Take It Personal (Ep 155: Chef's Special II)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hey, Roger the announcer here, and thanks for tuning into
episode one fifty five of Take It Personal Radio. On
this episode, DJ three to sixty is delivering another Chef
special with an ode to New York City and on
the flip side, he's paying homage to California.

Speaker 2 (00:16):
We also have the return of our game.

Speaker 1 (00:18):
Show with special hosts Dreddy, Krueger and Warren stopping by.
Believe it or not, we've actually found some songs we've
never played on Tip over the last eight seasons. We
even grabbed some stuff from the eighties as well hidden gems,
deep album cuts and classics from multiple decades to deliver
you the second installment of three sixties Chef special.

Speaker 3 (00:40):
Deep Yo, what's up?

Speaker 2 (00:47):
What up?

Speaker 3 (00:48):
Yo?

Speaker 2 (00:49):
What's up?

Speaker 4 (00:49):
Yo?

Speaker 2 (00:49):
Yo?

Speaker 3 (00:50):
Yo?

Speaker 5 (00:50):
You need to take that person?

Speaker 2 (00:51):
Take it past.

Speaker 6 (00:57):
One checking out, texting person radio.

Speaker 2 (01:00):
Tel yo yo?

Speaker 7 (01:01):
What's up?

Speaker 2 (01:02):
Is black though?

Speaker 3 (01:02):
From the legendary Woods crew.

Speaker 2 (01:04):
It's just that ge this school keep.

Speaker 8 (01:06):
Yo yo yo yo?

Speaker 9 (01:07):
What up?

Speaker 3 (01:07):
Is your boy? Back in? Miss more Beef and.

Speaker 8 (01:09):
All that shut out?

Speaker 10 (01:10):
Take a purse?

Speaker 11 (01:11):
Yeah, yeah, yeah, it's the jisp from the wool Tang
And right now you're listening to We'll taking personal take.

Speaker 12 (01:16):
That was good, y'all with DJ Monk from the type
of school.

Speaker 2 (01:19):
Check it out.

Speaker 13 (01:19):
This is from Corn checking out, yo.

Speaker 2 (01:22):
Yo, what's up?

Speaker 14 (01:23):
This is Diamond D representing digging in the crates right
here and take it.

Speaker 2 (01:26):
Personoe radio Yo.

Speaker 3 (01:27):
Check it out. It's the infamous Buck Walk y'all.

Speaker 15 (01:37):
Yeah, yeah, what's good.

Speaker 2 (01:38):
It's your boy KG y'all, y'all checking out.

Speaker 16 (01:41):
Taking personal radio with my man so a playbook, Kevlo,
Ammon Wade and the boy d J sixty.

Speaker 17 (01:47):
Hey yo, yo, yo, it's your boy Darrel Marsh Yo.

Speaker 6 (01:50):
What's up?

Speaker 2 (01:50):
It's see nice yo. What's a good job? Eight?

Speaker 3 (01:54):
Yeah? Yeah, yeah, what up?

Speaker 2 (01:55):
Y'all?

Speaker 3 (01:55):
This is Commsense.

Speaker 2 (01:58):
Yo. Check it out.

Speaker 4 (01:59):
This is a break go to your man, o Bris
Dirgie Ryans Damn to let you know you need to
take it personally, taking personal red man and we end up.

Speaker 3 (02:09):
Going, yo, what's up?

Speaker 18 (02:12):
This is be real and you're blazing out to take
it personal.

Speaker 3 (02:18):
Pop the way it should be.

Speaker 19 (02:20):
Keep it right there.

Speaker 2 (02:20):
The best in hip hop hip hop been in that
fly ship. You heard hippop stayed winning?

Speaker 12 (02:26):
Yeah yeah yeah, your.

Speaker 20 (02:30):
Baby J Man, Yo, what's start them taste? You ready
to do this.

Speaker 3 (02:33):
You know what I'm saying.

Speaker 20 (02:33):
You got hit him with the flavor. We got in
with the flavor. Chris dropped the new flavor on him.

Speaker 3 (02:37):
Then, Nah, nah nah, not.

Speaker 20 (02:40):
That man after that three years ago. Man, we gotta
kick him in the new flavor.

Speaker 15 (02:43):
You know what time it is.

Speaker 21 (02:44):
You gotta come correct many Chris dropped the new flavor on.

Speaker 3 (02:47):
Him on Dosh.

Speaker 16 (02:49):
Yeah, nineteen ninety two minutes and ag we about the cattle, right,
and I got my main man ninety he's about the
catch and rect from the ticking in.

Speaker 3 (02:57):
The crates and all that. I ain't gonna say a
right shopping.

Speaker 22 (03:03):
Right out.

Speaker 6 (03:04):
If all right.

Speaker 16 (03:06):
Corn, come good checking. See I'm back on the block.
But my name ain't quick. See yeah, I'm chopping rappers
up into mints. Me step up and speak.

Speaker 20 (03:14):
If this ship ain't weak to beat spot the chief kids, they.

Speaker 16 (03:17):
Don't come cheap. I practice my craft, so you can
call me macaroni and I get cheese and more. Runs
in in a pony smoke a lot of hurry, but
I don't shoot tobacco. When show drops the beat, I say,
holding stunts don't front any longer.

Speaker 3 (03:30):
Yeah, See, my status is large and appropsea gear and.

Speaker 16 (03:33):
Shaw on a hook, ride around with a little dark
in the path, step back and laugh, or maybe signing
autograph I'm walking tall for yo, I'm not a cracker.

Speaker 23 (03:41):
Then run with the bullish Whilema CRUs much blacker.

Speaker 16 (03:44):
So here the shot mother man with the gouts tipping
on again and stout, Yo, I'm about show fizz my
man still digging in the crates diamond te he have
still digging in the grates.

Speaker 3 (03:54):
Show fizz my man, still digging in.

Speaker 13 (03:56):
The grates diamond he have still digging in the break?

Speaker 3 (03:59):
Yo picks off in the set.

Speaker 20 (04:00):
But it's never read the damon gotta beat for every
treat Dennis had it, But.

Speaker 3 (04:04):
Don't dem and slash.

Speaker 16 (04:05):
Why break pizzas that I'm not the fist who runs
around the super bro cast him just the poor brother
hang out in the chop shop and I'm still fit.

Speaker 20 (04:13):
My prop forgiving brothers not to step up front.

Speaker 3 (04:15):
Yeah, that's if you want it. Why it's time to breathe.
There's no future in fronting because they know, Hey, don't
I know?

Speaker 24 (04:20):
I see No, he don't know.

Speaker 16 (04:22):
Heat that I'm an old tamp like Bruno San Martino
or iipen pull Steve or the brother Tony Atlas to
buy my e B and show biz.

Speaker 4 (04:29):
And Peter fattest bad says my status.

Speaker 3 (04:31):
I knew a man ain't fattist.

Speaker 20 (04:32):
On the night Dan to Georgia just slight fattest knifing
the BIPs. There's my fort these on my lips to
bash them away. I might flip and take a sip,
or sit back and smoke the buck and slick Nick.
Sometimes he puffed slow, sometimes he puffed quick.

Speaker 13 (04:45):
I rapped the grab the mic and concentrate on getting
the tate.

Speaker 20 (04:47):
Why I'm I'm still digging in the fucking crate show
fiz my man still jinking in the crates diamonds d here,
I'm still jigging in the crate. Show fiz my man
still digging in the clays diamonds d here is still
digging in the create show fiz my man still digging
in the grates diamond d. Yeah, it was still digging
then the crate chopiz my man still digging in the

(05:07):
grates diamond d.

Speaker 3 (05:08):
Yeah, I'm still digging in the crate. What up, man,
You gotta keep digging in the crate.

Speaker 16 (05:12):
You know what I'm saying, well, my man, my man,
he's still digging in the Great and Last Professor Creek
Rock forty five game, mister long, mister long, al Right,
I got I gotta trying on questions. A man shot
King Beata Waying's gonna digging in the train, my man
Latin Rashaan, a man kick the free the biz market,
my man Chasey j y'all, I heard that.

Speaker 24 (05:32):
Hid g ra yo that nigga don't again without digging
out of cats. You know what I'm saying, can't check up.

Speaker 3 (05:37):
My man's digging in the crates and all that.

Speaker 24 (05:40):
Keep the flavor going.

Speaker 18 (05:41):
Going, take it Personal Radio Episode one fifty five, and
we are back from the hiatus and ready to hit
you with the next installment of the Chef's Special. That's right,
Part two, DJ three six He's gonna lay it down.

(06:01):
He's gonna hit you with a little pinch of the
East Coast and a punch of the West Coast. And
uh hey, listen, we did take a little breather because
our one and only DJ three sixty was on a
much needed and well earned vacation to Paris. He must
have really enjoyed himself because if you could see Andre
in this zoom meeting that we have here, He's wearing

(06:24):
a fucking beret on his head. He's got he's got
one of them little like pencil thin mustaches.

Speaker 15 (06:31):
Now with.

Speaker 18 (06:37):
Woil, it looks like, you know, I did think he
was eating the croisson.

Speaker 25 (06:44):
He's got a bunch of crumbs around.

Speaker 5 (06:45):
His lips, looking like Roley fingers up in this beach.

Speaker 25 (06:49):
But we're definitely looking forward to this episode.

Speaker 18 (06:52):
I have no idea really what what the hell we're
gonna play, but I do know that apparently one side
of the East coast one side of the west. So
I'll let the other folks talk about the music. But
it's nice to be back.

Speaker 25 (07:05):
I hope everybody out there's been enjoying themselves, staying out
of trouble and doing just fantastic.

Speaker 2 (07:11):
keV, you've been enjoying yourself. The meth had the hell
of a run.

Speaker 18 (07:14):
The Mets had a fantastic year. They didn't they didn't,
you know, seal the deal. But I cannot be upset
with the outcome of this baseball season. It was fucking enjoyable.

Speaker 3 (07:24):
Man. It was down again.

Speaker 25 (07:27):
No, No, they didn't let me down, man. They they
it was all all positives.

Speaker 2 (07:32):
I keV was gonna jump off the balcony like that
one direction. Dude.

Speaker 26 (07:35):
Everyone gets it, everyone gets great, everyone gets a trophy.

Speaker 2 (07:40):
No, it was it was great.

Speaker 18 (07:42):
You know, now we got the World Series, Yankees, Dodgers,
MLB got what they wanted, Judge versus Tony.

Speaker 25 (07:47):
I'm excited to watch it. I mean, look, I watched
the World Series. I haven't missed the Work Series.

Speaker 2 (07:53):
I'm going back. But you know, football.

Speaker 25 (07:57):
Seasons in full swing, Baseball, worlds, basketball started up again.
I think those people that play.

Speaker 2 (08:03):
Yan I just wanted to say, you know, I'm glad
you're doing this.

Speaker 26 (08:06):
Guy's liking to be in this closet watching sports for
the next forty six days.

Speaker 2 (08:11):
Who won the WNBA?

Speaker 5 (08:12):
Who the nobody gives a shit?

Speaker 19 (08:14):
The New York Storm or whatever they're called.

Speaker 27 (08:16):
That.

Speaker 12 (08:18):
A lot's happened since we've done, you know, a new
show one the and I didn't even realize that the
tribe was inducted into the Rock and.

Speaker 19 (08:27):
Roll Hall of Fame.

Speaker 2 (08:28):
Yes, I didn't even know they.

Speaker 12 (08:29):
I thought they were campaigning again because they got denied
like the last twenty times. But congrats to a tribe
called quest thirty year anniversary of stress thinking of gender.
That is that's kind of crazy because that was It
doesn't feel like thirty years, but nonetheless it is. We've
been putting out a bunch of tip flashback episodes. These

(08:51):
are these are great episodes on the shelf, the cup
would say, but the remastered so the qualities is better.
Some of them are consolidated if their parts one and
two now combine them.

Speaker 2 (09:02):
So we've had the high.

Speaker 12 (09:03):
Road Tribute, we have Atmosphere, we have beat Nuts, Black Thought,
Nods and Jay, we got the Redman interview j Premiere.

Speaker 19 (09:11):
Can I just say this, this is crazy?

Speaker 26 (09:13):
First off, some of these fucking shows combined are like
eleven twelve hours of work.

Speaker 19 (09:19):
What was I thinking? This is insane? How much actual
time these things work. It's just crazy.

Speaker 5 (09:26):
Crazy How you do it?

Speaker 19 (09:27):
No, no, no, no, forget it.

Speaker 26 (09:28):
Back then, in the first the first fifty shows, I
don't know what the hell I was on.

Speaker 19 (09:33):
I was on the medos, I was on the pink cocaine.

Speaker 5 (09:35):
I think it was well, you.

Speaker 19 (09:36):
Know, it's crazy.

Speaker 25 (09:37):
You know what's crazy is that you said thirty years
for Stress Extinction Agenda. We actually interviewed Pharaoh much for
the first time on the twenty fourth anniversary of that album,
So that means that was six years ago and we
just put that out.

Speaker 2 (09:51):
We just remastered just as you believe it.

Speaker 25 (09:54):
Look at that, guys, we've been doing this show for
so long, we're fucking doing.

Speaker 19 (09:57):
We masters now wild. It's like my version of the
box set.

Speaker 3 (10:01):
I gotta just play that.

Speaker 25 (10:03):
Like our first fifty episodes were recorded the Duckdown studios,
but you know, Andre stepped up the equipment in the
recording studios. So now we're starting to come out with
that death Row sound, are we Are we.

Speaker 5 (10:15):
Coming up on seven year anniversary or eight eight?

Speaker 12 (10:19):
No, they were even remember in the sixth November November sixteen.

Speaker 25 (10:26):
My four oh one k is tripled since we started
this shot.

Speaker 12 (10:30):
Yes, well, I don't really have much to say about
this episode because it's complete surprised to me. This is
one of those episodes where Dre's doing all the work.
Every once in a while, he's got to get the
poison out. I know what I'm talking about. It's a
build up and you gotta gotta let those juices, you know,
sizzle on that tissue.

Speaker 2 (10:48):
And this is Andre's episode.

Speaker 25 (10:52):
Hey, Andre, did you pack your unit on the plane.

Speaker 19 (10:54):
No, no, dude, I just did a carry on if
you can believe it. But you know what gave me
this idea. I'll I'm on the train going from Paris
to the south of France. It's a four hour train ride.

Speaker 26 (11:04):
I'm listening some backup shows from way back when, and
I just said, you know what, I've been waiting to
do an episode like this for a while, So let
me break down the thought process behind the show tonight.
So musically, I wanted this to be focused on the
strength of multiple eras in hip hop. So of course
we always do Golden Era second, but you know, to

(11:25):
bring in a little bit of the eighties stuff too
is important. And I don't mean like run DMC, that's
just a really good mix of late eighties into the nineties.
When I was doing Mix one, I really wanted to
just show how important New York hip hop meant to me.
These aren't necessarily the best tracks of New York, but
I wanted to offer something like where we concentrated on

(11:45):
the theme of, you know, the heart and soul of
New York. So the rappers, the producers, they truly make
you fall in love with the sound, you mix them
in a specific sequence, and I'm sorry, there's no way
that you don't feel this. So it gave me goosebumps.
I know you guys are going to feel the same.
So after finishing Mix one, dubbed The East Side, I
had to do something equally as great for the West Coast,

(12:06):
So I dubbed Mixed two the West Side, and that
features some of Cali's top tier elite you know, the artist.
You might not remember the versions that I play, but
let's not forget. This is like a musical journey. I
want everybody to be surprised, so I don't want to
talk about what's on the show. You guys are gonna
totally love it. So speaking about surprises, there's something going

(12:27):
on during the talk break of this episode. Aside from
the music. You know, we had to bring back a
game show theme. You know, I love the skinny mic,
so I wanted you guys to welcome back some special
guests to host this one. And it's hard getting these dudes.
You know, these dudes are hard to fucking lock down.
Let's just say it's the equivalent of like wrangling all

(12:49):
the Wu Tang members for a studio session.

Speaker 19 (12:52):
So buckle up, Episode one fifty five. Gonna be hot,
gonna be funny, that's the important thing, funny. So waite
let them know about it.

Speaker 3 (13:00):
Damn.

Speaker 5 (13:01):
I was thinking that you could just end it right there.

Speaker 19 (13:04):
Oh you want to be irrelevant again and not speak.

Speaker 28 (13:08):
I mean, there's not much else to say after all that,
you know, it's kind of like your lead into the
mix is pretty dead on.

Speaker 2 (13:14):
Yeah, thing I want you want to say?

Speaker 28 (13:16):
One thing I really appreciate is how many songs that
are going to be in this first set that we've
never played before.

Speaker 5 (13:22):
And it's getting to the point where that is a task, and.

Speaker 19 (13:25):
That's a task flicit. That was kind of what I
was saying, like what songs can I play?

Speaker 26 (13:29):
Some of course we have played and versions that I've played,
but there are times when it's like I want to
hear something that's not been on the show fourteen times,
you know, And so that was kind of the That
was the idea behind the sequencing as well. You know,
I wanted things that were just a little bit different
or that people remember but have forgotten about.

Speaker 2 (13:48):
So that's kind of what it was all about.

Speaker 5 (13:51):
Hey we're ready, let's get Hey, we're fired up Dre
surprised us.

Speaker 12 (13:55):
Before we get into the mix, we definitely have to
say rip shut out the ca he is, you know,
it's crazy. On our last episode that we played, the
new music episode, we actually played a new joint off
the COBU called Borrow with Time and that came out
one ironic a few weeks before he passed away, so

(14:16):
uh RP shout out to him.

Speaker 26 (14:17):
And we also played colin the first episode we ever did,
so he's been with us. Clark Kent almost got you
know on that list too. It's this is scary shit.
You know we're too young for this stuff.

Speaker 5 (14:31):
Was that a hoax? That was some bullshit?

Speaker 19 (14:32):
Well now I think he was sick man, it's just sad. Look,
it's it's scary.

Speaker 6 (14:38):
We got to.

Speaker 19 (14:38):
Appreciate the people that are around us. Got to appreciate legends,
Gotta appreciate people in the game. That's it's very very important.
Give those flowers. Don't be afraid to go on someone's
uh social let them know how you feel. I mean,
don't always be a wise ass on on the internet.

Speaker 25 (14:54):
Just be be fucking cool about it. Thanks George, Papa doublas.

Speaker 2 (15:01):
Hey.

Speaker 1 (15:01):
Before we get started. Let me hit you with the
latest promo code for our online store, our biggest one yet.
Enter Fall F A L L and you'll save thirty
percent off your entire order this month. Fall is here,
so make sure you hit up the tip store and
check our latest ball apparel, including a variety of hoodies, hats, sweats,

(15:23):
and crew necks. All right, have enough of roping, Let's
get to the wrapping on with that one. This is
saday of an ode to NYC.

Speaker 2 (15:40):
Yo yollo, what's up?

Speaker 14 (15:41):
This is diamond D representing digging in the crates right here?
Want to take it personal radio? Keep it right there
to best in hip hop night.

Speaker 3 (15:49):
Sadly gotta one sack of mind. It doesn't if he's
us off mine because if you can't do anyone again
with a.

Speaker 8 (15:56):
Yeah, you can hit.

Speaker 3 (15:57):
At one sack mind.

Speaker 20 (16:00):
It doesn't matter if it's Yourns off mine because if
you're getting go.

Speaker 3 (16:04):
When you want to get with him, yeah, you can
hit her. I knew a girl named Sally.

Speaker 23 (16:09):
He plays where he is in saxophone dvenue bag made
or is it?

Speaker 3 (16:12):
When she was a child, her parents had money.

Speaker 16 (16:15):
She was boy of rotten and how Niga has gotten
the worst, she's a professional dum.

Speaker 3 (16:19):
She'll start to switch if a bombing in the edge.

Speaker 16 (16:22):
I watched her grow into a neighborhood gole, ran around
town and every time did get showed quite amusing little because.

Speaker 3 (16:28):
She knows the word tied around that side.

Speaker 16 (16:30):
It was down sweet sixteen twenty one. Get the prices
right and she'll be twice as nice. Just the friends
for man and up and then he cuts you off
when he hits the skins.

Speaker 3 (16:41):
Why you got another one?

Speaker 29 (16:42):
He drops me on?

Speaker 23 (16:43):
Quick up, girl, don't phay dream on.

Speaker 3 (16:45):
Sally got a one track mind.

Speaker 20 (16:47):
It doesn't matter if it's yourns off mine because if.

Speaker 3 (16:50):
You're getting good old when you want to get with her.

Speaker 16 (16:53):
Yeah, See, Sally got a one track mind. It doesn't
matter if it's yours off mine because if.

Speaker 3 (17:00):
You're getting go when you want to get with Yeah.

Speaker 16 (17:04):
Sally's nineteen and nothing has changed on the brown her
lifestyle five see after clubs, sipping all the drink, playing
or something in her girlfriend's mean talking about look at
you looking.

Speaker 23 (17:16):
To yourself doesn't have any loop. But God walks up
and he says hello like so them and the mood
is mellowed.

Speaker 3 (17:23):
They talk for a few.

Speaker 23 (17:24):
She grabs her coat, told her girl friends, don't rock
the boat.

Speaker 16 (17:28):
Her girl friends said, don't go. You just met him
going all along that side. He's gonna let him knock
your boots from the bad to the floor. And sid
he doesn't that she's stilling like a more you know,
the fuck up the Queen of the Suns. He made
a wake up and.

Speaker 3 (17:40):
Soa blunt Sally got a one track farm.

Speaker 20 (17:44):
It doesn't matter if it's yourring soft mine, because if
you can't go when you want to get where, Yeah
you can see.

Speaker 3 (17:51):
Saw the got a one track farm.

Speaker 20 (17:53):
It doesn't matter if it's yourn soft mine because if
you're getting dough when you want to get where.

Speaker 30 (17:59):
Yeah, my behud, my.

Speaker 2 (18:08):
Girl, do that.

Speaker 31 (18:13):
Ron who you're gonna world?

Speaker 3 (18:20):
Yeah it's not right. You get up today to hand.

Speaker 5 (18:27):
Me crying in the night.

Speaker 3 (18:30):
Your man, you can make you try.

Speaker 32 (18:37):
Thirday.

Speaker 13 (18:42):
Who you gonna talk y, gonna do y'all?

Speaker 3 (18:52):
The one is old and you have a son one
you old.

Speaker 23 (18:56):
You don't know which one to blame. There's no shame
in your game. You even know your name from your neighborhood.

Speaker 3 (19:01):
Thing man that.

Speaker 16 (19:03):
Brooklyn Staton Blacket Jamaic it Batalian black tends no bend
to your liste men, and everybody knows how you love
to bend hut.

Speaker 23 (19:11):
Now you need to go there, and you care about
your record, You're still a hobby.

Speaker 3 (19:14):
What you're trying to watch your steps?

Speaker 23 (19:16):
Never been in love, always been in our pretty young game.

Speaker 3 (19:19):
Growing up in in the prodject.

Speaker 16 (19:21):
I remember when you used to play in your little grass,
didn't have breast, didn't have a pertain the slave temperatary
of veins.

Speaker 3 (19:28):
And now you're snacking off for a chicken when you
see Satay. You gotta one track of mind. It doesn't
matter if it's yours on mine, because if you can't
do any money getting good of you kill you say,
gotta one track mind.

Speaker 20 (19:41):
It doesn't matter if it's yours off mine, because you
didn't do any money.

Speaker 2 (19:46):
Get goodder.

Speaker 3 (19:47):
Yeah I.

Speaker 27 (19:58):
Got.

Speaker 3 (20:00):
She don't squaw eatport with a school of fork. But
I heard that people doom like doom like the weak.

(20:22):
This story is funny.

Speaker 33 (20:24):
I met this girl and she had money, invest abundance,
Google gods, I mean redundants. Her eyes were hazel, her
dress was swaying. The boy was nasled. I found her
so fly before the life of me.

Speaker 3 (20:40):
I didn't know why don't like the doom like.

Speaker 2 (21:00):
Now here's what took place?

Speaker 34 (21:02):
We just jam rented those face type of ways to party.
But when you know, winterned out. Sorry, it's so confusing
and sometimes I say it's so amusing. The jam was
okay to Sally walk Icle, just like I said, people
do the way.

Speaker 2 (21:30):
The way.

Speaker 35 (21:58):
My son is different.

Speaker 3 (22:00):
What's this shop with the director?

Speaker 6 (22:02):
While ride in the.

Speaker 3 (22:03):
Train which I one of look to go from my place,
gave her a picture and she was mine.

Speaker 35 (22:10):
I want the picture?

Speaker 3 (22:12):
What's he devoted?

Speaker 36 (22:13):
I was left train and.

Speaker 3 (22:17):
Left the weak. Let the weak. People don't like the
wake sender, I think wrong came from nothing. This man

(22:57):
wrong with pla prope? What looking at that?

Speaker 4 (23:00):
For me?

Speaker 3 (23:06):
That's in the wrong with that as well?

Speaker 2 (23:09):
All right, then tell them about it.

Speaker 35 (23:13):
Vallely, I medle granted, Sally took me to the store.

Speaker 16 (23:16):
If you got me level battle valley in the alley
is the little bit.

Speaker 3 (23:21):
But now now.

Speaker 20 (23:33):
Yeah black attacks, Yeah, sho it up, shock it up
yond now and then break it down and explain why
they called me from Liverpool Techniques is complex.

Speaker 21 (23:46):
The web called me to b l k NT double
way c k on it down the noise representative around
your way problems in.

Speaker 13 (23:52):
Black Attack don't get me sif it's understood.

Speaker 3 (23:54):
Your hood could you will?

Speaker 20 (23:56):
But if they should have played it back one man
Black Attack, attack and train.

Speaker 21 (24:00):
Fast ship, I can't up with diff fast SATs leaped
on this son I represented open tracks up like Carling.

Speaker 3 (24:05):
This is the leave your niggas.

Speaker 13 (24:06):
Down to shoot chest as far as might touch.

Speaker 20 (24:08):
I'm like competitors like touch lasses and by with your
technique to blast you with the buck fifty fingers right
down the minute will pull your heart out full of line.

Speaker 13 (24:16):
Let's get lied out.

Speaker 20 (24:17):
On motherfucking mind spock downs on the regular basis.

Speaker 13 (24:19):
With the tracks like Tiger eighty six, I can.

Speaker 20 (24:21):
Take six the chicken that compelling my Rockefeller like Sean.

Speaker 19 (24:24):
Cardi fras and Black Attack.

Speaker 21 (24:26):
When I'm signing, I'm flipping back and forth facttatically. My
Roale staff started to rhyme mathematically ladically well.

Speaker 3 (24:33):
Like John start going up.

Speaker 37 (24:34):
But there's no way that you could never touch my
stam nigga.

Speaker 21 (24:37):
You could bring the drama I'm making click sick can
pourse walk scarmer we winding back pulls out of Comma
when niggas talk ship, I'm gonna sit back as fox boot.

Speaker 37 (24:45):
Somebody's coming next to me unexpectedly.

Speaker 3 (24:47):
I'm coming through the rear.

Speaker 6 (24:48):
But I got to fit.

Speaker 4 (24:49):
I go.

Speaker 3 (24:49):
She see worthwhile I believe she putting it down for
a being.

Speaker 8 (24:52):
Come strictly for the door.

Speaker 3 (24:53):
Your prom flash, Jo, you got my bag, I said, fact, Dad,
like that what you got that? Stop staying in vert
full of tack? Balls are black sack froll those the
black of.

Speaker 38 (25:04):
Sap sack.

Speaker 37 (25:08):
The most standing verble of sacks, a black chad.

Speaker 3 (25:13):
Problem's a black and sap that most in the ruble
of tack.

Speaker 21 (25:18):
From anywhere, And watch me locked on running forever problems
and black and sack rock on niggas cool whenever we
under the influence the show faked up, squick the jokes
and get cut up like coach six foot Breenie headed
weighing in that too a change picking nigga hide out
my brains, hopping out the range all black test man dogs.

Speaker 3 (25:34):
So you can't know this, It's gonna watch seeming ready
to get you there below this Smith for staff, baby
black and Chack and leave them Nick and little Caw.

Speaker 21 (25:41):
Sow the likeness sounds they heat seeking now honey double
loall like see you gonna shipping it down?

Speaker 3 (25:45):
Bugging now.

Speaker 37 (25:46):
I was on thirty and infinity out.

Speaker 19 (25:48):
Fuck cutting grands.

Speaker 21 (25:49):
I invested socks like killer cave chicken heads coming.

Speaker 8 (25:51):
To see me from friends.

Speaker 21 (25:53):
Run up in your chests like man man August before
the leaths took control.

Speaker 3 (25:56):
Represent my people's winning sign of Rockett.

Speaker 20 (25:59):
Welcome to up Will Chapter one. The day of the
night filled with problems. The aim is not to solve them.
It's honest that might see him. This lesson is the
blessing in the sky.

Speaker 4 (26:06):
He is to understand.

Speaker 13 (26:07):
It's the wies wy tiwn flies back to.

Speaker 20 (26:10):
The top of your hand shine problem. Stop trying to
solve them, understand them. What's your fat with sus Stay
dipped the mark you Cannon Pelly Pelly, full up on
niggas like correllies be in thet winter. Ever seyself was
the rough rapper. Niggas be falling off like hubcaps. I'll
be like fuck that and stick to the rough raps,
getting up claps for my clever raps. Put your nigga
like cross falling off. Never that I got the remedy
for this over crowded in the streets. And we'll wait

(26:31):
with on these pussy niggas out here pretending to be
you all cool, figure out these jacks noble wax tracks
with back craps for and like they got gassed in
these nap sacks. Hold up just the other day, you
want to be abstrapping. Now you're right here raps about smoking, blessing,
busting caps a week past that hot some next ship
fretty directors going on aloud like in an emergency.

Speaker 10 (26:48):
Actually, when I'm found, we'll start.

Speaker 37 (26:54):
I'm well sat.

Speaker 38 (26:59):
That most staying apropal of taxi.

Speaker 6 (27:29):
Liver before in.

Speaker 20 (27:30):
This century hasn't been in em your sid, I say,
this industry that can compromhend with me liver before in
this century has there been in mcr sid, I say
this industry that can countrom here with me in nineteen
ninety five, But I gets horded in ninety seven when
the ras walker but el I started to yell like
the reverend and be streaming on niggas catching the holy
goes to the whole. Now before can the efty licenses
and lack of a found like hope. Now I forget

(27:50):
the liberty foubers to make you stop looking, listen and
raps the religion. Not be preaching publism, properlieve with my
people studying lessons. Why I can now enemcs who commit
sins count they blessed.

Speaker 3 (28:00):
My thoughts be deeper than the scriptures in the gard.
My delivery is.

Speaker 13 (28:03):
Explosive, like by your arms and crooked norm.

Speaker 6 (28:05):
It's never before in this city.

Speaker 13 (28:07):
He has been in them see your sit update this industry.

Speaker 20 (28:09):
If I can comprehend with me, and that's the reason
they call me problems, it's harder than granted to understand it.
The pore niggas can suffer, float and be businsscribe its
slippery for my delivery be agonized like misery. If I'm
excessively and endlessly because I'm sentistom like for rap like
convics of the penitentiary.

Speaker 3 (28:27):
Consent.

Speaker 10 (28:28):
Yeah, I'll flow on tracks to let you know what's.

Speaker 20 (28:38):
Up the f to the peak, keeping the corrupt, waking up,
bringing the morning for the taste to smoke.

Speaker 3 (28:44):
I'm not making moves to tops some choke.

Speaker 16 (28:47):
I head up time where oh my peeps get down,
travel and downlow through the underground. Many stoes to toe
the many dreams to soak, so I stay away, carry
in that heavy load, ready to explode with Eve inside
exposed in the rhyme through every line, take a trip
been the mind getting lost in the thought escape being
the burst, so I won't get caught the sketches presenting

(29:08):
it all.

Speaker 3 (29:09):
This is to go look at you while I let
it take you express lived.

Speaker 16 (29:12):
Go based on the true story. Everything's real. Now fix
the trans faces on the rail, the real to that,
the that.

Speaker 3 (29:21):
To that, come back about the pigeon.

Speaker 39 (29:24):
With that said one for the smoking two four and
a half like represent the big execut the cash?

Speaker 3 (29:43):
Now, son, how we do this? Fun up the lent?

Speaker 21 (29:46):
This put a billion up? Enough at the nothing of
my poking. You stop selling fresh, selling Nico packs and
Sean Black and twenty backs of Black Attack.

Speaker 3 (29:54):
You were spoken, but the playbook major Stop that now.

Speaker 21 (29:56):
Now I see your bow that had friends from with
sent and the copass So who got why the house.

Speaker 3 (30:00):
To roll up this fu?

Speaker 15 (30:01):
Wait on?

Speaker 21 (30:02):
You got to hell this flack of sack real soul designs, frash,
I'm lethal, I'm rubbing this sport. My lifercal texting blows
your chests up don't know. That's how choking work is
ball if rat was a sandwich, I feed the vegas
and onch ben sweetly hand no he yo, all the
black niggs. I think they broke out because before I
hit the elk, broke the smoke gap. Listen, op, thanks
to recognized when my break is fucking like eyes.

Speaker 3 (30:23):
From puffing live Fly Fly Fly. I'm representing this.

Speaker 39 (30:30):
Fore my peeps only up on the flames who know
the difference between their butters and that fake pokad. It's
that hell make the stress, that sop flo if you
do smoking, Dobbin Thomas, let you know I wasn't fronting
before and being about to start look for the s
op sticker trading Mark Giff is up in your spot.
You know that it's if not break out and tell
all your people string all this time that they need

(30:52):
to stop. I really think black stress. I never gave
them prop. I tossed their taping, their power mark fake
plus that black smoke. You had gave me a talking
from my hot telling me them list and your problems.
Now I'm asking why, oh why is they even trying
to front on me?

Speaker 2 (31:08):
Rest up town.

Speaker 39 (31:09):
I'll go with us Sha present distress as I who
say it's talking about it. That's nice in your still
having made m ro with us sho.

Speaker 3 (31:23):
Back to back to back, come by.

Speaker 40 (31:26):
Dup ninety five sures two thousands of.

Speaker 3 (31:34):
Mind and we're walking through the ghetto and the filling
is fine.

Speaker 41 (31:37):
Ninety five is yours two thousand in his mind, and
we're walking through together. When the filling is fine, I
wake up. But thank the Lord for the day. God
bless the debt.

Speaker 27 (31:47):
Yo.

Speaker 41 (31:47):
We came a long way, but it just don't know
how ship got to go get you get wake it
from from the eating, how we go up on the
snow yoke war the old folks pack singing you to
get kick wake gepply ass wrapped before my niggas I
never see again three hundred and sixty degrees that the
world's still We've all probably still lung fock for my face.
It's still lingard. Listen to me, bad boys, if you

(32:09):
think you're fly noth again for your job handling your
b I ninety five is your two thousand, it's mine.

Speaker 40 (32:17):
Yet you I'm a bagine and none can even step
to me. I just performed on that ass like an assembly.

Speaker 3 (32:27):
So what's up.

Speaker 40 (32:28):
I'm kicking down doors. It's leaving your sword from my littery.
Youre that's how I get. And Mike's a ripped bullets.
I used to assert in my clipt shit, I'm goost
have shot you your head. I never business leaving motherfucker's dad.

Speaker 24 (32:49):
Ninety five yours.

Speaker 41 (32:50):
Too, thousand, it's mine, and we're walking through together when
the filling is fine.

Speaker 3 (32:54):
Ninety five it's yours. Two thousand is mine, and we're
walking to the five. You'll bring self us when I'm
over with the rough touch.

Speaker 40 (33:03):
I'm on this that step buck get fucked up next
to stop buck while I'm living try beat beside show.

Speaker 37 (33:10):
I kill a fucking mic I pride my micro bow.

Speaker 3 (33:13):
Let's start killing niggas. I'm busting out rob I'm not
throwing triggers.

Speaker 8 (33:17):
I'm like a brown.

Speaker 3 (33:18):
I'm smoking my victims at night. I'll leave a bloody
sight when I get up sight.

Speaker 15 (33:22):
Yeah.

Speaker 3 (33:23):
So now that you know the gangs star posses.

Speaker 16 (33:26):
Beget man Joe Yo back sound way too, and.

Speaker 3 (33:29):
The filling is five ninety five is yours? Two thousand
is mine, honey.

Speaker 41 (33:38):
I'm all ninety five south smoking lou with my niggas
my dreams of success, money kits and laying out the
mass that play nine, the sap brand checking the poor
won't be poor and the miitual ship my name, No,
that fel of freaking over the Let your son, let
Michell concentrate in the bill catt These nags only fake
trying nickill Lee right, you'll survive for limp effecting.

Speaker 3 (33:59):
Yes we all know that.

Speaker 2 (34:00):
Yo.

Speaker 41 (34:01):
We come men beats, but they get caught. They got
the habit, myo, what brings the habit? Your starting this
that of yo? Down in South we do We're caught
the filling his fine ninety five big cards to thousand
his mind janteinge wine yo, little die from the.

Speaker 42 (34:16):
Games South found Bak and your lessens the quickly curson
full of play.

Speaker 25 (34:21):
Catalog and details ahead.

Speaker 3 (34:27):
This is the nut crack. You know what I'm saying.
I got one man, little track. I'm a man Google
from Kate Storm. What my man?

Speaker 8 (34:33):
If you get the meal on.

Speaker 3 (34:34):
The tracks to step back and hold your head of
putting this the legacy a street outage nine miss.

Speaker 43 (34:43):
Once again it's the gang from the group on which
out we do wrong. Little Nigga's blacking out on your
ass in the news zone, using new clones to settle
Beef and Copper new home. The real SI History's trying
to sell this victory. Mastermind went up a kind. That's
why the chicks stick to me. To stick to me
the way my voice smuts the track giving MC's fifty.

Speaker 3 (34:59):
Las putting wealth of the back.

Speaker 43 (35:01):
While you're talking all that, I'm exact for the rule
to plotting on. You wear those because most of the
you'all are fail groupers. Throw you some panties for your
feminine side of flipping on. You fuck my gentlemen's side
getting bent, and then ride straight to where you rest
vigilant shots thunder going straight through your vest with so
much anger. But yet you thought you knew me best.
We live a legacy and you're all thankful.

Speaker 3 (35:20):
To be blessed, to be blessed, to be blessed.

Speaker 44 (35:24):
Superio also just rewards to assure you floos your face punishment.

Speaker 3 (35:29):
You want to infiltrate the premises your presidents. We live
a legacy real leggas well.

Speaker 21 (35:33):
Remember our superia are also just robnient rewards.

Speaker 43 (35:37):
Assuring they fooish your face punishment.

Speaker 31 (35:41):
The damn him.

Speaker 41 (35:43):
See, love is stronger then priding our niggas open your
eyes and drop with jew on. These niggas think that
they fly. The sounds from the street make me bright
and unique. It's a little bit, but not get dead
as to give me my legacy for itself from them
vibe and big niggas can dissing. You're trying to kick
my ass out of prison filled where that in the
streets you know ju drill, you know the deal, but
not the fact they got a pack steal back in

(36:04):
the days. And even act like that you can get slapped.
You act to know somebody's where reflac. My legacy is
long fight in that you're a leg John to just
be gone bombing two together with bombs niggas.

Speaker 35 (36:14):
Watch out and he heard the horns from pop nom.

Speaker 41 (36:16):
Sac of fight my arms just for the game of
hip hop to what should be for lead or not
a fallow but checking out the legacy baby, no doubt
no All.

Speaker 44 (36:25):
Soldiers rewards a sure your face punishment one of infiltrait
for Thomas says your prejudice.

Speaker 3 (36:32):
We live a legacy.

Speaker 37 (36:33):
Real niggas will remember here are also just on abnion.

Speaker 43 (36:37):
Rewards are shuring infrucial face punishment one of infiltrate for
thumbisensial prejudice.

Speaker 3 (36:42):
We live a legacy. Real niggas will remember our soul.
It's all you have to say.

Speaker 43 (36:47):
Because your bitch chess can't come back, come out the way.
This form of hip hop drift drops constantly from my mind.

Speaker 3 (36:52):
To the watch.

Speaker 43 (36:53):
Spiritual kinetic energy can't turn me off and on with
a lover tooth clever a crew seven. Never woman say
that she was washed up now forever, I'm boring the
royal blood, the legacy we.

Speaker 3 (37:04):
Trend sat yo.

Speaker 10 (37:04):
You know me, me and my Easter your bropresented.

Speaker 41 (37:07):
This battle was God just because niggas know who we are.
Remember back in the days when the clubs use the
rock co leadership been strong bomb and how you're shooking
the maids because he's what the days cook in. Either
way you will change or why he flames by the
pit with my brain, So check my undertoe watching something
that something.

Speaker 3 (37:21):
Y'all with me the nut cracker and we're on to go.

Speaker 44 (37:24):
The all soldiers rewards are sure he brush your face
punishment you wander here, we'll.

Speaker 3 (37:31):
Track the comis s's your presidente.

Speaker 44 (37:32):
We live a legacy real legas will remember our shuperia
also just orbion rewards are sure and bruish your face punishment.

Speaker 31 (37:42):
Holding damn, holding damn, damn, holding damn.

Speaker 45 (38:05):
I'm still be deceived by the visual, physical press, pure
pack and the back to medicals. Be in the in
the nails down well, analyze my rewards for the day wore,
pull up the treadles, saw the way beyond. I am
the the tamint towards for now playing. I'm scocated soul
passively and those of egos, but Uncle's rent the store.

Speaker 24 (38:24):
Send my heart girls to the team.

Speaker 2 (38:26):
Lame game, Wayne j. M.

Speaker 3 (38:27):
Sees can't post these and shake jumps like frieze. I
hold the gas to drive you.

Speaker 43 (38:32):
Got to provide you with the red gems and had
my claim my throat the flips. The architects said, I
think the blueprints to get the game revolutions sucker retrusion
with the future ron solid like set man in my
musical solution stack and concrete flows.

Speaker 15 (38:45):
Look out for.

Speaker 43 (38:56):
Rod skin all up in your grill like freckles. Most
damn seeds couldn't see with five foot spectacles. There's no
protecting you with will, just some fucking you you take
a look into the site for your.

Speaker 3 (39:07):
Jerky am on you'll sow I'm turning all my ripers
and I can see clearly down.

Speaker 43 (39:13):
No other rapper is near me now and all your
perpetrator and FEI.

Speaker 45 (39:17):
That the close on illness coins out with the visdom
like I did with so respect of protectulish division rock
written to we hidden like and I so on conditions
rapping this edition, bringing the feminine conditions and reinform to
find this out the norm for my pedigrees and skillfully
like re sixty degrees. That's a well rounded Then the
competition dumb down before when I catch you ready understand.

Speaker 31 (39:45):
The less.

Speaker 43 (39:53):
Of protect the floor, the ceiling constantly builders with power
to construct powers of rock.

Speaker 3 (40:04):
Cream kids, what you dreaming?

Speaker 43 (40:05):
Your levelcal physical, mystical, your concests mediocre, plus your way
too typical with your corny delivery and crazy wack voice,
mad corny image.

Speaker 15 (40:14):
That's why did you do this?

Speaker 43 (40:15):
It figures I'd have to dust you off the school
like a wise guy with't my New York glad.

Speaker 45 (40:20):
Lives and I supply for the fire nucle out my
state from state to state, New Urbs beat almost.

Speaker 2 (40:25):
That I could set top blocks.

Speaker 46 (40:26):
And a like seventy hoppponents can never tell me sample
of a style like the car it's my fifties.

Speaker 45 (40:30):
Still can't get with me? Writ this verbal click like
the clonic comes up, the phonics like the phil harmonics.

Speaker 13 (40:35):
I demage melodics.

Speaker 19 (40:37):
It's crazy, like the.

Speaker 37 (40:38):
Crucifix some place.

Speaker 13 (40:39):
Muhammad a'mungs the top ten of them from.

Speaker 2 (40:41):
Us Thomas.

Speaker 4 (40:45):
Stumble thumb stars.

Speaker 15 (41:03):
Yeah, New York's never ending, always New York.

Speaker 7 (41:11):
No DA, New York City, York.

Speaker 2 (41:17):
Y'all, y, you know what I'm saying.

Speaker 22 (41:21):
White at.

Speaker 7 (41:24):
New York, New York, New York City, Lo York, New York.

Speaker 47 (41:43):
What's the prona bron lay the scene of resets you
see stress sweets a matter of life and death. No
regressed life to test, trife with bestial effects. Neighborhoods full
of rests, cities of projects where your desk is right
from the best and comrades to quest to be the
next to the neest, collect death, select best for depth,
breast off Jack Cheeddar, better your toe net the trends,

(42:05):
it said the waist of his breast and out fens.
Friends get west, trying to make ends connect avenue to
check the bull, the balls, sweat, the smell of gud smoke,
small coming. The cigarettes. We got clicks, but reck were
like pittsp forh pests. We got Johnson Jackson, nicks, Jackson
mess We like much respect sex, extra west and high
check dialect.

Speaker 8 (42:25):
You ain't catch yet the rocks.

Speaker 3 (42:30):
Don't.

Speaker 47 (42:37):
We got blocks and blocks of big shots were big nos,
some big props.

Speaker 2 (42:40):
Yo.

Speaker 47 (42:41):
This is where the horse shit stopped, where hers gets
got the snitch. You get shot, We get down and
lead the town in the state of shot. We got dangelus,
hangout spots and slick coops. Place called rackas island where
kids getting locked. A lot of get in the rock,
blocks of clothes shops, staff of chop knos. This is
the place the pots and blast the box of You
know the station is hot. He's your mind standing in

(43:02):
that skylines from roof top flip swept the chill. If
you web sawf the lot pretty fall of shot. Politic
with thick plots and up guarding the niggas a seeing
We got to make sure the court of the big
guy food.

Speaker 3 (43:14):
No block well sins.

Speaker 2 (43:15):
Believe it.

Speaker 3 (43:16):
We'll be achieving a lot with this Josh created hip hop.

Speaker 19 (43:19):
Check it out.

Speaker 2 (43:24):
Those daf.

Speaker 7 (43:29):
Those daff.

Speaker 48 (43:32):
York City, York, York, Yo.

Speaker 47 (43:40):
We got five barrels ghetto from many places to meet
you get lost the busy streets, the city that never sleeps.
Methape on madeena, the population increase, the desert in the
oasis New York to fall east with guards and sheeks,
pretty Eva sauce for weeks playing dawns, the fleet of
the families, black sheets our cause, tatists.

Speaker 3 (43:58):
Will be you'll act unique.

Speaker 47 (44:00):
He got stats to be so we all have to
ink a massive piece with They don't masterpiece the crabs
e leaite. We'll be going past the peak. The latest technique,
no whether place. Get asked me, who pox really? Some
of the world's greatest athletes t j s in them,
seize it for TD Yartis, who used wars Is Subway
trains from Markis, We go back to be boys. Break there,

(44:20):
some break peace, and there will never ceason. Knowing that
no mistake Piece New York, No dab.

Speaker 7 (44:30):
New York, No dab your pity.

Speaker 15 (44:38):
York, New York, New York.

Speaker 3 (44:49):
Dat's baby already know where that isn't going After Lady
A the Martin.

Speaker 2 (45:12):
Cafe.

Speaker 15 (45:21):
It's all.

Speaker 16 (45:25):
Kids, yeah, Bucktown, Rocktown, New York. Giant dance when I
touchdown subway.

Speaker 37 (45:31):
Killer color for a name, study right under the.

Speaker 16 (45:34):
King from Saint James, birth place of the call for
prolonged Big Homie shot turname by the Young New School.
Of course I do my thing though from a rock
box and the black Tango New Air Forces or the
Chuck cheese Chuck jewelry laying on the white teams foods
shot me tangled, let me find out, put a perm
on that, straighten it right out.

Speaker 3 (45:56):
Only city you would sell nicks.

Speaker 16 (45:58):
Get your bellt rapped from shake he smith. Then learn
something from the South Bronx teacher. It's all self pies,
not raised pizza up a morek the Walker name, bring girls.

Speaker 15 (46:09):
From the South to North.

Speaker 3 (46:10):
What else?

Speaker 8 (46:12):
That's how I do want to.

Speaker 16 (46:17):
Fresh to death on the him A piece lay across
the chest. What else selim laid to rest from them?
Been a few years through the Coca way. Nowadays you
can find me round lo so s Way.

Speaker 3 (46:30):
You beat throw rotten and you two.

Speaker 16 (46:32):
Smooth more than likely because they're gonna reminisce over you
all a w and nothing here soft, dirty black trunks,
white airs off off.

Speaker 6 (46:41):
For one we all steam reeth.

Speaker 16 (46:43):
For patch over the pimasa Andy's Sunday. I'll see the
black moon of the bad boy, lick it up, coming
back so forever, I'm thinks the rapping that's that's when
them boys rapp can't study like that. Eight million stories
still here truth, this is where they very canna fit.
Sit the move ten k you on that constant line

(47:03):
and sing king rocking that Yankee sign.

Speaker 13 (47:06):
Hamalk the mark name, bring beils from.

Speaker 15 (47:09):
The south to north.

Speaker 2 (47:10):
What else?

Speaker 3 (47:12):
That's how I do want to.

Speaker 15 (47:16):
Fresh the depth arm and him a piece lay across
the chest.

Speaker 4 (47:20):
What else?

Speaker 15 (47:21):
Still them late the rest of the.

Speaker 3 (47:26):
Bridge, the bridge, the bridge, New York. Chet love where I.

Speaker 16 (47:30):
Live, ride ruff standing up to them guns, but don't
want to do that without a big gun. Followers try
to crush your buildings with.

Speaker 6 (47:38):
Two quarters in the tree.

Speaker 16 (47:39):
Make millions real, recognized real from the face down around
his partner to shake down. If murder was the case,
hopefully we ain't out murdering the race with a hot waist.

Speaker 20 (47:51):
I hate to sing l street glues. Follow the leader
of the new schools. I walk the mark name, bring.

Speaker 15 (47:58):
Bells from the South to what else. That's how I
do want to fresh the devil, calling him a piece
of play.

Speaker 6 (48:09):
A corpor chest what else?

Speaker 15 (48:12):
The wrest from the America America Special.

Speaker 43 (48:35):
It doesn't make sense for you to compete against it.
You five to get your whole body sense. Calm down,
listen to a brother who knows. Because the rappers out
here come up with mad different types of flows. Switch up,
change up, yo, pull the range up, so we can
build on this ship for real.

Speaker 3 (48:50):
That's how we came up.

Speaker 43 (48:51):
Used to ride the subway trains back and forth. Now
and push he class for you zero. Of course, still
material gains make one more aware of all the madness
and the civil rest that's out here. I doubt that
it's any place more complex. You could get lost in
the sauce New York. I have you back trews next
to get served. Herbs are getting knocked off, burning flammable rappers.
It's how I get my rocks off of poppy. It's

(49:12):
hop off as if you were a bottle let our
brin fluid. You're better off playing a lot up right lights,
big city in the dark alley ways, New York.

Speaker 3 (49:19):
We get the money all day every year. If you
can make it out here, you can make it anywhere.

Speaker 43 (49:34):
That means a lot of rappers they should stay away
from here because we still care about the total art form.
Niggas himself on records, but they still can't flip the
live for him. Let's everybody out here and talking true
shit either, Mad Niggas is faking Jackson. I don't like
them neither, but the competition keeps me off point. That's
why I'm land in the studio composed of fresh news
joints from the streets with Dina Manhattan, stanton Ela, and

(49:55):
the struggle continues.

Speaker 3 (49:56):
Everybody wants to.

Speaker 43 (49:57):
Be on the rat race makes this light down, fast
faced love to the day's a fast.

Speaker 3 (50:02):
You may screw face me all you want, but I'm
used to it.

Speaker 8 (50:05):
I never give up repping New York.

Speaker 43 (50:07):
Come true to it from forty dudes, The Queen's back
to East New Yey. We're taking no shorts, so plus
we're showing no pity right likes big city in the
dark alley ways New York.

Speaker 3 (50:16):
We hit the money all day. Every day.

Speaker 43 (50:39):
You get vents, up sets, up creek without a paddle.
You want a battle, Well, I live in New York.
So think twice, blink twice. Now you're rolling in. Lincoln's
gone coming to this rap game. If you don't for long,
you won't be on before a minute. Anyway. You're just
a scavenger. You don't live this life every day. Rappist regional.
So you can check the demographics. Everybody represent where they
live because it is raps. The confusion while I'm giving

(51:01):
rappers conclusions and people don't realize that real hip hop
is losing.

Speaker 3 (51:05):
They want to shut us down. And I say, shut up, clown,
because New York is to corrupting, too tough to lay
down and just quit.

Speaker 43 (51:11):
Because he sees out here kid, serious lyrics and I
come to you with my infinite spirit, not taking nothing
from your hood of yourself. But gang Star could be
a threat, and New York we rap. That's where it
comes from. That's why you're feeling it. So I suppress it.
I'd rather be revealing it right like this big city
and dark alley wits New York.

Speaker 3 (51:29):
We get the money all day every day.

Speaker 8 (51:52):
I'm your ship back to the back.

Speaker 3 (51:54):
I'm New York Ship. I'm gonna New York ship for
the shots.

Speaker 7 (51:59):
Some new your ship, my new.

Speaker 49 (52:02):
York ship, riding on the chain of my yall ship,
burning in the club for my Yuk y'all ship, raised
out my mouth for my yard ship.

Speaker 3 (52:11):
I want my New York ship.

Speaker 11 (52:12):
Got the world fill up in the New York script,
hustle with Timson hoodies on my New York Flipper brandstacks
money with my New York click.

Speaker 3 (52:20):
Yeah, I want my New York ship.

Speaker 11 (52:22):
I brought the giants jets, New York Knicks, telling man
clothing with my New York stitch, my check backness on.
You see my New York pits jip. I'm on my
New York ship. You niggas know we deserved the props.

Speaker 6 (52:33):
We kid right.

Speaker 11 (52:34):
It's up in the Queen Jump in my New York
Twip International Chick. It's on my New York Dick hit.
I want my New York ship.

Speaker 2 (52:41):
See how I.

Speaker 11 (52:42):
Came up with my New York spit thanks to the brothers,
now my New York prich the way your father plug
with my New.

Speaker 3 (52:48):
York kids, and you bro know you understand that right now.

Speaker 50 (52:53):
Right didn't get it, didn't get it ship. I'm gonna know,
y'all ship free.

Speaker 29 (53:06):
I'm gonna do yr ship don't you know j Rather Larry,
I'm gonna.

Speaker 37 (53:09):
New y'all ship now, screw master Flex, I'm ana new.

Speaker 49 (53:12):
Y'all ship ship. I'm wanna new y'all ship. I cheat,
I'm gonna new y'all ship, big turn. I'm a new
y'all ships a chaim master Jack, I'm gonna know y'all ship, Hippy.

Speaker 11 (53:23):
These in direct niggas standing on the corners, God bill
of five percent lessons, got nigga crack here in the hand.
Niggas on the hustle with bella while the thieves God
can late them selling self.

Speaker 3 (53:32):
Druk right in front of the deli. Pat don't know
what we're doing. Then, while we puzzle in the corner,
be brewing.

Speaker 11 (53:36):
Introduce you to the new walk nigga and the new
talk nigga. That's how we put over your New York niggah.

Speaker 16 (54:01):
New York niggas. You universal unique and the ain't nothing
sweet in the streets. We gotta eat New York niggas
every borrow with stubble making moves today and then tomorrow.

Speaker 3 (54:10):
Slay my friend.

Speaker 43 (54:11):
But excellence, eloquence and reverence you can't compete.

Speaker 16 (54:14):
So I suggest you lamp or meet defeat at the
feet of my elite fleet.

Speaker 13 (54:18):
I mistreat these feats like holes and put.

Speaker 43 (54:20):
Them in the street like seven hoodlams in a cheap
I creep up on you. No, I'm the California high
and bald funny performers because the actors like Leonardo the
Cap y'all make me want to put the other smike.
Walk up, slap your y'all, and tap you, y'all and
take you out of your misery. Don't never front the
road for this, bitches, think and your this and me.
New York niggas, you universal unique and they ain't nothing

(54:41):
sweet in the streets.

Speaker 3 (54:43):
We gotta eat New York niggas. Every borrow with.

Speaker 43 (54:46):
Stubble may get moves today and once again sun tomorrow.

Speaker 3 (54:49):
New York niggas, you universal.

Speaker 16 (54:52):
Unique, and the ain't nothing sweet in the streets. We
gotta eat New York niggas.

Speaker 43 (54:56):
Gonna went out for the loop, and most won't hesitates
to clocking.

Speaker 16 (55:00):
Shoot Jim, give it, give it, give.

Speaker 24 (55:07):
Give, give, give, give, give.

Speaker 3 (55:18):
Give y'all.

Speaker 6 (55:24):
I got deeper.

Speaker 3 (55:25):
You're much weaker. I crush speakers.

Speaker 43 (55:27):
See enough heat is here in New YETI that's where
it's brimy and greedy, where the frank nady got strippers
showing their teddies, poojeo holes acting sinniti, and every spot
got its own ghetto liquor stares on all the corners,
plus drugs, guns with ammo. No examples set for thugs
in the projects, only examples. They can't decide to unload
the tech out for respect, props and dough to collect

(55:50):
the root of it.

Speaker 3 (55:50):
On yo, is you need lut wao.

Speaker 43 (55:52):
With my back's against the warrior, I'm gonna bang you
to your fall y'all slag slash up of fifty niggas shifty,
gonna have to send more your goons out to get me.

Speaker 3 (56:01):
How could you compare this sit with.

Speaker 43 (56:03):
That weak shit there work till my manson said, We'll
make you travel a fear like apparitions.

Speaker 3 (56:08):
I appear and.

Speaker 43 (56:09):
Disappear New York in the house, So suckers play the
fucking rid New York niggas universal unique and ain't nothing
sweet in the streets.

Speaker 3 (56:17):
We gotta eat New York niggas.

Speaker 43 (56:19):
Every borrow was stubble making moves today and once again
son tomorrow.

Speaker 3 (56:24):
Ay attention or getting placed.

Speaker 43 (56:26):
On suspension situations You're gonna face beyond your comprehension. You'll
be like, why is all these niggas after me? Waym
Shit's creek, that's where your ass will be. Actually, you
brought the shit all on yourself. Now they see me
all on your wealth. Future house's in danger simply because
anger got niggas looking at hand. You are straight rearranger.

(56:47):
You better hold your head, you better hide your red
because these niggas ain't playing. They're leaving all victims dead.
They labeled you as their next target. See you was fronting,
acting like you was the hardest regardless. You know, the
meiggas is hundred y'all, and they ain't ship fun of y'all.
They want respecting money, y'all.

Speaker 16 (57:04):
We know leiggas universal, unique and ain't nothing sweet in
the streets. We gotta eat we dog biggas every bottle
and stuff. Make it moves today and then to Mavo,
to Mavo.

Speaker 15 (57:16):
That's right, Brook the California, New York City.

Speaker 27 (57:21):
Now now.

Speaker 16 (57:34):
Time how gore blacr connection thing.

Speaker 6 (57:43):
I beat the popent, I hop it open the ship
calling back.

Speaker 3 (57:48):
I beat the op over.

Speaker 16 (57:49):
They yelled to bring carbonizer woman, but they never regret about.

Speaker 3 (57:53):
What they get, the cool one, the fool one if.

Speaker 16 (57:56):
For half under them though, Lord, have been bought stuff.

Speaker 3 (57:59):
That's the stuff that fake a safety.

Speaker 24 (58:01):
Who last me roper saying something?

Speaker 3 (58:02):
And I look back and see who keep him jumping?
Watch your mind?

Speaker 16 (58:05):
Sure you've got that dasht like angela baskets amot.

Speaker 15 (58:08):
You just let me bash it, let me crash and
crush it.

Speaker 16 (58:11):
Just wall of touching you and flushing with my tongue,
licks and sticks to deck. Alright, chicks with me, they come,
get with me, and then come and get me and
then bit you want to hit me down where you
bount your.

Speaker 24 (58:21):
Partner, I'll take care of partner.

Speaker 13 (58:23):
Some big hats that you can't hold his sacks like that, y'all.

Speaker 6 (58:26):
Can break black shake soldiers.

Speaker 16 (58:28):
They right, and they playing for my feet. Back figures
rushing to break my yaw with ship. They always flew
it because they know your draws.

Speaker 24 (58:34):
And ship crash figures.

Speaker 3 (58:36):
Man rake figures, big hat.

Speaker 38 (58:41):
Like them.

Speaker 2 (58:42):
And y'all, y'all, what's good?

Speaker 37 (58:43):
This is psycho bless and chilling my head listening to
take it personal.

Speaker 4 (58:48):
Ha ha ha ha, y'all yo, y'all, it's the great
out to rig the artist formerly known as fashion Man.

Speaker 6 (58:54):
You're listening to taking personal radio loving it.

Speaker 31 (58:57):
Less snack that's an exact joint right there too, and
lesson is nice.

Speaker 2 (59:07):
That's pretty the taking person.

Speaker 8 (59:09):
No, motherfuckers, let's go go go stuff in.

Speaker 47 (59:13):
My product in balloons for swallowing and more in it,
transporting it through out of detectives.

Speaker 8 (59:18):
Don't spile them on coach clear. They come to East
Coast and South ofm.

Speaker 47 (59:21):
Afica as a team known for doing there clean as
over the Bibles while you eating dinner, trying to reach
or your pistols us up eat dinner at this you
need practice.

Speaker 8 (59:32):
My label put them on the table for me to
whack it.

Speaker 47 (59:34):
I wack the bodybagger trunk daily routine. My product bring new.

Speaker 8 (59:40):
Fiends from other areast.

Speaker 47 (59:42):
My boon starts spreading like black tilias.

Speaker 8 (59:44):
Yeah, fuck rubber gloving it. My peeps is loving it.
Niggas is taping it, h dumping it.

Speaker 47 (59:50):
I give it to your raw out the speaker while
you indoors like a fucking house keeper.

Speaker 27 (59:55):
Justin.

Speaker 47 (59:56):
I'll be outdoors hustling, track gambling, scrambling my doses like eggs.
Niggas don't make what you do. I break legs, snap
next shot up, text back to high rest and we
possess your fucking legs.

Speaker 8 (01:00:09):
Yea ware, fuck my.

Speaker 43 (01:00:10):
Hoot man, Yo, you don't understand and t road undoubtedly
technique shot to let it be known, mics torching them
seas went to sec my zone.

Speaker 13 (01:00:20):
It's to be a drinking cuban Lincoln money think.

Speaker 43 (01:00:22):
Us, please do joy ride, homocide, body, shake up, murder
when I slip into his severy of molde as a
ride to terror rides every over your.

Speaker 3 (01:00:30):
Cold junk yard like a cook in the night. I
want mind to take minds.

Speaker 19 (01:00:34):
Dressed in black holding a mic.

Speaker 43 (01:00:36):
Now, now give me my loop and don't stormy excuse
me just for me to a nigga.

Speaker 3 (01:00:40):
Don't try to reassure me.

Speaker 8 (01:00:41):
Here's a plan.

Speaker 24 (01:00:42):
You need to have my money on hand.

Speaker 4 (01:00:44):
If you don't, then you're gonna die where you're staying, surprise.

Speaker 43 (01:00:47):
I'm never letting ship slide by a nigga. Either you
gonna come correct or you die.

Speaker 4 (01:00:52):
So if you owe me money, better find that shit,
cause niggas will die quick.

Speaker 24 (01:00:56):
Behind that shit.

Speaker 3 (01:00:57):
If you owed me money, you got to find that ship.

Speaker 51 (01:01:00):
Niggas will die quick behind that If you owe.

Speaker 3 (01:01:03):
Me money, you better find that ship.

Speaker 16 (01:01:05):
Cause niggas will die quick behind that shit.

Speaker 43 (01:01:07):
It's the hard little pison packet money stack and super
down low, never no honeymock and scared, never catching cases
or whatever. Cleverly we're keeping the block, sewing together. React
like a yat await a lose dings.

Speaker 24 (01:01:21):
Up because I ain't never sow, no drugs.

Speaker 3 (01:01:23):
And no stranger.

Speaker 24 (01:01:24):
It'll be a ranger of beats and base lines.

Speaker 3 (01:01:26):
It's hardcore keeping the raw.

Speaker 47 (01:01:28):
Hey, God, m ypde looking for me, knocking that one.
Get nobody home, Ask my nighbor. Nobody know where I man,
where I be, what I'm doing, How I'm leving, lemo
drepping women, scrolling up.

Speaker 8 (01:01:40):
My stacks, coming struck. I ain't having it. You see
that fat link on your neck.

Speaker 47 (01:01:44):
I'm grabbing if the clock's chicken and I'm a time
that shiit. You got twenty four powers to find that ship.
Hey yo, if you owe me money, better find that
shit because bitch is dying too behind that ship.

Speaker 24 (01:01:56):
If you owe me money, better find that ship. Niggas
is dying quick that ship. If you owe me money,
better upon that ship. The things is don quick that ship.
If you owe me money better upon that ship.

Speaker 43 (01:02:09):
Thiggas is done quick that ship, if you owe me
money better upon that ship?

Speaker 25 (01:02:15):
Quick that ship.

Speaker 2 (01:02:19):
Quick.

Speaker 6 (01:02:21):
I know you're taking this type of ship. You are
fucking on the mic hee.

Speaker 28 (01:02:29):
Was it was?

Speaker 3 (01:02:37):
It was, but so Stoughts.

Speaker 4 (01:02:39):
When I walk down the Locke reach in my pocket,
Yo with myncket follows me to the spot, compelling go
check the thread and yes, he serve selling.

Speaker 6 (01:02:48):
I've been out of the gate. I'm a potential.

Speaker 4 (01:02:50):
Selling something selling like I ain't even telling Channel one two,
I'm smashing the laws. Channel three, I make a run
to the store. Channel four like this going with the
Philly plus ah spock is something come off the channel live.

Speaker 6 (01:03:03):
Wake up in the morning.

Speaker 16 (01:03:05):
Got the yunif herb which this is something else men
divorced birds and affectives.

Speaker 32 (01:03:09):
He the magic hit when I'm pickets on the flavored
bags and says for the pickets.

Speaker 35 (01:03:14):
So the the is the.

Speaker 20 (01:03:15):
Mesics start stop, Ohwaiian win a round it.

Speaker 3 (01:03:17):
But so where's the chocolate's high?

Speaker 16 (01:03:20):
Now the high start to settle to give fat lypris
that russ like heavy metal.

Speaker 4 (01:03:24):
I'm coming out of it.

Speaker 6 (01:03:25):
Us with us to the bus.

Speaker 4 (01:03:26):
See when I speak big Matt, hello and mummy like
Sehn Lennon, Yes, some I see em in that's start
printing and sell the bull start bending. My style is understandable.
It's like the wild animal. Check the label as it
goes around.

Speaker 24 (01:03:38):
It's all capital.

Speaker 4 (01:03:39):
That's what I'm smashing you with us as easy like
Lionel ritchie. Your whole style of twitchy, which means mixing.
Somebody hit me, don't let me with about my cold
by phil tricks might ring and my unn't tell my
motherfucking sixty smoking a hindom by the window is stick.

Speaker 16 (01:03:54):
On the is my expetism mistifficism. Muffler would take you
off bar like I was kept to hit someone with
the light to the cycle. It skills that I breaking
hyt the little kido sims roots and coach my intellectual
chop in.

Speaker 3 (01:04:07):
The socket the my like a folk shop.

Speaker 16 (01:04:10):
I gotta get my getting quick us on these weak brows,
said he making his book by ninety four, making the
skills back. So let's send that one what I want
to do. What's walking back?

Speaker 3 (01:04:19):
Its jo?

Speaker 52 (01:04:21):
When it was small, it was fallen right, it was
short right Jo it was small right, Jo, it was.

Speaker 15 (01:04:34):
Fall right, it was I come with no for the ocean.

Speaker 6 (01:04:43):
Check out my potion.

Speaker 24 (01:04:44):
My rhythm is the motion them with the wisdom.

Speaker 3 (01:04:47):
When I can get on the rhythm.

Speaker 16 (01:04:49):
Get how I'm rocket in the sun the sire ua
high there Messiah, your count the clockwise was like the sun.

Speaker 20 (01:04:58):
Now fill the heat from the maze of the gun
shooting enough the mental miss.

Speaker 3 (01:05:03):
I'm you gonna know the real ship when your south's
counter fit.

Speaker 4 (01:05:06):
This ship is kind of fit because he's motherfucking phony
coming through the sham. Try to front like you know me, Ah,
listen to this new type sum pumping ninety four ain't
no front and new type of link good and catch
you like the shin going frough neck.

Speaker 3 (01:05:19):
Get pops tripping from.

Speaker 6 (01:05:20):
The same Go now, let me introduce you to the
board the.

Speaker 2 (01:05:24):
Channel live, ben. Do this loosens you.

Speaker 4 (01:05:26):
Up going through the channels of the room.

Speaker 47 (01:05:28):
Up and crow.

Speaker 3 (01:05:29):
Flicking through the frequence. Seize up your soul.

Speaker 16 (01:05:31):
Simple the year flator, I eat it like burb the
sweat at the equator.

Speaker 13 (01:05:36):
I eat it but a flipper style, like a flipper channel.

Speaker 16 (01:05:38):
Step up in testa skills you can get my testa kills.
Like I said, pop's been running through my veins and
pericent so it wasn't hard for me to grab the
mic and represent representing tormenting himse screening ums so they
can't float quick us some draining though, don't mean to be.

Speaker 15 (01:05:53):
Blunt, but no fun.

Speaker 16 (01:05:54):
I'm doing it for the So now I'm th one one,
I'm one to do.

Speaker 13 (01:05:57):
With my tailor live grul so just loops and this
said where I can see it just walking.

Speaker 2 (01:06:01):
Up backs.

Speaker 20 (01:06:08):
Was right, It was.

Speaker 27 (01:06:16):
Right.

Speaker 3 (01:06:18):
It was.

Speaker 6 (01:06:25):
You know, I don't know what the management is telling you.
I don't know what you're producing telling.

Speaker 4 (01:06:29):
You, but yo, he stepped this play you getting played
a lot of position, So let me give you a
little stop. Check it out every time, Kale. That's what
steps in the champ. Somebody gets packed. He got some
micy and its head Baddy off towns in the house

(01:06:49):
and returned. They none of the gimmicks, chick, so when
you either have to hit but look crazy lyrics, but
he's come half as looking pitiful from lyrics. But the
eagle was printed. Like I said, I'm not a Muslim,
but to Allah, I'm obedient. Sometimes on the mic become
Muslims with it's convenient and I've seen it real music,
praise a lot any meaning. I'm just a dreaming. It

(01:07:11):
was sex me to do me and I've got to
listen to the brand new beers. You know what's funny.
Everybody wants money. The material takes from parts chicken wing.
When it sings, they sing for the cat SI. They
have a real lot of respectful our last cash. You
can't respect my being creative, and yes it ain't opigon bordience.
Take in reality. In other words, if you ain't a gangs,
so I play you a gangster. If you ain't a

(01:07:32):
whole way self sex, if you believe in my law,
how is it you can only work when it's a chat.
All of this isn't correct. Should always come respect. The
talks are not equal to the respect that the people
their respect doesn't we evil a wobble. They know the
difference from an artist and a lip sincing model. Right
on stage, you'll be a bottle hold it. I take
like a problem. I'm the freshest thing on the mic.

(01:07:54):
Don't mess with me from rushing in your grandmother's ratchet.
You can mess if you don't test me, you ain't
a chemist, and I sure ain't the street. Get out
of mathematician. And my name ain't geometry.

Speaker 2 (01:08:03):
You know what's strong.

Speaker 4 (01:08:03):
I'm I wan't see me as astronomy, but I'm a
walker's for a playing you're like blopoly in the thought.

Speaker 6 (01:08:09):
I'm dropping me to think of me, he.

Speaker 3 (01:08:10):
Said, anything less than your teacher crazy.

Speaker 6 (01:08:12):
You got to be.

Speaker 4 (01:08:14):
He's like for little wrickle stars getting off, he said,
soft league. I rip it up, my silly you hold
m I taking like a brado. The teacher will come
get it again and again and again. This other man
not perfect gret.

Speaker 3 (01:08:26):
Rick this hair rest, this figure, ring it up with
the correct So I go.

Speaker 4 (01:08:31):
Tred said, I come, it's a lot better what happened
to come for a petty mc and lever whinever they
decide whatever I'm gonna say, li lirics all right, let
me thinks to god. He walks the face, but the
hair snacked in your face? Hey great, said Heyester Robs
you embrace Just think, hey, get the fuck out of
my face. I'm running this place. You're lucky you're from
the same race, I said. Technique will keeping you on feet.

(01:08:51):
But to stop from the street you compete with the elite.
That's late, flashy, go they can't speak. Let's get the
direction of the brown the flesh. So I'm free here.
I appear somewhere, noting here my dear to get.

Speaker 6 (01:09:03):
One ring clear.

Speaker 4 (01:09:04):
Either a welfare or millionaire step to this here or
you're not in here.

Speaker 6 (01:09:08):
Allow me there top shape to hear.

Speaker 24 (01:09:12):
Me speaking here of God.

Speaker 3 (01:09:13):
We come in to your fey God. Oh for God,
God we wrong.

Speaker 6 (01:09:16):
Let's get back to the hill.

Speaker 4 (01:09:18):
Bo.

Speaker 3 (01:09:18):
You're come into the place. You can't look in the face.

Speaker 4 (01:09:20):
Because the light it's break and I'm just towering in height.
See there are millions of stars in the sky. When
the sun appears nothing visible to the eye. Why the
reason is the sun?

Speaker 3 (01:09:29):
It's the sun.

Speaker 4 (01:09:30):
You can't possibly rock. Let's till a fun and finished
and like the evening, I'll faith. But when I return
your crow from for shade, so fit up, stop because
I am not softening it up. It's time that I
rock and stay not about my dingling, but instead bring intellect,
counting that you can inject ignorance in wrap and then

(01:09:50):
fucking pty here.

Speaker 3 (01:09:55):
It ain't hard to tell. It it ain't hard to tell.

Speaker 4 (01:10:04):
It ain't hard to tell the Florida cane is moving
real well a field and excelled a plus a black
light well little bix genebrate break through a penetrate connect
like an inn of state. Now let me demonstrate. I
grabbed the microphone and put a dapping. When you start
to taking snapping the clip and the rapping that happened,
and then not display poetry the right way and block
the gladdys snipe to the next morping Jay.

Speaker 3 (01:10:24):
I get sexy like Marvin Jay.

Speaker 4 (01:10:26):
Another times I might wanna hear them hard to say
something is quisiting, clever like a whizard. Here, I'm like
a blizzard. If Gimmis's attorney offen, I say, well, this
is it?

Speaker 3 (01:10:33):
Or or was it? Because it was too fast for you?

Speaker 4 (01:10:34):
The butzers will pay you attention to how to smooth
operator doesn't just.

Speaker 2 (01:10:38):
A got the sound?

Speaker 4 (01:10:41):
I get hell, you're going a competition. I don't have

(01:11:11):
the cenis because I from congression. I kicked them all
in the veenus, so I don't care. Just step to
me in three blocks A man just saw plumped off
like three box because I've been down the swelling just
like alp the hall making them all fall like the
Berlin Wall. Then I'm plot pain just like a mock
brain man. Don't even try cane a liver cooker, chask
to beat a disaster. See nobody gets on map to

(01:11:32):
me crushing them seasons, I would kid my joys. Will
one try the battle? I'm like, oh boy, classic sen session.
As I give the lessen the foot to nothing rap
up that I bruller this percussion and there's nothing new
that the cane. That's your budda because back in the
days I used to call your son dula.

Speaker 3 (01:11:46):
Now it's a new time.

Speaker 4 (01:11:47):
Here be a rapist and still payling in it, and
the crowd is still chairming with the new black season
that came to town for one purpose, to make you
get down.

Speaker 3 (01:12:23):
I started the float slow and.

Speaker 4 (01:12:24):
Then oh no, I gotta picked up the past and gold,
gold for seeing the speed I'm putting the paste up,
and then the gun and the gunner releasing the raps,
the competition kids shunning football. Big did the daddy because
it came boole Will the crank smokes that sell and
then harts Mike Chison to rapple field the fire just
slice people pricing. I'm burning them all up. They're coming
to my path. The way it's snow smoking. I ain't joking,

(01:12:45):
I laughed. You'd be the first one to tail. That
is how the south West. It was like another one.
You want to come in cane LaBelle face chase there
had I'm gonna buy that fro a rotation.

Speaker 3 (01:12:53):
So check the way that I wrapped.

Speaker 4 (01:12:55):
I take the gold brown, the brown, brown, the brown,
the brown, the brown. So get child, these people's got

(01:13:18):
your seat and jump to this. Throw your hands in
the end, pump your fists. The name of the jam
is getting down. So let me see you do it
and show.

Speaker 3 (01:13:26):
Some immunity and music.

Speaker 4 (01:13:27):
We gotta show what young ones the right way to
a boid crystal points in there ey price they might paint.
So I keep on teaching the children to follow the
power equality, lofty quality.

Speaker 2 (01:13:45):
Down for the year ninety two.

Speaker 3 (01:13:47):
Peas to mon big hands. See when you get on baby,
palm check it call on me.

Speaker 21 (01:13:54):
Let's just say, because I getting a fie clipping the
script leaving us up the jumps to Connie, I'm gonna
the poet g you don't see the juicy brothers running
around there and duck down. Here comes the upshot, Shorty
swinging section, bringing the hoop the bat, Dorty doing damon
when I managed, and then seeking into the dream. I'm
a boy the baby group of Part three suck time
out to do confection your arrangement like I think you

(01:14:14):
need an entertainment. Try to slam in my mind here
you catch the spasm, taim I feel good like along
the way of the walk as him, I'm.

Speaker 3 (01:14:20):
Like a nigga who do.

Speaker 21 (01:14:21):
One life for jail, for bell kick back the trick
of hell.

Speaker 3 (01:14:24):
Yeah, I'm the maning in control.

Speaker 16 (01:14:25):
For this in my mind, I'm tell this.

Speaker 3 (01:14:28):
I thought boy ver Lee greats, but.

Speaker 21 (01:14:30):
I got dumb respect in this profession went off the
fucking ducks still a nobody took.

Speaker 13 (01:14:35):
A question, is probably gonna fuck it up?

Speaker 29 (01:14:37):
There was fucking up Brolly gonna fuck it up. There
was fucking up Abby wanna fuck it up. There was
fucked up all are we gonna fuck it up? There
was fucking up Nolly gonna fuck it out. There was
fucking up Brobby wanna fuck it up. There was fucking
up Barby wanna fuck it up. Thats fucked up Brobby
gonna puck it out. There was fucked up.

Speaker 3 (01:14:53):
Hey rock, come when the make came right to get paid?
Rush right the line like for a.

Speaker 21 (01:14:57):
Man and him see got so war against the bomb
check nor stop figuring.

Speaker 3 (01:15:01):
That's from the man.

Speaker 21 (01:15:02):
See original trait for prim height to my life's a
lillanor make my mom.

Speaker 3 (01:15:06):
Ass fark It's like your fond. I give sight to
the brine.

Speaker 13 (01:15:09):
I'm matter best the rest when I step.

Speaker 3 (01:15:11):
Through fun the stuff, but I don't do com food.

Speaker 13 (01:15:14):
Give me the dooler im wow riches and niggas O
my nick because.

Speaker 3 (01:15:17):
I'm versu time. If all they like the dynamite, wrap
the wood the.

Speaker 13 (01:15:20):
Battles, though I'm not that tight when I just hype.

Speaker 21 (01:15:23):
When I fight to a poor mat produced by Eaven
Deec that was all back watch your fact because I attack.

Speaker 3 (01:15:28):
And if you ain't down a beat, fine, this is
your wick wick w barb. We gonna fuck it up?

Speaker 42 (01:15:35):
Y're fucked up?

Speaker 3 (01:15:36):
All we gonna fuck it up?

Speaker 53 (01:15:37):
Just fuck up?

Speaker 3 (01:15:38):
Am we gonna fuck it up?

Speaker 27 (01:15:39):
You?

Speaker 9 (01:15:39):
Just fuck up?

Speaker 3 (01:15:40):
Prom we gonna fuck it up?

Speaker 4 (01:15:41):
No?

Speaker 29 (01:15:42):
Was fuck up?

Speaker 3 (01:15:42):
Are we gonna fuck it up?

Speaker 27 (01:15:43):
Now?

Speaker 9 (01:15:44):
Was fuck up?

Speaker 3 (01:15:44):

Speaker 21 (01:15:45):
There was fucked up?

Speaker 3 (01:15:46):

Speaker 29 (01:15:48):
There was fucked up?

Speaker 3 (01:15:48):
Are we gonna fuck it up? You're fuck up? Liverpool?

Speaker 21 (01:15:52):
Change this Mike missed the wonder fool. I grabbed the
mic and make it turn like a one duke known
super we If.

Speaker 3 (01:15:56):
You tell Brad listen, this is a quarter of the
m CE.

Speaker 21 (01:15:59):
Time to tell a d see black brother on the
rad thin threw on my best and manifest of the
thief that I can finesse.

Speaker 13 (01:16:04):
And excel me on any doubt guarantee to turn the
party out.

Speaker 3 (01:16:08):
I'm like, shut up.

Speaker 21 (01:16:08):
Let the profession who walk hit no confidence.

Speaker 3 (01:16:10):
Because the breast is starbage heid. I'm not the one
to get paid to.

Speaker 21 (01:16:14):
The Bacca book, but I smuck my REDI gag Liverpool,
mellodeds and chosen. I'm a bust drown because the rest
have chosen or I'm divorced.

Speaker 3 (01:16:21):
Don't forget it when I remember the second manifest too,
but bake it in wild.

Speaker 21 (01:16:25):
I don't smile when I can't fuck nobody, but go
straight for the next.

Speaker 43 (01:16:32):
Yo.

Speaker 29 (01:16:32):
Broa we gonna fuck it up? You're just fucked up,
Brolly gonna fuck it up?

Speaker 3 (01:16:36):
Just fucked up?

Speaker 29 (01:16:36):
Are we gonna fuck it up now, just fucked up.
Amy gonna fuck it up?

Speaker 16 (01:16:40):
Now?

Speaker 3 (01:16:40):
Is fucked up? Am we gonna fuck it up?

Speaker 4 (01:16:42):
Now?

Speaker 29 (01:16:42):
It's fucked up?

Speaker 3 (01:16:43):
Am we gonna fuck it up? Now?

Speaker 16 (01:16:44):
It's fucked up?

Speaker 3 (01:16:45):
Amy gonna fuck it up?

Speaker 6 (01:16:46):
There is fuck you up, Amy gonna fuck it up.

Speaker 3 (01:16:48):
It was fucked up.

Speaker 35 (01:16:49):
Break break down down, I want to break down down down.

Speaker 19 (01:16:57):
Bund is brown up.

Speaker 2 (01:16:59):
Sorry man, I was living my life.

Speaker 3 (01:17:01):
Cousin be fill the crown left for heard of.

Speaker 19 (01:17:03):
The all these things, A whole lot of talking about
the bread black.

Speaker 3 (01:17:06):
And green, so dirty you didn't want to deal with it,
So Dorothy, you didn't want to get with it. But
that's a right.

Speaker 16 (01:17:11):
No bobling food, send to the other, educate the food
waiting around for my shelter crack After that, it can't
hold me back looking out for all the dangerous signs.

Speaker 54 (01:17:21):
Jungle brothers bringing forth for changing times. Left write something
as from which can't go straight up the middle, y'all's
he's the risk sending a message to the old and jung.
Confused about where I come from? West landed, what channel?

Speaker 3 (01:17:32):
What station? Africa? From the Zulu nation?

Speaker 21 (01:17:43):
I'm confused, don't land and no understanding, but I knew
not to give what life is demanded.

Speaker 3 (01:17:48):
Found the new town, don't.

Speaker 21 (01:17:49):
I take your grab tied of brothers who feed the backstand, eating.

Speaker 3 (01:17:52):
The biggest drum. Better days will come in. If they
don't come, I get up and make something first.

Speaker 5 (01:17:56):
You crawl before you go first, You think before you talk.

Speaker 3 (01:18:00):
I found it like that.

Speaker 21 (01:18:01):
You wear a heart hat to protect your mind, and
bad things will stay back and just flock in around
the corner steak slap do law and order. Get slept
away and I getting old up the ground and it
gets cold, the cords faster, so I get pulled up
fast my brother's sake, open my fellow uncle Sam.

Speaker 16 (01:18:21):
Yeah, damn.

Speaker 3 (01:18:34):
You ladies, we have.

Speaker 30 (01:18:50):
Yeah, God.

Speaker 3 (01:18:54):
You see something listening do yeah?

Speaker 8 (01:18:57):
See part went off?

Speaker 3 (01:18:58):
Well now I don't find my mountain used to reach
the kiss.

Speaker 47 (01:19:00):
Them and if they're willing show from Paul agree.

Speaker 21 (01:19:05):
Well out on the heaven and of it to fake
me f to the motions of the movie take out
ya shave y'all. The sun comes soon to plan my day.
I look at the side, I see brand Nana styll ask.

Speaker 3 (01:19:15):
I froke the head ways trying to make ways. Finally
came through, became a monk the frequency as I kept.

Speaker 47 (01:19:21):
On fighting sad like what I was fighting here years later, finally.

Speaker 19 (01:19:25):
Got through, came through.

Speaker 16 (01:19:27):
Instead of so hello everybody, and I y'all doing, We're
gonna say a few words to keep board steps and
people watching to see what we would do live on that.

Speaker 13 (01:19:35):
You hurt us saying that you're the Cities and Jungle
and and we are the brothers.

Speaker 3 (01:19:40):
This is so coled King of the Jungle. We'll run
for the cover. All of your minds have been set
into a trance. Don't wanna stead of fighting out our problems,
we are the yachts and yeah we want to yo
lading hanging up after yo.

Speaker 6 (01:19:58):
But my boys going.

Speaker 3 (01:20:05):
Yeah, lady, you got to take it.

Speaker 27 (01:20:10):
Up.

Speaker 28 (01:20:18):
Coming out of a phenomenal mix one Oh to New
York City with the Jungle Brothers, Hey man, I love
that album.

Speaker 5 (01:20:25):
Done by the Forces of Nature. I believe that was
like nineteen eighty eight or.

Speaker 28 (01:20:28):
Eighty nine, eighty nine, ninety A great album, very very funky.
And let me tell you something, man, digging digging in
that set, and I hope you all caught the little
pieces that you dropped in there. For example, the Steely Dan,
just little little things like nineteen You got to listen

(01:20:50):
to it, the Lionel Richie, you got to listen to
this ship Man.

Speaker 5 (01:20:54):
This is genius DJing Man so nice.

Speaker 26 (01:20:56):
Shocked, Ray even throwing a little tangerine dream via risky business.

Speaker 28 (01:21:00):
Yo, when they're on the when when they're on the train,
on the train, kid crazy nineteen eighty four.

Speaker 13 (01:21:06):
Nice.

Speaker 12 (01:21:07):
You know, when you guys talk to eighties, it's equivalent
to like baseball talk. For you, Drake, it's like breaking Heavin, Me,
Kevin and I are like, oh, there's guys starting out
the fucking the eighties and village people in fucking seventies.

Speaker 2 (01:21:23):
Yeah.

Speaker 19 (01:21:23):
Yeah, it's kind of like Zelda, all right, just give
it a little.

Speaker 2 (01:21:26):
Give it a lot Bush.

Speaker 25 (01:21:27):
You know, I was, I was watching the Snorks.

Speaker 28 (01:21:32):
Got you guys are gonna hate it when we do
eighty eight man, because Dray and I are going to
be over here just like.

Speaker 19 (01:21:36):
Hell yeah, well eighty eight eighty eight.

Speaker 26 (01:21:40):
Yeah, we know, Kevin, you were at a basketball game
and you went into a car and stole someone CD
buk we get.

Speaker 12 (01:21:45):
Its oay, look how we sumbled everyone?

Speaker 2 (01:21:51):
All right?

Speaker 25 (01:21:52):
So I hear we got some some some special guests
joining us this episode for a game of trivia.

Speaker 19 (01:21:58):
Huh so, guys, listen, I wanted to do this game format.
It's been a while. We got to bring in our guests.

Speaker 2 (01:22:05):
Is a return?

Speaker 19 (01:22:06):
And when I tell you return, who's coming up?

Speaker 2 (01:22:09):
Guys? I don't know.

Speaker 19 (01:22:10):
Do you guys even have a clue? Is it Dick Knickerbocker?

Speaker 25 (01:22:13):
Who else do we have?

Speaker 2 (01:22:14):
Good old Dick?

Speaker 5 (01:22:16):
Who's the gangster dude?

Speaker 19 (01:22:18):
Ny Johnny cal Zone? What about him?

Speaker 55 (01:22:21):
He?

Speaker 25 (01:22:22):
I gotta actually reach out to them and get his
cornbread recipe?

Speaker 19 (01:22:26):
Is he coming back?

Speaker 2 (01:22:40):
Ship? Worm? Yeah, we're back, you know, Worm, he's my man,
and you know I'm ready, Kruger, We're coming back. They
wrangled us in to do this game show again. They're
playing paying me peanuts, but yo, I'm here for the art.
This is hip hop y'all. Yeah, you guys want to

(01:23:10):
play this game show?

Speaker 25 (01:23:12):
All right?

Speaker 5 (01:23:13):
What are we doing doing?

Speaker 12 (01:23:14):
Oh?

Speaker 2 (01:23:15):
I can think about it? Is what if game y'all?
Walk down the hall y'all while you're trying to get
me in trouble and ship? What are we playing? All right?
So listen, this is a simple game. It's called hip
hop Headlines it's true or false. Some of these stories

(01:23:35):
are gonna be real, all the stories that I'm gonna
make up, so you guys have to guess whether the
headline is true or completely made up. They're gonna win nothing.
But I'm gonna tell you this, man, your funny ass
voice is gonna make it so entertaining for the listeners

(01:23:56):
they can't stop but laugh.

Speaker 25 (01:24:00):
Hey, Hey, hey, Dreddy Krueger, really quick say, I hope
you can unstick yourself.

Speaker 2 (01:24:05):
I hope you can unstick yourself a head others.

Speaker 3 (01:24:14):
That?

Speaker 2 (01:24:15):
All right, check us out, So don't worry about buzzers.
I got y'all. This is a true or false game.
So it's not about winning first. It's about getting points,
all right. Check it out. Number one method man from
Wu Tang Clan calls nine to one one after losing

(01:24:36):
his wallet at a strip club, Boram calm down. The
police show up to the club and find the stripper
that was giving him a lap dance. She apparently stole
his wallet. Is this true or false?

Speaker 25 (01:25:00):
I'm gonna say it's false.

Speaker 2 (01:25:02):
TB losses false. Jay, what You've got?

Speaker 12 (01:25:05):
I think that's such a crazy a story to make
up that it's so stupid that I'm gonna say true.

Speaker 2 (01:25:13):
All right, Jason says true.

Speaker 28 (01:25:15):
And what you say, I'm gonna say false because I
think that it probably happened, but to a different wrapper.

Speaker 2 (01:25:31):
He looms, motherfucker's heart. So who's the would you make
that up? Were you shifting up sitting on the ship
or you're like, let me can cover how makes this
shoot up? Someone keeps score.

Speaker 25 (01:25:45):
I'll tell you the score of.

Speaker 3 (01:25:48):
Wrong.

Speaker 25 (01:25:54):
I'll say I'll say true because Lil Wayne seems like
the type idiot would get a nigh speech.

Speaker 2 (01:26:00):
All right, Kevin Law says true. Day, what you say,
I'll say true. True, that's too true. How about you? An?

Speaker 28 (01:26:09):
I'm saying true because I know he's a skateboarder and
that probably happened when he was a teenager.

Speaker 2 (01:26:23):
Is chief the police on a skateboard? Motherfucker? Damn Zero's
across the board?

Speaker 7 (01:26:30):
All right?

Speaker 2 (01:26:30):
Here we go number three, My man Flavor. Flav once
called the cops on his neighbor for stealing his chickens
from the chicken coop.

Speaker 25 (01:26:44):
I'll say that's true.

Speaker 12 (01:26:46):
KeV Law says true. Kay, I'm gonna say that's false.
But every question has to do it to the police.
I know, don't make stereo talks. Motherfucker.

Speaker 5 (01:26:57):
What are we trying to say?

Speaker 2 (01:26:58):
Here?

Speaker 28 (01:26:59):
Go ahead there, I'm gonna say false the chickens, that
there's no chickens in New York City.

Speaker 2 (01:27:11):
All right, let's promise it to the West Coast O Man.
Snoop Dogg was mistakenly left on stage and missed the
tour bus and was forced to hitchhike to the next show.
That's shit true, that shit false.

Speaker 25 (01:27:25):
That's false, Snoopy and hitch hiking.

Speaker 2 (01:27:34):
It was like six foot seven and no one's gonna
forget Snoop. I'm gonna say that. I'm gonna say false,
that's too false. What about you?

Speaker 5 (01:27:44):
I'm gonna say in a complete weed stupor, Yes.

Speaker 2 (01:27:59):
Gosh, that's the way to go, worm hard. That's four.
What's the what's the score? I got three? Three points?

Speaker 25 (01:28:06):
JS one and Waite as one.

Speaker 2 (01:28:08):
All right, push your number five, Jay, this is your
favorite dude. DJ Khaled once called nine to one one
after getting lost on a jet ski. What's you'all think.

Speaker 12 (01:28:26):
I'm gonna say, you'll go all right? I got motherfucker
could be on a jet scheme.

Speaker 25 (01:28:30):
I've seen him on a jet ski before, But nobody's
getting lost in a jet ski and calling nine one
one it's false.

Speaker 2 (01:28:35):
Jih says false. What about you?

Speaker 5 (01:28:37):
I'm gonna say true, just because he's such a dumb ass.

Speaker 19 (01:28:49):
Yes, who got lost?

Speaker 3 (01:28:52):
I did?

Speaker 2 (01:28:54):
All right, that's enough of this round one. Let's get
let's roll for true and false. These are different types
of scenarios, but like what the fuck moments? All right,
here we go back again. It's still true and false.
Was old dirty Baskett caught up in a welfare fraud
incident where he was collecting welfare assistance despite being a
famous rapper. That's true.

Speaker 25 (01:29:23):
That seems like such an old, dirty bastard thing to do.

Speaker 2 (01:29:28):
I'm gonna say true because his album cover was a
food stamp, so that.

Speaker 5 (01:29:34):
That is the most ODB thing of all time. I'm
going to say one hundred percent trough.

Speaker 2 (01:29:38):
Your motherfucker is so smart on that one. In nineteen
ninety five, ODB or the Wu Tang clan took MTV
camera crews with them to pick up food stamps. Yeah man.
ODB was later charged with welfare fraud ninety seven after
it was revealed that he had been collective welfare benefits small,
earning substantial LITHO from his music career for that motherfucker

(01:29:59):
was taking advantage of the system.

Speaker 5 (01:30:01):
You know what I'm saying, kind of like during the pandemic.

Speaker 12 (01:30:05):
And I just thought, when you do those diet tribes
at the beginning of the show, those law you should
do it in his voice.

Speaker 2 (01:30:12):
Come on, mother's play the game, all right? Next question,
was slick Rick ever deported from the US? I know
y'all heard rumors, but did this actually happen where he
had to leave the country? False? I'm gonna say false.

Speaker 28 (01:30:36):
I think this has where you're going with This has
to do when he was in that incident where he
shot someone.

Speaker 5 (01:30:43):
I'm gonna say false. I bet he tried to leave
the country but couldn't because he.

Speaker 2 (01:30:53):
Yeah, that's right. Slick Rick spent several years dealing with
legal trouble after being convicted of attempted murder and my
man Ricky d served five years in prison. Then, due
to his non citizenship, he was threatening with deportation. After
that long ass battle and support from the hip hop community,
Bigger motherfucker Ricky was allowed to stay in the US,

(01:31:16):
so he was almost but he never was actually deported.
Out of the country after many, many attempts. So he's
to my man, Ricky.

Speaker 12 (01:31:25):
D And if he wasn't a rapper, his ass would
be right back fucking where he came from. That's a
death jam money.

Speaker 2 (01:31:42):
All right. Next question, did Jersey's own Red Man live
in his cousin's house that never had a front door?
Is that true?

Speaker 36 (01:31:52):
Or that fault?

Speaker 12 (01:31:53):
That sounds like a Redman thing? But his cousin's Team one.
Are you implying he lives in teams house?

Speaker 25 (01:32:00):
And I'm gonna say true, keV.

Speaker 2 (01:32:09):
Lossay is true, Let's say false false.

Speaker 5 (01:32:13):
I'm gonna say false because I'm gonna say that was
his house.

Speaker 2 (01:32:30):
That's right.

Speaker 15 (01:32:31):
Worm.

Speaker 2 (01:32:31):
During the nineties MTV cribs, they were shocked to see
that the rapper lived in a rundown house in Staten Island.
It was the ultimate anti wrapp of mansion, complete with
the broken down screen door, cluttered rooms, bare bones, living
red man's sin. It wasn't stage. He was living there
despite his fame. So a man, you get props for

(01:32:52):
fucking keeping it real dollar box.

Speaker 3 (01:32:58):
PERFCTU.

Speaker 25 (01:33:00):
All right, I got six, Wades got five and Jason's
got four.

Speaker 2 (01:33:05):
Damn Wade you're coming up careful, all right, This one's
a little more underground already. Was Big L signed to
a major label deal before his death? Yes?

Speaker 28 (01:33:19):
Or no?

Speaker 25 (01:33:25):
I'm gonna say false. I'm gonna say that there was
a rumor I think that he was going to but
I think it was.

Speaker 2 (01:33:34):
No, it's false. Where'd you get that information from?

Speaker 25 (01:33:39):
Jason had the ruckus fucking.

Speaker 12 (01:33:43):
So no for him, So he'd never officially signed a
Rocketfeller even though quote unquote that's not really a major label.
That was just a label, an indie label with major
distribution Columbia he was time, but not when he died.
So I want to say no to that.

Speaker 5 (01:34:05):
Wait all right, uh DRETTI repeat the question?

Speaker 2 (01:34:09):
Please? Was Big L signed to a major label deal
before his death? That his four? Yeah?

Speaker 5 (01:34:18):
Yes, Yes he was because before his death, Lifestyles of
the Poor and Dangerous came out on Columbia.

Speaker 2 (01:34:29):
Although Big L was an underground legend widely regarded as
the best lyricists of all time, he never had a
major label deal before his untimely death in ninety nine.
His debut album, Lifestyle Is Up, the Poor and Dangerous
was released off Columbia, but his relationship with the label
was troubled, and he remained independent for most of his

(01:34:50):
queer God, first, bitch, we thought he was sick.

Speaker 12 (01:35:01):
He wanted Worm to reward that question to benefit his answer,
But the way he asked the question was specifically, did
he have a major deal before.

Speaker 2 (01:35:12):
He correct at least at paying attention.

Speaker 5 (01:35:15):
That motherfucker got an album out on a major label
before he died.

Speaker 2 (01:35:19):
That dude, right, there's got some crazy drink that he's drinking,
and he's all over the place. I'm just telling you,
all right. Next question, was Tupac originally a cast in

(01:35:39):
the movie Minutes to Society? Yes? Was Tupac cast in
the movie Minister Society? Jason says, yes, true, true, true.
Across the board, damn dn ding ding ding It was

(01:36:00):
cassays Sharipe, the Muslim character in ninety three film Menace
in Society Pop was fired from that movie after get
into a fight. Yo. Man, he wasn't collecting that money,

(01:36:21):
That's all I'm saying. So yeah, you're all right, Scharika,
I remember that motherfucker he was. Did krs One come
from a musical family? Now you all know that kars

(01:36:41):
One was what in like a facility. Right? Was his
mom a singer in James Brown's famous song Say Aloud
I'm Black and I'm Proud? Come on, worm, say it worm?

(01:37:05):
So was karas one mom in that famous song Say
It Loud?

Speaker 25 (01:37:11):
False?

Speaker 2 (01:37:13):
Fall. I'm gonna give Kevin this one another one false.

Speaker 5 (01:37:17):
I'm going false as well.

Speaker 2 (01:37:18):
Three across the board. That's right, worm? What is that
connection James brown iconic song Say It Loud I'm Brocking
I'm PLoud nineteen sixty eight. That little known fact ties

(01:37:41):
one of hip hop's most legendary conscious rappers to a
piece of civil rights musical history. Zero point zero. All right,
here's the next question. Before it became a controversial rapper,

(01:38:04):
was Ice Tea a championship roller skater? Or was Ice
Tea a championship breakdancer?

Speaker 25 (01:38:13):
So this isn't true or false?

Speaker 2 (01:38:14):
This is a or B?

Speaker 27 (01:38:17):
He was a.

Speaker 25 (01:38:19):
He was a breakdanswer?

Speaker 2 (01:38:22):
Really? All right? What's y'all think? I want you to
repeat this? And you say, bring me solo and the
Wookie and the other boys the other voice, y'all bring
me solo in the Wookie pitch? Yes, hut, that's pretty good.

(01:38:43):
So you' all know the question. Let me get the answer.
I got one note. He was a breakdancer.

Speaker 56 (01:38:52):
I'm gonna h I'm gonna say roller skater, high roller.
What do y'all think he actually actually skating?

Speaker 2 (01:39:05):
No, you ain't getting it to his hardcore against the
wrap persona Ice team was a competitive rollerskater in the seventies.
In the eighties he won several championships, far crowd from
that hard edge.

Speaker 25 (01:39:20):
They didn't break dance on the West Coast.

Speaker 5 (01:39:25):
Popping out, Yeah, they popped in.

Speaker 19 (01:39:29):
For allud.

Speaker 25 (01:39:33):
Is eight for for me, It's seven for Wade and
six for JLD.

Speaker 2 (01:39:42):
What movie did Nas turn down a roll in? Was it?

Speaker 25 (01:39:46):
I guess we're I guess we're off the true and false.

Speaker 2 (01:39:49):
That's the same motherfucking c question. Not being stupid? Back
to what movie did Nas turn down a roll in?
Juice or Save the Last Dance?

Speaker 25 (01:40:00):
Save the Last Dance? He's like six when Juice came out?

Speaker 2 (01:40:05):
What the fuck is Saved the Last Dance?

Speaker 5 (01:40:10):
Julia Styles?

Speaker 2 (01:40:11):
That's right, Julia Styles movie. Yeah, girl, why let's see
Juice came out in ninety two. He could have played
made many roles in either of those movies.

Speaker 12 (01:40:23):
Julia Styles movie that doesn't make sense. I'm gonna say, Juice.

Speaker 2 (01:40:28):
Juice one said Juice Kevilo. Would you say again the
mud Shark movie? Twell, continuity, bitch?

Speaker 25 (01:40:40):
What the Julia Styles joint?

Speaker 2 (01:40:46):
Save the last save the last dance? And how about
you here wrong? Well, I don't know to save the last.

Speaker 5 (01:40:52):
Live of the barbecue is ninety one. I'm gonna say,
save the last dance?

Speaker 2 (01:40:56):
All right, here we go, say the least dance, bitch.
Nas was off of that role in two thousand and one,
but he turned it down, even though the film featured
the hip hop soundtrack and deal with urban culture. Nas
was reportedly uninterested in doing a teen romance movie, which

(01:41:16):
might have been an opposit given the more serious image
of This Time. So congratulations all that.

Speaker 5 (01:41:21):
Mother would have ruined his career.

Speaker 12 (01:41:25):
I've never seen the movie. I've seen ten Things I
Hate About You with that broad but now not this.
Frederick Starr was in this movie. That's right, That's right,
That's what I'm saying, Yeah, exactly. Next question, what movie
role did bust the rhymes almost play Blade or a

(01:41:48):
teenage mutant Ninja.

Speaker 19 (01:41:49):
Turtle Ninja Turtle.

Speaker 2 (01:41:51):
I'm not saying Ninja Turtle dances Blade motherfuckers. Snips was
cast as the Vampire s Land superhero, but the producers
consider the bust of Rob for the role. That's right warm,

(01:42:14):
But at the end, Snipes was chosen.

Speaker 5 (01:42:16):
He's a much better fish.

Speaker 2 (01:42:18):
Knips was chosen in the rest of his history. Motherfucker,
gimme the scores. We're we're at.

Speaker 25 (01:42:25):
I got nine waves, got eight, Jason's got six.

Speaker 5 (01:42:30):
We're doing first one to ten?

Speaker 2 (01:42:32):
Is that we're doing? All right? Here we go. We're
working on the song this time around. Did the notorious
b I G have a full blown panic attack when
meeting Michael Jackson.

Speaker 25 (01:42:58):
I'm gonna say false.

Speaker 2 (01:43:00):
You don't like my stories? Kibler Jay what you've got?

Speaker 12 (01:43:11):
I just can't think that dude having a panic attack
because he's starstuck. We're getting canceled.

Speaker 2 (01:43:24):
This is so bad. What do y'all say here?

Speaker 5 (01:43:29):
I'm also saying, no, I see a panic attacks.

Speaker 2 (01:43:37):
Despite his larger than life persona, b I G had
a moment of pure starstruck nervousness when he met Michael Jackson.
During that time together, he was so overwhelmed by Jackson's
presence that had reportedly suffered a panic attack, and he
couldn't believe he was collaborated with his childhood idol Big
wanted that glove?

Speaker 4 (01:43:59):
Is it a right?

Speaker 23 (01:44:00):
I come down there and sing to him, Tito, get
me some tissue.

Speaker 2 (01:44:08):
All right, we're going to the round three. We're going
to some fast questions here right here we go. Ready, Yeah,
what member of the rap group public Enemy got arrested
for throwing the chicken wing?

Speaker 25 (01:44:29):
That's terminator X Definitely, I'm gonna go Flavor.

Speaker 5 (01:44:34):
Flame Flavor is such the obvious answer.

Speaker 2 (01:44:41):
Terminator twice, that's right. In a strange domestic dispute, Publortunity
Flavor Flay was arrested in ninety one patrolling the chicken
wing and his girlfriend or in an argument?

Speaker 25 (01:44:57):
Was it the blanche from.

Speaker 2 (01:45:04):
What Queen's rapper called nine one one after beating up
a home intruder in twenty twelve?

Speaker 25 (01:45:12):
Col J.

Speaker 2 (01:45:16):
Yeah it was I remember that story, all right, three
points across the floorda. That was easy, little Yeah, no
problem of problem. So d m X, all right, that's

(01:45:44):
one for d MX.

Speaker 12 (01:45:46):
Who pretended to be an FBI agent at an airport
in two thousand and four. Alright, so g Z d
MX or Prodigy has got to be d.

Speaker 5 (01:45:55):
MX, gotta be d MX, gotmx A.

Speaker 2 (01:45:59):
That's right, motherfucker DMX. Though this happened a bit after
the Golden era, DMX is arrested. Four was so bizarre
was worth mentioning. He was arrested at JFK Airport for
impersonating a federal Asian. He used a fake badge, pulled
out another driver, and commandeered their car, claiming he was

(01:46:20):
a government official. That motherfucker was crazy. Check out next question.
Bumba Tucker, which Brand Nubian member was arrested for public
urination in nineteen ninety four.

Speaker 25 (01:46:37):
Lord Jamar, Lord Jamarrow would seem like the type to piss.
That's how That's how he got cast in oz for
They saw his deck the like, yeah, I'll be good
for the show.

Speaker 2 (01:46:58):
So Lord Jamore, who else you both say? Lord Jamar, Yeah,
I'm gonna say love Jamo.

Speaker 5 (01:47:04):
I'm going grand poo. I know he drank forties.

Speaker 2 (01:47:09):
Graham Hoo. He was arrested for urinating while on tour
in Miami. Cops caught him with leaving himself behind the building.

Speaker 25 (01:47:18):
Wade and Night. Wait eleven, I got eleven, Jason's got nine.

Speaker 5 (01:47:28):
This might be it?

Speaker 2 (01:47:28):
This is called. Name that producer game what producer produced
the iconic track the World is Yours bananas?

Speaker 25 (01:47:38):
Large professor.

Speaker 2 (01:47:40):
Beat rock.

Speaker 19 (01:47:42):
Did you say the world is yours.

Speaker 15 (01:47:45):
Rock?

Speaker 25 (01:47:46):
No, I said large pro first, I'm wrong.

Speaker 2 (01:47:49):
All right, motherfucking speat rock. That was the easy one.

Speaker 19 (01:47:52):
I'm super easy.

Speaker 2 (01:47:53):
Next one. Who produced the track for Redman's whatever Man? Alright,
Simon double he double, that's right, all across the board.

Speaker 57 (01:48:10):
Three?

Speaker 2 (01:48:10):
All right, real quick, we're gonna get into the next one.
Organize confusion stress. Name that producer bucko.

Speaker 5 (01:48:16):
Tip Bucky.

Speaker 2 (01:48:20):
Is a piggyback on mynd wasna right, but Kevin didn't
get that ship? Kevin? You adding this ship up? Kevin
up front? Who produced the track Crookland Dodges, q tip
anyone else?

Speaker 58 (01:48:36):
I mean.

Speaker 5 (01:48:39):
Q tip after I'll say the same.

Speaker 2 (01:48:45):
Way to go. All right? Next track? Who produced the
Youngster's Mad Props. We know there was a sample scratch
one hundred million times.

Speaker 5 (01:48:55):
Fro Larry.

Speaker 59 (01:49:02):
That okay, definite Larry Yobi also real, motherfucker y'all wrong.
It's Marmy Ma there it was. It was who produced
Healthy Skelters the floor.

Speaker 12 (01:49:22):
Up buck Wild that's one, mister wal.

Speaker 5 (01:49:33):
I was just gonna say Beat Minors.

Speaker 36 (01:49:37):
An evil du Paul for the beat Miners.

Speaker 2 (01:49:46):
Where we at weron, we got a couple more questions
where we at.

Speaker 25 (01:49:50):
All right, Wade's got sixteen, Jason's got thirteen, and I've
got fourteen.

Speaker 60 (01:49:58):
Tr Who produced the Big L's Devil's Son? Oh, Lord Finesse,
nice nice.

Speaker 2 (01:50:10):
Nice woman.

Speaker 61 (01:50:12):
Uh yeah, I'm gonna say, Lord fans ship y'all romans,
motherfucker show his zeros. Of course that would have been
the next guest.

Speaker 2 (01:50:27):
Who produced the locks recognize Premiere Premiere premier the last
check this out? This is the final question. This worth
ten points, Dan, someone can win here? Whoa what are
the final tallies right now?

Speaker 25 (01:50:46):
Final Jeopardy got I got fifteen, got fifteen, Wades got seventeen,
Wades got seventeen, and Jay's got fourteen.

Speaker 2 (01:50:54):
Jay's got fourteen. So the lock in essence that was
the fifteen recognized in essence?

Speaker 5 (01:51:01):
Jay can win here, right, anybody can win here?

Speaker 2 (01:51:04):
This is all right? So listen, I don't want people like.

Speaker 25 (01:51:09):
All the points up until that don't mean jec Shote's answers.

Speaker 2 (01:51:14):
This should you know?

Speaker 5 (01:51:15):
This should be a true and false because the other
ones we can.

Speaker 2 (01:51:20):
I don't want you shouting out ship. I want you
to write it down so we don't get no confusion.
Here's the question. Which track was removed from the original
pressing of Mob Deeps The Infamous for sample clearance issues?
Think about this one? Which track was removed from Mob

(01:51:42):
Deep's The Infamous album because of sample clearance the original
pressing of Mob Deeps The Infamy. I put it in
the chat.

Speaker 25 (01:51:52):
I put it in the chat.

Speaker 2 (01:51:53):
All right, everyone answer in the chat and tell me
when you're all done. Wait, you're still thinking, yeah, come on,

(01:52:22):
it's quick. What song in The Infamous was not on
the original pressing because of sample clearance?

Speaker 25 (01:52:30):
Where's the chick?

Speaker 19 (01:52:38):
We all got a right?

Speaker 2 (01:52:40):
I think we need another tie Breakers.

Speaker 25 (01:52:50):
We also check one Chook One's part one.

Speaker 2 (01:52:54):
Is right and ship one's part one, So there, I think.

Speaker 5 (01:52:57):
We need we need a true and false.

Speaker 12 (01:52:59):
I was an anti climactor and we needed like a
one that like, is it a stunner?

Speaker 5 (01:53:04):
True and false?

Speaker 2 (01:53:05):
All right? Joy, already this is gonna be true or
false because you'll motherfuckers are stupid, all right? So here
it goes. Now, I know you all motherfuckers are like

(01:53:27):
Trekky's and Star Wars people, so I kind of like gear.
The question to that is that cool? No, California's on.
Tupac once auditioned the player role of Mace Windu in
Star Wars Episode one, The Phantom Menace, but the role

(01:53:50):
eventually went to Samuel L. Jackson. That's ship true or false.

Speaker 3 (01:53:54):
A K forty seven.

Speaker 4 (01:53:56):
The very best day is when you absolutely me positively
got to kill every motherfucker in the room.

Speaker 3 (01:54:04):
Accept no substitute.

Speaker 5 (01:54:10):
False.

Speaker 25 (01:54:10):
He was dead before the movie came out, All right.

Speaker 2 (01:54:13):
That's one false? Who else.

Speaker 19 (01:54:17):
False?

Speaker 2 (01:54:19):
Sometimes that's true that this's gonna happen. This motherfucker. This
is ten points. If someone does it, they're gonna wins,
my motherfucker. That's right. Even though that ship sounds unbelievable

(01:54:43):
to popful portedly express interest in auditioning for the role
of Mace Windy before his untimely death. But if your
pop fans and film history you could write something this
was it bitch chasing ten points? Won this motherfucking what.

Speaker 3 (01:55:09):
I'm going.

Speaker 2 (01:55:26):
They warm That's right, only ship we gotta win up
our Jase, you got it, man. I know y'all needed
the fucking true or false because y'all. Motherfuckers can't think
of these damn shows.

Speaker 5 (01:55:42):
I know that he wins the forty of King Kobra.

Speaker 62 (01:55:47):
My son.

Speaker 63 (01:55:48):
All right, guys, fucking calmed down, Jesus, these guys need
to be wrangled.

Speaker 19 (01:55:53):
Man, damn. This was a fun game show. Listen.

Speaker 63 (01:55:56):
Let's get into mixed too. I'm ready for some music
because I'm done. It's too much, man, it's too much.
Let's go to the West Coast. We're talking about Calli's
finest right now.

Speaker 3 (01:56:08):
Let's hear it.

Speaker 1 (01:56:12):
We hope you're enjoying episode one. Remember to keep spreading
the word, and if you're not a Patreon member, there's
no better way to support Take It Personal than becoming one.
Head over to Take It Personal Radio dot com and
click on the Patreon button at the top of the
page and support your favorite podcast.

Speaker 3 (01:56:46):
Y know what's good?

Speaker 2 (01:56:46):
Man?

Speaker 3 (01:56:47):
Your check it?

Speaker 2 (01:56:48):
What's good?

Speaker 15 (01:56:48):
Y'all?

Speaker 20 (01:56:49):
Just DJ Monk from taber s Solar Stations live from
Los Chranges.

Speaker 25 (01:56:53):
Man, you check it out?

Speaker 5 (01:56:54):
Take a personal radio Yo end you shoot up?

Speaker 3 (01:56:57):
Man? Yo?

Speaker 15 (01:56:59):
Cool cool cool cool cool cool in and CALLI Going far.

Speaker 4 (01:57:06):
Introduction to a grandy star coming from the West Hollywood.
Best believed to go over good those bestetting in the sunshine,
took a little wine.

Speaker 3 (01:57:15):
Attended two d go. You know a bunter fire living
on the beach.

Speaker 4 (01:57:18):
Some the departures well in a shorty show off the knees.
That's the nice if yo, you want to live it,
do what I do anything you would give it like
saying I truly do it my way.

Speaker 3 (01:57:29):
Jomp is to getting paid the place because I want
some of this swell.

Speaker 16 (01:57:41):
I have no clue you want to do me on
you throw walker combination may getting no belts ring a
fighter and a lover.

Speaker 3 (01:57:48):
Yo, I fold have everything up to town.

Speaker 6 (01:57:50):
So watch what to see what he's.

Speaker 4 (01:57:52):
Gone, and this is gonna be a friend's her fund
badness and sataday forget the vanity.

Speaker 3 (01:57:58):
I like to path for the rude is making.

Speaker 16 (01:58:00):
Move the goove ever making a mark in history, even
no mystery.

Speaker 3 (01:58:05):
Go like a fever, go with a victory.

Speaker 19 (01:58:16):
Hand.

Speaker 29 (01:58:17):
So what you want.

Speaker 3 (01:58:36):
I remember don't know? Hey, I saw the pan again.
I'm always want that.

Speaker 21 (01:59:03):
Same size.

Speaker 13 (01:59:07):
And not a game game.

Speaker 3 (01:59:13):
Don't play me like Colco.

Speaker 16 (01:59:14):
I get a ninety because I love the dco drinking
my ti sit in its sad like a house.

Speaker 3 (01:59:20):
You know I can he and the guys I make
a boy. I'm what's a million?

Speaker 4 (01:59:24):
You just toy it our bobma blood four year round.
You're looking for what I have found California girls and bikinis.

Speaker 3 (01:59:32):
Make a wish because I'm your genie.

Speaker 4 (01:59:34):
The way I'm living, You're think it's a drink breaking
neck to be down in the city.

Speaker 57 (01:59:39):
Sin little Sally won't si and an a little oh

(01:59:59):
how I thought that pass like I'm listening in the.

Speaker 13 (02:00:02):
Woods Woody wouldn't pecker would would be good?

Speaker 3 (02:00:04):
But I did him want to pass it to the
next man.

Speaker 19 (02:00:07):
Have a walk man booming on the fifty.

Speaker 57 (02:00:09):
Yard line and my adrenaline pumping like a killer driller
driller tiller out with the midd of bro Field a
rod took until the damn Dutch kill.

Speaker 3 (02:00:15):
Who said walk again and sweet.

Speaker 15 (02:00:16):
Talking, thought about.

Speaker 57 (02:00:17):
Got ill with my life say but that came in
one fancy flavor and my straight behavior that too went
out first the night.

Speaker 3 (02:00:23):
Felt good, but that they got worse.

Speaker 57 (02:00:24):
I thought it was a little slip straight in the
store away with a brown eyed bomb show that was
opening up the faint ither to over on my shoulder
and my cover was peeled by my whole school saying
ooh and I'm busting for real.

Speaker 53 (02:00:36):
Oh shit, oh shit, oh shit, I want to say
the least. I'm so sleep And they didn't go to
freeze because nothing said.

Speaker 17 (02:00:46):
That's all right?

Speaker 19 (02:00:47):
Down the ray money and you love wat sending it
in a dream.

Speaker 3 (02:00:51):
Okay, I guess that's.

Speaker 42 (02:00:53):
Yo breast down the top and then come the team
of Homie.

Speaker 3 (02:00:55):
Then open what damn? Yeah?

Speaker 53 (02:00:57):
And the thing today won in behind the show for
me And unless that's the two us O mom printed
in a year dingleing in weeks four weeks, I would
have counted from.

Speaker 64 (02:01:05):
This female she's started to be young boy by kill.

Speaker 3 (02:01:08):
What the hell's WoT?

Speaker 53 (02:01:09):
I said to myself, So matter what word, I'm sitting
on the couch with Gregg and Flea. What she offered
me a.

Speaker 3 (02:01:15):
Cup of broke out my ti sweet.

Speaker 19 (02:01:18):
Sound it a sudden If.

Speaker 3 (02:01:19):
You like what, please don't fight it.

Speaker 53 (02:01:21):
I had heard to say fummy, but I knew I
had to fighting before I.

Speaker 3 (02:01:25):
Could say and say puking.

Speaker 53 (02:01:27):
My wife put the soap in the duggy style, gret
walk in the rooms, nigger come and.

Speaker 3 (02:01:34):
All this num stuff could say what sh.

Speaker 50 (02:01:40):
Oh shit, oh.

Speaker 3 (02:01:46):
Shit, oh shit.

Speaker 16 (02:02:15):
Come on one first summertime today evening Chris sharp little
ball was in full swing.

Speaker 3 (02:02:20):
Perfect get sam Bull the walls, give me to see
if you broke up.

Speaker 16 (02:02:23):
The winner was a pretty young thing rolling in the
prople Samurai Suzukie dookie great was the hay to her
sex a pill too, She would do man real on
the reil. Anyway, I went too too, she said, hey,
big beat. The next day boom went the beachs nooz tee.
Me have a new Kris shaw q ta poling on
the beef and now she rumping on the blue tag.

(02:02:44):
Suck suck, sucking on my neck like tragular. But it
wasn't on that spectacular.

Speaker 65 (02:02:48):
Every time I try to touch up on the taste ny,
she would be like when he bike would front.

Speaker 2 (02:02:53):
But I didn't say nothing.

Speaker 3 (02:02:55):
Then all of a sudden, that's it was the button.

Speaker 16 (02:02:57):
I got a funny feeling, like something with real broad
but that of shoes in the feat was real wrong.

Speaker 3 (02:03:02):
Then it hit me, don't please God, no, don't let
the soul turn on to me.

Speaker 2 (02:03:06):
Don't you put a.

Speaker 3 (02:03:07):
Fast from me, y'all.

Speaker 16 (02:03:09):
I guess that's one of those things that make you go,

(02:03:34):
yeah me, my cousins.

Speaker 15 (02:03:35):
Man, you know I'm trying to have.

Speaker 6 (02:03:37):
To do like some gangster ship.

Speaker 2 (02:03:40):
Ain't with it?

Speaker 6 (02:03:40):
Man, I guess he's like that handkerchief.

Speaker 4 (02:03:42):
Had Don made a pact to be well natural, back
from the wishing well to self actual bump from the
bunk gets grown in the trench, and it's getting.

Speaker 3 (02:03:56):
Kind of happy though.

Speaker 13 (02:03:56):
I got a picture in the six to let my
hair grow like a play.

Speaker 4 (02:04:00):
Eliminate the black gold chains and the diaper pants, Traine
a four, A pair of your bows.

Speaker 3 (02:04:04):
Never make friends with the fat blows.

Speaker 4 (02:04:06):
Yes, I suppose that a fact from the supper skinny
from the many that try to eat plenty. Now I
gotta flip for the copper like a penny by the versa.
Quitch your thirst with a twigger.

Speaker 3 (02:04:16):
Great fruit too, straight from the furmos hockey chools.

Speaker 4 (02:04:18):
And you can drop your tools and make the move
that could turniff in the right direction to your affection.
As I conrect, man, you trying to pull the wool
of a third ot. Come and fly with mister green jeans.
It's the bird eye of the metal. Was I just
so many people that I've been with her? Hello, how
do you do, Come on, draking, what wh I'm back
to the matter so I can show make tmooth black
brother that is getting it and if they're trying to

(02:04:40):
this ship, I got a waitness nickname the Emperor. This
wasn't meant for you, your little crumb.

Speaker 2 (02:04:45):
Snatch up what I.

Speaker 16 (02:04:46):
Mean, your man, Michael phone to sit down, because the
brother like me is known to get down. So get
up from the rhyme and your finest design to get
sight of a blind and the light in the mind
of the lines, the arrangeing a stranger and.

Speaker 15 (02:05:03):
Off the docks out to knock your out.

Speaker 16 (02:05:05):
The pocket flocks, the competition on a mission fishing in
an empty tank, coming up blank, crank the drugs up
so I can hear it, and it sums up to
thus up in the rics and I'm dropping. It can
be like man with dump you pick the perfect p
without the patches.

Speaker 3 (02:05:19):
He scratches.

Speaker 13 (02:05:20):
I make the word match. Try to catch up and
you'll break it.

Speaker 3 (02:05:23):
Jaw, don't laugh.

Speaker 13 (02:05:24):
I heard it happened before, some sad said, and it
can't rap.

Speaker 16 (02:05:27):
I had to pull back the trigger and cat up
around the rod at but the head not to put
it the bad but instead because rain. Just like the psychiatrist,
he had no idea that not has just been a
little to the bat and just wanted to see what
kind of knoughty he took light, So I had to
ship some light and now meaning kids go right? He
heard give it hit and had no idea.

Speaker 3 (02:05:46):
I get dumb.

Speaker 13 (02:05:47):
I'll be dropping poms on drunk.

Speaker 3 (02:05:57):
Come from a hippo for school, y'all. Don't you be
nobody school y'all more than me. I just wanted to
all theom a soul feel free.

Speaker 16 (02:06:12):
Man, man, I hat bread in the fronk boy, I
ain't no toy. I'll destroy any form of competitor. In
the former for predator, I say I had.

Speaker 13 (02:06:20):
A calm one jump.

Speaker 6 (02:06:21):
I know where I'm going.

Speaker 16 (02:06:22):
If you're a death from I was caught to go
for mine, even if I had to throw from mine depthock.
But I left the neighborhood just because I came to Cali.
Don't mean I went possible would I'm still good?

Speaker 13 (02:06:32):
And why I should not take it stay?

Speaker 16 (02:06:33):
Why the freestyle is bread, I can't bug it, but
it's not ragged because it's not.

Speaker 13 (02:06:37):
The way death Jeff does it. When I get hitted,
I rhyme.

Speaker 16 (02:06:41):
But that means whatever whether oct could then the way
hint that they bothered me. Not a bit of pay small,
thank god, nothing to a giant. When Raptam gets a.

Speaker 13 (02:06:50):
Fire, I ain't scared.

Speaker 16 (02:06:52):
I'm prepared with them, my brother and no soulfal speare.

Speaker 13 (02:06:54):
Don't try to read me.

Speaker 16 (02:06:55):
You be backfoled the boy your test for your best
being capital because you have no idea where I'm coming from.
I'll be dropping rhymes on drum.

Speaker 4 (02:07:16):
You know.

Speaker 13 (02:07:17):
It's like affair, not your ordinary. Call me a grizzly,
like a bee.

Speaker 16 (02:07:20):
I'm bound of a busy expressing on those with the
notion in positive mode. God off of the ride and
I rode listen, just riding along with the legend and
motion where you knew I had the pros in a
picture besides in a spitch and of sinces sappy a
fucking people. What have we not, amir but a major plavor.
You saved us so white and be paid her.

Speaker 13 (02:07:38):
Yeah though this is what I gave you.

Speaker 16 (02:07:39):
But you're gonna stroke a sniffer save you from something
you've been subjected to listening to our rest juice.

Speaker 13 (02:07:45):
That's so, that's an effect with that Jeff.

Speaker 16 (02:07:46):
And DJ Eric Vaughan writing you on friend of fault,
I take it bow by blow.

Speaker 13 (02:07:50):
If you're a king and you know I'm cro so
please don't know me. This ain't no no seed. You
feel pain at stroking the pen.

Speaker 16 (02:07:57):
I don't mean to be das the things when you're
coming to get your bits and attack with the wrap
that is up to a track. Basically if pop us
cause basics are fact, who made a mistake.

Speaker 13 (02:08:05):
I'm in a daze with meaning. Nothing's basically me.

Speaker 16 (02:08:07):
We're afraid wonderful words, adjective the bird now by the
pounds of birth features and slurs, simply supplying a subtle
suggestions if you're selecting, make me your selection of suckers,
deluding the point with sou will commonly seated thinking.

Speaker 3 (02:08:20):
I'm thinking you knew it.

Speaker 13 (02:08:21):
Rimes throwing flows so smooth like a fluid or liquid
with hall liquidity.

Speaker 6 (02:08:26):
I'm trying to.

Speaker 16 (02:08:26):
Wrap the cash and the flash for money's not the
name of the game or my cleaning fame to make
your rocket my one and only aim. There's no comparison
to what I've become. I've been dropping rhymes on train.

Speaker 3 (02:08:38):
We can ye, yeah, yeah, y'all.

Speaker 21 (02:08:52):
Between the show up when the classic can't bring the
noise with your hands slashing tea, you can't fan the
mass more dash for eggs, feeding on the baby being
in the plastic ji. It was substanti shot this on
five worn in the shy class high flash on the
trump hard because hey, big down the Norse bake. It's
paid for trails raising kindicon big cases. We outrage his
name in the streets gate and see if we got pain.

Speaker 37 (02:09:12):
But now we heat places.

Speaker 8 (02:09:14):
I'll let them all fly.

Speaker 2 (02:09:15):
Ten in the cliff.

Speaker 66 (02:09:15):
One in the chamber comes up under the banger on
top of the frame of dump.

Speaker 3 (02:09:19):
Fuck.

Speaker 66 (02:09:19):
It's like getting him with a dump truck. Friends and
guts and name cut the name the duck, the same stuff.
Get you cracked up like cocaine, Eat them up, pocaine.
I'll let the sucker slide.

Speaker 8 (02:09:28):
Once one takes down, found him.

Speaker 2 (02:09:30):
In his Captain crunch.

Speaker 21 (02:09:31):
Come on, man, practice the thing on jam jasse raffles
and tracking the radar skins, flip beats with the cool
night fleas of platoons, breach where the moonlight breach with
us pull off, don't stop the show shot the boot
tie vandom blast the gold by cock, back the candy
with up pot Now I got your.

Speaker 5 (02:09:47):
Up that five b.

Speaker 3 (02:09:48):
I cracked the pin. You got to a slap by mouth.

Speaker 37 (02:09:50):
And back forrsh. He's mashed up when the asphalt you did?

Speaker 67 (02:09:53):
They set the paste like a mustang, mashing off the
sticks and want to cut the cake or take cash?
And dropped on the bloodstained matchmis stops down. You win't
got access watch I'm gonna change my accent. Right, you
can talk, you little cots in the game. You can
suck my cup and lay flat on the ground. Don't
make a pie that you want the states out.

Speaker 3 (02:10:10):
Now get the bleach.

Speaker 19 (02:10:20):
Guess who got the rubber gloves in the bleach? Guess
who rocking that the club? That's me getting so hot.

Speaker 3 (02:10:25):
You feel the buzz in the street keeping it knocking.
Jays dropped that bat.

Speaker 19 (02:10:29):
Guess who got the roof? Name on top?

Speaker 3 (02:10:31):
And so we got the rapp than rock?

Speaker 5 (02:10:34):
What what went?

Speaker 3 (02:10:34):
Why you what not?

Speaker 8 (02:10:36):
Got messed up?

Speaker 31 (02:10:37):
Righter went tired?

Speaker 37 (02:10:38):
Here here it comes on you hear it's a click.

Speaker 21 (02:10:40):
Bloody brains on the sand, which's a miracle whip while
the blood keeps cushing. But it's a big mustard hunt,
i'm ana slam till I till the theist to the
bell for the recess.

Speaker 8 (02:10:48):
Ring on the defense game.

Speaker 21 (02:10:49):
You feel the crib like THEFJ hopscotch on the court
till I dropped the torture bronk fous with the views
that are rocking, forced saying, don't stop the show. Shot
the woot tie band, the blast, the gold banded, the candy.

Speaker 37 (02:11:01):
It's up, yo, we don't stalk him.

Speaker 48 (02:11:02):
Welcome more to We dropped the boar like Okay, guess
who got the rubber gloves and the bleach.

Speaker 66 (02:11:16):
Guess who rocking every club that's me gets so hot
you feel the balls in the street keeping it knocking.
Jay dropped that beat. Guess who got the group name
or top and so we got the wrap thing rock, what, what, where,
why and whatnot?

Speaker 8 (02:11:29):
Got next?

Speaker 3 (02:11:30):
Up righting went to explain explaining.

Speaker 68 (02:11:48):
It what then that's the thing top second taking help
the young the eye ee yard, break him up by
the man, set me black girls out my name, I've
said brown curls out my name.

Speaker 3 (02:12:04):
Well that's the fantom beg.

Speaker 68 (02:12:05):
Of hope plus back tam for break up, the rail
prop bucket, rock check and rock shake up and.

Speaker 3 (02:12:10):
Let's take check it hard yet and reds off it,
don't stop by on sweem it on the top of it.
Draggy wants what's bread? Light? Shake to hooker, make a
s what's across hooker?

Speaker 22 (02:12:20):
Boom blank, oh brank, letting me spell it hop hell
bell and hit me out.

Speaker 23 (02:12:24):
Let me tell like my home and I'm gonna like
to sell me.

Speaker 37 (02:12:29):
Ere excreen, gettle funk, make me bring it in.

Speaker 3 (02:12:36):
Come my nap shop.

Speaker 69 (02:12:37):
I'm like, I'm got your rock whole so no my
lap chop camshop, female details, Sally Cells Sea.

Speaker 70 (02:12:42):
Shot shot your hold strap on the heap, felt, tragy,
heils badam hanky, toot me standy bucksonk it black tail
in my back pocket? Son getting bick from Cody, Say
your belt said smoke fills the wrong choke.

Speaker 3 (02:12:53):
Damn.

Speaker 35 (02:12:54):
How many counts has the funck the my bancas nine
night Stein Holstine.

Speaker 22 (02:12:57):
On the CAP's baking wrap, poomy traps, a banded by
Say your name the young made I take it Noday,
my mount out table dance breaking drastic, But how take
one is the weekend defended? Donle picture wave down the
set Elet it hell say it once again.

Speaker 27 (02:13:14):
I like my phone like grating like my say, and
the extreen like my home right like coming wading and
hang me away, I experen like my home.

Speaker 15 (02:13:25):
I'm like I'm rating.

Speaker 23 (02:13:27):
I'm just like a hang away and I'm got like
in the extreen's.

Speaker 27 (02:13:29):
Like my home. I'm like I'm thing wading and say,
I'm gonna.

Speaker 35 (02:13:33):
Like my next check the tank, drink and work out.

Speaker 3 (02:13:38):
Who the drunk out danger?

Speaker 15 (02:13:40):
Watch up that's on the mound.

Speaker 3 (02:13:43):
What's what's up?

Speaker 35 (02:13:44):
So that's got break nor hate. They mixed A ninety
four The Big thing came back.

Speaker 71 (02:13:51):
Dumb can be kids don't king.

Speaker 22 (02:13:55):
Plat port of pink quick the one picture at it's
not a kid's next.

Speaker 35 (02:13:58):
Destra but that's a page bank damn jump back dot it.

Speaker 72 (02:14:03):
That.

Speaker 3 (02:14:03):
So what make this up?

Speaker 37 (02:14:04):
Bring it up, bring it out, bring it head, bring
it down, turn it up, turn it out.

Speaker 3 (02:14:12):
What fordobious is all about?

Speaker 27 (02:14:14):
Like the sex. I like the extra text like.

Speaker 3 (02:14:23):
Like like.

Speaker 15 (02:14:29):
Your next me home, next.

Speaker 69 (02:14:34):
Next, bring it up, bring it out, We'll bring it
dead't bring it damned to, turn it up, don't turn
it down.

Speaker 3 (02:14:42):
This is all about to bring it up. We'll bring
it out.

Speaker 69 (02:14:47):
Bring it in, bring it out, turn it up. We'll
turn it down. This is all about bring it up.
Don't bring it out, We'll bring it bring it damn you,
turn it up, turn it out all the.

Speaker 27 (02:15:09):
Next raded next raded next X rayed ray x radedo.

Speaker 16 (02:15:23):
Boo test were getting off shot in the west. We
may believe us out the best later week to rest.
It's something cat up boat that ain't no place like this.
Have the stuff y'all come when we created the ship
Saint only sacking young buck. Ain't no presence of this.
Don't even come from the city and you're running your lists.
I'm about to make a call. Get the news van out,
explain nutrition to Yoda on how your crew ran. Now

(02:15:45):
and we're coming live from the trade two three. Every
your cold man clouds to smoke. It ain't no room
for snow. The sucking niggas for sucking big stay in
the back seeking buckled up for the why each of
them with bad guys got time on my side because
this is my city, this is where I live, and
if you're bringing bad bombs, I got something to get.

Speaker 13 (02:16:02):
Hanging out under the sun just in everything.

Speaker 16 (02:16:04):
Than get crazy, getting the laps.

Speaker 15 (02:16:06):
You only wear y'all.

Speaker 6 (02:16:07):
Bank what step to me?

Speaker 3 (02:16:08):
What that means?

Speaker 16 (02:16:09):
Based buddy, I'm all smiles, sending them down in the
mouths down Crestent Heights, pull the bar, bomber the stars,
get your pulling out your car, but brook it too,
or just listen. You ain't down with the streets, my brother.
I can see in your butcher and that's some funding
for cover. A lot of y'all talk a good game.

Speaker 24 (02:16:24):
But it ain't playing.

Speaker 16 (02:16:25):
I learned that about the hood in our fielders where
you staying food, be giving you the mad dog after
the show, because when you're feeling the blows, or get
this on the clothes.

Speaker 6 (02:16:32):
It's phony.

Speaker 13 (02:16:33):
People in the lady I count it. It's a lot
and it they hate.

Speaker 16 (02:16:36):
The stitcher with bully and they claim in your block.
Just get everybody's cresting the heights all day, all night.
The community where I was raised in my days fishing,
and I can beat the maya. I deport you foods
and send your back to square laggings over here and
be brown off any people in the town with your
dup taking Dagon's doublekay signing off from the home of
the body bag.

Speaker 30 (02:16:56):
Got got gott.

Speaker 2 (02:17:02):
He m.

Speaker 16 (02:17:14):
Know about five years after they killed CREEPERO high wrestling,
moves to sleep, but drug dealers, rock people, stee tops,
cherry curls, jelly flipp blocks.

Speaker 69 (02:17:23):
For girls see He's on the stream, and a commercial
for Worlds All Wheels.

Speaker 16 (02:17:26):
I was a tom My crew up on the block
to color soundtrack rock the flampurc that you box my
l a u s c memble Reeves are ever restincts.

Speaker 3 (02:17:34):
File down clowns claiming the same.

Speaker 16 (02:17:36):
Tricks on this turf. My roots go deep like turbo nerve,
and the cops still sweat us. I want on all
blocks like I'm selling for let us and rock.

Speaker 3 (02:17:43):
The belts home for the drive by where.

Speaker 51 (02:17:45):
They popped the shells.

Speaker 16 (02:17:46):
I eat it channels and Lamarca not tackle bell. And
if you're not from the sea, then you should probably
fail because a lot of cats and airplants claim in
a label something saying something to.

Speaker 43 (02:17:55):
Prove, and at the shows with the floats and they
think the crowds groove and it's like the poor five
and five thirty, nobody's moving. I'm tired of now recognition
loosing their.

Speaker 16 (02:18:05):
Mission to proving the cats that my soundtracks in La
had when New Jacks.

Speaker 47 (02:18:08):
Job New York Crap on the block with.

Speaker 19 (02:18:10):
The promptree elation, Sit are you wonder?

Speaker 16 (02:18:13):
Rule you skin out for me to just I'm heading
back to Pedro to sit up on the hill next
to the Korean bell Egan, busy b watchawaye Well, high
Visibility Candalina and sell boats, Hollywood hip hop sauce and
sit cop dreams. I make more feet for Beef, Feen
support La teen Sax tripping with Cal Green, old Geez
every nothing.

Speaker 3 (02:18:33):
When I'm on your screen, I'm friends.

Speaker 16 (02:18:34):
With neighborhood crackheads, and I know ben La is the
place where I saw my problems at.

Speaker 3 (02:18:40):
I'll never be ill, always staying here because when I'm.

Speaker 6 (02:18:42):
In La, my.

Speaker 19 (02:18:43):
Family seat.

Speaker 15 (02:18:47):
M me.

Speaker 3 (02:18:53):
I can't.

Speaker 13 (02:18:57):
Got got got you got beat.

Speaker 3 (02:19:06):
Misses, but tell me what you like. This track is underwragged,
hated by my men.

Speaker 35 (02:19:10):
Need mine ump, so shake your mody to.

Speaker 36 (02:19:12):
The pumpy and turn around.

Speaker 54 (02:19:14):
Pick the sound.

Speaker 7 (02:19:15):
I ain't going.

Speaker 3 (02:19:15):
Downtown it but spunky.

Speaker 73 (02:19:17):
They gotta be glean, they gotta be seeing being freshened.
And I had a bad experience and the other my
lesson then pleasant more than I need I need off
the bodtops or we never tell you get the milt
out with the men who can bex jelling yourself your
lights around.

Speaker 3 (02:19:30):
My sound is back and then down the ground because.

Speaker 73 (02:19:33):
Of the crack it's off the my father that don't
take control of or what's left the road to use wisdom.

Speaker 3 (02:19:38):
Maybe what you find doing its dumb. I shake your
soul with the rhythm that I make you hold your
fingers in the air. We're pumped and gass. I'm pumping
mass of joys or some.

Speaker 73 (02:19:46):
Of the glass and his niggas ain't making the hits
that slam man and send something of man.

Speaker 3 (02:19:51):
I take a man man that by making music, country
thinking and listening.

Speaker 16 (02:19:55):
Over traps because all the wild boy yourself is just wow,
come along, it's come on.

Speaker 38 (02:20:05):
Is it?

Speaker 3 (02:20:05):
Cry?

Speaker 16 (02:20:12):
Mom?

Speaker 4 (02:20:17):
Mom?

Speaker 30 (02:20:18):
Now snap your fingers and clap your hands.

Speaker 3 (02:20:21):
If you want to know the more your lungs spend,
tell me who's the man.

Speaker 73 (02:20:27):
It's a your side kid, it's still my baculus back
in the gap backing up.

Speaker 40 (02:20:31):
But actually have a two with protection workers on slack
and never ever had.

Speaker 3 (02:20:35):
A girl set over.

Speaker 13 (02:20:37):
So I think it's a lot of time that we
should go.

Speaker 2 (02:20:40):
Ve enough to look.

Speaker 21 (02:20:43):
We're listening at such a person to go home full
A further reve lah ron, who.

Speaker 4 (02:21:00):
Boat?

Speaker 3 (02:21:00):
Are you with men?

Speaker 5 (02:21:01):
Are your man parted?

Speaker 3 (02:21:03):
The boat a part of the boat.

Speaker 30 (02:21:05):
Are you with man?

Speaker 3 (02:21:06):
Are your with man parted a part of boat? Are
your with man? Are your man parted? People? Boat a
part of the boat. Are you with men? Are your
with man parted?

Speaker 71 (02:21:18):
Whoa until the beach, y'all, and ya don't stop and
rock the rhythm that I mean your about.

Speaker 3 (02:21:24):
Until the tech contact tis live.

Speaker 17 (02:21:27):
Man's the rhythm your radio turned out the stereo because
it's work along the coolest of the cooling to call me,
y'all kill he'll hot, fanatic, bustle, never gonna win.

Speaker 74 (02:21:39):
Men on the International King of bore kings Chase the
l s says the Bible to bring here.

Speaker 75 (02:21:44):
I'm gonna get back I got starting from that from
the north to the south, to the east of the
west and at.

Speaker 37 (02:21:49):
The root so far you're put the ben to the paper.

Speaker 3 (02:21:52):
I be with the tea.

Speaker 13 (02:21:53):
It's the live mo the beater, and from shore to.

Speaker 10 (02:21:55):
Shore and from seat to sea and everywhere that we go,
we I'm based up here like that.

Speaker 75 (02:22:00):
Rock the house so till my man cut Chemist rocks
the house, so till my man Charlie.

Speaker 37 (02:22:04):
Tune Up rocks the house.

Speaker 3 (02:22:06):
For tell my mother room Mark rocks the house till
my man marks seven.

Speaker 13 (02:22:10):
Rocks the house till my brother hot Tea rocks.

Speaker 75 (02:22:13):
The house till my brother come there rocks the house
till my brother fat broke turning it out.

Speaker 7 (02:22:19):
Now the world, don't.

Speaker 3 (02:22:20):
Move to the bed. Just one drum so it might
right for you, it may not be right.

Speaker 75 (02:22:29):
Come on, come on, hey, it goes small because I'm
guaranteed to rock you out your draws by NMC's all
we getting locked.

Speaker 13 (02:22:36):
John, I'm not finding your seat but the morning and
all you'll.

Speaker 3 (02:22:39):
Just in case you forget the way, we will be
rocking it from him and to the next time.

Speaker 74 (02:22:43):
Fixing what the bat rhymes one time, time time over
with the batness plenty chases spin cream impstids of blackness
match this.

Speaker 3 (02:22:50):
Ever, practice makes her fake.

Speaker 74 (02:22:52):
Chark like the end Jonah blade that's CURVETI to serve this, yes,
but only when fresh so you don't have to guess
the r e b E l asah.

Speaker 3 (02:23:00):
Silas on the VARs.

Speaker 43 (02:23:02):
The communities wise, they want discards the truth of the matter.

Speaker 13 (02:23:05):
We're gonna be idol shot up.

Speaker 16 (02:23:07):
That's wed a had just like the hot off that
there in a controllable come on for it flowing me
because you're no weeping tuna.

Speaker 3 (02:23:13):
And Mark seven, Heaven doesn't wait us do it here
to stay?

Speaker 2 (02:23:16):
Does?

Speaker 76 (02:23:16):
He made us in this image with a limit shove
up perfect with dripping by a full unseen.

Speaker 3 (02:23:21):
But we divorced this president.

Speaker 13 (02:23:22):
So this rap goes back to the essence. Lessons have
been infamited. But your soon the scene coming in your
community rebels a rhythm unity.

Speaker 3 (02:23:29):
Yeah here, and you don't stop. You got the rhythm
of that makeshiffing this cla and you don't stop. You
got the rhythm that makeshif fing this pla.

Speaker 17 (02:23:39):
It goes from one, two, three, the three until one
to a apple to a pair, to a piece to
a plum.

Speaker 3 (02:23:44):
Listen to the drum. Doesn't make your ears down here
it come here, it come here, it can it come
come my.

Speaker 19 (02:23:50):
Depend then good until the limit.

Speaker 3 (02:23:52):
Never in my life been to the gedy goodning. You
can salute me, but I'm not a lieutenant. That mark him.
A man cut is.

Speaker 40 (02:24:00):
Something yes the s C B and ain't another m
seed that could touch my tree now with Dune the
Tea and the Rebels three.

Speaker 64 (02:24:06):
D clone and release the s Yeah and the form
you're up for me again and the spots never had
effort and lean the finger print at the bat with
coloney your time, I keep you standing listen and the
house some whiting.

Speaker 3 (02:24:19):
I'm flipping my back up heat.

Speaker 13 (02:24:20):
Don't have bucking but back and never gun back and
be close.

Speaker 4 (02:24:23):
That mother gona be kidding with not a them with
angry only some what wow me black up up the
go guns man.

Speaker 71 (02:24:29):
This nigga's not about pay my tools and ship. I'm
about to throw the fuck up because I refuse to quit.
And this what is dedicated to the.

Speaker 37 (02:24:35):
Clus that didn't.

Speaker 71 (02:24:36):
I'm about to grow the fuck up because I refuse
to quit them. I'm trying to give it my trust
to getting used and ship. I'm about to brow the
fuck up because.

Speaker 37 (02:24:43):
I refuse to quit.

Speaker 3 (02:24:44):
It doesn't matter who'st Uphosa's legit. I'm about to get
the fuck up because I refuse to ques. Yeah yeah, yeah,
my god, John Maget sharp.

Speaker 37 (02:25:01):
Profession watch when.

Speaker 31 (02:25:07):
Just defense.

Speaker 3 (02:25:13):
Down profession We got.

Speaker 55 (02:25:17):
Gaging and suspense theme and variation train robberts panic description
of the equation, maps of gold and after that the platinum.

Speaker 13 (02:25:24):
You want what you don't have so far?

Speaker 55 (02:25:25):
Either once happened, as I was called by my peeps,
play your cards rights bitthrd never look back. This regard
him that goes for bad reviews good, refuse any press
the news.

Speaker 25 (02:25:35):
I don't watch them too.

Speaker 16 (02:25:36):
I watched them sploptic cots reviews, birds eyes, Yes, the
rhythm and the words I use. I've heard the bird
pain for fuel. Everybody plays the fool. Sometimes the other
side of the game is cool. I'm back to school
the master rules pulling in the church where the pastor
rules are it breaks the task to give birth to
tools and keep the pressure horns and turns.

Speaker 19 (02:25:55):
Earth the jewel I that sound?

Speaker 6 (02:25:59):
How that sound?

Speaker 3 (02:26:02):
Were correctly holding in the crown?

Speaker 7 (02:26:05):
That sound?

Speaker 19 (02:26:07):
That sound?

Speaker 6 (02:26:09):
How that sound?

Speaker 3 (02:26:11):
Charly correctly holding the clown? Sound?

Speaker 19 (02:26:16):
On tracks, It's like boomerang.

Speaker 55 (02:26:18):
Sometimes you gotta let ship go to watch it come
back ever again, posis innocent move in silence tracks coming
no fingerprints posed to hit a miss not with This
is the type on four that might pitch your misses
and pack the bags, load up the pre bowl last
year and we hit the roll with rage, Google with
Free Moment in Cyprus, D'Angelo ships, Jurassic while Cupid Classic

(02:26:41):
and you'll gram presents Live, after the Billboard and after
the arm Pore, the after the War, the eye all
rest offer when I as sciences, don't test st it
attacked the whack a word of it, Mike, I got
it down so cold like guys.

Speaker 3 (02:26:56):
How that sound? How yehud exactly?

Speaker 6 (02:27:02):
How hot that sound?

Speaker 3 (02:27:06):
Hot that sound?

Speaker 46 (02:27:09):
Hot as sound?

Speaker 3 (02:27:10):
Yes, you were cloud. When you go to the town, I.

Speaker 16 (02:27:16):
Box my cosmic slot brings cops, ghetto hip hop, that's your.

Speaker 3 (02:27:19):
City block rocks.

Speaker 16 (02:27:21):
How bussy you would come back pretends for that heat
and play shops facts you're facing poker face cats dilated.
It made I wait through the maze, say hey, trap
crap fort some status of the aut ship after two l's,
I'm cool like Jay Sharksmith, mate your burn weather table shirt.
I teach, but I'm ready willing table to lord.

Speaker 37 (02:27:40):
Kids tried to eat.

Speaker 16 (02:27:41):
I'm just trying to breathe and trying to leave a
legacy that.

Speaker 3 (02:27:44):
You couldn't belieicially pull off.

Speaker 16 (02:27:46):
Indeed, piece the n y g S RockA sion on
the my City fast clock works. You could set your
wrist watch and the real backbone in hip hop.

Speaker 19 (02:27:54):
It's this shot.

Speaker 3 (02:27:59):
That sad.

Speaker 2 (02:28:04):
Sound.

Speaker 77 (02:28:09):
Child expect what a world rocker? I recite Dilated people,
It's rocks they fool. When I'm live, you understand world
wide jealous dead.

Speaker 30 (02:28:24):
You're taking out never just dilated people's ring, Live and.

Speaker 16 (02:28:28):
Direction, Chills, Piller, Flavor, keplow d J three six.

Speaker 5 (02:28:33):
Take it taking.

Speaker 78 (02:28:41):
Way, Never lose touch, never lose sight, never lose sight
of my mom, who gave me the birthright to our
life of righteousness.

Speaker 3 (02:28:51):
That's what I feel in my art.

Speaker 6 (02:28:52):
You wickedness. You went to Dell.

Speaker 16 (02:28:54):
You was weak from the start, and I thought your brain,
like Moses, part of the same.

Speaker 6 (02:28:57):
Come walk with me.

Speaker 16 (02:28:58):
They wibers, prophecy, no predictions.

Speaker 2 (02:29:01):
In my nack.

Speaker 6 (02:29:02):
Can't mock me.

Speaker 16 (02:29:03):
Got to hear this and least two times and you
can copy, and by then I move on to new
dimension to ParvE my stack advanced plus prepare a pension
by my nets. Don't glitch for the popular dereas Dell
and give me that Papa Riddy, feel that oper uugh
classical beat down her really like ultra magnetic.

Speaker 37 (02:29:20):
I make sure that you're hurting me.

Speaker 16 (02:29:21):
The record finds at thirty year and the third off.

Speaker 78 (02:29:24):
Again trying to start winning and drop another gin fever.
Loose touch, never lose sight, Never lose sight of my mom,
who gave me your bird light.

Speaker 13 (02:29:31):
I never lose touch. It's never lose sight, never lose.

Speaker 78 (02:29:34):
Sight of my will the heiler get the drive, height,
murder a speed, snails and based kick accepvidence.

Speaker 37 (02:29:40):
We fund the menu, We keep to base six.

Speaker 16 (02:29:42):
Complace with simplicity to the utmost these comedians on the
mic yo yo, I think they better let it know
because the slow was strictly Ammo microphones, not for these
niggas who don't have no skills yetting still, they insists
they only do it for fun.

Speaker 13 (02:29:56):
Fuck that filled the guns from my burning tongue.

Speaker 78 (02:29:58):
Lightning vaults from my I wrote Electri five through these
jokes to burn olds and tell frame shred on papers
with birth names. Wrankim Seas can't exist, no way up
in the pro game, not me man caliber that a
scavenger couldn't even bite with food, water and adequate light,
A piece of labor to write a pin.

Speaker 16 (02:30:15):
And right when he begins the far, I come smashin it.

Speaker 78 (02:30:18):
Never lose touch, never lose sight, never lose sight of
my mom, who gave me the birth fright. I never
lose touch, never lose sight, never lose sight of my
will to ill to get the drive height. I never
lose touch, never lose sight, never lose sight of my mom,
who gave me the birth fight. I never lose touch,
never lose.

Speaker 3 (02:30:36):
Sight, never lose.

Speaker 13 (02:30:37):
Sight of my will to l and get the drive height.

Speaker 16 (02:30:39):
Every days a regiment on the question of bill settlements,
false prophets coming to my door selling false testaments.

Speaker 25 (02:30:45):
I get calls on the phone.

Speaker 3 (02:30:46):
No he's not home.

Speaker 16 (02:30:47):
Selectors and solicitors, please leave me the fuck along yoke.

Speaker 13 (02:30:50):
I'm come in this country.

Speaker 16 (02:30:51):
You always owed that two steps forward with three steps
backwards type flow.

Speaker 3 (02:30:55):
That's got to go the far.

Speaker 16 (02:30:56):
I got a hot shelf trade mark over my crew.

Speaker 78 (02:30:59):
Live with bro especial enough limbs see with the ability
beyond what the I can see a rules beaveritely fure
divinity manifest physically ring lyrics because it's cloud in your
windy nothing to prevent me from banging heads. In Canada,
phillyes l a lady New York. I'll tell end of
the leaders. My people's filling me. That's what counts the most.
We keep it tight and do what right would come

(02:31:19):
up then with to never lose touch, never lose sight,
never lose sight of my mom, who gave me the
bird flight bid. Never lose touch, never lose sight, never
lose sight.

Speaker 35 (02:31:29):
Of my web cloud God.

Speaker 3 (02:31:31):
Never. I'll put your head out.

Speaker 6 (02:31:53):
I put your head out.

Speaker 3 (02:31:54):
I'll put your hat out, put your head out.

Speaker 51 (02:31:57):
A ship like a pro one one score points with
the joints of that I broke because I broked.

Speaker 6 (02:32:03):
I'm no punksy.

Speaker 51 (02:32:04):
I break backs, make tracks to get funky. This is
a winner, run too because nobody can't. MC's drucked to
your knees, sake your breads, So I gotta irish.

Speaker 3 (02:32:13):
Is about to kick it.

Speaker 51 (02:32:14):
Prepare to die and notify your next to kid. I'm
gonna win all out and crawl out. That's how I'm
lipping pump. You better stall out.

Speaker 3 (02:32:22):
This is the house of pain. Took home inside is insane.
I'll put your head out. I'll put your head out,
trumpalk spread out.

Speaker 15 (02:32:30):
I'll put your head out.

Speaker 69 (02:32:31):
I'll put your head out, put your head out, put
trump walk spread out.

Speaker 37 (02:32:35):

Speaker 3 (02:32:46):
He steps the boats. When the hut's want to take
their crawls if they're in a fact, cut the ball.

Speaker 46 (02:32:51):
Ain't no clothes to hold with the phone. You got
smoke even don't. It's that balls like chrisp Rolls because I.

Speaker 29 (02:32:57):
Got the ball taking up.

Speaker 46 (02:32:59):
Plasteps, get the ball, take my life. Shit, I take
you a skull and then all but get your page.

Speaker 3 (02:33:06):
I'm in coffee.

Speaker 6 (02:33:07):
That's so cool.

Speaker 3 (02:33:08):
Stop train man.

Speaker 46 (02:33:09):
And helose today and you're cat up in the feet
something click click, pomp man thing and no ship.

Speaker 10 (02:33:15):
I got right, had I figure for the lad I put.

Speaker 3 (02:33:18):
Your head out, put your head out, put.

Speaker 24 (02:33:20):
Your head out out.

Speaker 3 (02:33:22):
I'll put your head out. I'll put your head out. Pup,
put your head out to head out, I'll put your
head out. You know what I'm blessed with to get
to get swift.

Speaker 24 (02:33:39):
In un I'll never say click.

Speaker 51 (02:33:41):
When I'm out to get mine, just living left to
sit back and get her smoking.

Speaker 3 (02:33:45):
A fat blot.

Speaker 51 (02:33:46):
Wait for some pop to act like you's got something man'.
I grabbed the mic and start spitting up. Then I'm
coming up headstone blowing out headphone something.

Speaker 3 (02:33:55):
To me, you win not gonna taso. It's not a
person all that. So it goes step up with people
in your one up blue teeth.

Speaker 51 (02:34:02):
Because I don't give up them like that is step
back to say government eas gee.

Speaker 3 (02:34:07):
You can stand in line, but you ain't getting it
and talk all the ships you want. But I swear

Speaker 50 (02:34:13):
You have put your head.

Speaker 3 (02:34:14):
Out, your walk spread up. I'll put your head out.

Speaker 16 (02:34:17):
I'll put your head out for put your head out, chum,
walk spread out.

Speaker 3 (02:34:20):
I'll put your head out. Your head out, yo, what's up?
This is be real aka doctor Green telling you're blazing
out to take it personal.

Speaker 2 (02:34:28):
The person.

Speaker 79 (02:34:32):
Every looking up there want to feed them with the crow.

Speaker 3 (02:34:35):
Somethin got in the part.

Speaker 79 (02:34:36):
Let me ask you this, what's your feed them? So
down lord, and't do everything I hold. I can mop
up into one over down down for your neighborhood a flavor,
put enough behavior on the mound. When I got your back,
you know I got your pet.

Speaker 15 (02:34:53):
Another time.

Speaker 8 (02:34:58):
You just don't care.

Speaker 37 (02:35:00):
You said a little brow with a prayer, but you
just don't.

Speaker 3 (02:35:04):
Care that busted the cat get you such.

Speaker 79 (02:35:08):
A buckets in your finger on the trigger that my fly.

Speaker 3 (02:35:11):
We don't that we move the plant broke.

Speaker 16 (02:35:13):
Your set up in the sky as the cat test.

Speaker 3 (02:35:17):
You can't puck quick quick because I happened.

Speaker 7 (02:35:23):
I becuse you.

Speaker 3 (02:35:23):
Get to pets that happening. I can hand the left
side the medal, no medal met or you know I punt.

Speaker 79 (02:35:30):
With pots in the penal pascantals kill pa when I'm.

Speaker 35 (02:35:39):
Going daddy, dumb daddy did don't down? And not your past.

Speaker 3 (02:35:44):
You know what I'm tru.

Speaker 35 (02:35:45):
Dumb daddy, dumb diddy did it?

Speaker 3 (02:35:47):
Dumb down?

Speaker 42 (02:35:49):
Just set come on, but you just don't care such
coming off, but you just don't.

Speaker 3 (02:35:58):
Care, said.

Speaker 50 (02:36:02):
Little brain, like you just don't can't come.

Speaker 37 (02:36:06):
Clear it up, you don't, but you just don't care,
she said.

Speaker 3 (02:36:13):
Crime most of the time. She said, all.

Speaker 46 (02:36:31):
Let me think it of the top side of the motown, Mama,
that you won't be coming home any time soon because
I got you under the motomb.

Speaker 3 (02:36:39):
Think on, said you claiming better be the same set
I'm claiming taken. Let the con counter some im sount
just when I'm chilling under.

Speaker 46 (02:36:46):
He sat down and the book start to loft that
come come daddy, did it?

Speaker 3 (02:36:52):
Don't talk come on, give me a prayer, but you
just don't care throwing up, just don't.

Speaker 31 (02:37:08):
Shut up, just don't.

Speaker 29 (02:37:16):
Want to boom.

Speaker 3 (02:37:21):
Let's come.

Speaker 80 (02:37:35):
I'maplyptics. Wasn't the kids set for flament be lifted? I
tell him my leader's hair swelling top, tell her tell
us about the boxix Fly fits me if that's a game,
fly six rime fish.

Speaker 35 (02:37:46):
I gotta plan a strategy.

Speaker 80 (02:37:48):
Niggas many me because I got a fat of salaryactally.

Speaker 35 (02:37:52):
And we'll be cooking like bottom moments.

Speaker 80 (02:37:53):
Never talk because you'll never stop the head of moment
or of mo not a psyche. Don't happy the man
just scraped me and your slips just flippy. Ja'll smoke
them and no more the clinic andjoyed them. But gonna
spoke because I'm sure I'm better impure like canna missip.
It's possible, like i'ma do line with the lyrics.

Speaker 35 (02:38:10):
Live is the spirit soul.

Speaker 46 (02:38:12):
I'm not plenty in me.

Speaker 80 (02:38:13):
Niggas no slow mo a road would shell hop because
on the men reading and gen assists A D A
M the A B l us when in the same
when it came or fly Chick's real tight.

Speaker 35 (02:38:25):
So they feel right with the poxic shit.

Speaker 80 (02:38:27):
It's like that, and that's how we is se tossing
the pieces with young fricks like a thriller searching fine
lines of life.

Speaker 35 (02:38:33):
But my scripture thiggas need to make their mind. You
get the picture.

Speaker 30 (02:38:38):
Yeah, yeah, yeah, here.

Speaker 3 (02:38:57):
Eruptions thrusting.

Speaker 16 (02:38:59):
When I'm thrusting cuts made into microscopic particles, molecules, atoms.

Speaker 3 (02:39:03):
Attack some acts, never slow, never slacks. I'm invincible.

Speaker 36 (02:39:06):
I'm on a boll the fellows intensive pools, sucking around
with the wizard.

Speaker 3 (02:39:10):
Your flake blum, I would have hold it open, pull
up and gives.

Speaker 21 (02:39:13):
It, check it out of me a slot of the
watery weak it slid stands a slap when the peak.

Speaker 16 (02:39:18):
Niggas tweak when I speak, they retreat, rethink what was smoking,
and then repeat my feet of the human capabilities raping
village emseats.

Speaker 3 (02:39:27):
Then I kill them, I say, who have no style?
I found niggas down to the cuticle, who give feel
my footprints?

Speaker 21 (02:39:32):
So it gets a jack and your eye beautiful blinding
blinding up for change ups.

Speaker 3 (02:39:36):
We range trucks. When I dropped report of trucks out
of the mic and then digest my Tesla way and.

Speaker 47 (02:39:42):
You're just when I expressed on myself extreme the future,
think you loosen your mind?

Speaker 3 (02:39:46):
Are Rhyn the pruss like and take the top fry
Yeah so yeah yeah so the year year it's.

Speaker 15 (02:40:10):
Easy ease weak, tease.

Speaker 35 (02:40:13):
The bottom seas feet they're coming back.

Speaker 46 (02:40:15):
And then Batman sound the facts like around your text
from burder Prey, I'm on your next Sally bomb.

Speaker 35 (02:40:20):
I'll be from the rich lightly believe it or not
believe it. I got the cop D cacaphone.

Speaker 3 (02:40:25):
I cut the phone.

Speaker 46 (02:40:26):
So there is no needs for these attempt because I'm
a pivo and I fat. I said I rate can
on that skill, but spelled the countless a counter snip.

Speaker 35 (02:40:34):
With s rismas with biscuits. Put this ship is secret with.

Speaker 81 (02:40:37):
From the fights that are becisee as they talking stuff
the most posts, I'm not stoking someone's most we often
passings off with it is the image portrayed in the
fitness is not saying don't win, I pop eyes. All
of the guys with the whipsy hacking cut just don't
get me interest.

Speaker 3 (02:40:55):
Do you went on the ball beat?

Speaker 35 (02:40:57):
I'm all opinion?

Speaker 3 (02:40:58):
Is it the Limma horner?

Speaker 30 (02:41:00):
So make your mind up yet.

Speaker 3 (02:41:06):
Yeah yeah, I don't even.

Speaker 58 (02:41:09):
Let it flock down your yeah, yeah, I don't let
it clock down your.

Speaker 30 (02:41:16):
Yeah yeah.

Speaker 16 (02:41:21):
Yeah han.

Speaker 57 (02:41:25):
Shop yeah, handed and handed.

Speaker 3 (02:41:30):
Down slide.

Speaker 21 (02:41:35):
Flocks in the house, in the house, make your mind dust.

Speaker 82 (02:41:53):
Stay in the off for whatever I saw you alive
with the plan of storm a form whatever spark you
look manchuri and must be looking at that cook with
the jew in the platinum saying pray, why father of
work lmatized mine? If you ain't you've been down with
three six files from the hen do the sly lie

(02:42:14):
to here flither.

Speaker 13 (02:42:14):
Yourself after what pie on the Indian five stainment.

Speaker 16 (02:42:17):
This is like chameleon colors because you don't give a
fucking away the other. Yeah, he gonna be here planning
my here why of my plants? Man and fives little
blot kept Hi mc clean air, tim in my least
here tring him to try.

Speaker 82 (02:42:30):
Man and there we slum with the planet star to
dance in the R form whenever I stark be aligned
with the planets of Star to.

Speaker 3 (02:42:39):
Dance and the all form.

Speaker 24 (02:42:40):
Whatever the spark.

Speaker 83 (02:42:42):
Whether started starting the fat excited, she was whitening. Don't
let you see his start to forget who you are.
So for all the people to breathe and brow.

Speaker 39 (02:42:54):
See whatever evil if they need to know, I should
be light for when fine is directed to leave whatever rative.

Speaker 3 (02:43:01):
And on advancement, you walks can't stand in.

Speaker 13 (02:43:04):
I'm in the party, cancing.

Speaker 3 (02:43:05):
Up for party. Hnd me you see come along this
time I brought me your badness. Canda is complete with
the horny at taxman.

Speaker 46 (02:43:11):
I miss the subject for niggas a lump it because
I should be wrapping out, fixing the government and reaching.

Speaker 3 (02:43:16):
The bus fighting. It's hard.

Speaker 6 (02:43:17):
You'll to get dirty.

Speaker 13 (02:43:18):
They don't need get greater and walking straight into six thirty.

Speaker 82 (02:43:21):
I'm trying with the planets and stars and then send
the R form whatever I stall with the planets and
stars to fans, send the R form with that little bit.

Speaker 84 (02:43:30):
Stark can't still Canada cut passed up the tag. There's
all the grass clubs. After the last cut. Smith's got
me into back in the bus. Passed your little fast
bench to the back of the bus. Second b because yeah,
consecutive bucks is Jason lean in the sack. He had
some series to diss there still in there, lighting the sack.

Speaker 9 (02:43:47):
With red hairs anywhere uparent air force at the airports,
Champion for the airbard the middle barn in Australian stallions
so so too, coach trus rule, merchant, smooth service, you
white with mcer with the.

Speaker 82 (02:44:02):
Players, star is in the harm whatever storm were alive
with the plane is the star.

Speaker 3 (02:44:08):
Is in the aw or whatever we start.

Speaker 6 (02:44:13):
For your arm to.

Speaker 16 (02:44:14):
Whoever is your arm with the planets the stars for your.

Speaker 3 (02:44:20):
Your own.

Speaker 13 (02:44:53):
Hello, ned.

Speaker 16 (02:45:05):
Cust damn line the ducks up. I'm trying to get
more than just my bucks up. A spinning prevalentpse with
Babs comes the fuck up. Rocker cuts your ploptic round.
Rocker the color outside the line design doctor consciously watching
the watch, watch us and get the world high like
the river of conscious be.

Speaker 7 (02:45:25):
Junking star scratched hard to catch.

Speaker 3 (02:45:28):
The DJ's catching harder.

Speaker 16 (02:45:30):
It's the live libation viborating the desk bamboo. I resigned
our lady to death. I would fight for my rights
till my every last prep war. Don't decide who's right
for who's that?

Speaker 81 (02:45:40):
Who are from picking cat in the fight in your
war for bad.

Speaker 3 (02:45:43):
Lighting, history will not be forgotten.

Speaker 85 (02:45:45):
That's why I smoke stretcher than that cousin retrospect. We're
the ones who my sponsor interacts praying knowledge.

Speaker 3 (02:45:51):
You go to college and get diplomas.

Speaker 21 (02:45:53):
My raps dollar's unconsciously and the cama try me politically, I'm.

Speaker 85 (02:45:56):
Incorrect, but she was smoking cigarette surl cynergontics. My rats
I had the morning they got niggas in California, and
that I greet you off for the corners of pressing.
Nights of Horner want to make music match a mo melodies,
stun any webbing and scrapping.

Speaker 19 (02:46:09):
Up y'all, twelve o'clock little spots.

Speaker 15 (02:46:12):
What a lot.

Speaker 19 (02:46:12):
The more emotion I put into it, the harder I rock.

Speaker 43 (02:46:15):
That's from OC Now they watch closely midnight runs Night
Life of Linz and Mosley.

Speaker 19 (02:46:20):
The game's foul, but with that this works peace to
those in our shows.

Speaker 43 (02:46:23):
Before worst comes to worse, I split lines or I
spray these words the high Lady, we tell check the
other two thirds pak Rohm's hard hit hippop hardcore. We
take queens like my GMC on tour, but your bless
us more and we wore for change.

Speaker 3 (02:46:37):
Bab boom Lock and Low Duck season Your in n.

Speaker 19 (02:46:39):
Out then from my heart working they can sit.

Speaker 3 (02:46:41):
That's what I was with my ship on the rock.

Speaker 86 (02:46:43):
So for the next brick about six niggas gonna told
me the whole hook.

Speaker 37 (02:46:47):
Fighting that aby nigga snke told me.

Speaker 3 (02:46:49):
Just see my whole street getting no sleep.

Speaker 86 (02:46:51):
My lot flish you know the hood body can see
my high favorite bed bread up that out of space
swinging high speed. Once I was so high power four
it for full name eighteen. I was spending of my
time three you know colors, not a black span of
my time.

Speaker 3 (02:47:05):
Guy, I need stacks and right and raps.

Speaker 2 (02:47:07):
For real a roll scale forty faux mail man.

Speaker 16 (02:47:12):
Yeah j bab two thousand and toes my nigga explosive ship.

Speaker 3 (02:47:16):
You know what I'm saying. Next number all stars on this.

Speaker 2 (02:47:22):
Check it out.

Speaker 3 (02:47:24):
See God did active bee.

Speaker 16 (02:47:29):
Divine up the sum and timing in the rougher minus
is fun. Your ice friptures, the Pullpetry ther lipis the
young her biggy pictures clipping the most pimmin holes.

Speaker 47 (02:47:36):
Making sure that my legacy lives on, and tell my spippits.

Speaker 16 (02:47:38):
The ghost step up the rest got blowing colored room block.
It's wet clothes. Literally, get your whole dress clothes, the
butter bush and ne feo.

Speaker 5 (02:47:44):
This one of the days.

Speaker 3 (02:47:45):
I'm like the ost of the lot whoses your pops
with the fat base rocking like fox. You hurt me
on a bunch of joints, come.

Speaker 39 (02:47:51):
In and food the circuits number climing my tone for.

Speaker 2 (02:47:53):
Being your number.

Speaker 3 (02:47:53):
But the hot versus it's the school.

Speaker 16 (02:47:55):
Chain use rock star brow COCKI with a complex crushing
on contact, so down victim the chamber rap revolutions snooking
my papa to spit.

Speaker 3 (02:48:03):
That we give you that.

Speaker 19 (02:48:05):
In fact, we give you what you lack.

Speaker 7 (02:48:07):
We smack that.

Speaker 6 (02:48:07):
And the middle ain't no where to crack.

Speaker 75 (02:48:09):
The floor matters down pack resting shore that it's the
money making fall back.

Speaker 3 (02:48:13):
Of God's super rapper.

Speaker 16 (02:48:14):
I'm about to make it crack the California get his
back five four three two in one time to blow
the last cage in the SnO traditional heavy base.

Speaker 76 (02:48:21):
If in the chase bus you in the faith where
the who said some scientific ain't rhy.

Speaker 35 (02:48:26):
This nigga am right till my thiggers get an ride.

Speaker 3 (02:48:28):
This nigga you're supposed to go.

Speaker 76 (02:48:29):
Blowing the horse and back out blasting around a half
niggas laying flat on the ground, crab chasing about games
until our master rob chase guns wata change.

Speaker 5 (02:48:37):
Y'all need that national little.

Speaker 3 (02:48:39):
Guards to persuading a squad regardless in the.

Speaker 76 (02:48:41):
Proper game that we're gonna keep crazy. The law on
the stocks drive probably increase. We had Warren, He's will
to have whole. We had royal police.

Speaker 87 (02:48:48):
Yeah, your clowns been knowing mussiles made clothes, went to
town with Mustyle give it thousand, drove the king holding
the sack up, scoping your shack using mossid jack. The
school's open for black job. Yes, we wore this over.
We get long roll go. We voiced Inhamus from me
get so post your strong pes using certain details. Chiefs
like in your man were in the prall for prill

(02:49:09):
and see he gets men Sidney and Pin just filled
with the evilest gin.

Speaker 3 (02:49:12):
I'm feeling with my previous sentence, it's time to make the.

Speaker 2 (02:49:14):
Whole class jump fools. It's for you the pong past.

Speaker 87 (02:49:18):
Brother, Yes, before you step, get your playing concrete. It's
that sit your persons on the scant see. Yes, my
bad god hate that moved destructs trees because pup us.
Watch out, it's dust see.

Speaker 6 (02:49:31):
Some fact la ship right there.

Speaker 3 (02:49:34):
I hope y'all know what time is now.

Speaker 13 (02:49:37):
To tell the fuck that.

Speaker 41 (02:49:41):
Cry showing about.

Speaker 3 (02:49:44):
Guys and it's.

Speaker 64 (02:49:49):
All right, we'll tell y'all the practice back, okay, big
dad in the world, alcoholic play walking up in the
side right now, make a person.

Speaker 3 (02:49:58):
Alcohol us. They tell you, I gotta kid. They're gonna
loop tactics to the street and they can get crazy pressed.
Saw it's crazy fresh. Shall my man Jack's up out
getting fresh checking the play.

Speaker 62 (02:50:11):
But here's a rookie two Nightcrawlico, the alcoholic grouper in
the house.

Speaker 3 (02:50:15):
And when I busted the whole love the heat my issue.

Speaker 8 (02:50:18):
When I flist back my.

Speaker 62 (02:50:19):
Flash with the cracker jack up or you pack them
kick me, whe's a towel when my smart toasting to
the funk or punks put your glass down, end up
in the trucks. You wonder to win my pop style
some kind of ferry the fiction and every that's when
my backpack of ery my right took the back and
show what pack look lyrics originally a track black and
back keep gon call me moody.

Speaker 3 (02:50:38):
I simply knocks the money you pull up my hoodie
and then now pus the sam giddy. This is on
my woody cause I likes to get the loosest. I
eat niggas up and watch him down with goose to us.

Speaker 21 (02:50:47):
I can't pour it five because I got the rust
the liquitch passed.

Speaker 65 (02:50:49):
From the boot that they just want to get with.
I keep them from the east all the way through
the west. Just stay away from wood that puts the
hair on your chest. And that's a little piece of
advice for the kiddo. I'm bust playing the thing to God,
I keep it up to day to take it back
like the twins East whippers out of town. So the
pack bumping didn't don't take your yes on good night.
Nobody's over up.

Speaker 3 (02:51:09):
If you're at this from the white mum or something
some up the hop all ite, the.

Speaker 88 (02:51:20):
And whut, all the breaking and duckle props like Brandy
running all right back and like you're like a hot
make up my.

Speaker 3 (02:51:26):
Check and charis into the ease, all the we's all wack. Yeah,
pack breaking tickets. Don't pull the trump Trump. To pull
the Trump, I gotta get snapped. The spit raps on.

Speaker 88 (02:51:36):
The drum going onto the beat, I wreck shop stoop
or brumble still skins in my mouth the brother within
the time, did so dad on the little super tackle right.

Speaker 19 (02:51:44):
And my check check a wrong something like and no true.

Speaker 36 (02:51:47):
I used to play foot well now I'm in to
rhymes and that but rhyme, mister till back the track
is the block. My name Ja Don and I've been
waiting for ages to let the will know without a.

Speaker 31 (02:51:56):
Right you know my page.

Speaker 3 (02:51:57):
Don't flop sister room the west cake. I can confess
I pull the stress stress when I wreck it, when
I might check it.

Speaker 8 (02:52:05):
My brother checked the plate.

Speaker 88 (02:52:06):
Check the alcoholic record, lot of flip styles and ripped
styles eight thousand mouse the stouts, I still power to
play with, flipping from bringing these little being the pack
like a hula move and stacking like this stuff the
rips out.

Speaker 3 (02:52:19):
I'm humming the loop pack the alcoholics keep and niggers
runs front. When I.

Speaker 31 (02:52:27):
Go down down wintut.

Speaker 4 (02:52:33):
That you can say this.

Speaker 21 (02:52:34):
You must be out to Lunche of love. They call
it East swiped them from the alcoholic bunch Blood.

Speaker 3 (02:52:37):
I'm just down the roof out.

Speaker 2 (02:52:39):
Check out one tooth.

Speaker 31 (02:52:40):
It's the next baby.

Speaker 16 (02:52:41):
I can while luke pack to.

Speaker 37 (02:52:43):
Fucking like a function.

Speaker 8 (02:52:44):
Start the stylist dicks.

Speaker 21 (02:52:45):
I got more beats, then the magic got assists so
way up off or getting.

Speaker 8 (02:52:49):
Snatched by the collar.

Speaker 21 (02:52:50):
The party ain't over until that fact, bitch, I'm in
the house, soap checked away, I'm float nigga say I'm
back every day.

Speaker 3 (02:52:57):
I say, I know, but my head ain't swollen. I'm
saying down, hurl the earth, never gang bang, never play.
I took a gang of boy, ain't nothing wrong with
that and.

Speaker 89 (02:53:05):
Let you go buck buns off, bumping off the pot.

Speaker 6 (02:53:09):
The banna reck you barny so again.

Speaker 3 (02:53:11):
These chapters are they it from took.

Speaker 15 (02:53:13):
The baa recor barn bread to.

Speaker 3 (02:53:15):
Get this to begain.

Speaker 90 (02:53:16):
These chapters are then give of the question how many
mcs to you know?

Speaker 4 (02:53:20):
Like this?

Speaker 3 (02:53:21):
I'm type of can't be staging.

Speaker 89 (02:53:22):
I must say, insist before I start my mic checking
r back like this.

Speaker 90 (02:53:26):
Help, God said c Let's collaborate with the sounds of
fake gap around the plate. You're down to wait for
the background chatter when out surround the fake drop a
south piece tony niggers in my micael recpect take outing
up my clothes while I'm using my mike equipment help
people like a flip will be delivereds that ship you
for Nick, you need help, so mad, the foss be
with you to rap us like a court and dismissing

(02:53:47):
your life. The jevery when it comes to West Coast
undergrounded pass and listen early.

Speaker 3 (02:53:50):
You're best being concerned. If you heard that I said,
I it's confirmed Jack CRUs return like that. I on
the count of DJ.

Speaker 8 (02:53:57):
Wrongs, rocky beings, my neighga.

Speaker 3 (02:53:59):
I'm like this with the nap stock down niggas mad
because I'm.

Speaker 4 (02:54:03):
Playing to biggree whatever because whatever the cars you're taking out,
whatever your end dump getting caught up in our circle
him dumb because you forgot to put your limbs up.

Speaker 3 (02:54:12):
You can catch you with my asb off, my half, my.

Speaker 8 (02:54:14):
Fen mixed with him.

Speaker 3 (02:54:16):
How they getting juices there in the California weeds play
they get your open nice sun.

Speaker 8 (02:54:21):
This is dedicated to them niggas in for question, how
many a MC do you know? Like this the type
of careful stock.

Speaker 3 (02:54:27):
And our bust insists.

Speaker 89 (02:54:29):
Before I start, I might check in com back my
fist the LP god see and ancd you cut your
stay of any center of the instrumental inventor be y'all
up in the winter from a spring ball that will hit.

Speaker 3 (02:54:42):
You with no gimmicks, a bridget of having fact.

Speaker 89 (02:54:45):
Then the mix when we start to invent niggas, no
the play, but hicks off with no intention one how
to fill up out most niggas. What's your niggas coming
out with that same most ship. My nigga's on that
brain sick when it comes to Liverpool, we hand it's
kind of like, oh my god, it's sucking beak head, beheaded, dreaded,
so nigga forgetting the vacum seeds.

Speaker 8 (02:55:03):
May you want to laugh your niggas out for the past.

Speaker 13 (02:55:05):
But then then yet, y'all niggas pass.

Speaker 3 (02:55:07):
Now he's gone off the trouble and go threees up
on the basin we.

Speaker 25 (02:55:10):
Drop universal forth, humble liquid organization.

Speaker 3 (02:55:13):
You're gonna be facing me for the manifestation. We're gonna
have beend your station God essene in goose the nation.

Speaker 90 (02:55:18):
We're gonna start the Nigga act black and seas like
respect as the lost resurects make all y'all want to
weak that blackness for the simple fact that is sending
this out to all of my eight or five as
fact reads, how many entries do you know like this?

Speaker 3 (02:55:32):
The type of Tampa?

Speaker 8 (02:55:33):
How much said since but before.

Speaker 25 (02:55:35):
I stopped my mic check at compact.

Speaker 3 (02:55:36):
Contrast to LP got the FC Yeah.

Speaker 8 (02:55:44):
R R rack Rock Rock LV got the FC.

Speaker 78 (02:55:54):
City slicker, what's the definition Cabby Wave's fresh phase CASI
spanky shirt man?

Speaker 13 (02:56:01):
Listen the type of.

Speaker 78 (02:56:02):
Ladies out here will be so pretty you want to
kiss some hot fair can dismiss of jump in the queue?
Start the ignition? Ever did ever got another sound? Fishing shitting?
The farmer's right here in the flesh.

Speaker 16 (02:56:15):
Just start spitting shine and glisten.

Speaker 19 (02:56:18):
No, I'm mixing.

Speaker 37 (02:56:20):
Nine, lay it on the line the sunshine.

Speaker 13 (02:56:24):
I feel the same.

Speaker 78 (02:56:24):
It's all those say fuck the one time I'll break brands.
Some folks think that we knuckle heads. Our chunckles say
fucking b the.

Speaker 16 (02:56:31):
Bubble and watch my stack double just goes out to
all those getting paid flex muscle get the US on.

Speaker 21 (02:56:36):
Each and every day I say you're on, Then I
say it twice, just for all my city slipper niggas
feeling nice. If I say it once, then I say
it twice, just for all the pretty ladies, give me
your head tie.

Speaker 37 (02:56:48):
If I say it once, then I say it twice.

Speaker 23 (02:56:51):
Why it's for all that cakes to spank clean shirt?

Speaker 37 (02:56:53):
Why if I say it once, then I say it twice,
just for all the hustles. Make your whole straight line?

Speaker 3 (02:56:59):
Ain't die?

Speaker 12 (02:57:00):
Yo?

Speaker 3 (02:57:00):
Who's jam? Is this the far rad?

Speaker 38 (02:57:02):
Yo?

Speaker 13 (02:57:03):
What's his name?

Speaker 3 (02:57:04):
The Farrah?

Speaker 6 (02:57:05):
Yeah?

Speaker 78 (02:57:06):
In case you didn't know, focused daily took the time
prepper on them slow.

Speaker 16 (02:57:10):
No need to wonder where did I go? Up right
here in your here with the ridiculous piano be to rono.
Better make hits like so frano.

Speaker 2 (02:57:18):
Tony, you've got game.

Speaker 16 (02:57:20):
I don't know, baloney. I think you slacked a taste.
He's oh, you stumbling with your words. I can see
that look on her face.

Speaker 6 (02:57:28):
Here, let me replace.

Speaker 16 (02:57:30):
Bring us back down to earth because you you two
out of space. La niggas.

Speaker 37 (02:57:34):
Don't play.

Speaker 3 (02:57:35):
Don't play.

Speaker 16 (02:57:35):
Make the girl feel a mess when the sun rides
you on the way, she your love.

Speaker 37 (02:57:39):
I must trade like old school affair shan tepe.

Speaker 25 (02:57:42):
I tell her how.

Speaker 16 (02:57:43):
I say it once, then I say it twice, just
for all my city slicker niggas feeling nice. If I
say it once, then I say it twice, like just
for all the pretty ladies making your nails tied. If
I say it once and then I say it twice,
just for all the bed boys mis to win the sky.
If I say it once, then I say it twice.
It's for all the low lone.

Speaker 30 (02:58:04):
It's like to ride to ride.

Speaker 16 (02:58:06):
I'll revel without a cause it's full of flaws in
the city for ben and take a lass, but be
your work, use fall off, knock the agendo. I hustle
from December all the way to next December, and that's
from winter to winter. So we use my four digit
pin code, then press into and send up another deposit.

Speaker 37 (02:58:24):
Meanwhile, I'm debating with.

Speaker 2 (02:58:25):
My relative on what.

Speaker 16 (02:58:27):
Size lot to get profit.

Speaker 78 (02:58:29):
I got the game, keep it simple to play and
gift thanks and maintain. Now tell me, do you know
my name or are you one of those who hates
all the liquid m see fame but percent I give
double fifty.

Speaker 37 (02:58:41):
Spank l a slicker in the powder blue Griffin.

Speaker 78 (02:58:44):
We like grims, does tie fog lights, drive the city,
nice sun sets the city.

Speaker 16 (02:58:49):
If I say it runs, then I say it twice,
just for all my city slicker niggas billy nice. If
I say it once and then I say it twice,
just for all the pretty ladies.

Speaker 3 (02:58:59):
Keep your dad time right.

Speaker 16 (02:59:00):
If I say it once, then I say it twice like.
It's for all they can't suspect gee sure why? If
I say it once, then I say it twice right,
It's for all the hustles, make your full straight line.

Speaker 37 (02:59:11):
If I say it once, then I say it twice, right,
It's for all my cities sick of kiggas milling nice.

Speaker 16 (02:59:16):
If I say it once and then I say it
twice twice for all the pretty ladies kicking your nails tied.

Speaker 37 (02:59:22):
And if I say it once, then I say it twice, right,
just for all the boy's been took in this guy.

Speaker 16 (02:59:27):
If I say it once, when I say it twice,
just for all the load load right, it's like to ride,
like to ride until the ride.

Speaker 36 (02:59:35):
Let's kick it on the one black and we don't stop,
make it prack and some people look on checking their respects.
Then it look go the rocks, the sails won't stop, throws.

Speaker 3 (02:59:44):
Up the dock down, do cock con.

Speaker 36 (02:59:49):
Run them the diggy diggy doc Joe pumping it jest
shut you'll see.

Speaker 3 (02:59:53):
You the ships kicking breast sure.

Speaker 36 (02:59:55):
Letting the base of yon with with so so I
get white leave it no that the d doctor dress.

Speaker 3 (03:00:06):
Here's the.

Speaker 4 (03:00:12):
When I hear wrong, he strong, My gotta get dumble.

Speaker 36 (03:00:15):
Some think it's the fangle and lego me not able
to charmp go correct.

Speaker 3 (03:00:20):
So I jest back to my room, and it been's something.

Speaker 36 (03:00:23):
To come ament the boom of a kick, because not
one at all, like a monopoly the way on mcnon
a mistake. Make sure refubbily done strictly for the satisfaction.

Speaker 3 (03:00:34):
So you know all I am and action that's over
too for me to.

Speaker 36 (03:00:38):
You what a song strong buffing the touch the pumping
system of ball and I dilimma something.

Speaker 3 (03:00:44):
To shivel your piak level.

Speaker 51 (03:00:46):
And if you want to defunt, tell y'all go get
a shovel. Jem to me just speak au thattle.

Speaker 3 (03:00:51):
This is all over the burrow, but without a saddle light.
The white h the mics make it dumb.

Speaker 50 (03:00:57):
Betray you the engineer, but the droll und.

Speaker 3 (03:01:05):
It's thinking. Then turn.

Speaker 36 (03:01:12):
Turn up the radio, listen to the lyrics.

Speaker 13 (03:01:16):
Let the things go so you can hear it.

Speaker 3 (03:01:19):
You figure off pumping tickets.

Speaker 36 (03:01:21):
Gad you're like it, you're number how both get it?

Speaker 3 (03:01:24):
Man?

Speaker 4 (03:01:25):
What docent?

Speaker 36 (03:01:26):
Then ain't decent up with the with the style of
ma to get lucent sway.

Speaker 42 (03:01:31):
Because time as good as you've got, you get some
setting and hand dog.

Speaker 3 (03:01:35):
You want to ban one of your head. I don't
understand the misconception. If you're baking, you're going with election.
When you go it fly go, you're got a fly.
Let's tell you're a boeing, so your tie it's all
the plus han's the boon.

Speaker 47 (03:01:51):
You ball my meaning and both get a new storm
mellow the trick stuff.

Speaker 36 (03:01:56):
Makes the mixed dumb and beside the keep something's hurt
and when it comes sure.

Speaker 42 (03:02:00):
A drum's digging dot com jump jump yo, r go yo.

Speaker 36 (03:02:11):
We're not your in drum A call full of the
big beat. But you're attached like an't goes up defeat.

Speaker 4 (03:02:18):
So you listen and then the.

Speaker 3 (03:02:19):
Flat you pump it louder, but till you think it's just.

Speaker 31 (03:02:22):
Fucking some gun powder.

Speaker 3 (03:02:24):
Take it for a second, listen and beholder.

Speaker 21 (03:02:27):
Right after opening up your mind like a fold up
down with the science.

Speaker 3 (03:02:31):
I'm rocking like a musical.

Speaker 36 (03:02:33):
You know when you're listening and you're seeing me and
Drayco sweating cause you're no one like striving. It's the
number one, nothing for one, number five and nothing mean
mother to make it left a lifetime tell.

Speaker 31 (03:02:45):
The middle of this mix in my rhymes.

Speaker 36 (03:02:47):
Never been in me now the dress on the cut
you might think, I'm thinking, don't think by the think
of coming duck coming.

Speaker 3 (03:02:53):
Frolling to the homies in the city, getting dumb.

Speaker 29 (03:02:56):
The sound of the seat on to the sea there
the drum.

Speaker 13 (03:03:05):
Doctor right, do.

Speaker 2 (03:03:22):
That?

Speaker 25 (03:03:24):
Yes, all right? That was the d O C the
doc and the doctor putting the uh vital final touches

(03:03:48):
on Chef's special Volume two. Big ups the d J
three sixty for hitting this with another one of his
uh you know, magical episodes here right magical. Hey also
sho thanks to Big Worm and Dreddy Krueger doing a
little true false and pick your producer Jeopardy or whatever

(03:04:09):
the hell we want to call it. But it was
a good time. It's always nice to hear from those guys.
Glad they're glad they're doing all right.

Speaker 5 (03:04:14):
Gloss finally got the W.

Speaker 25 (03:04:16):
Yeah, Glass got the W because Tupac.

Speaker 18 (03:04:20):
Wanted to be Mace wind do all right, Hey, that's it, guys.

Speaker 25 (03:04:27):
I don't have anything else good to be back, and
I think we're gonna hit you with something pretty cool
in the next couple episodes. So audios, what we got
coming up?

Speaker 2 (03:04:38):
Jay? What do we have coming up? We have the
we want to tell them.

Speaker 19 (03:04:42):
Yeah, let's let's let's tickle the tape.

Speaker 12 (03:04:44):
We got what I would can call the best of
tip where we typically don't play new music on this show. Right,
it's a ninety centric show, but every once in a
while with do new music, like our previous show.

Speaker 2 (03:04:57):
So what we're doing is over the last this is
or eight years. Yeah, we're in year eight, year eight.

Speaker 12 (03:05:03):
So over the course of eight seasons, we've done maybe
a dozen shows of new music.

Speaker 2 (03:05:09):
So we're gonna play the best of that.

Speaker 12 (03:05:12):
So without giving you too much, it's gonna be kind
of like age best of but of the newer music
we've played on the show, not anything from the nineties,
so thinks you know.

Speaker 63 (03:05:24):
So we're gonna go diving into the best shows that
we've done new music shows on and bring that out.

Speaker 5 (03:05:30):
The best music, correct, the best songs from those shows.

Speaker 12 (03:05:33):
Yes, absolutely, which is gonna be like a little bit
of a recap if you will, of all the bangers.

Speaker 5 (03:05:40):
That NonStop he NonStop.

Speaker 28 (03:05:43):
By the way, guys, have you have you seen this
thing on YouTube that DJ Premiere is doing called so
us Up, his little twelve minute videos about certain poems
that he did.

Speaker 19 (03:05:54):
Wait, that shit's so old, I mean, yeah, man, it's good.

Speaker 31 (03:06:00):
It is good.

Speaker 2 (03:06:02):
Old. Wait, I swear from another fucking planet. You really are.

Speaker 5 (03:06:07):
Sometimes I just don't find things for a while. By
the way, listen to the new Ryu song super Dope
Ryu Man. We did we did to the West Coast Ryu.

Speaker 28 (03:06:17):
Less O Me one of my favorite mcs from I'm
from the West Coast.

Speaker 5 (03:06:20):
Dude is so good new song something about terror and
it's fella good.

Speaker 2 (03:06:25):
Lookout for you.

Speaker 19 (03:06:26):
Look at the man's hella shit, terror, terra what else?

Speaker 9 (03:06:31):
Man?

Speaker 19 (03:06:31):
You guys been good?

Speaker 21 (03:06:32):
You know.

Speaker 3 (03:06:32):
Listen.

Speaker 63 (03:06:33):
Happy to be back, coming back from that trip again.
I'm gonna bring up the old shows.

Speaker 38 (03:06:38):
Man.

Speaker 19 (03:06:38):
When I was away, I was just listening to a
lot of the old.

Speaker 63 (03:06:41):
Remasters and they're they're really good, man, really good.

Speaker 5 (03:06:45):
So sound quality.

Speaker 63 (03:06:47):
Yeah, if you haven't gone back that way, I mean,
Kevin certainly Kevlar was definitely yelling and screaming much more
than he does now.

Speaker 19 (03:06:56):
It was like, you know, high modulation going on.

Speaker 63 (03:07:01):
Help, Oh god, man, I had to go back in
like PreMaster his vocals more than anything but.

Speaker 2 (03:07:08):
A big gold medal flower and yeah, Florida.

Speaker 63 (03:07:13):
It was a different world if if it was below
seventy those shows, Kevin was on a different, different frequency.

Speaker 2 (03:07:22):
For the good old days. Our next We Mastered show
is going to be the Native Tongue.

Speaker 19 (03:07:27):
Tribute, right, Yeah, that's gonna happen.

Speaker 2 (03:07:29):
That's a mammoth one. That's like a twenty six hour episode.

Speaker 19 (03:07:32):
Dude, it's all logs. I'm like, is this real?

Speaker 2 (03:07:35):
Is this real?

Speaker 63 (03:07:36):
We kept that as the same number episode. I would
never do that today. I would make that a four
parter and we would well be into the two hundreds.

Speaker 25 (03:07:45):
But we should definitely be into two hundred spinning easily easily.

Speaker 12 (03:07:49):
But all right, Well, like, great episode, and I really
enjoyed the game and the you know big.

Speaker 63 (03:07:56):
Worm in the wind ready and Kruger get you Treddy
Krueger with Halloween coming.

Speaker 19 (03:08:04):
It's great, perfect, It's good ship.

Speaker 3 (03:08:06):
It's good ship.

Speaker 63 (03:08:08):
Could you imagine a dude in a Freddy Krueger constant
with dress comes.

Speaker 19 (03:08:12):
To your door asking for a fucking snicker.

Speaker 5 (03:08:15):
I was thinking more job of the hut, but yeah.

Speaker 3 (03:08:18):
That's great.

Speaker 2 (03:08:19):
All I gotta say is, man, you know this is
like the best puppy party I've ever been to. I'm
on some crazy ass lean going deep in this moment.

Speaker 25 (03:08:30):
Hey man, that's a dart he just put in your neck.

Speaker 2 (03:08:35):
You're crazy, You're crazy? Kind of good?

Speaker 3 (03:08:40):
Is this?

Speaker 19 (03:08:42):
That's tranquilizer?

Speaker 3 (03:08:43):
Job?

Speaker 25 (03:08:43):
Be careful with that.

Speaker 5 (03:08:45):
That's the most powerful trink gun on the market.

Speaker 8 (03:08:47):
Huh got her in Mexico.

Speaker 2 (03:08:50):
Yeah, it is cool.

Speaker 19 (03:08:51):
They say it can puncture the skin of a rhino
from a hot ah.

Speaker 3 (03:08:56):
Oh, yes, that's awesome.

Speaker 32 (03:09:00):
Ahead, you just took one in the jugular man, whoa yes,
Oh my god, Oh my god.

Speaker 25 (03:09:13):
I did this.

Speaker 3 (03:09:13):
This bad?

Speaker 19 (03:09:15):
This is bad.

Speaker 2 (03:09:16):
You should pull that out.

Speaker 64 (03:09:18):
That is not cool.

Speaker 2 (03:09:22):
Wait wait the dark man? You got those fucking dogs here?
You're crazy, crazy, You're crazy? Oh aren't you? All right? Folks?

Speaker 25 (03:09:46):
That concludes our show.

Speaker 1 (03:09:49):
I know you hate to see it come to an end,
but you can always count on a new awesome episode
coming up.

Speaker 3 (03:09:56):
Remember.

Speaker 1 (03:09:57):
Take It Personal can be heard on many different platforms.
We stream on Apple Podcasts, Spotify, Amazon Radio, iHeartRadio, Samsung
Radio Player, FM, and YouTube. Every episode has its own
page on our website, Taking personal Radio dot com.

Speaker 2 (03:10:13):
You can even download.

Speaker 1 (03:10:14):
Each episode for free. We hope you enjoyed three sixties
Chef special Let us know which mix was your favorite.
The ode to NYC or the Ode to Cali. Often imitated,
never duplicated. This is Taking Personal Radio.

Speaker 72 (03:10:30):
Roger the announcer, yesterday, yesterday, yesterday.

Speaker 23 (03:10:45):
I want to go back to Guest today.

Speaker 3 (03:10:47):

Speaker 37 (03:10:50):

Speaker 23 (03:10:52):
I want to go back to Guess today.

Speaker 51 (03:10:55):
We're going back to the front, give them what they wrong,
back to the past, back to the meat on, back
to review, looking back to the teacher, take him to
the true school.

Speaker 3 (03:11:04):
Because we were breaking at hims live at the barbecue.

Speaker 36 (03:11:07):
Now were reminiscent, pumping out of your tooth, fishing in
the niggas, niggas with the mattitudes happen with some black
sheepes screaming out.

Speaker 58 (03:11:13):
You can get with this or you can go with that.
Smoke EMCs or you can smoke crack. You can sell
dope or you can sell raps. I sell dope raps
because that's red sag.

Speaker 3 (03:11:22):
Now I'm back on the scene.

Speaker 37 (03:11:23):
Crisp Clean here, Pop Thin Falset magazine. This is the
crew team step from Honey, trumb Machine.

Speaker 36 (03:11:31):
Hell to a Teeth, She been a Queen, the Empty
and Brody Kings Kill rock my nigga.

Speaker 3 (03:11:37):
I killed a cop up. We beat too, rap well
he beat till. I'm cool like that.

Speaker 7 (03:11:42):
I'm cool like that.

Speaker 3 (03:11:43):
I move like that because I'm smooth like that, A
rap like that because I'm fat like that. I rock
like that because I gotta like that.

Speaker 58 (03:11:49):
And a man like that, skilled like that. Fill our
pens because I feel like that, A real like that
or something. She'll like tad, you got the ship.

Speaker 3 (03:11:58):
I got pounds and pounds appease.

Speaker 38 (03:12:00):
You know.

Speaker 91 (03:12:01):
I'm not lunch professor, but I'm an extra pro punk
jump up to punk rock and roll the Master Peanut.
It's a fastasi Yo the peace. Keep past the pinnacle
Plateau because that's a fresh course show. Don't push Kjoe
backing out too. But in the past I was called
get paid the rock pike saying.

Speaker 3 (03:12:16):
Here we go, Yo, Here you go yo.

Speaker 91 (03:12:19):
Check the flow yo because it's retro it's my classic
matter fucking best do librically, I magic fucking pressed though
insuring here pop like get go, making sure it won't stop.

Speaker 58 (03:12:29):
Baby, heck no, that's what That's what it's scenario reminisce.

Speaker 66 (03:12:33):
I listen to the stereo, iminie REMI im this when
it sounded like this.

Speaker 23 (03:12:45):
I wanna go back to yesterday.

Speaker 3 (03:12:47):
I'm wanna go back to yesterday.

Speaker 29 (03:12:50):
I wanna go back to rapperro becauz Oh baby, I
like it, Yeah baby, I like it.

Speaker 5 (03:12:56):
Ra Oh baby, I like it, yeah baby, Yeah.

Speaker 29 (03:13:00):
Like braw should sho me yas should be Jim should
be jank coma tell that food call it food for
a saf How of yours motherfucker's boom?

Speaker 3 (03:13:08):
But y'all, old mother liquid, close the liquis, wool fla cock,
your little tree on the swamp, coming to your colleges,
Just go on drawn.

Speaker 19 (03:13:16):
Y'all can't touch my skills.

Speaker 3 (03:13:17):
I can switch you up.

Speaker 92 (03:13:18):
But does au get Higgy Yes, no, stylish Iggy ice on.

Speaker 91 (03:13:23):
My seat so much cold, want to speak word the
mama of my own world galaxy raise powerful.

Speaker 37 (03:13:30):
I wanna go back to guess to day.

Speaker 3 (03:13:33):
I wanna go back to guess today.

Speaker 37 (03:13:35):
I wanna go back to guest today so I can't
hit you with the face.

Speaker 3 (03:13:39):
Hello, can you go?

Speaker 4 (03:13:41):
I can't go when the elements youre doing her mold.

Speaker 3 (03:13:43):
I got ship that you haven't hurt a dollar.

Speaker 58 (03:13:45):
Go eighty eight naety two the stylid goal way back,
cracking on the A track memorys D D Kate full
of that throw back before old and that's a rat.

Speaker 19 (03:13:54):
Willie is his name?

Speaker 5 (03:13:55):
And the boys coming.

Speaker 21 (03:13:56):
Straight out of Adelaide? Does your motherfucking name red Leg.
I'm so on my floor state to la.

Speaker 3 (03:14:01):
I got a laser up. Ain't let them hate.

Speaker 21 (03:14:03):
Us and them calling motherfucker's on my raise up? You
two going if the pup but me, I'm gonna gets
you what flash you up quickly? I signed Ruth Flesh
from Drake Tup pray j That's what I do this
to bring you to yesterday.

Speaker 3 (03:14:17):
Yesterday, yesterday yesterday.

Speaker 36 (03:14:22):
That little brace to hide as I step inside the
broom doctor Doom preparing for.

Speaker 3 (03:14:28):
The boom damn ip slam.

Speaker 91 (03:14:30):
Oh man, you fucking with what I am because I'm
fortuning and scorching my style.

Speaker 3 (03:14:34):
It's awesome.

Speaker 91 (03:14:35):
Cracking motherfuckers, goes like it's passing your safe here pop
proms doctor Kaoki and bring you right here, right back
to it. So again, I'm a hop and my mother
fucking Thelloian. So I could go back and go and
fuck up the floor.

Speaker 16 (03:14:46):
And there you are.

Speaker 58 (03:14:46):
I just some red mills and some fucking linoleums. M
see Mike controlling them.

Speaker 91 (03:14:50):
I was like I was steady policing them, killing them
seas I was straight deceasing them, compute to leading them
to the niggas don't exist.

Speaker 52 (03:15:00):
Because black eyed peas as hard as.

Speaker 91 (03:15:02):
Hell sat on anybody. I don't care if you tell
Excel that all fail. I told them, motherfuckers, I'm gonna
take them back to yesterday.

Speaker 92 (03:15:10):
I'm taking you back to yesterday. I'm taking you back
to yesterday. I'm taking you back to yesterday. I choked
you back to yesterday. I choke you back to yesterday.
I choked back to yesterday.

Speaker 5 (03:15:24):
I just jo back to yesterday.

Speaker 37 (03:15:25):
And now I'm checking YouTube the future. I'm checking YouTube
the future, taking you.

Speaker 27 (03:15:31):
To the future.

Speaker 37 (03:15:33):
I'm taking you to the Fuge shop.

Speaker 3 (03:15:35):
I'm taking you to the future, taking fue

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