Take It Personal (Ep 159: 1988 Tribute Pt. 1)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hey, Hey, Roger the announcer here and thanks for tuning
in to Season nine of Take It Personal Radio. This
is episode one fifty nine, and we're starting this year
off celebrating another year, nineteen eighty eight.

Speaker 2 (00:13):
That's right. This is part one of our.

Speaker 1 (00:16):
Nineteen eighty eight tribute and we'll be taking you down
memory lane for one of the greatest, if not the
greatest year in hip hop history. Without nineteen eighty eight,
this genre would not have lasted another thirty six years.
It's the foundation of hip hop. We're talking Public Enemy,
Slick Rick and wa EPMD, Ultra Magnetic MC's Big Daddy Kane,

(00:40):
Boogie Down Productions, Eric B and Rockhan, Easye Bizmarcky, Jungle
Brother and Cool g Rapp and DJ Pola. And that's
just scratching the surface. Get ready for another spectacular season
of Take It Personal Radio?

Speaker 3 (00:54):
Yo, what's up with?

Speaker 4 (00:55):
Well?

Speaker 2 (00:56):
What up?

Speaker 5 (00:57):
Yo? Yo? Yo yo?

Speaker 6 (00:58):
You need to take that person to the version of
the person take take helpful yo.

Speaker 5 (01:05):
This christ one checking out the taking person in the
radio show.

Speaker 7 (01:09):
Yo Yo?

Speaker 5 (01:09):
What's up?

Speaker 2 (01:10):
Is Black Thought and the legendary Woods crew that ge
this school chee yo.

Speaker 5 (01:14):
Yo yo yo?

Speaker 6 (01:15):
What up is your boy bapping if miss Mark Beeves
all that shut out.

Speaker 2 (01:18):
And take a purse.

Speaker 3 (01:19):
Yeah yeah, yeah, it's the jip and the wool tang
and right now you're listening to it. Taking personal take.

Speaker 8 (01:24):
That was good, y'all with DJ mounts Typool.

Speaker 9 (01:27):
Check it out.

Speaker 10 (01:28):
This is k Corn checking out.

Speaker 2 (01:30):
Yill, Yo, what's up?

Speaker 6 (01:31):
This is Diamond D representing digging in the crates right
here on taking.

Speaker 2 (01:34):
Personal radio, yo.

Speaker 3 (01:35):
Check it out.

Speaker 11 (01:36):
It's the infamous walk.

Speaker 5 (01:45):
Yeah, yeah, what's good.

Speaker 12 (01:46):
It's your boy KG y'all, y'all checking out taking personal
radio with my.

Speaker 13 (01:50):
Man fell or play but Kevlo Hammon Wade and the
boy BJ sixty.

Speaker 14 (01:55):
Hey yo, yo, yo boy, if you're all mars yo.

Speaker 7 (01:58):
What's up?

Speaker 5 (01:58):
This is d nice yo with the good yob.

Speaker 2 (02:02):
Yeah yeah yeah, what up y'all?

Speaker 15 (02:04):
This is kind sense and right yo, check it down.

Speaker 5 (02:07):
This is reready five good to your man.

Speaker 16 (02:09):
I'm riding the Dirty Vince down to table with Damn
to let you know you need to take it personally, just.

Speaker 17 (02:15):
The personal ran man and we end up doing it bedad.

Speaker 3 (02:20):
Yo, what's up?

Speaker 9 (02:20):
This is to be real and you're blazing out to
take it personal.

Speaker 5 (02:26):
Hip hop the way it should be.

Speaker 18 (02:28):
Keep it right there, the best in hip hop, hip
hop been in that fly ship you heard hippop stayed winning, Yeah, yeah, yeah.

Speaker 19 (02:39):
This is a journey into sound. This is a journey
into sounds, a journey which along the way will bring

(03:02):
to you new color, new dimensions, new value.

Speaker 5 (03:17):
It always ready.

Speaker 11 (03:18):
I throw this switch, Pop up the volume, pop up
the volume.

Speaker 6 (03:40):
Please would you mind my saying that again?

Speaker 5 (04:04):
Well you know this broadtest specials from all.

Speaker 20 (04:08):
The Oh my god, the newisic just turns me.

Speaker 7 (04:29):
Leave.

Speaker 18 (04:33):
Thanks getting of a master plant, Death with the record,
Death with the record.

Speaker 2 (04:38):
Thanks getting of a master plan.

Speaker 5 (04:40):
Been at death with the record, Death with the record.

Speaker 18 (04:43):
Thinking of a master plan to s ain't nothing but
sweat inside my hands? So why digg it to my pocket?
All my money spend so watch the default, but still
coming up with lent? So why start my mission? Lead
my residents? Thinking how I could have get some dead present?

Speaker 13 (04:57):
Then?

Speaker 2 (04:57):
Because I need money.

Speaker 18 (04:58):
I used to be your sticks up kids, So why
I think of all the devious things I did.

Speaker 8 (05:02):
I used to roll up, flow up, blow up. I
used to roll up flow up, I used.

Speaker 18 (05:12):
To roll up this is a whole up. Ain't nothing funny,
stop smiling. We still do nothing move but the money.
But now I learned to earn because I'm righteous. I
feel grave. So maybe y'all might just search forard nine
to five. If I strive, then maybe y'all stay y'all live.
So I walk up the street whistling this feeling out
of place, because man, who I missed a pen and

(05:32):
of paper, a ster rideo a tape for me, and
there again a nice big plate up this which is
my favorite this, but without the money, it's still a whish.
Because so I don't like to dream about getting paid.
So I dig into the books of the rocks that
I made soon as test.

Speaker 8 (05:47):
To see if I got pulled.

Speaker 2 (05:49):
Hit the studio because I'm paid full.

Speaker 6 (05:53):
Sure, what dude, three?

Speaker 15 (06:08):
What do three.

Speaker 7 (06:21):
That you.

Speaker 20 (06:22):
Even London grew?

Speaker 11 (06:25):
Pop up the volume? Pop up the volume, check in

(07:04):
the truck?

Speaker 21 (07:05):
Why did you laughing that?

Speaker 22 (07:12):
Check this out?

Speaker 5 (07:13):
Yo?

Speaker 2 (07:14):
You go to your girl house and I go to
mind because my girl.

Speaker 6 (07:16):
Is definitely mad because it took us too long to
do this album.

Speaker 16 (07:20):
Yo.

Speaker 2 (07:20):
I here what you're saying.

Speaker 6 (07:21):
So let's just pump them music up and count our money.

Speaker 18 (07:24):
But check this out, yo, el turn the bass down
and just let the beat keep on rocket and we
had a.

Speaker 11 (07:30):
Head pop up the volume, pop up the volume.

Speaker 3 (08:06):
Wait a minute, you let me talk to my mother.

Speaker 7 (08:24):
Okay, okay, all right, okay.

Speaker 21 (08:44):
All right, don't have to fee have to few.

Speaker 2 (09:19):
Step with the record, record, step with the record.

Speaker 3 (09:25):
With the records. For Fresh, the Nifecamps.

Speaker 23 (09:43):
Take a personal radio episode one nine. And here we
are kicking off season number.

Speaker 3 (09:49):
Nine, number nine, number nine.

Speaker 23 (09:52):
That's it's pretty wild, fellas number nine, and listen, we
got a special.

Speaker 7 (09:57):
One on deck.

Speaker 23 (09:58):
This is an episode that Andre has been dreaming about
since he played his first Man Tronics album. And Wade
has ripped more phone books than Bam Bam Bigelow with
an ape, all of that china white and maybe smashed
a few windshields by now. And I'm talking about our

(10:20):
long awaited and anticipated nineteen eighty eight tribute Fresh for
eighty eight. I believe this is going to be a
two parter. We'll let Jason get into the details. I'm
just here to tee it up and listen up. Man,
if it wasn't for this year, you wouldn't have had
Eric Sermon doing sprite commercials.

Speaker 9 (10:42):
Five years later, he did such an important year.

Speaker 3 (10:46):
Did Eric Sermon do sprikee commer?

Speaker 2 (10:47):
I think he did. Strike commercials.

Speaker 23 (10:48):
I'll watch of them to obey your thirst, baby, obey
your thirst and O Bay take a personal nineteen eighty
eight tribute.

Speaker 9 (10:56):
Happy New Year.

Speaker 23 (10:57):
It's all the listeners out there breaking the Larry David
Coden wishing it to you on January eighth.

Speaker 3 (11:04):
Let's set it off.

Speaker 24 (11:06):
You said it was an important year, and I'm going
to say that this was the most important year in
all of hip hop. This year is the reason why
we're still talking about hip hop in twenty twenty five.
It's the reason why we have artists like Kendrick Lamar.
It's the reason why we are still gravitating towards genre
that we grew up listening to in the eighties. So

(11:28):
while I can't say the same way that Dre and
Aaron can speak on eighty eight because I was much
younger being a student of hip hop, I studied eighty
eight years later, because I was only ten at the time.
So I can't possibly articulate what it was like the
way these guys will break you down. But I will

(11:48):
say this year to me is like the Jackie Robinson
year of hip hop. Right, Jackie Robinson wasn't the greatest
black player to play baseball, but he was the first.
And without Jackie, there's no Willie, There's no Hank Aaron,
there's no Ken Griffy, there's no Ricky. So this year
made it possible for everything to come after that. It's

(12:09):
undeniably the most important year in all of hip hop.
It may not be your favorite, depending on your age,
but you cannot dispute the fact that this year is
a reason we are still talking and still listening to
hip hop music.

Speaker 25 (12:23):
No doubt, certainly biggest seismic year for hip hop. I
think what we forget to say. It's probably the biggest
with cultural shifts, and it certainly laid the foundation for
the Golden Era and part two of the Golden Era.
So this was the year that brought us straight out
of Compton. This is the year that brought us It
takes a nation of millions by all means necessary, the

(12:44):
great adventures of slick rick groups like NWA, pe BDP.

Speaker 3 (12:49):
They didn't just drop albums.

Speaker 25 (12:51):
They redefine the sound, attitude, the message of the genre.

Speaker 3 (12:55):
So join us as we dive into this game changing moment.

Speaker 25 (12:59):
Iconic day classic records all made in eighty eight, the
year that hip hop became unstoppable.

Speaker 3 (13:05):
Wait, I know that your back of me on this one.

Speaker 25 (13:07):
Remember what I always say here was the albums of
eighty eight that allowed the Second Golden Era to perfect
what they did.

Speaker 3 (13:13):
Think about it.

Speaker 25 (13:14):
Every one of these groups all sounded different. You can't
say that about other years. Everybody sounded different, You couldn't
bite anyone's style. All originals from this year, all fresh
and all standouts that will never ever be forgotten.

Speaker 3 (13:28):
Guys, So buckle up for nineteen eighty eight. Let's set
it straight, they well said, Dre Gloss. A while back.

Speaker 13 (13:38):
I read something that you wrote about eighty six and
eighty seven kind of tea and things up and gaining momentum, and.

Speaker 3 (13:46):
Eighty eight was the straight up explosion. That's where it
all happened.

Speaker 13 (13:50):
You know, when I think back on it, your MTV
raps did not actually debut until August. I think it
was like August eighth of nineteen eighty eight.

Speaker 3 (13:58):
It was that run DMC that they were live at
and you know that's eight.

Speaker 13 (14:04):
Months into the year. So yes, the OMTV Raps brought
it to the masses. But the explosion was happening earlier.
You were still seeing rap videos on Donnie Simpson and
with Sherry Carter. On occasion, you might catch something on
Soul Train. But nevertheless, since Run DMC broke through and
LL broke through in eighty seven, Run DMC in eighty six,

(14:26):
with those huge albums, it opened the floodgates.

Speaker 3 (14:30):
For what was just an insane year.

Speaker 13 (14:32):
And you're gonna hear kind of in these two mixes,
what I would call the hits from eighty eight, the
ones that everybody knows. I know, I was sitting here
singing like eighty percent of all the lyrics to every song,
and there are a lot of you out there that
will do the same. But we're also going to talk
about a ton of the albums that came out that
were a little more obscure, but you're gonna know what

(14:54):
they are and you're gonna remember. And this is nothing
but good vibes's originality. Dre, you said, everybody sounded different.
This could never be repeated. So it feels so good
to step into this timeframe. Myself, I was fourteen years old,
the most impressionable age.

Speaker 3 (15:13):
I was a freshman in high school.

Speaker 13 (15:14):
I remember riding my bike in the fucking snow twarp
to buy the easy etape. Riding my bike in the
snow to buy the easy etape.

Speaker 3 (15:24):
So that's how.

Speaker 2 (15:25):
Important this was to me.

Speaker 13 (15:26):
I distinctly remember sitting in my bedroom with a pad
and a pen writing down every lyric to the KRS
one songs from by any mean necessary, so that I
can memorize the songs. So these are the kind of
memories that we're talking about. It can never be replicated,
can never be duplicated, and I am so fired up.

(15:49):
I've been waiting on this show for five years. So
without further ado, man, let's get it started. As Damer
would say, new Year, New promo code.

Speaker 1 (16:04):
When you go to our brand new online store, enter
promo code Golden Era one word and you'll save fifteen
percent off your entire order. As we start the new season,
we have to give a huge shout out to our
Patreon family. Your support helps make this all possible, especially
for nine years. And remember we're now uploading all mixes

(16:26):
in each show exclusively on Patreon. If you're thinking about
becoming a member, head over to take It Versus Radio
dot com and click on the Patreon button. At the
top of the page and join now and now, now,
let's start the show.

Speaker 2 (17:04):
On some of the green Man represent Yo the starship
for me PMD.

Speaker 5 (17:11):
Taking personal radio.

Speaker 26 (17:13):
You know how to shoot shoots, try to anstitute the
master of all the mt rap gardners. No drunk on
the lyric, sorry to be modest. I knew I was
the man with the master plan to make it with.

Speaker 6 (17:24):
You, with you like Joe, just think while I sing
and to being structured.

Speaker 3 (17:28):
I don't sleep on the e.

Speaker 2 (17:29):
You see something like ropsite.

Speaker 13 (17:31):
It doesn't take time for me to blow your mind.

Speaker 26 (17:33):
And take a second to the record because you doub
blocks like this rounds but you an mc cloud was
on the circus.

Speaker 22 (17:39):
The P and D is in town to chaos.

Speaker 27 (17:42):
The mask confusion bombs so hypnotizing on the cause, and
the lois like a magician.

Speaker 3 (17:47):
He drews a rapp but.

Speaker 27 (17:48):
I would have had sun drawing more like a forty
four MAC and mccreas. I look and listen and try
to imagine this traveling must be a light.

Speaker 3 (17:55):
But everything's motions frightened.

Speaker 27 (17:57):
Puster thought you will long be now into dimension all
the twilight zon You're terrified. Plus you can't better thought
you and I want to one in the land of.

Speaker 6 (18:05):
The Lord who thought to shipt up.

Speaker 27 (18:07):
Then you screamed my friend, and you'll wake up monthly
because you're dreaming again. But next time I'm want to
see you're gonna try to business. Keep your mouse of
socker jok because I'm tripping business.

Speaker 28 (18:17):
Shroud there trying to track me.

Speaker 5 (18:46):
They say that I have to bring me mother light.

Speaker 7 (19:06):
Shot.

Speaker 6 (19:07):
This is the rast season, whether.

Speaker 2 (19:08):
He starts keys and girls.

Speaker 26 (19:10):
Around the world nor need to be skis. And when
I rolled out, so cool, always back to two. Just
in the case my brother asking for I got the
energy to put the girls in the friendly put the
shock when I rock you enough, I'm not buzzy.

Speaker 2 (19:22):
Make sure I don't blow when I'm on the dam
floor your.

Speaker 26 (19:25):
Busy morning like you never saw me for one flow
good to go after the show, I put your whole boy,
you sniff blow hell have my whole life.

Speaker 7 (19:35):
Man.

Speaker 26 (19:35):
They make no time to be sniffing, and my parents
find out. Then they start riffing. So I stay, hey, okay,
because I'm the e the s k it just looked
me in my face. Then the oyes get meat.

Speaker 10 (19:47):
Pull straight to sense, parkwad and crease.

Speaker 27 (19:49):
Just like being the upstody, I cantrol your body understand
LEAs aids when it's time to block a party in
all the respect.

Speaker 5 (19:55):
When I say, Mike, check, let us.

Speaker 6 (19:57):
Up the slide once, then I break a snack.

Speaker 27 (19:59):
When I said jump, you would follow high because I'm
taking no presidents, so don't put hero and die. It's
just a soldier. And now I'm a green bell rat.
I do not give twice up out the entries our slave.
So if you want a bottle, I highly.

Speaker 26 (20:11):
Recommend this pure to Mama Jide because I'm tripping business.

Speaker 6 (20:18):
Your Mike gets shot in the business.

Speaker 7 (20:23):
Mike gets shot.

Speaker 6 (20:28):
Because your light gets shot in the business. Mike get
shot and shot.

Speaker 3 (20:35):
Say what up? Yo, DJ Savy beef in the legs
devery Jungle brothers.

Speaker 5 (20:38):
Yo, what up?

Speaker 7 (20:39):
This is Mike?

Speaker 22 (20:39):
You jungle in your rocket to take it?

Speaker 29 (20:41):
Person radio with DK three sixty kevlar and filler flavor
Native chungue for life.

Speaker 30 (20:48):
He come on saying, yeah, indicated man from the motherland.
They see they call me a start, but that's not
what I am. I'm a jungle brother, a true blue brother,
and I've been to many places you'll never discover up
step two, my side suckers running hot. Africa's in the

(21:10):
house that can patch your fire. You want to know why,
I'll tell you why. Because they can't stand in side
of the jungle, never fight of us. They never curse
a cuss and just stand on the side and stay
out right us again.

Speaker 6 (21:22):
Out of line.

Speaker 30 (21:22):
I put them on the vine and give them one
big push for all mankind down to it.

Speaker 3 (21:27):
I just go ahead and do it.

Speaker 10 (21:28):
I lay down in the jungle sound and run right
through it.

Speaker 30 (21:31):
And when I'm on no mic I never start stumble
because I'm a jungle brother.

Speaker 6 (21:34):
Straight out to jump jump jump on the quiet, the
quick to start up a rant. I write the vin
bums and sister bite.

Speaker 18 (21:50):
I war no molding around my neck, just black madion
ice own the homes through black stayans. I don't care
for fair because fair fears me. Out of ten ways
of dying. The first Mike j I'm harder than the
hardest hardest heart can get Africa, And I was.

Speaker 6 (22:03):
Saying maybe's on the set.

Speaker 2 (22:04):
I kicked the ride through the girls.

Speaker 6 (22:06):
He became my pet.

Speaker 18 (22:07):
I left the suckle some juice and now he's still
in that the sucker said he wasn't escaping still, and.

Speaker 5 (22:11):
On he swept.

Speaker 6 (22:12):
A poor man became rich because I make me back
my brother searching high low.

Speaker 10 (22:15):
They're looking for me.

Speaker 6 (22:16):
What mother find in the genuine g l Okay.

Speaker 31 (22:29):
It's like a Jumbles times. It's like a Jumbles times
this one. It's like a Jumbles times mix. It's like
a Jumbles times this one.

Speaker 7 (22:49):
That way, y'all.

Speaker 18 (22:57):
Struggle to struggle to live, struggle to some live, struggle, struggle.

Speaker 30 (23:01):
Just to stay alive, because it'side the jungle lit that
you do when you die.

Speaker 5 (23:05):
They got to be your bed.

Speaker 6 (23:06):
They got to have the jungle a live.

Speaker 5 (23:07):
Take it from a brother who knows my friend.

Speaker 18 (23:10):
The animals and annimals will do you and cut your
your throat, stab him back back to animals.

Speaker 1 (23:15):
Just don't know how to act.

Speaker 18 (23:16):
The sumble numberable civili. And now I'm starting to REALI
in the jungle. The jungle means danger, tension, intense hospital
with anger.

Speaker 16 (23:26):
Anger.

Speaker 6 (23:27):
Ain't killing men just because of one's color. In this
like time, I see nothing dover, So I think before
I make a move, make.

Speaker 2 (23:34):
Sure my rhyme goes along with the groove.

Speaker 6 (23:36):
Reever acting on the father when it's time to brother.

Speaker 2 (23:38):
My name is Mike G. Mike G, and I'm straight
out ain't.

Speaker 32 (23:51):
Yo?

Speaker 7 (23:51):
Yo?

Speaker 5 (23:51):
Yo, I be the golf on some star law.

Speaker 33 (23:57):
Welcome to the belly of the beast, and you're checking out.
Take it personal, so yo, do that? Take the ship
bild personal? Represent hip hop to the books, to the
book would of course we expect to win.

Speaker 34 (24:14):
Any self respecting intelligent person knows that the so called
band uh sets of Sonic and the rest of this
hip hop music is just a passing fan which one
is not created, two inspired violence, and three encourages thievery
in the form of sampling.

Speaker 15 (24:31):
Sample.

Speaker 6 (24:31):
Here is how it started.

Speaker 16 (24:32):
Hurts you on the radio talking about rap, saying all
that crap about how we sample, they have an exampled
thy will let you get away with that, criticize our method,
how we make you said that was it odd?

Speaker 5 (24:44):
So now we're gonna rip your apart.

Speaker 12 (24:45):
Stop stop check it out the man, this is the
music of a hip hop band jazz.

Speaker 18 (24:51):
We do recall it that, but this jack be teams
and low for mat boy point what you miss does speculating.

Speaker 16 (24:58):
Created the fuck You've made the same politicians talking all
that jazz jazz.

Speaker 35 (25:05):
Hey, hey fab five, Freddy here and this is talking
all that jazz.

Speaker 5 (25:09):
One of the first.

Speaker 35 (25:10):
Videos I directed steps of Sonic, one of the most
incredible rap groups back in that early golden era right
out of Brooklyn, strong flavored, strong excitement when they when
their music.

Speaker 5 (25:22):
Would come on. And I got the opportunity to.

Speaker 22 (25:24):
Do this video talking all that jazz.

Speaker 35 (25:25):
And what's what I think about now looking back at
this video is like the idea of sampling had just
started in hip hop, and the inspiration for the record
was they were attacked by a well known jazz musician
basically saying that you got not making music.

Speaker 5 (25:43):
This is flag you know sampling?

Speaker 2 (25:46):
What are you doing here? So Daddy O, the main
front man.

Speaker 5 (25:50):
Of the groups that Sonic, came up with this incredible record.

Speaker 22 (25:53):
So I was able to combine the hip hop.

Speaker 35 (25:57):
Aesthetic visuals with the bebop jazz aesthetic visuals and to
emphasize what he was saying in the song sampling, which
really just beginning. My mayor Ricky pile Like plays the
assistant to the attorney.

Speaker 15 (26:13):
You seeing the beginning in the video and then getting.

Speaker 35 (26:15):
Kicked out of court by the judge as they obviously
lose the case. For sample of days one, we won
the video wins Hey, one of my favorites talking all
that jazz, sat about fraying doing.

Speaker 10 (26:26):
My thing thing and yo, tell a friend and tell
a friend.

Speaker 3 (26:29):
Baby's times.

Speaker 10 (26:30):
Damn point what you misjudge, und jud.

Speaker 16 (26:34):
You've made the same mistake politicians past.

Speaker 6 (26:38):
Talking all that jazz, talking on.

Speaker 8 (26:39):
That jazz, talking on that jazz on jazz.

Speaker 6 (26:44):
Talking well, I heard talk is cheap. But like beauty,
talk is just squin zep And when you lie and.

Speaker 16 (26:49):
You talk a lot a lot, people tell you just
that ballf a lot. You see you misunderstood a sample
is just a fact that of porson to my method
of school, in fact only of am ont when I'm
making a priory and.

Speaker 36 (27:00):
When we said it's up about the majority.

Speaker 16 (27:02):
But you a minority in terms of thought narrow before
we talk about their pop f.

Speaker 6 (27:07):
Ornatility game, you are basical abusic, so no one to
use it. Step on us and well step on, you
can't have your cake, can't eat it too.

Speaker 5 (27:15):
Talking all that jazz jazz.

Speaker 6 (27:34):
Lies lies.

Speaker 12 (27:35):
When you hide the truth, it's when you talk more
jazz and proof and when you lie and address something
you don't know.

Speaker 10 (27:41):
It's so whack.

Speaker 37 (27:41):
That's about the show when you're not about me and
the man we're getting angry with about our playing start
writing the right.

Speaker 2 (27:48):
Or oh we true suck up.

Speaker 10 (27:51):
We're talking about you.

Speaker 6 (27:52):
Seem to me that you have a problem, so we
can see that we can do something. Think about the
fast you must be mad. It's so fast to respect,
never pass.

Speaker 21 (28:01):
Tell the truth.

Speaker 6 (28:02):
Change Brown was old, tell everything. Rock came out.

Speaker 27 (28:04):
What I got sould brings back old arm and b
And if we would not, people could have forgotten.

Speaker 12 (28:10):
If we want to make this person to be clear
with talent in the strong and have no feeure of
those who.

Speaker 38 (28:15):
Choose to judge for lack of sas talking on that chat,
my name is Rock, camera came and once again, as
we always do every day on your MTV rap.

Speaker 21 (28:32):
I don't believe I can.

Speaker 18 (28:47):
Follow me into a solo getting the flow and you
could picture like a photo music mix mellow maintains and
make melodies, fam cs motivating the points the ever last,
and I can go on for days and days with
prom displays it and grave and keep his exsse.

Speaker 2 (29:00):
I could take a phrase it's rarely hung.

Speaker 6 (29:03):
Now so dead, I can get killing.

Speaker 2 (29:05):
And now I'm gonna kill that farm and no alarm.
Rock came over a main calm self esteem, make you
super suppers.

Speaker 6 (29:10):
Spring before a microphone, steal our fing.

Speaker 2 (29:13):
This was a take I wasn't supposed to bring.

Speaker 10 (29:15):
I wasn't supposed to wait.

Speaker 2 (29:16):
Let's more faith. I want to see you keep.

Speaker 18 (29:18):
Following and swallowing to take you the fight. The falling
rotherers tried another start to get the form of your
hold on. I'm gonna let your sweat. You're still in form.
You a step away from frozen stiff as if you're posing.
Take it to my brain as the rhyme gets chosen,
so follow me and what you're thinking you were first
less travel thatt Maneficent speeds around the universe.

Speaker 6 (29:35):
Who could just say, as the.

Speaker 18 (29:36):
Earth gets further than first, go wait, plants and small
as the balls of clay, a strand to the milky
wait girls. Out of sight as far as that I
can see, not even a satellite. Now stopped and turning
around and look after stand in.

Speaker 2 (29:46):
The darkness Shire. Now it's twelve, so keep staring. Soon
just suddenly see it. Starr, you'd better follow it consists
the are This is a lesson.

Speaker 18 (29:53):
If you're guessing to left the ball in hurry early
steps right off and keeping following the leaders.

Speaker 6 (29:58):
Believe, I can't receive, I follow the leader.

Speaker 3 (30:01):
I can't see I'm on the leader.

Speaker 20 (30:03):
I can see.

Speaker 2 (30:04):
I can't blow.

Speaker 6 (30:05):
I can't see the leader set the leader.

Speaker 3 (30:09):
I can't see it the leader, the leader.

Speaker 6 (30:14):
This is a lifetime mission vision of prison.

Speaker 18 (30:17):
All right, listen in this journey, you're the journal I'm
the journalist, and my eternal on eternal list. I'm about
to flow long as I could possibly go. Keep your
moving because the crowd sets, so dance because fifty pasts
everybody on the blades leading the death called the ambulance.

Speaker 2 (30:32):
Pull out my.

Speaker 18 (30:32):
Weapon and start to squeeze a MAGNAMUSM microphone murdering MC's
let's quote around from a record I wrote my leader,
because every time I stopped, the scene just stuck.

Speaker 2 (30:42):
Consolers, you try to step off your self destruct.

Speaker 18 (30:45):
If I came to overcome before I'm going or showing
improvement and letting now's beform, then after that I'll live forever.
If you disagree, you say never to follow me from
sent to read a century.

Speaker 2 (30:55):
You'll remember me in history, not a mysteryal memory.

Speaker 22 (30:58):
My call by.

Speaker 3 (30:58):
Nature mind racing.

Speaker 2 (31:00):
Since it was the strict I have to raise you
from the cradle to the grave.

Speaker 8 (31:04):
But from now park you're out of stage because people.

Speaker 2 (31:07):
Head to be much more than that. But we couldn't
see because my mind was trapped.

Speaker 18 (31:11):
But I made a great way to change, take away
the pains from making the praise, and filled my name
against Somebody told you a little now it's danger this.
It can't be mixed a little that they can't to
change the sweat. He's the lesson if he gets the following.

Speaker 16 (31:22):
Taut we hear stepped right up following the follow the
hold now wait ronn Black the task the men for
kids to make cash some to the brother man instead.

Speaker 10 (31:32):
Of the other man.

Speaker 6 (31:35):
I don't know what brother. Yes is gone, Yes, Creton power, Yes, Yes.

Speaker 39 (32:01):
S con Federal seven minutes and number one kill us
and destroyer of black seaters.

Speaker 16 (32:06):
Take a looking spy. They could check the sound off
for record people cheating them.

Speaker 6 (32:10):
Down, sick and ticking.

Speaker 17 (32:11):
Miami Terminator expacts the jams.

Speaker 6 (32:14):
The funk about a.

Speaker 16 (32:14):
God can't put anyway. And I'm saying I need defending
the night. Yeah, who is a fuck about what they like?
Right at the powers bode.

Speaker 17 (32:21):
The rams political colon just could never but the handle
is low.

Speaker 5 (32:25):
Just the coming is here.

Speaker 17 (32:26):
He's a buckle because the one and knowing missing every
lawn color.

Speaker 16 (32:29):
The god going on and on that, checking the whack,
explaining that y'all for the actual fact.

Speaker 5 (32:34):
Come on, don't push using your.

Speaker 17 (32:37):
Face a terminator sat.

Speaker 40 (32:53):
Serenada you on the radio, how long you see we're
gonna lie get.

Speaker 17 (33:11):
Away with that then throwing on my toy. We're just
the coach tie wide of his old race playing.

Speaker 16 (33:16):
Them coase understand the type of musicals are playing.

Speaker 17 (33:19):
The glad you know, the back attack, the man.

Speaker 16 (33:20):
With the palmer's hands over these wild peace dogs on
the least, no peace to reach the twice back in
his black's terminated eight yelling with his hands stamp al
many will resch the jam, but his coach driver can's
the fell see he's playing by his tam stuff by
drop coach thrush the crowd loud downtown making brother's crowd.

Speaker 17 (33:45):
You don't talking like that, Yeah, man, y don't.

Speaker 5 (33:53):
Win out, want y'all to do for me. Thanks, Cord,
you're looking for the same thing. It's some news things.
Check out FI. I bring old the Roma Lola level
because I'm living loone.

Speaker 16 (34:03):
Next to the bathe come on, turn up the radio.
They're claiming I'm a criminals. But now I wonder how
some people never know the enemy could be the Frink Guardian.
I'm now a hool again. I run the party and
clear off the madness. I'm gonna raise this preach tatista
augest dose.

Speaker 6 (34:19):
They never had this No Number one.

Speaker 17 (34:21):
Never want to run about the gun.

Speaker 5 (34:23):
I wasn't licensed to have one.

Speaker 16 (34:25):
The minute they see me bear me be a pit
of me, a public kend of me. Used the fuse
without clues. I refused the poor fuse.

Speaker 5 (34:33):
They even had it.

Speaker 21 (34:34):
On the news.

Speaker 6 (34:34):
Don't believe the hike.

Speaker 41 (34:37):
Don't believe the hike, go don't don't don't believe the hide.

Speaker 5 (34:44):
Yes, we're the start of my last jam. So here
it is again another death jam.

Speaker 6 (34:49):
But I gave you all the little funding that I
know you lack it.

Speaker 5 (34:52):
Still consider me a new jack. All the critics you
can hang in my home of Mote, but they host
to the Pope clam. It ain't sope.

Speaker 6 (34:59):
The fall on falcime.

Speaker 5 (35:01):
Don't tell me that you understand until you hear the man.

Speaker 16 (35:04):
Don't put up the new school rap game. Why to
treat me like cold drain in saying yes to them?
But to me, I'm a different kind. We're brothers on
the same mind. I'm blind God in the middle end.

Speaker 17 (35:15):
Not Forrinda, n.

Speaker 16 (35:16):
I don't run for the sake a riddle in so
claiming that I'm gonna smuggle law. Come say I never
heard of you? A rap burgle up false media. We
don't need it doing its fingers within it be to you,
dig me your terminate acts.

Speaker 6 (35:29):
Step I understand and show these people what time it is.
Bo don't, don't, don't, don't. Don't believe the high. Don't
don't don't.

Speaker 20 (35:40):
Don't.

Speaker 5 (35:40):
Don't believe the high. Don't believe the high.

Speaker 6 (35:45):
Don't believe the high. Don't don't don't.

Speaker 5 (35:49):
Don't.

Speaker 6 (35:50):
Don't believe the high. Don't believe the high.

Speaker 5 (35:54):
Fens a sequel as an equal. Can I get this
through to you?

Speaker 7 (35:57):
Night?

Speaker 5 (35:58):
He eaves booming with us.

Speaker 17 (35:59):
Throw the phone all the jealous booth can't stop.

Speaker 5 (36:02):
The dunk coming from the school of hard knocks, come
from a trading.

Speaker 16 (36:06):
Petray before the flack because I know they lacked exactly
the colffects. It's stilly trying to steer Rocks, the leader
of the news school un cool never played the bull,
just made the room.

Speaker 5 (36:17):
Remember there's a need to get alarm again.

Speaker 6 (36:20):
I said, I was a.

Speaker 35 (36:20):
Time when I first came out think that my style
of music was different from.

Speaker 2 (36:26):
Others because of number one, the rapid flow.

Speaker 5 (36:28):
I just had that rapid fire flow and.

Speaker 16 (36:30):
That breath control that I think it's really a made
for a lot of peoples.

Speaker 17 (36:33):
And also the fact that you can understand everything that
I was saying so fast.

Speaker 42 (36:37):
He's doing confused louse co hus with blues decludes use.

Speaker 15 (36:40):
My name's long woo man.

Speaker 6 (36:42):
Come on, nobody was doing hack, Nobody like that was
everything a fucking rope. He sat doune and he just
made a sile sweet.

Speaker 5 (36:47):
And that made sense.

Speaker 15 (36:49):
Remember that flat that.

Speaker 16 (36:50):
It rode hit ball. I just can't hold back and
forth because I'm a man with soul in control and
effects of what the heck rock.

Speaker 15 (36:56):
The distal text and.

Speaker 16 (36:57):
This poop is was that axact react exactly that to
move you're with the troll.

Speaker 5 (37:01):
Fall is wrong, as the groups to it.

Speaker 16 (37:02):
I keep the grab laugh with your height too, damage
those stage and into the mic. If I shoot the
chiff and see said stiff walk aroun, I'm stick till
your life ship be a chip.

Speaker 6 (37:10):
Still my blood bitiness on my death kIPS. The rats
go with steal, want other that.

Speaker 17 (37:14):
It's a pleaming this ever, I'm ready with chever when
I grabbed the mic.

Speaker 6 (37:17):
Believe you're gonna hair up fascinating vine.

Speaker 5 (37:19):
The sign and the champ them. So let's wrong sing
the big.

Speaker 16 (37:22):
Daddy airs throwing the floor, my ROMs glowing like an afro.
I entitate the gain and cane and never have no problem.

Speaker 6 (37:27):
I can sneeze nipple of cork.

Speaker 5 (37:29):
Even if a shutter, I'll still come off.

Speaker 16 (37:30):
Because rappers can't understand the mic, so I rich make
sure them mean a quip. That's why they got flipped
for my apple battist, it's up the status. Go ask
through the battest. I'm sure batterest to make a break
or take or my fake the hand put it to
bet to watch the set say the police sort of
type of rear brains and sola. Because I can kill
and kill at will into the skills.

Speaker 5 (37:49):
That's thrill.

Speaker 16 (37:49):
You're no frill Just that's still and chill as I
feel science, I dwell and chill up. I'm failed your
head up, don't even jet up.

Speaker 6 (37:57):
The teacher is teaching to just shut up.

Speaker 15 (38:02):
Set it off, Set it off, set it off.

Speaker 16 (38:15):
Blue wrapped rap rap rap rap, taking step back because
you will to dress that that's would hap to come funny.
Here you can step back something brackfect and full of fact.
Just connect good said, he's Jack, a speck shop fannic
coal man with the class cat, a fan of fam
we go man for man and without further a.

Speaker 6 (38:37):
Jewel any lay mister, see if we say for the
DJ man.

Speaker 16 (38:40):
Money burst with the slip on smooth Papa Kee from
a black stop for my brother strap love of samples
of the tru allowed the boy, the summer, the floor
man and George just for Jordan and Jordan a form
more gort be slea to get four. That's so madic, Yeah, raptmatic.
I get thematic if I'm thought flowing automatically from me,
So don't blame me.

Speaker 7 (38:58):
Fame me with.

Speaker 43 (39:04):
Some set it off cause we used to be in
uh in Queensbridge on the bench just rhyming, you know,
freestyling freestyling, and the next thing, you know, rock Sanne
Chante got a record, you know what I'm saying, And
so I'm like, hold on, wait a minute.

Speaker 2 (39:21):
I kind of told her how to do this.

Speaker 43 (39:23):
I went to Molly and I told him I didn't
have to have a record to get my my songs
played on the radio. My my songs went from the
studio to the.

Speaker 15 (39:32):
Radio that night. So it wasn't no big deal for
me to all get a deal.

Speaker 43 (39:36):
Get a deal, get a deal, you know, cause whatever
we made in the studio that day was going on
the radio that night that night.

Speaker 6 (39:44):
Couldn't that shit be Epito me.

Speaker 7 (39:48):
The line the.

Speaker 6 (39:52):
Two chat world and cools. You let a man take
your number.

Speaker 10 (40:01):
Tool's not gonna follow you.

Speaker 41 (40:02):
You are set trends and if it ain't down winners,
you can't be friends.

Speaker 6 (40:06):
Lady, I'm a support boys your flipping rolling it off?
You wanna tell you't wanna test, don't wanna.

Speaker 15 (40:14):
Glad?

Speaker 41 (40:14):
There is no tricks or I'm so hard a roach
your name on our mats, have a mixed seven back
und people making don't prepare or scared so a big
you'll take any part of the rhyme of the kick
jump self.

Speaker 6 (40:24):
I'm reading you the feeding you are beating you down.

Speaker 41 (40:27):
My name rebels and make rappers and petro God help
your kids when I get up, set shod the facets,
rolling with your man, farewell because chance be winners.

Speaker 20 (40:35):
Like snow, and they had a rounds more than a task.

Speaker 41 (40:37):
In attesting to clap me, you're not anna go out
like a business. I try to take us by not feeling.
Try to fix my shoes and your feet fort fish
be good for compared to me. You're not nearly you
think you can serve me.

Speaker 20 (40:48):
Come on fairly, No, I can't.

Speaker 6 (40:50):
Breathe your i'ma be winning. When I hear three words
you've got it, I get it.

Speaker 41 (40:54):
While I was straw in the temporary violating you who
laws and my parents saying to the land, I feeling.

Speaker 6 (41:04):
Behind the son don't and I'm bringing well back once again,
I probaly loves them.

Speaker 44 (41:22):
Men say he's seven, y'all, so I want rock saying
it's a heaplax name.

Speaker 20 (41:25):
I'm got to that plane. I'd like to use that name.

Speaker 6 (41:27):
But now I'm here to be take what's rightfully mine.

Speaker 44 (41:29):
And I think that your father that is not shy
taste not you and you want I'm much and telling
your tasteful antelligence.

Speaker 6 (41:35):
Seeing all your familiarity is to be irrelevant.

Speaker 44 (41:37):
I make a large amount of rhymes up per day
and when I finished, pro check the surveys to see
who's stumping. And I'm on time because I'm thought bag.
I'm rocking on fine knowing death brown fast is a
catchy day's amaze.

Speaker 20 (41:48):
You was crazy and being fast.

Speaker 6 (41:49):
You ate it, some hated, but I don't care.

Speaker 20 (41:51):
It doesn't matter because you again had a clean with you.

Speaker 6 (42:19):
I want to rock back now.

Speaker 36 (42:21):
I want to rock back now.

Speaker 6 (42:23):
I wanna rock back now.

Speaker 36 (42:28):
I want to rock back now. I'm wa BA said
I can't.

Speaker 6 (42:30):
It's a good damn.

Speaker 41 (42:31):
I'm not internationally no, but I'm not about to make
the phone because I get stupid, I mean not rageous.

Speaker 36 (42:38):
Stay away from me because teeous, because I'm a man.

Speaker 6 (42:41):
Don't not lose up the b n M s.

Speaker 36 (42:43):
It's not its ladies, gom me. Girls are dormans.

Speaker 6 (42:46):
I mean even the ones who never.

Speaker 36 (42:48):
Saw me like loo can wait that round matter soul, the.

Speaker 16 (42:51):
Reason environment I don't know so like SnO cars.

Speaker 20 (42:53):
No carp that's gotten.

Speaker 36 (43:17):
My name is mother got a girl froky gossip.

Speaker 6 (43:19):
Listen, not fucking bonny poky whist. But I got a
not bottom my head.

Speaker 15 (43:23):
You don't like it, so what I don't care.

Speaker 20 (43:25):
I don't hold no what you gotta know?

Speaker 36 (43:27):
I like what cring on the studs.

Speaker 16 (43:29):
Stop hold the bag of w boats pulled him a photos.

Speaker 20 (43:34):
A lot of box off of the man.

Speaker 7 (43:35):
Box up.

Speaker 36 (43:36):
It's like, brother, I can leave the out box.

Speaker 16 (43:38):
Don't ball the basics, you know the right the sat
filling stocks and pets.

Speaker 36 (43:44):
My mom, I s I don't need a body. God,
that's why I put a body's stas that skip six.

Speaker 20 (43:53):
Excuse he's excluding about it.

Speaker 36 (44:10):
The situation I'm got the basis in. I'm kind of steady.
That's why I don't want to land a fucking round
to a fourth of good friend.

Speaker 20 (44:17):
Listen up, because I want.

Speaker 3 (44:18):
You to come a head.

Speaker 16 (44:19):
He's unna lead off the man so very young. I'll
take chivy young. Then you're getting very young.

Speaker 6 (44:23):
So that's it. My mother, not counterfeit the reconciund. This
makes just want to hit. You want me to listen to.

Speaker 20 (44:29):
A red alert?

Speaker 36 (44:30):
Take off the shirt and so I don't lose the girdle.
The kids, the God, the girl. I want the dunk
this rob bakes the girl. I'm want to listen. You
better just listen. Tell my romspeck them all about this.

Speaker 45 (44:49):
When you say you love me, it doesn't matter. It
goes into my head as just ship chatter. You may
think it's agotistical or just weary free, but what to say?
I take none of it seriously, and even you can
tell you. So, I'll let you pretend to read me,
and then you know, because I hain't with one attempts
to analyze fact out the spot, those leave a try
to look.

Speaker 6 (45:08):
Into my eyes to see what I am thinking.

Speaker 45 (45:10):
That yell you I got told all of them what
to say to me is just paper than I'm not
the kind of girl to try to play a man out,
take the money and again to break the hell out. No,

(45:31):
that's not a strategy, not the game I play. I
admit I play a game, but it's not done.

Speaker 6 (45:35):
That way truly.

Speaker 45 (45:35):
When I get involved, I give it my heart. I mean,
my mama, sold my body, I mean every more. But
if it doesn't work out, yo, it just doesn't. It
wasn't meant to me, you.

Speaker 15 (45:43):
Know, it just wasn't.

Speaker 45 (45:44):
So I treat on you like I treat all of them.
And what to say to me is still paper in
one in and right out.

Speaker 6 (45:51):
The other hurts Mama, trouble lover. I don't pay attention.

Speaker 20 (45:55):
I don't colin to treat you.

Speaker 45 (45:56):
Ain't got the bait that it takes to Hood's bad.
You missed up with feelings inside.

Speaker 21 (46:02):
I know who I am.

Speaker 6 (46:03):
My name is light?

Speaker 45 (46:04):
Is your name seem because if it is, step off,
grabby coat and get lost.

Speaker 6 (46:07):
Rappid scoff around his throat and go back and catch
the boat and hit the roads, and don't you come
back no more?

Speaker 20 (46:13):
No more, no more, no more.

Speaker 6 (46:14):
Hit the road, sim don't you come back no more?

Speaker 15 (46:29):
But Jane, it's a bit text.

Speaker 46 (46:31):
Please all right, you kids get to that, I get
to school.

Speaker 6 (46:42):
You'll touched in.

Speaker 3 (46:43):
Here we go.

Speaker 46 (46:47):
Once upon a time, not long ago, were people are
odamas and lived life slow. Will Oawn's was stern, and
justice stood, and people were behaving like they oughts are good.
They lived the little boy who was misled by another
little boy, And this is what he said, me and
you tonight we're gonna make some cash, robbing old folks
and making the dad they did the job money came

(47:07):
with ease, but one couldn't stop.

Speaker 6 (47:09):
It's like he had a disease.

Speaker 46 (47:10):
He robbed a number and another, and my sister and
a brother.

Speaker 36 (47:13):
Tried to rob a MANA was a et on the cover.

Speaker 6 (47:15):
The cop grabbed his army started acting.

Speaker 9 (47:17):
He ras a.

Speaker 6 (47:17):
He said, keep still, boy, no needs for stody, punched.

Speaker 46 (47:20):
Him in his belly and he gave him a slap her.
Little did he know the little boy he was strapped.
I think he pulled out a gun. He said, why
you hit me? The bower said, straight for the CoP's kidney.
The cop got scared. The kid He starts to figure,
all two years if I pull this trick. So he
cold dashed and ran around the block cop radios into
one of a lady cop.

Speaker 6 (47:38):
He ran by a tree that he saw his sister
shot for the head. He shot back when he missed.

Speaker 46 (47:43):
Her, looked round, gunning from expectations. He decided he hit
from the subway stations. But when she was coming and
he made her left, he was running top speed till
he was out of breath. Knocked an old man down
and swore he killed him. Then he made his book
to an abandoned building, ran up the sails up to
the top floor and upper door.

Speaker 21 (48:00):
There.

Speaker 6 (48:00):
Guess what we saw, Dave the dope be shooting dope who.

Speaker 46 (48:04):
Don't know the meaning of water and what's so besety bullets?
Hurry up, run the dope. He brought back a spank
and shot gun. He went outside, but there was cops
so all over and he dipped into a car a
stolen over, raced up the block.

Speaker 6 (48:17):
Doing eighty three, crashed into a tree.

Speaker 46 (48:19):
Here University escaped alive, though the car was battered right
at Tad sattered and all the cops scattered, ran out
of bullets, and he still had starting grab the pregnant lady.
I will got the automatic pointed out ahead. He said
the gun was full of lady told the cops.

Speaker 3 (48:32):
Back off for honey.

Speaker 46 (48:34):
Hears dead deep in his heart he knew he was wrong.
So we let the lady go and he starts to
run on siren sounded. He seemed astounded, and before long
the little boy got around it.

Speaker 6 (48:44):
He dropped his gun. So went the glory.

Speaker 46 (48:46):
And this is the way I have to end this story.
He was only one team in a madman's dream. The
cops shot the kid to still hear him scream this
same funny. So don't you dare alive? Just another case
about the wrong path.

Speaker 6 (48:58):
Straight and arrow?

Speaker 46 (48:59):
Are your soldiers test?

Speaker 36 (49:01):
Good night?

Speaker 6 (49:02):
Talk about the b talk about you don't about the
listen miss about the talk about.

Speaker 27 (49:17):
Nothing?

Speaker 21 (49:20):
No, not nothing about come.

Speaker 3 (49:22):
Up box good night?

Speaker 6 (49:25):
Okay, all right, keep cap Are you ready for this?
The talk category there's the ass is the root in
the world.

Speaker 5 (49:40):
No, we're like the present.

Speaker 20 (49:45):
History. Your mister talking a love.

Speaker 17 (50:01):
Me to the rid of the rama.

Speaker 6 (50:03):
Just wait for the dammy to the next day to me,
he's saying, on the stone, yo.

Speaker 47 (50:10):
See that's me the king m c rompet mine on
the t o p.

Speaker 15 (50:15):
Can another fc of a Probably it's like the hey
for me to the sea.

Speaker 47 (50:22):
This is in true bridge today, dear state, it's time
for week to see so much so rama see jo
peece Wow.

Speaker 6 (50:34):
You can't touch them at the day. Took a number
one to get to the riddle of the rama, too,
says Now we give him this gun I told her
all feed.

Speaker 17 (50:43):
Through d's like nineteen eighty three.

Speaker 6 (50:47):
Can't you know.

Speaker 39 (50:48):
Remind old frock of this hold on miss from from
from from.

Speaker 7 (50:54):
And s.

Speaker 45 (50:57):
Stay from the You can't say a bread get my plan,
a plan around the tail.

Speaker 17 (51:05):
Can't trying tim.

Speaker 41 (51:07):
His head to a crazy try a joint saday.

Speaker 20 (51:11):
This is what I say.

Speaker 15 (51:16):
Prayer, prayer, Bear and Marry.

Speaker 6 (51:22):
Why your bargain?

Speaker 16 (51:28):
R and Marry?

Speaker 6 (51:30):
I need your hog and.

Speaker 16 (51:36):
I'm finding u b on my money, man that you
spent up all my money you and jong to I'm
moving crack, but.

Speaker 6 (51:43):
It's still getting busy.

Speaker 16 (51:45):
Find me every day gonta like you lad a problem
conta fand and his band sad my hand with the
mouth of the boat for the tent.

Speaker 6 (51:53):
Very Marry, Why your bargain? Mary and Marry? I need
your ug.

Speaker 16 (52:10):
You call them nugget looking for you, but you keep nugget.

Speaker 6 (52:14):
I want to blind you.

Speaker 5 (52:15):
I gotta tell you something, but just be quiet and.

Speaker 2 (52:17):
Don't stay to night.

Speaker 5 (52:18):
Man man Mary, life, don't test. Duggy's supposed to be
with me.

Speaker 10 (52:21):
But now your friv we don't it out. Now do
you have to be true?

Speaker 2 (52:24):
Not your fucking.

Speaker 28 (52:27):
And marry?

Speaker 6 (52:29):
Why Air and Marry.

Speaker 16 (52:46):
It's out of the ordinary, it's not an extraordinary. So
your busses commentary, a literary genius and a superior big
creator have come together and we made a musical composition,
which we think is a remedy to cure all the
dance poors. The time you want to dance, we got
what you want. Jazzy jumping breast Prince busn't up. It

(53:24):
was kinda been accident the way that it happened. One
day I was wrapping then on the beach, jumping backing
me yep, and all of a sudden he brought it
a touch and I dropped my microphone and said, nothing,
wait a minute, play it. He just smiles, saying that man,
it was up. It made me wanna and we knew
almost at once it was the matter. So we continued

(53:45):
to listen to it, and we knew it was that
when I happened to it. So I came Higo to
Jeff and without hesitation, popped in my cossett. I took
it home that night and analyzed it. We wound the
tape over renouv and memorize it. That's why day we
went to the club there Now now polls all right, now,
it's the same of people dancing and shaking and moving
and jumping and spitting and clapping beat bock, growing and

(54:08):
screaming and yelling while the Michael phone out was flowing,
fresh roma was showing.

Speaker 5 (54:12):
The people said, Yo be showing.

Speaker 16 (54:13):
Some walking to Hans a rock while Jeff was on
the beef box and special assistance from a Homeboys ready
rock people caught just to get up front to get
the herds out.

Speaker 6 (54:21):
You want what recalled the Brian new Phone.

Speaker 48 (54:44):
Cro cross cross croak croak.

Speaker 49 (55:00):
The colors, the raft is he ain't got nothing left
and he's stuck down in here, and it's his mother
doesn't care about him, and his brothers are dying, and
his friend are dying, and it's just it's a nine
for an hour. I'm a knightmare walking cyclepath colors, I'm
a jungle.

Speaker 3 (55:19):
I'm a gangster.

Speaker 16 (55:20):
I am a knight mare walking cyclepath talking king of
my jungle, Just a gangster stalking, living life like a
fire cracker, quick as my fuse. The dead is a
death back. The colors that you read a blue because
of blood. It just don't matter. Something died for your
life when my shot gun scattered crouls. The gangs in
La would never die. Just multiply colors, the colors.

Speaker 4 (55:43):
Crass colored crows, the color off clor crawling, club off cuts, crawling,
crawling color, croaking, crawling, color, croaking, crog crouler, croug, crougle
color trouble.

Speaker 3 (56:02):
You don't know me, cool, you this on me?

Speaker 5 (56:07):
Cool.

Speaker 16 (56:08):
I don't need your assistance, social assistance, any problem.

Speaker 5 (56:11):
I God, I just put my.

Speaker 16 (56:13):
Then color like the fominents like pieces and bring me
out a piece of.

Speaker 21 (56:18):
Not because my color is my honor.

Speaker 10 (56:19):
My color is my all.

Speaker 6 (56:21):
With my colors upon me, one soldier stands fall, Tell
me what happen?

Speaker 7 (56:24):
To let me?

Speaker 6 (56:25):
What if I got last night?

Speaker 2 (56:26):
You old me love?

Speaker 6 (56:27):
My young brother got shot, my home one got jacked,
my mother's gonna crack, My sister can't work.

Speaker 16 (56:32):
Because of armshow tracks madness and sanity min then for fanity,
then some punk claiming they're understanding.

Speaker 5 (56:39):
Me, Give me a break.

Speaker 10 (56:40):
What world do you live in?

Speaker 6 (56:41):
Death is my static guess?

Speaker 50 (56:43):
Mama, Come come color, coming coming, come because come come color, Come.

Speaker 6 (57:00):
Color.

Speaker 16 (57:04):
Here's a little something by the nigga like me never
should have been let out the penitent to read ice Q.
People like to say that I'm a crazy motherfucker from
around the way since I was a youth. I'm no readout,
not being the motherfucker that you read about taking.

Speaker 6 (57:20):
A life or two.

Speaker 15 (57:21):
That's what the hell I do.

Speaker 5 (57:22):
You don't like how I'm living?

Speaker 10 (57:23):
What fuck you?

Speaker 6 (57:24):
This is a gag and now I'm being it.

Speaker 16 (57:27):
My man tray fuck you up in a minute with
a right, right, left, Your tooth flips and then you say,
God damn name bout clips.

Speaker 5 (57:34):
Everywhere we go.

Speaker 16 (57:36):
They say, ain't tuk me way fucking up the program,
and then you may lives.

Speaker 14 (57:40):
We don't care.

Speaker 6 (57:41):
We don't just say no.

Speaker 16 (57:42):
We're too busy saying day about drinking straight out the
eighth bottle? Do I look like a motherfucking role model
to a kid looking up to me? Life ain't nothing
but bitches and money because I'm the type of nigga
that's built to last. If you fuck with me, I
put my foot in your ass. Seek I don't give
a fuck. Keep delling belly yo, what the fucker ain't yellings?

(58:12):
And what I fucking police coming straight from the underground.
The younger nigga got it back because I'm brown and
not the other color.

Speaker 5 (58:20):
So police beak, they have the authority to kill a minority.

Speaker 16 (58:23):
Fuck that shit because I ain't the one for a
punk motherfucker with a badging.

Speaker 6 (58:27):
The gun to be beating on and so on this jail.

Speaker 5 (58:30):
We can go to the talk in.

Speaker 16 (58:32):
The middle of a cell fucking with me because I'm.

Speaker 6 (58:34):
A teenager with a little bit of gold and a page.

Speaker 22 (58:38):
Of such in my car looking for the product.

Speaker 5 (58:40):
Picking every nigga is selling arcatas you.

Speaker 16 (58:43):
Rather see me and the ping there Me and little
Renzo rolling in a benzo be the police out of shape.

Speaker 17 (58:50):
And when I finished, bring.

Speaker 5 (58:51):
The yellow tank to take off.

Speaker 16 (58:53):
The scene of the smarter stalking small off bread and water.
I don't know if the facts of what such a
nigga down and grabbing his nuts in. On the other hand,
without a gun, that can't get none. But don't let
it be a black and a white one because they'll
slam you down to the street top.

Speaker 6 (59:09):
Black police showing out for the white cow.

Speaker 16 (59:13):
You will swim, won't any motherfucker in the food in
the form just in the front.

Speaker 6 (59:18):
Just don't pull last afraid.

Speaker 17 (59:21):
Of me like your nigga on the war path.

Speaker 16 (59:24):
From when I finished, it's gonna be a blood path
of cops dying in La Yo track.

Speaker 6 (59:30):
Got something to say, I can plea, I can pro
least I can a police.

Speaker 2 (59:40):
Taple seen one.

Speaker 51 (59:45):
Ship going the fucking put me on the floor because
I feel like just sit there for the curve and
set the fuck up. Man, Fuck this ship alights, morn ass,
I'm taking your black ass to jail.

Speaker 16 (59:56):
M Steve Winn, Will you please give your testimony to
the jeury about this fuck? The police and rent said
it with authority because the nigga's on the street. It's
a maturity a gang that's one whoever I'm stepping and
a motherfucking weapon is kept being a standing fuck for
a so called lungs sharn was a nigga that they
never sucked. Like dark flashing behind me but the skin

(01:00:18):
of a nigga, so that makes me to blind me.

Speaker 15 (01:00:20):
But that shit don't works.

Speaker 6 (01:00:21):
Got just laugh because it gives them a head.

Speaker 5 (01:00:24):
Stepped in my path with.

Speaker 16 (01:00:25):
Police, I'm saying, fuck you, pump creat my rights and ship.
It's all chunks pulling out a silly club. So you
stand with a finger out badge and a gun in
your hands, but take off the gun so you can
see what's something. Will Goy punkin, i'm'a fuck you up.
Think you think i'mna can't gas for dropping cat? The
Rent's gonna flash. I'm sneaking you fucking when it comes

(01:00:46):
to crime, but I'm gonna smoke him now when not
next time?

Speaker 6 (01:00:50):
Don't can't he? Motherfucker that sweats me ain't the ass?
So that threatens me.

Speaker 16 (01:00:54):
I'm snocking with a hell of a scope taking out
a copper two.

Speaker 6 (01:00:58):
They can't cope with me.

Speaker 16 (01:01:00):
Motherfucking feeling that's mad with potential to get better as fuck.
So I'm gonna turn it around. You put in my
cliff joke and this is the sound. Yeah, something like that,
but it all depends on the size of the cat.
Taking out the police. What make my taste?

Speaker 10 (01:01:16):
But a nigga like Red.

Speaker 2 (01:01:17):
Don't give a fuck to say it?

Speaker 37 (01:01:18):
Fucking on lease fucking lease.

Speaker 6 (01:01:26):
Les, Yeah, man, what you need? Police?

Speaker 18 (01:01:30):
Open out?

Speaker 15 (01:01:30):
Got a word reason?

Speaker 6 (01:01:31):
He's a rastwn? What's hands on?

Speaker 7 (01:01:34):
Like?

Speaker 6 (01:01:34):
I mean, I'm gonna fuck it out. Just shut the
fuck up, getting mother heard the bore. I'm not introduce,
just said fuck off.

Speaker 7 (01:01:43):
Ez.

Speaker 16 (01:01:43):
Want to step up to the stand and tell the
show how you feel like about this ship.

Speaker 6 (01:01:47):
I'm tired of the motherfucking.

Speaker 52 (01:01:49):
Jacket sweating my gag while I'm chilling in the shack again.

Speaker 6 (01:01:52):
Shot in the lake and my face and for what.
Maybe it's because I get so much from.

Speaker 52 (01:01:57):
What I get gass, or maybe because I blast on
a stupid ass nigga when I'm playing with the trigger
of a UZI or nay came because the police, So
it's got something super the same then put out a
picture with silences my identity by itself because his.

Speaker 6 (01:02:11):
Finance with the coming behave y'all.

Speaker 52 (01:02:14):
Yeah, I'm a gag shut but still I got the
flag bump without a gun and the bad what do
you got a something in the uniform waiting to get
shot by meet or another nigga?

Speaker 6 (01:02:24):
And with the guy it don't matter if he's Marna
on figger.

Speaker 52 (01:02:29):
And as you don't know, he's here in the middle
whenever I'm rolling, keeps looking in the mirror and then's
gonna cute Joe.

Speaker 6 (01:02:35):
So I hear dumb mother.

Speaker 15 (01:02:37):
Fudder with the gun.

Speaker 6 (01:02:38):
And if from rolling up the air every the one.

Speaker 52 (01:02:41):
That I take out and then get away while I'm
driving off, blame is what I'm saying.

Speaker 20 (01:02:46):
I'm saying.

Speaker 6 (01:02:46):
And what does n w A sad look at? What attitude?

Speaker 15 (01:02:50):
For she knew that?

Speaker 6 (01:02:51):
Course I knew that. Why did you choose because I.

Speaker 15 (01:02:55):
Want to scare a lot of people.

Speaker 2 (01:02:56):
You know, I look scary one scale out of people.
Start a little commotions.

Speaker 14 (01:03:01):
Let you know the kids around here relate.

Speaker 20 (01:03:03):
To it, and yeah, who's in the ruthless n Wa positive?

Speaker 16 (01:03:07):
Well in Nwa we got me of course, Ice Q
mc ran eze, doctor Ray DJ Yeller.

Speaker 9 (01:03:15):
You know, so it's like a family.

Speaker 3 (01:03:16):
I'm definitely one question I always want to ask you.

Speaker 44 (01:03:19):
Every time the media wants to say something negative about rap,
they always plaster WA all over the place.

Speaker 5 (01:03:25):
And use you guys as a tool.

Speaker 6 (01:03:27):
You know that's right, you know the negativity.

Speaker 46 (01:03:29):
How do you feel about that?

Speaker 6 (01:03:30):
We'll see and my mind got to find negative.

Speaker 26 (01:03:33):
You know, if I teach you something you don't know,
for me, that's positive again, you know.

Speaker 6 (01:03:37):
So the next time you see some kids on the
ground with their hands.

Speaker 26 (01:03:40):
Behind their head, they probably didn't do nothing.

Speaker 6 (01:03:43):
Think about that, yo, man.

Speaker 36 (01:03:45):
I don't think they hurts what you tell them?

Speaker 10 (01:03:46):
What your name is?

Speaker 20 (01:03:50):
My name is Ez.

Speaker 6 (01:03:51):
Yeah, this is true. Even your attention is what I'm
gonna do.

Speaker 52 (01:03:54):
On course, y'all could never be soft acting my different
they say, the voice goes off, you'll no more know
what I've touched my lime sucker, stay away because Yo,
they know the time quiet on the seconds I'm about
to begin.

Speaker 6 (01:04:06):
And if you didn't hear me bore, I'll tell you again.
My name is Steve C. Or just call me Edie.
But it doesn't really matter to me because I'm the
same person, whether serious or rehearsing. I just gotta keep cursing.
This is fro the radio for I've been a chill.
They won't play it if my code get ill.

Speaker 52 (01:04:22):
But I'm like that, and that's an actual fact because
the streets with my heart is sad jo. I don't
do dope when I'm dope, not a dope when I'm
doper than anybody who tries to coach with the rhyme
I'm displaying and the beat that's playing, Yo, you could.

Speaker 6 (01:04:35):
Try all day and you still won't match.

Speaker 3 (01:04:37):
Up with the.

Speaker 6 (01:04:37):
Ruthless Cloud because he's he's doing in Compta style. That's
the city. And you say you could get somef Yo,
it's easy at said and done.

Speaker 2 (01:04:55):
What good job for DJ MO be checking out?

Speaker 13 (01:04:58):
Take a person on the radio.

Speaker 6 (01:05:03):
Off the stuff beat, come in secret, feel at it's
time for you.

Speaker 16 (01:05:06):
The pumpet allowed ever and I got the rhyme, So
everybody get hypens the way it should be to selling
your compliments stuff and step in the tree.

Speaker 6 (01:05:12):
Just pause because the world is yours.

Speaker 44 (01:05:15):
And all the kiki ki.

Speaker 9 (01:05:15):
If you just want to kick their brows, your.

Speaker 6 (01:05:17):
City killed what I'm telling the truth.

Speaker 16 (01:05:19):
But everybody gets crazy when we start to get loose
stuff turning on the voice or the nibbles in the cheeks,
the movements of the bodies, or the way they speak.

Speaker 6 (01:05:26):
Is it the way that we look, all the way
that we kiss.

Speaker 5 (01:05:28):
Now we got a fresh wisdom, y'all. And they goes
like this.

Speaker 20 (01:05:34):
Talking about.

Speaker 16 (01:05:39):
Get off the wall if you're sitting in the club,
or half another drink, if you're sitting in the park, y'all,
hermit sitting home all alone, call up the party like
we got on the ball. See, we don't believe in
being born to plank. You want to have stupid funds,
deal with your health and hand like this the party.

Speaker 5 (01:05:53):
So don't make him day.

Speaker 16 (01:05:54):
Ain't get crazy retarded. It's super the same. I sitting
open nothing more for us. Frank, if you're doing the thing,
you're not that bright.

Speaker 53 (01:06:01):
We the mess that you cannot miss because I got
a fretch rhythm, y'all and black man, you've been praying

(01:06:25):
saying you want more.

Speaker 16 (01:06:26):
The sign is height and we're sure that you feel
real good when you're part of a kid in play adventure.

Speaker 6 (01:06:33):
I think it's time to make the floor burn. What
I'm saying is it's your turn to do things you've
always wanted to.

Speaker 8 (01:06:39):
He is example, getting paid to you.

Speaker 6 (01:06:41):
Listen up to what I'm saying here, want to get out?
Oh you ain't staying.

Speaker 16 (01:06:45):
Here and truth that you notice, listen close, don't blow
this chance to get next to the opposite sex.

Speaker 9 (01:06:51):
It means if you ain't down.

Speaker 6 (01:06:52):
Used the exit. Just like blue this we always do
this on.

Speaker 54 (01:06:56):
The strip, y'all can do this my way by ways.

Speaker 16 (01:07:16):
For comic coobat he select on the sat beat survives
that a bull bit check beat behind the board cold
getting a respect. We are getting play into the funking
up the park and that's what the hyped up just
laying on your pit talk.

Speaker 6 (01:07:29):
You know the bay is soft and wet. Yes, honey,
you get a change, just your right money. Go beat
his live to so or front on him and while
the kittens couldn't just.

Speaker 16 (01:07:38):
Jump on him in at by many or hour by hour,
shouldn't play it, got so.

Speaker 6 (01:07:42):
Power, We didn't funking, you didn't play, couldn't play.

Speaker 5 (01:07:50):
You shouldn't played, got.

Speaker 6 (01:07:51):
So hour falk and talk and talk.

Speaker 12 (01:08:10):
He steek the what'll manon a line?

Speaker 6 (01:08:15):
He s steeps.

Speaker 5 (01:08:18):
Heard manon a line?

Speaker 6 (01:08:20):
He s steee mike of his what.

Speaker 9 (01:08:23):
His marning a line?

Speaker 6 (01:08:24):
He has steep the unusable follow.

Speaker 12 (01:08:29):
Landscaping mentally, shake row, get the gist, don't miss what
I'm saying. He top finger in a face drop, I
don't enough Sund's like a household mock auto rock.

Speaker 6 (01:08:39):
Stop sing your no cocker y'r rock.

Speaker 15 (01:08:41):
We walk your whole house.

Speaker 6 (01:08:43):
Jumps kind a bust the sucker else you get.

Speaker 12 (01:08:45):
Thor it just like the people need coffee in the morning,
and every word that's honestly stated to get it and
I sympathetic, don fabricate it.

Speaker 6 (01:08:53):
Keep your eyes open.

Speaker 2 (01:08:54):
I got you one to.

Speaker 12 (01:08:54):
Stoke that one like a boomer because I'm dead sure,
flying like a falcon straw, like a sun.

Speaker 13 (01:09:00):
No.

Speaker 12 (01:09:00):
I mean it's a gold mizung form brought in small time.

Speaker 5 (01:09:03):
Suckers with info es.

Speaker 12 (01:09:05):
T is the unusual fellow fellow fella.

Speaker 55 (01:09:09):
Definitely besting that's happening. Yeh ye, ye'll definitely the best
thing that's happening. Definitely besting that's happening. Definitely the best
thing that's happening.

Speaker 6 (01:09:25):
Yes, it's the is the man.

Speaker 5 (01:09:27):
They can't understand much.

Speaker 12 (01:09:29):
Goat he on your fo band, the brown I bombshell
rocking your well.

Speaker 6 (01:09:32):
This isn't making no fighting in the rout and the swell.

Speaker 12 (01:09:35):
We propelled a record to sell the city Lamborghini for
bonic sell when the chance to shake the fast.

Speaker 17 (01:09:41):
To something that you never found me.

Speaker 5 (01:09:42):
I'm making wake up.

Speaker 6 (01:09:43):
In the past from with the poor, with the rest
show when.

Speaker 12 (01:09:46):
You're doing I don't notice like gold sweeter styles, colds,
love the party with a girlie with a full body,
gotta fight my tongue.

Speaker 2 (01:09:53):
I'm so strung.

Speaker 6 (01:09:54):
Pis the name not the.

Speaker 12 (01:09:55):
Food steak game. Ain't the queen locket just the same.
My name is Steves Tis in.

Speaker 5 (01:09:59):
The of cold.

Speaker 6 (01:10:00):
The visit isabrella getting the fucking don't rather un says says.

Speaker 12 (01:10:03):
I'm with the heart that's come up with the clowdy
skying over second, the firing along the gaberty, just tiling
my head. I can do it with bath bro Hes teams,
the unjusual fellow Fellow Fellow, Michelle.

Speaker 6 (01:10:15):
Why you gotta tell making everything about us?

Speaker 3 (01:10:18):
Because I needed somebody to talk to, But you trying
to make it seem like I started.

Speaker 6 (01:10:23):
I just tell the story and gay way.

Speaker 12 (01:10:25):
You look since you've seen if you're forgetting, I'm gonna
tell y'all were starting from Virgina, but we're.

Speaker 6 (01:10:32):
Cruising down the average.

Speaker 12 (01:10:33):
My own boy boot laying back like Jack Miller went
to the group The Greatest Man Allow was cold rocking
my world, then a rocking little harder with the sawage
fresh flock girl. Hold up, I can't go up like nothing.
I had to conjure up with koop wick straight. They
call me es the old lord afresh. I saw you
win the dress and I.

Speaker 6 (01:10:50):
Just had to progress and keep A compliment came.

Speaker 10 (01:10:52):
Throughing the clutch.

Speaker 12 (01:10:54):
She started to flush then and knew what was so called.
The next morning to say, what will it be? Then
in the movie the chill up with Me, she said,
soon went and got to slip. As soon as up
on the door, she said, Agammy, it was like I
was thrown and see stretching.

Speaker 6 (01:11:08):
She got gonna go swallow on once like the wretch it.
Then after a couple of weeks of good love of
my friend, she didn't come anymore.

Speaker 2 (01:11:14):
We started asking from bises.

Speaker 6 (01:11:20):
Come around the corner listen restaurant.

Speaker 12 (01:11:23):
Steve jack Being started popping the best steady trips because
I ain't called that. It's like I got it, pulled
it beside the canna take the height because out of
reading girl, too many confidence in this world. Some foot
we want to head with your jervy girl. She won
the Jeffersons and Lincolns. I said, no way, no slipper,
money can do this. Say it's President's date. People start
bugging over things like that. Honey, you know the time

(01:11:43):
something funny with the money. I refuse to abuse my
savings and loss. So if you wants against baby best,
don't put your own. I was saying it was before,
and I'm gonna say it again.

Speaker 7 (01:11:52):
To see it.

Speaker 52 (01:11:54):
I don't tell her what y'all gonna do it, but
it gotta be falunky got you're going to be on it.

Speaker 5 (01:12:01):
I don't care who stop, I don't care.

Speaker 6 (01:12:09):
Sleep to your attentions under the body.

Speaker 16 (01:12:11):
Many in the past have tried to do what I did,
just the way you came.

Speaker 6 (01:12:15):
On, then I'm gonna come off struggle longer.

Speaker 15 (01:12:18):
Even with the trouble, you.

Speaker 6 (01:12:19):
Wanta going and flowing just like a river.

Speaker 16 (01:12:21):
I got a whole lot to gifts, so I'm gonna
give on a little lot of time. New trail from place,
and the action is an effect. It always stays and yeah,
it's just like a shot from a cannon. I am
the man in charge, and I'm the planet. The jam
strong enough so they can lift your soul. I'm the
originator and my ROMs are made of go. I want
you to hear the capital a rappital staying with.

Speaker 56 (01:12:42):
You for a while.

Speaker 16 (01:12:43):
It won't go away unless you want it, because it
stays with you in my brain. And if you want
it away, I'm gonna hit you again. I'm projecting my
voice so it's white.

Speaker 6 (01:12:51):
In the craft.

Speaker 41 (01:12:52):
There's a sign at the door, and the white and aloud.

Speaker 6 (01:12:54):
And if you didn't, I suggest.

Speaker 15 (01:12:56):
To do so, or you'll be stranded, just like sleep
the water.

Speaker 16 (01:13:01):
Go ahead, get to shut out a man broke.

Speaker 20 (01:13:03):
You're trying to say what I say.

Speaker 8 (01:13:05):
You're on the microphone.

Speaker 6 (01:13:06):
You should have left it alone.

Speaker 3 (01:13:07):
Just want the record.

Speaker 16 (01:13:08):
Let it be known that my ego's only partially grown
and never what I ever condo Friday in any form, Yo.

Speaker 6 (01:13:15):
I only walk that person wasn't calm that here is
the storm? Next off, Joe, I believe that's me.

Speaker 16 (01:13:22):
Cray, light up your mic for the symptom of the
him is dedicated to all unoptimistics.

Speaker 2 (01:13:27):
That's what I wasn't.

Speaker 6 (01:13:28):
Coming out with some exquisitive bombs.

Speaker 16 (01:13:30):
But that's why, because now I'm bad to kill all
the rumors and straight in the facts of me, not
lock the bombs like an always choose.

Speaker 6 (01:13:37):
But you jumped on the tip when you heard me
in the juice you said, ain't that something looks like
I heard you in that Jemmy is puffer. I apologize.

Speaker 7 (01:13:46):
Oh, I have the.

Speaker 16 (01:13:48):
Autograph of me and my crammar. That's how I'm living
or the posmo.

Speaker 6 (01:13:53):
Don't even sleep.

Speaker 16 (01:13:54):
Try not to keep the ods foles because if you do,
when you awaken you it's so cold.

Speaker 6 (01:13:59):
Fop Bo take me.

Speaker 16 (01:14:01):
I'll take it over like a greedy excessive because over
the mic a perspective. This to me the best and
all represents sentence. I have the call I call experience.

Speaker 6 (01:14:10):
Next time you.

Speaker 16 (01:14:12):
I believe that man je that might have the mic
to the simple yomally kills the slice.

Speaker 6 (01:14:17):
I can't knight, said my voices twice.

Speaker 16 (01:14:19):
A holtifying that listen, fripe goo steep to your fellow
in a fellow asleep and won't counting the money you count.

Speaker 6 (01:14:25):
She for gie raps twice the mic. I recite the
tight hype that you like to.

Speaker 20 (01:14:30):
Make the people.

Speaker 16 (01:14:30):
You're right a foot off the hipps and zip hop flitz,
step on mess you flip from one of simp oh,
my test take a deep threat because he don't have
enough left coming back, like I'm revenging my brother's jest
making Confederates run for manifest because I put.

Speaker 2 (01:14:44):
Out more light and a fight.

Speaker 6 (01:14:45):
The car that is sense risp the tam page like
the morn A rampage. So if you want rage, I'm
gonna make front there.

Speaker 16 (01:14:51):
Read the headline so that the taste of dead line
that had his face past bet.

Speaker 5 (01:14:56):
So you can't kill the solo.

Speaker 16 (01:14:58):
It's still so on my wraps for them. So hear me,
don't dare damn me, you don't compare me to him.
When you're hearing me, tally to battle what you win.

Speaker 2 (01:15:08):
You're ready to do your.

Speaker 6 (01:15:09):
Matter four sucks more event Lord, you can't.

Speaker 16 (01:15:12):
Replace me, ice me or hate me, face me, face me,
slice me, or waste me like me, or take me.

Speaker 6 (01:15:18):
I see that a god for my rapped perch in
my flight.

Speaker 16 (01:15:21):
Hot sork for water, while I break your take for corner.

Speaker 2 (01:15:24):
Turn the sucker.

Speaker 6 (01:15:25):
The water is man's water. Another rapp up gee, rap raps.

Speaker 2 (01:15:29):
He's waiting.

Speaker 16 (01:15:29):
That's to mean the ploy your sex next. I can't
fighting his shoes and a beauties. So while we might
blow philis, it says ain'tcor matten spraady the hangar put
a singer. I'm putting up my middle finger next time
I believe that statty can't get on the midwater.

Speaker 6 (01:15:48):
Or letting it stend. You never betted brow.

Speaker 16 (01:15:53):
Put the snow wreath, Lord, lock upop the shoes roxy
a crystal clearp had a red tan smell. Sent him
out of here with the mark letter that you can
all claim it's not in a part of your thing
many places on regular faces. I'm gonna get down Mike's more.
The only traces out in there in there after party

(01:16:15):
and my cat, my prints and on. It was a
fight to take pution.

Speaker 6 (01:16:19):
I'm not horsing around in the throw down, clown.

Speaker 16 (01:16:21):
I'm taking your son to just acknowledge the way that
I can't be because of that was a house.

Speaker 6 (01:16:26):
You be affected and it's.

Speaker 16 (01:16:28):
It's from the Michael phone. So get on the phone
because daddy's home and battling me.

Speaker 8 (01:16:33):
This has this help.

Speaker 16 (01:16:35):
So water in your ass, cause you plate yourself like
a game.

Speaker 6 (01:16:38):
In the arcade.

Speaker 3 (01:16:39):
You need a far aid.

Speaker 16 (01:16:41):
I'm walking the path that the law made attend and
then beginning to send a speech to reach and teach.

Speaker 6 (01:16:46):
So just say when so I can let lyrics flash.

Speaker 5 (01:16:49):
Like a pullet.

Speaker 2 (01:16:50):
My mama's the.

Speaker 16 (01:16:51):
Gun or sucker's a pullet to tiger can figure up.

Speaker 6 (01:16:54):
My packet is getting.

Speaker 16 (01:16:55):
Big up when it comes to money, your grants, My nigga,
you got the groove and sleeve breathe stand still. Nobody
moved into seven charge as I take charge.

Speaker 6 (01:17:05):
Got launch because.

Speaker 5 (01:17:06):
God damn, I'm living lad like a giant.

Speaker 6 (01:17:08):
You not the butter Mitchett's no attention. You ain't fitting it, get.

Speaker 2 (01:17:12):
It, quit it.

Speaker 16 (01:17:13):
I face the fift of y'all. Always take each other
of your no frill rappers. You want to fabi wait
the center waiting to play till your faith as the
grate will dominate straight to the state.

Speaker 6 (01:17:24):
Canaan support Canaan in that category.

Speaker 16 (01:17:27):
In scorn Nab, you said want to keep Bob gone?

Speaker 6 (01:17:31):
Did the end of the record, I still have.

Speaker 16 (01:17:33):
Means that man I had you to Mic, I had
made day came mat days if a maiden man.

Speaker 20 (01:17:39):
Goog gee, ain't they growing up?

Speaker 6 (01:17:41):
I ain't gonna give y'all nothing, my crown mother, because
y'all tell that when y'all getting I said to do
a little seven to the beats.

Speaker 7 (01:17:47):
Go.

Speaker 5 (01:17:55):
All right?

Speaker 24 (01:17:56):
Coming in out of mixed one, that was the Symphony
featuring the Juice Crew, which is probably the first Posse
cut we could really recall that kind of started it all.

Speaker 25 (01:18:06):
And one that was just so good, I mean, other
than scenario, probably the best of all time.

Speaker 24 (01:18:10):
Yeah, I mean you had you had two giants, Kane
and g Baps going at it, and you know, Craig
g and massd Ace and yeah, I mean that was
that's arguably one of the greatest Posse cuts of all time.
So I want to like talk about obviously eighty eight,
but let's kind of pay homage to eighty seven because like,
like Wade said, eighty seven you had paid in fole.

(01:18:33):
You're coming on minded, You're bigger and deffer, and I
think it started. It was like a layup to eighty
eight and eighty. While eighty seven was good, eighty eight
was on another level. It was a year that cannot
be top because it had, like Dre said, so many
classics and different sounds. Originality was such a big thing here.

(01:18:56):
I mean, who heard of like Ultra Magnetic or anything
like Ultra until that album dropped. Nobody, no EPMD had
their own sound slick Rick. No one sounded like slick Rick.
The Great Adventures of is one of the greatest albums
of all times. You know, most albums from eighty eight,
you can make that argument for it.

Speaker 25 (01:19:16):
And the great part about that Jay was the videos
started to surface. EPMD in an ice factory was fucking insane.
I'm sorry, seeing all the chains and shit moving and
then the ice was coming down for the you Gots
to Chill video.

Speaker 57 (01:19:32):
I mean, the imagery was amazing. You know these guys
so many, so many awesome videos. How about Posse on Broadway.
That was a great video.

Speaker 3 (01:19:43):
Maharaji in the back right riding around in that Limo
trying to pick up a dollar bill top billin.

Speaker 13 (01:19:49):
How about paper Thin videos on the subway.

Speaker 25 (01:19:52):
The best part of paper Thin was the Bodyguard for Life,
that big, tall, white, heavy girl, you know, so funny.

Speaker 24 (01:20:02):
And then you had like the fun elepment right, you
had kidd In't Play. You know, we heard super Lover
c Casanop. We had Salt Pepper Yeah something MC liked
it something, So there was diversity.

Speaker 2 (01:20:15):
And then you had the Jungle Brothers, and you had
you had Easy E who was like easy E. I mean,
I know there was Aanngster Wrap, I know, school E D,
but whose style was like easy easy.

Speaker 3 (01:20:28):
And don't forget stets of sonic guys.

Speaker 25 (01:20:30):
I mean the first hip hop band you had, uh
you know, Prince Paul as the DJ, and no one
sounded like Daddy O back then.

Speaker 3 (01:20:40):
I mean it was crazy.

Speaker 6 (01:20:43):
We we could go on and on with this.

Speaker 13 (01:20:44):
You had, you had guys come out of LA that
you would have you wouldn't know where they're from. I
wouldn't have really been able to guess where King T
was from, would you know. I mean that was just
solid ship.

Speaker 3 (01:20:56):
Yeah, you're right, let's be honest.

Speaker 25 (01:20:57):
What about whoever thought Will Smith and Jazzy Jeff would
have a hit like brand New Funk.

Speaker 13 (01:21:04):
Well, their big hit was the Cornball One, and that's
kind of I get it.

Speaker 9 (01:21:08):
Parents, just understand of that eighty nine, that was eighty eight.

Speaker 2 (01:21:11):
That was eighty eight that.

Speaker 13 (01:21:13):
Yeah, he's a DJ on the rapper. That was the
one that got all the video play and stuff. But
that wasn't even the fifth best song.

Speaker 2 (01:21:19):
On that album.

Speaker 3 (01:21:20):
I would have Freddy Krueger song terrible.

Speaker 5 (01:21:22):
Yeah.

Speaker 24 (01:21:23):
Well that's the thing, like se see, Wade and Drake
have a different connection to the music, and rightfully so,
because this is like their coming of age music, you know,
so yes, so they have a connection that keV, You
and I really don't have. I mean, we're too young
to be going buying these kind of records unless our
you know, our mothers bought these for us with our

(01:21:43):
allowance or some shit, because we were too young to
even buy a cassette at that time.

Speaker 23 (01:21:48):
We weren't like really buying music at that age either.
We were ripping baseball cards and buying comic books, you know,
I mean we were fucking ten.

Speaker 24 (01:21:57):
Yeah, I mean I totally remember getting the end if
you aged it out of Compton because everyone in school
was like, you know, they curse on here, you know,
And I was like, oh my god, I want to
have it.

Speaker 2 (01:22:06):
And I didn't really know anything about it the way.

Speaker 24 (01:22:08):
But the point I'm trying to make is like, even
though it's different fro Us now years later, we can
appreciate it. But I certainly think that Trey and Wade
have a different appreciation and they could probably go into
greater detail of what it was like being alive in
eighty eight when all this music happened to just fall

(01:22:29):
in their laps.

Speaker 9 (01:22:30):
It was the way ninety I was buying I was
buying Diehard on VHS.

Speaker 25 (01:22:34):
So like, yeah, because of your age, here's the thing,
here's the thing. So like you guys will watch movies
like that. Do you remember when Colors came out? Just
the fact that you had a real movie with like
the best actors, whether it was Sean Penn, Robert Duvall.

Speaker 3 (01:22:51):
I mean, this was a real Warner Brothers film.

Speaker 25 (01:22:54):
The fact that they put out a soundtrack out first
of its kind in the hip hop world, first of
it's kind to be a full hip hop album. I mean,
iced tea with Colors, Salt and Peppa was on there,
Peyton Fule was on there. Seven A three with Mad
Mad World was crazy. Mine is a Terrible Thing to waste.

(01:23:15):
Mc shan was on there, Big Daddy with raw Rock
Sanne Chante, which we play in the mix.

Speaker 3 (01:23:20):
Go on girl.

Speaker 25 (01:23:21):
I mean what studio would say, Hey, we're gonna play
all these rappers that you know, the world's afraid of.

Speaker 6 (01:23:29):
It was bold.

Speaker 3 (01:23:29):
It was bold. It was a bold move and it
was like eighty eight guys, that did not happen.

Speaker 25 (01:23:35):
So another thing that started in eighty eight for the
first time a hip hop soundtrack start to finish crazy.

Speaker 3 (01:23:43):
Yeah, that's a good point. You know what's interesting. You
talk about Salt Pepper and they had Shake Your.

Speaker 13 (01:23:48):
Thing, and that was a pretty big video, had Heu
doing the hook and stuff. But when you listen to
that album, and that was their second album. Okay, so
their sophomore effort not a very good album in comparison
to all of the Jewels that came out this year.

Speaker 3 (01:24:03):
Yeah, it actually was.

Speaker 13 (01:24:04):
Like a sophomore slump album if you go back and
listen to it. Now, look, we all know some of
this stuff age well, and a lot of it did not.
This album was not very good. Salt and Pepper's first
album was So b Girl and it was so New
York and it was so raw and fucking good. This

(01:24:26):
album was like trying too hard to be pop and
it was like kind of a sophomore slump.

Speaker 3 (01:24:31):
Well, they were ready for their crossover, which is really weird.

Speaker 13 (01:24:34):
Because they were, you know, one of the main stays
and one of the main headliners of the time.

Speaker 3 (01:24:42):
But that album was not very good, which is wild.

Speaker 13 (01:24:45):
Here you have the most important year in rapping, the
best year, you know, top three to you know, no
matter who you are, and they had an album that
was probably like number fifty out of one hundred great
albums that year. So it's really wild to think about that.
And then you got other guys that just knocked it

(01:25:05):
out of the fucking park, like pe like like Slick Rick,
like n w A, you know, n w A and
Easy E their albums both came out that year. Dre
was getting busy. Eighty eight was up bit in the
year for Dre, busy busy year for Dred. Not only that,
the filip Rush Crew came out in eighty eight, so
Dre was all all up involved in that too, So

(01:25:26):
that's where we first heard from the DC. By the way,
So for those of y'all that don't know, the Felop
Rush Crew tape came out in eighty eight, and the
DC was the main guy on there, and he stood
out like nobody's business, and Dre went and snatched him up.
So it was it very much sounded like a demo tape,
but I think it was on something like Micolo Records

(01:25:47):
or something weird like that. But just because I bought it,
just because I heard that Dre was involved, and so
that's why I bought it. I'm glad I did because
it had some jewels on there, but it's got some
corny shit on there too. There there were so many
albums that people wouldn't initially think of, but they dropped
that year and they were fucking good a lot of them.

Speaker 24 (01:26:09):
It's up there with I would say, the most classics
in a year in hip hop, right, So if the
Golden Eras maybe started in eighty seven or officially eighty eight,
you know, and let's say it ended around ninety five
ninety six, eighty eight has to be the year, along
with maybe ninety four, with the most classic releases. But

(01:26:30):
like you just said earlier, because it came out in
eighty eight. A lot of that stuff just simply didn't
age that well. It doesn't mean it wasn't good at
the time. It doesn't mean it's not good now, but
it just means it just didn't age well. I mean,
there's a lot of means that you and I listened
to from the nineties that didn't age well. Some of
the indie records we loved when we're doing radio didn't
age well. But it still doesn't mean it wasn't a banger,

(01:26:53):
you know, like great at the time. Again, what you
guys might felt was a little too like on the
no was like it takes two when it dropped, you
probably didn't love it where it's like someone like me,
that's kind of all I heard. So that's something that
I gravitated towards.

Speaker 25 (01:27:11):
You also can't forget the sample. I mean, that was
the biggest sample ever ever, And that.

Speaker 3 (01:27:19):
Video was great. The video made the song.

Speaker 13 (01:27:21):
I went to the record store every Tuesday after I
saw that video.

Speaker 3 (01:27:25):
To ask for that record.

Speaker 13 (01:27:27):
It took months for that album to come out, and
it was so disappointing.

Speaker 3 (01:27:32):
Is that with like joy and pain that it Almo
was terrible. Yeah, not a good album, that was worse
than Salmn Pepper, But.

Speaker 24 (01:27:40):
That was a gateway for many people in the suburbs
who didn't really know much about hip hop outside of
maybe some ll and runneem C. Where like you heard
that on the radio, you saw the video you went
roller skating or ice skating, and that was like the
song that was played like it was a huge, huge
song and and it's yeah, it's kind of cheesy, I guess,

(01:28:01):
but I was great.

Speaker 25 (01:28:02):
See it's again. Age plays a factor here because it
was too commercial for me. It was like playing a
hammer song. So you know, unless you were cutting it up,
it was not the song to be played. I mean,
there's no way you'd play that if you were a
jungle brother, straight out the jungle kind of a guy.
There's no way you were playing that if you were
so knee deep in what public enemy was trying to

(01:28:23):
throw out, so those things, you wouldn't even think about it.

Speaker 3 (01:28:27):
You wouldn't even think about a song like that.

Speaker 13 (01:28:29):
I enjoyed it because I was a kid, dre no
I get it, but I started I like the shit
so much that I dove all in and I was
like trying to get all the underground tapes, and I
have them.

Speaker 7 (01:28:42):
I have them.

Speaker 13 (01:28:44):
Like we'll talk about some of these, maybe possibly more
obscure albums that came out that year that were really
really great that people.

Speaker 3 (01:28:53):
Tend to forget about. But I was all about it.

Speaker 5 (01:28:55):
Man.

Speaker 13 (01:28:55):
Every Tuesday I roll into Big D record stores, ride
my bike over there about two miles away. Took every
dollar I had from cutting grass, every dollar I had.

Speaker 58 (01:29:06):
On me buying tapes eight dollars and twenty six cents
cutting grass, not selling it, Thank you, thank God.

Speaker 23 (01:29:17):
The slang back then was stuff like cold crush dope,
fresh chilling, baked daddy. Nobody's gonna get this except for
Jason probably and another listeners out there who have kids
that are like teenagers these days. Imagine if imagine if
today's slang was back then, you would have had like
the Skippity Ohio toilet Crew, or like the fucking yacht Boys,

(01:29:41):
or what's the other one that they used nowadays, the
the Riz Rascals, the Sigma Crewe.

Speaker 24 (01:29:52):
You can't see Wade, but he has a fat Joe
beard going on that no one.

Speaker 2 (01:29:56):
Wants to talk about.

Speaker 3 (01:30:00):
He got that box color you.

Speaker 2 (01:30:02):
Totally got that fat Joe Beard thing.

Speaker 13 (01:30:04):
There's no no color treatment on this, I promise a lot.

Speaker 3 (01:30:08):
But you shaved it a certain.

Speaker 24 (01:30:10):
It's it's it shaved a certain kind of way. It
looks like he has a certain color now to it.

Speaker 9 (01:30:16):
That Antonio Moury from the golf course.

Speaker 13 (01:30:19):
I promise you guys, it's very really yeah, a Puerto
Rican barber.

Speaker 3 (01:30:25):
It is cut very precise. I will say that. Yeah, yeah,
that's that's all me. I mean, whatever, good for you man.

Speaker 25 (01:30:31):
Speaking of precise, I don't think many people realize that
at this time cars were a big deal and pulling
out the back seats and putting the cars to.

Speaker 2 (01:30:39):
Their systems box cars.

Speaker 3 (01:30:41):
For Kevin myself, yeah, we're very very big.

Speaker 25 (01:30:43):
And that's why he pushed the key and yeah that's
why groups like to that crew was was making some
noise here with move Something. That album was big in
eighty eight, and that's why all the dre stuff did
very very well, and the easy stuff as people were
bumping it heavy, heavy, heavy bass and you know white

(01:31:04):
boys with their little rabbits and those terrible cars that
they used to have a hatchback. I had a two
eighty Z with that hatch with a little whale tail. Uh,
and I definitely had the system. I had to pull
out ken Wood with the fos gates in the back,
and yeah, I had it hooked up.

Speaker 7 (01:31:24):
Man.

Speaker 3 (01:31:25):
For sure.

Speaker 23 (01:31:26):
Bass is like the first rap music that I really
heard growing up in South Florida. So I remember all
that two Live Crew, DJ, Magic, Mike, all that stuff, Right.

Speaker 13 (01:31:34):
I had a Mercury Ellen seven hatchback and what what
was that? Kind of like a knockoff kind of subs
and stereo stuff. I didn't have no money to buy
Pioneer and ken Wood and all that.

Speaker 9 (01:31:49):
Yeah, a lot of punk or whatever it was.

Speaker 3 (01:31:51):
Punk were so expensive, keV that was very high end.
It was before audio flowers. Uh, it'll come to me.
It'll come to me in a bit.

Speaker 13 (01:32:02):
But we you know, we took every dollar we had
to sink into the car stereo to get a couple
of twelves in the back.

Speaker 3 (01:32:08):
Yeah, and you needed the amp under the seat. Gotta
have the amp. But you always equalizer.

Speaker 25 (01:32:13):
You always had the audio like that little high pitch
thing every time, like you turn the music up and
like put your foot on the pedal.

Speaker 3 (01:32:20):
No, with like this high, this high pitch sound.

Speaker 25 (01:32:24):
That like you know, fell like a reving like yeah,
from the actual amps pushing everything.

Speaker 3 (01:32:29):
It sounded like a little turbo motor, so funny stuff.

Speaker 24 (01:32:33):
The the beauty I think of eighty eight was it
no longer was like simple rap, at least for me,
like I remember, and again it's different for you guys.
But like the Houdini's, the utfos, even run DMC fun
part of stuff. It was very simplistic, right, and then
it started getting a little edgier, and then like by

(01:32:55):
eighty eight, that's when you had slick rick, you had
cool too rap, you had big Daddy King and and
quite honestly, I gotta think it influenced groups like even
on a DMC who made like beats to the rhymes,
which is probably more on the edge of your side
the music they made previously, you know what I'm true,
So it was a different sound public Enemy or ultramag

(01:33:17):
It changed. It almost forced people to take the craft
serious and write rhymes, becoming lyricists because rock Him, I
mean he was at the point there was nobody even close.

Speaker 3 (01:33:32):
To rock Him right Followly, it was just a crazy wrection.

Speaker 2 (01:33:36):
Was there any rapper in your mind close to rock him.

Speaker 3 (01:33:40):
I know you could say, like, yeah, Kine was close.
Kaine was close, but rock Him was just he.

Speaker 25 (01:33:46):
He just catapulted immediately to a different level because he
came out of nowhere with the knowledge, you know what
I mean.

Speaker 3 (01:33:53):
And I say something that you guys are gonna hate.

Speaker 2 (01:33:56):
Yeah, you don't like rock Him.

Speaker 3 (01:33:58):
No, I love rock Him, but I didn't like that.

Speaker 5 (01:34:00):
We gotta make this.

Speaker 9 (01:34:00):
We gotta make this a segment.

Speaker 23 (01:34:02):
Every episode is always way to be like, hey, guys,
can I say something real quick?

Speaker 2 (01:34:05):
You all gonna give a shitty opinion. People are gonna criticize.

Speaker 3 (01:34:08):
Let me get my third least favorite of that record. Yeah,
you guys are gonna hate it. No, I didn't.

Speaker 13 (01:34:13):
I didn't care for that album, the one with all
the Yeah, I didn't care for it. I thought it
was I thought there were like two good songs.

Speaker 3 (01:34:20):
I really liked that album.

Speaker 13 (01:34:21):
Man, maybe three, maybe three. I thought I thought that
his vocals were way too loud. It wasn't it wasn't
it wasn't mastered right, it was.

Speaker 2 (01:34:30):
It was weird.

Speaker 3 (01:34:31):
I can't wait to have him on the show and
let him know that I.

Speaker 13 (01:34:34):
Don't know what it is about that one, but that
that's not one of my favorite albums from Eric being
rock him.

Speaker 23 (01:34:39):
Well, didn't you have a blug with like Rock Kim's
daughter and he was supposed to get on our show
or some shit like that.

Speaker 2 (01:34:44):
That was like six years ago.

Speaker 24 (01:34:46):
No, I wish for thinking that's what happens with the
you know, trying to schedule interviews.

Speaker 23 (01:34:52):
So nineteen eighty eight, you know, fantastic for hip hop.
We just covered it, we're playing it, everybody's absorbing it.
Eighty eight was the absolute worst year for baseball cards.

Speaker 2 (01:35:06):
It was gonna be something like that, go back to nineteen.

Speaker 23 (01:35:09):
If you look at nineteen eighty eight cards least valuable set,
they are the least valuable sets.

Speaker 2 (01:35:14):
There is no like.

Speaker 23 (01:35:15):
Eighty nine had your Griffies, eighty seven had your Bo
Jackson's and Barry Bonds. Eighty six had your Contricush. You
know you had you had those star players every year.
Nineteen eighty eight you have like a fucking Roberto Alum
rated rookie and Jim Abbott USA team and you have
to get the traded set to get that card.

Speaker 3 (01:35:36):
Oh there's more there.

Speaker 9 (01:35:37):
If you have any cards from nineteen eighty eight, just
fucking burn them.

Speaker 16 (01:35:41):
Right now.

Speaker 3 (01:35:41):
I mean I set it up with such energy and
like you know, music was going.

Speaker 24 (01:35:46):
And then and all of a sudden, it's like two,
let's get in a mixto before Kevin starts talking about fucking.

Speaker 23 (01:35:51):
Mellows one one good card from nineteen eighty eight Bo
Jackson football.

Speaker 3 (01:35:56):
Rookie, Yeah college wonderful.

Speaker 21 (01:36:00):
No Dan, no that.

Speaker 1 (01:36:04):
Hey, we hope you're enjoying the episode one fifty nine,
Part one of our nineteen eighty eight tribute. Stay tuned
for Mixed two featuring ll Cool, j Iced Tea, Too Short,
Steady B Kidney Play, JVC Force is seven eight three.

Speaker 15 (01:36:35):
No Dad, No.

Speaker 27 (01:36:37):
Dn, No that.

Speaker 59 (01:36:57):
Ever, besides the beginning, because you had people like Ricks,
you had EBND with more bounds, you had Rob Base
out with it, tastes two, you had came Now. It
was just an explosion era of You had all the clubs.

Speaker 10 (01:37:13):
You had to call it, you had to parry, you had.

Speaker 59 (01:37:18):
The rooftop, you had all this brother dealers ay and
what un And you know, it was just a cool era.

Speaker 3 (01:37:25):
You had to be cool to be down in that era.

Speaker 6 (01:37:28):
You had to have money cool.

Speaker 59 (01:37:29):
You had to have jeeps, you had to have the
jetto you had to have the vends, your BM you
had to have the little Zoupi.

Speaker 5 (01:37:38):
It wasn't just hip hop, it was the culture of
living at that time.

Speaker 59 (01:37:43):
There were so many troops bluely at that time, and
so many people just learning stuff.

Speaker 7 (01:37:49):
You know what I mean?

Speaker 6 (01:37:50):
Can you feel it?

Speaker 37 (01:37:52):
Nothing is saved, y'all for this is the season of
catching the vape business since I got time. Would doing
to do to tell you how this better throughout our crew? Well,
you're all no tea thiss Rawan who sing on my
records make the music. No body beats the bits. Well
check it back in the days before this began. Tease
you try to talk to this girl's name friend, that
type of female will fly Gucci wear, which big truck jewelry.

Speaker 6 (01:38:14):
And the stenshions in the hair which Wran tried to
kick it.

Speaker 5 (01:38:17):
She always best talking about Nigga.

Speaker 37 (01:38:19):
Please you worked for Ups since he wasn't no type
of big drug dealer.

Speaker 10 (01:38:24):
Oh man, he this one didn't appeal to her.

Speaker 37 (01:38:26):
But now he trucks Gola with fly Bealley boots, ruffler
of fashion and tough silk suits. Now she stopped front
and wants to speak and becoming all the shows every
single weekend to get his people number. She'd be pegging, please,
dying for the day to get skis.

Speaker 15 (01:38:41):
She caught the papers.

Speaker 60 (01:38:46):
She caught the papers, No man, she caught the vaport.

Speaker 5 (01:38:57):
She caught the vaports. I got another father that's calm
and plane.

Speaker 15 (01:39:05):
He goes fall.

Speaker 13 (01:39:05):
The name of the big Daddy came.

Speaker 37 (01:39:07):
I'm the little type of fellow.

Speaker 6 (01:39:09):
That slate back back in the days, he was nothing
like that.

Speaker 37 (01:39:12):
I remember when he used to fight every day, but
growing us would tell him he was never own faith.
He was pants hanging down and the seekers untied, and.

Speaker 22 (01:39:20):
A lot of type thing gonna chilt the center side.

Speaker 37 (01:39:23):
A lot of neighborhood people treated him back and said
if he was the worst thing as mom's ever had,
they said that he would grow up, could be nothing
but a hulum or either in jail or someone would
shoot him.

Speaker 5 (01:39:33):
But now he's growing up. To their surprise, bigs.

Speaker 37 (01:39:36):
Daddy got to hit the record selling worldwide. Not I
saying people that didn't like them as a job is saying.

Speaker 22 (01:39:41):
Can up all dollar?

Speaker 3 (01:39:42):
Oh you sar.

Speaker 6 (01:39:43):
Now they caught the vapists.

Speaker 60 (01:39:48):
They caught the papists, They caught the vapists. They caught
the vapless.

Speaker 61 (01:40:10):
What's the more just a play the play, that's right,
the red though, that's right, the rap, that's right.

Speaker 5 (01:40:16):
He's the babe, He's the trap, Trap Trap.

Speaker 62 (01:40:18):
He's a different approach to an album that is based
on a theory of of looking at the world from
the black side of you, you know, which is rarely
looked at and basically you know it's you know, produced
by the bomb squash onself that shackly keep Shaki Hense
brother and every Vietnam saddne.

Speaker 15 (01:40:37):
We're always making sure that we got the ball roller
all roll.

Speaker 6 (01:40:47):
I got a liver from the government field of tape open.

Speaker 5 (01:40:51):
And read it. It said they were sucking. They wanted
me for their army or whatever. N chummy kivin a.

Speaker 16 (01:40:57):
Damn, I said, never, here's a lad that never came
a damn. I found a brother like me and myself
because they never did. I wouldn't say wear it, but
just that very minute and occurred to me the suckers
had a thorny cold sweating as I dwelling myself, how
long is it been.

Speaker 5 (01:41:12):
They got me sitting in the state. Then I gotta
get out what that thought?

Speaker 6 (01:41:16):
Was thawing before.

Speaker 17 (01:41:17):
I kind of played as a plan on the South
for another two.

Speaker 5 (01:41:20):
Tom on the run brother brother like me.

Speaker 17 (01:41:23):
The gun to be another.

Speaker 16 (01:41:24):
One that was academy serving time they choose the line
y'all the criticoplist or something crime. Nevertheless, they could not
understand that I'm a black man and I could never
be a veteran.

Speaker 5 (01:41:36):
All in the sprint of situations unreal. I got a
raw deal for I'm looking for the steal. I'm going
for that steel.

Speaker 41 (01:41:56):
Got me in the st.

Speaker 17 (01:41:59):
Me, it got me in the sex, then it got me.

Speaker 5 (01:42:06):
In the sex.

Speaker 17 (01:42:10):
Yeah, called a seo falling asleep on that throw.

Speaker 16 (01:42:16):
I tripped his gun and he didn't When I said,
so that if that man's the man got served along
with the time they served this and say one the served.

Speaker 17 (01:42:24):
To understand my demands. I gave a warning. I wanted the.

Speaker 16 (01:42:27):
Governor y'all becuse the ward to note that I was in.
I said, because the militant posing the threat, you better
sucking up the government. The man said, I had to
get out and break nor since like Oliu's next, I
had to get off.

Speaker 5 (01:42:39):
The boys had the fancy checks.

Speaker 16 (01:42:41):
They couldn't try not saying we had a force to instigate.

Speaker 17 (01:42:44):
I'm prison riot.

Speaker 5 (01:42:45):
This is what it takes for peace.

Speaker 16 (01:42:46):
So I just took a piece of black for black
inside time to the least freedom to get out to
the ghetto. They'll sell out six olds.

Speaker 5 (01:42:54):
We got where y'all to put their head out.

Speaker 17 (01:42:56):
But I'll give him a chance. Calls them civil lives.

Speaker 15 (01:42:58):
That's the rest of the world.

Speaker 17 (01:43:00):
All they can't realize or sell as help.

Speaker 5 (01:43:02):
I'm a rebel.

Speaker 16 (01:43:02):
So Ira bell between pause got me thinking like an animal.

Speaker 5 (01:43:06):
Got a woman see you to call me a copped up.

Speaker 16 (01:43:09):
She tried to get away, and I popped up twice
right now, one to get nice.

Speaker 5 (01:43:14):
I had six CEOs and now it's five to go,
and I'm thereious. Call me delirious, but I'm still a captain.
I gotta wrap this time to break.

Speaker 17 (01:43:23):
As time throws a ten, I got my steel.

Speaker 5 (01:43:25):
In my right hand. Now I'm looking full of fence.
I'm looking for that fence as I been to the
court your it's about fifty two brothers.

Speaker 16 (01:43:42):
Bruce better than's gold from hard going out with a
thing ready, the thing out from power from the sky
and from the tower shops rang out a high number
in dose yestion something because I figure I triggered my
still stand and hold my post.

Speaker 5 (01:43:54):
This is what I'm mean, and I nigga'mna see it.

Speaker 16 (01:43:56):
If I come out alive, then they won't come dream
until I threw them my steel Buller floor into my
brother Waller tower, blew up what who what STI for
super wa was hoon into my restcute.

Speaker 5 (01:44:08):
It was as one other hill until my kill away.
So I just got away.

Speaker 16 (01:44:12):
The point broke from the black molax to the to
the average flucker couse.

Speaker 5 (01:44:17):
The field was black.

Speaker 16 (01:44:18):
The attitude and second whatever says on telling you.

Speaker 5 (01:44:22):
To come on, the three brothers on the run and
we are.

Speaker 18 (01:44:25):
Going whoever under estimated still weighted hoping the radio. Finally
they played it the one did how come the album
was late? I was giving your time to get the
last one straight to show must go on. I got
something to dance to slow it down in romance too,
and give me your chance to keep your in tuning

(01:44:46):
up the park.

Speaker 2 (01:44:48):
Then you're doing it with the.

Speaker 18 (01:44:58):
Doing it with the the arm, something newing to keep
you doing what you're doing. This is for you and
your crewing for ruing the vicinity. I don't need no identity.
I see hands in the air that means many peace,

(01:45:19):
So why for breaking I can't stop related hip hop
is making more sense when I'm stating to have to
pretend you to prevent you from using my instrument.

Speaker 2 (01:45:26):
To keep in mind, I.

Speaker 18 (01:45:28):
Mean to illustrate another elebrate. Immediately, hurry up and learn
their words and repeat it with me. Then soon you're
in tuning up to Paul and then you're doing it
the harm.

Speaker 2 (01:45:42):
You know what I'm saying.

Speaker 18 (01:45:44):
You might prefer being rock chemmis full of fact. DJ
Eric BII need more records than racts.

Speaker 3 (01:45:53):
To the Queen's Posse.

Speaker 2 (01:45:56):
They're doing it the r the Arf, the Arm, Brooklyn.

Speaker 18 (01:46:01):
You're doing it in the hall, the Hall, the Bronx
is doing it with the Hall, the Hall, Manhattan, keep
doing it the Hall, the Strong Island them doing it
the Hall, the Hall, Dance and the pain and bull
posse doing it with the the insididation that is long

(01:46:25):
and I'm mad at here out out out.

Speaker 63 (01:46:28):
Listen, listen to the situation, my son, I'm a serious cancer,
all funny dark for the time.

Speaker 6 (01:46:37):
The people corsparf the RNs to do it.

Speaker 64 (01:46:39):
Valad the best you will find living and see I
who the hell am I asan rock the juice.

Speaker 5 (01:46:45):
I can lie cool with the riffing guy.

Speaker 10 (01:46:48):
Keep a handle because if you're doing our watch down
like a candle be.

Speaker 17 (01:46:52):
Love a top BELLA.

Speaker 63 (01:46:54):
Part time killer Perlman and teller, son of Sam, Killer
Tahara and the villa.

Speaker 6 (01:46:59):
And I'm like the it's the best.

Speaker 64 (01:47:00):
Sion ma thrella killing or shooting by it and distributed.
But he the way, they too are concentrated.

Speaker 16 (01:47:06):
Styling and wild, constantly smiling.

Speaker 6 (01:47:09):
We'll keep chopping in the flats drum.

Speaker 61 (01:47:11):
Island's I haven't herd to protect a pear the means
out that set.

Speaker 6 (01:47:23):
I was born in brook In, New York, but not
on island. Effect that's worth to her.

Speaker 36 (01:47:27):
It's about our east.

Speaker 6 (01:47:28):
We got the talent, eating it up like a Sunday grease.

Speaker 5 (01:47:31):
Hear from the doctor, go get.

Speaker 64 (01:47:33):
The breast because that's of now MC shut't see straight
from my mic or Trump will least you wan to
sprite like a cake at the shoot heat.

Speaker 63 (01:47:41):
I need to scratch now my battery's banging. Sorry for
the poison me to leave your hand and I'm good
to go. So that you know my words flow I
got the voice that's choice, kicking in this den moment, getting.

Speaker 64 (01:47:51):
Fully fully fit with my man Andrew Jackson, my bank
account and Ben Franklin mass so.

Speaker 6 (01:47:56):
Wasts in court. Whapa this I saw it once in.

Speaker 5 (01:47:59):
A while, allound about in beginning.

Speaker 63 (01:48:00):
I'm going take a jail shopping s freeze with major
credit cards, find up before this regard money ain't out
because I got it to flame.

Speaker 6 (01:48:08):
My lower clott swell the body and the uppers just came.

Speaker 64 (01:48:11):
Step up on the plot. Okay, if you're so I ran,
we can fleet with the feet. It's not added up
faces some exkills. If you were gonna let us trouble
your face, almighty JVC fors the horse was the great.

Speaker 15 (01:48:21):
Strong hour.

Speaker 7 (01:48:37):
You got.

Speaker 6 (01:48:41):
We'll ax your mind.

Speaker 26 (01:48:42):
Let your constantly freeing it down to the sound of
a PM. But you should keep quiet while the MC
rapp But if you tied.

Speaker 3 (01:48:49):
Then go take it down.

Speaker 26 (01:48:51):
I'll stay a week and watch the show take because
right now I'm about to shake him back the e
I c K is my name, my spell things to
the client, Tell yo allah, I'm not an MC.

Speaker 2 (01:49:01):
We're talking all that.

Speaker 6 (01:49:02):
Junk about who can be who sounded like a pump.

Speaker 26 (01:49:05):
I just get down and I go from my say
check once you and running on the line to the
average cited.

Speaker 27 (01:49:11):
I'm knowing how the Germany the phone give make up
New Jack's sermony, destroying employed when you're rhynding a void,
never sweart in your girl, wide pig, she's excuse Joe
when I'm want to see and I always rock the spot.

Speaker 8 (01:49:22):
I grab the still with.

Speaker 5 (01:49:23):
The crown on top and the up beginning.

Speaker 6 (01:49:25):
I like to let morons flow and at.

Speaker 3 (01:49:27):
Twelve our press cruise control to back and relaxed.

Speaker 27 (01:49:30):
Let Maron's tacks maintaining them seeds why to double the match.
Always calm under pressure, no need to act them listen
when I tell you, boy, you got to shut up.

Speaker 26 (01:49:48):
I'd be the person looking through the information on wrap.
Like the bisses. I make it till the tap. I
form at the ron's step by step, make them sound death.

Speaker 6 (01:49:56):
To retain my rap, I have to come off in
case of a this. Don't worry about the.

Speaker 26 (01:50:01):
Thing because we can see so I can turn the
party out just by standing in this deep make the
latest screaming shot while the buzzs I can take to
the control of your body and soul packing nine and
my parents who when it's time.

Speaker 27 (01:50:11):
The wall, I'm the pub M d e E. And
one thing I hate is a biting see went into
the party. Suckers always for my line. Then he's doing
yup and try to bite my lines. I did thousands
of shows. This'sh many faces and deal with new jacket
on the one to one basis. But every now and
then the sucker anstry gets courageous and like an epandemic,
I be cops continued.

Speaker 11 (01:50:31):
But never the least.

Speaker 3 (01:50:32):
They all are rip falls.

Speaker 27 (01:50:34):
Underwear needs rest and peaks because indeed stands for microphone
doctor and.

Speaker 36 (01:50:39):
The capital and pe capital fad.

Speaker 6 (01:50:42):
He needs no doubt.

Speaker 36 (01:50:43):
The chief Rocker don't like to get del but if
I have to, I kipt so believing.

Speaker 5 (01:50:46):
Boy, you got this ship.

Speaker 2 (01:50:52):
You know in my lifetime I have to call it.

Speaker 18 (01:50:54):
A lot of things go one of the greatest, top
five that or live yeah it nobody.

Speaker 2 (01:51:02):
You gotta take it on. But at the end of
the day, one thing that I know for sure, top
shall top shall.

Speaker 20 (01:51:12):
Yeah, I'm with this.

Speaker 10 (01:51:16):
I'm just gonna sit here and laid back to this
nice yellow beat.

Speaker 16 (01:51:19):
You and drop some smooth lyrics because eighty eight Tomas
said it straight.

Speaker 6 (01:51:24):
You know what I'm saying, and it ain't no half
stepping word. I'm ready.

Speaker 10 (01:51:29):
I'm a stepping him me. They want to get some,
but I'm the cane, so yo, you know the outcome.

Speaker 16 (01:51:34):
I'm not the victory. They can't get with me some
pickle b C date because you're a history. I'll be
a fetick poet to get lyrical. For you to beat me,
it's gonna take a miracle end step in, chimmy, you're
that's a long move.

Speaker 10 (01:51:46):
So much you do on hard, don't put you on
food a competition.

Speaker 16 (01:51:50):
I just a fly walk like a pitfall against such
a wo wok's when it comes to being dope hot, damn,
I got it good.

Speaker 10 (01:51:56):
Now let me tell you who I am.

Speaker 16 (01:51:58):
Look at TV A double D one, Hey, Eddie, he's
dramatic asiatic, not like many. I'm just so it don't
compare me to another because they can't hurt word to
the marble, at least not the principle and this pedigree.
So when I'm roll on your rappers, you better be
freddy to die because you're petty. Because the mother knife,
I'm a machete. This name by Ben Sup Until'll bring

(01:52:19):
you try the fun so I can shop into your
body just because you try to be basing writing the thirteenth,
I'm gonna play chasing.

Speaker 10 (01:52:27):
I'm trying a joke that game puzzle litttle.

Speaker 6 (01:52:29):
The name is Big Daddy, Yes big, not little so defining.

Speaker 10 (01:52:32):
There's your walking papers. Son it and take a warm
as a.

Speaker 5 (01:52:39):
I'm the big.

Speaker 8 (01:52:44):
I'm the big bat, I'm the big Dang.

Speaker 16 (01:52:55):
Moms are so doping and the rappers be hoping to
sound like me so soon I'll have to open a
school of them singing for those who want to be
in my fielding.

Speaker 10 (01:53:03):
Caught there a Kennel second thought, that happens.

Speaker 16 (01:53:05):
He's coming out sounding so similar it's not anfusing for
you to remember the originator.

Speaker 10 (01:53:10):
And boy, dude, I hate a Curtel.

Speaker 16 (01:53:12):
Trader, but I'm much greater the best of Yes, I
guess suggest the best your festal mess gonna test your
high ness unless the chest are dressed with best Vanessa
and blessed them paragrafts. I'm manifest man of draft crime
men and stuff. Some say center stuff non stopping the
group until when it's the climax, climax, flax and chill.
Have a break from a take of me acting he'll

(01:53:33):
bring themselves are lit. I did start to hit next
to the formation of worst and fit at the table
of sit making it legit.

Speaker 10 (01:53:40):
And women can't hit in the paper ship.

Speaker 5 (01:53:43):
I'm not staying.

Speaker 16 (01:53:44):
Stroll over them season the vowel with the power of
purple leaves or Samson when I go further the left,
because you can stop my cab going, I still have
strength and.

Speaker 5 (01:53:52):
No, that's not a lyph.

Speaker 16 (01:53:53):
And if you try to lypt onna get with the
man with the given gift of gab your mot cab,
I only ignore se be on your mom still a
thought snore. You can't awake me or even make me
are your son because it can't do me none, So
think about it.

Speaker 5 (01:54:07):
Then you're trying to go when you want to step
to me, I'm thinking you should know that.

Speaker 7 (01:54:16):
Mare.

Speaker 6 (01:54:24):
Come on, read down? Could you hold on?

Speaker 7 (01:54:40):
Go ahead?

Speaker 6 (01:54:42):
You can't go ahead?

Speaker 16 (01:54:44):
Why God, this is poison So for your learned of
course its stomp s accabagous.

Speaker 5 (01:54:51):
You will get norse.

Speaker 16 (01:54:52):
It's affected or tammy. Turn your stand with your calm,
ready your activated head. Liam Fadel point in the title
Mama saddle hiss the boss that the vitals strewn in
the tone of piece of balls promos had foes.

Speaker 6 (01:55:04):
Becomes a scary horse bore flopping. You just clean out
for in wax. It's it's still hard to have.

Speaker 16 (01:55:09):
And I'm a scrubbing with a jackson for flying tomorrow.
So behave and remember you're a slave. From my sound way,
Sam Devin's a master mind. I have to find a
new methods time after time. Right a round pick, rid them,
full out the big pins. Tick it to what I
did the sounds little slackest sprint it on paper because
I made your hype up, spin any up a wrap up,
because I keep my rapping ripe up like Cherry's or

(01:55:30):
some Saint Perry's mandatory for the auditory Sclory his story
Baptist Larry to hear me speak saying the new technique,
the fury, the combination of.

Speaker 2 (01:55:39):
What I'm saying.

Speaker 6 (01:55:39):
NOI said, yo, yo, yo, follow yo.

Speaker 10 (01:55:41):
This is the bison.

Speaker 6 (01:55:46):
Poison?

Speaker 2 (01:55:48):
What poison.

Speaker 15 (01:55:55):
Poison?

Speaker 6 (01:55:57):
What this blacks on my mind? Just hid off yo,
a bit, I'm a bus get rid off you bit off, light.

Speaker 16 (01:56:05):
Off, fade off, and a tate off figure, paint off,
but you rapped to get laid off, said look for now,
but a cop mal a female shut 'em up.

Speaker 6 (01:56:13):
Shut the ross, yo heard recess ship the hell up?

Speaker 16 (01:56:16):
Man? Yeah, I'm blind because you pick him up, brought
me blind. I'm a Bronji mon wallas and stick him up.
That is a matter for matter is the better fatter
your pockets has flattered thought like rockets, swamps will beating
from plates and pizza bas a case so fa, drop
the trace. Hardcore babies baited a minute. The sky is
the limit for reaching to go on the dream? What
you want to be in it to win it?

Speaker 6 (01:56:37):
Right as a wanted magn I'm a funny. As soon
as a get I'm my head up.

Speaker 16 (01:56:40):
I turned this to the supers in front of the
weapons are made it and did it to get about
winning the battle because I'm a shake, rattle and bro
a little something for.

Speaker 6 (01:56:47):
Girls and poison.

Speaker 2 (01:56:48):
You're yo, pull him on, man.

Speaker 3 (01:56:49):
This is poison.

Speaker 2 (01:56:54):
Boys boys.

Speaker 16 (01:57:09):
I was shooting at a hardcore audience and I had
to use hardcore depiction, you know, and black kids they
see a gun that's like tough to them, you know,
you know, it's the same way heavy metal rock and
rollers use, say panic type things five points starting. People say, oh,
they're devil worshipers. They're not devil worships. You're just using
what to the white kids, it's hardcore.

Speaker 5 (01:57:30):
You know.

Speaker 16 (01:57:31):
You show a black kid on an iron maid, now
I'm covered with the skull and all kinds, they're like.

Speaker 6 (01:57:35):
Oh monsters, you know, they don't want nothing to do
with it.

Speaker 16 (01:57:39):
But you show a black kid a gun or a
bottle of beard, he doesn't look at it as as
as like the same way other people think.

Speaker 6 (01:57:45):
They look at it. It's a gun, you know what
I'm saying. It's tough, it's rough, you know.

Speaker 16 (01:57:49):
And I draw those kids in with that gun, and
then hopefully when I listen to my music, they realize,
you know, if I use this gun, man, this is
what trouble I'm gonna be in. So it's a technique
to grab that audience, and I think I got them,
you know, and hopefully they learn speeding light fast. It's
like walking bare foot over broken glass. It's like jumping

(01:58:11):
rope on a razor blade. All lightning quick decisions made.
Lifestyle plush females rush this high profile personality who earns
his pay, illegal professional liar, schoolboys maya young girl's desire.

(01:58:31):
Very few live to retire cash flow, extreme dress coach
screen vocabulary have seen definition street player.

Speaker 7 (01:58:43):
You know what I mean?

Speaker 6 (01:58:43):
The high rollers.

Speaker 20 (01:58:54):
And your man.

Speaker 6 (01:58:58):
Yo facious people love the city South fooling yourself, crime
rules the streets.

Speaker 3 (01:59:06):
Who the hell let us?

Speaker 16 (01:59:07):
All the police have gone out the places because for
enough cold cash to look the other way.

Speaker 6 (01:59:12):
Look at the cars as they roll by. Benson's Ferrari struck.

Speaker 16 (01:59:16):
Some hih be buzz connected players a big time deals
with all of this technology.

Speaker 6 (01:59:20):
Who needs to steal?

Speaker 16 (01:59:21):
Just live a life Alizia every night day and you're
living proof that crime does pay. You're like this danger
risk and reckless. You eat fly guys and girls for breakfast.
You're tighten of the nuclear age, your muscles flexed with
the easy on twelve gage, and your love the game.
That's why your post, your high priced hot speed high
post I roll.

Speaker 6 (01:59:50):
And your heightsman. You say called freshman, no say bacious ship.

Speaker 7 (01:59:56):
Just just.

Speaker 16 (02:00:00):
I'm gonna be running and people kind of shutting the
fact that I'm a hustle, but I'm still running.

Speaker 6 (02:00:04):
And then the fellow strength and a good land, come
a batter stronger.

Speaker 16 (02:00:07):
See you can champ Margot un til I get an
impact on guy for nack of the hustlers not running
attack he has the baker.

Speaker 6 (02:00:14):
You might get a bun, but if you be instead,
you won't get none. And the hit on the floor.

Speaker 16 (02:00:19):
Yoa time dance, stop fronting because this is an last chance.

Speaker 6 (02:00:23):
So you still with the girl on the field.

Speaker 16 (02:00:25):
But remember that Jimmy had before you can deal and
he's last through the street cup And if you get
good enough, I reached you.

Speaker 6 (02:00:32):
Not that what I'm saying. I'm coming to my old
and I show I can ride him right the floor
a rock.

Speaker 16 (02:00:37):
Stage or even if I beats Chuck, guys can free
listen to what I sailed Cake.

Speaker 3 (02:00:43):
You know it's a rumption.

Speaker 6 (02:00:44):
You're like the hustle and the.

Speaker 16 (02:00:46):
Play and I'm getting older and getting better for time.

Speaker 6 (02:01:06):
If I'm at the ride, I'm getting my.

Speaker 5 (02:01:09):
Old on the neck.

Speaker 6 (02:01:10):
Girls on my tip, stay fat because the mac cray
not a hustler.

Speaker 16 (02:01:14):
Okay, but nobody saying know what I'm saying now do
it always be ause if you don't get better speed
on before you get peed on.

Speaker 6 (02:01:21):
Because what I'm six, I don't miss.

Speaker 20 (02:01:23):
Then that's the truth.

Speaker 6 (02:01:23):
I walk with a colon. I know I'm saying.

Speaker 10 (02:01:26):
I'm a straight up there and then if.

Speaker 16 (02:01:27):
I don't want to try me the fatter come right.

Speaker 10 (02:01:29):
I'm a feel hustler.

Speaker 6 (02:01:30):
I'll cut my handle, can fight, and I'm hanging on
the abb.

Speaker 16 (02:01:33):
You see things learn from the old head nor the
street can's nice. I can't get it nothing because I'm
wetter and the somethings come looking. I like to try
my car because no one knows who inside. Because the
guys in the windows. I'm on the plow for the prey.
Child's want to stop me. Fay the hustles play.

Speaker 5 (02:01:59):
And people done. You know he's down with us.

Speaker 16 (02:02:15):
He fine, ain't down with us. Henny Farka is down
with u. Mix the magic ain't down with us. Public enemies,
it's down with us. But the poet ain't down with us.
Be boy record and you just can't trust making booking music.
It's a muscim number one.

Speaker 65 (02:02:32):
Lord Lord, God, Lord, Lord Lord.

Speaker 16 (02:02:47):
Saying, oh your sword, you know, do not seek with
keep up speaking it from up the class with them
teaching it. Turn your test books down to bed and
see criminal minded in by almost never, Sarah, I'm kind of.

Speaker 6 (02:03:01):
Like a bounding herself hand out the.

Speaker 22 (02:03:03):
Best and question the mother.

Speaker 16 (02:03:06):
Bedd becoming a monopoly gradual league. This is no sense
for you to be contense to pay attention because I
makes sense poetic, athletic, lyrically alphabetic. Here the science and
let it serve as a fact our wrap to attack
the wick which we and the wick wick what all
around whirling down my sounds not a clown with a

(02:03:27):
crown or a hand me down right off the press
written by the teacher himself chars the flexible, respectable poet.
You will know it, but I think I order show
it in a show. Although I don't play a fan joke.
I mean living rhythm, so flow, grace, belief to the
point you admit how to go out allowed me to
remove up down about has clous and who's post just

(02:03:49):
like light bit tight enough well up white and memorisis
and the site and it's quite inexperience.

Speaker 6 (02:03:54):
For example of still number one.

Speaker 32 (02:04:00):
H jack jack jack jack jack jack jack Jackson jack
jack jack jack and jack jackson jack Jajack jack jack
Jackson trail jackson jack jack jackson.

Speaker 22 (02:04:10):
Y care one checking out to take your purt the
radio though yeal heal again this start.

Speaker 16 (02:04:18):
Let me say my part about the only God who
has some heart some time, but the heart to come,
but this skill and everybody's in field crashing through the
door of that boar, bringing an end to this gold
chain bar. What you saw, Harris one is now seeing
another five human being, making no excuses for the loss,
change the abuses. You don't lack him, but you gotta

(02:04:41):
get Bush. Until somebody saw Bush. It call the suckers
claiming the ruby.

Speaker 20 (02:04:46):
And find me. No man finding.

Speaker 16 (02:04:49):
You seem to think that everybody can be taught, that
everyone else could be bought.

Speaker 5 (02:04:54):
You too, the short This one guy hasn't been paid.
He is the Jack of Spade.

Speaker 32 (02:04:58):
Jack jackone Jack Jacky jacky jack Jack and jacket.

Speaker 16 (02:05:07):
He's a calm kind of guy, courageous and loyal. But
don't let the temple foil this is like a pot.
When the whistle blows. That's the crime is committing any
right on your tail. There's no mail, not thinking about jail.
All the eggs are justified by the means. When Jack's
on the scene, track.

Speaker 2 (02:05:26):
To move me.

Speaker 5 (02:05:27):
Don't lose it because.

Speaker 16 (02:05:28):
If he comes from the back of her tack cocaine
cops to more faith talk in the same in the
heat of this gold chain game.

Speaker 6 (02:05:35):
Here's the age.

Speaker 16 (02:05:36):
Destroy all the stereotypes, heights and crack pips. We don't
like the criminals and crime, but we don't pay it
any money. So here it comes, come fo Joe and
by God, slay Hamma and sammam hi Amma, renegade, teacher
and scholar. If you ain't up on it, you gotta
full to the back of the line. Here this rhyme
because I'm gonna say it one more time. It's Jack's themes.

(02:05:59):
So the kr as it's called the chatter space.

Speaker 32 (02:06:03):
Jack jack jack jack jack.

Speaker 5 (02:06:08):
Jack jack.

Speaker 20 (02:06:12):
Jack jack jack jack jack jack.

Speaker 16 (02:06:16):
Jack jack jack get the chack of space snapped out
the body.

Speaker 6 (02:06:24):
If you want to see more, just watch me.

Speaker 5 (02:06:25):
Man, know what I to throw your hands in the air.
Let's scream it out of Yeah.

Speaker 6 (02:06:31):
More time.

Speaker 32 (02:06:35):
Jack jack jack jack jack jackson jack jack of jack
jack jackack jack jack jack jack jack jack jack.

Speaker 7 (02:06:44):
D p MD.

Speaker 12 (02:06:45):
When I first heard it's my thing, you know, was
the first It's like real rapper type.

Speaker 16 (02:06:51):
You don't see the laces, you don't They were like
the first offending hardcore rooms.

Speaker 7 (02:06:55):
You know what I'm saying.

Speaker 2 (02:06:56):
But they're gonna be coming from New York and.

Speaker 59 (02:06:58):
They and coming out with it's my bang and rower bounce,
and you know that's.

Speaker 6 (02:07:02):
Just the home.

Speaker 5 (02:07:03):
They kind of resonated home, the home for damn seas
out there.

Speaker 27 (02:07:08):
You better stand clear. I PMD is a world for
man from New York. Straight Talk America's best code, while
Long Island is where we rest.

Speaker 9 (02:07:16):
The style of the rat.

Speaker 6 (02:07:17):
Make sure hands clasped. They can't in the stuff because
the lines are strapped. They mean business, no time for playing.

Speaker 26 (02:07:23):
If you buy a line that bore your way, the
more your bite, your body gets hot.

Speaker 6 (02:07:28):
Don't get too close because your mic get shot.

Speaker 26 (02:07:30):
Knowing that my mom make a point in this rat,
don't play dumb bo You're smarter than that's mine.

Speaker 27 (02:07:44):
The rhythmatic style keeps the ron flowing, the reds already
biting without you knowing. You can't understand why your body's
getting weak up You relied just the voice from the
stick up.

Speaker 36 (02:07:54):
The mom becomes delirious.

Speaker 27 (02:07:55):
Situation serious, don't get ill, go and get curious and nothing.

Speaker 26 (02:07:59):
About that's Get off to something better and if it's warm,
take off the hotspitter and if you want some water,
I get you a cup. And if you don't want
it to burn, that hell up.

Speaker 2 (02:08:08):
I'm told it now.

Speaker 26 (02:08:09):
Boy, you ain't Jack talking to about jumping. Mister t
is your back, but he's not so on that cue
because if you do, you.

Speaker 27 (02:08:16):
In high persist my thing. After the song goes on,
you will notice a change. The way I throw down,
the way I say my name.

Speaker 10 (02:08:31):
I'm like that.

Speaker 3 (02:08:32):
I'm packing.

Speaker 27 (02:08:32):
It's resistance. So it said the cool and keep your dish.
That's when I walk into the body girls of screaming
at me. I park my mic and my host and
then you.

Speaker 3 (02:08:40):
Don't freeze.

Speaker 66 (02:08:44):
Music plastic classic, plastic classic to doom, plastic classes.

Speaker 41 (02:09:04):
Hey your John say start up the polygraph, got around
the whole time voice stack listen enough, be Zote.

Speaker 6 (02:09:10):
Got the warm four minutes, got.

Speaker 41 (02:09:12):
The break time to bit of a beat that sort
of a fish for the rue out of two and
got hand at the winner.

Speaker 6 (02:09:18):
Set out the microphone.

Speaker 41 (02:09:19):
Where the sweets the mount now thirteen nine the rhyme
count where's the curse?

Speaker 16 (02:09:23):
Three?

Speaker 6 (02:09:24):
Your vers? You change first, put the chill till I
finished the third. First, stay up your death.

Speaker 16 (02:09:28):
And now I put you in a square sun so
the toe crimer thront and chew the fielm and buthers
may play, but I slay. If the fell on me
took me in custody, I rested my melody.

Speaker 41 (02:09:37):
Made one card and I was over the prison wall.
Let's gave before time and the varns playing it all
going of that's a criminal. What I'm my fast left?

Speaker 5 (02:09:44):
What's the chord?

Speaker 3 (02:09:44):
Set?

Speaker 66 (02:09:45):
Go doe plastic, take pim plastics, take four plastics.

Speaker 41 (02:09:55):
Now it's a breakout us down so incredible tonight, that's
not drible sitting on a plast the bee specific from
not terristic, just some man offense I who can get
off with this saying of thor before my voice gets
sourced because I how proper, I'll think us get course,
it's not a choice.

Speaker 6 (02:10:10):
You were told by random get lean up.

Speaker 41 (02:10:12):
Then a sopre and our handom they're coming of a
judge out the states the case because in this category
you were a misplaced.

Speaker 6 (02:10:18):
It's not a trick from corkject Beside.

Speaker 41 (02:10:20):
My purpose is the one without getting would go like
when I write job reports to act on total I'm
on the road every ready for calling that tad for
downfall and already sets account and that's the main amount
of thousand ten.

Speaker 6 (02:10:32):
Win't reflect this. I can't be looking like en.

Speaker 41 (02:10:34):
Them please the sickness n them being a step the
individual will impact your time for correction. You're off a
workshire objection the number two hold the other title. Test
this ship and telligence so much massessed fully a guiped
to lift and I'm ready to whip for my murderer,
and like.

Speaker 6 (02:10:50):
Jacky'll reap him.

Speaker 41 (02:10:51):
Go fetch the fastest struct like glastic to dry.

Speaker 6 (02:10:54):
Because it is tho more plastic, tur more plastic.

Speaker 20 (02:10:58):
Oh man Dan.

Speaker 6 (02:11:02):
Fast sum.

Speaker 17 (02:11:11):
You got suck.

Speaker 7 (02:11:16):
Do?

Speaker 21 (02:11:21):
I can't.

Speaker 20 (02:11:26):
Like a mix from me.

Speaker 7 (02:11:28):
Look you.

Speaker 6 (02:11:32):
Pussy cat, pussy cat, and you get your mouse back pou.

Speaker 20 (02:11:43):
Back about about bou pou pou poul fowls.

Speaker 14 (02:11:58):
Exen cold love struck was my mold took the looks,
dropped my textbook. Jennifer, Oh, breakfast, broken fast.

Speaker 3 (02:12:08):
She was in my English class.

Speaker 14 (02:12:10):
Exphonoes rocked my boat, Jennifer Oh. Jenny lost her favorite penny,
so I gave her a dollar. She kissed me and
a dollar in a flash the school bell ring. Jenny
grabbed onto my hand, took me home and set you
going to swing and swing swine the downstairs where we met.

Speaker 18 (02:12:49):
I brought records she possessed, lost the breaks found her
shaped Jennifer. Oh Jenny transcript showed more than flirt. I
love Daisy fetter shirt grabbed my chi was Jimmy sting
Jennifer O Jenny marvels ship like the boss, no one
could live their life.

Speaker 6 (02:13:06):
The post found a house arouse my chouce.

Speaker 18 (02:13:09):
Jennifer old Jenny her clothes.

Speaker 10 (02:13:12):
I just shuck, just like Dan.

Speaker 6 (02:13:14):
I strictly stuck to the punt.

Speaker 18 (02:13:16):
She tried could get PASTA noose was in Jenny only
thought about Jimmy, but as was our a virgin like
some kit in Derwin.

Speaker 6 (02:13:27):
She said, let's try it in the bathroom. But the
noose is way about six. So to the kitchen she
did Dan and came back cracking, said Rand, Now wad
minute Darwin got some of the show us that Jenny
can never do.

Speaker 3 (02:13:40):
Let's sensu.

Speaker 5 (02:13:47):
Hey, lets you love that way.

Speaker 8 (02:13:58):
Down here. We have a theory that makes it kind
of weary.

Speaker 5 (02:14:01):
It's a humorous battle that makes.

Speaker 30 (02:14:02):
My aunt Terry Kim blows Yeah, that's what they call
it was the things so big and neither you haul
a Haliday.

Speaker 5 (02:14:08):
It's up on the up, on the top. Boy, they
cannot stop.

Speaker 6 (02:14:13):
Jim Browski, That's what it is. Bird up, Gotta get
it into you, Jim Browski, Jim Brownski.

Speaker 2 (02:14:39):
Here we go.

Speaker 7 (02:14:39):
This is for real.

Speaker 5 (02:14:41):
Let's be real about it.

Speaker 16 (02:14:42):
You always talk about it because you can't live without.

Speaker 52 (02:14:44):
It in the evening when your dreaming, wake up in
the morning and your mostall gaemn call.

Speaker 2 (02:14:52):
What Jim Browski's on your mind?

Speaker 17 (02:14:54):
Your minds taking up.

Speaker 6 (02:14:56):
Most of your time time.

Speaker 8 (02:14:57):
Jimmy, help me b.

Speaker 6 (02:15:00):
When no femling blue and don't front on the Jimmy
why because Jimmy can't help you.

Speaker 3 (02:15:07):
If I told you Jim Rowski was seven feet.

Speaker 8 (02:15:10):
Tall, what would you do?

Speaker 6 (02:15:13):
What would you say?

Speaker 21 (02:15:14):
Jen?

Speaker 6 (02:15:15):
How would you bill?

Speaker 67 (02:15:20):
Jim brown Ski, Jim Browne, Jim brown Ski, Jim Brown Ski,
Jim Brown Skip, Jim Brownski See Jim brown Ski jo
Jim Brown's.

Speaker 41 (02:15:43):
Hot damn hot, damn hot, damn hot, damn.

Speaker 6 (02:15:46):
Here we go again. Something still a beat wing? You
know they can't win. You don't forbeat? Are you having fun?

Speaker 7 (02:15:52):
Now?

Speaker 6 (02:15:52):
Me and the odds gonna show you I was doing.

Speaker 41 (02:15:55):
You don't want to label less a nerve flucker.

Speaker 6 (02:15:58):
You're plucking my nerves. You him he sucker. I thought
I want to tell you better yet ring.

Speaker 41 (02:16:03):
That I ain't like a stop and my word is
prawn like change killing everybody in sight.

Speaker 6 (02:16:08):
The coach Street six the name is right after this jam.

Speaker 41 (02:16:12):
I really don't care for tam because I'm aron to
tell your whole damn playing that's your room.

Speaker 68 (02:16:17):
Beat fight on the dope stout taker tell you to
your face nothing butter Figer.

Speaker 6 (02:16:22):
Beat fight on the dope.

Speaker 45 (02:16:23):
Stout Taker tell you why to tell your bodyguard it's
my bodyguard too.

Speaker 6 (02:16:30):
You wanna get hurt, well, that's just what to do.

Speaker 41 (02:16:32):
You put your left foot up and then your bite foot.

Speaker 6 (02:16:34):
Next following instructions. Don't loose the context. Thirty days a
month to move. It's moving. We know the course of
your bloody attitude.

Speaker 68 (02:16:43):
Beat fight dope out taker, tell you's to your face
mother Feger. Beat fight on the dope stout taker tell
you to your face.

Speaker 6 (02:16:54):
You start a smooth even for a cheating mike. You
should have won a lyes.

Speaker 20 (02:16:57):
That's a lock to it.

Speaker 45 (02:16:58):
Sounded like handsome, don't blone aside of recognition. Don't turn away.
I think you shore missing it.

Speaker 6 (02:17:04):
Close. Don't close, he said, you wantn't wagging. You're fucking why.

Speaker 41 (02:17:08):
You're You're chasing a chunk wagon.

Speaker 21 (02:17:10):
The only way you love.

Speaker 6 (02:17:11):
You have to be sure that it for be.

Speaker 41 (02:17:13):
It's not for sale, then it can't before when you
leave the mic.

Speaker 6 (02:17:16):
You claim its smoking. Unlike rock here, you want a joking.

Speaker 41 (02:17:20):
I think you want to stop before you get into
t because with a sister like light yo, I don't
sleep does.

Speaker 6 (02:17:27):
Down taker tasting your face set? But a Figer does
down Taker.

Speaker 16 (02:17:59):
And I'm back my at in the hole with his
friend and track, and I'm gonna throw it up and seat.

Speaker 6 (02:18:04):
It up and now you're gonna eat it up and
listen to the funky people.

Speaker 16 (02:18:07):
Tongue is Carna, feed it up. I did it for
the devil, pick and make you. I did it for
the fucking some time to take the fake needs to do.
When a point, then I'm gonna see it with the
joy and woke me up and pump me and then
I'll annoyed you go.

Speaker 6 (02:18:18):
Head break oil the oil we make the bom like water.

Speaker 16 (02:18:22):
What the boil because I made a play it made
of said, made him on head, made him on pad.

Speaker 41 (02:18:27):
Wow, rips upper crowns on the brown.

Speaker 6 (02:18:30):
How you like me now?

Speaker 36 (02:18:31):
Punk, feeling the pounds.

Speaker 6 (02:18:33):
Here's what my dam is here, that's what my aim is,
A washed up rap. I need to wash up. My
name is fuck.

Speaker 20 (02:18:43):
Jesus.

Speaker 17 (02:18:47):
Can't hurt your leave back.

Speaker 20 (02:18:49):
I gona pay that.

Speaker 6 (02:18:50):
I'm gonna save that.

Speaker 16 (02:18:51):
I heard the new Chance and I don't wait that
it ain't loud enough punk, it ain't hitting.

Speaker 6 (02:18:56):
You tried that shit and you're quitting fast. You thought
I was.

Speaker 16 (02:19:00):
Dying out, But again and again and again, without a doubt.

Speaker 6 (02:19:03):
It's against the buggy, the earthquake sound, pump it up
and playing something hearing all around. I turn it up
to talk. I don't suck.

Speaker 16 (02:19:11):
And this is an example bull of pop up. When
you want to make his to make them like this.
They't like this, they don't they missed. It's a strong wreck.
It a record for the song to go to appreciate
real rat song. But we'll allow myself to do off
track stay back.

Speaker 6 (02:19:28):
I got the power arm to fucking fuck.

Speaker 16 (02:19:38):
Change Hurst j Leamember for a man not a man,
A case a change run like playing a sentiy.

Speaker 6 (02:19:46):
Stiial break his neck, whillaplex my fat up?

Speaker 16 (02:19:49):
Oh girls in the house, come on, oh girls in
the house, drim it up. You got to pack it
all moving improvement and all it's improvement.

Speaker 5 (02:19:59):
A lot of t don't know.

Speaker 17 (02:20:00):
How nice I am.

Speaker 6 (02:20:02):
So now I got fighting man, wrap him.

Speaker 3 (02:20:06):
Up with the bread.

Speaker 16 (02:20:07):
You're not gonna stop him up inside of the fans
fighting the.

Speaker 6 (02:20:10):
Day I brought you to move our famot.

Speaker 7 (02:20:14):
Do you know my name?

Speaker 5 (02:20:16):
Thing?

Speaker 21 (02:20:16):
What I'm here to do?

Speaker 6 (02:20:19):
If you can dance.

Speaker 15 (02:20:29):
Tawn, break it down, put it down.

Speaker 6 (02:20:39):
I was a streamed means before I became a teen.

Speaker 18 (02:20:42):
I'm off the microphone instead of codes and ice cream
music orientated, so when hip hop was originated, spitted like
pieces a puffle being complicated because I grabbed the micro
try to say yes saw, they try to take it.
Let's say that I'm too small cool because I don't
get upset. I kick a holding to speak, a pull
of plug. Then I check out back into the lab
without a microro grab so that I had all the

(02:21:04):
rhymes I had one after the other one. Then I'll
make another one number to this down opposite the acts
of the brother's done, I get a cleaving like I
feed from niggatine. But I don't need a cigarette, you
know what I mean without me agent whipping up the
stage and don't to sound amazing because everybom's made and
throw them cuts the sort up and addiction magnetized by

(02:21:25):
the next.

Speaker 6 (02:21:26):
In focus on Capellary, your first is just stuck in
the micros a drain.

Speaker 18 (02:21:29):
No folcanoes are erupting, rhymes overflowing, gradually growing. Everything is
written in the coast so we can con in side
the throwing ci Guy forty eight tracks to slide the
unfvincible microphone feed rock care, Rocky spread the word for
some man e f FBCT, the smooth opparador operating correctly.

Speaker 6 (02:21:51):
Back to the problem or back out of habit. You
can't solve it, so the rabbit the prescription is a
hyper tone.

Speaker 2 (02:21:58):
That's the win.

Speaker 6 (02:21:59):
I mean for microphone like Heroin.

Speaker 18 (02:22:02):
As soon as the pace kicks, I need to fix
end me a stage and a mic and a mix,
and I'll put you in the mood or is it
a stage of unawareness?

Speaker 6 (02:22:10):
Beware and stuff A made up a man to a
mic phone.

Speaker 18 (02:22:13):
The lethal weapon assassination the product step you see your.

Speaker 6 (02:22:17):
Part of me that you're never seen.

Speaker 18 (02:22:19):
When a phenia for a microphone, I'm the microphone fiend.

Speaker 6 (02:22:22):
After twelve, I'm worse than the Kremlin. Feed me here,
I'm better. I start trusting its stress is intent sha horrified.

Speaker 18 (02:22:29):
But this ain't the sentant of some tails from the
dark side by any means necessary. This is what it
has to be done, maggy, because if I'm coming money,
it comes.

Speaker 5 (02:22:38):
With cherry your.

Speaker 2 (02:22:41):
Branded carry yours.

Speaker 6 (02:22:42):
It's a bucks that I busts and he mike your
hand to me it's inherited.

Speaker 18 (02:22:46):
It wasn't professionally. I broke the problem that broke the
bones back. If that gonna slow up up, I carry
your full pack now. I don't want to have to
let off your shore. Have kept off if it didn't
keep the stage warm. Step on stepe, a tentleman, You're
have to see a pastime hobby.

Speaker 6 (02:23:02):
Your about to be taken to the maxim month.

Speaker 18 (02:23:04):
I can't my line see your pipe is a hypochondri
yacht because the brass be water of a to dope
something you can't smoke more of the dope. You're trying
to move away, but you can't.

Speaker 2 (02:23:12):
You're broke.

Speaker 18 (02:23:13):
More of the crashed up. You should have basket up foot.
Those that a need to back you up. Any entertained
that I got a tork to chamber one on one
and I'm the remainder of a man to throw your
eyes and hold your breath, and I'm gonna hit you
with the blow of death.

Speaker 3 (02:23:28):
Death before you go.

Speaker 18 (02:23:29):
You'll remember your seas the finger of a microphone on
the mice, gphone, my feeing phone, free.

Speaker 6 (02:23:38):
The mic phone, my my hed phone, free, the the mice,
the mic, the mice from might look.

Speaker 7 (02:23:44):
The mice.

Speaker 16 (02:23:58):
Will excuse me, take a few minutes to mellow out,
big guy. The cane is on the mic, and I'm
gonna tell ap how the minimum limp of rod the
stress and power. So listen to the man up the
hour flow and go to a slow jump bow and
you know, sing home swing loathing Yo. The show will
go on side perform transforming on stage. I got accept

(02:24:19):
the card, but I'm not animated like a cartoon. I'm
a real shooting lyrics like a hard pool across the crowd.

Speaker 6 (02:24:26):
The listeners and spectators. So let's groove with the smooth operator.

Speaker 69 (02:24:34):
It sounds so smoothing. It sounds so smoothie for b
I g d a DOUBLET.

Speaker 16 (02:24:52):
I can't get any I'm good and plenty, serving many
in competition, wishing for a next petition. I'm straight up
listening to Smith It listen rap sacs so wild.

Speaker 5 (02:25:02):
I love the profile, what harder. They ain't got no style.

Speaker 16 (02:25:06):
I give Nash Mills the little to compete. Freddy Krueger
walking on King Street, confused and loose, abuse and bruise
the pruve you choose to use my name, brom We
pay Julius destruction from the exterminado, but in a calm manner,
because I'm a smooth operatar.

Speaker 2 (02:25:25):
It sounds so spoofe. Just this sounds so spoofie.

Speaker 6 (02:25:43):
Let girls step up to this one several kissing.

Speaker 16 (02:25:46):
And it's over and miss something the nice dreams, the
right seeing girlfriend. You're being schooled like ice dream So
just swing and fling a gap of ring, try to
cling because it's a big daddy thing and I'm loving
them right balls to just play Marvin jay Less, get
it on. I'm making real good, like doctor feel good,
to make sure that my point is understood that when

(02:26:09):
it comes to this this nothing crater, sincerely yours smooth operat.

Speaker 70 (02:26:24):
One to approp one to a pop, two one to
a pump, Put up a one two one to a pom,
Put up my check this out run Come on, get on,
get some stop yelling it.

Speaker 16 (02:26:36):
I know you're like the jam of this name is
still seldom telling it simple because I hide it the.

Speaker 6 (02:26:40):
Super love and beget and of course when the girls
to feed the funky jams.

Speaker 18 (02:26:43):
And I'll be checking points and any girl as a rap,
they will be quitt and also scoping and hoping. I
was a man because I'm doping girls love the love
of But God say, I'm almost making man, don't to
send your final I go back and now don't was checking.

Speaker 16 (02:26:53):
Man, you're on my records on like ones that you
playing semi soup. You're playing a rock or something fast.
Oh am, I prompt to make a joke, so throw
my beat on a loopit thinking that the look like
ain't funky doping, You're stupid.

Speaker 18 (02:27:03):
I'm telling you're entertained, of course, and you didn't get
damned bus a super and rocket pet without.

Speaker 16 (02:27:07):
Doing the James ryand James Brown John bus your got
him bumb it dos Hiver forgot him.

Speaker 2 (02:27:14):
Pull it Hi brother for got him up.

Speaker 16 (02:27:18):
Chihilling thinks my name of a k a soup called
we got the freaking the funky do when you claim
when I was, but I don't care about million though,
super love.

Speaker 6 (02:27:26):
And don't it's a flop off. It's down pull you know,
cleaning your lover.

Speaker 16 (02:27:29):
But girls will still not just telling me what should
be like I was a god, So what is you
telling me?

Speaker 6 (02:27:33):
I'm introducing little things. I said, my beauty, my mom
and my middle name is the lover.

Speaker 18 (02:27:38):
So whether I dance or whatever, I do think girls,
I got him not slimpy, the same old routine. So
I'm me is a love on. My job is done
and I'm being one loving every good. But I'm only
like any saying what the truth? Super girls, I got
him locking too every funky party my jam is on
and then rocking too simple my entertainer makes him get
damn so bus a super and rocket pet without doing.

Speaker 10 (02:27:57):
The James Brown, James Brown, Johnathan.

Speaker 6 (02:28:01):
Forgot him, Hip forgot him, ship forgot him.

Speaker 16 (02:28:08):
Yo. Do'll ever touch a girl on my knee or
I roll on you shop you with my mic simultaneously
as I'm doing you first. I own one of them
from you took some of them. Now my job is
trying position and simply one of them. They call me
sup with hey call me a new album, super love
seat or your seat or sweeper, lover man or either collent.

Speaker 6 (02:28:24):
They but here's a brief in reality and he's outing.

Speaker 18 (02:28:26):
For the rincum or black is my nationality?

Speaker 16 (02:28:28):
Hoped to make them jumping the girls. I owe them
a business, said, I said, it's a blizzard. I guess
what type of blizzard is a super is a storm?

Speaker 18 (02:28:34):
And the microphones with U speaking to maneuvers cause the
win and the thunders, the beats of creaking to me,
you don't pen up for shut win performing.

Speaker 6 (02:28:39):
We are in mental seeping.

Speaker 2 (02:28:41):
What is doing?

Speaker 6 (02:28:41):
What what these spoke is doing us?

Speaker 18 (02:28:42):
That to entertaining hyping up of course and you they
get damn up and keeping what we doing work.

Speaker 6 (02:28:46):
But they doing the Jesus draft too, sounding him like

(02:29:12):
a room sweet the weak.

Speaker 27 (02:29:14):
It sounds like form flashing cash and smashing, trashing nuts
and storm.

Speaker 6 (02:29:18):
So the two times because y'o't w don't hold back,
leave you enough.

Speaker 18 (02:29:22):
When I'm gone, see you know that I will p
pans to terror five terror BLI maybe.

Speaker 6 (02:29:27):
Your scars standing damn at your five by the way,
y'all can call on.

Speaker 18 (02:29:31):
I'm designed the blind the mind of the bad guy.

Speaker 6 (02:29:34):
And you why look at it's this sweet chest for
yourself up this straight.

Speaker 16 (02:29:38):
Some guys give a fill oft tack Jackson on the
back because it came off.

Speaker 41 (02:29:42):
Whack kids, because there's young man.

Speaker 6 (02:29:45):
I'll hop deal with the.

Speaker 18 (02:29:46):
Over the proground off the sound, put you down, don't
come over by my part of town way.

Speaker 6 (02:29:51):
I'll find the right trado micing.

Speaker 31 (02:29:53):
Person come from a high and why the first is
just hit off, rid off, ripped the head off, the
fuck up or rid off my brother put it to
the fuck up.

Speaker 16 (02:30:01):
And when I'm done past another to drop because already.

Speaker 71 (02:30:04):
Shine shine rapho, shine pop band shop shine pop hand shop,
shine stop shop.

Speaker 5 (02:30:14):
Shine ply rap shot.

Speaker 71 (02:30:17):
Shot frock pop hand drop shot frop.

Speaker 18 (02:30:20):
Pop hand shop shine telling back with the style of
rap to attract the heads of here his head Yeah,
tough crew of up here at the top.

Speaker 6 (02:30:30):
So the time shopping flow out with the pots.

Speaker 16 (02:30:33):
And that tooming most steps, slow down till your throat out, keep.

Speaker 20 (02:30:37):
Them emotion must looks.

Speaker 6 (02:30:40):
The wind rob don't take nick spin to tough end,
no crip and so quick. Then we want two thin.
That's the Scotch competition.

Speaker 72 (02:30:49):
Want a mission toil It's go bleek just like the
Lady's successes.

Speaker 16 (02:30:53):
Seek the trbo deep with fin the day to zo
you sleeping the game home.

Speaker 71 (02:30:57):
Shot right shot, problem shot, stop breck, slop shot stop
clops slop shot cop back shop shot shop fuck coopresh
shop shut.

Speaker 6 (02:31:10):
Up shot bread shut.

Speaker 17 (02:31:18):
Frock Why stocking?

Speaker 42 (02:31:25):
If not my song ring my possy lawn to the
party could change the zone from the heart.

Speaker 6 (02:31:30):
It is enough fact. So I see body, everybody think
and learn.

Speaker 42 (02:31:34):
The movie made stunning those that just can't behave this
up planning.

Speaker 6 (02:31:38):
Here's a hand if you from the them man.

Speaker 42 (02:31:40):
To to all up in you with the family love
coming from me because no one told you of a
logo and the area saying this ain't no joke time.
I'm on a four street of wall from the overlord
ice door clocking but no as if you didn't know,
I ain't on the same when it's time to go
as a phone number from any the other.

Speaker 13 (02:32:00):
Tough cud band back can't.

Speaker 6 (02:32:02):
On my tip over tip but my shoulder. I strolled down.
I do a lot of smashing.

Speaker 36 (02:32:07):
Doors are standing in my path.

Speaker 42 (02:32:08):
Cal them down like math playing in Matt Finn wrapping
him down my body.

Speaker 73 (02:32:14):
Glam, damn, don't damn, damn, don't.

Speaker 5 (02:32:30):
Damn damn. Yes, we're backing.

Speaker 72 (02:32:32):
Another bird's a rap for another tune of botton saw
the we're backing killing, killing, billing, thrilling, so shot.

Speaker 6 (02:32:39):
Stand point of no return, but to the point of madness.

Speaker 16 (02:32:43):
And girls start us a calling such as order the
jackie taking of a new bath back.

Speaker 6 (02:32:48):
Check out the scene of retail. You're not the ftia history.
You'll try to compete the brook the group in.

Speaker 16 (02:32:55):
The game about the way you go on or wat
and I'll sell it.

Speaker 6 (02:32:59):
That's always so, That's how I tell him, call again,
call it what you want.

Speaker 72 (02:33:03):
Full attack remains getting paid up front tax free money,
and the pot hits him from the lidies because I know.

Speaker 10 (02:33:09):
They try to get supery on the microen needed surprise fall.

Speaker 6 (02:33:14):
In fact, I gather a position of strong.

Speaker 72 (02:33:16):
I'll remain a little, just a little bit longer as
I found you do out can yourself from my partitude.

Speaker 5 (02:33:27):
Don't camp stamptop selling old.

Speaker 16 (02:33:40):
Waste of time on the so called rhyme, a so
called RP with a soap called Paul.

Speaker 41 (02:33:47):
I'mna stand, He'll tell me, man, I can't understand this
and what we're coming to.

Speaker 7 (02:33:53):
What is wrong with you?

Speaker 15 (02:33:54):
What you're trying to do?

Speaker 73 (02:33:56):
And once again the judge, would you grudge the jury
with fury the stop.

Speaker 21 (02:33:59):
Of your up just of course a rap pus you
take last.

Speaker 41 (02:34:04):
He is walking money talking Retallia for.

Speaker 47 (02:34:09):
The beach and come back again and stop slacking north because.

Speaker 13 (02:34:11):
I'll packing till club tam no more.

Speaker 6 (02:34:17):
With a course, because we gotta.

Speaker 7 (02:34:18):
Be down sound.

Speaker 56 (02:34:29):
Damp Tampa, Damp Tampa, Damp Tampa, Dam Camp Scamp Campampa.

Speaker 13 (02:34:55):
To me, this is the best year of the part.

Speaker 36 (02:34:57):
I'm gonna listen to albums to eighty eight.

Speaker 29 (02:34:59):
The simphony comes straight out of Cops, Long Live the King,
strictly business with nd Biomi's necessary. We're gonna have productions
critical beat Down Onto Magnetic takes a nation a million
to holds back Public Enemy Team, Great Events, a slick written.

Speaker 6 (02:35:10):
Follow the Leader everything rock game, straight out.

Speaker 29 (02:35:12):
The Jungle, Jungle Brooks, Lighters of Rock, MC life going
off Less, a piece of big market in four gearstets,
a sign piece of DJ on the rapper Press Prince
Jazzy Death Power, I iced t tougher than Leather on
DNC Eazy does it is.

Speaker 3 (02:35:24):
The life is too short, too short.

Speaker 8 (02:35:26):
I mean, I could go on and on and on.

Speaker 29 (02:35:28):
The foundation of the best hip hop has ever created.

Speaker 5 (02:35:30):
Just got one year when.

Speaker 27 (02:35:32):
Kally said the foundation, That's what resonated with me in
terms of the albums that he named the foundation with
hip hop would turn to what they would become.

Speaker 23 (02:35:41):
You might be one, all right, folks, flying at a
mixed number two like a Jose can say, go home,
running out of the coliseum which is now gonna be
a parking lot or something one of these days. But
in any event, I had to throw my in, any

(02:36:02):
event in because I haven't yet phenomenal, phenomenal stuff, guys.
I mean, you know, like like you said earlier way
that these are going to be a lot of the
songs that we all you know, know, all the lyrics,
too nice to have it all packaged.

Speaker 9 (02:36:16):
Up, given the three sixty little.

Speaker 23 (02:36:19):
Spice and flare on it, like Wade was saying, these
are the songs that we all know. We've heard them
a bunch of times. You know, we can probably wrap
them in our sleep. But Part two is on deck,
and I'll let the fellows get into more details on that,
but I think we're gonna, you know, dive a little deeper.

Speaker 9 (02:36:35):
Into things, maybe hit some B sides. So I'm sure
that's coming.

Speaker 3 (02:36:39):
To guys real quick. I want to ask you something.

Speaker 25 (02:36:42):
In this year, let's everybody kind of go around the
horn and say who they thought was the most influential
or the most eighty eight. So what group or solo
artists was like the quintessential when you think eighty eight?

Speaker 2 (02:36:58):
When do you think eighty eight?

Speaker 7 (02:36:59):
Who do you? Yeah?

Speaker 3 (02:37:00):
Who's your guy? Who's your group? Who's your guy?

Speaker 24 (02:37:04):
I mean, it's hard for me not to say PE
because it takes in nation of millions.

Speaker 3 (02:37:09):
What I each album when I think of eighty eight?

Speaker 7 (02:37:11):
Right?

Speaker 3 (02:37:11):
And did that impact you in eighty eight or did
you have to get it?

Speaker 25 (02:37:15):
That's kind of what I'm saying, because it, well, it's
hard for you because you guys were fear.

Speaker 24 (02:37:21):
Fear of a Black Planet was actually the first tap
of PE that I would say I bought right got you.

Speaker 2 (02:37:30):
The first song I'm memorized is Colors by Iced Tea.

Speaker 25 (02:37:34):
Yeah, eighty eight, So I go to that because because
you told me that Iceberg Slim was like your thing.

Speaker 3 (02:37:40):
The album that was eighty nine album.

Speaker 24 (02:37:44):
But yes, the color soundtrack and the song also iced
tea rhymes a little slower, so it's easy to pick
up the you know, the cadence and the words. So
I would always try to emulate that as a as
a shorty buster. But I would say colors, and honestly,

(02:38:04):
it takes two is what I think when I think
of the Ady Eights. Yeah, that was going to the
roller skating ranking.

Speaker 2 (02:38:11):
That was when it came on.

Speaker 24 (02:38:12):
That was I wasn't hit to like the Symphony back
then or Strong Island GP fors like. It was a
little different, but I get those two in particular for sure,
what about you?

Speaker 3 (02:38:23):
For me, it was it was pe.

Speaker 25 (02:38:25):
There was no one that moved this needle like Public Enemy.
Chuck d was just a force man. And I'm so
confused because his lyrics were so important.

Speaker 3 (02:38:36):
You could write papers on each line.

Speaker 25 (02:38:40):
As a matter of fact, wrote a paper on called
Intellectual Vietnam, which he does from Terra Dome. But every
every song he has has lyrics that you could literally
write essays about.

Speaker 3 (02:38:54):
Very important, and I don't understand why he's not that
same guy.

Speaker 25 (02:39:00):
He doesn't I understand you don't write the same you know,
twenty years later, but after a certain time, he just
didn't make music like that. But eighty eight's PE, Holy shit,
the videos were so fresh and there was like so
much depth to everything. It was like not only was
was the Shockley Brothers production like chaotic and like really

(02:39:24):
like grabbing, so were everything PE did the concepts of
the videos member Beeper Tie and that crazy you know
bass Heads video and you know, putting all of the
people inside whether it was light as the MC on
the mic like a reporter. Then they also did Black

(02:39:46):
Steel in the Hour of Chaos where EPMD was in
the prison cell, like they had like a whole group
of like rappers in prison with them.

Speaker 3 (02:39:54):
So like they just did everything perfect man perfect. And
so was that group hands down? Are you asking for
one or multiple?

Speaker 7 (02:40:04):
No?

Speaker 25 (02:40:04):
What's the one group that is eighty eight to the
nth degree for you? Like if you think eighty eight,
is there a group or a person or a rapper
Juice crew?

Speaker 3 (02:40:13):
Juice crew? Okay, that's suppose.

Speaker 13 (02:40:15):
Think about Let's think about this, guys, Marlon marl In
Control Volume one with the Symphony and everybody else mc
sham born to be Wild, Big Daddy Kane long lived
with Kane biz Marky going off.

Speaker 3 (02:40:28):
It was a Juice Crew year. I get it. But
Juice Crew also had an album.

Speaker 25 (02:40:32):
In Control Volume one in Control Volume one, So uh yeah, okay,
I get it.

Speaker 3 (02:40:40):
That makes sense. keV, you have not the only one.
I could go on on. No, I just want the
one for you. keV. You got one move some I mean.

Speaker 23 (02:40:48):
In look, if it wasn't for what uh djj as
your Jeff and the Fresh Prince did, then we never
would have had Uncle Phil Carlton. Yeah, and of course
everybody his favorite butler Jeffy. Look nineteen eighty eight, again
in eighty eight. Whenever I hear like you have public

(02:41:08):
enemy rock him, those are what I think of, you.

Speaker 24 (02:41:12):
Know, when I think eighty eight, going outside of the music,
I think who framed Rocker Rabbit? I think Coming to America?
I think Twins, Cocktail, Diehard, the movie Big.

Speaker 2 (02:41:26):
So those are the things I have associations with music.
I'll tell you a quick story and then I'm done.
Eighty eight.

Speaker 24 (02:41:34):
And it comes down to always trying to fit in
and impress and being white and wanting to be accepted
in hip hop has always been a struggle for every
person who's white.

Speaker 2 (02:41:46):
It's just the reality of things.

Speaker 24 (02:41:47):
At some point, you always want to feel like you're validated,
like you have good taste, or you know what you're
talking about, or that you you know you're down with
the right crowd. In eighty eight, so this is thirty
seven years ago. This dude named Clifford Nordy. I can't
even believe I remember the name. Black dude had a
gumby like Jeff Back in the day. That was the style,
the gumbies. Right, we're trading the ironic eighty eight baseball cards,

(02:42:13):
which isn't a very black thing. It's a very white,
suburban thing, you know, trading Matt Noak's rookies. But anyway,
I told him I really liked let's get started by
mc hammer. You looked at me and he said, Hammer
is corny. Keep in mind, this is we're in what
fourth grade, this is the eighty eight. He said, you

(02:42:33):
got to listen to Big Daddy King. Now he had
an older brother. Naturally, that's how a lot of these
people get put on the good music. Right that day,
I stopped listening to Hammer and I didn't run out
and buy because I couldn't, but I did make I
made sure the next time my mom took me to
a record store that I would get a Big Daddy

(02:42:54):
Kinge record.

Speaker 2 (02:42:55):
And that's one of the first tapes that I bought
in eighty eight.

Speaker 3 (02:42:59):
I recall that was a memory of it.

Speaker 2 (02:43:02):
That was a memory. So my association was I was
shamed into liking like Daddy.

Speaker 3 (02:43:07):
Yes, And what was the name of this guy who
did this to you?

Speaker 2 (02:43:10):
Clifford Nordy.

Speaker 3 (02:43:11):
I think you need a Clifford Nordy t shirt? Yeah, yeah, yeah,
I don't even know where that dude is today.

Speaker 7 (02:43:17):
Wow.

Speaker 3 (02:43:17):
So that was my story.

Speaker 25 (02:43:19):
He was your He was your bridge man, my gateway
to Big Daddy Kane, nice man Caine. I think you
know Rossa style can go tilt to the side. Caine
was the man back then. And there's no way that
you slept on him. So you know, whether you were
listening to Biz Caine, rock him Pe, it doesn't matter.

(02:43:41):
Jungle Brothers. This was a celebratory year. This was a
year that's worth raising a glass too. This is a
year that I still raise my glass and it never
goes empty. I'm always full of nineteen eighty eight. The
belly is full, and I love this shit.

Speaker 3 (02:43:58):
Do you guys have any albums from A eight?

Speaker 13 (02:44:01):
If you listen to it today, they did age well
and they still sound really really good.

Speaker 3 (02:44:06):
Let's talk about that on the next talk point.

Speaker 9 (02:44:09):
Okay, like the next clip, here's the name that they
should bring back. You know more people in this world
named cliffs.

Speaker 13 (02:44:17):
A method man's name.

Speaker 3 (02:44:18):
Cliffhanger. Hey, Cliff Cliffhanger. You know it's method man's name, right,
all right.

Speaker 25 (02:44:23):
That's right, wrap it up about that, so you know,
catch us on the next episode that that's what things
are gonna get interesting. We're gonna start doing some things
that warren't so popular in eighty eight but still has
the longevity and has that fresh stuff.

Speaker 6 (02:44:37):
Let's go because we got that branch.

Speaker 2 (02:44:42):
I know that, you know, all right, folks.

Speaker 1 (02:44:49):
That concludes part one of our nineteen eighty eight tribute
and our first episode of twenty twenty five. Stay tuned
for part two, drop it in a few weeks. Often imitated,
never duplicated. This is taken personal radio Roger the announcer.

Speaker 6 (02:46:05):
I'm living large as possible.

Speaker 16 (02:46:07):
Possy, unstoppable, stop topical, iss phifically obsticle.

Speaker 6 (02:46:10):
Listen, you'll see them sometimes.

Speaker 22 (02:46:11):
I'll feeling tops, critics.

Speaker 6 (02:46:12):
And punks never ever want to see me in power.
What that's too bad?

Speaker 5 (02:46:16):
A populist.

Speaker 6 (02:46:17):
Now I'm back and I'm mad. We're coming. You're running
cold and cunning.

Speaker 16 (02:46:20):
I see them the mic top gunning after your naxt
checking respect making me sweat. Ron sydneky boy in the
fact that the rap motivated Tensi Parker because Ron's fucking
worth thrilling.

Speaker 6 (02:46:29):
So with the chilling, the head off getting lighter than
the shotgun. You don't want none. Royn Pages was the
name of the album, but that was number one.

Speaker 39 (02:46:37):
This is number two.

Speaker 5 (02:46:38):
The Possy Crew.

Speaker 6 (02:46:39):
We're gonna break through.

Speaker 22 (02:46:44):
Power Power power.

Speaker 16 (02:46:47):
Somebody line upsuckers who refuse to recognize the truth type
the punks who refuse to understand the youth my pos
scoring and it's getting larger every day.

Speaker 6 (02:46:55):
Detroit, I Town pipperhard.

Speaker 16 (02:46:56):
You've been in la come on, come on, come on, toys,
let's play circle and to perpetrated the doomsday. I see
fool man in my whole full grown because that when
I speak up on the micro bone. I'm out smoking,
no joking, getting my face. Your jaw will get broken,
laying it, saying it that you're playing at lyrics so
heavy that you might trop weighing it hated my miney,
but I hate them back love.

Speaker 6 (02:47:16):
I cat you the wickeds hat you might like.

Speaker 16 (02:47:19):
You might think I'm whack, but don't step in to
me because the boys stay strapped.

Speaker 10 (02:47:22):
I'm taking no shorts.

Speaker 6 (02:47:23):
I'm hating the courts.

Speaker 16 (02:47:24):
I'm hating the judges. Pump me age with the personal grudges.
I hate to come to think with their butts.

Speaker 6 (02:47:28):
No hats.

Speaker 16 (02:47:29):
Shean's sneaking though what no beetle's no gold Yo, kiss
my ass. We'll wait and see who gets the last laugh.

Speaker 6 (02:47:35):
We'll have the.

Speaker 20 (02:47:35):
Power, power.

Speaker 22 (02:47:39):
Power, power, will have the power power power.

Speaker 16 (02:47:53):
It's talking to me like pussy. She knows she got it.
She doesn't worry gus. She's spinning your cash, leaving you
in the trash. White little hen's thinking on and the dash.

Speaker 6 (02:48:00):
They got it, know it. That's why they show it
the power of sex and make it overthrow it. E
be king of the day. No way we get rich, hard,
give it away. We're weak in After speaking the girl
are hawking, sizing me up straight out as I'm talking.

Speaker 22 (02:48:13):
You gotta have.

Speaker 6 (02:48:14):
Control if you want to go.

Speaker 16 (02:48:15):
I don't want to be alone lest alone, So I
keep my mind thinking about the green and stop swelling
on the in between.

Speaker 22 (02:48:21):
I got power, power, power, power power.

Speaker 16 (02:48:30):
I'm gonna misshit macking hard as a hammer. You take
my picture, I might take your camera my possibly my
move in they move fast, a move. We could be
a punk slash. Ain't no criminal, although it used to
be Ain't no new Jack reppenamed you to me. I've
been making records of wax since ninety eighty two. Now
it's nineteen eighty eight. Finally I'm coming through DA's up
for six years, I'm making okay chance.

Speaker 6 (02:48:49):
But now I'm mad.

Speaker 16 (02:48:50):
There comes to boxx Sam turning out concerts housing the
end of the street.

Speaker 6 (02:48:53):
It's nothing.

Speaker 16 (02:48:54):
All the five girls screaming for Ice T pulling with
the syndicate My Unstoppable Battalion thirty eight Solid Gold, Mama
doll and gaining Velocityga methom end and ge Ice Capital
T Boy.

Speaker 22 (02:49:04):
I got power, power, power, power power.

Speaker 6 (02:49:13):
So you say that I'm a fay, think you really
must be a fool.

Speaker 16 (02:49:15):
I've been in the gym a time when you will
probably been in school. Shot at shot at here. See
my play is killed. That's the finan sh in upon
the rast. I see a bill, I say what I think?
This is some god stake money? You walk, you shut
You're right from the clint, Come on, what's up? You
know the lover full of ball praying the lane release
goes with poor power.

Speaker 5 (02:49:31):
I know you want to try it.

Speaker 22 (02:49:32):
We'll take it out.

Speaker 6 (02:49:33):
Money can buy it. Control and mold the world to
be your wishing.

Speaker 22 (02:49:36):
Not to power is mind. So just listen.

Speaker 6 (02:49:38):
Money controls the world and that's it. And once you
got it, then you can talk shit.

Speaker 16 (02:49:43):
Power power power, You'll have the power power power, power,
power power. You'll have the power power power.

Speaker 22 (02:49:59):
I got the power.

Speaker 42 (02:50:00):
Got the power and the power and the power and
the power and the power, the power

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