Take It Personal (Ep 154: Fall Classic)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Hey, Roger the announcer here, and thanks for tuning into
episode one fifty four of Take Your Personal Radio. On
this episode, we're playing new music from the High and
Mighty Godfather, Don Apathy, Truth by Design, Vic Spencer, Awon,
Diamond D, The Outlaws, Mickey Diamond, Blue, Action, Bronson, Curious,

(00:22):
George and Eli from the Living Legends. And if you
haven't entered our have you Heard contest, there's still time left.
Stream episode one fifty three and tell us how many
tracks you've heard before. Everyone who responds will be entered
to win some vinyl and merch. And don't forget our
Tip Flashback series now streaming. These are classic shows reproduced

(00:42):
and remastered to give you an ultimate experience.

Speaker 2 (00:45):
And now let's start the show.

Speaker 3 (00:53):
Yo, what's up with?

Speaker 4 (00:53):
What up?

Speaker 5 (00:55):
Yo?

Speaker 2 (00:55):
What's up?

Speaker 6 (00:56):
Yo?

Speaker 2 (00:56):
Yo?

Speaker 7 (00:56):
Yo?

Speaker 2 (00:57):
You need to take that person?

Speaker 3 (00:58):
Take persons, take take.

Speaker 4 (01:03):
Yo.

Speaker 8 (01:03):
This christ one checking out the Taking Personal Radio show?

Speaker 9 (01:07):
Yo?

Speaker 2 (01:07):
Yo, what's up?

Speaker 5 (01:08):
Is black thought from the legendary Woods crew. It's just
that ge this school gee yo.

Speaker 2 (01:13):
Yo, yo yo? What up?

Speaker 10 (01:14):
It's your boy back in Miss more Beeves all that
shut out taking person.

Speaker 2 (01:18):
Yeah, yeah, yeah, this is the woutang and right now
you're listening to it taking personal take That was good,
y'all with DJ Monk from Type of School. Check it out.

Speaker 3 (01:26):
This is been Corn and checking out.

Speaker 11 (01:27):
Taking person yill yo, this sub this is Diamond D
representing thinking in.

Speaker 3 (01:31):
The crates right here and taking personal radio.

Speaker 1 (01:34):
Yo.

Speaker 2 (01:34):
Check it out.

Speaker 3 (01:34):
It's the infamous Buck y'all.

Speaker 5 (01:44):
Yeah, yeah, what's good.

Speaker 12 (01:45):
It's your boy KG y'all, y'all checking out taking personal
radio with my man fellow playbook Kevlov Ammon.

Speaker 13 (01:51):
Wade and the boy d J sixty Hey yo, yo, yo,
it's your boy Errel Marsh Yo.

Speaker 5 (01:57):
What's up?

Speaker 7 (01:57):
This is d nice Yo.

Speaker 5 (01:58):
What's a good job Matt?

Speaker 2 (02:00):
Yeah, yeah, yeah, what up?

Speaker 5 (02:02):
Y'all?

Speaker 2 (02:02):
This is common sense and right to yo.

Speaker 8 (02:05):
Checked it out.

Speaker 14 (02:06):
This is ready five good to some man no reason,
the Dirty Vince down Trable with them to let you
know you need to take it personally.

Speaker 12 (02:12):
Just taking personal d man and we end up building.

Speaker 2 (02:17):
Eighty Yo.

Speaker 15 (02:18):
What's up to be real and you're blazing.

Speaker 4 (02:20):
Out to take it personal.

Speaker 2 (02:24):
Hip hop the way it should be.

Speaker 7 (02:26):
Keep it right there.

Speaker 2 (02:27):
The best in hip hop hip hop be in that
fly ship. You heard hip hop stayed winning? Yeah yeah, yeah.

Speaker 16 (02:46):
Government hope you've been driving?

Speaker 17 (02:49):
Wherever am I being my goals? You know that I'm driving?

Speaker 18 (02:53):
Yeah, my girl got one two being team representing men
the whole, then crew eighty three three twenty something white
with the blue shocking knocks on a sight like lighting
it do and likod n like to your too teeth
tightened the shoe jewsh shadow broad scatter like this vikings
and view. It's so true this summer. Ain't nobody surviving.

Speaker 17 (03:13):
Wherever I bemo goals, you know that I'm driving.

Speaker 3 (03:15):
I got the wad of your blasting.

Speaker 18 (03:17):
All the ladies are asking how I keep it so
g in all this j cow fashion, got some new
Helly Hansen and some girls belly dancing on the deck
just seconds from a fend with mansion. I hear the
sound of assessing the limb and crashing like a canopy.

Speaker 3 (03:31):
Without assessing the damage.

Speaker 18 (03:33):
While I ride around the circle's playing beach, just vibbing.

Speaker 17 (03:36):
Wherever my bema goals. You know that I'm driving.

Speaker 19 (03:38):
I got a couple of l's fun for the smoke ride.
We rode me whipping down I nine to five like
it's stolen. We outside of y'aller online straight trolling pears
appear in my rear view looking Golden hour evening. OSHI
have shore life for a life under my bag, my
nuther life superintended depths.

Speaker 17 (03:58):
I'm diving wherever I'm my BEMA goals. You know that
I'm driving.

Speaker 5 (04:02):
Clouds block in the sun, out walking with.

Speaker 19 (04:04):
Guns, pocket change for the homeless on my slider, Moe
one coughing up lung spy cops. I ain't talking enough.
When I was young, used to throw a couple of box.

Speaker 5 (04:13):
And then pruning.

Speaker 19 (04:13):
They call the swaveski he swave who has the ski
lodges until you hit the tree trunk and wind up
in the tree yards. Better ro off dead, And I
want my two dollars to slip them to the stripper.
I'm kicking it through college. What the fuck you doing
with all of this new knowledge. I into the bags,
filling up suit claws to see the like Phil Collins,
easy lover, got.

Speaker 17 (04:33):
Me lying wherever my BEMA goes. You know that I'm driving.

Speaker 18 (04:38):
When the morning comes, it's like the speakers if mabeemas
start the peak from the trunk and the reef I
was chief and started to leak.

Speaker 5 (04:47):
From my lungs.

Speaker 3 (04:48):
I got the seven year automatic.

Speaker 19 (04:50):
Never catch me in traffic, plus the five five six
that's sitting by the tennis fast.

Speaker 3 (04:54):
I got the spare in the nikes and in my
fashion's feeful like it's nineteen.

Speaker 18 (04:58):
Eighty six, and the mah holographic check me out to sophisticated.

Speaker 19 (05:02):
Look at these shades. I got the polar vised visit.
When I look at these waves, I.

Speaker 18 (05:06):
Got polar roids and parties, and youre foos on film.

Speaker 3 (05:09):
You'll better act right when the captain is at the handle.

Speaker 18 (05:12):
You got beat mold Beam, a slunk full of speakers and guns,
a bunch of sneakers and funs on the beach beating buns.
And I'm a beat when I'm done something the cool
one and slide and wherever I be.

Speaker 17 (05:21):
My goals, you know that I'm driving.

Speaker 20 (05:32):
Take a Personal Radio episode one f four and we
are blazing out of summer like a pulse teams fastball
and loading in the fall like an alright, Dicky knuckleball.

Speaker 2 (05:42):
Baby.

Speaker 20 (05:44):
All right, so we got a new music episode on tap.
Wasn't on the last show.

Speaker 15 (05:50):
Guys held it down as you always do. I don't
I don't bring nothing to this show but a bunch
of pullshit.

Speaker 20 (05:54):
Anyway, Look, I did your I did your fucking hip
hop sat fucking game, Jason, and I think I got
five songs. I definitely hadn't heard that ice Cube song.
What was it called A to the K or something
A freedom got an ak. I've definitely heard that song before,

(06:15):
and it's probably been a good thirty years since I've
heard it.

Speaker 15 (06:17):
And when that song came out, I was like, holy shit,
I remember this song. So that was cool.

Speaker 20 (06:22):
Lots of music I'd never heard before. Obviously, I scored five,
so I think that makes me what like like a
fucking lightweight or something.

Speaker 6 (06:30):
I can tell you where you are scoring points. You
are back in the swear Jar mix. I think you've
probably about a nineteen explicatives in the last three second
and hot, you know.

Speaker 20 (06:41):
Anyway, So look it's full old ladies got their pumpkin spice,
this pumpkin spice that they're putting on their rug boots.
Weather's turning a little bit, it's getting a little chilli,
and the baseball playoffs are about to kick in the
gear and the New York Mets playing some special baseball
right now.

Speaker 15 (06:56):
So yeah, life is good.

Speaker 21 (06:58):
All right, Welcome BACKYV if you want to set this
one out to you, you know, feel free. We just
started here and uh, you've already bringing a lot to
the table if you're a five F bombs before we
mixed one here. Wait, it was your idea to do
a kids show, which we did, and that was a lot.

Speaker 15 (07:15):
And who and who was the who was the only
person the kids show.

Speaker 21 (07:20):
You saved up all your F bombs and you just
dropped them for the intro. So I appreciate your return.
This is the new music show. This is a little
short and sweet and petitue kind of a show. Drey's
going away to gay Powrie in the next few weeks,
so we'll probably be releasing it when he's away. And
this is like a little holdover, and uh, it's all

(07:41):
new music. So we got we got New Apathy. But
you already heard it is the first song on the
mix we got High in the Mighty Is it High
and the Mighty or is it the High in the
Mighty High and Mighty High and Mighty.

Speaker 2 (07:53):
I feel like they changed it.

Speaker 16 (07:54):
It used to be the High in the Mike.

Speaker 2 (07:55):
I thought so too, And now they dropped the dup.
Let's just call Milo and Eons.

Speaker 21 (08:00):
So those dudes. We got Godfather don we have some
New Blue, we have Diamond d we have Action Bronson,
Vick Spencer, Truth by Design, We got Curious George. We
got George, Yeah, Curious George. We got we got the Outlaws,
and we got.

Speaker 2 (08:17):
What's what are those what are those dudes from Europe?
Those British os?

Speaker 15 (08:22):
Did you say the Outlaws like Tupacs Outlaws?

Speaker 7 (08:25):
Yes, listen, that's one of the dopest tracks we got.

Speaker 2 (08:30):
We got Pete and thought they were Peyton Base on
the show.

Speaker 7 (08:34):
Oh yeah, Pete, Pete.

Speaker 21 (08:37):
One looks like Ben fucking Franklin. The other one looks
like Walter White.

Speaker 2 (08:41):
And we've got to talk more about These two dudes
are the illest thing that come out of Europe.

Speaker 21 (08:48):
I mean, honestly, these guys are better than any of
like the British rappers today, like Central Ce.

Speaker 2 (08:54):
Like these dudes. These deezers have it down, like they
know what they're doing.

Speaker 6 (08:59):
They're definitely going to get their own like movie role
in the next Guy Ritchie movies.

Speaker 2 (09:03):
Yeah, brick do you want to play bricktop.

Speaker 7 (09:05):
Bricktops like the old cousin? For sure?

Speaker 22 (09:08):
You on thin fucking ice my Penny Gray shumps and
I she'll be under it when it breaks.

Speaker 5 (09:15):
Now fuck off.

Speaker 7 (09:17):
But listen, guys, we're halfway through the year already.

Speaker 15 (09:20):
And that way, that's fucking fourth quarter already.

Speaker 7 (09:23):
Pat dude, it's September. What are you talking halfway?

Speaker 2 (09:28):
It's open.

Speaker 20 (09:29):
No, I'm not saying, man, fourth quarter starts next week. Man, Well,
fucking Excel spreadsheets ready.

Speaker 6 (09:35):
Anyway, as far as hip hop goes, this is definitely
a unique blend of old and new. On one hand,
we definitely have golden era legends on this show that
continue to stay relevant, and then you got the newer
generation of artists that are definitely inspired by the classic sound.
But with this episode, listen, they're not all bangers. Some
hit the mark, others fall a little short. But the

(09:56):
one thing I will say and I'll take away from
this episode is the essence of hip hop as we
know it is alive and running through the veins of
everyone that we play on the show.

Speaker 7 (10:05):
So we just want to make sure you hear what's out.
That's pretty much what we're about tonight.

Speaker 21 (10:10):
Falling up ears like this fucking little summon you're giving,
Come on up, be like that guy Pete and bass
like you know, how like you'd be interesting. You're reading
off a telefucking prompter. Let's go you tech coopfle fuck get.

Speaker 15 (10:25):
Those British guys are fucking nuts though, man.

Speaker 2 (10:27):
Right right, all right, I'll do it right.

Speaker 7 (10:29):
Every time anyway, So as we come to the end of.

Speaker 21 (10:32):
The like the part where we make fun of you
and humanize you a little bit on that, you do it.

Speaker 7 (10:37):
You do it all the time.

Speaker 2 (10:38):
He never makes himself look at a certain play on.

Speaker 7 (10:40):
The show, how am I supposed to?

Speaker 2 (10:43):
What else? Gets like gips and jabs? But right now
they always goes in after the fact to make himself Yeah,
well kind of like that.

Speaker 7 (10:51):
That's that's what happened.

Speaker 6 (10:52):
That's what happens when you twist the knobs and uh
and and throw up the faders.

Speaker 7 (10:58):
Fucking wait, go ahead.

Speaker 23 (11:00):
So I personally want to thank you guys for doing
the dig and being finding the new music, because I
know there are a lot of people that listen to
show that think just like me that, Yeah, I like
to hear new bangers. I just don't want to fucking
look for them.

Speaker 2 (11:14):
I can't.

Speaker 23 (11:15):
I don't know even know where to look anymore. Remember
the days when we used to get records delivered to
our house every day. Every day was Christmas. You get
fifty records at your front door. We were doing college radio.
Ever since those days are gone.

Speaker 7 (11:27):
Gee, I don't know about your college radio crew. Why
don't we talk about that.

Speaker 15 (11:30):
One a second? You used to get records in the
mail way?

Speaker 16 (11:34):
Yeah, yeah, no.

Speaker 2 (11:35):
Shit, he had an album in an album in two
thousand and two thousand and one, two thousand and two.

Speaker 15 (11:42):
Yeah, wait a second, wasn't juice on it?

Speaker 23 (11:45):
Two thousand and one, two thousand and three, two thousand
and five.

Speaker 6 (11:48):
Let's talk about that talent show that where you had
to come up with the lyrics from a popular song
to pull that one out.

Speaker 23 (11:54):
Guys are fucking up my whole thing. Let's just get
to the music.

Speaker 1 (12:02):
All of us that Take It Personal want to thank
our Patreon supporters. Thank you for supporting us, Thank you
for spreading the good word and allowing us to entertain
you each episode. And well, if you're not a Patreon member, what.

Speaker 2 (12:15):
Are you waiting for?

Speaker 1 (12:16):
Head over to take you Personal Radio dot com and
click on the Patreon button at the top of the
page and support your favorite podcast.

Speaker 2 (12:24):
Come on do it, do it all right?

Speaker 1 (12:27):
Enough of the yapp Let's get to the wrapping.

Speaker 24 (12:43):
One two one crew in the place to be, mister
eat and I'm chilling or thinking personal radio.

Speaker 3 (12:51):
My man kill a flavor Kevlar.

Speaker 15 (12:54):
Aaron Wade and my man TJA three point sixty.

Speaker 3 (12:58):
You are now in the third.

Speaker 25 (13:02):
No down, We didn't head it turned it our mighty mind.
Provide the bound type in no crossway, count something slow
more for me puffing a hound check it out. Freezies
would have looked like hope you see me indeed on
the suck up or freezee if the pe is free
at home, girl, you could fuck with me from doing
the dust sitting here.

Speaker 5 (13:22):
If I love, just slove another one.

Speaker 3 (13:24):
Pie jus no neat spike punch. When you broke out,
we was.

Speaker 25 (13:29):
Bothing toward our trunk up in the suite till the
sun come out. He's still ringing from the sound of
sheet house or shafts of the timing of the police.

Speaker 15 (13:38):
Simple feel and feeling.

Speaker 3 (13:47):
On the corner, but sounds wax the mobile Mary junk.

Speaker 5 (13:57):
Corner. It sounds a whack the muble. Many don't in
the building.

Speaker 26 (14:00):
And it's tom seiling on my Colonel Will mcteering and
appearing on the Will is still the poor mighty mob
Will steeling like rotoste jelly on toast nineteen eighty five
to Markey post Me and nose sees the spoyed Toys
rapped version of the Juddy Boys paranoid Yon Sacatoy, My

(14:21):
rebound Sean wasn't android this ninety four dumbing.

Speaker 2 (14:26):
I was fishing, throwing.

Speaker 3 (14:27):
Up at the lom right.

Speaker 26 (14:28):
I got a jokie, got it, got a jokie looking
like one piece boofye and a coofee. So the spooky
marap Jeff CALOLEI you grab them seats, could never.

Speaker 2 (14:37):
Ever seen that.

Speaker 16 (14:47):
Mary jumping.

Speaker 25 (14:59):
And move like great cool with my shoes and school
and my speech. Got your time for the foolishness, hustlers,
fraud less alcohol part of you be movie stars.

Speaker 5 (15:12):
Each day's money craws. It's like a dream.

Speaker 26 (15:15):
Carn ship, but not a fuck like a Vanjo Shampo
doing Rambo with Lando in the lamp bow camp. Well Camo,
that's a back of shitting down with the school board
me as whole sit down to the fourth with going
from a core DJ looking like a beyond ball stop
or getting up order the frame.

Speaker 5 (15:32):
Just go ride around.

Speaker 18 (15:34):
We will not be.

Speaker 5 (16:00):
Tracked them. Michael out saying and while this smoking out
a recoks like the.

Speaker 14 (16:12):
Rack.

Speaker 5 (16:12):
But that's the way it is. What I'm talking about
those like.

Speaker 27 (16:17):
Mister Mephisto kits so ill, I gotta kick them when
off sick. Yo still gotta ship load of hardcore syllables,
horrifying rhetoric. Good four mill two featured in the Ultimate
Tools and Accessories.

Speaker 5 (16:29):
Very necessary for your ROAs. It's a go star recipe.

Speaker 27 (16:33):
Rather this you're we lick with the cool it sprinkle
with a second gold chips. So excuses, so elusive, Yet
they still get it. It's not like a gossamer. It's
on you like a fit it. It's not coming off
the top. If you ain't shitted, stop it on the dome,
bring it back when you flip it. Look you know
the d been vigorous locks in the lab nine times
that distribute it flow to live it with enough barbu

(16:56):
its ace inhibitors, no particulate.

Speaker 5 (17:00):
All the money went out, saying and why this smoke out.

Speaker 3 (17:10):
All reco like the.

Speaker 16 (17:15):
The rat, But that's the way.

Speaker 28 (17:16):
That it is.

Speaker 27 (17:18):
What if about it back mcs? They ain't got ship
to show me. That's why I'm so low key. I
don't want them to know me. My status is elite
and they barely in the media just getting good while
I always been the DV wicked. I see them like
there is in the ticket. One false move is to
spe I'm so prolific and the polaric of the pros
brim Brander, the rhetoric, the ed and meritis, the technique, terrorists,

(17:41):
immaculate conception, the ultimate creator. When I say it once,
haters get it much later. Dedicated data and sharper than
a Samurai sword or a saber who's down for a
shape up. My versus hit you in their head for
that paper. Everything remote, so they do it through your
Vegas servings. I write till it's slights like a certain
Your figgers can't cut it because they're scared to put

(18:02):
the work.

Speaker 29 (18:03):
Touch calls got the min when out saying and this mouth.

Speaker 3 (18:13):
Touch call.

Speaker 2 (18:16):
Record looks like.

Speaker 30 (18:19):
It the rag.

Speaker 16 (18:19):
But that's the way that it is.

Speaker 5 (18:22):
You're talking about as much as certain.

Speaker 27 (18:25):
Anybody fucking with the kid better make sure they paying game, Mrking,
Mine is the best. I'm a top notch watch a
black Lamborghini, a shot of hot Scotch with the mots,
with the chops that have thrilled you, niggas.

Speaker 5 (18:37):
I'm a little revy god, I don't feel your niggas keeping.

Speaker 27 (18:40):
Buying that bullshit single A predictable prepostory nonsense, none of
it admissible now GFD the paragraph pusher syntax super soaka supernova.
I do them like a few emotions, hit them with
the heart.

Speaker 5 (18:53):
Tilly's super over.

Speaker 27 (18:54):
I'm too ill. I get sick of heavy boss worst.
When I'm drinking, I'm spitting up.

Speaker 5 (18:59):
Ridiculous and bills.

Speaker 30 (19:00):
What I'm thinking.

Speaker 5 (19:01):
If you got that, then you feel what I'm thinking.
To deal with the bars and the bills. I'm a
shrinking dress.

Speaker 9 (19:10):
The mind when I'm saying and when I.

Speaker 5 (19:13):
Just come ran redding the work.

Speaker 3 (19:23):
But that's the way that it is, what you're talking about.

Speaker 31 (19:27):
It's trying to put the kids up, going game like
go to t boards, waking so carcids that the line
resolve and the spearing my solutions like result cleaning.

Speaker 5 (19:36):
The meaning can get it with the simple these off
the meaning got my mamb but don't leat backing it.
I mean it's sitting the meaning.

Speaker 3 (19:42):
This phenomena.

Speaker 31 (19:42):
The second the department at the end of the trying
niggas I get them would be your lining the farm
my hands or definitely wasted.

Speaker 5 (19:49):
The spell that hit at the head of my brain
and the.

Speaker 31 (19:51):
Shift looking that the tip I mean off the top
of mynagie yon know the head couldn't be that the
instrumentals again to smash and running. Let into the nineties,
Jack Ni because in your flag couscular grabby yap, he
gets spiggingly smacked up and tell your man kind jack
like cat does.

Speaker 5 (20:07):
Come and get with ready, y'all be practice.

Speaker 31 (20:09):
I rapped like how that we side pricess mask cotic
like mac book something it up being with it. That'sh
your cap book like tight saying to doctor reeve happen
three y'all this and never.

Speaker 5 (20:17):
Bit a bite them.

Speaker 30 (20:18):
I never like it.

Speaker 5 (20:19):
Retaligate like a lion.

Speaker 31 (20:21):
That's really I mean duplicating myself like a key a
Ryan Man ghost face killer, a brendic suited and turned
to a minute fitting in the strings.

Speaker 5 (20:28):
A rap sent drink and Rap said the give fixing
my seting. Then I meant to.

Speaker 31 (20:32):
Y'all be catting like it didn't y'all need to keep
it umented vented.

Speaker 5 (20:36):
Yeah, what up, y'all.

Speaker 19 (20:37):
It's the one and only superstition right now, you're tuned
in to take it personal. My longtime he keeps fill
a flavor. We have lost d J three sixty and
the official officionados.

Speaker 5 (20:49):
That even makes sense.

Speaker 19 (20:50):
Basically, they know what the fuck they're doing, you know,
so pay attention, might learn some learn, so.

Speaker 5 (20:55):
Learn some.

Speaker 19 (20:59):
Made the gold the golden sounds and words of biting
up in the stone.

Speaker 4 (21:03):
I'm not the flatinum.

Speaker 8 (21:07):
Topp of Tamba.

Speaker 5 (21:08):
The golden room.

Speaker 4 (21:09):
Ain't one rapped a lot of shoves. I'm not the flatinum.

Speaker 8 (21:17):
Top Tambo.

Speaker 5 (21:18):
I was just born.

Speaker 2 (21:19):
They were already ready to die.

Speaker 30 (21:21):
Damn.

Speaker 19 (21:22):
Nowadays, I ain't moving for less than five bands. Pull
the five France sis the Golden nowadays label signing gang members.
We was not faced are center state, so into the frequencies.

Speaker 3 (21:32):
Record sells how.

Speaker 2 (21:33):
And we can see who is the weakened Seas brought
it from.

Speaker 19 (21:35):
The Stone Age to the Golden Age before the corporation
stole the waves, held the art like no It's hard
Maroder City while the globe is dark. Eat their food
fast like golden arch. From the bottom of and soda
cooled rose used to smack them on and sendo tech
my ball cold, still smacking like rams of dope. When
I go how you want to still try to clamp gold?
When I know what you did and what I wrote,

(21:57):
I'm the ghost and the shadows took back to thrown
in the castle of golden fully made of gold.

Speaker 14 (22:04):
Gold.

Speaker 30 (22:04):
It sounds and worlds a bit up.

Speaker 5 (22:06):
And then I'm not looking gold. Not the flat up.

Speaker 4 (22:11):
Top and tam or the golden room eight bunch rap
a lot of shoves.

Speaker 2 (22:15):
I'm on the four winds. I'm not feeling gold.

Speaker 32 (22:18):
After that, the flat ump.

Speaker 33 (22:21):
Top of tam you can call me, might it ain't
the latinum reflection in my eye? Risk of boring influential.
Other rabbits need the stylus flowers, priceless missions. Starts to
you the digest I digressed the grease of fresh whipping
the pires legs on it roin them cut if we
ain't stepping on it on the incredible hope, the way
in flexing on it reveal the scars in these streets
over the speeds, so Illuminati elite experiencies.

Speaker 4 (22:43):
Your defeat.

Speaker 3 (22:44):
I spit golden hotter than the earth.

Speaker 11 (22:46):
Won't sit.

Speaker 19 (22:46):
It brings smoking in the one chosen because I'm not
frozen up. Persons to non beliegious tree need a more
fortree to combat me.

Speaker 3 (22:52):
You're getting easter.

Speaker 33 (22:53):
Follow the leader pushing Nope, bout the speakers, A real
player in the game. My jersey ain't about the please
amongst the gods of a teacher speak the word like
a preacher, locating them all creatures fully.

Speaker 2 (23:07):
Made of gold, made of gold.

Speaker 6 (23:08):
It sounds in words a bit up.

Speaker 2 (23:10):
And I'm not the flat.

Speaker 4 (23:15):
Top of Tam or the golden rule eight lunch rapped
a lot of shovels.

Speaker 3 (23:20):
Like the wind.

Speaker 2 (23:21):
I'm not feeling the flat top of Tam.

Speaker 4 (23:27):
You know it's a represented don't sleep records.

Speaker 19 (23:30):
Hey, yo, this is the pony of the Legendari, a
febal god with a black fair with animal And I
know a lot of y'all don't like me because I
saw a lot of my rhymes and a lot of
it is about you names, how so taking person. I'm
over here with fill of flavor, kevlar and DJA three sixties.

Speaker 3 (23:49):
Y'all know how we get down.

Speaker 30 (23:51):
Praise God.

Speaker 5 (23:54):
I see life is a composition providing symphomies for the
symptoms of our condition. Comedy get menacing the deeds with
cosmic wisdom and constantly telling me I just need to
stop and listen. So I stayed taking a few minutes daily,
the croon to the music, Get my mood lifted. Move
different for you in the night's light with a new
women's jamming to the groove.

Speaker 7 (24:13):
The man in the moon spinning.

Speaker 5 (24:15):
Who is it that beautiful tune whistlim the breeze through
the leaves. But the nature's a musician playing Sunday's like
some strings. It's too vivid. When giving your retention, Blich
what you're ben Listen, She's endlessly inventive. Yo, Parsa, Listen God,
what you're being missing?

Speaker 34 (24:34):
Lost in the missing the mind of the muse this
in managing your HOSPI will stop, take a minute escape
through the art, just therapeutically within life scenes quicker with
the soul and the rich wisdom in the lines is
the abstract picture bliss through the sounds, God blessed with
a gift more than content time Listen we uplift first
relief Stress truly were complex, focused on gratitude, the search

(24:58):
and for quest next, slow down, deep in the sound.
Music is loud, vibing the moment up, living it right now.
I know life's composed of the highs and the lows.
That's a matter of a practice and fighting.

Speaker 4 (25:14):
The right note.

Speaker 5 (25:15):
Open up your ears, re climb with your eyes closed,
focus in your hear the mighty most live show, live flow.

Speaker 34 (25:21):
When I manage you got it through my zone the
doper mean and providing the right those composing the right
so making a right glow, planting thieves in your mind
to see what I might crow.

Speaker 35 (25:36):
Well, then let me write you away not youn't like
in you hate winning something. Linens who are pramas to
Maha beating.

Speaker 19 (25:42):
Along with you went climate to mamm and few times
is what the lines of van du you were mam
me of a school Divan Tavan Jew's true where it's
like right fruit, only right truth and like lions a
lie to beautiful music is the sky.

Speaker 35 (25:54):
Y'all fly through the compositions of right like flight school,
elevating some new levels of life like the juse you
with They seems to change like arrangements on the b
instruments say she can put the imagination on the sweet
and innovation on the street, syncopation to the days people
see ventilation installation is complete and let's compete. It's each
practice what you preach rappes stee. But then you think
each genre is a reminder that we are you needing. Yeah,

(26:37):
and the cold, but with enough of rains and snows.
But when the wind blows, the heat broke, leaves your frow,
suppose your windows. They don't let even win to your
soul because you don't want to let be left out
in the cold. Son setting on as so beautiful you
couldn't imagine someone blossom trying to get paradise.

Speaker 5 (26:54):
To a funeral. I go to the ball when jn't talk, give.

Speaker 19 (26:57):
Me the jewishle Then I hit the proof like gotta leave.

Speaker 3 (27:00):
So I got the do what you know?

Speaker 5 (27:01):
So yeah, I actually chi cannot hear. But she said no,
because you so dope.

Speaker 35 (27:05):
I get a dick to t you dick. He't deserve
to go home. She was how I dropped the cherry
got popped in the burnt through the flow curtains colotes.
I killed him, but first I killed the slow drew
the hose, left the weather in that Jilder want to
address her, she left her feelings so much better than
her best seer. She ain't got many left here, might
as well get shut up and spend it because we
don't get to lift for reper But if you weap

(27:25):
that in the heavey bring usweating cause coss be bringing
pvedic in health, rains, health flames, fuck your numbrellas shit
get hot on butting that butter.

Speaker 19 (27:33):
Leather and passes. But you would up in in the
casket on reference in the cold, but win up for
rains and snows.

Speaker 5 (27:40):
But when the wind.

Speaker 35 (27:40):
Blows, the heat will leave you froze, the close your windows.

Speaker 5 (27:44):
They don't let even win to your soul. Because you
don't want to be.

Speaker 35 (27:47):
Left out in the cold and the cold with your
home as depends.

Speaker 5 (27:51):
On the street in the cold, with your stretching.

Speaker 19 (27:53):
Drunk nothing and they eat in the cold with your
body bevery six feet peek.

Speaker 5 (27:58):
You don't want to be left out in the yo
be low zero at Lake h But we beat cold.

Speaker 19 (28:04):
Even though we so far from the east coast, we
still keep that old blowing north.

Speaker 35 (28:09):
We blown it could be ninety. These threes were still outside.
Certain fiends strong all week long.

Speaker 5 (28:16):
You could smoke.

Speaker 35 (28:17):
Heros be we the coach just make sure that that
beat his tope. We try to get more air time
than Michael Jordan. Show up in front the free throat.

Speaker 19 (28:25):
So cheap posts eating like chee toast, Robbie fugging cheez
with the toast because I hated eating cheese toast growing up.

Speaker 5 (28:32):
We was pulling, so we was holding up the grocery
stones with the ski masks and the foe to foe.
Me and my cousins share my only coat because the
thing's high in the lake. Because most folks don't think
they get cold. Really they must not know. We're about
the city that show no empathy.

Speaker 35 (28:47):
Your penny than any meaning, be asking for change the
most rooting for penny.

Speaker 5 (28:51):
It jo'll actually gray.

Speaker 35 (28:53):
But the pain mistained slipper because niggas fall off and
sell lie but two a ficky when they need two
a million. To me, it's too silly. You would need
two tennies to give me fucked up in this industry
with pens, be white men in suits pushing the pen
of me to sell them my soul. But I tell
him hell, no late, it's how this hell but it
gets soaked, old.

Speaker 19 (29:14):
Yo, take it out evidence violated people's rans live and directly.

Speaker 5 (29:17):
Yo, what I well?

Speaker 36 (29:18):
This is her favorite color holding it down on taking
personal radio. They shout out up the little flavor can
blard aa Ron and d J three sixty.

Speaker 2 (29:29):
Y'all know what it means.

Speaker 26 (29:31):
Love even Noah at crazy go in the past trace
the week.

Speaker 19 (29:39):
Y call me face this gate, said Scottland rock God.

Speaker 37 (29:44):
Trying to break up a fight. They caught my nigga
pop through the door at the light. They hit b
I g through the.

Speaker 3 (29:51):
Door at the light.

Speaker 37 (29:53):
Was that a coincidence or too playing hits? My brother
Yaki Kadafi took one in his face fossil by he
knew stretched in the project coldway, fatal call flipped he
gotta check it out the front windshield broke most of
his bones in his neck. Show up price and big sight.
My niggas died and they sleep. It's this big pun.

(30:13):
I've been more health conscious of what I eat because
she's out in the streets. These niggas are straight haters,
mob and peace jack up. I pray Allah made his
grave spaces. They got nipped right in front of his store.
We still shd tacked two tears galore like the Good
Die Young. They had so much more to accomplish, still

(30:34):
lighting up the darkness in this world like com see
Fat padd and DJ Screwm, Big Stretch and Siegroom, Big
Ali Guru, Freaky Top Jam Mastered, Check Yeah, massperd, Solja,
Slim and Mac Tray, Big Hawk, Hings, Drugs, bank Roll,
Fresh Shorty, Low Pop Smoke and x x x I

(30:55):
Missed the Old Dirty Bastard and Easy Eat Nate, Dog
FIGHTE y'all and mc bree Watch Up My Nigga, Flip
Side o FTP mc A from Beastie Boys, Proof and Heavy,
d yeh, Jay Filler, Mac Miller and Prodigy, Professor X, Badass, Cinepachie,

(31:16):
Lord Infamous and Coops for Nigga, Johnny J Pomona, Zone, KMG,
the Illustrator, Up King, Vaughn Left i In and Leah
Year The Tina.

Speaker 5 (31:27):
Reed Man's in DOUBLEG in the Streets.

Speaker 2 (31:29):
It's like they hate you even when they love you.

Speaker 37 (31:31):
You can act Joe b Or even Stack Bundles A,
Zap Yams, Big Ds from Onyx, can't forget Joe Sworld
and Chip Banks from Harlem Man.

Speaker 3 (31:44):
It's so many more.

Speaker 37 (31:45):
They got money for war, but can't feed the poor.
I pray we learned some lessons from the legends before.
Get your money, stay focused, hip hop, let's live.

Speaker 5 (31:55):
Frons come up.

Speaker 12 (31:56):
Yeah, it's mb on. My outlaw came along away from
selling raw.

Speaker 5 (32:01):
Now I'll sell out tall.

Speaker 12 (32:02):
Keep the swam on me whenever I'm going out, though,
shoot the glizzy with my left hand. I'm punching south Fall.
We've been getting packs out of the streets. Don't know
what about y'all Colombian connect.

Speaker 5 (32:13):
Why what I worry about?

Speaker 3 (32:14):
A drought?

Speaker 5 (32:15):
Call?

Speaker 12 (32:15):
I see rats on the internet. They chase the cloud wall,
closing their location. Life then ain't making a house call.
Lost a lot of legends, but legends that w die.
They live forever through the music. An impression they applied.
They definitely inspired me to strive for perfection when a rhyme.
You see how exceptionally I glide on any replace in

(32:36):
front of me, they said, machine, he got the crown.
I take it humble one case for my dungle. Lease
took the bullet to my head. I guess God wasn't
done with me. I'm saved my life. Now life is
luxury with you.

Speaker 2 (32:49):
You got to learn the lady, come and go.

Speaker 5 (32:52):
Go live the mad with his rest. Stay on my
jumpt run with my squad. Make no mistake this shopping
the ship is like the pens in the blown by.
Now easy, just don't show pray.

Speaker 30 (33:11):
Push week kills on the Condamn that bank back afraid.

Speaker 2 (33:19):
Hold, that's the one.

Speaker 5 (33:25):
I kicked. I kicked, I kicked the mask.

Speaker 19 (33:27):
Now we can't what the g C came with tick.

Speaker 8 (33:35):
From the realm for local smells duels.

Speaker 3 (33:39):
I had to hit the brakes from y'all.

Speaker 5 (33:41):
Lips like yo, you're ready for me?

Speaker 3 (33:44):
I got a brown tim and see Teddy.

Speaker 30 (33:49):
The the whole.

Speaker 5 (33:51):
Big bank han't gone everywhere. Grots kings, Jammaster.

Speaker 2 (33:59):
B DMX in myself money monk.

Speaker 8 (34:07):
Let me remind stubs.

Speaker 3 (34:11):
Check it out.

Speaker 5 (34:13):
Let me show my fishing.

Speaker 38 (34:14):
Now listening to what's inside of me. It's twenty twenty
three and I'm still spinking about velocity somewhere in the
basement with pace kick. That's where you're finding me. Yeah,
I spitting properly right now. I'm with the diamond t
the cod here respinery. We've been through the refinery. When
diamond scratch, what happens? We hit the lottery beat, the
basing your face, the father stopping me. Remember monopoly, you
got out and hopping me. Still you're making about breaking creating.

(34:37):
Why you're watching me here you get reminded of Abel
m See when I am see fucking economy getting money.
I'm showing you how to fuck the thrills faster your skills.

Speaker 5 (34:45):
That builds your value.

Speaker 38 (34:47):
Now you're about to get the whole crowd to shout
you and to the tempt for use of instrumental surround you.

Speaker 8 (34:52):
Yeah, they might crown you, but if you're barely looking,
the kings get the crowns.

Speaker 5 (34:58):
The game, the kings get, the clowns.

Speaker 3 (35:02):
Get the booking.

Speaker 38 (35:08):
The hook diamonds to the sea, seeps the diamond with
the D I T C and met with straight pieing
ring into the mountain top.

Speaker 2 (35:16):
But we keep climbing.

Speaker 5 (35:17):
You will meet me on the moon when.

Speaker 38 (35:19):
You feel this Hyman highest than the highest one higher
to split the rine master for ship ABC deep for diamond,
figuring in the crates with the shank tops in your
lining with search classic tracks so you find it can't
the rest of diamond d Finally confining, this might be
the only time you see me rocking diamond the problem moms.

Speaker 2 (35:38):
I got a lot of them on top of them.

Speaker 38 (35:40):
I knew I get his head right when I started
chopping them, blood splattering rock Conscious and the stug trappers.

Speaker 3 (35:45):
Obviously, this is what I'm called top.

Speaker 5 (35:47):
Master, flash from the.

Speaker 38 (35:49):
Past or the blast from the PASTA I ain't getting naked,
but my ta. Here's a flasher, the pram Master, the
first to cust the beef faster with this headliner rhyman.
Nobody going on Apster rappers were not act this.

Speaker 8 (36:02):
It's the diamond D with the flap flat, the clown,
the teachers, get the.

Speaker 28 (36:14):
Crown, crap crap crown crown with the tach just get
get the.

Speaker 2 (36:28):
Yo k arrest one, yo, yollo, what's up?

Speaker 11 (36:30):
This is diamond D representing digging in the crates right
here and take it personal radio, keep it right there,
the best of hip hop, alright, pe me.

Speaker 5 (36:42):
Check it out, check you.

Speaker 3 (36:46):
Check you different circumstances.

Speaker 5 (36:49):
This is Michael dancing. This is Paum McCartney. This is
say say say if.

Speaker 3 (36:53):
It's not a circumcision, here's the wordful man's and.

Speaker 13 (36:56):
Trying to kill the black and one and grab it. Hey,
k J J trying to you a little white sod.
He snuck inside his house of polloween, but that was
just as white, and you're in the white sheets now.

Speaker 5 (37:06):
They both in the cell. Listen visits.

Speaker 3 (37:08):
Try you more from bad decisions. Just be store.

Speaker 13 (37:10):
They keep the PRIs in sight. When we living lifely,
gotta thug it out. You're not gonna stop until you
get a large amount.

Speaker 5 (37:16):
Try living like me, but not too.

Speaker 3 (37:19):
Many people got a vision like me.

Speaker 13 (37:21):
If you still want some racist shits, this in cloudy
listen fishing this syall in the trenches. We are mouthy people,
so amazing how we always get the bacon dish you
when your homie's in the hallway taking down We taking trips.

Speaker 2 (37:33):
Y'all need to grow up trying me.

Speaker 5 (37:35):
I'm just thinking loudly.

Speaker 3 (37:36):
I can say this proudly.

Speaker 13 (37:38):
Several trips to Sawty just to get the knowledge, get
your sense of bawbee. I got expensive habits, do extensive
floss and never hear with different sades.

Speaker 3 (37:47):
Fins Man, that.

Speaker 4 (37:47):
Shit be costing now.

Speaker 3 (37:49):
I can't get lost in Instagram.

Speaker 13 (37:51):
And Twitter in the world wild web sh doesn't happen
so often.

Speaker 3 (37:55):
Once I trap a softy, stay.

Speaker 39 (37:57):
Tapping off, he ain't Jacob back blessed, and all we
end up filled in.

Speaker 5 (38:02):
The coach shulling for financies had the learnful.

Speaker 13 (38:05):
Catholic because they for sure with benches younger streaming free,
y'all only do this for the trenches, So don't stack
your door before you go before them benches.

Speaker 5 (38:13):
He's young and swear ain't.

Speaker 3 (38:14):
Nowhere it all, but I'll do it all and through
it off. I've learned some Jews for y'all.

Speaker 13 (38:18):
So y'all for sure said listen, y'all don't know what
about you for the lynch mob, So how can I
expect y'all to be familiar with the lynchman. They took
your ancestors into the Wizard strangled doing. It's crazy how
the color of their skin this with marked them victim.
They set your ancestors free, made them think they favored them,
and tied them to a different type of slaver, be
the mental victims.

Speaker 3 (38:38):
Wait now, think about Jay.

Speaker 13 (38:40):
That's my brother gurd wait he okas, I for sure,
but we've been grounding all day.

Speaker 5 (38:44):
We've been had it our way. He ain't down with
these slaves. That's not the way he raised that.

Speaker 3 (38:48):
No, we see it different, different circumstances.

Speaker 5 (38:52):
This is Michael dancing, This is Plaul McCartney.

Speaker 13 (38:55):
Just to say, say say, if it's not a circumcision,
here's a perthful Manson trying to kill.

Speaker 40 (38:59):
The rap it k yo this with black mamas. It's
that black promise experiences. I could not have failed to
acknowledge to leave your building unintended, should to track squatters,
its snakes, slitherer in there, your low, that act honest,
went on the average. We mostly post dramatic. You know
at least a few of your folks been close to attics.

(39:20):
We look that happiness is if we ain't supposed to
have it out here, living ultra savage is like a
toxic masvage.

Speaker 2 (39:26):
I got a jeep rang let.

Speaker 40 (39:28):
It came with a dis changing, and I pushed the
little key through the city. I sense danger ship major,
every little young and aim and the big flame of
so many trigger warn as. It came with a disclaimer.
Philly not playing, stopped playing. They ain't on a block,
laying getting clocked, ducking from shops. The crooked cops brands
a lot of times in what you're saying is.

Speaker 2 (39:47):
What you're not saying. What you need to listen to
is what the ox saying life is a blessing? How
quick we.

Speaker 40 (39:53):
Forget the message, how it's more of a lesson and
losses than in successes we see more as adults tan
we saw in our adam lessons to we fall from
the justice humanity, and it's ess to say, yo, this
isn't rocket science. It's a hip hop alliance to the
top suppliers, and society will not deny its philly kings.

Speaker 2 (40:10):
We know what don't give us wait, will.

Speaker 40 (40:12):
Give us wings that up, yes, tuck, don't come and
deliver in dreams. When we was a box, we've seen
a lot of stuff that shouldn't have seen that. I
was still a team and trying to navigate pain, loss
and loneliness, real life and phoniness. None of my examples
whatever age appropriate one nobody hollering, hey, look how wocal
year is cope years, cocaine dope and other opious Then

(40:35):
it's different circumstances. But with what the chances we would
see the earth advancing. Sometimes I heard the answer, this
is the perfect anthem. Let it bang to fatigue, freedom,
thinkers over everything, Thanks listen.

Speaker 2 (40:55):
All right?

Speaker 20 (40:55):
Coming out a mixed one that was Freeway featuring Black
Thought and Jake went on that beat song called Winning.

Speaker 5 (41:04):
I'm by Winning, I went here and I went there
that one. Let's just do it, Let's make this thing
head on.

Speaker 15 (41:11):
So what's going on, fellas, now that we're halfway through
the year.

Speaker 2 (41:20):
You got nothing? Let's talk about a few songs that
we played.

Speaker 20 (41:27):
On about your Let's tell you about your British peals
and how much like these guys. So there's there's a
couple of old geezers what in the UK who are
spitting bars, are very angry.

Speaker 7 (41:38):
Yellow teeth, and they like tenement buildings.

Speaker 20 (41:43):
They look like they've they've definitely had their share of
bar fights over the years.

Speaker 15 (41:48):
How they get discovered what was something?

Speaker 2 (41:51):
I don't know how they got discovered.

Speaker 21 (41:53):
How I discovered them was on like I g maybe
recommended real and I thought at first, like who are
these old dudes? Like someone clearly is writing or rapping
for them, and they're just you know, slip sinking. And
then I went to their page and I saw more
and more videos and like these guys are legit. Like
these these dudes, when I say legit, I mean they're

(42:14):
actually singing.

Speaker 2 (42:16):
Now is a stick.

Speaker 21 (42:17):
Yeah, I'm sure it is to an extent, but it
doesn't mean they're not talented. And these dudes are really talented,
like they have it down to a science. You could tell,
like my guesses that are in their sixties.

Speaker 20 (42:29):
So they're they're in their seventies. In the video clip
you said, look like they're gonna have.

Speaker 6 (42:33):
A heart, I think you forget what a sixty something
in a seventy something looks like.

Speaker 2 (42:39):
These dudes are.

Speaker 6 (42:39):
Definitely they're they're in their sixties, I think, but funny
to watch. The lyrics are fucking hysterical. I mean, they
could be like the uh you know, they can be
the old style House of Pain over in England if.

Speaker 21 (42:51):
You let them, Guy Rich, you should definitely do like
a docu series on this group, like this is.

Speaker 2 (42:57):
They they you gotta watch.

Speaker 21 (42:59):
I encourage anyone who has not a clue what we're
talking about go find them on i G.

Speaker 2 (43:04):
They're called Uh what the fuck are they called? They're
called I just said the name.

Speaker 15 (43:09):
All right, So what's the over under now?

Speaker 2 (43:11):
On them happening eating bath fish fresh bush.

Speaker 39 (43:14):
I don't give a fuck ride for my father, so
I'm gonna die with my freaky top dot a fat
while I'm running this line, said a priggy ballot. Next
time said loot the cocaine. While I'm back up, big
fucking called the plug. I'm gonna stick him up. Anyone
can get it to say the word and we'll grip
him up like him pray and they tell me that
I give it up.

Speaker 5 (43:33):
Got my audie down.

Speaker 39 (43:33):
They pick them doing in and a slight so you
can chee it whenever run up and you're missing ash
back then we might a killing.

Speaker 15 (43:39):
They call us killers now and now we go to figures.

Speaker 5 (43:41):
Women get their figures.

Speaker 41 (43:42):
Aye, okay, cool bringing the mc burner RepU for pack
you chuck it and me work especially police. I'm not
got it from the good there's jimmer lit snow worshipping
from the shirts.

Speaker 2 (43:53):
Get it from the noose and looks like it to
the stands.

Speaker 41 (43:55):
If the feller's getting cool selling shot.

Speaker 5 (43:57):
This man a couple of pennies to the pool because
the lips lapen.

Speaker 20 (44:03):
So what's the over under on them having a song
with like Megan three Stallion and like well never have
kids or whatever, because isn't it all like like puppetmastered right,
all that stuff. It's all just a it's all just
a game, just like the NFL. Right, it's all rag,
it's all bullshit.

Speaker 6 (44:21):
Well, okay, keV, back to your positivity. You know, first off,
let's just talk about Mix one. I think Mix one
is my favorite over Mixed two, which you guys will
hear later in the show. But Mixed one kind of talks,
uh about a lot of old school legends. So you
got Godfather don in there. You know, Blue is their outlaws,

(44:45):
Diamond d get a little bit old school.

Speaker 7 (44:49):
I agree you're right with that, Hi am. I I
mean like old Golden era, kind of like.

Speaker 6 (44:54):
George Curious George, you know, Apathy was around earlier, so
he was on the intro track. So what I'm saying
is these guys still have it. The music's good, the
lyrics are still on point. They are not trying to
fit into the new sound that's being put out today.
They're definitely staying real authentic to what it's about. And

(45:16):
that's what I appreciate about Mix one.

Speaker 20 (45:20):
Do you think all these guys will be spitting bars
like Pete and Bass in twenty years?

Speaker 7 (45:24):
Hey man, some will you gotta keep you gotta keep
the lights on.

Speaker 23 (45:28):
So whatever it's taking, Kara's still doing it.

Speaker 15 (45:31):
Karris is probably pushing sixty right.

Speaker 7 (45:33):
Oh yeah, he's in the sixties, in the sixties.

Speaker 2 (45:35):
Sixties. Yeah, what if Chuck D Chuck D they got
sixty two?

Speaker 42 (45:38):
I think.

Speaker 2 (45:39):
Yeah.

Speaker 23 (45:40):
Let me ask you guys a question when you when
you're checking out new music. I know, for me, if
it's an artist I'm familiar with that's been making stuff
for years, I'll automatically give it the listen. I'll give
it at least the thirty second test. But if it's
somebody you're not familiar with, do you find yourself being
open to listening to it or you just straight up skip?

Speaker 7 (46:01):
No, definitely opened listen. Why wouldn't you? I mean, you
either love hip hop or you don't.

Speaker 6 (46:05):
So whether it's shit you've never seen before, you're gonna
have if it catches your attention and it comes across
the right way, you're listening to it.

Speaker 15 (46:13):
I mean if you don't, you're a fool. So I
I a new artist for me.

Speaker 20 (46:18):
I basically wait, every smart do an episode of new music,
and maybe I have googled Beneficence because there's like a
name I never heard before, and I liked the song
Who's the other guy that we play that I discovered
through this show. I forget there's there's there's quite a few.
But I'll go on YouTube every now and then after

(46:40):
I hear a track on on our episode, and then
I'll listen a little bit.

Speaker 15 (46:45):
But I mean, I don't dig anymore, dude. I'll let
you guys handle that well.

Speaker 21 (46:50):
I feel like part of it is my job to
find new music so we could play on the show,
and then a part of it is just curiosity.

Speaker 2 (46:59):
I mean, I'm always looking for the next album.

Speaker 21 (47:03):
I want to like kind of like delve into for
the next few weeks. As you say, the next few
week's really the next few days, because I don't think
I listened to music.

Speaker 2 (47:11):
For weeks like I used to.

Speaker 7 (47:13):
There's just too much to choose for me.

Speaker 2 (47:15):
There's too much like the LL.

Speaker 21 (47:16):
I bought the LL album and I listened to it
prior to to receiving it in the mail, and I
want to see maybe I listen to it once since
I got it, and that was kind of it.

Speaker 7 (47:28):
Why are people given this praise. I'm just saying that
I get it.

Speaker 16 (47:33):
I'm glad we're talking to us.

Speaker 7 (47:35):
I get it.

Speaker 16 (47:35):
I want to talk about it.

Speaker 7 (47:36):
I understand.

Speaker 6 (47:38):
I don't want to ever be disrespectful. I mean, he's
a part of my fabric, but dude, this is not
a good record. The production is okay at times, maybe
as an instrumental, they just they don't mix well together.
And it's like his rhymes are going in one direction

(47:59):
and his fuer a mental non sample based beats are
definitely going in a different direction. So God bless them.
I just don't I don't get it, and it's just
not good, and it doesn't you don't have to be like.

Speaker 2 (48:11):
Or you don't get why people are praising this.

Speaker 6 (48:13):
I don't understand why people are praising I think they
just do it out of beat, out of the respect factor.

Speaker 21 (48:19):
So there's probably some of that, But I also think
the bar was set so low with LL for the
last twenty thirty years that when an album like this
came along and then the association with Q Tip, it
just kind of immediately made people become maybe a little
bit more optimistic because they knew that those two together

(48:43):
could create magic. Some people happen to think is really good,
and I happen to think, like you said, I don't
love the production and LL. I don't I have really
an issue with LL rapping. I think LL is still
pretty sharp, but it's good.

Speaker 2 (49:01):
I don't.

Speaker 21 (49:01):
I don't love the collaborations really at all on this album.
And from what it looks like online, LL and Q
tip are not on the same page here.

Speaker 6 (49:11):
Well, you remember he didn't put the album out, he
was going to cancel the whole thing.

Speaker 2 (49:16):
Yeah, I don't.

Speaker 21 (49:17):
And I don't know if that was a marketing thing
or whatnot, but you could tell q tips have very
little to do with promoting this album being the sole
producer on this album.

Speaker 2 (49:26):
Right.

Speaker 20 (49:28):
So I actually do have a recent album that I
intentionally went and listened to and I enjoyed it. But again,
just like you said, you only listen to LL maybe once.
I probably listened to this once and it was that
Pete Rock and Common album. I thought that was pretty good.

Speaker 16 (49:45):
I got that heavy rotation. Man, I love that album.

Speaker 7 (49:48):
That's a good record.

Speaker 23 (49:49):
Now, will say I skipped three or four songs every time,
but the ones I.

Speaker 6 (49:53):
Like, I really see. That's kind of my point. Why
did they hit the mark and why did these other
two led?

Speaker 15 (50:00):
So you're you're you gotta because LL cool does deal
during commercials.

Speaker 21 (50:06):
I think the production is better from Pete Rock, Thank
you Tip, it is.

Speaker 23 (50:09):
And it matches better made it for Common And these
two don't match. You hit it dre It's it's kind
of like Q Tip is trying to do his best
Jay Dillit Donuts and you got a rapper who wants
to do doing it and doing it well and that
that's not what That's not a good mesh. And I
think it's fucking weird and spacey. Yeah, it is, like

(50:30):
it's weird and spacey. It's like it's like Tip trying
to be artistic, like he's the weirdo artistic dude and
trying to get his dila on a little bit and
ll wrapping his ass off. But he wants to make
doing it well.

Speaker 2 (50:42):
Yeah he doesn't.

Speaker 16 (50:44):
You know, he's not a space dude.

Speaker 7 (50:45):
One nice thing that I did here.

Speaker 6 (50:49):
Is cl Smooth was being interviewed and he was talking about,
you know, wanting to you know, work with Pete again.
Basically I know that they've had their shoes in their
beef and he's like, look, man, we don't have to
hang out, we don't have to like love each other.
But you know at the end of the day, why
shouldn't we be working?

Speaker 21 (51:08):
The average hip hop listener who saw that interview solved
for what it is. Yeah, it was the blowfish asking
hoody can we go on tour again because I don't
have money.

Speaker 7 (51:19):
Yeah.

Speaker 21 (51:19):
Look, man, we don't need to be friends. We don't
need to do this, but let's make music because the
people want it. That's code for throw me a bone.
You're working with all these guys and making all this
great music. I want to be a part of that
again too, because how relevant is cl smooth with Al
Pete Rock.

Speaker 2 (51:36):
One needs the other the other one doesn't.

Speaker 7 (51:38):
Yeah, which is weird, And I wonder why. I wonder
why that is, You know what I mean? Because Cel's
got a voice of gold. I mean anytime he's on something,
he sounds good.

Speaker 21 (51:49):
Well, because Pete Rock is arguably one of the greatest
producers of all time. So it's not he El's put
out material with Al Pete Rock, and it's just it's
not just okay, it's just okay.

Speaker 2 (52:00):
Look, look, can we be be honest? When Jay Row
didn't work with Premiere Anymore say no more perfect.

Speaker 23 (52:05):
He wasn't making the same guy great analogy great and
that it wasn't like.

Speaker 2 (52:09):
Jay wasn't a good rapper.

Speaker 21 (52:10):
It's just like you need two people that had that
creative synergy to produce great material.

Speaker 23 (52:17):
Here's another one, guys, and this is a different topic,
but you know that I'm a big Benny fan. I
love Benny. I love the way raps. It's kind of
a throwback style to the mid nineties. But Benny is
doing something that's really really fucking bothering me lately, and
I'm having a hard time with it, especially from somebody

(52:37):
that I like so much. It is called too much,
but he's doing quantity over quality, and I fucking hate that.
I hate he's doing Little Wayne all right. Look, he
had this album called not Everybody Can Come Right. It's
several months old now, but it was this year and
it has some bangers on. It's pretty good.

Speaker 16 (52:56):
It's good.

Speaker 23 (52:57):
But then he comes out with a mixtape Summertime Butch,
and it's not good. It's rushed, the music is terrible,
it's got corny singing in it.

Speaker 16 (53:07):
Dude, you're too good for this.

Speaker 2 (53:10):
Less is more.

Speaker 23 (53:12):
Please stop stop with the quantity over quality. And this
is a message to anybody and everybody. Please don't do
quantity over quality. It never wins.

Speaker 6 (53:23):
Well, I could say one person who doesn't do quantity
and does quality, and we had him on Mix one,
and that is Godfather Don returning. It was so nice
to hear his music is still top top notch. Never
a big fan of the raps, but hey, I'll take.

Speaker 2 (53:39):
It top top notch. But I'm not.

Speaker 5 (53:43):
That's the truth, is what it is.

Speaker 2 (53:45):
What you say is you like Don is the producer.

Speaker 7 (53:48):
Don is a producer.

Speaker 6 (53:49):
Motherfucking extraordinary dude. He's got so much talent and he's
so damn good.

Speaker 20 (53:55):
All right, let's bring it back to these old chaps
over there and you pay. You can't enough reach out
to them. Let's get these guys in the show.

Speaker 21 (54:04):
I don't think you realize because I just told you
about these You have to go to their page. They
have like millions of followers. They're not somebody that they're
not fly by Night yeah and be like, hey, come
do the show.

Speaker 15 (54:13):
They're like they're like really known people.

Speaker 7 (54:15):
Yeah.

Speaker 15 (54:16):
They're like like you're like Cushine famous, maybe bigger. They're
like Instagram famous.

Speaker 2 (54:22):
Yeah, they're not something like schmucks that can be like, hey,
you want to go sit in on the show.

Speaker 6 (54:27):
Yeah, can I tell you another guy that's over in
the UK that's fucking he's sizzling right now.

Speaker 7 (54:32):
Man, tug a War, tug a War.

Speaker 6 (54:35):
You know this dude, he's he's like a white tall,
you know, lanky, he's all about like a reggae artist.
But he's like he wraps over a dre's beats and
he's like killing it on social like killing it.

Speaker 5 (54:54):
Yea, we will fuck up.

Speaker 3 (54:57):
Every team on my finger waiting.

Speaker 5 (55:00):
I don't give a fox suck your mother.

Speaker 43 (55:06):
Not slight snickers, yes, sick stratching that slip puffy mean
no bit slight to miss spliff.

Speaker 7 (55:12):
Now let's get to business.

Speaker 44 (55:13):
Pussy, get hit broad day fuck waiting, Yeah, my fucking
way on, man a pussy upon the groan like a
paving slack a crap, look up in the barrel, then
get our.

Speaker 5 (55:23):
First class seat, Oh flight.

Speaker 6 (55:25):
Marrow, please look him up so we could talk about him,
because he really is a presence.

Speaker 2 (55:29):
I mean, we keep talking about these fish like a
UK show.

Speaker 15 (55:34):
And it's for like ninety percent of our listeners. All right.

Speaker 21 (55:39):
If it wasn't for like Europe and Asia, we'd have
no listeners. We got like two people from the US
and listeners. Everybody else is holding it down in fucking
like Stockholm, Sweden and fucking London, and uh, you know.

Speaker 15 (55:52):
We got like William and Hojo tuning in in the States.

Speaker 23 (55:56):
Two other things, Number One, what did you guys think
about the news that Kendrick bar is going to be
the artist for the Super Bowl halftime show?

Speaker 16 (56:07):
What was what was your take on that.

Speaker 45 (56:09):
It all falls into the plans of the Evil Empire
NFL Well, Goddell pays jay Z two and jay Z
is gonna be on p Diddy's list.

Speaker 2 (56:21):
Maybe, but it basically all going down and NAS is.

Speaker 20 (56:24):
Going to stand over them all and be like and
ice Cube. I saw some clip ice Cube went into
check yourself. He was like doing a doing a set.

Speaker 16 (56:36):
He was on tour.

Speaker 15 (56:37):
I guess he's on tour or whatever.

Speaker 20 (56:38):
I don't know if it's like a local gig that
he was doing, but uh, it was him, and I
think it was either mac ten or WC. And he's like,
just so so it was DUBC. Then he's like, just so,
you know dub C and I we ain't never been
to no Diddy party. And then he's like, you know,
what all y'all got to do? Went to those Diddy parties,

(56:59):
and then he went into check yourself before you wreck yourself.

Speaker 23 (57:04):
That's nice. So I was, I don't understand the Kendrick
Lamar decision. Okay, so you make a terrible disc song
just because it's about somebody big and you instantly get
propelled into the headline of the super Bowl.

Speaker 2 (57:19):
I don't think I don't. I don't think that's it.

Speaker 21 (57:21):
Kendrick Lamar is arguably the biggest rap star on the
planet and how how yeah, okay, you're just connected from like.

Speaker 6 (57:30):
Yeah, I think you're not thinking about the youth of today,
because he does fit into that, Kendrick.

Speaker 21 (57:36):
There's not a bigger artist today than Kendrick Lamar. Now
it doesn't mean we love Kendrick Lamar. We think he's
the greatest rapper or whatever, like the kids up today,
But there's no artist I think as big as Kendrick Lamar.

Speaker 7 (57:50):
And he's got a poetzer oh no, But.

Speaker 21 (57:53):
I think he resonates with with a lot of people.
And who would you have Little Wayne and I I
don't think you have any of those. No, first of all,
it's not that big of a deal. These shows. They
make such a big production and they seem to last
like two minutes at the end of the day, It's like,
who gives a shit? But I could see why Kendrick Lamar.

(58:14):
Would you get what other rapper could could see?

Speaker 6 (58:17):
I think for a halftime show, I would want the
energy of a Missy Elliott, something that gets the crowd going.
I think I think that I think that kend is
a little more thought provoking, and I don't know how
that translates to an audience.

Speaker 23 (58:32):
Yeah, for an audience, like I don't see him having
any real hits, like hits, the hits that are big
enough to constitute a super Bowl performing.

Speaker 21 (58:41):
He doesn't have hits like you and I would consider
hits like he doesn't have a hit like like New
York State of Mind or I'm any tricks on me.
But he does have big songs like if you think
about it, you're in Nola. They're going to have like
a brass band. They're going to play not like us,
They're gonna play humble, They're gonna play all these songs

(59:02):
that both.

Speaker 16 (59:03):
Are fucking horrible.

Speaker 21 (59:04):
But that's that's your taste, you know what I'm saying,
Like and what I'm saying is you don't represent the
majority of the people that listen to hip hop today
and they listen to a Kendrick Lamar.

Speaker 2 (59:17):
So it's just because we're older that it's not Yeah, well, I.

Speaker 20 (59:21):
Mean we're not gonna get treated to Dr Dre and
Snoop Dogg coming out one time.

Speaker 2 (59:26):
That was the bone that was thrown to like people
like you and me.

Speaker 15 (59:30):
You know, because I'm.

Speaker 16 (59:32):
Gonna say this right now.

Speaker 23 (59:34):
Of course I got the crazy opinions, and to me,
he is the most overrated rapper in the history of
the art.

Speaker 16 (59:40):
Form ever, ever, ever, of all time.

Speaker 2 (59:42):
But that might be, but that doesn't mean he's not
like a huge artist and successful.

Speaker 7 (59:48):
And at the end of the day, it's about I.

Speaker 23 (59:49):
Guess I missed the boat on this because I don't
I don't deem him even close to being on the
level to be able to be on that show.

Speaker 21 (59:55):
Well, I think you don't like his style, and that's
fine because I'm not saying he's warning I get it,
but that's not what today's look. Today's music doesn't even
have fucking drums and the beats. You know what I'm saying,
that's what today's music is Hey, I was in.

Speaker 23 (01:00:09):
The gym today and this dude, for some reason has
his music blasting in the locker room. And he's probably
twenty eight, and I think he thought he was cool
and he and he was playing what they I guess
a twenty eight year old would consider hip hop. That dude,
it's sing song. It's not even hip hop. They're singing.

Speaker 7 (01:00:31):
We've established, we established this already.

Speaker 23 (01:00:33):
They're trying to sing, but it's not even singing. It's
like talking into a music box and whining. It's whining. Rap,
let me rap, it's whining.

Speaker 2 (01:00:42):
You have two daughters that I would imagine listening to
hip hop?

Speaker 16 (01:00:45):
Right, Yes, they listened to that and I hate it.

Speaker 2 (01:00:47):
There you go. Well enough said mostly.

Speaker 16 (01:00:49):
This eighteen year old.

Speaker 6 (01:00:51):
Well let's say, well, we're not going to listen to
any of that shit because we're gonna get in the
mix too.

Speaker 7 (01:00:55):
And it's a definitely not what Wade's talking about.

Speaker 16 (01:00:58):
So thank you, Dre.

Speaker 6 (01:00:59):
You guys enjoy mix too. We'll get into another deep
dive discussion after that. God knows what the hell we're
going to talk about. Maybe maybe about snooping on the voice.

Speaker 2 (01:01:08):
I don't know. We're going to talk about waves obsession
with this blind jury you.

Speaker 1 (01:01:18):
We hope you're enjoying Episode one. Remember to support these
artists we're playing. If you like something you heard, get
over to our website and check the playlist for today's episode.

Speaker 2 (01:01:28):
Our intention with these shows is to put a spotlight on.

Speaker 1 (01:01:31):
Many of these artists, especially the independent ones.

Speaker 42 (01:01:49):
See I switched it. Look I'll do it again. See
it switched back. Just switch twice so quick and sorry, yeah,
switch twice, like I'll do associated to see it. Look
for some sailor borders. Put it on the bottle them
teaching you right now, That's how I do it. Hold
it tight to them, making them possible.

Speaker 2 (01:02:08):
Times.

Speaker 42 (01:02:08):
You know them about diamonds right right? Without looking at it?
What would you bet on hearts to diamonds you got,
but pretend that would you bet heart's here or hearts here?

Speaker 2 (01:02:16):
Oh?

Speaker 42 (01:02:16):
Could I impress you if the heart was on top,
diamonds on bottom, the heart on doctor guards, Turn your
handoverka ahead, turn your hand over.

Speaker 5 (01:02:31):
The whin.

Speaker 19 (01:02:32):
The st highest level of vominis to follow you uproad
in your life.

Speaker 3 (01:02:36):
Every line of s domon.

Speaker 19 (01:02:37):
Try to stop the shine and bullets, stop the you
assomment and say now whenever hospited.

Speaker 3 (01:02:41):
I got a vomit.

Speaker 19 (01:02:42):
I know for politics, given the building with killers, this
monkey's goul fancy.

Speaker 5 (01:02:46):
Now they think it gubrillas shrimp.

Speaker 19 (01:02:48):
For thousands in this question on the scout of killers
you just now recognized still be the illus. I had
to go for the lowest level through rees the time
to watch the waves.

Speaker 3 (01:02:56):
Did he moves the norder he's a cop, My.

Speaker 19 (01:02:58):
Niggas, let your job bullets bread like kicking box.

Speaker 3 (01:03:01):
I slapped actors around and gwillo pick the rocket whom?

Speaker 2 (01:03:03):
And now the years and with.

Speaker 19 (01:03:05):
The paul leaders this who's up on his flot take
of course you weren't proceeding.

Speaker 5 (01:03:08):
They don't have to stop the bleeding. Please don't die
for no reason.

Speaker 23 (01:03:11):
Why blah blah.

Speaker 5 (01:03:11):
When you hear the people changed like the seasons.

Speaker 19 (01:03:14):
Dick suckers, niggas say, take his shift from uslf. You
should see the jaw in the face when you betch nutting.
Cave your big throat because my ship button bull.

Speaker 46 (01:03:22):
The hoast and is sealing with his ship flooded rose
you out of handle obomb. I be feeling like to
hate him when he gambled Lebron you can always be
your worker when compared to with don you gonna even
lose your hand or get your man in massage, Billy
Ben listen to gas and it's a bass of list
can sable to kill with a glass A dolt write
no more. I just do my singing the tracks as

(01:03:42):
long as you know a long Now everything in the
fanst this motherfucker thinking this is a track. This say
that you shoplicky hocky. This is a man and if
you ever took it from me that you're giving it back.
I'm mc this is a subbition on real ams.

Speaker 3 (01:03:56):
What you know about fighting with.

Speaker 46 (01:03:58):
Paink I got Hockey's down sack of the life for
the game. I got a couple of hitters. There's toy
soldiers and wreak us out poppets of people from toy yolas.

Speaker 37 (01:04:07):
Slowly, I gage your slugs and move an elephant planet,
heavy quads and coos off of the kedder Man.

Speaker 13 (01:04:12):
You got the feather line cop and condos straight off
the medicine counts from the Chinese and.

Speaker 47 (01:04:15):
Jersey, just not the Edison Afgan he sent to me though,
It's send the key for him like he for subsident in.

Speaker 48 (01:04:20):
Curry, cheesus, free lines and peoples sweeping up like watching
me cut?

Speaker 5 (01:04:24):
Did you wind off of sneakers?

Speaker 2 (01:04:25):
Stole them?

Speaker 5 (01:04:25):
Received? I got all of your companies you need for
Vica Beagle from pronounces his sister amyficiation, business block clerk.
I call it Haitian fitness, karate chop at the.

Speaker 8 (01:04:34):
Workers hospice, murdered sisters, burn the victim.

Speaker 5 (01:04:36):
Really huts you. The slippers hurd his sickness. The ship
is a surgic. My kill is old Vernamin.

Speaker 3 (01:04:40):
Don't mean apartments.

Speaker 5 (01:04:41):
I said it up. My red rocking the turban, he
said me ready, called for Annie. We clean the suburb
and we teach pain. I got into bands. I felt
like everynment.

Speaker 48 (01:04:48):
I was born with angels and Devil's fire. Note for
my soul, my debut album covered, But like this the bhole.
They would asking what's wrong because he banavisis the canvasty
Rivero dynamics back.

Speaker 3 (01:04:58):
It's fine.

Speaker 2 (01:04:59):
The castles fly, the Heaven's.

Speaker 48 (01:05:00):
Killdrid have got a fast you shot in the face
and put it sided for Bronx today. Fucking I don't
keep your whole family for fun and sanity.

Speaker 5 (01:05:07):
Begun shit.

Speaker 2 (01:05:08):
It told your family in the front.

Speaker 48 (01:05:09):
I'm ana change saw everything top for half. I'm a
spray off everything pop people laugh. I'm a whole cycle half.
No cappidy nor fair fright.

Speaker 5 (01:05:18):
Man or the four man.

Speaker 48 (01:05:19):
The your staff shot got sorted out because it's the lastite.
Was the fight for some place sight talking you where
to dock if you said before you read for prey
elostopher shot, it's the coleader, motherfucker.

Speaker 3 (01:05:29):
But you would pack yo yo one or want so
this windy passed.

Speaker 19 (01:05:35):
Y'all, y'all, what up, y'all?

Speaker 5 (01:05:36):
This is ill bill ak hat the co leader.

Speaker 2 (01:05:39):
He was good.

Speaker 15 (01:05:40):
The lord go ak a gord tech and I'm taking
a life with.

Speaker 2 (01:05:44):
Taking personal radio with Piller flavor a.

Speaker 38 (01:05:47):
A ron kevla and hey wait wait.

Speaker 2 (01:05:52):
Wait we a snigga here man know that he exs me,
but I have a reference center rest in that cup.

Speaker 14 (01:06:08):
My bitch exed me. Whatever, go turn me yo back
yo yoig my nigga bag working without gloves.

Speaker 2 (01:06:17):
He dropped dirty shoot.

Speaker 14 (01:06:18):
A warm jump before the game and dropped thirty race
some blades under my tongue up like thirty boy. Mans
niggas want to flip up now verby wearing a war zone.
We give a flop when the war zone I reckon.
He mcm poker with the slub nose body below. So
slow those spilling ropes on my clothes until the club
close by. Itire in fire man, it's a drug zone.

(01:06:41):
She'll supply and the fifty five black with tumbo. No
retire man with the pot like this cub boat hump.
But low your wrist get twisted by the man with
the eye. You fish insign to fix my bitch in
the kitchen frying fish fresh up the fire. See my
name want to fly off. I need chickens for everybody
that I'm riding with. Played with the stick like a
fire land sleeve vicea man. Oh on this side of

(01:07:04):
the lions there like fire You gonna tie your man
running your spot when it's hot like a fire man.
My town got a history is doing filing ship. You
see how lively get nassa city politics. Young Doug's equipped
with cant It's like a private ship. Gotta scoms to
get the pilot lit robin dulas for dinner. That kind
of ship and he's crash jump. He's doing all kind

(01:07:24):
of ship. My nigga bag work without gloves. He dropped
dirty my Shooter, warmed up before the game and dropped thirty.
Raise some blades under my tongue. I'm like dirty boy man.
Niggas want to flip up, not worried. My nigga bag
work without gloves. He dropped dirty my shooter, warmed up
before the game and dropped thirty. I ain't gonna be

(01:07:45):
too specific. If you look in the barrel with your
future say, oh.

Speaker 28 (01:07:53):
You just.

Speaker 2 (01:08:03):
La Tommy.

Speaker 47 (01:08:08):
You know it's Queen's all day, manday man, make the
ass ball crumble now to your t type my worst day.

Speaker 5 (01:08:16):
Breecite crossed me.

Speaker 47 (01:08:17):
It's the green light, Queen's light, queens at the park
in your tim stuck it. You sit it enough that
you're by your look like Tim bucket. Your chicken called
me for with grandma dust. Then I pitched your shorty
butt like a camel crush. Only big Star speaks high
ticket action. You're playing badminton. You win the little rackets,
my niggas in the rackets, racks and shells ghosted the

(01:08:39):
mac with shells loaded, packed and pass holding wrapped through
with stuck up chicks. She laughed and sh naw boasted
win losing draw from vail, posting the jail posting, gathering
the small water to.

Speaker 5 (01:08:49):
Cook the cat and mean that's my Columbia.

Speaker 47 (01:08:52):
Niggas crooks from Metegen, not the music genre. When you
hear the metal screen, how solus scholars inventing better schemes
as high Moramas don't even forget to pay the host
water squeeze a kid like a fire. How on the
pregnant lady dick Riding's unusual? They don't beat the uphing beautiful,
just fish five punt the funerals make that ass all crumble.

(01:09:13):
Now the yo tea type my borthday recyite across Mire's
the green light Queen's like queens at the park and
your tim stucking You said enough if your boy you
look like Tam dunclas.

Speaker 8 (01:09:23):
Street scholars popping our college. You niggas being flunking. It
ain't nobody just getting on doggy. We been jumping pocket
full of presidents. Destroy the evidence born evased in this city.

Speaker 5 (01:09:33):
Respect the visitors.

Speaker 8 (01:09:35):
Tomadom, tomno her maker, her biscuits and fears of the results.
Per Son, you really ain't risks discount designer. We have
saw grass wills thank the lord that we saw past
crowds A class Deeve Diamonds class three weapons classes said session,
ain't no second first depression, Rainy Dave Reddy, ain't relucting
them for sessions. Ain't you look and see the shining

(01:09:56):
like you're playing Smith from Wesson. I'm doing so much
and that's I can get fishing. Ain't no keptal suspicion.
I look like can't pull the lestom to my coco
butter for customs, nap for maxgon Athens high profound but
profile and different fashions fucking. I take the band with
the good, the good with the band used to pop
the trunk of the jack and leave the hook with
a band. More holes in your story than the bust

(01:10:17):
down Bracelet nigga slip with your confidence.

Speaker 3 (01:10:20):
I hope you replaced the ump.

Speaker 5 (01:10:22):
Make the ass more crumble.

Speaker 47 (01:10:23):
Now the your tea type my worthday recype across me.
Here's the green like queens like queens at the park
and your tims ducking. You said enough, then you're more.
You look like Tim Dunk the street.

Speaker 8 (01:10:34):
Scholars popping our college, your niggas being flunking.

Speaker 5 (01:10:36):
Ain't nobody just getting.

Speaker 8 (01:10:38):
On dogy me being jumping, pucking full of presidents, destroy
the evidence, burn and faced in this city.

Speaker 5 (01:10:44):
Respect the presidents.

Speaker 2 (01:10:46):
Present yo listening to take it personal? What mayhem? Black flatter?

Speaker 3 (01:10:50):
Mela Wren be in the building with kep law a
A ron d J three six.

Speaker 2 (01:11:00):
Yeah, here we go.

Speaker 8 (01:11:03):
Down, Ready bad, here we go God.

Speaker 24 (01:11:08):
Me and my maidens Dan snaked next to paints baked
in my friends is baking, refuting attempts to be tempted
by their hands to say oh no. The walls started
and a maiden woke up next to the motherfucker from
the planet of the Age somewhere in Canada with serial
killers be putting salmon on their face. Motherfucker's and change
your parts, bitch, I want to taste your heart. Nah

(01:11:29):
Mel gets a game me covid at McGregor versus Poory
eight three when he broke his leg.

Speaker 5 (01:11:33):
Fust favorite practice was coca and eggs crew.

Speaker 24 (01:11:36):
Every day I practiced choking someone's neager and do a
fucking Chokyo drift moves.

Speaker 5 (01:11:40):
In the ninety five gold sled roll his head may take.

Speaker 24 (01:11:45):
A poser while for loading lead us body perfectly folded
on the bed.

Speaker 2 (01:11:50):
Don't you make.

Speaker 5 (01:11:50):
Doctor back La last to go out to the shed.

Speaker 24 (01:11:53):
Oh sniffing blowing the bedroom load looking like Rob blowing
the bedroom Rob ninety eight blow out the chat rhyme.
Fish took a pump, started back flipping like catwoman. I'm
up town throwing money, doing shoulder shapes, red Mustang doing
display the COVID snake bit Chad Brook cold your face
that means she had hop COVID face brother.

Speaker 5 (01:12:20):
Shit big Chad Brook cold face that means she had
whole cold your face out of.

Speaker 8 (01:12:27):
My face like amount of space out of the states
in the CAF be your place where they stuff from
with an H, I need an otto talk on prompto
wist head honcho fits non six esthetic. Let's helping rope,
so go text over Burt. That's probably get Burt flips
worksmiths to take work trips and play this workships slick slippers.

Speaker 2 (01:12:44):
He slang six that with.

Speaker 3 (01:12:46):
Swimmings and slacks.

Speaker 8 (01:12:47):
When trip drops, I called kidding your sex and Bobito
moving kings and queens. That's bigger than my head because
the ship we live in Dinnessee even bigger than we plan.
But little performer can't protect you from several Wacoma, Liza Disarma,
get your stopped.

Speaker 2 (01:13:00):
Wanna temper who mother, hold.

Speaker 8 (01:13:01):
Off the stove, no tach, just fresh burns off the spots,
clicking course, more traffic than left turns. Applying your pressing
like I'm trying to stop them wool from Lincoln. When
nikoas wrap, I usually think of that.

Speaker 2 (01:13:11):
A fool of seaking.

Speaker 5 (01:13:14):
Damn.

Speaker 44 (01:13:15):
I don't hear strand of wisard. It's small, but they
balking ar that's vandalist free gun lands. We blunk hands ambulition.
I plan my desk for far plants. Amission can't change
man condition, but one fans of ficient must.

Speaker 15 (01:13:29):
It's si get a swift for the shift.

Speaker 5 (01:13:30):
Van the listen.

Speaker 15 (01:13:31):
Somebody's lord.

Speaker 16 (01:13:32):
You gotta fight for it.

Speaker 4 (01:13:33):
You can't petition.

Speaker 15 (01:13:34):
It's lost.

Speaker 44 (01:13:34):
You see his order, but y'all fear advanced petition.

Speaker 5 (01:13:40):
Mong wear.

Speaker 44 (01:13:41):
I saw abandon, I saw a famine freeze, faced the
fib and squad.

Speaker 5 (01:13:45):
This saw cannon.

Speaker 44 (01:13:46):
If only fit with the best, said I being poor standing.
Now I touched the bomb bush. Trust me, all man,
and walk with my eye. Talk for the villain best
side through the friends I lost through too offen, never
set by trying to make peace streets fashionable with left
fly means some truth refused, refuse to sprat lie hope
it's bart time when my time come. I hope it's

(01:14:12):
bad time when my time come. That's donna cap not capable.
The patient had things taking that siver placement, settled in
perilous kid never did what was safe to do on
from blocks of st long shots, hope to make cute.
We came through certain the mergency when I faced the dow.

(01:14:33):
May you cross no false profits if your favor is true.
We spoke to the mac podium, you know, to take
cure in this place, get invested. Let's you chase with
chase you more harm the rise, to compromise to make
it sell.

Speaker 2 (01:14:46):
Had the luck.

Speaker 15 (01:14:47):
It's this blooding of your favorite trail. Bring love just
to average project. I hate to fail. The lab was
a halfway house. They came straight from jail.

Speaker 44 (01:14:55):
This is mastery, almost apacity.

Speaker 15 (01:14:57):
Than God's name of fane.

Speaker 5 (01:14:59):
Don't blame.

Speaker 44 (01:14:59):
It ain't blasphemy, of course it does a who I
love and never ask to feel. What's the man's physics
in the established fields. I hope he's bought time.

Speaker 3 (01:15:09):
When my song come.

Speaker 44 (01:15:14):
I hope it's Bart time. When my song come, I
hope it's Bart time. With my time coming, it's all
my time.

Speaker 5 (01:15:24):
What was her consign?

Speaker 16 (01:15:27):
Bat time?

Speaker 3 (01:15:27):
When my song comes, it's all my tongue.

Speaker 5 (01:15:31):
What's a consern?

Speaker 15 (01:15:32):
I hope it's bart top.

Speaker 5 (01:15:39):
Religion is to bring the mankind to gether m now.

Speaker 22 (01:15:46):
So when you find something of your collagion, it's divining
and they're separating mankind.

Speaker 2 (01:15:52):
Isn't I really.

Speaker 5 (01:15:54):
Donhappy? Donhabit?

Speaker 13 (01:15:57):
Yo?

Speaker 5 (01:15:57):
The four fifth lift you in the head like a
four cliff.

Speaker 19 (01:16:00):
More cliffs leave it for their holes and your fortress
to them do and I hold it down with the
torch lift. If niggas weren't warp brought the reinforcements have
got a lot of guns. Plus they get normous to
overhead right, LL make you lie, throw them in see
me get in a casino whatever, take losses.

Speaker 3 (01:16:16):
Niggas study getting the style, need.

Speaker 19 (01:16:18):
To take courses because it's him lows remorseless.

Speaker 5 (01:16:22):
I know where you live, homie.

Speaker 19 (01:16:23):
I got sources the slang chemists, super word formulator, street
science has murder brad orchestrator A most infamous on me
that flows infinite. Your baby mother is my friend with benefits.
Hunt brown drums seem like it's been limitless, that's been
been and miss and plus I don't give a shit.

Speaker 32 (01:16:41):
Coach bigger on some of these coach stalk through some
Philmy styles.

Speaker 2 (01:16:44):
Shit Mike the Geese.

Speaker 5 (01:16:45):
Coach chunk home with the pipe flow You on.

Speaker 32 (01:16:48):
The right coach, CHUMK, do some flys sit, make the
East Coast pump on the coat nigger on some East
coach stump through some Philmy stouts.

Speaker 5 (01:16:56):
Make the Eese coach chump on with a pipe flow.

Speaker 30 (01:16:58):
You on the right coach, CHUMK.

Speaker 32 (01:17:00):
Do some fly yeah ship, make the East Coast pump,
little nigga.

Speaker 5 (01:17:03):
I don't do opts, my god, I do options. Not
taking a lot of spot you playing with pop guns
some not things to get a basket. I'm rocky on
the spy.

Speaker 7 (01:17:11):
You won't be missing off because you slap me with
the shining.

Speaker 5 (01:17:13):
Niggas liveing with no honor, talking shit to your honor.

Speaker 7 (01:17:16):
Come on, man after the man.

Speaker 5 (01:17:17):
You gotta live with your mama.

Speaker 19 (01:17:19):
Come just saying you're not type but niggas that I'm used.

Speaker 5 (01:17:21):
To the steak getting booked like Simon.

Speaker 42 (01:17:23):
And shot Steads.

Speaker 32 (01:17:24):
You ain't got no old heads.

Speaker 5 (01:17:26):
You ain't learned to lessen. Ain't nobody ever, so your
folks had to earth the black sess with that from
the White coast nigga, I blast him nights for it's
like Poe at the light pol corner covered with hype
folks being don't be bending your like oh gana and
you'll see.

Speaker 3 (01:17:38):
Begging on the corner with sign and say sorry.

Speaker 5 (01:17:41):
I'll see a weird chick, some weird shit. You know
these things look the poison right off the spirit chinger.

Speaker 14 (01:17:46):
Don't want these scat niggas on from the East coast punk.

Speaker 13 (01:17:49):
I do some Philly style grat, make the East coach
something comes to coming to summer.

Speaker 32 (01:17:53):
Trust a nigga when I said him lit fun, don't
take your back, makes you pay it, but that's your back.

Speaker 5 (01:17:58):
These niggas fantas if it's say, say in a run.

Speaker 14 (01:18:01):
With niggas that ain't having no pigure because he's.

Speaker 3 (01:18:03):
Getting get a bag of it.

Speaker 5 (01:18:04):
Was barking and if you're looking for me for him
at the balls. Bitch on this coastnigga on some East
coast stuck through.

Speaker 32 (01:18:11):
Some Philly styles shit, make the East coach chump on
with the pipe. Flow you on the White coach chunk
to some fly yeah shit, make the East.

Speaker 7 (01:18:18):
Coast talking on East Coast snigga on some East.

Speaker 3 (01:18:21):
Coat stuck through some Philly styles.

Speaker 2 (01:18:23):
Sit and make the.

Speaker 32 (01:18:23):
East Coach chunk on with the pipe blow you on
the White coach chunk do some fly yeah sit, make
the East Coast talk.

Speaker 3 (01:18:30):
I'm down the sound, the.

Speaker 30 (01:18:33):
One handful downper sounds, the one that cord hand down
beside literal convision.

Speaker 5 (01:18:45):
The one to com brahnd cat.

Speaker 30 (01:18:47):
I'm pulling down, down down super sound. Literally liberal commission.

Speaker 26 (01:18:53):
Is the incredible bongo band up in the handstand deliver
in bam band friend Stone right slams from this club
up in a dancing I'm the prompt suspect, the anti teacher,
utine preacher. This is like Bob mcaitude about to catch
a few whether Sydney Wicks assisted the Steve Nicks one
in the chamber, send out the voice box and next

(01:19:14):
Grandma's like, let that noise rock the cross superstars with
stupid bars, maybe some Luke guitars.

Speaker 2 (01:19:21):
You know it's saws.

Speaker 5 (01:19:22):
According to the accordion, it's me again.

Speaker 26 (01:19:25):
A verrible offense was lost in the tenemous moms used
to beat me in the era of e t the
popa valime, sit me in front of the TV. Missen
he beat a white version New York Mouth with a
eleven ticket toy jucks.

Speaker 30 (01:19:40):
Out handfuln super sounds to.

Speaker 29 (01:20:03):
Me, Frank, what Duke's saying? The offense Miller Keena shooting blanks,
trying to make it short and tense, mister met the shooter,
duper fly, stupid, used to lie, bum bitch and pulp fiction.
Fran Wild's founding truth, get the clean up.

Speaker 5 (01:20:15):
Yeah, we run a clinic to what's dope?

Speaker 29 (01:20:17):
Not that method dogs seeing means a cynic say and
hope should be left alone, ruined, steady viewing, dirty stairs
or some stepping start simultaneouss thirty chairs like let's get
it on on my Alabama shiit hearing any phrase?

Speaker 6 (01:20:29):
What?

Speaker 5 (01:20:30):
Yeah?

Speaker 2 (01:20:30):
We fin a raise up?

Speaker 29 (01:20:31):
So you get that Gamma hit open, turn of soaken,
smash and ship brother, please fuckers you touching do shit
yet ugly like that hammer spit.

Speaker 2 (01:20:39):
Trying to clutch love and trying to keep the pain.

Speaker 5 (01:20:41):
Mountain gave a dutch off and ricking from the.

Speaker 29 (01:20:43):
Brain fall and nothing like back in the ex stacking cossettes,
thirst kicking in on first listen and we ain't bought.

Speaker 30 (01:20:50):
For rent down super soundsible you want to come had
handful now super sounds.

Speaker 5 (01:20:59):
One bad man pronounce sounds. The one at brand Water
came up.

Speaker 30 (01:21:08):
Announce it a pronounce the sound, the the Recodi woman.

Speaker 26 (01:21:13):
It's seven K seven whipper and nine eleven.

Speaker 2 (01:21:16):
The Hall of cloth.

Speaker 26 (01:21:17):
Try to watch a welcome back Hodder the human ziego
who ain't hitting connoas like nineteen ninety six.

Speaker 3 (01:21:23):
It's just me and Milo Yon farnever.

Speaker 26 (01:21:27):
Still walk in the fall and still putting the ship out.
You're working winky tinky dog. This Knox Isolda is the
finest freight rance still pulling Hooker's looking like dawg plate.

Speaker 29 (01:21:37):
I'll talking about how ball bevery is. Do y'all scared
of your boot giving me? That ain't no where y'all
get in respect. Y'all lost some more saving the Jimmy
had when he's flat. We ain't the same fucking bazast
grambling forntainted fade, what.

Speaker 3 (01:21:49):
A stain, what a damont happling?

Speaker 29 (01:21:51):
It ain't a game for red wand and ribbed y'all
know when the time like y'all playing day water fuck
deep ven, I gave the slaughter complete your thoughts.

Speaker 3 (01:21:58):
Can't boat get your sados again?

Speaker 30 (01:22:00):
They call down super sounds, reficial, let's the one of
Gond down let the sounds.

Speaker 5 (01:22:09):
Let's bread.

Speaker 30 (01:22:12):
Let's put down the number sounds.

Speaker 5 (01:22:14):
There was suphysical, the one of God brehend one of
the game.

Speaker 30 (01:22:18):
Down down super sounds.

Speaker 13 (01:22:22):
Fish, yeah, pig it out, man, you put it out
your personal wom my man play.

Speaker 2 (01:22:30):
Death lie six yeah right now.

Speaker 7 (01:22:37):
One of the finest musicians in the world, that knowing.

Speaker 3 (01:22:41):
God asks what you know about a mass.

Speaker 2 (01:22:44):
Bras death the goud run for the sevens. I've been
doing this since seven. I turned tables out of eleven.

Speaker 5 (01:22:51):
Cringe your feet. You are from the brink.

Speaker 30 (01:22:53):
I ain't have no cacher.

Speaker 2 (01:22:55):
I have one on one.

Speaker 5 (01:22:56):
Come up with the.

Speaker 2 (01:22:57):
Sun and I'm up. When you sleep, sleep the game
gonna stop. Tell I stayed win.

Speaker 3 (01:23:02):
Talk on that ego space by sucking the home about.

Speaker 5 (01:23:06):
The three ways with three Dad, it's just of course I.

Speaker 2 (01:23:10):
Want the richest. Hey me for my skill. Well, you
know our team.

Speaker 29 (01:23:13):
Shad froze and we never stopped doing shows with the
group solo.

Speaker 3 (01:23:18):
You know I wearing polls on do our cowboys.

Speaker 5 (01:23:21):
Still got the staff boys.

Speaker 19 (01:23:22):
Here one of the line still kill you in a
line thirty years more.

Speaker 3 (01:23:26):
Free on feed the god swine gods, don't feed the gods.
Fly gotta selling.

Speaker 49 (01:23:41):
What you know about breathing twice life, grow up where
I'm from the you probably sight, bring this ship back
boom and bring lifestyle.

Speaker 2 (01:23:50):
All your sneaking niggas is fine. Been doing this fit
since I was a child.

Speaker 3 (01:23:55):
What's the plate when you're used to the cow.

Speaker 49 (01:23:57):
Kings at the table ready to child down out in
this world?

Speaker 5 (01:24:00):
It's a big ass.

Speaker 2 (01:24:01):
Did you just scale your white streaming services? Got labels
looking like a whale.

Speaker 49 (01:24:05):
It used to be easy to get weeding the meals
my skill unmatch.

Speaker 2 (01:24:09):
You still have to pay for it. Listen this you
feel norms, it's roughs for it. Ain't got shipped on me.

Speaker 49 (01:24:17):
This is click with five history pull up socks with
the number three is not rocking. No dunglerees killing me
rappers is fun of me lyrics on a whole other plateau.

Speaker 5 (01:24:27):
I'm just glad I can go where I want to go.

Speaker 49 (01:24:30):
I'm sorry, Either with a foot or solo twenty five
years ago, I had a old soul right now, Vic
Spencer got the glow eat mics.

Speaker 2 (01:24:38):
Alive because that's all I know. I got a truth
reason to stay focused.

Speaker 49 (01:24:42):
At my grandma house, my half cousins was Rochus.

Speaker 5 (01:24:48):
At my grandma house, my half cousins was the roches.

Speaker 26 (01:24:51):
Right rightening right now, with them rightly, writing rightly, right
now now, writing writing and writing right now.

Speaker 13 (01:24:57):
Hew took them losses on the chin and bounced back.

Speaker 3 (01:25:03):
Now took a lot to win. So what you know
about that? Now got my life flat looking like the soundtrack.

Speaker 13 (01:25:09):
Now I'm cooking up that soulful to make accounts fast
under estimated of the dogs in doubt. Cats took the
fast straight, looking like the out back now before my
face the black trying to maintain them stacks, thinking about
the shape steak, pain and fade.

Speaker 3 (01:25:22):
The mouse trapped.

Speaker 13 (01:25:23):
We talked about lamp and I'm talking about constant expansion
from Ceyo to the half. This you're talking conduct, I'm
talking man, just no more cassport back and I'm talking
passport stamp and this is flush for the last.

Speaker 3 (01:25:34):
Resort to get the cracking.

Speaker 13 (01:25:35):
You're lost of flak and lost in the corner that
you trapped in, get boot tapped. Then your cat fast
for the boots of action. It's not the face of
truth in the booth. Salute the cat then too with
the sores and on course.

Speaker 3 (01:25:45):
To make it happen.

Speaker 50 (01:25:47):
It's something, it's something. It's something's all white, just all
of out nothing. It's something. It's it's something's all white
because all about nothing.

Speaker 5 (01:25:58):
It's something.

Speaker 2 (01:25:59):
It's something.

Speaker 50 (01:26:00):
It's something's gonna white because about nothing. It's it's it's
something's gone because.

Speaker 13 (01:26:08):
They feared me shining rocket, Can there redommins that can there?
Regardless the question, you got projections, so you best sped
me get violence, whooping in silence, making sure things are
in order, not trying to see me Kafiji living he
sipping in that border of course not one. I'm thinking
more applied to trigger with sort spots. Word is going
definitely building that with me with more stocks. These cats
are slipping that and naggy because they lack the.

Speaker 5 (01:26:28):
Fishing many selfless.

Speaker 13 (01:26:29):
I've been working numbers like math, petitious dollars, sounds commas,
not to fend the right position stack officing, pipping life
with the sight on the mission, picking the pipe of
But mind the site, but that I spent it. Networks
in network, somebod to works. Never forgiving right to slipping.

Speaker 3 (01:26:44):
Never stress the.

Speaker 13 (01:26:44):
Mind, fit and decisions, staking your lane, stay safe.

Speaker 3 (01:26:47):
Getting it where you fit in.

Speaker 13 (01:26:49):
He did, and your repping no lout like this and
he doubts blocked about knock them.

Speaker 43 (01:26:53):
Out like sunny list. It's something gets something. It's something
because it's something.

Speaker 5 (01:27:07):
It's something.

Speaker 50 (01:27:08):
It's something's all because it's something gets something. It's something's because.

Speaker 5 (01:27:37):
So I said, the beas pink portraits.

Speaker 10 (01:27:38):
I play your office, playing a word back in the fortress, battlefield,
scatterway corpses lam forces, take the wicked, mark them back
to the Corcuse it's still free. Mama, you're rocking with
the all I see for a righteous teacher with the
cut from a different class from captatists. You saw they
better stap like pison the cars around the cat.

Speaker 15 (01:27:56):
To let the pistol off.

Speaker 2 (01:27:57):
They need to tell. In these days and times, you
gotta build.

Speaker 5 (01:27:59):
We like to the other bluesmith from the heart.

Speaker 2 (01:28:01):
Of Mississippi must water.

Speaker 5 (01:28:03):
Strictly showing a proof.

Speaker 2 (01:28:04):
We now the mystery.

Speaker 10 (01:28:05):
I'm in the city and the nighttime zoning right into
the light of the morning.

Speaker 5 (01:28:09):
I wrote my first file in the seventh grade.

Speaker 10 (01:28:11):
Ever thought of set the stage for the kid getting paid,
had the faith with the hot top. Now I'm thinking
capital so we can find blocks that general is gonna
be living.

Speaker 2 (01:28:19):
All these are calmly study lessons.

Speaker 10 (01:28:21):
Never see the palm streets, megatan he they pawn and
arms reach high mathematics when.

Speaker 3 (01:28:26):
The God's reach shook the world.

Speaker 10 (01:28:28):
Like I'm being listening, I'm still in the streets, chilling
like cats with the sneak district got that mac Daddy
sold in a black caddy, but the facts showed Daddy
stax do for rap gladly acrobatic with the mathematics.

Speaker 5 (01:28:39):
Could teach your class at.

Speaker 10 (01:28:40):
It, raise the civilized the math savage pull the globe
like a black at list to my sit back and
people the rap tactic. It's that ba q l t
to the classic keep it real from the cartle to
the casket.

Speaker 2 (01:28:52):
Yoa's up.

Speaker 8 (01:28:53):
This is curious.

Speaker 5 (01:28:54):
George Bon you used to the world man, shout out
to everybody.

Speaker 51 (01:28:57):
Have faith in God, here, have face in the higher powers,
and let's get through this thing all right.

Speaker 5 (01:29:04):
Well, love love, love, hanging like a shandon.

Speaker 51 (01:29:07):
Lead could kick it onto the curve like a can
of bed start freshing. This is an odd test and
this is the path showing and banging. Our all left
found that seeing Lady God blessed supposed to make you strung.
If it's not death, because we all have full it's
a lot left.

Speaker 5 (01:29:20):
But used to crime and complaining with that high presence.
It's kind of like some bitches killing off likes lights.

Speaker 51 (01:29:26):
Sound switches, second that they thought he was done, it
foure inches of a.

Speaker 5 (01:29:29):
Dudes remains it down and ground, ditch and screw but resurrection.

Speaker 51 (01:29:32):
Fools for better sessions, crows kicking clothes off beat the
south selection choice, jaws, poison, costean firm and dropping jewels,
light points, the balls, bottom of the seat, the overall secrets,
hunting those steetions, rocking, y'all keep it, shouldn't getting s
closed with style, and y'all keep it till you can
get your high and dusting y'all leaking cover crazy yetty limit,
just spinning your head like rock steady Bige. It was

(01:29:53):
a hate who said you already? It's rather be a
dune getting money? Who got Jenny throw thee at the top,
but it's crowded down here. Some escape pain from loud
and down here comers on states.

Speaker 15 (01:30:03):
Jump around the sound clip and just jump around and
dragging clown.

Speaker 5 (01:30:06):
Kid were down there, puck down here.

Speaker 15 (01:30:08):
Free as a bird lift light.

Speaker 3 (01:30:10):
You don't care except when you.

Speaker 19 (01:30:11):
Go opping the hood.

Speaker 51 (01:30:12):
Don't stare everybody going through it home.

Speaker 19 (01:30:14):
You ain't all there.

Speaker 8 (01:30:15):
Copy old rock and roll on the trippers.

Speaker 5 (01:30:18):
Never as at the gold.

Speaker 51 (01:30:19):
The'll go silations of a pot of colder because the
pears the lesson is not the ball.

Speaker 8 (01:30:24):
Even if you're young to be grateful.

Speaker 51 (01:30:25):
You got this ould trip to go to cold, the
hot and hot the cold th shit, Get off the pot,
I got the gold and woe and suckers man locking load.
Such a strange universe saints that all right, boys, so rick.

Speaker 5 (01:30:35):
And they still like check out that white boy.

Speaker 51 (01:30:37):
Let the herky music concipated monkey music hits you with
the fucking neue shit.

Speaker 14 (01:30:41):
We don't hide anything.

Speaker 5 (01:30:42):
You're sharing the.

Speaker 51 (01:30:43):
Blueprint left that you yourself with the style that you're
both with because see your people's making moves with.

Speaker 5 (01:30:47):
The most lip, not the other ones talks up.

Speaker 51 (01:30:49):
Don't do shit fucking either way here bober the crows here.
So my brain washing too that in the noose clips ready,
ell sucks, stuck up. It's with two thicks, do suck
two tips. Don't get too shit.

Speaker 3 (01:30:59):
But you got that.

Speaker 15 (01:31:00):
Crazy and value on technology. I've got nothing against the technologies,
but that's act the varations.

Speaker 5 (01:31:05):
Once you start introducing this, this new view on.

Speaker 4 (01:31:07):
The street, and that may be the earliest civilization.

Speaker 46 (01:31:10):
Fascinated by this concept and civilization there a species that
has a niche.

Speaker 2 (01:31:16):
Yet bringing that.

Speaker 7 (01:31:17):
Us forgot what our past was, Like, hell, yeah, that's
my ship, my sh.

Speaker 19 (01:31:30):
Now, this is how we all went down. One A
homie tried the clown, but the homie had the pound.
Homie put the homie down. Can a bullet hold me down?
I ain't superman, but I mean if this is how
we sound, and this is how we all went down.
One homie tried the clown but the homie had the pound.

Speaker 5 (01:31:45):
Homie put the homie down. Can a bullet hold me down?

Speaker 3 (01:31:48):
I ain't superman?

Speaker 5 (01:31:49):
But he leaves the kill threats with his single skill set.
He just deals Nike don wanted to deal with really just.

Speaker 19 (01:31:58):
Frowned up millions accounting for stands down to the bat
realisten the monitors. It's god d Deil with the stick marble,
while he thought peace be stilled, even chopped. We with
the real rosters pay the way saved today, the marble
hiding behind glasses, the.

Speaker 3 (01:32:11):
Passes, an average joke with no pra bottle. Quiet Ricotta,
though he'd have been in Chilada.

Speaker 19 (01:32:16):
Ashes to ashes, the gun, counter to clip powers, all repeated,
nip hustle, all the kids sorrow.

Speaker 2 (01:32:22):
We killed me real good. Damn.

Speaker 3 (01:32:23):
That's a hard killed swap.

Speaker 19 (01:32:25):
If I were Superman, will die at all, I'd be
faster than a speed of bullet over lightning.

Speaker 3 (01:32:30):
Woman, I'm too boss. You're gonna have to be called
a mob squad for when I'm alive.

Speaker 5 (01:32:34):
Fight to your cypher's head. Now, this is how we
all went down.

Speaker 35 (01:32:38):
One A homie tried to clown put. The homie had
to pound home. He put the homie down.

Speaker 5 (01:32:42):
Came the bullet hold me down.

Speaker 19 (01:32:43):
I ain't Superman, but I'm at This is how we
found and this is how we all went down.

Speaker 5 (01:32:49):
One home, we tried to clown put.

Speaker 19 (01:32:50):
The homie had the town home.

Speaker 5 (01:32:52):
We put the homie down. Can the bullet hold me down?
I ain't Superman, but but not a man.

Speaker 3 (01:32:58):
That a guy got, just a bad mindment that no
one can predict.

Speaker 19 (01:33:01):
When the sickness overtake the sun, jealous and hatred insecurity
generate cancers. One drift and night to those who rip
the light like a rose. Courts who want to find
the comments in the storm. Heroes were the bulleteer of
the horns, taking off the hearth too soon, But we
don't see what happens behind the curtain that it hurts more.
The Superman with me when they feelings up here like
me freak to help those who call out, stopping these

(01:33:23):
bullets with my palm before they fall out.

Speaker 5 (01:33:25):
Hemans walk in with presidents to kill, they crawl out.

Speaker 19 (01:33:28):
Superman's version of real is to fall out, Man of steel,
going all out to reveal that humanity your pills. In
the long route, the guys walk amongst the saw. There's
no laws out that can buckle down. The brawl put
a bit, no doubt, so so.

Speaker 3 (01:33:43):
Down and now it's called out burns. The thousand man
man says, I've rolled out.

Speaker 5 (01:33:47):
Relax again. My hands makes made the skin.

Speaker 19 (01:33:50):
Of sammons before we gets our fanished man not fallout
I fight for those who haven't learned how to fight yet,
to smash your life back. Hit it with a right left,
the right combo, keep you on the path straight past
Jack deviling to join my Superman k that this is
how we all went down Glena HOMEI trying to clown
with the homie.

Speaker 35 (01:34:08):
Had the town hop me put the homie down. Cadom
bullet hold me down. I ain't Superman, but I bet
this is how we sound.

Speaker 19 (01:34:15):
And this is how we all wing down one to hope,
me trying to clown put the homie, had the town
hope we.

Speaker 2 (01:34:20):
Put the homie down.

Speaker 5 (01:34:21):
Cadom bullet hope me down. I ain't Superman, but but
blot dark.

Speaker 19 (01:34:26):
This is abstract rude and checking out park with my people,
joking glaw blaw.

Speaker 2 (01:34:34):
Around the world all right?

Speaker 21 (01:34:44):
Coming out of mix too, that was Superman Down by
ELI featuring abstract Rude and blue. We also played Joints
by K and we played a joint by Curious George.

Speaker 7 (01:34:57):
Nice to hear him again, Vic.

Speaker 2 (01:34:59):
Spencer feature in X that was Dre's favorite of the mix.

Speaker 7 (01:35:03):
No so dot please pick up the pace.

Speaker 21 (01:35:07):
We played Mickey Diamonds my guy, I love that voice
we played what we played Action Bronson on here and
we played two joints by the two Joints feature in
maym Lorraine May and Lorrain. I feel like that guy
never fails. He always comes through with the dope verse.
He does what Ghosts used to do, but just now consistently.

Speaker 7 (01:35:30):
Always in the pocket, always in the pocket.

Speaker 20 (01:35:32):
So you mentioned ka, I haven't heard these tracks yet.
Does he still rap like he's like niquil?

Speaker 2 (01:35:38):
Yeah, that that's a that is a certain sound that he.

Speaker 20 (01:35:42):
Had fifty fifty pounds of silver or whatever. This guy
his big hit, seven pounds of Silver.

Speaker 2 (01:35:53):
That was like our first show. I think we played
at co Joint. That was probably one of those.

Speaker 15 (01:35:57):
Songs, seven pounds of Silver.

Speaker 6 (01:36:02):
Hey, props the Hot to the High and Mighty Man
coming back through. They had a song on this mix
as well as well as the lead from NX one.

Speaker 7 (01:36:10):
But man, they still got that sound.

Speaker 4 (01:36:12):
Man.

Speaker 7 (01:36:12):
I was like, two thousand and three is fantastic. Beats
are good.

Speaker 21 (01:36:17):
I wonder what would like what transpired from them, be like, man,
you know what, let's make a Let's make an album after.

Speaker 16 (01:36:22):
All these years twenty one years later.

Speaker 2 (01:36:25):
Yeah, I mean, I'm glad they did, because you know
what I like about to besides the fact that they're
they're kind of like, obviously they're making music for us.

Speaker 21 (01:36:34):
The singles, the covers have like that that nostalgic look
to them, like they're oh yeah records.

Speaker 2 (01:36:40):
Yeah. So they're really you know, they're really playing to
their fan base, and I appreciate that.

Speaker 20 (01:36:46):
Let's just hope they don't make a bottom Theaters video
part two.

Speaker 16 (01:36:50):
No, please let the video great.

Speaker 20 (01:36:54):
I don't need to see Eon throwing up all over
was all right? That was all right, all right, whatever.

Speaker 16 (01:37:01):
Crazy man. That was a great video. That was super
good man.

Speaker 21 (01:37:05):
So I mentioned Blind Fury, and obviously the guy's been
around for many years. So Wade, for some reason always
feels compelled to send us these videos of this guy,
Blind Fury, and he's just for those that don't know
he's he's.

Speaker 2 (01:37:18):
A white dude, right, he's a white guy? Or is
he Spanish? He's a white guy, right? I can't I
can't tell.

Speaker 21 (01:37:23):
I want to say he's a white guy and he's blind,
and and he happens to be a really good freestyle rapper.
But we are old, crotchety dudes and we have no
patience and very little interest in rappers, especially white rappers
in this day and age. It's just that's the reality
of things. So Wade loves this guy and he will

(01:37:45):
die on that hill that this is like one of
the greatest fucking rappers of all time, and we are
all dismissed of Like what the fuck?

Speaker 2 (01:37:52):
No one gives a shit he is, Like, it's kind
of like, do this in a game.

Speaker 21 (01:37:57):
I don't want to see a guy who does practice
fucking home runs or shoots the fucking ball like beyond
the Art when no one's starting him.

Speaker 2 (01:38:05):
No one gives a shit about this fucking dude.

Speaker 16 (01:38:07):
A it's it's it's pretty vintage.

Speaker 23 (01:38:10):
It's fifteen sixteen years ago on that uh that whatever
the BT after school show was, and he is crushing
pools and then he starts singing and mimicking singers.

Speaker 16 (01:38:22):
Yeah, it's brilliant.

Speaker 15 (01:38:23):
No, it laid out, and I'll be honest with you, No.

Speaker 2 (01:38:25):
One gives a ship.

Speaker 20 (01:38:27):
I love you, pal, but I don't think I've ever
clicked on one of your links ever that you test this.

Speaker 16 (01:38:31):
Be guys, I heard my feelings.

Speaker 2 (01:38:34):
You never heard my feeling you know what. I especially
battle rappers like it's cool for maybe twenty.

Speaker 21 (01:38:40):
Seconds, like a stick of juicy fruit. But no one
is trying to listen to these dudes for an album.
Did you like the Supernatural album?

Speaker 3 (01:38:48):
Nope?

Speaker 21 (01:38:49):
Did you juice album with the exception of that, actually
have with the exception of that mixtape Kevin that makes great?

Speaker 16 (01:38:55):
Yeah, did have a good album. He did have one
good album, Superman.

Speaker 2 (01:38:59):
Did Supernat had a good album?

Speaker 16 (01:39:02):
Yeah?

Speaker 2 (01:39:02):
Yeah? What was that?

Speaker 16 (01:39:04):
I can't remember the name of it, but it's fifteen.

Speaker 2 (01:39:06):
You're confusing. He wants somebody else remember an album?

Speaker 20 (01:39:10):
I remember I found the Buddha blessed it vinyl before
his album dropped off. I thought I was like, like
had like the Holy Girl in my Hands. He made
three mixed I forced myself to like that song.

Speaker 2 (01:39:22):
It was mind tricks. There was like three fucking songs
in that single.

Speaker 16 (01:39:27):
Like he did the weird thing with his voice on
that song.

Speaker 21 (01:39:29):
Bro, No one, No one was listening to Supernat fucking
album Like he's talented.

Speaker 2 (01:39:34):
Yes he could pre style, yes.

Speaker 23 (01:39:36):
But no, I feel like the album is called spit
like s period P period I period T period.

Speaker 2 (01:39:41):
You like the whole Rozelle album? Like four songs do
you get what I'm saying, so it's not like something
you're gonna look Yeah, yeah, I.

Speaker 15 (01:39:50):
Like the I like the lead single off the Rozel
album because it was him and Biz.

Speaker 16 (01:39:55):
Yeah that's bad, mother that that was good.

Speaker 2 (01:40:00):
It was Pete Rock.

Speaker 23 (01:40:03):
That's why it was good. But hey, you hit it
on the head with the Common and Pete Rock. I
think that's a great album, especially for dudes our age.

Speaker 16 (01:40:10):
If you listen. I do think you got to listen
to it like five times to get into it.

Speaker 23 (01:40:15):
And there are a couple of skips because there's too
much singing and too much, too much of that kind
of thing. But the songs that are good are really
really good.

Speaker 6 (01:40:24):
But it's a perfect example of what we always said,
just give the people what they want once.

Speaker 23 (01:40:29):
Just do it once you're right, you're right, and they
do for the most part. I think it's the best
album of the year so far.

Speaker 20 (01:40:37):
Is that nas Primo projects still being worked one? Or
was that just like a single leaked out and like,
all right, they'll forget about it.

Speaker 2 (01:40:45):
And like, yeah, I don't. I don't have much faith
in it.

Speaker 21 (01:40:47):
And then quite honestly, if they do release it, me,
what do we think we're going to get a bunch
of you know, represents in New York State of Minds
and Memory and lanes on there.

Speaker 20 (01:40:55):
Yeah, you can't recreate that stuff. I bet it'll be
really good, though.

Speaker 6 (01:41:00):
Again, they're also afraid to sample because they're just not
doing what they used to do.

Speaker 20 (01:41:05):
Even like like Primo Beats is like pizza, like all pizza,
even bad pizza is kind of good pizza.

Speaker 15 (01:41:12):
You know, that's a premium Beats good analogy.

Speaker 28 (01:41:15):
I like that.

Speaker 16 (01:41:15):
That's good stuff.

Speaker 23 (01:41:16):
There's a bunch of dudes from the early two thousands,
you know, indie era that are still making stuff like
Apathy copyright ill.

Speaker 6 (01:41:26):
Bill, Hey stop an Apathy dude kills it and everything good.
Everything he throws down is solid.

Speaker 7 (01:41:33):
I don't think.

Speaker 21 (01:41:34):
Yeah, I think with Apathy he has two things he had.
He seems very like, very much in tune of what
what hip hop is like both these days. And I
think he respects the art. Yeah, and he doesn't chase things,
you know what I'm saying, where a lot of other
rappers may change over time because they're.

Speaker 2 (01:41:55):
Chasing, like you said, any and he's making music. He's
on def jam.

Speaker 30 (01:42:00):
You know.

Speaker 6 (01:42:00):
Well, let me ask this I mean, my opinion is
Apathy is the best version of himself now. I don't
think the old Apathy albums are as good as what
you're putting out now. And I agree, you can't say
that about anybody. Uh yeah, I mean I think certain
rappers age age at last. I thought Master Ace got

(01:42:23):
better if he got older.

Speaker 2 (01:42:24):
Yeah, he did.

Speaker 20 (01:42:26):
You know, Arron needs to just make an album, yeah single,
All all the singles he's been dropping over the last
five years would make a freaking great album, but they're
just scattered, you know.

Speaker 2 (01:42:37):
Yeah, I think Apathy got better if he got older.

Speaker 21 (01:42:39):
He got more chure, He became more of a wordsmith
and like a real lyricist.

Speaker 7 (01:42:45):
And understood both sides production.

Speaker 2 (01:42:49):
What like a student. He's just so the game, who
appreciates the game, so not not going to come come.

Speaker 23 (01:42:55):
Whack, Like when when you're forty five you're just in
it such a different space than when you're twenty four,
making battle raps the whole time, and like just you know,
doing doing a bunch of metaphors and stuff like that,
and just you know, battle rap style records, which we
love and we really love in two thousand and one,
but he's he's aging. The music's aging right along with

(01:43:18):
him at the right pace.

Speaker 21 (01:43:19):
Now, like the guys and contemporaries, I don't think of
aged that well, like in Ill Bill or a any Pad.
I don't think they are making better music today than
they made years ago. I think they made their best
music almost you know, probably only actually say when they started,

(01:43:41):
but like shortly after that, you know, the best Ill
Bill stuff you could say was off the non fiction album, right, yeah,
and if any probably off of you know, the first
two or three Jedi mind Trick albums, right.

Speaker 16 (01:43:57):
And maybe maybe one or two of his solo albums
his earlier one.

Speaker 2 (01:44:01):
Year for sure.

Speaker 21 (01:44:02):
But what I'm saying, I think the app capable of
making the best music now, that's sure after all these years.

Speaker 23 (01:44:08):
And yeah, listen, he's got to be in the conversation
of all time grades.

Speaker 16 (01:44:13):
He's got to be.

Speaker 23 (01:44:14):
Look at his catalog, look at his staying power, look
at look at the quality of work that you know,
the appreciation of the art form, just all things considered
for people, It's kind of like, if you know you know,
then you know he's an all time great.

Speaker 2 (01:44:28):
Well if you'se by boys on bias, But when you
say an all time great What does that encompassed?

Speaker 7 (01:44:32):
Yeah, because I don't think his catalog.

Speaker 21 (01:44:34):
One hundred, one hundred Greatest Rappers, fifty greatest rappers, Like,
what does what does that mean?

Speaker 16 (01:44:39):
If I put it, I'd probably put him in my
top twenty five.

Speaker 21 (01:44:43):
Okay, Uh, that's that's interesting. I haven't given him that
much thought, but I think I would have a hard
time putting him in top twenty five. Yeah, only when
you factor in the legends like Ll and Cool g
Wrap and Big Daddy King. They got to go somewhere
on that list, and you gotta think of Lord's Finesse,
and then you gotta think of rock Camp, and then

(01:45:04):
you gotta think of keras One.

Speaker 2 (01:45:06):
So before you know twenty five, you can get it
read pretty quickly.

Speaker 7 (01:45:09):
I think at the end of the day, he just
he just doesn't He just doesn't disappoint.

Speaker 2 (01:45:13):
That's all.

Speaker 6 (01:45:13):
I wouldn't on that Mount Rushmore or the Top twenty five.
He's not that type of dude, but he just doesn't disappoint.
His music is good, really good.

Speaker 23 (01:45:23):
Somebody that when he puts puts out music, you're gonna
check for it.

Speaker 16 (01:45:26):
You're always gonna check for it.

Speaker 15 (01:45:27):
It's like little Brother Wade Bob. It's like Wade Bob.
He's got a lot of hits, yep.

Speaker 2 (01:45:33):
Yeah, and I think he is.

Speaker 21 (01:45:35):
Like guys like Fonte are still capable of making really
really good music.

Speaker 20 (01:45:41):
You guys want to go around and each share a
name that's gonna come off the Diddy list, and they're
gonna be the next rapper that's in trouble because they're
gonna get rated out. They're gonna get rated out by Diddy.

Speaker 2 (01:45:54):
Yeah. So here's the thing.

Speaker 21 (01:45:56):
I don't know if those guys are gonna get any
trouble just because you want party.

Speaker 5 (01:46:01):
I don't know.

Speaker 15 (01:46:03):
Who knows what Dirty's gone all, but I am.

Speaker 2 (01:46:05):
Interested in that list.

Speaker 23 (01:46:07):
Dude's gonna be dead soon, so nothing else will probably
come out because it's gonna be Epstein.

Speaker 2 (01:46:13):
I think I believe it or not.

Speaker 21 (01:46:16):
I want to say Static, Selector and Terminology were at
a Diddy party once.

Speaker 2 (01:46:20):
So I saw some kind of like a picture, maybe
it was a JA party. It was wearing white.

Speaker 21 (01:46:26):
So I'm just when I when I see someone wearing
white in the Hampton's, I'm just gonna equate an automatical party.

Speaker 20 (01:46:32):
I think Ben Affleck saw some ship and was like, Damn,
I gotta fucking dump this bitch.

Speaker 2 (01:46:37):
Finally he did. He did. I'm gonna say, DJ Khaled,
I would love for that dude to go down, So
I'm pretty sure I would.

Speaker 16 (01:46:45):
I would put money on it.

Speaker 2 (01:46:47):
Uh, but he's not.

Speaker 21 (01:46:48):
He's not Thorn, Ralph Younger Girls or something. But definitely
went to a Diddy party. Kevin Hart went to a
Diddy party. I sure went to a Diddy party. I
mean there's a lot of people that went to a
Diddy party. You know, Justin Bieber went to Diddy party.

Speaker 20 (01:47:02):
Lebron Do you think Ted Lasso went to a ditty party?

Speaker 2 (01:47:05):
How about that? Let's ask this question, who is the
one person that you want to go down with Diddy?

Speaker 6 (01:47:12):
See couns that guy. But he's not the guy, so
you know, I would. He's a family man and he
seems to be real.

Speaker 20 (01:47:19):
He's not that to just but I'm not. It's not
so much I'm rooting for people to go down. It's
I'm rooting for the for the people who weren't associated
to rise up and get more like recognition of being
like actual, like real fucking you know, drivers of the
music and the art and like and like just being
like the right way to live your life and not

(01:47:42):
this bullshit fucking diddy fame, like like just been thinking
you're above the law.

Speaker 15 (01:47:48):
Like all those people they let's fuck them all, them all.

Speaker 2 (01:47:59):
I don't know where that was. I would love to
drop and f bombs yet again. We start the bomb
and we're gonna out there.

Speaker 16 (01:48:06):
That's how we wrap.

Speaker 20 (01:48:07):
I just I just want to hear the heroes to
be recognized, the people doing the right thing and the
people who what heroes are in this mix, Well they're
not heroes, but like the ones who just who like
never had to get involved with that ship and and
like because a lot of these people get involved with
it because they look at it as a way to
accelerate their their bank roll and their popularity, and they're

(01:48:28):
just feeding into the bullshit and and fucking fuck them,
fuck them all.

Speaker 2 (01:48:34):
I think people just went to a party thing and
they can get fucking late or something like that.

Speaker 23 (01:48:38):
Yeah, yeah, it's like a given or something, and they're like,
wait a minute, that's not what I was looking for.

Speaker 16 (01:48:43):
I would love to see Kevin Hart go away.

Speaker 7 (01:48:45):
Please, He's a hard working dude man.

Speaker 16 (01:48:49):
Come on, over exposure, Please go away for a while.

Speaker 6 (01:48:52):
That's like saying the rock head overexposure. I mean, these
guys work hard at what they do. I wouldn't penalize
them for that.

Speaker 7 (01:48:58):
I don't think.

Speaker 2 (01:48:59):
About personality over quantity.

Speaker 28 (01:49:01):
Ye.

Speaker 2 (01:49:02):
Hart has too many Netflix specials.

Speaker 16 (01:49:03):
Yeah, the theme of my night. I'm annoyed with Kevin
Hart to very much.

Speaker 5 (01:49:08):
So.

Speaker 16 (01:49:09):
I didn't we.

Speaker 21 (01:49:10):
Annoyed Adam Sandler because he has one hundred fucking Netflix movies.

Speaker 20 (01:49:14):
And they all know because even shitty Adam Sandler movies,
you can still kind of watch shitty Kevin Hart movies.

Speaker 7 (01:49:19):
Just well, I can watch all of them. They're just
as good.

Speaker 2 (01:49:22):
Say Kevin Hart movie.

Speaker 7 (01:49:23):
Kevin Hart movies are great. No, what's the one where
he pushed the guy around in the wheelchair? That was
a fantastic movie.

Speaker 23 (01:49:29):
He's so played Listen. Sandler's one of us. That's why
we like him. Yeah, Kevin Hart is annoying as fuck.
Go away Kevin Hart's go Away Never. I've never laughed
once at a special.

Speaker 31 (01:49:41):
Oh.

Speaker 6 (01:49:41):
I don't like his comedy, but I will tell you this,
I did get the audio book that he had.

Speaker 7 (01:49:47):
I can't make this stuff up.

Speaker 6 (01:49:48):
It was one of the most entertaining audio books I've
ever ever listened to. And I'm telling you there's no
way that you do not fucking listen to the thirteen
hours that it is. It's unbelievable.

Speaker 15 (01:50:01):
You listened to a thirteen hours Kevin Hart audio cluck.

Speaker 7 (01:50:05):
When I drove, when I drove up to the Carolinas
in your in your neighborhood.

Speaker 21 (01:50:10):
What you could do with life within thirteen hours? You
decided to listen to the game.

Speaker 2 (01:50:14):
She's Kevin Hart.

Speaker 6 (01:50:16):
Listen when you're doing Andrea Loves Kevin Hart, you're doing
road trips, you do it.

Speaker 7 (01:50:19):
Yeah, he's the dude. Listen to this guy's story. This
guy has had it, had a hard life.

Speaker 9 (01:50:26):
I'm to tell you something about me though. Here's why
I put myself in these situations. Okay, I try to
go above and beyond for my kids. The reason why
I don't want to make the same mistakes that my
dad made. My dad did a lot of dumb shit
when I was a kid. Reason why my dad was
on drugs. I have no problem being honest.

Speaker 5 (01:50:40):
It's the truth.

Speaker 6 (01:50:41):
Now.

Speaker 9 (01:50:41):
When I say drugs, people, I'm not talking about the
soft stuff. I'm talking about cocaine. That's right, smack Book
of Sugar. White Girl got tons of names for it. Now,
when you first hear it, you're like, what your dad
was on drugs? That's crazy.

Speaker 5 (01:50:55):
It's not that bad. I'm gonna tell you why.

Speaker 9 (01:50:57):
There's pros and cons to growing up with a cocaine.
One of the pros is there's no such.

Speaker 5 (01:51:02):
Thing as a bad idea.

Speaker 15 (01:51:04):
To a coke kid, everything is a shit.

Speaker 5 (01:51:06):
That's why coke kids always danced.

Speaker 3 (01:51:08):
You have noticed that, no matter what you say to a.

Speaker 5 (01:51:10):
Co kid, all coke kids hula hoop.

Speaker 3 (01:51:14):
I don't know why now.

Speaker 5 (01:51:15):
One of the cons.

Speaker 9 (01:51:16):
One of the cons is when you get high, you
do dumb shit. I'm gonna tell you, I'm afraid of.

Speaker 2 (01:51:21):
Dogs, all right.

Speaker 9 (01:51:22):
My dad when I was a kid, just like my daughter,
I wanted the puppy. My dad never got me a puppy.
One day, my dad got high as shit.

Speaker 2 (01:51:28):
He came home.

Speaker 9 (01:51:28):
He said, look, boy, you've been asking me about this
damn puppy. I went out, I bought you a puppy.
I'm a kid, so I'm excited. I was like, where's
it at?

Speaker 5 (01:51:35):
Set us on the porch. I go run out on
the porch. It was a full grown German shepherd walking
back and forth.

Speaker 15 (01:51:41):
This nigga stole a police dog.

Speaker 5 (01:51:43):
Okay, I know it was a police dog because he
had K nine on his vest. I saw it. At
least take the vests off the dog, Dad.

Speaker 7 (01:51:50):
The dog is still on goddamn duty. He didn't even
let the dog finish the.

Speaker 2 (01:51:53):
Job, all right, folks.

Speaker 1 (01:52:00):
Includes our show remember Take It Personal can be heard
on many different platforms. We stream on Apple Podcasts, Spotify,
Amazon Radio, iHeartRadio, Samsung Radio Player, FM, and YouTube. Every
episode has its own page our website, Take It Personal
Radio dot Com can even download each episode for the rate.

Speaker 2 (01:52:23):
We have some big plans as we close out the
year to keep those requests coming often imitating. Never do this.

Speaker 5 (01:52:31):
He's taking her some radio watching the announce.

Speaker 38 (01:53:03):
Y'all know how we do.

Speaker 3 (01:53:05):
Be racked, be rotting. Let's go, man, where you at?
I kill it from the front to the back.

Speaker 13 (01:53:13):
Any scene is a rat after you went know ether
than just seven that y'all need writes to kill you?

Speaker 39 (01:53:18):
Why?

Speaker 3 (01:53:18):
Why? Some president?

Speaker 5 (01:53:19):
Now?

Speaker 13 (01:53:20):
Without further unto I murdered the note. Another bad fang too,
asserting your cool word on the street. You roped it's
sort of killed my words.

Speaker 3 (01:53:29):
On the streets.

Speaker 13 (01:53:29):
The blys and say the suits. It's the president not
seeking your votes any longer. I'm a hawking mazaar couldn't
get any stronger. It's complete with me and peach opp
enough Penny Nah. I don't know why they Mama's deliver
bree me donas I termine. They said for kind of
explain it to ya, Honah. They say this kid he
resig GENI keeping Obama. I let it against his grill.
I don't believe in no trauma. I believe I was

(01:53:50):
hero leading more calls.

Speaker 19 (01:53:52):
I believe he rose up more than fives in the
jaalae I to spent so many hours bringing homage, studying
in the game, gaining knowledge to be a leaders, and
then you're blindish.

Speaker 13 (01:54:01):
I don't say drums. I could gave my own the
beyondes Si. That's how we're doing, man, James. I don't
know what they thought I was about to come and do. Man,
you give me this type of hea, y'all, man, where
you wat I kill it from the front to the
ba any scene, it's a rat. After few and all
heavin into seven in y'all need mister jeans, mice and

(01:54:24):
press head, and I said, this's long in my pleasure.

Speaker 3 (01:54:26):
Didn't give y'all a broad treasure. She was a mumble offsetting.

Speaker 13 (01:54:30):
The mumble by bad humble from broadcasting, like a Gumbo
hitting me on every block like my umble or kids
or eggs. Y'all Dumbo and Jamnia got my mixed on Gumbo.
What a turn of events. Nick would turn in his
grave if the gouvern was hitting the Witness Heights Rappers behave.

Speaker 5 (01:54:46):
I ain't taking no blame and flame.

Speaker 13 (01:54:49):
A building window of jis so getting and game and
been a freshman this ready.

Speaker 3 (01:54:53):
Since mister James, nice to meet you. And you know
I'm more the number or two with Leah. I'm here
right now.

Speaker 13 (01:54:59):
When follow the leader, I go deeper for your team
is lacking the receivers. I never smoke with the Bible.
Get your heightened tweetis dead as I'm alive on the
rider to meet you this year. I don't know what
y'all was thinking about, man, but this is how we're
gonna move forward from right here though. Don't wait, y'all,
y'o man middle West saw day baby, that's right, y'all.

(01:55:27):
No shata God scarcetyt y'all cop the coldest hip hop's
betoven on the ops, Mount Vernon to the lowist today,
write my op it. I'm on this flow ship, take
this face. Let me take notice. They pay a team ship,
they owe it that them f smitten you know it.
Let me know if any victims are left on on

(01:55:49):
men only breaking news. Ain't gotta do with the COVID.
I got the kind of product, make the industry reopen,
got the subject matter.

Speaker 3 (01:55:56):
The challenge is for your loaji.

Speaker 13 (01:55:57):
I created another world complete with ships, the ripple effect.

Speaker 5 (01:56:01):
What comes next?

Speaker 13 (01:56:02):
Your pleasing tack and get played on deck? Your right
to flip flaps. I'd take on, bet, take on on bets, play,
start pedestals, tocord, next level you'll think of?

Speaker 3 (01:56:12):
To get the book.

Speaker 52 (01:56:13):
It's like, yeah, Fred, God's down.

Speaker 6 (01:56:39):
No.

Speaker 22 (01:56:41):
I think it's a young spot. I think it's a
young spot for any young spot. Try it, get in it,
get a with us, give us a challenge and we'll
get better. There is a lot of people out there
that can do it.

Speaker 2 (01:56:53):
We call it that with the old people.

Speaker 5 (01:56:54):
Yeah, why not?

Speaker 2 (01:56:56):
Why not?

Speaker 5 (01:56:58):
I personally and be the question.

Speaker 22 (01:57:01):
I personally got turned onto it by my thirsteen year
old grands daughter at the time she's now sixteen, because.

Speaker 5 (01:57:07):
She kept mucking about in my car station. Yeah, and
I kept getting here and putting.

Speaker 22 (01:57:13):
It back because I like a different sort of music normally.

Speaker 19 (01:57:16):
Yeah.

Speaker 5 (01:57:16):
Before then she got it back and after.

Speaker 39 (01:57:21):
Bad must be mus swing quicker than Federer. I started
pegging the bad bag on the regular. And I'm gonna
tell us you sing for me, Paine, your mama's.

Speaker 5 (01:57:33):
Loucks on the packs.

Speaker 41 (01:57:34):
I been telling her kick Amazon, bangerm and them are
not sing. I feelish that with the lead. Look at
my fee the magazine and me leaning when I walk
in the drumstick and.

Speaker 2 (01:57:42):
Making a bang.

Speaker 39 (01:57:44):
Prot me the care but banging across bord up head
in the Western, I'm banging the push murder, cover the
cans and put from my desknick click on my fingers.

Speaker 41 (01:57:51):
He cut, bringing the blow birds, bringing the webs here,
I'm flinging the dwyer and bringing the case sifty bring
me non fuck singing a letter hopping and dropped up
on my in.

Speaker 39 (01:58:00):
Amazing, it's the big bucks. I'll be looking at bits
stressed to kill.

Speaker 3 (01:58:03):
Mama got me.

Speaker 39 (01:58:04):
I'm on a realist pole position at a feeder, running
the distance. I'll be banging up, hanging up, hanging a
giving a dreamlets.

Speaker 41 (01:58:09):
The bigger the bag, the bigger the boat crake, the
bigger they change the birds up in the context because
the big deal depending on the contract saw me.

Speaker 2 (01:58:16):
I'm brob we give it him so.

Speaker 39 (01:58:17):
Men, and I'll be waving a while puffing a venson,
pushing a back the full state lug a benchine given
the fish scale that's not a penguin from the chicken,
my pills wife fucker lynches home.

Speaker 41 (01:58:27):
We should have been puffing the peace, pust and the
free first to the fence for the seaside and my
tail lines.

Speaker 2 (01:58:31):
And it seems in my leaf.

Speaker 41 (01:58:32):
First with the stickier.

Speaker 2 (01:58:34):
The nigg even knows where you go birds with.

Speaker 39 (01:58:36):
So when I walk like this, best listen. When I
talk like this, I'm outside on the curb. When it's outside,
desary can try a chalk like this chin swinger.

Speaker 5 (01:58:44):
When I walk heard this, it's probably.

Speaker 41 (01:58:46):
When I talk her this amicide and the curb with
a strip set of I love you are gonna choke
like the sheets.

Speaker 5 (01:58:52):
Must beIN Fellas mus swing quicker than Federer.

Speaker 2 (01:58:54):
I said, I'm.

Speaker 5 (01:58:55):
Hagging a mass back on the regular.

Speaker 39 (01:58:56):
And I'm gonna tell us he sing from his bank,
and your mama's suck.

Speaker 5 (01:58:59):
On a bank. Stobie Letther Now a quick Amazon bangment.

Speaker 41 (01:59:02):
My not saying I feeling that with the letter of
my pain, the magazine may laying when I woke it
from stickle making a bang.

Speaker 5 (01:59:08):
The f pain

Speaker 28 (01:59:12):
H

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