Take It Personal (Ep 160: 1988 Tribute Pt. 2)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hey, Hey, Roger the announcer here and thanks for tuning
into episode one sixty of Take Your Personal Radio. On
this episode, we're hitting you with part two of our
nineteen eighty eight tribute. We've teamed up with the good
folks that get on down once again to give away
some eighty eight vinyl records from Run DMC, Kid and
Play and two short three sixty Lace two jam packed

(00:21):
mixes featuring classics from Slick, Rick, LL Cool, j E,
P m D, Original Concept two, Live Crew, De La Soul,
Ghetto Boys, Stetsosnic Sir Mix a Lot, schooly D and
Tough Crew. Get ready for another incredible tip episode to
put on the shelf.

Speaker 2 (00:38):
Enjoy yo, what's up?

Speaker 3 (00:40):
What up? Yo? What's up?

Speaker 4 (00:42):
Yo?

Speaker 3 (00:43):
Yo?

Speaker 5 (00:43):
Yo?

Speaker 3 (00:43):
You need to take that person, take you Parsons.

Speaker 6 (00:47):
Take take take helpful yo.

Speaker 7 (00:50):
Kris one checking out this check your personal rapio too,
yo yo.

Speaker 6 (00:54):
So it's black though from the Legend w Woods from
ge is School gep yo.

Speaker 3 (00:59):
Yo yo yo?

Speaker 5 (01:00):
What up?

Speaker 6 (01:00):
It is your boy map info minus Mars all that
shut out take.

Speaker 3 (01:04):
It R Yeah, yeah yeah. This is Josip and the
Boule Tag And right now you're listening to it taking personal.

Speaker 6 (01:09):
Take that was good, y'all with DJ Monk from the
type of School.

Speaker 8 (01:12):
Check it out.

Speaker 6 (01:13):
This is PRN Corn and check it out.

Speaker 2 (01:14):
Taking yill, Yo, what's up?

Speaker 9 (01:16):
This is Diamond D representing digging in the crates right
here and take it personoe.

Speaker 3 (01:20):
Radio Yo, check it out. It's the infamous Buck y'all. Yeah, yeah,
what's good.

Speaker 10 (01:31):
It's your boy KG y'all, y'all checking out taking personal
radio with my man fellow play Book Keavlov Ammon Wade.

Speaker 3 (01:38):
And the boy d J sixty year.

Speaker 10 (01:40):
Hey yo, yo, yo, it's boy Darren Marsh Yo.

Speaker 6 (01:43):
What's up?

Speaker 11 (01:44):
This is d nice Yo.

Speaker 12 (01:45):
What's a good job?

Speaker 3 (01:46):
Eight?

Speaker 13 (01:47):
Yeah?

Speaker 3 (01:47):
Yeah, yeah? What up?

Speaker 14 (01:48):
Y'all?

Speaker 6 (01:49):
This is commsense and we hope to yo check this out.

Speaker 7 (01:52):
This is pretty fine.

Speaker 15 (01:54):
Good to Shaman rising the thirty ve stout and table
with Damn to let you know you need to take
it personally the Purple Red.

Speaker 16 (02:01):
Man and we end up building be.

Speaker 3 (02:05):
Yo, what's up?

Speaker 6 (02:05):
This is be real and you're blazing out to take
it personal.

Speaker 3 (02:11):
The way it should be. Keep it right there. The
best in hip hop hip hop be in that fly ship.
You heard hip hop stayed winning?

Speaker 17 (02:19):
Yeah, yeah, yeah, he was once sat up from around
the way easy, but you shouldn't shut the fuck up.

Speaker 6 (02:34):
Get the funk out of here your drink. What's up?
Give me a fuck you ass baseline.

Speaker 18 (02:49):
Motherfuckings, motherfucking tres on the beat, yellows on the up close,
rich ship up.

Speaker 6 (03:00):
Up, up up, Well, I'm easy. I got bitches galore.

Speaker 16 (03:05):
You might have a lot of bitches, but I got
much more when my super duper roofs coming out the
shoot easy, motherfucker's cold knocking the boots because I'm a
hot thumpster.

Speaker 6 (03:14):
I used to be a monster.

Speaker 16 (03:16):
If they hurt, they got. I want a drug store
getting stupid because of the house. And if a sucker talk.

Speaker 6 (03:22):
Shit, I give him my eight mon something.

Speaker 16 (03:25):
And the bitches off from finish, look down ahead at defend.
Continue my tripping, hitting my switches, collect from my bitches
the money that I make so I can add to
my riches member stats by.

Speaker 6 (03:35):
To start rubbing my gun the billing good his health
because my puckets are faith a hard, cold, felling cold
warm in.

Speaker 16 (03:41):
The street and with a homiel like Drake, just supplying
the beats because I'm against having funds.

Speaker 6 (03:48):
Never leave the poot out packing a.

Speaker 16 (03:49):
Gun, getting hardest fucking I make your axe?

Speaker 7 (03:52):
What was it?

Speaker 6 (03:53):
Or you should have known by now?

Speaker 12 (03:54):
Easy does?

Speaker 6 (03:55):
Easy does? I was knock him over fort where you
from boo.

Speaker 16 (04:06):
Handing through the hood coach champion ship up, pick my
head out the window, and I say, what's up to
the niggas on the corner?

Speaker 6 (04:12):
Cold bumping the box for two knows that's an alibi
for slanging the rocks. A dice game started and said
what the fuck? So I put my shit in pock
and had to try my luck.

Speaker 16 (04:22):
Hearts and roll with my bitch jocking twenty four seven
ruler motherfuckers ate them up here.

Speaker 6 (04:26):
Eleven got another point.

Speaker 16 (04:28):
I made a ten up from was taking niggas money
and was itching for more, laughing in their face and said,
y'all making me rich to one bunk god jealous cod
slap my bitch broom.

Speaker 19 (04:38):
I just gut.

Speaker 16 (04:39):
I know he wouldn't last, so I said it to
Myselfhe moore you better thing fast?

Speaker 6 (04:43):
He shot, Then I shot. As you can see, I
coch smut.

Speaker 16 (04:47):
Is ass because I'm a gamester having fun. Never leave
the palot. I was packing the gun hidden hardest fuck
I'm making axe work.

Speaker 5 (04:56):
Was it there?

Speaker 6 (04:56):
You should have known by now, easy dusk easy.

Speaker 2 (04:59):
Wait a minute, wait a minute?

Speaker 5 (05:00):
Who does this?

Speaker 6 (05:01):
Fucking easy?

Speaker 20 (05:02):
Cha?

Speaker 12 (05:03):
But how does he do it?

Speaker 11 (05:04):
To a Jesus?

Speaker 6 (05:05):
That's when I'm telling up, man, what you gonna do?

Speaker 19 (05:09):
Now?

Speaker 16 (05:09):
Now, I'm gonna break it down, just to tell a
little story straight out the box from the Gangs of
category about a sucker, A sucker, motherfucker.

Speaker 21 (05:17):
He's addicted.

Speaker 6 (05:18):
He's a smoker. Button captain, callar cluck up.

Speaker 7 (05:20):
He used to have a house car go there rings
with the cookie cookie crop took all those things.

Speaker 16 (05:25):
He must have been stopping because he broke in my house,
caught the nigga on the street, and straight took.

Speaker 5 (05:29):
His ass out.

Speaker 6 (05:30):
Now going it for a minute that I had to commit. Yeah,
I went to jail. If that was the ship.

Speaker 16 (05:36):
She got to the station bout a quarter to now,
caught my bitch to get me out because I was
down for mine. The bitch was a trip co hung
up the fuck now. My only phone call was in
the ganking song. All the shit I did for her,
like keeping a wrench, I swear when I get out,
I'm gonna kill the bitch where.

Speaker 6 (05:52):
By now and you can't get it.

Speaker 5 (05:53):
There was just my luck.

Speaker 6 (05:54):
The man and brother station was the neighborhood.

Speaker 16 (05:56):
Fuck got looking straight in the eye and said what's
up and said let's make a deal.

Speaker 11 (06:00):
You know I do you up?

Speaker 16 (06:02):
Now back on the streets and my records of clean.
I creeped on my books with my hoozy machine, went
to the hockey, kicks down the dough unloaded like hell
on coke, smoked the whole because I'm against having fun.

Speaker 6 (06:15):
Never need to pat it. I was backing the gun.
Didn't know how to spot can make your axe?

Speaker 3 (06:20):
What was it?

Speaker 6 (06:21):
Or you should have known by now?

Speaker 5 (06:22):
Easy?

Speaker 22 (06:23):
Does he.

Speaker 23 (06:29):
Take a personal radio Episode one sixty and we are
back with part two of the nineteen eighty eight tribute,
and tensions are are.

Speaker 12 (06:38):
Hot here in the studio right now.

Speaker 23 (06:40):
It's like people sitting around Satriel's pork store talking about
what the best Italian cold cut.

Speaker 12 (06:45):
Is these days over here. But hey, we're gonna keep
it moving. We got a lot of joints on deck
for you.

Speaker 23 (06:54):
Got some of those layered cuts from those classic albums
from eighty eight, and we're gonna do it right.

Speaker 11 (07:00):
What is layered layered cuts cuts?

Speaker 23 (07:03):
The ones that are underneath the B side. They're in
the fucking sea in d Aisle. They're sitting by the
shadow and the conditioner. They're not in the Delhi or
the beer section.

Speaker 12 (07:13):
It's kind of like when Jay came over from my
Pilly cheese steak I made, and he said, you got
a fork? And I said, what does that mean? I
gotta take these peppers out. I don't eat green peppers.
I was like, what the fuck are you talking about?

Speaker 11 (07:25):
That happened today.

Speaker 3 (07:27):
Yeah, it's true. I don't like green peppers. Although keV
used the data girl named sausage and peppers back in
the day. You remember that guy, I want to hear.

Speaker 12 (07:37):
Sausage was one Peppers was her cousin.

Speaker 3 (07:41):
You had a bang bang with. I'm not a fan
of peppers, although I love hot sauce. Drake cooked up
an amazing Pilly cheese steak. But there's always, you know,
that one thing that I can't do, and in this case,
it was peppers. So I asked him to give me
a fork to kind of remove the peppers. But anyway, wait,
we're talking about Philly cheese steaks. We can talk about

(08:02):
the super Bowl at the break, but let's talk about
eighty eight, the year that keV knows three songs total,
and this was this was a year that Ray Kay's like,
what's up Mike Tyson song? Play that Mike Tyson song, Kirk, Yeah,
this was this was the most important year. So Ken,

(08:25):
this is an exciting time for Drey and Wade because
it reminds him of the high school years and Kevin
I were like in preschool, so we could really appreciate,
you know, original concept and and all those great things.
But you know what, talk about appreciation, we got to appreciate.
Get on that because we have a cool giveaway that
we're gonna do for this episode, and we have some

(08:45):
great records from eighty eight. This one is a kid
in plays too hype legend. I know you guys, I
know you had the tape, right, you didn't.

Speaker 12 (08:54):
Have the record. Maybe Dre had the record.

Speaker 11 (08:56):
I don't have the tape.

Speaker 3 (08:57):
Tougher than leather. I didn't buy this because at the time, I,
you know, I for some reason, I didn't love all
the songs I heard on it. But here's one that
I did love, and this was life is Too Short
by Short? Oh yeah, so this was what the classic
don't fit the feeling and what else that's better cuss words,

(09:19):
city a dope. So we got those records to give away. Curtis,
you don't get on down. So it's it's an eighty
eight tribute. This is part two. Dre did his thing
and threw some extra fucking peppers.

Speaker 12 (09:29):
On this mix, which I'm sure you'll want to like
dissect and take out.

Speaker 11 (09:35):
But it's all good. It's all good. It's all good.

Speaker 3 (09:37):
Listen.

Speaker 12 (09:38):
We all try to cultivate the sound. We try to
bring you back to what eighty eight truly was. But
like I said in the first episode, these artists were very,
very different.

Speaker 3 (09:48):
Man.

Speaker 12 (09:48):
Every sound that was out there was very different. You know,
to be connected to these artists, this is like the
first time you could do that. There were video shows
that really got you interested and made you understand and
know that the actual people a little bit more.

Speaker 22 (10:03):
So.

Speaker 12 (10:04):
I can't stress enough the commercial sounds of Kid and Play,
like Jay just said, that was pretty cool. The street
knowledge from NWA. Then you had Miami Bass. It was
definitely making its presence felt ye had too short iced Tea.
There wasn't a more collaborative time where people were different.
You had day La soul. Jungle Brothers, I mean they

(10:25):
gave us I'll house you who did hip house. They
were the first Jungle Brothers as an actual group, did
more styles than fucking any group out there. So cain
stets or mix a lot, Rob Bass. I mean, this
is where hip hop made the dents. So again, every
artist had their own style. That being said, part two

(10:46):
we go a little deeper with groups like Lati La
chim Chabaz, King t Mass Is a Ceremony, and of
course early Ghetto Boys and Ultramagnetic. We rounded out with
BDP slick Rick. That Great Adventures record was just a
very different record. It was produced differently, the storytelling was
like nothing we've ever heard before. So eighty eight is

(11:09):
that year. It's special. So you'll never find individuality like
this at any one time in.

Speaker 11 (11:14):
Hip hop music.

Speaker 12 (11:15):
So as we put this show together, balance is the key.
So this hits every tone for that year, there's obscure cuts.
We showed depth and diversity of the culture. This was
the year when hip hop wasn't just the genre, but
it was a movement, and these songs made us all
want to definitely learn more about the culture and dive
in full force. This is nineteen eighty eight one of

(11:37):
my favorite years of all time, and I hope you
enjoy the interpretation. I want to hear that whole thing
in Stephen Hawking voice.

Speaker 3 (11:45):
I wanted the orchestra to play them off.

Speaker 12 (11:47):
That was God damn.

Speaker 2 (11:51):
You know, back then, slick Rick, you know, you talk
about Rick and he was kind of it was like
the legend of slick Rick back then. Back then a
lot of this the only time. The only thing you
knew about slick Rick was Lotty Dottie, and you were
impatiently waiting for more from slick Rick because all you
might have is like a dusty ass tape recorded off

(12:12):
of a mixed show or something with Lotty Dottie on it,
and you're like, when is slick Rick coming out? These
are the kind of situations that we were seeing back
in eighty eight. It's kind of like you heard something
like I heard Ego tripping by ultramag but that was it.
So it was like the legend of Ultramagnetic and you're
impatiently waiting the album for the album to drop, and

(12:33):
then when it finally did, you just go crazy and
scoop it up immediately. That's the era that we're talking
about here, and that's what made it so fascinating. We
got a glimpse of a culture. You know, the four
of us are not dre originally from New York, but
we're pretty much not from New York or LA. So
you're being presented with a culture that's so new to
you that it was very easy as a young, impressionable,

(12:56):
early teenager to get very wrapped up in this this
break new thing that was so fucking cool, and every
song was different. You talked about JB's their first big
song was the house song, but that was okay because
it was so new, Whereas nowadays when somebody tried that shit,
it would get shited on immediately, terrible. That's that's not
the way it was in eighty eight, and that's what
made it so cool. Raise your hand. If you had

(13:17):
the Dapper Dan spray paint bibs, I had them, shits man,
I had the spray paint Aaron.

Speaker 12 (13:23):
If you think for a second, as a white dude,
I would ever go near a Dapper Dan fucking piece
of clothing and feel like I was legitimately fucking normal
walking down the street. You're crazy, So answering definitely know
that might have worked in Milwaukee, but believe me, I
was never wearing a bedazzled Louis Vauton.

Speaker 2 (13:43):
Shirt that you didn't have an MCM hat.

Speaker 12 (13:46):
I chose not to do that because it was kind
of goofy.

Speaker 11 (13:49):
I won't lie.

Speaker 12 (13:49):
I have an MCM wallet at this stage of my life.
But I would never have the fanny pack or any
nonsense like that because it was very corny.

Speaker 2 (13:58):
It just had We had the steel toad shoe, use
the polka dot shirt, the whole nine.

Speaker 3 (14:02):
Yeah, going to the Kevin, I had Greg Jeffreys card
you got.

Speaker 11 (14:07):
I would never wear a Dapper Dan suit.

Speaker 3 (14:09):
Like Greenwell, Gold Cup Rookie, don't hey, don't get me wrong.

Speaker 2 (14:13):
It was certainly not a real Dapper Dan. It was
some chick that spray painted some bibs for me. Had
hey or fifty bucks and she spray painted to the
LA King's logo on there for me. Anyway, Hey, I'm
really looking forward to in the break in the spirit
of digging deeper talking about some of these albums that
you might not even hear in the mix. But we're
also very very cool albums that came out in eighty eight.

Speaker 3 (14:35):
Because there's so many of them.

Speaker 24 (14:36):
Guys.

Speaker 2 (14:36):
This was the explosion year and we would get into
more of that real soon, but for now, end up
with the yappin. Let's get to the wrap and it's
eighty eight baby, let's go.

Speaker 1 (14:51):
Hey, if you're digging this episode, I mean, how could
you're nine? Please consider supporting Take It Personal on Patreon.
All members receive early access to show those exclusive episodes
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Speaker 12 (15:11):
And now it starts.

Speaker 3 (15:12):
The show.

Speaker 25 (15:26):
N w A is in effect a little earlier in
the summer, they was onna toe lll QJ that exploded.
Now they're back on their own tour, just getting the
whole bunches of money and all that type of stuff.

Speaker 6 (15:35):
Check it out, man, why don't we just jump into
the show. We got special guests. We gotta talk to
all these members of the groups who want to get
crazy involved. Jump into it, my man.

Speaker 26 (15:44):
Yo.

Speaker 16 (15:44):
The next video is called express Yourself buying w A
on Yo. I'm gonna spet some woman abilities and now
I'm little in their correction no facilities because some don't
agree what I want to do this, I get straight,
meditate like a Buddhist. I'm dropping flavor of my behavior.
It's a hereditary, but my technique very necessary. Blame it

(16:07):
on ice Cube because to set it, get funk it
when you got a subject in a predict, had it
on a don't be, then it'll make.

Speaker 6 (16:14):
Your things some something. Just take on me, play too
my stomach.

Speaker 5 (16:17):
You can stay.

Speaker 6 (16:17):
Don't throw like this one. You know what, I won't
hesitate that this one or two before him cut. Don't
try to sing this some drop scientist, but I'll dropping
English even if yellow makes it a capella. I still
express your Don't weed on that because it's going to
give my brother frame damage and brain damage.

Speaker 9 (16:35):
On the mic.

Speaker 6 (16:36):
Dog Man is nothing but making a suck and you
eat walls. Don't be another sea walls crash the sham.

Speaker 10 (16:46):
Craft ship.

Speaker 6 (16:51):
Ice Cube.

Speaker 16 (16:53):
It's not for the pop chart, so well should a
brother like Deuce. Don't expressing yourself my boy, and show
you have your trap rock English right about now?

Speaker 6 (17:02):
Getting back to the PG. That's program and it's easy
trays back new shacks.

Speaker 16 (17:08):
A man hollow espress to make the subject because they
like to follow the words.

Speaker 7 (17:12):
Let out the trip the records offend again and the
gain in again.

Speaker 6 (17:15):
Yo, you're on the other end watching brother fren.

Speaker 5 (17:17):
No front with no help.

Speaker 6 (17:19):
They don't look what I'm expressing myself. It's crazy to
see people need with society. Walcome the people, but not
me ruthless. It's the way that goes. They know I'm
the same rhymes with stem to be original or the kid.

Speaker 16 (17:32):
Whether they hear Bob sat forget about the get off
the wrap for the pop shut to some decisions comes
that home, just getting the useful fantasy wearing up on
the microphone. Yeah they won't reality, but you're hearing none
to rather exaggerate a little fiction. Some say no the
drugs and take a stance, but after the show they're
gonna looking for the job.

Speaker 6 (17:51):
Man, or they fan my group from the radio here
in some me you ain't and say hell no.

Speaker 8 (17:57):
But you know it ain't all about welcome as long
as you because no.

Speaker 6 (18:00):
Doms hash yourself, scrash yourself. You don't never please hell,
I'm go God. All you got to do now spread

(18:21):
the sail.

Speaker 5 (18:26):
Whatever you do, do it good, sir, whatever you do
do it good.

Speaker 6 (18:43):
Oh yeah, it's not what you look like when.

Speaker 27 (18:49):
You're doing what you're doing, it's to do it.

Speaker 6 (18:52):
When you're doing what you got to do it sprash
yourself that sail.

Speaker 5 (19:06):
Doing it on the wall.

Speaker 6 (19:07):
Yeah, in the town too. It remod on.

Speaker 22 (19:20):
That.

Speaker 6 (19:20):
Okay, So let the horns do, y'all not tp not
not that s not not not that trop trop not

(19:42):
there not that. Let's straped. So say say, let's strap
so to make.

Speaker 16 (19:57):
The wool shakes and bumbling the poor just I can
under play. Game t is back again with the new topic.
I went and listen too close to this topic, a
new throwback complete with the even though I.

Speaker 6 (20:08):
Transform him, I thank you for me to get taken.
How would you kick a rick?

Speaker 16 (20:13):
Why, uncle back, if you thought you would be an
rich I'm just stupid, Uncle Tom. I played leaf broak, goose, boot,
play drums, jef, dust cuts, suckers get corn.

Speaker 6 (20:22):
But I gotta break hit up for half to make
your hartshift buck.

Speaker 16 (20:41):
I know you remember back when he used to wear
super Butter gave me a toss because I was tolling
stching out a real deep boy without real to I
went downtown to see how much is the dirty years doochies.
It's kine have been a burney for Thako Chang doing
my puny him.

Speaker 6 (20:57):
It's checking now cooler end of the world.

Speaker 16 (21:00):
I gotta coying when I'm showing, I'm gotta put together.

Speaker 6 (21:06):
I gotta clear my thought on some second because I

(21:28):
need some boom to crop the wall, break the window,
shoot the room. When I'm done, take my photo. This
is how we go. No kingdom cool lyrics and I'll come.
I'll preacher should have been a picture. Let them make
preacher and then it be never given up because to
be the UMPI I.

Speaker 16 (21:44):
Wouldn't take it a scab's serious.

Speaker 6 (21:47):
They thought take it like a hit. Jump you want
to take to death. When the tree can say that,
I'm the probably say truly.

Speaker 11 (21:54):
But at the time, I.

Speaker 7 (22:00):
Gee tuly.

Speaker 6 (22:15):
And everybody wanted this going. If you feeling no right,
and you know Kings the mphee of the not, don't
bright it up.

Speaker 16 (22:21):
Let me know what's happening. Jeez, doesn't stack your father,
Kings trapping. I'm from comptent, though I traveled the next
and that from every different stay I get a different
condensation on.

Speaker 6 (22:30):
So just give me some space back up for just sat.

Speaker 25 (22:53):
Cooling and CALLI going far intributed to a grand star
coming from the West, Hollywood best.

Speaker 6 (23:00):
Believed to go for good.

Speaker 25 (23:02):
The basketting in the sunshine took a little wine attended to.

Speaker 6 (23:05):
Then you know a banter fire. Living on the beach
of the departrees. We a a sort to show off
the knees Vaska nights. If yo, you want to live it,
do what I do?

Speaker 25 (23:14):
Anything you would give it like saying I truly do it.
My way job is to work, getting paid the place because.

Speaker 6 (23:20):
I want some of this swell. I have no crews.

Speaker 25 (23:31):
You want to do me hom get no combination, they
get no belt raad a fighter and a lover. Yo,
I'm telling everything there to chail, So why was your seat?
My mother is going and this is gonna be a
friend's her fund.

Speaker 5 (23:43):
Man.

Speaker 6 (23:44):
This is sad, is it?

Speaker 21 (23:45):
Rob?

Speaker 6 (23:46):
Forget the vanity I like to pass for the road
is dark. Let them move your cruise and I'm making
my mark in history.

Speaker 25 (23:52):
We didn't no mystery, doing like a feet going for victory.

Speaker 6 (24:05):
Like a snicker.

Speaker 25 (24:06):
I tat it five overcome, don't even try chilling like
a feeling.

Speaker 6 (24:10):
But I live like a king.

Speaker 25 (24:11):
This is CALLI you know, I swing, look around, take
it in the beauty not to make chin all the
fly beauties.

Speaker 6 (24:18):
Keep your own pumping at a great wow. Listen to
the music and enjoin the style. I want to party. Yes,
has some fun the night he young and we dressing
the gun. So come along upon the journey to Atlanta.

Speaker 28 (24:29):
Know deliver you for me. You're gonna bring you home

(25:03):
star like an it don't not yet. I'm in a
thing you sucking. I'm te head to get print met.

Speaker 29 (25:09):
Hey put it like this.

Speaker 6 (25:11):
I'm in for the babel like du and to wonder
how in the bass a beat under teat me. He's
gonna beat me. Say yes to the massa.

Speaker 5 (25:20):
I'm gonna d C.

Speaker 6 (25:38):
I wanna stooping now I'm tea. I'll put the bill up.
Now I'm a preacher for the.

Speaker 5 (25:43):
One, and you don't for the boss.

Speaker 6 (25:44):
Now I'm getting baby that I'm taking a loss. One says,
stop all of this. Leave the boot from thinking to hell.
It's a feature step on the one foot fist. I
can see them in.

Speaker 21 (25:54):
I've improving that.

Speaker 6 (26:14):
I'm cooling, headed to the top where I'll be ruling DP.
I'm in the back and you're not.

Speaker 7 (26:21):
Those seconds of your chos a week to go ahead,
a week of feet every night, every week.

Speaker 6 (26:27):
I'm talking watt Man. I remember how it all begin.

(27:26):
I used to sing dirty.

Speaker 16 (27:27):
Rats to my east side man. Back then I knew
you couldn't stop this rap, you know, yim she could
watch like that And then down came the base got
deeper and gave uther the mic and brought you a
deeper Do you want to rap moresel Co?

Speaker 6 (27:42):
Brothers like you aim never broke. People want to say,
it's just my time. Brothers like you had to work
for my eight years on the mic. And I'm not joking, sir.
Too short coming straight from.

Speaker 16 (27:55):
Open callump boring up to the rock eight whoopers and
not beating down to block the short off.

Speaker 6 (28:02):
I'm leading rapping man.

Speaker 16 (28:04):
I said more, and I said again, life like big,
like this something for unbearable. Both committed suicide and that's terrible.
Boat wasn't much too much or nothing big. If you

(28:26):
live my life, you'll be fighting to lift. Life is
to me my main that set I've been doing all.

Speaker 12 (28:32):
Right to keep it just like that.

Speaker 6 (28:34):
Chill out at the house, my fact base. I'm trying
to get you ass a rock to place.

Speaker 16 (28:40):
Everybody got that the.

Speaker 6 (28:41):
Same old dream to have big money in the fancy
things rock frandws Ben's keeping back right here. Never hear
the start of once cover talk real Cliff, it's on
your home boy. What you're gonna do?

Speaker 16 (28:53):
You can take mind fights and start working food, or
you can close your ears and run your.

Speaker 6 (28:58):
Mouth in one day, home boy, you soon crying out like.

Speaker 30 (29:01):
This, like this, like this too short?

Speaker 6 (29:25):
Which you agree while I'm living my life, don't mess
with me. It's been a long time dating since I
first got down, but I still keep making he is
funky found SI.

Speaker 16 (29:34):
Don't stop rapping.

Speaker 6 (29:36):
That's my thing.

Speaker 16 (29:37):
I make a lot of money and you know what I.

Speaker 31 (29:39):
Made you like this top the babies.

Speaker 25 (29:41):
You must stay up.

Speaker 6 (29:42):
You have to say for pressing boy, don't say what
you don't live once in the calling the hill police
man trying to take you to jail.

Speaker 16 (29:50):
You can give a man time, but you don't know
in a matter of chip out running the show.

Speaker 6 (29:56):
Now another young brock want your chop? Make it didn't
money sling? Is pop cat trying to kill your cat?

Speaker 16 (30:04):
Turn around, hole boy, you better watch your back like
baby baby.

Speaker 14 (30:08):
Oh yes, let's call The Great Adventures of Slick Rick
it's a really really good album.

Speaker 8 (30:12):
I produced it.

Speaker 6 (30:14):
I'm paid already.

Speaker 32 (30:14):
You don't have to buy it, but buy it more.

Speaker 6 (30:17):
Money and my, fucking my, fucking my, fuck down.

Speaker 14 (30:20):
The world is your young world, the world young well
young world world is your us. It may cause concern it.
Why don't you listen and learn? Love that once was
strong but you society even that's turned wrong? Time chat

(30:42):
that is cool to look bummy and be your dumb
dummy and disrespect your mummy.

Speaker 6 (30:47):
Have you who put you on this or pump?

Speaker 14 (30:49):
But you who loved this is your birth? Reward is
a brainwash? Kid going will young little girls already have
at your that company and now you've been framed there
hurt it at a shade any of yourself and your
mommy can't coke. Hey, little kids, don't follow these don't
have your life, don't drook, don't be your fool like

(31:14):
those that don't.

Speaker 32 (31:14):
Go to school, Get ahead and accomplished.

Speaker 14 (31:17):
Thanks, you'll see the one that and the joy life brings.

Speaker 32 (31:21):
Don't admire the thieves, hey, they don't admire you.

Speaker 14 (31:23):
They are times limited hard rocks too, So listen. Restaurant
stream whoope to go for yours? Because dreams come true.

Speaker 32 (31:32):
And you'll make it so proud of you soon and that.

Speaker 33 (31:38):
You know what you.

Speaker 22 (31:42):
Know, you.

Speaker 16 (31:48):
Know, you know what?

Speaker 32 (31:56):
Hey, don't you look fly?

Speaker 14 (31:57):
Don't have it? O, my my my, you've been fighting
again and you forgot why Hey kid rock straight master?
Yeah high wow, because you make your family cry and
all jokes aside.

Speaker 32 (32:10):
Are you in good health? Have you really checked yourself?

Speaker 14 (32:14):
You're a discuss you know someone that I can trust
you and.

Speaker 5 (32:19):
You've want a.

Speaker 32 (32:19):
Massive dust and big shot you are not.

Speaker 14 (32:23):
Your friends are talking and I'm hearing that check outs of.

Speaker 16 (32:25):
What you didn't know?

Speaker 32 (32:27):
Go steal the raw, Go get a zoop for a
jar home.

Speaker 14 (32:32):
You see you're acting like this urge just demanding.

Speaker 32 (32:35):
Oh wait, God, have some understanding. Society is a weak excuse.

Speaker 6 (32:39):
For a man.

Speaker 11 (32:40):
It's as time to.

Speaker 8 (32:41):
Take this stand.

Speaker 6 (32:43):
Believe it or not.

Speaker 32 (32:44):
The Lord still shines on you.

Speaker 27 (32:46):
League guys.

Speaker 32 (32:47):
Handy watched you.

Speaker 11 (32:48):
As you group.

Speaker 6 (32:48):
Plus that's the age of a little.

Speaker 32 (32:50):
Child, that's true. But folks your age don't act like
you do.

Speaker 6 (32:54):
So have put the void to a home.

Speaker 32 (32:58):
I would should act like an adult.

Speaker 5 (33:00):
Don't live Hey, hey, hey, put.

Speaker 14 (33:03):
Yourself together and get yourself straight and Hey, most don't borrow,
and your kids just go crack tomorrow.

Speaker 32 (33:11):
So email thank kids. Do your chores make your own money?

Speaker 14 (33:15):
Hey, be brown, that's your lot because that's a that's
brain snow spike staying out when it comes inside. And
man is a think God's like because righteous doores are
overdue and this is so much just at the root
of breakthrough.

Speaker 7 (33:31):
And straight.

Speaker 2 (33:35):
You know, the world world.

Speaker 5 (34:06):
Shared sh sh.

Speaker 34 (34:10):
Sh mamelo lop say what's cone played bos' already once?

Speaker 6 (34:15):
He said, don't I say, for we can do this?

Speaker 30 (34:17):
So I bumped into the thought.

Speaker 6 (34:19):
Then my brilliant I caught in. I agree because I.

Speaker 5 (34:21):
Already do this.

Speaker 34 (34:23):
Now you s your winiplex because I'm full of fact. Queen,
I see what is old rot?

Speaker 19 (34:27):
This sex?

Speaker 34 (34:28):
You been bagging the time for somebody's rhyming the sex
for free.

Speaker 35 (34:31):
But I'm so lofty wat he thinks for me? I'm
foolis he just knows me it's doing in the mic.
It's like in my head, I'm fooling. So prepare your
moth for my life. Fine and meet the new Queen
of royal madness.

Speaker 6 (34:44):
I think my husband's spend.

Speaker 5 (34:45):
So what heck?

Speaker 34 (34:46):
Pure the water again, drop into the rath of my madness.

Speaker 26 (34:49):
I snea Turne gets in like yeah, y sometimes.

Speaker 34 (35:00):
Seen that both and arrogant bain and you to each
other to compete with these subjects. I'm cheaty, goes mysel
and I'm waiting like mazaad or Robin's so delicious you
could eat it.

Speaker 6 (35:10):
Tell the roll on to like my text. I don say,
I'm like it.

Speaker 34 (35:13):
It's rants for those you go through right and just
be exciting. Every what else is working A lot of
think age. It's not a fort your thoughts, a shrinking
p and on on now get you know, like on
a woman. It's not of me, this strange say d
even it's not on me. Brothers, that's my holts, little
projects like I wis shy to have a love of
Oh my liking this so early spa shot. It's just

(35:33):
caught me, your highness, it's it a the little light
of my mad dad.

Speaker 24 (35:36):
I suck you.

Speaker 11 (35:38):
That's in my yalla tone.

Speaker 6 (35:41):
Oh may fuck, that's in y'all.

Speaker 5 (35:45):
We're not working.

Speaker 6 (35:45):
Learn word about its.

Speaker 34 (35:48):
Always ever last thing and then relapsing on the words
that I'm reading the rule of health, the ways Lord
Brandy and music is made.

Speaker 6 (35:55):
I'm walk to forty five. Change your tremble for on
my temple.

Speaker 34 (35:59):
Come back in all the base the boys it's just
the same and the face the problem.

Speaker 26 (36:04):
They love me.

Speaker 34 (36:04):
The brother Stip only loves the strengths of it by
blasting whites.

Speaker 6 (36:08):
Not is a book, you know what? Because of bumming.
Often it's the DJ markus loving.

Speaker 34 (36:14):
So like Sopa sounds that a pumpet. I'm talking with
Kennedy to tell your mat gladness, Joey, just get into win.
Then your mandolin of the wreath of my madness.

Speaker 6 (36:24):
What's getting?

Speaker 5 (36:26):
Yeah?

Speaker 6 (36:30):
Getting the yah post.

Speaker 11 (36:34):
Way.

Speaker 12 (36:36):
So you're a philosopher, Yeah, I think very deeply.

Speaker 3 (36:40):
Do you think people really care for each other?

Speaker 11 (36:43):
Hmmm, so that will bear some thought that.

Speaker 12 (36:49):
Well.

Speaker 11 (36:50):
Basically chaos my main Chris.

Speaker 36 (36:54):
And throughout my course of rhyming and so on, I've
dropped the eye.

Speaker 3 (37:00):
RS down the line. A couple of other krs just
started to come out. So I started to label myself KRS.

Speaker 26 (37:08):
One.

Speaker 36 (37:08):
I gave each one of the letters a meaning which
the entire name of me knowledge reigned supreme over nearly everyone.
DNP was basically designed one was to grasp that street
image the street light lay and to put it in
a mainstream sense because the ghetto has no one.

Speaker 3 (37:30):
To speak for the peace for them.

Speaker 6 (37:32):
Lesi did what where?

Speaker 19 (37:33):
Why?

Speaker 7 (37:34):
Oh wait, We'll be explained like the structures to a game.
See I'm not just saying.

Speaker 6 (37:38):
In fact, it's kind of rational when I'll be asking
what dramatic is this?

Speaker 7 (37:42):
Went on that one, the white one of the black one,
and I'll jump up to a tap one, Harris one
is just the gotta lead a crow right up.

Speaker 6 (37:51):
To your face. And did everyone saw me.

Speaker 7 (37:53):
On the last I'll cover holding a pistol something far
from a lover aside my brother sh I just laughed
because no one can defeat me this election number two.

Speaker 6 (38:04):
My philosophy Number one was poetry. You know it's me.

Speaker 7 (38:08):
You know what's my philosophy? Minnie artist gotta learn I'm
not Flamma for I don't burn to please south burn
it and learn to earn respect. That's just what j
a your life to see what then you expect when
your father so form you walk down the street and
get jumped and not that has stopped, and learn you
rich and everybody's gonna wanted this suit like me instead

(38:30):
of the south Brook enemy suck it else.

Speaker 6 (38:32):
He had a response, I think we can. I know
that they don't want to tempt from the bronx is
the thing, and we're realized, dude, correctly a lot of sucking.
I can't forget me.

Speaker 23 (38:43):
They can't.

Speaker 6 (38:44):
It's like a champ. I had got a winds in
a second.

Speaker 19 (38:49):
The height.

Speaker 7 (38:50):
I like that you should get loose. I haven't gotta
tell you I got Joe. I just too to create anything.

Speaker 6 (38:55):
On a higher level.

Speaker 29 (38:57):
I'll be back.

Speaker 6 (38:57):
Are now just sackless sample that you hear.

Speaker 2 (39:00):
The man keep it.

Speaker 3 (39:01):
I don't even think that was your said.

Speaker 6 (39:05):
About worst seconds. Let's see if you want to get
your city.

Speaker 7 (39:09):
I'm playing to play the talking you're wore on my name,
So I guess I'm just started. But should I say
something the artists? Something more concepts and there. I wanted
to yo because I'm gonna teacher this guy this stllar.
It ain't about money, because woll make dollars less wide.

Speaker 6 (39:26):
I'm walking with my head up.

Speaker 7 (39:27):
When I need a whack brons, I get fat up
reps like I read out of a lot of games,
A lot of suckers with colorful names.

Speaker 6 (39:34):
I'm so and so I'm this, I'm flat up, but
the orts.

Speaker 7 (39:39):
With black why I'm not white or red or black,
I'm brown.

Speaker 6 (39:43):
From the Bookie down.

Speaker 7 (39:45):
Productions of ports my music be fun with I'm to
say they're bad, but they're fucking whoever show yourself. I'm
now about hip hop, about the Night's melody and settler rock.
I get a pen a pencil for mark up really
what I write it for the avenue your some have
ceased be talking and talking trying to show how black
people are walking. But I don't want this way to

(40:07):
more drain or reinforting stereotype. Something change like on My
Brother's Eat Chicken and Watermelon to a broken English and
drug selling. See I'm telling and teacher feel fast going
with something in rap that's kind of lacking and lack
creativity and intelligence because they don't care because they company's
selling it. It's my philosophy on the industry. Don't father

(40:29):
dissing me or even WI should we suffing dilute or
commercialized for the lyrics because it's about top one of
your hair and every first man from.

Speaker 6 (40:37):
The intelligent brown man, a vegetarian.

Speaker 7 (40:40):
No go or ham or chicken or turkey or Hamburger,
because to me, that's suicide self murdering. I heard him
better know what we call him and what admit to
DJ Scott Larrock.

Speaker 24 (40:59):
Rock for me, a personal link, a.

Speaker 37 (41:03):
Vocal extraorder now and if you need her get just
pull up a chair.

Speaker 38 (41:06):
Don't need to count down. Just the steady be to
be gone and I'm going for mine. Be first to
let me inform. I'll rock the chick quick and you
dun so the stuff that's right step in my path
and you're gonna get struck because they're I'm holding this
and not like the tempo. I'll take control from the
end to my introit like a heart beat, never out
of synk, which rhyme is to change and my voice

(41:26):
is the link. So why make them connect? They're not
the personal defect. Decide them all black so that I
can collect.

Speaker 37 (41:32):
I'm making paper tongue thing. You know the Lord to
trust you had enough, I thought someone can see the lust.
If you want me to go on my rom just
flow on. The Only time I post my TWT to
go on another ship a.

Speaker 38 (41:44):
Little harder and loud, or when I dropped the bike,
they come up and say, how the hell I keep
the fat, skip the sit and space still the crowd
like a foot without leaving a trace, because I just
hard and I don't miss.

Speaker 37 (41:55):
But even if I did, I just hit on this.

Speaker 6 (42:03):
On one two in breeze.

Speaker 38 (42:04):
Don't nobody moves. I got the sport settled and my
avengers the brew. You can do this, you can look out.
I'm gonna pick for I'm called the king strips. Now
here's the kick off.

Speaker 37 (42:14):
Spent cleaning my mom, keep rolling freeze, don't you to breathe.

Speaker 6 (42:17):
I'm gonna keep going rout, scoop.

Speaker 38 (42:19):
The slack full around with the rack to pump it
up and live for rock a field with track, and
I take the level, the meat up, the beats and the.

Speaker 6 (42:26):
Teet up your more.

Speaker 38 (42:27):
Just that pull up distance is what you know to
someone like me to lead, Just like a leader. I'm
like the book of life. And I hope your good
readers turn the pans. Now Themsella's on stage and that's
French for those who you who let the brain and
the cans just open your eyes. Take a good looking
the voice, the rhym the beat is just hooky.

Speaker 19 (42:44):
Yeah.

Speaker 38 (42:45):
Because I'm hip, then I'm a rashi tam set off
the wall on the stall. Ain't nobody exam. When I
say beat you tip, I mean.

Speaker 37 (42:51):
It's spirit to lift in run with the rhythm. I
can tell if you're listening. But if you're not, and
you try to exist like yourself, call.

Speaker 20 (42:58):
It a day.

Speaker 30 (42:58):
I'll hit you with this.

Speaker 6 (43:01):
Yeah, yeah, it's good.

Speaker 10 (43:02):
Your boy, who'd you left?

Speaker 7 (43:04):
Right now?

Speaker 12 (43:05):
You got checking out?

Speaker 10 (43:06):
Take the personal radio with my man fellow flavor Kevlar
and the wade and the boy Jason.

Speaker 20 (43:16):
Cut twice still you believe the fat you can taste
of blood to go downstraight.

Speaker 6 (43:26):
The so and then knocked outside the dollar stand down,
breeding with you inside.

Speaker 20 (43:32):
Reading did you beat down warm somemo?

Speaker 6 (43:49):
When I was five ys oh, I realized there was
a row at the end.

Speaker 25 (43:52):
I will win lots of pls gold, never cook to break,
never made a mistake, took time to create, put this
money to make a billionaire. Yeah, he saw worked for
years some night, so sat the tears, who sat a
bria fifth through hard times even works broad time and
if people store off, treat the floor and found I
was sort of the water taking the next man's quarters,
breaking my back with the shop for half quarters or

(44:14):
my man power the four bucks an hour to the
time I rode Browns in the shower. Chooses guff because
the road gets rocking, wing out of my rocket. Took
the box seems stuff to know on the freaks from
steep took my chest a week ship a turn the
upper cheeks. So started to see a way to get
a play. It may be one day I've been performing
up the store for a decent thing, no matter how
it's seen, or always cast a dream or before the

(44:36):
springs and suckers can't cray dream the body for five
years straight fun of lee. I gotta pray cross my
first plate. The road ain't yellow and there ain't no witches.
My name is another road. I used to stay it

(44:57):
on the block, so it cooked off box money, fucking
up a sock because it really were clocked. Tell her
full time of things swinging jackets and jeez exact things,
anythings just a uncle of beef.

Speaker 16 (45:06):
The casts coming fast, money like grass. People won't get
full the past that don't even last. She didn't want
to be a golf put the money will get your
pick up police to fly.

Speaker 25 (45:17):
Some people I knew died murdered some homicide for plottles
of suicide, honey cherry, living like a star, and I
wasn't too far from a jack walked far in a
small town casino, the town's appucino to all of the girls,
A pretty point Valentino, A shout of the stores, and
I can't down to us collect this scarf. A little
neighbors boys singing like z broke many next side joke

(45:38):
it's the folk. I let the pistol smoke, Jill, your
members sent the froom. Now tell a game showing Nicholas
and down the sun shine away.

Speaker 6 (45:45):
What a half bad?

Speaker 25 (45:46):
From my shoes to my path in the first time member,
life's blowing the money to Dad's not the time turned
and my life's out.

Speaker 6 (45:51):
Switches money was kicking my mother brow.

Speaker 37 (45:54):
To the richard.

Speaker 6 (46:04):
A parmful month for drugs, he eventually barks.

Speaker 25 (46:07):
Look at for a crack on Corfe's a rucks, squill
of tails to the pill of still cells, driddles, spoiled
kids from heroin and oil. Well cors the tight on
the opposite side of smoking a pipe and the beef.
I got hype Corse racks, the riches, switches made the witches,
they come switches, spotty packs and plush had got painted
the town red, people flat as a foot tracks had

(46:28):
the best.

Speaker 6 (46:28):
That means tad ain't.

Speaker 25 (46:29):
Not the worst deceas things got eras pullus got released
palms for planning the kids for kids now, in fact,
this was a way to get back at.

Speaker 6 (46:38):
And the means we're trying to clock cheese a month.

Speaker 16 (46:40):
Lock Now they forever not seize players of rand pages,
win for ages.

Speaker 25 (46:45):
Some god knocked and locked the sidecages. Some bit the
tough for a crumbson crush. Ain't God we trust now
rops the rust bruss packs of cops, policeman drops the
blue walks, top win the pistol, win pop trot, put
soldiers rolling like bowlders, hours of paste and there a
horse can go over. Some young male put in jail.
This lawyer is so good his bail it's on sell.

(47:07):
Looking at the hour glass, So I'm looking at the
power glass.

Speaker 6 (47:09):
Moca's number.

Speaker 25 (47:10):
So buddy already fell. He likes to eat hearty party,
be like John Gotti. Then tryper Maserati whipping the kettle
wing in Jelly's yellow mellow yellow fellow tell on hell
hello for tape to turn an outlaw to and in
may the state shook the Moup state robber create lakes.
They're out of weight to wait, to wait until breaks.
The soiler takes so he thinks to be a man,

(47:32):
but he can't stand on his on two feet because
now he's in the new land.

Speaker 6 (47:36):
Who's French and so is.

Speaker 25 (47:37):
Light with your fak with a shape, talk with a knife,
nothing like style.

Speaker 6 (47:41):
So Amita, you turn the more money and harnt more
money to hurnt little pull just running the tea route
for broke.

Speaker 5 (48:08):
Pa thing enough.

Speaker 16 (48:09):
Such pressure is forced pools the boss obginal and everything
I do, especially when I'm doing it to you perfect lines.
Every time I say, brin want to a condo? You
know me for help, I'm not myself, not sitting on
the bottom part of dovel top self tim thinking, bine, exposure,
nothing one that owes your father.

Speaker 6 (48:28):
One that told the experience is to thin.

Speaker 16 (48:31):
Get you gotta have it, so get minute after I
think for real, tell me one way to t o'clock.

Speaker 6 (48:36):
Fies go out of five becauhing Winny is here.

Speaker 16 (48:38):
I'm making the claire. I'm saying it too much off beat.
You can't talk about pint of this ball. I won't
side a cold forget about.

Speaker 5 (48:46):
Mine.

Speaker 39 (48:53):
Don't falt that situation is miniature, more or less immature.

Speaker 6 (49:07):
You buy a little bit premature. You need to get
up on some lute. Miniature my day and night till
my hair is taped t think about yours. I'm not
that tape. Oh god, you think I am? Play me again,
sir and black?

Speaker 5 (49:19):
What what happened?

Speaker 6 (49:20):
I start snapping the artous lot, sir, and I'm the captain.
Listen to the daughters that I'm.

Speaker 25 (49:25):
Giving, gonna let it me know when I'm living, never
riding on a site that the body's.

Speaker 6 (49:29):
In the basement points up to me. I see the improvement.
Wait to my man brains.

Speaker 25 (49:33):
You must be a safe, full of dress, simple and
please call me a stark.

Speaker 6 (49:37):
Watch me shine.

Speaker 5 (49:39):
Like pie.

Speaker 30 (49:47):
Don't feel like para.

Speaker 6 (50:15):
Word. Jungle brother jab for sure. I might have been
my mom and were you're most bought. But since he
was a brother, I thought that would be wrong.

Speaker 3 (50:28):
So I let him go.

Speaker 40 (50:29):
I let him run along, run along, I might rhymes
like I come from New York City. I did this
been the music down to the nitty gritty, running downstairs
like it.

Speaker 16 (50:36):
Five days a week, searching and sicking for the baby
Bear beats the.

Speaker 12 (50:40):
African rap that comes from within us.

Speaker 6 (50:42):
Brothers hurt about it now they wish they could have
been us. We did an album with no problem. Now
we're working on another with another Jungle brother.

Speaker 11 (50:50):
You tip his name.

Speaker 40 (50:52):
He's at the business now, at the games such you
tip when the light turns green.

Speaker 6 (50:57):
Wrapped the bone and showing what I'm mean, my bone.

Speaker 21 (51:00):
This is what I mean.

Speaker 6 (51:01):
A brag of gap.

Speaker 41 (51:03):
And here's the sea Q tip future from a chop
called quest So the Junker Brother's album, Oh Yes, look
at the dust. It's just coming out soon a month
after March two before Tune.

Speaker 6 (51:13):
It's nice. But if I leave Shah Mohammed my.

Speaker 41 (51:16):
DJ, who real dollar, He and I pulling the Funky tribe.
If you want to get rid of just fill the vibe.
We are extremely writiant to.

Speaker 6 (51:26):
Be hurt like Ogin did it.

Speaker 41 (51:29):
It's not your goner. Your wise to get something because
you're going to wa blam that thing you hear from me,
the tipful quest my DJ's singing from the next skills
to so listen to the word to say the promo
to the bewildered, let it be said, I make you
more like DJ man, sob keep winter light turns red,

(51:50):
go stop.

Speaker 6 (51:51):
To see the head done, show gone, Show gone with sell.

Speaker 42 (51:57):
I'm going with straight to the top eating crazy fruit
so I can't stop swatting here.

Speaker 6 (52:03):
Listen to the LP straight out the Jungle from the
JP's Baby Bamboots keeps you the base bottom bouncing.

Speaker 42 (52:09):
Suckers, Leader rim girls, ouncing women and Shin girls Shin
from to the record store to see if this.

Speaker 43 (52:16):
N remixes out fixes we write it. You like it,
rap music, house music, no matter what it is. The
abs can't do with do within.

Speaker 44 (52:37):
Me and condensation that home away from home in the
black Ben's Limo with us that you love Phone.

Speaker 8 (52:42):
I'm calling up the pussy.

Speaker 44 (52:44):
It's time to get the ripping Uprea can eat sun
rub to keep you suckers stripping. Everybody's looking at your jails,
turning around the AMD to the ground.

Speaker 6 (52:53):
We're getting good grips from the.

Speaker 8 (52:55):
Fifty series tires.

Speaker 44 (52:56):
The Alpine's bumping, but I need the volume higher because
he ate away kicks from Mexic curlies get done. We're
rolling rain there and then jealous want to get some
every time we do. The sucker mcs want a battle
on them. Man, they love to hate that j Are
you wean them? Seattle picked up the posse on twenty
thirty Jackson heading for the strip. Yes, we're looking for
some The limost kind of crowded. The hoo call was

(53:17):
leaning back. Mahaazi's watching TV with two girlies on his lap.
On Martin Luther King that said, looks kind of dead
and we need a new street. So passy move ahead
and we all look kind of swat the crew. You
can't forget the mix a lot, possy, said.

Speaker 5 (53:35):
My girl and then my posse.

Speaker 44 (53:56):
He was getting kind of bored. There's not another posse
with more points score. We don't walk around like women.
Those offles like big Gorilla. My homewoy get sensation is
does teenage lady kill all Maha rockies on the death side, dancing.

Speaker 6 (54:07):
Like a free the girl his booty and then these
gets Wheat Layr is.

Speaker 44 (54:12):
The white guy people make it funny, a real estate
in Vexta who makes a lot of money in lots
of dollars. We all got the gold cruising in his
bens and ain't got no place to go.

Speaker 6 (54:22):
Well in twenty third we saw nothing but thugs.

Speaker 44 (54:25):
The girlies was too skinny from smoking all them drugs,
though the rocks man and got them in their.

Speaker 6 (54:29):
Bucks just dropped.

Speaker 44 (54:30):
The freaks looked the breath because our bens won't stop.
At twenty thirty Union, then driver broke left. Kevin shouted Broadway,
it's time to get depth. My girl bloom Maia kiss,
she said, I was the vest. She's looking mighty Rickey
and all black sils draft. The closer that we get
look crazy. I feel my puffy's on Broadway. It's time
to get to ill.

Speaker 16 (54:50):
He quick about noon, just stuff that I had to
be in Compton soon. I gotta get drunk before the
day be kids, before my mother starts bitching. My friends
about to go and damn near with blind young niggas
at the path throwing up gang signs. Ran in the
house and grabbed my cliff with the mac tin on

(55:10):
the side of my hip. Bail outside and pointed my weapon,
just says I thought the fools kept stepping, jumped in
the poe, hit the juice on my ride. I got
front back inside to side. Then I left the alpine
play play plumping new shit, buying w a. It was
gangster gangs at the top of the list. Then I

(55:31):
played my old shit. It went something like this, cruising
down the street in my sixth fot jocking the bitches,
slapping the horse, went to the park to get the scoop.
Knuckleheads out there, cole shooting some who a cab something?
Who can it be a fresh alchemina roller kelo g.

Speaker 20 (55:50):
He rolled down the.

Speaker 16 (55:51):
Swindle and he started to say, it's all about making
that gt me because the boys in the hood are
always hard to come talking that trash will pull your car,
knowing nothing in life.

Speaker 6 (56:02):
But to be legit. Don't quote me, boy, because I
said ship ship tuk out. Fuck the free work work.

(56:45):
I want to take it back. Two hugs and fish down.
Let's go full up. Let's do the dog.

Speaker 7 (56:51):
You can suck my dick in the door. You just
do what I have, bitch, Ben, don't let me rout
your backside like the dogs g each other. I know
that you're waiting to those door fucking. I don't want
to be a back move, so.

Speaker 22 (57:09):
Ll not.

Speaker 16 (57:16):
Boy. Let me pull up your shirt and suck. Yes, lady,
I love your soul. The time we made my takets
drone be ahead of the man. Now it's my chance,
give me some time to take off the pats. The
time has come, come in front.

Speaker 6 (57:29):
Of this droun and drawn.

Speaker 5 (57:30):
Let's move.

Speaker 6 (57:31):
So let's put a room better foot hotel. Then pluck
this game can't.

Speaker 16 (57:49):
Bring this lad, Just do not you turn time on
the door and ride this dick tile this song, this
on your lips, put him in the buck.

Speaker 6 (57:56):
That's the way I'm like the fuck, it's real support
start really no hotail tail.

Speaker 18 (58:10):
Tail pluck.

Speaker 32 (58:24):
I can't aboux what.

Speaker 6 (58:25):
Are you gonna make need?

Speaker 45 (58:26):
But in my en, this girl keeps singing to me.

Speaker 12 (58:51):
What's up? What?

Speaker 6 (58:52):
Before you know it's me back on the scene. It's
umpt shot there.

Speaker 45 (58:55):
I've been away for a while, I've been on tour,
but I'm back becking my vinst Look Betty to get loose,
stash those doubts because everybody know what I'm more love
about about sucking the house without no delaying. So get
on the store because I'm snop slaying because I can't
the rock for the young lady. But in my this
girl keeps singing to me, Yo, baby, you wanna do what.

Speaker 12 (59:32):
I want?

Speaker 6 (59:33):
A man man looking for.

Speaker 45 (59:34):
Mc to sing stakes can win and see shot here
will struts you up, throwed you in a hip hop
cheech to like a baby, Give you a couple of
by you up there, a couple of toys. Many sent
in the corner. Coach killed black Lord, don't bother me.
I'm not your age. Sentis you want a battle means
we can take it to the States. And then he
was fine, you can't leff from me because I'm the dominator,
shot and I'm foky, friends out the back and winner
make a cut. I used two sports stuff to win

(59:55):
a cut finish. I know when it's down because you
know the checks and it ain't nothing less than I
can't the young lady. But my answer because he's singing
to me, yo baby, you want to.

Speaker 22 (01:00:05):
Do what.

Speaker 6 (01:00:09):
I'm as.

Speaker 26 (01:00:25):
Super sonic.

Speaker 46 (01:00:29):
Supersonic supersonic bout of baby rhymes are agent. Everybody knows
d J J Fast, that's Phaisy. We know you're lockless girl,
so your better.

Speaker 47 (01:00:43):
Get stirlcause we are the whole chicks that are rocking
your old world. Supersonic Supersonic. Supersonic is a word when
people like.

Speaker 30 (01:00:59):
Listen expressly begging people. They take those tough tensions.

Speaker 26 (01:01:04):
You might nothing, you might not even buy it, but
when they comes our.

Speaker 47 (01:01:09):
Lady, you might even try it supersonic, supersonic.

Speaker 30 (01:01:18):
Hey, very day, I'm like Skinning said, don't know what
any intending. That's right, I'll take it.

Speaker 46 (01:01:22):
Tom answer at everybody.

Speaker 6 (01:01:24):
Say I'm happy. If you try to handle me, you
should finance always devastated.

Speaker 45 (01:01:28):
Rub a lady when I want to see the obviously
stated fregers a difference, and.

Speaker 6 (01:01:32):
Everybody say I'm different. There's no mother. It's a love.
Everybody knock of a client and I'm er.

Speaker 30 (01:01:36):
Everybody knows what else will be.

Speaker 45 (01:01:37):
You can tell everybody love love love.

Speaker 5 (01:01:48):
That was a bit.

Speaker 30 (01:01:48):
That's it, that's it.

Speaker 21 (01:01:50):
Super sided.

Speaker 6 (01:02:11):
My first taste some Miami Face came on my first tour.
This I gotta relate.

Speaker 45 (01:02:15):
I was at the hotel, had nothing to do, flicked
on the radio, herd the July flu gotta dancing around
left him with downtown brought up some more.

Speaker 6 (01:02:22):
Ship because the ship was down. And then I said
to myself, in New York at night, in the faith
for in Miami, that's where they got the deepest faith.
Miami Face for fa.

Speaker 48 (01:02:46):
This may be hard to believe, but in Miami, I
ain't even wanted to leave my see little girl so fine.

Speaker 6 (01:02:52):
She taught my eye with her business bro chicking. The
song did put her try and so she wrote down
contact with her look that said come, I got real closer.

Speaker 8 (01:02:58):
Then I tell her phone wrung.

Speaker 6 (01:02:59):
It couldn't say. I wasn't in a serious place because
in Miami.

Speaker 25 (01:03:02):
The girl's got the deepest base, Miami base.

Speaker 6 (01:03:22):
In Miami. From my freshman mod, I seen the flying girl.

Speaker 3 (01:03:25):
So I said, well, no she was white for light.
So we're on.

Speaker 6 (01:03:27):
It's so nice. Asked my name, I said, my name
is the light. I said, now where do you go
on Saturday the night?

Speaker 42 (01:03:32):
If you said downtown, I know the princess fight and
for your taste, that's my for your place going Miami,
your nose the deepest.

Speaker 30 (01:04:03):
Me shut what my thing?

Speaker 3 (01:05:06):
What my th?

Speaker 49 (01:05:08):
What?

Speaker 14 (01:05:08):
What?

Speaker 6 (01:05:09):
Me?

Speaker 5 (01:05:10):
School?

Speaker 13 (01:05:15):
School?

Speaker 6 (01:05:19):
School, school? Out?

Speaker 3 (01:05:27):
Come up?

Speaker 6 (01:05:28):
Come come up, come up too much? Come up, Come
up from come up from up, come up, come up
from Rome, from from out from the.

Speaker 30 (01:05:54):
Come up, come up?

Speaker 6 (01:06:00):
P pay what for me?

Speaker 19 (01:06:41):
Keep from this.

Speaker 6 (01:06:44):
Fos You get your record, your rare roof.

Speaker 2 (01:06:47):
Or whatever sound.

Speaker 10 (01:06:48):
If you choose a sample, just you know, try not
to sample that that's gonna get you set uh base
record on the timetable, go to added sample, to the
channel your hand and level up.

Speaker 50 (01:07:04):
Everybody's saying what to do when sucker Luna things starts
digging and chewing. They don't know that the soul go
for that potholes in my lawn, and that goes from
my rhyme sheet, which I concentrated so hard on sea.
I don't ask for maximum security, but my dwelling is swelling.
It lit my butt when I happened to fall into

(01:07:26):
a spot when no ink on an ink was on
the scroll, I just wrote me a new mold. But
now it's gone because those suckers do that. I hate
to recognize that every time I'm right, it's.

Speaker 30 (01:07:36):
Going pot holes in my lawn.

Speaker 33 (01:07:45):
I found that it's not flying to lou my garden
untended because times has now parting.

Speaker 6 (01:07:51):
On laws of privacy. Even paws are after my rite
a seat.

Speaker 51 (01:07:56):
I pursue that everyone's saying what to do when sucker
a braying upon my well God and spreadsheets.

Speaker 6 (01:08:03):
Oh why hell does this?

Speaker 33 (01:08:05):
An upleas of evil doist through the big hold that
gets an evil doers dig hole, which leads.

Speaker 6 (01:08:12):
My lawn lawn shoe.

Speaker 33 (01:08:14):
I think a better plan traces to give clues, or
better yet, call nine one one and when they get here,
I informed them on the plug one of double chair
and have them realize the reason the concern of the
soul because we've come down with a case of pot.

Speaker 5 (01:08:41):
A man to the city came.

Speaker 33 (01:08:47):
Job man, sat it man.

Speaker 12 (01:08:53):
Wrong.

Speaker 29 (01:08:55):
I was doing that outside of home.

Speaker 3 (01:09:03):
I don't.

Speaker 15 (01:09:08):
Menna, now you got the less it what to do
when you drive that that I predict the truck tuning.

Speaker 50 (01:09:30):
It's a shame when you deny to claim that you
stole my words of thing that I wrote in my
rhyme seat which I concentrate so hard on seat I
don't past four or five wide fence beat.

Speaker 2 (01:09:41):
My dwelling is swelling.

Speaker 32 (01:09:42):
It lit my buck when I hampen to trail into a.

Speaker 50 (01:09:45):
Spot when those eight or in at was on a stroll,
I just wrote me your new mold, but now going because.

Speaker 3 (01:09:51):
Those suckers knew that.

Speaker 6 (01:09:52):
I hate to recognize that. Every time I'm fighting, it's gone.

Speaker 30 (01:10:00):
No its notting faces.

Speaker 52 (01:10:04):
Marble shall be couple cool should yo?

Speaker 6 (01:10:57):
Yeah you're a barber nil.

Speaker 22 (01:10:59):
The one that called the big Daddy Kane is here
to deliver a message to everyone that beware, so listen
enough party because you should here it's store farm away, atmosphere,
be real and barb yon compare all's the sale and
rather debon nail. So let's go gather around because I

(01:11:35):
off to a place your thought was unreal with people
of the world. Do know how to chill everything, remain
school and calm where you are. And if you ask
about crime, they all say they wouldn't even know what
you mean because it's a different program.

Speaker 6 (01:11:48):
Y'all know the routine where people.

Speaker 22 (01:11:50):
Work hard for a decent buck and you can wear
a truck jewelry without that stuff, never wonder ring whether
your house is all right. So go leave your vc
R on the porch overnight and ask for the people.
They all stand proud senior citizens. Party with a hip
hop crown if you can hand kind of damn till
the break of dawn and leave without your ballet shoes
getting stepped on. Everyone walks around in there right minded

(01:12:11):
off because crack ain't nothing but a.

Speaker 6 (01:12:13):
Hole than the warm. So the limp with gleam and
claim that's a play, that this can be done, and
yelp you.

Speaker 53 (01:12:43):
Drinks off a pig to let it be no not
don't play other rappers, they wouldn't slip slide in a way,
y'all of the go luppies the toe you gotta go
through me to get the Rick C and I'm dead
leave I'm telling stoppable.

Speaker 6 (01:12:55):
It's unbelievable.

Speaker 53 (01:12:57):
Pull out a record and will the cheaper new hype
push your fight till we reach our destiny.

Speaker 6 (01:13:02):
Break yourself for this because the recipes it's like a drug.

Speaker 53 (01:13:06):
You gotta shoot the violators who just lie to your prosecutor.

Speaker 6 (01:13:09):
Because it takes the minarmity. Give them a thorigny keep
being j C.

Speaker 53 (01:13:13):
And Rick ce Pard will be the curt push it,
shove it at, push it the l A T e E.
My part will be the saying, and.

Speaker 6 (01:13:20):
You don't obay it, Rick Player.

Speaker 53 (01:13:22):
That's the symbol of togetherness and that's the way it
is positive and never for negative fronting. You want something
or y'all gonna never get mine. Because nothing from nothing
leaves nothing. It might as well do something up to
beat up till Papa jest. Letting shoot it, get into
it new way to have to take it.

Speaker 13 (01:13:38):
Patients waiting to here for new here, Yo, you want
to press who the press to your pressure lost.

Speaker 6 (01:13:57):
Come over Alda with stress and now don't give a
about you doubt.

Speaker 53 (01:14:01):
You have to cloud the steps too, so take a
good look at who you're staying in next to.

Speaker 6 (01:14:05):
I'm a pull, so now you know that I'm a veteran.
I'll look the crowd to job.

Speaker 24 (01:14:09):
It sounds better than Jude.

Speaker 53 (01:14:11):
Maybe it's me over it that you for want a heard,
ben you of me and Rick c come because it
ain't working. It's stars God mold than middle je. Don't
need some everybody else the will to adjust what you
can't do. Take the plant you tz way down in
the dirt and it'll hurt too many your bust. Maybe
you should just bust the dollar a man, go and walk.
It's yo, fun far up there going po sif be

(01:14:33):
sholing you. The right way to get paid is by
knowing how to rap, how to act.

Speaker 6 (01:14:38):
In fact, yo, you'll hurt me. You and breeze through
with philber n phiblic nat.

Speaker 16 (01:14:52):
Pre name to your super let's that's how you're doing
a night or the black eyes a fly girl.

Speaker 6 (01:14:56):
Welcome once again to the world famous fist the match
and a rapper jack of a. Of course, I asked
ser Jesus as you kick off thirty minutes of non
stop and music, turn.

Speaker 39 (01:15:05):
The boxes up in the big fighting, big time big shots,
big time good.

Speaker 5 (01:15:09):
Shot Prince.

Speaker 54 (01:15:16):
Hipo Sound went through stages and balked on a trip
as a flip through page to set the particular park
while the bridge on the hudsond I first gotten hand,
while the Brons and the Cuts sitting for my mistake
and making two records.

Speaker 6 (01:15:27):
Mikes and certain d James had a few dope tricks.

Speaker 12 (01:15:30):
He has to get on.

Speaker 6 (01:15:31):
You will be there against y'all sing a few holes
in her yes, yes, yeah, y'all.

Speaker 54 (01:15:35):
They had battles of the neighborhood. Jock Center used to
take the jam right straight.

Speaker 6 (01:15:39):
To the box every now and bring you here gunshots, Rich,
just dump, what the fuck do it? Ain't no thing
but I thought with shots was just a few princes.

Speaker 5 (01:15:46):
With buck pop pop juice against.

Speaker 26 (01:15:50):
Sat down the dog ship pop what's that down the dog?

Speaker 5 (01:15:54):
Please to do it out.

Speaker 30 (01:15:55):
In the far pase to do it out in the farm.

Speaker 20 (01:16:00):
Out the dog, out the dog this time.

Speaker 6 (01:16:05):
See just to put your way.

Speaker 54 (01:16:09):
At the time when you jump for joy, anything that
hey you y is back back.

Speaker 29 (01:16:14):
Your friends made jokes.

Speaker 6 (01:16:16):
You packed it up and get out of the park
bot only to the cow mason, the man man, I'm
shot the bad to the equipment save.

Speaker 5 (01:16:23):
What is the message?

Speaker 6 (01:16:26):
Is the message?

Speaker 49 (01:16:27):
Say?

Speaker 30 (01:16:28):
What is the message?

Speaker 6 (01:16:38):
Was the chance of reasoning? And think that the colde
made the whole thing?

Speaker 34 (01:16:41):
See can't see.

Speaker 6 (01:16:43):
Flan one time?

Speaker 54 (01:16:44):
No, I can't forget about the queens of the plate
which I made my mother and those resistor trying to
discuss full and buck up, don't fix really got.

Speaker 8 (01:16:54):
I've seen the titles.

Speaker 54 (01:16:54):
The eyes are many changes took me to see the
gun in the pack let him Let give your mother.

Speaker 30 (01:16:59):
From a great you don it just preeces of the ancient.

Speaker 54 (01:17:03):
Rape, but the flights of the frowns now days.

Speaker 6 (01:17:06):
Just wave your hands in the air and way people
like just don't care if you used to do it
out in the.

Speaker 54 (01:17:13):
Plot man you say oh yeah, oh yeah yeah, assign.

Speaker 26 (01:17:20):
Damn hop same house, don't nam hop say house, and
don't do it outs.

Speaker 6 (01:17:29):
It out in.

Speaker 8 (01:17:48):
Without play.

Speaker 6 (01:17:49):
I don't know what it is about this beating and
we have here, but it shore is.

Speaker 16 (01:17:58):
I don't know what it is about this gruve to
see a meganist move, but it shows.

Speaker 6 (01:18:05):
It's time to rap. Shall we go in and play
back braw We can get okay with the best will
just up you know just how it had to be.

Speaker 11 (01:18:15):
Just take a look around.

Speaker 16 (01:18:16):
Boy, can't see guys rush shit girls and just rust
wist rocks the scratch.

Speaker 6 (01:18:20):
It hurts because sat in the stage for the stage
to get set off. I'm want the rhyming and dancing
his channel kid off because you been off more than
you can shoe. No, what's the dynamic duo over?

Speaker 5 (01:18:30):
Dude?

Speaker 6 (01:18:31):
Well, the go go things. I'm gonna rock and swear.

Speaker 12 (01:18:33):
You got a roable kid in playing now.

Speaker 6 (01:18:35):
Everybody says the way it started, sweet wats and videos.

(01:18:57):
We're here to tear it up. S Come on, here
we go, coming up. This is hot put stuff plate
can't get enough of that.

Speaker 25 (01:19:03):
Body, don't don't don't give them you wanted to don't Sam, that's.

Speaker 11 (01:19:07):
What we're given.

Speaker 6 (01:19:09):
Kidding play driven by you know.

Speaker 7 (01:19:11):
Can I was living.

Speaker 6 (01:19:12):
We say hey, you know the boys haven't.

Speaker 26 (01:19:14):
Got it made.

Speaker 6 (01:19:15):
I'm betwin.

Speaker 16 (01:19:16):
I'm a fellow with the hot top pain down to
the sound, you know, without turning out kidding my.

Speaker 6 (01:19:22):
Shower shout road the road. I'm serve.

Speaker 16 (01:19:55):
Not not not not not, but you ladies wanna see
be l A y n K I D and not
like the rest so stylars death that we were saying
ourselves as the very best owner bike more we bringly
to me.

Speaker 6 (01:20:11):
So your whole damn body, we.

Speaker 16 (01:20:12):
Will control your So stay calm, don't get along, gonna
be like your ladies with a deadly charm.

Speaker 6 (01:20:18):
Gonna go to work or your fellas too. Make you
want to do the things we do because we can't play.
It's in your test. You gotta kee rock into the
go go sound. You gotta keep walking all day or
night with the night time the mike over my soul,
shake kids, your shirt, the town. We've got the best
fall around to do. So when as the d J

(01:20:40):
get in and play, everybody say nobody saying yes yes, yes, yes,

(01:21:25):
yes yes.

Speaker 3 (01:21:28):
Coming out of Mixed one that was rolling with Kid
and Play, and you guys know better than I do.
Kid and Play. Were they super popular in eighty eight
Because I really didn't know them until, if I'm being honest,
until House Party, which is nineteen ninety, I think.

Speaker 12 (01:21:45):
I wouldn't say that they were the most popular. Here's
the thing to see a dude with a fade like Caine,
that's extremely light skin. You almost thought he could have
been white. And they kind of went the part yeah,
and they kind of went the comedic route. It was
almost gimmicky, and we weren't used to gimmick stuff going

(01:22:05):
on in nineteen eighty eight. These were hardcore dudes. You know,
Cain came out with a fucking high top fade, but
Caine was not gimmicky. So to have a gimmick dancing
all that shit, it was a little awkward and you
didn't really know how to approach it. But the fact
that you saw the getting funky video where those dudes
could dance like no one's business that the foot, you know,

(01:22:28):
click thing together and then jumping through the foot, you know,
it wasn't that kind of dancing. They were really like
breaking and getting down. And to be honest, Herbie Lovebug
was the fucking premiere producer of the time, and this
was a little deeper than say, like a Salt and
Pepper record, so number it was great.

Speaker 31 (01:22:46):
Would you say they were like the male saltan Pepper, Yes,
even the Salt and Pepper us, your dumb end. They
were in the tramp video yeah, that's how they That's
when they were first seen. They were in the tramp
video and then they dropped that single last Night, which
is on the album, and it's from.

Speaker 2 (01:23:00):
Much earlier than eighty eight, but a really dope song.
That album. Half of it was really really good and
then half of it was really corny, but it was
good enough to where you skipped through and just hit
the really good songs over and over and over. Pretty
good album, and it was a lot of fun. And
yeah they were so they had a fucking cartoon a
couple of years later.

Speaker 11 (01:23:19):
That is true, Wade. I forgot about that.

Speaker 3 (01:23:22):
So you said something that I want to know if
you feel like that is the case for a lot
of the records of eighty eight. You said half of
it was really really good and half of it was
really really corny. Now, I don't think many albums were
like ill Mack where he had like ten bangers or
or nine whatever. And let's let's take run DMC for example,

(01:23:44):
tougher than Leather. Right, you had Runs House, you had
Mary Mary, you had beats of the rhymes, but I
think the B side was kind of weak, right, Like,
I'm not going out like that and do That was
how You Do It?

Speaker 6 (01:24:01):
D was really cool.

Speaker 12 (01:24:02):
I think it was good, But I think, really, Jay,
what you're getting at is these producers for the first time.
You gotta remember hip hop records that came out in
eighty eight. If they sold one hundred thousand copies, that
was a success. So the fact that these dudes were
for the first time thinking can I make a commercial
record that can cross over and get white kids, Black kids,

(01:24:24):
Puerto Rican kids dancing in nightclubs. Can I get a
club hit as well as a radio hit? They were
thinking for the first time. Differently, they were saying, can
I make hits? And that is what I think was
happening in nineteen eighty eight. Can I make a hit
but still be hard? And that's where it was all going.
Big Daddy Kane was a hardcore hip hop rapper. You know,

(01:24:46):
his lyrics were strong, but then all of a sudden,
there were like, hey, he could be a sex symbol.
We can make this smooth kind of rap where he's
like the ladies man. And then the video with the
next album, Yeah, the videos kind of played into that,
but smooth operator. I think we're like, let's try a
little of this to see if that can like rub
off and move in that direction.

Speaker 11 (01:25:07):
That's all I would say.

Speaker 2 (01:25:08):
I would say that Tougher Leather is far and away
their best album.

Speaker 12 (01:25:11):
They wait, wait, come on, slow down doing this. I
don't know why you do this.

Speaker 3 (01:25:17):
I mean a lot.

Speaker 2 (01:25:18):
What's better than Tougher than Leather that run DMC made
as far as the whole album, tell me.

Speaker 12 (01:25:22):
One, God, there isn't one that's crazy.

Speaker 2 (01:25:26):
What's what's better Raising Hell?

Speaker 3 (01:25:28):
Not at all? First, that's you know, in every episode
you are good for one of the most crazy, absurd
opinions on the planet. You're saying that's the best run DMC.

Speaker 2 (01:25:42):
Absolutely absolutely, but they're all pretty damned special other than
Raising Hell. Yes, that was more impactful though, because that
was like the o G the first one. When you
when you compare the quality of the songs and like
what they do in the songs and how produced in
the sound, it's such a huge jump up. It's like

(01:26:04):
jump up, like pe jump up. It's a huge jump
up in sound. Listen to it again.

Speaker 3 (01:26:10):
We're gonna agree to disagree, but again in the break,
you also said that you couldn't get with coold Wrap
after the second album, So I mean, yeah, I could
here wild opinions, man, why we Love You? And that's
you know, your aa ron from millawauke A. So this
is the necessary balance. Going back to the question though, Dre,

(01:26:35):
do you think many albums back then really have like
a handful of dope joints in the rest of or
fillers or do you recall that many albums that were
like dope throughout.

Speaker 12 (01:26:46):
The entire It was really hard to get us straight
out the jungle, you know, it was really hard to
get you know, albums that had multiple, multiple songs that
you didn't skip. The audio two album Good there's a
few tracks that were fantastic.

Speaker 11 (01:27:04):
But that album couldn't hold water.

Speaker 12 (01:27:07):
But you know there was two or three that were like, damn,
it's just so out there and different and amazing. So
people it was all filler back then, and if they
got one or two major tracks, I mean, rob Bass,
I mean, I can't stress this. It was a terrible record.
Album Power wasn't great. The Sonics album wasn't great.

Speaker 3 (01:27:27):
Great songs, but I don't think that was one that
had more than half and very.

Speaker 12 (01:27:32):
Few could be an EPMD strictly business. I mean, very
few could be a Day, Last Soul.

Speaker 3 (01:27:39):
He was the best, an album that was pretty solid
front to back.

Speaker 12 (01:27:43):
Bdpron was phenomenal front to back.

Speaker 2 (01:27:46):
Yeah, but if you know they they definitely had some
some duds. Every everybody had a couple of duds for sure.
I think if you had more than half of great
songs on your album, you were doing great.

Speaker 5 (01:27:57):
Yeah.

Speaker 12 (01:27:57):
Absolutely, A way you could attest to this, weren't they
doing fucking love songs? And DJ cut? So you had
like three songs J intro and they were good. But
what I'm saying is you had like three songs that
were like slated for the record that had nothing to
do with the group.

Speaker 11 (01:28:15):
Do you know what I'm trying to say?

Speaker 12 (01:28:16):
So in a mix of twelve to fifteen songs, you
had three that were already had nothing to do with
the group. So it was really hard to have back
to back hits.

Speaker 11 (01:28:27):
It's just the way it was.

Speaker 2 (01:28:28):
The first show. I feel like we played the hits.
We played the ones those were the strongest, Those and
Loves you probably know a lot of the words to them. Well,
let's go down a list real quick of some other
really good albums that came out that year that we
didn't get to speaking about last show. And here are
just a few examples. I made some notes, believe it
or not. We talked about life is too Short already,
so I'll skip that one. We talked a little bit

(01:28:49):
about King t Actapool, a really good album, guys, that
kind of came out of nowhere, and I think the
bass video really set it off. And the use of
the two DJs in the video was huge. That's what
made it so.

Speaker 3 (01:29:01):
Hip hop to me.

Speaker 11 (01:29:02):
And it was do you know who produced that track?

Speaker 3 (01:29:05):
Bass?

Speaker 2 (01:29:08):
Was at DJ Pool Di Batt, Bobcat Okay, I know
it was some care Yeah. Hey how about Duby Fresh,
World's greatest entertainer. You guys remember that album?

Speaker 6 (01:29:16):
Yeah?

Speaker 12 (01:29:17):
Again, perfect example of what Jason was talking about. Half
not not even half good. Maybe three songs that you
would play out other than that did not work?

Speaker 11 (01:29:30):
Didn't work.

Speaker 23 (01:29:30):
So all those like best of eighty eight mix rap
albums that I bought in like nineteen ninety three had
all the songs that we really gave a shit.

Speaker 12 (01:29:41):
About the US, Right, that's right, all right, good.

Speaker 3 (01:29:44):
No doubt.

Speaker 2 (01:29:45):
How about we played Posse on Broadway? Swass another awesome album?

Speaker 11 (01:29:50):
Again?

Speaker 14 (01:29:51):
Yeah?

Speaker 12 (01:29:51):
Wait, not an awesome album? There was about three songs
maybe that you could listen to. The videos helped sell
the record when we were four team butter.

Speaker 2 (01:30:01):
Note Biscuits was great.

Speaker 12 (01:30:02):
I don't even that now.

Speaker 11 (01:30:03):
That is paralle No, it's no good.

Speaker 12 (01:30:05):
No, yeah, I didn't have a tape that I remember
that tape.

Speaker 23 (01:30:08):
I remember in fifth grade we went on a trip
to Washington, DC, and I remember this, this kid in
my class brought that cassette tape and I listened to
that album and that's when I got down with the
cert mix a lot.

Speaker 2 (01:30:24):
His voice on Posse on Broadway was excellent, man, and
the video really made the song. Videos were a big
part of everything, and.

Speaker 12 (01:30:30):
They were I'll tell you an album that I'll tell
you an album that did not have one hundred percent hits,
but as it aged they became bigger hits. And that
is the Bismarcky album.

Speaker 2 (01:30:42):
Great album.

Speaker 12 (01:30:43):
So when it first came out, it did not everyone
wanted like, you know, ten types of vapor songs, you know,
really major hits attached to a video. You thought like
this was like that's.

Speaker 11 (01:30:57):
What we were looking for, very juice crew.

Speaker 12 (01:30:59):
But the truth is twenty years later, maybe even more
those songs that were kind of like on the low,
really became standouts, and they were fantastic, like.

Speaker 11 (01:31:11):
This, Mark is going off, is going off, picking boogers.

Speaker 2 (01:31:16):
Hyming with the big exactly so many good samples.

Speaker 12 (01:31:20):
Producers were using it in their hooks and scratches, and
that kind of made the songs become, uh, you know,
living infamy.

Speaker 2 (01:31:29):
And he was he was more serious about rapping then.
It wasn't just a big clown show.

Speaker 11 (01:31:33):
But we didn't know that, do you know what I'm saying?

Speaker 2 (01:31:36):
No, picking boogers was yeah, of course, how about the
cash Money and Marvelous Well Sleeping Bag Records had a
whole bunch of stuff back then.

Speaker 12 (01:31:46):
Yeah, they did, but you know, coming out of a
different style, you know what I mean.

Speaker 2 (01:31:50):
And you guys enjoyed the danger Zone album from Tough Crew.

Speaker 12 (01:31:54):
Oh I love it.

Speaker 11 (01:31:55):
Tough crewis. I will say this. I will say this,
and I think I've mentioned it.

Speaker 12 (01:32:02):
I don't know if I mentioned on the show, but
DJ Too Tough I saw in concert run DMC Tough
Crew Beasts, and I want to say it was in
that eighty eight time and Too Tough fucking ripped up
the set. This was in Miami Baseball stadium and nobody

(01:32:24):
fucking touched the Tough crew that night.

Speaker 23 (01:32:26):
Now, there wasn't any baseball stadiums in Miami in nineteen
eighty eight.

Speaker 11 (01:32:29):
Yeah there was.

Speaker 12 (01:32:30):
It was like in the field and let me say this,
there were gunshots while while his set was going on.
And dude, no one ripped turntables like that because no
offense to run DMC or the Beasts. But like, uh,
you know, the Beast's DJ was just not great. Hurricane
Hurricane Hurricane Dude, he could barely scratch and for the

(01:32:54):
most part, neither could jam Master j God rest his soul.
But too Tough was doing shit like Cash Money, like
he was ripping shit up, and he was the hottest
fucking scratcher back then that were putting out records.

Speaker 3 (01:33:09):
Was it already like a given that Philly had the
best DJs when you when you consider Cash Money and
two Top and now Jeff because Jeff Miss.

Speaker 12 (01:33:21):
I mean, they did have the best DJs. I don't
know how, but they did.

Speaker 2 (01:33:25):
And I'll tell you what. Philly was a serious, serious,
a serious competitor. And why back then they had a
ton of music in eighty eight. Think about it, man,
I mean it all started with like Steady b This
schooly D dropped Smoke Some Kill, which was a good album.

Speaker 11 (01:33:42):
That was a terrible record.

Speaker 2 (01:33:43):
You listen to it now and you might not like
it as much, but at the time it was pretty
It was pretty fresh in eighty eight.

Speaker 11 (01:33:49):
But eighty eight did start off a nice new crop.

Speaker 12 (01:33:53):
You know, you had the fabulous life with Hilltop Hustlers
all of that, I mean, and it did change and
bring some new blood.

Speaker 11 (01:34:03):
That was nice.

Speaker 2 (01:34:04):
When you go back and listen to the Jazzy Jeff
and Fresh Prince record, Now that was a double album
which was super rare. Yeah, yeah, yeah, and it was
kind of like the first album had most of the
rapping songs and the second side had a lot of
d J Jazzy Jeff featured songs.

Speaker 3 (01:34:19):
Yeah.

Speaker 12 (01:34:19):
It was only one more set though, wasn't it.

Speaker 3 (01:34:22):
But it was really long on record. It was actually
a double album.

Speaker 55 (01:34:26):
Yea.

Speaker 3 (01:34:27):
All these all these like Jazzy's in the House kind
of records or the Human video game like those are
like it was like at the time, like you know,
like DJA Premiere, Deep Concentration, It was like stuff like that.

Speaker 11 (01:34:40):
It was like mixing on record.

Speaker 3 (01:34:43):
Yeah, but like I think I want to say the
first single didn't even It was brand New Funk and
like that's probably one of my favorite word songs made.
I think it's very bad, but they didn't really blow
They didn't blow up until I think parents just don't understand.
Yeah came out after No No. Brand New Funk was
actually the lead single off the album. I don't think

(01:35:06):
it had much success. It was the two that came
after the video.

Speaker 23 (01:35:11):
The video was big Yeah, and it wasn't there a
song that had like the jingle from I Dream of
Jeanie or something.

Speaker 12 (01:35:17):
It was the first album Rock, the first album Rock
the House had some great cuts, magnificent jazzy jezz, the
touch of jazz.

Speaker 11 (01:35:25):
Holy.

Speaker 23 (01:35:25):
Let me ask you guys this in nineteen eighty eight,
did you pin Will Smith to become like what he
became as far as like being in a sitcom and
then blown up through Fresh Prince of bel Air or
did you guys think, going back to talking about Kidd
and Play earlier, do you think like like Will Smith
kind of emulated what they did No and they took

(01:35:48):
it to another path and got to another tier.

Speaker 12 (01:35:51):
I don't think so, because Will Smith would have never
had his success without Benny Medina. So Benny Medina was
the kind of visionary and there's all types of rumors
out there about some gay shit, you know. And because
originally he's the producer of that show, he's Jlo's you know,

(01:36:11):
he's Jlo's manager. Fresh Prince of bel Air was offered
to somebody else. Mc shan was fucking offered to mc
shan get out of here, yes, crazy, And Benny Medina
was telling shan on some like download shit, hey, you know,
and he's like, I don't get down like that motherfucker

(01:36:34):
that was supposed to be emc shan's show.

Speaker 11 (01:36:37):
Really crazy crazy stuff.

Speaker 2 (01:36:39):
I'll tell you the thing about Fresh Prince, I kind
of knew he was going to be big. It's his
persona and his charisma on on the camera and on
the stage. He commanded the stage man. And he was
a good fucking rapper. I mean, you can freestyle.

Speaker 3 (01:36:53):
He was good.

Speaker 2 (01:36:55):
And he he just had the charisma like an actor,
like he didn't have to try.

Speaker 12 (01:36:59):
It was nat just kind of like people like Rock,
the Rock from wrestling.

Speaker 2 (01:37:03):
Yes, yes, he was like the Rock.

Speaker 12 (01:37:06):
He took his presence from the stage and from an
mc and he incorporated that into his acting and it was.

Speaker 23 (01:37:12):
Just imagine if mc shan took the role and Will
Smith would look like what mc shan looks like.

Speaker 16 (01:37:20):
Toffee mantu toffee, a sola shaman shizzle with mas.

Speaker 6 (01:37:26):
He already notes, see back in the day they could
solace your ass.

Speaker 11 (01:37:31):
My career is fucked because of the ship.

Speaker 22 (01:37:33):
I did.

Speaker 19 (01:37:33):
Ship.

Speaker 6 (01:37:33):
I said about.

Speaker 49 (01:37:34):
Bennie Boat and he has a trailer and he has
the Shan Shannon is one of those dudes so that
get off of the ramp in West Palm on forty
fifth and.

Speaker 2 (01:37:46):
He's holding his sign asking me selling flowers. Yeah, did
you guys like light as a rock?

Speaker 3 (01:37:53):
I'm like Sean Price, man, I didn't listen to female rappers.
That's crazy.

Speaker 12 (01:37:59):
Well, I was young, so in nineteen eighty eight I
listened to Paul al.

Speaker 11 (01:38:04):
And guess what, and guess what, Sean Price loves fucking light.

Speaker 3 (01:38:10):
Sorry, yeah, no, I know, but at eighty eight, I
so young. I really didn't like Hey.

Speaker 2 (01:38:14):
The first time I heard her, I thought it was
a teenage boy because her hair well kind of looked
like yeah, her hair was crazy, and she was wearing
a sweatsuit. I thought it was a teenage boy.

Speaker 11 (01:38:24):
Without the without the hear no, we we'd have no idea.

Speaker 2 (01:38:28):
I didn't know until I saw the video.

Speaker 3 (01:38:30):
She's the voice of the Grammys.

Speaker 11 (01:38:33):
It's first time every years.

Speaker 3 (01:38:35):
That's a nice little gig.

Speaker 2 (01:38:36):
For she's She's one of just a few of them
that is reverse aging. Yeah, straight up, she is reverse aging.
Her and Pepa Peppa is a lot of surgical But
mc light looks young as hell. I don't know what
she's doing, but damn go Light.

Speaker 3 (01:38:53):
Would you say Light is the best female lyricist?

Speaker 12 (01:38:58):
I think I think Queen lat might be up there too,
But back then I didn't think that.

Speaker 3 (01:39:03):
Well, so like Gunhead, who's your Who's the best female
rapper of all?

Speaker 2 (01:39:07):
Rod Digga?

Speaker 11 (01:39:08):
Yeah?

Speaker 12 (01:39:08):
See, now you're going into the new stuff and it's
just it's different.

Speaker 56 (01:39:12):
But for back then, it was probably Light. It was
probably like and Queen Latifa was slept on. She was great,
she was good.

Speaker 2 (01:39:23):
I agree, So it could flip a coin. I'd to
flip a coin between the two.

Speaker 3 (01:39:28):
keV like Nikki D.

Speaker 12 (01:39:30):
Nikki D had a jam with d Jam. Yeah, sounds
like a brought up like, Hey, we.

Speaker 2 (01:39:35):
Played Antoinette and I said this earlier Antoinette to me,
sounds like a female rock him.

Speaker 11 (01:39:40):
Yeah. I mean definitely that sweet tea vibe.

Speaker 2 (01:39:43):
You know, Oh it's my beat.

Speaker 11 (01:39:46):
Yeah, sweet tea.

Speaker 3 (01:39:47):
That was it.

Speaker 13 (01:39:48):
Man.

Speaker 2 (01:39:48):
Listen, this was just a special time, just like ninety
four ninety five was for you guys, Jay and and keV.
This is that special window where you're just so impressionable
that it was everything, and that's you know, that's why
we know every word to every song, and it's you know,
we smile and think of these memories. And you listen
to the album and even though it doesn't age well,

(01:40:10):
you still love it anyway. And even some of the
songs are super whack, you still like him anyway. That
kind of stuff, it's sentimental.

Speaker 11 (01:40:16):
This era was tight, kind of like Kev's T shirt
when he leans back.

Speaker 23 (01:40:21):
So so right now we got we got Taylor, We
got Taylor Swift and Travis Kelsey. I think back then
you had Debbie Gibson blowing, Mark Bavarro Gotta hope.

Speaker 12 (01:40:30):
So you had Lisa Lisa and Cool cham which I
got to watch that special.

Speaker 11 (01:40:35):
Did you see that, Aaron?

Speaker 12 (01:40:36):
They're doing Alisa Lisa like Lifetime movie or some shit.

Speaker 11 (01:40:40):
Like that about her life, about her life crazy? You
don't even know. This is a great story.

Speaker 12 (01:40:45):
What network I want to say, It's like Lifetime or
one of those female networks.

Speaker 3 (01:40:52):
So let's get in the mix too, And when we
get out of here, I'm gonna tell you how you
can enter to win these records, and we'll talk a
little bit ball and we're all on to another chapter
of Taking Personal. Season Season ten, Season nine, what's the season?

Speaker 23 (01:41:07):
We n nine?

Speaker 14 (01:41:11):
All right?

Speaker 3 (01:41:12):
Nice? What's uh?

Speaker 12 (01:41:13):
What's uh?

Speaker 3 (01:41:14):
What's off? Mix to dre? What's the first banger?

Speaker 12 (01:41:16):
Loana Lisa Baby getting into the Great Adventures?

Speaker 3 (01:41:19):
Loana Lisa. I like rap songs about bitches I don't
want to hear, all right, they all sound like scarlet
when NAS trying to wrap like a email. All right,
let's give them Mona Lisa.

Speaker 1 (01:41:40):
Hey, we hope you're enjoying episode one sixty. Keep it
locked in and find out how to enter our get
on Down giveaway later in the show. For now, check
out Mixed two featuring The Jungle Brothers, Audio two, Biz Marquis,
Public Enemy, King T two Short, Masters of Ceremony and
MC easy better Know it is Craig.

Speaker 19 (01:41:59):
Macins Ladies and gentlemen and low lives.

Speaker 32 (01:42:24):
It is without standing pleasure that we are here to
present tonight slick Rick Arrula and mc ricky d doing this.

Speaker 19 (01:42:33):
Smash hit Mona Lisa, you know, like a picture.

Speaker 14 (01:42:37):
Anyway, I'd like to take this time out to Bob
before his divine majesty.

Speaker 6 (01:42:44):
Can I kiss your hand?

Speaker 19 (01:42:53):
I'm your highness. They await you.

Speaker 57 (01:43:00):
It's a great storyteller, is someone that can joins.

Speaker 58 (01:43:02):
Audience in entertain.

Speaker 57 (01:43:03):
Them a lot more of them, and they're willing to
pay for this element identity, style, longevity. The whole rap
community adopted self populent style, hookads, the pumas, British workers,
clock qualabies, and then the colors and the cagos. This's
the whole part of the uniform. We all just adapted
and ran with it. The jeury came about like kind

(01:43:25):
of just a mannequin. So it's like trying to give
the manic an even more spark, even more beauty, just
add more flavor to yourself.

Speaker 12 (01:43:32):
It's a form part of the resume.

Speaker 57 (01:43:34):
You know, give something to look at, shows you your status,
shows you have style with jewelry too, and put jewelry
with the clothes and you have your mydentity, your own personality.
Who got all of stoff from the Jamaicans? The clock qualabies,
the slacks, Cago hats and the gold see.

Speaker 19 (01:43:49):
The jewelry and stuff like that.

Speaker 57 (01:43:50):
So a lot of stoff came from the Jamaican element too.

Speaker 5 (01:43:53):
What have I given? Hip hop?

Speaker 12 (01:43:54):
From what I hear from the audience is stories, So.

Speaker 57 (01:43:57):
They call me like greatest story teller and all that
kind of stuff.

Speaker 32 (01:44:00):
So I would say stories and.

Speaker 12 (01:44:01):
Humor and rep form.

Speaker 57 (01:44:03):
I felt I was established, you know what I mean?
It was different tax brackets, so we was off and running.
Fifty years later, you look back, you know, you're like
the godfather of begin You gotta keep the game shop
at it relevant. You know, I just got the lifetime
of chievement from the Grammy. It's like a status symbol
type of.

Speaker 6 (01:44:18):
Things, just being like a mail clerk.

Speaker 57 (01:44:20):
So going from a mail clerk to performing in Madison
Square Garden was a big jump, higher tax bracket. It
was like Cinderella story type of things.

Speaker 32 (01:44:29):
Well, it was one of those days.

Speaker 2 (01:44:31):
Much to do.

Speaker 32 (01:44:32):
I was chilling downtown my school crew. I went into
a store.

Speaker 6 (01:44:37):
A girl and what ling us up?

Speaker 11 (01:44:39):
At lasta swimming You know what excuse me, then, God, you.

Speaker 6 (01:44:44):
Look nice away your money, she said, sunlight and years.

Speaker 32 (01:44:50):
I'm just kidding, but that's off the compliments that she had.
I'm minding her. And when I smiled, I almost blinded up.

Speaker 6 (01:44:57):
She said, he stopping with me.

Speaker 19 (01:44:58):
It seems like you have a I'll go to ha
ha ha.

Speaker 6 (01:45:02):
I had to find that money, so I said, no, child, to.

Speaker 14 (01:45:04):
Work hard for the money and calling me please, don't
even try, I said, I need to spice some people.

Speaker 16 (01:45:09):
Turing me quiet.

Speaker 6 (01:45:10):
She almost got a good shore, you know, scissor.

Speaker 14 (01:45:12):
She tried to disrespect who the grand wizard me, what's
your name?

Speaker 12 (01:45:16):
Rickey?

Speaker 14 (01:45:16):
But not to be so harsh, I said, Simona, I'm sorry,
and I known a slow class.

Speaker 6 (01:45:21):
Please tell me a little about you.

Speaker 32 (01:45:23):
She said, I got courage, and I don't like courage.

Speaker 50 (01:45:26):
I've never been to college, but I'm.

Speaker 32 (01:45:27):
A crazy now over eighteen and my eyes loggery.

Speaker 14 (01:45:30):
How we're more golan A man on eighteen trim slim,
and I'm on the light skin best ballad mode of.

Speaker 6 (01:45:36):
A virgin, A virgin honeyed.

Speaker 32 (01:45:39):
She tried to tell me she's a version with her yeah,
white yees, I said, it's all matter see you're not
Vicky name out for you.

Speaker 14 (01:45:45):
It's rocky ravish as regius, so careless. It goes with
I've got that I wear every day?

Speaker 6 (01:45:54):
Why not?

Speaker 14 (01:45:55):
It's not right that I recited on white how I
like water, Cronchie.

Speaker 6 (01:46:00):
This is about that.

Speaker 14 (01:46:00):
In trouble, my friend came in and he said, hey, Rick,
don't you not playing with these snakes the sand.

Speaker 32 (01:46:04):
He grabbed me by my shirt and pull me right
out the story. So I don't want to see you
playing with these.

Speaker 6 (01:46:07):
Blows no more.

Speaker 32 (01:46:08):
Now come along, we have a party to us end
with some real mature.

Speaker 6 (01:46:11):
Women and some more of my friends.

Speaker 14 (01:46:13):
He held out a cab and he waited for a minute,
and as a cap game, he drusted me and as
we believe it, along, I'll get a remelody.

Speaker 23 (01:46:21):
What say.

Speaker 6 (01:46:23):
Walking down the steet?

Speaker 22 (01:46:25):
And what.

Speaker 6 (01:46:40):
You don't see that nothing.

Speaker 20 (01:46:44):
Inside the cocky cab?

Speaker 30 (01:46:46):
Happy wadrek counting.

Speaker 4 (01:47:24):
Yo Yo.

Speaker 6 (01:47:26):
My name is Milk.

Speaker 16 (01:47:27):
When Milk is on the mic, I say all the
rhymes she EMCs hate. I really don't care what you think.
Orna say, I gotta bust a rhyme in my old
special way. Jis is my brother, Mom is my mother?
See is my father. You say why brother, because they
put me here on this earth.

Speaker 6 (01:47:43):
Light is on my side and.

Speaker 16 (01:47:44):
She is worth order me than you. Forget your crew.
It doesn't matter what you say or what you do.
I'll keep on rocking a road to wick. All your
groupies make me sick. The King is my boy because he's.

Speaker 6 (01:47:56):
Down with us.

Speaker 16 (01:47:57):
First priority is the label that we trust. I really
don't care if you're big and bad. I'm making more
money than you wish. Your hat girls step up if.

Speaker 6 (01:48:06):
They know what time it is.

Speaker 16 (01:48:07):
The left to milk, the right to get. I never
throw a mic because I have respect. And when I come,
I come to correct to my left, to my right.
I have body cards and then my Rolet credit cards
in my pockets.

Speaker 6 (01:48:21):
Hundreds and more.

Speaker 16 (01:48:22):
I give it to your mother, so your mother's a stunt.
I really don't care if you're getting mad. I call
you sometime if you call me dad. I never take drugs.
I like to drink milk. It helps me growing thing
like a champ. Suckers, I've vam soggy mcs will always
stay damn in my presence and in my residence.

Speaker 6 (01:48:41):
PSAKEI keys to my car. I go real far to
figure out my money.

Speaker 59 (01:48:45):
I think it's too you think it's fun. Need never
have a father, a brother like me.

Speaker 6 (01:49:05):
I have too much personality sheep. When i'm produced, you
say your steath.

Speaker 27 (01:49:10):
I'm handing it right.

Speaker 26 (01:49:11):
Then I'm handing it left.

Speaker 6 (01:49:12):
If I'm going, I keep it right in the middle.
You look puzzle. It isn't a riddle, it's a rhyme.
One a mine, one of a kind. Girl said we're fine.

Speaker 16 (01:49:22):
Once on your mind.

Speaker 6 (01:49:23):
You said I'm through.

Speaker 16 (01:49:24):
You want to be stupid the one of you too,
and hear the state every day. It doesn't matter what
you think of what you say.

Speaker 6 (01:49:32):
Keep on rocking, keep on shocking, you keep looking staring
and my ar style my brother, You're a fighter. IM
a lover. And when I'm at a damn, I'm always
under cover unless.

Speaker 5 (01:49:44):
I get paid.

Speaker 6 (01:49:45):
Then I do a show.

Speaker 16 (01:49:46):
When I'm finished, I always go. I got speaking the
size of your girl, room and the room and shaking
your world big foot feet.

Speaker 6 (01:49:55):
Are very big and you're a sucker.

Speaker 16 (01:49:57):
He'll help you dig your brave or maybe say.

Speaker 6 (01:50:00):
Your life shot the sheriff I took your wife. Yeah
you look plain, but it don't mean nothing. You've got
this with the bullshouble buttons. You paid your father, but
the game didn't started. It broke your money and it
broke your heart.

Speaker 16 (01:50:13):
I stepped up in the game begins in this situation,
I'm sure be winning in the milk like the milk drink.
I don't care what you say or what to think.
I'll keep on moving the kick on saying hovering them
sees that think I'm playing the like muck. Now you're like,
give you no fin leave and I get the shad

(01:50:33):
with son the breeze.

Speaker 11 (01:50:35):
Boy, because I got a light.

Speaker 32 (01:50:43):
Because I gotta because I gotta like.

Speaker 12 (01:50:50):
How like that.

Speaker 6 (01:50:55):
Dance or errol?

Speaker 5 (01:50:56):
Let you that.

Speaker 24 (01:51:01):
I fuck up got a fox lost that my fingers
making n of That's that for second time.

Speaker 6 (01:51:08):
After that, I guarantee you will be standing next to me.

Speaker 43 (01:51:12):
Let's don't right side take your pick, but girl, you've
got to make it quick.

Speaker 3 (01:51:19):
That I know.

Speaker 6 (01:51:19):
I tap you craz and since no me as my gee,
girls don't go to men.

Speaker 42 (01:51:25):
Tide warm personality, and that's why they get close to me.
Your drive their best to drive me while say they
want to bear my child go away.

Speaker 5 (01:51:36):
They say come back?

Speaker 40 (01:51:38):
Why because I gotta like yeah, uh huh because I
gotta like that.

Speaker 32 (01:51:45):
Yeah, uh huh, because.

Speaker 5 (01:51:49):
I got it like that.

Speaker 22 (01:51:51):
Ha ha.

Speaker 3 (01:51:53):
Oh, I gotta like that.

Speaker 6 (01:51:55):
Like high like that, No problem. Why I gotta like that?

Speaker 16 (01:52:01):
A baby bad beat that an African food about my sigh,
seventy years on the cut.

Speaker 6 (01:52:05):
If you dichill it choked, but it hain't so what
does it's in my pocket, vine in my hand. I
gotta like that, but it still don't honey comes to me.

Speaker 40 (01:52:13):
That's what becomes to me easy.

Speaker 9 (01:52:15):
I just slave vagum at the big big loss, have
funny mustation and by life.

Speaker 6 (01:52:19):
Same with junger brother.

Speaker 40 (01:52:20):
No kids, don't fight myself one man, but back when
I come fuming the hats working districts that amount of time.

Speaker 6 (01:52:28):
But to build, to see and pay for yours. I
got mine.

Speaker 42 (01:52:31):
Light in the rain and don't get but walk through
the desert and don't can swell, lay in the snow
and don't get cold.

Speaker 6 (01:52:38):
I'm just a cool young brother who looks kind of old.
Run around the world. School on the side.

Speaker 42 (01:52:43):
If I commit a crime and didn't caught my slide,
I got the players of town and money on the floor.

Speaker 6 (01:52:47):
It's not as the world that I'm asking.

Speaker 5 (01:52:56):
What else come on, come on, here me go.

Speaker 6 (01:53:09):
Will.

Speaker 8 (01:53:09):
I'm a new kid. I'm just coming up. A lot
of Baptists think that I can't tear it up.

Speaker 16 (01:53:13):
Will.

Speaker 8 (01:53:13):
I'm gonna show them and ignore them. And when they
think I ain't looking at form, I mean take them out.
I keep grooving a sneak basedline, keep the beat moving.

Speaker 6 (01:53:22):
They can't take it.

Speaker 12 (01:53:23):
They just bake it.

Speaker 8 (01:53:24):
They want to how the raw bakes make it. I
get ill you know the till, because this is how.

Speaker 6 (01:53:29):
The raw bakes till shut.

Speaker 60 (01:53:31):
Come on, come on, pump it up, pain, bump it up,
bumb it up now, Sunshine?

Speaker 6 (01:53:36):
What else?

Speaker 60 (01:53:37):
Come on, Brain, here we go, Here we go, Shine,
pump it up, pumb it up now, pay keep it going,
keep it going, sun Shine.

Speaker 6 (01:53:45):
Yeah, Rain, I keep.

Speaker 8 (01:53:48):
Smoking hot like fire. You have to turn now, retire up.

Speaker 12 (01:53:53):
Don't talk back.

Speaker 8 (01:53:53):
I'm out of new Jack because.

Speaker 6 (01:53:55):
I'm pressing in you and you're wax.

Speaker 8 (01:53:57):
I keep trying.

Speaker 34 (01:53:58):
I'm not lying up to no one is when I'm flying,
I'm gonna stole down because.

Speaker 8 (01:54:02):
I'm the new kid.

Speaker 34 (01:54:03):
I want the devastating sound that head in the house
where I used to practice.

Speaker 8 (01:54:08):
No one knew the Robbins is, But now I'm getting greedy.

Speaker 6 (01:54:11):
Don't leave me the wrong way because.

Speaker 8 (01:54:13):
It just Mike. Mike might bring me down. I have
to fight to get back up, move away, because it
just will slack. Bumb it up, umb it up.

Speaker 11 (01:54:21):
Come on, come on, here we.

Speaker 60 (01:54:22):
Gonside, keep it on, Come on, here we go, Here
we go?

Speaker 5 (01:54:31):
Come on? What else on this stage? But I want
to know one?

Speaker 7 (01:54:50):
And when I take home down, don't know what time
it is?

Speaker 16 (01:54:58):
I want to tell you again, my friend. Not a
train for van, They said, what's come a number? That's
this fan? To clean on cat with'm aa coulon name.
Make the dancing prince and do the fans the same?
Make me brid my son number one for fun not
a goodness done? Then get done by nothing.

Speaker 6 (01:55:13):
Time I think you just work. I can't watch fun
my son and run heads the bill? Who runs? Who's
to watch? Run?

Speaker 5 (01:55:27):
When I say the hot slip?

Speaker 6 (01:55:28):
When I'm in the house tail, When I listen to someone,
you want to see her to win out trail.

Speaker 7 (01:55:32):
When I'm in the I sail, I'm in the house,
fail m see no top playing what's the most roped?
And do your stay for this club?

Speaker 6 (01:55:43):
Produce this job? They want to big down with the can.

Speaker 7 (01:55:48):
They have the Watson clans, they had the br the
fan they crossed the lip a.

Speaker 6 (01:55:53):
Entry up the streams m d mc complete.

Speaker 11 (01:55:57):
Who never.

Speaker 6 (01:56:04):
Lets get on of my cat? Damn see my ta
who the round?

Speaker 5 (01:56:18):
My mate?

Speaker 16 (01:56:18):
Make me mad, I say, become the fairy fake? See
I do these things come in to the king?

Speaker 6 (01:56:23):
What no mans on? You just freaks because the rest
they left one gave me. We don't know the rapt
can just the tousion now a round it runs out right?

Speaker 5 (01:56:40):
Who run?

Speaker 7 (01:56:45):
Want the estmate and miscapculate my tent to create what
I call the crepe till I make the st improved
the rock see a song so strong and make him
calm and low the door on the floor bore ond
rock hord reading papad the castle teeth, make a task
the thief and shot to want to suck your seat.
You just ty and teaze to get the best of me,

(01:57:06):
you dirty radeham seats whatever you may fees, you need
to go outside. Guy shot some my botle about no doubt,
just shouting.

Speaker 6 (01:57:13):
Because they turn it out.

Speaker 61 (01:57:14):
Who can I just to the point that I'm mentally mad.

(01:57:45):
My mom's thought to flow so simply must brag about
my stallamics A vibrant I keep driving until the song
turning to him ip Gyant Molly Moore were going one
on one for any suckle wrapper that.

Speaker 57 (01:57:57):
Chooses to come and for me, Craig g a k
A The Kingpin.

Speaker 6 (01:58:01):
I'm drop Science. Can't you tell all the singing they hate?
How I tell him on my courts to a whip?

Speaker 61 (01:58:05):
So it's just up a flip because I'm so here,
Craig A Bardi wall Reform for Ultimate Alliance?

Speaker 27 (01:58:10):
Who sucker kick Bill?

Speaker 62 (01:58:11):
When I'm drop Science, I'm dropped signs I'm dropped signs,
I'm dropped, signs get I'm dropped to sign?

Speaker 61 (01:58:33):
Rappers ask yourself the same question, why am I best
in this profession?

Speaker 14 (01:58:38):
Is it?

Speaker 61 (01:58:38):
Because this can't step to me? Yo, all the things
barn he does in his studio. I dropped science as
if I was caught of fingers. And I know there's
not another singer in this lifetime to kick the right
rohm because there's not another rhyme plight like mine. And
when it comes to have a showmanship, I really don't
care who you're going to kid because rappers hate me

(01:58:59):
I'm so the fine it and I can get stupid
just by drop signs, drop signs, dropped signs, kept.

Speaker 62 (01:59:17):
Drop signs, A drop signs.

Speaker 61 (01:59:42):
Look at and what this means is will be the
dope welcoming out of queen's rage. Who hate us because
we're explording there for you to beat us. I'll take
that sort of rare that that's all its transmits. It's
us perfectly so that.

Speaker 6 (01:59:57):
They can't fill the stepping to us. You need traction
or another sucker. Listen in action.

Speaker 59 (02:00:03):
I hate to hear it.

Speaker 61 (02:00:04):
You'll learn to love it when spoken, Mom, you always
think of it. I eat them seas up like a
pack of hungry lions and step up away.

Speaker 62 (02:00:12):
I'm up.

Speaker 5 (02:00:12):
Signs so.

Speaker 55 (02:00:16):
Magnific and the magnificide.

Speaker 22 (02:00:29):
Go do that.

Speaker 16 (02:00:32):
Sugar soap boots booming.

Speaker 6 (02:00:35):
To shut.

Speaker 63 (02:00:39):
Go on, go on, everybody, people, let's body and it's
time to hit a poke around from me to ask again.

Speaker 2 (02:00:46):
I the dis playing it the way I like to say.

Speaker 6 (02:00:48):
I'm just kind of.

Speaker 63 (02:00:49):
Stuff the style that I used to amusic. Hey, I'm
the original telephoned king. And because I'm throwing down and
you know that, I'm bringing the crowd to enjoyment.

Speaker 6 (02:00:58):
But what I do make different cheering?

Speaker 63 (02:01:04):
Were the hearing, moving and grouping too, a devastating silence
claring Of course they're in the mood for me, Stubby,
the Emmas and Elma's okay, the party ripping, never tripping,
king of crowd Please, and I can turn it out
what out have.

Speaker 6 (02:01:18):
Died had any season? Anything?

Speaker 8 (02:01:20):
Crowds a million and thousand homeboys making noise?

Speaker 63 (02:01:23):
Is that you browns through a girls around, say the
fronky rhy that makes your girls get naked. I can
turn it out with different sounds on my record and
give them your off the rhythms the magnificent record maker
of prisons.

Speaker 6 (02:01:36):
Boskets ve s, moskets, go up.

Speaker 7 (02:01:43):
On, go off, go off, su.

Speaker 6 (02:01:50):
Com ha ha ha.

Speaker 63 (02:01:59):
Check out the bizarre rapper style used by me. Let
be I'll see your man again. You will be agreeing
a brother and a brother. Let's and say like giant
second kid, keep the people freaking like me the best.
Make my styl so you can guarant to a vibe
that I say, I'm just as good as Claise with
So once you make my day mocking the original, Yes,

(02:02:21):
I am the balls and I can ride the rack
up one for you and George, I want to till
my voice is hard then take a pause. And you know,
of course I can right a party for so much,
for I'm the greatest in the DAYA mall that came
across princes and photo mat to geinner with glass and
I don't eat spaghetti without the meat sauce. Where gonna Mark,

(02:02:42):
Craig go hunt or aunt Belly? You want to get
this to try to get Elly's with leaguely and human
because I'm like German Reggin is the present, but so
with happy Fool.

Speaker 7 (02:03:16):
Well, you know, revolution only works for those to participate,
so when you put a movement forward, it's not for everybody.

Speaker 6 (02:03:25):
And we knew that going in.

Speaker 7 (02:03:28):
There was a lot of opposition to the Stop the
Violence movement because people didn't want certain people executives, those
who had money to gain and artists. They didn't want
hip hop to have rules or regulations. They didn't want
hip hop to be institution alive. But we also saw
that we were the continuation of the civil rights movement.

(02:03:50):
When you go back to to Stop the Violence movement,
it's a certain time. We were in a certain consciousness.
We were dealing with you know x clan poor righteous teachers.
The five percent were a lot more prevalent. Back then
we were conscious.

Speaker 6 (02:04:05):
We were trying to.

Speaker 7 (02:04:06):
Find us signed, our signed, our two three.

Speaker 6 (02:04:10):
The crew is called BDP And if you want to.

Speaker 7 (02:04:13):
Go to the tip top South the violence in hip
hop wild.

Speaker 6 (02:04:29):
Tom and Tom again.

Speaker 7 (02:04:30):
As I pick up the pen, as my thoughts submerged
these off those words.

Speaker 6 (02:04:34):
I can't at the paper to know what's going on.
Someone's doing wrong.

Speaker 7 (02:04:38):
The story goes on, Marry Luke has had to faby
someone else.

Speaker 6 (02:04:41):
He capitated. The drama of the world should and keep
us so frustrated a look, but it.

Speaker 7 (02:04:46):
Doesn't coincide with my books social studies will and I speak.

Speaker 6 (02:04:48):
Upon political crook.

Speaker 7 (02:04:50):
It's just the presidents and all the money they spent,
all the things they invent, and how the house is
so obaculated. They gate pstles or fallis even pistle. Then
they get upset with the the whistle cause are made.
Profiles are kept low. Your tempered with some jaws. Now
a press's control not only newspapers but every single station.

Speaker 6 (02:05:09):
You're only getting to hear the president. It's on vacation.

Speaker 7 (02:05:11):
But stay calm, there's no need for alarm. You say,
took by to your mom and you're off the Vietnam.
You shoots the killed come back and you're a veteran.
About how many veterans are out damn pedaling. There's no
telling because they continue selling as quiet as it's kept.
I will go in to death. You could talk about
my cheerio. People used to laugh a chop. Now I
take a look. I see us say the afrost.

Speaker 6 (02:05:43):
What's a solution to stop for this confusion? We write
the contribution change your truck in which you're using. We
write the.

Speaker 7 (02:05:49):
Concentration of the emancipation Proclamation, we write inflation.

Speaker 6 (02:05:52):
Yet the president is still on vacation.

Speaker 12 (02:06:02):
Speedy pe c, I.

Speaker 6 (02:06:04):
Said two trees. The crew was called p DG.

Speaker 7 (02:06:09):
And if you want to go to the jam top,
stop the bleatin his top?

Speaker 6 (02:06:13):
Why why why?

Speaker 29 (02:06:15):
Man head, old boy head, old boy head, old boy head.

Speaker 30 (02:06:24):
Old boy I'm fucking.

Speaker 5 (02:06:26):
Me head, old boy.

Speaker 29 (02:06:27):
Head, old boy head, old boy head, old boy head,
old boy head, old boy head.

Speaker 6 (02:06:35):
Old boy head, old boy I'm fucking me head, old boy.

Speaker 29 (02:06:38):
Head, old boy head, old boy head.

Speaker 5 (02:06:42):
Old boy boy.

Speaker 6 (02:06:44):
I saw this man, he was kind, but.

Speaker 16 (02:06:46):
He was blacks nothing jewelry and ran I caught up
with Boston said I think it's with the grand He
smiled and he giggled in the suit my hand.

Speaker 6 (02:06:54):
He tried to pull it and tab some fare for
the jam. He said it's fake, and I said, budd He.

Speaker 7 (02:06:58):
Said I'm sorry. I said, hey, my mama, woo me out.
I called my sister a whore. Now my house is abandoned,
my bed is the floor.

Speaker 6 (02:07:05):
It's been a week.

Speaker 7 (02:07:06):
I didn't need I couldn't take it no more. Saw
my teacher, Missy Lane, at the grocery store.

Speaker 6 (02:07:11):
I waited five coss.

Speaker 7 (02:07:12):
She act flaunt you in school. Put my gun up
to her head and said, get in you old food.
She offered her keys, cried and said please. She promised
not to tell him give me a's and b's. I said,
I want your money, grubby and all I can say.

Speaker 13 (02:07:25):
Oh.

Speaker 7 (02:07:25):
I looked into her out and she was scared as hell.
I knew she was a snitch. I beat her down
with my gun. God happy with the chain.

Speaker 6 (02:07:33):
Restaurants had assassline boy head, old boy head, old boy.

Speaker 29 (02:07:38):
Hed old fuck he assassline boy head, old boy head,
old boy head, old boy head, old boy head. Old
boy head, old boy hed, old.

Speaker 6 (02:07:50):
Boy fuck, I'm just what you expected to running around
on bell.

Speaker 16 (02:07:54):
Hustling is my job and I'm paid well.

Speaker 7 (02:07:56):
I'm used to making money fast. Bluku's cant of teeth.

Speaker 6 (02:08:00):
And your beating my boss was busting your ass once
lived shut off, damn.

Speaker 7 (02:08:04):
Midt the kill off her teeth was thinking. Gaffy saw
I caught her, god sell off. She paid the full party.
She said, bring everybody no time when we are robber.
We saw Detective Ray mccardi.

Speaker 6 (02:08:14):
We started all lassen. My feel came unfastened. I fell
in with the tail and came back.

Speaker 16 (02:08:18):
And then a se ulling my packets started smalling, havn't
green and serving power and you know what I was selling.

Speaker 7 (02:08:25):
Shillo was addicted. Her face looked repected. I caught her
selling nast and then dana A picked I tooke up
to her corn.

Speaker 6 (02:08:32):
Off and gave her regret asks. How much she said twenty?
I said bet. She got in. I took up to
a spot that was quiet and dark, yo, yo, turn
off the lights and found the place the part.

Speaker 5 (02:08:42):
Now my lot.

Speaker 6 (02:08:43):
Little girl was ready. She started getting sweaty for almost
in my head. First kill a bitch like Freddy, I
talked between the chail and we stopped the machete.

Speaker 7 (02:08:51):
She screamed and splashed her up into herse customers like
Speghetdy a Madyac. I stapped the girl in her tists
and to stopped her nurse from drop and I just
cut her to bitch and.

Speaker 11 (02:09:05):
A dougle bone.

Speaker 6 (02:09:11):
Yo, don't give him not by the microphone. Don't stop.

Speaker 64 (02:09:14):
I'm not finished ship, he said. I'm not the e
you want to make it. Remember that Loune, you in
the things the zone.

Speaker 27 (02:09:21):
I figured you would.

Speaker 3 (02:09:22):
Now leave me alone.

Speaker 64 (02:09:23):
You pick and you whist on the four leaf clover
to be the double over and over you and treat
by the way I do my thing what you got
the mic and make a swing. I have the capabil
of te the wrapping chill kowax attacks and season to
the active.

Speaker 7 (02:09:40):
It's like a thick smack.

Speaker 27 (02:09:43):
Smack it back.

Speaker 6 (02:09:44):
He's bumps the baseline.

Speaker 44 (02:09:46):
Don't suck it into your ride.

Speaker 6 (02:09:47):
And it's time for lunch. When I'm pulling on the scene,
I noticed for things.

Speaker 2 (02:09:51):
I'm not bouncing.

Speaker 5 (02:09:52):
Do so something.

Speaker 6 (02:09:54):
Myself, yo, I'm bock a mic like a wildie sat.

Speaker 64 (02:09:59):
I'm in the bottom of stake. I can't concentrate. I
make a move like chess and I'll checked me. You
know why I get Zania and Zania because of the
PMD made. And when I walk through the crowd, I
can see has turned. I have voiced us saying that's
Eric Selon from the women, but from the men. You
know what it feels good, my friend, I'm the pee

(02:10:20):
double the Villa of Manila.

Speaker 44 (02:10:22):
Better don't asp difficult. Killer believes gone and they keep
the place jumping. And if not, we feel we go yourself.
It's like Donald, you have to be indented to win.
When if the pad is fresh and down, the jay
got spented.

Speaker 32 (02:10:35):
Jay's said it has to be.

Speaker 44 (02:10:37):
Damned to make your hands and if no one's left,
because you will custom.

Speaker 64 (02:10:50):
Praying, and like I pray when the fox in action,
I smell blood. No time for Max and camouflage in
the green.

Speaker 11 (02:10:57):
My back is off.

Speaker 64 (02:10:58):
Plus you win trouble because after dark my eyes closed,
Like Steve Foughton, I got you in the square. I
will let you run. Now that ain't fair. So I
cleared my visitors, so not your mother by.

Speaker 6 (02:11:09):
The neck a god. But now I am still doing
over your head. My mom's are hungry.

Speaker 32 (02:11:15):
People haven't defend the process of elimination.

Speaker 44 (02:11:18):
It's quite simple that you're grown like a black age
popping like a better slice. You're like, let us towsure
you like a salad bevokeing empty licensees your rhymes and
valid as we can want something empty sound black like
a parates man.

Speaker 64 (02:11:30):
Probably going to crime al contest to handle At a
house that had the mice on the mantel, the DJ
and said, may I lit it up like for to
July because I hope the butterflies.

Speaker 5 (02:11:43):
Ding like he.

Speaker 2 (02:11:46):
Gmt.

Speaker 32 (02:11:47):
I have a showing corner view one way things run.

Speaker 64 (02:11:49):
Just shut up and listen and learn. My son, I'm
saying that ass like bounty. You look like a picker
up what fun you know? Theing butter suck, Just that
we're using down coposthetic. You try to bite and.

Speaker 44 (02:12:01):
Yet sound but that this on my bond like a
fail of pote like a sailor as the peak just
strong at the end to get stale and not bragging
up attacking surely knock back empty, surrender.

Speaker 6 (02:12:11):
The way the flags and give up the tiles.

Speaker 44 (02:12:14):
But the signs of vice, I keep the voice poon
acting loan Stier.

Speaker 6 (02:12:17):
You will pruss them here. I need that man sandwiches,
I need managed. I feel good now with time to
do damage. I feel like balance.

Speaker 8 (02:12:34):
You know what I mean?

Speaker 64 (02:12:35):
One o one time to release the steam. When I
got up, I give you like an actor. You know
why I get old. I'm the master. I do a
showpack and then towards climbing up, look for the microphone.

Speaker 44 (02:12:48):
I generally should be gamming at York. Check you drop
point right, fellow, you deserve the chef.

Speaker 6 (02:12:53):
How did you know you must have been jogging? How
would you know places ip be boing.

Speaker 44 (02:13:00):
Move that I mean los anuns even will break, he said,
the mom you can go close down the h my
partial the macas man flums.

Speaker 6 (02:13:09):
Two things that check out the words that I'm saying.

Speaker 11 (02:13:11):
Plus listen took a good time playing.

Speaker 27 (02:13:14):
The boy was bad.

Speaker 6 (02:13:15):
The strings his buck of fire arm, I said, wine
watching them.

Speaker 27 (02:13:18):
Duck mc the final punn.

Speaker 6 (02:13:22):
He look tick and he throws it around.

Speaker 27 (02:13:24):
If you had I was like, you.

Speaker 6 (02:13:26):
Get credit and if not, until the bounds they forget it.

Speaker 27 (02:13:29):
They forget it.

Speaker 16 (02:13:46):
He keep the fake for when it says quits up
and down. Of course they to turn and bashed the store.

Speaker 6 (02:13:56):
It ain't a help. Hop back of that. He can't stop. Hello,
show him I was done. It's a foot shot, Gili.

Speaker 16 (02:14:11):
The river of me brains makes the audience wing while
the please ro tastes his fingers cling.

Speaker 6 (02:14:16):
To the records. Little felts eh rat melts scrap so
hard that it breaks yourself. See chames me laughst need
caps to laught my rap perhaps is like.

Speaker 25 (02:14:25):
Fool be dripped holl on the big floor under war
with your metaphor full of your quip.

Speaker 6 (02:14:29):
Manifo the lad of my fata floor, and I remain.

Speaker 61 (02:14:32):
It's like to say, as long as I maintain my
brainy that brain rap worse rehears since first grade.

Speaker 6 (02:14:38):
My utensil is a pencil, and here's a a blade.
The man asked the top of the needles drop hold on,
let's have some fun. Show him out was done. Tweetom
like your son. It's a butt shot.

Speaker 65 (02:14:48):
To sing, sing, lamp put the photo bas sing sing,
the lamp pulls the photo bas.

Speaker 6 (02:15:00):
J He shut it.

Speaker 8 (02:15:02):
He shouldn't be polluted.

Speaker 6 (02:15:03):
The man gets the black whips fashion included. I'm too
deep rapped. He's mynde Jason. This is a more far
back polo playe cooks like this is a rips like
a razor.

Speaker 25 (02:15:13):
The Sarah Finnis Ways Elo miss like laser to be
the next to my dialect two technique turned tables, the party.

Speaker 6 (02:15:20):
I Rack motor fixing the blitz so vocation begins, stay.

Speaker 16 (02:15:23):
Before it It's been on s then with and his
name is boll on the funnel bapist footballo arm follow
the battle of body bastions A no go, it's our go,
so he could desist go swing with so go and
over to lips. Somebody has the recited us for me
to offend you, it's other contain you, but I'm not
a mending.

Speaker 6 (02:15:40):
You to some like a swallow A fight to follow
recite Barbo.

Speaker 16 (02:15:43):
Rahm's the one to get them back tomorrow pullo like
Borrow war Hero Horlor Terror errors zero the allar Concert
Network expert Till Rack not saying in jack insert to
your head.

Speaker 6 (02:15:56):
Drunk po polo showing now it's fun.

Speaker 27 (02:15:59):
He didn't put shot shot shot, doing.

Speaker 66 (02:16:10):
It and doing it and doing it well, that's what
he was doing and doing this swell it felt so
big and I'm so good. He rocked my fight like
reman pem Me and the trens.

Speaker 26 (02:16:22):
You know, I was loving it.

Speaker 66 (02:16:23):
Felt so good the way he was loving it, kissing
my lips and suck in my neck.

Speaker 5 (02:16:28):
He had me to him.

Speaker 30 (02:16:29):
I had to wreck I.

Speaker 6 (02:16:31):
He got busy and town right freaky.

Speaker 5 (02:16:33):
Our bodies was sweating.

Speaker 6 (02:16:34):
Let's don't forget niaky, up and downtown.

Speaker 16 (02:16:37):
Up and around.

Speaker 66 (02:16:38):
He didn't try to fronk, but I heard the sound
his heavy breathing giving me the chills. He was being
satisfied and he was loving the frills.

Speaker 6 (02:16:46):
I was feeling in a lot of passion.

Speaker 66 (02:16:49):
He said, Yo, it's cool making love and this passion.

Speaker 6 (02:16:51):
You're a wild fag.

Speaker 66 (02:17:02):
Up on the bag, down on the floor and streaming
and scratching the bagging from no.

Speaker 6 (02:17:07):
The room was so hot, our bodies and he he
fit me.

Speaker 66 (02:17:11):
Just do I kiss too sweet by like two peas
doing this to pras like an animal.

Speaker 8 (02:17:16):
It's being time.

Speaker 6 (02:17:17):
At the too.

Speaker 30 (02:17:18):
I know your lovely, Come on, continue, I'm gonna feel
you up.

Speaker 37 (02:17:22):
Just look at them sun.

Speaker 30 (02:17:24):
The man was delicious on a health scale.

Speaker 37 (02:17:27):
He was vering you chi. She shouted it and have
to bag him up, and she duped it and have
to say a word because.

Speaker 5 (02:17:32):
I knew that you were calling out his sad and.

Speaker 66 (02:17:35):
Pounding like the mom drew it from the mouth and
he was fading up to him. I was feeling are
in a lot of passion. He said, Yo, it's cool
making love and it's fast real.

Speaker 6 (02:17:45):
And ow wow, I was gonna change my style.

Speaker 16 (02:17:53):
Bitches, holes and all that shitcuse another that I'm ready
to spit.

Speaker 6 (02:17:58):
It goes like this. My name is short. I'm caring
shit up like never before.

Speaker 16 (02:18:04):
Him slaps, making snaps code cash money and two short
raps Opland, California.

Speaker 6 (02:18:11):
That's where I'm from the city.

Speaker 20 (02:18:14):
Boy.

Speaker 16 (02:18:14):
The boys say you don't want nothing, but if you do,
I'm going to tell you this truth and bolts ain't
really shit. I want to roll so hard all the time,
you and that bitch playing two short runs. If you
ask me what it's all about, I'll say it's about
that money.

Speaker 6 (02:18:33):
But if you ask me could you have some, I'll
say it doesn't concern me. I don't.

Speaker 16 (02:18:40):
Reagan came up to me and said, have the answer
to the yous?

Speaker 6 (02:18:47):
He kind of mean you or for cancer.

Speaker 16 (02:18:51):
I said, what are you doing in the White House
if you're not selling cocaine. Act your wife, NaN's ain't
regging pie, no shell slit that game. Like night she
came to my house and gave me a blow jib.

Speaker 6 (02:19:09):
She licked my dick up and down like it. What's
going on the cow?

Speaker 22 (02:19:15):
What is like?

Speaker 16 (02:19:16):
Like?

Speaker 6 (02:19:17):
It's too short? I played you bitches like it's a sport. Yeah.
I played bitches just like y'all like Doctor J played basketball.
You can call me too. Don't say it twice. You're
getting me real Madden.

Speaker 16 (02:19:31):
Now fuck your wife. See y'all, I'm not dropper. I'm
really polite. Too short, too short, don't say it tonight.
It started going a bright morning in nineteen ninety seven,
I was in my drop chopped platy wall getting some
plot witch Manny pay masking ditches around the world.

Speaker 6 (02:19:53):
I wrote this rhyme for you. You might not like
my rap, but I'm telling.

Speaker 16 (02:20:00):
You which it's true. So much death in the Oakland streets?
Am I gonna lift till next week where I get
shot by a dope fiend trying to get good, trying.

Speaker 6 (02:20:13):
To steal my ring?

Speaker 16 (02:20:14):
I really can't say, because I don't know why people
out there dropping dead life flies. I used to see
a home boy. Give them five now, say, man, you still.

Speaker 6 (02:20:25):
A live cold as hell.

Speaker 16 (02:20:27):
This town I'm from won't last too long when you're
faking the thunk. I'm the master rapper, so you need
you clap my one when I want my free You
can't to night.

Speaker 12 (02:20:39):
You know I'm right.

Speaker 6 (02:20:41):
I turned candy rapper out and win upon.

Speaker 16 (02:20:43):
The mic, and I won't kick back or relax. Chili
knows I'm the best at the MC rap. Chiliose too short.

Speaker 6 (02:20:51):
He set the trap.

Speaker 16 (02:20:53):
They got him caught up in a serious cat motherfucker
can't spit straight gaming the mic because.

Speaker 6 (02:20:59):
He's worth standing back.

Speaker 16 (02:21:00):
Oh Friscoal got he's a sucking m see I call
him pluck trying to.

Speaker 6 (02:21:05):
Speak that wrap.

Speaker 16 (02:21:06):
You can scratch that jump the little puck as more
wouldn't listen to me think of thanking. But I'm taking
all your stuff the MC's to the end of the
world and push you over.

Speaker 6 (02:21:16):
Good luck. Couldn't find you in afore a leaf clover.
If I ever said a rap trying to cap on you, I.

Speaker 16 (02:21:22):
Wouldn't even sweat it because you'll be through looking so
far up you might fall down getting clowned by the
hound from east of town, and the look in your
face when you're looking at you can make a grown
man die rapping at you because.

Speaker 6 (02:21:37):
You're rough, no rapping, no woman to play. I fake
accept will signing.

Speaker 16 (02:21:43):
I never understood one word to sit, but you're swearing
up and down that you're killing me dead.

Speaker 6 (02:21:49):
There's only one thing I wanted to know, sucking mother bucker.
Where's the joke?

Speaker 16 (02:21:54):
I'm the player of where it's just call me pop?
My name is too short, no ie onc. I just
don't stop madling, don't stop chapping, don't stop rapping. Now
you see what happens. Your mind is gone, your crew
just cut suck again. See I'll tell you what your
wine's a.

Speaker 6 (02:22:13):
Week you're rapped the same, and when it comes to game,
you are lame. Never even heard up to short baby and.

Speaker 16 (02:22:22):
Long in nineteen eighty singing no raps, down a rapping
ron telling stuck again, sees, don't waste my time.

Speaker 6 (02:22:29):
There's a girl I know.

Speaker 16 (02:22:31):
Her name is Betty straight to the head, just rocket steady.
She's so freaking shit'll juice you up. All the home
girls just can't get enough. She's a PhD. Don't even
stop in the back, back gone chop chop chop. I
won't say white, girl, won't say she's black. She's the
kind of girl to make your knees go crack fell

(02:22:53):
the beast rocking knee.

Speaker 6 (02:22:56):
Let me tell you what I bid. I'm an n
CD rapper, a MC rapper.

Speaker 16 (02:23:02):
A big bang goler, and a cold col kapper.

Speaker 6 (02:23:05):
He baby, I got this d It's not gonna stop
to the end the time.

Speaker 12 (02:23:10):
Like Rock on roll.

Speaker 16 (02:23:12):
I'll play back song to the beat all day and
all night long.

Speaker 6 (02:23:16):
So listen up to what I'm saying. I'm an old
chown mack bitch.

Speaker 16 (02:23:21):
I ain't playing to all the whole boys doing time
in the pen, going to rock this beat for you
want to get if you can't get out and the
mad as hell, say, bitch, I make it sound for real.
I'm gonna tear shit up if I get the chance,
I can get a fuck the West. If your whole
don't jack see, I'm a big mac now I'm so great.

(02:23:42):
I was going and risk in the Golden State.

Speaker 6 (02:23:45):
Call me g o oh.

Speaker 16 (02:23:47):
If you say short, I'm gonna wrap my ass off
till you give me some more big bang Now, just
make me rich, bitch, bitch, bitch, bitch, make me rich.
Check out my staff. Baby, I don't quit aford this freak.
Say that's the ship he took the cake. Fuck the
great too short, baby be damn short. Ain't faith fucker

(02:24:09):
stuck in seas d sclean in loud, singing, sir, too short,
shut your mind.

Speaker 6 (02:24:14):
I can't even talk about love and call me grie
when your father's most coke and your mother's a Greek.
So I keep on rapping.

Speaker 16 (02:24:22):
If nothing else, keep you jealous as much to yourself
be to this jess it from see right.

Speaker 6 (02:24:29):
He ain't saying nothing, but he's holding the light. Fuck
with me and for your dude. I send the trick
with a hole to the motel room because I'm a cold.

Speaker 16 (02:24:38):
To set sea on a mic will fall flight of
three five seven point to pat your don't I got
cap for cap you never heard.

Speaker 6 (02:24:46):
So with touch cuts worse worse worst.

Speaker 16 (02:24:56):
Not long back when I was seventeen winning and walked
in a jam sucker.

Speaker 7 (02:25:00):
Look at me.

Speaker 6 (02:25:00):
Mean they went and give me respect, told girls I
was white. You shouldn't did that, brother. I'm here for
the pay back.

Speaker 16 (02:25:11):
It's Raby Boulma about the killing and stuff that I
was a front all my mom, so where alla cut
some fun to say?

Speaker 6 (02:25:16):
And I live in a slump.

Speaker 16 (02:25:18):
My father's a buck this said, my sister's a crackhead,
my brother's drinking brother.

Speaker 6 (02:25:21):
But I didn't land it bother me.

Speaker 16 (02:25:23):
It took my top, sat at the kitchen table, broke
some rods. And now that I'm eight ten and I'm
not a kid no more, I could walk in the
knight clubs. The thought I'm gonna show you I'm good,
make you wish that you could through the things that
I do. If I could teach you, I would see
back thing you didn't like me. I stayed in the path.
See my na ain't mama fire he giggle and lie,
tell people I'm so when.

Speaker 6 (02:25:43):
I can really get off. Didn't know it now showing
I'm to hear pop pup.

Speaker 16 (02:25:47):
People liked you all known for faking fron and then
broughing and purportraying, fighting in, lying in, always waiting for
me to come around and see how much I'm making
see money. I can't because I'm a pro with this trade.
See you talk and got away with troub box to
get told because I was f shaing a test. Look
come king tea in my payback some other you know what,

(02:26:32):
stop talking getting now because the crowd stuff to know
it's some professional Obama.

Speaker 6 (02:26:36):
Yeah you must know this something with the most most
of all, I'm so cool.

Speaker 16 (02:26:39):
Never spot the little crown because something bids against cool. See,
I just think you're jellous and you're entering my style.
And here Bob saying, sir, ain't your mind? Just saying
why I tell people are mother and I got big clipping.
But that's a lot by you on the rye king
steps throwing.

Speaker 9 (02:26:52):
Down the things.

Speaker 6 (02:26:53):
Just remember my name's not Saple. What's that apple? Begin
with the break.

Speaker 16 (02:26:57):
If the fucking gets people wanting bottle letting, pro forget dinner?
Where's my gun?

Speaker 6 (02:27:02):
I forgot?

Speaker 16 (02:27:02):
I'll tell the top beat and throwing fiel tifty the
cow starts the talking. I ain't even got this.

Speaker 6 (02:27:08):
I'm greating.

Speaker 16 (02:27:08):
Some people say that I'm a genius, said my pools off.

Speaker 6 (02:27:11):
You haven't even seen it. So I get your back.
You can't if I too long.

Speaker 16 (02:27:15):
Tellor ris a fox king, but I can take it
a start.

Speaker 6 (02:27:17):
You gotta get in your back. But using my pool strategy,
travel was lying many to get him. I kind of
even gulies. I can't suckers part of getting mad at me,
but I don't care.

Speaker 16 (02:27:26):
Came ten you step, I have seen Betters my trademark.

Speaker 6 (02:27:29):
I'm going for him.

Speaker 16 (02:27:29):
Man letting off some steam life, fighting to the cattle,
sporting real gold, a baseball captain tettle, Look god, suckers, I'm.

Speaker 5 (02:27:36):
Here for the past, not to the Simon.

Speaker 6 (02:27:52):
Oh Ring.

Speaker 67 (02:27:58):
The ball followed with like all the same one that
you got off the rack at the store, more by Brady,
then a bone killing cancer rhythm attacks just like a
black panther.

Speaker 6 (02:28:08):
No riffing, no flak in, no break in.

Speaker 67 (02:28:10):
We took it, so you know it's taking you think
about it, dreams, screaming, shouted, but never doubt it because
your cans with without it didn't loose devastates. Get a
spot on the floor, guess it up like a jet
up river it. Let it roll for your whole damn gang.

Speaker 6 (02:28:23):
And if they can't hand, they will learn and turn
and come back. Lack a boom will rank just working
hard to make.

Speaker 68 (02:28:29):
A POSSI move to a roof like this you know
where rout to proof that we got it, get it
to commit it. Touch brothers up the sepremony, you're just
too much. Got your baths on the scratch with the
speed of marry yo with Dreddie, turn on the turntables,
get the record steady.

Speaker 6 (02:28:42):
Ready, h come on.

Speaker 16 (02:28:51):
Yo, check it out. This one will heat you up
like it with Swiss fins. And we came to do
this upon a quickness. Straight up and guys move different,
got breakdown collapsing your house is now Maxwell?

Speaker 6 (02:29:03):
What the manitor who's made me feel?

Speaker 16 (02:29:05):
I don't want them, but if I want to, then
I will just want to hit the floor like all
you spilled. And if the flies every little thing is chilled,
give me your home. When the crack a lot kept
on wrong like pat and liveth then I'm.

Speaker 5 (02:29:16):
On my own.

Speaker 6 (02:29:17):
You're usually the other one too. What if only you
know some of the things that cracking will do?

Speaker 16 (02:29:22):
Words everything, the truth and what you heard, bringing the
stuck in my cribs toly.

Speaker 6 (02:29:26):
Quite up shirt crack valves in the eye, but.

Speaker 53 (02:29:29):
A knock on that clifftop, because all I want to
do is just.

Speaker 16 (02:30:00):
The town with fights. I hold the mic the fights
that went forth. I keep it away, of course, and
then I'll keep paying. You are a sweeping dreaing on
the stage.

Speaker 6 (02:30:09):
I'm raging.

Speaker 16 (02:30:09):
I'm rolling into the poor a pulling on a metaphor
that I'm not fluffing.

Speaker 6 (02:30:14):
It's nothing that we ain't did before we lay the stage.

Speaker 16 (02:30:16):
The points made to consider it dumb, but the proper
the way the people say.

Speaker 6 (02:30:21):
You're you're not one uf you get.

Speaker 34 (02:30:22):
In the east time we got the nigg the eastdide did.

Speaker 16 (02:30:25):
I roll with the punch so I survived, so power
rock course it keeps the crowd alive. I'm not of bawling, calling,
going up past the things of this showling.

Speaker 6 (02:30:34):
I'll wing around around.

Speaker 16 (02:30:36):
I pumped you to here my words per verbs against
two fur around the why you can't describe myself twel
away for the.

Speaker 6 (02:30:43):
Pace of the ring, and the people say, and you
we got to get to my man mouse in the south.
Let's get in the south side ring your.

Speaker 16 (02:30:49):
Belt you until I got feeling to the peace at
least because I warning, I know it's so fast, dolphin,
I'm like, gorfy, you can't see be and it's like that.

Speaker 6 (02:30:59):
I'm like that me the hell alone.

Speaker 16 (02:31:00):
Hell if you don't think I'm a brother to check
my chromosome from and then you check the stage. I'm
declaring the way, get down on the prophet y you.

Speaker 6 (02:31:08):
Can get like kicks okay, cable.

Speaker 12 (02:31:12):
Little bay okay.

Speaker 6 (02:31:17):
Hurting them off, that's just getting my Yeah. Just lit
on around, just get the night.

Speaker 16 (02:31:34):
Come on, shouts, no way, we have the track.

Speaker 6 (02:31:38):
You find wearing a color ball, Give me a lady,
brother sister.

Speaker 16 (02:31:41):
That's being a full.

Speaker 6 (02:31:42):
Callow a player.

Speaker 16 (02:31:43):
The positivity you goat, I'm singing a rapping a army,
not the no goat lily, you know, but very seldom
other for to tam mother. Man, I'm considered the man.
I'm no callble God made for the why saying to player,
I can't they.

Speaker 5 (02:31:55):
Even quarter ball? There?

Speaker 6 (02:31:56):
Her mother scenario, that's the right.

Speaker 16 (02:32:00):
Why come tell you man, s so Joe, he's not
talking something your need like your mother. We have a
reason why I hate as well sounds tell of fats
and you're gonna tell away the people say.

Speaker 6 (02:32:18):
Yo yo yo, yo yo.

Speaker 2 (02:32:26):
Thirty seconds to respond, thirty sections to respond with our
anti ballistic missiles.

Speaker 51 (02:32:37):
Man, say what now back to the rear. You hear
Trump trying the base pound real stupid. We didn't look
this different, stoopid instaid.

Speaker 25 (02:32:49):
We rock this what does chop this fighting and writing
and fighting for this speaks of.

Speaker 6 (02:32:53):
Wax, rounds of fats, fighting acts. How we did it
for this one? That one fighters around?

Speaker 7 (02:33:00):
Check up the sounds in town, to the river, back back,
make excus.

Speaker 6 (02:33:06):
Of course your records, no frus, there's your bills. Man,
he's back, he's back, He's back. I'm back, black smack,
attack black lack. My experience on.

Speaker 48 (02:33:29):
The microphone, holding my whole ground, dominating courses, changing sauces,
post state losses.

Speaker 34 (02:33:36):
Enough of course, it's mel the mic feeding the word
smart like a nerd.

Speaker 6 (02:33:39):
How did you heard this? Change your brom continuing the
land the.

Speaker 48 (02:33:44):
Time for my incredible, highly elevated moving a mind more sophisticated,
motivated as a related very boat just in a mouse
of smacking any terrible. I bought a sob of nineteen
ninety terrible, shining far of lights in the front.

Speaker 6 (02:33:58):
I buy myself No seas course starting.

Speaker 8 (02:34:00):
Comes up sting like that.

Speaker 6 (02:34:01):
I got it like that, I have it like that,
I need it like that, it'spread it like that, I
made it like that, I bought it like that.

Speaker 8 (02:34:07):
I'm living like that.

Speaker 48 (02:34:08):
Fraud you whacking seas who go on the mic and
blowing the mic and perpetrate frauds and make mistakes like
an amateur. But I'm a twenty year veteran and better
than including the rest of them. I threw the more
to split out the best of the one by one.
I'm teaching my son to ease back and.

Speaker 6 (02:34:26):
And eas back. Gee, what's up? It's me a kid,
I'm set gee, what the fuck?

Speaker 16 (02:34:37):
The beets and rhymes on top with my e j
He's not break with anything any.

Speaker 6 (02:34:41):
Place, walking slights and record treacherous like a profess off.
He had perfect this simple potion.

Speaker 16 (02:34:47):
Thus the potion witness flends his motions and faster, approaching, coasting,
reaching higher weapons.

Speaker 6 (02:34:53):
So when you see him you better say hello, Amma,
take out a knight pen and paper is right.

Speaker 7 (02:34:57):
I'm not so thought.

Speaker 6 (02:34:58):
You can't think, can't coach docs? Who aren't you kidding?

Speaker 50 (02:35:02):
You say?

Speaker 6 (02:35:02):
Don't for your admitted that you can can't compete.

Speaker 25 (02:35:05):
Because you're rhymes week more, not sending past test ain't week.

Speaker 6 (02:35:09):
Week and learning this rap style from the two the
woods that have no power.

Speaker 7 (02:35:13):
It is no facient elevati taking the nation when I
he's back.

Speaker 12 (02:35:22):
East fast.

Speaker 69 (02:35:28):
As a whole reason style of a while till the
live look back, the peace sweat after the summer's breathe,
the knowledge of assessed power of self, and kiss me
the stream to don't the lift the goat being black,
being off at the lip because it must have been
sleep then not even slept to see you're lost in
the saut boys that you forget I kept for being
attacking us tartness. It's elevating. You ain't straight from to darkness?

(02:35:49):
How far the man will come word to herd bocking
do this because my mind is my third show.

Speaker 6 (02:35:54):
Improve the multitude is the crowd. Then I will move.
I have to say today doing the boy Johnna Wright,
for this boy, where I standing in a square? Up
your righteousness not a righteous pure See I'm pure clean.

(02:36:21):
I'm missed anything not be terminated the cane me. First,
I was leaving the life of a flying one.

Speaker 69 (02:36:28):
Now I'm saying, see a polite and a kind of
one that's gonna planning pill.

Speaker 6 (02:36:31):
In my heart. I was telling the child that was
long ago, and it's amazing. While I'm manipulator, been amazing.
Nail keep the power of God. It's a hard and
not taking the trials. Entriculation is Mount Activation of Germany.

Speaker 7 (02:36:43):
Other the ternament mark determination, it's wrong to have my
will to fill you, so you want to cream my life?

Speaker 6 (02:36:48):
And Appelty did have a less sake proud.

Speaker 7 (02:36:51):
Who is yousters there brought the rack moms into my jumpster.

Speaker 6 (02:36:54):
I can't even tell you, but you are not right
for this. Some more red a family sweat up to
your rightness.

Speaker 32 (02:36:59):
And when I'm sitting on my lunch break, grin and
my team is the last day.

Speaker 14 (02:37:17):
I love it boy water early early amass kind of heck.
They felt Brett instant.

Speaker 32 (02:37:21):
So I looked a brown and I smoke a speak
fast flat. You know, I'm happy. It's gonna be young man.
This part head spelled almost no one can.

Speaker 14 (02:37:28):
So it's twelve fifty five almost haple the bell for
the prefaces, the ms that the mount don't smell.

Speaker 32 (02:37:34):
Now I'm back on the job.

Speaker 12 (02:37:35):
I don't bother no.

Speaker 32 (02:37:36):
One, okay, strictly against them.

Speaker 12 (02:37:39):
None of Job's finally over.

Speaker 32 (02:37:41):
It's time to have fun and I'm hanging out whichever.

Speaker 6 (02:37:43):
That's a kid named John got.

Speaker 32 (02:37:45):
A drunker, then that's unking. Happy as can be.

Speaker 14 (02:37:47):
We went to the quarters that we got in free
schooling and all the girls I know who wear my
chruck jewelry because.

Speaker 32 (02:37:52):
I'm a flying brown lumber and you can't school me.
Bookie down was before me.

Speaker 6 (02:37:56):
Hey they hate job.

Speaker 14 (02:37:57):
Had a bunch of Brooklyn kids were looking old up.
It wasn't my big chains with the big plates on them.

Speaker 22 (02:38:03):
There.

Speaker 32 (02:38:03):
They rolled from me and told me to Ronald, this
was the moment.

Speaker 5 (02:38:06):
Up here we take a big chains.

Speaker 12 (02:38:08):
And I heard.

Speaker 3 (02:38:10):
This was a moment.

Speaker 6 (02:38:11):
I picked just the picture the top man.

Speaker 51 (02:38:14):
What's up?

Speaker 32 (02:38:15):
I said, They're really not real. They're just the front
of the girls.

Speaker 6 (02:38:18):
They're our home. Bunch of famous came.

Speaker 14 (02:38:20):
I wasn't paying somewhere which I had not came, had
to kindly pick up my place and they fly home.

Speaker 32 (02:38:25):
Wasn't try.

Speaker 14 (02:38:26):
Then I went to an oposode. That's where I brought
me your quart. Then I went to the market and
I sat and I thought, not saying Danny boy, but
we sad. This girl named Sarah in one of it's calm.
I think this one's after a rap. She calls after me.
But I really got my heroes. So I went just
a little bit closer. So one Haraka up and she said.

Speaker 54 (02:38:42):
I need Paradica place that's right near until the said
I know what I said, because that's right next to
my bild.

Speaker 14 (02:38:47):
I gave on the information and they went on their way.
I went home and there I said to almost three.
The next day lit on one not to my door.

Speaker 6 (02:38:53):
I opened up.

Speaker 32 (02:38:54):
No, it was Sarah with some Mexican and her band
name Kid.

Speaker 14 (02:38:57):
She tried to use me as I use me, and
brother was a winning and we did it, and we
did it, and we did.

Speaker 54 (02:39:02):
It and we did it.

Speaker 14 (02:39:03):
She said it was great. She said she's glad we
had done it. The elevator came and Daddy boy.

Speaker 3 (02:39:07):
Was on it.

Speaker 6 (02:39:07):
This was the moment of fear, Yo, what the fuck's
going on here?

Speaker 3 (02:39:11):
What you doing with my girl?

Speaker 16 (02:39:13):
This was no moment, Oh y'all, na spinnish fuck I
know doubtless.

Speaker 32 (02:39:18):
Bully was up at popping and then he swam at
me words. I pulled out my jammy and a sast.
Then he was there too, and that hey, I took
the catchers of me.

Speaker 6 (02:39:26):
She said about just make sure nobody says that.

Speaker 11 (02:39:29):
We went back to her apartment.

Speaker 32 (02:39:30):
There was blowing the freezers.

Speaker 6 (02:39:31):
She said, Rich, we can have whatever will please us.

Speaker 32 (02:39:34):
I don't hang with no one who ain't good by
my health. So I'll put this clar head out and
I went, what's up?

Speaker 22 (02:39:39):
Now?

Speaker 14 (02:39:39):
I was with just I was rich at whatever we
blase me. Now I could wear reals in front of
the folks that would teasing me. Yummy on the your
new neighborhood dad can to roll up on me, screaming head.
I guess I was the fower it up. Sorry, just side,
you said your cat rolled up at me. You told
me mate, but I said, relaxed brother. But he had
proved that I had done it. Yea boys on away
with my fingerprints. All this was the rise fall of

(02:40:01):
my fast life style.

Speaker 6 (02:40:02):
And I wasn't main no man.

Speaker 32 (02:40:04):
On the TV for a while. But now I'm in
jail doing life and I'm scarce.

Speaker 6 (02:40:08):
Can stuff be cold?

Speaker 11 (02:40:09):
Increase me?

Speaker 19 (02:40:09):
Man?

Speaker 32 (02:40:09):
On one day this was the moment I feel, I'm.

Speaker 6 (02:40:15):
This wasn't no mo man, I'm feeling when I'm fay.
I get the tall.

Speaker 9 (02:40:26):
One, two three and at the foe and if it
is crowded, then pushed down the door. Rat check out
the adventure up J and e Z and I like
the old school, but I foreseeing the future like a chip.

Speaker 6 (02:40:38):
Cy from here tooth and gift.

Speaker 9 (02:40:39):
It's been around in the circle and I get dizzy,
bunking busy. The Brentwood Township beens going the movie your head, fan,
I ain't finished, so please shut your living fan, listen
to what you day. It's not like a cliche, but
like Frank Sinatra, I'm a too with my way.

Speaker 6 (02:40:52):
So there's my funky intro. I have started not you
ain't get on the cut so I can get the
tard in.

Speaker 9 (02:40:58):
T when it comes deliveries, creakings of like Hazel from
Girls Down the Money, whatever that he so be, you'll
still see that MC even diamond j come and think
about it.

Speaker 3 (02:41:18):
He ain't no wigging.

Speaker 6 (02:41:19):
I could be taking. I'm shaking like Jordan.

Speaker 9 (02:41:21):
It wouldn't be two but fourth points on the board
and MC even rother the two let's go together like
a bird in a hand. Had understand that how much
I'm seeing could an MCMC and but week MC could
em see. But if it's only one them see, that
could truly am see. And that one e C is
me now probably enraging, but I'm engaging. If you're finished,

(02:41:43):
grant saying, then turn over the page and be between
the lines. And signs of the times and rapper's really changing.
But I'm still arranging beat the never stinger. See the
finker still will mail me. If I was at theater,
I'll be out and Haley. But I'm just an mcm
a leeve.

Speaker 6 (02:41:57):
I got it. No need to act, Sae. Just con
get we Tad, and we'd.

Speaker 7 (02:42:03):
Ard things to see because you're checking out, taking person
a base of test law.

Speaker 3 (02:42:09):
And keep light right right to tell you.

Speaker 6 (02:42:15):
I don't see. I'm only sign Yeah, we're here tonight,
tonight you want to talking about So we're gonna get
straight to the point. You know some of us are
talking about it.

Speaker 51 (02:42:30):
But we're gonna get you straight to the point right
Tai to the tree.

Speaker 24 (02:42:39):
Stuff, thank you, Jo, stuff, stuff.

Speaker 5 (02:42:54):
The stuff back Dad.

Speaker 6 (02:43:00):
You don't real lines.

Speaker 3 (02:43:01):
The big digs always on the ride.

Speaker 6 (02:43:04):
Look at mind. You need four eyes. Why because of
the size you don't miss the big dig go everywhere together.

Speaker 3 (02:43:11):
And the pull the hot weather.

Speaker 25 (02:43:14):
On the abb We're always getting pulled in when they
get bigs some time over fold It are you girls
with the big booties, And it's my duties.

Speaker 6 (02:43:22):
The fucking saty come to shine and don't be slick.

Speaker 3 (02:43:26):
You have the big question with.

Speaker 6 (02:43:33):
Stuff.

Speaker 4 (02:43:36):
You make this stuff.

Speaker 6 (02:43:42):
And stuff.

Speaker 69 (02:43:49):
Plump one plug two plumped one, pluck two plumped one,
pluck two plump.

Speaker 33 (02:43:57):
One answering and you're the service prerogative praise Postically, I'm
a quitting the enemies publicly shamed michaeltility after.

Speaker 11 (02:44:06):
The battle they're mincing.

Speaker 33 (02:44:07):
I'm with it simply food well moved bnal like blue
transit stars on that my more shown like wind book
a flow brings it all down in room now and
rude to a clue of a note.

Speaker 2 (02:44:17):
You know it's called pluck two.

Speaker 6 (02:44:28):
Throwing in fly with a new style.

Speaker 33 (02:44:30):
Bows are clean done loaded for salute chances with the
choice standing shaddy like my mouth paragraph freature is now
what you're doing, jumps of hearts, hounding off the person
go for because Freddy.

Speaker 6 (02:44:42):
Is throwing the top stage students and.

Speaker 16 (02:44:44):
Volleys one before throwing shown winn appreciation.

Speaker 33 (02:44:47):
Why this is a daisy a chance gonta sweat because
there's no threat Michael state cloud wild Princess.

Speaker 6 (02:44:53):
Jim's on fables but stable time come the marketing and
they will speak up my foots. The ships will fit.

Speaker 33 (02:44:59):
With ever we consumer Cycophone loose, then circle start bloomer
profit and costs can never be lost or due to
a clue of a nody noise called.

Speaker 6 (02:45:08):
Punk last.

Speaker 27 (02:45:27):
Are you reading?

Speaker 7 (02:45:29):
No sign?

Speaker 50 (02:45:30):
Side?

Speaker 42 (02:45:30):
Where I'm from, we get stupid, some into place on
the mic and us surround.

Speaker 6 (02:45:36):
Let you know what time it is. It's like this.
The boys that I'm with, we're from old school New Jeff.

Speaker 13 (02:45:43):
We do this.

Speaker 70 (02:45:43):
No sign, no sign, no sign, no sign, no side,
the north, no side, no sign, no.

Speaker 16 (02:45:49):
Sign, nor side, no sign, north side.

Speaker 71 (02:45:52):
Yeah, I might dog just froll and I went off
and it's like that's in my way because I was.

Speaker 6 (02:45:58):
A north side. I don't wanna get bah. No one
gets juice. And if you try your dip rod in
a minute, opo the m and Jim and you want
two moles almost a minute. Because I'm a warlive no live.
Also so shot grub everybody the neck.

Speaker 25 (02:46:11):
Clock a bit bulled, it locked, don't stop.

Speaker 6 (02:46:13):
This clock that's tickets, rubus up.

Speaker 71 (02:46:17):
You's I'm dipping, especially one that's been beating. I'm not
getting you out, girl, I ain't nobody ain't down for
the engine and start this saying a wishing that dad,
I never met you.

Speaker 6 (02:46:27):
So straight up.

Speaker 70 (02:46:28):
If I can't you, it's all right us. So don't
make me have to bring a female from down north
side and take care of my life.

Speaker 11 (02:46:35):
Where jerky video.

Speaker 6 (02:46:36):
If you want to get your.

Speaker 70 (02:46:38):
Man beyond, you can't deal with this system that's side
north side, north side, no side, no side, no no side,
north side, north side, north side.

Speaker 16 (02:46:48):
Nor side side be boy thoists all the fly girl
is say what you will, but will state that this
world is full of them sees wanna bees of the
tough crew will bum rush because we rushed titles ranks,
never say thanks. We take what we want straight up
in front, no coming straight forward, betting you sure with
love to get a ticket, just to see how we

(02:47:09):
can so. Crew a k a mob squad with the
rulers of crowd standings thrown on our side, a long
pull the ride money g on the side with the
case system.

Speaker 6 (02:47:19):
Bringing down, bringing down. Yeah, the time is now.

Speaker 2 (02:48:00):
It's like a lawn mower.

Speaker 63 (02:48:02):
This beat will plowed you wax stayed to your brain,
soaking up your brains like going down the train.

Speaker 6 (02:48:08):
What's telling body? You steering thought wade, repressing your feelings
like an early morning shade.

Speaker 25 (02:48:13):
Ladies feel be overwhelmed with glee to get free, and
he shot is free.

Speaker 63 (02:48:18):
You got the time, we got what you need to
music get you a knife, but then any type of weed.

Speaker 6 (02:48:23):
Tom Terry got the beat and I got the rhyme tep.

Speaker 63 (02:48:28):
You got the time you got, you got, the time
you and you got, the time you you got, the
time you ain't you got, the time you got, you got,
the time you you got, you got, you got, you got,
you got, you got.

Speaker 2 (02:48:38):
The time you ain't going the web.

Speaker 63 (02:48:40):
You can call this bee just like the cab bead
went out on the microphone.

Speaker 6 (02:48:44):
I don't lie. I may change my style to detoy
the other guy.

Speaker 63 (02:48:48):
I'll always shot, continue rocking your block, not come, I'm
toll you and lock up that I thinks like spot,
I'm just elected bull like come.

Speaker 12 (02:48:54):
Like crying cry.

Speaker 23 (02:49:15):
All right, folks, you know what time it is, Same
old jingled, same old saying. Put it on the shelf,
all right, another one, another one for the shelf. But
also while you're putting this episode on your shelf, make
make room for some records, because we got some good
giveaways from Get on Down. Jason's going to get into

(02:49:36):
that in just a moment, but first want to say
thank you, gentlemen, thank you for the history lesson. I
knew more than five songs on this episode. I would
say maybe about eight or nine. In any event, I
had to throw my at any there it is. In
any event, great job, great show, Jason.

Speaker 3 (02:49:57):
How do they win records? So real simple. We are
going to put out this show. You're gonna listen to
this show. Obviously you had to listen to this part
to know what to do. To enter. You are going
to make a post of your favorite record from eighty eight.
You're gonna tell us why it's your favorite record from

(02:50:17):
eighty eight. You're gonna tag, take a personal radio and
for bonus points, if you want to be entered twice
to win, you're gonna let us know who was the
best female rapper from the Golden Era.

Speaker 23 (02:50:28):
And if you want to get bonus points, take a
picture of your favorite Don Russ or tops card tag.

Speaker 3 (02:50:35):
Of course, if you have an Ellis Burks All Star
Rookie or Jeff Musselman, post that shit and you'll get
another entry.

Speaker 23 (02:50:43):
Into the Canitos Santiago's are worth double points.

Speaker 3 (02:50:48):
Guys.

Speaker 2 (02:50:49):
I'm still upset about your disagreement with me. On Run DMC. Dammit, dude, the.

Speaker 3 (02:50:54):
Whole world disagrees with you. Wait, but that's why we
love you.

Speaker 19 (02:50:58):
Me.

Speaker 2 (02:50:58):
I thought that was automatic. Like nobody even argues you
truly believe that.

Speaker 3 (02:51:04):
Coffer is their best album without a catalog.

Speaker 12 (02:51:08):
That's like saying that's like saying the movie was like
you know, Academy Award nominee.

Speaker 3 (02:51:12):
There say so, like like like without a doubt is
what you're saying. Yeah, how about this another entry into
the contest. Can I find one person who agrees with
Wade That's Tougher than Leather is the best Run DMC
album all time? Make a post and stand on that
business as they say, make a post to say business,

(02:51:35):
that is what is my favorite album without a doubt?
Tag us and tag Wad. It'll be entered again to
this content. I want to give away this record to
somebody who believes that.

Speaker 2 (02:51:45):
Here's another one for you. Tell us the name of
the Derek B album from eighty eight stream. I love
Derek p Man, I love that album.

Speaker 5 (02:51:53):
You Derek rip.

Speaker 3 (02:51:55):
Before we get out of here, I know we didn't
we read off our favorite albums with eight last I
forget how we ended the last show.

Speaker 2 (02:52:04):
We said which which game? Which which artists?

Speaker 11 (02:52:07):
Like?

Speaker 2 (02:52:07):
Defined it for you?

Speaker 11 (02:52:08):
It was, yeah, we did that. Do we want to
do that? Or do we want to do the super
Bowl thing?

Speaker 3 (02:52:13):
Not like, well we could do the super Bowl thing?
So why don't one of you guys bring up the
super Bowl thing? So all right?

Speaker 23 (02:52:20):
So so a couple of episodes ago, we all kind
of made our super Bowl predictions, and uh I came close.
I said, Buffalo and Philly. Uh man, Casey just was
shutting Josh Allen down, dude, and you know they made
a good they may have got Yeah, some of them

(02:52:41):
were pretty close, man. I mean, look, but the a
FC Championship game was great. NFC Championship game was over from.

Speaker 3 (02:52:50):
From the get go.

Speaker 23 (02:52:52):
I mean, Philly was purely more dominant than than Washington.
But uh yeah, so were making predicttions here.

Speaker 3 (02:53:00):
So let me see.

Speaker 12 (02:53:02):
So did anyone pick the actual uh final? I know
that I had one team, Kevin had one team.

Speaker 3 (02:53:08):
I had one in one.

Speaker 2 (02:53:09):
Yeah, anyone said Casey and Casey Casey against somebody in
Casey to win it?

Speaker 3 (02:53:15):
I thought, I said, Philly Casey, Yeah, yeah, yeah, I
think Jase's all right, So Jay gat them both, right, Okay, nice, all.

Speaker 23 (02:53:22):
Right, So I'm gonna go h Casey is going to
win a super Bowl. They're going to get our first
ever three peat.

Speaker 3 (02:53:29):
And that says because he truly hates the.

Speaker 12 (02:53:34):
Because it's just three in a row.

Speaker 11 (02:53:36):
Well, they have said the script is out. I want
They have said the script is out.

Speaker 12 (02:53:41):
They claim that NFL definitely wants it. They said that
the Eagles are going to lead the entire game and
at one point over a two touchdown bleat, and that
at the end, Casey is going to come back and
Kelsey is going to get that last touchdown to put
them ahead.

Speaker 3 (02:53:57):
That is up there with Wade of opinion about Run
DMC's best album, Like, do you honestly think that this
is a script where like a guy like Jalen Hurts
goes by it, They like read it like as if
it's a movie and they have to.

Speaker 11 (02:54:14):
I would always say no.

Speaker 12 (02:54:16):
If someone told you that they could make an extra
half a billion dollars by getting a specific you know,
group to watch or increasing viewership or whatever it is, would.

Speaker 11 (02:54:29):
You want that?

Speaker 12 (02:54:31):
Look, I don't think it's possible, but in those close
call situations like the last game, where you know they
went on fourth down four.

Speaker 11 (02:54:39):
You know, they did a third down and a fourth
down with one yard to go, and they.

Speaker 12 (02:54:42):
Didn't make it both times, but they kind of did.
I think it could be skewed. I mean, your man
Pete Rose, you know, certainly put his time in. But
it could happen, but I don't think so. I just
I think it's funny.

Speaker 3 (02:54:55):
I agree there could be some WEFs that may be
a little shady, but I only the players now would
follow some script like it's the w w F where
they have.

Speaker 2 (02:55:07):
It's not that blatant. But listen, guys, it's really simple.
All you have to do is look in that stupid
ass suite to see what's going on here, all right,
And every one of us fucking hates it. And I
hate both of these teams with every bit of my being,
which is why I'm not watching the game, and I
know the Chiefs are gonna win.

Speaker 11 (02:55:27):
Not watching the game, what what what would you be
doing on that Sunday.

Speaker 2 (02:55:31):
Playing video games?

Speaker 23 (02:55:33):
If if Saquon rushes for more than one hundred and
twenty five yards, Philly's gonna win.

Speaker 2 (02:55:40):
Dude, Philly is so much better than this team.

Speaker 12 (02:55:43):
Gotta you gotta better than to shut down to beat Philly.

Speaker 2 (02:55:47):
But I will be shocked, all right.

Speaker 11 (02:55:50):
So we're all rooting for Phillip. We all are. We
all are going in.

Speaker 3 (02:55:55):
Root for a fucking root canal over Philly fucking winning
a super Bowl.

Speaker 12 (02:56:00):
Okay, it'll be the same thing as if the Giants
were in there. You're you know baseball terms the Mets.

Speaker 3 (02:56:05):
Well, you know we don't like those teams. If you
don't like that, if you don't have a dog in
a fight, I get it. But typically most people go
for a player they want to support. And that's kind
of like the way I look at it. So I
want to see it. So you want to see my
homes one again.

Speaker 12 (02:56:23):
I want to see a three P because it would
be the first time. I hate when dynasties happened. And
I have to tell you hurts and and.

Speaker 23 (02:56:30):
Says all love three three hot albums outcast, Yes are.

Speaker 12 (02:56:35):
But they're all different. They're all different. And here's the thing.
UH gave me the best Fantasy football year and I
own the complete support.

Speaker 11 (02:56:47):
No, it's that, that's it.

Speaker 12 (02:56:48):
It got me to the finals. They put major points up.
So I am definitely going with Philly. My wife is
a Jersey Philly border girl. So yeah, I'm supporting Philly.
I'm making like scuff mes and cook bags or something
like that.

Speaker 2 (02:57:04):
It's almost impossible to dislike Saquon Barkley. He's like Walter Payton.

Speaker 3 (02:57:08):
I was gonna say, like this story that he has,
it's almost have to get behind him and thinking about awesome, dude.
The guy was stuck in hell keV How long was
he a giant? Like five six years? Five six years
and running backs don't have a very long shelf flight.

Speaker 12 (02:57:25):
Well, he was out for like two straight years too true.

Speaker 3 (02:57:28):
But even still, he's an older guy. People didn't think
he would have the year he had this year, and
then you see what he's doing on a good team,
and you're right. He's He's so likable. He has such
a a this charisma about him. He's genuine and watching
him plays like fucking playing tech Mobile. You know he
does he does jump? Yeah, I mean he does. He's

(02:57:52):
like a video game player. So I don't know how
you don't get by something like that. Can I get it?
It's a little It's like his girlfriend moved on and
married some fucking rich guy. That's what Taekwon is like.
It was his girlfriend for six years, that she found
somebody and then well.

Speaker 6 (02:58:07):
That's more like, that's more about the Giants just being huge.

Speaker 7 (02:58:10):
Yeah.

Speaker 23 (02:58:11):
Ever since Eli left and that wholeme just fuck up
team done. They they haven't been able to get back
on track.

Speaker 12 (02:58:18):
He watches Michael stray and every morning and the tear
comes to his side.

Speaker 3 (02:58:22):
I love keV. What's the Giants GM?

Speaker 7 (02:58:28):
Oh?

Speaker 55 (02:58:29):
Uh?

Speaker 23 (02:58:30):
She shean or something?

Speaker 3 (02:58:32):
Do you see where his son was?

Speaker 18 (02:58:33):
Like?

Speaker 3 (02:58:33):
He told him who Yeah, that was from the HBO.

Speaker 16 (02:58:35):
Uh.

Speaker 3 (02:58:36):
I didn't watch it because that was Giants fan and
danielm not the fucking father, No doubt. The son has
fucking balls.

Speaker 23 (02:58:44):
Dude, Your son can tell you the right rookie card
to buy right now and know better than you. Kids
no prospects because kids have time to, you know, dissect
the game.

Speaker 3 (02:58:57):
It's a good point. Maybe kids should be the GM
and not.

Speaker 12 (02:59:00):
Maybe let him know Tully a year to some asshole
who ruined the team.

Speaker 2 (02:59:05):
These fucking guys overthink it. They overthink it all the time.

Speaker 3 (02:59:09):
He traded a twenty five year old Luka Dancik to
the Lakers for fucking thirty one year old dude who's
on the back nine of his career.

Speaker 2 (02:59:18):
Not only that, but a guy never plays because he
breaks his pinky nail. Seven foot tall, two hundred and
eighty pounds breaks a pinky nail and he can't play.
Fuck that dude.

Speaker 70 (02:59:27):
You know what.

Speaker 2 (02:59:27):
Fuck the NBA. The whole league sucks balls. They're all
fucking pussies. Don't play the game, right. I hate that league.
I will never go to a game and watch a
game ever. They fuck that league.

Speaker 6 (02:59:39):
Oh America, are you Syria?

Speaker 7 (02:59:43):
It is showtime?

Speaker 3 (02:59:44):
Baby? Here we go where flat fat?

Speaker 29 (02:59:50):
It's awesome?

Speaker 3 (02:59:51):
Baby all right, folks.

Speaker 12 (02:59:56):
That concludes our nineteen eighty eight tribute.

Speaker 3 (02:59:59):
Wow. Remember.

Speaker 1 (03:00:01):
Take It Personal can be heard on many different platforms.
We stream on Apple Podcasts, Spotify, andorra, Amazon Radio, YouTube,
iHeartRadio Player FM, and every episode is available for free
to download on our website Take It Personal Radio dot com.
Stay tuned for more TIP episodes later this month. Often imitated,

(03:00:23):
never duplicated, This just Take It Personal Radio. Roger, the
announcer out.

Speaker 4 (03:01:22):
Back to Cali, Cali, Cali. I'm going back to Calis.

Speaker 6 (03:01:27):
I don't think so.

Speaker 4 (03:01:28):
I'm going back to Cali, Cali, Cali, Calis.

Speaker 58 (03:01:34):
I don't think so. Coming back to Cali's stylen, profiling
and smiling while in the sun.

Speaker 16 (03:01:42):
The t is down on the black cor bet and
his c of course, the sitting knowing.

Speaker 72 (03:01:50):
Seer wheel plushed out old leaf phantom and three girls win.

Speaker 24 (03:01:58):
The co n it, passing all the pas.

Speaker 3 (03:02:02):
On the way.

Speaker 6 (03:02:06):
Back and reel spin you know, cosette and pushed plate.

Speaker 20 (03:02:12):
Cali Cali, Cali.

Speaker 58 (03:02:16):
Y'all, I don't think so, Cali Cali, Calie, shaking them,
baking them minute the spots they never before home plate
or sunset.

Speaker 6 (03:02:34):
It's a trip con the girl still stressing skin.

Speaker 72 (03:02:41):
This girl kept dancing, dancing, grind out, grinned, blancing.

Speaker 6 (03:02:48):
So we could get the hang. I want to do this, boots,
just but I don't want to pain.

Speaker 12 (03:02:54):
Cali cat.

Speaker 24 (03:02:58):
Cali, Cali.

Speaker 1 (03:03:04):
Back the Cali.

Speaker 16 (03:03:21):
Of going back to Cali rising, surprising, advising, realizing, she
sizing me up.

Speaker 11 (03:03:28):
Helped the kids, small heels tall.

Speaker 72 (03:03:32):
She said she liked the ship and she shiny and beach.
Gave me a peach and out the sun temotion no.

Speaker 3 (03:03:44):
Last, but this girl was fast up.

Speaker 5 (03:03:46):
She was for a real good time.

Speaker 24 (03:03:50):
Your eyes.

Speaker 19 (03:03:52):
I got a.

Speaker 5 (03:03:52):
Surprise and went away with the bottle of water.

Speaker 6 (03:04:03):
Sid cow cows inside the

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Take It Personal (Ep 160: 1988 Tribute Pt. 2)

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Take It Personal (Ep 160: 1988 Tribute Pt. 2)

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