I wonder sleep was fine? Theyeah. Can we forget about the things

(03:17:54):
I said when I was shrunk?Do mean call you that? I can't
remember? One said? It wasyou threw with me? Please me the
card, slay the wind, gainingthe wind God, I get up,

(03:18:39):
bucket in and let me begin.I came to wind battle meat. That's
a sin. I won't sell aslack, up the bucket and a back
up and try and play the rullingy'all the whole rule. I don't get
up and stand on the cart herhands up. If you got the feeling
jump acuss, the ceiling mustless forone blust's sucking chuck yo, bustle in
the hot and up in the punk'shome, feeling fucking answering the trunk and
I got more bombs from the copsthat I don't get it done, like

(03:19:01):
shot shot my fuck out block fromthat bos on the hipless my mom my
mom. I can't nick it down. I can't nick it down, and
took it down to seeing JOm around. So chop cho cho cho chokee chop
chop chop chop cho cho chop chopchop choke out. Yo, good man,

(03:19:26):
just you get monkey told the SessionsLife from Los Angeles. Man checking
out, take a personal radio,Yo, come to that from your shop.
Everybody chop our sun gas. Thatturned making go pick the girl steps
up from sucking the hut work toyour arms. I came to drop arms.

(03:19:48):
I got more rubs and the body'sgot songs and just like about a
good sun, I returned. Anyonesaid, but at me, you'll get
burning because I got there but youain't got nothing and getting the shot guns
out. But I didn't number focus. I do till the death, trying
to step tim get ticket as Igot the skill. Don't get your filthy
because when I shoot the gets myshoot the kilt. I can't nick it

(03:20:09):
down. I can't nick it down. This will get down to seating jump
around chimp around, chimper ran,chimper ran, chimp and get down,
get me somebody jump, keep meme me chop chump, grab the bow

(03:20:33):
side. I ain't need it.Then I don't need him. Now,
you know what, I'm we getthrough college without coming. I'm gonna get
a great child without him. I'mgonna mary me a blue honey, and
I'm having me a whole bunch ofkids. I'll be a better father than
he ever was. And I showshell don't needle for that, because that

(03:20:54):
damn dum. They can't out ofa tea treat my kids. I've all
seen the man Decker store bank beforeyour chain here on his face, dread
like cam for the main. Heasked a man for watering de spair with
shaming his lines doing a job fuckingslips out, he replied, I beg

(03:21:22):
yeah, hand walk my lingen shoes. Then you're reading my nor water it's
like saying, and then you're readingmy nor water it's live. And then
you're reading my nor Water's died.Didn't you read in't my nor Water's live?

(03:21:48):
Then you're in in my nor waterIt's like marry I'm bringing from kidney
time saying he was in love.Some worried about the thing, Baby Dona

(03:22:13):
man, you've been dreaming enough.The day months later, he said,
won'd overturn her call this swig goddamn and funny man cut down his ball.
This she has for to plan againstgets some static walking through the door.
The color of killer and the colorof sinner and the color of hall.

(03:22:39):
Got had to walk my linga shoeis then you're reading my new word.
It's like I have to choose.Then you're really my no word is
like, then you re lay mynor words. Lie in my waters,

(03:23:03):
lie here in my water is lihave wanting people listening. You can't trust
tap them on his shoulder anymore.You have to hit them. Slugging and
my sludge have als another one ofthe stranger shilling. You know what I'm

(03:23:26):
doing. And it goes like takethe missed out. I want you passing
your missing do the foe bother.I'm pocked up, stops to get quick
to come on. It's like takeit like that, I mustard it was
like that I hid it. Jopfind the bush when it seem mom timing

(03:23:46):
by hanging up the window with mymagno hanging up the root and kind of
local focus. Another local kid fromthe street getting paid from my moncal hearing
something you can't understand working. Justcome you're rid something you can't stand working?
Just come when rid something you packup the stand and I work.

(03:24:07):
Just get rid something you can't stand, or just come rid something you can't
stand. I'm going on at youbecause something is coming from it. I'm
not gonna go fucking around my countryhome in coming at you. You know
I had to get time for something. The fact the carriage come and the

(03:24:33):
fas get something like shuting the backlike sing the game and I don't.
It's an example that something sad.Who I can just come a man,
you know what's up? This isbe real and you're blazing out and taking
personal for someone on the plam foryou just toss that ham in the frying
pan like spaming. When I comein slam damn. I feel like this.

(03:24:56):
I'm stand. Don't make me wait, get the tank. I make
that one like like the lights ofbaking. I'm thinking it's all love.
I when I go out raking homethanking my mind slow. That's why I
don't what the bag out, bro. I got the maintain like men that's
gone on. I'm sane, sangand men brand and sang in the brand

(03:25:24):
and sang in the brain and sangmy cran on the cover, and that
was time for the blah blah towatch that fella boy on a diet.
Donna try it. Attack your asslike a louder in the riot, like

(03:25:45):
a human, slamming that ass,leaping your face in the ground. You
know, I don't take a doulolightly. Just tell us because they can't.
I'm running men that stop with it. Wow, I face you let
me see me smile with that mainfriend mother like me. All right,

(03:26:11):
coming out of Mixed number two,you get to listen to us and knuckleheads
one more time before we wrap thingsup. That was insane in the membrane.
Uh shit, man, I rememberbuying the fucking black Sunday T shirt
at a flea market in New YorkCity for fucking three dollars and ninety nine
cents or some shit. And Ithink they spell I think they spelled Sunday
wrong. Also another big college hit, So there's a lot of college you

(03:26:37):
know, esque dude, you knowradio hits here. Cypers Hill was was
fucking huge. You know, thebeat was banging, and the first I
don't know the first eight thousand timesI heard it, I really liked it.
It was banging and it was that. The album's right up there on
the top three songs I don't everwant to hear again. Yeah. Yeah,
was that the album where you whenyou opened up the liner notes at

(03:27:00):
like the fifty Facts of Marijuana andit like told you like all these like
positives about marijuana, and I don'tremember that. You don't remember that.
I remember that because like like twoweeks after I read that, I smoked
meat for the first time. It'slike, see it's not it's not bad
for you. That album had somemeanass songs, So I'll tell you that.
That's all that. Our first albumswere raw, had dark and mean.

(03:27:22):
Man. You don't mean you don'tremember that In the liner notes it
was maybe not fifty facts or something, but it was all these facts about
like why marijuana is like not likea horrible drug and all the positive effects
of it. Blah blah blah.I think they were sponsored by High Times
at that point. Yeah, thatwhole different ballgame. I just remember that,
you know, liner notes part ofthe nineties that I appreciate. You

(03:27:46):
know what's funny about most of thisalternative music is it spawned a lot of
different genres, very creative stuff thatwe haven't even talked about. Stuff Nine
inch Nails put out drum and bassthat was coming out, the jungle that
was coming out. I mean alot of genres about that. On the
episode we're teasing it, you thinkBill Murray plays nine is Nails before he

(03:28:11):
tears up, Police plays milkshake.There were an awful lot of songs about
masturbation in the night, that's true. Who really started off with was the
vinyls Myself, which was a greatsong and not like songs Lauren Day right,
Green Days, another one, HarveyDanger. Janet Jackson made a whole

(03:28:33):
album about like a finger popping herselfright. You had Nirvana even had this
from Stuff Prince, even though thisis an Aiden's violence Found was a pretty
popular one. But self esteem byall the spring. Now, let me
say something. I'm fifteen years old. I get to this club called the

(03:28:54):
Pink Pussycat. At the time,I'm hanging out some older dude that were
eighteen and get into the club.I couldn't tell you much about the place
that I can tell you when Iwalked in, this song playing was self
Esteem by Offspring, And that's kindof like going back to what I was
saying, a lot of these songsyou may not listen to, you may
not even like, but these songshave association of memory, and memories are

(03:29:18):
everything without the show man. Andevery time I walk into a strip club,
I'm always going to think of theOffspring self Esteem yea, and the
video say before we get out,but why don't we And I always ask
this, but why don't we picka movie soundtrack that we like? It's
kind of hip hop soundtrack of thecomes right to mine. I actually watched

(03:29:43):
this movie. I went to themovies by myself on the money. It
was my day off in New York, and the soundtrack was so impressive that
I had to go and get it. It was the Insider soundtrack, the
Russell Crowe movie. And it wasin nineties. That was a nineties figure
that was in the nineties film.Now he correct me if I'm wrong.
Was this a show about like thecigarette industry? Yeah, yeah, yeah,

(03:30:05):
And the soundtrack was done so well, And at the time I was
sampling my ass off and it wasall like classical music, but it was
like new aged almost Indian style.It was Peter Bork and Lisa Gerard that
those were the Those were the twopeople, and they became like really big
in most nineties films with that style, like a three king style, like

(03:30:30):
things in the background that weren't justpopular music. They were really really talented.
And I rushed right over to whatwas the big record store? Uh
was the Virgin Megastore? I wentright there, Yeah, right there,
got the disc. I sampled somuch of that in my days were really
good stuff. Wait, can youthink of a movie? Yeah, the

(03:30:50):
one that strikes me if we're nottalking about hip hop and rap and R
and B, which is which wasall I was listening to mainly, But
Judgment Night jumps out to me,Well, that's exactly hip hop. I
mean, it's pretty much a rapand rock. It's a it's a rapping
rock collaboration. So it's a littlebit off the path. But I don't

(03:31:13):
know, I remember listening to ita lot of struck a chord with gun
in ahead. Can you pick anotherone, like, like like maybe a
movie your wife likes the soundtrack thatyou kind of big. No, you
won't even go there. One youwant to say boiler rooms something like maybe
like, oh, that's a boilerroom had a great soundtrack too. I

(03:31:33):
was gonna say that her singles.I always felt like the music and the
American pie fit the fit the moviewell, like he always got like some
fucking Noasis song playing and stiffler runningfrom fucking this guy's house to that guy's
house, or you know what Imean. It was teenage coming of age
stuff. Yeah, yea exactly.Varsity Blues, one of my favorite soundtracks

(03:31:56):
of the nineties, ironically, didn'teven really feature much nineties music at all,
but it was fiction soundtrack, reallygood, really good soundtrack, really
good. And if I have tothrow like a curveball, you know what
soundtrack I liked. Again, didn'tfeature much music from the nineties, but
Pretty Woman was a goddamn good soundtrack. Um all right, I don't know.

(03:32:16):
I don't mind that movie. Ilike that movie they where I like
dirty dancing. Pretty Woman was agreat movie, great so great song.
Gary Marshall, Yeah, they don'teven do soundtracks anymore, No, they
don't. I mean, I don'teven know if there's money in soundtrack but
they have scores, but they don'tdo soundtrack, and that's where the money's
at. Yeah, you know,Trent Resner is making a fortune scoring sound

(03:32:39):
scores. What was it? Wasit Batman Returns? What was the Batman
movie with the kiss start with thePrince? No, not Prince, I'm
sorry, with the seal songs batyeah, yeah, and all that soundtrack
actually had a method Man song,yes, the Riddler. Yeah, yeah,

(03:33:01):
I remember I bought that just forthat method Man song. No that
that actually came out on single youWasted Your Money? Oh really, yeah,
I didn't know. I remember gettingthat kas single kassingle. Um.
All right, let me let's dosome quick shout out you haven't done that
in a minute? And top topby CDs stole in the nineties, I
can answer that one. I rememberI stole Eric Sermon doubla nothing in Group

(03:33:24):
Homa at the same time. Dude, I had a friend at Marquette who
lived on my floor in my AgladeshBombs and he worked in the CD store
down the record ribs and it wasright next door to where I worked at
the laundromat, and he let mecome in after hours and just grab it
armful and I got Smith and Wesson, Smith and fucking Wesson. What a

(03:33:50):
great grab that is. I thinkI picked up what's that one? Uh?
I probably thought your radio was brokenwhen you played it for the first
time. Sound now I'm always didthe right The sound is so bad my
speakers blew out. I think Ipicked up the push Babies that way from
there, the ship that I wouldn'tbuy with exception of Smith Wesson. But
then the other one was what wasthat one? Uh, very obscure,

(03:34:15):
something about jeeps and oh contemporary music. Yeah, contemporary jeep music, King
and I the King and I,yeah, my man, let me grab
those. I just grabbed a handpulls and two great songs that had cracked
the weasel and Tears Tears. Tearswas the joint. So I remember grabbing
that was part of my armful.Right there, free CDs never stole because

(03:34:37):
I had to support the groups.So y'all have fucked up? Man,
fuck that we're broke college kids.Now, I checked this out. We
got an upcoming show, we gotthe R and B ship, we got
the reggae shit, we even gothip hop. We got more rock.
I'm talking to Weezer nine Inch,Snails, Lenny Kravitz, r Em Jeans,
Addiction Rates, Against the Machine,The Prodigy, Jameric, Why that

(03:34:58):
boy slim Jack called we got alot of ship crystal on that did But
about that, I don't fuck aroundwant to come to the music. The
nineties is gonna be in fucking peckable. Mario Lopez interview next episode at Alt
Slew my Man, Richard Hoffman,Adam Barr, Brian Clushes, all you
guys from from Patreon, Thank youpart and that's it. Enjoy Bill motherfucking

(03:35:20):
Murray. Before we head out,we have to shout out our Patreon them,
Adam Stenlo, Matt Lowe, PatrickRobos, Tony Gentlekorn, Rob MacArthur,
Ben Mitchell, Joe Ols, MattLambert, Ryan Two, Alex McGill,
Die Hayes, John Gardiner, Alonzo, Darren Double, Jay Sankofa,

(03:35:43):
Darren Kay, Dandy and Jones,Jason Smith and Anthonya. Thank you all
for your continuing support. Beyond thelookout for part three of our nineties flashback,
where we show love to the Rand B and reggae sounds of the
nineties. Thanks for tuning in toanother special episode of Take it personal radio,
often imitated. Never dup with you, this is take your personal radio,

(03:36:05):
sir, Well are you calling meresponsa? Tell me who was your

(03:36:50):
previous employer? Alison A severe tin a band. I just one of
the one thing. Are you kidswelcome, hay or do they need like
a few nights slums of you?Now now um, I'll have to get
back to Wow.

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Take It Personal (Ep 129: 90's Flashback Pt. 2)

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