Take It Personal (Ep 157: Best of Take It Personal Pt. II)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Oh, Roger the announcer here and thanks for tuning into
episode one fifty seven of Take It Personal Radio. Happy
holidays everybody. This is our second and final installment of
our Best of Tip series, dedicated to all the new
music we've played since the beginning of Take It Personal,
dating way back to twenty sixteen.

Speaker 2 (00:21):
Can you believe we've been.

Speaker 3 (00:22):
Doing this for nine years now?

Speaker 4 (00:25):
Man?

Speaker 1 (00:25):
We got music from Danger Mouse and Black Thought, Nas
and DJ Premier Eric Sermon, Buster Rhymes ASoP Rock, Killer,
Mike Conway, Benny the Butcher, Common and Pete Rock. We
got three mixes to round out our Best of Tip.
Stay tuned for another classic episode here on Take It
Personal Radio.

Speaker 5 (00:46):
Enjoy Yo, what's up?

Speaker 6 (00:57):
Well?

Speaker 2 (00:57):
What's what up? Yo? What's up? Yo? Yo? Yo?

Speaker 7 (01:00):
You need to take that person, take the personal personal,
take take a helpful yo.

Speaker 8 (01:07):
This christ One checking out the taking person in the
radio show?

Speaker 2 (01:11):
Yo Yo? What's up?

Speaker 4 (01:11):
Its black though from the legendary Woods crew that Gee
this school chee.

Speaker 2 (01:16):
Yo yo yo yo? What up is your boy? Bapping in?
Miss More Thieves all that shut out?

Speaker 9 (01:21):
Take a person?

Speaker 2 (01:21):
Yeah yeah yeah, this jip Wu Tang and right now
you're listening to it will take.

Speaker 10 (01:25):
Your personal take.

Speaker 2 (01:26):
That was good, y'all with DJ Monks type of school.

Speaker 11 (01:29):
Check it out.

Speaker 2 (01:29):
This is Krin Corner checking out taking person yill, Yo,
what's up?

Speaker 4 (01:33):
This is Diamond D representing digging in the crates right
here and taking personal radio.

Speaker 2 (01:37):
Yo. Check it out. It's the infamous buck Walk take person. Yeah, yeah,
what's good?

Speaker 12 (01:48):
It's your boy Kage y'all, y'all checking out taking personal
radio with my man go a playbokevlof hamml Wade.

Speaker 1 (01:55):
And the boy DJ sixty.

Speaker 4 (01:57):
Hey, yo, yo, yo, this is your boy yo.

Speaker 13 (02:00):
What's up to see?

Speaker 14 (02:01):
Nice?

Speaker 2 (02:01):
Yo? What's a good job?

Speaker 15 (02:04):
Yeah?

Speaker 2 (02:04):
Yeah, yeah, what up? Y'all? This is kind sense and
right and yo.

Speaker 16 (02:08):
Check this out.

Speaker 4 (02:09):
This is pready five God to Shaman rising the dirty
rides down to.

Speaker 17 (02:13):
Treble to damn to let you know you need to
take it personally.

Speaker 4 (02:17):
The personal red man, and we end up building it bedight.

Speaker 2 (02:22):
Yo, what's up to be real?

Speaker 13 (02:23):
And you're blazing out to take it personal right?

Speaker 2 (02:28):
Hip hop the way it should be. Keep it right there.
The best in hip hop hip hop been in that
fly ship? Ya heard hip hop? Stay yeah? Yeah yeah.
In just a few moments, we will hear from the.

Speaker 4 (02:45):
Most powerful hot man in America today.

Speaker 2 (02:49):
Everybody, I don't think you.

Speaker 4 (02:51):
Hear y'all, the most powerful black man in the world. Yeah,
they asked why it seems so solemn on a throne
between three stone collars. You know the name enough to
gain no conscience. Everybody got got the first world problem.
The truth is inconvenience. Nonbelievers fear and doctor dreams. Instead

(03:11):
of Fema, Billy Benson with being Effusia Akathina, He's around him,
beat the next evil Gema at the times rising at
the same time, like the sacred lives for making art,
for making love, for making highs, the homes where the
hating lives, they takeing lives, but everybody just so safe, sanctified.

Speaker 2 (03:27):
Then they gonna lie upon we refuse the fighting one likened.

Speaker 4 (03:30):
To take in our highest forms and ling off to
dialogue before the boar of the prior horns. I want
the room with side of the lines top along Lady Liberty,
face full of coucilla. I'm half master Killer and half
you Master Keller left your phoebe. That's a favor in
the healer Cappa niggas an activist, y'all on favorite and kneeling.
Everything's our truth, nothing is our scene. Another young life

(03:51):
was lost on live's chain. Another great felt from the
greats and high Sea, then the clocks from thirteen. We
in some kind of drink.

Speaker 2 (03:58):
First, I'm handing the first thing, the psyche. What it
means to a plan of the earth.

Speaker 4 (04:01):
Lank where the question remains in maya journal of journalist
urbulatournalists Olympic tournament level genius off the performative. You're trying
to back and return and I'm not concerned with it.
The permanent eight pave the way o the turbulence. My
hands against the wall outside of billion saw out here
police discuss.

Speaker 2 (04:16):
It rather than try and kill us all a question?
If that a matter?

Speaker 4 (04:19):
What's like a treated falls in the woods, even with
our phone footage to see it fall? Greatman chose the
paper make penn of state. Then the fire rompent of
a pistol. Ain't at a playpen. We go from musket
to a missile to a revelation between heaven and Satan. Well,
I'll studying at trying to separate the truth from the
lives that the troll us I even heard the Soviet
is the forty fifth orist. That ain't the photo they
showed us over accepting the owners, did they washingtons mack

(04:42):
and thrown and say y'all deploymas. Here's a bonus, the
point of you to make things the true. If I'm
a walking institute, shine of HBCU face the music, keeping
it move.

Speaker 2 (04:50):
It's one of the great things we do. Yo.

Speaker 4 (04:51):
The devil trying to put together his gang, me too.
And whether you come from Lagos to Trinidada and Tobago,
you can either stay bro or be wealthy in chef
Bezos if you just they broke.

Speaker 2 (05:00):
I was in the dark and they broke.

Speaker 4 (05:02):
Come back to question to my ancestors until they spoke
down and herbanly rocking at disco. Currently the bass is
crypto currency hit no thirdy know on earthing five nine
six four Earth and Crystal clarity. Wonder how I spent
so thirdly the state so hungry rappers came get no mercy.
That's the reason any other woman strip firstan this so
lonely in my own class formerly known as the inscription

(05:23):
that she has thrown has.

Speaker 2 (05:24):
On my own path and my own world Like disneys.

Speaker 4 (05:27):
I feel the whole system fell just like kidneys, upsteps
the one who upsteps all carriages. Because it's imparative. You
change the narrative. Un let's go a first. Everybody listen,
shake it out. They go to everybody. Yeah, I got
myself over everybody?

Speaker 9 (05:43):
Did ever you got?

Speaker 7 (05:44):
God?

Speaker 18 (05:45):
Friday take a Personal Radio Episode one fifty seven and
this is the Bang. This is part two of the
Best of Tip. I don't know why we're calling it
the Best of Tip because it's not the best songs

(06:07):
that we've played on.

Speaker 13 (06:08):
The show, but it's the best of the best of
the best of the best.

Speaker 19 (06:11):
Right.

Speaker 13 (06:12):
Eric Roberts is in this episode.

Speaker 18 (06:14):
We're gonna talk to him at the break about the
Kung Fu lessons he took with John Vod Van Dam
and Steven Sagal as he trained for that for that
movie role. In any event, keV Lar's happy New York
Mets signed Juan Soto seven hundred and sixty five million

(06:36):
schmack a Ru's fifteen year contract. He's gonna look like
Bartolo Cologne by the time he retires.

Speaker 13 (06:42):
But you know what, you know what, man, I can't wait.
I can't wait. Opening Day can't come soon enough. If
all you football fans out there.

Speaker 18 (06:48):
Gets your rivalry weekend with college and the Bowl games
and this and that, and the super Bowl's coming up,
and everybody who's performed in the super Bowl halftime show
has now been at a Diddy party. So you know what,
let's bring back baseball America's pastime.

Speaker 2 (07:03):
I'm happy Christmas came earlier for you.

Speaker 20 (07:05):
keV and Joey wan Soda for the next five years
before he opts out and becomes a Dodger.

Speaker 10 (07:09):
Anyway back by hip hop Inevitable.

Speaker 21 (07:13):
You know the world's coming to an end when the
Mets have a larger budget than the Yankees.

Speaker 20 (07:18):
This is a continuation of the Best Tip and why
it's called the Best of Tips because it's the best
of the new music we played over the years on Tip,
not necessarily the best of Tip.

Speaker 2 (07:28):
But look, you know, I know, but it.

Speaker 18 (07:30):
Could be misleading to some people who haven't been following
us over the Here is like, oh, the best of Tip,
and this is not the best of Tip, but it's
our version of the best of Tip.

Speaker 13 (07:38):
It's we defined this as the best of Tip.

Speaker 20 (07:40):
The people that don't follow us have no excuse, you know.
So my point is, like they should have started at
episode one where we were brutal to where we are
now in episode one fifty seven. We're kind of, you know,
putting the exclamation point on some of the greatest songs
we played of new music. Anyway, Look, this episode, unlike

(08:03):
the previous installment, has three mixes. We have music from
Little Brother, Black Dog, Killer, Mike A Z Benny the
Butcher when he was in his prime.

Speaker 10 (08:12):
Right waight yeah, man, give me that.

Speaker 20 (08:15):
We got thirty eight Special, We got nas, we have
people onto the Stairs. We got Aesop Rock because he's
a New York Mets fan, keV. We got Cormega. We
got a lot of joints on the air. So before
I passed the mike to mister three sixty hundred three
K and hundred three, can I call you hundred three
sixty Yeah? I don't.

Speaker 2 (08:34):
All right, I like that, Steve.

Speaker 3 (08:36):
I think we should I take Andrey three K kind
of rolls a little bit better.

Speaker 2 (08:41):
But there you go. Well, you know, because I don't
want to sound like you're fighting off.

Speaker 10 (08:45):
We're fighting a little too hard on that one fight.

Speaker 20 (08:48):
Anyway, Look, we can't go a few episodes without doing
an rip. So this one is to Sofia. I am
the West Coast head of the show. I was a huge,
severe fan. Many of you would recall on KMEL which
was the wake up show back in ninety four. It
was like a forty minute battle between him and him

(09:09):
in Casual from Casual from the Highro. So it was
Hiro versus the Hobo Junction. It was an amazing experience.
That was back when you cannot find things on the internet.
I don't even know if the internet existed in ninety four, right,
may don't think so. But you had a trade for tapes.
It was like the only way to get it. And
he didn't live in California. You had someone tape in

(09:31):
and dub it and send it to you, and that's
how I heard it. So he is probably one of
those dudes where you can immediately identify because his voice
is so different than anyone you've ever heard before. I
understand Sophia's probably a acquired taste for some, but he
was an amazing, amazing lyricist.

Speaker 2 (09:51):
He really got down and you liked box Car Sessions, which.

Speaker 20 (09:54):
By the way, way, your dude from Dope Folks released
the demo version.

Speaker 10 (09:59):
Of it, Kid Mills coming through.

Speaker 20 (10:03):
Yeah, justin Perkins. So The box Car Sessions is a
great album.

Speaker 16 (10:08):
You know.

Speaker 20 (10:08):
It was one of those that really kind of helped
redefine the way West Coast hip hop was sounding around
that time, and along with Rascas and Exhibit, they were
the Golden State Warriors.

Speaker 2 (10:18):
And Sofia will be missed for sure. We'll get more
into Sofia later on, but I just wanted to say that.

Speaker 21 (10:24):
Yeah, it's perfect way to bring down the show again,
box Car, Willie, all these guys. So yeah, listen, as
we said, another showcase the best tracks that featured in
the last decade or so, so new knew tracks.

Speaker 3 (10:37):
As keV said on last episode, all of us here
at Tip.

Speaker 21 (10:41):
We spent the past what eight years curating the best
soundtrack for all you hip hop heads. We blended the
best songs from today's artists, so basically the best shit
that's out there. I mean, these songs are really good
and we basically spoon fed all of you lazy bitches.
It's kind of like Arnold Schwarzenegger and Twins. We gave
you all the best sperm and Danny DeVito gets tossed

(11:03):
in the garbage.

Speaker 3 (11:03):
So you're welcome. Wave let them know.

Speaker 10 (11:07):
Dre are you wearing are you, Dre? Are you wearing
Harry Carey glasses?

Speaker 3 (11:10):
These are my new like real hardcore glasses. Check out,
check out pick.

Speaker 2 (11:15):
The sides are holy shit, look like Ryu and those Yeah.

Speaker 3 (11:18):
Bro going in deep. These are like my Caselle knockoffs.

Speaker 2 (11:22):
Yeah.

Speaker 22 (11:22):
I saw a picture of Ryu on Instagram today and
he had on some glasses.

Speaker 10 (11:27):
It looked just like Harry Carey, like those that you're
bugging me out, Dre.

Speaker 3 (11:30):
Yeah, man, I'm trying to go in a little artist
stilo here, Hi.

Speaker 2 (11:35):
Come it back? What time is the seventh forty specific
coast time? That's midnight on these coasts?

Speaker 22 (11:44):
You know, In reviewing a lot of the shows and
just thumbing through, you know, one hundred and fifty six
episodes that we have, I can't help but think like,
where does where is this show going to go?

Speaker 10 (11:55):
In the Annals of Hip Hop Shows?

Speaker 2 (12:00):
Yes, anals?

Speaker 10 (12:01):
Where's it? Where's it going to be listed?

Speaker 22 (12:03):
Because there are shows out there that get more pub
for one reason or another, but they ain't got shit
on this content wise. So I would love I would
love to see fast forward fifteen years from now where
this is going to stand and if people, you know,
on what level. They talk about this because I have
a feeling this is going to be bigger fifteen years

(12:24):
from now than it is now.

Speaker 3 (12:25):
Have you ever you mean if one of us dies,
I mean what you say, Well.

Speaker 10 (12:29):
Then it'll automatically be big.

Speaker 2 (12:31):
Have you guys ever thought about that?

Speaker 6 (12:33):
Uh?

Speaker 2 (12:33):
You mean, what are like legacy?

Speaker 10 (12:36):
Our legacy?

Speaker 23 (12:37):
Now?

Speaker 10 (12:37):
Yeah?

Speaker 3 (12:38):
I try to live in the present.

Speaker 18 (12:39):
Yeah, I think Pa the Pharaoh, montch Rookie Card is
going to be like seventy eight dollars on eBay.

Speaker 2 (12:46):
I kind of I know what you're saying.

Speaker 20 (12:48):
Wait, it's kind of like, at least for me, I
thought Stretching Bob became more appreciated after they left the radio, right,
you kind of like, don't realize what you have till
it's gone. And then people started realizing how crucial they
were to I guess that whole underground movement and really

(13:09):
helping people get on. Not that we help people get on,
but I do feel like we do a great job
of helping people get educated and kind of get familiar
with certain artists that they may not be because they're
stuck in the past like most.

Speaker 2 (13:24):
Of us are.

Speaker 3 (13:25):
Yeah, it's all about orientation.

Speaker 18 (13:27):
Listen, guys, if those fucking douchebags family from Boca Ratone
here comes the boom is getting famed, then we're gonna
blow them out the fucking map. Let's get in the
mix one, take your boom and shove it up your
fucking ass.

Speaker 2 (13:41):
It's a double trunk trauncling, double trunk traucolok, double trunk traumla.

Speaker 1 (13:46):
Fucking Hey, the holidays are in full effect, so it's
time to spread that cheer and become a Take a
Personal Patreon member.

Speaker 2 (13:56):
You know, all Patreon members.

Speaker 1 (13:57):
Get to listen to each episode before they hit all
streaming platforms.

Speaker 10 (14:01):
That's right.

Speaker 1 (14:02):
Patreon members also receive the individual mixes of each episode
without all of our yapping yapping.

Speaker 23 (14:08):
You know.

Speaker 1 (14:10):
Also, each season we do a Patreon exclusive episode only
available to Patreon members, and the next one is due
out early next year.

Speaker 5 (14:19):
So what are you waiting for it?

Speaker 1 (14:21):
Get in the holidays year and head over to Take
a Personal Radio dot com and click on the Patreon
button at the top of the page.

Speaker 2 (14:28):
And join now do it waiting for you? And speaking
of now and start the show. Yeah, yea yo, what up?

Speaker 24 (14:54):
This is Fontae the Wrapper back home, Little.

Speaker 2 (14:58):
Brothers in the Building and right now, you have it out.

Speaker 4 (15:01):
Take it personally, chill, take it very personal. We want
you to take it all the way person to go
home at night when you can't sleep.

Speaker 2 (15:08):
Until you took it so personal.

Speaker 4 (15:09):
Take it so personal when you go you ext week
sessions up there, like.

Speaker 10 (15:14):
Take it so personally.

Speaker 2 (15:15):
They'll be, let's take it hurt you look like Michael
Jordan's look it over.

Speaker 4 (15:21):
They say they want boss, but it's unfounded because when
they get boss, niggas be dumbfounded.

Speaker 2 (15:26):
My mind is clear and the vision is unclouded.

Speaker 4 (15:29):
Cap grum rapping, Where the fuck do the grunfounder shut
d said?

Speaker 3 (15:32):
But who's king turn down?

Speaker 4 (15:34):
Was trying to go that distance in a ring full
of one founders, still chasting, still racing hard feats.

Speaker 2 (15:39):
Postens your con seats.

Speaker 4 (15:41):
Let's still real facing listen, I'm murdering you niggas, who
So help me. God, I murder you niggas, So help me. God,
I murder you niggas, So help me.

Speaker 6 (15:50):
God.

Speaker 4 (15:51):
I murdered you niggas, just as the courtesy better called
the insurgency never should have alerted. Knobs murdered you niggasy,
So help me, God, I murder you niggas.

Speaker 2 (16:01):
So help me.

Speaker 4 (16:01):
God, I'm murder you niggas, So help me, God, I'm
murdered you with this, I was saying back cool com
collect with my man Mike off a second and Kronza
that if Fat the shrugs, we could give his arms
the ress.

Speaker 2 (16:14):
I figured I could take the time to let my mind.

Speaker 4 (16:16):
Want to get y'all scoring a game that I don't
care about, cause if you ain't dropping that cheek and
week and shit every week and shit, then they wonder
about your whereabouts. I would close line a nigga and
aired out because Simon's questions in my peace of mind
a ferrh mount.

Speaker 2 (16:31):
Look, man, we are not a constant. This is not
a game, nigga. We are not a concert. I'm gonna
kill shit.

Speaker 4 (16:37):
I'm gonna be a solid monster that will shit that happened,
like you see your fellow Manca.

Speaker 2 (16:41):
Both guard the old shit like we in Costa Blanca.

Speaker 4 (16:44):
In the good times they be quick to fall through.
But in the bad times, no, they don't recall you.

Speaker 10 (16:49):
That's why.

Speaker 2 (16:49):
No, what makes it out saying this game again? All
you drive me? They shit just so they could jager
it all. You know, I am you master killer, me's
master killer. You're oh geez ho. He just says that
all of your slaves with a mastermind.

Speaker 4 (17:02):
Any wall of sound to the low fandomide of dog
guye no tap dancer sip to and all the no
lap dancer sound they like rap cancer attack the side the.

Speaker 2 (17:11):
Longest, coolest, fucking and fantly.

Speaker 4 (17:13):
Side a man with eyes that still see difference in
this nucleus.

Speaker 2 (17:17):
Food December long as you'll remember that I murdered, So
help me, God, I murder you niggas, So help me. God,
I murder you niggas, So help me guide. I murder
you niggas. Know that you hurting me. It's the state
of emergency, y'all.

Speaker 25 (17:32):
Guy, he floats, somebody should have come hurted your niggas,
so help me guide.

Speaker 2 (17:36):
I murder you niggas, so help me guide. I murder
you niggas, So help me God. I murdy. Look.

Speaker 4 (17:50):
Look they're praying that much time befo all they wish
they could stop time. I got hit the three shots,
and the ship didn't try I can't go the necking
of risless rock cart.

Speaker 2 (17:58):
I got physicians on the top.

Speaker 4 (18:00):
You niggas got to sit and just wild and while
lacks the tail and shrimp with the rap my trenches
fasaci oh chee the France so the pictures can spot
ship that a jock I should be listed as top
rap thirty clip in his cluck. I hit your pitcher
in the top of the ball. I got rich fast.
They want to know how I feel. Other rappers who
you graben going downhill, niggas who had a little buzz

(18:20):
and even signed this.

Speaker 2 (18:21):
They packed broke in the jacks, drinking brown stead.

Speaker 4 (18:24):
I pulled the twenty twenty pins off the lot, drinking
went four brown. The only friends that I got. You
can look at my scars, see I'm paying through a lot.
Before this rap shit, I had a fork spinning in
the plot. I ain't had no workers. Then I had
to push it myself, part of her until I learned
how to cook it myself. I made myself a ball,
so I wasn't looking for help. In the mirror, I
see a cheep when I look at myself. I saw

(18:46):
at every night my block action packed out. I listened
to the nigga rap and that was cat Pink Streams
and the captains Jack Steph Kirby, evy pe shit I'm winning.
Pack to pack, pat't work.

Speaker 26 (19:07):
Just outside outside, can't leave my prints, soak up bore handcuffs.
Took a penny from my thoughts, put it in the
poor man's up. These words are riddling. Versus was inspired

(19:28):
by visions of fiend's face. I thought it looked like
scripples and cursed, and my struggles never made since until
I cast the check. Always wanted more if we couldn't
get it, till I master less. Was mad as stress
because I wrapped the best slash and wrappers neck because
everyone a bullet like my trigen finger had to rests.
Being under radership rull my patience. Get some dueful vacations,
set back, kept boozing the basis I was due for embracings.

Speaker 2 (19:49):
But still I knew I would make it. The ship
our true was amazing.

Speaker 26 (19:52):
Don't fit them more from the woves they created, huncle panions,
let me chewe and the race racist threw us and
cakes and ate the food in our faces or motive
they into the ones and the crew that I hang it.

Speaker 2 (20:02):
They got wrapped.

Speaker 26 (20:02):
She's long enough they can use as a blaker. Fans
asking how long it's gonna take the note she's the best.
At what point does paying dues leave you a debt?
He's the freeze rocks sleeps where I could see every breath,
put my heart on my sleep till it's start to
eat at my flesh. Trying to spend that introspective shape.
But niggas missed it, so I flipped it a misfit.
The put wag rappers into what heck list? This spratt
shit made me satistic message was cryptic and just walk

(20:25):
Walker turned rappers towards statistic correct.

Speaker 2 (20:28):
They prayed, Oh your my downfall. I stayed working just
to prove.

Speaker 4 (20:37):
The law from the seven one six the way down
to the southside.

Speaker 27 (20:43):
Outside We outside, we outside outside?

Speaker 28 (20:50):
What's the shade?

Speaker 29 (20:52):
White?

Speaker 30 (20:53):
Yo?

Speaker 1 (20:53):
This boy found mark right now you're listen.

Speaker 17 (20:56):
Take it personal radio with law.

Speaker 2 (21:01):
Piction.

Speaker 25 (21:02):
Know what it ain't, Know what it ain't what.

Speaker 2 (21:11):
I see.

Speaker 19 (21:11):
No need to disguise what I am or somehow surprised
you with a clever rhyme. Allow me to shake your
hand before into your mind. I'm the amalgamation of pain
and fatigue culminating in your brain.

Speaker 2 (21:22):
I'm a disease. You never heard of me.

Speaker 19 (21:25):
You'll listen when I attack your spinal cord and wreaking
your immune system. Excruciating pain suffering that's atrocious for the
multitude ime multiple sclerosis bitch in laws, so frustrating your
pull haird cramp specifically designed for the vole cleare I
by some tennial I'm possessive. I'm a millennial disease. I'm
a progressive. I'm named the relationship. I'm obsessive to the

(21:49):
point that I hold on to get joints and.

Speaker 2 (21:50):
Won't let go. Usually move in slow motion to death
to us part. Now that's devotion.

Speaker 19 (21:57):
You better be dedicated to sedatives and medicare and meditate,
educate you on livitation, or move alone. I work clean,
ging up on your blood and trip you on MS thirteen.
I'm coming for all races and all rhymes. I'm jealous
of Parkinson's and Allpheimer's trying to take my spot, like
like diabetes. I'm gonna make sure these other diseases.

Speaker 2 (22:18):
Can't say me. I fight like time to fight, w
for me to pus so the whole night long.

Speaker 31 (22:25):
So even when I'm black, job leave the light songs
hit songs. Fight so with lighte like my eyes might
never see the next song.

Speaker 4 (22:34):
So when'a push forward with the whole night long. So
even when I'm black, job, leave the light.

Speaker 31 (22:39):
Songs, fight songs, fight song.

Speaker 32 (22:42):
My spine tangle and visions off of my fingers numb.
He's looking for with vicious fight. I'm gonna bring him one.

Speaker 2 (22:48):
My killer tape's gonna play loud to fill awakes. If
you want a song that illustrates, I'm a seven one,
a little tone called.

Speaker 32 (22:55):
All the fights and fight him that this tru shade,
this new creations of spider, attack the rap shows.

Speaker 3 (23:00):
I refuse to be taken out.

Speaker 32 (23:02):
Lost in the woods, I find the math and I
make it out. I'm magnetic. Your resonates in my imagery.
I won't be drained. I know we came for my energy.
Ignore the pain. I won't be slain by my enemy.
My eyes closed, I'm having tossed with the enerm.

Speaker 2 (23:16):
I'm unafraid.

Speaker 32 (23:17):
If any challenge you want to lay in my path,
I'm gonna laugh and you run away.

Speaker 2 (23:22):
If I continue to fight hard, I will never lose.

Speaker 32 (23:25):
The faithful day when I was hoping for better news,
but God bless me with flip flops to walk into
zip pops. So I can't be praying for leather shoes.
You might slow me a little bit, but you won't
stop me. You might stand in my pathway, but you
won't block me. Way back when you didn't know me,
I broke sloppy. I tend to write with the inn
fight of a broke Rocky. That's the reason I'm focused

(23:46):
more than I'm in the gym, because every day is
a new.

Speaker 2 (23:49):
Chance to go win again.

Speaker 31 (23:50):
I'm right like it's never the wrong time to fight
brook for me to throw it the whole night long.

Speaker 2 (23:56):
So even when I'm black, y'all leave.

Speaker 31 (23:57):
The light songs, fight songs, flank song and life like
my eyes might.

Speaker 2 (24:02):
Never see the next door.

Speaker 31 (24:04):
So when a push forward the whole night glove, So
even when a black child leave the.

Speaker 2 (24:09):
Light song, whine song, faint song on n B.

Speaker 4 (24:39):
Yeah, I'm like thenondious at the underground the piano dressing camels,
Renade's good for Tamil left the sample send them a
two king and a candles. I came to take back
the other two flips of a man. So from a
silhouette standing in the aperture to a pick your heads
standing in the half of a killer young no villa
just fram a.

Speaker 2 (24:58):
Live for Africa.

Speaker 4 (24:59):
Trep accept enough but a massive reminition and intuition is
a fitch got a message from my meth. It's all
a set of system to keep the grief, like an
elevator fitch, a dedicator shich because the server. It is
the stitch to the medical. The rich love to wear
it on their wrists, they call the shots. They don't
wear it on their shape the chains. I could silk

(25:19):
wear it on a ship. One hand loads the clips,
fill the rubble horn. A trip being my reflection center,
one another on the trip another to twenty one.

Speaker 2 (25:27):
A pitch that you know what punished men listen, it
ain't an easy hot to seek.

Speaker 8 (25:30):
You will follow me.

Speaker 2 (25:32):
You do an easiology with no apology. Yell the deeper.

Speaker 4 (25:51):
Wrapped allowed to screen my catl between the two monsters
out of my dream.

Speaker 2 (25:56):
I skint of lack of limousine.

Speaker 4 (25:57):
And answer, I diggau the see and if a we
could allock, I bet they woke up play one team times.
The one that signs went unseae to me. They've done something.
They tried to clip my weights, but not before I
understood how any cake burnsakes the soul was something before
we became Earthnaes. Freedom is better than ever with more
being a lethod dog, they forsweat their fids into our pleasure,

(26:18):
all inside of my professional I need the press a law.
I'm more slept the cool of following the plesser doll.
I just technically I'm on another extra law. It just
gets to me the way they laid a pleasure ball.

Speaker 2 (26:29):
It ain't an easiotsy for you to follow me. You
do an easiology and no apology.

Speaker 33 (26:39):
Like ye right, start the wave God to less girl
leg and w shit go boy.

Speaker 2 (26:51):
Grown hands like boy Jones.

Speaker 33 (26:53):
You can't tuck raceing on the crusted, flooded and stones
broke artist in the sharpish urged like three bedroom apartments
takes one boon.

Speaker 2 (27:00):
They all moon Let me stop this.

Speaker 33 (27:02):
My heart retarded kids, the arsonists in Ostrich the moon
Is department. We being Marty ship say no hother We
the Jungle brothers out Kenya, how we get in December
loaded cottridges the lines like Hines preated teen babies, where
the Lama Flord Lama's table for Seine Crazy Lewis Ritchie
the drummer dawing from the Black Boy boy, Mamma Coroy.

(27:22):
Seeing the number steak Maxim and MALAXI jumped Jerry in.

Speaker 2 (27:26):
Twenty twenty seven numbers.

Speaker 33 (27:27):
And so when I seen the stun is getting busy
on the bridge, had it out playing your dunk dad
to stop wasting its time.

Speaker 2 (27:33):
Takes the shine.

Speaker 4 (27:56):
Yeah, I'm secking no lymph nodes and smolen they told
me even where the record skip keeping rolling on his
shoulder like in California Highway patrolman launch codes was stolen
and sold by d Snowding. I fled the roll controller
addressed me as a Roman. I'm still a photos poster
with my own omens a thumping kicker for me to
slam like ho hoping it's something like a plain buffer

(28:16):
sticking no slogan. It's something for the shooters and back
and forth computers who never knew the difference in laws
and drollers students. I feel as though was safe to
a sword until the students and none can prove it
to the way that me and doomed judas you checking
the top two of a thousand inchellargeon chaps with fat
projects in housing developments, cool to draw a slagging on
the crate like as elegant, try to hate.

Speaker 2 (28:37):
I'm puffing up the face.

Speaker 4 (28:39):
Like a pelican, highly development and activating my melon, and
y'all failing to see what's shaking besides Kelton News bulletin.
I refused to take the medicine fucking fixed skin. I
got me an exo skeleton. The black Column, fedl And
and the Lobster, the little lacking.

Speaker 2 (28:54):
Hobstitrician but not a doctor, Green.

Speaker 4 (28:57):
And Cambridge, the Websters, the hosts, the picture too law
on the watch see the synopsis.

Speaker 2 (29:02):
Compensated for playing nice.

Speaker 4 (29:03):
As optics try to got the last puppits.

Speaker 2 (29:06):
In the watch.

Speaker 4 (29:06):
Profets, I stopped it. It's beyond out of pocket done
so I hit the gun so without a profit. Catastrophticks
the frame.

Speaker 2 (29:14):
Michael Croonis in.

Speaker 4 (29:15):
Mexico be the left in Debbie dots Co Honess Brother
both components uther close to Coolies, caught Holess with pauses
Arness ain't holers.

Speaker 2 (29:29):
Broom get bruded with the dude off chips, the mood switch.

Speaker 34 (29:32):
She chewed off strips of a Boolwich danger Maker Groover
for Glitch das.

Speaker 2 (29:37):
Boo Boody Twitch and the crew Rich Spitch.

Speaker 34 (29:41):
Always wanted to say that of her sister days in hallways,
torn the trade cat, the one he often frequently slapped
around on the wild waited and then graduated. Captain Gown
hated the rap sound, debated the crap until he felt
he had it knocked down and enough to have the
game trapped.

Speaker 2 (29:58):
Their rounds splashed the crowd of the names of lames.

Speaker 4 (30:01):
Who yapp the noun or verb for that matter, had
no data for herb who chat chatter?

Speaker 2 (30:08):
Oh, Eric Strata fat rat. The mask made him batty
as a man, had a known for his.

Speaker 34 (30:14):
Absurd words, choices and will ignore you if you ask
him if he heard voices.

Speaker 2 (30:18):
Look, the energy is crazy. Far as he was concerned,
the enemy was lazy. Your attention, please freeze.

Speaker 34 (30:27):
He came to seize the free cheese before he flees,
to belize in case you forgot to mention squeeze.

Speaker 2 (30:34):
These just keep it on the needs of no basis.

Speaker 34 (30:37):
They knew he was a negro, so no need to
sol faces back in the days and no lass on
a slow basi used to say he might go places man.

Speaker 2 (30:46):
One of other cases.

Speaker 34 (30:48):
The guard he played was a suspace, but no racist,
a spastic some called loony when he's put a town
sarcastic poor.

Speaker 4 (30:56):
Mooney yo yo seppings black though you checking out taking
personal radio with filler flavor AA nd dj G sixty
for my man kevld. Y'all know what that is out
of space the place that will farking in my marketing

(31:16):
when you see the sky darken in prive artisan from
the fludis pot fart acent high. Hat's the fifth grade
that you're not smarter than colpharent Omega you bade as
I'm march harder than slattery, y'all in included, you're not
part of it. I just took the flight to France.
The cop fart against the line vine. I'm at prime time, Boots.

Speaker 2 (31:33):
You find time and I'm just trying to get it
on till I die. Am I wrong?

Speaker 4 (31:37):
If I'm living like the laws don't apply making music
out of nothing.

Speaker 2 (31:40):
Know that boy's gonna fighta man, damn man. It's disturbing
when the murder rut enjoys on the side.

Speaker 4 (31:55):
Talent, said mister tradtersquare beyond qualify, multiply and a dollar sign.
The grind Israel as Kalistine. My side kick came from Columbine.
That fly shit came from son of Ron. Surprise, bitch,
I never left the false moment in time. Riddle me
what kind of omen am I? You know the slogan
his ride I set the weapon should be chosen a
fire only the yetto bay Chopren replied the ninth.

Speaker 2 (32:17):
One to make up. I'm trying to break a Cinny's toys.

Speaker 4 (32:19):
Tell the undertaker my pen smoking like a rude boy
from Jamiga, while I'm be raising every boy from the
face of the earth with something.

Speaker 2 (32:26):
Boy's time for you to get.

Speaker 4 (32:27):
Your way up, yo. I'm probably beginning in the rip
Dolly in places unchasable. Why rand mccalie took a cobble
stone Charnie through a Mercy Street Ali the more championship
break the John Sally biochemical Lee or Paul was southadoring Dolly.
I'll traveled the Tia Water and smack the Federal Valley.
We're packing avocado chose like Marvey, you're battalion. I'm a
ulcher without a coast. Going back to Charlie, Nigga name

(32:50):
some mother body equal leaders hell. Frequently I see the
drama called me Sea should beat the milk, not a
chik of felling the alma. No, I'm lead to leap
for real. People been telling me recently to me the
chill a picture of that the diplomatic mister flapper rista
crash any grapher coming from me, y, I'm gonna send
a missile back. Not too many legends got a legacy.
Just disattack that equipment. I'm rippling truck. Where the a

(33:10):
commission that sold my cosa like a model? The bar
go while that's the democratical public got a time? Go
a front of ftops doing it? John go a grapp
of winds uppers a John do, I've told niggas that
fifty seconds to shine before.

Speaker 2 (33:24):
My full niggas. I must be out of my mind
with it.

Speaker 4 (33:27):
Trol jiggers, they come to generals for the quads and
shilling you.

Speaker 2 (33:30):
I'm an nah'ma third in you. What I fuses the
old mos.

Speaker 35 (33:33):
On the smeed at the cross roads and to souls
and learn some things only the Lord knows.

Speaker 2 (33:38):
Break the Lord. It's the only lawing now.

Speaker 35 (33:40):
Lawn nos got positive of it, but no the shawn
nose we an't got fucked, but no corn nose. We
ain't growing corn, but got corn rules. We ain't playing greens,
but we be spending this lafe.

Speaker 2 (33:52):
Sping is short. Try extending it if you ain't in
the reading and recommend her.

Speaker 4 (33:57):
I'm reading cart achieved with someone of them in the woods.

Speaker 2 (34:00):
When the money's cut off where we bought the.

Speaker 35 (34:02):
Goods, A lot of niggas scattered to being down a
fog an.

Speaker 2 (34:06):
Should we kill them and let them live? I don't
fucking no suckers.

Speaker 35 (34:10):
It never did me and more if you were more,
I never ever go to wards the kids that do
afore I eat them seeds.

Speaker 2 (34:17):
They could send me a few of your and buy
a few on me, way more than two. You can
times snap by twenty.

Speaker 35 (34:22):
You tell them to come drunk through and watch them
get beat like the African drum's due.

Speaker 2 (34:27):
Oh so father, give less sons South, I'm go sleeve master.

Speaker 35 (34:31):
Become full rhyming them with black thought, that posessing the
black thought. I told you that unconscious of a bitch
of a clap off, i'm'a be the one that they
holding a rap off iron racks. You say, my nigga
a snap for ship or maybe a snap on. I'm
when I go for the ride, my nigga and a
last horn.

Speaker 3 (34:49):
I'm hearing them.

Speaker 2 (34:50):
Both on an elephant in the more but elegant.

Speaker 35 (34:52):
Give me your hell heavi sin like the joint I
be in places you never make a close my eyes.

Speaker 2 (34:57):
I could die. That gave wise cruse my leg flaking swift.
I'm getting the revis used to keep the seat joints
right up.

Speaker 35 (35:03):
In the lead vies one of the tool, the ass
nigger from the other black stors, the last eden avata goose,
the one who could spend time.

Speaker 2 (35:12):
The one who could bend rounds, the one who could
beend flows, repping for ole niggas, little.

Speaker 35 (35:17):
Nigga, no no we the ones who means making up
a murder for round, making up the murder.

Speaker 36 (35:24):
Move ghost step the cat fresh off the steps in
the summer heat, blessed to be your monks.

Speaker 2 (35:29):
The rest sin say younger me walk next, sadda.

Speaker 36 (35:32):
Sweats Lee's double bees bb d under t ship our
whole cheeze, everybody vapping their peas, freaking slang to the gods,
start connecting.

Speaker 2 (35:40):
The grease, seeking change.

Speaker 36 (35:42):
Some puppa weed no deeds, so sneaking cane and that
crack hit the maples of wrap. The beople king pool
started forming and clicks. They wanted to blocks on the
stript want to live nigga flipp You want to watch
this walk seeing the doctor scrougs come and top the
level drugs finally found he a flog to one of
spot swift skins walking with kids, day out of town,
packed up, blew for a year without a sound, came.

Speaker 2 (36:04):
Back be a pear. It's going down on.

Speaker 36 (36:06):
What I seen was a whole lot of kings that
lost their crown, smoked out others with dad something in
the fest it broke out, covet deplex, brab zombis in
the streets on the creek. They want to hit homis
over beefs was deep that summer shit but nibby yo
sprat and the sections.

Speaker 2 (36:22):
A lot of setion and pure me yo.

Speaker 36 (36:24):
More wet weapons, a lot of weapons, choose on niggas.

Speaker 2 (36:27):
Next they want fracked big body pens on deck who.

Speaker 36 (36:31):
Want a flex feeling like a killing side.

Speaker 2 (36:33):
My soul died to the god wild, so from my
eyes spoke up Peak seven. This ain't right exactly, you
falling victim to.

Speaker 36 (36:41):
That devilish math Guard were supposed to build, not the
sport we true on living. Don't add on to the genocide, yo,
d get back on your squeat.

Speaker 2 (36:50):
That's what I did. Things on niggas cribs. They killing kids.
The system wasn't letting them live.

Speaker 36 (36:56):
They gave vis life on the back of their numbers
twenty summers.

Speaker 3 (37:00):
I'm just now seeing some niggas.

Speaker 2 (37:01):
Since I was younger, flaptop.

Speaker 36 (37:03):
I chopped mine in eighty nine, had props. I gotten
out for baby, come still straight, whole body's lace.

Speaker 2 (37:10):
We crazy times.

Speaker 36 (37:10):
Then my age got got in the face. That made
me round money frying numb in the streets. I took
the seat, stopped riding duty and cheeks and boat weeks, reality,
batshit sick.

Speaker 2 (37:21):
I found the Knicks. Nine four came with light for.

Speaker 23 (37:23):
Big nineteen eighty five. I arrived thirty three years. Damn,
I'm grateful I survived. We wasn't supposed to get past
twenty five shows on you motherfucker with your lives. All
these niggas popping down is showing everybody say the music
that they make is dumb. I remember I was eighteen

(37:43):
money pussy parties.

Speaker 10 (37:44):
I was on the same thing.

Speaker 23 (37:46):
You gotta give a boy a chance to grow some
Everybody talking like they know something these days niggas that
can woke, but they poke home. I respect the struggle,
but you off for in these days. Man, they barely
old enough to drive to tell them what they shit. Dude,
who the fucking mind? I heard one of them, just me.
I'm surprised.

Speaker 2 (38:04):
I ain't trip.

Speaker 23 (38:05):
Listen good to my reply. Come here, little man, love
to talk with you. See if I can pay for
you the large picture. Congrats because you made it out
your mama house. I hope you make enough to buy
your mama house.

Speaker 2 (38:17):
I see your watch night seeing your grip corn. I
got some good advice.

Speaker 23 (38:21):
Never quit torn, because that's the way we eat here
in this rap game.

Speaker 2 (38:25):
I'm fucking with your fucking little rap name, and I
can't get music again.

Speaker 11 (38:29):
I know that that's changed.

Speaker 23 (38:30):
A bunch of folks will say that that's a bad
thing because everything's commercial when it's pop.

Speaker 2 (38:35):
Now, trap drums is the shit that's hot.

Speaker 4 (38:37):
Now.

Speaker 23 (38:38):
See, I've been on a quest for the next wave,
but never mind, that was just the second wave. I
must saved by your songs. I'm gonna imprestave, but I
love to see your black man get paid and plus
you having fun, and I respect that, but have you
ever thought about your impact. These white kids love that
you don't give a fuck, because that's exactly what's suspected
when your skin black. They want to see you dad,

(39:00):
they want to see your papa peel. They want to
see you tet it from your face to your heels
and somewhat deep.

Speaker 2 (39:05):
Damn fu get, I gotta keep it red.

Speaker 23 (39:07):
They want to be black and think your song as
hide and filed.

Speaker 2 (39:09):
So when you turn up, you see them turning up, school.

Speaker 23 (39:12):
Up in next city, collect your money when it's doing,
and then pay them swimming the bitches.

Speaker 2 (39:16):
I don't blame you. You thinking about the baby boy
that's looking like me, and you true, you have better
shit to do.

Speaker 23 (39:22):
You could have bought a cripple or that bread and
show and blue.

Speaker 2 (39:25):
I know you think this type of revenue is never ending,
but I want to take a minute to tell you
that in true when dating kids.

Speaker 23 (39:31):
Is listening and gon grow up and get you old
for that shit that made you blow up. Now your
soul's looking like because they don't show up, which unfortunately
means the money slow up. Now you scrambling and hoping
to get hot again, but you forgotten your only pot because.

Speaker 2 (39:44):
You was riding trends.

Speaker 23 (39:46):
Now you old news and you're going through regrets because
you never bought that house. But you gotta bends and
a bunch of shoes and a bunch of shoes and
a bunch of fake friends.

Speaker 2 (39:55):
Ain't just a you. I'm just telling you what's probably
gonna happen.

Speaker 23 (39:58):
When you rapping about the type of shit reaping vowel.

Speaker 2 (40:00):
It's a past route to the bottom.

Speaker 23 (40:02):
I wish you good luck. I'm hoping for your sake
that you ain't come as you look. But if it's
really true what people saying, and you call yourself playing
with my name and I really know you fucks, I'll
be around forever.

Speaker 2 (40:13):
Became Muskiss, tap shot, say any hammer and.

Speaker 23 (40:15):
Niggas that want to get rock, just remember what I
told you. When your ship fly in five years, you
gonna be on love and hip hop cons too.

Speaker 2 (40:23):
My niggas, you can wake up the way you play
the rap game. Call it prophecy.

Speaker 37 (40:28):
I'm not understanding intelligence that Shade has I was.

Speaker 38 (40:32):
Playing with nineteen eighty five, nineteen eighty, nineteen eighty, nineteen
eighty five, nineteen.

Speaker 2 (40:41):
Eight, Lady by Baby, Lady, Grady five damn.

Speaker 38 (40:47):
Nineteen sixty five, nineteen eighty, nineteen eighty, nineteen eighty five.

Speaker 2 (40:54):
Five take.

Speaker 17 (41:00):
Right now, we got to get real close moments up
because that's how about the belt, all right?

Speaker 2 (41:10):
What definds my name? What definds my name? Yes? What
definds my name? Does? What definds my name?

Speaker 4 (41:25):
My name existed forever means victory, help a whole name
means protector short and if I two letters without the
i r at the end. The re incarnator Hill Scott
living in the bottle again, the World Cup.

Speaker 2 (41:35):
In Moscow, where the blonde of ten Vay penn.

Speaker 4 (41:38):
When I speak, it's like a lottery writ quote my
total Moti mobile. So fly out walking in the spot
every box we soaking from a time.

Speaker 2 (41:46):
When we were stronger. Today's streets are calmer.

Speaker 4 (41:48):
They used to kill for shade, sneaks and bambas h
My name existed forever before Christians came in America, even
better with click sounds of.

Speaker 2 (41:56):
Their mounse was language for humans with stick figures in k's.

Speaker 4 (42:00):
My name's red fluid nawty like wait before even Rome
had a switch for fifty thousand years ago. If I
can Trus's origin since there's nothing they gained by assuming
I'm gonna say the definition of my name the truest.
I shocked them like real bullets and proccus Creek with
batties and see quince stresses.

Speaker 2 (42:16):
Were I strung fresh off the jet. You can see
my vision while I've come How much time y'all got
your premiums? Dropped something? What definds my name? What defends
my name?

Speaker 39 (42:29):
Yes?

Speaker 2 (42:30):
What defends my name?

Speaker 6 (42:34):
Yes?

Speaker 2 (42:35):
What defends my name?

Speaker 4 (42:37):
My name's dnare King James Ken and Saint Michael Poliga,
Miss mind is seven wives and ridiculous time, and they
always share the same title. That need a whiskey talk.
Let's found like a stop at Prist, New York. At twenty,
I said I better quit my thirties. In my thirty
I thought, by forty rapping this corny, how wrong was
I never would have thought that fifty loose saws by
nine would be hard and live. I even scared, like

(42:58):
when they hear they name called, but they nobody is
the definition of my name?

Speaker 2 (43:02):
Probably started wearing.

Speaker 4 (43:03):
I wrote the e tray fingers covered in in stage
frighting was like an escape ecightedly the b flames. It
was rob King, Coozie and Chris, A few names of
Koja's face, Cuban breaks that was musically sick, successful or
nothing natural? I throw these songs in the Sinai capsule.
The truth is poison in any fraud, Simmy God, rocket suits,
the shoes going against Kenny Odds?

Speaker 2 (43:24):
How could you hate me?

Speaker 4 (43:25):
I survived the eighties, the deeds, the trauma, and bomba
fluid in late Sue and held fuse.

Speaker 13 (43:30):
From a stove for cook up.

Speaker 2 (43:31):
The shows booked up. I chose to take the world over.
Look up, what definds my name? My name? What definds
my name?

Speaker 16 (43:39):
Dom?

Speaker 4 (43:41):
Dna?

Speaker 39 (43:41):
Yes?

Speaker 2 (43:43):
What definds my name? Donna? Yes? What defends my name?

Speaker 40 (43:49):
And Yo?

Speaker 41 (43:49):
Thirty years later, E Maddick was dropping Yes, man, what
the fuck about the man?

Speaker 2 (43:54):
Your prince Chill?

Speaker 4 (43:55):
I got the robs from, got the beats. Thirty years later,
We're backing the street, be back in the lab. All right,
it's tore his album, Tom, It's top, It's time the
blackest Top premier album still going happen, Not niggas. I

(44:19):
really met through music, shit and the surreal thuns that
grew up with phone calls from the fast long story
so fast, wishing nigget home in a hurry, because we
the last summer.

Speaker 11 (44:28):
Dyant pack of lions, Nightman's.

Speaker 4 (44:30):
Under cast Thoroughbreds surviving, you know, drop them home, Ronnie
bumps and loved the Collie that boss order the slaps
and tales late night and forty.

Speaker 2 (44:38):
We was out there trying to read the stress.

Speaker 4 (44:40):
Had a beat taped from stretched rest black black vest
to master dark Aurrah. We hit the city deep in
the Explorer looking at the sauce. Which, so what's the
cover story that was coming shortly? Cause back then had
brought packed in recipes of you good men the go,
you're gonna kill a proper bottle, You're not promised tomorrow
showing loves to Moto flicks a cowboy hatstrapped like that's
bron They went out the chamber, Nomaia and Friar in

(45:02):
a vegetative state. When that man China died, stomped out
on twelfth Street.

Speaker 2 (45:06):
Member refels me heard Homie was a real g That's
what they tell me.

Speaker 4 (45:10):
I was the one to run through the functions, no
funny act, and it was me to introduce many the
money bags and Grandmaster Fitts. The DJs, disco twins from
the Town Woods to Prominadue hosts a party upper starlear State,
no quaints in the house, no beef for rifles.

Speaker 2 (45:27):
They playing etho.

Speaker 4 (45:28):
Title brothers can't do winny things when they decide to
win the range for but dissecting boss from takeover. Sometimes
a text over like Nigga, this ain't over laughing. I
had to hold it down for queens because the over
value fiend shout to Brooklyn. All between husby overlapping someways
be stacked And I ain't been on the train in decades,
and I can still hear the wheels on the tracks,
feel the b breaks several defense for Jakes, A license

(45:49):
to carries still ain't safe in New York State. It's
still a lot of ways. The man is the life
expected see average, the future of our next generation. They've
been established, conflicted by some of the same patterns that
had us honey and social status.

Speaker 2 (46:01):
Tell me what really matters? So who would you win?
They turn up all the cameras with me.

Speaker 4 (46:05):
You know the Answerspreme go ask Tony Bennett, Terres on
the part they gotta know, DJ Clue, NV and Camillo.

Speaker 2 (46:15):
Well almost beautiful prison in the house.

Speaker 4 (46:18):
When you see me at a lord's or a popular place,
I see change shining, the water stocking over my face,
co wordinated, trying to see me by some popular names.
For a second, I want to shit like it was
back in the days with dudes. Will really put that
thing up to your rip page and pull a Swiss plade.

Speaker 2 (46:31):
The winny think it's to bridge wade, but I go
stoop roll through.

Speaker 4 (46:35):
It's just so about to go to piece on my
neck in a high tech puzzle suit joke down there.

Speaker 2 (46:40):
With coliseum in stan Smiths tam Blick in.

Speaker 4 (46:42):
The desertrate town where my man's lip not niggas, I
really meant dough music shit if he's surreal thuns. I
grew up with phone calls from the Fast Long Story,
So Fast, wishing they get home in a hurry because
we the last of a dyant pack of lions, Nightmare's
un the casts, Thoroughbreds surviving. You know, no doubt, no doubt,
no shoubt, no so doubt, no doubt, no doubt, no shout,

(47:07):
no doubt.

Speaker 17 (47:09):
Shout Yo looking to take it personal.

Speaker 4 (47:13):
Mal fans Philip play for trev Law and DJ Please
sixty pe.

Speaker 23 (47:22):
A pen elaborate on the paper, immaculate reputation, my jacket
official like Jeff Hamilton, you could feel different in character.
The genuine article exceeds revision is narrative, it is in factual.
I tend to be accurate. Money tooks many rap lirites
to counterfeit.

Speaker 3 (47:38):
I've been through challenges.

Speaker 2 (47:39):
I reminisce and feel pleased. My son never lived like this.

Speaker 23 (47:43):
He's oblivious to protect a misob experience. Justice is different
when you're innocent and see how disagenuine the system is
given excessive sentences to.

Speaker 3 (47:53):
The true and living it.

Speaker 2 (47:54):
Systing is different.

Speaker 23 (47:55):
Possibilities limitless opportunities given when ambition and discipline and hance
potential to transition into the realm of greatness, dedication prepared
for you.

Speaker 2 (48:10):
Every day's a challenge.

Speaker 42 (48:11):
In the minus.

Speaker 23 (48:12):
You gotta break the pattern to make it passing grateful
hands blocked lessons of grass.

Speaker 2 (48:16):
What they'll never have is respect in the.

Speaker 23 (48:18):
Sense you quality of a man, my characteristics to data.
But dealer who had the potential to transition into an
order to actually listen with the rest red contentials. How
many shiit same views through different lenses aren't always clear.
I seen hustlers self adult and whole ways there spiral
olity control. Regrettedly, that's the life they chose, but couldn't
escape to tighten the hole, open my eyes, so I

(48:39):
never put white in my nose. To each of his own,
we all addicted, whether substance of riches. If you want
more when you get it, what's the difference between the sex,
bulling or fulfilledment? This hour turns against you if you
can't find contentment.

Speaker 2 (48:51):
I know, I know, you go to.

Speaker 43 (49:14):
The game taking the term called the worst niggas making
whatever they call the thirst the money and the women
the pain for the position to feeding number one, gut
them tapping in the kitchen because getting up.

Speaker 2 (49:24):
The white girl. Oh yeah, if I get it, everybody
your dealer.

Speaker 43 (49:27):
It goes with the gimmick the rest of the mimic
like they eat the new Jezy, make a couple of
the records, thinking it's just easy.

Speaker 2 (49:33):
It's just just the streets.

Speaker 43 (49:35):
Motherfucker, just beating the niggas. Don't give a fuck you
see Chief keeping it your friends acts the stranger they want.

Speaker 2 (49:41):
To see you, Dad. Are the people who are ungry.
You don't want to see you fans.

Speaker 43 (49:44):
If there was a liar, he bring whatever you want
you to face the fire, the proper attire.

Speaker 2 (49:49):
Look at that round, fat brown skin through tasks hair black.
That's not where I was going. I was showing your
niggas the mirror to see your nonsense. Way clear.

Speaker 43 (49:59):
Here's the picture of old up waiting that minute every summons,
putting on the clinic physic like in the way I
pennanted my teams like we're winning the Pennant ball game.

Speaker 2 (50:10):
I'm left those thicking.

Speaker 13 (50:11):
I'm over.

Speaker 43 (50:12):
I pulled up left foot out the rover. Some ain't
believing it. Naw, I'm chilling moll fucking thing in it.
I ain't asked to being there. I was defting foreseeing it.
So why you want trying me singing I'm washed up today?
I used hyping. Everybody asking me where I've been. I'm
not in Maher go Homeie with Carlos Slim. Everybody asked,
who's him? The rics man on the planet. I'm getting

(50:33):
that money, God damn it.

Speaker 13 (50:36):
The radio.

Speaker 9 (50:40):
It's just same, It's all the same. It's all the same.

Speaker 3 (50:52):
I'm like.

Speaker 36 (50:55):
From the ever the crack Wars, Rubble Bad Sack fitted
caps and battis. Certain clubs was letting the back door
with show love because this is what that's.

Speaker 2 (51:04):
Fault fly dude destroyer, y'all cool thatches and fried fool fuck.
It was my food.

Speaker 36 (51:10):
Bob's food spoke what we felt then, like jail man,
nothing was held there. I tail spind in the coop
with no poof off that forty proof to spook with
the ghost tooth.

Speaker 2 (51:20):
Flow the truth.

Speaker 36 (51:21):
I know the poof ben the body got photos as
a youth soleu my trap battles facts, attack tracks and
flack these fat casts a swag bringing back that feel
good when as steel hood, big board as still live
and skills cut.

Speaker 11 (51:34):
I don't play the radio.

Speaker 35 (51:36):
I ain't watching no videos in the juice bar, just
building with the millennials. Everybody sound the scene, everybody looked
to see him, a cut from a cloth in the
full school criminal snacks. Keep that fake shit to a minimum.
Matter of fact, don't even do it because I'm as general.
I ain't got time for no industry lives from an
industry guy. I'm in the G five. Only catch a
sting like when in the bee Hive got beef. Then

(51:57):
don't go to sleep let that heat flying black like
them birds going south, Yes, splurs going out and a
swerve going out going man the curve. It's second and
third in the maple last like Mike, you holler too,
e dub, I'm the other p making Dallas gig high
pray God that I'm gonna see the mark.

Speaker 2 (52:16):
On some of the green eyed fanded representative e pm
G and you check it out.

Speaker 44 (52:20):
Taking personal radio, no joke, just a shoot and my
voice telling shots, canning shoes.

Speaker 2 (52:28):
De squad understand this.

Speaker 4 (52:34):
Digging number four one forty first Street raised in the
Bronx ever since nursery recruited by the Lord, deducted by
the board, been riding for the cards.

Speaker 2 (52:44):
Supreme Press record.

Speaker 4 (52:46):
We the four such Jedi with red eyes on the
red eyes rubbers like left eye. Our pigs try to
track them the rest stie, but my product is sole
that best s five that were good bullet proof bullet
tooth tony ok for costume.

Speaker 2 (53:00):
Wet like hot noon July June.

Speaker 4 (53:03):
Bury on my body with a bury where a body
make wine.

Speaker 2 (53:06):
When we party.

Speaker 4 (53:08):
So now she say I make a heartbeat, so we
instagram lipstick stay she hated me. Yeah, we're great with
the offbeat legacy, froze your babies neath coffee.

Speaker 24 (53:18):
Digging the mcgreen raised out in Brooklyn off Bushwick section
of the borough where crooks swam into Sababbery Hospital.

Speaker 2 (53:26):
Lost me red flagging bulls. Shit became an.

Speaker 24 (53:28):
Art to me low and behold in the streets that
are on. Its just sharping my skills to survive. I
supposed to watch is another road to maneuver the rap game.
Instead of getting shot and my lungs collapse. Say clothes
that I modeled. They spread across the atlas such a
people in frensh back the flat horse chat rooms talking
how your up shit win did digging in the building

(53:49):
again and look at your bosses liver Lepido up.

Speaker 4 (53:52):
Head stroke and fo promoters to pay us to up here.

Speaker 24 (53:55):
For them seingos hats on the place in half, leaving
the stage of blood bath.

Speaker 2 (53:59):
Go for Gigging is a touchdown. We like the beatles
of this rap shit.

Speaker 4 (54:04):
Di ichi see a digging number two that's me and
who in mind?

Speaker 2 (54:09):
Well, I'm the realist mother fucking them see usually.

Speaker 4 (54:12):
With killers and some carios party get barrios, savellans and
probably where all the gollies go Lynn Greeney with lagerstinos ranches,
pass the finos tattooed doppucinos, u spit.

Speaker 2 (54:24):
Visits to dawns in prisons.

Speaker 4 (54:25):
Muslims non religious from the bronze and be conscientious. If
nothing them himis go bananas bro yellow diamonds stripping on
the throne of the crown. When the nigga walked, light
of stones on the ground, it's common sense cracked. So
we sold by the town nigga. Yeah, yeah, yeah, what
up y'all?

Speaker 2 (54:41):
This is consense. I'm rocking, I'm roup, I'm our bath bath.
That's where brown brown yo, I'm up broke broke, but
out of down.

Speaker 40 (54:49):
Now if you got beat and you your ground brown
cut up, it's so so father pound bound.

Speaker 2 (54:55):
I'm going downtown like Julie Brown. I'm the round bounce
out of the bound, but like a hound, get down
down them, but I look infrested. It from gotten. More
souls that come back, they can do. Some say this
saddle something and some one makes it like the emdah.

Speaker 40 (55:10):
But I used to be yoo, but now I just
clot be over with the yummy done to see the
man and you don't doesn't go. I know I vote
that strumnato like, I gotta be liking now.

Speaker 2 (55:21):
But gentle who them boat?

Speaker 17 (55:22):
Not just that?

Speaker 40 (55:23):
SA say that something they get best? No way, I'm
picked up numbers again. Yeah, Congress, help yet a boat's one.

Speaker 2 (55:29):
Upon getting blessing, they say, my life so mess. But
I'm straight? Are you straight?

Speaker 11 (55:34):
And you straight?

Speaker 2 (55:35):
Then I'm straight? Fuck meet tonight just the whole time.

Speaker 4 (55:55):
Well, it's the God, no illusions. Blessing is wh green
shall and asses up a few usion the science to
stark the mind with thoughts are greater living. It gets
deeper than the secrets and Masonic symptomism.

Speaker 2 (56:05):
And I understand if you can find it extremely hard
to calculate it.

Speaker 4 (56:09):
This dude to refer to himself as God to me
demonstrated you don't get it at first. We visited later.
But in the meantime, let's examine the difference in our
nature as in loving or hateful, patriotic of rebel, positive
and negative in God and the devil. It's been debating
for years. Let's acknowledge the magic when some embreaks the
jewel others of witness and it's tragic, but I'm.

Speaker 2 (56:28):
Addicted to much spoken the truth as a.

Speaker 4 (56:30):
Habit since of young and using a pencil of white
for mathematics, incorporating the science. When I give you the classics,
when summer find a stranger resort the measures this drastic,
I particulate with clarity. If you're showing your hear this,
it's identifying.

Speaker 2 (56:43):
It's cool. Cool with conspiracy theorists something. They call me
crazy because the times my life seems.

Speaker 4 (56:47):
Out of order, us possessing answers to the total square
mileage of playing in water.

Speaker 2 (56:50):
Go get your recorder.

Speaker 4 (56:51):
Because even on my worst day, when the week, when
I wait on my shoulders, I can tell you what
the earthwaight. Then me listened to the wind so I
could hear the Earth beginning that universe speak around the
celebration of my birthday. That being said, we could stop
pretending in our mentor like all of shit we witness
happening coincidental. See back in ninety year, when I dropped
the first extinction level, I was fighting in the demons
with personal scores are settle. They put it in a

(57:13):
movie because they knew that we ain't really know. Funny
how they try to tell us twenty two years ago
with deeply impacting how watching the flick really moved me.

Speaker 2 (57:21):
As the world was ending. Margan Freeman was Prais in
the movie.

Speaker 4 (57:24):
So this fast forward with the two thousand and nine
to twenty twelve, we left an impression on the minds
of the people, making sure we remember if we slightly
doubted that the world was ending, that we can't really.

Speaker 2 (57:34):
Do shit about it. Damn funny.

Speaker 4 (57:36):
When I saw the flick, it did amuse me through
to the point where Danny Globb was Prais in the
movie too. Then I questioned why they we hit a
ringing the same plot. Should we be a little peronatic?
They gave us Parat, gave us Parak twenty twenty the
message I'm sitting now that my president gone, how convenient
the world is.

Speaker 2 (57:51):
And I tried to mon them with the Seventh Seal.

Speaker 4 (57:54):
Seal the world was wound and it may never hear
never even Mother Nature's getting niled, it's getting rid of
when millions get killed, when that deadly weather spell un
tail Sidamga marbles on America's turf. The horror it'll forever
get worse yet instilled. It's like a gifted birth than
you in Herodic curse. But the meat must inherit the earth.
It's Heaven's well heaven me meaning powerless in the form

(58:16):
of politics, giving power at the dornity your pocalytics. The
war is stronger in peace. It's poverty to the majority
of scar with the mark of the base. So the
righteous prevail the work miracles prepare to whether you through
the unbearable, will reverse the Enever, the ball will.

Speaker 2 (58:31):
Find you a sin.

Speaker 4 (58:32):
Remind you will win back when God lived. The men
in that chime is a Gams signs of the end.
Read Mark chapter thirteen and Daniel chapter twelve. Understand you
wrapped in hell revelations show the facts as well to
read Profits and the Koran and enacts yourself through your reparnation,
bread for hate and refa hate and judgment. Dave Fard,
don't get left the bacon because what they think in

(58:54):
is the and the creation. It's actually the rid coordination
of God's to death for sake.

Speaker 2 (59:05):
All right.

Speaker 18 (59:05):
Coming out of mixed number one that was Buster rhymes
with Extinction Level Event Part two.

Speaker 13 (59:11):
I remember Extinction Level Event Part one that was on
the Anarchy album.

Speaker 18 (59:15):
If I'm not mistaken, I actually I think that was
probably the last Buster Rhymes album that I really kind
of enjoyed. There was that track with Ray Kwan, a
bunch of the Heist, The Heist.

Speaker 21 (59:27):
Yes, yes, do any of us care about Buster anymore?
I mean, he's kind of turned into a caricature.

Speaker 20 (59:36):
I went to the bathroom during the Buster appearance on
the Wostang concert. He is not somebody that I You're right,
he's a character. He's not the hes not He's not
the Buster that you and I grew up to listen.

Speaker 3 (59:51):
And it's a shame because that was a really good Buster.

Speaker 10 (59:53):
I like him as a guest.

Speaker 18 (59:55):
He always reminds It reminds me of like what happened
with Barry Bonds, with the way Buster Rhymes looks these days.
Like Barry Bonds at first was like, you know, pretty skinny,
like all around great. Mean, he was fantastic, great, one
of the greatest baseball players all time.

Speaker 13 (01:00:10):
Buster Rhymes used to be kind of.

Speaker 18 (01:00:12):
Like lanky, right, like like skinny, and now he's just
like he looks like Barry Bonds, Barry Bonds' career.

Speaker 13 (01:00:19):
He looks like he, you know, got some of that
cream or whatever they call it.

Speaker 3 (01:00:23):
It's the wealth bloat.

Speaker 10 (01:00:25):
Well, do you think also that there was a time
he was on Royds because absolutely absolutely all that were
on Royd's about fifteen years ago.

Speaker 2 (01:00:32):
When you stop working out and taking roid, he's become
a water weight.

Speaker 10 (01:00:36):
Yeah. I think he's working on it though, because he
might I think he had health scare.

Speaker 3 (01:00:41):
Yeah, yeah, mnfat Joe working on it.

Speaker 18 (01:00:44):
So talking about these you know, these old rappers and
news that broke was yesterday, so uh, apparently jay Z
was at quite a few ditty parties.

Speaker 13 (01:00:53):
Huh do we want to go there or do we
want to keep.

Speaker 18 (01:00:57):
That off off off the raidar And we could go there,
but until some more information gets unearthed.

Speaker 20 (01:01:03):
Yeah, I don't know how much more we can go
because right now is a speculation. I think they know
that did He's already gl you can't get anything out
of him. But jay Z's a you know, a billionaire,
and they know they had a relationship a friendship, and
why not go after him if you're trying to get
some money.

Speaker 2 (01:01:20):
But I don't know.

Speaker 20 (01:01:21):
Personally, I don't believe it, but I do believe that
he knew the vile ship that he did.

Speaker 21 (01:01:28):
He was up to everyone did that. Everyone participated in
their own way. Apparently this all goes back to the
Seagrams Corporation. You know they funded what was that Nexium,
what was that like, sex cult back in the day,
and you know they owned they own well, they own
Universal Music. So it's a lot of that early on

(01:01:51):
Sex the Room maybe with Tom Cruise and Kidmundo that movie.

Speaker 22 (01:01:56):
That movie started at all Man. Yeah for real, that
was a pray to what Eye White shut. Right, absolutely,
I'll just remind you that Kubrick's dead, just saying.

Speaker 3 (01:02:07):
Okay, let's end the sixth degrees right there.

Speaker 20 (01:02:13):
Let's let's quickly go over some of the joints we
played on Mix one because this is, like I said,
an accumulation of the last eight seasons. So we played
We played Black Thought making the Murderer, which was with
styles P.

Speaker 2 (01:02:28):
Right, he was the one from the Locks on it.

Speaker 20 (01:02:30):
So that was the first of the Black Thought solo
album series, right, that was produced by Ninth Ninth wonder
that was it.

Speaker 18 (01:02:41):
Was ninth the three EPs or something right like, yeah,
very closely released to each other.

Speaker 20 (01:02:46):
So Salam Ramy it was ninth and who's the other one,
Sean C. Then we also heard Define my Name, which
is kind of fairly recent in the last few years.
That was with DJ Premier and Nas, and they still
not drop that.

Speaker 3 (01:03:01):
Album by the way, coming soon, Yeah, do.

Speaker 20 (01:03:05):
You guys even give a shit? If that comes out.
You'll listen to it, but do you really care?

Speaker 21 (01:03:09):
I don't care anymore because I don't know. Nas just
does not interest me. He just does not seem like
he's a part of the fabric anymore. I'm not trying
to say he's not good.

Speaker 10 (01:03:21):
You know what I've noticed offering I feel you on
that there's something missing. I can't put my finger on it.

Speaker 22 (01:03:27):
At first, I thought it was because I didn't like
hit Boy, and I thought it was maybe just because
I hate that name so much.

Speaker 10 (01:03:32):
It sounds like a child. But then I listened to
more of the albums. I'm like, some of these beats
are fresh. I listen to Wave, Gods, tost God, Damn.

Speaker 3 (01:03:42):
The music on the last album was good. That's like
the problem is magic.

Speaker 10 (01:03:46):
Magic is good.

Speaker 3 (01:03:47):
When you don't have struggle and you don't need your art.

Speaker 21 (01:03:52):
Sometimes different, It's just it's just different, man. It's like
it's like it's like the guys from Souls. You know,
it's one of them, is you know, he is an
amazing architect, and he makes his money in different ways,
and I'll never expect him to put the effort in
to recreate, you know, a new soul's project.

Speaker 3 (01:04:13):
And it's kind of the same thing with Jay z.

Speaker 21 (01:04:15):
Or or Knas or anyone on that caliber of investments,
where they just make their money from other things.

Speaker 3 (01:04:23):
It's not worth their time or energy. And I just
don't feel really good. Though he is a super talented
he just does not have the draw.

Speaker 10 (01:04:31):
Better than ninety five percent of anyone.

Speaker 21 (01:04:33):
I've always said to myself, like, if I've ever met
somebody who is like godlike status, what would you say
to him? And it's like, the only thing you can
say is I still have drive because I've never made it.
You know, you, on the other hand, could never have
that drive again because you've surpassed that stage of your life.

Speaker 3 (01:04:50):
So the hungry are the hungry man. That's just a
whole different level.

Speaker 2 (01:04:55):
So I mean it's a fair point.

Speaker 20 (01:04:58):
So what you're saying is with a certain lefelevel of
success that an artist can come on.

Speaker 10 (01:05:06):
Complacent.

Speaker 21 (01:05:07):
I just think that they are not a part of
it and connected absolutely, and I don't think that they
put the time and energy.

Speaker 3 (01:05:14):
I mean, it's not like, and I hate this because
it's only hip hop music.

Speaker 21 (01:05:18):
It's not like the Rolling Stones or led Zeppelin said
well we've reached the pinnacle and we don't need to
do this anymore. They literally go away to some farmhouse
studio in some strange part of Europe and just fucking
like sit there for a month and finish a record.

Speaker 3 (01:05:35):
I don't know why hip.

Speaker 21 (01:05:36):
Hop chooses to not do stuff to watch Queen movie,
you know, I'm just saying, well, well, led Zeppelin did
the same thing. I'm just saying, like, they literally make
it a project. If if you've got which Viga is
a producer, he's gonna make you move away and like,
you know, immerse yourself and they just hip.

Speaker 2 (01:05:55):
Hop does not do that. Well.

Speaker 20 (01:05:56):
Hip Hop's an ego driven sport, right, I mean, let's
let's be honest. A lot of what they rap about
is either like I just said, for Pride, or it's
about to come up and if you don't need to
come up anymore, right, or what are you rapping about?

Speaker 2 (01:06:12):
You know? So that's why a lot of the albums
that we do like.

Speaker 20 (01:06:17):
Usually resonate because these are hungerble that become yeah, people,
but at that time are more relatable. You know, nas
Ellmatic is certainly more relatable than when he was you know,
his nas Escobar, you know Moniker so well.

Speaker 3 (01:06:32):
Look at Dre though, Dre seems to do it.

Speaker 21 (01:06:34):
I think Dre seems to immerse himself in a project, right,
Doctor Dre was just about it. If he's gonna do
the new Snoop album, like, I feel like he really
puts his time in.

Speaker 3 (01:06:44):
It sounds good so far.

Speaker 20 (01:06:46):
It sounds good because it's it's Dray and Stoop and
they're certain magic to it. But there's Snoop's not saying
anything that like you guys are gonna fucking remember in
ten years.

Speaker 21 (01:06:58):
So from a producer standpoint, Dre does and that's the
soundot and that's what I appreciate about because but he
is the he is that guy. Kanye can't do that
anymore because he's just so out of it. He's in
a whole nother stratosphere of life. And Drake could be
in that stratosphere too. But I just feel like he
chooses to create a sound every ten years or so,

(01:07:20):
you know, like a very new sound.

Speaker 10 (01:07:23):
Are you guys looking forward to that album.

Speaker 2 (01:07:25):
I'll listen to it. I don't know if I'm looking
forward to it.

Speaker 10 (01:07:28):
I am, actually I'm looking forward to it.

Speaker 3 (01:07:30):
I want to hear it.

Speaker 10 (01:07:30):
I think the style, the snippets i've heard, I think
sound great. I mean, I can't say the same for
Ice Cubes's new album. That shit put me to sleep.
That was boring, that's not angry ice Cube again, complacent
real ice Cube.

Speaker 3 (01:07:41):
Here's a guy that makes a ton of money writing movies.

Speaker 21 (01:07:44):
Why why waste your time on something that will give
you a tenth of writing a script for two months
would give.

Speaker 3 (01:07:52):
It's a very different thing.

Speaker 20 (01:07:54):
True, Like I think, like a guy like doctor Dre
you can have and he's obviously at the top me
he maybe one A, one B depending who you talk to, But.

Speaker 2 (01:08:04):
He can make good music.

Speaker 20 (01:08:05):
I don't think he's capable of making classic music anymore.
You could talk about the Snoop album. I think it
comes out in a few days. But what's the last
Dre produced album you listened to? Maybe two thousand and
one Eminem that would be it, definitely Eminem.

Speaker 2 (01:08:21):
I don't think he even did all of Eminem.

Speaker 20 (01:08:23):
I mean he did a lot of the songs, but
I mean The last album Drey was really responsible for
was what two thousand and one, yeah, which was nineteen
ninety nine, Yeah, Okay. He put out Compton which was like,
had like two good songs on it, so and that
was twenty fifteen. So when we talk about making classic
music Drey, I mean, think about what you're saying now.

(01:08:45):
The Missionary album, I can tell you right off the
bat by looking at the track titles, it's not going
to be one of those classic albums.

Speaker 10 (01:08:53):
Well, probably has a bunch of stupid guests on it,
doesn't exactly exactly nobody wants that. Hello, all rappers, take
the fucking guess off your album. Happen Too to Get
You get too?

Speaker 2 (01:09:05):
Well?

Speaker 21 (01:09:05):
From the first snoop track that I heard, it sounds
like Dre is sampling classic disco breaks and slowing them down.
And Saturday Night very refreshing to me. It sounds very
sample and heavy in the sense that he's just taking
ship no one knows, reworking it and at least he's

(01:09:27):
sticking to what he knows.

Speaker 10 (01:09:29):
And then did you hear the one sounds exactly like
Schoolly do you Saturday Night?

Speaker 3 (01:09:32):
I haven't heard that one yet.

Speaker 2 (01:09:34):
I heard the Tom Petty one. Did you hear that?

Speaker 20 (01:09:38):
So you know Tom Petty's last dance of Mary Jane. Yeah,
so I don't know what the song titles. Maybe it's
called Mary Jane, but it's with Tom Petty using the
actual vocals from that song and jelly roll.

Speaker 10 (01:09:50):
Interesting the fuck out of here.

Speaker 20 (01:09:52):
Yeah, so that's I'm telling you, that's what's gonna I
know there's a track feature in metha Man that's going
to be kind of interesting to hear that I met
the man over like a dre beat. But I'm telling you, man,
this is gonna be in the same vein as that
Compton soundtrack album was.

Speaker 2 (01:10:08):
There's gonna be maybe new songs here that you like.
First of the month, Oh Drake is still do it.

Speaker 20 (01:10:13):
But you're not gonna listen to that album in a week,
yeah it comes out or two weeks.

Speaker 2 (01:10:18):
You know.

Speaker 10 (01:10:18):
Another good another good example of somebody we were talking
about knobs a minute ago and stuff. My guy Benny.

Speaker 22 (01:10:26):
We already talked about this before, but here's the dude.
Tanna talk three hungry Benny, fucking monster Benny. I want
that every day. And now it's like, oh, take this
woosy ass beat and I'll make an EP on it
and half asset and I don't need to do it,
And come on, Benny, be selective. Less is more, less

(01:10:47):
is more.

Speaker 10 (01:10:48):
I want these I want these rappers to make one
album every four years and make sure it's really fucking
good and you get two guests.

Speaker 2 (01:10:56):
That's it.

Speaker 10 (01:10:57):
No more Losses shaking his head out me what No, No,
he's like this guy again.

Speaker 20 (01:11:04):
No, look well it goes back to the whole man.
He got very big too quick, and he you know,
you tend to drift from your roots.

Speaker 18 (01:11:13):
God, I mean they can make they can make albums
using their phone nowadays.

Speaker 10 (01:11:18):
Like yeah, true, you know all you need to do is.

Speaker 13 (01:11:20):
Wrap in your iPhone.

Speaker 18 (01:11:22):
You can probably mix it down on an app and
then upload it to iTunes, all within an hour.

Speaker 3 (01:11:28):
Have you guys heard anything from Large Pro recently? I
mean anything he seems to put.

Speaker 21 (01:11:32):
Out as always gold to me, there's no story with
large Pro. So he hasn't put out anything. No, he
just DJ's in his fucking bedroom those.

Speaker 20 (01:11:40):
Little for all I know, Like he doesn't, he hasn't.
He's a weird, introverted dude. He doesn't put out anything for.

Speaker 3 (01:11:47):
You know that would be the best book what your
hip hop icons actually do? Where are they now? Where
are they now?

Speaker 21 (01:11:55):
That would pop up video with all those bubbles and
ship That would be great. That would be great because
that will take the ego out, and that's you know,
once we could get past you know that part.

Speaker 3 (01:12:08):
Come on, let's get We've.

Speaker 20 (01:12:09):
Always been interested in how these guys make their money.
When he asked rock Marcian, it's like, what do you
do for a living?

Speaker 3 (01:12:15):
Well, come on, because they ain't fucking They ain't hustling music.
I'm telling you that.

Speaker 10 (01:12:19):
I think some people, some people do.

Speaker 3 (01:12:22):
People do, But anyone who's.

Speaker 21 (01:12:23):
Got a song out before twenty ten, they are not
recreating their old shit and maintaining money.

Speaker 3 (01:12:33):
It's just not possible.

Speaker 22 (01:12:35):
So on that topic, one of the people I think of,
thanks to Gloss's share the other day, is Necro.

Speaker 10 (01:12:41):
I want to know what Necro does every day, because
his stories are awesome.

Speaker 3 (01:12:45):
I think he works at HOMEPO, he's got to do
something like that. I think he's so.

Speaker 20 (01:12:51):
I don't think he works for anybody. He doesn't seem
like the type that knows how to to really work
with other people. You should see him. I see him
working by himself. He probably I don't know what he
where he lives, and what he does besides making music.

Speaker 18 (01:13:06):
But I feel he fields inbound customer service calls when
they when they talk to them, when they talk to
the guy in India and they say they want to
talk to somebody who speaks English.

Speaker 13 (01:13:16):
The transformed, the necro.

Speaker 2 (01:13:18):
Imagine him being like a collector. He will pay this
or you'll die.

Speaker 10 (01:13:26):
I will sever your arm off and feed it to you, necrop.

Speaker 22 (01:13:32):
If you haven't seen his videos, go on YouTube and
watch watch him do some storytelling.

Speaker 10 (01:13:36):
Well crazy.

Speaker 3 (01:13:37):
The storytelling was nice.

Speaker 21 (01:13:38):
He was going into the search stories of course another one, uh,
you know, just his dealing and yes, with his dealings
with him and the shady business.

Speaker 10 (01:13:47):
But again I was a little I was a little
shocked at him, kind of you know, dog and non
fiction a little bit. I thought that was all family.
I wasn't aware that there was beef there.

Speaker 3 (01:13:57):
I don't think there was beef. They kind of threw
him out of the group.

Speaker 10 (01:14:00):
Yeah, pretty much just be gone.

Speaker 20 (01:14:02):
So well, it sounded like he was a complete wild
card that could not be tamed, and it sounded like
the guys don't want to jeopardize any you know, relationship
with Search, because say what you will about Search, he
still had connections and influence. And for these guys coming
up in ninety four ninety five, there were nobodies, yeah,

(01:14:22):
you know, so they were hoping to you know, maybe
have some you know, some some movement with the association
of Search.

Speaker 17 (01:14:31):
Yeah.

Speaker 21 (01:14:31):
And I don't think you want to ever put in jeopardy,
you know, having producers like Pete Rock or Premiere at All,
like God Forbid.

Speaker 20 (01:14:39):
All right, so why don't we because we got two
more mixes, why don't we get into a mix too.
We're going to start with this is the DJ Muggs
Joint Assassination Day. Well, go stace Killers Joint Yeah, Assassination
Assassinations Day two.

Speaker 2 (01:14:55):
All right, this is a cool g rap and MF doom.

Speaker 20 (01:14:58):
This is where we're going to start getting to the
that drumless rap that you guys love so much.

Speaker 2 (01:15:03):
So enjoy it. Remember we got three mixes on this mix.

Speaker 20 (01:15:07):
We got Killer Mike, we got Black Dot, we got
Pharaoh Manch, we got con with Machine, we got a
lot of shit.

Speaker 13 (01:15:15):
So and we got all asleep during mix too.

Speaker 20 (01:15:17):
We got Benny of the Butcher Tanna Talk three ninety seven.
Hove is on here, so joy and uh this again.
It's a recap of our last eight years. The best
of the new music.

Speaker 1 (01:15:36):
Hey, we hope you're enjoying Episode one seven. Stay tuned
for Mixed two, featuring music from DJ Muggs, Czarface, Merrs,
Pharaoh manche mc eight film.

Speaker 11 (01:16:06):
Yo, What's good Man?

Speaker 17 (01:16:07):
Yo?

Speaker 2 (01:16:08):
Checking?

Speaker 10 (01:16:08):
What's good?

Speaker 2 (01:16:09):
Y'all?

Speaker 4 (01:16:09):
Just DJ muff from Type of Cell Soul, Assassin's laughing
loss and checking out.

Speaker 3 (01:16:14):
Take a personal radio Yo trying to shoot up and.

Speaker 4 (01:16:20):
Lyrics clear the pipes like drain O witness pure hate,
like spit going over Rainold.

Speaker 2 (01:16:26):
A good responsible would be to.

Speaker 4 (01:16:28):
Wave high like main Old, or it could be whatever
dog Bingo was its name.

Speaker 2 (01:16:33):
Hold a rainbow when it's golden Hell came shoulder. It's
like the poor say.

Speaker 4 (01:16:38):
Yo, you know how to the slang gold bango devil
wan a tango gets insane, don't trick on any change
gold Hold ma fiano, Insensato's shove off the screen, laying
Little Voto playing slow, in fact, playing so slow faster
than light speed.

Speaker 2 (01:16:58):
Indeed, Nick you on your tough and cleave at night,
skid in the.

Speaker 4 (01:17:03):
Wee hours deep study in the mix, open up the doors,
have them sitting bricks in effective first big box in
the bricks, pause again, fiddlesticks, ten white pill woods.

Speaker 2 (01:17:19):
In the skintlenecks, fillers packing the days.

Speaker 45 (01:17:21):
That open back in the days, back and down the stage,
back in days, packing the back back back in the days.

Speaker 46 (01:17:32):
The pack it stays stayed with the wasantine age and
the age of the age.

Speaker 2 (01:17:38):
The pack.

Speaker 4 (01:17:40):
Packing the days, waiting to get and cake and the
biscuit found out a way to the wizard making the
blizzard picked up the face of my skip and paid
in my visit.

Speaker 2 (01:17:51):
He took me straight with.

Speaker 12 (01:17:52):
The fishes, waited and dissed a thistle flake and some
liquid making. The bridget stayed in the kitchen, bacon and whipping,
naked and mistus, races and pictures hate the sissous scrape
in the distance, played with some riches, labor some pictures.
Stacy and Bridget face with the thickest stated they faced
like bracist in bridges. Brace of my bridges. Ladies met

(01:18:12):
say these racist on bridges gracist and squizz.

Speaker 2 (01:18:15):
It's safe for the digitus. Safe in the district.

Speaker 12 (01:18:17):
My paper streak was making a different steak with some
brisket because he talk the pay for my mistress shape
on the bishops see niggas paid them living go have
the shades and the fitted reason on the mids, raised
up the cage and get with it, niggas. No, why
don't play with thish? Isn't pray for delivered nigga.

Speaker 2 (01:18:35):
Nigga shayin hook off a song that slow.

Speaker 4 (01:18:46):
Job falla hart had the sidis saw heading the trenches,
scar heads religious you came apart.

Speaker 2 (01:18:54):
With blood miss and pulls saw WA's.

Speaker 4 (01:18:56):
Out out the patient bruit anytime on figes the floor
bock the spell so strong a catch hate from twittererson
balnyt moving back and back to the track master. How
is Africa saying? Cooper bodies like a human trafficker?

Speaker 2 (01:19:10):
What up smer to.

Speaker 4 (01:19:11):
Parted in an inmate on a contracle, claunting you with
rocking field, climbing the barbecue.

Speaker 2 (01:19:16):
We're a lying if my body fuck with you and
I ain't even singing to my arsenal. Someone taking personal,
someone taking person, take him taking personal.

Speaker 47 (01:19:25):
You know the FIDS and you know what its cutting.

Speaker 2 (01:19:29):
I'm taking personal. You know the FIDS and you know
that says thoughts so much force. I'm like, don't twin fire.
I'm making your.

Speaker 4 (01:19:37):
Sweat in the coach. The Swiss of bad news. They
gonna show the fire closest.

Speaker 2 (01:19:41):
Kids song song, So.

Speaker 4 (01:19:51):
Look super felling, a maniacal tirrate, hare footsteps, stop to
your environment, the jungle on your up with the rap
jargon type of rapping, fine on the rack at a
bargain type of craft, probably getting smacked off the margin
with its rings, sepping the tools mis at the yard
New York. You say no loose talk, truth talk, TMC

(01:20:14):
and fakes beef is the boof park filth, the cut
of the tape.

Speaker 2 (01:20:18):
Take them up, playing him down, increase the murder rate. No, no, no, no,
that do hurt straights.

Speaker 4 (01:20:25):
Whack rappers get spit on through the furling gates, final
straw asking what they're rhyming for. Depth waits ripe behind
the door like a din of saw on a lone
of rows trying to find a cure.

Speaker 2 (01:20:39):
Shows sure, sure.

Speaker 3 (01:20:50):
Hey watch the ship show when they.

Speaker 2 (01:20:52):
Get jo hippy here. Don't need to feel that weave away.
They steaves did go. They get going. They thirsty work
the big thick floating ship joke me, it's on the
giant with the sick flow. No, no, I wouldn't provocal.
They call him connoral creda.

Speaker 37 (01:21:05):
The ways fucking us folks in a trial five calm man.
Let's doing their faces sets pool o wasis that's pool
their faces?

Speaker 2 (01:21:13):
They're doing a shamus with booms is hege.

Speaker 37 (01:21:15):
Is you can't but with your health med school's a vegas.

Speaker 2 (01:21:18):
I miss that whole ship.

Speaker 37 (01:21:20):
Bata's uster bee stupid sath now they just stupid and death.
I stay up there, grand I twisty times so our face,
stick the superherol in the extra fly extra flying from
my skin and put the boss fold.

Speaker 2 (01:21:33):
So many voices in my head. They didn't you ride
the car pool? I check one two on the check
in becausess terror from zur face.

Speaker 42 (01:21:40):
They're checking out the take It.

Speaker 2 (01:21:42):
Personal radio show.

Speaker 11 (01:21:44):
You know the deal thief, the kid kid, the kid
that worked down at the local basket.

Speaker 42 (01:21:51):
Robin's gonna attach you will, but let stick print attach
the Bubba's collar. I wants to relocating postats. You go
to a bopple thinking I had lost the flne if
not the passion for the novel, He asked me what
I wanted.

Speaker 10 (01:22:01):
I ordered something daft.

Speaker 2 (01:22:03):
He said he like the tattoo. Alex drew me of
the vets. Thanks.

Speaker 42 (01:22:06):
I like it too, but modestly confessed and present company.
My color bring is not the main event.

Speaker 2 (01:22:13):
Look at that.

Speaker 42 (01:22:14):
Next messages of meeting get the guy after Hicks spent
a lot of years making friends with cool artists, so
when they kiw me tattoos, I can truly feel important.
News twenty two year old inside a cube of brick
and mortar got me questioning my barrels in their corny.

Speaker 2 (01:22:28):
Pecking over I should give a shit less cherry whip.

Speaker 11 (01:22:35):
Yes, a lot of years, a lot of gears. The
girl that worked down.

Speaker 42 (01:22:48):
At the local juice place got ahead bull of dreadlocks
down to her waist and once.

Speaker 11 (01:22:53):
They read the spinets, took the ginger to the grapes.

Speaker 42 (01:22:55):
Meyer was underwhelming. Majuh fucking great. The lady orders mock
compliments the locks she has. How many years it took
the girl to grub a crow. It took a lot
of years, and then eventually I cut him, kept them.
We attached him anytime I won them. My mom's fucking
blown in the future was amazing. I feel so fucking old.

(01:23:16):
I met you, clone your pets and ride a hubber
more than work. I used to fulking man to find
the juice place in the first These kids are running wild.
I'm still recovering from church.

Speaker 2 (01:23:25):
You should have seen me in the nineties. I could
not lag up a curve.

Speaker 42 (01:23:29):
You should have seen me in the eighties. I was
bumping new magician dragon acting in the eighties. How how
how A lot of years, A lot of years, A
lot of years.

Speaker 2 (01:23:58):
Mother fucker? What about him? And I'm gonna beggin the shit.
I'm gonna binging about marriage. What's the name? Were about
to do? The drinks chicken, you know, eat some chicken
and drinks some vigors and my wife period later. These
are all good things, man, good things, sir. He look bummy.

Speaker 4 (01:24:17):
But I got a couple of thousand on me buying
now vaping, oh eight, when you was browsing, Homie, dropping
me in the dirt right now, when I got.

Speaker 2 (01:24:23):
Housles zone me give.

Speaker 4 (01:24:24):
If you think up violence, wait till you see my
valin homies Home over salace, Homie.

Speaker 46 (01:24:28):
I'm so underbroken.

Speaker 2 (01:24:29):
Just gott a check for fifty k. About a month ago,
Boston Diamonds. Put some white pists on the mini van,
hit the q K.

Speaker 4 (01:24:35):
All day slapping skinny Man, hit the palace stale, drop
a couple of pounds on it. Bill fucked up, but
I'm still watching the brown Honey, what you expect.

Speaker 2 (01:24:43):
My childhood was.

Speaker 48 (01:24:44):
Fucked up, So if you wait from my hood to
shut the fuck up, I'm with the mob, Homie, indus
tree niggas be fronting. They keep their job, Hodie. I
started the ship out the wrap, but that's so god
home mee talk about hammam.

Speaker 4 (01:24:56):
Back when these niggas don't want to squab on me,
see as like.

Speaker 2 (01:24:59):
A no po nigga.

Speaker 48 (01:25:01):
I'm so tired of you homophobic bitch niggas.

Speaker 2 (01:25:04):
If you legit, really with the shit nigga, how to.

Speaker 4 (01:25:06):
Make the trip to Calabastis for a rich nigga Turkey
sweats and I ain't shaping in five years pull the
rejigating community and watch protests. Call the police said they
trying to give me five years.

Speaker 2 (01:25:17):
I'm from the streets.

Speaker 4 (01:25:18):
Only real niggas five year Hey, hey, hey, I never
gave me, but I remember biffing the industry.

Speaker 2 (01:25:24):
Niggas hated us now see my enemy's energy. Niggas changing up.

Speaker 49 (01:25:28):
Now, all these niggas and bitches they want to hang
with us. I never became a fuck I remember biffing
the industry. Niggas hated us. Now wanna see my enemies
enemy niggas changing up? Now, all these niggas and bitches
they want to huh. Well, let me go and make
myself at home. Two things I don't condone bitch niggas
and what they aren't see. I didn't noticed something. Y'all
won't give a fuck until I'm rich. It's funny though,

(01:25:49):
because then I won't give a fuck if y'all exists.
Give a fuck about your follow with your bitch if
that hole is fine, fuck about your MEDIAO. Got have
my man clothing line most him. I'm the one who
really put his homies on. I'm just taking a hood
and shit. They can't describe my chromosours. Niggas took flights
when I was broken home.

Speaker 2 (01:26:04):
It's good dope, just for that.

Speaker 50 (01:26:06):
I'm a black like every corner. Focus on some baby
that excellence. I'm learning how to soak it in. I've
been killing shit for a year, so wonder where your
focus been? Shackle broke fresh up Buck, the folk like
I'm supposed to sweep ever.

Speaker 2 (01:26:16):
Since a kid. I think I showed the way you
supposed to win.

Speaker 50 (01:26:18):
Clown ass robbing from the hood like you've been constant.

Speaker 2 (01:26:21):
You may have hit it too. They let you grow
like Rubin Foster. A lot of sauce, A lot of sauce.
How improve your PASTA? I don't change. I'm the same
like the normal Foster.

Speaker 50 (01:26:29):
You a joke poking funny folk like voodoo doctors made
My life is showing.

Speaker 2 (01:26:33):
Now you all just julu watchers. You ain't got no staff.
How you part of seat? Niggas start tripping now they
need they king on be talking shit fuck about the way.

Speaker 50 (01:26:40):
This ain't no pardon me all my mama marriage. I
swear it's rapping shit. Ain't hards and town shit.

Speaker 49 (01:26:45):
Hey hey, hounding up the davy fuck. I remember mimving
the industry. Niggas hated us. Now I wanna see my
NBC energy niggas changing up. Now, all these niggas in
pictures they want to hang with us. He hunt up,
daby Buck. I remember bemving the industy three niggas hated us.

Speaker 2 (01:27:01):
That want see my enemies energies. Niggas changing up.

Speaker 51 (01:27:04):
Now, all these niggas, that's five foot giant FGP Doble
chatted all. He sold a couple of units just to
keep a couple of thousand army.

Speaker 2 (01:27:11):
Brought my body's back. He just to keep my burners
damped on me.

Speaker 51 (01:27:14):
And I'm ready to ride where it's time to make
your causal chicks casually. I'm naturally respected, I'm manifested. The
lection was saying, brought from the head. I'm streaming foot
on the repons in the pass lens and know the feeling.
I'm the filling boat enough to say I'm two reducing man.
I wanted filling. He said nothing the biggs spelling that
you couldn't measure up. The just this that and niggas stepping.

(01:27:34):
I fit the system on these niggas like I've made
the metric.

Speaker 2 (01:27:37):
I'm David Beck. I'm kicking sheep while all these niggas snoozing.
I'm pressing nigga with your quickness, and it's back to cruising.
Don't never try and test my gags, niggas, you kid,
it's fooling. They called me boato from the wood. Niggas
and they move a funny little in the wood. Hey
the game.

Speaker 49 (01:27:52):
I remember bimving the industry. Niggas hated us. That see
my enemies energy niggas changing up Now I want the
niggas and they want to hang with us.

Speaker 28 (01:28:00):
What use?

Speaker 2 (01:28:01):
What up those sins?

Speaker 4 (01:28:02):
Murse you listen and take it personal radio with the
homie Jason lost Kevlar and DJ three six for like.

Speaker 2 (01:28:09):
I said, what's saying something? You don't really need exaggeration? Yeah,
what's what's up? And in the third grade I saw
my first grenade.

Speaker 52 (01:28:24):
The homie kept it in the drawer with a sporting
waves and then we walked to the comp to swapped
me across the street from where the cops had shot Keith.
First option in the streets was not peace, because everybody
with a heartbeat got beef. He gave me big skin
and with my big pin, I tried to keep my
nose clean in this big pin. And by the tenth

(01:28:45):
grade I had a raise of blade. Took the nothing
to leave my tongue like it was Taylor made. And
then I graduated and got my first piece. I remember
my first day at my first beef had on both
occasions howmuch shooting blanks, never caught a baby or a body.
Don't know who to think how was.

Speaker 49 (01:29:01):
Addicted to aggression and adrenaline, wet dream smelling like gun
noil was sentiment.

Speaker 2 (01:29:10):
On your block, with them on your block, with them
on your block, with the.

Speaker 11 (01:29:27):
On your block.

Speaker 30 (01:29:27):
It's the wake up early Saturday cartoons and watching Kung
fu flicks on a Sunday afternoon.

Speaker 2 (01:29:33):
But in the fall it was football.

Speaker 30 (01:29:35):
Learn to take a hicks half signed with you outside,
trying to tackle all the neighbor kids.

Speaker 2 (01:29:39):
In between the Wicked.

Speaker 30 (01:29:40):
Wild Wild West and the war movies, heavy sticking out
my chest, not reports but duty. I'm gonna kill all
the bad men. Too young to understand that I was
being programmed. And when the nix a gane culture with
the pop culture, you can't stop the prophet a lot
of rocket science. How much of the millets every's budget
begetting sucked into production of commer s blood Since the

(01:30:01):
dawn of time?

Speaker 2 (01:30:02):
We got to hit the stones.

Speaker 30 (01:30:03):
If the airbow sticks, biggest flitch of bones when the
pistol clicks, boy, give up the throne, kill.

Speaker 2 (01:30:09):
Your whole squat joy sticks and drones.

Speaker 53 (01:30:16):
On your block, with them on your block, with them
on your block with them on your block block.

Speaker 54 (01:30:35):
These voices inside, they try to dry me.

Speaker 2 (01:30:42):
Sleep.

Speaker 55 (01:30:54):
Yeah, I'd be fine, like padd of cocaine, and that's
a hell of a drug. And that's a hell of
the sand. The elephant trunks to get it off of
the plate. I want to better myself. They want to
dwell into pain. I want to better my health. No
umbrella for rain, and that's a hell of a bug.
I want to live in my dreams. Got a notion
in mind. They want to settle for streams. I want

(01:31:14):
to settle for walk. I want to get knocked down
so I could settle the spot better than before us,
if that was possible.

Speaker 2 (01:31:21):
Shape.

Speaker 55 (01:31:22):
The demons of my mother in the hospitals drove to
the mansion and broke the ship in front of it,
because everybody covers the comfort of us were coming in rich.
And that's a hell of a drug. Caught a hell
of a dream, Caught a hell of a bug. Fucking
relevant themes. I've been moving at the speed of my life,
ignorant of the price. I'll be fine, like how to cocaine.

Speaker 54 (01:31:41):
These voices inside my mo they will try to drive
me say everything's fine, trash remain.

Speaker 30 (01:32:03):
I have a border your plane, but I crossed your border.
Got a pocket and nails if we can prop these
boards uf. I caught a fish this big like I
would die.

Speaker 2 (01:32:11):
But your sendings if.

Speaker 11 (01:32:12):
To what you're my boredom.

Speaker 2 (01:32:14):
I've won knowledge yourself and also everything else. But the
gravity helps, and reality's real. When I finally fell, I
saw a family.

Speaker 30 (01:32:22):
Well, when a battery dies, it goes to battery held
pins and tents.

Speaker 2 (01:32:26):
And flicks of tents and limits.

Speaker 30 (01:32:28):
Listen, bragged like sis, boast, like the host with the
most of folks.

Speaker 2 (01:32:33):
I bought a spot the coast, got the bump up posts.

Speaker 30 (01:32:35):
It goes fine, like the spot on my brain, put
my notes in the book from the top of the chain.

Speaker 2 (01:32:40):
You stood over to look.

Speaker 3 (01:32:42):
Like pinner and it's not a complaint. But I'm almost halfway.

Speaker 4 (01:32:46):
Out of the range.

Speaker 2 (01:32:47):
I'm fine.

Speaker 30 (01:32:48):
What a foot plug the mate right now you're checking
out taking her to the player with kevlar Dji and
the one they called Aaron Wade.

Speaker 37 (01:32:59):
He's kind of like money on me and you ut,
except he's waiting from Wisconsin.

Speaker 2 (01:33:05):
Word up.

Speaker 56 (01:33:09):
The jol Wunners, the product of many cruel summers and
the description was fitting, and they say it's two gunners.

Speaker 2 (01:33:15):
Slap the chick keys out your cheek until your true.

Speaker 56 (01:33:17):
Hummers after seeing the hellcats scream because we don't do honds,
but we do Billy Hammas, taking your baby mamas. He
hostage me in the hormits. She kiss it to pay me, homie.
She's working like I deserve it. She moved like the
perfect curver. They say, Mississippi burning them, sipping serve, beating shervy.

Speaker 2 (01:33:31):
Watch the world go to hell us. I'm laughing saying
its turfy.

Speaker 56 (01:33:34):
Catch me after Sunday service is sturbing the church's work
beause hell the jacon we ain't speaking any money.

Speaker 2 (01:33:38):
It's prayers.

Speaker 56 (01:33:39):
Perthly, I could tell through my nerve this he's nervous.
Aboudy's church, hay in the name of Jesus, the refy
serving curb.

Speaker 2 (01:33:45):
I got high. Then the sky se flyer of earth.
Surface lines shatter like hy. This's I'm looking at Earth's circus.

Speaker 56 (01:33:50):
Keep your eyes on the prize and don't let it dever.

Speaker 57 (01:33:52):
Course, badam meet me, Ada cares brying a greedy You

(01:34:18):
should have brought the oozy, oopsie, I'm a doozy.

Speaker 2 (01:34:21):
How you moving one or two.

Speaker 4 (01:34:23):
In super grouping gorilla dudah tudor cash good and losing good.

Speaker 2 (01:34:27):
Gracious motherfucker's willing not dangerous and.

Speaker 44 (01:34:30):
He pushing their head in simple facing evasion Genie familiar
vo for the brave flayer be a aar s pray
the radar Dona vaders fainstin the piggy dissection connection put
next sea, ripping the flick tension upper bro plot to plexus,
no mid smoke upper smoke only the lower making exception
brook Land a lord bless her snipers that the next

(01:34:52):
to snipers come and check us next.

Speaker 2 (01:34:54):
Still, God damn the game in their fair thoughts and prayers.
Shut the fucker. Put your hands in the airs runners
roost Yeah, shut up. I shiit.

Speaker 4 (01:35:21):
My traanium is vibranium. My brain is on uranium and titanium.
Forty five who aim in them, organize the stadium, telling
them take cover. I want you not to play with
them them border line walk crimes. You gotta wait with
them who came to save the day and brought.

Speaker 2 (01:35:35):
The change with them to reach the people's champ.

Speaker 4 (01:35:37):
From the equal team, trying to keep it clean as
long as on my people solid team.

Speaker 2 (01:35:40):
I've been in the.

Speaker 4 (01:35:41):
Music seen long as side of Leeds, making salaries, seller
trimulaated calaries, demonstrating how to pre center lease tender fees.
I've been a reason the freeze pre cheeses in the
league on my own and jeez, I will hurt hurt
your least. I will murk most of the seas. I'm
the last one to show up, the first one to
leave the crime.

Speaker 2 (01:35:57):
Scene, the hive scenes.

Speaker 4 (01:35:58):
The line them killis mom skin to stick to the
grind being the hell with the high bee. It's a
dirty bard word is seven thirty times disaster. The level
nine eleven meets eleven nine catastrophe, Beyon incredibull. I read
the fine the seven sign fastest, stare for your mask.

Speaker 28 (01:36:13):
It stare me.

Speaker 11 (01:36:13):
You're from the math.

Speaker 4 (01:36:14):
It's here, you're too middle of novemberical school. Captin Tima,
you're a cold and second I talked through that. The
horse is that sing.

Speaker 2 (01:36:26):
Mess it's coming off?

Speaker 4 (01:36:38):
Got your si, y'all or merth The cod meets the
hippocratical servant. This whole curtains from a diplomatic post a
word and this whole purpose. I'm a cinematic schools, the earth,
and this whole surface. I can say that that is
so safist. Sammy Davis bela fine te Quincy Jones, Mohamma
Gandhi Chang's ball with Jesse ywis running from a cop
call me and cock call change from a rock boy

(01:37:01):
to a box star. High chack the elevator to the
top floor. I'm taking everything that's left like a South.

Speaker 2 (01:37:06):
Park crashing her to learn the icephosis and watch the
worst thread like a perculosis. I took a snap shot,
but it hurt the post it.

Speaker 4 (01:37:15):
I had a flat thoat, and they called the wocus
Overdoseph's water bugs and broke his forty council hostess all
hell out and coach the twenty thousand jokers.

Speaker 2 (01:37:23):
One ain't playing.

Speaker 4 (01:37:24):
I'm tall brown man shopping a promise slacks.

Speaker 27 (01:37:39):
It's it's coming.

Speaker 13 (01:37:49):
Got shot.

Speaker 17 (01:37:53):
You what a second?

Speaker 2 (01:37:56):
Your boy than world?

Speaker 17 (01:37:57):
Payout him finish water he niggas if you go up
in the water. Fucking you heard right about here, you
check it out, save We'll take it first. Doctors thirty playbook, Kevlock,
you get breaking breaking, Give.

Speaker 2 (01:38:13):
Me my mother fucking money. I want my god damn money.

Speaker 19 (01:38:18):
It's twenty four hourish, you better have my money. I
got bills and shit. I need medicin roof over my head, try.

Speaker 4 (01:38:26):
Met a sin.

Speaker 27 (01:38:27):
I need it.

Speaker 21 (01:38:30):
I want it.

Speaker 2 (01:38:31):
In ninety nine, I court chaste for a rape charge.

Speaker 19 (01:38:35):
Klansman straight slash the stoke with the race card literally
into galactic.

Speaker 2 (01:38:40):
But now you're bringing the properly read to my words
race card.

Speaker 19 (01:38:43):
Make you sure your pictures in your daughter's grade school location.

Speaker 2 (01:38:47):
You made your ghost croom coasttration. You gos to your tuition.

Speaker 58 (01:38:52):
Me our occupied Wall Street like the protest, just to
discuss interest rates and inflation, not sacy ars, but you
just nights fractions and blood coagulation.

Speaker 2 (01:39:03):
My medication is next to go, but I'm gonna get
it out of Countada, a mex coach.

Speaker 46 (01:39:08):
I need cash.

Speaker 37 (01:39:09):
Your head with extra dunt for my apell and my lexipproach.

Speaker 19 (01:39:14):
Give me my money, give me my mother fucking money.

Speaker 2 (01:39:18):
I want my god damn money.

Speaker 19 (01:39:20):
It's twenty four hours. You better have my money. I
got bills and shit.

Speaker 2 (01:39:24):
I need medicine. Moof over my head, drop medicine. I
need it.

Speaker 4 (01:39:32):
I want it now. They ain't gonna make me dropping
next sepon totally and say I'm gonna get insane.

Speaker 2 (01:39:42):
On I'm they saying I'm six. I want to pay
me my bread. You don't me nothing because when I
see you, you're gonna get your head crusted. I don't
care if they.

Speaker 4 (01:39:52):
Wrong Peter, just to pay home, Peter go fucking really
get his ass, Peter Rose by your mess burn that
desk for plounter with your mam, sit down, many bitch
and found him on the wall. Okay, so I'm sicking,
Oh you're gonna hear that. Nine second, I'm trying to
give rich and trying got my nigga figging to my
son like I want to require you to.

Speaker 2 (01:40:13):
Make And that's one of the niggas.

Speaker 4 (01:40:15):
Get for fucking what the Leeds could have furnished the
tray for all the deluxe, just the captain on the ground.
You were just a little sid nigga. I'm a brass
burn and what a ship full of the river. It
was twenty three hours in a couple of minutes. I
threw that burden too. It say she had my money,
flus interest. I said, give me my mother fucking money.

Speaker 2 (01:40:33):
Honey. Pulled the back up, ye nigger, black up. I
got to get the joke. No no, no, no time,
no fucking violent nigga back up against.

Speaker 16 (01:40:50):
No no, don't no time.

Speaker 2 (01:40:54):
Drive horse and brog got get the joe. Fucking no no.

Speaker 4 (01:41:00):
Look look we got guns like the military killing Verry
all the ops until I fell a cemetery.

Speaker 2 (01:41:08):
You know the motto.

Speaker 4 (01:41:09):
I smoked the Gilado limit Erry fifty clipping and every
stick got carried.

Speaker 2 (01:41:14):
I'm a visionary. I seen the shit.

Speaker 4 (01:41:16):
Foy came to Fruition when I used to be in
the sit in my set while I was.

Speaker 2 (01:41:20):
Back and came in the kitchen for wearing and whipping.
I got shot in my head. I almost died.

Speaker 4 (01:41:25):
Bro.

Speaker 2 (01:41:26):
I came with the niches while I've been staying relentles.

Speaker 4 (01:41:29):
Shit at fifteen called the body, turned around and looked
for witnesses, but never saw nobody. I'm breaking breaks up
with my hands. I wasn't saw karate. I just flipped
that shit and took the bands and went and bought
a Mozzi. Riding with the forty Body twenty twenty one.

Speaker 2 (01:41:45):
Form my brother on brow.

Speaker 4 (01:41:47):
He's still rying with his gun and I clacking withing
fisher ball night till it would come morning.

Speaker 2 (01:41:53):
Stay in your lank this show one warning. I got
to get the dose. Shit, no what, no no time
hide show. I got to get the dough. No no
nigga time show. We got to get the dough, No

(01:42:14):
no t show. Got the gift the dough ship.

Speaker 59 (01:42:23):
I had a dream by any means, king pins, sink
a swim, I'm jumping off in the d Then gang
size and the strap of young adolescent gold fians and
hung the rats.

Speaker 2 (01:42:36):
You get the message that gang raps.

Speaker 60 (01:42:38):
And a strap of a few crack bags, drive bods
and bodies.

Speaker 2 (01:42:42):
A couple of toe tags.

Speaker 60 (01:42:44):
Young nigga tied yes in the black Suki blue rag
Deuce stew send the fat dookie snaps on the petrol
to joke whib jog which block twice nigga turn around
trip forty by the way ship, extra clip, extra train
and cut it one more hip, extra flip marathon like

(01:43:07):
nip when the race, when the ripple peel with the work,
kady face, Yeah my nigga.

Speaker 2 (01:43:13):
With the peace.

Speaker 60 (01:43:13):
No Jesus four five nigga, You busters are never squeeze ship.

Speaker 2 (01:43:20):
I got to get the dough. No, no shell, no
turn the hide shall moved up, black up. I got
to get the dough.

Speaker 60 (01:43:29):
Shill, no nigga, no turn the high shall shall.

Speaker 4 (01:43:33):
My nigga cond wait without cream on the building. My
nigga shelled d are and that's official. Look clear my
position in the kitchen. I'm working with the bag of
half and fifties.

Speaker 2 (01:43:49):
Hit the strip and I serve it. If it's an issue, trust,
I'm coming to get with you.

Speaker 4 (01:43:53):
One person still going at you till I flipped some
wherving all my business is floverished. I want my hat
somebody yacht. I put a six on the dock like
Julius Herder.

Speaker 2 (01:44:04):
Damn. I know my nigga's sisters is hurt and he
caught the case.

Speaker 4 (01:44:07):
Just look how the citizens can current that didn't get
up discouraged, got another homie in prison for murdered.

Speaker 2 (01:44:13):
He would let his gun clap the fire and he won.

Speaker 4 (01:44:16):
Night will try and watching this lady mother's.

Speaker 2 (01:44:18):
Cry, I've gotten numb.

Speaker 3 (01:44:19):
I can't lie.

Speaker 2 (01:44:20):
His mama ain't shed and says, you know that ain't
coming with this live thought about it.

Speaker 4 (01:44:24):
His kids young with son got the time, won't see
his daughter graduate.

Speaker 2 (01:44:28):
Can't teach his son how to drive. Not to see
where I get this ambition from and this drives the machine.
I'm iller than any one nuts alive.

Speaker 4 (01:44:36):
Look, he walked up in his truck and the maid
pack with no license, straight from dealer. Shit now from
the auction with the low prices, A long way from selling.
Wait and running from the laces. You niggas know the
float licens raised the ball. They coat crisis front of
the home. He caught the joint. He stopped answering. Then,
my nigga says, grammar school. I don't know how to
handle it. Please say you leave the not.

Speaker 2 (01:44:56):
Send your chance.

Speaker 3 (01:44:57):
They're gonna turn the candle it.

Speaker 2 (01:44:58):
In other words, he say, and don't let it slip.
You gotta handle it.

Speaker 38 (01:45:02):
Lets lemon squeeze, lemon squeeze, lemon squeeze, living squeeze.

Speaker 4 (01:45:08):
The times, stay safe, tell them to stay dangerous. Love
you step sin it feest love me you nevery ghetto nigga.
I'm famous, pat.

Speaker 2 (01:45:19):
Some some young boys pull us through you. Hey this
living squeeze, living squeeze.

Speaker 15 (01:45:26):
Lemming squeez comprolling norm. He ain't good watching CN that
black WIBs, black tens. Y'all ain't seeing that. It's kind
of mess. Spread the word boy, your senior them. No
senior nimis rappers and the scope you never see you
never killing feece back in the building with machine and
them be creaming them with pockets of dirty money. You
clean again and got to tell you I'm joke. Just

(01:45:48):
take the needle and the goose saw like big enough
to fit the seagulling. Just the season, then why ask why?
I has my reasons and my birth don't need no
season and methyl deacon this even then ask yourself, is
that really.

Speaker 2 (01:46:01):
Air that you freeing? Li?

Speaker 15 (01:46:02):
I think I'm side the box that I'm finding a
box I can keep them in or just leap it
in like the bouncil won't let your people like people
said they want that old man, Well it's the prequel
and I get medievil. Some people will make the frequel
and leave them in the fetal position effort.

Speaker 2 (01:46:17):
I'm leaving man. I use the.

Speaker 15 (01:46:19):
System you caut which you you for missions. Women call
me super Daddy. My power is the supervision who gave
you permission to speak, to learn, learn to listen to
what different than see you've learned the difference. In the addition,
if you're missing them, see sign this petition.

Speaker 3 (01:46:34):
Give the fraction of that faction subtracted.

Speaker 2 (01:46:36):
By my division. I'm a boss. What that means.

Speaker 15 (01:46:39):
I make decisions slash feeling enough, I'm killing them see
to make a living, give you.

Speaker 2 (01:46:57):
The same in the cloud, I never shared it out.
I did two shows for a hundred.

Speaker 4 (01:47:02):
That's a fair mouse made block for chilling the water,
you know, my wearing mouse. The ones responsible for all
those bodies dropping about niggas had designs trapped in at
air ware house and made more weekly than a doctor made, bar.

Speaker 2 (01:47:14):
Me out his salary.

Speaker 4 (01:47:15):
And I'm rocking the ferry out the factory might personally
set it past me.

Speaker 2 (01:47:21):
Yeah, this nigga still caught me in waves, still.

Speaker 4 (01:47:24):
In my trip and the niggas never rocking the saying
what about he was gangster until he got shot in
his braid. You know, we're crashing out and definitely blocked
out of your lane. Pulled up the diapen and see
popped me and caught me some heads. That nigga lost
half his leg and even shot with a gage and
rock a lot of change and the land.

Speaker 2 (01:47:40):
I stopped at the flag com where y'all.

Speaker 61 (01:47:42):
Know today Craint and Chantelo, Crainey chat Craty Chatler, Crainey
chat Crainted change Killer, Rainy chat crated change or crazy
Crainted change Killer, Crainey chat Crainty chat Tiller, create and change.

Speaker 4 (01:48:06):
They're gonna say the money changed, but I'm gonna say
the eggs. I watched them something that's been the rooms.
But what I do kat niggas making movies. I played
the village, shaking move and making building money called my
liber eating.

Speaker 2 (01:48:16):
I had to tell him to wait a minute for
laie state these niggers rats.

Speaker 4 (01:48:19):
I'm live with making rats enough dose saf the that
I can pay the label back overseas tour and I'm
staying at a Paris hill. Then a few weeks later
the nigga ran in the fairy's hip. I made cocaine
the room of smoke. We never got the plumber stove.
The president not making drugs legal. That's what goo before
you know being sept the state nigga, he's killed us
something to troll the boat the hip hop police. But
my mother shot but has classed the newing. No mottel

(01:48:43):
puts in the back and the rug so soft. He'y
with your shoes for I'm used to beat all we
can do with.

Speaker 2 (01:48:48):
Some hollows that keep playing. We gotta hand grenade shaped
like don holding your body.

Speaker 4 (01:48:52):
It's really good at your last rob. I'm done doing
favors made money. I'm too busy to spend. I need
appointments just to thumb through the paper on Florence. When
we come through in Vegas, walk in the house with

(01:49:13):
bricks like I'm about to teach, Come for the neighbors.
I was just a dealer. I'm a hillock in my
present state. Put it in a warm pot that came
back a crescent shape. Me, it's with the plug I'm
laying in somewhere in Texas. Late we spent six I
was politicking like election day. Streets still calling me the
Civil War. Talk to me and tell me it could
make my family wealthy as the Carnegiese City has to

(01:49:35):
work for me.

Speaker 2 (01:49:35):
My uncle had a y off of me. I'm so
brother till uncle.

Speaker 3 (01:49:38):
I was a armm.

Speaker 4 (01:49:39):
If you call for me, he's wrapping niggas pussy the
throat game violin. I gave these niggas vitorios and clock
Kane science. Real niggas left just a few of us.
She ribbed me like a school bus. I fucked with her,
but I don't tell her too much. You know the
rapid Bennie, She don't know the traffic Bennie and that
cal Priest classic. I'm in traffic with a half of
Bennie and to sell my right hand. Put up the mail,

(01:50:00):
cash and Benny. I'm gonna caught with two lawyer speaking
on bet half a minute hunting money and spread the
hundreds on the top of the mattress. I've just been
trapping from the bottom on the ahasher free mahone. He
behind the wall and popping this ratchet. Take my hundred
to his baby mama, drop off a package. I was
bagging five eights running the top of the plastic. Now
look what I became about the drop. It's a classic

(01:50:22):
rock of Vasati wann Um shopping the sacks.

Speaker 2 (01:50:24):
For get out of pocket.

Speaker 4 (01:50:26):
I had your mama shopping for caskets, browing thirty five
hundred and four pair of glasses, wearing her mess Radish fabric.

Speaker 2 (01:50:32):
That just tell me I ars matted.

Speaker 3 (01:50:34):
I carry mattic.

Speaker 2 (01:50:35):
So I was aeron Klappett to.

Speaker 4 (01:50:37):
Fing Terre's jacket, hit his bulletpoof vests and tearing Haffit
put you in a box and not.

Speaker 2 (01:50:42):
To spit over. My bitch looked like sweetie, my pockets
on littles over.

Speaker 4 (01:50:46):
We got box and split the profit down the middle
from my young boy Timber.

Speaker 2 (01:50:50):
He shot it off the jack.

Speaker 4 (01:50:52):
Don't let me show you what this faux paund through
sting point blank, Braine. Let a close round two.

Speaker 62 (01:50:58):
Your folks gonna get smoked around you like a breakfast
a lush spot.

Speaker 2 (01:51:02):
They get a close round two.

Speaker 59 (01:51:04):
Come.

Speaker 4 (01:51:04):
All I had was a stable block independent. You got
high from a label. I made my legel high, got
ten bricks on the table top. They see me to
put bread on the table. I'm like the babel shot.
I meet a plug and I make them pop. And
if you don't appreciate what I make them, then I'm
gonna take a spot.

Speaker 62 (01:51:22):
I gave four clubs fetal shots, put four lines on
the ground like I'm trying to create a box. I'm
the nigga that the haters watch. I'm connected like lego
blocks or the line to the cable box. And I
ain't never been afraid of cops in prison. George had
the same vision that he ain't gonna got you. Ain't
never seen a cell block used to hide when we

(01:51:43):
see twelve.

Speaker 2 (01:51:44):
Now we drive b twelve drops. The nigga cried, then
this bell drop.

Speaker 62 (01:51:48):
That's how a stand dumb god transferred to a female cop.

Speaker 2 (01:51:52):
My first charge, I was shell shot my old bench,
caught the police on me, had me in jail.

Speaker 4 (01:51:58):
How they found the ounce in my male box, called
an app from my own with my axe, like I'm
trying to spell fox.

Speaker 2 (01:52:04):
Hum uh, the puncher coming, Nigga, I walk in the room.

(01:52:25):
Niggas canna feel that pressure when I walk in, Nick
like you saw the devil.

Speaker 23 (01:52:32):
Yo.

Speaker 4 (01:52:33):
Look, I was born in eighty four, but I'm like
ninety seven whole. I was plattinuum off a brick. I
cooked them ninety seven sot. Yeah, I know the streets
is watching, so I'm highly skeptical. While I'm Matt in
my carel went hit and not be set the gout,
dumb taste for the blocks, black taste for the strap,
Bentley in the parking lot, ash tray full of pack
had dreams of retiring, and Berry in the money went

(01:52:55):
back when I was young with more experienced money plucky
on my Georgetown ship Blue Hoyer. When they snatched my
niggas up I got a new lawyer. They start off young,
so they shoot for you.

Speaker 2 (01:53:06):
I groom them.

Speaker 4 (01:53:07):
Soon they become their own bosses and recruit for you.
It's not a such thing as tool lawyer. This gap
melt your favorite rapper, protect them to a pool for you.
You think you're nice, Well I got news for you.

Speaker 2 (01:53:18):
I get them chool for you. What's funny with every
rapper fool to you?

Speaker 4 (01:53:21):
My bits asking me to settle down. I was reckless
at selling brown. She no, I finally yon level ground.
I'm trying to change bitter my head is sounds telling
me I could feed l Chopper on steatic. Heavin louds
pre stout clue. I feel like ninety seven hole, it
was ninety six. He pulled up, been that ninety seven
row for drove it back and forth and went the
ninety seven toes.

Speaker 2 (01:53:42):
Real stories about drug money got me etch the stone.
By the time they learned to let me, I'll be
dead and gone.

Speaker 4 (01:53:48):
Real hustlers treat them rentals like they second home, first
double up, thirty dollars seven stones.

Speaker 2 (01:53:53):
See, I fucked it up, but that whole place set
the tone.

Speaker 7 (01:54:00):
Let me kill mate.

Speaker 3 (01:54:03):
Everybody don't eat with us line everybody lines, everybody, everybody.

Speaker 8 (01:54:09):
Be hard cooke gangsters.

Speaker 2 (01:54:11):
Everybody's gonna do this to each other when they see
each other, and the truth be cold. We too bliss
and we're having too much money in this rep game
to be going to walk.

Speaker 17 (01:54:19):
With each other.

Speaker 37 (01:54:20):
Right, Okay, don't nobody want to fight nobody in this
rep game because they ain't.

Speaker 2 (01:54:27):
Shout out to the butcher coming niggas. Let's go.

Speaker 4 (01:54:33):
We pull up trumping out through VTOS in just detail,
kidded females with us, the whole dropping like it ain't
got no seamal sentence. Yes, that's it right there, Yeah bus,
We pull up trumping out through vitof interest detail, kidd
females with us, the whole dropping like it ain't got
no seat belt sentence. The block look like it got

(01:54:54):
seatshells in it, the beam on the sick flashing like
it got an unrad email in this.

Speaker 2 (01:55:00):
Try the best to stop us. We still win it.

Speaker 4 (01:55:02):
I run the shit in my Pasachi chain reactions to
my feasts, roll in them gold niggas, deep pussy, I
parked the cl in it. Never pay for pussy, just
pay for mems just to befit with him I hit
the brakes, but wait, the light about to change. Realize
on what I'm driving a hond My life about to
change when I die, go to TV Johnny and ice.

Speaker 2 (01:55:21):
Out the grave. I make these bitches signed contracts and
write out they name shit. I learned from how I
need a trick. Micout has changed my ex shit. I
still ain't get the lights out of name.

Speaker 4 (01:55:32):
The fins want the whole being self wiped out the
game because what the brands costs.

Speaker 2 (01:55:37):
I've been getting twice out in names I watched look
like a lighthouse.

Speaker 4 (01:55:41):
That's right, I'll explain blue faces and they ain't have
them bring the price down the page. I had some
young niggas to slide through with pipes, run your way,
have them posted up with sticks like it's a strike
round your way. You can only judge me by who
you seen me with. I turned the Deuce Corps six
their Houdini tricks. All these niggas keep my name up

(01:56:01):
the green milits because they don't want no static.

Speaker 17 (01:56:12):
What up?

Speaker 2 (01:56:12):
What up?

Speaker 63 (01:56:13):
Is the dj skis right now you're checking out taking
personally with my people's phil the flavor kevlof and my
man DJ three sixty. They playing nothing but that authentic
classical boom bab ship.

Speaker 3 (01:56:25):
Check them out, check them out.

Speaker 64 (01:56:27):
Check you're damn wrong because you play you wrong.

Speaker 65 (01:56:37):
I'm trying to spook that Philly. What you say your
wrongs players, he is wrong.

Speaker 2 (01:56:43):
Look at you lay. Everything you did today is wrong.
On that kind of on your k that I lay.
I'm gonna stay up on the latest.

Speaker 65 (01:56:50):
That's why opposition you hate the short trying to feed
their family, the picts trying to play them for it.

Speaker 2 (01:56:54):
They paying for it. Tun on to them.

Speaker 65 (01:56:55):
My nigga's up the Crevis Ford. Y'all hold down the
fort I hold down behind Soil, y'all return. The court
had a lot of support.

Speaker 2 (01:57:02):
My niggas come from the big fences, not throws. Of course,
twelve Monday horses coming through the corps. Sound like your kind.
Nigga got their songs.

Speaker 46 (01:57:11):
If you hate on me, nigga, your dad drugs. These
niggas wear.

Speaker 2 (01:57:15):
Pants, they wear throngs. That's trying to squash your man.

Speaker 28 (01:57:18):
Brad, get that drong y, get that drunkign get that drunk.
If you sing that stitch your song, get dad drugs.

Speaker 2 (01:57:25):
You can get that drums.

Speaker 46 (01:57:27):
They can get that drugs or crag get dad drum.

Speaker 4 (01:57:31):
Wrong, Yeah, your niggas dead wrong wig shot the five times,
letting his old head gone.

Speaker 2 (01:57:37):
Shoot the popper purse. The lord of the man's gone.

Speaker 4 (01:57:40):
Then they popping stick to a lord of leg gone.
Niggas laying your bushes if you're wearing.

Speaker 11 (01:57:45):
Long knock out a rapper for some shit that he said.

Speaker 21 (01:57:47):
In the song.

Speaker 4 (01:57:48):
Yeah he thought it, proud of even sweeping until I
catch him at the club and make him swallow his
teeth and not even speak my youngest catching brut of
your wik five minutes heat popped the hood on from us,
not for the week, and then turb it tires on
the Monsia screech. Might call my icky and go to
the Moslem Leigh talk to just one the niggas still
selling eight h I'm married to the streets, I'm smoking wedding,

(01:58:10):
caked a step on the way and made a stretch
to eight Paul of Knights Philly carry Let your weapons
quit like your.

Speaker 65 (01:58:17):
Chime nick got their songs. If you hate on me, nigga,
your dad brogs these nigga's.

Speaker 28 (01:58:22):
Web pennies and they were thongs trying to suck your
man brought your dad Bros. Yes, get dam drugs. They
get your dad draws and if you sing that stitch
and so on your dad bro, Yes, get dam drugs
and they get.

Speaker 2 (01:58:35):
Your dad thrown. So rage jag Yo.

Speaker 36 (01:58:38):
Tames on the ego and Maclis smelling like Qulo the
nigga Cray slaying that geneo. Im wotlex fron suits Calabasta
sweat Saint La rock.

Speaker 2 (01:58:48):
The next two texts the jew vest Russia.

Speaker 46 (01:58:51):
Who that money blew back?

Speaker 36 (01:58:52):
The first day you sat the first nigga like, who
Now I'm on my whole tech ros throw.

Speaker 2 (01:58:57):
On the south se you said, when quit when I eat?

Speaker 66 (01:59:00):
I was eating?

Speaker 2 (01:59:01):
See you late showed out, show cool, move up, said.

Speaker 36 (01:59:04):
Niggas came with big fishy do you, oh god mon
shot your shots.

Speaker 2 (01:59:08):
I was moving up the filler, probably with water.

Speaker 36 (01:59:11):
I had to move as you nicked steady Nick stay Brooks.

Speaker 46 (01:59:14):
Hit the littie b carry hit the dice came out
on the area.

Speaker 36 (01:59:18):
I can't say it ea the white forty five Jordan,
but she would crook the.

Speaker 2 (01:59:22):
Brown cup and started snowing. Course some wins whooped the
poor fish sholling. More fricks looking on wrecks sun like
your kind, the got their songs.

Speaker 28 (01:59:32):
If you hate on me making your dad rugs, these
niggas wear panties and nig were thongs, trying to fucking
man brock your dad frog, Yes from your dad drug figure,
your dad drag.

Speaker 2 (01:59:43):
If you sing that stitch, just swing your.

Speaker 28 (01:59:45):
Dad throg Yes from your dad drug looking your dad
throm short brack yelling your bread.

Speaker 2 (01:59:56):
Your dad poons? How many times I gotta tell you
guers know they're wrong, the wrong, They know they're wrong.

Speaker 21 (02:00:29):
Coming out of mix too dead wrong, Bring in that
biggie sample. DJ Skiz. Hey, there was a moment, man
where Skis actually made some waves. He was with Marco
Polo and a group called Drum Majors, and he was
definitely on social always digging, but uh kind of been
m I A.

Speaker 3 (02:00:47):
That's another one. I'd like to see what his actual
job is on the day to day.

Speaker 22 (02:00:52):
Yeah, you know, Marco Polo. There's a guy that not
enough people talk about. I like almost every one in
his beats. I feel like dude just gets it. He's
in a busted ass apartment in Brooklyn, like four hundred
and sixty square feet, cigarettes everywhere, just pounding away on
the drum.

Speaker 21 (02:01:10):
Machine, his cats like inside their records on the top.
But you know, he never tries it like front as something.

Speaker 10 (02:01:15):
He's no, he doesn't. He I think he just gets it.

Speaker 6 (02:01:19):
Man.

Speaker 10 (02:01:19):
He's sitting there. He got the skull cap cigarettes and
thirty eight coffees.

Speaker 20 (02:01:23):
He's a hip hop fan first, and he can go
through uh throughout the music he makes.

Speaker 21 (02:01:29):
He spends an awful lot of time in Columbia, so
I feel like maybe he's got like, you know.

Speaker 3 (02:01:32):
A couple of those over there as well.

Speaker 10 (02:01:37):
Winnings.

Speaker 3 (02:01:38):
Yeah, well I think you know my girlfriend so.

Speaker 10 (02:01:43):
Yeah.

Speaker 21 (02:01:44):
But anyway, yeah, Marco uh and A seemed to be
you know, keeping the gas in the tank.

Speaker 22 (02:01:51):
So in the last like eight years when we played
newer songs, has there been anybody that's really kind of
jumped out at you guys? You know, just your first thought,
somebody that's really jumped out to you in the last
eight years, like fucking a.

Speaker 2 (02:02:04):
That's what I'm talking about, Like a new artist or
an artist that could be.

Speaker 10 (02:02:08):
New, or somebody maybe that stepped to the forefront that
maybe was not before.

Speaker 21 (02:02:12):
We talk about it a lot, but I've always said
evidence on the beats, and we all knew his rhyme
styles liked and Apathy man say what you will.

Speaker 3 (02:02:23):
Apathy makes great music.

Speaker 2 (02:02:25):
Or who's saying anything? He me say what you will.

Speaker 21 (02:02:27):
I'm just saying say what you will. He's not a
top tier guy, but he's always like respects the art.
He makes great tracks, and his vocals are always on point.
So for me, those two on the underground.

Speaker 2 (02:02:40):
Do you know what I mean? You know what I mean?

Speaker 3 (02:02:42):
It's Benny.

Speaker 13 (02:02:43):
To bring up Benny again because Benny.

Speaker 10 (02:02:45):
Kind of blew up when Benny's awesome when.

Speaker 13 (02:02:47):
We start like after we started.

Speaker 18 (02:02:49):
I mean, I'm sure there's some shit out before we
started our show eight years ago, but I never really
heard his stuff until we started playing it.

Speaker 22 (02:02:56):
Yeah, he's a nineties rapper. In twenty twenty, started.

Speaker 18 (02:03:00):
To feel like Black Thought resurrected into a different style
over these past eight years. Like you had the roots,
Black Thought was who was always dope, but then it
was like he dropped that freestyle and fallon and then
he's actually on FLEs on flex that's what he Oh
yeah on flex on flex, And I just feel like
Black Thought became this like different rapper over these past

(02:03:24):
eight years.

Speaker 20 (02:03:24):
Well, I think he got better of age, but he
hasn't had the success of like people that Drey was
talking about to become someone who's disconnected. Like he's very
much a lyricist of like you know what I'm saying,
he's like a rappers rapper, right, and Bennie, You're right, Bennie,
I feel like when we started making the show, that's.

Speaker 2 (02:03:43):
Kind of where he started getting in his group.

Speaker 20 (02:03:45):
Before Benny was was what bat Gun, which we played
some Westside Gun, but really what you know, we played
some Conway, but Bennie I think was.

Speaker 10 (02:03:53):
Our favorite abitable west Side Gun's got that voice. It's
very hate you love it or hate it? Yes, yes,
So you know there's no polarization with Benny.

Speaker 2 (02:04:01):
It's just dope.

Speaker 20 (02:04:04):
You know, we played an awful lot of apathy over
the years. You know, maybe it has to do with
being friends of the show. We've put a ship ton
of Mayhem too, and anybody really does our show like
a pharaoh?

Speaker 2 (02:04:17):
What else I'm trying to think? You know who? I
like guys.

Speaker 10 (02:04:20):
I like sky Zoom.

Speaker 2 (02:04:21):
You guys like great. I love it.

Speaker 10 (02:04:24):
I love his voice, and I love his his patterns,
and I like how he's so jazz influenced. Man, it
takes me back to like old tribe feelings. I think
sky Zoo is great.

Speaker 20 (02:04:34):
I feel like he always makes a good album. Whatever
the reason, it's never like enough, but he always makes good,
good records.

Speaker 2 (02:04:42):
For sure.

Speaker 21 (02:04:43):
I'm always gravitating towards the old, you know, heads, trying
to forge into the I guess the new realm as well.

Speaker 3 (02:04:50):
So I'll always prop up Pharaoh.

Speaker 21 (02:04:52):
I always think that he tries to do conceptual records
and interesting things. And then I always love young guys
who kind of mimic the older style kid abstract, you know,
perfect example. You know, he's he's low on the totem pole,
but skills are there. He always picks good beats and
it's always pleasurable. Blue is another guy. Blue that's it

(02:05:16):
gets Blue. They understand how to make great music that
resonates with the audience that basically catapulted them to begin with,
so they don't try to change it so much.

Speaker 18 (02:05:29):
I was gonna say, you know, it would be a
good pairing sky Zoo and Blue. Maybe they've done shit
together before, but they.

Speaker 2 (02:05:36):
Have they have, They've never joined together.

Speaker 20 (02:05:39):
There's this guy that I want to say, I discovered
it maybe a month or two ago on ig Ohani Sefan.

Speaker 2 (02:05:47):
I think I'm saying the name right. It's a weird name,
have you guys. No, this dude is so dope. He's
working with Pete Rock like he's going to be the
new thing.

Speaker 21 (02:05:56):
From what's out there. I mean, this dude's fucking legit.
I mean love the style. He brings up all the
old classic and weaves that in and out the music.

Speaker 3 (02:06:04):
I mean, he's certainly.

Speaker 21 (02:06:05):
Going over other people's beats, but I'm curious to see
who he links that was that was in the free style.

Speaker 51 (02:06:10):
Yeah, he is.

Speaker 20 (02:06:11):
He has the original production. We have Pete Rock working
with him. I think every you know, decade or so,
there is someone that is a student of the game,
who appreciates that kind of music and who can make
music for people like us that go back to that
when Blue first came out, Blue was the Savior.

Speaker 10 (02:06:30):
Yeah, so many, so classic.

Speaker 2 (02:06:33):
There are people like that. I believe.

Speaker 10 (02:06:35):
You just got to keep looking and you know, well, if.

Speaker 18 (02:06:40):
You're listening to this episode, now we've done the curation,
as Dre said, like like the Mona Lisa in the Louver.

Speaker 10 (02:06:49):
In the Louver, I felt that way about Conway with
that album where he's got his back turning, he's got
bullet holes in his back. I forget the name of.

Speaker 13 (02:06:57):
It, but earl holes the size of Matza balls.

Speaker 10 (02:07:02):
It looked like. I can't remember the name of the album,
but I used to listen to quite a bit in
Over the Right production. I like Conway quite a bit too.
I put him second to Benny and that whole crew.

Speaker 20 (02:07:14):
Yeah, well, I mean there's only three in the crew,
so yeah, I mean put in them seconds with a.

Speaker 2 (02:07:20):
Not out of the question.

Speaker 20 (02:07:22):
All right, look, let's get a mixed three because you
hear from the music this is b il Off rock Camp,
another guy, older dude who's still kind of like, you know,
teetering with Kenny rap to the you know, too many guests.

Speaker 2 (02:07:36):
Too many guests.

Speaker 20 (02:07:38):
This particular album was I think it was an EP
that came out this year and this happens to be.
I think the best song it is off the album
is the DL featuring Uh Corrupt and master Killer.

Speaker 2 (02:07:52):
So enjoy.

Speaker 1 (02:07:58):
You got a bonus mix coming up featuring music from
Rock Marciana, nine Cool g rap to Beat Miners, Apathy,
and People under the Stairs.

Speaker 2 (02:08:33):
Be Now be ill, be down, be reilp.

Speaker 10 (02:08:45):
Keep up.

Speaker 2 (02:08:48):
Here. He's so always asking what I wanted to be
when I grew up.

Speaker 67 (02:08:54):
I said, y'all be now be ill, be down, be
rail fashion dreadful call a timber lens contests ops clock,
I start, gimmick blits average, split up the response for competition,
gave them on next bless like when de Boster twist
is leg lab head of progress. The gods from the
picent patterns depot context my compositions here to pathtom quick

(02:09:15):
up a conquest a CONTI celebritycys pad them split er
complex it's confer since they put a melody, you're on
a cleverly brow my celebrities.

Speaker 2 (02:09:23):
The legacy exevity.

Speaker 4 (02:09:25):
Law to time blows to Barnaby coach, no.

Speaker 67 (02:09:28):
Matrix, light speed, sime could be broke, no spaceship Woker
paradox I made them all believe its shift the parad
down even time off the.

Speaker 40 (02:09:35):
Features on the micacy for two three or not two three,
and like to see the two b or not two.

Speaker 2 (02:09:41):
I need it's on.

Speaker 8 (02:09:44):
It's what all alcol people be heal.

Speaker 2 (02:09:48):
I'll be flooded with ice. People be ready to reveal.

Speaker 20 (02:09:55):
I need.

Speaker 2 (02:09:55):
It's on all I can be and all sh touch
the boyish.

Speaker 4 (02:10:01):
Girls be there be hell, be there be read by my.

Speaker 68 (02:10:04):
Abilities to create mass delusion, headaches, heartaches, and mass confusion contusions.
I give out for free five at a time, one
for two and two for three. Refusius were really abusive
intuitive a gift I give. But when I'm giving the
foresee that I'm forgiving, and tom I might get forgiven

(02:10:25):
for my cries, lay the binding down and laysing with
ryme so the beat on, and I'm a laceler rhyme,
smelter the skelter, this pure love bazaar.

Speaker 2 (02:10:34):
Mister killer self. We're gonna rock with the arm you
are who you are, and we shine like the.

Speaker 68 (02:10:42):
Stars, sharp as a thumbtack and jump in my car
a scow and then.

Speaker 46 (02:10:50):
It's so what fuck out be healed?

Speaker 2 (02:10:54):
I'll I'll be flooded with ice, be ready to reveal.

Speaker 20 (02:11:01):
I need.

Speaker 69 (02:11:01):
It's gonna be Oh, I can be it more just
to be down bell, beat down, bead. I walked on
the sea of existence and stepped on the show of
the movement, the father of civilization, I own it, the
maker of my daughter creation, one nation under agoul before

(02:11:22):
the two virtues.

Speaker 2 (02:11:23):
Of senile scriptures, walking with the threads and whispering. This
picture of my life.

Speaker 69 (02:11:27):
Intelligence stimulates like the manner so eloquent, a thought so
delicate in ways more than elephants, strokes of excellence abstracted
from the elements of powerful calmness. I'm always arm and
equipped with what I've armed with, A sweet floor river
of math back to actual calculating pressure applied its tactical
master for mine kind of put self beyond the measure

(02:11:49):
of time, the pacilius and brilliance of corrupt young Godi.

Speaker 25 (02:11:53):
Why Kim the god body with the wire chips in
a live week when I speak raised.

Speaker 47 (02:11:57):
The universal flags of how set a pig shit?

Speaker 4 (02:12:02):
I mean.

Speaker 2 (02:12:06):
I'll be I'll be flooding with ice. Be ready to.

Speaker 27 (02:12:15):
Bulahloulah, change for what Collah club bush.

Speaker 4 (02:12:33):
Cashme and be coach fella corta fortune of for Seo,
bringing out I'm kidding now free smoke, hate the little,
the doubt. As I live in the kitchen baking pancakes,
supreme clientele them a cup chase global muble x lover,
I ain't trying to hold you watch became power like
I've changed in the phone books, low brim soldier slim
cover me. I'm going there fucking with him. They gonna
notify your closest chance. Static on the tracks like an

(02:12:55):
old Dusty forty five static on my back stack, the
old Rusty forty five You caught the that's on any
given Sunday. Ready with the trump play, I'm heavy with
the front sway.

Speaker 2 (02:13:04):
I must say.

Speaker 4 (02:13:05):
I'm up now. It's fight up all my girls.

Speaker 2 (02:13:06):
They about to shut down. I'm still worth.

Speaker 4 (02:13:08):
Relly's on the bust down. So savage trode on my habits.

Speaker 16 (02:13:11):
That's ghost status attics cleaning for these lines.

Speaker 4 (02:13:13):
And her coach camle Go steel like the danger's on
a handle on the jest and eagles a pop like
an old record with a needle.

Speaker 2 (02:13:20):
I got versus in the safe red in Hebrews. Back
the fuck of you, or catch.

Speaker 4 (02:13:25):
A ball here we called onix once in the wild.

Speaker 2 (02:13:27):
Get a dick suck Yeah. Listening to jail Phis old
ritual's making it tell officials.

Speaker 4 (02:13:34):
Don't need the physical every time a flight, I'm leaving
my host physicals. I'll be back like my money on
resisible space table, cutting everything fatal yet struggling and whiskey.
Lember seven e Cradle had a thousand miles on.

Speaker 8 (02:13:47):
The cup on my table dates on the five double
low in the Fabris.

Speaker 4 (02:13:51):
Ninety five, the first nigga with a hey sushi, put
your seat.

Speaker 2 (02:13:55):
On your great cool.

Speaker 33 (02:13:56):
We're doing the Corta in Chase fulling of new ones,
the Seine with the sheet dog Reasley brewing these individuals
who gotta changed Billy nor them since my niggas took
off the stockingcast and cooled in your fire Saldur where
Gasoline burned his light up. Any microphone in the mixed
get lit right up, Jim Power. Everything is self or
a sick dollar crashing of color.

Speaker 2 (02:14:15):
The boys give me.

Speaker 33 (02:14:15):
Your higher go to greatness, sort of like tapes in
the matrix or butter sauce shit on, you know the
way bitches the Farrows only rob gold at the Gallas
Champagne walls with sneaky horse. You smell the rip rap
any have a seven yard twist that all I need
again is a drunk dick and the kickback. You know
the biggas, your pool niggas when they come.

Speaker 2 (02:14:35):
To partnerships, parking shit shocks in.

Speaker 15 (02:14:37):
My ride with your vibe, with your outside, with your
This is mid scripture. Next to greatness is mob put
your own life, pitch what trick a fingers, smile, flickld
take your life and the guys what you can gine
with y'all on the flying figure networked in the nine figures.

Speaker 2 (02:14:50):
Like a line if you know, you know when.

Speaker 15 (02:14:51):
The line hit you on the line to get out
of line, you line stipp but you get line cricket.

Speaker 2 (02:14:56):
I'm fitting north with your line snippers.

Speaker 15 (02:14:58):
Shot calling for y'all triggered the sh y'all fitness Paul
killing the slum village. We y'all killers, and y'all feelings
to building, feel like we all members, like we all
windmen's Unless I'm hungry, then y'all get a finger licking
sound of the drum when no money hungry with my
finger counting my puns, take a finger from me, whether
the number count on my thumb or count on my
accounting when number counting my one one.

Speaker 6 (02:15:19):
To show people to shop close up show people, show
shot people, show people up show.

Speaker 4 (02:15:40):
Three wise men came to visit where I've been. They
brought gifts with the south side playing one hand Hennessy.
The other a book of street ministry. The third gave
a mirror and told me to remember me assembles as
simbles and metaphorce analogies.

Speaker 2 (02:15:55):
This analogue rust of voice I've come from.

Speaker 10 (02:15:58):
Niggas got the dog in them.

Speaker 4 (02:15:59):
They become God's no longer we're hogging them. I saw
venom in the eyes of a snake, the Solomon for comment,
and I wise up the place like a prize in
a race. That boy hold the metal by scars on
the space. I can tell you know together where we're
both trying to get to.

Speaker 2 (02:16:14):
It ain't coincidental. This is on the streets. Minds is
over instrumentals. The Lord sent my mental to be more
than sentimental. The ventacles that I've been through with temples
of what I've been through.

Speaker 70 (02:16:27):
People people, people, show people.

Speaker 4 (02:16:45):
People, Holy Brown and kill us Lord Willis, drug dealers,
monks with keys to go, Will of Chicago, Killa, some
no Delu rich cost bill us sammers trying to get
their hits to eighteen so they will us Young Jins's
restless investments investment. My man ain't for Dallas, but you
know where the Texas hold to My polar faces Golden had.

Speaker 2 (02:17:06):
Agreed of a legacy that's stolen.

Speaker 4 (02:17:08):
Why it's like the old man with food in his
fid and when he cried freedom, his jewels in his tears,
blues in the fiers outside, in the fierce, a.

Speaker 2 (02:17:16):
Slew fudder truth. It's closed in the years, unrude the fears, so.

Speaker 4 (02:17:20):
That I could get fizzed like the digabola cooping to
be improbable, that anything is possible.

Speaker 2 (02:17:26):
Ill, but it's logical touch by black angels.

Speaker 10 (02:17:28):
So if you can fill the molar cue mallar.

Speaker 2 (02:17:30):
Yeah, yeah, yeah, what up y'all?

Speaker 4 (02:17:32):
This is consense And right now you're listening to a
fill of flavored crew to rob.

Speaker 71 (02:17:37):
Yeah, yeah, yeah, I'll.

Speaker 16 (02:17:45):
Be back with that pole back for now, just sector second.
I'll be backing my rap for for now, just second.

Speaker 2 (02:17:56):
Listen, I'll be rapped with that boy back for out,
just cent cent sect. I'll be back spitting my wrap,
but for now, just cent sens say.

Speaker 4 (02:18:09):
That's what I say that everybody spot I go to.
When I rocked up my cafone. I'm feeling like I
knowed you. We will be here forever and ever.

Speaker 16 (02:18:16):
Gee, I told you it's peak minus mister Wall gave
me the sound and blow to this rock and show
you focus on a higher level for fin Now it's
your cent cent SEC people getting ripped and rocked and
rolled over. Hey, this one, it's still the holder of
a bowl of money over cash. Get a the lyrics
spinner and hask kicker, the street rhymer with the feet

(02:18:38):
minus punchy stack with them, we get in bost like
flash on that black.

Speaker 2 (02:18:42):
Mix and a philosopher holding that rap colection.

Speaker 16 (02:18:45):
I'm very selective, mister Walls, like a feat dejected minus
the feats.

Speaker 2 (02:18:49):
Let's put this in perspective. Everybody saw gap.

Speaker 16 (02:18:52):
I'll bring back the nineties, but half these dudes in
the nineties they wasn't crime. It's locky back with that
raw boom back. But when that you got up at
sec SECT, I'll be.

Speaker 2 (02:19:03):
Back in my raps.

Speaker 16 (02:19:05):
But for now you got up act sec SEC again,
I'll be back with that raw on back fuff.

Speaker 2 (02:19:11):
For now you got us at set sack, I'll be
back split in my wraps, But for now it's your
sec SEC.

Speaker 16 (02:19:20):
Second, mister Wharton evil t this is high supposed to bitch.

Speaker 2 (02:19:23):
Can your rest oh ain't e? This is how upposed
to be hopeing your mom.

Speaker 16 (02:19:27):
Hopefully split the ROMs locally stay young, because there's no
sign of Swan or coaching me. I speak openly over
the instrumental. But for now it's your sector sec sec.
Mister Wharton evil t you know they're right there and
with her respond this thing is really quite rare.

Speaker 2 (02:19:44):
I don't fight there.

Speaker 16 (02:19:45):
You listened to the Roys instrumentals for now, that sect
sect you said who they had to go care with?
Mister walking the track, you know, I had to spit
on it, slip on it, metal to the pedal.

Speaker 2 (02:19:58):
On these instrumentals for but now, hey, yeah, let's kip.

Speaker 5 (02:20:09):
Hey seven.

Speaker 72 (02:20:14):
I can't fake it, my frankness, I'm so gracious.

Speaker 2 (02:20:18):
You can't take it. You make shift. He's so anxious.
Let your women take a ride on my spaceship and
watch me set fire the wet blankets. In the mid
two thousands, we was puffing fifty. You got a lot
of talent. You do nothing with it. I'm rolling up
for wood. She roll up a split. So take a
long walk off a short cliff. I live in exciting life, y'all.

Speaker 72 (02:20:39):
Feel with baredom the game water familiar flow, your's covering touring.
Fuck with me, you wrapping post wartem because you fake
sweet like Sorgus. I'm on them trees, Josh Gordon, your
rules ignored them.

Speaker 2 (02:20:50):
The facts distored them. The black Man, the woman.

Speaker 72 (02:20:54):
Yeah, they stay warring cameras, don't fight crime Nigga.

Speaker 8 (02:20:58):
Life but Greg Llo saying, Hey, hey, I'm ana dole
brag life but brag Yellowcy. Hey, I'm gonna do with
grab life but brag yllocy. Hey, I'm gonna do with
brad Lush but brag yellowcy.

Speaker 72 (02:21:18):
I'm gonna do my Greg nice, my Greg n I
ce from tape to CD, this digital.

Speaker 2 (02:21:23):
Baby, and we face this.

Speaker 72 (02:21:25):
They try to erase us, replace us infiltrated data basis
different cases. It's dellacious profiles with no faces, leave it
no traces, lies and basiness. Strive for greatness, success and
sweet defeat tasteless lyric equationious rhyme, tenacious worries of weightless
darren Iva shaped this audacious Rocksberry's in oasis, the livest

(02:21:46):
places in supper spaces, eye your faces, smile, humble, if gracious,
no step serial pass a right, hard and abrasive, packed
suitcases to new places, say fly with aerospaces to new
race sister.

Speaker 8 (02:22:01):
Crack Fries, but greg ncay, hey, I'm gonna do Pragtize,
but crag Ann say, hey, I'm gonna do with pragnized,
But greg annc game, Hey, I'm gonna doma Bragnanties, but
crag N s.

Speaker 73 (02:22:19):
Gay way way, Yeah, what a worldiship man that O
g live and direct and you checking out taking personal
for my people's fill of flavor.

Speaker 13 (02:22:33):
keV Low and p J three sixty. Yall ain't singing
no no, no.

Speaker 73 (02:22:43):
No.

Speaker 74 (02:22:59):
Murders, don't understandable smooth ship, the chuck up the step
win not kicking my two cents and stuff was intofense.

Speaker 2 (02:23:06):
I beginve you sixteen.

Speaker 11 (02:23:07):
Feel like a pound flu wind composition.

Speaker 2 (02:23:10):
Not solar shit be yes with the brooke fiz right.
The same flow came out of the.

Speaker 42 (02:23:13):
Hallway with me.

Speaker 39 (02:23:14):
I put ninety five on my back like I'm DeAndre Bembry.

Speaker 2 (02:23:17):
It's like I'm illmatic sitting on load.

Speaker 11 (02:23:19):
Me to morning comb definition.

Speaker 74 (02:23:21):
Moves you've seen with the ennis is done and the
d it is short nescer with shovel play that the
play goes the six joints and get you whatever.

Speaker 46 (02:23:28):
I can't in thing those I three jewels with the
NYC h A flow.

Speaker 39 (02:23:32):
Blowing on signs like how was so I throw that
fucking off Knuncle Mets and rad Nikes by the case
load was still good to fuck Hoodie Becky like John Stables,
so to know that the jewler's thumb was in your
windows in the slight of box.

Speaker 2 (02:23:44):
But to make love to Glood.

Speaker 4 (02:23:46):
I spent more on the baggas to what they spent
through the Yola off a plate, get rid of weake
just like a Marshall Mrosia, my bitch courting drive to
shop to take a yoga, the strap on that heck
a little kotch made out of colbrun, you know, really
stuff through quote quotes until the Soba trip. Liddy still
with stingy just like me, Tommy Mottola, the body Romney dominant, honest,
probably Suba and Crowny Conley.

Speaker 46 (02:24:07):
You'll notice them.

Speaker 4 (02:24:09):
Finally, the mood probably to be noticed. Watch me trst
drind ain't have me promoted. We play statues poverty mooted.
I got rich, but the Pirris turned folks around the
books running a tire and got richer. Just talking Boby,
I'm still smoking on the roy South, open the trap,
close that to count the racks a after office hours,
fans wore classics and something's gonna passes. Hustles don't want much,

(02:24:31):
just comfortable traffic. All these rap niggas get is comfortable caskets.
Ain't no sublimin nobs. I'm shooting hunting boat acrid. Let's go,
who running city? The more Me and Scott shut up
the club like Dinny and Pope. I mean at your
front door really was smoked. Every hustler scene of bricks,
say Ben, need to go. Everybody talking now, who's the
best ship? All of y'all can stop it.

Speaker 2 (02:24:53):
Two years I recorded the.

Speaker 4 (02:24:55):
Hardest ship that's round shit the rest of the year
on like all the shit I jotted, arranged.

Speaker 2 (02:24:59):
The bar, then a lake with Monshall in the process.

Speaker 4 (02:25:02):
I went to Ron lind and all the mortal Copson,
it ain't no ice Leader cold water.

Speaker 58 (02:25:07):
On the love Hey.

Speaker 4 (02:25:09):
When I was all the mortal watching fifty pointers like
Harden for the Rockets, silence so on the wild got
a muffle to sin, popped the nigga in the side.

Speaker 2 (02:25:17):
Broke a couple of winds. Scott, I was broken when
we shot that luxury venge. Now I'm on I g showing.

Speaker 23 (02:25:23):
Vicious with luxury in all the year, I made it
clear they can't fuck with the kids.

Speaker 2 (02:25:27):
I need to show you that played faith tous.

Speaker 27 (02:25:29):
I'm used it.

Speaker 2 (02:25:30):
Vis can sell the records.

Speaker 43 (02:25:32):
I'm the muscle you did Sussle won't let my gun
touch and you did.

Speaker 2 (02:25:36):
I could say, she ain't bout you doing the.

Speaker 29 (02:25:38):
Bse the quasars and soon the first the multiple suns
moves the earths Aroma squizzy and shut your city down
to the west, I'm blizzard on the east. I'm a
kama kazi poly visit who said the kid in the
visit team who in vision green isn't mean it's a
prison scene that don't keep their division clean. I can
spent that hot to Moley with South you nixt and
that's a robber Sami picture stopped playing checkers with Bobbie

(02:25:59):
Fish and just embrace it. I made it to the
chopped floor out the basement with your advance on a
bracelet pick Alna, right, it's not as wicked as a
sick piranha white a brick of china white.

Speaker 2 (02:26:10):
Wait gonna stick it.

Speaker 50 (02:26:10):
Downa mighty quick Rimanda Mike, so your niggas with a
slicker sign of a hum for your cheek pajamas and
dick your mama right either the flows aswing or a
trigger finger to exposed plastic.

Speaker 2 (02:26:21):
Leave a close casket with the rose basket.

Speaker 36 (02:26:23):
And yo my first love with smacks hen I got
a half for I had three body back damn little
snot nose sniggy taking nigga shame so yo soap Fike had.

Speaker 2 (02:26:33):
Handed with shade, sush so and stramot with the snake seed.

Speaker 36 (02:26:37):
Send the kitchen full diff the stone fish waist.

Speaker 46 (02:26:40):
Steve Jakie blues out twenty.

Speaker 36 (02:26:42):
Thousands getting three up Paul made this my super leaguing
with three down pe and Yo beside you you on
the goalie so much teacher, fuck you want and classing
the ROLLI stack the one hundred thousand and that was
second two thousand, so the dummy bricks.

Speaker 2 (02:26:56):
He met your nigga county.

Speaker 46 (02:26:57):
He county, I need a cherry made back at said.

Speaker 36 (02:27:01):
And then count snak count splug thirty fee's at the
Madi ship got him turn sheet sweet states we had
a travel lived to make you back safe.

Speaker 46 (02:27:09):
Forty showers after man break. What damn everything off the manny.

Speaker 2 (02:27:13):
Can's mad jo classes. No class, that's let's let's least that's.

Speaker 50 (02:27:37):
Held our whole conscious except flying fishto Sery, you wish
I had no letters standing on.

Speaker 2 (02:27:42):
Wasn't no for doctor to.

Speaker 50 (02:27:43):
Jeremy, My life was like expended date crambleue legis lamp
to day tomorrow flapped the Maccaroni Clamford's late head. Those
shrewdy wacker sweating got the crown, get their rubies. Jack,
my daughter smacked you up like swoopy snack. You face
major or minimum slaughter. I wouldn't hold my breathast.

Speaker 23 (02:27:58):
Weathering in water one of sty winning more than women want.

Speaker 50 (02:28:01):
Some fomen the daughter, or men who want some masculine
son to teach how to shoot basting some guns fun.
You've been in the presence of a Jededi gips. You
read my palmise set. I'm making past the age that
most thought I'll be there by it's one year shot.

Speaker 29 (02:28:13):
I have the goat going out a bed style. It
gets after these artists overdosing off a.

Speaker 2 (02:28:17):
Man high ruined and dance for your whole night with
send my loose leave. It's hitting had like it was
ros hey something you shouldn't take lights different from what
to maake right with some of the che a snake bite.
You have to be slow up for seeing my brake
lights to make flights to see straight.

Speaker 50 (02:28:30):
And buffalo puffing' droke. It's you in bad shape like
my toughest throke. I'm well rounded light. David Rockin strokes
tough with yo main squeeze before my plane lead.

Speaker 2 (02:28:38):
I'm so cold, she slirt me. You have to catch
a brain freeze.

Speaker 50 (02:28:41):
Then I stroking smacking in the smoking jacket, opening macket
on some coke and yack shit whoo woo.

Speaker 36 (02:28:47):
Yo, forty five shells popping out straight trailer shit lacking,
Phil rockinghead choke in his n p J spiller still
a fish and the fist.

Speaker 46 (02:28:56):
So hold springs in front of hip co Reminisen.

Speaker 36 (02:28:59):
And myself to have the black clicking couple backsup with
high points.

Speaker 2 (02:29:03):
What's the mission?

Speaker 36 (02:29:04):
Springing the portomatics my my house, give under fence and
try to give me thirty counter spens, bull and chicken. No, no, no,
no recording plciakas he's never trying up. Don't even buy
the shide clubs on the shop for store Dowland, fishy
min jump on prick on the college out shouted, lineup, chill.

Speaker 2 (02:29:22):
I just sold bricks for real, I took a pint cup.

Speaker 46 (02:29:25):
When I sang my, I slf my.

Speaker 2 (02:29:27):
It's for the culture.

Speaker 36 (02:29:28):
You wouldn't understand my scortuut filling this torture. I'm old truck,
I'm old brown and well plank tail or rather rather
Brian had what you know about Lord Baxtille with milks
when it stands, make you a point on fop.

Speaker 2 (02:29:41):
You never ran the foods your niggas will shook shook shop.
You never ran a frog.

Speaker 46 (02:29:47):
Your niggas shook show the.

Speaker 75 (02:29:55):
Fields of cush A strange barbart Bush laying the like
a Brooks, playing by a book for hard looks. Let
him cook his frame shook before he stood his first
boonk or foot time moves slow, the mind moves quicker.
Your bitch is a slide. My rym is a scripture.
Never takes shit for granted. Splits Vanish hit the dances,

(02:30:15):
Dowar the dangerous Irene Cara on the platter. She gagged
on the bladder. I smell a mask carrow and flashed
in the vatter.

Speaker 2 (02:30:22):
Pull out the.

Speaker 75 (02:30:23):
Pump and let it sneeze once and put the axe
to get back like tree trump niggas had a brief front.
The ship was sweet as a cacrete sun kick capri peach,
fuzz your bitch lit decree, come right off the deep cups.
My nuts had light ribs and a meat truck. Shot
your handed in the tea cup and too clean cut
showed the strap.

Speaker 2 (02:30:43):
Colored the machine gup.

Speaker 14 (02:30:48):
Shoot the strip, red dots, head shots reflecting the cops
with the fish up in the kitchen with the pots,
stop slinging brock thick out the box set the life,

(02:31:09):
give and drink of the gods, lits the gods and
then the guard with the swag the gunn come with
the trip hard domond hark the minus the fire arm,
ride to the tire sword the walls.

Speaker 2 (02:31:20):
That surround your empire of four of the fire is
an iron horse and a whole.

Speaker 75 (02:31:24):
I see a resource, as I recall, since battling down
the nipe's a hole. The rat magnate jackets made a snake.
You cash at a rapping paste like the way gabbit's mate.
Crack the safe that's an accolade. Relax and get faced
from Christine the Applegate, captive vate hold of Max straight spray.

Speaker 3 (02:31:42):
Legs, let taated. Your family is devastated.

Speaker 76 (02:31:45):
Devastation, this double hanging out with ticket places, the way
my dude full of flavors, the home you.

Speaker 2 (02:31:51):
Kept losing, the DJ three six three sixte as you
love me, I said, I don't know.

Speaker 76 (02:31:59):
Sometimes my honest is my worst fault. My patience is
a hated This is God's flow and I'll be next
to balls like pop blow. I'm known for the wind,
like your cargo, and my name is my name like Marlogue.

Speaker 2 (02:32:12):
Chip on my shoulder, heavy car. Go put your bench
in a coma while.

Speaker 76 (02:32:16):
You got slow, unexplainable actions from a grown man.

Speaker 2 (02:32:20):
But there's some things about me and need to understand.

Speaker 76 (02:32:23):
I got a dark side. They calling me anakin. Sky
is the limit, but I'm walking right past me.

Speaker 2 (02:32:28):
I'm a bastard.

Speaker 76 (02:32:29):
Webster's definition of it when you remind me spiffing what's
into your stomach, And I ain't playing with nobody who
really want it, because I believe everyone should received listen.
I'm pissing on hollow ground. If you don't like it,
you can swallow around. Since it's all about the dollars.
Now you better calm it down. I'm absolute you pinion
kalada clown type nigga.

Speaker 2 (02:32:48):
I smack around. So this is what the fuck is
gonna happen. Now you really want to.

Speaker 76 (02:32:53):
Graduate, nigga, I'll cap your gown because that's the.

Speaker 2 (02:32:56):
Type shit these niggas was wearing. And all those spells
are dead. At least that's what up hearing. Ain't the
flaming no other of them.

Speaker 76 (02:33:02):
A little speed limit two hundred miles in that hour
make you see different? Now, Rappa, shoot you when your blady,
your pe different pounds up and down.

Speaker 2 (02:33:10):
My niggas is feeding shit. Breeze ship.

Speaker 12 (02:33:29):
Katie, y'all, yo, hustle of life, keep a lawyer, click beet,
keep a lower pitch. It's now that you slip pop
being some royal shit. You fucking my bulls. You feed
him from a long spoon the wrong two and a
half niggas cocking the long song. A wag bitches set
you up. Boba Tailler's reason. They all changed with the
season said, look developedrees. It go from delicate beefing like

(02:33:50):
I can tell that you're cheating from nothing butter sell
it it greeting tailor floes color at your pelicant briefings.

Speaker 2 (02:33:57):
Know all about you now, she tell it. They eat
this Sheniggas logan shotgun.

Speaker 12 (02:34:01):
And tell us and squeeze and tike me knowing your
house plays because the mouth.

Speaker 2 (02:34:04):
Friend the forty.

Speaker 12 (02:34:05):
Grand up the side of the Maxwell house. Care the
kid's loyalty.

Speaker 2 (02:34:09):
Never fuck with the spoiled me to have sweet put
you right on top of that boil you here.

Speaker 12 (02:34:13):
She put the Luci firstci stir cochie furs Fisku Maddlin
brochetes with the Lucie first nigga kicking.

Speaker 2 (02:34:19):
She let him fuck into the kucie.

Speaker 4 (02:34:21):
Hert shorty straight hood was raised in the lonely turf
of letting Don fall back down to the deuce.

Speaker 2 (02:34:26):
She worked for real.

Speaker 41 (02:34:47):
Yo chang out struggling Coach came rout changed.

Speaker 2 (02:34:51):
I came out hustling. The name's now hustler.

Speaker 41 (02:34:53):
The name out bubbling, came out with the ven with
the lames out the runners, bitch, lames now customers.

Speaker 16 (02:34:59):
Hey.

Speaker 41 (02:34:59):
The by up it was caused I would bang out
in public to scream out the games so they can
vouch you done. This ship came out covered and blame.
I'm about doubling. QUI troopling, y'all stupid cake not coming in.
Blame my husband into the game. I was troubling then
now budget until I pay out, plugging in, shag out, chuckling.
If it ain't about winning, then it ain't about nothing.
The same way y'all brung it in and stop, hold up,

(02:35:22):
pause quick grabbing my ship sagging too much lips, Nick
jagging six nagging.

Speaker 2 (02:35:27):
I dipped my flip, flashing his hot. I skipped past it.
She ticks fast and look she walk the ball like
her Jackson and Nick saying the chest you with me
like Patrick. She says she wanted to see you and
through Oh and me, I'm gonna I mean too shit too.
Nick said you was sweating up. She breaking the sweat
while getting me next. I'm just sweating from letting up.

Speaker 16 (02:35:47):
You are set with her, You and wife, you had
to put the force.

Speaker 13 (02:35:50):
She wants to steal bread.

Speaker 2 (02:35:51):
Now you're just beating the dead horse horn. Yeah, yeah,
what's the jel y'all?

Speaker 4 (02:35:54):
This ship boy kog after she wouldn't watch he the
home of the devil breas he hear me and right now,
Yah checking out taking personal radio.

Speaker 2 (02:36:02):
Hell, what's going on?

Speaker 16 (02:36:03):
It's thirty eight spect man right now you're listening and
taking personal radio with phill of Flavor, kevlarg DJ three
sixty A a Ron.

Speaker 2 (02:36:10):
And Roger the announcer tru.

Speaker 4 (02:36:14):
Shake the death way and that the fate My nig
can cell a weight sting but eco complication that we celebrate.

Speaker 2 (02:36:20):
Basically, the way that I moved.

Speaker 4 (02:36:21):
Systematically is top of SOPs, popping chip top and stop
the battery anatot me cover the fly shit, my pet
and grease. Ain't nobody falling off lord my nigga, let
him visions. I bet for niggas pushing Stevens holding hammers.
You wantry about the beef, mury about the chambers. Can't
show me no reservations, y'all. A lack of patience when
be dealing with the patients. Twenty four capric Gold Margarite

(02:36:42):
is Afisachi Popper moves always yet oof.

Speaker 2 (02:36:45):
You check it out, y'all.

Speaker 12 (02:36:47):
I was turning vision miss before you hurt the riches.
I was thick pursy pippons with the kerby bitches. I
was in the thirty pitcher nigga, dirty pisson me and
Coke furry missus with the blurry riches like bitch cherry
rich your chicken catching flurry slid look Gianofe style, flicked
with a person kitting shirt, fifty nigga plumb fits slipper
dicka that man tell no tail's never heard a witness

(02:37:08):
pistols from the Mixon kivin hers she kisses, make that
black hurse she's driven kivin murder missions. Try your luck
baby trigger finger nervous shihen double shots now wis her
lady Bernie Shust can't trained murder for hire.

Speaker 4 (02:37:20):
Bitch, that's a bassa man he didn't lip with buddy,
Your leaping monks in the back.

Speaker 2 (02:37:23):
Cash home, baby, Mama's hearing me. Just supply the ass.
I leave a bitch on red like she got a gas.

Speaker 77 (02:37:30):
I leave a bitch on dead like a juniver sales
season up that shake your fingers nicking it took it well.
I just dropped a block of fifty blocks a at
the Riverdale for Christmas ninety nine. I got some soda
and some fish scale mixed yale, fuck chail like, don't
sit well shooting.

Speaker 2 (02:37:43):
Business like you be yellowle bit.

Speaker 4 (02:37:44):
Wayman Sisdale Pappy said you know, but the double satin
like in tail bitch, You're like, don't matter.

Speaker 2 (02:37:49):
Take that for data.

Speaker 77 (02:37:50):
Like Fitzdale from a nick to her motherfucking strick bottle
white and fused the hood. Now he's freaking sucking dick
nigga smoking no.

Speaker 2 (02:37:56):
Synthetic weed in case you got him sick. I'm gonna
dig this to this fat bomb. Get you make a fleck.

Speaker 4 (02:38:01):
I'm the nigga that get caught spash. I'm known for
taking over buzzel balls because I charged less.

Speaker 2 (02:38:07):
My price is fall fetch.

Speaker 62 (02:38:08):
I put my own number on trees like I'm trying
to find a lost pet. It's a bridge you ain't
crossed yet. Give me your broady dress. I get them
sent to a door step. I'm the one that your
horse sweat, but your brod.

Speaker 4 (02:38:20):
Got more mans on the pussies than my carse vet
hand beat some list.

Speaker 2 (02:38:24):
Some stys never been shot before. For some fried it's
how you separate the truth from the lines.

Speaker 4 (02:38:30):
Bums with guns from the ones that slung PIDs me.
I can hear less about your gun sides. Niggas done
dies from shiit, smallest of thumb dried one robber brief
left to fifty months side he sat four years fall
for sun dried.

Speaker 2 (02:38:44):
Spec I feed.

Speaker 49 (02:39:01):
S.

Speaker 2 (02:39:03):
I feeded it.

Speaker 4 (02:39:08):
Up.

Speaker 2 (02:39:10):
I feeded it, I feeded it.

Speaker 37 (02:39:20):
All I wanted was that tape money still in quarters
for my mother's jars bond tapes. I would play inside
my older homies cars on my Walkman's that I own.
I would play him so they broke, and when my
battery sted, I still am. I from her remotest read
the line of notes. Clocket is full of side my
starter coat. We would dub each other ship when we
was kids.

Speaker 2 (02:39:39):
We was growth. I had that ice cube looking at
them shirts in order.

Speaker 37 (02:39:43):
But had no check of credit card, just step bag
of stolen quarters, just step bag of stolen quarters. Just
never fuck with bull legs. That thirty six chamber transformers
all in the woeheads. Christina was the first that show
me I was a shock hypoglyphics in ninety three. I
have my walkman on Lock the Blue exept for ninety
three tael Ell Madic. Of course he's in that dude

(02:40:03):
who looked like Redman in the back of the sauce.
We did that sow to be fixed it with them
tapes with unrabble. Remember too was the supernatural Lion tapes
of that battle and every girl who was sweating. I
will make a special blends of playing pitches and shit
if they just want to be friends. Every second of
my collections, like my life in reflection, pressing record to
start the session, bucked down by Smiff and Wesson.

Speaker 2 (02:40:27):
I feeded it.

Speaker 37 (02:40:34):
I feed it, yeah, MAXI singles the singles remixes you
ain't up on the show to see if Mary Jay
was trying to.

Speaker 2 (02:40:44):
Give my fuck on as soon as I loved it,
brought that big ee unbelievable.

Speaker 37 (02:40:48):
I played sob story before I purchased my fast vehicles.

Speaker 2 (02:40:52):
Now it's killed it with half time. Hizion was on the.

Speaker 37 (02:40:54):
Bass, drinks covers, painted physicals piece to Danny Hastings.

Speaker 46 (02:40:58):
I used to switch the cases.

Speaker 37 (02:40:59):
If the plastic got cracked, you know, defensive.

Speaker 4 (02:41:02):
It was classical whack.

Speaker 2 (02:41:03):
When they ain't even asked me what concepted by her brother,
I said, kissed in a stolely she didn't even know it.
The face boost but bumping that boot bab I was brugging.
I lost the walk in there. I dropped when someone
started fucking back.

Speaker 37 (02:41:17):
In hal the morn on two fifth I was too
swift and a jetty. I said, I'm going back. Mike said,
now forget it was show when they was dropping good fellas.

Speaker 2 (02:41:26):
I wasn't a freshman, but I didn't dress stress and
I was broken. I was stressing like crush kill destroyed
stress them.

Speaker 37 (02:41:34):
Motherfucking now was the best. I was blessed.

Speaker 2 (02:41:37):
And now I hear a lot of rappers who rapp
like they ain't hungry, or like they never never needed
say the yo, it's good.

Speaker 4 (02:41:45):
This is appears the demi God's army of the Pharaoh's
pair of stroyer. You're now checking out to take it
pursh my Holy fellow players kept on DJ three sixties
playing classic.

Speaker 10 (02:41:58):
Music for shittier time.

Speaker 2 (02:42:01):
Discuss this cluster misclus g just crik.

Speaker 37 (02:42:06):
A boat bully of the block shit terribly toxic, fuck
a deeper meaning it's apparent we potshit and never getting
the American in the Paris to rock shit, spitting at
the camera on some potshit, sicking.

Speaker 2 (02:42:18):
That a table loading block clips.

Speaker 37 (02:42:19):
Weigh your foll apocalypse to deep in here the passages wheps,
the Papadopoulos pop rappers want the pop Sandy's preposterous to
climb up to the top and up top of your
home metropolis. Honkey comes back planes the circle and brains
are working and over time would have start murdering mic
circuits in.

Speaker 2 (02:42:35):
The site with the sight of a missile surface and
we call a.

Speaker 37 (02:42:38):
Surgeon and telling this rappist burning his burgundy on the rug,
this slug's in the sheet rock. I'm a wolf walking around.
Every time that the sheet flocks, I feel like a were.

Speaker 2 (02:42:46):
Wolf fish fighting an eve walk.

Speaker 37 (02:42:48):
I feel like the ed Jordan compared to with reblock
kill giants like Jack when I had at the preen stalk.
My raps are like crack up in here in the fence,
talk my product.

Speaker 2 (02:42:58):
Just speak for youself. I'm kind of getting your caught
a cause speaker's the milk.

Speaker 37 (02:43:02):
Everybody hit the deck on half Week's for the belt
combining every single watter left the bleach on the shelf
to dispose of those of mind find explosives hidden under
the hood of the no good corrosive. I just showed
up with American Joseph, the King of bull kings the hoovers,
and that they do so snow drift type is no
sniff siddle happen, so swift you're feeling your soul lift.

Speaker 2 (02:43:24):
Your body gets so swift, I shoot a fifer and fod.

Speaker 37 (02:43:27):
And pops night Man fab five Freddy.

Speaker 2 (02:43:29):
Kruger ain't the stating the shrubber from the basement.

Speaker 37 (02:43:32):
To the sores face Nation to a Scooba dollar a
nine to a basooka.

Speaker 71 (02:43:44):
Discust just crik a bte disgusting, just yo.

Speaker 4 (02:43:57):
When I was younger, ruleing mosquow, I kept Petuli high
bad guys like Robert than Stone and Coolie High. Made
a roll them out a lot of capon and Luccian
used to scrip me with be out of control and
two we die, Atlantic City, Duccio rope chain seven. You
on the dookie jaw fucking with some fiends on they
pookie jaw with dreams away in up like Stanley Tooki's
on the strip, had some hustlers on the JOm Ma

(02:44:19):
Gucci jaw. Now the day another drookie jaw getting Gucci sauce,
even though it's strong. Let's the North with the Lucci
long wait before the ice berd sweating with.

Speaker 2 (02:44:28):
The snoopy yawn. You know a lot of Philly jack.

Speaker 4 (02:44:30):
Boards with a coofy yawn and the praying pump machine
gunk funck from a sword on shotgun, paying on a
pump and it's beyond disgusting.

Speaker 2 (02:44:38):
Yeppie chime to dump rains be wide as fuck, whatever
kind you wonder if.

Speaker 4 (02:44:42):
You a psycho like no other motherfucker soap from the
soul I'm from wherever.

Speaker 2 (02:44:46):
It ain't no kind of gun control.

Speaker 4 (02:44:48):
Streets on patrol, kids wilding like this, drunk on whole bottle.
Little patrol looking old livid took control. This is for
my two fifteen trooper team used to be spoiled because
the two Supreme Back to the future cream spinning still
winning in court with charge penning there. I'll pay my support,
you'll let all my chubs winning out a life side
try style. Ain't no mister nice guy vice skuy. I

(02:45:08):
gotta pay the piper, but the fights high, my vice sister,
never try to lift my lifestyle hostile murder from Manhattan.

Speaker 2 (02:45:15):
The moscout want to make a stream to to make
a shout with.

Speaker 4 (02:45:18):
A cloud, chase about no doubt or raise some mouth
before we robe these idiots blind.

Speaker 2 (02:45:23):
We chase some mouth. Take a safe for valuph you
can catch for you on my paper rout.

Speaker 9 (02:45:28):
I'm gonna.

Speaker 46 (02:45:31):
I wanna make.

Speaker 4 (02:45:36):
I'm going to the ghetto or fellow the more. Oh
my god, they speak venemous on the boy. Oh my lord,
my enemy is fearing. I'm sure, Oh my god, they
want the end of me because I'm pure. Oh my lord,
discipline for the wind.

Speaker 2 (02:45:49):
I just go for it.

Speaker 4 (02:45:50):
It's a trend for these men to die on their
own sword journey fard. Learn who you can't be, but
you could learn who you are when you around family,
chip off the shoulders and soldier on a grizzle. My
granddaddy Mac Little married Danny Little. They passed down wisdom,
blessings were given. Pray my sins don't get pasted to
my children. I made a killer. I'm alive like the
morning star called Jordan's for the price? Or stop to

(02:46:13):
what the hornets are? I need evaluations of Sammy y'all
eating five guas, and can y'all listen.

Speaker 46 (02:46:22):
At Faduma from the apple?

Speaker 2 (02:46:29):
HadAM had him Badum from the apple.

Speaker 4 (02:46:35):
The ghosts against this dance your chiller shake on the hangar.
The force of this finger. Yeah, my language advanced. My
cat is amazing. The voice triggered something. What is this conundrum,
the cloud, discovery, your spirit, rubble or voy your smile,
still fucked aloud. There's nothing less than a quarter pounds
Sambath's narrative. Every verse that I write verse light brings
awareness to my personal life. After my morning walk Havana

(02:46:57):
sagard to God, just bark see my doctor Mars sweat
the son of all this far, Spend fifty large at
the Belagio. Spend twenty on a bad bitch I Holly,
no new girl every night, two pirlss every other night.
Sexual addiction gainst your tradition. They want to fuck me
having under their belt. Slightly offended. Yeah, that's how I felt.
That's how with envy. I'm just good at existing, existing

(02:47:18):
in my truth as long as I enjoy the fruit.

Speaker 2 (02:47:20):
Yeah, no fall too moth from the apple chu.

Speaker 78 (02:47:32):
HadAM had him far touba from the apple tree. Apple
tree will come. First, piece of the paper.

Speaker 4 (02:47:42):
Before I had a piece of paper, piece was in
my favor, before I sat the eat of the table.
It had leeches and traders cut the fat from the meat,
extract the weak boneatpetite No bacon brothers is swine. It's
so hard to trust him because my hustless smile. It's
evident they all the same with gray hair and still mean.

Speaker 2 (02:47:59):
Muggy. Gray hair is a wisdom that means you've seen something,
say something. You stay fucking. But these clowns got false crowns,
pectitional kings.

Speaker 4 (02:48:07):
You broke my heart. Freight of you bring this thing
of our down to a favor. Be advised my guy's
dying enterprise and at a boss's sable. It's always room
at my table and securities. It's keeping you disabled, all
this money to get is it less time? They stop
printing money because they made mine. I learned to stretch time.
These are the best times. I'm in my neighborhood, at stadiums,

(02:48:27):
the Metsican with restaurants and Carl Broni spicy ringa Tony
Gohard a red Bordeaux. Oh God, don't bother.

Speaker 2 (02:48:38):
To you from the apple?

Speaker 11 (02:48:44):
Had had.

Speaker 2 (02:48:48):
Far from the apple. Yeah, get care if you get
you get killed.

Speaker 46 (02:49:05):
Ay yo eighty three.

Speaker 2 (02:49:06):
Y're leging me, just shaking me, just shaking me.

Speaker 25 (02:49:08):
My grandma used to stay with me. My grandpa used
to pray for me. Lord, I let me down to sleep,
I pray the little my shoulder cute that if I
die before I wake, I prayed the Lord my shorldern't say.

Speaker 2 (02:49:17):
I always thought that I was both to say so.

Speaker 25 (02:49:19):
One thing, my cousin Marty taught me how to mold
the k smoking Jame's stolen James broke in hoods.

Speaker 2 (02:49:24):
Throwing trades.

Speaker 25 (02:49:25):
No one knew little trade would make it out to
James made it out of the city, never made it
out to each of But I'll probably take you with
me if you rip to theyn slipped me trust the
lux lutsh do with the lux luxury sweet, even with
the duck on the bell by.

Speaker 2 (02:49:37):
My feet clock up the street.

Speaker 25 (02:49:38):
King Salt broke the leaf pass she should blow the
tree two for sixty billion mouths off of feet and
touched the bean like a gen.

Speaker 2 (02:49:44):
Gotta drink for every word.

Speaker 5 (02:49:45):
On the page.

Speaker 2 (02:49:47):
Ship not good from yeah, hey yo eighty eight.

Speaker 25 (02:50:01):
I saw the streets, I saw the gold, I saw
my soul I saw and I was sold as a
kingdom one. They need to throw need a home that
I can known, that I can known they call my
own and do wear off on my own. To listen
to the predecessor rather the Great Depressor.

Speaker 2 (02:50:14):
After the Great.

Speaker 25 (02:50:14):
Depression, the peasants begging for blessings the promise of better mass.
So as I holler, yes, it's the common not that
a jess can catch up and redirected. She never wanted
the money fame of the fancy people. Reinquals out the
system and said to give me to make some I'm
gonna mix some black and the yain that whye that
young American straints like a preesian.

Speaker 2 (02:50:32):
I'm pleased to meet you.

Speaker 11 (02:50:32):
Increase again.

Speaker 25 (02:50:33):
Oh now we was in our prime. Hat young and
sopping onions. Kid cut these day night out of vegle.
Now will whind not throw a see note on a
couple of classy people win some final from the time
I say the Rhy'm about the eagle while be legal,
no tax, no debts, and no negles, just starts to
make it off field regal and whether why no I
got more dreams and words on the pain that.

Speaker 2 (02:50:52):
Ship go away from.

Speaker 3 (02:51:17):
Dream Yo.

Speaker 25 (02:51:28):
Ninety one was grimy son, ninety two was grimy two.
Ninety three was grinding me in? Ninety four?

Speaker 3 (02:51:33):
Was griming you?

Speaker 25 (02:51:33):
Ninety five was mighty nice? Ninety six timeless shit ninety
seven slice that happened like a ninety Yes, family and
I started getting mindut one nine nine nine with the
shine two thousand breaks smiling oh seven old heaven less
it beat in south and made it out without the
lack of leven but stacked stacking more blessings and as
far as those roaming in space, tell God makes space
for the trap robins in heaven. Oh, I got more

(02:51:56):
dreams and words on the payship for days and days.

Speaker 40 (02:52:00):
Yo, the rapper, you are looking at the.

Speaker 17 (02:52:09):
Law, have l.

Speaker 2 (02:52:13):
Take it perfect?

Speaker 9 (02:52:14):
Look like Michael Jordan's cooking person.

Speaker 2 (02:52:17):
I haven't hit the scene in a minute.

Speaker 50 (02:52:18):
My new letters, the candles recently purchased that are perfectly sentate,
but the Russia being in the mix can't be cure
of binge watching shit on Netflix, my new normal lane
normal at all, strolling through my contacts like.

Speaker 2 (02:52:30):
Who can I call? Now?

Speaker 50 (02:52:32):
I'm on Instagram. Damn they having a ball that was
me once upon a time, back in my prime. Now
I'm happy to fall fast asleep, sound of rain O repeat.
Instead of counting sheet, I'm counting all the lights from
the newest posts. Then the toast with the Magnum bottles,
then the picture with the ig models.

Speaker 2 (02:52:49):
Why the wait rocking in vigattas.

Speaker 50 (02:52:50):
Which I was there where the action that loud clubs,
hot drinks in this action pack. Who, in my fooling
worked too hard to do nothing. If I said I
didn't miss it, I'd be friends.

Speaker 2 (02:53:00):
Go to sleep y'all, y yep, y'all.

Speaker 4 (02:53:22):
My man sent me up and said, tonight, dog, we
celebrate my son is going to college. I said, congratulations.
He said, nah, you don't get it. It's too graduations,
him from.

Speaker 2 (02:53:31):
High school and me from child support payments. So happy
because it's checked. No, I'm getting garnished.

Speaker 4 (02:53:36):
Then he texted me and flying with these strippers on it,
with eight different colored tight faces written on it. I'm
thinking to myself, damn yo, this is a warning we
get damn thinking, Damn yo, this shit is boring. After
thirty five. The club's a different kind of torment. Pretend
to be excited watching Bitch and ditty Bop. You would
rather be at home watching flip a flop. I took
a flicker, then I posted on my ig yet it

(02:53:58):
looked good, but it was all. It's like firefast before
you angle anybody twenty five or lesson than yours at home,
and keep it love.

Speaker 11 (02:54:05):
That's what I suggested.

Speaker 66 (02:54:28):
These numbers and nobody to call. I just want someone
to talk to you tonight. You tonight thinking all these
numbers and nobody to call. I just want someone to
talk to you tonight. Ooh tonight.

Speaker 2 (02:54:50):
Let the record show you.

Speaker 7 (02:54:51):
Let your homies know be back like a truck jacket,
No jacket, you're fucking a truck. That's it out harder
Jacks and Jackson from the West Coast, king tax it
time's number five knock among the palm trees and the
tree streaming at my mind's leaning. I got an lafitting
with some plans to see Nicolou. She'll relaxed, head to
the beach. Who's the end the state We handed down

(02:55:12):
the back streets to get all lay in nine person
or more. I'm gonna let the records show while you're
at the Honosaur, the people's choice to go the herd,
a second come in the roast, blood in the rose, grots,
and let it flow, let yourself go show me in love.

Speaker 2 (02:55:27):
We let the records show. Let the record show.

Speaker 47 (02:55:32):
We need to riginal Minola, fuck under oath, defend the
West Coast most reptable squad of post card on the bunch.
I'll go to swipe a policy on right by the
coach where they gentrify the fuck and weight control.

Speaker 2 (02:55:44):
So the home of Homie.

Speaker 47 (02:55:45):
What the hell is saying, Let's row drive by and
drive those fall and scars so that that's the bullet
to beat here.

Speaker 2 (02:55:51):
But muss and server.

Speaker 47 (02:55:52):
Zone because he lad don't give a damn. You can
give beneficitular then after all, heads up. I've seen a
lot of stars fall about holding the seven ten. The
traffic gets words. I made it out of Peter straight
slanging this work, and we went around the Warba. Please
let the record show. I'll put my seats in La
and let the sun shine grow. We made around the Warba.
Please let the record show. We need the original de
p funk Is criminals.

Speaker 2 (02:56:13):
Who Let the records show.

Speaker 7 (02:56:14):
Let the ladies know, with priminos on the dog chip pot,
Let the record show. Let the ladies know with on
the dog tip pot, Let the record show. Let the
ladies know, with criminals on the dog Tai Pope, Let
the record show. Let the ladies know, with criminos on
the dog Chap Pop Chrissy Channing, Jack up drinking at

(02:56:37):
the big Old outside joint. Coker creed Boy and Roman
los Chandalist, trol King Enormity could bet with form in
the formula pocs down for free your death noise.

Speaker 2 (02:56:48):
It wants for me. I got a rocket in my
pocket and some cops to the rock scene.

Speaker 47 (02:56:52):
The unlocks the box to the box se Stadium club
above that right field. Deal care along like a Dodger
doggy Yo, trying to do the wave. It's seven thing
stretch of old school LA type ship like Fletch's the plastic.
Then I take a little simple upstairs at Philips me
your friends.

Speaker 2 (02:57:10):
So let the record show.

Speaker 7 (02:57:12):
Let the ladies do with criminals on the dog Timpo,
He said, Let the record show. Let the ladies goes
on the dog timp pop and Yo.

Speaker 2 (02:57:21):
Let the record show. Let the ladies know on the
dop Timpo. Let the record show.

Speaker 7 (02:57:27):
Let the lady's know criminals on the dog timpo.

Speaker 2 (02:57:57):
Oh man.

Speaker 22 (02:58:03):
All right, coming out of the final mix one of
our favorite groups. I'm sure of it, going back twenty
plus years. People under the stairs listen. I can't believe
Double K left us out of the blue. No one
saw this coming. Still don't even know what happened there,
But what a disappointing and sad thing because these two

(02:58:25):
dudes had some serious chemistry and they just made bunky.

Speaker 10 (02:58:29):
Shit that made you feel good. And that's why we
loved every album they made, wouldn't you agree?

Speaker 63 (02:58:35):
Yeah?

Speaker 20 (02:58:35):
I always thought Double k was like the second coming
of Gift the Gap, if you will.

Speaker 2 (02:58:43):
Like, they've made really good music and they just.

Speaker 20 (02:58:47):
Like viby, chill, coffee shop jams, coffee shop chicks.

Speaker 2 (02:58:53):
And white dudes. I don't want to like middle of
their music, but when.

Speaker 20 (02:58:56):
You see coffee shop, I'm immediately going to the common line.
It's a chill vibe. It's great, feel good let's call
it feel good, feel good music. Right, And ironically both
of them, uh you know, are gone. But yeah, I
was a big Double Kate fan, big keep on the stairs.
I'm glad that's one is still doing his thing too,

(02:59:17):
great beach, great beats.

Speaker 22 (02:59:19):
Their stuff makes me think of sitting on the front
patio drinking beers, talking shit. You know, maybe some cat
calling involved, you know, just just bullshitting around and then
you know, uh, wash the car.

Speaker 10 (02:59:34):
Later, yeah, wash clerks, Yeah much, pretty much drinking beer.

Speaker 13 (02:59:42):
That's it, I guess, right, all out of topics for tonight, guys.

Speaker 3 (02:59:46):
At the end of the year. Man, it's all happening.

Speaker 2 (02:59:48):
It is what it is.

Speaker 13 (02:59:49):
Save it for the next show, Drey, that's the year
and recap.

Speaker 2 (02:59:52):
We got this is the best, the best and.

Speaker 13 (02:59:54):
The rest of the best of the best of the best.

Speaker 20 (02:59:55):
We got one more episode before twenty five hits us.
This is uh, you know this, this is basically the
best of Tip. I'm gonna still call it the best
of Tip. And I didn't tell you, guys, but I
actually had a part three on deck, but I figured
let's start the new year on a new chapter. I
wanted to give you guys one more episode before we

(03:00:16):
head out to the new year.

Speaker 2 (03:00:17):
That's coming up next episode.

Speaker 20 (03:00:21):
And yeah, man, if you guys enjoyed the Best of
Tip Part one and two, let us know the albums
you like. You know, there's a lot of music over
the last eight years of new music. Which one was
your favorite? Was it Master Ace and a Polo? Which
was Brooklyn Story? Maybe it was Apathy and the widow Son.

(03:00:44):
You know, there's a lot of joints though, Black Dot
and fucking all of his solo albums and the joint
of Danger Mouse. Let us know what was your favorite
album in the last few years.

Speaker 18 (03:00:53):
And I think we got to wrap this episode up
with wrap it with a Harry Carey SoundBite, because and
you really do look like Harry Carry with them glasses.

Speaker 2 (03:01:03):
On brick Top. He looks like Bricktop.

Speaker 3 (03:01:05):
Hey man, I can predict the future with these bitches.

Speaker 18 (03:01:08):
Yeah, buddy, take us out, Harry, Hi, come it back once.

Speaker 2 (03:01:15):
We return from vision Fine Spot. Please welcome Harry Carry
Hi you man, Harry, I've gray eyes. Are so many
be true music lovers? Yeah?

Speaker 1 (03:01:35):
Alright, folks, Well, I know you hate this moment, but
that concludes our best of tip. You've got one more
show in store before we turn the page on twenty
twenty four, so keep your ears perked up.

Speaker 2 (03:01:47):
Remember, Take your Personal can be heard on many different platforms.

Speaker 1 (03:01:51):
We stream on Apple Podcasts, Spotify, Amazon Radio, iHeartRadio, Samsung
Radio Player FM, and on and on, and you name it.
Shirley stream often imitated, you never duplicated.

Speaker 2 (03:02:06):
This is Take your Personal Radio. Roger the announcer, wishing
you a happy holiday.

Speaker 4 (03:02:11):
Out for to ship me to find you know this

(03:02:43):
ship don't feel as good as it look, really, friend Cha,
that's a great.

Speaker 2 (03:02:51):
Street ship made when I am to day. Niggas do
want what's your coming, nigga?

Speaker 4 (03:02:58):
This big story about ragster Richard small out how I
mastered the physics.

Speaker 2 (03:03:02):
In the game.

Speaker 4 (03:03:02):
I used to train like Rocky catching chickens here. I
was nice, but they was right when they told me
that rapp of finis I had advanced in my stash
when I passed over a half a million comedy no good.

Speaker 2 (03:03:12):
Don't be surprised out last these niggas.

Speaker 4 (03:03:14):
It's like they put out a smash and they gone
in a flash ad minute and then they make tracks
of this is like, that's gonna add up the digital
relationship when fake tracks and pictures like that's gonna attract
the pictures.

Speaker 2 (03:03:23):
That was really mean.

Speaker 4 (03:03:24):
Niggas ain't half the acting conflicted now only differences. I'm
living and I would have whacked one of niggas who
knew that after Dres Dylan and I still be.

Speaker 2 (03:03:31):
Cashable spending meal plus and you will income.

Speaker 4 (03:03:34):
So here's my men, you will this something in this
east Side should still in me. My apilty to turn
words and imagery probably the reason they can't remember the show.

Speaker 2 (03:03:42):
Figures walk this tight rope.

Speaker 49 (03:03:43):
Whether Felie's agility the streets did so much shit to me.

Speaker 2 (03:03:46):
I could never live stivilar. I can never lead a scene.

Speaker 4 (03:03:49):
Without checking out my marriage visually come with that energy
custom shit. Don't noways stick with me? They want to
know what I brought to Griselda. I say, validity, the
yeaskin will work that Nigga's put in. I'm like the
problems then, not correct to the obstacles I propressed and
logical for them.

Speaker 2 (03:04:04):
To feel the responsible for success.

Speaker 4 (03:04:06):
Besides Conna Weston telling me, who ws I kind of
respect because I'm kind of perplexed. It's about time that
I got my respects the butcher nigga.

Speaker 23 (03:04:15):
Let's go now time that I got my respect. It's
the butcher niggah. Yeah, cold fucking worlds.

Speaker 2 (03:04:25):
Out the ship, you know what I mean?

Speaker 3 (03:04:26):
Shout time, such.

Speaker 2 (03:04:28):
Good it is Nigga when I show up.

Speaker 20 (03:04:35):
Nigga nine.

Speaker 23 (03:04:36):
On the night that was born, the rains pawn God
was crying, light was struck, power, how the sparks was flying.

Speaker 2 (03:04:43):
The real one was here, this young boy that walked with.

Speaker 23 (03:04:45):
Lions around the outlines of sharp with a cossus lying
across him, trying to revive a sport.

Speaker 2 (03:04:51):
And it's dying. But the guns in the drug broth.

Speaker 23 (03:04:54):
That charmer lying got these nerves thinking that you niggas
hard as Zion. But that just mean I ain't this
talk the bullets, y'all with line stretching the truth. No,
I never stressed the boots. They feel the pressuring me.
I feel like y'all just left them with soups, effortless
tim skating all these records too. I'm put your favorite
rapper neck and the roof, never letting the blouse, cold

(03:05:15):
world the head a blast your speaker. He the last
of the Mohicans, no weakless, last of my sneakers. Nigga
bought me on the song he gonna see the raft
of the reaper. I'm probably gonna go to a hairlom.
Jesus asked for a feature. I'm higher than niggas it.
Don'na heat a bag for the reef for some set
of glass's hipty. I see a glass full of ether
collecting his bread and mask like he a Catholic creature,

(03:05:36):
just the count of Nigga cast You might need a
cocking this, teacher, Eureka, I'm steining on the brink of
the timber. Your relativity really no mc equal, feel Me
co pitt melea through cript like the old MTV show
for On't God the best Rapper Alive? Head shot now going?
Ask the best rappers that died. They tell you he
never lied. Li te A Talk Talk ust to stand.

Speaker 30 (03:06:05):
A kill

Speaker 2 (03:06:11):
Spe

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