Take It Personal (Ep 134: Ultramagnetic MC's & Kool Keith Tribute)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:03):
Roger the announcer here, that's agood coffee, and thanks for tuning into
episode thirty four of Take Your PersonalRating. Today we're bringing you our Ultramagnetic
MC's tribute as well as our CoolKeith tribute. On this episode, we've
got three mixes featuring over one hundredtracks from Ultra and the Cool Keith catalogs.

(00:24):
We're giving you the Ultramagnetic discography inchronological order to show you just how
important the progression one of the mostprogressive groups and all of hip hop was.
Then we move along to the crazycareer of Cool Keith. We've got
the Calabos the guest features the remixestaking into the mind of Bellevue's greatest passion.

(00:45):
But later on we'll also share withyou how to enter our rough nation
and detailed junkie giveaway. Get ready, this is going to be a good
one and now let's start the show. Yo. Just relax, last yup,
y'all out with y'all know the name, Name Name, Take it out

(01:15):
of the number right now, gettuned in to take it, post taking,
post taking, post take take it. I'm come here to put y'all
up for st Revolution is here.No doubt, no doubt, y'all to
arrest one, check it out.To take your personal radio Stone y'all check
it out, y'all lit and hedidn't care here, yo, yo,
what up is black dot from lettingDarry Roots crew and you check it out?

(01:37):
Take it personal radio radio. You'llcheck this out of from Trober of
the number one people right Yo?Yo? What up? This is diamond
d representing digging in the crates righthere? Or take it personal radio the
best in hip hop. You arenow checking out. Y'all know the name
boy parall Month already know what itis. I want to give a big
shout out. Take it personal shows, sisters, Chuck d is a flavor

(02:00):
flay Boy, you're checking out.Take it personal, so yo, do
that right now. You're listening totake it person you perfect in that fly
you her, you her Joy Stumpers, under Stummer, the green Light,
Bandage episode, the EP and E. You don't take a personal radio just
the truth to check them out,check them out, check them out.
Yo's got all this day school checkingout and take your personal checking out.

(02:23):
Take a personal with my b person. Don't care anymore about this hipop man
back what you're waiting for you gottastab one man, man some mighty check
it out, your boy. I'msome certainly right now you're checking out.
Take it personal. Not a kidto take a personal personal by y'all ladies
and gentiments. Right now, youdon't know what the fuck it's about.

(02:44):
To go on and just take aperson with my boy full of flavor.
Cav law, Hey, hey,Ron Roger the announcer and K three sixty
when it's stroking ass. This istake it personal and we're in the fielder
yuh uh yeah, lets go off, get up, how watch me watch

(03:27):
your gonna watch you watch. Iwant to commit the Rome imperio. I'm
better but something. Don't believe methough, but I'm a pro and hot
material on your walkman, my fayselling your own no stars, not quatro
Spanish because they like to cook me. Patro on the mic, innovating this
pattern. You fell off your brainson Saturday, and take steps and climb

(03:50):
my letter and climb, climb,climb, taste the rhythm and cross the
time that I leave come back onbeat. Different telling and selling like a
scot Jet playing propelling but dwelling,deeping your skull, my rom signs and
y'alls a dog like dirt and hurtto be whack up. But instead I'd
rather be staggered whacking scene, slammeddown like till scrapping garbage, shrims out

(04:14):
power to clean. I'm in amovie scene. Ears turned and needles,
rings cut, scratches and apart thatmatches. I'm leaving eyes and bring patches
stuck, so puts my luck forany roads empty stuck. Watch me,
now, everybody got a watch.I'm large my records on the radio.

(04:40):
Every day you hear me the sterialwrapping hard with lots of volume. You
hit static or you should find yougnaw. The tune is better because I
said gee, and I wouldn't neverlet off whack him seege off with style,
touch my mic rippling, smile likea duck. You know you are
soft punk lipp and pick your mativialsuck. I would work saying you can't

(05:00):
imagine your best run, cause I'mgonna put a back in your brain so
you can see the real time.Grab a pen and write down a rhyme
and learning and learn it and learnit until it's six inside. Just go
and you're nor of the paint butred. Of course, now you are
brighter learning from me, So Iguess that's gonna right up, except if
you try to be the original rhymingperiod the affectional seat some times of rhyme

(05:23):
beat awkwards but different with the rhythmback and forth on two and then I
give'em a chance to see ifthe world's greatest and see just watch me
word up. You gotta watch medown, Oh love you ned, I'm

(05:47):
continuing back and forth. Your brainsfins facing north and south and west,
not east. Out of angle,but my dangle, where's the can go?
It seems weird you had to tryangle? Like come man, go
shouting my snack on a sucked upshuting my snack on? Every day when
I come outside, you step back, stay inside your house while you look

(06:09):
out the window. Your girl screams, where who keeps called walking? While
post keep talking annoying me MC's huggingon the stage anytime I'm called chilling or
wearing a round to keep warm withthe beet depth planning. You hear me?
Now you know what I'm saying toyou, You and you, your
whole organization and crew. Just watchas they enter your mind decorate and paint

(06:33):
my sign. I'm hazardous, soscattering us around. I'm cool, keeping
knocking MC sound. Just watch meand him ripping with madness. I has
to have this, have to rockagain, so you can hear this open
open, open until I'm finished.Hey, but I'm not. So Here's
a rhythm, a rap beat.Step feet, keep feet, tap beat.
After we gradually slope, me willsee fall hop a rat, I

(06:56):
will attract or the death girls backand sick. I'm trinking more away.
Its pay cut, the teas alwayswrapping, the teaching, reaching up with
hi up. So I want tobe tea. So don't call you what
he said a scientist with a breakthroughmy wrapping funky. It can't relate to
you. Huh. You's the system, your baby's mother cut, It's on

(07:17):
your family. In uther words,said Gee, I man put the fact
I make you rap music. Idon't know how to use it, but
just watch me. Take a personalradio episode one thirty four and fresh off
the Four Horsemen album Spotlight and interviewwith said G and Kool Keith. We

(07:42):
are gonna attack you like a packof coyotes coming after said Gee. Is
he's sleeping on the sun of theHouse in North Carolina. So Ultra mag
Man, This is gonna be apretty educational episode for myself because I didn't
really check a lot of their stuffback in the day. I know,
like, there's like a Cool KeithWormholey, you can go down like,

(08:07):
I'm sure there's gonna be a tonof shit that I've never heard before,
a ton of shit that I haveheard before that I'm like, oh yeah,
I remember liking that and all thatother good stuff. You know,
typical take it personal tribute fashion.So here we go, fellas, Buckle
up. This is the music episodeof our Ultra cool Keep Tribute. This
is a three mix show. Mixone focuses strictly on the Ultra Magnetic albums,

(08:31):
done in chronological order. I thoughtMix one was important, kind of
showed the progression. I'm one ofthe most progressive groups in all hip hop.
After we do the Ultra homage,we are going right to the Cool
Keep discography and Cool Keith, ifyou don't know, has about five thousand
albums out there, but we canonly cover so much. So between sex

(08:54):
styles first Come First Serve, MatthewBlack, Elvis, Masses of Illusion,
some other collaborations. We give youthree mixes total, and every tribute we
do we always have like one mixes, like a potpour remix, like a
kitchen sink. Like there's no rhymeand reason, it's just a bunch of
cool shit. So we got thecollaboros, We've got the guest features,

(09:15):
We've got the three mixes, overone hundred tracks featuring Cool Keith. On
this episode, we also have agiveaway from rock Nation and a detailed Junkie
action figure that is pretty fucking awesome. That is nice. Dude. Cool
Keith has so many aliases. Ithink he's the guy from Game of Thrones
and Bravos who, like a manhas no name. He's got more aliases

(09:37):
than anybody in Wu Tang, Yeah, easily, and he has some of
the best, the best aliases likethat. Oh yeah, this is a
guy who I'm willing to bet thatat some point he lived in a one
of those what do you call it, the places where you go watch pornos
in those rooms fucking boots, Yeah, the the you know, the adult

(10:01):
theater. He may have put upa ten in adult theater and lived there
at some point. Possibly that couldbe. Let's just say this, there
has never been another MC that hasused so much ass wordplay and their music
like Cool. The word booty ordoodo must have been featured a thousand times
over the discography. I mean thatyou put that on the map. It's

(10:26):
insane. So that being said,not many people do things the way Keith
has on the MIC. I thinkon this episode we're going to break down
the many phases of Ultramagnetic as agroup, solo artists, and of course
the features Jay was talking about.Some of those are the best parts of
the Cool Keith ride because you're gettingdifferent production and producers that have worked outside

(10:48):
of the Ultra camp. So that'skind of real cool. And regardless of
the phase of which Ultramagnetic you like, I mean, you have to admit
they've carved out their own lane,and for tonight's episod, I want to
get into that lane. So let'sgo take it full speed and hit the
ship headle. I'm looking forward tohearing the Masters of Illusion cuts because cut

(11:09):
Master Kurt was the fucking man backthen. He had bangers. This is
the guy that produced perhaps one ofmy favorite rap songs of all time from
Dilated worked the Angles and all thebeats that he did for Masters of Illusions.
Slap like that and you're gonna hearhim in the mix. I'm looking
forward to that part. Plus,Hey, the action figure that is fire
Man. Where else you gonna getthat? Take It Personal watch roping through

(11:33):
this thing. I want to earna chance of winning some vinyl records from
ref Nation Records, including the latestalbum from SEIDG and Cool Keith. How
about the black Elvis action figure fromDetailed Junker. Simply post an image of
yourself with one of our tip shirtson social media and be sure to tag

(11:54):
us and guess what he'll be inher doing. And if you don't have
a tip t shirt, they're nowon allen or online store when you visit
Take It Personal radio dot com andif you enter promo code Ultra, you'll
even save fifteen percent off your look. Yo, g in the building and

(12:31):
you checking now take it purt ultyour magnetic and we've taken with hurt,
hurt whatever, fun, fun,fum it up. K know I didn't
read it. Pot we go upand wait work the bust this. I
want you to risk your department.I keep stammering up four feet that's rocket

(12:54):
of ball. But you wack andsee the notes and quotes and now assist.
Hold this as a disrespect your obedience. But Maron's correct you like a
switch to a small mistake. Iwax on on you and leave your hairs
to egg. You need excentrian andas medicine for your brain. What medicine?
Stupid? Now you picture choice.You didn't win night saying my voice

(13:16):
and the flesh step off your radio. No, he loses back in stereo.
So here we go as a stepone to you. I never knew
you about Myron's go through you likeacid. I'll grun your whole stuit off.
I'm heat miser and you're a rootoff for any day and time you
want to square off my round andclippers. They cut your hair off the
back of the side of the top, above the brain below your skull.

(13:37):
I stepped to your cup of plastic, my mind the side of still I
make it. Don't be spinning likea windmill. Slow. I think it's
time to go. I'm not havingthis, not having us. Yeah,
you said you ask I tell himtrying to rappers. I need a whole
stadium, the King throm and Arena, or palladium, step off while I

(13:58):
walk on stage with the rhyme misscold, blowing your ass off for better
safety. Leave your mask up musically, I'm like lying your face. I
troun meet us with tons of face. You can't take it the funky.
I'll make it with brick balls.You can't break it. Toy it boy
your feet the door. I'll beyour jets in the smooth like elbroy and
black Door. I'll put yourself outof sick A twelve fade with rhymes.

(14:20):
I got a copy. I'm keeptrying you Chicken and Seasons fell off recruited
as boys stout and now I'm aSittee becomes the girl scout trying to rip
and lift and shifts out to mineon the wackass feet. I can knee
right rome for your feet to shuffle. Watch your shoes scuffle one down cause
the funky you risk them down.I give thee set you on the mic.

(14:41):
I'm not well sonic leave tied byan anna leave, But you dummies
ironic and stupid. Why don't youtube it system of rhymes and then you
loop it, and then you loopit and then you move it for him

(15:01):
back this way follow me, nowhead this way into this while I rap
on through this for many guns whonever knew the switches upside down. Turn
around, Look in the mirror,you wrap just making the error every nance.
I'm back to the dug out.You're on the fields. I'm ready
to bug out like a manager smackingup your team male or female ducks the

(15:22):
dream of taking me or the micthey're making me rack up. Em sees
a stack up twenty free cent wrappersin the back up quickly, I'm gonna
rip the brain off, throwing downto the blood and drain off my hands.
While a way to a fan,I'm cool keeping out a bill off
damn, but a general equal toa mineral push in a cloud to keep
on dancing back it down, Yesto you, it's to orchu magnetic m

(16:06):
s to see that the other topplus the tamas, that's some movie.
The crowd simper side of Thames withhide and stupid base put some fact in
the cause. Still beating, sofucking the place as well, kept coming

(16:33):
cool te they simple back and forththe same old breathom that a baby tempt
to come and joint rank breaking,but the rhymes up authetic that they they
go for setic using us and returnsat least notatic on an educated base and
telling the wise that's the record justturned you learned plus turned by the game
of the lyrics with Cooks. Thehuman brain probody over here and now by
means that being Nick and my rainheading yourself start to melt while the techniques,

(16:57):
then the wax says on the boatback fives. The more you realize
more laws moving steady by most.We're ever ready like a battery charge down
work the alco line yester, misterreader solved so seeking the five These words
have given extreme fin out turn We'reforgot sing or my sum o the CD
yes, the wizard cool Keith,and I'm sporting my ride because we're ultra

(17:18):
say chief, approximate leaving revolutions,turning, emerging chemistry. We speak preciting
implications that chief a person fleet,expirating, demonstrating ruling, demonating naty wasn't

(17:41):
friction with new for your alarm sefarrectingfeeding botis from me the scientists at the
attitude racists know it's prestory when byslipping high things and may depending filling I
was sitting sport out and stop aton the ram, paging parromatic folk ship's
my bititude can go up up theworld upset for helocaust Qui served as the
purpose for parry. Say with metalfor you two fools, the witness said,

(18:03):
is a bathroom elevation a times seeoh love me thirty seconds to reach

(18:34):
five, thirty thirty seconds to reachfive with our antime mess say what yeah,
Now he's back to the real Yeahtrump time the beast pound real scoopid.
We didn't look this different scoopids.Instead we rock this. What do's

(18:57):
chop this? Fighting and fighting?Fighting for this speaks of wack rounds of
facts, fighting acts. How wedid it for this one? That one
fights around? Check out the foundsin town, to the rivers at the
give room, back and whit mochumai ski hills. Of course your record's

(19:18):
gonna frills. Here's your bills.My he's back and and and she's back,
and and and she's back and I'mback back smack attack goes whack and
black. My experience on the microphone, holding my own ground, dominating courses,

(19:45):
changing sauces, post stick rosses,enough courses to me on the mic
feeding a word smart like a nerve. Haven't you heard this? Change your
bromb continuing to land the time formy incredible highly elevated smooving a mom Walster
sisticated, I'm motivated as that relatedbird bol just in a mouse's smack getting
turribol. I bought a saber nineteenninety turf bol sign and far lights in

(20:08):
the funny. I bought myself littleSeas four stunt cause I want it like
that. I gotta like that.I haven't like that. I need it
like that. It's better like that. I made it like that. I
bought it like that. I'm livinglike that four you whacking season seas like
I'm bought it right that. I'mgonna right that wool fool. So I'm
figger like that. I'm bought itright that, I'm gonna right that before

(20:29):
you whacking fitted all the time.It's wasting. I used to mind the
elevation, Tom Sacklason cor Fit pacingindividual Liverpool math abration, psychic evaluation.
The Fatas Nation were living in dangerouslives, mad leaking, batty wives and
light sty Alabastis is bad and Iwhiles man billing destroy while a river boy
god fend named Detroit is still billingboy coach suppliers active wires because Woma say

(20:51):
that Nigga's wearing wires ever relier.But every night to cats wire and every
day of rats hire, I stillremain the math flyers in the fact of
nyas, just to kill it inthe slash feeling and see that slop fellers
send me up feelings to me bottlesof mold, don't slip the following me
flow foot poetry inside of flack potand blow rough old foot crack off busses
and one hold bringing cheese in thed's role. They can't touch those watching

(21:11):
degrees about it and when you couldbe about it, my cofees about it
to work the breezy head brick houseand started up thick medallions pitch niggas can't
spot thousands, Bob the cast exchangeher mouth into millions bous and slop roxs
drop watching cameras. In the sailings, I tricked pitcher stetching man feelings feeling
off and the lext cheap techniques ofspot wheelings. I'm better be some ship
when we connect the stretch. Whenwe get some sex niggas with the text.

(21:33):
You blessed the word. So nowwe're going never wasting slug Thomas money.
When it comes to mind taking theblood, I'm made, right,
guy, I'm caught it right now. I'm gonna I'm mad, right guy,
I'm caught it right now. I'mgonna right. You whack him seeing
him singing and singing. You knowwhat I've said, genus pets hype.

(21:55):
I'm feeling it. Worried up foodchiefs. Yeah, yeah, don't don't
blow up one more time? Howkeep what up? My fight? More
time? More time? All right, you'll keep somehow you Now here's a
poky beat. My mama's up eightit soft ups. I've played it once,
I fight it. I'm going itthat stupid preached, I'm boring it.

(22:18):
I'm from the back. I'm fromdoing that mostly with skill time the
nest east to west. But Iguess I'm right while others are wrong,
trying to teach and using my songalong with your wiggany wife, Stay back,
git back, sit back down andthink about it. Whenever you are
missing me, you have a vote. The six legs wishing me and pushing

(22:40):
me steadily on metaphor better for psychingmore all my tour breaks the song I'll
be sure I'm pressure ye up.Black rappers, a brown in town,

(23:03):
never wearing no boots, toy ballet, shotskin suits, whipper story and strew
his daughter torbys can now streak.It's my territorium for God brothers, reaching
my hand out smack rappers and makingthem stand outside waiting for me to tell
them my secret style and show themhow really it's starting. My son,
Now I'm back to you, andif you're bad, I'll smack you through

(23:26):
it a glass of rhymes. Shadowy, Now you're cut up? Say what
up? Shut up, cause I'mfeeling it was if I'm feeling, I'm
feeling. I don't feel it.I'm feeling yeah. Party calling out in
a place to get from the CivicCenter, Boston, Nacking Street, city
Ways, the Magnetic and seas comingon black and poor Stanley room only,

(23:48):
trying to fifty five million, eightthousand nine. Wha, I got a
radio small? Ain't you got partof bowls? Comfortable with the sound dame
audio kicking hi hats just take itand spicy lyrics and words finger licking.
But you know i could speed on, steal, break tons of water down
with the funky sound square miss up. The record is round and tray,

(24:11):
but for me and I'm earning shotthe rhythms and just keep learning that is
supposed to grab your air and havingme a coach to the speakers. So
you're hearing me clearly, I'm outyes to damage the filly. You're reavery
far and not getting nearly expressing them, but you're messing them up. You're
bummy robs. I'm dressing the mufffor the battle wind like the shake,

(24:33):
I'm rattling the red ball with thewooden piece, paddling in scenes, stop
the perpetrator and step off. Welesse the mic and break north north north
nor like that raw word break,I'm march. I've cut the mic battle

(24:53):
computer wrapper for ducks. You wantthe battle back, watch them every side
on. It took a minute asecond from me the ride and tip them
hiding and cycle up. Change myri booms before i could stop in the
aptitude beyond my own level, smackwrappers and send them to the devil on
the box. We turn them toduck. I start infections. We do
some the pike. I'm on thatscanners and brains, I'll blow out to

(25:15):
old bones and skulls. I throwout to the backyard, and yes,
the whack yard. You need apike fast the old crack yards. The
last stop. It has to bethe great yard. Peeking said, Gee,
I'm speaking. I'm not broke.My houses are leaking words in the
right direction. After beats with thelyric perfection stomping the base and high break

(25:36):
break brought up the feeling really reallyreally riddle beast up the expect the bust
up going in. We're going infull throttle out to keep those fighters off
our back. Chi who I'm gonnaraid of sending message to competitors, eliminated

(26:10):
another predator from the face of theearth. Not the curse to fill the
right up my curse competing just likeDavid, they're gonna liars a right to
sling shot. And yes they triumphover the weak minds who claims the giant.
I'm gonna be fiance while you're relianton your weak rhyming will connect for
us. But I'm said, Gee, the rhyming expect toward dealt the force

(26:32):
number for one or making supreme sideways, bringing your dreams to reality and buy
the full valance to the thought.Yes, photomic, of course you step
into me. You take a lossradical, your replication of a bay saw
a post though. He mentions tosupplicate and trust your journals the first that
you rad and kick destroyed, whichmeans to eliminate, wipe out, be

(26:53):
mooved, He rate and annihilate suckers. Cruising some with said, you need
a barricade of rhymes hand grew andthey flowing up your brain. Take it
astonishing, just like end up myrhymes. Them polishing rappers of course to
me. And you're like furniture dust, the old and grade. And I'm
gonna cleanse your soul wrap to takecontrol. I'm setche and I on the

(27:14):
roll. My nigh spelt he oneone two one one, I wander one
two two one two one two ultramagnetity, full of fact. You're talking

(27:38):
about giving the drummer some you knowwhat your cool keith tune some on your
want. I'm ready and now it'smy times. I'm ready, and now
it's my times. I'm ready.I'm ready, I'm I'm ready, Freddy
hey, I'm ready, Freddy readyready, And now it's my time to
build up left, get swift,then drift off and do my own thing.

(27:59):
Switch up, change my pitch up, smack my pitch up. Black
a pip for any rapper, pointempto wear troops and step on my path.
I'm willing as an a one tennerold rome enforcer two thirty five point
a round test whatever group of vestsin line, I put them more behind,
claims the ultar as a one inside of my skill and what my

(28:19):
mind deserves. I smell a greatand the duct preserves and who deserves the
rack to beat kid scream and shoutwhack poetry. What are you buck in
terms? I wanna lum me quitit before I heat your ear off.
Let your burns deduct another year offwrapping for a face something slapping, Get
me a pause when hands start clapping. Let get to dumb myself. I

(28:57):
go one, two, three,all, five, six, seven,
eight nine, as I take yourmind off and on to a new track.
The team ducks how to act?You swap me when I whoop your
brain, skip your brain and dipyour brain in a little sin while I
take your skull. I'm like abird whin I'm picking your skull to the
herd and squirrel up, bleep rutat down, covering n or I damn,

(29:19):
I'll take your brain from the back. I'm gonna pull uch. If
I'm sick traveling hard, ill offanother lumaty smacking germs, eating bumps,
white mouse roaches. One while I'mtraveling onto Belvie because I'm sick, traveling
hard at the speed of stool afloor that five three and I'm in that.

(29:48):
I have once again. Baby,I want to say, ed you
Gray for holding it down that firsthour. And now we get ready to
shift into our high idea because righthere with me want in New York's most
incredible hips stop one of my favoritesus learned from my mother culture magnetic on
seeing sup y'all, everything is cool, Everything's cool, y'all. Let's start
off getting the name check for everybodyaround the country, around the globe,

(30:11):
whatever makes everybody know who everybody isin houltwit y man man on the one
suit ja r love, Yeah,she are before the nut of you dome
Yo we jo so says that gand the half mag one boom proper loge
she tropolge. Now you know inthe hip hop game is all different kinds

(30:33):
of players I would write about.Now this is a little stuff to everybody,
but there's certain groups that become thefavorite group of a party, like
a rapping rap ultra magnetic references thathad the strung out on the minute on
the l showing sitting on the doorand what the plays to play sting always

(31:00):
ConTroll the toma, give your bait, hey, wait cool for jail I
faith talking about the root tip sharplyleft the right on the mixed better lern
controlled by cat my life ninety eightninety s at the public lady or on

(31:22):
the lady said the side, OhI'm able to m see by testing music
lead to a caliber arollas or stemsof right as an artist and compos the
style I have supposed to be madefor soft thus and put by bulldog to
the side works block were in thecollot like a demolition day because I want
residing for side you or moll keepa fasting baby having this boat captain peacher,

(31:44):
give them baith hey, hey whatthe tea is t trying the wady
on the mother meaning only if forsomething brother looked, id you play and

(32:05):
relates the care and then let mesecond, captain bag imbody. I have
determined up the boards, get byand just totally to pet let me sucking
in the way, no start beneaththe way best ready yet remains more.
I haven't say out of state toamaze for wee and really days on the
mike come always ready my job,said the state for the ultramac now said,

(32:27):
a devastate with more bumping cool witha night away to give you bake,
shake me well. I'm lost upknown to be traffic. I couldn't

(33:10):
static breaking up traffic mood while Ienter the groove, I'm on top.
Be happy to prove to whack himseems who claim to be better than no
way, I'm frankly more clever thanall of you. He shouldn't ever be
one, my son. Pay closeattention. I'll take a bring to another
dimension. What did you bring toanother dimension? What did you bring to

(33:31):
another diminicion or dike you bring toanother dimension? Pay close attention, Pay
close attention, pay close attention.Hold it, mode it, shape it.
You got a knife you I wantto scrape fit up and down sideways
anywhere I can be rude to you, but I'll rap and be crude to

(33:54):
you and eat up to a duckside feet up. I am the other
your friends. I want to heatup nigga supersonic degrees. I come around
roasting them seas with fire to burndetroy liar raw meat, turn the frame
higher, cooking like a fish,shout, hooking funny feet. It's time
that I took it right correctly tothe top with the rhythm and as your

(34:15):
head pipe. I'm heights for thecritical feet down. I'm attacking them,
but y'all been sacking them. Butevery wrap up must that be smacking them
one. I'm twiking the face withrough beats producing the base step blow out,

(34:37):
caught power to go out in itspark. I'm ready to flow out
like this out to tooth level,reaching forth. Stuffed them every double in
sight. You might just wanna bitemy illusions, mittal confusions, your mask
scars up in abusing losing. Anyrapper will follow me. Your girl loves
me now she wanna swallow me.Back up, move on to the rear.

(34:58):
When I'm on the stay should beclear speaking going ear to ear place
this bar duckwood appear for the countdown, so you wait to rid and twist
stuttering, other rings, pocket margin, everything bothering another thing. You should
have been a market joy boys,I finish stream bucket. I'm taking titles.
The punks better up it to me. Set you on the mic,

(35:20):
and I'm right. Put the criticalfeat down, Put the critical critic,
beat down, critical feat down,down, down down. Tell what's up,
y'all? We in the open line. Man, we got to speed
going, man, mother start hiscourse line. I'm gonna do this.

(35:42):
Your facts, I'm gonna do it. Dogs, you need to go right.
I'm gonna see I'm gonna get outof here. List on you taking
my brother call me the pick pickthe rick fick because I'm too quick,
I'll be crazing raised with the brain. I'm the head master and you're my
friend. Max. Don't the master. You want to take projects with a

(36:06):
similar but I'm so large ill bornethe girl Emily becross the name the lady
hay to play the trader. Youwanna be taught to the raider out control,
get ball up, whole report intoll because I got sold many dollars,
scolars collars. Don't you wanna stopand talk without walk way? Because
dog don't lay rapper wanna place,go ride aslay, I'll compare, and

(36:28):
there we say. You say wereamp hair metaphor physicals rounds of my sister
lirical miracle difficult to some the riptical, hypothetically, alphabetically, energetically to be
a radical. You know your farcourt rounds will sick more so we'll get
more set short. I'm at afist Protestant press contest for reflect because I
get co sect. I can't believehid the dope I am give me a

(36:52):
pound, thank you, ma'am.So whether you think that I'm just the
medic to rift, the lift getsthe heads fifty ship fift the thing,
control a hole of bold, thebowl of make it, take it eight
and take who hot damn. I'mgreat. I'm on the chorus brine.
It's the carut line. It's thechorus line. It's the corner line,
trail. What's go ron? Holdthe beat, stop the beat, drop

(37:14):
the beat, Give me a second, hold the beat, stop the beat,
drop the beat, give me asecond to think of the dopest blank
or Liverpool interests of metaphor better forif adon or before the score were more,
then employ the rhyne line five comebind the sign. We the find
in the twine down the line seethe sign stop sign, pause and let

(37:35):
me enter the brain. You takethe full circumforts that maintain the bill in
which I equal to destroy. I'mlike a the tornado. You're just a
toy boy made man the faction boxpark. You brought to Romes from another
wholesale words to sail up the bailbecause the fail try to trail. That's
something star words and really for connecting, that's something interjecting. I'm collecting feats

(37:57):
the way it actually should be knownto me, because that's the way it
has to be done for me,mine, an everyone else surround. You're
uneath full to the center of myrace or my stranger's mental universe super power
for the hour hour reign like achild with new to yard cause you be
yond favor more than able users capableof taking you up without the DoPT and
with clock just to sis see Isuck a girl, Scot. I rewind

(38:20):
myself in that beginning, get stykingknife and burns just like hid you check
come again as I intend to startthe end. To go beyond means up
a titan of fighting, releasing myperiod to call static and shine the superstar
friend Surprise the other lover has gottwo feet. Soper depths the best enough
for best unless you get to testthe strass and just never mess up from
a car rest line, Yo,say kid, h far better for lake,

(38:46):
y'all give it fright, seits hype. This man back might chits rip
and shoot this rap right through thisbeat that sweet to eat. I'm not
new to this rapping with swing ass, seeing the sting man, seeing the
waking care wrapping me understand the soundstep means that I'm feel then. I'm
feel trump. I got rose byCivilionness makes you a break and take the
fake and ship you rob might need. You should have staved up. Call

(39:07):
out the industry cause stop me,jock me. It's writing getting me.
Tell me you're not a having me. That's now all. I just feel
better. I'm better then because I'mUltra and I'm a better than. I'm
a father. I'm a better thanbecause I'm Ultra, I'm ould try,
I'm ould truck because I'm ultrack andI'm a better I'm my father and I'm

(39:29):
a better lu because I'm ultra andI'm a cetagram clater no I'm my bleter
Lou. I can't in shape anddo my PSI for fitness. Get heads
in the sickle prince and miss this. Pick'em up, beat him up,
pick'em up, beat him up, pick'em up. Go ahead
and pick'em up. Eat aroll with clowns in and I come real
stick eats, ripping the mic.I'm pluck it up in your ears present
Brud. I'm coming out like fieldslike rain on ver, crossing buns.

(39:52):
I'm gona eating with my point andheel my sun shit guns coming down the
rick. Whack we eat, pickup a whack black jack that's a fat
right and the sacks behind your back. The form from the massed up,
fast up, kicking up with abrainstorm, brainstorm, prap storm, rap
form, rap time, rap,rime, rap class. I'm here to
fell in the pass to continue tropm on the hype tip, I roll

(40:14):
on the rock ruck the road chats, the pop, filling the blues dancing,
use some prak the future, lookat the lights, butting that on
the town. I'm pama large fixshot on the East Coast. I'm papa
lag fix shot on the East Coast. I'm papa large big Shot in the
East Coast. Papa Large fix Shoton the East Coast, lap back,

(40:39):
the funk Freak, the funk hype, the funk swipe, the funk and
all that junk. I get busyon him, communicate with the world.
Man, woman, a baby boy, and the girl. Papa Large looking
it out at the farm struck.Take your stripe while you're facing arm struck.
Stop look, learn to read,learn to right, learn to talk,
learn to walk, and watch yoursteps. Door. I'm hyping the
right door. Dominiac a roymasycho andking recalled no a gola faro was wat

(41:04):
in the rack top and then therock, stepping the honey foot, swinging
the full of boss, the rhymesand game type form ready to full of
hart Jack. At eggs came theQueen coll me the duce. I'm ruppering
up my chum, hitting the top, feeling the river the trimp. I
never romas did on and north,on and on, bord and on until
the break is gorn. I goover time. What the mic at night

(41:24):
time? Day times? Switching offthe shrine time specific east floor back in
the West town roch the form imthe mic in the East ROMs the hyping
door, hyper flame, the micis smoking, yo, I ain't children
Roma kill rom the murder, Romastop Rom the hill from the rock,
Roma smack rymer shop round the roadrhyme to destroy any despoint boys on the

(41:45):
microphone, I'm pabba large bich shotin the east first, I'm pabba log
fich shot in the east first.I'm probba large pick shot in the east
purs I'm proper laws pick shot onthe east coat did drop a sweaty coming

(42:22):
heart of your neck ands out flowwith broke from heading his hoe seeking a
style like romp mcda broke. Youcannot be serious serious serious lost in the
morning serpent the with the mic standlike Prince and Michael coming out with a
fake band the crowder slid. Youcan play as the manager ruing the money.
I pull a trick in downship,take a life with serious I may
sound lyrical and very mysterious. Brownsand gript type for Grahams and kill more

(42:45):
from son of saying I could upto give more. Grabbing the mic,
you see the dark and shot youwant a living hell about found the battle
the park at night hand. Yourbody ain't the body. I'm coming out
and side like I'm black your law, a better man than drag your lave.
But hack your lock and now youbrak you lock the back, you
off speaking the pope. The lockrounds and move in the camp and stop.

(43:05):
The guard beats the goat to theround the floor like a corpet of
straw burning up in your nose.That's a bad habit. Stepping out on
stage one, just the might comeand turn the page one. Look at
the massed up My rank is higherup the lyrical burners, the prayers of
fire up. Paper lads, bickshot on the East Coast, your Papa
Lard big shot in the East Coast. R paper lad, big shot in

(43:29):
the East Coast paper lad bick shotin the East Coast. Lla the world's

(43:54):
bim a white man. I'm readinga rappers m Hey, you're stupid.
You thought I was over living likeOscar big Burn Grover. I'm the extra
man, the first challenger. Ikeep rons in place like Bob Calenger fit
and then the chair. I'm sittingrappers, norm corn, rappers normal cheek

(44:16):
like Charlie Brown. Good grief,I see rappers. I know they turned
African. I just set on mybike. Then I laugh again. I
pull the girls would threat and onestringers. They see him step into them
for one thing, But I don'tthink so. If you think so,
really takes us whack and know'emsee sounds silly. I hate to criticize.
I have a problem. And thenschool whack rappers. I solved them.

(44:37):
They wanted to be like boltra onthe Jizzark try to Africa nut but
on the kids I sucking taking.I would be sweeping Coma with bummers.
Your whack jams ain't waking. Youain't got the start to rock. No
man, you get a pound forme, but with no hand disser,
I'm not the one. Miss fregusoncoach stupid as hell like George Jefferson.
Yeah, you dumm's better be careful. I pick up rapers and going wear

(45:00):
a hand for yes, I'm pluckingevery one's card. Took your mind,
looking everyone's card to the n blockingevery one's card to behind. Twinkle Twin
called Twinkle little star behind those glasses. I know who you are. You

(45:23):
ris x his weather speed, Youdissen James He shocking feet. He can't
trap a clap or make a foodtip. How about running, get nicky,
nick moving bole trapper, I seeyou light on my lamp, but
not all the mic I'm got.I diss myself on a dollar mic.
You little pinch your teacher, bea rubble the number line, discuss and
be the devil. Call yourself card? Can you make your dad? Can

(45:45):
you tell me now what I'm thinkingin my brand? I'm not the thick
had kids who want to show off. I just pick up the mic and
then I'll blow off the dirt plumbs. Any type of feather t ain't in
your one toy in real mother leathercovering out into the weather. You rapper,
be tracked and whatever, high uncleTom, go ahead entertain this,
get sweaty and let me use mybrain. I think twice about the big

(46:07):
bull tip you wear everyone. Iwanna know why I see fools are dressed
in tututatos and not the gramms abag of fetos. Some people were dumb
people then, just to be large, don't they have to wear a make,
drop a Cadillac, drop a Benzoor Rose words up a funky test
of willso I rather square New Yorkand not a Hollywood four. I'm plucking

(46:29):
everyone's card ever mind plucking everyone's car, I pluck at everyone's card. I
pluck at everyone's card. Up.I'm so fresh, that so fresh,

(47:00):
so fresh, better than the rest. Show is that true? Does the
dog can four legs, two eyes, a tongue in the box, think
about it? While the best manround door, keep the bay seeing stuff
short in time though backing seas comingout and get back. Watch the cake
cool, keep on a swift track. It's nice. Keep his door,
keep his back, keep his hypeand watch the ex has to get extra

(47:22):
extra extraordinary exclusive exclusive examine the exploreextra exciting, extremely so dangerous meal.
He can't hang with this crap Usnow the whacks compared to King Solomon,
I just swallow man, feed upthe whole crew to say, Yo,
Now, what are you just gonnado? Look in the back for a
whack and see make it happen?Maybe come on, get on, get

(47:51):
off, I get happen man thewar straw, how run get out the
wrong set? Oh, let's getbuck the with the now faith and tell
yours cry the rye to b Isay, a man that's smart with to
get up. In animation, I'mtelling you, girl, I gotta go
like an education. Why the police, because to me, that's the second

(48:12):
nature. I'm hitting like a fire. Let's getting such a spray and if
you street stop, you're killing me, Setty. And then you don't believe
me. So she go, friend, she gonna splint it to you.
Quick leave a man like such onceso like time reeling so such what that
f line. Don't wait time timeto die this this swine, this because
it'll be the swine the only peoplewith your wine. This tracks, ask

(48:34):
the way, just give me yourwhite baby, don't put the tracks,
keep put back and keep get rightaction. That's why I'm asking you.
You can stop black this go downin your backage when this happens. Maybe
it happened, baby, you knowwhat I'm talking about. But on one
ring, right off, yeah,right off, get out to get Can

(49:28):
you vok with it? Can youvok with it? Can you funk with
it? Rappers want to step inthe ex and go to shit. I
got the mic on my hand andthe wheler quipped, using my stock for
a front set of action and seesbe bred the club windows. I'm bashing,
throwing rhombs and bombs and some cocktails. You better move quick, but

(49:50):
that slow snails. I get smoothwhen daddy and granddaddy. Why because I'm
the great grandfather, I see emotion. She hasn't go left rhyming on off
beef ex is so deaf to buyingsuper scrubs. Keep trying you wanna buy
like a pit. I'll beat thelion at you your ass like monkeys on
wild kingdom, and look at birdsand beast that comes sting them time after

(50:10):
time, rhyme after rhyme, becauseyou ain't jass ship and even a dime,
a nuckle linn penny, a onedollar bill. How can you bring
wild and tell brothers to chill?You ain't the man to move and stop
the cannon ball. No matter howyou run high, it's going to land
a fall straight on your brand.The extra drop rocks leave a rapper with
months and chicken pox, standing staleand stiff like a mannequin. Bloody Cole

(50:34):
takes a sweat and start pani king. I'm dissing wrappers like damon on living
colors. You need my help onthe stage. I'm not your mother,
father son, your pissy little cousinsuckers the crafts or grab'em all a
brother, Dozen't you think you're hollerat them hats sitting all that black horn.
You're not scaring the exo. Bringthe whack on. I love the
mic up and bust like a macten while my djaga ware do a backspin.

(50:55):
Kick him down one, two flightsand four stairs. Let's saint no
sample a big boy ass. I'mjust a coma stipp in the pricking line.
Ya, I'm on the club slie. It's the chorus line. It's
the cars line, card line,it's the cars line, the forest line.
It's a car line. Matter up, brush your w Yeah, my

(51:16):
funk is down from the underground,down in the bruns. This is the
cold fellas to change your crip inthe feet right, I come correct,
hit hard like the fist fight.I thank God for pay in the way
for right. Let's go round towatch sway Pine Grada to make you say

(51:36):
goddamn, but she's got hype jamcrush your part to make him back for
mercy, because it's nothing you can'ttouch me the matter for maaster. Have
to bash you faster you want tostep in my way through, I smash
up and see your bitch slows yourflows out of Saint broke you round like
a week sold my rounds to paysold, so stepped it. You really
feel cocky, and I played thebaskets call like Rocky, call your boat,

(51:57):
win, snatch your game playing.You played out sun like me got
the cave man. Sit you down, explain we can't go fark. You
r kind of country like some shit. I heat hall set chee and I'm
fuxing my rap take the rapper byone cold buster that ass. So now
you know exactly what's the time I'mcokilling on the este. The corn line.
It's a car line Forrest Blyne.It's a car line the Forest Blyne.

(52:20):
It's the carline. Go Tim Dog, what's your wine? Man?
It's the man himself, the motherfuckingillegal gating one. You're covering him.
Naps the Tim Dog, You're doghit the motherfuckers come in that show.
What the fucking rhyme? That ashot enough? Catch up, get fast,
floaking, I get low, butyou still can't blow real's fashion whipping

(52:43):
as if the bassom fucker that keepclash and break hm like glass and you
just shattering fuck with Tim bring thenno you're not battering them. I'm rich
just taking it up on the rooffor rob the hawk, or when the
rubber like stepping back, eat backand just listen. I'm fifting all stuff
like that. Keep this rom inram with the ram, Bring another roum,
dit another rom bring the rub withyour mother rum. Step into the

(53:05):
am, step into the pan,step into the book. While I'm rotting
in the pan, you see mesetting right by with the fly I can
girl in my rod. You're gettingjealous. Shouldn't be jealous. Let me
as the phillips. He flaps hthese jealous checking me am a fly rod.
You really really really want to geta side you wanna rip, but
I stopt the gift to come withit. They got time for that bullshit

(53:27):
pull stay steps thinking in the facesuck us that think that quick. I
just nettle way to jo for thefact of the rock, sucking up shit
on the Corman fl fl flo Yes, yes y'all, and you don't stop
you listen to my sounds of thebest MC in the world, world world

(53:52):
ki ki kid, I gotta flyin my hand, Bam bottle with old
crush, the places packed with JonnyWan Raybon, lovely ladies smelling sweet whip,
a lot of a varne jasj bymy side. Charlie takes behind me,
flashing thail of cups the block andtetch it back the river, spinning

(54:13):
back and forth from the eastern thevelly, swinging back to the north to
the south. Bronx parks the pumpingpower faces, stumping with the ultramega ap
keeping pep up jumping from side ofthe side, then double meters of peak.
They have some burnam seats, alot of them. They wore weak,
they had no stour, No matterfor fit boys to speak. Let
Memel have the best rhymes. Wrinklingwith cass Coumo trying to get down,

(54:37):
but I made her sit down.Get that matter for quacking this. You're
butting you fit this stuff. Thengo turn see the flame and go burn
the ashes to asses, dust todust. Because seven years later, toy,
you're still crust and crush your oldrooms. The rust very dirty and
dusty and under your arm Ja kickingpower and musty. Get out of my
way and let the ribbon path fall. Let me run up the charts,

(54:59):
be a round turn goal. Whileyou're listening, I thought a bust in
the air bus. The crack crack, at healing of the diction raps and

(55:34):
hold the time raker becomes hard,want you watch you listen, h you
blessed set chief ult manx foot effect, We didn't hit swopping free style rhymes
like MC champions so cheap takes itaway, power compactor, brain distractor dropping
apart right, ain't it ain't over? The next door a sex store,
backstor the lyrics backstoor X ray listening, powerful factor elextor next door ecoor Yes,

(55:59):
yes shore year it don't stop theking A drop the hint the top
to make the swing a pop asI throw pick up the fight roll phone
getting high fold tension as the originallyrical miracle back to attack one blacks one
white, one three one the fluteone coming from street round the back to
filis one or two of us,three of you or four of you,
five or six or seven eleven ofyou whack and see you get back in

(56:21):
the last line to wait on themic, get think of Raby the past
mont up in the broch hand withclever of Philippe. I know when the
stings bring just like a M.Philippe hitting them hard with the ram as
the flames row hardcore source cart andeven the rainbow foker got emacs, African
Enzy and Spanish American mixed with Animaniand a raby and Nubian steam inside binery
and Japanese Chinese I regular emacy,preachers, teachers and negative creatures. A

(56:45):
roll and kick a rod to grabyour fight back side wind. A rider
like a snake got striped back asyou read the brand in the monkey behind
you with company management the dumbin whosigned you to pick up the slack.
But the height ain't selling any reconcutationsince the rat ain't telling any let him
for face its things that are basedthis. The next man nobody for annovator
was never for ain't seat and lookedlike this. We made up fight my

(57:07):
style nippling on the fig shock withbrons so tight they kick your friend in
the back block. Count the onetwo or three four five. I'm like
the bunch Wagons tag team on theStar. I'm just a champion. Oh
yeah, yo, chiefs bluster thisand not S three style rymes shooting O
blam up the bust, check itout, yo. When the cheek just
kicked getting rather for us that Chiused the big sports make give it better

(57:29):
for a pounder of them. I'mseason again, I'm racking them, swisting
up my friend, I'm wrapping themask. Best leave us a blind guest.
The type of box white when Irap coming right, I'm like you
soon and its flow. They haveits wheat food here, so don't taste
him. Uptet you, bustle,permitting you, when did you been you
sending shoot to watch your bumper likeme, continue you out on the walls,
back flashbacks in his back, kicksback which stap, don't wrap up

(57:52):
attack, don't da kids wrap withthat. We wrap the seat to get
back and just to add to thatback before it's rough. The now tis
but rock and swift. But afterget like folks post set cheating up,
still on Mike gets loaded with rhymesthat flame on. Now you know just
what I'm creating. We call itmegaphone plansmated preferbly passing rhymes, outlasting,

(58:14):
waxing and smashing and kicked in moreaccid with the Ticity said she has got
to be schooling the water to bedropped, scho out to be like me.
See et the saw on the whiteshop front, stop and chappie,
I'm out it stow on little hypeup to grow, grow, grow,
they grow to grow and growing,they grow roulock woman. Can I come

(58:44):
on back? O? Have youon my tip ball? Chopping on the
board when you're hopping on my billbefore my dad? When I'm coming within
the plane? Buy up? Burningthe texting, the burning from being a
California to the edge of mount burning. I get nice like Gilrazudo from the
Money Store. Can take me ontour? You know my sound like George
Hey styme brunner. I'm not losinga course. I'm a mind weather.

(59:06):
I put the sweat, they wettheir whole bars. At least they put
me daddy's in their girlfriend's cause youdon't mnna be what I rapped shot type
of singer on me pop group,dizzy rock swinger. I can't tell like
Bill when George caught right blowing thebreak is scared to trash Frank night,
Yeah, I need a tookeus onthe train, standing on the platform,
poking in your brains while you're tryingto be down before you want to be
ground. I'm not the kid withthe burgers, funnel mantle up in the

(59:30):
drummers or mask fun and honno.I shouldn't round the score like these arabs
down in basting like Rudy Toms Janovich. I jumped, fink and fly just
like a rocket, tacking on yourdom b like a bell. When I
knocket, I can't kid. It'slike Joe see the man to yo playing
rapper. Thou like a middle twakeapiol not a kid on the screen,
but wax down track. I stickright in their buck like middle thumb,

(59:50):
tacks down like Dorman Lake a cardand things in walking out here, my
mod mixing, I keep standing ona champ when I rock, go back
up, kids, catch your voda'sYEA loaded. A lot of niggers,
A load of them down, Alot of stuff out lost, another niggers
come out and one niggas come.I walked inside the boeheaded man, the

(01:00:15):
matter psycho, the stand on man. He was the white kid named Mica.
I shot him eight times, blankup in the fucking face, A
murder slap. The company in yourburnest place. No time for management.
What we want to stop? Thesickle mad I'm crazy, nor cops put
a suck my tickle. You knowour pack mactens your buck. The FBI.
I'm bringing two bands grenades in anotherguy, I'm called shooting a busting

(01:00:36):
in your ambulance. Pop pop poppops. You shake it through a rain
dance. We got the murder case, We got the murder face. I
walking companies boom and blow my triggersoff. Uncle Tom Savage Whites and the
niggas off. You're talking blank blankblank and all that street ship. Just
think the brakes free style. I'mon some other ship. I'm throwing big
bombs grenades at the fire truck.Yeah, I'm fucking flipping, yeah a

(01:00:57):
fucking flipping. Yeah, I'm fuckingflipman. Yeah, I'm tucking frisson.
I went around, do I haveU might as any minutes you don't know,
but you might flit. They hadrumors I was a material killer.
I liked it. I admired youso, but that was just the I
might to go to the house andhe's always had movies like, uh,

(01:01:19):
what's that movie he always to watchon lunch Jacob Flatter lunch for lunch weeks.
I got little dogs because I hastalking a hard fucking I'm like seeing
the fold man. Fuck the bitchthat has no style. Man, I'm
mega pimp, the biggest tip inNew York. Everywhere I go, you
follow where I walk on Madison,I'll pull a hole in my cold voice

(01:01:40):
to store my mansion because the rosejoys I'm large. Let me call up
the president or MI Michael Jackson.But Frank's are not sure. With one
jamillion dollars, baby, I gotshut a hot dog. I take a
coke in the frank. You know, if you think I'm a food,
what the fuck do you think that? You thought like Nelly whipple, big
belly walking around, smell a pissagain, smelly hipping in on your god,

(01:02:01):
trying to work in church, flirtfor jerk. You ain't fly because
the fly has wings and I swater'em urinate on him and warn him twice
a step till the next man.You got that problem from your ex man
Philly Jone, Pickle, Peter andfather. I'm not a scrambler, a
pickpocket, a thief. I justmatch that Hunt's point that Crock on the
East, smack my fitch ups.That's what you have to do, said,

(01:02:23):
you gotta do telling me work.So it's that he's I kind of
fust to stop. Take up tothe frustus. Sum it up with your
put in this and hold your horse'slet's but fitch, try to play me
like a dust dumb what's your kids? Is a Facebook? Come come come

(01:02:44):
come stick key wet hit frip feeta facebook a hit keez. She'll never
kiss me because when you try tochurch meet you go. I have to
come time for it. That's soI shoot you get quick up? Where
is chippy? Hack? Try tobe because the cheeks an backa back camp
up the pitch. Just happer,Guys, you want to live when you
treat the right fucking stuff. Justtrust this. Just if the bitch ain't

(01:03:07):
shit, you must get gicking likeme. Cut her off or training right.
Shoot you bust foot for every niceor socks that cheat. I'm tapping
this go no top four games outRapper gets funny your must nat it sends
more must nat said, she ain'tno tough meat. You're number from the
upper shooting the kIPS, cutting theriff for curling the chicken. I'm smack

(01:03:28):
the pitch. Well, it's mytime chill out the bombers, the bragg
and roll. But I get nice. Used to Mike when I'm bragging ball
and w your mega to the hellto the esso, clicking them seeds in
the face like Jim Kelly what heused to call cut side from the Kelly
in a sound which cooking up takesup and wrapped up illuminum, broil and

(01:03:52):
sleeves. I gotta boil, fakeearn, heat him, beat'em,
shop and beat'em down to thesound as it throws in your brain.
Though I look at them, seeif they're walking away in my brain blow
a US Earth object unidentified. Itaking the skull on a journey to another
rock. I go back up,but the excess live in. But they
can't see the swift styllar that Ifind affect on the stiffer yo. We'll

(01:04:12):
make a material or Captain crunch DJ. I mix them up like the stiffer
yo back in the format. I'mready your best, fripp the pecks,
back the flex stamp packs and breaknext and eat up the v checks.
You know who I am Earth superearths, smooth, super earths, your

(01:04:35):
excess and superior am the mad y'all. Tap to y'all, Yo, step
towards down a step four the greatangle. So what says miss Jolt the
magnetics check is out. We'll beback in more video LP with Miss Chrry
Carter. All right, okay,nags in the house right now to ask
you guys. We don't have alot of time, but I want to

(01:04:56):
say something about but now poor Horsemanby an album which is actually an album
and not a CD that I'm holdingup here. But boy, what a
nice picture. Hump, thanks,really nice. I want to talk about
this for a hot second. I'mand do some shout out. Uh.
That's the Four Horsemen album, whichhas the most distinctive samples that we use
this year and a very advanced styllartechnique of rhyming skills which have displayed this

(01:05:19):
year as one of the most lyricalinspirers across the country. Every wrap out
there, those who cloud keep isand it's the honor. And I hope
to get a statue made up asham. Well, don't call him considered,
just call him confidence something my gutthat we're all right and they should
go out and pick up this assoon as they can, right yeah,

(01:05:40):
okay, all right, guys,we gotta wrap it up. Shout out
real quick, right now. Thisis you. I rock talk brought up
poised out in the cargo. OGod, Lord God Brother dark Brook so
good yo. The way what's up? All right? The way it's up.
We all was out of here.We're gonna take you out with some
more of the up to mag Thisis the latest album The Four Horseman.
I'm carry Carter will see you thenext time. Have a good weekend and

(01:06:02):
be stacee say as we search forblack people in white people seeking the world
of a four horse space chart.Hey the robot Doctor, Sue and wold
Rocks come in on track for thereasons. I prop for evidence moving positive

(01:06:29):
beans inside the first gadget, butAdam's floe just the planet and extra loans.
Take a brother on the fight forthe Alpha Omega. I take lyrics
first, You take up post aspacewalker depending my spacecraft to my accused.
Still more interface, the more forceLeon universe Dama on the fucking first on

(01:06:50):
level seventeen, I s fool backbeatle world of Gamma data to locate you
until power seven warp speeds tikela somuch biotimmicly clush my own nucleus farm equipment.
You don't you marine him down psychlosswith the mits let speaking back up
The Four Horsemen Toronto Blue bills,just like they went bills, pick up

(01:07:12):
the back and go to third.I see that man at the plate,
he's waiting home. We take spaceship. We all spaceship, spen spaceship.
We on the horsemen. Yeah,you don't have to place this on a
Tuesday night, but take this out. This is Saturday morning at church with
the brothers, the car father.Open up the miss and let us read

(01:07:38):
this. Lets say, don't sitstone and no bit, but I take
stuff, take it out, shot, taking my stile, returning to stir
up, checking my stow, takingmy stile and turn the SEUs taking my
silence turn what like he was silencetalk for my job in microphones. He

(01:07:58):
make my pros show up, happenwhen I give'em. Don't play sucky,
y'all, packet honey, step backmuch when I come. You scratch
that kiddy cat on top of thatrappers norm ex out what's we get?
Stop it over the dish for theladies. I stripped chipping, then putty
hype attacking the old lyrics. Make'em bound it with a brain that spins
like kick thirty drink, drop fortyfo down just like the first ricking rotake

(01:08:19):
one my brother, my dam issomething do to the lyrics. Make a
brother said, keep us out standing. My want they hear it? Fine,
I be the model. Kick itsold tape, take it back to
times to smack his club. Lethim go tell as uncle brother hunt and
cut the film as I rock thewells, make it tell check the beat.
Must out a sir e and youcouldn't catch it on bofeedo. If

(01:08:40):
I'm running, I stretch just likea rubber band. Pop it stopping at
me, rapper like a trooper ona turnpike. I'm mother and stronger,
just like the Lincoln tunnel. Brother, check up, check it out black
back. I switched with I checkcheck. I know that as I kick
up, proud of me, youknow it's me. I got my must
of him place the shoulder, Jodase stick up companions at some poyntroying us

(01:09:05):
ship. Pretty waite chill and itwas flies stop but wiki wiki collars on
ber but bore this Waller and theplanet boy. That's when at the store

(01:09:27):
by your lunch, plays across superCat chasing rats with kid goes at the
bottle m getting gold with inside connections. A got him one thing. Do
things like babah blot casey rack thoughit's macto, Go get my boy.
Lu let's see bay bread minutes exso Stleton. He's pitching the fast board.
You swinging your miss for seven timesto wait clown his fellas a bit
stripping off of your forehead rolling downto the Mexico. You're caughting up bit

(01:09:49):
truth your got to you with flexibexa bol mark, treat your expo life
up come and can't turn it.You're big head up and you're learning now
your chiller, was it you atthe kicks with the SOLDI I pay ain't
say down just to sign some waygraphs. You got to lat went the
els he got to do. Buthe says, I'm faking my midler,
don't be your staking. My gotoff with my hand. I said,
all so on, le got anew jacket with breaking out to the training

(01:10:12):
camp. Out of dance, dance, dance and dance and dance and dance
and dance. Then I sat onthe toilet and go the rum and in
order. Now I'm spending and whenit got the turn, he's appointed.
Of course I'm kicking and sticking thicker, popping then let him can you till
me your finger? Can you're takingthe chicken as you see where religion when
we're rowing just eating up to Egyptand back his dad step but no treating
of course where straight Three brothers withShris flow seventy bristle strong three brothers and

(01:10:40):
ships float seven pistol starting were runwith the ships flow seventy bristle which sty
stopping from Cooper's Town swinging like DonHan put them next in the backs box
from my like mons and left whatI swing right and change courses and dialogue
to Atlanta, Alabama, sus Fano, I can come. I'm like a

(01:11:02):
ball to Indian adult Ma Slouri,Kentucky like then call me Bucky watches some
nice stuff floating space while doctor Swift, I'm doing you watch fucking loud as
I throwback of script ball my sliderand checked back the stadium's pack roll.
The people should get back and walkthrough the plate your Jerry Cordy boys and
sweet switch wing I gave him seeon my thirst track My hot dogs done.

(01:11:23):
I'm in the dugout sack it Iknow a rest shop, tip top
heat Bop, heath Strop and manyrabbits can see now back to the plate.
Hit the catch up. You wasthe audience man, you rise a
fan like super Cat d D DA. I say the brilla New York can
hit Jamaica like rant stop mom,like San Francisco Mommy, your top of

(01:11:44):
rats was catching whistle greens. I'mmaking moves yo mane yeah yeah, ye
yeah, yeah hurt. I thinkhe hurt. I think he yeah,
You're gone. Give me a littlebit of that chicken, smooth chicken,

(01:12:05):
a little bit of that gray beatand one old hot jazz biskins, a
little bit of that blues butter bringinga snack. They never understand many people
were so slow, what fucky typeof robbing? My style was safe,
go complex, fresh West my stylegoal X. I wove my mind off

(01:12:28):
beat, creating more style, showingwhite boys other kids my black styles.
I kick lyrics like she was breadin your face, walk up on the
car, jack a spade, putthe eggs. I just slowed off down
in for in flowing like they usedto be on critical beat down. I
dropped stoles and ears, the publicvitems that many went to school. So
the dummies written write, they say, you're keep your cool you used them

(01:12:49):
big words. I went to college. I'm even more stupid. Herd im
not gonna seem to pull a lessonout, even if they have to pull
a black smiff and westing out.I brat my hammer, sinking, yelling
that little fact, hitting the monkeyshoulder, humming bird. How to act?
I get a comic type one.Come back the club where the mama.
I'm in my own world. Galaxyreis powerful. Come back with I'm

(01:13:21):
taking this unique with the run.I'm voting. I'm voting. I'm bringing
off the time, I'm hanging likejoining breaking act just like I'm all the
way you wrap. I'm in offstoff, I'm having for the hall of
men. Fight right, just saynice bush out out of all they get
up there, Oh I don't likegrandmama. All back up your back,
it's your ticket, come down nthe check and they touching your then lego

(01:13:41):
brown cotroller the interest because you're bootylistens. If you get out of hand,
then offer place a vicious check.What's I want? Trust me up?
What many boss? You get totake heat? You bell? I
got to right like that back.You can't check, but you sweat my
don't beat you can't beat because you'rewait like your let stop me the same,
but not the whole thing. Howabout this? You got this,

(01:14:03):
I make this, I this this, I feel this like this so this
hey wait, I tell you something. Plaze it out, phase it out,
phase it out. Yeah, clippingstuff my friends, but not father?

(01:14:30):
Why wow? Look at me downnow the bright myself stout and list
the fire fire. I'm ready topop pipe like cop out, damn the
little the south typical mask girls,you crack stairs, fools that perpetrated in
the mirror, blue stairs, dassothe center, spitting from the tongue.
What the jung dumb one hum,stop and dunge the stop, drop the
song from the lungs. Some pump, but one gets done by them.
Hung with nuts and organize and upfrom magnetic type to tie your like hay,

(01:14:54):
you tie your set? Who's donethe battle? To wak a rattle
your pike pen? I think thatactual? Why ever? Catch you with
big then count the number six monthsand quick and proper hard props and dust.
When I was piece the proper blood, stop the track and the props.
I take it castrated, deliver,say illustrate the abubrated strated it wasn't
taking it the fist and this bringsthe flips, the brick quicks like a

(01:15:15):
six six six hitt quick the fisticthings, and I'm down the bus just
fist that is a jatrap mother jobsin the rack up way, some basic

(01:15:47):
all over grat two downs and heretack base board. It was a non
fa quick the weather so hi whocould play like any game. The great
is in the best, like toset you, brother Bay long time,
a little bump in the Hall ofFame like Johnson. But feel up.

(01:16:11):
Everybody was down from being peanuts.Cuss he's in the Sunny's best. The
bradish rests and all down, saidcheek. The baseball that day roop.
It's mostly not racial, but backin the days it was all segregated.
The white that the Major and thenthe black that the Nigga League. They
brought back great talents, but thenthere's black that though history up. All
our great players. The teams inthe ball pop up were here in the

(01:16:33):
shed lights restore the glory. Theyhaly got black baseball. They paid the
whale, the players like Danny Dee, the never when days Black bastball.
They paid the whale with players likeDanny Deep, the never when day black
Paint Bay by Lampa Bell was cool, broke any catchers rule on the base

(01:16:54):
at night to the street, difthe lake coming past, quick flash,
he was so fast scout watching itall, and what they saw the best
of the game. It's a shameyou don't know twas the double duty.
And don't forget Judy Timer was deadand it was black. Give them their
credit, folks, and build thema horse band. But I just could

(01:17:15):
rap for you the forms in theHolser Bank and on the player coaches bands,
and the ball from the Chant buildingto the your black yanket, the
b bird brumpets. Yet they don'thave the band, just like the red
ball, just like the ape manly, just that Gruben bluid up frowname that
graption. Black baseball bad the waywith players like Dad Beat, the Devil

(01:17:36):
and the Black Baseball. They madeaway with players like Dad Deep, the
Devil and the Black baseball. Theybade away with players like Dad Deep,
the Devil and they black baseball.Dad made the way, players like Dad
Beat they never went b ball timeI got him, why mass I'm glad

(01:18:02):
I has Ser glove. Ain't nobodyknow who I am. I would not
take my mask. Take get upwhen I'm gonna drylyric no one hit it.
You need this. Want to gethim little back door off for fucking
when ippus getting around the lady chumpingon the other day. I gotta do

(01:18:24):
this for ass and make them brothersquick. Don't try and six year,
I get any ship. I think, get never a minute duty more pretty
quick. N us got me yourmother, I try up your ass right,
take the body your baggot set.I'm out of sight. I got
the FBI, got the m more. I trying to find design and take
an under the line. The buildback on the stoopid with your wax.

(01:18:45):
We would ain't known. I'm outof the hospital, cat walking and yelling
like God to do a little Youbetter walk up the street. I look
around black. See that man inthe street at the corner. Yeah.
See that man in the street atthe corner. Yeah. See that man
on the street at the corner.Year. See that man on the street
at the corner. Year. Seethat man on the street at the corner.

(01:19:06):
Year. See that man of thestreet at the corner. Year,
see that land on the street atthe corner. Year See that man on
the street looks at the corner yearone two? What's two on two?
What's two on two? What twoon two? What two and two?

(01:19:29):
I just stop at a rack?Rack who you clap, clap, then
wiggle and little fields go tap tapor when you squis swift change my penny
pitch you can get down down runon my sound sound and sound rob Rito
Brock Brock Towntown Season the back doubletrouble. Would learn learn as I started
to burn burn, see which youturn turn look at me, black black,
don't come to me. Rack whacka children like girl, beat your

(01:19:53):
crew like a snack pack, walkingup flack flack check in, I stop,
stop, beat him on down downsomething as I run rock, Are
you gonna swing? Gonna walking?You step step, pick up your pet
pack, bring up my breath,BRep moving, get smack smack. I'm
telling your black black I tell youagain, I'm crack the fat knots.
I'm on two and two n twoand twist hall my two and two,

(01:20:14):
my two and two two on two, two and two continue, I'll float,
float and I stiff in that blowflow x it get broad ball travel
on tour tour season, get crushed, brush stuffed in the dust, us,
I take take heavy rhymes, gobust bust out on the west west
basically chest chests, let me goone block people just clock clock, wet
the wet, damp pennies and jockshock wing. I swing swing to rankings

(01:20:39):
to sing sing Now I think yourbrain get your bell goo ding thing and
see step flowing float. I thinkwe also sold a T I T I
pitty twyne Joe Joe Rothers a doodledude. Then it's a boodo voodoo and
we gonna play play. What's whatI say say? Thick up, me
get mic I'm clocking fat knots buttwo hundred foot two on two and two

(01:21:09):
maniac Yeah you get readying it.Little board in the crowd before man ain't
it on your ears? You don'twant you got some champs for you,
poor No, check it out.A lot of wrappers. I think they

(01:21:31):
could rapper then do that, dothat chopping on my chest the coote my
black strode up, show them thatthey stopped us. Quote but boodoo like
a baby's honey, A sticky fokyboo boo. Pick it with more browns
a pop sut sounds get with thedrip. What I'm saying slaying thinking them
seas to the program not like eightTowns. So off on a snow cham.
I can get wicked with the fuckingstyles. Make it suck it,

(01:21:55):
chomp on a chocolate. It's likea whoopy whoopy. I'll make them seas
look bad like Cholo rather scoopy yourmother act wilds to act whoopy. He
just got water in that. Youtart it alliterate, put me in the
mixed wal considerate. Oh yeah,I'm not a step and to im cunning
your face, I jack calling thatship. Stray your station with me.
I got my things in the face. All players down, the boys fretty
stupid crazy with their mask down,I walking around. Okay, you think

(01:22:18):
I'm joking. Just go to sleepand see what happens. Remember with it.
I beat when you're lowing the Torytake them my side. All the
Howard cough ride never detect the samesame same slack commun body slady, Oh

(01:22:48):
say down, I can pick youpicky nicky stick, you pick your stick,
stier girl, the down pick up, get with Micky. Never from
the Yankee backy walking out with me, drink the teny tle, I kick
this down and make up fly betClaus that rokad pull me, roll out
cause with the one and to Pi, I wanted with you let me you

(01:23:15):
yeah, come back to the burn. I have some of you, the
maidens packing up that demon. I'mon you say, hanging on the border
off the David. Then the jacI feel you're gonnay gonna even the witch
that I made us that that pikeconnect them through that end of the date
jab the water rest plight spot withoutwasn't down on the ground and roll out

(01:23:38):
spots saying cutbody saw nobody saw cutbody? Can nobody same sat down? Cut
somebody donna cut to body? Soundover one man, or show you how

(01:24:05):
to get it right with the boywatch me when I do this. Attention,
shut up, stand back that pickyou pick you w you wrap your
old footings owhere in your rom styarsover with in fact think head no take

(01:24:25):
it as a finger this. I'mcome walking your should like they've been rapper
which thinke you say you swimming likethat? Hold me more, I'm spits
something you put up a box againstthe alligator. I see your cool one
by one black. An hour later, I make that heavy man light turning
up black head and white. What'sup rom and they wreck um squeeze it
tight. I wreck shop like bockthe ricky, wrack up crush shot,
stop fuck na from far. Imake him see he's going. Hey,

(01:24:51):
Joe, you say you're bad forgood but soft it's over wood perpetrating.
Why when you're coming from no hoododI want your style like Doudo when I
each other, treat you like anold Bible Rammar school teacher like my son.
Let your mother tell you people doon the rose water as you gotta
stell you. You know me,I know you. You're dropping linucks on
the wrecking, that spinning and thesmell Like dude, you'll come back.

(01:25:13):
I rock styles on top for anotherfunky child. I can't go around some
swift and make your girl smile.You better go up and think cause up
your father. Do black go backto step back and black dot black go
back to step black black, yourblack, go back, step backy black
black, go back, step backto black black, go back step back
you black check it one too.You don't wanna step too pacey take a

(01:25:36):
picture from the front coming at you. I can't type one deep funky fingy
flex. What's my style? Getwow from like cother mix people on all
they whack? In fact, I'mcoming back black? What's the superstars?
When you clowns with the maps out? You see you go with the mic
man? I wonder why he theygonna sleeping you? Wat ch'ams on Patty
By Rappers on my d head,pick the stick in New York. Tep

(01:25:57):
me wherever I go home, neverriding, I walk. You think you
fight on trying you'll make the penisby I fight around to Morrison, go
to Fantisy Thinke you wanna strip andmake you put out? See put the
Tuesday. When they turn they findthey who recall check it? Watch it
back up, slow down but seeingwhen you grow up, I'll make a
rap up throw down. I'll makeyou for rap. But try to get
with Bobby Brown sliding and Cod Boogydown my change Brown When I say I'll

(01:26:20):
watch me when I do that,when I prep the brick and rock,
watch him say who that. Iknow my tongue gets long just like a
listen. Can you tryme na strickhim from push it? I know you're
breaking your neck, they hear thehead stuff back to burn your sham,
don't ain't the egstrup. I'm lookingat millions and groups and tell them to
back your black, go back stepback to black, your black, go

(01:26:42):
back, step back me black,your black, go back, step back
me black, your black, goback, step back me black, back
back. Don't ever still do itd coming out of mixed one that was

(01:27:15):
Yo Black off the Four Horseman album. If you listen to our last episode,
we had a Four Horseman album Spotlightwhere they broke down this track for
track and Yo Black happens to beone of those tracks that was remixed.
And I don't even think Cool Keithhas ever even heard the remix he did
for buck Wild in the interviews likeI don't. I don't believe I ever

(01:27:36):
remember it. Meanwhile, it's acompletely new song, like I you know,
that's how crazy cool Keith is.He doesn't even know he did an
amazing remix we fuck Wild. Sothat was Yo Black h. The chronological
order basically was Critical Beatdown, itwas funk your Head Up, it was
some of those bootleg joints in between, and then we heard a Four horse

(01:28:00):
Man I know, Critical Beatdown isup there one of the greatest albums of
eight eight. I mean, whetheryou like older or not, that album,
you have to acknowledge the impact,the influence and really the rhyme pattern,
the rhyme style of what they weredoing, which was Hell's time ahead,
totally ahead of its time, andthe sound quality was outstanding, and

(01:28:24):
that's that's a big deal back then, man. I mean, when you
listen to this today, that nineteeneighty eight album ages well, and we
all know that a lot of thismusic back then, you know, some
of it doesn't age too well.This one does so many bangers still today.
I think that it was easily theirbest album. But I like I

(01:28:45):
like the second one. Some folks, you know, when we were doing
an interview and stuff, people weresaying they didn't like that album or whatever.
I thought it was solid as hell. I enjoyed it. I don't
Keith liked it. I think theyall have like their place. You know.
The first one was definitely you know, sampling what was going on,
more of that James Brown kind ofsnare and kick and a little bit of

(01:29:06):
like drop ins and things of thatnature. And I think the next one
started to progress the way that samplingwas progressing. So that's the thing said
was always on and not most ofthe tracks, but said was mostly on,
you know, truly like understanding thedrum machines and looping and keeping that

(01:29:26):
beat going and different styles. Andthis ship was listen. It was taken
by many people. People thought,you know, that he was being sampled,
but it was not the original samples. A lot of this stuff was
then taken and laid down. SoI was on a road trip this past
weekend, so I had a chanceto listen to the complete interview because I
wasn't part of the interview when youguys did it, and I thought it
was great. A couple of takeawaysfor myself that I thought were interesting was

(01:29:49):
when you guys got into that discussionaround the run DMC discs. I thought,
I thought that was pretty cool thatthey were like jocking him for being
nursery rhyme rappers and and you know, it was a pretty fucking clever this
that they threw at him. ButI liked how like they were sponts an
He was like, nah, wedidn't miss him, Nah we didn't,
but we was just you know,it was cool. We had drinks with

(01:30:11):
Russell Simmons at the bar last week. You know what was funny about that
time was they didn't take beefs thatseriously. I mean, they had to
sell records and they weren't selling thatmany. If you sold ten thousand records,
it was like you were successful rapgroup back then. So any kind
of little beef for bullshit little thing, yeah, why don't you talk about
selling? So I mean, itwas all just good fun and it was

(01:30:33):
a way to just kind of keepthings moving. Rundium Sea didn't take it
all that seriously. It didn't reallycare. I mean, they were on
top of the world. They don'treally give it. Yeah, I guess
there's no I guess there's no rebuttalby them. Well, look there's no
social media at that time, sowe don't really know how they took it.
They were going to sign a deafjam and clearly there's a relationship there

(01:30:54):
with Russell and his brother, andI really do think Sed was kind of
playing it down and acting a littlekoy about out it, like it wasn't
like they I mean they literally saidthey were like using nursery rhymes and basic
home weak as rappers, right,And so a few words, and it
was a dis no matter how youlook at it, it was a dip.
And the point I was trying tomake is throw you are behind some

(01:31:15):
of the biggest disc records in hiphopster like the Bridge is over, you
are behind fuck Compton. So yougot the most blocking of all time,
right, so you kind of knowwhat you're doing, even though you're saying
like it wasn't you know it wasa dis and you know it. To
me, this or not that albumis like the equivalent to it picks a

(01:31:40):
nation in as far as like productiongoes kind of creative level. Yeah.
Absolutely. And so another thing quicklyfrom the interview that I thought was interesting
was the whole smack my Bitch Upsample. I had no idea that that
was cool. Keith Prodigy sampled inthat song, and I guess it was
just taken without any permission at all. And then the guy fucking like basically

(01:32:03):
lost his entire career in the musicindustry. That's what it sounds like to
me. Prodigy, No, No, not Prodi. You the guy who
jacked the suit sampled it. You'retalking about Tim Westwood, Yes, yes,
something like he actually was very successfuluntil the last couple of years when
he had some like he was justknown for jacking people's ship. Like without

(01:32:26):
Tim Westwood was pretty much like thefunk Master flex right of the Europe.
Yeah, but he was successful backthen. And yeah, up until these
few past years where they say heliked young you know, yeah, that
girl that kind of did. Buthe was always successful. He had one
of the biggest So now it's plows. Now he's playing men's softball with Wander

(01:32:46):
Franco. It's all yeah, prettymuch we knew we can't go one episode
about a baseball reference. Of coursethat's true. When you listened to Tim
Westwood now you're like, man,that shit is really corny. But the
one thing I did her shade abouthim was fast paced. Fast paced.
Man, That motherfucker kept it moving. His pace of his show is fast.

(01:33:08):
First, someone who doesn't know TimWestwood, if I say Ali jen
keV Tim, Yeah, that's kindof like Tim Westwood really like, that's
pretty good. That's pretty good witha shaved head. Yeah, I mean
you know, but like spat up, you're talking like tenfold. Yeah,
okay, do you want to knowhow to make this country bare? It's
simple two words. Keep it real. That's three words. Don't be a

(01:33:31):
spinna eat ain't a real word?Sure for in it? In it?
Where's the de rag white dude?You know Ali was not you know?
Does he say does he say fuckingLanka all the time? Kind of yeah?
I don't know. Definitely UK talk, no doubt you see, don't
come slash sim Westwood TV. Solook, I know Ultra, especially cool

(01:33:57):
Keith is for many an acquired taste. Right. Cool Keith is not one
of these rappers like an Elo coolJay or a big Daddy Kane. That's
like universally adored. Cool Keith tome, in my eyes, has always
been the guy on the outside andthat's why I gravitate towards him. I

(01:34:17):
love him like the underdog. Ilove the fact that he's extremely unique,
ad he's avant gard. Absolutely,his voice I thought has always been awesome,
Like I like his delivery and yeah, he's so un orthodox. Does
he say crazy shit? Yes?Does he say things I'm like, what
in the fuck? Dad? Likethat? You know it doesn't make sense

(01:34:40):
or it sounds weird or whatever.Yes, but he entertains me, and
there is a huge demand for Idon't want to say spaced out rap.
But there's a huge interest for themusic that he makes, and he's been
making it for more deck, moreesoteric, more out there. You know,
that can go in so many differentlanes. But you know, it's

(01:35:01):
funny during that interview, you know, he does the double rhyme do what
I say say. He fucking repeatedhimself two to three times every time he
was telling a story. So Ithink that shit's so ingrained in his brain.
And I'm like, the dude keepsrepeating himself. Yeah, I mean,
and I might have and I couldhave edited a couple of them out.

(01:35:24):
I mean, he was like Johnny'ssixteen times. I mean he was
doing it. He's also not young, now listen, I get it,
but he looks, Yeah, helooks good. He looks really good.
So I just find it funny,you know that he just kept doing that,
and you know, he was areally good guy. Like during the
interview, I mean we totally forabout two hours north really really cool dude.

(01:35:45):
Right. What that told me isthat he's a normal dude, and
all of that was very much bydesign. He's not a fucking weirdo.
That was by design creating. Ithink he's done weird shit. I just
think that. I think he's aBellevue all star, Like, I don't
think he is not, you know, yeah, I don't think it's sticky.
I think that's cool Keith, Yeahfor sure. But I do think

(01:36:08):
he's he's smarter than what he maylead on. Like he definitely has That's
what I got. I think thebrain is splintered and occasionally he goes into
genius mode because certain part of thebrain is being stimulated. But I think
also he can be out there andthat's kind of you know, it's like
the mad genius of somebody, likeyou know, the Old Dirty you know,

(01:36:31):
sometimes you kind of don't understand thegenius until you really like going through
it. This is the best comparisonI think Old Dirty, So you know
what, you know, It's theone thing I wish Keith would have done.
Here's why now he hates when peoplesay this. He should have been
doing this. Keith should have beensaying. I'm just saying as as a
as a as a you know,classic hip hop fan. Here's the one

(01:36:53):
thing that like when I listen tohis solo albums, the one thing that
kind of has me kind of wantingmore is like his hooks are not good,
Like he just repeats the refrain anddoesn't work in any kind of cuts.
So he's not about forces. Herepeat and it kind of like it
just does well. He's not aboom bat rapper, right, So that's

(01:37:15):
one thing. You're not going tohave those scratch hooks that you buck or
just something more interesting than just sayingthe title of the song over and over
that does what I for me,Yes, But I think that is a
part of the allure that that peoplelike about Cool Keith SKay. When you
listen to an album like say DoctorOctagon, which I encourage all of you

(01:37:36):
to listen. If there's one albumthe I like that one that sex Styles
said, well yeah, but especiallyDoctor Octagon because one automator produced it.
DJ Cubert does the hook, thescratches, so it kind of has a
few things that will appeal to you. But it's an album that is unlike

(01:37:59):
any other their album in hip hop, and when people talk about complexity and
spaced out rap and underground wrap andindie rap, all that stuff is spawn
from I believe Cool Keith, youknow, like I don't think there's a
death chucks if there isn't a coolkeyth agree, I don't think there is.

(01:38:21):
I think I said the last episodeA High and a Mighty people with
groups like that without a cool key, And you'll hear that on Mixed two
and three is as we start playinga lot of those collaborations where he is
with a lot of those groups,you know, you know he's got to
be High, High and Mighty oneof their favorites. They were over the
moon to have him on their song. I'll say Eon goes off to on

(01:38:43):
the track that they I mean stealsa Tracey. They made that song for
him. Are we are we talkingabout hands on experience ahead? Well,
but we're also don't forget they alsodid smut aplers they had. Yeah,
but I'm talking about the one thatwe play in the next If you're you're
referring the hands on experience with Bob, yeah, okay, yeah, yeah,
I feel like I feel like Highin the Mighty likes. You know,

(01:39:06):
they got an opportunity to get CoolKieth and made a song because Cool
Keith is on there is perfect No. But the whole thing with with the
Bob and then part of that Centabitesgroup, and I really do love the
kind of that real indie collapse.I think, you know, you're getting
beats from a different source, andI do think that makes Keith sound his

(01:39:29):
best when he's kind of in somebodyelse's realm, you know what I mean,
because you're so used to it beingyou know, very drum friendly and
not a lot of you know,choppiness. But like I think when he's
in somebody else's realm of production,he sometimes showcases the best. I agree,
I think the best Keith is usuallyon someone else's right. It's very

(01:39:51):
hard to be the jack of alltreats. You can't always be the best
producer and the best MC on youralbum. And him style is so different
that sometimes you want to hear acut Master Kurt beat with the type of
style that cool Keith delivers. It'sa different head nod to the groove.

(01:40:15):
You know. You feel like whenwhen when it was the first Ultramagnetic album,
it was like Lee from B Streetand then the B boy left and
he took on all these different otherpersonas and that's when he kind of like
blossomed into a whole thing. Yeahfor sure, But again, there is
such a an appreciation for Keith fromall over the globe, I mean in

(01:40:43):
Europe, in Japan, I meanhe is a door and look the Prodigy
groups like that. I'm trying tothink, what's like, what's Tom York,
What's that group called Radiohead? Radiohead? All those groups grew up listening
to ultram It's true, and youknow what the best collaboration would have been.
I would have loved to see CoolKeith on a Guerrillas track, like

(01:41:05):
where would that have gone? Youknow, like they have such appreciation for
that kind of American hip hop.Has he worked with Dell before? They've
they've done tracks, I believe together. I can see the two of them,
you know, like fucking having funthe playground together. Yea. And
funny enough. That is not thefirst time the Prodigy has sampled a Cool

(01:41:28):
Keith riff for Ultramac. The firsttime was when the Prodigy was more in
their house phase of things. Theyhad a song called out of Space and
they use a little bit of areggae sample in there. Oh do Space,

(01:42:11):
Hey clothe Efficient? Anotherici Hey ClotheEfficient. I didn't realize it a
long time ago that it was CoolKeith until much later in life, but
they speed up another dimicion for anotherdimension, for another dimicion, and it's

(01:42:33):
like on forty five speed and it'sall just like crazy raver techno shit.
And that's where Prodigy kind of startedits its vibe. But funny enough,
they even use cool Keith back thenwhen we were talking about the Prodigy that
you was like, yeah, KeithRickards. Yeah, I'm like, what
the fuck's so? But I didforget the lead singer guy I Yeah,

(01:43:00):
Keith Keith Yeah, well yeah,but when you think Keith Richards, yeah,
the other Keith Richards will probably neverdie. Yeah, he's gonnautlive all
of us right that. Speaking aboutlive, I think the music's gonna live
for a long time too that we'reshowcasing tonight. So let's get into mix
two. Is keV loves to uhjump in and say? And what are
we starting off with? We willbe here forever? Do you want to

(01:43:25):
stand forever? Forever and ever andever and ever? We will be here
forever? Do you understand them?Yeah? What I'm saying for whatever,
Hey, we hope you're enjoying ourUltra Magnetic tribute. Stay tuned for Mixed
two as we dive into the illustriouscareer of cool Keith, got coosh,

(01:44:02):
keep buck on that dee, gotfooled, got fosh, keep buck on
that deep that's right the w hesniffing the house, we getting fish,
sick out, people finding get nyo. Let's do it, y'all,

(01:44:23):
rocking chair now blast off. Shegot the boots on black with that freak
langerie. I got behind. Heconvinced the freaky man won the play.
Jumping up and hot touching this withthe stipple, face cliss get through the
full window this as I pull outmy restes, my flex with the upper
the air strawberry, not a littlefish undergo holing with my face from here

(01:44:46):
to do my booty with my swsweet lips, the mandom tongue on the
booty, nicking around beyond the dock. I said, no, no buck
walk getting brough and I'm a bracesolo out to this miss your girls with
the stomach, but honey's got uswrite with curls and not love it niggling
down the back of love. AndI'm single. What's in that dress?
For nine nine in nine jingles?But I'm no fool, not a drip

(01:45:08):
from the city. I'm stepping tothe woman little girl's accent the barber door.
But you drop a range ball,but dropping them drawer for the world
has a no book. Your blackman scream not a loud Your black scop
and panties in the crowd. Yourblack nagger scream rather loud, nor black

(01:45:30):
scopen panties in the crowd. Yourblack nigger scream rather lack nor black pennies
in the crowd. Yo. Checkit out. It's the performance book well
from the girl famous digging in thecrease crew check it out. This is
princeformly checking out and take it personalradio and your hurt peace Dot dot rock
doctor octagom do dot do doctor octagomedoct doctor crew, but drop at the

(01:45:57):
oct power dotor power do but ddoctor octagon arithmetic. Fetus of the Eastwood
pressing from the church of the operatingroom with the strips of force to stop
us. Since the Holy of courseI do indeed and great explore, meet
the patients back the rooms with thenurse with the Boodoo curse holding the office
lights standing that huge hype back andforth left wing and swing to the north,

(01:46:18):
east and south with blood pouring downyour mouth. I can prepare it
with the white suit and stuff forscope. Listening to your heartbeat, delete
pepeet be. Your insurance is highbought. My price is cheap. Land.
The blue flowers growing by the purpleparm, I see the focus on
slue flowers growing by the purple parm, yellow slow flower, so t how

(01:46:48):
do you found blue flowers holding bagsgoing down right from the hospital. It's
a patient is working to keep theterms off the turf. Cybernetic microscopes of
metal antidotes to tell uscope that magnifiesisof approach the computers. The couple off

(01:47:08):
the planet with my head and astralplanet detached, turned on red Fergus cut
the light on the tiff and turnedthe bright on school Sunny waves combined and
burn his brain waves. I seethe mascot of evil. He's not an
evil. Shakespeare's gone. Don't eventhink about it. Yes, as I
go into the park, I seethat's not blue flowers draining green about the

(01:47:32):
pond. Blue flowers, it's totallylady green boy. He's not blue flowers
that smoke. The bes and thebirds not blue flowers. Different aspects of
life. It's not blue about upup your organic medical talk propels off on

(01:48:15):
off the adam bam final little richin a coop of this battle, I
rather sing sing sing like they bingbing frickens your rabbit, rabbit locker paper
watching jam like a tecker with oldenergy. It's need the richly bhindically your
panicky. You end up in thebody home as I beat thriller, lazy
to cram, don't boil salt medicatedor blows ros and have a twickets weaken

(01:48:35):
port the ricket to pop the machinegun stuns, pumper, buppup am balance
lights, quice, paramedic fetical legsfor eggs. You can hatch, can't
find two thigs that acts, butthe skin don't match, and you're say
no awareness swiftest go and your singno awareness swift is go and you sing

(01:49:00):
no awareness swift iss goal for allproducting. This read the increased magnetic field
of velocity or projectives, electro liquis, experience, theoretical of services and critical
segus cool to send me seven calvusby subversion, still selling the secure capacities
in the crime. Then they contendedthe cool SEMs on milling meter diameters is
the last December thirty, nineteen ninetytwo, red fource mixic common people worlium

(01:49:21):
outtipe, consetic glass, proportional compedensity of the radio. It is surt
existent if it does not produce,controduce, distectess more quantum where functioned,
mechanic mind other matter of this behavioris a companied by conscious experience with me
as proplexing as ever acts convernicus aboutpoping limits and you're say no awareness,
swift its goal and you're saying norawareness swift iss goal and you're saying no

(01:49:47):
awareness swift is scald okay, firstpatient, pull up the scarf, removed,

(01:50:13):
the cancer breaking its back. Sitthe next from the answer supersonic quiantic
grow boy blutoo power you create theX my chance to flex skills on ampex
with power needs and eaters engage antifreeze, octagon, oxygen and lumin limit
toxogons more waist up, blow floodcells in your face, free active form
farms and six fire missles, allwith seven rounds of space duto pistols.
You may not believe living on theEarth planets, a skin is green and

(01:50:38):
silver boyhead look at me, anda should not get played tough like the
ukulele as I moved the rockets overrodic levels. Nothing to wear a same
got a same system, Show byGama Lights, Show by Gama Lights,
Get show him by Gama Lights,can show him by Cama Light. Earth
People, New York and California EarthPeople. I was born on Jupiter Earth

(01:51:01):
People three or from California Earth People. I was born on Jupiter Earth Peoples
three up from California Earth People.I was born on Jupiter Earth Fehbule three
up from California Earth People. Iwas born on Juputer color like am I
life? Need? Ain't every conde? Can't my life any child? Like

(01:51:24):
am I life? I can't mylife now my helmets on and you can't
tell me I'm not in space withthe National Guard, United States Enterprise,
Diplomatic swing where ailing and set myfeet coming down the rampart through Beam on
the street. I was the leastconfused compounds of dead sound as I look
at Intrichilly Independent Economic Comic, ISafe Restore Fools and Capital Beam my program

(01:51:46):
as ability for reacting and response toa No. One identification code unidentified.
I got cosmophonic, press a button, change my face do you recognize so
what? I turned the visible,make myself clear, reappear until you visual
disappear against sapped like that android face. The fact I fly on planets every
day. My nucleus friends could play. I returned again my set. The

(01:52:09):
next l is not getting vincit.Earth People, New York in California,
Earth People, I was born onJupiter Earth People, New York in California.
Earth People, I was born onJupiter earth Foul, New York in
California. Earth People, I wasborn on Juputter earth People, New York

(01:52:30):
to California, earth People. Iwas born on Jupiter. M my life
m camm my lights, fu amI light get damn my lights born my
damn I life, damn I damnI damn I lights showing fu am I

(01:52:51):
life camp. Yes, yes,yes, you have met the dangerous two
hundred and your uncle, or don'tyou opter die? I myself, mister
Kirbeck is half sharp, half bed, skin like alligator carrying a dead forest.

(01:53:11):
Check it with my white eyes freehere face. The sky blue yellow
ciphers react my skinness color to night, my skin turn orange and green,
and the limitus them people think I'mmixed with sharp faking got selina underwater.
I breathe with lessens on my sleeve, walking down Holly with bullet bard foot
for credit card. Three alligators behindme, feel my skinness mart transvestite and

(01:53:33):
people watch space parasites. I liftthe side in the store, the next
sit in the street party your worldcockswith blood tripping off my feet, lapd
do gray clouds couldn't see me.I first turned rainbow, close my eyes,
watch my brain low. People gotscared, them ran the way they
think I'm weird. I was bornthis way half shark alligator. Is he

(01:53:54):
weird? Weird? Half shark alligator, half hat shark alligator. My vomit
sucked you ray could we can scrolllike chronics as in lightning bucks hern beat
or my tongue kept a spatch.Read that little boys South battle streets pepro

(01:54:15):
My Mecan name is more than theon the second African beet snake skins cooked
spit through you. My medical passes. You can't see with pretty glasses,
barbadox, I pull right through withgasses. My description dinosaur. I was
made half shark, half man.My skin is like raised the blade seven
No seven, mister kurnblieve no wayschanged my thoughts. Animals fly from Philly,
my appetites more biggest time for willabeats just my skulls, seven eyes

(01:54:39):
which hydrawl like turtles and shrimp.Smackgilla, take a blip, half sharp
alligator. Man don't don't. I'mgon stall me. It's gone. Gontst
on me as you can st me. It's go her dad gave me,
and I don't matter. WHI noman worn nine man as, no guy
one up, one egg. Idon't want to open. I want to

(01:55:04):
chip Barkat is not here. Imuch you'll for you circumcised niggas. Don't
realize my format is a pomp spectrumto damaging rector. This is the real
dinosaur punks, which permitted Gefunk toplay enemy through the trunk. A digital
master was given to see I'm plucking. Junior has stuff. Kurt Cobain was
here, but doc I has noovercame theoretically keeping puppies in the pedigree.
Small feets bought santacaus to greet usrappers. Nor I'm equipped with chlorox and

(01:55:26):
kimo goes that are burned off yourlip intestines. Investments had money in your
stomach. Who could stop pepto bismalonly equipment and eating their libry parks like
getting as doctor Octaghana colleges, girls, open legs for bitter kids, fresh
clothes and earth will covered with gianteggs and living small people undequal challenge my
thoughts, no station already you wouldunderstand the perfect ensigns need what your brain
in my other hand sucking my oil, your boy your colors, Ye,

(01:55:56):
I don't play my plans three thousandcome, come working, three thousand workpeope,
nope three down every flow the pubricalflows fasts. What's that? The

(01:56:17):
pattern records don't touch the debts yo, check out the pro skills metaphor pills
contact react the style unbacked. Youlack channels and handles, automators on the
panels, turning off flops suckers likebash the ruck carvel, don't tell your
whole cus ice cream, butch rapup the buch making moves, stepping blues
and runs the past like that thirtythree dark shades. Now you're seeing me

(01:56:39):
rap moves onto the year three thousand, three flowers flower and the power every
three thous flowers four three crows flowersflower at least from red red red.

(01:57:00):
See the black card, d Hartpick and choose you lose, Oops,
You're lost. Check out the ballssome broader down the walkways something where mights
to end up with two decad allright, the doctor stuck. Stop you
in your world rocky hip pop forevertunes and they won't stop like hip hop
keeps growing. Stick a tick ofshowing, scratches and matches business money if
you attaches worldwide beside stops the diamondrocks in a million world billion world contrillion

(01:57:23):
world that moves on to the yearthree thousand, three thousand sound flower bring
fowery to stouring to stow three stourystour to thou three fouring floury supt shown.

(01:57:48):
Participator acts walk up, park upand mess up warder down. The
sound that comes from the ghetto andthe middle of the core. You tough,
explore, experience what is real?You feel? Change your words?
Commercial raps in the great stuff onthis that everywhere that you see, do
you think it's good? Won't goflatting and even turn wood seller to set
your homies tape. Egg is awet pet, my bootle chicken noodles on
the rise over your eyes and seemy light rapples onto the year three thousands.

(01:58:15):
I'm one, I'm one. I'mone cos I'm one. You enter

(01:58:56):
step in the room four five myover compressed thoughts and wake you get live.
You are the pushing and I yourblack doctor better? Who build insurance?
Cast in the cillers the I seltfinger prints, Head up, sens.
I got my way suit pressed outthe cleaners and stray shades with hard
shoes and some raised plates. Who'sthe brother that's sick and need the operation?

(01:59:17):
Buller's removed from your head? Runsister station. I got the cut
off your air first behind your neck, rip fu your stomach and note from
breakfast as I say, shine thelighter side ross calling in your throat.
I don't have two. If myhammers bore, my drillers broke. I'm
the doctor. You wait on thewaiting list. Patients been here sis this

(01:59:40):
morning, I submiss. They don't. They don't get I'm the doctor.
You wait on the waiting list.Patient's been here, sis this morning?
I dismiss the sw three days later. Don't don't see the doctor, the

(02:00:08):
doctor, the doctor. Doctor,don't don't see the doctors haven't spent tail
years, keep it whatnot. It'sall like flowing stream of consciousness on one
level, but it's also all informativeor information on another level. So the
funny thing is if he rhymes somethingand you try to like fix it or
change it or whatever, you'll fuckit up. Turns bad because it's actually

(02:00:30):
more help together by subtext and contextthat you would think. So like I
might, you know, make acourse or change a course or do something,
but I won't mess with the firstbecause what you do it starts to
faul faul carr down liked he turnover combine blah blah bus sign the court
cold forty fox camped up, getspump compressively, backs in my mouth,
strength, debaby, we to stretchthe left JB L. Dobri's a a

(02:00:53):
ampacted chancefer to the wax. Sendus the six thousand new rap styles,
Dobby House. If my styles,you're the free styles that pumping afterdam Written
for mcke thirty two Expanding re protools Staatens Tack with speakers, fifty thousand
people digital formats with Sony am Oopenequals. We're rapping while you no joke
I bring your group of higher withbig dynamics on this atomic aerobics, female

(02:01:15):
vocals choke them? How get them? Systems broke by software that's industrial metal
hardware vocal rack four thousand. Atleast these X two roy propounds like t
tech gud sequence range are strange,like magnets growing in your brains. Eight
thousand bucks crawling on your skin.I'm back again. My friends sent us
for six thousand and five eleven seventhousand Black monsters in the house who want

(02:01:38):
to step through the invisible man asI chamber like you would commands six tuns,
even the last like when he smiffthe player. What the hype corner

(02:02:01):
show like body the back laying honey'son their back, clocking jeesus, we
get your fake pims. Timmy sweepriding low down, taking my watch like
Frank nitty bholis pressing up. Letme pay off the city, controlling your
town like say a dude with thegenesis who was the family scooping panties on
the premises. Backstaff never can slapcount my gains. That tell me where's

(02:02:24):
the other half. Don't try tocome in, don't tell me how to
brut my stable, plus your car, leave your fingers leading on the table,
and new type of games they bringup of rubbery. Just start us
trying to take your wall. Talkingto I'm the King of New York,
running enough for the city. I'mthe King of New York. One enough
for the city. I'm the Kingof New York, running out for the

(02:02:47):
city. I'm the King of NewYork, running enough for to the city.
I wanted to get some ship upmy chess, Shut up my chess.
I'm wanted to get some shitter putchet shot chess. I wanna nigget

(02:03:13):
some shit put chi. I gotthis rapshit so locked down from the ground
to the sky, from the lake. WoT to wait too long? I
who am I? Then? Motherfuck the niggas who'll be dissing up,
be ripping. Motherfucker's like a meetingup from chickens. Been the liquor.
I got you out of Sylvia's coupletscrustos for you. Look both jangles,
Pope eyes even can't see you knowthem. See yousn't got no winds when

(02:03:36):
they fit with deal g I'm dramatic, if fatty, I'm cosmatic. I'm
down with my niggas my people keepingthe real fucking up your mind rampers and
took a bullet show. I've gotanother pot shop time more assistants than the
Alpine. I bet you think it. Ti gets up right now with through
my mind where her mind's feed up. You know I'm dead up these stack

(02:03:56):
of the acts rappers and these punkpictures gonna get better. Hurt wasn't around
the innish like your shigen. Justbecause you wrap don't make you a piggy?
Who is he? Someone know sceptingfrom the project made a few demos.
Now you think you got it runninglike nah, looking like tracks.
Each man back I can't catch sayingthat Jack's gonna sign you. You better
get a job or leave that bullshitbehind you. Word, you got some

(02:04:19):
motherfucking nerve. I should have leftyour ass from the god damn curb.
But I believe it all the motherfucker'ssaying it's because my titchen, all those
rappers in the game. Man fu, you made a jam that's hot,
hot damn. You made another,then that ship went hot, then you
made another, then that ship hadflopped. You deserve exactly, but your
ass got motherfucker trying to run afterthe white. You used to wear tims,

(02:04:43):
Now your asses them tights And everytime I see you, all you
wanna do is fight. Don't getmad because my ship is right. I'm
a motherfucking man like you. Youwanna be fake, well, I gotta
be true. You wanna be thenext when you should have been you?
Then tell me what the fuck amI supposed to do? React? All
I want to do with rack,get some trap re lived like kind of

(02:05:03):
fat in that fat? But howcould a man just rack when the whole
fucking industry is whack? All Iwant to do with rap? Get some
trap relive like kind of fat andthat's fat? But how could a man
just rack when the whole fucking industryis black? Yeah? Who keeps checking
in? That's right for you whackmotherfuckers. I got the show still tell

(02:05:28):
you like it is. We gottaget the ship off. Let's say the
Grammy Awards ass tight tuxedos. Niggasare phonny trying to act like my people's
TV stars Mariad Carrie, Channet Jackson, her brother Michael feeling babies for some
wrecking action niggas like out Green.I can't trust little Richard, little bitchard
girls today Slipper Rock Hudson, theNBA get the favorite ball players turning gay

(02:05:51):
girls go nup, get attracted,having wild sex and big mansions. Hollywood's
unsafe sex sniffing cold movie starts rollingflock cost everybody has the card runs the
fake business. I'm not old daywho gives a fuck about his case?
Like Madonna, that devil wearing pantson her face. You know the industry
is already crossed over sexually. Alot of people time from beach side and

(02:06:13):
minga more. Let's time for information. Half of y'all six singer at the
Age Foundation. I layed down,clown and take your famous square crown climbing
and famous, mixed up your slippingrocks to it. Girls get caught,
take off the hills for the recorddeals. Did you get the deal?
Bitch got served and you saved.Yeah, it's playing New Year when we

(02:06:42):
finally made it, finally made it. Boys. So the bit time,
Yeah, the bit time, butchecking all our uses, tending all our
business. Yo, me some moreof that shot Rick times big time,
say Rick, So we getting hitchit making man pricking janks, lay getting

(02:07:04):
want to get Monday, call mebig. Every day, all work no
play. It's in every days payHey, get the chip side, don't
just the flip last brother, trythe trip. Got trick with the clip
robber trunning up to me saying no, keep it real represent Then I say,
let me see you pay my rate. You must try to get the
tether that cause tethers in the game. Ain't making no sex. You couldn't

(02:07:25):
must a dollar out of fifteen sets. The man be trying to flip on
my CRUs in my pat mother.You make me want to hurt something with
the guard. I'm gonna beat youlike it's so something, but I'm a
chilling fleck. The cat checks toshine my molect and drink wine because bake
me. It's time to make thebig time. Time says damn time.
It's on my writ song stippings onPeach and the time say rick were making

(02:07:48):
chet, making big move, prickingtanks to lay. You know they small
time tip Yo, I blew theycover. I'm bigger than that. I
bought them mix for their mother,Wooly big massage, collars, cook and
every city you play games from fourthtrack, your steel camp, minty,
your whole unto Roger's duplicating Papa LARTswith three trailers, who say, these
trucks parked in the garage. Youhanging high, you dust the puffing stink

(02:08:09):
lock. My friends are rich.Don't type of friends when you snitched?
You faking moves with artificial Gotti rules. I'm water repelling. You found something.
My two sacks. My money's inwar staffs and the mouse cracks.
Critics tritillery young jealous to my soilContinuy. I'm big times with rubber bands
built a round your mind. Mycredit is filled in my house pack with
ten children. I'm big time.That's track. Yeah, I gotta move

(02:08:31):
on. You gotta do this,do this, do this, yo,
what's up? This is kool keith. Yeah. First of all, I
like to say the industry is whack. Wow. That's right, I said
it. The industry is whack.Everybody's whack tired of this. Let's do
this. Yeah, check it out. I'm here in chump to three stout.
They jam it, whack buttons myshoulder, my shoulderm um TI to

(02:08:54):
do this like threw to some rawsince you stink they hardcore ask our whole
cold kid frees your go step tome with hip hop popper is Michael Jackson.
Your crew is no trick, yourstyle just a small fraction, and
so get up lick. Let's catchthe duck up ship. Two man crew
add one making do do you gotyour fans suited up, people drinking Urine'm
mysterious flash. Your girl begs forain't no sex. I got my tape

(02:09:16):
butt naked pumping ricky leg dog stylechampion. You pause it beat, watch
your track shake. I got notime for toys and chief sticks at roys
with Texas niggas. My crew downthe poor triggers. You'll tell reck to
spread the record. Take the swattle, Shotty. I called the rick to
jail. Speak to John Gotti,new niggas out here. It's Jocket hard
on his boss Joe. My flowjust dropped like Niagara falls. Keep it

(02:09:37):
real, represent what my nut.Keep it real, represent what my nut.
I see him Seesar frail, skinny, bony like Joe seeing with two
faced stuppers who men are straight likethey know it mean. There's your tamp
on that sticks on the up.Any line er suck this to step with
Mary Jay blotche eyeliner. I rubmy thing on your neck and game more

(02:09:58):
respecting worms you drop next time youget your ass check, I check stoods
and throw foodoo back when your foods. Nobody can wrap your albums wack fin
no worky crap giraffe Pepe. Youcouldn't get aware of CD with female singers
collaborating add and v D. Ibought your spots like starts. You're taking
dumb shots, nagging like kids withpampers. Your all bits pots. The
whole industry is booty, like aburning coody, like black Simphilish get plus

(02:10:22):
getting stuck with this. I withyour child in the course. Your style
is divorce must style Jim Kelly.Your clue is all Chuck Norris rip rob
kiss in your face, your heartmust worm. Take your girl drinks fast
behind. She likes the water chains. I do damage foot spots on your
people's rectum, open tissue up withpliers. I do that sector and test
it. Yes, rappers walk bleatinternal. I like your glands like the
towering infernal legs a rap. Yourain't a stop. Your style like sign

(02:10:46):
us leave you there like Charlie Brown'ssucking linus. Well. I can understand
how you feel feel feel you arehard stetting for a spelling me not school
as you feel you let everyone downand you made it four of your shelf
and everything everything, everything, everyjust like, did you notice something,
Charlie Brown? What's that? What'sthat? When the world didn't come to

(02:11:07):
a name? I got a frienddrop too? You never heard a ste
he Let's may she back over thesick sex style. Niggas want and free.
They dogs drink my piss or sexstyle niggas one and free. They
dogs drink my piss or sex styleniggas one and free. They dogs drink

(02:11:31):
my pisss. You want free style, that's right, the stylis free.
Niggas stuck my dick and they girlsshrink my feet. I want something that's
in them ship you can't get withpoll your pennies down on stage and want
you sweat quick Sucker's best to four. They stylishment sexual wolf. Let's be
a dance with the funky hetero sexualwolf. And you want the mic and

(02:11:52):
when you want my start the truckoff, let my dog. Let you
turn and supper one the block off. I tell your leg six bottom seats
have an antle sex stepper my I'mlike the tempets and step up next.
I ain't to New York, Noproblem with my chick out California. Porno
start my ass. You can lickout seeing what was firm dripping down your
partners. But I've seen him seasonmy face when they ass up and let

(02:12:13):
me put my cap on and myrubber and my mask up. Not doing
harm for shit. This is oneon board. I'm at the club,
naked man. I'm the fucking proke. Niggas can't wait, no ass and
girls to let'em know. Sexstyle niggas want and free. They gonna
strink my piss or sex stiles.Niggas want and free. They go strink
my piss. Sex stive niggas wantingfree, they don't shrink my piss.

(02:12:39):
Uh back out wreck shit. Sowhat nigga, I'm massed the bags.
See your girls cut back her leggstime like a figure eight. I'm on
stage getting sucked by my drawna stickingpipes in your ass. You stop the
three style drama. I'm trolling youned this ship. You keep on sucking
dick your girl in the crop,walking me board nigger place. I got
my silk uns. Where for theatmosphere of piss in your face, in

(02:13:01):
your name, all in your head. You name a group that ship,
I will group of scoop with thismyths. I will damage on the premises.
Niggas stepped back with Jack Grease,watched their ass twist. I run
inyway, going the showers up inGreek alley. Movie start bitchings and seas
lining up in alley. Drink andbuck the absolute siment, tank away and
seize your boss. I start yourwrecking like a Stingway. Girls, honeywipe

(02:13:24):
m sea, say my ship's hypepus. These collapsed. I rub the
fucking with a cordless mike could rubthe walls. Take your panties off and
there the bore sex stole niggas wantingfree. They don't drink my puts.
Sex style niggas wanting free. Theydon't drink my puts. They they they

(02:13:48):
they don't they they't eat him,eat him love the lady phrase. I
know this girl with an old cripand nice elation. She's from Puerto Rico.
Have black on vacations, fun freakwith thun Saul whopped me every week.
Pennies in service, the big tools, making nervous hey booting his lollipop

(02:14:09):
summer getting too you bang you nicebackdoors. I'm gonna scrape your floors.
Look at your pussing those silk onthe camcorder. Then hit best brings my
bumbles on the turpe recorder with bigcups to check stout. I'm gonna speak
it well if I lick you there, my girlfriend, I'm gonna tell a
rocket boots to leave my style writtenon your coach. We rubber demands,
cummels in your soft pants. Igot plans for booty work to catch a

(02:14:30):
lap dance. Let's go. It'sworking and by myself, I'll be drinking
onto the chorus. I want thatpurple pat like with the lime green rag
top. Yeah, lovela, youll me lovely lay you try me crazy,
lovely lay you dry crazy. Shegot me over it like two big

(02:14:54):
scoops of raising ground, watching itdown films a far time her freak man
Hakinghi, she's cute. I gotmy master on my Lincoln. Spress that
switch and change your whole voice.Pitch, I why be? Why are
you gonna slow? I got scoopedwhatever skills the pro step below up the
rock and the side. She affectsyour panty lines. She got her head
up, a warp into the girl'sminds, stripping down the pants she's wearing

(02:15:15):
spand that flower dresses, the bootytooth, the max apex. I'm on
my way. We're getting stop everyday, child to see tapes. He's
town and I'm bringing for play.Counture's a plush, no quick. These
ladies don't rush. You know myfavorite. You pricate it bare back,
stopping to get live. You knockdown when I tapped the side like cold.
Your a detecta. I got yourcountry selling. I know you're perspected.
If you get picked, I'm selectthem. Rubbing it down in the

(02:15:37):
baths, cow guards down. Youlook at sexty smaller in that soft nightgown.
Baby love it when I blow bubbleskiss her stomach. She's a down
pizza popped up on the east.The lady is ready. Tell hi,
duke, I'm gonna ruck the steadylovely lad all your tip crazes, A
lovely lad? Are you crazy?Lovely lady? You crazy? Dad?

(02:16:05):
You crazy? I'm on the fencingwith my black mask and seas Who the
hell I'm on tooth and that youguy, I'm on this motion on doing
our open coffers like I'm doing andI'm a here the reps them up?
What that guy? Whatever? Wemoved the drawers up. Girls, Flower

(02:16:28):
we fly, we watching both thesilver flower fly we walking club with sneaking
flower we fly. We looked outwas a steak flower fly. We fly
to places ourselves. Flower we Fly. And if I records herself flower well,
my bast Another night for fans.I got no Halloween Jack Atlanta.
Yo, Ain't I know some kidsfunny silly funny play? No, they

(02:16:50):
wanna step the balls and over.Hey, No, I drag buddies on
down the yellow big brood like lemmy car, I come in and come
and kill a bow. I'm gonnabe your naked, your well ripple.
When check frons, I can speake. My roots are walking naked, were
spirit sweety boy, I shaking bakednaked like manny truck up. I used
some black mark up. I drawyour face in a sketch like an artist.

(02:17:13):
Two broking arms from the show.They have a piece young young you
know you walking coming dumb dumb?Hey, what's that smell down there?
Look at the basement two eyes,I said. Next day with your face
with with Dolly Partner music playing inmy bake up truck, Marco sail with
a swigger liquor. You dunk,I got no pational sort. I need
manny something looking at TV, lookingfor the love and something love. We

(02:17:35):
know the drawers of girls, Flowerwe Fly, We watching both the silver
flower Fly were walking clubs with sneakand fly we Fly. We look at
what was a stead flower fly.We try to prose ourselves flower we Fly
and the correct as ourself flower Fly. Yeah fine, I'm sick. Wasn't

(02:18:01):
fool? Keep should keep me real? You should rap about Stas and Mars.
You know, I'm tired of lookingat everybody same bot Scully hats and
nine de group, whether looking atgetting clubs of the free, I'm not
smoking bloods, look as of jazzbacons at the Roosevelt. I left New
York. The city itself was stressed, depression, hot boots and urban beats.

(02:18:22):
It wasn't in my direction, ProducerShorter ring joining with R and B.
But then you're wrappers some clothes tryingto sound like me right in my
space house, biting my horrorcore.All my soft was little coool keeps all
my tour record companies. I cheatoff all my royalties. Watch the vinyl
spin local groups, wagon seats,so try to rap with that perfect training
master craft carcon Ni jeans, faststomix in the limousines, mixed seats by

(02:18:46):
whack d Jays as dude who play. I wanted to Turnpike. The city
dripping down the highway like a muragethis town. There wass all illusion on
videos out of town, people's whiteconfusion, rolling high with calfs, food
over down my eyes. Since I'vebeen out, y'all can't see. It's
the world made the plastic, asthe city very drains. Yeah, as

(02:19:07):
the world made the plastic, becausethat's the way it scenes. Is the
world made the plastic? Is thecity very in dreams? Yeah? Watching
TV's on board white embezzoles, holdthe mic court graffiti playgrounds have played out,
Yo, how that sound Abby fourtiguewas weak as for the minor league,
no lapping ciphers and brothers in therent events wos on stage acting hard

(02:19:31):
for thousand prints. I saw theplace turned plastic. Crack a swooping beats,
people with no deals, walkman's rappingon the streets. I turned my
back. Not even cent of thecity sounded whack. They on scams.
Christy Jay's like a rupper band.Everybody cleared with peace, trying to be
flament, every damp hop and hopand your samples you it's be twelve Thig

(02:19:52):
examples my money glosest with cream frommy own label, while you at rich
with no cash on the bigger labels. Your trich state. He used to
shut down by parra kaids and backI packed my bags and listen to E
forty not gonna see boarl prappers youdon't know? And back I packed my
bags and listen to E forty notgonna see bol nothing rappers. You don't
know, you don't know, youdon't show. What's happening This Mac mac

(02:20:15):
ball and you're listening to taking personalradio show to hold me Jason Gloss,
keV Law and DJ three six Macmac mac helevators. Security wants scorch you
off the building, Get off myhelevats. That woman is very nosy.

(02:20:37):
I choose my subjects personal, man, That's what I want to write.
Critics critique. I compelled that gotsome rappers week that he seven, I'm
blacked out. Who's paying all myrepper la didn't hip hop. You watch
me like the president. No feedbackon a R and B scams more baby
with stretch marks around your guts puts. I know you hate me. Got
your feet and you say you leap. I'm gonna come to cleek, work

(02:20:58):
off your bet pounds with super sonicstomach sounds. That's where the warts animal
head scupor fly gorilla. I getblue backs, don't gettle clicks. I
get ella guard your rap. Mike'smy style shine like zeper stripes right in
your forehead. My work becomes areal mistle. I'll be hanging in backdoors
like rosy corner tissue. How tralike engines, blue flies window your wrappers
catting it what slop dropping on thebuller such your fish such your muff like

(02:21:20):
pitchers flies out. I'm rolling therampart the bottom's kid where you start,
get off my two sacks likes yourpipes look get right, Ellbato. The
security will escorts you off the building. That woman's nosy. I'm trying to
fund it out business hellator security willescort you off my building. Yeah,

(02:21:46):
New York City, doctor doom templestall I took the Batmo girl out last
night? What's the Tony Brown?And I see exaggeration, fotting Fool's fronting
the fly Girls Act material, spottingFool's fronting Fly Girls Act material, footing

(02:22:16):
fools fronting fly Girls Act material,spotting Fool's front and fly Girls Act material.
I spot him seas on BT withthe face of Cornia vessel Rolex looking
like version with the sea through backboardfrom the Indian kid off the rack,
stealing silver delivery. Y'all trying tofool me, acting bougie with the platinum

(02:22:37):
wanna be the little real sailors?Steal a pill that's not the presidential Let's
keep it confidential. You ordered thatfrom the kid to add the slous boss
step up your wrap up in genuinefashion. I caught your assing with your
name on the rented carlats that havethe dark hating zoot suits with vinyl alligator
boots, extreme dree with no apartmentspace. You're parting in the fly ride
in empty place with your rent duringthe first of the month, your second

(02:22:58):
month, your exit, trying thegirls like you everything in the world front
mastered up a pair to face disasteras I pass your moving galactica with no
capacity. You ain't got enough tobuy a small so than Johnny rockets by
closing with boyhead black girls with aFlorida tan, trying to act like you
the man start structing one up.Your girl looks like Donald Duck party figure,
perpetrator, undercover hair and small yourcheap clone in the elevator, you
smoke half yard there, never touchedthe meat coat which your four carbith white

(02:23:22):
girl. You look like your pantammatrying to rime off on flexible face,
short bone structure. I crush youdown to the passhole like spicy food's burning
through your asshole. Remember I didthe damage to your asshole, then through
your papers in the manhole. Yourengineered walking away with ponytails like Annie made,
laughing and talking out of the way. You use the first rapper to
pull out grease and turn your buttonthe other way. Your girls think you're
tough, big buffing rough spotting foolsfrunting. The flock girls act material spotting

(02:23:50):
Fool's front and flock girls act materialspotting Fool's front and flop girls act material
spotting Fool's fronting. The flock girlshad material, Yeah, motherfucker's are to

(02:24:11):
let me go and finish this motherfuckingalbum, Doctor Doom. Name of this
track is quad don't want the motherfuckingchorus. Whatever arrangements are we gonna go
through? Buck on the laws.What the fuck was in your mind when

(02:24:31):
you wrap on that track? Whoput get you to do that? Who
programmed that ship sound? Wack up? Pluck your mike, you motherfucker's wrap
under a bunch of fucking ike programmedby the company making something cheap vocals sound
like a nigga with not doing thepromo, making the assets out of yourself
is trying to wrap so on?Suck my dick when you see me a
void because you want to beat me. Y'all niggas right like slouches, puffing
blunt so studio copsis. What's upyour fucking amateur jang niaku and your little

(02:24:52):
chikats. That's just sounds simple.Look at this nigga around into it so
wagons fuck smell like ship, butone buck the crews don't want to y'all
get it worse which one of y'all, motherfucker it's waiting for the mic first.
I hope your business in the audience, your wife tooth, that's your
fan base, plus your DJ's inthe place. I'm about to boo you.
Let it be fair when you comeoff stage. Ninety percent of the
people that came on your guest listsain't gonna be there. A big disappointment
up. Run your ass for witha verbal ointment. Rappers acting hard,

(02:25:13):
nervous in the dressing room with asecurity guard. Group is standing around where
they want your face fround, lookinglike fucking already cloud y'all want me to
delay what ring myself? I don'tthink so? Oh he don't play that.

(02:25:41):
Put that spring water down, man, You ain't sweating your motherfucker instead
of ten minute weeks showing you jetting. Your fans are mad your performance in
scarmish bag. Look at these videoteams walking back and forth grabbing, you
know, like the Planet of theApes. Super buds are criticizing it.
Y'all don't realize that where the realguys are. Who's administrating your budget?
When you're taking that hot picture forright on? What's the ball room?
Right on? You know? Thenight is kind of like long, bro.
When I ask what you in toyour car? You break out baskets,

(02:26:03):
leave the premises and reminisce on yourrookie season at the first start of
them. You're trying to work harder. You never paid no dudes like old
rushing Africa Bambottom. You whack niggatrying to have lodge in the video on
the bottom, you fucking pink maggot. I'll take your mic. You can't
have it. Your niggas be runningaround with ears over like walking money,
raps, horney rap rabby, aowner, a uncle. Do not bring

(02:26:30):
the bell. There was nobody home. The spirits around with one. Do
not bring the bell. There wasnobody home Apartment two two three, Fabby
Hung Creep Apartment two two three,Fabby Home, Creep Apartment Food two three,

(02:26:56):
Fabby Hung Creep Apartment two two threewith party blots under my bet chuck
your aptomen now scab your fucking leftand coat. I chant walk candles bro
robes on him. You will learnChris didn't no heat horns the balcony.
I'll see you then Devil's coffins withGoF the fourth Intimental State, earthquake,
schizophrenic eating campbell suit taking a picturea Alyson's test. Ope, you we

(02:27:20):
a fucking bulletproof vests. Just purchasethe charter armstady in when you end up
the confetti hill gate on the peatfull bloody towels or sculptures, machine guns
and suitcases. Spoil you niggas withtwo faces. Mass murders should have been
in San Quinn. I'm doing lifeto ten when I come home. You
got damn right, I'm going backagain. Buck the drinks on the table
while you sleep. I'll take picturesof bullets in your navel, open your

(02:27:41):
face and four milk in your forehead. Count the bodies. That's for debt.
Look behind your fucking back with thedrill bit in your ass. Crack
extreme impression teacher, a lesson,but your contraction of evil. I marched
with black sheets on the sunset streetswith hoops like drag your who walking back
in your dragging your stomach bos toMcDonald's, drinking absolute bottles and bottles.
Why are you trying to funk withthe most stakes out of models? Apartment

(02:28:01):
fool tool through very Homerte or apartmentfood fool through very Homerte. A apartment
food fool through very Homerte. Aapartment fool fool through very hongrt yeah number

(02:28:26):
one and see in the world atka doctor doom tread out of solitary.
I got the block locked down,transforming the corker and Repelican bay. You
don't want to step in myself.I ate ass broll et. The veterans
go out with type pass and lookssick. Most rappers flex up. They
flexed up. They hacking heart looten. They capt the school at Farmer's house.

(02:28:50):
They saw the slow they roll thepacks carry yo yo, send boys
and checks. Let's get you kicked. The boys went Victoria's secret. We
must get crushed up. The brasshowing picking dust up. You at your
trees up. I'm just the manto skin your knees up, walk behind
you, chuck your stomach in.I reconsign you purching Ebert. You see
your girls pot they can't find you. I'm moving, bawling ball backs.
You try to ask for six ACKs. You got your panties on with wigs

(02:29:11):
on, Y're playing tag walking andtough kid. Get curdles, sean.
Watch your do back, she's gettouched. Watch your skin marks like start
skin hushed. Got's gonna be wrectionsfor rappers. Run the different sections.
I rather limos. Put your thoughtsfrom getting wistronstin different to say. If
I'm make up from seas, puton apron. You check your wits and
hunts, point your pumps and truckis streeand up the hour. You get
us taking a shower, I'll runrap. Tell'em seas to watch they

(02:29:35):
back. I'm the man of thehour. Get us taking a shower.
I'm run rap. Tell them Seasto watch their back. I'm the man
of the hour watching gets taking ashower. I run rap. Tell'em
cease to watch their back. I'mthe land of the owl. You get
us taking a shower, I runrap. Tell'em Seas to watch their
rack. Rappers with panty liners,rent cars with no recliners. I get

(02:29:56):
ill search the best of them seaswith mass and gilt work, cross chill,
take your wall, the tops down, the big bill, right on
your mic, standing the flower shorts. You've been hurting malver for dildo.
Your ass is low. Call policeman. Three million rappers on labels, swarms,
first releasement, my teachman, putmy pants down, pits on Eastman,
frustrate directors on the night flight,I cruise on easton. Look at
your contracts, wet back to Leamiss your buck brack, I count of

(02:30:18):
attracts white you wait round smoking crack, skinny kid two pounds, whip on
the legs, bussing two rounds.That man is slinky jack short fit rappers.
So it's this tweaky undom spell keepthe mic swarm. Your shirts are
stinky, panties look great on youwith redding rings around your pinky and now
stop fies to cut your break down, you'd be like trest Up facing your
whole crew, quick carting them alllike ncle fest Up, No mo low
pats your bombs called me franky Samason deck with peanut south fine tall like

(02:30:41):
twenty perez big batting average. Seeingyour girlfriend nowt tossing salad, I'm run
rap, tell him seas to washtheir back. I'm the land of the
hour. While she put us takinga shower, I'll run rap, tell
him seas to wash their back.I'm the man of the hour watching tell
us taking a shower. I'll runrap, tell him seas to watch their
back. I'm the man of thehouse. Because I was taking a shower,

(02:31:03):
I run rap tell him ceased towatch their back. I'm the man
of the house watching tell I'm takinga shower. I run rap, tell
him ceased to watch their backs.Tommy and Hope still man, She's coming
for it. She's Jewish. Hicalled me the peenis r just loo foo.

(02:31:26):
Here she comes. She's almost hYProck You really ain't it everyboddy p
prison this mee tugh me in thisvolnay this one, doctor Jordan, don't

(02:31:50):
love you couldn't lay a blast bagand peanut butter sandwiches, baby fine,
running around with dirty diapers the wayyou used to make the kool aid with
the weed bill in your hand.Even some dropping down in my suit.
I could excuse that. It's wellfair love. Secon A, it's well

(02:32:13):
fair love. Section A. It'swell fair love sexion A, it's well
fair love. Second A. Girl, We've been through a lot every season.
I used to buck you out inthe couch with different reasons. You

(02:32:35):
thought I was crazy, catching thegrounund bus down south, collecting lightning bucks
and bringing dead mouse in the house, holding the fortune with a jar turn
mics. I used to blast thedel Monts in the glowing room with black
lights for forty five had me smrein the rig like Billy d I was
a Milly Mill fan. Always bumpedto run DMC. We stuck together.
When one of my parent pets died, you broke down and cried. For
the love of animals. I usedto always puck the legs off of roses.

(02:32:56):
See if you'll stay there on apiece of tissue and give him a
piece of toe. That morning hewould wake up in the garde. What
the insect had an amulance as alittle boy and ice cream in the cold
project apartment. I used to seerestands. Uh used to lay down the
poison and say, y'all making toomuch noises, much noise. Oh,
it's well fair love Session eight.It's well fair love Session eight. It's

(02:33:26):
well fair love Sexion eight. It'swell fair love Section eight. Yeah to

(02:33:46):
all my fans, for people whodon't know what I've been going through to
make the five Old Ways. Nowit's time to hurt chick feelings as I'm

(02:34:07):
set music industry fans. Hey,yo, my man, look at my
hand they look human right If youthink of my monster ill circus clown,
not a specimen, don't look atme funny when I come around and I've
been trying to figure me out foryears, trying to be due to cat
me what they can't, so theyhate me. While white boys Donna,
they get a black music with aJapanese assistant. What does the Chinese kid,
you know him off the rap games. That's a change because I see

(02:34:28):
him watching Pete this and they inthe tree, the rappers trying to tee
me. I'm starting to feel likeJimmy Hindricks when they come to the story
you started rock magazines for blankets overmy interviews. They don't want to see
me on Channel seven News telling themthe truth buck the part that truth.
They always have super spots with uswatching me recording my album, tending the
ducers with rack tracks and Dad's mussingup my whole format. Can't you imagine
doing something on the need boy withcompunction where I'll turn into hippy kids from

(02:34:50):
the record label watching your back talkingabout Mari Carrie's funk. He's making the
average group funking. It's like abowlful of monkeys. While I break out
to the shopper boy, he's makinga quick phone call about myse down the
ste doing different. I need tobe regular like Drew Hill a little more
ill. Oh one, come onagain, lamienmien. Of course I'm hard

(02:35:26):
to work with because you wanted towork with. I don't want to meet
the same clown posse and collap wills. I think got a fast rate.
Why you mad cause I'm priging onyou can't do the materity When I sit
back and watch you act big spendingyour budget on your video. I'm in
the winn of my three luxury apharmacis racing vand Cereal while you from go
I take my bike ride down thewalls farther. How long is it gonna
take? Nine hundred thousand and clartalking with the clerk. I don't need

(02:35:48):
a fence. This ship took careof my paper work, taking you out
a taxi out to bag. It'swhy the average one grouper's doing a promo
concept ignoring your phone cause from brokelabels. You try to put our underground
on seats, trying to get methe rap on a whack. Yeah,
that's track for one cheap I dareyou try to insult me? I got
forty grams for three minutes to writea song with product you other clues.
Don't get bus you got the nerveto call me Welcome to the business stand
as a witness, work on yourstomach through physical fitness. I ain't playing

(02:36:11):
all this African stuff all up thesands. I don't even join my ball
witness bar, working on my TVdrawing apple ducks and honeycomb with me sitting
on the throne. You I'm takinga regular picture by the Hotel Saint Bonaventure.
He started out through web port theWinner and Eat a beautiful restaurants,
who clean lady love lay. Yeah, we see up a lot of other

(02:36:50):
solid flag flowing and smoking your clothes. Those yells there with queens doing these
skulls shot the blues for the tuckof Brock who sees said I'm saying there's
a lot of girls rumbing nor Im with no directions on the one they

(02:37:11):
collects put our boobs unless the assbeat to runs and shit. So I'm
not about to show these bitches thatonside protect which water this sis they do.
I go about nobody knows my nameand someday I spend a wife.
Yeah, it's been a long timesince the girls got damn now, I
men it like jelly. Check mewhen I'm not looking, he said,
when I'm looking, then you putyour ship chucking a hundred the rees and

(02:37:33):
heat. But the mcs who sleep. Broking is a bible since the age
of three. See, I needa rap and then the rabbit, echet
the rock. You gonna let therough competit that in the fought, the
chap the right, come that roughfist and big your nest. It's been
a long time, but I'd liketo make you this. My girl is
white, the kid is white.Just what that produces white? The whole

(02:37:56):
family's wife. Whack that is roundthe ship. I'm systematic rapping. I
was get master to pass the certainseat a feeling sees of enemies constructing now
manon patrillion makes the brother Brians funglike Einstein. I find it underlying words
with furb term make me famous.When I full up on your ans,
it's disaster for the cry Saint actorin a circle like her fo Yo te
love. These assholes are dirty speckson my rugs, smoking blunts with stomach.

(02:38:18):
Once pick up the mic, yourcrew will only round once. Father
button seventy thousand monopoly money, butfor whack producer. You can Senny six,
You're not keep it realists, You'rebroke. Your name is Captain b
both better than you were never eatingTony Romes files a cross. I'm still
even not with Ultra back. Yousaved this from casting your samples. I'm
rolling like green apples blocks smooth.I ain't got nothing to prove. Your

(02:38:41):
album has been out forever. Youdidn't even go froether. Last People was
your quarter, missus spiritual philosopher,prepare for your release for file speech.
You weak like cream and wheat.I stepped to you on blood assholes like
Miami heat. Yo, take offthose boots ninety five degrees out here.
It's fucking hot. A rack whackthat is founding sh that brother's way mother,
that kid is whack whack, justyour hold your family shack whack that

(02:39:07):
is found the ship that comes whack. The kid is wax wage family whack
whack that is found the ship.But they all just wait, black,
I'm not white or n or black, I'm brown. Down y'all care?
Act one checking out the checking theperch to the radio show, thinking he

(02:39:31):
don't know. I've had a lotof trying to thin of my horse,
just me in the bathroom, abouself little handling experience, this little thing
for myself. Yo, I'm sixmillion dollars flapping like I'm Steve Foster made
still Thomas Glitter on the Ampex room. Super charge of my brains blowing extra

(02:39:52):
large and my afro sheen skin colorshoppy cream cuss in the back seat with
thumb stuck between the Google I'm wrappingto you for Skyline. He's talking to
you. My finessing batmobiles cruise withAdam west Dell Brown streets and project books
and sold the flaps like Deli newsies. Put your maxis out in the movies.
Make you think fast foot part upon your tape of rest, catch
you with stomachs out, bumps outand Jimmy Craigan, you still be begging

(02:40:16):
with that body shake like an egginright now said with fat with panties power
from the Trump Playboy books, withblack tailed my Bloyd rereading hustler. I'll
pull up with no beds, justthe plymouth duster who's in the round town
they get bumping James Brown underwear likeblue scratching boards with hands down. You
see me coming passing rappers like amister Trummond on your street. Peet your
color socks smell like feet. Timberlamb Boo was walking Billy's with my space

(02:40:39):
suits, Astro and I speaker standinghard father speakers, cool kid. We
got butlers with Maid's Candos books inBrazil Crash the good Doubles Monte Carlos on
the Hill, get it the rowinggreedy is with hands on experience Whitney Son
shrucks worth one hundred thousand bucks.We got butlers with Maid's Cardos tim Brazil

(02:41:01):
crashed with the Doubles Monte Cardos onthe Hill. Oh you row ingredients with
hands on experience Whitney Sign trucks forone hundred thousand bucks. So I bust
my own ready to feel thrust mydust sticks, gold and load, feeling
like the leg on the crush rushingthe phone for episodes of Tone the Sex
and Biggy Doles. They getting thehole the their at she's feeling me at.
No, they're not, guess Icommenced with my father niggas rubbing resort

(02:41:24):
and the self loving white blood runningYo. Well that's some really nasty swell
out. Whitn't want you I'm thinkingI'm gonna say no mass and kiss.
I'm passing this. The niggas masturbating. I flashed my wrists when there's no
brothers to pass the gate, holdingmyself down when I'm on they click.
I got gather its like a fuckingJames barnd and shit flifting myself, hitting
the spots, keeping it hot,got the like soft corns on, ready

(02:41:48):
to rock, fuck it. Ohwhat out praise myself and I haven't went
blind. I got days of health, eving the maze that the stelf speed
and my hand flicks. I representthe chicks and niggas with their hands on
sh We got buttons with maids,candles built in Brazil, Crash the goodpus
Monte Carlos on the hill to rawingredients with hands on experience. Whitney signs

(02:42:09):
trumps. We're front of jaism.Yeah, tasso the one time again.
I don't jerk my friends just fromagain dead. I put the dollar upon
the floor, easy post clean up, get up close the door. Some
of my roommate won't fuss me likemy mom did and my dad did.
In my college roommates did we jerkingsin my palm. That's why now I

(02:42:33):
were dry? I saw that toset up, I took my head up,
put a hand on my nipple,switch around my free called druma ron,
ripping up the dermot because it's easyto be shoot to go to bed,
because it makes me sleepy. Onmy mind post ejaculation, ain't in
perspiration, heavy inhalation. I shotover shoulders and volt the Colorado. I

(02:42:54):
don't shoot all walls and toilet stalls. And my mom's like, got yall,
and you don't this style. Igrabbed a cockati the cover drops,
mister ear you your hands on experyworks, grab the mic and get the
Las paliss on my hand both flappand right, and that's a mean magazine
and my pupper hand with a tightflip with my wood in the vice spread

(02:43:18):
and then Janet Jackney with the fivelast clips still gul in the form of
Elma's clue up in my mind apornography Who's who, Channel thirty five receiver
sick reliever's bank to the thought ofme shaving beavers, mister Miaki wats on
wats off? I even shirk atdinner on the table class paper towel knap

(02:43:39):
gets tissues, not to issue.I know you'd be fearing this hands on
experience. Ye yo, yeah,what's up in place to be this ear
from Eastern Conference Records the Highest Mightymus Peddler's Sick Starbuck Corner Detective. In
that hour, I am filling withPhilip Flavor kevlar Amon where eating my man

(02:44:00):
day three six feet take it personalradio, doing that big, doing that
big you are an hour in littlebox clicks. Every morning I wake up
looking in the mirror. I amthe original Black Elders. That's right.
When you see me with my wayto the side, wearing my short up

(02:44:22):
the jackets Maryland Monroe on my back, I'm living that life. I'm for
real, That's what I think about. I like to tell my bands,
I got my chains on big Rockstart compared to ELP side of the Order
bass for rappers. What girls movedby? Melvis writes on quickly, but

(02:44:46):
Elton, trying to linel Richie calledout my brother Dick clothes squash bather Maiden,
I readsot Thisstess Queen, feel likecass care. I got the bills,
froke with Detroit to sit down thebills. I put my scully on
the big crow like Marb and getstep in the front road from I'm gonna
move you away, But why thebest sound check demanding your respect. I
come correct Tuba Metro and turn yourpetrol. I'm up real early, bright

(02:45:07):
and doing a sipping on Expressio whileyou sleep. I creep at the ground
father the week, impax rills,making food cause I'm closing deals. I'm
moving shill rock through Philly streets andCherry Hill. I'm doing it well.
I'm doing a twelve yeah, flyingsaucers, spacious school back forms seen MTD
lep on three. When I foundB Team live in Astro, tell me

(02:45:28):
not tell one two one two,moving roughly straight through the dess San Antonio
and I talked with the rock kingBlack Romeo. I packed clubs with mothers,
swoop me out in Tokyo. Damnthe you're every yup. I'm a
launch of fist missile. I wroteschools moving, but like I'm poll a
tissue? What is your issue?You old man? I don't miss you,
Scotty Sauce. You play like Jaanvan Britta Clark. Use your sleeve

(02:45:52):
next room man, You ain't ondown Old hill man boy had like slick
white Side Front rap black man gotchwhat with Joe info by Tony Lou take
the BESSI whoop? Watch your driveway? White girls look turned they I wouldn't
tell us, in fact, tryingto rip the kicks off my back.
I'm moved with time and put thistwo instrumentals dumping on on BBT with some
gold dropping RipTAL. I get realChino funding groups. Fight your Rhino ending

(02:46:13):
careers. That's my job. Youryour rapper's final cancel your instorees. Can
you? Joper's pumping for sticking time. I stopped the pot hole, stump
on the room. You were forservice, No tips, man, I'm
sticking the truth. Be keeping yourstart. What's up? I'm right girls,
they're ready to roll up the highwaywith me. I'll get a little
bit of gas. Think you canmake that track for once? Of course?

(02:46:37):
All right, I'll be back inthe three minutes. I'm look back
to the gas. Your love timestatic we recoupled to your right side hands.
I think to myself, what thewonderful world? Stattic we ring troubled
to your right side? Hey,keep fighting us. Let this kick wild
get stattic we Ring troubled to yourright side. Man. We we just

(02:47:00):
living post starting. We recubbled withyour right side and were giving it all
and that's all we got. Kids. Steps rolling down the street in Detroit,
Michigan. I switched again, fuckingseats with my girlfriend wearing Marcom and
her fronco. Come on, it'spronto, moving quickly like the long manger,
excess Tanto. Back up the turnpike, O smoove fields row with two

(02:47:22):
pipes, four for the engine,blowing wind through a hair extension. Two
backs to six packs, fIF thirtyeight left to give packs big attitude.
She's on the two train. Iroll like mad Max. Keep her simple,
baby, young girl, now sweetyour pimple? I dare you walking
around ignored the first national back?My name is Ann. Don't down my
family call me heck, I goway back like you still shop at Alexandos
by your sandals for your little son, Nay Romando. Watch your step to

(02:47:45):
reach the chew up on your slidedown. Were getting the black chair in
my living room, tipsy kin coolwith these eighty ladies, the temper sisters
to the rady sempering in the sun. I want the whole world and my
old girl back to me for thepost me now, she said letter,
I got a bottle of grand Monyayegetting in the stairway, which it was
a cool Keith getting a fot myrid funeral time signal beginning at the end.

(02:48:09):
Cowboy was bought end with my privateanswer. Chicks, they the way
out in the six but I puthim in the mix. Uh huh.
Took him to Reno in an oldcasino, gambling in the casino the movies'
appuccino. Stattic we ring troubled toyour right side and hands think to myself,
but on the world static we ringtroubled to the right side. Hey,
Keith, I just met this chick. Why am I arguing? Stattic

(02:48:31):
we ring troubled to your right side? Man, we hear we just live
in postage. Stottic we ring troubledto your right side. Hey, we
giving it all and that's all wegot yet got my check cash, she
posted in New Stop backing girls likea fool got the benzo old to shop
rolling by your school. You boughtyour front and friend win backing from the
Benjamin. I see you. Itake you with a haircut like Scottie tripping

(02:48:54):
my man, my fripping in theback seat. My cousin Clifton. You
get me flist and wearing big clubslike side listen Leon Space with afro one
ready to rob the Prince. Isee you got your songs out. They
see do some funs out. Youcall me when you're broken hearted, when
your money runs out, back fromthe conway till they girl the palm with
Hold your horses and evil horses.Don't pressed off for path bark. I'll

(02:49:16):
be on after dark. I'm tiredof pup talk. Yeah, I'm touching
women with the butter love the rubbergirls. There she's slinging her hair,
claiming she's an actress. But itwasn't she that same chick I've seen with
the black dress. Credit the ninetyeighth for the sixty eight Mustang. We
can't keep back the car. Weain't know who we are, apparently because
all the ring from free. It'sour house in the middle of our street.

(02:49:39):
And when you come in, yeah, you better wipe your feet up.
From Appa quirky new Nex to theprint, hold the horse on the
great horse, from time to flow, get to the sauce. And that's
for getting none bought what I'm onlythe bit you box to the bs the
German out post with you coming thisquote so down Umber roast a host the
most cercious grost meat. People watchposty Ever while I'm on the stage studying

(02:50:01):
us here been looking. Listen,take a step back and watch the black
curls Christen, and you'll sig itout. Visits your man to die,
actual wild cowboys and rocking style boysfrom the b X to the school Gon
b X, all the way tothat bush where I kick you push understand
that well, fiving out the purgeonor where my man little play was clad.

(02:50:24):
He reinvented infantry space text and Nonacliffskin penetration collections. Information over your
knuckles, get blasted your fingertipp faceswith acting handles, clipper when you get
never re bee so sharply Japan seewith chester barrels. I saw them at
the Christmas count with small score frommy suggested to your house. We'll see
through glots. That's natural where youlove with what we're find on hosts and

(02:50:46):
some passive pealants in the bus victanks that's German Spanish stores. I'll be
serving both Vegas and trump ship yourweight to both vegas by and telling your
boss a number. Stress for youroff garments and bags were happy. I'm
a left ear. Welcome to weaponworld. Welcome to weapon world. You're

(02:51:11):
welcome a we lucom head bands forlight blue German Lucas. Fourth putrotechtmis phrase
of buns be nine your neck whatautomatics and seventh chambers eighty two bullets when
you put it in a little twentyfive sun like cannon but sing guns elected
four twelve the power running Rimington eightseventy for the pedigree nighttime militant mask fill
with lace of gas atomic ACP thirtyround Americans, the bus undefeated four Naty's

(02:51:35):
systems, brown Pearls, pistols withFB hours who came with missus statsment politicians
triggers with framing for forty four nationalplay with law enforcement. I got the
first kill enforcement. Who's these materialeating? Cooke on folks? Simical close
right posts and for rest. Letyou notice factory parts here screws with the
customer plus debty grass his face fourteenclothing gasses flow your asses, oh here

(02:52:00):
put on masses. Welcome to whateverthis world? What every very storage loco
storage Welcome very storage, Welcome tothe story to I'm away side like an

(02:52:24):
athlete, I spring up on arapper like I got a maxes undefeat,
living undefeated like the doorph inside ofseason sweep all up for the world's rubbing
farms. Out with cool Keith Furnessbums like a plark bitch my stylar making
run like I'm a vehicle with YarkTin creeping up your block, Clark hit
mind matter fit fly for the ladies, external internal kit, mine for the
ladies, gerry story monster match kitUrban and someburner's house for us to rual

(02:52:48):
quick balancing my optics in the worldlike I'm the quick, like the very
motion sack rack rack se rappers getsmack smack smack, singing like human act.
Don't need for out of partis ofyou to move you back. I'm
at Jason, walking in the woodsat you. No matter how beast you
run, I run run prus tocatch you. You recognizing the sound you
know your stars. The danger toowas for worse than my birth, like

(02:53:11):
I was in the major bringing Frankand sits and girls with tis. Go
kiss your broad and tell me howmy crooking stick takes leg and rap with
city slick and fri collars with feathersteps with trim supermax urban legen stories we
call Dolory Glory Member Silences kids actlike you never saw me urban legs and
rap with city sick and fry collarswith feather steps from trim supermax urban leagus

(02:53:33):
stories speaking old Glory Glories Member Silence'skids act like you never saw the Debbie
Black. I'm moving skill on yourwack ass, can't goos in bell bottoms
dressed like Grandmaster fast wastch the kidget hurt my penis on this girl's pens.
Ask me for water, graphs andsuns and tight, give me the
mass, check out the slicks foryour mom. Snake it in black tails,
hustler Pence house to put your weapon, bear illegal open and legs with

(02:53:54):
a pink shaw and scram eagle butyou want boy on rapt page just called
me mass up, stop back andpro cause a lot of out down home
on panties on Patty Yo, Johncalled me daddy yo Yo. See's getting
mass see me naked at their grandma'shouse See fifty nine pump stop Nicoder's looking
fine. Got Tina Turner cooking pancakesup on the brunner. What's up some
getting jellam filling your mom's funds.Go play your PlayStation, Go study avigation.

(02:54:16):
I need some privacy. Draw usoff usen station vhs with Porner movies
trying to show me pouty. Icall bustion while your sister rubs and jerking
lotion start sixty nine. Got therubber on eating pop or most rappers out,
we call heads, keep my nutswarm. Urban legend rap say slicker
fax collars with feb steps with scrimsto the max, urban religious stories before
the glory. Glory then was Silence'skid act like you never saw me?

(02:54:39):
Urban legend rap with city slicken favecollars with further steps with grimms to the
max, urban religious stories. Becalled me dotory then was Silence's kid act,
but he never saw me? Storeme saw mel Oh oh, how

(02:55:11):
do you feel? The ball strapswhen they look does the s it water
heads like mine? Does smell?You's right? Findus confused the fall straps
when they do the water heads likebody? Why does the smooth? That's
right? Rappers and with their boardsshit fucking ship, they can't as a
slope them young kids and not equippedthem handy cat raps and smack back in

(02:55:33):
the wheelchair. Tuck in your handsfree when catch crews direct the breast.
Oh time you bought them betterfit likeMike, go on the court boyd that
swim slick, make your white winter. I sucked my dick rappershit on mean
back keeping brood shitters for me.No matter how much you smoke that wave,
puck with us, I mean yoursent truck, you drop picking in
the rents, up fronting your backout. I'll leave you with your whack
ass out thumbing the leaves with bootson the duck. The breeze holds in

(02:55:54):
your stick because you smell like shit, father speakers, I'm sticking picking,
doing the wep bo like a boardand break executive, massed up, working,
raging, pat stomach exhale expert,puts up on your polo shirt.
Come back, come rap, getthe fucking blue direct No way, no
black, you just swats the cannon. Now now you need to regroup.
Whack your ass partner, new stockcous what test, I'm oh, y'all
dunking the restless. I'm here withmotion, not higgas wrapping snow mass think

(02:56:18):
you fast with um stuck up inyour tad ass confusion, just confused them
all. Straps when they lose asthe slong, they water hands like body.
Put the smooth. That's right,put us confused them straps when they
suck, they water hands like body. Put us smooth. Ye niggas for

(02:56:39):
selling the I'm p twelve on oneon one my actions killing y'all. Monkey
bit your whole snack, she showsshe spacked. She stragging food wrapping coward.
I smoked a zip. Get thehumans out the drugger from They're not
a quick for these monkeys. Cagestored ship, elephant grab. I'm snatch
the wrappers off the ad by thehead, black on their walls, rusty
limp dust spitting a hole. Igive advice president's psychiatric girl clever nerves.

(02:57:00):
I bet your mother's husband blocks apurse. Niggas confused because I got styles
to choose my styles. The switchesthe switch from fust up the rules voice,
the back to you bitches, switchwith rules voice, the baseball back
smack up the sniggers switch on fromfall back the trip niggas white sheet punch
bot back handing your mama now makesyou sleep on the payment. I got
no time for the drummer. Nigga, take care of Paul go on man's

(02:57:20):
my style, My delivered reserve smallmedium launched the extra batch to xx cell
x sex sex x x sex toxx cell smoke the xx cell live in
next sex cell. I take himextra cell. Don't funk with light bowls
and water bottle and chock yours well. I can't get bandaid for cuts.
Punts can food all traps when theylose signs and swore. They water hands
like mind fun smooth, that's right, punch just confoo full traps in the

(02:57:45):
nigga, they water hands like bodypunns of smous catching time of yell popper.
We for sick years. You missedout on hell of money food.
We live corn on the stupid jack. You never after the ball what you've

(02:58:07):
been doing trying to concentrate on coumups. We all over pay you know,
mic control our road north the SouthwestCoast store bomblet you we all over
get you do MIC control our roomnorth the Southwest Coast store bomb that you
we all over paying, no rightcontrol our room. Move the Southwest Coast
store. Bomblet you we all over, take you little mic control hog room

(02:58:28):
and move the Southwest Coast School.I know what you react in the back
of the sack. I wore blood. Some of my fingers went make contact.
It s either that un new trialfor this paramo. Snatch a back
t to take the rap. Watchyour back and these back who's that kind
of lack all black yoll that froma Colt truck motion getting out with his
yoke, change the channels out,put the switching up. The surprimos when
they see it's got him, turnup in the corner like figures. Pop

(02:58:50):
the trunk, get your stuff up, foot the balls and move fast.
Make a walk uplike the popper sidethere holding the shape. If you don't
understand the time that you're doing forme, just in case and cutting the
satiaga while it for free, We'regonna tell you fundle, we got to
get it together. Don't what thematter? Different people start cuts. I
don't trust your mother a boy asfar as I can shock the bodyguardless,
So they got recognizing the scar officersgot us at gunpoint. They searching the

(02:59:13):
car. Two Chinese men trying tolaund upbout five hundred grant. They hold
a sexuals I need the middle pippingthe stat The United States government officials look
for the man Santiago got us.It is up in the post office for
Santiago wisdom and motherfucks that scene sellinghigh smooth the Southwest colubs. What we
all over, Haye on right,control of our room? Move thee southwest

(02:59:35):
coast storm Mom thatt, you weall overy you do right? Controls our
room? Move thee southwest coast.Strom thatt, You we all over?
Hey, you know, Mike controlour room. Move thee southwest coast stroom.
Mom thatt, you we all okay? You over Mike control our room.
Moved the southwest coast store that youI went to Ross put me chicken,
my custom scram roping the block wherethe green fleet with program go dating

(02:59:58):
brigs with the down. I'm justgoing to the edgine trips, Trump food
and hero Win checking out the numberwind two shot the grenade, fucking stats
under the seat, lap d tookmy Mike, but can't see me tensed
windows big part of kids for yournose straight from Miami couldnumber your Puerto Rico
immigrant right hair man nicknamed Chico jamakingpussy at the house, drinking Carlos Russi

(03:00:18):
park forty one shot banana clipped machinegun. The four packs work my chub
in the West Indian shirt calling thevests up with private numbers, trying to
network official numbers in the stats.Good compartment Captain Brits with incense and it
hit the apartment up on the fourthfloor with the nacktoe. Let make the
raw answer the door, stand behindthe wood for forty floor. Some sucking.
They rail kids work the ball brillshut up by he shutting this girl

(03:00:41):
trying to put my spot. Igot a babysit. I'm chilling your foot
block a side tress from my hammer. Blue text in their hefty back hit
the street. I talk herselves whenI'll be we all over you on mic
controller high boom moll East Southwest HoleStore. Arm Let you we all over
you on mic control room northe Southwesthome Store. Armlet you we old like
a roll our bool moll be SouthwestboolStore. You we all right and roll

(03:01:07):
our fool be southwestbook Store. Onyou give them let's go down to my
man said gee, y'all love popup. Yeah, hurry he bryorius from
blurry Burridge ry Burrage like a fiftyinch suthing before ride on the attic collects

(03:01:31):
from another book. A hold offlike a box in the ring off Eric
firect you while for the swing offyou ice like a rapper in the video.
Removed the silhouette. Now you're lookingat silly though. I turned like
a mini faced racist. Praise theLord and steady as a tapey as something
massive, like an outstretched buller bearrapper. As they feel me, girls
think I'm teddy Bear. She holdsme, hunts me, links the drama

(03:01:52):
that she loves me. Uf implaying like Ruby. I wanted her up.
They needed a ugly treated her uglylook. She's very very ugly to
the U calling the ugly. Sendit back ugly for you black mcs.
Who's getting that bes nuh. Let'sstart struck on the company up chicks clock
in the club. I vanish likeounces off the bottle. You blemish like
a bowl heeman bottle. I charnishlike a warn out athlete and bring it

(03:02:16):
back to freestyling on the Quarner streetscills. You ain't got him like a
new boy use the bark on theride like the matterhorn. Now catch me
jeep out grand Cherokee, hit thehighway and you staring me living like ear.
That's your life, the time ofa scientist. Fucking stands like a
friend. Master short and see mentallygigantic, that's mechanic. The bury Bridge,

(03:02:37):
the bridge, the Briey Bridge,burry Hey Bridge by Hotspurge, the
bridge they bridge, the bridge,the by Hodge Bridge, bury Hey Bridge
by hotspread Bridge, the bridge theybridge, the bridgets, and I rock,

(03:02:58):
but then I rock. You can'tdeal brill to bill. You cut
us on the birth of your pill, open them up, doping them up,
catch it like a color. Cutthe boys. So when you cut
the nice and nicest, rolling thedice and chasing the mice, sneaking no
prices, shows for the books andtightens right practice pound for pounder down,
take a chair like man, Itry to see the sonnets. Ain't that
boys? You finis cure us theboy and you know you want it Like

(03:03:20):
Katie, I t ain't spell bound, t double o ell the club,
swell anybody and a type to sellsay all tight and the astrol fill backslaps
up. He's on the stereo brand, the perio material, take you to
the perrio even. Well, then, what war can I do? When
your crew off the stage, youfind a big way back. Lick at

(03:03:41):
your click, at your stop,Lick at your flock, lick at your
jam, Lick at your clan.Rumming on the sequence. Stop you're faking
it, taking and eating the parkand taking the shaking and hate and waiting
the outside, standing the round,flicking the round. Man, you know
it's true. Flocking you up,dropping you up, stop with you out.
Don't come in the house. Wecame here to night recalled. You
can't stop me you you you youworre. It is all the MP and

(03:04:09):
and and and the flippery bri youlike you don't feet like slidey. You'll
take this Gill row it up,Gill mothers master motion. We bo off

(03:04:37):
the side street and drop off apostion with deep fast service like the Atlantic
Ocean. I'm going to throw abody shine like tight up and sees you
hate them because they heard got abrow tom in the pigeon like riving I
investigative man. This man is gonnadude, I'm a from chaff I Colver
cause Jack Brady mannic slippers, bombysinking tuitantics get his money. They panic
check from me on the scene.My money, money, money money,

(03:04:58):
Yeah, it's hold it up feet, check him down, break yourself.
I gots the handle to swell shotcorner street city slicking sexy and sick,
and watch my size of bull shakeand then you'll I could fit the Vodkas.
Twenty shots is to kill my levers. Drop around you like the way
you sold the full tech. Themore you skip and then you catch that
bugs. My lyrics wrok off finebore for like Troy Akeman, it does.
I got to gave the rhythm.And when I'm blocking the pocket and
spirals, I'm gonna send them toall the crackers on the field. My

(03:05:20):
side and yellow yell hill. Iwork stock thounds of punch stathop and stanzas
for that happen, the word thousandpunch stythocon Stanzas for that happen, I
still get up broach your sick andthen I broke it up. I roll
it up and I hit this andthen look get up. I connect like
the upper tack slipper shockers and theyupper neck. When it's time to collect

(03:05:41):
that it is frightening when the brotherrides a light and nick night and bombs
and bomb to kill the right andthey ask crack execute it on the last
track, presented the presentation and gotlaughed at. I last that in first
person it's worse than need and rehearsethem baby styles need nurse and reverse him
and hurt curact for certain, giveme your heart, nigga, uput and
work again. I got a reserveblack and drew alert, so I will

(03:06:03):
hurt the opposite. You're right onhis turn. He got more nerves than
the twoth day. I'm talking tokke Rold Smith. Put this ship,
got you walking this way and tellhim to say it settled today had the
mothers. It's like little briefcase.Nigga, you beat stake a thouns of
punt soytherconstuzars for that happen He wordssouth of punt soythmonstanzas for that as the

(03:06:26):
Republican massed up style text. KyleArabian Nubecan African diplomat, Communication Center Action
Satisfaction on up clinics, work groupsout there running gimmicks. My main language
is Portuguese fort and sees continential Air. I'm fly right over there, Domestick
place. Leave your crewe webing nightlinetights, gay gift. I seen your
boys that you're from the rear.You tried to leave roper pennies on the

(03:06:48):
In the picture you had your pocketboots and torn rapper standing with you.
I cut down the block seeing you'retrying to dipping out over the fish.
You from my women's in the turbolson forty second Street and was trying across
the street. You had your waygoing dressed like a transsexual. I had
my girl with me. We wantfrom the carnival. I had to look
real close. I recognized you.You had some tattoos, Swiss way shoes

(03:07:09):
colored blue showing some mounds with somegirls from the pomer ground. You got
shifty after like your car trut.They hit me. I got your lights
some place. I addressed you upyour rest. I headed back to the
Bronx. He probably cares dressed.He knew I was better than every repper,
better than you used to watch mean eighty sixth day would caught me.
Peep up my videos hit me onthey sere yours they smoking dusty.
Then Yankees all side with rolla funstar but thouz U fun size upun starzs

(03:07:33):
but I happen you wanna just theviper, but just still don't know that
happened. I thought a new balanceSect two up one an hour back,
messing around with the tickets, thesize, and I never have stopped,
cause I'm not gonna have stopped,but pick a lot of saus when they
call me the upper seem to countwith vs. Competition, your name is
special. Someone just sucko with themission. I never woked the street think
it's all about meat, even thoughdeep in my heart it really get beat.

(03:07:56):
I just showed my bock to likeall out all right coming out of
Mix two that was we work stylesoff the Masters of Illusion album and listen,

(03:08:20):
guys, I talked earlier about notreally following the cool Keith Ultramagic catalog
very closely back in the day.So I'm gonna be hearing a lot of
this ship for the first time.But I always will appreciate and have a
love for all the props that theyhave for Major League Baseball and the game
of baseball period. I like thatpart of the interview as well. You

(03:08:43):
guys, I think fucking Sparky Lylewas thrown out there. Somebody said Mike
paglia Ruo and fucking who was theother one. Somebody threw up Billy Martin
out there. So you know,even he even talked Money Store with oil
Rizzo, he mentioned that one ofhis royns, so he knew Holy League.
Look it had the money staring.That's it again. So so that

(03:09:05):
one track where they give props tothe negro leagues, and shit, I
know that we've played that a coupleof times on our on our show,
so I'll always give him props forthat. So good stuff. Yeah,
So you know what the funny thingis that we actually didn't mention it at
all about Ultra. It's like,what about the outfits. The way that
Keith dresses like he looks like alike he's champion in a clash video back

(03:09:28):
in nineteen eighty with the turban kindof wrapped around, hanging loose and like
shades. But I don't know,He's all over the place, but definitely
definitive style when it comes to thedress code. He's like Lafayette from True
Bloody Dead On Lafayette, I alwayssaid a little like rap like crazy.

(03:09:58):
They are the they are, theyare twins. Keith always had style because
I think that again, he alwayswanted to be different than everybody else,
and his styles as he got oldercame became a little you know, stranger
if you will. I mean thewigs. And by the way, who

(03:10:20):
else wore a wig? Three thousand, Andre three thousand wore a wig?
You know? The way Bobby Digitalkind of came about. I feel like
that was influenced a lot by aKool Keith. Kool Keith even has one
of the alleys is it is calledRobbie Analog, which is clearly a shot
at at Rizzo for for Biden someof his styles. So yeah, he

(03:10:43):
had style. He had a genequa. There's something about cool Keith that
just cannot be. He's a oneon one. But that's the dope shit.
I like when you just say,like, you know, the Robbie
analog thing, He's got, dude, so many layers to it, you
know, And that's like why Ithink the nerd rap fans totally get into

(03:11:05):
that. The European crowd gets intoit, and the Asian crowd gets into
it because they're all these like connectthe dot moments and you really got to
be keyed in to get it andthose that's great. That's great ship right
there. So we all we allhave our words right every episode. I
bet you Dre has used layers andlanes. Okay, space. Space was

(03:11:28):
a big word. That was bigin the beginning, in the beginning,
And I'm sorry every line mine.I'm always like, listen, listen,
guys. No, keV says,all right, time to wrap it up
football season. Yeah. We allhave our little quirks about us. Way
we talk. Wait one one onequirk Jay has and I love the way

(03:11:48):
he says it real quick, allright, real quick? Can you say
era era? He says it likehe's a Kennedy from Kenny Bunkport. You
know, you know, it's likea mix between error and error. All
right, real quick? Name yourtop one hundred rappers. Don't look don't

(03:12:11):
gunhead? Yeah I do. Ifeel like I do that because it forces
a response from a lot of peoplethat that seem to want to fence it.
When I say gunnhead, that meanslet's stop fucking around and take a
fucking track or whatever. That's whack. It's funny you say that. I've

(03:12:33):
noticed a lot on the playback sayerrors. It sounds like I'm saying like
he committed an error. Yeah,it's e r a error again, You're
you're fucking Kennedy. That MTV shitwas whack the other night I got I
didn't see why does that exist?The Awards? I saw maybe like ten

(03:12:56):
minutes of it, I will say, And it was just so upset with
that thing. It was just so, you know, I just knew that
they were going to do something torival the BT fifty anniversary thing for hip
hop, so I kind of justrecorded it just to see. And of
course it was the last thing.And I have to tell you I made
a post about this today. Listen. I love Grandmaster Flash as an icon.

(03:13:20):
This dude does not have a DJ. It is noise. He made
noise, which I don't think alot of people caught this. But you
know, the Furious Five performed,they did the message. It was so
out of place. Please, youguys wanted to get on a national stage.
You fucked around with them, Youwanted to kind of go at in
like that. Mel and Mellie oneof my favorites, great voice, all

(03:13:43):
this shit, But dude, youguys gotta put fucking effort into what you
do. It was awful. Andthen Grandmaster Flash puts his hand up like
to end the set, and thenall of a sudden, the record starts
spinning backwards and he ain't touching shit, so it's pre recorded. It still
was horrible. Then no offense.LLL love you, dude, but you

(03:14:03):
cannot perform very well anymore. Itwas not good. And then of all
people who I wanted to see themost slick Rick and Douggie, why do
the show? It just wasn't good, man. It just was not good
for Nicki Minaj to be the bestversion of this hip hop part thing.
It was so sad and it washard to watch because I wanted a Caress

(03:14:26):
type to come out and murder thisyoung group and say like, hey,
we're still here and we still dothe shit the best. But you can
see the crowd there was such astrange disconnect. It was so weird and
yeah, totally out of place.It was out of place, dude.
And it's not that these guys areover with and that a lot of people
love to tell me, oh,hip hop's just for the young kids.

(03:14:46):
I understand. This is for youngergenerations. But these are the dudes that
are the fucking quintessentials. They arethe fucking reason why we all are into
this ship. Please put forth thatfor it, not how to do a
fucking show again. It was awful, I mean, was Dougie beatboxing a
little bit. But what's what songdid ll do he did? I'm bad

(03:15:09):
because I think that was such ane pivotal it just he has that fucking
mic that's on like the long stick, almost like a selfie stick, and
he just listen, he's the keeperof the torch. I get it.
Rock the bells is fucking dope.He's gonna put on great concerts. But
if that's the way it's gonna be, you better let z Trip play the

(03:15:33):
whole fucking show because he's the onlyreason why it went well. But have
on DJs that bring in shit,you know, to bring on my ginger
fan, you know, bring onoh oh scratch. Yeah, but you
know what it is. I understand. But what I'm still Rake name recognition
to him. I get it.So I've had as well have had fucking

(03:15:54):
what's his name with the hat,might as well have had him back there.
Oh yeah, no, no,listen, I've had this idea in
my head for like thirty years.I want to see, seriously, I
want to see what's that game showthey used to have with all the people
in the squares ses. So I'vealways had this idea, and I don't

(03:16:15):
know why I'm giving it away becauseit's never gonna happen. But DJ battle
DJs, all the best DJs inthe Hollywood Squares, and the fucking camera
is just like moving down the squaresand you're seeing this guy and so basically
they're all talking with their hands,all the classic shit, but it just
brings apart the whole hip hop feel. Then Cares comes on, then this

(03:16:37):
guy comes on, but the DJsare kind of the whole act. Who
would be the Gilbert Godfrey of theHollywood Squares? I would like to go
with Gilbert Godfrey for a win,Yes, for a five square win.
Gilbert Godfrey USA. Today, Gilbertdiscovered that Wisconsin police are planning to do
something new to catch speeders and thehighway construction zones. What is it?

(03:17:00):
Hi behind big wheels of cheese,right, wasn't he like to be?
He was stationary kind of like,yeah, the Staples middle in the middle,
he was there Shadow Stevens, Rememberthat dude, Yeah, and then

(03:17:20):
I remember it was guy you homelessHollywood Squares. By the way, we're
still in this Ultra tribute show aboutwe're going about the two. Uh.
We're taking a mixed three of this. Uh obviously deviated a bit, but
we have good intentions. We justwe're excited to talk, you know,

(03:17:43):
and Roger's gonna announced to give awayin a bit. So stay tuned and
let's get to mixed three twenty sevenshots. We're not done yet. Stay
tuned as we have another mix dedicatedto Cools featuring collabos with Rock Marciano,
Atmosphere star Faces, m f Dat the Prodigy, one of those seven

(03:18:37):
point five w bls in New York, in Control Wraps with Molly Marl.
We got the ultramagnetic posse and fullof neck all one hundred say what's up,
y'all? Y'all step up to themic. Guy, you'll step up
to the mic and kick some names. Kick the name, Jose said Gell
Force one Yo, what's up?This is cool? Keith Extra Trying Guide

(03:18:58):
to Counter one plus Megatron DJ Mola. You know this is ty'all. Love
the verbal Conductor featuring Tim Dolls onWarpath. That's charity, that's charity.
Credit that stuff you suck up?All right, So y'all you the producer,

(03:19:24):
right, yeah, said, I'mlike, hold, you ain't supposed
to be talking, just talking,empt and you do what you rapped on
what everything, wrap on everything?Yeah? All right, that's cool?
All right? The brain Yes,oh yeah, I'm gonna let you hear

(03:19:45):
something. I rope all this fromMarley Martin control. Yeah, style style.
They trying to say California's classic.I think New York got the most
plastic niggers too. For all youniggas coming out to the soft training wards
with them pop ass headsets, runningyour hands like Britney's fears. That's the

(03:20:09):
Montay tning into a Disney shit.That's some more real Michael Jackson shit.
I come do a crazy fig Letme hear you trying to copy my shit?
Fucking the impact. And I mentionbecause there's a lot of corny niggas
performing out there, fast stomachs,makeup and nine we head. What the
fuck do I here? Niggas withtheir ass out roopers and cheap botails trying
to fucking crash out. Motherfucker's ain'tworking, stripper's checking in, motherfucker's on

(03:20:31):
motorcycles, pickup trucks with lights inplaces on them, breaking mass ship from
down South, the big out theparties. I'm gonna turn my phone off.
I don't want to shake hands meetno fucking body hammering a pass it,
no commusial shit breaking next something mythick in the world. Fuck the
critics. Everything I'll make is ahead fuck your apple had. Motherfucker's trying
to make some more crippia mixed withthat Trinity keyboard ship get pop shit,

(03:20:52):
that's some more Broadway musical shit.I don't even listen to that car too.
Shit. Tell your hand on hiswife to get out my fucking life.
Twenty seven shots, twenty seven shots, twenty seven shots Still don't happen

(03:21:13):
in West New York. Back fromthe Pad, Find It Tune wrapping Machine.
Backs from the Pad, James Brown. I'm not trying to be sliced
on on the microphones and rocks.You just the clone set up your tone.

(03:21:35):
Kids, Come take your phone twoyears and wrap your music. It's
all wet. We could set itup fast. I can blaze that ass.
We could pump the pump shot gun. Make your shop switches to beat
your whole steel incomplete hard and stopto come off like paper cloth, rough
like stuff like ching off pump andstuff come combabbits. Your boys pone sound
like the gaffs under cover. Yougay with black motorcycle jackets who want it

(03:21:56):
in front and your suckers don't wantthe ruckers. Do you like your peanut
butter in the kids chocolate? Youbetter stop it? Choose another topic.
I like the kick up and tella drunk man sit up and catch the
hitcups and running through the Dutch pickups. Back from the padrona findest tune random
machine. Back from the pad I'mlafind It tune wrapping machine. Back from

(03:22:20):
the pad lafind It tune wrapping machine. Still for skilled your tactics. You
need more practice theatrical shows, costumesand make actress. I went to the
house of the projects. We're hereon the mattress. No time here,
don't bring no money kids round inhere? Do that that that the confidence
sound waxed? The mac of speakanimated. You shouldn't speak Macy's back.
You're getting jerked. Feel my receipttap to beat your rhynd pack like a

(03:22:41):
parakeet. You want that, youget that, your ex partner with that,
you pull his booty butt. Rookie'shard need to get back, cause
come most of y'all coming down,calas running the most of y'all start to
turn the round for sweet kIPS.I step up with three cliffs, animals
and gloves. You saw off likethe soaked up. You don't need it,
paramedics, get your head rubs,face on the miss unlist your picture
on the coffee mark. You tryto be different. Ain't none of the

(03:23:01):
yard acting boss. You study mystyle like grills on the catalog image to
a teen thousand kids trying to beatme back from the path. I put
the finest tune rapping machine back fromthe path. I put the finest tune
rapp machete trap a machine. Ifindestne wrap my sheet, I findestone tap

(03:23:31):
on my sheet. Smart Tler's upin there, smart tut you guesses,
coolie York City sit all the wayout to the west, the west west.
Then I stopped. Sup. Yeah. The reason I don't rap because

(03:23:54):
ugly cats sell rapers. Program directorsto model stay jealous cross over puppet turn
a Top ten rappers, hablemen,flown buildings, singles, foot praise,
but lovers explos every hip hop clubsbefore your hight Man's a CDC. I
know where you're gonna take your chainsoff when you get sleepy mad because I'm
smarting, intellectual, non transsexual,the largessm sees with incredible bank accounts.

(03:24:18):
Girls don't know you homosexual celebrity fourthousand and eighty. Looking at another man's
button's crazy. You need to getwith a lady. Tell me how you
feel what? Dug what? Don'ttell me how you feel? What he
Doug? What? Tell me howyou feel? He Doug book sty show

(03:24:43):
Gangsters cosmetic synthetic Ganks Tankster cosmetic synthetic. Take the times you want, not

(03:25:07):
play hell with a dramat Yeah oneto smart, peller cool in the place.

(03:25:28):
I like polls for TV and lightningup fashion. Big cities like New
York and LA needs some action channelto support the best rap on the NBA
basketball court. Champion went out raplarge cast from Champion Sports. Get that
Up, don't mixtis play y'all freestance. When the girls react to whack status,
get canalyize with stunning operation black status. Move you are like shipment.
Your producers work with Mickey Marts equipment. Anybody I did what Stop buying it

(03:25:52):
with your old like ros and biscuitsto reach your chief service to live raps
like police service and pay a structureat least service. The United States is
nervous. Everybody jump with the Curtismay Field play field, stay still,
foot blankets on Ampex reels, feelto frill, walk back, think back,
double back, backpacks, swutch upthe upper past, pump the tupper
class. I want it like that, kind of like fucking like that.

(03:26:15):
I good like I back you withthe can on the north lor you stick
him seas I want it like Ijust like, I fucking like that good
like I pack you with the caron and north Lord you steak him seasick.
I'm finished back and start firm inthe earth. Stir thirty one flavors

(03:26:35):
a hot to pumic serper with rainbowls in me brain clow in meat.
It's stramatic from the point, likeMike Ribby, the son of Henry with
the last minute entry. Y'all hangingon my bas tea bagging like Tetley introduce
a high post through the low postand zone call him, will we post
scump on them? Kids doing aclot bad because they dick shrunk on him?
And if your woman wants, I'llpull the spunk on him. Fuck

(03:26:56):
a third of my third leg carbmarwith peer goggles, shit and Jack Bartle's
tobacco. I'm sick and essential elements. I sit use the tunic door to
eat days out the bits he yawith the mindless, with the timeless,
how the ice out dick car hecomes onless? I want it like like
I'm fucking like that. I'm goodlike that. Smack you with the count

(03:27:18):
on the north fo you sticking seas? I want it like I just like
I'm fucking like that, good likeback you with the count on the North,
you sticking seas. Stick, I'msticking my skulls out for anybody coming
out the side of my neck buckingup the white pitches is a hobby calling
me out. I'm on the funsleep walking three million sheep talking upas have

(03:27:39):
to put the sneak coffee. Wannaput some dirty bitch watching her soap?
Get my daughter shiney. She pickedup daddy's dumps some below the only bitch.
I listened to try to smugg himin some shit, but I can
it pitch it through wanna bottle feet. He puking a two leader. Bash
you when your flood trying to sneiackon against the caver, smile task the
vagina down. Put the body youwait, get to the ass tape of

(03:28:01):
vinyl clowns shot my jacket with avinyl Dawn first went on my plane starving
in passenger. She then sent medetected both free Jokovic jumps in the pussy
and fox like that. I didn'tlike. I'm fucking like that. I
don't like that. I thot youwouldn't be carcked on the North you staking
season. I wanted like that.I like fucking like that. I'm do

(03:28:26):
like I not you wouldn't be carckedon the North You staking seas SI.
You gotta gave me light. Yeah, I gotta go with the flow.
And then the baby like, right, don't game your lap bad me.
They can't you lack? Can't youlack you like what's up? Remix cain't

(03:28:46):
in front of me now. Theremix sub California can't go in front of
me now what's up? So twosub sexy, Yeah, I'm in front
of it down getting instantly galvanization ofparts, utilize proportion into the next wave,
achieving expercent mission hits to my senifielding lad of suspension, punc square,

(03:29:07):
incremented structure, will spend you seeyour musical instruments drums advocate your intelligence
is a hot mutation mercury take elimentment, heated poisonous black look, disclimmable oxygen
when smoking cigarettes, you do buyproducts choke a cooling temperature point, disource
caort courts connect the nevercenas, subscribedpharmaceuticals, collaborate circuitry. Signs of medicine
indicate behavior of a human being depressedbonic balance basically beforehand that up normal performance

(03:29:31):
positions observed by plain combined different localelect and right images disturbing relaxation and toxic
hyperd distort perception. Man's our partsprepare my telekinetic reflection. Yeah, you're
so so intelligent. You think you'resmart, you feel your smart, you
think you're smart, so intelligent,you think you're smart, You think you're

(03:29:54):
so smart, so intelligent, Yeah, intelligent. Analog compaderament range format robots
Sonic Inmate tag team dream skiing,bionic digital alloy mechanical rain helmets, lock
satellite heights, expand mandatory this mantlewhile you handle particles on the space Trump
stuck on aluminum alloy cartrip in spaceeighty four man Cold Rebel eighty three plus

(03:30:18):
up PM rockets x Sauce engines,real industrial mechanism, print service on liability
like tell call batteries, levels,coinciding information manufactured, regarding offices, state
control systems, network insulting results,reproduction constructions, kt lay chrome silver,
great elements attached antenners on corners,Mike's computerized handmade talking remote control back boots

(03:30:41):
to ATM machines, release scats fromstomach, steam antirector careers. This tradition
is moving charts from billboard like TomCruise, Johnny Light, the race tracks
sup on floors with thumb tax thebike costal amplifies Make New York my walks
legend status thousand nor metal pages.In the scouce us, you lose who's
getting wood and shoot by five billionpeople equal sex rather learn by beetle stretched,

(03:31:03):
take personal radio, Come to theturntable update what is north or south
East? To West Texas, cometo the party. So intelligent you think
you're smart. So intelligent, youthink you're smart, So intelligent you think
it's smart. So intelligent you thinkit's smart. So intelligent. Sell us

(03:31:26):
a spoolcaine us how you feel we'restaying that kid? Y'all got this nice
free from im Andy Cano Lodge,twenty two dollars. That's saber. Take
it. I got the thirteen dollarsroom in the best west Head, no
doubt word keeping it down, Takeit out down me a quick drummer opposed

(03:31:46):
hip hop cloud came out like thebomb armed toois bloe mold to leptake,
meditate, no mistakes and next playertakes shape, cash them out fast cut
up stacks like meat, cleavs fromand drinking bee feet a tin sip the
bistol back a pistol nacka damn mei with din which is from Mesopotamia,
camouflage espionnage anna roge, extra largedart and chargers, flex complex g jacks

(03:32:09):
a constant feet bat i beat headSagapore style Buddha intruder with jewels on the
way to Bermuda see notes the floatto Alcabuco Airport. Yo, yo,
Yo, she's on the ram pagedress and sexy. I'm on the Deli
to pull up in the silver spacebuilding. Your eight thousand rolling that's Max
from the first pockets like Banks,Fitch stripes, swinging like the Yanks,

(03:32:31):
Furman Munson. Wear my shirts likeReggie Jackson, talking action feast move.
I'll be waxing diamotans Sparkle rated Xstanding like a Rocco colonnas Poko trips.
Come in the pro Chicago space catlike Cruise tracks us up and down your
wax that's on the real Ampex.My name is Jimmy. Still still shiver,
Yo. We pumped the flock materialofor not nine Grandmaster's watch him turn

(03:32:52):
the spitting my friend, I'm backagainst watching Cruise film a nasty sho bro
pulling girls thungs and go goes.That's where b leave my dammers on your
girl on street shock here red andthought my papers on around your neck technique
sweet mark, duplicated by the chemicalback back back, riding back with another
window black rock on beeping cowboy boo. Yeah. A lot of publors out

(03:33:20):
there take it. In the yearI see you in the clubs. See
me, Yeah, smoke getting thelunch straight up, stran taking his arm
and eat in the red getting doneby another man. Just some skin color,
a whole different complexion. You knowwhat I'm talking about. Yeah,

(03:33:48):
forget that man, Yo. Thishes packed downtown with ugly wrenches in New
York and stretched marks and bumps aroundthe people. Bass tip the last food
fo work for them, left beinggroups, cut off your wellfare, wreck
thems out your underweiff like conways,your back, the pack behind your ass
crack. I'll do your city itselflike Sanitas and clean up people snows,

(03:34:11):
the crunchers. Girls smell like seashells. Cut you down off card like clippers,
running up on your weed. You'reclipping kilo stuff. Fantasize the metal
flower. I think your curtains downhigh behind you and your shower as a
tunnel. Last night I walked throughthe right I saw you with Windy that
undercover transvest sit spreading some real roar. You're red. No, some informations
she broke out real quick. Leftup work for as patient. Supper is

(03:34:33):
large. Prompt on hard ninety seven. Pay you all a scams discovery for
what romps with? Next, somebody'sout there in the streets are four with
ain't the sex man white boys?No white boys now involved with? Right
next on deaf Jair, I'm atext about to stop your crap. The
crew clus clans fell back with thisopertruck just like the white super Press.

(03:34:54):
You can come merchandise market at afishy price. On BBC, I walk
five MTV watching Who's when they droppedthat white man Bill Bella me do stratestic
Martin slaves like Casey tapping your manipulatedlike mark films evaporated like steam hot coming
through your antle streams. You're treatingme Don Gatti and falls in the rending
Mazerbati fat cat the snicker Compers isplaying on your dat. You wanna go

(03:35:18):
jack the rapper Faget just chez yeahstrik. Now watch this kid assholes drinking
They EXPRESSI with up ball with redbulls. The drag goals for head blows
and card and lays the mark upsix six six the kids quickly this six
tis its drinkly New York. Youwant ride niggers figure if the MC stopping
he real He's like Faustick black Stomup, washing back on up, fat

(03:35:41):
ass, blown up, cat ass, load up, half pass gonup,
ejecting pizzy in the city of bedY m d k n y. Then
they could go another fight in yourwhack ass. These leaks up fifty like
ten open assholes grabbing fight, actinglike they rapping tight and ship and Rocky
poppy. When they dropped me,I dropped keys. Please, fees come
what's in the blue sun? Getthe lue please. These fools are dumb

(03:36:03):
hits. The ruler hit hop fuck, hit the sick top, funding trucks
every time, the ship when it'snot real, so the krills blow the
kills over. Still you know thedeal. Make the labels with their tables,
able to pitcable on mar rock,Nige, fables, fantastic last sickle
truck a minute bullshit with the foolthat you get from it, with the

(03:36:24):
team everyginning, I'll shoe Smill withRed Nick in the thes U turning black,
hardest white pick it sense the distancebetween me and you being in too,
true, hardest, widest, thehardest working fag and show business that
now witness you're hitting. Fuck youlift the nuts. The new cuts back
record to menell to slip me gowap the doorway, hit the hoorway,
the roadway, the hallway, eightdicks in your boorways. That causes for

(03:36:48):
laid there cause that's bitchy, pissypitch and now diction. Even the Christians
mission comes to fruition while you're wishingto listen with pitching two clips and this
two lips with I said it doorblank, the sec wild, the red
fools like select tools and dray collecttoo. Let to the dreck cool knowing
to get saved on your coat forno stup most of the real job and

(03:37:09):
kill y'all the real heart you theyllscarred. I'm like, can we gat
the drub? Find like a passengercounting packages over like a messenger on the
street, you talking asking, Uh, I'm coming out, where the hell
is your manager? Em SE's inNew York? Everyone whacking up? You
just want to take a pair ofthe casting Uh another checks find the wrecking

(03:37:33):
pe munching up whole out of chump, turning hard and a ready y'all flop
the flop, pump them pop andsee stop making tape. Pup takes the
schools from lose ump can see he'strying to battle with after lerest flown finish
rounders Crown take it back to thereal shit, really shit. Any rapper
on the labor should resigned to Chrismca arrest in a sculp job, Columbia,

(03:37:56):
how could you let him cut beyour styling dress styling back you regret.
I take clars for jacket and twoolwith Jackson. It's the time another
black act. They can whoop andshoot your beet. Dude, don't want
to poop for school. I seethe hindustry bunnet, but they don't a
little better. I'll take four twothree, looking sounding like me, walking
like me, tapping like me,stealing my style. Wasn't even hard boy,

(03:38:18):
even rapping like me. I kickit when they wait Handicap standing on
the side looking like shabby and Scoobydude trying to get through. So they
done one, two, three,four, five, six, seven,
eight, on, nine, ten, eleven, twelve, thirteen, fourteen,
and Sea stole, but Max withthe kids that fronts some style.
IM like Donnie Rubber, but akid have to open the box of tricks.

(03:38:43):
Dickett Elicky Lick style Laxttop the Godfatherdon making his way against the Undertaker
and the Ultiment Warrior. If Seedstake your seats from the next match,
because there's the moment, Tom mince, Wait, do you see the pisting
styles of the Godfather dine, I'llspin the styles uplift by piles like mask

(03:39:07):
and take your master beate while yourass a blast to beg from endliss on
sword like pole court, and I'mon court whispawns is born tot to demember
limbson win a temper will start tocntempts to remember when you first gotta be
Yet the exquisite lyric never visit acomplete rapture must be perhaps the need for
rap disease, the need to trackthe auphan exonerrated from the first you was

(03:39:31):
Slamma rated ex swithm. It's ratedby text. Giving you should have is
whacked out, a text to quitting. I'm sitting gets getting more before get
with the swordfliss give the dickt forbrawn thing It's times the seventh, the
heads of blessed the clever up Blennnever ever drained the mess seventh at taking
the winter, rapping the siegrated forbadaa chippy chopping. I ate'em for

(03:39:52):
radom, slat them and bring upwith the underletting more like the temperatore another
word elevated way to get more andmore your bad boy like this bad ole
mid over to make you when youcould dial dow once again? What I
was? Tavy and leaders of theWBCF cool Kee River Packs and Star brother

(03:40:16):
Don ranking one over a Bamian overAlex all over the family fun too,

(03:40:45):
what what well? I tied onthe seat train, go to the Bronch,
started the step to California. ThenI walked through Sunset, Beverly Hills,
Born through a door Santa Cruz,looked around, bought ice cream,
got on the elevator and took yourway up in San Francisco. Back down.
I went in rest want with mybag in my court, thirty fourth

(03:41:09):
Street. I turned the block,walked up the Minnesota, got in the
cabinet with the Idaho and we talkedme five dollars. I took a short
cut. I said, let meout. You know, while we're in
Florida, I've seen his cut finemoney out in Disney World. We took
a picture with Mickey Mouse. Stillin in Texas, two blocks from Homie
Yankee stadium. I went inside McDonald'sand got a cup of tea. Opened

(03:41:31):
your Mommy owned your brothers. Slowamiopened your brothers. Slowami owned your brother
Slowami opened your brothers. Slowami ownedyour brothers. Slowami opened your own you

(03:41:54):
Yes, seven, four seventh,No, man ten seven. You want
to do this. We got aspecial to this with us. Do this.
No, we gonna do it.Kick it the first, and themi
ghosts kick it the worst, andthen me ghosts kick it the worst,
and then we ghost kick it theburst and then we ghosts. I got

(03:42:16):
a brand new Ford bright orange yellowpick up truck, cruising the round like
him Johnny Epsido pumping my phone takewith stretching beat by Beeto, looking the
rounds for that kid that Robin show. Oh we catching up Wrapper Rob Stuey
in the back of the had Kithe color don sam On you know the
ex. Hey, hey he's atthe hospital. He played a trump in

(03:42:37):
the class, but he had afiddle. He had a house up town
on Green Hipper Road to heal mybody. Very monkey buck a little toe
scared Federal Bureau fuck investigation, nophones, no beets for communication. I
like extream kids. I like Carvell. I read comics and books. Yeah
Marvell, you wanna step mcs.I'm in the basement, hold the marriage

(03:42:58):
to hell where your face went?I walk quiet at night through the projects.
Maybe one night look through your people. Pick a boo. Gott a
gift for you. Your fucks standingacross open your door, face to sin
on bipe flight. I want thematrix of mad. I'm like hell rady,
where could I be? Kick aDoe Furst and then we got kick

(03:43:18):
a Doe Purst, and then wegoost kick it Doe Purst, and then
we goost kick a Doe Purst,and then we goost. I'll beat dough
and yes, I got the props. Know what your privast niggas just hop
off my cock, my styles andvogue. You're never gonna get it.
Fornetic connectic energetic clothes. Your isin a tourniquet rap tightly. My raps

(03:43:39):
chess might be unsightly or slightly.Groups something. Some groups are done,
Some groups run. Many groups comewithout beat this one stunned by the stunted
gunning your chew on my thick guma second in your nose. Some kids
get ridicule like Catholic School's second gradeMissus Sladdery had a tragedy. She saw
me buss a nothing. It wasbattery, na reach charge. Battery.

(03:44:00):
Flattery gets me where I'm going.Let's be the one blowing, says me
when I'm going. Shit. Peopleask me who writes for me? I
write my own ship for finish thestart to manister heart. I eat a
condition, sit down, a lot, a trask, a traskate, a
golden a biscuit, gool, keepasking the barber, so I exit nervous
surface, never even heard to sleepin hers wordless because it's just served.

(03:44:24):
It's served. Its nerveless. AsBob get cool by blah checking in on
a Sunday morning. Just finished eatingsome flaffles or some organic maple syrup.
But the purpose is to shout outwith extra ice cream, to take a
personal with my people's filly flavor headlongDK three sixty. The best thing since

(03:44:48):
let ma rank yes, as wehad to room. What sister is out
there? A lady? What doesnot sit doing private things? That's get
busy. I'd be the receiver ofstrange mind patterns, no type of compassion
and just my thought process. It'slike a dark Cavern. I was rereading
Foxy Pamily Sambrionic stages under the flapetopages that I break my faces. Where

(03:45:13):
don't they seeing him in escrements onyou like the one up Brawley stink it
to myself like herman call Turkey offon which nobody saw me, wishing that
I could hide by a cool kick. We s walked this, We stepped
from state Jimpsys doesn't feel like therainforest. So when night walks again,
get oxygen, get cameras on.No telling that first girl selling on roverse
like Hammerson mental capacity. He's justlike I'm farmers gumping hump, but get
trunk if you look like crack woocoumpty hump. I catch the real rich,

(03:45:35):
more secure with than Benny. I'llstop you up and make you feel
what the bonds feel. You crylike guys play like Coo can't say,
I cant sloop you blowing up thefucking dream like the gang truths. Gangs
to slop. They go pop likeSavage Dude, baby perpetraying live like they
walk on the avenue Gangster Slot.They go pop like Sabadude, but they
sign their lives away naw, theydon't know what to do. Gangs to

(03:45:56):
slap, they go poplack sallenge.I catch the perpetrating street so the peats.
When they grew CAGs to suck,they gonna bop like shaper too,
super flexing your Chino exhaled. Listen, help folky sex man Nick the smiths
bumper shoop rests make me from thecrust to Texas. I kick a round
like pale strolling easy you take up, peep bob up people. People catch

(03:46:20):
your rectit one two at you,at you, at you, sneezing and
pleasing on your ear, verbal easing. Chocolate floats and drifts down through your
nose, between your legs. I'vebeen your head with beer cakes. Shoot
a blue. The smith can't stickthe doodle your Chino. We need no
we brown with the keen crown,rocking under grund brown and pulling girls panties
down. You'll check it, you'llstep away. You're pumping up in it

(03:46:41):
with energizing like forty boss. I'mshock into your anal with my dogglos Bizano.
Try a man against the Rhindom leapingon your building downtown Los Angeles.
Scandalous man shooting firm in your ferm, leaping way to dry. But you're
in dropping in your eye burning appleplus with that recent sticky stuff. I
get rough and plant my seat intodirector, masturbating at warp speed. I

(03:47:03):
pull up in your spectrum. Rememberthat we must keep the earth clean.
Laboratories. Remember all the camouflage tampactam PACs yo. I used to check

(03:47:52):
out lyrics upon beforemack film with stillwith technique computer ada ill liver perform the
clouds on your brainstorm. If Iget the hype thing for flow act will
back sink the track and bumps thetrack. Damp listens crust right fows me
act by spol bristons and helping itmore reflects something to damp forth flowing up
and helping nap people showing up,packing crowds damp back from you. You

(03:48:13):
to collect what atmosphere is. Continueto sprinkle that. Winning like that,
We win like that, hitting likethat, the melody of fact. You
all want the energy source, thecotton of force with protogy, taking astrology
my intellectual power, with theesel powerclose jamad tractical lya fantastically close shamand tractic

(03:48:35):
lya fantastically close, Jamond tractic leapfantastically close, Jabad tractic leaf fantastic winstin
back rewind diesel power flow Jamond tracticallyfantastically. It has to be automatically check
it out. You better work itout. Change to one love about my
technique strategy, stabilities of leave forthto much hanging like spring leaves. Do

(03:49:00):
a truck so past me up andyou were not never protactic focal gymnastics,
ease and pepped up. You canscript up, snacked up, backed up,
your crews, don't packed up.Check into a picture script You can't
stick my letter, put brains ofstrangers angles. You can table twist the
side of petans. Travel with beatcomplete, can't complete check the our texture
my defictures put the point in thetracks to the power my intellectual seed with

(03:49:26):
these power close jabatchat pickle fantactically close, jabattractically, fantactically close, jabat shat
pickle fotactically close, shabat stat picklefantactically, And I'll calm you hooked up

(03:49:46):
with these guys, I don't know. They was just liking stuff. I
was doing it us. I wasjust good friends with you know, the
group, just a great combination.I never forget those guys. Oh and
I did a show with him onetime in Australia. No, it was
so great that night was the greatest, the greatest, greatest. Yeah,

(03:50:15):
you're doing it up. You livein Launcher than ever. But everything diamonds
let me over, flying across wYeah, you got bad drugs. I
don't believe you. You got todo a store. I don't believe you.

(03:50:35):
You got your bolt to check.I don't believe you you got that
real bolt. I don't believe you. You found popa jets. I don't
believe you. You Poppa's campaign.I don't believe you. You are don't
skipod. I don't believe you.You're playing at MBA. I don't believe
you. It's a big truck there. I don't believe you. Your pockets
in fact, I don't believe youcontains platform. I don't believe you your

(03:51:00):
cell phone works. I don't believeyou. That's your real hairs. I
don't believe you. You're calling rockstar. I don't believe you. Twenty
thousand fans. I don't believe you. You right a lit mausine. I
don't believe you. You think thinkyour kids. I don't believe you.
Your wife is that whole. Idon't believe you your Pip pulls white.
I don't believe you. Your albumis platform. I don't believe you,

(03:51:24):
you right or your rocks. Idon't believe you. Your booking studio time.
I don't believe you. You goingwith Tyra Banks. I don't believe
you. You tore with timber Lands. I don't believe you. You want
your dinner roomsett I don't believe you. You right for Kelly Price. I
don't believe you. You and mighthave a chilling. I don't believe you.
You're tricking strip clubs. I don'tbelieve you. You know what I

(03:51:46):
wims. I don't believe you.You're killing mad people. I don't believe
you. Your woman, Troy youI don't believe you. You got your
kids. I don't believe you.You never free bass. I don't believe
you. You're playing ball. Idon't believe you. You're reckon sellers.
I don't believe you acts the strippers. I don't believe you. You find
a Germany. I don't believe you. You're punching cops I don't believe you.

(03:52:11):
You say you're pregnant. I don'tbelieve you with mask frewd outs.
I don't believe you. Your mother'sin jail. I don't believe you.
You got a lot of cash.I don't believe you. You're at the
beauty salons. I don't believe you. You got an image. I don't
believe you. TV loves you.I don't believe you. You're doing things.
I don't believe you. You gotyour girl out. I don't believe

(03:52:35):
you you find people in I don'tbelieve you. Your mother's cool. I
don't believe you. You're record ofspinners. I don't believe you. Your
father's a man. I don't believeyou. That's eighteen carrins. I don't
believe you. The baby look likeyou. I don't believe you. You're
down with mask peace. I don'tbelieve you. You count many keys.
I don't believe you're pushing up theway. I don't believe you your prown.

(03:53:00):
I don't believe you use a massiveguilt. I don't believe you.
Stripping the Park Bigger than Rock everwas the overnight sensation with Ella Fitzgerald and
Elliot Jackson at the Cotton Club,the Limbo's coming up to Harlem, the
usage, the Black Tie Affair,Diana Ross and the Supremes. Patty Lobell

(03:53:20):
was there only eighteen and the fourthe Rudy Baker were elliott Ness from the
Touchyboles. I remember that I hadthe custom pinstripe. Sue Me and Frank
Sinatra wore green in the crowd.Everybody couldn't cope. That's right, the
US Army, America's number one nightCBS television. The camera's on me and
Bob Hope, the Page cash Mill, the top poet in the country,

(03:53:43):
shaking hands with the Pope. Yeah, it's the overview. Why Chess TiSER
mind tantaalized the sun beamed down onthe vice hu u u u u overview.
Why Chess Tiger mind tantonize that sundamed the down run device hu u

(03:54:05):
u u u the overviewer the mostenergetic the popular extrava Cancer the parade at
bigby Phil with Lyndon B. Johnston, based on the true story. The

(03:54:26):
small cable networks couldn't cover such ahuge terror trophy way before for Hamptons and
Ever clapped him. Kohirk was elevenyears old in Jamaica. Howard Cosell was
the baby. Charcoal wasn't even rapid. Only me and Eisenhower before the wheels
was intended. The first guy tocreate electrical power. Y'all was in the
boy scout camp with the oil lamp, way before the tennis classics models in

(03:54:52):
the runways wheny one trucks me theoriginal black Lady from Star Track, watching
Evil knevil Land on the ramp.It did snow bigger than this. It's
the lifestyle. You take your list. It's the old doctor chess tight shut
mine tantalize the sun beaming down onedevice. Hunk uh uh. It's old

(03:55:16):
chess tisher mind tantalize the sun dreamingdown one device. Hun u u.
Uck that ship with a number,that ship was, That ship would have
tuned up. People came from milesaround the head big rocket. He learned

(03:55:37):
a few new styless into your oldpick pocket clut owls, sad house,
sicken and now get a charted likemad cow kicking in nicking christ ons't chicken
and once in the stool with thefloors in the chicken. We y'all got
all vices and some got the ballof collar shots off the dices and that's
big grin slower to your section.How y'all sun see get all the up

(03:56:00):
protection this dame wing spell, saidJake. He sings well even with this
king hell headache. Kill him withan anviltle, trigger a scandal. It's
not just to get free press offthe nigga channel. The only place for
high prices and raids is our onlyrate baseball. How nice he has us
out of I really you raps forname ass guys out of nowhere, corny
asses. I never heard of yourcats. Guys like you mess up a

(03:56:22):
lot of tracks as your neighbor aboutme, whack you wrapping acts up in
prissy, getting it on your jacketand leave you pissing. Start jakus,
get your autograph for missing that forgetof your best lines. Pickty verses in
the cup and get bissy. Awhack ass coming this way, must get
calls out in dissy. You don'tlisten enough, see me pissing enough the
gill a fuss around your bedad you'redepredating around your head every yat precipe.

(03:56:43):
When I meet that ass and readthat ass the brand what de beginning of
your Apartment or What's out of Youand Star it's the original original and everybody's

(03:57:07):
gonna want to this. You likeme what's sitting up for the South Bronx
and then me sucker empty had aresponse to you think we care? I
know that they are on the tipmy pussey from the broad Not even get
down about bucket, not even getdown about bugget not even get down at

(03:57:31):
bruggets, not even get down aboutmy bucket. Bucket, bucket, camera
sounds that is said, fantastic upand rugget. The pick nuggets just snutted
class. I love it flying atthe top of saw. You heat it
like a up in the door.You better buzzing bee stinging and swinging and

(03:57:52):
ringing in the turn the curve leaning. I had a thing for Selena Broadway
theater makes NONI get down, umbucket une fucking things, Get down,
um bucket bucket, get down,im rucket, brucket fucking thanks, get

(03:58:15):
down m bucket. Haddy trapper witha slick paper on the arm. Brest
she test you fact, little speckdialect feast the west, read about it.
You get an extra far for themeasure excup Catino colts explode with the
rucktness and toughness like bo she likethe sucktions truck did trappers the duck dead

(03:58:37):
and struck didn't roughness bromm rucket untducket, I'm nonting get down up bum
ruget bucket bucket, Rugget makes uneyfucking bake bace. Thanks Thanks Rugget.

(03:59:26):
Take out New York his car withup enough to feel that landscape two point
seven in the cockpit chemicals, rodsand side from the Mercury Astronaut George Auston
from the Economics Liberation in Boston,massacutions protected by the Army and red Breasts
Special Effect Units. Navigational training foraltitude Street Propulsive race Phoenix, Arizona.

(03:59:48):
You loan the aliens looking at myface, reserved marines coming in coming,
in on coming, in coming inNew York, New York, did in
New York coming DC Texas stop thegreatest blue con sauce were flowing the highway

(04:00:09):
that night. The orange being comingdown was right, truck stop, not
a left. Remember that light,the orange being not a left. Remember
that light observation not a left.Remember that light you en up dump bit
by gas stop, stop up,looking around, moved, went up downtown

(04:00:35):
around. That's right, that's right, that's right, that's right. I'm
gonna take the award Unti Magnetic Policeto find once competitors limo drivers coming to
the Bronx from Connecticut. Electacy thatwas born since cal Resting started to rock
the floor was hard to jock withthe former the restop that you she controls

(04:00:56):
stopping bars on the block. Theseguys, when they think they starts on
the block, I'm moving right afteryou sign your ship like Metallica, you
would think a king with drums inthe band when the cracket down stuck on
your joints, you wouldn't understand.You would become a remodel fan. It's
time to let American know you tellhim you Sam we Cham Kings of Nan

(04:01:18):
keep nicking you some Ncanis and makeingincubator Ncanism nice or twice picking in some
name reincubated on twice. We threeguys, we're sliding on myself. Rack

(04:01:46):
your ass up that plan. We'regonna kick your ass on the side of
that after all, your asshole orstick in the dicker. The looks of
my style like a cracket that's uponthe rocket HiPE to get HiPE. I
got a dirty feeding for him andlosing counsel my side stating nor until consumes
the lectorun till the forty gets killedout. I like that apple, look
my necks like lf doing it well. Shot the world tram your mom verbalizing

(04:02:07):
your girl. No fucking sis waswith lyric mombs. You know we got
spells Abra abra could never rapper upthe rapper can ever ever could ever another
rapper Shange Joe grangel I dropped mystyles offen in an off tunis angle.
I'm threatening miraculous things be happening everytime I spit the verbal speakers. I'm
on the court. Why are yousorry? Niggas sitting in the bleachers sharing
leaders, fair leaders, sisty niggaswith skirts. I'm catching what he's like.

(04:02:28):
White news servers with hands, KingCarl style, climbing builders holding your
bitch. I'm not calling to methat everybody fucking a lot it niggas coming
out with drama looking the manistry onit. I belt you uniquely get it
on this land destreety like water,your mother nature. That's my home.
And I've been Pamperinger broke my conversations. But like Spider Man, it's neighborhood
friendly, but it's man's like apocalypsefor niggas is endy. I beat your
team up ten yards because your partnerwas holding it. I sat the quartering

(04:02:52):
back for fifty sacks money. I'mfalling you just a nigg want a pop
up? And you listen my stuff? Who why are you pushing it?
As to why you pushing it out? So why are you pushing it?
Pretty house? So what way youpushing it? You got to handle it,

(04:03:16):
Bill? Yeah, go check thereason. I hear you scream lock
yourself force come a seeming listeners catchyou gosing hard back the statue, timm
in, your man and your crewthere with you, your copper tone,
put your wig on you spot themon walking your harway, your penny shot
in the doorway self block you stopTimms. You on the chart seeing protection
big with the tred section. You'regetting bumbrushed by TV pres affection. You're

(04:03:39):
on call for one standing about thekitchen. You snitch my man? Does
it take? Take the listening?You're on security was walking about the door,
I explore more go up to thekeeper's car. Yeah, having a
force. You are his kick.You like clean the self. You gotta
wash your drawers and sucks and yougonna fuck you in your ass. You

(04:04:00):
want to sell it to a littleprinsoner through that, ma to Why are
you pushing it an house? Aman? So? Why are you pushing
it out? Mamb so? Whyare you pushing it stand a house?
Mam? Why are you pushing it? Why are you lying for? I

(04:04:24):
know where you live, I knowyour folks. You was a sucker as
a kid. You're persanis drama thatyou re quiet in high school, in
acting class. Your whole already isPLEXI glass, what's the face? Told
me you shot this kid last weekendthe park. That's a lie. You
was in church with your mom.See, I know y'all. Slow your
rope, give it good to go. Guys, be locking in this thing
called rapping, just for go.Of course, we gotta pay rent some

(04:04:45):
money connects, but uh, I'drather be broken half a whole lot of
respect, just the Prinsconer will loveit. I get a rush when I
bust some dope blosso rope that mademe somebody you quote, that's what I
consider real in this field of musicinstead of putting brain cells to work in
your music. Our conceptual non exception. Everybody's either crime related or sexual.
Come here to make a difference.Besides all the ripper the traps, I'm

(04:05:07):
not sticking rappers. Stop flipping forthose supposed lyrical but really, ain't you
upper limit? And you know thiswhole Suitember the v I, PC and
Morty set it out. Take thepersonal podcast with my dad Filler Flavor,
Kevin Law, J P. Toxport. I know what it is, man,
Take the person personal personal if yeah, yeah, yeah yeah, get

(04:05:39):
here. Yeah for scheme sup,for schemes, the screen actors, Gil,
it's overcrowded with nothing right now.Everybody's roughing right now, waste to
film and camera time trying to spotyour Celtic maths when the camera m New

(04:06:01):
York and Hollywood don't need you therebut the people. Then you're coming from
North South caronline. You just shipmade ready for me to elipmatic cancer your
network feed the Canaries. That's right, y'all. Now you're fifially over independent
doing pet work like Mike Jocquet.Damn at the BC Awards your type for
cam base give me the applause likeyou're a hype man for one more then

(04:06:26):
walking out the arena. Dwars,I don't care about bragging in the readio
game. It's all about the readioflames. You could be seen in different
with security cards and so called toughguard, black eyes, putting an hour
head water with ice packs on yourchoys, School for Suppress, Super Speed,

(04:06:50):
super Squeens, School for Scheed,Super Super Scheme, super Psycho,
Last with the Man, Yeah,yeah, yeah, it's good. This

(04:07:16):
is your homie, the one andI lead to thank God himself. Psycho
Leasy, Psycho, Last Squirreld fans, beat nuts and rain now checking out
to take your personal show with mypeeps. Fill a flavor, keV Law
and d J three sixty. Hitme with that ship one time. I'm
the powerhouse and everywhere fans swallow me. I'm on the bottom. He's going

(04:07:39):
out to college and you're about thesurprise visit you as Nashal Queen. Our
rampsack the place and leave you witha clean house in the middle of red
blocks out the ziplock. If itdon't sound like this, don't call that
sit Hip hop trap rappers y'all outof rap, pass up, last out
your toes and turn your ass toa tap pass up. Have you running
up the street like a track team. If I catch you, want to

(04:08:01):
shoot you with the vaccine. Psycho, less my motherfucking whist the track,
talk back and get trucking pistol Slipper, who's the boy scoops the hat hand
trummerstead of your sad off leaving witha brad Pancho with another tax So you
won't did it? Psycho when theultra man, so you don't forget it?
Oh Branny, I want nobody.And when it comes to slipping these

(04:08:22):
rhymes, don't nobody this just gotraffic low folk panic that runing left scene.
It's just a normal habit banty.You don't want no static Trump,
can't go rabbit microphone, Granny,we can go home, slam mammy,
because it's right here, it's soclad. We can't come up with the
Bentley new focus right, come witha lot of bottles. Would let's see
shoot you women sitting my ship nicediamond, so much duty, then let's

(04:08:46):
always freak when set like crew rootsa religient rapper who could lect your RUPs
take granted first, pay me ladyfor it, and it's all the story.
Yeah, I usually hear somebody boughtit. Women with their legs up.
I want four sip first on thekitchen. Ain't they can't afford it
to look up? Take a picturelike the tortoise who's a man? While
she got it was at the cornermilking her like baby, buttermelk wash your

(04:09:07):
substance, no underwear melt. Ifyou can't harp in the wheelchair the art
need help, help while listening.If you can't afford to show, stop
retort, you might want to goin town and town and town. It
it ain't hard to tell, tellit. It ain't hard to tell.
Tell tell. It's morning, seveno'clock. You wp my clinic, it's

(04:09:33):
me. You're up the pick Ghanacollege. Just you're looking pretty and fine?
Go half blow my mind? Girl? What's frong? Come here?
Let me take a look. Yousay you got burnt your man shirt of
water rupper? What type of partnersyou have? And who's your curse lover?
He never tents you around? Shouldyou do to stop? We got
some things in common, honey,let's talk for a while. Did he
look you there? Percolated atmosphere.I got a mask and hard boots and

(04:09:56):
some lovely gift. How about meand you and black I'm hitting from the
back, telling my face and noughtjuicy ground booty. I'm the master rubber
spress. Let me through my duty. Girl, Let me touch you.
Good t me touch you there,I wouldn't fail. Yeah, keep it
too good touch you, good tme touch you? Then, I wouldn't

(04:10:20):
fail you. Get me tell mewhat good t me touch you? Sipping
man a chef, smooth your quedrinking hennessy, joking about two girls your
friend double team in me. Igot the office closed. You ready for
the pro suckers. Ain't no goodsticking coke up in your nose. My
starter's wall at home, being onthe kitchen table, point of flicks and

(04:10:43):
stacks player on the TV cable.I'd rather sign my address on your application.
You can call late nights for lonelyinformation. Where you come when it's
boring, a place where to go? I want you in a t piece
and free before a private show.You got my number, address, You
know the rest? Good touch you. I wanna steal you and tell you

(04:11:05):
what's wrong. Good touches, goodtouch you. I wanna still. You
can tell me what's wrong. Goodtouches, boismail, Hey, you into

(04:11:28):
the things that robots car? Allright in the banks to step by many
Yo, don't waste my time onthe phone. Girl, I'm going to
bet that movie rush a round.You need cash that game is says I

(04:11:50):
put your wig off you step back. You have a tantrum. I hold
your rent money, contact someone forransom. Cut off your phone wheel Mercedes
track in the foe wheel that's onthe real or your credits off. How
you feel? Give me my meekback now? Think back? You see
on four track your mother's balling foodwick check ships on the way. I
bought your first food our class.He was fru house with no heat on,

(04:12:11):
with slippers on. You walking dueback with your girlfriend's I can't sol
face. Stop your shopping, youwork with he pass you move sip on,
soul train poppets your head, keepbopping you face shout with perpetration.
I'll put you ow. We canintercept the gas station. Let's do this
now. Not impressed, I'm gonnashow you how I'm seeing robots don't as
spy. Every day I'm seeing Robusla la la la. I'm seeing froe

(04:12:31):
bus. Don't as some by everyday I'm seeing ro bus. La la
la la la. I'm seeing foebus. Don't as some by. Every
day I'm seeing robots body moving onthe pality. I'm here trap robot on

(04:12:54):
the trapping. The process was thetraffic, the process of continuation and move,
the traveling, the process of continuation, the move my time traveling existence
is a slight mission, moving thecourses, changing the vision, adjusting through
the weather, reaction see to toread from her fast and fasting every thought.

(04:13:18):
There's a different action floating into match, another floor of maddening in It's
like the cloud stable with the wind. The traveler, the process and continuation,
the move, the traveler, theprocess and continuation, the move,
the traveler, the process of continuation, the move. I'm traveling man moving

(04:13:43):
through space and time. Most definitelysince I was a little bush baby,
had to jump back and pinch myselftimeless cuteness, never had to convince myself
the good ship dream vote from thedays of looking yourselfs to the Ricky the
Dragon, steam boats. It's awhole other kind of craft been space like
farming, physics, simple five downthe basic math, not the basic cable

(04:14:05):
path. I fly sorties to theforties, filled with the shorties. Don't
let them see the ship, orthey would say, who lord it can
form? Not to let any reporterof recall me. I'm on the case,
shining light on the truth. Likea bright idea disappeared like I was
never here. An icon amongst Iyansto have no fear when I appear in
your clear blue Yanna's fear the trap? Yo? What up? Y'allist jay

(04:14:28):
live right now? You check itout and take it personally. You know
what I'm saying? Do that?Do that? I I've seen five,
I've seen five. I've seen five, and I've seen ray ray seen sunny

(04:14:54):
days. That a thought seen onlytimes when the curtain behind a fan fran
But I hairpin trick, get it, grip carefully staring at the mirrorge squint

(04:15:15):
to get clarity. My bare feetfeel like two fists dancing on a bear
skin blanket at this air being bullshit. We're not perfect, but anything is
everything hook for right hand. ButI'm working on my letter ring ranascerous.
It's such a time to approach.Got the sirens singing like we're trying to
catch boats full of ghosts. Simulationsthought it was a hoax. Stimulate the

(04:15:37):
throat, make a sunami, anoise guaranteed to enjoy your life choice if
you increase the volume of your voice. I kind of stayed near the border.
I used to wish that it waswarmer, but that was back when
I was still a beginner. NowI simmer somewhere between a summer and the
winter. Holy moly, they boilingup below me. I stayed posted in
the basement mostly make it makes usout of fluid macaroni shooting bottle rockets off

(04:16:03):
the top of the same bone withfire and ice side by fire and ice
side, the coal from the thinburns the skin, firing ice, sire
by filing ice side, the coalfrom the thin burns the skin. What

(04:16:26):
a boat because you flug from atmosphereand right now you're checking out taking personally
from my people. Filla player KevlarDJ three six and the one they call
Aaron Wade. He's kind of likethe tea money the mail man young tv
rash s. He's white whered upwhere up where up? Fire and ice

(04:16:48):
heat and the cold must dam inand competing with the ancient and the old,
the treasures of gold, rush tothe century, to the short world,
sensitivity, my paragraphs us all amenities. The exhibits show more the colossal
penmanship, where the pen would dosummer sorts of clip instead of the texas
from the bone on the sink referencetrack from your ghostwriter's lips. With my

(04:17:10):
worst selection, you're writing with thetop of the grid. The first commandment
I handed in for the action.The rappers wing function and active well my
behind closed doors actors gradually not onmy level to get up my fire A
nice level double substances. The publicacts where the luncheon is. I stay
where the verbal hunters live. Syllablesgo through your digestive system, a lot

(04:17:33):
of education and points to settle inthe ribs. I pity eight knock flip
operate, no stop or knock fioperate, no stop, Oh my god,
no stop, downy hunter, nostop eighty eight downy hunter hiding like

(04:18:00):
a bounty hunter coming out ramb ontop. Not switched attack. They can't
handle seek with the eye. Iride around in the coom ft predator not
slick competitors, medio competitor, dropthat type for object cab. It's a
week's surprise him on contact, catchhim on the poorer back damage like us
all that don't stop, take topwatching like a rich rush, get your

(04:18:21):
style big pot never rocket g shoton and off bank shot where he had
when she went. That's simple,right there, no ship everyhend I'm gonna
win finding the proper room ingrims,so stimp, never stop searching. She
gonna keep working, working for afut tell he found a person like a
warrior pap through the norder for guessright, shorted your big backpack pack damage

(04:18:42):
any class sat up for six streakpack and growing up with the down teeth
with the biggest shoes in big hat. Just some knocks operate, no steps,
some knock to operate, no stop, no shop, bounty hunt,
operate the ship. Yeah, Imade to ten balls in our dash like

(04:19:02):
winding Dark taking out Jedi night startto night to ten Bahache eighty eight and
the head cluck with pens Barty butwith the fresh scar on the death star.
My staff extends farther than the outerlimits for should I say further?
Made me act when heat when I'mmurder, all I go like dark side
If you join the dark side whenI'm down to carry, I'm exprimming on
the shark side. I'm like Arttwo you popular is R five am Buhler

(04:19:23):
bound style like a five O thearm drive. I'm like the dominant.
I'm a human highlighter. My momdarker nack garry, human eyeliner. I
call it sucks, like patting thosewalk the blah blah blah blah floor light
A gonna sooner on a cloud fightof my boy big string up around La
Black Way for the Mexican e asstell him what the dard say like check
one two on the chickens as terraclesour face. They're checking out the take

(04:19:47):
a fuch on radio show. Youknow the deal, Curt Deal still too
black Black Heath was the fort Blackwho take the course, the spinning your
head like the other fortune. Yourwife's m kissed in the lips. You
saw Richard Dawson y'all wearing chief shrinksin the record company office. They music

(04:20:07):
cottonators office under several bosses who drivewith your mom and porsches while you show
up the belly off sitting eating watermelonon the porchers. Women say my penis
is storgers. You say your artnasty, they draw a portrait. You
like how it recorded that censor shipit reported it. She escort, we
ordered it tell you run out ofpayments for the mortgage. Control your stars.

(04:20:27):
You like how playing the panties likea organ. Most fitners can't get
no family in love. They runinto other cities like offense. Back up.
You see the silver fantom park andshe wanna get out and get some
thumbs out of the target before.I've been to over in the fruit section
in Walmart supermarket. Rapp ain't nothingbut an eight track tape cartridge. I
heard they showing boody hole for thebest bargain. Y'all marching on the side

(04:20:49):
of the roads till you find thechief hoteler arching black d Wilson porchers,
black egs, black to paste tight, put some shinning and you chaste.

(04:21:10):
Light up your paste spike. That'sme critical talking in the mit, singing
like a gun. Alcohol proper call. Put your after sleep, keep proper
off on on your paste like abrand party. Poppet power back body bench
with some nightcarty. Were smoking inthe lobby. It's me never smoking by

(04:21:32):
me looking at Boppy hitting home runs, kicking like a body nor never stop
me. Bucket spikes, ripper myke, trip on your paper, hold on
with the tight cripper, pyde kick, watch your side chicken, the loading
dor side kicks. She's riding mychick. The Pemberly. You like it,
Pemmerly your blood. But to letthe mind the doctor making the house
coffee rock on behind it. Wegives zerup fucks, we gives zero fucks.

(04:22:00):
We get zerup fuck. We giveszerup fuck. We gives cherup fucks.
We gives Hier up fucking, Wegive cherup fuck me er rop fucking
all. My pipe of hill comingdown the metaphorlan spinner, butter ball so
good. I heard the word whenmy turkey give us my fast ball for

(04:22:23):
ball got the Dodgers interventioned in myspinner, the right hand that got you
up in back with a huggy pamperperfec amper name got hot hill dancer.
I'm looking for publicity with the cannons, no need for soaking in the camera.
The welcome mcclaming his orange bander wingthe ladies, Groma dick like the
wind, my traders to pull upon the ass and fitting the bend,
get the cozy with Chloe could dashingan internet any motherfucking you think can rap

(04:22:47):
sending them in, Let him cookchicken, take the ticket for ass whooping.
Then let's want me to play inBrooklyn. Keep the hottest scritch looking,
put a thonger for booty cooking throughrookies on my shit like drugs and
book. Then I'll keep the queenpussy dishing, come back and stepping on
men and chrome women, niggers workingfactories for me, refrigerator pulling, reliable
workers you never heard of, whowouldn't who wouldn't the mother fu We give

(04:23:11):
zero fuckers, we gives zero fuckings. And when we give zero fucking we
gives zero fucker. We give zerofucking. We gives zero fucking. When
we gives zero fucking, we giveszero fucking. Yea, yo, what's

(04:23:34):
up? Just be real? Andcan't we drop the green covers? Hell
praising out to take you take itpursaken person people coming back and for clime
plane seminars. A lot of bornypeople just shaking hands. You know,
I'm rid of Mexico kid Papa musingkind of battom for people in one Sometimes

(04:23:59):
I can't stand them, but liricfuck the world on a station in your
program girls, your wather Saint,no Simmy Corney's row jam. I walk
around sometimes in Santa Cruz, California, I hate and drop the fucking news.
The kids throwing which bee like JesseOwens Mexican girls, I love him,
mix with's the gowing. I gocruise up the whist, going up
with glan Town, passing, dreamup the caddy running open mountain. I

(04:24:22):
turn a right and make a leftfor on a nice block, no time
for drugs, socaine and a niceruck. I might lean to the side
like a super fly smoking no scat. I'm block in a super guy.
I might flip up my attitude changepeople in America who they think I'm strange.
I'm not no regular man on theaverage left. I might trip up
sometimes I think I'm Batman. Youknow the games. This time they gotta

(04:24:44):
player. You know the game.This time they gotta player. You know
the games. This time they gottaplayer. You know the game. This
time they gotta player. New thousandone Baddest MC who kids who baddest MC

(04:25:10):
kean keen Baddest MC velvet rolled bodylike Hector Camacho kissing barter beacon girls on
the earlobes. Victor ramos are standingoff for most are big wood fat join
the orange Rose voice coming down Peakor up North plyvics and tense with backpacks
move like they try to act likethey don't hear it. System bus,
I don't wrap freestyle no more,stop smoking engine dust. I'll bring drama

(04:25:32):
to your drawerbus coming all eight underthe bus Project one, project two put
I was seeing your house straps andhouse reptile house. How that sounds to
you? Mouses jamake us from eatingMoore and Patterson houses. Look up the
starry Keith mindy let me know.I'm cutting this route up. The wrappers
standing around jealous looking broke needs tobe in a double dust jumping rope.
Y'all northtown folks coming down the Manhattanworld silly are so cooled made by black

(04:25:55):
girls called bread and beetles above yourhead. I'm gonna stop with the run
lane because it's rest baddest mc baddestmc baddest mc K. I'm gonna know

(04:26:18):
what I need right now. Ineed a bitch to suck my thick come
up the trip league and not sayship or free do what she's supposed to
do or summer ice folator. Nexttrail on the roller skot paid your twelve
games. You hip your bitch outand make your fake your while you're button.
I'm flooded ice far made out yourrhymes, played out, your wife
stayed out. Fucking dumpy niggas likeme and the b I MP heist the

(04:26:42):
tea, smack your bitch into themotherfucker he into g History's been written.
Cat my fucking shit the bitch.So I reintroduce another loop in the noose.
There's monna freak the front when Ifucking don't roll, I make a
high class bitch and do a lowprice hole really don't. I'm an isolation
is off the street and at warbaby strapped it on and hit that nigga
raw Let him no use a freakbut he's a fucking hole. Then report

(04:27:06):
to a pin, hit my pictures, trip a lowe, don't lose a
flow, meet me in the Jennysin the back row eating grand slams,
bitch like I give a damn morefreaks. Second thought of what I really
need right now. It's a bitchto come over here and let me go
off in her motherfucking asshole raw dogstyle. Yeah, what's nuts on the
ball down? We switched to pedocord little freaking long, superceiving a little

(04:27:26):
and running that bitch yat like barcorns. Then we switched to pedo cold,
little free with seeming un load andrunning that bitch chats like bar corn.
I look at ship, I eatneck antilog rot, poor gay maxing
in the splash, cuzy aning logman with bath throws, sniffing egg family,
cook up my nose with Calvin Clydebox shots. Watch the Wild World

(04:27:48):
of Sports with no remorse. Usethe hours soaking the back of the Century
Club turning off more slash taking service. Watch the strings out one in the
Minnesota Twins birthday party, Watching ourhearty with a female with the wind calling
back, ejaculating one twelve while Ipushed me back the carders off the shelf
with my fingers stuck up in thegirl's butt that looked like Mary Jay.
Pretty asshole on the top bus,fought on True Hill with some barbers just

(04:28:11):
taking birth. The trop Bills roomand the riders in Hotel chinner for low
pensils swinging my fucking doorbell with herhair ass showing and of penetration darks fun
in the back. Put lights inthe front of my clock. Hit the
guest, lift from the side,Foplopian two showing access from the side,
fernelial protect the automatic. Select thatpurple butt next to whip vanilla flavor between
Lisa raised butt cheeks. Ask anotherpoll that glasses showing their girlfriends with dark

(04:28:36):
brown dropped the tight asses, keepcaring, stuck the girl from the back
of the ass crack used to typefor the safer shoort, Wow, extra
extra red on about it white hell, ain't just struck again? In my

(04:28:57):
hand? I turning up the scene. Broadway, Milly Aren'tway? That's right?
Get traction? Hey, there's Roadway, Milly oh Way, Come Broadway,
Billway, that's it, aren't you? Bardway? Billy Baby, Guess
the phenomenal Broadway Milly struck again Broadway, Billy Broadway, Billy Broadway, Billy

(04:29:19):
Nice Side, Roadway, Billy NiceSign, Broadway Billage nice Sign, Broadway
Billy Nice Sign. Mike Thistleton Thedark enhancement the Gallery Department brings so big
the worst make you get ahead ofenlargement, the first up early even breakfast
a turkey sausage. I'm young TonyBenning and the Silver and Black band of

(04:29:42):
Nothing rented you with balls in thetruck. You're ready to play tennis and
tennis don't touch if you Watson withhand sanitizer, tap my SHOULFU drive.
I'm Don Wilson, magnificent, sobrilliant, escorted with tuxedos the side of
the building, or derps and chatrooms wrapp the star struck hid from me
in the bathroom. She got herfirst coming down on the steps, big

(04:30:02):
on her neck like a bad boon. Slide to the side of the king
callaway shoes, the Fredder with Annabelgoing up the stairs. Come here there
like go mess with what tis shut? Y'all hold the door for me when
I enter Platinum Plax, Mister Atlantic, Motown Special, driving off Sammy Davison,
the door men hand me the ladiesstore with behind where you little purchased,
lady elegant? What the many areirrelevant? Don't miss the ballistics Roadway

(04:30:26):
Billy nice Sign Roadway, Billy andNice Sun Broadway, Billy and Nice Sun
Broadway, Bully Nice Sun huh,my light brightened the thousand suns. The
parma shot. He come with around trump the gun woke the whole time

(04:30:48):
up. Huh, cold bloody,I need the cold in the summer.
Hus. I'm always by the stovelike an old woman. This is home
cooking. Dain't put the shit inthe booklet to the book the kid and
left'em stuck like a pincushion.Won't they kept me pushing puss, no
bullshit crept on the next jokes likea leopard in the bushes, or like

(04:31:11):
the smell's pussy. There's no wordthe better putty. Huh. Tell'em
to play joying out the voice andthe troity, to have the card and
show on Nigga's thought. I wasroyst left for moist. Nigga collect toys
for the extra coins. My boyswe make solda, we openois. We
on that boy, you got afew plugs post true boy, it's true

(04:31:32):
joy. It's long as I don'tlose my voice. All I need is
to steal one true life schoolboy.Oh I bet I put my point like
a schoolboy, your whole life story, the slow probatory, my watch like
a rock, corry on me fromnow. They called me rock colly Oni
dog frozen roll each slice the roseriesrose the trophies time and chokes my throat.

(04:31:55):
Freeze Rosen, Sprinkle the weed withcopen leaves and lead grab my cold
please. You seen kink the poldand my crean told you che You know
the stays, You know my stays, nigga get without just swapping boxy you
listening to take a personal radio radioradio radio? All right, folks,

(04:32:30):
wrapping it up the Ultramag tribute episode. I hope you all enjoyed. It
really pairs well like a red andsome Swiss cheese with the interview and all
that other shit that we did.I've never had Swiss and cheese. I
don't know. Yeah, I haven'thad any alcohol in five years, so
I don't know what the fucking pairis good with it anymore. I think
fucking brace throwing up right now.But I'll Swiss cheese and some fucking are

(04:32:56):
get some brie, all right.I actually wanted to bring this out.
I mean, you know, thisis kind of what you know. There
you go, we get the newvinyl and we got some vinyl courtesy of
Rough Nation to give. Like Isaid, we have the action figure and
next episode is going to be afun Drey's gonna be in his space.
This is like he's in his element. I really hopefully he does it before

(04:33:19):
he gets his knee surgery rays.Yes, under the knife and a few
propafal is gonna be calling my name. Hopefully I wake up. Guys.
I don't want to like Jink sincewe Jinks everything on the show. He's
got an appointment tomorrow to get sizedfor a walker. Yeah, it is
happening. He's gonna be walking offa rock port. Shoot the rock.

(04:33:44):
The Insurance Rider is gonna be kickingin guys. You get the lifted souls.
You're gonna have that thing you canhang on your cars. You can
puck in the handicap spot on theback of the beamer. I'm gonna have
that fucking big metal contraption that lookslike it's should be like for a family
fake occasion. He's gonna have oneof those pages around his neck in case
he falls as I can't get out. It's gonna start working walking like verbal

(04:34:08):
kemp. Yes, you know backwhen I was in that barbershop cortex Coquilla.
Yes, speaking of verbal props,to Ultra and Cool Keith, who
took verbals to a whole nother level. That's kind of why we did this
show. We wanted you guys tosee just what type of MC and how
important it was for the movement ofhip hop and also for lyricists. So,

(04:34:32):
like many people after him, whetherit was three thousand, whether it
was who else would you say Keithinfluenced? I mean everybody that has ever
come out of the quote unquote indieunderground circuit of the late nineties. Yeah,
so you know, everybody, allof those guys, you really owe
a big debt of gratitude to whatUltramagnetic did and what they continue to do.

(04:34:53):
I mean, Cool Keith still likeJay's ship. The guy puts out
more fucking music than you know.I mean, he na puts out a
fucking record every other month, sohe's definitely on that level. It's hard
to keep up, but this particularepisode is really the showcase of his career
from the start to two current days. So if you're not familiar, this

(04:35:15):
episode is gonna get you familiar.And he's always been one of my favorites
for personal reasons. I'm glad wedid this episode. We haven't had an
interview in a very long time,so I thought, you know, a
guy like this was he came for. I mean, he was extremely entertaining
him and said, so I lookforward to hearing what you guys have to
say. I want to thank roughNation, I want to thank Detailed Junkies

(04:35:40):
for the awesome goodies, for thegiveaway, and I hope you guys really
enjoyed it. This was a verynecessary episode. I'm glad we finally did
it. So thank you Jay forputting this together as well. And keV
thanks for not being here but alwaysbeing there in spirit. You are the
obi wan Kenobi of this episodes whenwhen they were an endor and like this

(04:36:03):
weird comes up after they're in theinterview. No, forget forget that.
Sorry about that, man, Iknew you know ahead, keep going all
right, So look I can goon and on clearly, Uh dude,

(04:36:30):
it's just too easy. It's tooeasy. No, So well, look
I've said enough. We have threemixes. This is our ultra show.
It is one for the shelf,and uh, I don't know how do

(04:36:51):
I finish this after we're gonna finish? Thank you, Thank you, thank
you. This is all good stuffguys, you know, like they do
in the oscars, the Times onLimited and at the end of the day,
tune in, do what you alwaysdo, spread the word, keep
tip number one on that podcast listand Ultramagic Face or don't are we are?

(04:37:12):
We number one on the podcast listonline on my list? We are?
I mean, yeah, yeah,sure, why not we Where are
these fucking numbers at? Anyway?Who brings you what we bring? Come
on, seriously, nab out anotherpodcast that plays the music and has the
guests that we have our first fewyears. By the way, going back,

(04:37:33):
I listened to the Rosenberg interview otherday that was pretty good, and
he said on his one as podcast, his first two years were like they
had every guest and if you thinkabout it, we did too, and
then they kind of like went intotheir own thing. And that's kind of
like what we've done. So we'vehad all the big names in the first
few years, and now we're kindof like just well, you know,
we're doing shows just to flex ourmuscle. We're doing shows on fucking Nirvana,

(04:37:59):
and we're playing in R and Band we're doing like, you know,
just crazy shit. The best thingRosenberg said once he talked to his
partner and said, this show wouldbe what our show would be if we
were as good as they were.And that's like that was like the ultimate
ultimate compliment. Yeah, it was. I feel like in the beginning we
needed all those guests to establish ourlevel absolutely, and then once we get

(04:38:23):
once we get to the level,it's like you need to do whatever you
want. Yeah. I think oncewe kind of like said, oh,
we deserve to be here, andthere's a reason for you to check us
out. And this is kind ofwhat we're doing. Where where your Midnight
Marauders tour guide? You know?Yes? And now it's like you don't
want to happen an interview unless youknow it's going to be a good one.

(04:38:44):
Then I'm jerobi, bitch. Endit there, End it there.
That's it. End it there.Well, thanks again for tuning into another

(04:39:07):
great episode I'm taking personal. Staytuned for our special Boston hip hop tribute
coming this fall featuring Dart Adams,Esoteric and UFC play by play commentator and
fellow Bostonian and hip hop junkie Johnand Nick. Often imitated, never duplicated,
This is the personal radiological announcement.Do you remember that night you wouldn't

(04:39:59):
part if you kept the sharps justto carve my fucking heart like a park
bench. Well I found it thismorning, and then a south side rust
stop, and now I'm smiling forthe smug shot. That's when I knew
the plan was bound to fail.Got to time you hear the song,
and I'll be singing it from downHe caught me jail still feel to the
maximum, So fuck Bill Clinton?Where the sacks of fun ain't cut cut

(04:40:22):
I'm trying to follow with the fuse. I must have missed today's allowance of
fish food, Like, who's kid? Do you think that this sis?
Dude? She ain't your bitch?To miss us? And when there ain't
nothing more to grab, I mightgive something back to the floor of this
cab. I might tag my nameon the door of your building. Might
even make a couple of your children. When all the lights go outs,

(04:40:45):
when the nights go, wounds goout, when all the lights go outs,
when the knights go, wounds goout. When all the lights go
outs, when the nights go,wounds go well, when all the lights
go out, when the night skillwives go back. True click, it's

(04:41:08):
when he go in he keeps itflowing, brought his poem from a swollen
place and deep no and reatus on. He scared in the darkest night approaches
until the time comes somebody like richesstop, drop, pop, slug out
the mag tag, dug it out, crag hold onto your blog out bag.
When he's out off tor browser andthe grief goes down, grab your

(04:41:30):
girl, he might arouseer yowsers,what dreams may come? Some plot and
scheme on the scene. He playeddumb from load out with true emissary who
forever ready actually secretary about the melonberry. It's elementary the door or the ski
hat draws a dumb to re slackswhere you're gonna be at? Don't repeat
that. She had to type nodoubt if she wanna eat. It's going

(04:41:52):
right in ther mouth out gonna onlight school outs when the night skillbouts,
still back, when all the lightsgo outs, when the lights go wild's
good out when all the lights goouts, when the lights go wilds go
out, when all the lights goouts, when the night school wilds go

(04:42:15):
Yeah, you know it's like youknow, all its political stuff. You
know what I'm saying. It's God'sappointee. You know, everybody trying to
get they talk on you know,the rumors and all that. That's why
they make you know, that's howthey make their money. You know I'm
talking about bangs, but you knowwe're part of that. You see what

(04:42:41):
happened. Money don't mean nothing,It really don't. Money don't need the
damn dag. You see what happenedto Joan Rivers, all that money for
a face and skin? Then,Dad, you know what I'm saying,
I just might walk up to oneof these motherfucker's stars, Pully wagn

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