Take It Personal (Ep 153: Have You Heard?)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Hey, Hey, Roger the announcer here, and thanks for tuning
into episode one fifty three of Take a Personal Radio.
On this episode, we're playing a variety of bootlegs, B
sides and remixes for our first ever have you Heard game.
This is an episode where you, the listener, will hear
thirty two obscure tracks and based on your score, we'll

(00:21):
have a chance to win some really cool prizes courtesy
of Get On Down and Dred Did It Clothing. Obviously
anyone could just make up a score.

Speaker 2 (00:29):
But how would you sleep at night?

Speaker 1 (00:31):
I mean, really, you don't want bad karma, dude.

Speaker 3 (00:35):
So on our system here.

Speaker 1 (00:36):
Please share with us your total score once you listen
to the episode to enter to win.

Speaker 2 (00:42):
And now let's start the show. Yo, what's up with?

Speaker 4 (00:55):
What up?

Speaker 5 (00:56):
Yo?

Speaker 3 (00:56):
What's up?

Speaker 6 (00:57):
Yo?

Speaker 5 (00:57):
Yo? Yo?

Speaker 3 (00:58):
You need to take that person? Take your purse, Theresa.

Speaker 2 (01:02):
Take take a helpful yo?

Speaker 7 (01:04):
This christ one checking out the taking person in the radio?

Speaker 5 (01:08):
Sho yo yo?

Speaker 3 (01:09):
What's up? Is black thought? The legendary Woods crew? It's
just that gee this school chee yo.

Speaker 5 (01:14):
Yo yo yo? What up?

Speaker 8 (01:15):
It's your boy mapping, Miss marm thief and all that
shut out taking.

Speaker 3 (01:18):
Purse yeah, yeah, yeah.

Speaker 2 (01:20):
It's Jip from the Wool Tang and right now you're
listening to it.

Speaker 9 (01:22):
Taking personal take That was good, y'all with DJ Monks
type of school.

Speaker 2 (01:27):
Check it out. This is from corn and checking out.

Speaker 10 (01:28):
Taking person yill, Yo, what's up?

Speaker 11 (01:30):
This is Diamond D representing digging in the crates right
here or taking.

Speaker 3 (01:34):
Her shoe radio, Yo, check it out. It's the infamous buck.

Speaker 5 (01:37):
Walk and.

Speaker 12 (01:45):
Yeah, yeah, what's good. It's your boy KG y'all y'all
checking out taking personal radio with my man so a
playbook kevlof Ammon Wade and the boy J sixty.

Speaker 7 (01:55):
Hey, yo, yo, yo's boy Darrel Marsh Yo, what's up?

Speaker 3 (01:58):
It's see nice yo.

Speaker 2 (01:59):
What's good y'all?

Speaker 3 (02:01):
Yeah, yeah, yeah, what up y'all?

Speaker 2 (02:03):
This is common sense and right hope to and yo,
check this out.

Speaker 12 (02:07):
This is reready fires good.

Speaker 9 (02:08):
It's a man no reason the thirty vidce out and
trading with them to let you know you need to
take it personally.

Speaker 4 (02:13):
Just take it personally, ran man, and we end up.

Speaker 13 (02:17):
Going it beyond beyond.

Speaker 14 (02:19):
Yo, what's up?

Speaker 2 (02:20):
This is being real and you're blazing out.

Speaker 10 (02:22):
To take it personal.

Speaker 15 (02:25):
Hip hop the way it should be.

Speaker 2 (02:27):
Keep it right there. The best in hip hop, hip
hop been in that fly ship. You heard hip hop
stayed winning. Yeah yeah, yeah fu and ain't what though.

Speaker 16 (02:59):
Hey, okay, remember when that used to be dope. I
had a pocket full of thing.

Speaker 5 (03:05):
Look what you doing?

Speaker 2 (03:07):
I know, I know, I lost touch with reality.

Speaker 16 (03:12):
Now my personality is an unwarned commodity. I don't believe
I used to be mister Steve Austin on the mic six.

Speaker 2 (03:20):
I used to run it.

Speaker 16 (03:21):
I guess Oscar Goldman got mad because I got little circuits.

Speaker 2 (03:26):
I mean, the mother goose with the eggs that seems
to be.

Speaker 8 (03:31):
And y'all want packing my bags because somebody that here.
My mama don't love me. Yeah, my mama don't care.
Read up on the headlines. The paper as safe. The
washed up rappers got sun beat box booming while the
guitar swaves radio hits for the radio plays.

Speaker 2 (03:48):
For something I knew.

Speaker 8 (03:49):
I blew the whole fan ain't gonna whin the drum programmer.
Water can't go never could be like fake fish won't white.
They realize, man, you got to move it over. No
good luck in so makes beat the fucking beat.

Speaker 17 (04:02):
While a teenage fan and he I bring it to
the clues, So pay all your news, watch your go
dead when I use my forehead, easy take the backs.
That kid stops stalling because.

Speaker 18 (04:13):
Everything that do was like farming so wp so up
so walla wada so wop so op so so wp
so op so wlea wa so wap so op so
so wap so wp so whilea wa so wap so
op so so wp so lop so wilea wather our

(04:35):
so wop so op so so wp so wp so
while the water out so wap so op so so
wap so wp so whylea water so wap so op
so so wp her wp so wilea wather ou so
wap so op so so opp so wa water our

(04:56):
so wap so op.

Speaker 9 (04:58):
Some take your personal episode one fifty three, and if
you hear my voice, you know Kevlar is.

Speaker 2 (05:11):
Out surprise, motherfucker.

Speaker 3 (05:13):
What is he doing?

Speaker 9 (05:13):
What can we say Kevlar is doing to make it
family duties, family responsibilities, He's doing homework or what else
could he be doing?

Speaker 14 (05:22):
He's getting overwhelmed. Let's just say that, right.

Speaker 9 (05:28):
Why So, this episode is something that I've wanted to
do for a while. This is really kind of like
a play at home game with the listeners. We love
playing new music, we love playing old music, but I
feel like today's episode is going to be music that
most people, I shouldn't say most, but a lot of

(05:49):
people will not have heard these versions before. You may
have heard the original version, but a lot of these
songs thirty two tracks total, These are just remixes or
b sides or bootlegs, and I think it's fun because
it adds a different element. It's kind of like you
don't know what to expect, and I guarantee there's definitely

(06:10):
going to be a handful of songs in here that
you didn't even know existed. So it's a fun game
to thirty two tracks. I want you to listen to
each and everyone and then tell us at the end
of the show, how many of these tracks have you
heard before?

Speaker 3 (06:24):
Don't lie honestly.

Speaker 9 (06:26):
Them, but careering to enter your names to win some
awesome stuff from Get on Down as well as our
MF Doom T shirt giveaway. Do me a favor, Listen
to the show in its entirety, and then hit us
up on ig and say, out of the thirty two
give us a number of how many songs you've heard before.
You gotta make them list it. No, no, not the

(06:47):
particular numbers. But you can't sleep at night if you lie,
So do me. Don't have bad karma, you know what
I'm saying. Just just do the right thing. Tell us
the number of tracks you've heard before, and have fun
with the show. This show is really it's gonna be fresh.
It's gonna feel like like an early nineties color radio show, right,

(07:09):
and there's gonna be a plethora of remixes that you
didn't know existed.

Speaker 3 (07:14):
And this show's gonna be awesome. It's a really cool show.

Speaker 14 (07:17):
Dray, I'm gonna set the stage.

Speaker 3 (07:18):
This is funny.

Speaker 19 (07:19):
You know, remember back in the days, guys, you wanted
to record a radio show that had all the dopest songs.
The show came on really late, and you usually fall
asleep within the first hour. Well, the next day you
go scrub that cassette tape both sides to not only
hear the great music, but you discover these unheard gems
that became so hard to find, these remixes and unreleased

(07:41):
joints that you never knew existed. So these versions never
really made it to mainstream that made the shows that
we listened to gold mines because of all of these
exclusive tracks.

Speaker 14 (07:51):
So the original versions.

Speaker 19 (07:52):
Don't get me wrong, they were all incredible, but these
alternative remixes flipped the vibe entirely. So thank us in advance,
because we're basically lacing you with an entire show of
all of these types of songs. So instead of finding
one or two, you have an entire episode filled with them.
Like Jay said, gonna be fun, man, let's do it, no.

Speaker 10 (08:12):
Doubt takes you back to the days of recording stretching
Bob or getting the tapes of stretching Bob. That's the
kind of vibe the show gives college radio. Man, it's
where we all came from. This is a throwback to
college radio. Can't do better than that. And a lot
of these songs like I was sitting here scratching my head,
we were the ones who played these records back in
the day. I didn't know two thirds of these. That's

(08:33):
how much digging is done tonight. Get ready to dig
with us and enjoy without further ado, enough yapping, let's
get through the wapping.

Speaker 1 (08:58):
Did you know our show can be heard on many
different platforms, not just Spotify. We stream on Apple Podcasts,
which we happen to think.

Speaker 2 (09:06):
Sounds the best.

Speaker 1 (09:07):
We're also on Amazon Radio, iHeartRadio Player, fam Heck, we're
even on Samsung Radio and YouTube. Every episode has its
own page on our website to Take a Personal Radio
dot com.

Speaker 2 (09:18):
You can even download each episode for.

Speaker 10 (09:20):
Free to listen when you feel like game people when
you're not connected to the.

Speaker 2 (09:23):
Internet, and while you're there, quick on the patreons.

Speaker 3 (09:26):
But to become a supporter of Take It Personal, do.

Speaker 2 (09:29):
It today, think them on? Really seriously help a brother out.
All right, enough of the happened, Let's get to the rapping.

Speaker 20 (09:47):
Okay, people in the house, weakness something, yes, yes, yes, that's.

Speaker 2 (10:14):
The first time I hit the wax. Was the news
of my block, everybody in my neighborhood.

Speaker 3 (10:18):
It's the cool.

Speaker 2 (10:19):
But don't stop.

Speaker 5 (10:20):
It was a full man was done.

Speaker 2 (10:21):
Barron might this bass doctor who to me Grand Food
didn't started blowing up on a quick flas.

Speaker 21 (10:28):
Doing shows by in clues, getting crazy cats. I still
stayed the same, ring around with my head and happy.
The fact I'm doing good made the jealous ones unhappy.
I know you wouldn't make it was a.

Speaker 22 (10:38):
Favorite line, the fuck that I hope before it was
really on their mind because I found the wisdom.

Speaker 3 (10:45):
Who thinks?

Speaker 2 (10:45):
Who thinks online? That's because I found the way.

Speaker 23 (10:48):
The bad of my condition by luck Ballock is what
the jealous ones keep wishing for.

Speaker 2 (10:53):
The crew broke up home. I knew they would love,
but I refused you, so I about battle on that
as branded dad. That's the whole thing.

Speaker 3 (11:02):
Now they back up all my dinger like.

Speaker 2 (11:04):
Wanna tell my hell y'all, Coop, I did this, yoa,
he did that because they nose's in my crack like
gurme my Baughther. But they don't far in a corner
to do.

Speaker 24 (11:12):
That because he is jealous flat you know the flavor
of that jealous behavior.

Speaker 2 (11:17):
I'm just like jesuspectors. I mean, I'm all that, they say, trying.

Speaker 5 (11:20):
To knock it off.

Speaker 2 (11:21):
Worry about your own ship just because your man ain't shit.
This don't need to rhye up?

Speaker 10 (11:25):
Say where do you used to?

Speaker 25 (11:26):
Wait?

Speaker 26 (11:26):
Man?

Speaker 2 (11:27):
They're sticking up their finger. But I guess it's a
rasure back when you become a rock.

Speaker 27 (11:30):
Say hot, I work hard where the guard with supreme
mode the basing the final two eighty bars trying to
jam my situation.

Speaker 2 (11:36):
But that Joe kills because my old third always.

Speaker 3 (11:39):
Tell me you're going move and don't.

Speaker 21 (11:40):
Stop, honey, and now be damn the bambooper won't get
it done.

Speaker 23 (11:44):
I have no time to slow my role on a
jealous one. See, I love the help of us because
up takes the care I do for my people. Then
wick a welfare next time you see your brother down
south and.

Speaker 2 (11:54):
Pick her up, because you might be the next one.
Stuff where it is born. That's bow born, and we
still doing the situation of that.

Speaker 24 (12:02):
It's you know what I'm saying, And we're trying to
hold the black man back to get a live like that.

Speaker 5 (12:07):
We gotta help ea jumper.

Speaker 2 (12:08):
You know what I'm saying, Brother, the brother, sister and sister.
You know what I'm saying, Stay out my Christmas thing?

Speaker 3 (12:14):
Where about your own?

Speaker 2 (12:15):
You know what I'm saying. Where about your own?

Speaker 28 (12:19):
Now?

Speaker 3 (12:20):
Hey, y'all, yeah, what's goodness?

Speaker 29 (12:22):
You say?

Speaker 11 (12:22):
Oh?

Speaker 3 (12:22):
Less yo yo?

Speaker 11 (12:24):
Yo's the great alt to Rick the artist formerly known
as Fashion Man, listening to taking Personal Radio, loving it less.

Speaker 2 (12:31):
It's nice taking person or motherfuckers. Let's good? Yeah, man.

Speaker 24 (12:47):
You get into the record store and I saw this
great compact, this laying there, and I say.

Speaker 30 (12:54):
Could that be right?

Speaker 2 (12:56):
Could that be out of sight?

Speaker 30 (12:57):
Could that be the main man?

Speaker 23 (12:59):
Get?

Speaker 25 (13:00):
I know min wow.

Speaker 31 (13:05):
I'll take a stick up a mic and push that
took my mouth bladed up up there, I blast off
like out.

Speaker 2 (13:10):
I'll be off all too.

Speaker 13 (13:12):
What the world a time to me?

Speaker 2 (13:14):
Strapped to a freaking girl.

Speaker 31 (13:15):
Let's dumb to hot let them this south on top
of my lezard tongue's like a dump but desert a
hung took.

Speaker 24 (13:21):
The like frank dawn six packs but weak to make up.

Speaker 8 (13:24):
I want to get repped in the sheet so I
can sleep with sleep for when I sleep with, when
I freaking I speak talking married to too, wanna ship
for my oint always on points to brush my joint seat.
The party can't last with the glass on the bing,
and so I put some yellow liquoiod and.

Speaker 2 (13:38):
A dump when then one to the like one too.
My visions says, if you don't test me now to
speak fastening, say yo, you be bugging up the sells.

Speaker 11 (13:46):
I'll be freaking dusty.

Speaker 3 (13:47):
Keep you win.

Speaker 2 (13:47):
The day's window speaks the.

Speaker 5 (13:49):
Short as the butter.

Speaker 11 (13:50):
But if you want to make your milky a twenty
black of chock let in.

Speaker 2 (13:52):
A blood Is you with me? Always looked like antract
and my mom fuls dropped and.

Speaker 6 (13:56):
My eyes are sagging.

Speaker 12 (13:58):
So I flew because I felt I'll get you with.

Speaker 8 (14:00):
The one dog for the out and fluid and fluid
and flud put a cloud and trick.

Speaker 13 (14:06):
The flooware with puff hare call saying.

Speaker 2 (14:11):
Everywhere I go, do win, I go, do win, I
go do it, do it, do win, And I'm here
and I'm there, I'm thick that you ain't. I'm heverywhere head.

Speaker 5 (14:22):
And where.

Speaker 11 (14:41):
Stimulation feels, the joky sensation that keeps the fucking rotation
looking to move.

Speaker 2 (14:47):
It slope, take a.

Speaker 11 (14:48):
Hit in that like you know now my pole bispop business,
pau the hunt with the weakness.

Speaker 14 (14:53):
To get some physical fitness on getting that all night long.

Speaker 13 (14:57):
It's toxicated.

Speaker 6 (14:58):
Means in the house, it's like a.

Speaker 5 (15:01):
Plastom up ring.

Speaker 8 (15:01):
When I tripped those lights and the sights that night
and make me slip, and then I want to slip
to the magic kickdom is in the stables. You're waiting
up because I can make a movie with us and
sore buddy, and I'm gonna need to kick no matter
if it's chuffy, run up aline double time.

Speaker 2 (15:16):
I'm ready and I'm gonna get a gas check like
my name was.

Speaker 31 (15:19):
Yet I don't want to pull the cloud, pass it
around but around.

Speaker 2 (15:22):
Wind them musics out.

Speaker 25 (15:23):
I can't talk.

Speaker 2 (15:24):
You don't want to see me more off great, learn
the phone out that in front of the part.

Speaker 32 (15:29):
I don't know what's going on the upside there like
before clocks.

Speaker 31 (15:34):
Blessing me when after wi covering and swimming and few
nowhere and flew with.

Speaker 33 (15:40):
Um a cloud and take the float with puffs things
eating nuts puffed.

Speaker 7 (15:46):
Everywhere, and you'll put it out up yo, what up
juggling your rocking would take it person.

Speaker 27 (16:05):
Race right here for my main man towards said bring
the whole umble some leper docs right here from the
one twenty pocks.

Speaker 2 (16:14):
In Harlem up town reach started like g.

Speaker 29 (16:18):
J peas prop the hell gets strewed up, the honey
gets streamed up because.

Speaker 2 (16:21):
The Jimmy had a dream that Mike the ron rip
the beat up that up tail. Don't make your hand
beat up here y'all yo, yo, get with them.

Speaker 8 (16:29):
It's they hit the make your humbles just in nup
being constant.

Speaker 34 (16:32):
Pay the monkey in the jungle, humble flat pete, the
dumbers that should be hot Kilby is the magician.

Speaker 22 (16:37):
Gotta mention in the yacht may the rocket don't stop
it because the party.

Speaker 2 (16:47):
Fella, I'll take it out. Mydness is exquisite, invites to
the physic. Is it that that I'll be doing? Brewing
this you cool with lebron blizzard.

Speaker 14 (16:55):
It's in the head.

Speaker 2 (16:56):
Can't stop it, trumping jewels.

Speaker 8 (16:58):
Like a thief with a old no doubt remy these
had to don't cut first choke from her.

Speaker 2 (17:03):
My hands, head and cross don't want to check your hope.

Speaker 14 (17:06):
We can't have my ball, so ex on points make it,
make it your tall.

Speaker 2 (17:10):
It's like water clip close that I can't gammicating by
his small ball. It's a low custom front of the ball.

Speaker 11 (17:16):
Climbing food down then really be smoking up the pocket
pe te lined with the deep boat.

Speaker 6 (17:23):
The head is like that joke back from.

Speaker 24 (17:28):
Left we want it was just.

Speaker 2 (17:32):
You know what we left by like second, it's getting
late and I'm a broch.

Speaker 27 (17:45):
I got to get up, tell him to my own
com down, give a paw to milady up to dinner.

Speaker 2 (17:50):
They joke, you know how I'm gonna see you. I
might see my man.

Speaker 27 (17:54):
It was grace reached the New York state and hardworking
New Yoga step on the trash boor was with the
pear British marcass out axt I got the fright. I'm
rites mys hotch good things not from no Rose.

Speaker 2 (18:07):
The pats tend the message that the.

Speaker 17 (18:10):
All et the pony chip boom the corn up won't
get a prostitute in the black tight top sight.

Speaker 2 (18:16):
Clan string, But I like the runners. The prop come
all tasting. No wait, shit, it's gonna catch your just
fasic New York. Can that make your too we hat
check man.

Speaker 35 (18:24):
Out, don't go and get past it because the crowd
and said like you ca't.

Speaker 24 (18:27):
George made out to touch the tone man sensions was
coming both tite.

Speaker 2 (18:31):
But below one hand froes and feels good.

Speaker 17 (18:33):
The floats unless the torch arrested, give fop blessuth hold
up pasts kase George tripped um like child.

Speaker 36 (18:39):
The beat is dismissed like that ll I was walking
through the juggle with a stick in my hand.

Speaker 2 (18:43):
I'm from Bland. It's how the stats great important.

Speaker 17 (18:46):
The plan you getting the yellow but Nima, now we
are about the driller, watching constant pay the monkey pounds
chests like looking not with things people praise be booking,
think I got mad, Luke, It's.

Speaker 2 (18:55):
Sad I'm blapping to think I'm cute whatever.

Speaker 36 (18:58):
But if you was clevering broke and the broker center,
mugly of the neher, precise like ty slit and cool
big coddle doing sees principal cow highly pleasurable pot like
captain sets some practice with my tea playing battle with hex.

Speaker 37 (19:39):
I wonder how brothers had to screw on when they
fronting around town with the next Man touns On talking
about the good of Penista Swart and turned off beagles
driving around the brine baus that only happens in America.
When you kept your brother fronting with a turned off
cellular out there trying to jingle my ken't think, mother
fucking man, and got nothing more singles and always half

(20:02):
stepping because even now the dice game, nigga's gotta start tashmit,
they have the whole playing pole to tell you safety Loo,
everybody pay.

Speaker 2 (20:09):
Up and hell yo, our man guy.

Speaker 37 (20:11):
Chicken game at random, Chicken game at random chicken game
at random. His favorite line, now, no worry, I'm an
hits you off with my mag and he claim he
got powered when he doesn't have a pot to pissing
of the window and throw it out him. And they're
always fronting like the other kids, not a job to
his game is still living in his mother's grip. So

(20:31):
why you're fronting like you're large? Don't front on me, nigga,
I pull your mother fucking cards. Oh they card, so
you tell him how you're gotta lid on down?

Speaker 38 (20:41):
Well?

Speaker 2 (20:41):
They card, So you tell him how you play it?

Speaker 3 (20:43):
Hurt.

Speaker 2 (20:43):
I gotta lid on down well, they card, So tell
him how you I gotta lid on down well, they card?

Speaker 25 (20:52):
So tell him how you hurt?

Speaker 5 (20:54):
I gotta lid all down.

Speaker 2 (20:57):
Nowadays hoses ahead of you. Why you say that the stitchers.

Speaker 37 (21:00):
Be fronting on a regular For instance, take the neighborhood freak.
Better get an outfit and the head done in. The
bitch won't speak fronting and acting of a fly will
pull up in the five thirty five and home girl'll
be like girls keep the same old song.

Speaker 2 (21:14):
I don't see money. It's all right.

Speaker 37 (21:16):
Wrong, yo, she's a lot of order when she barely
keeps the water, looking for her brother to support her
hanging out and she stay fronting with a tightes shit
and getting mad when the motherfucker say something catch home
girl walking through and be like what she'd be like?

Speaker 2 (21:31):
You think you so fo some to me?

Speaker 37 (21:33):
I'm put to say, walk ho and save the conversation
for a talk show. You want to know what for next?

Speaker 5 (21:39):
Think?

Speaker 37 (21:39):
I don't give slutting's enough to make their motherfucking buf stak,
especially when they.

Speaker 2 (21:43):
Fronting like stars.

Speaker 37 (21:45):
I'll shout you out, bitch and pull your motherfucking cards
on the cards holy telling how your pare I gotta
live on down?

Speaker 24 (21:52):
Will they cards only telling how your pad I gotta
live on that willy lord so telling how you pare
bird I gotta lid all down?

Speaker 2 (22:03):
Well they card, so you tell him how you pare
I gotta lid all down?

Speaker 37 (22:08):
Now with Days, you got Chuck's front and the sourface
hears talking about they want to hurt something.

Speaker 2 (22:13):
Matter of fact, I know plenty of frauds.

Speaker 37 (22:15):
The way brothers act, they deserve motherfucking any awards. Now
with Day's brothers rowing rapping with all us murdering and killing.
When them niggas don't be doing that, you're starting to
boil me. Fellas, y'all ain't murderous with your young great
fucking story tellers.

Speaker 2 (22:29):
I speak what I feel.

Speaker 37 (22:31):
And if niggas they really keep they fucking lip seal
because they front like vandals, running all them scandals when
they sow fing it Tavy Campbell, I kill a nigga,
That's what most say when they wouldn't shoot the far
off the ball if they had a can of ropes break.
So why you're from like your heart, don't foot on me, nigga,
I'll pull your mother fucking call lord, so tell him
how you play?

Speaker 4 (22:51):
Bird?

Speaker 39 (22:51):
I gotta lid all down?

Speaker 25 (22:54):
They card, so they tell him how you play.

Speaker 24 (22:56):
I gotta lid all down, Crown they haunts.

Speaker 2 (23:00):
Tell how I gotta land on that.

Speaker 24 (23:06):
Yo?

Speaker 2 (23:06):
I got a land on that.

Speaker 11 (23:31):
They finally threw my joy or you know what Sun
the remix for d J Kelly up from this piece.

Speaker 2 (23:39):
You know, biddy me who represents permission of good rod
swing that bless mass Chris.

Speaker 11 (23:53):
I don't talk hitch expanding consciousness and dismiss foolishness. You
know when the snooks of this or luke to Frish.
Hip hop is comic structure. I am bicklious. That is
the center of the root week us they them do
and Resquader remind Syveric Crew. Tentless says loss when a
true wrapper jumps off the cash is incidental but not
meant to distract you.

Speaker 2 (24:14):
Of course it's not what I am kicked in.

Speaker 11 (24:16):
Is like chicken, it will be bicking rewritten their perform
for I just wanted five dollars admission reviewed.

Speaker 2 (24:21):
In the sauce.

Speaker 11 (24:22):
You will listen the bond something missing. Of course, it's gills,
kilt skills, excus excuse, that's what you're fishing for. Its
loss means listen, attract jingles. I won't do a wife

(24:43):
album that permits it from my single kicking ron t
Writt and my brown eyes Twinkle God God.

Speaker 29 (24:49):
Hip hop for the naked ratlers are in Asia. Crack
crack of ratlers are in danger. Trap trap trap bas
are in danger.

Speaker 11 (25:03):
Taste like the suits like French croissant on tooth seat trappers,
bootteck bots.

Speaker 2 (25:08):
That's how they cruise that right.

Speaker 11 (25:10):
And whatever you say the mood stage, we know sea
low your whole character is fat. Next you want to
shoot a free throw from the gekko, No, get go.

Speaker 2 (25:20):
My float hits low on.

Speaker 10 (25:22):
The ship clo.

Speaker 11 (25:23):
That's from my sick be's book. Alright self, everyone else can?
The others like to bring the shining to the party,
A knowledge of something. You hear the mind, you hear
the plot. Some raps like to come to the heart
hope with somebody chet. I'm come with skills and that
leads with your mother fucking respects on.

Speaker 29 (25:47):
Trap the traplas are in danger, trap trap trap, keep
the trap, trap trap trap, trapmas.

Speaker 2 (25:53):
Are in danger.

Speaker 29 (25:55):
Rap trap keep the trap, trap trap trap trap baz
are in danger. Trapped trap trap, tuck the trap mazaar, engage.

Speaker 11 (26:08):
Tight su verbal hip hop by brain. When you know
you get sing good, you know you get singing hurt
off the hairs. That's the useless backs and he's trying
to me backs. But that's like a grim back. If
snap your back as it wraps, you will experience not
so lock the balance, stop to bounce from from week
to week back get aloud all of your cows hid

(26:29):
for hard man's mercy. I remember to think back to
eighty three No video, No had to be a real
arm and see now you're young to grow up buck
any new shop, come hunt until you production let the
tight sent and a battle for glora. But to kick
the dump round, to wait on your people's another storm
you never saw one. Because when it comes to LEPs,

(26:49):
I'm gonna simply cat.

Speaker 29 (26:53):
Cut the trap Mazar in Asia draft trap trap trap
trap trap trap Mazar and gay trapp trapp Trapp trappers
already danger trap crap trap trap trap trap trap trappers
are in danger. Trappers are in danger.

Speaker 2 (27:15):
Yo.

Speaker 7 (27:15):
The one checking out to take your personal radio, tell.

Speaker 2 (27:21):
Yeh crookd it dot your number sooner do see yeah.

Speaker 30 (27:28):
Back on the scene up.

Speaker 5 (27:33):
You know.

Speaker 2 (27:35):
New York Bush with jashed out all those good.

Speaker 24 (27:38):
Please yo, Okay, afraid it's a playing like a soldier
ready for war.

Speaker 2 (27:44):
What's just getting my chest unlock? What's the deal frame?
I mean the scheme? I think I got it locked
in Nigga war games on the name rap command. What's
my hand?

Speaker 24 (27:54):
Let's see ample and the rock ship battle niggas a
rocky gripe your slicker.

Speaker 2 (27:58):
I'm one step ahead. Fly through enemy lines like a black.

Speaker 24 (28:02):
Cat, bigger camouflage, run into yoursel within no detection, because
the dogs can marks me run through your section, flesh
your bones, physical bill like that tainium gobs covering my
grill like col rainey and stepping grilla is.

Speaker 2 (28:14):
So tall, chillous.

Speaker 24 (28:15):
I'm fearing no man, but I love for the goddess.
He is stealing us the renaissance fan. I'm flowing like
grenade shop like gym stars course massive stars, o sea
salt lad to the puppet forgears now back on the sea,
and I declare walking.

Speaker 2 (28:34):
Drop bus so.

Speaker 24 (28:35):
Flack against sixteen, tripping to fast, drunk head to toe
blood so good.

Speaker 2 (28:40):
The jeans shrap fettering.

Speaker 24 (28:41):
Herban strips o wars supposing horses wre those seeds.

Speaker 2 (28:45):
Are lost as norseous.

Speaker 24 (28:46):
I feel a kind of like doing with up cautious,
just stepped playing rounds, going up, tackling the.

Speaker 2 (28:51):
Pretty for pose, fucking actual. He's a sucking slap to
face out around bucks. He's not around like a friend
for the government. Say you're like Steve Boss and cost in.

Speaker 24 (29:02):
That branded if I am enzymes of somebody, Willie prom.

Speaker 2 (29:07):
Sixteen tapicat his voice some with ammo, what's off to
WoT a bitch nigga?

Speaker 3 (29:12):
Ses Brano.

Speaker 24 (29:13):
But now I get you in the square, then I
in your career, am seize. Let's make one day clare
you're on the same. I will remain fuck the fase,
filling the lady shoe. I declare war games, don't clar.

Speaker 40 (29:31):
O games.

Speaker 2 (29:31):
You niggas floor figures from the kiss, you will limit
their access to Demmo with firepos counting.

Speaker 8 (29:41):
Omes my niggas floor figures from fire got to kiss?

Speaker 24 (29:46):
You want to limited access to Emma with fire twoth
come of far count.

Speaker 2 (29:50):
Precise depend pointed pulling.

Speaker 24 (29:52):
When I calmed back this said Rappers Flap Union Sea
being at the Baptist Please from my huncut raw like
cool pre sencapaus bro smoke didn't be back to beat
release My professionals too much weight to weigh any style
Dutch masters to fit.

Speaker 2 (30:07):
We get plat and it helped me right Your Philly
stake a silk on my rats.

Speaker 24 (30:11):
They get the Willie's CARO Joy Nigga saw Ton Froyd
fuck with O se get your.

Speaker 2 (30:16):
Lack of Troy like a Maride.

Speaker 24 (30:18):
I'm gonna train backed chilling Kid feeding Rock of Mike
set for New York.

Speaker 2 (30:22):
This's no means overseas. I thunker rough.

Speaker 24 (30:24):
Black Yonker, I love to eat out doors, Gotta team
for drama, went out floor.

Speaker 2 (30:28):
I gave Comato Simmer.

Speaker 24 (30:30):
The worlds from the first person who saw my plan
on the person, I maintain the same name, never.

Speaker 2 (30:35):
Changed my mos the demo competition on the mic.

Speaker 14 (30:38):
Door gage.

Speaker 24 (30:44):
Real money, black friends, be twelve outside dreaming for those buttons,
stop dreaming, clinical, technically freaks athetic, no good like that
credit who said it me he's double backed by hundred
stuff up, nigga. The whole sound by trigger, don't finger
got famine is New York that talk to talk and

(31:04):
walk the walk. I'm seeing your pinnacle doing my thing
as you can see your fingers video on mad material,
it's just terror.

Speaker 2 (31:12):
I maintained to keep it serving on the mic.

Speaker 24 (31:14):
I'm a live cal Julius Irving or George lever I
Fringer rowling seas from.

Speaker 2 (31:19):
The file line.

Speaker 24 (31:19):
I just to talk about one time and you think, yeah, ultimately,
Lord black Impigra stepping through the center jo I feel
like I've been wrapping for eons, messing with them pons
out there with the Leons. I'm fine, Tom Leon. When
you step into this Champion All Star. You should call
up jo's.

Speaker 41 (31:38):
Like God knows and nag like you know who, like
got knows that rippings will be double blows.

Speaker 6 (31:44):
Jack level Previus Brew won the nose.

Speaker 15 (31:47):
If I don't know, like God knows and nag like
you know.

Speaker 8 (31:50):
Who, like got those that squar rippings will be double blows.

Speaker 6 (31:55):
Back level Previus Brew won the nose.

Speaker 2 (31:58):
Quick to set it all, let it off.

Speaker 29 (32:00):
This is the full four bluster roll to a crush up,
transporting the food, backs, number money, stacking you on the regular.
I bring action without the sasson to all of my competitors.
Knock out shock James, the o W.

Speaker 2 (32:11):
Just the big back back pay for me, double for
Paul lad you got.

Speaker 5 (32:15):
It for real.

Speaker 2 (32:16):
Ship is real place.

Speaker 29 (32:17):
Your bets triggering examberus ready to jail.

Speaker 2 (32:19):
With my full Matt.

Speaker 29 (32:20):
This is my stick up game on track, rock and
ship shitting. That focus for popping ship sh stick go
in the ditch or walking brick to walk the slip.
They got caught on shocks they're taking no shure. We're
in my court text behi' is that the more next
level push me up, set jump fuck master like Lex,
cut them, split them wrap them, sip them tight more
ship on first class through that text.

Speaker 8 (32:41):
God no tact like you know, like I know that's
reppings will be double that level.

Speaker 2 (32:48):
Creep it won't no.

Speaker 8 (32:51):
Like God know BacT like you know like I know
that's will be double that level.

Speaker 2 (32:59):
Preepit grew won't.

Speaker 42 (33:00):
No peach this active fist when the active fits to
the next the twist facts when the for my cat
go click click click in the night too, Coolie, big
truck is rock health this shelf delivering nocturnally, Please leap
for my circumference. For Brock pumped this nigger head off
the map, for coming through with that dump shit.

Speaker 8 (33:17):
Stuff rang do Harma can't watch you. I told you
with two win three Aha, I represent.

Speaker 41 (33:22):
For my whole year shift Eat up, hold down the clutch,
douce it fucking rocks boss, get your juts, take want
to food and you know do Joe Crew can't even
come blow flu o see bummy Jack will quadrapho fo
this stuff blizt this so whatling you want to spit up?
Y'all make you go down like sip for us, take
your sweet rappers chasing more blunts and most stunts get
lost with that like my first two three.

Speaker 8 (33:43):
Sets in your run like God know and knack like
you know, like I know that's who I reppords will
be dumb. No next level creeping through won't to know. Hey,
if you don't know like God know and nact like
you know, like I know that's who I repping, will
be double. Next level.

Speaker 6 (34:17):
On the brown flot let you know.

Speaker 3 (34:21):
It'd be the.

Speaker 2 (34:26):
Look better. Who will be your check?

Speaker 27 (34:27):
Cash up put for a dollar bill flash up, They'll come.

Speaker 2 (34:30):
And see money slash dom and trucks gim me, I screamed.

Speaker 29 (34:33):
You that want to put the black panthers on port
the stand up.

Speaker 2 (34:36):
For the stumpy for him, the trow, the three thumbscru
the mom body.

Speaker 29 (34:40):
The bro felingna be from Tom the bird that's just
the case man to face the face man fad t
dollar trust betting it chup, three pail hands a lot,
black posession, got the niggatives up your girl bending down.
I'm on my camera trigging the game on a dot
of time to see no man, it took place. A
bets from three come on and down the nights. Grandfather
hit you better, four ripped it with warm clicks up

(35:01):
brown fields down without throwing to the second path.

Speaker 2 (35:04):
Fact from that the way time is to rash it
turn mister blast. You need the money man, and you
don't got no man.

Speaker 3 (35:11):
Who you home.

Speaker 2 (35:13):
When you need that cash flow?

Speaker 28 (35:15):
Where you don't go?

Speaker 14 (35:16):
No know who you call.

Speaker 33 (35:19):
Where it's awful black collection and retaligation starts.

Speaker 2 (35:22):
Who that they call.

Speaker 14 (35:24):
Where it's home to give it shit?

Speaker 12 (35:26):
They know what time it is?

Speaker 2 (35:27):
Who hold from mister bad happened? Still backing best trapping
money staff.

Speaker 29 (35:32):
In turn money happy figures sat habit from going to
second the first real thumb that's holding that ham of
a weay clicks the.

Speaker 2 (35:40):
Best that man speed load, no comfort, fold up, changing.

Speaker 29 (35:43):
The egg that bring it and expanded. We're not got
Oh well happen? Is that the money cash record made up?
They swell.

Speaker 17 (35:50):
Sate themselves for the juice smooth criminal the young and
who flicks yourn son.

Speaker 2 (35:55):
Of rippling brown Field pound from this, don't take money,
get up, honey.

Speaker 29 (35:59):
Get out, cough ra rat, don't me split up the
making solar forty bottle hold dog full of modred dollars,
ball man my name the.

Speaker 2 (36:06):
Money told to the floor.

Speaker 29 (36:08):
Want to get man for war for man now I
was kicking down doors back before.

Speaker 2 (36:12):
And you need them money man, and you don't time
no man who live home got.

Speaker 33 (36:16):
Hitting man, my pie man, you need that calf float
where you don't got no no who in the whole
looking man for kind God, it's time from block collection
every s alligation starts. Who they call listening man for
hide where it's time looking Yeah, you know what time
it is who they call?

Speaker 29 (36:32):
But this for pdcast trick or truths better yet my
for bredess man.

Speaker 2 (36:37):
What's the pre for talking?

Speaker 30 (36:38):
Got my brain.

Speaker 29 (36:38):
Spress nicka played choice that related to day and I'm
never allowed for mell and stuck into the rift. Take
may be heard without the truth stone frang him that control,
give him freaking them short. He some been the droop boo,
get your whip crack just preps you want with that
sheep croud of smoke.

Speaker 2 (36:54):
So I'm sure.

Speaker 29 (36:56):
To be playing Nick back to my world talk with
pounds a lie and stickings. Come wait up, good body,
stretch of projects, drinking up twenty one something to hold
your head, beggerin good crack, can't choking susing up, burt
your back, shout frocking fact that friends, how mean your
chet's wat my, what's that take your free got your
death set flack?

Speaker 33 (37:16):
You need no money man here, you don't time no
playing who your phone just didn't man by Holway? You
need that cat float where you don't got no dog
who to.

Speaker 2 (37:24):
Call long lest didn't man for Howey's.

Speaker 33 (37:27):
Time for block collection and resaligation starts.

Speaker 2 (37:29):
Who your calls didn't man for Highway? And you need
that cat flow when.

Speaker 33 (37:33):
You're done, got no do who's your cap man for?

Speaker 2 (37:37):
How where you need the money man there? You don't
got no playing who your call first? Getting man by Highway?
And you need that cat floor where you don't got
no do who your call first? Getting man by Highway?

Speaker 33 (37:48):
And it's time for block collection and realigation starts. Who
they call many where it's image vision? You know what
time it is?

Speaker 3 (37:56):
Who they come?

Speaker 43 (38:10):
Your styles wanted to spin the rough ties because of
more happenings than your daddy stepped with chat apart to
obtains And I'm slaying us on the real dog were
hard like the chicken, like a field, I'm like sack
cheap at that hip, we tip flipped into a stable
element and paper bized with them hip.

Speaker 35 (38:28):
Making a house afokie hip hops and life and set
like hot profile something els and slinging bells the big
cheek gave.

Speaker 2 (38:37):
It's so real, but it makes you better traffic.

Speaker 30 (38:39):
That person that root from.

Speaker 2 (38:40):
The cards was the classic. And if he can evil,
try to cut the biggas cord dark. That's for all
black mass and bang heads like nick fucking see that's
peeble and the song I retrievable deceibo all the way
you read. Grabbing something you do will smack me in
from singing.

Speaker 44 (38:55):
Let gool my flow to keep the blow fitting and
full of.

Speaker 11 (38:59):
Bund the world.

Speaker 44 (38:59):
The same song's going on your people. Don't be no
wining my flow. Whatever I'm wins, it's coming from the
line six s coming the morning you and keep get
you all that like back them shell toes to keep
your joe slapping people, make your own bes and there's
no active back, not keeping past for money on the
fly droll probably like how when that ship broke the

(39:19):
blocks just.

Speaker 45 (39:20):
Right, staff.

Speaker 2 (39:31):
Right tucking, dropping round, don't clear talking.

Speaker 44 (39:38):
Puck I brings it all then like thrill of witness disorder.
Staff here to warn your fact, to frame and spread
the half for us to blow rouging like that REMP
in the.

Speaker 2 (39:51):
Game Mappy rolling.

Speaker 44 (39:52):
I keep that many.

Speaker 2 (39:53):
Spots bus that keeps it on the low.

Speaker 44 (39:55):
Just the field wallowing, baby girls fucks the front throats
oil and you fill the fron He's in the same ship.

Speaker 2 (40:01):
The thing heads with world. The drills up, pup the hills.
Folk to my state rocks and rocked the steale just
to build the brows reacts. It's a lie, I'm minter reaction.

Speaker 35 (40:10):
It's a really his dampects fake jam texts, win your
fake guts. Men go next like he got you right by,
still got the foot.

Speaker 24 (40:20):
I maybe, boy, but I hope we're sore fruit because
if they just fold the lode, it gets tways how
we got folded the sacon like from the sixteen truck?

Speaker 3 (40:29):
What's that? That's it?

Speaker 2 (40:31):
And on the in the shelling now black woman to
split the West, didn't rot seeing your mom b the
fact send.

Speaker 11 (40:38):
The bulls got grow root and premote represent.

Speaker 6 (40:41):
Against I take the eighteen nineteen depends fifty.

Speaker 2 (40:44):
One to fifty five, fifty six, fifty six, sixty one
to sixty eight, but skip sixty hours.

Speaker 3 (40:49):
Will as long as baby girl let me hear it
from behind, because.

Speaker 2 (40:52):
It's the right.

Speaker 46 (41:01):
Prob This is d J sixty seven and you're checking
out taking personally with my fan fill of flavor, cleve

(41:21):
law and DJ three six and three sixty three.

Speaker 30 (41:24):
Six yack with a no matter, yack with a no
matter co yack with a no matter.

Speaker 11 (41:41):
Don't man, don't man man.

Speaker 34 (41:44):
I have an incredibly existence which is captain by host,
and if I was to die, you'd be for the muscles.
It's everything moved by the side of the time for
a leakdition myself, the future, my not so open something
higher in the ladder notes mons myself to getting big
gentle man, as you said it from the expression pumping
and left and owne. I couldn't consider it done because

(42:05):
you can the generals gets cut you. I couldn't give
librically pooping football blood jests bills. If you pull out
that gun, then you shoot you to kill you get here,
I get illed and we both kill that will they
dress up will be.

Speaker 30 (42:20):
Just the super dope.

Speaker 14 (42:21):
Double hate a type of ways. You can't get the water.

Speaker 34 (42:24):
All the time he and you speak your you best
come correct.

Speaker 6 (42:27):
With your speak.

Speaker 12 (42:27):
Can't come my way.

Speaker 38 (42:30):
The li.

Speaker 34 (42:33):
Yo you scream out there like spike for the Knicks.
Then quick like back in the days when we played
the sicket. The thing like water, my son on the daughter,
You're best the water. Check out my words because I'm
slaughter a mat.

Speaker 30 (42:48):
With a no matter of water, with a no matter
of water with a mic bat him.

Speaker 6 (43:02):
It don't bade, don't bad.

Speaker 2 (43:05):
I bring the lyrics that do it to you when
I'm running fluid through you by nice enough your done
piece like Northern Lights.

Speaker 14 (43:10):
Grew to true bag.

Speaker 2 (43:11):
He's a power mover.

Speaker 47 (43:12):
Show what improver overflow with crush groog with smooth maneuvers,
and I'm anism and rhythm kind of sewer fake you see.

Speaker 2 (43:20):
I have to show you then a cup of q
P and take your quty to.

Speaker 37 (43:24):
A movie and definitely tag the booty and sees.

Speaker 2 (43:28):
They'll never blow up. They don't show up. They talk
to talk, but when they try to warm, they can't stand.

Speaker 5 (43:32):
That's what.

Speaker 47 (43:33):
When I'm rhythm riding the environment, I'm paying the lights
and off faking seas like Dion did rise when I
count to ten, snap out of it.

Speaker 2 (43:40):
You'll no longer be a hip hop typocrit. And that's
a ship anybody.

Speaker 47 (43:43):
Now you see that I'm on some different stuff with
the intelligence as rough as the White House.

Speaker 5 (43:48):
I popped at him.

Speaker 30 (43:53):
With them the mat him, the liquor wind yack with them,
the mat him. I'm gonna get the yeah with the matter.

Speaker 2 (44:07):
They don't man, don't man.

Speaker 22 (44:09):
Well, it's the mood of stretch coming to the catch
back on the one two. What is it I'm throwing
at like a blizzard when I come through the matter
and that that's got a shot A ship that shot.

Speaker 2 (44:18):
Up, not bit up, but better than those. That's butter because.

Speaker 22 (44:20):
I'm matter my dad up. It's not computer rods. Watch
the Buddha rags. You couldn't see me if you was
looking through my hods with the telescope and you could
tell the soap. Just open your ears, come handing out
cheers like that, dancing for years to supply tracking.

Speaker 2 (44:32):
I climbax because I passed the steel. I was playing
at three.

Speaker 22 (44:35):
Bock as I swam shaquille O'Neal.

Speaker 2 (44:37):
As I commenced with pool.

Speaker 22 (44:38):
I'm the principle, indispensable and vulnerolebo, which means I'm invincible.

Speaker 2 (44:43):
I got the blows with your toes, ones and answers
and elbows. Just follow your nose it wi them with
the flavor rends.

Speaker 10 (44:48):
I got the flavor.

Speaker 3 (44:49):
Kids.

Speaker 6 (44:49):
I'm going love goo.

Speaker 2 (44:52):
Just like Coco. I'm shokover plante Yo monte room gun
that rocks the whole. Nuns attract that from ten. I
still like the one or two pre cool.

Speaker 22 (44:59):
You coming through detour, just like the un up before
I knocket through d floor and you're full back because
I ain't on lie. I'm on list, and every day
some more to combat, and so saying plowing and understand
that I'm not man. It ain't nobody else could be be.
Its must be blinde ma come.

Speaker 48 (45:19):
Yack with no matter.

Speaker 30 (45:23):
The lin yack with the mine, no matter. I'd get
with a mine, no matter matter.

Speaker 13 (45:33):
It don't man, don't man, no man, yump.

Speaker 24 (45:36):
I'm in the world of ship that you can't even explained,
dealing with tons of questions time I can't get out
the king mess. I show when the proof the sick
gets out the truth representing my brothers and sisters. That's
how I do jump. I can't full fill up. They
from the kettle, the fuck the trump. I'm thinking like
heavy metals, So watch your back. It's like a jack's hand.
The prize keeping ship loud until the fucking day.

Speaker 25 (45:57):
No coo.

Speaker 2 (45:58):
Like I said, I'm on the prize ride, coming through
like a witch.

Speaker 4 (46:01):
I got your hit matas bus, I got the heat
right by my side.

Speaker 2 (46:05):
DOUCKA truck is sposed out. I thought, going a tar us.

Speaker 24 (46:08):
Too many niggas the fellow real lines times about the
and so I commit suicide because you know what I'm saying.
I can't deal with this ship. Yo, rode up, Hey, Yo,
I met a man. I say he's on my job
when i'd rather might you say, Jack, you can't charge
pop it in your fast when coach the coach cause
niggas these days, he's swearing that they don't. We can't

(46:28):
cooke with my staff. Don't I leave your ad throat
frithical tention.

Speaker 49 (46:32):
Naddy got you on the mansion.

Speaker 24 (46:33):
Open your eyes right down. We on the ride making
hiss and cochin dukes by the shack. I just wit
a party star, so you know who we are. Next
step on my mind is to make it back before.
But you only this one and it don't coming back.
Hi track, yoe, it makes my sound going, and crap
the step up if you want, and you bounder gets mad,
kick it straight off back the both niggas watch your pack, yo,

(46:56):
So you have to do it a way.

Speaker 2 (46:57):
Y'all check it on yo.

Speaker 8 (47:00):
Plus it's the dread wore Kate Black, call me the
talkers only pretty yass niggas, Matt, I'm on attack with my.

Speaker 24 (47:06):
Group home too, brace and holding up the wrists. So
what's in one or two ladies? Step up with your
think you're ready My tickets like handy, so no fuck
with dready you take a little sip man, you'll wind
up tipsy.

Speaker 6 (47:18):
Have you singing?

Speaker 28 (47:19):
Yo?

Speaker 2 (47:19):
What the fucking me is that roster things strong back.

Speaker 29 (47:22):
Eight or fools, not a fastive dread strictly thick bots.
This is go went out to all the pretty boys rough.

Speaker 24 (47:29):
Next to ninety six is making all the noise. Came
home Rain sick, Kate Black, the wild dread.

Speaker 2 (47:34):
He's New York to split the field.

Speaker 24 (47:35):
That that's what last sum Remember what I said it
take fucking corse. I need that ass man like great craze.

Speaker 15 (47:40):
A fucking foss.

Speaker 50 (47:41):
You're walking all street trembling. Master mind Year said we
can't sing JD out there. That Paul woke the dark
The shunels from the top of the the gulf to
blow your mind each New York and whatever bar and
we're doing it black, blacking it down like redds.

Speaker 19 (47:55):
And it's just like that with kind and.

Speaker 2 (47:57):
Rains and build all understand.

Speaker 50 (47:59):
People can't understand when we start to clean one hand,
watch it the other, lowly, watch my black room, your
roll and your gold to float, plant seeds to grow, ideas,
money and your soul. Group from ring sick as the fright.
You know where you coming straight from the street where
bore sounds and beats. Niggas just don't know how the
store we go. Of course we're coming from the street,
but it's their last mind, mastered it up designing and

(48:22):
we lit down crime the inspiration.

Speaker 2 (48:23):
You're from the streets.

Speaker 50 (48:24):
The it's open, unique and the real brothers know how
we got the roll in the street your rope pipe
cause it's one hand black, one hand, watch it the
other and there's no turning back. You got my black,
I got your back, and you know the deal where
you're from Eastmreet York. If we keep shitting rial East
New York style, baby huh you doing it live for
your ears, low bunch of the environment styles, The five

(48:44):
borough style.

Speaker 3 (48:45):
You know what I'm saying.

Speaker 50 (48:46):
Money gee flex in the house, we got black a
dawns in the house. We got black star in the hush,
Doctor riffer in the house.

Speaker 24 (49:00):
Swelling in the rotten apple, willing to frolling in the
getting a classic ship is a happen. Woman there, the
hot example, getting famine lover dwelling in the rottennample, getting
dure a swelling in the hot example didn't exaping a
court part of the double class Shires a happen. The

(49:21):
woman there, the hot example didn't bapine lover dwelling in
the nample, getting dun a swelling in the rock.

Speaker 2 (49:27):
Temple didn't example a court part of the double flash.

Speaker 24 (49:30):
There's an app as a young man walking in the
streets when my gun clean and self grabbed from the
chop shop.

Speaker 2 (49:36):
Maydam you as the struck sense to make me in
there with them or the reader.

Speaker 24 (49:40):
That I joke, don't provoke the smart tapping the team
left bloody bottoms off because streets is no joke, and
race is a cancer of gud smoke. Hoping up yards
and realizes and time for my bo put up the
true lines to real believe myself some time saying let stuff,
facing absolute with crown.

Speaker 2 (49:55):
These streaks are fine. I dressed in black and shopping part.

Speaker 24 (49:58):
I'm going through what i'sn't for prit keep the loose
rocks for heavy feet.

Speaker 3 (50:02):
That wall.

Speaker 45 (50:02):
Come come Adam.

Speaker 2 (50:03):
It's like the death.

Speaker 5 (50:04):
They give out the seat.

Speaker 2 (50:05):
I got the blessed, but I rest you gotta leave
somebody here.

Speaker 3 (50:08):
It's just a love less all.

Speaker 2 (50:09):
My people's lying up, staying the death street stress. I'm
trying to see your billion nothing less. My family didn't
that other dwelling in.

Speaker 24 (50:17):
The nample swelling there? The roxample didn't exactly a court
part of the double blast.

Speaker 10 (50:24):
There's a half examily.

Speaker 24 (50:27):
Didn't that other dwelling in the right enample didn't fling
the axample.

Speaker 2 (50:32):
Didn't exactly a court part of the double blasts. I
like to struggle. The preachers in the church know how
to love you. First, they mug you by telling God
that they love me. Suck fuck that.

Speaker 24 (50:42):
Staying in the street, packing heat, bucketing and tea sweet
My people's we.

Speaker 25 (50:45):
Got the heat moving on the creek, trying to stack
a million in the week.

Speaker 2 (50:49):
Washington can't even trust my own man.

Speaker 24 (50:51):
Down with the nigga see and they're showing bad love.
But act like the now if my team we trying
to see the nfpree coming queens speaks to a bubbles
doing anything up but your last on, but you don't
it last temple place, the last you and that they
niggas in cash when he hit the smash, sucking with
us like that's gonna man, do I ever last one?
My first real stortion from my hey, ram I got
back from all these fucking warriors.

Speaker 2 (51:12):
I a trinking re me fast. We'll lieutenant criminal finish
your stage coach for spinish.

Speaker 24 (51:17):
Report smooth you finished worm. Didn't that mother dwelling in
the ron nample getting a woman in the xample? Didn't
that mean a court part of the double class is
a half swiming the xample? Didn't that other swimming in
the rotten nample? Didn't swoman in the roxample didn't got

(51:37):
check a court pot of the double class.

Speaker 2 (51:39):
It's a hash quarter of the money, murder and sex.
I push alects on my death.

Speaker 24 (51:43):
Don't sweat flow down niggats holding the e back jobbin.
But the next time, little not that bus we scott
free cheese.

Speaker 2 (51:49):
That's you got the speee or sha killing queen.

Speaker 12 (51:51):
They slid niggas.

Speaker 2 (51:54):
Holding on my guard keeping realizes you're hot.

Speaker 24 (51:57):
The stick talk hoping your foll from the judges in
court see showing no support. Educations weren't the current I
stay blooded because then the streets flushes Warxamble didn't exactly
of course, by the double blasts appell there. Examble didn't
exactly wethers swelling there not, Nample didn't swelling.

Speaker 49 (52:18):
There them.

Speaker 30 (52:23):
Happening.

Speaker 10 (52:24):
Yeah, yeah, what's the jail?

Speaker 5 (52:25):
Y'all?

Speaker 12 (52:25):
This year boy kg are cugi rapport going nobody acron
seq while seeing home with the teble bresid in me
and right now y'all checking out, taking personal radio with
my man, play with my boy kevlar, my man having
Wade and the boy DJ through shix.

Speaker 27 (52:44):
It won't spend the queen in the numble brackets wearing
Taylor jacks fast. We practice a well offend a millionnaire boss.
I hope we torched in the forces cour between the
torture sim on the lease apartment so he can staked
Penny Harness Fisney's limousine the front y'all streaming full of
provid on set. I'm put a chat. I tracked a

(53:04):
lot of pecks, kill a lot of sets, comes up
with the blessed dam in the festivals to boot junis
with silver chinnel sipper, no fight. I'm gonna let you
see what sounds the time of mother and sons. Can't
pining of hero where the trouble where I have to
pray the terror with his physicianity tennehew brother with tyn
of citty. I'm from like frick nitty. I'm f you gritty,
Back up, kitties, I got grummies, just grummy, ain't gritty,

(53:26):
and then get it spoken your likes to keep us talking. Choky,
making most of my money from all the things and
chokeyes from the best of want slipping in the busters,
put the rest of the well blessed my chest where
the festor PACKI smiff with West and then I'm wth
to get the snaps, not the scraps. The cream is
being a real mech. The name is cool gee rat.

Speaker 13 (53:44):
Rat gee rap ge rat rap ge rap ge rap rap.

Speaker 2 (53:50):
Gee rat gee rat gee rat g wrack rat she.

Speaker 17 (53:57):
Rap rap rap che back, let chee back, keep batting
rating back.

Speaker 27 (54:07):
I've gotta fly humber bunt of the wing. I'm swinging
and does a thing. And if you stick with something,
my right ship and get out and make your brains.
When she's the surfers, the rough tables, when the foxes,
the stables drink of shame, when they breaking mapel ship
about the suckerstring, honey, you so they.

Speaker 2 (54:21):
Else she's talk around.

Speaker 27 (54:22):
Well look here, lord of mills, me it successful by cops,
Honey is temmy got up pachops in Miami? Was there
where the smoll Jemmy and the silver sat baby up
down a foxy brown hosting in the crown holding the
fixed down. Y'all should turn the two with buff around
her flyin's I haven't seen you got that fires the
Pagel's time and everythinging.

Speaker 2 (54:40):
Dingle getting money from a lab.

Speaker 27 (54:42):
He's pretty under the New York City break lights in
real late where after midnight I hear the cuts the
swift tight with quick up brother nick moo, Browns break
up brick.

Speaker 2 (54:51):
Down, packed in the silk and floor pounds.

Speaker 3 (54:53):
Some clowns be trying to get in. We lay it
on the flock.

Speaker 27 (54:55):
You grab a stack of sinos. The slick stick up
kids don't get the free though. Brokens I ain't trying
to be I don't call it honey up and swinging shame,
but I gotta do.

Speaker 51 (55:07):
What I gotta do just to make a.

Speaker 14 (55:13):
Sometimes I gotta do just to make a Sometimes.

Speaker 9 (55:25):
In coming out of Mix one, that was it's a shame,

(55:47):
I cooled you wrapped boy, as you know the acronym
k g R.

Speaker 49 (55:54):
That was.

Speaker 9 (55:55):
That was the Doctor Butcher remix. Not to be confused
with joke the Butcher.

Speaker 14 (55:59):
And I always thought I always thought it was Jodah Butcher.

Speaker 19 (56:01):
I don't know why I did, but I just connected
the dots and figured Jodah Butcher Nicolo is Doctor Butcher.

Speaker 14 (56:08):
But I was certainly not right on that one.

Speaker 3 (56:12):
Doctor Butcher did this remix.

Speaker 9 (56:15):
And this is a remix where I would imagine if
you listen to Mix one, this is probably one of
the songs you are familiar with.

Speaker 3 (56:22):
This was on the I want to say it was
on the.

Speaker 9 (56:26):
Vinyl B side. Yeah, the twelve inch of the twelve
and some of these songs all mixed one. You definitely
have heard they were B sides or like Mansion in
a Yacht that was the B side. Phenomenal B side too.
I'm curious in a featured set Out X and Mike
G of the Jungle Brothers. That's that was a fantastic track.

(56:47):
And believe or not, it was produced by the Groove Merchants.
I believe so Merchants Groove Merchants for those adults, well
that's affiliation.

Speaker 3 (56:57):
But really the Groove Merchants.

Speaker 9 (57:00):
Are Godfather don and Oh my god, I'm getting so
old it slipped.

Speaker 3 (57:07):
Uh, this dude is down with the beat nuts. It
is VIC V I C d C.

Speaker 9 (57:13):
That is That is correct, So G I C and
Godfather Domic the Groove Merchants they are known for, well
they've done a lot, but they also did a NAS
remix or one one Love featuring. They've done a lot
of stuff.

Speaker 14 (57:29):
I love that.

Speaker 19 (57:29):
Your brain is just starting to lose now. You guys
made fun of me for the last eight years.

Speaker 14 (57:35):
Dude, I lose shit constantly in mid conversation.

Speaker 10 (57:38):
I told you it was coming, brother, I told you.

Speaker 19 (57:41):
I can give you a blueprint of the next ten
years of your life if you'd like.

Speaker 10 (57:45):
You Guys slam me all the time, and I admit
I can't remember shit, but I'm telling you it's coming,
my man.

Speaker 3 (57:50):
You know what it is.

Speaker 9 (57:51):
It is one of those things where you lose track
and you got a like regain and it sucks because
you know you're slipping, you know you're getting old, but
was still there.

Speaker 3 (58:03):
I just got to figure out how to get to
it a little quick.

Speaker 10 (58:05):
You got to dig through it, dig through it. I
have a confession.

Speaker 9 (58:08):
The first track to start the set was min Your
Business by Grand Poova, which I don't know if a
lot of people have heard, or if you did, you
probably didn't hear it until much later on when I
think they're, you know, putting out some of those bootleg
brand Nubian releases.

Speaker 3 (58:28):
On final that was it actually.

Speaker 9 (58:32):
Sampled Sarah Smiles Arizona, which I would imagine why maybe
it was never officially released.

Speaker 19 (58:38):
Yeah, and they probably grabbed it off a cassette because
it was a fucking shit quality.

Speaker 3 (58:42):
Yeah, yeah, for sure, for sure.

Speaker 14 (58:44):
But what wasn't a shit quality was pull your card.

Speaker 19 (58:47):
Lord Finess was the king of this shit back good
so good dude, and he had the best horns in
the business outside of Pete Rock.

Speaker 10 (58:55):
Lord Finess ninety one to about ninety six. Nobody's touching
Lord Finess.

Speaker 9 (59:00):
I was gonna say that Lord Finesse Era that like
that little zone that you just said. And I don't know,
would you say ninety one or maybe ninety ninety?

Speaker 10 (59:10):
So when did the first album come out, The Funky
Technician ninety one or two?

Speaker 14 (59:16):
That was in the eighties.

Speaker 10 (59:17):
It was ninety one. I think it was ninety one.

Speaker 14 (59:19):
I thought it was eighty nine.

Speaker 10 (59:20):
I could be wrong because I remember the one with
Matt Brothers No's name, No, No, that was.

Speaker 9 (59:25):
That was a wild pitch that that was. That was
definitely nineteen ninety yeah, but I don't.

Speaker 19 (59:30):
Know, like was it wasn't really then It was the
second and third album that that era was just fucking gold,
like the Return.

Speaker 3 (59:37):
Of the Funky Man, which was two years.

Speaker 9 (59:40):
Later by recall, and that was ninety two ninety two, Yeah,
I think ninety two, ninety three, ninety four, ninety five,
like killing that.

Speaker 3 (59:47):
He was just killing it.

Speaker 19 (59:48):
He was so smooth, awakening all the they were just great,
great albums, but the remixes were crazy.

Speaker 33 (59:55):
Yeah.

Speaker 9 (59:56):
Lord, finess never disappoints, especially if you're pulling a record
from that time.

Speaker 3 (01:00:01):
That is phenomenal raps right there.

Speaker 10 (01:00:04):
You know, it was wild. The second album, which which
is a lot you know, left tunk Yeah. So it
was on Giant Records, which is fucking weird.

Speaker 3 (01:00:17):
Brian syndicate, Right, wasn't that was it?

Speaker 10 (01:00:20):
It was weird. It was on Giant Red Giant record
it's not a rap record company, and it was just
completely bizarre and did not get the proper push. The
only way I found it is he was on like
rap City one day and and that was the only
love that he got and and they played the map
brothers know his name? That him again, that one and

(01:00:43):
they played that video and I lost my mind. And
then if you picked up the album, every song sounded
like that, but nobody would know it because it was
on Giant Records with no promotion, no promotion, They had
no other rappers on that label. Was that in afiliation
with Sire Records and that you.

Speaker 5 (01:01:02):
Know you get?

Speaker 9 (01:01:03):
Yeah, I'm not quite sure how that whole thing went down,
because I do know that Finess You know this too, Dre,
I mean Finesse. Dj Aladdin was a West Coast DJ, right, Yeah, yeah, Okay.
Dj Aladdin's known for low profile.

Speaker 14 (01:01:18):
They were on Priority.

Speaker 9 (01:01:20):
Okay, wasn't there some affiliation with Iced Tea?

Speaker 19 (01:01:24):
Well, you're talking about Rhyme Syndicate well, he was on Sire.
Icedy was on Sire Warner Chapel.

Speaker 10 (01:01:30):
Okay, My point is it was weird and it probably
didn't get the attention to deserve because that was a solid, solid.

Speaker 19 (01:01:37):
Out the great record, absolutely and you know solid. It's
funny we're going through these mixes. I want you guys
to be honest. I don't know how many people heard
the rappers are in Danger Kenny Parker remix. But Kenny
Parker did shit like no one at that time. I
mean always that heavy reggae influence, heavy bass. I just

(01:01:57):
love the music. I love the production behind this remix.

Speaker 9 (01:02:02):
While you're talking about that, I'm at Wikipedia and I'm
actually giving myself a pattern of back because now I'm
going to give you the definitive answer.

Speaker 14 (01:02:11):
To this question to the giant.

Speaker 9 (01:02:13):
Yes, so former iced He producers DJ Aladdin and SLJ right,
they are responsible indirectly for helping Vanessa, who was signed
Warner Brothers, which was a sub because iced Tea, says Icy,
who enjoyed a very positive relationship with label, even though

(01:02:35):
to the controversy a cop killer the notorious.

Speaker 3 (01:02:38):
So by metal band body Count So so he was close.

Speaker 14 (01:02:42):
He was close with Seymour that.

Speaker 3 (01:02:45):
An absolute connection to Iced Tea and Aladdin.

Speaker 14 (01:02:49):
So did he sign them, I don't know signed so
here on on.

Speaker 9 (01:02:54):
Wicked says Giant Record was obviously part of Warner Brothers,
but it was a a Swedish branch of Warner Brothers.

Speaker 19 (01:03:03):
They used to do a lot of the club remixes
and like danceable hip hop like Mars things that, not
that Mars was on for the Broadway, but like those
kinds of tracks, like things that were like European club
hits but had like the beat from like a hip
hop song you liked, you know what I mean. They
had some crazy old dancy type hip hop at that time,

(01:03:27):
So yeah, I can understand Swedish label.

Speaker 14 (01:03:29):
It was definitely from a European perspective.

Speaker 9 (01:03:31):
Well was the guy behind it who's like you know,
he's you know, Live Nation and Ticketmaster, he was like
all that shit.

Speaker 10 (01:03:41):
Back then, we bought records based on what label was
on and if you didn't if you didn't see him
on Rap City or whatever, you probably wouldn't buy that
CD because you're like, I don't know what the fuck
Giant Records is unless you had funky technician. The first
album you wouldn't know shit. So I bought this only
because I saw them on Rap City, because I did

(01:04:03):
not know the label. And back then, if you saw
something on Ruthless, you'd buy it. If you saw something
on Luke Skywalker Records, you'd buy it. You saw something
on John you'd buy it. But Giant Records, You're like,
what the fuck is this? So it's a good thing
that we saw the video on Rap City. Prompts to
Rap City because they were the underground video show. You know,

(01:04:26):
we all love you know, on TV raps that's great,
but they just played the hits. Rap City would play
the underground shit back then, in the early nineties let's
call it eighty eight to ninety three rap cities. Were
you tuned in to see the underground videos?

Speaker 9 (01:04:41):
No, I didn't have BET until much later on. I
guess whatever reason my cable, I just didn't have it.
You were in Philly at the time, or yeah, I'm
trying to remember. In Philly, I would watch Pump It
Up and You on TV rap. Yeah, those were the
two rap video shows that I would get and Pumping
Up was pretty good.

Speaker 19 (01:05:01):
I remember, like, you know, they were in the clubs
and stuff. Like that they like actually took you in
to where like you know, they were forming and stuff
like that.

Speaker 9 (01:05:09):
De Brown was a little bit more articulate. De Barnes
was a little bit what I see Brown Brown was
the Boston, the plumping.

Speaker 3 (01:05:17):
Up, you know.

Speaker 9 (01:05:20):
Deep barn is a little bit more articulate. And I
guess interesting that about by Freddy was right, I mean.

Speaker 3 (01:05:27):
Yeah, I don't.

Speaker 14 (01:05:27):
I've always loved Freddy. I mean he was always watch.

Speaker 3 (01:05:30):
Because he thought he was cringe.

Speaker 10 (01:05:32):
He was cringe though, why would you call him cringe?

Speaker 14 (01:05:34):
That's crazy.

Speaker 9 (01:05:35):
He was cringe man like trying too hard, like the
old uncle. He was just like an og who got
a path. But he didn't really offer too much.

Speaker 14 (01:05:43):
No, he was, but he was cool and he's been
around front. He's been around at all.

Speaker 19 (01:05:48):
And to be honest, I didn't love the doctor dre
Era with that love. That's when it became commercialized, the
whole different ballgame.

Speaker 10 (01:05:56):
Chris Thomas was cornball though. Chris Thomas on Rap City
was corny, but the videos were underground. Yeah, fat, But you.

Speaker 19 (01:06:04):
Know the funny thing is the early MT Wrap stuff.
I mean, fab five Freddy on the back of a truck.
That's you know there for like the it's there for
like you know, farm animals and they're on the back
riding through.

Speaker 14 (01:06:16):
It's like, Okay, this is just so funny.

Speaker 5 (01:06:18):
Man.

Speaker 9 (01:06:18):
That was Jonathan Demi or Ted Demi. But that was
that was what you're referring to, Dreid. That was the
influence of Ted Demi. That's where you got whose demand,
you know. And so I think it became a little commercial.
I don't know if it jumped the shark officially by then,
but it definitely had a different element.

Speaker 3 (01:06:39):
To what we were used to for like a rap
video show, you know.

Speaker 19 (01:06:43):
Yeah, And one thing is for sure, you would never
hear any of these obscure remixes or b sides on shows.

Speaker 9 (01:06:50):
So let's talk about this Eric Sermon joint. This is
this was a white label, right, this was put out.
Eric Sermon was on def Jam, right Yeah, Trigger the
Gambler was on Depth Jam. Ironically, I believe his album
just got re released after all these years. It also
features Strange and Helter Skelter. It was called if You

(01:07:13):
Know or if You whatever the White label had.

Speaker 3 (01:07:17):
This is an awesome record that no one.

Speaker 9 (01:07:21):
I shouldn't say no one because I hate being presumptuous,
but many people probably did not know existed, let alone
that at Eric Serming once collaborated with Sean Brice or
you know what I'm saying. So it was a really
cool record to play. I'd love to know if you
guys have heard that before. But I think that's kind
of one of the songs that highlights this mix's you

(01:07:42):
got a few songs you may have heard before, you
got a few originals you heard before.

Speaker 3 (01:07:47):
Then there's like one or.

Speaker 9 (01:07:48):
Two obscure joints you're like, I didn't know this existed,
and that more than one or two.

Speaker 3 (01:07:53):
Yeah, yeah, maybe for sure, for sure.

Speaker 9 (01:07:56):
Another dope record is the East New York during which
is Brainsick.

Speaker 3 (01:08:01):
And Group Home.

Speaker 9 (01:08:02):
A lot of people don't know that Group Home actually
has a decent amount of records outside of the whole
Gang Star Foundation.

Speaker 19 (01:08:09):
Yeah, their first, their first record they did on their own.
They had one twelve inch that had two sides to
it that both songs were really good and the express
I think it was it was like I want to say,
the album cover was like a city, like by the beach,
Like in a close up of his face, maybe he's

(01:08:31):
wearing like a red shirt or something if I remember correctly.

Speaker 9 (01:08:34):
Okay, I don't know, but I know they They definitely
had a handful of singles outside of the whole I
think they were like off Tight Kings or something in
ninety five or something ninety six, But they had a
handful of singles that had nothing to do with premiere
that were pretty dope. And this song the beats phenomenal. Yeah,

(01:08:56):
it's really good.

Speaker 3 (01:08:56):
It's New York Erey. What else stood out to you?

Speaker 5 (01:08:59):
You got?

Speaker 19 (01:09:00):
Yeah, So aside from the rappers are and Daja, Kenny
Parker thing. Look, it's always great to hear Grand Pooba.
I mean, he is just that voice of the late
eighties early nineties, and I always loved listening to his music.

Speaker 10 (01:09:16):
I'm gonna say from ninety one to ninety three he
was my favorite rapper period, A lot.

Speaker 9 (01:09:21):
Of people favorite, So you're not even counting ninety when
when the All for One album came.

Speaker 10 (01:09:27):
Out, I think I think I discovered him there and
sing His solo songs on All for One were the
best songs on an album to me, and I think
he had to. He was a standout by one hundred miles.
I bought, I bought all Tommy Hill figure of gear
because of him. I rocked a backpack because of him.
I bought your brows because of him. Everything about Grand

(01:09:50):
Pooba was on point. He was my favorite rapper for
about three years. Would you say in ninety two?

Speaker 9 (01:09:56):
Keep in mind, this is when the West Coast was
completely dominating and dre was the biggest thing, But would
you say that Graham Puba was the most charismatic, most
popular New York rapper at that time when Real de
Real came out.

Speaker 3 (01:10:15):
I'm just it's not like.

Speaker 19 (01:10:16):
He's one of them, and I think I think best
the best reason was is he was one of the
first rappers to kind of crossover to R and B tracks.
They wanted him on there always, so that was important.
You know, if you can if you can do a
crossover for an R and B or more of a
radio mainstream song, and you had that rapper feature and

(01:10:37):
he was that guy.

Speaker 9 (01:10:38):
And in ninety two specifically, do you think there was
someone I'm just talking about New York.

Speaker 3 (01:10:44):
Yeah, someone bigger than Puba at the time.

Speaker 14 (01:10:48):
I mean Heavy D.

Speaker 10 (01:10:49):
Possibly that was what I was going to say, Maybe
Heavy D, but probably Puba had more street cred.

Speaker 9 (01:10:54):
I think Puba had more influence because, like you said,
all of us went out and bought you know, Tommy.

Speaker 14 (01:11:02):
Right, Jabo's Tommy whatever.

Speaker 9 (01:11:04):
Jabo's Tommy. Plus, I think he had like a boost
because you had Mary, you had in Living Color at
that time that were doing a lot of those you know,
you know performances. I don't know, I personally think that
he was before the NASAs and the jay Z's. He
was the guy in New York while this whole West

(01:11:27):
Coast dominance was going on. That kind of like really,
I think.

Speaker 40 (01:11:31):
Stay Afloat, yeah, kept New York relevant during that time.
He was a different cat. He had kind of like
a swing rap. It wasn't Heavy D. Was like super
safe and kind of crossover. And you know, I'm a
huge fan of heavy D.

Speaker 10 (01:11:46):
But Pooba was more swing and kind of street but
safe but super fresh, not soft either. He was right
in the middle fashion trendsetter. Pooba was the man. Dude
was my guy from like I don't know, ninety one
to ninety three. That was my dude, and he was
my number one.

Speaker 9 (01:12:05):
You know what's really crazy is that Poopa went on
to make Real to Real, right, he left the group,
made Real to Reel classic album, great album, and then
Brand Nubian went out and did in God We Trust
another great album.

Speaker 10 (01:12:18):
So album.

Speaker 9 (01:12:19):
They lost their number one and yet they still found
a way to make a fucking classic album.

Speaker 10 (01:12:26):
You know what I think they did. They changed their
style a little bit. They went harder and it worked well.

Speaker 14 (01:12:31):
They were definitely a little more militant that that.

Speaker 3 (01:12:33):
This shit was hard. That was hard.

Speaker 10 (01:12:35):
That first song I allow you ackbar that song is hard.

Speaker 19 (01:12:38):
Had a good remix on that as well. Hey, was
there ever any beef between Pooba leaving. I don't recall.
I don't remember, I don't.

Speaker 10 (01:12:47):
Know, I don't remember saying much.

Speaker 3 (01:12:48):
I'm yeah, I don't know.

Speaker 9 (01:12:49):
If there was like beef beef, but I do know
who was it If someone on this show many years
ago was talking about, like basically during the show dates,
Pooba would take more of the money. So I think
the reason was because obviously when he's always involved, but
Poova was the star I mean, and I'm sure Dante

(01:13:11):
is Whoever it was that Electra saw that, you.

Speaker 14 (01:13:16):
Know, the manifestation happened.

Speaker 9 (01:13:18):
Yeah, they could have been happy at the time, but
I don't think they ever had real beef beef at
least that we know about. The last thing I want
to talk about before we get into a mix two
is Wargames by OC.

Speaker 3 (01:13:32):
It's a Large Professor remix.

Speaker 10 (01:13:34):
Listen, fucking Joelle's is such an underrated album that's not
talked about enough. That is an absolute classic. I think
it's I think it's OC's best album.

Speaker 14 (01:13:48):
But more importantly, anything Large Professor touches.

Speaker 10 (01:13:51):
Yeah, that's a great match up. That's a great match.

Speaker 19 (01:13:54):
Everything he does is a great match. I mean, there's
nothing in that Early to mid Night and he's remixed
thing that he did that he touched that just wasn't perfection. Man,
sometimes better than the original version. And we're talking about
heavy hitters and.

Speaker 10 (01:14:08):
That that's not even one of the best songs on
the album in my opinion. But remix is hell yeah.

Speaker 9 (01:14:14):
Yeah, that that album I would say is my favorite
os the album, But I don't know it's the best
oas the album.

Speaker 3 (01:14:21):
This kind of goes back to the whole tribe, you.

Speaker 9 (01:14:24):
Know, which was your preference, super argument, But there are
two coffee albums.

Speaker 3 (01:14:28):
To me, the word life is so good and well,
I just.

Speaker 10 (01:14:32):
Think that word life is much simpler and Joel's has
a lot more depth and just a lot more different flavor.
And and for a time when when hip hop was
was kind of whack ninety seven, right ninety seven, yep,
hip hop was kind of whack. Man, that was the
one album that you could like put your finger on
and be like, that's the one.

Speaker 19 (01:14:51):
But the first time you heard OC's voice from the
first album, there was just something about it. He just
had he just had he had different flow right in
your face, and he was like, you know, it's like
a perfect marriage of you know, someone coming up.

Speaker 9 (01:15:05):
It was just great when you heard him on Pudge Pudge.
I mean, it was kind of like the theme feeling
you have when you heard nahs off live in the
marv Arvitu. You're like, yeah, this dude's a star. Yeah,
oh see, you can pick out his voice pretty easily
when you hear it, you know it? Yeah, absolutely, All right, y'all,
let's get in the mix too. I'm gonna tell you
what's on it. But at the end of it, tally

(01:15:26):
all the songs you've heard before and let us know
how many of these songs you honestly have heard before.

Speaker 1 (01:15:32):
The episode, and we hope you're enjoying episode one fifty three.
Remember to keep score and submit your results to us
on Instagram or Facebook.

Speaker 2 (01:15:45):
To enter the win.

Speaker 3 (01:16:00):
Wow.

Speaker 19 (01:16:06):
Yo yo, what's up?

Speaker 7 (01:16:06):
This is Kase from the Mighty Hieroglyphic Crew.

Speaker 24 (01:16:09):
Yo yo, yo, sir, this is a pleasant right now
you're checking out, taking personal or fill a flavor cam
Laur at the JP sixty.

Speaker 2 (01:16:15):
Hey, hey, hey, I'm gonna make you regret that you
are borne.

Speaker 52 (01:16:19):
I'm gonna make short it.

Speaker 5 (01:16:21):
Every night you'll.

Speaker 2 (01:16:22):
Get that dirty smelling is cam in the garage.

Speaker 34 (01:16:26):
And if there isn't one that's thirty and smelling, then
I'm gonna get.

Speaker 25 (01:16:30):
In that's smelly in thirty others. Give the summer time.

Speaker 13 (01:16:34):
Your windows won't roll down.

Speaker 53 (01:16:36):
I'm gonna make you the second most miserable camp driver.

Speaker 2 (01:16:41):
In all of New York City.

Speaker 45 (01:16:43):
The most miserable camp driver in all of New York City.

Speaker 2 (01:16:47):
It's whoever lets him down off meat. The jam was
fly your line out with ZCA.

Speaker 54 (01:16:53):
My back's a house cutsil Taze must have a sex
cat dignet Why they leave stuck in the eight nightcap
And it's not so hot that everyone ship is sweat
yet nobody's smiling flesh pools a bottles.

Speaker 2 (01:17:07):
They're thinking what they look like?

Speaker 54 (01:17:09):
Parren my years aside when the yellow cave they sped
up his dreads made him think, I pick them. Have
I gotta dodge lucks like I'm playing chicken and English
and Irish five percent Caucasians faste in their taxes.

Speaker 5 (01:17:24):
Oh, no such luck.

Speaker 54 (01:17:25):
I'm gonna get foot for may apparel. As I seen
the black age Perl. Just send the fat caffing to
my rescue. Damn, I'm glad black men drive them calves too, they.

Speaker 2 (01:17:38):
Said, wait through flat.

Speaker 45 (01:17:41):
I don't understand what black sample.

Speaker 55 (01:17:43):
I know they can get a smack the.

Speaker 3 (01:17:47):
Scene that I were.

Speaker 56 (01:17:47):
Day's camp rides are rather pricey, especially when the top
of those the silk it might have been directions had
again and they are dripping to boos back streets to
bad treats them to what prising they are exactly what
have been to myself? When I child called the taxi
before the the turbine I hopped into the vaxie caven
that that's the Nixon said he's never heard of the place,
and I'd have to tell him asley.

Speaker 2 (01:18:07):
When the lung and then placed it and dried. When
I say, make the left. He made a right, all right,
I can get it. Give one to make some slight.
He tours so you could be sure that you get yours.
I turned my head to up the field a little.
I told the cabby to stop.

Speaker 5 (01:18:22):
He didn't think.

Speaker 56 (01:18:22):
I watched the big fixed into my bocket in the
jena like I was rocking. His smell of tree light
was broken up. The token up appreciation and he started chasing.
But I smoked what you kind of scared me up.
That dropped that decease.

Speaker 26 (01:18:36):
Say your final summons if I catch your mex, big
rat hap adtch me drive tonight.

Speaker 2 (01:18:42):
Guys been robbing me like you want black.

Speaker 26 (01:18:45):
Streak put him following, swallowing up stacy random the left.
I made a lefting crash into a rose. Put straight
those crushing on impact, but I'll get impact.

Speaker 2 (01:19:05):
I didn't have enough for a call.

Speaker 5 (01:19:07):
What a moment.

Speaker 57 (01:19:08):
I had to get a job. Time and taxis last song.
So the other travels is that my car was spectacular
because I had a tight, very right yellow accurate tiling
in nine of ten skins at a time. Jus Funny
held the honeys with the money. He always mind me
telling that grief to see what telling my houses feeling
like dell because they would sleep on my couches.

Speaker 25 (01:19:28):
I tried seeing citizens extra because they never mentioned I.

Speaker 57 (01:19:31):
Take all the money from their pension and I drive
a blond man around for a while, even if he
only had to travel. Just the mob with a smile,
and don't let you's all off the leash, because if
he stepped in, I would have to squash the meat.
And if it didn't have the right change, don't even
ask me, or I would have rang your ass them
with my back.

Speaker 25 (01:20:02):
I'm I'm.

Speaker 3 (01:20:05):
Yeah, what up?

Speaker 24 (01:20:13):
This is l a j yo?

Speaker 14 (01:20:15):
What good y'all with?

Speaker 36 (01:20:16):
Master page look from New York when you're chands in
to take it personal radio hip hop.

Speaker 2 (01:20:22):
Place, it's the offbeat on me?

Speaker 25 (01:20:24):
Man?

Speaker 2 (01:20:25):
What's the most like hostess? A vacant seas?

Speaker 11 (01:20:27):
Oh?

Speaker 2 (01:20:27):
And you know this one you really want to won?
The bell is soling.

Speaker 24 (01:20:31):
I'm rolling with I'm Donna and I'm holding my phone
and doing the project dance from back in the days.

Speaker 30 (01:20:36):
It's the master of the A cent jokes.

Speaker 6 (01:20:38):
I'm black in the pain.

Speaker 2 (01:20:39):
So what's the moves on the man?

Speaker 24 (01:20:41):
Or free tim mister dopas can you co miss my
father and this hat on sideways the backwood. I mean
we're gonna be blackwood, opening up the ears up the blackbird.
I'm not rough mouth, Richie are the funds.

Speaker 2 (01:20:52):
I'm no joke. I see that ass like Saint John.
So come get a little bit kit part like the rocking.

Speaker 24 (01:20:58):
Open up the door because I'm knocking, ready or not care,
I come heat up every again. It's master a scanny paste,
Paul up herry in Ice, you rock with the four
bill this mornment.

Speaker 2 (01:21:08):
Welcome to the bas Motel. My name is Gorman.

Speaker 6 (01:21:10):
I got the Mad knife. I'm mad, mean I feel
mad crew.

Speaker 2 (01:21:14):
I read Mad magazine.

Speaker 24 (01:21:16):
Bring it down with the trends for the Mokeys and
the bads, for the blues and the rents.

Speaker 2 (01:21:21):
It comes the crazy Drugget style. Take a swig up.
It's I taste my.

Speaker 29 (01:21:24):
Finger off the trick of for the Lord Nigger Lord
chick up Michael form the later with the punk caught
dad up the mass mother. I'm like, I'm hey, you listen,
I have a little funck to try that just make
you want to know what Because.

Speaker 2 (01:21:35):
I spit on spectators.

Speaker 44 (01:21:37):
My style as rock fucking ruggish on the hill Chip
for the fuck, send the looking for Michael Chips.

Speaker 2 (01:21:42):
This mad mass down get flipped when the cornless gets ripped,
not a game member, what I got? Text him the
grip tri I'm mad, mad the.

Speaker 29 (01:21:48):
Fucky like take a slip took my mother say black
as my puckets get back like an elephant the horse
for another minute.

Speaker 2 (01:21:56):
I'm up in half on the helephant. I'm not to
on your gets.

Speaker 13 (01:22:05):
You know, Saturday night, this Saturday, This Saturday.

Speaker 58 (01:22:29):
At Rocking System Greek versus rock Zoom, my brother unique
and then there's a meeting I within the orange in
the black cap, black in orbits urnsy on my back,
battles in the fact and I'm worth to get my hoot.

Speaker 2 (01:22:41):
Shoot, I'm turning head.

Speaker 45 (01:22:43):
It's like a handicap crossing son.

Speaker 2 (01:22:45):
You gotta believe me. Then I'm gonna be rocked and
you rocking you, but I'm gonna goma leave me.

Speaker 24 (01:22:50):
I'm hitting the rapple to the stack up and then
he's a frag of I'm gonna work the poor like.

Speaker 5 (01:22:54):
The acro oh tim.

Speaker 3 (01:22:57):
Him to go.

Speaker 2 (01:22:58):
They conclude the loll attack on it. Not the type
of tulay Okay, what's the problem. You know I can't
win at We know tomorrow you'll fell sorrow. I'm not
gonna be down like borrow good rap, but not boy.
If you hit him on the phone, hold the moon.

Speaker 30 (01:23:14):
It's like that little white boy.

Speaker 2 (01:23:17):
Now light is on the way the Saturday.

Speaker 28 (01:23:34):
Big the sounds coming blow one blood to plug three.

Speaker 3 (01:23:38):
Dig the sounds.

Speaker 14 (01:23:39):
Dig the sounds coming one blow plug three, Dig the sounds.

Speaker 30 (01:23:44):
He the sounds come, fucking.

Speaker 45 (01:23:46):
One blood two plug three he the sounds.

Speaker 30 (01:23:49):
He the sounds coming, fuck.

Speaker 3 (01:23:52):
Three he.

Speaker 16 (01:23:54):
I was born in the Bookie Down Cats stand with
my building fell down on the rats and people saw
the super won a trip to the p Now while
I settle off, the should up the long poles cleaned
up me.

Speaker 2 (01:24:04):
My mind's color. Want to transmit I am the mother,
the mother fansman.

Speaker 17 (01:24:09):
Want to let the vince disprove a min's cruel with
threadful neda want to hate.

Speaker 16 (01:24:13):
I want to say salitations to the nation of Manubians
about the place you want to free wheedom stewing.

Speaker 2 (01:24:19):
I got the frequency of the shot of Missus Jones term.
I got a girl. I thought, I just get a
short term for the score and for the shot in
the jack for the brother sings that the windows.

Speaker 16 (01:24:29):
To pack, but watch or not because you might get
shot by the brother who's running up the style from
the break.

Speaker 8 (01:24:34):
Hey googer with the mayor has it on the say
wait the day you feel still sacked the back of troubles.
Make the single double lum wage. I had a plan
if I was the man, approve the jack. They get
a little with lake mac the set sign condussing my
ways to the everyday sunset, waging my take for your

(01:24:54):
breaks to have a capital case where the mine out
of line, moaning freaking wake corner. Here is a tap
on my shoulder because the day want to tell me
I want to sell out over the arts of the
six won't play in my bag of tist. I got
the semi going up the well is more the cheer
all temperature here, I keep it to the rear and
then I exploded, I mean.

Speaker 2 (01:25:14):
The fabulous, but I like the ge. I got the
free up in the name my cousin from the Peter pipe.
I like the others.

Speaker 16 (01:25:21):
I you know the winner, the flame the path as
a buncle. They don't come with my friend and tell
you Jones brothers on the runt, I shake his hantiaty
doubles in the industry. Believe the genesis was watergraphresided with
the break.

Speaker 28 (01:25:35):
The sounds coming, the sounds coming, the s the sounds
coming from.

Speaker 25 (01:25:48):
The sounds come.

Speaker 8 (01:25:54):
We in the morning after end. But in the end
I be this because in the midst minute, aw right,
my but got the book to tell my day life.
My pop's got the belt the best. Believe we get
the wave to the longer lady, the anchor in the field,
and I relate the three days mess up my mind
grounds real degree. I tell till in my eyes, man

(01:26:15):
know what I had? Man, But how could I I stand?
I wasn't want to tell me in the States and
played the dates in the far far hated the news.

Speaker 2 (01:26:22):
I want to tell her what tell me, mikey roll
that played the coade, Some hid that on buzz. I
wanna tell me, tell me just what?

Speaker 5 (01:26:29):
How you do?

Speaker 2 (01:26:30):
I get tell my friends of my crew and make
it deafinite least special. There's the shiny happy people, then
the crew we played the rough. I got the huffed
and puff to blow the house load. You know that
never in the fact, the while I'm on.

Speaker 30 (01:26:41):
The tele scirp.

Speaker 16 (01:26:42):
I know what inscuse about the bitch on the ball
with my left, I swooped with my right. I don't
he deserves the finder might be And across the dream
traveling up the stream blog wonder, wonder why you're only
too night We see the girls screaming.

Speaker 2 (01:26:55):
It was shocked by the live show.

Speaker 29 (01:26:57):
Its robot tell thee tell how the d I don't
want to get you, to show you when we hit
the charter harder than the new rack nigg rapping all year.

Speaker 5 (01:27:11):
About the ding.

Speaker 49 (01:27:17):
Brestot read the copy of this manifesto Gorillas in.

Speaker 2 (01:27:20):
The midst of up.

Speaker 8 (01:27:21):
I remember mess those so what a runner wood in
your fat yo, Now don't blow front of mac and
with the hope so grow because the lynching brothers Mike
and Mom reread a rick form from the tip of
my mouth say tongue.

Speaker 2 (01:27:33):
Deficit, right, I think umber nine. That's the cud we
twenty five percent.

Speaker 49 (01:27:38):
And I just sent as a clinch and raised my
we bed away with so you could get with this.

Speaker 2 (01:27:43):
Here's a twist overthrow.

Speaker 13 (01:27:45):
Like woman who mus spread a runner.

Speaker 2 (01:27:47):
Romans in the physics shum a panac like a.

Speaker 10 (01:27:50):
Surge of camp from a brain.

Speaker 49 (01:27:54):
From four hundred years of exploitation at a siezure provided
by your local TV station. Pay This is not a
first Black Turner's thing over like bushood a boat loot
of hate ship.

Speaker 2 (01:28:05):
Yeah, I need to digging.

Speaker 25 (01:28:12):
I know I.

Speaker 2 (01:28:14):
Year digging. Yeah, digging, key ticket.

Speaker 15 (01:28:22):
Leg it out.

Speaker 49 (01:28:25):
Dig now now, Brown calm down with the mal mal clown.

Speaker 59 (01:28:29):
Downtown trying to put us in a dog pin like
a trap.

Speaker 2 (01:28:31):
Brown griped, the.

Speaker 49 (01:28:32):
Situation should be no callousis f because it's written dielectrical analysis.

Speaker 2 (01:28:37):
So how was this?

Speaker 5 (01:28:37):
We never had no.

Speaker 49 (01:28:38):
Funk until you fella let that out revolution that re
lump chump bump you over like Timon.

Speaker 8 (01:28:44):
No rat so for your running up you jack a
print lyrics here, ret Rick.

Speaker 2 (01:28:48):
Hen you never got a sample b lyrics, point blank.

Speaker 6 (01:28:50):
Says last time out.

Speaker 49 (01:28:51):
That's the spirit Chippy standing out the fact that I
can soon knew that I was doing since my day
the fresh to be the wretchet of the.

Speaker 2 (01:28:58):
Earth never had a dream. That was some Mericky's gonna
let your cherry. That ain't nothing new to the susial
paper go whoever paid that road, I'm in the wage
to ticket.

Speaker 14 (01:29:09):
Yeah, tickets.

Speaker 3 (01:29:16):
Out I can figure.

Speaker 2 (01:29:21):
Sixteen, I can get, I can hear.

Speaker 51 (01:29:29):
You understand the men, you understand the cheers, You understand
the men, you understand, you understand.

Speaker 45 (01:29:39):
Just like thats just jump like jump, just.

Speaker 60 (01:29:42):
Like past, just like just ju just like past.

Speaker 2 (01:29:49):
Check it out, gun the stunt that sword and they
mung us. I like to take a moment to say,
trick the lumbers make it up.

Speaker 59 (01:29:56):
My black black Pleasures is the crack that did the
damage from the whip. The records skip the record, the record,
the record skips because my voice is shining, scratching from yelling.

Speaker 49 (01:30:06):
Don't you go FI, don't come to a harassment. They
never passed me, No one to go and tell.

Speaker 2 (01:30:10):
Bro trying to kill the movie. You will come with
teal abruptly.

Speaker 3 (01:30:14):
Does they kill?

Speaker 2 (01:30:14):
If I said it? It will threading them.

Speaker 49 (01:30:16):
They only see my back because I'm three steps ahead off.

Speaker 2 (01:30:19):
We're not falling in.

Speaker 14 (01:30:20):
The slatches, lady.

Speaker 2 (01:30:21):
We realize that a power nickel plate.

Speaker 59 (01:30:24):
Masses movies, willis passes to classes through my Tomas overpassed it,
and you still wanted Overgit up the Oakland, California not
six ticket.

Speaker 2 (01:30:35):
Yeah that's cool.

Speaker 8 (01:30:36):
We're coming at you with us fucking fat kill.

Speaker 49 (01:30:41):
We got bullied in the lapsings.

Speaker 2 (01:30:44):
We got erock in the house.

Speaker 49 (01:30:46):
Yeah you know that six dangsam the fostresses in the
house too.

Speaker 2 (01:30:50):
Because it up over there doing it till you win
the nine three.

Speaker 34 (01:30:55):
Yeah.

Speaker 25 (01:30:55):
I get.

Speaker 3 (01:31:00):
Joe, especially Joe.

Speaker 19 (01:31:13):
Yeah, yeah, man, the jan.

Speaker 14 (01:31:20):
Yeah that this got.

Speaker 33 (01:31:24):
And and and.

Speaker 61 (01:31:27):
Every James, every change, every James. You always hear my
brain in your help. He used to change because wing
had out around. I just don't feel the same. I
can't feed your one of it on you, but I
know you're not to blame. I never who you can't
told you won't put your damns young the kind of
mother it needs to be spread around it to me,
went on the pool.

Speaker 17 (01:31:44):
With me being with you, and don't wan tell you
after you and my mama says, been a window.

Speaker 2 (01:31:49):
Walking up with y'all. My butn't want to hit y'all,
but whatever, but you know whatever with y'all.

Speaker 4 (01:31:54):
Even know sometimes you got my mind stressed out one
minutes with you, baby, and you got my body stretched
out remy.

Speaker 13 (01:32:01):
Man Mary Jane.

Speaker 11 (01:32:03):
Sun memory Jane.

Speaker 34 (01:32:06):
Every Jang Bullers sings this snug early in the morning.

Speaker 45 (01:32:11):
He gave me your brush.

Speaker 2 (01:32:13):
I picked up the post nowhere.

Speaker 29 (01:32:15):
Yon, it was, I feel like down to hell.

Speaker 24 (01:32:16):
I want up after body's like bringing from here.

Speaker 29 (01:32:19):
You told him want to go like the life like
I met you got the falk around three man.

Speaker 30 (01:32:23):
When I got that you was sounding me in the bar.

Speaker 5 (01:32:25):
With my Momie.

Speaker 4 (01:32:26):
He said he get a dumped someone stuff you wanted,
He said, come on, every Jane, let's have a little fun.

Speaker 2 (01:32:31):
I got me in the sack ay to the streets
like Ja Bote meets she's the green. Don't to get talk.
That's what the time every James the broom, Mary James.

Speaker 45 (01:32:45):
There's bull six snug you allowed, man allowed, there's bull snug.

Speaker 2 (01:33:03):
Slug that man red many then say make me buck.
I see you.

Speaker 24 (01:33:06):
Every time I step in the night club, people recognize
whether they may myself fight for dressed from the house.

Speaker 2 (01:33:12):
Part and freestyle sight. My dresser's got a nice spin.
I'm like like a Vice sprint season type of life.

Speaker 5 (01:33:18):
Can spend the.

Speaker 2 (01:33:18):
Rest of my life with a wood if I could,
but I know I can't.

Speaker 24 (01:33:21):
Sup water can take a vacation, wouldn't make it past
the water. When he ain't around, I get the feeling
that I need a man retained me.

Speaker 2 (01:33:28):
At the white but I ain't caught her joke on feef.

Speaker 24 (01:33:30):
But til you're soaking in that I can slip in
my pocket and I'm looking up in a knocking tell
him how he's in the pocket. Whenever she's in the
same room with my prinson, they on trip because he
don't procee.

Speaker 2 (01:33:39):
Don't want me for my ends, So just to make.

Speaker 29 (01:33:41):
Him jealous when he walks up to me out to
drive by the hoodie Mary Jane.

Speaker 5 (01:33:50):
Every day.

Speaker 6 (01:33:56):
Slug.

Speaker 2 (01:33:57):
My eyes are red, but not from crying. Whatever man
red ain't runs out. I said that, signing speaking to myself.
When on where will Mamory tank come back? Where, oh,
where can I find Mary at? I jumped into my.

Speaker 24 (01:34:19):
Lap and saw myself talked to the it's only money
in the hand, that ain't.

Speaker 2 (01:34:22):
Nothing to no good. But Nina's the same, I kept looking.

Speaker 24 (01:34:25):
I'm saying, tell me right on in the corner up
six one, landing the line drum, I pickure up quicking
in the hurry, and then all of a sudden the
undercover fuit and flurries.

Speaker 2 (01:34:33):
I said, hold up, don't shoot.

Speaker 29 (01:34:35):
I know this looks like a kidnapped, but All I
wanted to do was get my Mary James back.

Speaker 2 (01:34:39):
They took me to the station, giving me some station
that's a jib b bout the memory Jane can clip.
They let me go, but they kept up because they
had a lownie going the countries. One of that bumped
here a humbo county. I left with the fine because
every day was locked down. Once again, I have lost
my best friend man.

Speaker 11 (01:35:00):
I was raised in the hood called what the dinner?

Speaker 2 (01:35:03):
What the brother fast?

Speaker 11 (01:35:04):
And the hood be shifless? So why Rusty fits on
my look? Good? Missed pistol grip for my last riskin it?

Speaker 45 (01:35:10):
So life given?

Speaker 11 (01:35:12):
Never given back to lake for slipping so slack.

Speaker 25 (01:35:16):
Oh it's so my lap.

Speaker 11 (01:35:17):
It's on your lips, so trap shut. I still dick
more flick, but puff us and what I'm saying ain't
no question who the man is and my sivinca in
this shows biz. I should have fooled.

Speaker 2 (01:35:27):
I could have fooled.

Speaker 11 (01:35:28):
Come on, what's you say?

Speaker 5 (01:35:29):
I think? Take care?

Speaker 2 (01:35:29):
Are you motherfuckers?

Speaker 25 (01:35:30):
Not the laying?

Speaker 11 (01:35:31):
Don't pull over on my lap at all times, mister
grip for my lap at all times, mister grip, pull
for my lap.

Speaker 52 (01:35:37):
Bet al times.

Speaker 11 (01:35:38):
Niggas fuck with other nigga shit, but that don't fuck
with marks.

Speaker 2 (01:35:41):
This risk pop for my lap at all time.

Speaker 11 (01:35:44):
Cut tricks feed you out for your blind side. I
never understood it, but remember I showed you that in
the nine DS. You gotta look over your shoulder strap.
What fat ain't nothing but a you're justifiating high and
the copy for ship are just passing you by. If
they're in trouble on the double. Best to call your
pals and if you can get them blash, I can.
I can move your style some around me, or we

(01:36:04):
get along with coming.

Speaker 3 (01:36:05):
We better be.

Speaker 11 (01:36:06):
We got back, We got your tact.

Speaker 2 (01:36:08):
There's gonna be pointing.

Speaker 11 (01:36:09):
On this still drift to let old times. This still
drift to my live at old times. The still drift
toe for my little at all times. Niggas fuck whatever
the niggas ship fuck with my He's still drifting for
my left at a town. There's the drift come for
my left at all time. This is still drift poll
for my left at all times. Niggas fuck with other

(01:36:29):
nigga shipt up with my rhyming is the sense son
of a bitch. Some rich but that don't mean you
can get me because all of my people's just camps
for us. Hust just kill us all and through the filter,
I hang with my dogs. Man, fuck up, gorilla, you
love you can you lost the beatings, stillouldn't have enough steam.
You'll call me your weather right up? Tehm, I shouldn't
get the buck shot your daughter get the love after

(01:36:51):
you're out at the cemetery, man, she loves meet out
of single sellers. Terry with us to the party. And
if you didn't know, should ask somebody this the.

Speaker 45 (01:37:00):
A prop from a litty lay in the.

Speaker 2 (01:37:24):
Game isn't pointed that you'll never go the n can
talks and bullshit funs.

Speaker 29 (01:37:35):
I wish I had time to come for my guns
because the nigga is one or not out of front
what it said fee a bat I would.

Speaker 2 (01:37:42):
Shot want to send dick see aka ak.

Speaker 14 (01:37:47):
Matter in the sixties, No way, no.

Speaker 29 (01:37:50):
Way, see the old keep standing in big line on
a big signs you're trying to get mine. I'll suggest
seventeen time, because this week we don't turn to go.

Speaker 2 (01:38:00):
That's ship it gets stole on non Boma's got a
hold off, but we got a roll. Mama mayor in
the whole fucking city.

Speaker 29 (01:38:06):
Saw the legs, mom and the drums, not a ship'll
get the fuck got to wait.

Speaker 2 (01:38:10):
We're not spraking. Okay, Freedom got.

Speaker 24 (01:38:13):
An eight k.

Speaker 7 (01:38:16):
In the game.

Speaker 30 (01:38:17):
Didn't bright to the damage.

Speaker 2 (01:38:19):
Don't go on at the game.

Speaker 31 (01:38:21):
Didn't bright to the dam go.

Speaker 29 (01:38:27):
Neither be your buck master, but mast or sit back
and get buck basted. Then, no horny ass Bradnam because
I got the happy shoot him.

Speaker 2 (01:38:37):
I shoot him up again, talking like that.

Speaker 6 (01:38:39):
I have them all skined going to meet.

Speaker 11 (01:38:41):
Wait, no pottention come to me with ammunition, because the
way than brown.

Speaker 2 (01:38:47):
Boom pop out to be a trick up it because
you ain't the man.

Speaker 29 (01:38:50):
Because the eight K forty tod dot pty cot and
I show him to a fifty fish.

Speaker 30 (01:38:55):
That's why they got the fifty rich.

Speaker 2 (01:38:57):
I know the game, so I'm gonna do the same.
Don't bit we're not playing the same way, and.

Speaker 29 (01:39:01):
Just say, hey, Freedom got a hey k tell gotta
kay freedom aka treedom better that gave freedom got a head?

Speaker 52 (01:39:08):
Thank freedom, better that gave freedom got a thanks freedom got.

Speaker 24 (01:39:11):
In that game.

Speaker 2 (01:39:12):
Freedom ain't to the boad that the gas don't go.

Speaker 30 (01:39:18):
You ain't to the boat to the gas.

Speaker 2 (01:39:19):
Little never don't go down heaven. I've been to call
nine one one. The Nu's gotta cut and he's gonna
have fun. And they k forty seven is the pinch.

Speaker 29 (01:39:31):
Don't make me act like a motherfucking fool because I
the fucking rounding point and fucking around. I have to
shoot the whole fucking joint. He here's for apple, Okay,
here's for killing. I'm killing forty seven million. It's a
billion because look, you want me to don't pass him.

Speaker 2 (01:39:44):
Come on, I'm bucket in a plastic with the L
to the heats of the end, to the sea, to
the X, to the him, to the boat to the bed.

Speaker 26 (01:39:52):
You'll see when that dabble.

Speaker 30 (01:39:54):
Ship that ship to.

Speaker 2 (01:39:55):
The level my shovel. Because I don't play no mother fuck.
The free them got a kam. I mean the trouple.

(01:40:15):
I mean, I mean the triple. I fed the troop
of the forty. They got no troops. And listen, then
mister Hooper him up half in and the rath sides
of man. And if you don't know the half I
gotta holds that. They call him the vio leaders that
the wrongs try to fing up down and then.

Speaker 11 (01:40:34):
Your bill gets starfiegus and let me in me one
figures on the corner morning, what's happening dripping on the
damn low giving mother town load breaking out or until
the next borough. Jim and his chairman never reteat all
up and down the neighborhood streets, not trying.

Speaker 2 (01:40:50):
To tell me the term my system down and turn
shut up. You look like a cloud in that suit,
thinks I started, and all and all and a.

Speaker 11 (01:40:58):
Second, I need the troop of the mellow Trooper.

Speaker 27 (01:41:03):
I be the shooper, Hello, the meadow trooper trying to
step two men and you will get sod.

Speaker 2 (01:41:10):
That man coming in You're gonna get sharp. I believe
the trooper.

Speaker 45 (01:41:15):
Trooper told me.

Speaker 2 (01:41:17):
The easy yet see.

Speaker 17 (01:41:18):
He alo this on the fact checking checking take a checking.

Speaker 2 (01:41:24):
One two things and then we don't.

Speaker 17 (01:41:26):
I think the brother for the mellow married to another
and I'm just stuff bucking up down heads boter, fact
I address some bump the rock butter from instead says
the clowns to the back of perpetrator, to the back.

Speaker 2 (01:41:38):
It's put the fact things in are cutting no slack.
That's on your own.

Speaker 33 (01:41:41):
Emi.

Speaker 2 (01:41:41):
It ain't no misten.

Speaker 17 (01:41:42):
This coma sucker gonna be my first either they's gonna
getting taken before you know, bacon, you can wander up
for another bird piece of bacon, signed the to other's
side and then ride the blow was coming about. I'm
taking a stride b to be the Tudor, my broute
to Tudor. I beat the troop, butther for the Hello
Trooper to be the Tudor Tudor. We beat the trooper
the true because.

Speaker 2 (01:42:03):
I bet the trooper troop Beans the.

Speaker 24 (01:42:09):
Trooper barop trying to say up too many and you
will gets up.

Speaker 2 (01:42:15):
Black man coming in and you're gonna get you.

Speaker 24 (01:42:17):
I beat the trooper trooper torture from the crown yet
little behavior, just class.

Speaker 62 (01:42:26):
It's you see because I got Jing the brother spend
a London train take it's nothing matter unstated.

Speaker 2 (01:42:31):
You don't know what to do now, my true you're true.

Speaker 62 (01:42:33):
You got brothers give your home once to what to
with my brick brother mag tie off the home, saddas
yea brother, Bokie dance me, Daddy's me me and I'm
gonna place him with the truth.

Speaker 2 (01:42:43):
But things can you if you're.

Speaker 3 (01:42:45):
Trying to start.

Speaker 5 (01:42:50):
The troop.

Speaker 25 (01:42:55):
Bean, the troop.

Speaker 17 (01:42:59):
Trying to say, tell me and your little fist off
back man coming in and going to get your I
mean the fop bar.

Speaker 28 (01:43:07):
So.

Speaker 2 (01:43:18):
You're not flip it.

Speaker 3 (01:43:21):
Should strip.

Speaker 2 (01:43:23):
You're not flipp pick slip flip fl.

Speaker 52 (01:43:29):
Big nuts chicken up with the young sis right back
nineteen ninety three threemikin.

Speaker 2 (01:43:35):
On the white jump tip and yo suh, you' not
flipping no but chan sit down just this little big kids.

Speaker 63 (01:43:43):
But when I flipped the skills off flipping bike, okay,
you give me the green blight, I make you brow
like a fresh light because I'm a white chip chips
from the street. I'm not getting down something because I
never gonna tell me dutch back put the blast chap.

Speaker 25 (01:43:56):
What a gap on my left?

Speaker 2 (01:43:57):
So your kid wipe your back.

Speaker 5 (01:43:58):
I got more.

Speaker 63 (01:43:59):
Propped up lop stuff because I know how more stuff
I get your pus, my old black give.

Speaker 14 (01:44:04):
Me your goose.

Speaker 2 (01:44:05):
I can said ben a go so I get hit
it and give me some fatskins. That's where it say it.

Speaker 28 (01:44:09):
Take it.

Speaker 63 (01:44:10):
Watch out, watch out, check stouts at fout like the
great Now that ain't ash right.

Speaker 2 (01:44:15):
I'm just said something. I don't whip the monskin home
first thing lop sho, Wow, I'm shot body aloud.

Speaker 45 (01:44:23):
I sho wow, I'm a.

Speaker 52 (01:44:29):
Shine, but wow, I'm a shoe body aloud.

Speaker 25 (01:44:34):
Ship.

Speaker 45 (01:44:35):
But why, I'm going up tomorrow.

Speaker 2 (01:44:40):
Just like before put my Why can you up for?
I been up to your film to drop and you
were on the quits you get you know the po
take completed on last too week.

Speaker 29 (01:44:51):
I slathered so many of them seed you think I
have plent teeth, A skinny kid with brucking goolds on
my own, I'm gonna hits freaking dog coming gold.

Speaker 5 (01:44:59):
A wild.

Speaker 2 (01:45:00):
I'm from the shore put on to the earth with
the groom man's heart. You call me breathing because the ways.

Speaker 1 (01:45:05):
That I'm break because I ain't taking no short unless.

Speaker 2 (01:45:08):
They come all over the niggas with the.

Speaker 45 (01:45:09):
Fucking youngster, the fucking fucking youngsters.

Speaker 29 (01:45:12):
I'm pressing him. I so horse will call me front
because I'm a wild. You're about every once in a
while while the flip starts in that cloud. Man, I'm
just a wow child, but wow, I'm.

Speaker 52 (01:45:21):
A wall time buddy alone. I'm the water time, but wow,
I'm about.

Speaker 5 (01:45:31):
Wow.

Speaker 52 (01:45:31):
I'm a wall hut buddy aloud. I'm a chi Wow,
I'm a wild chime.

Speaker 64 (01:45:38):
Wow, I got the ways out under my song flipping
flapping it a FI minute cut when I watch.

Speaker 2 (01:45:43):
So why don't give them tricks? You'll get damned might
turn around. I'm sight down the clown.

Speaker 64 (01:45:50):
That's a ground now at your mouth, stand in your drawers,
stood Brown, I'm I'm in the caw.

Speaker 2 (01:45:55):
Get some joke goesmarking.

Speaker 64 (01:45:57):
Just not a flip my wind. I'm like to gree
like it said. Listen John Dumas spell No. When the
bea comes, then I'm gonna get the race. Oh the
on's all right, all rock, get up and act like
I'm mess. Don't sit and not to head to this.
I'm frustrated and don't mine.

Speaker 3 (01:46:11):
I won't messing.

Speaker 2 (01:46:12):
I'm stupping. You're winna no, no will deal.

Speaker 24 (01:46:14):
I need no whipping while the bidders can't get them
sort of feeling no remorse, proble.

Speaker 2 (01:46:18):
I'm gonna too see that is pop more wow o w.

Speaker 25 (01:46:26):
Wow, I'm.

Speaker 24 (01:46:32):
Yeah, this is going out swoll alt Man, you know
what I'm saying. All the real pumps Brooklyn, Manhattan, Queens
in California, lot Bello, Puerto Rico, wherever the f.

Speaker 2 (01:46:47):
From knowing what I'm saying. Yeah, story takes please back
in the South, Bronx.

Speaker 24 (01:46:52):
We're at there eighteor fourteen of what's aready knocking off?

Speaker 30 (01:46:54):
Pumped?

Speaker 24 (01:46:55):
Yes, suckers scared to death every time, but what pride
y'are here can take their lives breath. See you just
didn't give him and if you had us, he was
getting the let the bomber. You was getting stuck.

Speaker 2 (01:47:06):
That was the way it was. What then you went
to visit my aunt and stuck up my cousin.

Speaker 24 (01:47:11):
She said, back, didn't no matter what. I never had
no end and my mom put on welfare.

Speaker 2 (01:47:17):
And you wonder what had a Bama put The name
was never there? So what's not to do? What's a
katina being? The bummy gets off the crew? I gotta
get mine, I gotta get cash. I see oh man
upon arriving.

Speaker 29 (01:47:30):
With the quick bag, give me your mother now, puppy,
I'm going.

Speaker 5 (01:47:34):
To get paid.

Speaker 2 (01:47:34):
The canadamn thing stop me, Canda damn thing stopped me.
Can't canadamn thing stopped me. Damn kickstam Canna damn things stopped.

Speaker 24 (01:47:46):
See you're tied up this push who the cops where
they can suck my mother because all the ever do
was sad. That's why I get glad when I hear
somebody smoke the ass, just to let you know how
I feel.

Speaker 2 (01:47:59):
Word of up it is real and you with realm down.

Speaker 11 (01:48:05):
Down the thrill and yo this thrill.

Speaker 2 (01:48:10):
Down and yo, what's rip.

Speaker 24 (01:48:15):
Down the thrill?

Speaker 2 (01:48:16):
W up the rill down down.

Speaker 24 (01:48:22):
Now I'm sixteen and there's a brand new scene. I
may get mad you getting paid off the soap feet
keep it checking order and.

Speaker 29 (01:48:30):
My main man tone with everybody else's orter.

Speaker 24 (01:48:33):
See, everybody knew when town that your wind tone has
locked down, and then they wouldn't test me. It seems
like yet me yep, but day the cops arrests me,
but the never stick. I may foot boat pull every
up right quick because if we can hat my best
and now you just.

Speaker 2 (01:48:51):
Can't tell us because they know one never sat talking
around for weight and on the block, but.

Speaker 24 (01:48:56):
Never in my face because they knew I packed the clock.

Speaker 2 (01:48:59):
And my crew is mad about you can't de porter
rink itself where yo don't sleep. You know your don't
for deal? Check it out the fuck real? Hey yo
with's real damp.

Speaker 24 (01:49:12):
Thrill?

Speaker 2 (01:49:13):
Hey Yo with's real real, real damn yeah real, Hey yo,
it's real. Check it out.

Speaker 24 (01:49:29):
Let me let you know what you made this song
promas can't cheer with the real word is vonn lem said.
You sign up to say guests saying that they catch
their bodies when they never pulled a trigger up. I
know yourself, I've seen it before. You're wearing an army shot.
Now you think you're hardcore, drinking on your bodies, smoking
on your blucks. Can't afford a change, so you wear.

Speaker 2 (01:49:49):
Go roun years. You're picking the funk kid and you'll
be getting.

Speaker 24 (01:49:52):
It up the ass if you ever see the moucking
big it's time except for break the real from the
pony that ain't a fact.

Speaker 2 (01:49:58):
Joe Pump act like you know me?

Speaker 24 (01:50:00):
I come up rip with the rush, Now what dates,
I can't police the pull rappers come.

Speaker 2 (01:50:04):
Up quick and on your snow fortill. Check it out
this rib he yo, what's red now.

Speaker 39 (01:50:13):
Down on frill?

Speaker 2 (01:50:15):
And your pushed the scrib now.

Speaker 25 (01:50:19):
Down frill?

Speaker 2 (01:50:20):
He yo, what's red now.

Speaker 39 (01:50:24):
Down on thrill?

Speaker 2 (01:50:25):
He your push the scrib now down frill. I'm saying,
what the niggas that act like rap?

Speaker 65 (01:50:43):
When I flashed the tackle and hit a nigga hit
his neck with two slugs. Blood is a sign of bacon.
If it's bitch, want to smish chicken white the dick,
that's my word. Anything goes for the holes up, snatching
rigs and briggs you well and clothes and from the ghetto,
trying to get my hands on the kids. So MICUs
niggas want to be like me, they make a crazy
nigga like a bag of gusts. I don't listen to

(01:51:05):
the fuss because I'm trying to bust with the motherfucking
me and drop three to five by the way, and
me and my crew we fail alive. Get ab served
in here. The nigga with the buddy birds. Niggas can't
fuck around with the buddy.

Speaker 29 (01:51:18):
Fuck shouts in midnight like I'm a fucking trump, you
stick up setting no, get the cash a book. I'm
like gats but it the fens on a type of fit.
If it's a deal of the tech, now we'll coll
of quick. Who's to say a fuck o money? And
if I'm well, I let if we've been a close
So watch a temple spill that blood everywhere for who
said some dinner pullets?

Speaker 2 (01:51:37):
The company and my god, it wasn't.

Speaker 29 (01:51:38):
No fitted does a blast of way the canon every
fucking out twenty twos don't work. I need a dumble
power watching back for the warlocks. Hit the street and
stay look for the stray bullets.

Speaker 2 (01:51:49):
Passion me mad jo, but I'll give a hoop so
much just for loop and kicking heads. WI a fucking food,
so put your tip some money your head. No you
had food. The brother fust mother's out setting.

Speaker 3 (01:52:00):
Oh shut it off.

Speaker 13 (01:52:01):
Joke set it off, joke, set it off.

Speaker 25 (01:52:06):
Joke set it off.

Speaker 5 (01:52:09):
Joke. The niggas the.

Speaker 24 (01:52:10):
Wood fromer because I'm gonna tell that ass out the
frame I was born and say it's arounded by the
truck game. It ain't a damp thing change. I still
chill with the clock, going to block, trying to make
a mail. Niggas is done for fun, so I don't
tell sone. I find a victim mistake of the move
to the next one said me your.

Speaker 2 (01:52:27):
Pillow, But I ain't. After Captain Bunch.

Speaker 24 (01:52:29):
I'm murdered the Brady Bunch because I'm out to lunch
buf my brain in the truck game. I'm about to
do the wrong thing. I make cheese from selling kids
a coach chain. No judge can judge me, police can't
judge me. Which'all's just about to get up, Lee, I
got to text, so respect them. Make saw seventy lout
o jail. I came to set it all.

Speaker 25 (01:52:47):
You want to hear carry fly.

Speaker 53 (01:52:49):
When niggas get me fed, I flash to fight to
leave a weaver in the blood shed. I hardly a breach.
Wear the sweat gaping pitch to stitches. I've got a
black joan to full of fucking. I plant to check
it forward. Lake is coming come the mental shame my game.
I'm gaming for the pucking temple and plus I'm.

Speaker 2 (01:53:04):
Coming up quick with the math. Thout the niggas. I carefu.
We'll go down.

Speaker 53 (01:53:07):
We'll talk pro five. Yeah, your bloody pop neck. My
thou care of good to shit. I can't and take
him up the fucking manhood for all that shit. To
plan I'm talking, Oh, you want to be able to
watch him out before you can't de fit the box
of cradle. And now you know I thay a part Dad.
I'm planning off in any time, Dad, I'm from. I'm
gonna set it doors.

Speaker 2 (01:53:25):
Opens the fuck up before I catch your body.

Speaker 24 (01:53:36):
I'm getting niggas boxes and that's including mother fucking hotties.

Speaker 2 (01:53:40):
So get your pistols taking possy. Yes you can stop me,
I'll open them.

Speaker 24 (01:53:44):
Michael on Topsy, I gotta draw a niggas waiting for
the compact. If we can't get you, we step away
your mom sat so all that rob USh shit. Gotta
six oclock my leash at the street if you ain't
leaving any one, please, I'm drinking forty and.

Speaker 2 (01:53:57):
I take over for forty glass.

Speaker 24 (01:53:58):
Niggas with glass give me prod State say shorty rocks
for forty projects to forty eight and santam mules knock
out a forty five.

Speaker 2 (01:54:04):
I'm knocking out forty foods. If they ever try to
get rid forget this that that listen cripple in the witness.
I gotta get it all when I'm at at all
straight up for town motherfuckers. I said at all.

Speaker 3 (01:54:17):
All yo yo one soul one.

Speaker 32 (01:54:20):
So this couldn't pass should I'm my tricks representative on me,
the farrel representative and checking out take the personal with
my family filler flavor Kevlar DJ three sixty.

Speaker 5 (01:54:31):
You know what I'm saying.

Speaker 3 (01:54:32):
Keep your ad to the street. Keep your eyes peril.

Speaker 32 (01:54:37):
I'm again needing like chokkock and I got you armagon
needing like Chakras.

Speaker 66 (01:54:44):
It's your storkarmagin needing like chokkock and I got.

Speaker 2 (01:54:50):
You stor.

Speaker 61 (01:54:52):
And man.

Speaker 2 (01:54:55):
And don't get man deep wait, go.

Speaker 24 (01:54:57):
Win out before we try to throw with you before
your back in the When I was pulling the thing,
you're going on that case like no boy, you think
you brought you must take it, pull on waking through
the side and this ship fakes a fucking breaking. I'm
wreaking in the peg taking this ship like a Meetcause
I'm rolling with snow and tips. Yessle, that's where the
genus meetings.

Speaker 3 (01:55:12):
Reckon.

Speaker 10 (01:55:13):
What the fuck was you.

Speaker 2 (01:55:13):
Respected from a minor hood.

Speaker 24 (01:55:15):
The bullet bring your see who next to my behind
you straight up and down there having something that flu
that I have niggas well, and it's they smoke the
galling off and boarman.

Speaker 2 (01:55:22):
Flute building when it be bislikes, I shipped on the bar, y'all.

Speaker 24 (01:55:25):
Do my dirt up and filling chilling the hills the
umber bubble scar nigga that fro my bo like a
trooper come in with his numbers, pus yes from the
succlusive fire. I fuck the fire, run down the pucking
scoop on this water stalks like I browed up.

Speaker 5 (01:55:37):
From a deuce again deep like shock clock.

Speaker 30 (01:55:40):
And I tried.

Speaker 5 (01:55:43):
Again deep like chakra.

Speaker 3 (01:55:45):
It's you stalk.

Speaker 5 (01:55:48):
Deep like shock.

Speaker 2 (01:55:49):
Clock, and I tried stop.

Speaker 24 (01:55:55):
Man headed question and see of course static forgets the
pad of trust store, send the attic, the dopness, the rope.

Speaker 55 (01:56:04):
This it sucking for foke thiss. That was the time
for perpetrators. The quote this fine that I wrote, but
heads to get loose to. I'm the what spot likes
non sent a tissue. I dis you, dismissed you, but
suck it's persist you.

Speaker 5 (01:56:15):
Bite my float.

Speaker 55 (01:56:16):
So now you know that when a rippersett, I get
mad deep don't.

Speaker 3 (01:56:20):
Sleep for you.

Speaker 55 (01:56:21):
When your whole crew can get meat as a wax
and taxing a dope reaction fits your front yet reduced
like cracks, and so your mother fucking slacks the racks.
The who next in line to recline and steal.

Speaker 5 (01:56:32):
My round for checks.

Speaker 55 (01:56:33):
Now the man you're facing your round, afraid your trip
against I can vict like pa you make so I again.

Speaker 5 (01:56:39):
Deep like Chok, like Chac, like Shock, the.

Speaker 32 (01:57:08):
Pumps the puffs imagined like chakrack, and I try to
store like chacrastorg need like Chock Crack.

Speaker 67 (01:57:36):
Man, Man crack me to make me your fingers and
m tatoes a greater because I do.

Speaker 2 (01:57:42):
My best work on paper.

Speaker 67 (01:57:44):
Man rapp last the disaster from the master, snatching up
rappers and taking out half as n He's cantastic for yours.
Don't past the limit your finished to say, that's I
hard image for boost Withers. You're wraps a a joke,
but I'm a dope thought transport for thought ripping your
fucking mic self hot.

Speaker 30 (01:57:59):
This is the lost the birds.

Speaker 67 (01:58:00):
I've never heard my rap styles the purb kicking nurse
to the curve and can't compete with the man when
I freaking the cool be quick, so stay in and
see bits crhymes, affect of effect and coffect lyrically too
complex for your punks to step yo, I'll be rhyming
hits whenever it's time.

Speaker 2 (01:58:16):
The quick the riders black now stop and I'm like yet.

Speaker 32 (01:58:19):
I'm again deep like Shock, I got you stop a log, deep.

Speaker 66 (01:58:25):
Like Chaco got your story like chackrap and I got
your store, just job.

Speaker 65 (01:58:39):
Tell me tell me ConA sents me already already, Oh boy,
already tell me, boy please.

Speaker 8 (01:58:47):
Sometimes there's no overset sens to the whole.

Speaker 2 (01:58:54):
You want me to show my name Catrina sex?

Speaker 8 (01:58:56):
Yeah so mother Tina twenty years old, plots of can
show Me had an attitude like Alexis told me.

Speaker 14 (01:59:03):
I'm not told me baby, I'm no slave.

Speaker 2 (01:59:05):
Don't throw the gas and go back to the grave.

Speaker 30 (01:59:08):
You went around you.

Speaker 6 (01:59:09):
I killed the fucking.

Speaker 2 (01:59:10):
Squat top of her head, lemper dead in.

Speaker 30 (01:59:12):
The barge lines.

Speaker 24 (01:59:16):
Don't go broom lt up the bomb, chill up. Wanna
meet a fella with lefe because I'm a frilla. She
was on on a pill, but still wanna meet a
driller with no goard on my dell's boom heide of
honey good.

Speaker 2 (01:59:28):
I'm holding ahead.

Speaker 24 (01:59:29):
Color couldn't bigger in the motherfucker selitary bed she had
mad run and I crashed it and nigga still the
cemetery part.

Speaker 14 (01:59:37):
This goddamn mis shn.

Speaker 2 (01:59:40):
Fucking check it. We get asked a wrong mother named.

Speaker 11 (01:59:43):
My blow Joe, trying after one mo Joe on my.

Speaker 6 (01:59:45):
Fucking pick I was let him a baby chill with
the spell.

Speaker 2 (01:59:48):
I'm coming speaking for the stump. It's a bell. Don't
give a fucking out of slut one of them size
of a block. All I wanted or not.

Speaker 8 (01:59:55):
She was like, yeah, this ahead here, don't got no camp,
get your ass side her hair.

Speaker 11 (02:00:00):
What did I do?

Speaker 2 (02:00:01):
You my grab the the ass or the four episode left?

Speaker 24 (02:00:06):
You know means two way took us. Prissy Ringer waters
couples of plans because of the fact she was with
the facts. Guys get attractive, glass, get active, string their birth.

Speaker 2 (02:00:20):
She's gonna emerders.

Speaker 24 (02:00:22):
She came, bring your epidermous like a fucking thoiss.

Speaker 5 (02:00:31):
Chump up.

Speaker 48 (02:00:43):
It was dark, so the pitch black bumping in the
trees can make your knees were black fish. She stood
looking good in the midst her full length. He was
in a swist accidently from a crane figure machine started
from Howard glass figure.

Speaker 2 (02:00:58):
I thought it was faith from the next grave. To
my surprise, you'll she arrived from the fart side.

Speaker 25 (02:01:02):
In the back of the good boom.

Speaker 2 (02:01:04):
Steamy said the last thing.

Speaker 48 (02:01:06):
It was a genius said a few words in Vantish,
saying understand because I don't speak Spanish.

Speaker 2 (02:01:12):
She's never could have her with the boom. I got
the great breath yard ship.

Speaker 48 (02:01:17):
Better believe it, yo, we believe that I could fucking
my rough ship this season de farm short going on,
hock in the crisp. Your honey had it going on
and she was no chill. I had to tell the
gate off me for killing its orfully so she could
control my fortress. I forget it out. Want my wrists,
course list, my richer will hitch you beget its mixture, yo,

(02:01:38):
I got the report. Come on, let me get your
figure saucerers.

Speaker 68 (02:01:49):
Yo, yo, Yo, be the gate keeper grave diggers into
the graveyard chamber six feet yoke, Welcome to the belly
of the p and you check it out. Take it personal,
so yo, do that? Take the ship bill personal represent
hip hop push.

Speaker 25 (02:02:11):
They don't be No, they don't be no pensive because
they don't be No.

Speaker 2 (02:02:19):
Don't food for thought called soul food, jo man. I
can't a witness.

Speaker 24 (02:02:24):
I strained my brain the mental fitness on the d L,
so I can tell who's a hell praiser trail praiser life,
don't fat shore they show WHI my master next when
I blast of fixing your pain.

Speaker 2 (02:02:35):
You can't maintain the chain reaction.

Speaker 24 (02:02:37):
I'm the main attraction your girl once half the alack
a fraction attraction. Afford the rocky road traveler after hand
to hand down what trap the then received want to
breme tempula to achieved naked.

Speaker 2 (02:02:51):
Like that them and Joe Caine.

Speaker 24 (02:02:53):
I'm an evil to rock the mic able mister eckermanth
over breds in my stable for great you o rock us.
You can't get no check the profile. She's a sim
relax child. My style as a mouth run that breath
wader the the download. Find the whole thing out corner
to the border. Because I can't afforder, find her receipt
take I'm not to whar.

Speaker 5 (02:03:12):
I'm bre.

Speaker 2 (02:03:15):
Mental fitness, a mental fitness.

Speaker 5 (02:03:21):
Sure I did the mister me.

Speaker 2 (02:03:24):
She got nailed at yo.

Speaker 24 (02:03:26):
Immer have this scene on the trail so I can
get in between the once once a rookie, now I'm
a tough rookie, one to play safety and play rookies
hook me up and down, clown.

Speaker 2 (02:03:36):
That's something said, please believe it or not.

Speaker 24 (02:03:38):
Niggas be praising hell, but I don't dwelt in the past.
Noicing now niggas be like kissing my time, ask that
fast people change for the better. I don't sweater little
punky a, don't get up, go for self friend health
for then sickness.

Speaker 2 (02:03:53):
You some slickness and mental fitness.

Speaker 24 (02:03:55):
Quick on the drawer to the hand like it's a
bit so you're better off dread instead of pumping leg.

Speaker 5 (02:04:02):
And you're turning my pump your gun that.

Speaker 24 (02:04:04):
Sends the drink her school flight c l diff blocks
of fd is the kind of hot desipate begin the open,
but it's not mine.

Speaker 2 (02:04:12):
Don't fake it. And the child's as wid that can't take.

Speaker 3 (02:04:19):
Fitness.

Speaker 2 (02:04:20):
Let's mental fitness can't burblep. He's on down.

Speaker 24 (02:04:28):
He's going down the road to success. I rest my
head on your chest, blessed with the best my voice. Boxes,
women take notes. Guns have got more bolts than her.

Speaker 2 (02:04:37):
Be trueman.

Speaker 24 (02:04:37):
Humans ain't singing what I'm singing. Then my feed blond
no calf down. They're way out, so they just pay
out their violent I'm heavy like that'll becomes my bucket.
Sound rush the dreams at the head, fingers roll. You
look small so you can't stand til it all to wolves.
Niggas be on the proms back and then OUs thing
like the real on you warn it talk, get you take.

Speaker 2 (02:05:00):
It for granted, stop popping.

Speaker 24 (02:05:02):
Ship that's for liutenth to planet Oh chaanning, I've benefit
good in twenty back then you one of the good
times behind me packs anybody your vacuity.

Speaker 2 (02:05:11):
But first I had to learn.

Speaker 24 (02:05:12):
The facts of fight from Tuty's from all the quickness
clock the damn I'm with mental fitness.

Speaker 2 (02:05:22):
My mental fitness. Stop, I'm mental fittings. Sure the paper.

Speaker 55 (02:05:40):
Now we got nut crackers, body snatches and heart attackers
five and three combined for some of the check is
that chick more flips than acrobatics. So your plastic and
getting my dramatics to pack it got friends, Dad will
let you have it to start it and start it.
It's just they have to grab it. It's saying, chill on,
my pain is out my brain. I'm trying to starts

(02:06:00):
another empty slang.

Speaker 64 (02:06:02):
Move in the cycles on the lighter with the fire,
your purple.

Speaker 55 (02:06:05):
Going in circles like those with your tires, leggings and
labels on the yether side of the tables. When now
your rebels, I'd be kicking more channels than the cables.

Speaker 2 (02:06:12):
I'm ready with letting the nable to end your lifeline.

Speaker 55 (02:06:14):
You'll with pipe mind because I'm gonnact.

Speaker 2 (02:06:16):
To kick the right rum so very hardcore that to.

Speaker 25 (02:06:19):
Hit the hard floor.

Speaker 55 (02:06:20):
I score when out with Jackson lacking car doors right.

Speaker 69 (02:06:26):
Right, I got them fall on them. I let them
let them fall on them. I let them fall on them.
I let them fall on them.

Speaker 24 (02:06:39):
I let them fall on them and drop it all
on them, drop it all on them.

Speaker 30 (02:06:43):
I let it all fall down, just like the rain.

Speaker 2 (02:06:46):
I scream your name, but your better maintain. They all
want more, they all want it. Moore, Well didn't baby
hit the floor?

Speaker 25 (02:06:52):
Drop around four? Keeping it hot?

Speaker 34 (02:06:54):
Given you the best, but I got you got the
naplication of plans.

Speaker 30 (02:06:58):
To my Jesus, I'm francking week.

Speaker 9 (02:07:00):
Drink it.

Speaker 2 (02:07:00):
Just a little bit of someone like this beef.

Speaker 55 (02:07:02):
We can put the hands on these white sheets, right
because grand when there's money in your head and a
man by your side, just damn what your plans when
I'm in to print it?

Speaker 25 (02:07:11):
Yes I am.

Speaker 2 (02:07:12):
I make my own money.

Speaker 55 (02:07:13):
I bought my own chair, I dropped my own bode,
and I bout my own kiss.

Speaker 25 (02:07:17):
So when I hit it, then I put it.

Speaker 32 (02:07:18):
Then I beat so proud of you.

Speaker 45 (02:07:20):
I tried to warn them that I wouldn't call them,
but I.

Speaker 25 (02:07:23):
Had to chat and let it all fall on them
like like like, I let him pull on them. I'm
let him pulling on him.

Speaker 6 (02:07:38):
I'm letting him on them.

Speaker 25 (02:07:39):
I let him pulling on them. I'm letting him pull
on him. I'm letting them.

Speaker 53 (02:07:42):
Pulling on him, and drop it all on them, drop
it all a little them.

Speaker 25 (02:07:45):
I'm letting him pull on them, let.

Speaker 45 (02:07:49):
Them, I'm letting him, let him pull on.

Speaker 30 (02:07:53):
Them, dropping all them, dropping.

Speaker 55 (02:07:55):
Am Now we got clowns. And then I stop from
down in instant replay. When I'm eating number speeding stuff
like a freeweight, your d day is coming something your
predator the like Fader complex to be like out for
Fader collected data.

Speaker 2 (02:08:08):
You're gonna need it to defeat me. So I'm trying
to sweep me up my feet. They must be sleeping.
You're gonna have to bring it stronger than that. I'm
on to your rap and damn not the corn.

Speaker 55 (02:08:16):
Of your craft, so you'll become blood spills, undo the victim,
my bilter pi poll and it'll killed.

Speaker 2 (02:08:22):
When I say sick of them.

Speaker 55 (02:08:23):
See I could pick them by the crowd up a million.
The feeling killing not only here to make a killer.
You're under pressure off my hard core texture the record.
We'll hear my steps when I come to get you
to talk that chunk a number, front you the talk
on that ya hunt the number, give you what your boy?

Speaker 2 (02:08:40):
Yeah you can't front on that sit the mors.

Speaker 5 (02:08:44):
Yes.

Speaker 24 (02:08:44):
When I arrived on a set, what let's send on
the pair and seen me rock my cut? Such a
man like me to see imn A text must be chosen.

Speaker 43 (02:08:52):
Lack of play aybody chicken head boos, a pourth.

Speaker 24 (02:08:54):
Click, flash, bass popping in the air, flopping the stage,
you're moving, lack of black better staying small, the momentum
of the base, trouble levels on point bonus to ride
the Michael Phonis over ce slash much shine communicating, pull
of masses.

Speaker 2 (02:09:08):
And my finger against NASA. When I got bronze, my
mic was erving for newcomers to visit my green sight
like a shrine. That who's a lot of faithfully just
to get a half full of dirt from the fly
occupied by the chosen be on the whole wedding in
crystyle and Son of.

Speaker 5 (02:09:24):
A Kinion the Queen.

Speaker 24 (02:09:25):
I'm a kiss the child all bound to me like
an image guards of great beds that the keep the
eyes were sin influence, but now by the atient. Buman
survived but lost percenting. Y'all fell into a track. Trent
set is shared with y'all a veteran's neck man. Not
for you to follow, but try and stay. Claire Bussett,
be intelligence means you a sucker being wireless. Hell, it's

(02:09:46):
you a smart of the fucking raw anly songs. Nowadays
most rappers gun strayed off hustle for night.

Speaker 3 (02:09:52):
Did they fix you?

Speaker 24 (02:09:53):
I'm just like a loss of rhymes, only the five
point seven fold, just to see what it meant.

Speaker 3 (02:09:58):
The oh not for real?

Speaker 24 (02:09:59):
No tell them cease mostly all under twenty and not
find it funny.

Speaker 3 (02:10:04):
That's why the.

Speaker 2 (02:10:04):
Seed was born the lead and soul. But it's just
like Noah, all aboard the off with the.

Speaker 24 (02:10:09):
Chosen one beyond the more what In the kist style
of Son of the King and the Queen, I'm gonna
get the child all bout to me like the imature
guard to pray pins.

Speaker 7 (02:10:17):
I'm getting it to.

Speaker 24 (02:10:18):
The eyes will sing it the chosen ones, y'all the
more what in the style of son of a King
and the Queen, I'm a gift. The child all bout
to me like the imagure guard to pray pins.

Speaker 30 (02:10:28):
I get it to the eyes.

Speaker 24 (02:10:29):
I'm saying some of the Chip Shimon story really told
back in the mix of things.

Speaker 2 (02:10:34):
To break the mold, because it's all mind.

Speaker 17 (02:10:36):
You're the negative thoughts behind you type bahama.

Speaker 2 (02:10:39):
If you more see the gods your holy period, don't
see my face. I'm serious.

Speaker 29 (02:10:44):
Move with the mistique, but cheat them as serious dominate jumbles.
When I walk the floor, rummers the battlet motherfuckers.

Speaker 2 (02:10:50):
I make the attitude is humble. My over shop right
like sir light.

Speaker 24 (02:10:53):
If I'm at heights and mature style leads, you find leads.
Most type of scriptures follow me as full reference.

Speaker 2 (02:11:00):
Other MC's make no kind of sense. Oh free supposed
to bleed souls and leave.

Speaker 24 (02:11:04):
Nor sun just sitting there on a brand at the
in confusion pecten subtract robbing subtract four, whilst the sun
leave a shadow wall the man that's raw.

Speaker 2 (02:11:12):
I'll be the chosen one, the young.

Speaker 7 (02:11:14):
The more one.

Speaker 2 (02:11:15):
In the crystyle, the son of a chick and the queen,
I'm a gift. The child all valve to me.

Speaker 11 (02:11:19):
Like the imagry guards.

Speaker 24 (02:11:20):
The three pads had the to the eyes flow said
the chosen.

Speaker 43 (02:11:24):
One, the the on the more what in the.

Speaker 30 (02:11:26):
Kid style, the son of a kick, and the queen,
I'm a.

Speaker 24 (02:11:28):
Giinst the child all valve to me like the imagery guard.

Speaker 29 (02:11:31):
The three pigs, And I'm making to the eye brow
send and.

Speaker 2 (02:11:34):
Chosen water.

Speaker 60 (02:11:45):
Gase gay o, te ain't kid, ain't old Christ and
you look at take a curse through podcast with my jewels,
swimmer flavor chef lock and you can pick go tell
what it is man, take the turn turn.

Speaker 16 (02:12:00):
Per ah, yeah yeah, yeah, oh yeah, yeah yeah yeah
y'all yeah yeah five.

Speaker 38 (02:12:09):
Five five five man lives, Blow this fire Man Live,
blow this spot, five five man Live, rock set it
on regular beast course.

Speaker 41 (02:12:21):
Why yes, yes, y'all, yes you see rockets rocket can't
get the fab five flip from here the force nots
Reporter Monster on the loose. Consider job familiar, but it
never makes mistake of calling the perfect drain yer grow
energy from where nobody knows whether the head they gut
you cro called every swing up. I need to blow
yet the man they're training nasty and bring your hole swater.

Speaker 3 (02:12:41):
That's me.

Speaker 41 (02:12:41):
Yeah, I say, we can't understand. I got to get
my head pull and the man spinning your dramas can
roll my face. But that ain't gonna beat my dignu
when I come draft from a mentwo trumper then getting
to go damn to the temple's meant to ben you
with her mac ten two to trade from sephlo BJ's.
Oh these days you know the script rappers get read
through like freeways, we say, you say, but not in
these laid hold the cliches and get your back pop

(02:13:02):
up in crazy yogi.

Speaker 70 (02:13:03):
See here it stupidly because you little sense a direction.

Speaker 2 (02:13:06):
Oh gc fab, I don't leave home without protection.

Speaker 70 (02:13:08):
No, you, my brother, the bug. It's not list on
that list. The storm is so diff we'd be sick
in your bad lu ships. I thought you knew there's
a that lists on the ard and your name marks
number three on the black inside.

Speaker 2 (02:13:19):
You can't hide from the yo g the big honah,
the new.

Speaker 70 (02:13:22):
Drink or drinking from bro my to ony yoa so
this biggot ticket so oh my ma to fuck your
crew head loud like the Fab and I'm here to.

Speaker 34 (02:13:29):
Chill with Croo, Fat Fire, Fat Life, Lift.

Speaker 8 (02:13:35):
Rock five five Man, I means the ring, I do
my thing and knock your out shoes and sign it
comes to thunder the original icon rum but one of
the from the under knock not busy there the brother with.

Speaker 2 (02:13:46):
The frizzy hair roll like a grizzly ben.

Speaker 8 (02:13:48):
We don't give a wiggy wag from we not your
silly here sounds like your stay with Yo, Pete my
son ever Yoki's mind in the shine and checks sound
boy Fever Yo coming like it's the at his best.

Speaker 2 (02:13:58):
It's the trigger when I pull it in the listen
to your best.

Speaker 8 (02:14:01):
Yes, yes, I maintain focus on your dope and seeking blind.

Speaker 2 (02:14:04):
Whoever has gets the closest.

Speaker 30 (02:14:06):
Now notice the Fab five.

Speaker 8 (02:14:07):
Poet and you owe it to stuff Ring Gun clamp
one number one, the Small Boys five.

Speaker 25 (02:14:12):
Man Lie.

Speaker 2 (02:14:15):
Malo Man spot Head saying ready for the click.

Speaker 71 (02:14:21):
We got a don't know what's going with no Seann
drop offs, what not smoke, several sacks of trump parm
like to get with yet what with fools and chips
too with rock That's when I come to do gett
Bruce you who do you think you are bruised by
the scar mascat.

Speaker 2 (02:14:35):
For two mats monks like Baldy grab my sick.

Speaker 71 (02:14:38):
You can never step this shaw slipping out no cooks
and chumps this this step their cars and getting my
line is scrimmage.

Speaker 2 (02:14:44):
You risk a hers clown.

Speaker 71 (02:14:45):
N Bert frowns on people who try to get the
first down five five mile live. Blow up the spot straight, Louis,
build the yogis, rock to the problem.

Speaker 39 (02:14:53):
Split your hits, your gitsu minya and your blessing with
these please sheaf you must come big guys, goun to
buck through heads. LOOKU gets home, playtime for those few
food so your life, play school with great like hecky
breaky heart hotel. What's they get a structure of the
host felt ben crazy like ring Ling Brothers to Barnum
and Bailey circuits. Some flipping in my lips We get

(02:15:15):
half saying couple of kids would have been from down
Under running Rismael slugger.

Speaker 2 (02:15:19):
These days we schools have best friend for come.

Speaker 41 (02:15:24):
Yeah yeah yo yo, yep, coming next shop and not
new when the storm coming, next job, next shop, cham
late copycat the rest yopo.

Speaker 14 (02:15:38):
In the storm.

Speaker 24 (02:15:41):
In the.

Speaker 7 (02:15:47):
Yeah yeah.

Speaker 2 (02:15:51):
Yeah, yeah, yeah yeah yeah.

Speaker 34 (02:15:57):
Yea yeah.

Speaker 5 (02:16:03):
Yeah yeah yeah.

Speaker 2 (02:16:07):
Yeah yeah by.

Speaker 10 (02:16:18):
Coming out of mix two La Fleur, La fla Ashkosh
Khan Part two, Part two, Folks six, Part Duh. Can't
get much better. These guys man back in the day.

Speaker 24 (02:16:34):
That was it.

Speaker 10 (02:16:35):
I love that crew, Helter Skelter original gun Clappers.

Speaker 9 (02:16:40):
Would you say that was kind of like the peak
years of the boot Camp Click? Was that ninety three
ninety four? Well really fasty the click? I guess inform
until what ninety five, but ninety five ninety six because
then ninety seven it wasn't that for the people.

Speaker 10 (02:16:59):
Yeah, I think after that a year run, two year run, but.

Speaker 3 (02:17:02):
It was a hell of a run then.

Speaker 10 (02:17:05):
Yeah. And and we all had our favorite rappers from
the crew too. There were some that were like ah,
and there were some.

Speaker 3 (02:17:11):
That were great.

Speaker 14 (02:17:13):
And that that group took up a very long time
to actually get to full speed.

Speaker 10 (02:17:18):
I agree.

Speaker 9 (02:17:19):
You had a lot of different artists, a lot of
different personalities. Like Strange, I still think could have been
bigger than what he was. Maybe because he was a
part of the OGC that he didn't get to truly shine,
but I thought he was arguably one of the top
three or four in the entire group.

Speaker 10 (02:17:38):
Yes, the Ring won. The was the standout of OGC,
without a doubt. Nobody would argue without nobody would argue
with that.

Speaker 19 (02:17:44):
I just remember in the streets of New York or
clubs or anything that where you'd play kind of the
style of hip hop, they were always kind of on
the outside looking at. They just were never the group
that they really became later in life, I mean heralded.

Speaker 14 (02:18:01):
They were not that group.

Speaker 10 (02:18:02):
These are dudes that would be outside the club and uh,
you know Timberland's and Army Fatigues and they're not getting in.

Speaker 14 (02:18:10):
Yeah, but they should.

Speaker 10 (02:18:10):
They should get in.

Speaker 14 (02:18:11):
That club back then was s OS, but they didn't
know who.

Speaker 10 (02:18:15):
They were, so they didn't let them in. But they
should have been let in.

Speaker 14 (02:18:18):
That's listen.

Speaker 5 (02:18:19):
It was it was.

Speaker 3 (02:18:21):
But they got into D and D right.

Speaker 14 (02:18:23):
Yeah.

Speaker 3 (02:18:24):
All the betters more than some of the other rappers
used to say what what else was on mix?

Speaker 34 (02:18:31):
Too?

Speaker 3 (02:18:31):
So Mixed two featured.

Speaker 9 (02:18:33):
I would say Mixed two was probably a little bit
more You're a little bit more familiar with some of
the songs.

Speaker 3 (02:18:37):
We started with Cap Bear, which is.

Speaker 14 (02:18:40):
That was a really obscure one.

Speaker 10 (02:18:42):
Back in the day.

Speaker 19 (02:18:44):
We all heard it because of the Bob James sample
of Taxi, and it was it was a hard one
to find, you.

Speaker 14 (02:18:51):
Know, it's always a shitty quality.

Speaker 19 (02:18:53):
You'll never really Yeah, but uh look who didn't want
to sample Bob James back then?

Speaker 3 (02:18:59):
Yeah, man, But they did a great job with it.

Speaker 9 (02:19:01):
It wasn't like, yeah, they just sampled Bob Jane the
song like Wade you said, by her, listen to it.
This is kind of like these were like the years
of Souls, like they were just everything they touched in
the Gold and that was that was another example of
how good they were when they were all cohesive in
that zone.

Speaker 3 (02:19:21):
And you're right that.

Speaker 10 (02:19:24):
The charm of that song is the analog nature of it.
It was super analog. And these guys at that point
it was still the ninety three till voices, the teenage voices.
That's when they were at their best. When they got
a little older and their voices changed, it wasn't the
same souls to me.

Speaker 19 (02:19:41):
The one who did sound the same was Master Ace
because that Saturday Night Live remix by laj So Dope,
so it was so fresh. So that's kind of why
we we sequenced it that way because LJ of course
producer of the Far Side first record.

Speaker 9 (02:19:56):
But this was a great, great reas great Ramsey Lewis
sample and masch to Ace. So this album that massa
Ace dropped out, remember a lot of people liking it,
But I don't feel like mass to Ace really took
off until years later, right when he did Disposable Art
and then started feeling like, who's this guy in the

(02:20:20):
second part of his career who's like consistent and making
not making a name for himself, but like really starting
to stand out because for however many years he was
affiliated with the Juice Crew, he never quite got his duke.

Speaker 10 (02:20:35):
Didn't He kind of do a weird kind of jog
off to the left and do like a West Coast
sound with a born to role and all that. People
didn't know what to think about.

Speaker 19 (02:20:44):
The I n C thing became his first I feel
like the very first, like you know, step into the
next phase and that's you know.

Speaker 14 (02:20:53):
I was at the label at the.

Speaker 19 (02:20:55):
Time and I was trying to remember the A and
r's name, But Clint was the guy behind that record,
and he really pushed it really hard, and they did
really well. I think that's the momentum gain he started
to get from that particular record weight.

Speaker 10 (02:21:09):
The album was weird because you had songs like I
n C Ride and Born and Roll, which sound very
West Coast and very much on the Lowriders kind of vibe,
and then you had songs like eight year Old Sucker,
seven month Afucker, and then Saturday Night Live like we
heard on the show that didn't sound like that at all.
It's very East Coast sounding. So it was a very

(02:21:29):
conflicted record.

Speaker 9 (02:21:30):
To me.

Speaker 10 (02:21:31):
It was kind of weird, but.

Speaker 3 (02:21:32):
It definitely had a West Coast influence. Right.

Speaker 9 (02:21:34):
It came out in ninety three, so it was probably
recorded somewhere in ninety two, and that was when the
chronic was everything. So cars was something that was pretty
important at that time, and Master Race kind of pivoted
to making a record that had that kind of sound. Also,

(02:21:56):
there was like a little bit I don't want to
say horror core because that's like, I don't that was
ding ninety three.

Speaker 3 (02:22:01):
There was, but like it had a little bit of
that little bit.

Speaker 14 (02:22:06):
It was a touch of darble sprinkled dark dark.

Speaker 3 (02:22:09):
Yeah, for sure, you're right sure.

Speaker 19 (02:22:11):
On this mix there was two songs that were major
standouts for me, Mary Jane by the Alcoholics.

Speaker 14 (02:22:18):
The remix was fucking crazy.

Speaker 19 (02:22:22):
And then the second one was the DJ Slip remix
of Fat Joe Derel.

Speaker 10 (02:22:26):
DJ Slip, Yeah, let's go Compton's Most Wanted. That was
the era of comptences Most Wanted. That was the best
to me.

Speaker 19 (02:22:34):
Well, and they used kind of like an East Coast
friendly sample you know that was popular EPMD used it,
so it was just like it just the way it
was done, it was great.

Speaker 10 (02:22:46):
It sounded like music to drive by.

Speaker 12 (02:22:48):
It's okay.

Speaker 9 (02:22:49):
Yeah, and my takeaway, probably my favorite song off mix
too was the Pistol Grip Pump remix. It's like a
UK jazz remix and that's a Volume ten.

Speaker 14 (02:23:04):
I had that Linel was like a big green record
with the Blue ten on top of it.

Speaker 3 (02:23:10):
I don't know.

Speaker 9 (02:23:11):
Yeah, this one I pulled off, believe it or not.
I believe it was. I pulled it off of the
CD single. So that was one of my favorite records
of this Also two little notable obscure joints, so we
played set it off on Mix two, which was on
the main source album that did not feature Large Professor
but who it did feature was actually Jada Kiss and

(02:23:35):
Chic looch of the Locks.

Speaker 3 (02:23:36):
This is before they were the Warlocks.

Speaker 9 (02:23:38):
This was like the first time you ever heard Kiss
and Chic on a track and was set it off,
which was very similar to the Roots. It wasn't similar.
It was the exact same sample of the Roots section.
It was section that they had used. And then ironically,
the next track was Jedi Mind Trick, which was I

(02:24:01):
don't know, maybe it came out in ninety three ninety
four when it was recorded, and it actually features Black
thought of the Roots. He was the first dude rapping.

Speaker 19 (02:24:09):
His voice is high, a little fast, but like a
different style a little bit.

Speaker 3 (02:24:14):
And all these voices are different.

Speaker 9 (02:24:15):
So the second dude is Vinnie Paz and it sounds
really nothing like Di Vinie Paz we know today.

Speaker 3 (02:24:20):
That was when he went by Icon and then it
was just a loss.

Speaker 9 (02:24:24):
So it was three dudes and it was kind of
really low Philly sounding, and that was you know, those
are two records that I think a lot of people
may not.

Speaker 3 (02:24:32):
Be familiar with or at least didn't know that existed.

Speaker 10 (02:24:35):
So I would love to hear if anybody knew what
that was like.

Speaker 14 (02:24:39):
Hit us up.

Speaker 10 (02:24:40):
I'd love to hear it.

Speaker 9 (02:24:41):
Yeah, I mean, if you don't cheat and they've listened
to this later on and they're going to the website
and the track listening's there, I mean they're gonna know.
But if you've listened to it for the first time
and you have never heard it before, there are zero
chants that you.

Speaker 3 (02:24:54):
Knew that was Black Dawn on that record.

Speaker 10 (02:24:56):
I didn't know. I thought it was dude from the Youngsters.

Speaker 3 (02:24:59):
Yeah, for real, I thought it was.

Speaker 19 (02:25:02):
And really nice to hear a female rocking with one
of my favorite females. So that lynn Q track was
great and everyone has this like celebration whenever they see
a lynk Quston on the show.

Speaker 3 (02:25:15):
So, hell, Aaron has a stop for link Q.

Speaker 10 (02:25:18):
I love link You was up there with Rob Digga
for me.

Speaker 3 (02:25:21):
Yeah, she had a dope, had a great point for sure.

Speaker 10 (02:25:24):
She's New York rapped, like she changed her name as well,
right female Sean Pete, Well, she was isis isis?

Speaker 3 (02:25:31):
That's right?

Speaker 14 (02:25:32):
She was?

Speaker 10 (02:25:33):
That was aged Well, yeah she was ex clam with
the hat and yeah that was ringing everything and then
you know that ended and then link Q Let It
Fall was a great record, great twelve.

Speaker 9 (02:25:44):
Great and that was the remix feature in MC light,
which you know a lot of people.

Speaker 10 (02:25:50):
Hey good combo, they could they could be a group.

Speaker 3 (02:25:53):
Wow, mc Lights.

Speaker 9 (02:25:54):
I want to say, she's the reason why lynn Q
got that solo record deal and put out Let It Fall.

Speaker 3 (02:26:00):
Props to Light.

Speaker 10 (02:26:01):
Yeah, I was joking earlier that when I bought the
first Light record eighty eight, I thought it was a
teenage boy.

Speaker 14 (02:26:08):
Jesus Man, but not that the not that the bamboo
earrings would have ever gave that away, but there.

Speaker 10 (02:26:14):
I've never seen a hairstyle like that in my life.

Speaker 19 (02:26:16):
The best part of mc Light's original like image was
the bouncer she had. She had this overweight, tall ass girl,
white girl, and it was just funny. She was always
on the train in the videos. That was the best
part of her life. She had a weird hairstyle in
a tracksuit.

Speaker 10 (02:26:33):
You can't tell. I thought she's a seventeen year old boy.
I didn't know so far. Who knows.

Speaker 9 (02:26:38):
One of the songs we played on here was called
Mental Fitness. It was by the Brothers of the Mind. Again,
another super super duper obscure group.

Speaker 3 (02:26:46):
Obscure.

Speaker 9 (02:26:47):
They came out in I Want to say, nineteen ninety
six with this record. Right, they're from New York City,
and this is just a prime example for how there
was such great hit hip hop that existed that we
didn't know about until years later.

Speaker 14 (02:27:04):
And I only knew that song from the instrumental.

Speaker 19 (02:27:07):
A few radio shows would play that and talk over it,
but I never actually heard the full version with the
with the vocals.

Speaker 9 (02:27:14):
Yeah, Brothers of the Mind, I definitely encourage anyone to.
I don't know if you could find it on on
like Spotify, but google Brothers of the Mind and you'll
probably see something like a compilation.

Speaker 19 (02:27:27):
They and they were around from the early nineties as well.
It wasn't yeah, you know, new on the scene, they
were around, No for sure.

Speaker 9 (02:27:34):
I want to say like they may have been around
since ninety one ninety two, so they definitely have a
decent amount of music out there. So so check that out.
And another joint that I say is was really dope
on here would be The Freak the Sorceress. Right, this

(02:27:54):
is Wade you said an album we probably should do
a spotlight on, although I don't know which art we
would get to do it. But The Grave Diggers six
Feet Deep was such a great album. This was not
on that album. This was a B side. I want
to say it came on and Nowhere to Run single.
They actually had a decent amount of B sides, But

(02:28:17):
in any event, another great song. You always can tell that,
you know, when Rizza's voice comes on, it's like, you know,
it's just a very I don't know, it's just a
good vibe, like you feel, what's.

Speaker 3 (02:28:33):
The word I'm looking for, Like warm?

Speaker 10 (02:28:35):
You know it's going to be good.

Speaker 3 (02:28:37):
Yeah, no, it is like good energy, like it's not
I don't know.

Speaker 19 (02:28:42):
I've always said that about fru Quan because I've always
loved them from stet So he just has that such
such a like distinctive voice and you know it right
for sure.

Speaker 3 (02:28:51):
For sure. We had some remixes.

Speaker 9 (02:28:53):
We had the beat Nuts remix of Wild Child, we
had So Good, We had the day Lot remix of
Breaking Dawn. We had the Pete Rock remix of The
Chosen One by OC.

Speaker 10 (02:29:07):
Listen that album.

Speaker 9 (02:29:11):
Again, Maybe that's that's an album we should definitely do
a spotlight on.

Speaker 5 (02:29:15):
Huh.

Speaker 10 (02:29:15):
People don't talk about it. Nobody ever talks about.

Speaker 14 (02:29:18):
Jewel's any nice, so we can get them on.

Speaker 3 (02:29:20):
It's incredible.

Speaker 10 (02:29:23):
Yeah, I think we do that.

Speaker 3 (02:29:24):
We should do that.

Speaker 10 (02:29:25):
We we gotta do jewels. It's worse.

Speaker 14 (02:29:28):
It's funny. We're gonna get all the d i t
C people and never do a d I t C.

Speaker 3 (02:29:33):
We gotta do.

Speaker 14 (02:29:34):
But we're just gonna do all the individuals.

Speaker 10 (02:29:37):
And we've we've been talking about it for like five years.

Speaker 9 (02:29:41):
Well, I would love to do a spotlight on Diamond
D's stunts blunts and uh oh.

Speaker 14 (02:29:46):
Now you're tickling good.

Speaker 3 (02:29:48):
I mean that was That's that's one of the best.

Speaker 10 (02:29:51):
So we're never gonna do eighty eight. We're never gonna do.

Speaker 14 (02:29:54):
We're gonna we'll do this year for sure.

Speaker 3 (02:29:56):
I think we did.

Speaker 9 (02:29:57):
We already discussed the eighty eight. We're gonna do what
it's probably going to be like a winner thing. Yeah,
it's already arranged. It's already arranged.

Speaker 14 (02:30:04):
I send this in the works.

Speaker 19 (02:30:05):
Got also remember where you know we're we're hitting that
stride post summer, so you know we.

Speaker 14 (02:30:10):
Gave you those really great shows. Ps.

Speaker 19 (02:30:13):
How was the no Cursing show? I want to know feedback?
You know, are you playing it for the kids when
they're you're in the car, what's the deal? I want
to know that feedback went, were you sweating a couple
of times?

Speaker 9 (02:30:25):
Now, these shows are going to be on our Bebo channel,
So if you for whatever reason didn't hear on iTunes
or whatnot, it is streaming on on YouTube as well.

Speaker 19 (02:30:38):
By the way, the streaming services guys, I'm going to
say this, I was always a Spotify dude, but I
will tell you that Apple Podcasts, uh, the app they
have the best quality sounding So if you'd like to
really bump this show. They don't put any crazy like
compression on the shows, and they're really like like almost

(02:31:00):
the way that you know I put them out.

Speaker 14 (02:31:03):
It's their loud Chris loud louder. They're there.

Speaker 19 (02:31:06):
They don't have like a whole button like you know,
take out the base and shit, So there's no compression.

Speaker 14 (02:31:12):
It's just a better system. So I urge you all
just to switch over to that.

Speaker 10 (02:31:16):
Hey, I'm glad you said that because I'm a guy
that would always listen on Amazon Music or Spotify. Spotify's
sound quality is not that great. Amazon Music is better,
but the show is not on Amazon Music, dude. Apple Podcasts. Yeah,
bet done well.

Speaker 19 (02:31:34):
The guy just paid himself three hundred forty six million dollars,
so maybe we'll fucking increase the output of what's going on.

Speaker 3 (02:31:40):
On this channel.

Speaker 9 (02:31:41):
We use Spotify because it's convenient, and if you have
like Alexa, you may just say like presumed Spotify or Amazon.
But Dre's right as far as sound quality goes those
audio files, the Apple podcast app, I would say, is
the best sound quality of what we do of to
take a personal show. So if you want to listen

(02:32:02):
to the show in like do you remember like how
the Death Row records were remastered or were mastered in
a way where like you put it in the car
and it was like extra level of like volume that
you didn't know existed.

Speaker 14 (02:32:15):
It was Adobe when Adobe didn't exist.

Speaker 24 (02:32:17):
Yea.

Speaker 9 (02:32:17):
That is what Apple podcast does to this show. So
I encourage you if you want to listen to it
at a high quality level Apple Podcasts. But again, if
you can't find an episode or you don't know what
streaming platform, always go to our website, take a Personal
radio dot com, click on the episode page, and it's

(02:32:38):
going to give you a list of all the different
ways you can listen, whether it's a download, whether it's
a stream, whether it's a video on YouTube, so you
have plenty of options to listen to it before we
get out of here. We played including the first song
we played. Its total of thirty one tracks. We have
one more to go, So when we get out of
here after these shoutouts, there's one more track to go.

(02:33:01):
Then add up all those thirty two songs. Let us
know how many of those thirty two you have heard before? Again,
not the original version. We're talking about the versions we
played on this episode. Okay, the remixes, the bootlegs, the
B sides, whatever it is. How many of you heard.
Let us know We're going to enter you to win

(02:33:22):
some really dope prizes. With that said, I really don't
have any shout outs, but I will say rest in
peace to Frankie Beverly. I knew nothing about until K Solo.
I will admit, really I can hear your mom's my business.
I don't know if I would have known. I mean,
I'm sure I would have years later.

Speaker 19 (02:33:40):
Before I Let Go was always played, you know at
a barbecue or you know, in the back of a nightclub.

Speaker 14 (02:33:45):
It was always the ship.

Speaker 9 (02:33:46):
And you guys got some years on me. So like
you know, K Solo, your mom My business, I was
finally like and he.

Speaker 14 (02:33:54):
Had a little of that religious tinge to the music,
you know what I mean.

Speaker 9 (02:33:57):
Kind Yeah, he has a lot of hits up that
that's the one that it feels like every show we
have to do this, so well, no rapper, So I'm
happy in that regard that we don't have to r
ip a rapper. But you know that comes in threes.
We have Frankie Beverly, we got James Earl Jones.

Speaker 14 (02:34:16):
And you have the met that passed away.

Speaker 3 (02:34:18):
Oh yeah, but it.

Speaker 9 (02:34:19):
Doesn't he's not in the same you know, stratus spheres
James Earl Jones.

Speaker 10 (02:34:25):
Yeah, we didn't talk about James Earl Jones. If you
only knew the power of the docs, that's fucking impactful.

Speaker 19 (02:34:32):
Yeah, listen, you can't you can't sum up James Earl
Jones in one sentence. So you know, guy was an
icon and amazing at what he did. All right, Kang, Peace,
have a great night. I hope you guys enjoy this show.

Speaker 72 (02:34:46):
Peace The category to night from the Whole Office. Talking
things that sound cool when spoken by James Earl Jones. Oh,
a famous actor, A fine actor, lovely man. Top ten
things that sound cool when spoking boy, James.

Speaker 14 (02:35:02):
Earl Jones, here we go.

Speaker 3 (02:35:02):
Number ten.

Speaker 15 (02:35:05):
I can think thee is not but yeah, for night,
objects in error may be closer than they appear.

Speaker 3 (02:35:19):
For eight, j Lo in the house.

Speaker 2 (02:35:25):
He low in the house, and that's how it comes.

Speaker 14 (02:35:29):
Number seven.

Speaker 15 (02:35:31):
Click here now for the hottest sex sights on the
number six, and the Academy Award for Best Picture goes
to dude, where's my card?

Speaker 33 (02:35:51):
Yeah?

Speaker 15 (02:35:52):
For five, you're not fully clean until your zestfully I
mean alright?

Speaker 2 (02:36:02):
Number four?

Speaker 15 (02:36:05):
You mean I get all these great funk classics on
just one CP York at set.

Speaker 25 (02:36:16):
Yeah.

Speaker 15 (02:36:17):
Number three's number three, But.

Speaker 72 (02:36:21):
I wait a minute, that that makes no sense at all.
The number two cool thing when spoken by James.

Speaker 15 (02:36:27):
Earl Jones yum yum yum yum yum yum yea yum
yum yeall ma'am, Yeah, yeom y'all.

Speaker 72 (02:36:38):
And the number one thing that sounds cool when spoken
by James Earl Jones.

Speaker 1 (02:36:49):
All right, folks, That concludes our show Beyond the lookout
for another new music episode coming up with some special
guests sitting in.

Speaker 3 (02:36:58):
On the show.

Speaker 1 (02:36:59):
We have some special shows in store, like our Bluck
Wild tribute eighty eight shaw, So keep those requests kind
of often imitated, never duplicated. This please take your personal
radio doder.

Speaker 2 (02:37:12):
The announcer.

Speaker 6 (02:38:06):
Too deep and yes, much too complicated. My lines been
stay there are quite often underrated.

Speaker 73 (02:38:11):
So consider it a privileged to here because the weak
minded opinions that never come there that for my outlook
on life. It's a profound few by the summer sat
down thinking that they sound new. Only a few sound true.

Speaker 6 (02:38:22):
Me and the crew know who, so say, Me and
the fellas have been waiting.

Speaker 11 (02:38:26):
For a while.

Speaker 73 (02:38:26):
Now you're giving you the time to get your black
ass style down. You pop junk as if it's.

Speaker 6 (02:38:31):
Offense, knowing that hard is something you can't beat.

Speaker 7 (02:38:34):
So you're front.

Speaker 6 (02:38:35):
But you can never call my bluffy get chund kid,
you get out with doubt.

Speaker 2 (02:38:39):
I never sleep.

Speaker 6 (02:38:40):
I always keep rhyme, squeak, I'm too deep, I'm too deep.

Speaker 73 (02:38:55):
I forgive you sight come taking your life because you
continue to disrespect, So.

Speaker 2 (02:38:59):
Why make it tried?

Speaker 6 (02:39:00):
But then again, I think.

Speaker 73 (02:39:01):
I'll spare you because I know that all it takes
is one rhyme just to scare you. See, I'm the
holder of the key. Don't ask me if Muslim don't
say nothing to me. I said, I was raised like
one son. I had two cousins. The w should be
to find myself up. Else they knew I wasn't gonna
make it. And then and a statistic my life was twisted.
I almost missed it. The chance, it's the chance to

(02:39:22):
make you feel good. I used to steal dose and
make my parents out will good. But now I got
k n O W l E d g E himself
because I'm the ten. The nation of Islam has my support.
But then try to be educate one to my loss
turned of five percent.

Speaker 6 (02:39:37):
Nation takes other steps to get hid.

Speaker 73 (02:39:39):
The brothers on the corners with the rest and then
the prisons given the brothers no visions of how we
can gain wealth and gain stuff. Is seeing the dream
of a total different scene. I dressed clean, stan lean
and say.

Speaker 6 (02:39:50):
What I mean, and I'm out. I can scout on
a new route exhibiting cloud. I never sleep.

Speaker 73 (02:39:54):
I always make rhyme streak two deep right now yo,
My religion in this rhyme as perfect time.

Speaker 6 (02:40:10):
That's the flow.

Speaker 73 (02:40:11):
Then climbing ants I suld not she had geeka Al
must regard the.

Speaker 6 (02:40:16):
Times are hard.

Speaker 19 (02:40:17):
You not have raised.

Speaker 73 (02:40:18):
It's the message that I traveled that that's why my
people of all religious, that we're all black, why I
have so many divisions, superficial factors are dropping as a fox.

Speaker 6 (02:40:27):
Don't let it happen.

Speaker 2 (02:40:28):
Let's put some respect back in.

Speaker 73 (02:40:30):
So before my acts, I think, because it's a brink
up destruction, world corruption, what's up?

Speaker 2 (02:40:34):
Son?

Speaker 6 (02:40:35):
Drug un is just one and I just might have
one or two or maybe even three or four les
me have.

Speaker 2 (02:40:40):
About one hundred or more.

Speaker 6 (02:40:42):
My violence, it's never my first choice. Set com in
the East to release the effect that my bush, I
never sleep, my always be Rob's Creek.

Speaker 10 (02:40:49):
I'm too deep.

Speaker 25 (02:41:00):
Down to nott doctor doct

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