Take It Personal (Ep 161: Cold)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Hey, Hey, Roger the announcer here and thanks for tuning
into episode one sixty one of Take Your Personal Radio.
Get ready to throw on your Helly Hansen, your triple
fat Goose, and a fresh pair of sweats because it's
about to get real cold in here. On this episode,
we're hitting you with straight winter vibes with music by
the Jizza Mob, Deep Group, Home Onyx, Shades of Brooklyn, Smooth,

(00:25):
the Hustler, Cool, g Rap, Fat Joe, and Redman. Don't
forget about our get on Down giveaway. There's still time
to enter. Make sure you tag us on social with
your favorite eighty eight album to enter. Get ready for
another incredible tip episode to put on the shelf.

Speaker 2 (00:42):
Yo, what's up?

Speaker 3 (00:42):
Well?

Speaker 4 (00:43):
What what up?

Speaker 2 (00:44):
Yo?

Speaker 4 (00:44):
What's up?

Speaker 5 (00:45):
Yo?

Speaker 4 (00:45):
Yo?

Speaker 5 (00:45):
Yo?

Speaker 4 (00:46):
You need to take that person takes.

Speaker 6 (00:53):
One checking out taking person to the rap hell too.

Speaker 7 (00:56):
Yoa it was blacked off from the legendary woods Fumos
that ge this school jeep.

Speaker 4 (01:02):
Yo yo yo yo? What up is your boy?

Speaker 2 (01:03):
Mapping info? Miss mar beivs all that shut out and
take a purse.

Speaker 8 (01:07):
Yeah yeah, yeah, this is Joseph wu Tang And right
now you're listening to We'll Taking Personal take that was.

Speaker 9 (01:12):
Good, y'all with DJ munfs type of tool.

Speaker 2 (01:14):
Check it out. This is krink Corny checking out person
yill Yo, this sub this is diamond D representing digging
in the.

Speaker 9 (01:20):
Crates right here and take it personale radio, Yo, check
it out.

Speaker 4 (01:23):
It's the infamous Buck Walk Yo.

Speaker 10 (01:25):
What y'all?

Speaker 11 (01:33):
Yeah?

Speaker 6 (01:33):
Yeah, what's good?

Speaker 4 (01:34):
It's your boy KG y'all y'all.

Speaker 6 (01:36):
Checking out taking personal radio with my man so a
playbo Kevlo, Ammon Wade and the boy d J sixty
Hey yo, yo, yo boy Garrel Marsh Yo, what's up?

Speaker 4 (01:46):
This is d nice Yo.

Speaker 5 (01:47):
What's a good job?

Speaker 12 (01:49):
Yeah?

Speaker 5 (01:50):
Yeah, yeah, what up?

Speaker 3 (01:51):
Y'all?

Speaker 2 (01:51):
This is com sense and rage and yo.

Speaker 13 (01:54):
Check this out.

Speaker 14 (01:55):
This is pready fine, what good?

Speaker 4 (01:56):
It's your man.

Speaker 15 (01:57):
I'm ridding them dirty roves down to treble with damn
to let you.

Speaker 6 (02:00):
You need to take it personally, the personal man and
we end up building it.

Speaker 7 (02:07):
Yo.

Speaker 4 (02:07):
What's up?

Speaker 2 (02:08):
This is be real and you're blazing out to take it.

Speaker 4 (02:10):
Personal, basic.

Speaker 2 (02:13):
Hip hop the way it should be.

Speaker 4 (02:15):
Keep it right there.

Speaker 2 (02:16):
The best in hip hop hip hop been in that
fly ship.

Speaker 16 (02:19):
You heard hip hop? Stay yeah yeah yeah.

Speaker 17 (02:28):
No chicks, no chicks maybe yeh hicks, take you out.

Speaker 2 (02:34):
The sling stops.

Speaker 18 (02:41):
Something, keep your eyes the ship your sloping, shaking.

Speaker 2 (02:53):
Dropping, it's only like five percent.

Speaker 7 (02:57):
Go through the student lights, cameras and that she glamor
glitters and gold lock the fall, the scroll playing season stamp.

Speaker 2 (03:03):
Need to grow when I'm deceased. But then the beast
the rids like ye.

Speaker 7 (03:06):
Used to talk of peace, leaving savages to roam and
the streets look on the run. Police paying me to
give him my gun, trick, my wisdom with the system
that imprisoned my son. Smoke a goldleaf for holy no shamantley.

Speaker 2 (03:17):
I'm grunty, but things I do what's really never haunts me.

Speaker 7 (03:19):
Well, honey style niggas rolling the pal who'st hads profiling
a bus to right and to hold the wis us out.
They pussy with their minds on them broody things in life.
Crops is a true thugs wife. It's like a cycle.

Speaker 2 (03:30):
Niggas come home, someone go in through a bullet.

Speaker 7 (03:33):
Come back to the same shit again from the womb
to the tomb and pus on the unpredictable guns to
look life rapidly.

Speaker 2 (03:39):
That's the rich.

Speaker 19 (03:40):
Perhaps bullis bus niggas discussed man money, June, lies and
white guys.

Speaker 2 (03:44):
We can see you through the eyes catch the.

Speaker 19 (03:46):
Most schee he loads the sin the great while Rex
spots we break. Fiends taking place and to build the
niggas guilding like little children staring the more. The niggas
ain't caring, trying circle and fiends are lurking in your
baggatoe one's going down? What smell them in his cabbage
In the wood work, crack cells bubble like boe works
in the projects, frinches, niggas rocking all the real work.
Police question it, boot time, chats invested in, say and

(04:09):
they let sis, Yes is sitting, passages show and s
make wore miss downs crazily poor gun wards my crook failing.

Speaker 18 (04:15):
Like shak the green leaves hunting past snakes and jakes
things found, the lates jealousy, Jakes reshaked.

Speaker 5 (04:21):
What I strive force?

Speaker 7 (04:22):
What a lift for the facts you made upon material thing?
And it's wild, lightful girl life. Somewhere over the ring boat,
I see a big.

Speaker 2 (04:29):
Pot of cold shoots to snacks, So I hold two
thousands the cracks bag gum. It's down the suit bots,
don't you jack in my lap, do want to see.

Speaker 18 (04:36):
Toothpot got too, spots a new lock, bunter rocks, shootout's
making me hot cooked cops bat tony in the board
drop and then man, I'm begging niggas flop Tom heavy
up do come next?

Speaker 2 (04:46):
So on line and what the fuck is you're looking at?

Speaker 20 (04:49):
By the way, young budd hitting me off with that
cream Tate hat.

Speaker 2 (04:52):
Watch it back inside the hark Do niggas stop do
like doors joke it's there in the mental or refinding.

Speaker 18 (04:58):
Little run singing back niggas before do it knew zack surrendering,
come home not remembering mate, bell with different size chicks
short a white Jess shirt looking Jay in New York
and you.

Speaker 2 (05:07):
Got hurt class backs for the day room. You not
bring it's down. The fact of ass got the best.
You're trying to turn it down. You told your body
was wild once you heard woo added up blue.

Speaker 18 (05:17):
Your family's from shall it high class cooks?

Speaker 2 (05:19):
The morning best is out.

Speaker 18 (05:20):
Of phone books in firm of Rey, niggas are swimming
a good shopping two crushes one ninety makes the baby
oil and ship. The man's a nikka just nets a
nice fix well I'm in this with a big red sherry.

Speaker 2 (05:31):
Your top Benas and rate.

Speaker 18 (05:32):
Got the best product on the fring hole, your hands good, whatever,
y'all want a.

Speaker 21 (05:42):
Slow on the nine.

Speaker 17 (05:43):
Niggas the Weak.

Speaker 22 (05:59):
Take a personal radio episode one sixty one and fresh
off the two part nineteen eighty eight tribute, we are
here to bring you some winter bangers. That's right. You
know those tracks that you just want to just want
to chill out. Let that cold weather hit you and
let these drums and baselines smack you in the air drum,
Throw on your hoodie, throw on your winter coat, enjoy

(06:20):
the ride. What you got fellas.

Speaker 16 (06:21):
Yeah, this is an episode that is going to uh,
it's going to feel dark. It's gonna feel grimy, it's
gonna feel you gotta put them in your aver Rex,
your Hellie Hansen, Canadian goose. So if you live in Florida,
just your shorts and T shirt.

Speaker 4 (06:35):
But reality, little.

Speaker 16 (06:37):
Dig Yeah, the reality is we got some really really
dope shit on deck. We're talking stuff from Tjiza, We're
talking g rap We're talking red Man, We're talking metal
things by ft broken language.

Speaker 4 (06:52):
We got so much stuff. We got some love for
our Canadian folks. We got some indie love, JY live
and nonfiction.

Speaker 16 (07:00):
We got a lot of good shit here. It has
a very very winter vibe, like keV said, and it's
to get your mind right before we hit you with
the summer madness or spring, i should say, because spring
comes before suppering. Although Florida there's no fucking season, so
fuck to yourself. Fuck yourself, and here's here's a mix
for y'all.

Speaker 22 (07:19):
Speaking of the speaking of the spring, you smell that smell,
the popcorn, hot dogs. Hear the crack of the beast
our scar, the snap into the fucking leather is the
fucking Paul schemes. Fastball hits the catchers mid That's right, baby,
baseball's coming.

Speaker 3 (07:35):
A lot of cursing going on. The best part about
banger songs are the beats man. Let's be honest, you're
gonna love the mixing. It's from a time in hip
hop when things were very.

Speaker 23 (07:46):
Rugged and heavy.

Speaker 3 (07:47):
This is definitely a nice compliment to our eighty eight
double shot, So a perfected time when music was tight
and extremely lyrical, basically short and sweet.

Speaker 23 (07:57):
We're putting you in that perfect place musically.

Speaker 3 (07:59):
This is the type of shit that makes me turn
the volume all the way up in the car, pushing
those speakers to definitely redline. Timbo's all that shit, whatever
imagery you have for like New York heavy winter, that
Canadian shit that was hitting in the nineties, this is it.

Speaker 23 (08:16):
So I'm very happy right now. Wait let them know.

Speaker 24 (08:19):
I'll tell you what I hate most about this time
of year when, especially when I was up north. I
hate the pitch black dark at four pm. And this
show is pitch black dark at four pm. That's what
we're getting ready for today. Also, very sorry to hear
about y'all up north. We're recording this show right now
on February nineteenth, and I think it's like minus seventeen

(08:43):
in the Twin Cities and minus like fifty two in
South Dakota with the.

Speaker 4 (08:49):
Wind chill I saw in the news.

Speaker 16 (08:51):
Look, look, we're fucking list in South Dakota.

Speaker 23 (08:54):
No kidding.

Speaker 2 (08:54):
We went through listening from South we went through, we
went through the states.

Speaker 3 (08:58):
Kid, I don't know if there's a from any of
either of those spotes coasts.

Speaker 24 (09:02):
And IM sorry, y'all it's seventy five down here, but
it is still dark at four o'clock.

Speaker 4 (09:08):
I hate that part anyway. Man, Let's break some concrete.
Let's get it cracking.

Speaker 16 (09:14):
Let's break some shit like fucking Saquon Barkley breaks tackles
Eagle super Bowl Babe.

Speaker 1 (09:27):
Hey, before we get into Mix one, don't forget to
tip your bartender over at Patreon.

Speaker 4 (09:32):
Take advantage of early.

Speaker 1 (09:33):
Access, exclusives and special downloads. Head over to taking personal
radio dot com and tap the Patreon button at the
top and.

Speaker 4 (09:41):
Support your favorite podcast.

Speaker 16 (09:44):
Seriously do it.

Speaker 1 (09:46):
And now Mix one featuring a quintessential winter classic by
the Jism Enjoy.

Speaker 4 (10:10):
The tangles the sword staff.

Speaker 25 (10:12):
So that's what we do when we battle, We walk around,
We challenge each other.

Speaker 15 (10:16):
With words, with the tongue, with the sharpness of the
lyrics is being verbally sharp being because we are liver
co assassins and we know that the tongue is about
to the sword, you know, and and and when in motion,
like when speaking, you get wins just from speaking, just
like when you swing the sword, you hear woul because
that's the that's the chwards swinging free and that's what

(10:40):
it's all based around.

Speaker 2 (10:43):
Telling about the names that the board rocking on.

Speaker 26 (10:51):
The blowing up, the buildings to be built, up detraction
what convict different state tickets get glisterous mighty bites A
swing swords and cut clown shit is swift the bike
and be caught and right a camp. I blow like
the blood on the murdered seat like a some wrench

(11:11):
want some wild out shipped to a certain fame, but
it was your white shop stolen art to swollen hot
from not stogling small.

Speaker 2 (11:18):
I put that rush up the pony.

Speaker 25 (11:20):
Black rhymes are getting hurt sits plate like Zodi X
side the sweatshirt, that minimum felmit like saples, take stacks
the purpose on the camera and it's you felt the
courts death with the impact around house kicks some.

Speaker 2 (11:34):
Black felts down on the pack them might clothes like
cyclothes or top off. I represent from midnight to high noise.
I don't play steaks, nigga.

Speaker 25 (11:43):
I think I dropped balls more fastening the flake because
rhyme's thoughts travel out of tremendous speed and clouds smoke
a natural blends of weed. The under one circumstances, I
from bloody turned that ship up McLean into front.

Speaker 2 (11:56):
On it that with the MCSK to live out to
day hands the too form.

Speaker 27 (12:01):
Some had to smot cocaine to act same rock nor
damn on the play spots bring to the building to
be born, Yo, ris up the track with the what.

Speaker 2 (12:18):
I want to mission that niggas saying it's impossible.

Speaker 25 (12:21):
But when I swing, I saw as the yard chop
a boll, I mean nobody drop while the heartbeat stopper
shout educata plus head in potato. Because nigga stowns are
old like more five sneakers, lyrics are weak, like clock
radio speakers.

Speaker 2 (12:35):
Don't eve bes stopping my station and attack like you're.

Speaker 25 (12:37):
Playing bell with the like damn track with the bar,
Damn my lord, I'll make look I mean justice, I said,
stare as to the four ram the clock, the state
pen time check it but depends.

Speaker 4 (12:49):
I'll be sticking what you can't stake.

Speaker 14 (12:50):
The climb came't.

Speaker 25 (12:51):
Through with the fool slid off the d yell a
little key like sea shells are rocking the bell that
come on boards between the bell and the chain, and
it's a whole different sound. It's a wide interest, small excent,
like a funnel so deep it's picked up one baby,
there was a tunnels. Niggas are fascinated how the ship
get to get vaccinated.

Speaker 2 (13:10):
My logo was branded in your skin with that m six.

Speaker 25 (13:13):
Pins and to perform some hat to smot cocaine, to
act to say before I eat rock in or on
the plane, just smack.

Speaker 2 (13:25):
The bread the building to people more over the traction
with the fuck.

Speaker 8 (13:30):
The yeah yeah yeah, this is a justly from the
boutang and it's like now you're listening to to take
a personal.

Speaker 4 (13:38):
Please yeah.

Speaker 2 (13:44):
Hello money, that's just the smith more pit give me
a how a pusson femi ad.

Speaker 7 (14:01):
Yeah, I'm here to make a joll out of fifteen
cents and let my ball thing like I'm on the
taller taking a ship styling is all that if the
big fagon ships with the depth struck all that sent
you with ship a represent intellect woo.

Speaker 2 (14:14):
Violence if you if you click holy and then the
tick of madness like red Man, not shift with the rock.

Speaker 7 (14:21):
If you're if for the splips between your buck shop
you need to do like your whiskey.

Speaker 2 (14:25):
Can I get pushing chef my.

Speaker 7 (14:27):
Zipped on the bull of ball the mini rocks and
I left the normal bachure. I love the hate you
because he's a freak far nature can't wait till fate
ship to nature. Drink it down, down straight with no
chase up. Hummer pomp Black's like a mini neck to
your back as soon that's what of you take a
shine to hold me out all lost you love good

(14:47):
complication of vigor.

Speaker 2 (14:49):
We got wreck, the concentration hurd in the cab talk,
the jealous of sellers.

Speaker 7 (14:52):
We fellas blow the spot like wealth more sellers. Nigga's
coming through an after Wow, y'all can niggas got.

Speaker 18 (15:00):
Out and the smile shot shake with many minutes trying
to begin, you get forgot what I am ready to
hear you hear me friends, the moon Manati want my
man's soul and my body. Seeking society trying to keep
their eye me when I'm a state and cotten me
the places they can't find me.

Speaker 16 (15:17):
Bet my moon.

Speaker 2 (15:17):
Strategic in the.

Speaker 7 (15:18):
Jail things to sort the semi level illosented chess player,
I use my thinker go on size flinker while you
wonder what I'm saying on the records rail.

Speaker 2 (15:27):
Yeah you mama, fuck the.

Speaker 18 (15:28):
Right kids Yo to tail formfen sent for missus.

Speaker 2 (15:31):
Fucking tighter rigs.

Speaker 18 (15:33):
You get back slaps so hard. Think you know leg
kids feeling cutey fops to first baby because he just
takes shick. But anyway back corner, real side of things.
My nigga slink cracks and where fat time of rings
not only years it inside the songs out sinking everything
is ding.

Speaker 2 (15:50):
I just a song that thing from my.

Speaker 5 (15:52):
Life to the paper.

Speaker 7 (15:53):
Every accurately give you order my two some maybe upon three.

Speaker 18 (15:57):
Five the team with forever s Hi shot shity tracked
me like a pool track. See I did you ever
in your life? Poor passed me without.

Speaker 7 (16:06):
Hallton and this man has now the fucking pay Who's
just great cruise.

Speaker 2 (16:11):
Looking joey crashed?

Speaker 7 (16:12):
What the fuckers being like this janus running this rocket
to New York to more tigo sorting people bringing to
the keys from Puerto Rico. I'm rather be fit than
not because the fair last booker, the ship test figgas
boy shugger than this weekly section from respect that they
did knuck who had to beware this mats it in
the air.

Speaker 2 (16:30):
Joy gus for good shouting for pot God what procelet.

Speaker 7 (16:34):
He got there inside like God he cover hair, go
let this man seat who just cut him down from
the wood. I'm just like a to that great sir
hitting in the lucky this span out and then he
got out the corn defact for some tax of face
matter of the fact that the price.

Speaker 2 (16:51):
Can you did this nuclekat pull replace do this?

Speaker 7 (16:54):
They fit with ch until he cracked the yeah kinds
of saucer.

Speaker 2 (16:58):
Niggas gets the shake. So now we sip drinks.

Speaker 28 (17:01):
Fucking man flesh for rinks and things working hard for
deep beside the jeep nacking and doing my thing. Fly nigga,
you was stalking kid trapper set up. Get them niggas,
Hody shut up, fuck it, poch sweaters no money. Couver
wants the fox the side of fort Knock. Do ca
the size fox? F the binging like what's like you
don't fox the morning creeks or you like roll? Ask

(17:22):
some flex and row dog without profection to see a
shot and tell Leano got the Fucciano.

Speaker 2 (17:28):
I's down fucking with brown.

Speaker 28 (17:29):
Flock extra keys to the drop por jingle. Liver Ma,
you got got crazy Dominicans who pay me the label
on my place with the fum my fio fro crop
king pin and a real nigga.

Speaker 2 (17:41):
What the dish?

Speaker 29 (17:42):
I' what the fuck?

Speaker 2 (17:43):
I thought a chunking the world crushed mode ham my
aunt icys curls. It's a steal.

Speaker 18 (17:48):
Niggas want to instigate sheep I fata they need nigga
in the rap gan clicks name the spos. I'm making
hot for your bitches. It's female reference tools. How don't
give a fuck boots words. I'm here to crush on
my pears. Rhymes of a must be in the sauce
for twenty years. Niggas standing, I met your mental to
your mental saints. I use my presidential from legs to

(18:09):
feed the bait nigga's white glove cotch. Your temple gets sucked,
demp seates the fuck without hell. They gets pucked. Deess Friel,
what's up with that? I'm shout a deal like ship
niggas slipping now? How the butler Field you joke a
pelt that late that gang bang, But if.

Speaker 2 (18:24):
You touch him like your motherfucking ass pin, that's facts.
Your niggas don't.

Speaker 18 (18:27):
Receive no type of slack because if they do, they
asked the store's running back. Not this time, but next time.
I'm a name name town, m ship it from.

Speaker 16 (18:36):
On top of the game.

Speaker 2 (18:37):
I shot shot see.

Speaker 23 (18:39):
The label mate with Uh the Bu Tang that he
uh clicks with Ray Vaughan.

Speaker 18 (18:45):
And they're really good, Like we really jokes with them
and niss come around the way.

Speaker 2 (18:51):
To this day, I can't even really remember how we
got ordered them in the.

Speaker 9 (18:54):
Studio because it's hard to get dudes in the.

Speaker 21 (18:56):
Studio all at one time.

Speaker 30 (18:58):
Scot Free, he used to work at Liu, wanted us
to meet Gray Corn and him, so he took us
a stat alum one night and we got the drunk
and hide with Ray gooes smothering niggas out in the harbor.
I think they might have slipped some dust in one
hour blunch or something like that, cause I was feeling
higher than.

Speaker 6 (19:15):
I ever felt.

Speaker 9 (19:15):
Really.

Speaker 6 (19:16):
When I got home, I was walking and.

Speaker 4 (19:17):
Flow most and like this.

Speaker 30 (19:19):
That night, I remember Gray Kawn.

Speaker 4 (19:21):
He drove us back to Queensburg and on.

Speaker 30 (19:24):
The ride back he was like, Yo, what's up there?
Do Knives Man were trying to do a songwhere I
wanna fill him on my.

Speaker 4 (19:29):
Solo album, and he was like, Yo, we gonna look
that up.

Speaker 30 (19:33):
And so then Uh, the next day we outed at
Knives and.

Speaker 4 (19:37):
Go through that conversation.

Speaker 30 (19:38):
He ended up just alling the song together, sing together.

Speaker 2 (19:42):
Stop chopping.

Speaker 7 (19:45):
It's the sound goods flop and no for Branach we
ends together sit rup beef, it's mob so long as
such shines to light up scott begind is together, sit
you up beef.

Speaker 2 (19:55):
It's fop, it's sound gold's flop.

Speaker 18 (19:58):
And noah for Branach again is together sunk your big
smart So if it's such shine to light up the
scott ye and it's together sun your beef minds.

Speaker 2 (20:07):
Let me starting them beginning at the top of the list.
You know I mean half situation.

Speaker 18 (20:12):
Like this another wall start, reformer thirst, the young hustler
or trusser a rather bustle and leave you caught Florida
pops to the scuffle.

Speaker 2 (20:20):
Will I be within the rains rover on too well
like they?

Speaker 18 (20:24):
But watching watch me watch it's trying to knock me
and lock me. But I'll be on the low shipping
now STIs watchee niggas trying to drink on the side
of my two.

Speaker 2 (20:33):
Stuck the heat through the window, rock their hands to
sleep over a free pack.

Speaker 18 (20:37):
It was a small thing, really up and keep letting
them small things slide.

Speaker 14 (20:40):
Up in your failure.

Speaker 2 (20:42):
If I'm out of town one of them a cruel tack.

Speaker 18 (20:44):
Every year the world disasters and your team's the very
year you're going.

Speaker 2 (20:47):
To bus caps again. Call up in your every year kid,
damp your shows.

Speaker 18 (20:51):
You'll make the situations every year. Life it's again Booby
scrambled for money. I might crack smell, but it ain't
damn things funny. Orta benitar with your hands, get money.
Whats the outcome turns out to be lovely.

Speaker 2 (21:04):
Got to z in my pop your head or I
mean squeeze what's back in the sun. Let the full heat, water.

Speaker 7 (21:10):
Saw a feather, upholsterry, but mostly keep the gag ros
vegga's niggas on the post.

Speaker 31 (21:15):
Make yo work out of kid minds, no matter what's gone,
suppuss count of my blessings out up my weapons, got
back the gat and let my nine serve purpose sling
through my thing old g nin things, survice, trying.

Speaker 2 (21:27):
To make amel the stressed. You know the deal.

Speaker 31 (21:29):
So we splain crills, get your cap hill because everything
is real because up on the chill, laid up and
utch Couzy said, but but but lad, when my fingers
on the OZI try to infiltrate.

Speaker 2 (21:39):
My four kit caught let up in new joke. My
brain is back of criminal thoughts.

Speaker 18 (21:43):
Get your life floors, step and found to give my
fra bishop completely.

Speaker 2 (21:47):
Watch you dropping less than ten on my roll till
the riches and it spit snow.

Speaker 31 (21:52):
For mass stitches the last rest the place a veiga
dish kid.

Speaker 2 (21:55):
No one to stop me trying your staff slopping.

Speaker 5 (21:58):
You wanna be me?

Speaker 2 (21:59):
You just to tation.

Speaker 31 (22:00):
You copy my Things's little about making the green living
up and luxury.

Speaker 2 (22:04):
Push your fat width to lift the pumptably. The time
goes by, and nah for her.

Speaker 18 (22:09):
Nah, we ye in this together, son, your beef is man,
so long as the sunshine to light up the sky.

Speaker 2 (22:15):
We year this together, son, your big because truck dealer's dreams.
Fass cream.

Speaker 7 (22:19):
He's on that triple ban five hundred that sell grain
ninety five male gleam. Time of the man you dressed
like the channelman tailor made no stretched channel for my women.
Freddick murder ran new numbers on your head, boblem burglarand
you can't get serving numb. What's up to on my
nigga scirbing Indigo metropolist the bridge breaks apocalypse. You that
the clouds feels like the Holy Beast is watching us. Man, damn,

(22:41):
my saidity is going like an hourglass to gun inside
my bad hand.

Speaker 2 (22:44):
I sliced find the bad grabs.

Speaker 7 (22:46):
I got holes that used to help niggas who could
have killed you, and saw with my ilk crew with
psychos now says the war moving on your weak production
of a corruption in the third world.

Speaker 5 (22:56):
We just fus.

Speaker 19 (22:58):
Analyzed the wildcat slink cranch. They swinging as the new
root sines me my eyes black, playing your corners, glancing
all up in your corner, your corner, you see cat snatch.
Money's upon you, but late night candle light thing with
it crack right, it's only right, feeling higher than then
they're playing right, well, Joe, I want to get this money,
then blow take my time blasting nine.

Speaker 21 (23:18):
If your front you go simp.

Speaker 19 (23:20):
It's the German ones hand my gun to the such
Shalon and Queen's bensby bother niggas before, but still right, mother, Well,
I saw my season in b my hella, y'all single sail,
but the real we still killed.

Speaker 2 (23:31):
Sah goes by and now for Branda, we in this together. Son,
your beef a.

Speaker 32 (23:36):
Smart so offus is such shot to light up the skies.

Speaker 7 (23:39):
We in this together, son, your beef the smart it's
time goes fly for Rana.

Speaker 2 (23:45):
We in this together. Son, your beef is smart.

Speaker 5 (23:48):
So office is.

Speaker 21 (23:49):
Such shot to light up the sky.

Speaker 2 (23:51):
Were in this together, son, your beef spot it's fine.

Speaker 33 (23:57):
Believe that burn out.

Speaker 2 (23:59):
Just us with the wool through moll bean a ship
we eat ship your niche.

Speaker 7 (24:12):
Funky mine mate, brigg you may before man the niggas
make it pay.

Speaker 21 (24:16):
Niggas he money.

Speaker 7 (24:16):
Before man here about it to get from the the
forty persons unky man.

Speaker 2 (24:23):
Mate, rigging you money before man.

Speaker 7 (24:25):
We the niggas making it pay biggs heney before mass
here about it to get from.

Speaker 18 (24:30):
The forty person the head for mess small bends he
nothing lessen sticky for the only part you got the
mess and wrap the school.

Speaker 7 (24:39):
Keep the kid in the ignition. When we get back, Nigga,
we shine listening yourselven do his sting with precision. It
south for broken event. You're shying to see edition the film.

Speaker 11 (24:48):
I can't.

Speaker 18 (24:49):
It's a fagging kids spinch to get vent in for
do a drive by and the stolen.

Speaker 2 (24:53):
Black One so who bet at the window, pull.

Speaker 18 (24:55):
Us the flapping through your sister, your man man looking
for him because.

Speaker 2 (24:58):
We just dope catching the on the rebail.

Speaker 18 (25:00):
But see now trying to get funny, trying to scot
me with the thunder right now.

Speaker 2 (25:04):
You stand up so much few would get laid down.
Wander around with the big four man he sound on
the upper side of the town. The caps get killed.

Speaker 7 (25:12):
Brick your mofflove love, give me something, don't affect small
deep niggas hold me down, running slash mc sean the
bell either the please rap niggas get back smack we'll fish.
That's the exact no, please out select time, bring it
on that game. Le's go my niggas doing time up
bringing the fucking pen. How y'all man, I can't forget

(25:33):
my niggas who got that flat?

Speaker 11 (25:34):
After that?

Speaker 7 (25:35):
And I'm my honey's chilling out and that practice said
to see we gets visit with no follows, not till
they know the Tla mado the hour of niggas man's
infa missed with the silver little the music. Get my
week for one, said nigga checked my to blow y'ard
out of the box like shelling coming from the under
with the thunder like shell.

Speaker 2 (25:54):
We coming deep just like the mob.

Speaker 16 (25:55):
Nigga mam, and there's my job.

Speaker 7 (25:57):
But you could wind up getting involved anyway in the
day night.

Speaker 2 (26:00):
It don't matter.

Speaker 18 (26:01):
It's need that nigga be I been gone.

Speaker 2 (26:04):
We bring your wrong without a doubt. It's the missing
docs of facts here to turn it down water the
old massive, funky mom.

Speaker 7 (26:11):
Make big money, the pole man, the niggas making biguse.

Speaker 2 (26:14):
He mine before man here you're about to get from
the stow.

Speaker 7 (26:18):
The morty coach said, Oh man, funky mom, makee Biggs.

Speaker 2 (26:22):
He's Michael phone Man. We need the niggas making it
by Biggs.

Speaker 7 (26:25):
He like the poon mass ifbout to get it from
the shoe perch, yoe, what.

Speaker 31 (26:31):
You're going to do with that black dude stool? You
wanna take the cares and wake stuff who want to
take it?

Speaker 2 (26:36):
You to survive.

Speaker 31 (26:37):
It's only matter but time gonna snatch it live, gonna
righty running never looked better.

Speaker 2 (26:42):
He who got me acting like that like the king
the streets was more the corn bat. I wasn't blessed
with the silver spool. Just my morn.

Speaker 31 (26:50):
I was doing fine to work the more copy financial
born us when he's doing son stupid kid, you get the.

Speaker 2 (26:57):
Store not smelling. We still do nothing move what the
more and Jack left.

Speaker 7 (27:04):
With hicks Nikastam twisted off the then miss the boxing
it off the hocking love sit down so we keep
the niggas step up, So I got that made like flump.

Speaker 21 (27:16):
Com My man slipped up.

Speaker 2 (27:17):
We got back for three one.

Speaker 7 (27:19):
Oh my god, it's rigging the squad in the place
where niggas can get broke. Pace comes takes the tap
of flood, the lemper and the bream dreen the whole
abuse on can't funk with sing up the norm pop
singer from the Land of the box Flingers were Situs
Hoide and go smoke from niggas blox Thinger sick for
fun So to come on, come on, wants a kid
man you won't like tomorrow popped telling the flips it

(27:41):
from the seller to the Ada Fox crazy trazy prodecty
you funky my, makee briggs money the poor man, the
niggas making bad biggase he money the poor mass get
on the score in the morning post, Oh massive, funky My,
makee biggie, Oh massive, the niggas making niggas phone may

(28:03):
about the lip.

Speaker 6 (28:19):
Hey yell issue, the hustling blow of ground girl, broken language,
Chinese shout play cat my nigga j shap right, ain't
gonna take a person in the radio's.

Speaker 7 (28:35):
Fundra jobs on the god the last little kind of
word reason my job? So see clock swack? Did you
feel step in my way? Why is it remated on
the Fridday to do a down wing? Did that threat up?

Speaker 2 (28:48):
Send us?

Speaker 7 (28:48):
Can't spend up rap agin now like them? Ma, we
not got got win U the gun richer, what's the shot? Teacher?

Speaker 2 (28:55):
You're feeling?

Speaker 7 (28:55):
The food serving church preacher, your black hurts calling seegar,
the body Paluda, the jack shooter, the brawn field whack
brooklet choopa, the fox deep out rub, the face jack.

Speaker 2 (29:05):
Shop from mister prince, smash off the ass, what's up?
The drum murder, the.

Speaker 7 (29:09):
Money stasher, gun blast and raised, the slasher, the human asthma,
breath taker, body dumb waist stuff, the glock cocker, the
block lock of the rock chopper, the shop popper, the
jock cock clocker, the face splitter, human disgrace, get up
the lady shitter phone Jones are sneak over fucking babysitter,
the tronics moking gun tooven.

Speaker 2 (29:29):
Heurs initiated tracks.

Speaker 7 (29:30):
Appler, the human drug generator, the honey game rob, the
chicken tricker, the slick, the long dick, pussy stick up.

Speaker 2 (29:37):
They're ready to bust that ass kicker.

Speaker 7 (29:38):
The track Maneuvera, the box barrier off, the don't wrapper
to see seventy four ox carrier, the gun seller, the
chest sweller, the stick gump smack, big tiller, the money
back dweller, the stich, the father, the jets runner, the
clipper shirt of the bullet.

Speaker 34 (29:53):
She's an expert of the man that's the murder, the
whole PITSTI sir, the cut man, I don't want clan,
the stun head of hit her four days in the
month man, the front man, the brooklyn Representa, the big
down Center, the two brothers, the hottest niggas out just
fucking win. The girl cheaterahs to beat fast beating the streets,
reaching by the body, the car crete meeting, the bluntskeetter,
the weak smoke of the limper choke, the spot stock broke,

(30:16):
the ruck of.

Speaker 2 (30:17):
Picture Boozo, the cod traveler brought.

Speaker 7 (30:19):
You flud Saint soup Poke, the Gambler that you amma
to Jamma to snap master without the camera, Gammer Rug,
the big Guzzler, the slub saying your mum, Tussler, the
drug juggler, the crazy thug Hustler, the Lexus Warner, the
champ wring embrace, the Florna Brug, the chamber smoker, the
mansion having Sna Soka, the corner stand, the style Trama
to take over, spot block to Amanda, the glock on

(30:40):
cock handle, the rings, the spit, the fast though cast
blood get her the transmitter off, Carolina Vagina, hit him
to ams kick call the internal Hawk dart stick call
the wretch, just go body here, the hey with Digger
and the booty niggas, the trigger happy form.

Speaker 2 (30:54):
A good corner fact.

Speaker 7 (30:55):
If my gluck blowout, praying way patters to keep their
hair nappy to the depth, it mot be bell Winger,
I'm bought some hot core fan singer, the champ Swinger,
the Nordical Woman, the car canow Man, the mist get
jigg the fly man on turm. It's better than die
man to know what Chiller, the expert slayer, the white
Girl gang Binger, the Budget, every Fucker, that Jesus Hanger,

(31:15):
the Vital Chickop, the drug Dealer and Title Stripper, the
Idyl Flipper, the trust break and Fighting Ripper, the Black
History Flop, the.

Speaker 2 (31:23):
Racial fig Off, the nine and nine, the far Father,
the Chorte.

Speaker 7 (31:26):
Singal, the Hell fight Off, the Proper Relationship right off
to eat you your stripper in the right off, the
black Body back tire y'all, the Monday Stats Show, the nit,
the trap Ball, the eight eight club bat Show, My
brother got a record, brack Up, the babble Spinner, the
Grand brocks Whip, the Life of Death Again, the ninety
five with the Thing Highway, the Heffing Center, the Cocaine Cooker,
the hook up on your hook Up Hooker, the thirty

(31:48):
five cents shorts on my twoper, five's overlooking, the brat
burned off to fight, the team to turn her ass,
whipping Learner, the hit Man, the money Earner, The challeng
is without the Durmo, Me and my little brother.

Speaker 2 (31:58):
To cont me back plus with your thick God the cover,
the glock said, your heck.

Speaker 7 (32:03):
With sewer to the Big Daddy Jane, Little Daddy Shane
over doers, but God braw body represents the ship without
a shot.

Speaker 2 (32:11):
That's my words. You know what I'm saying.

Speaker 7 (32:13):
Verblative jaws, no shake, Belaven from rocks slag with personal talk,
sound check, architect Maga talk So black.

Speaker 2 (32:24):
Kids prop said quick we are some real live go shit.

Speaker 18 (32:28):
Jo Joe souns the little cats walk away holding ain't George.
We're saying they had George DAWs poses plus sticking straws,
postage shit or whatever. Airlines spress from staff shrow to
speak from stewarding the fitch wassmar st wk not has
never been popped. Now it's bills shot, it's really see
it means step make the store high. Joel scream niggas
beehole team label Wally team Goldie for the bit, Shinese man.

Speaker 7 (32:51):
Diedali with the Green Will's Greatest Laws Vegas play this rat, Crusaders,
Casino Champs calls forth the ladies today's man fuck nothing,
butt ass, take us stealth, ask go half on his ribery.

Speaker 18 (33:01):
Want upon, Tony chad ki't invincible, back to bash whose
wool's suspensefuls.

Speaker 5 (33:06):
Then get Lakes.

Speaker 18 (33:07):
Starts to playing cool like a man, like a night
out and white he's calling me like a double d eight,
how can get his shake? So when you wanda side
hold his cakes.

Speaker 2 (33:15):
Yo, Ma, man check the ball with Lord, get deeddy
your bust. The shot in the big bullet wasn't let
it hold up kid trying to kill your mama.

Speaker 7 (33:24):
Let you fight your landslide well known, Heaven sent element
that ship you talks, I fellow and got palma like
the president out your loss, but never let no question uncted.
Got up gift for stickups and late night coke pick up.
Money talk gets my thick up, especially trug related money
boss comtemplated browns, clocks complicated, dude, don't playing so don
tryer man, you've rup the mind for man, you've up

(33:44):
the times.

Speaker 2 (33:45):
Thank god I had problem.

Speaker 7 (33:46):
How mean your rapper hooper huffed the black pots with
North opening the doors for the poor.

Speaker 2 (33:50):
So it's against the law living in the climate for
a killing spack. The law's fucked your order. So mother's
what the daughters is?

Speaker 7 (33:56):
The slaughters in the world, the scramblers and gamblers, Dix
and lor cause the caveyard, you know the project start.
I'll give a penny for your thoughts. Tell your thinking
for touch to stop defeating around the pussy. Give it
to me the way your looking zumbing through me, show
me taking everything I got in plotting, animosity from a box,
even got to your luck away from the world.

Speaker 2 (34:16):
I'm wonder ben, who's putting this to my money in
my part? Rock swag approaching round check Park tank, back
of chalk shop.

Speaker 5 (34:24):
Not for the back chacks.

Speaker 2 (34:25):
Politic quick, we are some frail live up shirt.

Speaker 35 (34:30):
Pine rock swag approaching saw Crown check Park tank, back of.

Speaker 2 (34:34):
Chalk shop, not with back chans. Politic quick, we are
some frail live.

Speaker 5 (34:38):
Lup shirty.

Speaker 19 (34:40):
Doors collaborate with guns or shadowy force for shatty storks
or casualties. Walk and shagially caught chavity and the natomy
for sor the battery for having.

Speaker 2 (34:49):
Me believing at the battle.

Speaker 19 (34:51):
And that's the wality the gavelty water saw Nigga's running
off with the gun and saw who slips slip the
fucking too clips to show the walls the sweet streams
so you're weak seen why heat fiend yass the raps
see who blast of test and comes the basket back.

Speaker 2 (35:04):
You're not win against the killer sins. Shim' love to
kill again? Who feeling hisask to mention it.

Speaker 19 (35:09):
Let's not flocking the claiming body's at you there and
gets hamming empty blocks of niggas snatch without intensive where
you just don't want to be nonna be jad niggaet
in front of me?

Speaker 2 (35:18):
What no for one to see your momsy druma.

Speaker 18 (35:20):
See flat bro telling lady plow the baby leave a flower.

Speaker 2 (35:23):
Last thing I heard the phoenix flint.

Speaker 36 (35:25):
Bake, shomber get can't stack wear on the frank dwelling
on the edge for fletch, wrapping for beat or the
pounds touching clowns dt spot browns with slickers in the
cell for the shelves, hit the ground fifty five for
the belt, fifty grand.

Speaker 2 (35:38):
And book belt. Then I swirked the new church.

Speaker 36 (35:40):
That's what I spurred, melt It was the whoops type
ba homicide. This is the drama side course of nine.
Really sluck tamp get inside the tabu leary bad niggas
heard it got throwing it like the truth two minutes
before the verdict, Who make it claim?

Speaker 2 (35:54):
Who came on train? Slick lines and soap and out
of steak kicks? Give me the lane that flipped the track?

Speaker 36 (36:00):
The prob I'm like quiet not I stamping undertaking the
slaughters mind nigger?

Speaker 21 (36:04):
Yeah, can.

Speaker 4 (36:06):
Rebap check word up? It could talk?

Speaker 2 (36:08):
You can't be in no represent.

Speaker 21 (36:12):
Yeah yeah.

Speaker 2 (36:15):
Captain John doing this thing? Have a sick hit him?

Speaker 37 (36:19):
Hit him kid?

Speaker 36 (36:20):
Yeah, mor a break good night rock kay devil man.
Keep it quiet of the talk, yo, what's up?

Speaker 11 (36:55):
Can't I you?

Speaker 5 (36:56):
Yeah?

Speaker 21 (36:57):
Shut up the tent.

Speaker 19 (36:58):
This is the chef coming out of Jain't Clint represent
shall it to the fullest?

Speaker 6 (37:03):
Son?

Speaker 2 (37:04):
Imaree?

Speaker 19 (37:04):
I'm here right now, my nigga fat shit o representing
them boogie there and the rest of the trout Borough.

Speaker 2 (37:11):
So what we gonna do?

Speaker 12 (37:12):
Right?

Speaker 23 (37:12):
His son?

Speaker 19 (37:13):
And your matter of fact, son, I'm shying these niggas.

Speaker 7 (37:15):
Man, Well your with so who tamper station for Randy?

Speaker 2 (37:19):
Yet see the pot sis I take the jump ran
for clip to.

Speaker 7 (37:22):
Jump, dump to blood shirt to bat up seed from
a pias. It's just like your team dressed to with
fiat Ra fuck up and then jump. But you win
to where we don't know the.

Speaker 2 (37:33):
Mean in the field. Check the Jick scenario there.

Speaker 18 (37:36):
I got no time for compensation, making them seas before
the quarter like the immigration I'm born reconfilling with chilling
Danilla for nothing.

Speaker 2 (37:45):
You ain't a player, you just bluff.

Speaker 7 (37:47):
Wait blood, we can deeven do this with Jackson sex.
It's short se lesson. I can pick jump President Jeff.
Before the lessons, I got back to that sense flat
Joe to raplicit cray storms, jolly swarms, get off in
the blissed, work them up, but ro take your life
outside of marst daughter and make aware of what you're

(38:08):
white right.

Speaker 2 (38:09):
It's the relect list of body can check this back, Joe.
You know we're young and restless. Week's not this claw
to call the ca ca canny. Make a restract.

Speaker 38 (38:19):
My ain't good check no wow boom from the gate.
Now make a respect. My ain't gonna check no wow
moon from the gate. Now make a respect. My shack
no wow mood from the gate. Now make a respect.
Ma ain't gonna check, no wow move from the gate.

(38:42):
Now who gets wrecked.

Speaker 2 (38:43):
On for spot?

Speaker 35 (38:44):
You get wrecked on the spot.

Speaker 7 (38:46):
I got this so rap shit live man in your
seas perpetrated and cladiate it. I'm number once in your
behated Listen here sucks.

Speaker 2 (38:55):
You don't want to.

Speaker 7 (38:56):
Make them trucks. It's the same motherfucker. Who's the fucking rocket?
Sacond nine get drinks when everything was fine and Jankey,
I want the nigga put e racist in the tents.
Chapy man, you now he don't get any worse, Sir,
crookers stuff thoughts this first, even get down and curse
you don't put any favorite.

Speaker 11 (39:15):
In my heart.

Speaker 7 (39:16):
Don't even start the charge heart, Joe living for life, Joe,
I get try fifty one number on that ass with
the butt tonight slight sat the slight, Yah, gott some
more destruction new horror than the.

Speaker 2 (39:30):
Empty christ Nigers.

Speaker 7 (39:31):
Don't the mother fucking child, Joe, We protects glean m
smell man.

Speaker 38 (39:37):
They can restract my ain't good check now, Wow, Moon
pump the gate now, NI con restract my good check
now Wow Moon pump the gate now. They can restract
ma ain't good check now Wow, Moon pump the gate now.
They can restract my ain't good check now Wow move

(40:00):
on the gate now.

Speaker 4 (40:01):
Damn yeah, yeah, what's the jill?

Speaker 6 (40:03):
Y'all this year boy food rap and right now y'all
checking out taking personal radio with my.

Speaker 4 (40:08):
Man Flower Favor, my boy Devlar, my man.

Speaker 6 (40:11):
Hamm and Wade and the boy DJ three sixty, never
going to change.

Speaker 5 (40:17):
Fuck it.

Speaker 2 (40:18):
Time to go to clip. Let me take them the wall,
then just on the flip.

Speaker 20 (40:22):
Let me take them the wall, breaking the blocker, then
we breaking from all.

Speaker 39 (40:27):
I represent the murderers and felony offenders who come out
to get this legal tenderc.

Speaker 2 (40:33):
Now I'm going out with a bang nigger fuck attacking.
I gotta do my thing.

Speaker 20 (40:38):
Nigga pulling four mag busting into action during s left
the particle's fragments and fractions, grim the money stacker, the
pack up I'm with attacking like a linebacker. Fuck with
her crowntais in all ways on the folds, a home
ups inside place with your crews, heartscold numbering in the

(40:58):
Italians in your fucking it just came a doctor death,
motherfucker ever heard of me?

Speaker 39 (41:05):
From your eyes, cross your fingers out for surgery. I'm
already dead, sona. You can't murder me because quantitines of
entities said to me.

Speaker 2 (41:12):
Evil shit. They ain't never gonna change fuck it.

Speaker 35 (41:16):
Calm the little the clips there we take from the wall,
niggas wan the flip.

Speaker 2 (41:20):
There, we take them the wall, break the nig the proop,
we break.

Speaker 5 (41:23):
The some wall shit.

Speaker 23 (41:25):
They ain't never gonna change.

Speaker 2 (41:27):
Fuck it, Tom the Lord the cliffs. There we take
on the wall.

Speaker 4 (41:30):
Niggas won the flip.

Speaker 2 (41:31):
There we take on the wall. Break the nigga pop,
we breakall.

Speaker 18 (41:36):
Since I'm murdered upon high are rappid fires, would I
require making niggas puts byre, I'm saying the message to
it the waire because palaces contains they got me busting cage.
Just the ninety five Every David send them, wetting niggas
will wet.

Speaker 2 (41:47):
It just queizes the home of one the known felling.

Speaker 18 (41:50):
Then it ain't no telling when I'm gonna crack your
fucking melon fold the right amount of chips, Huspit Clintons
and him with the sleeping nigga's bloody. The lever seat
is where the ship trips the pall set and not
be creeping rocking niggas while they sleeping shots repeating.

Speaker 2 (42:03):
Leaving faggot niggas linking.

Speaker 18 (42:05):
When I come back, the high niggas is dying, marching
the science because.

Speaker 2 (42:09):
The pail cakes pills like a lion.

Speaker 18 (42:11):
Well shun niggas be collapsing because my weapons is ready
for action, making your heart catch get tractions in the
Hunt the World Shooting Gallery. Niggas lose calories because my
salaries based off fatality.

Speaker 37 (42:22):
Ship.

Speaker 2 (42:23):
They ain't never going to change time to load the clip.
Does it take from the wall, They just want to flip.
Then we take on the wall. But the nigga problems
heavy breakfast wall ship, they ain't never going to change
fucking time to load the clip.

Speaker 29 (42:38):
That's take on the wall.

Speaker 2 (42:40):
Niggas want to flip.

Speaker 4 (42:41):
There we take on the wall.

Speaker 35 (42:43):
Bright, then the problems heavy breaking wall. Here come nigaves,
some mother fucking wreckord for so kind of unfetted check
gunk track clip one check clip to check come back,
so matter mother fucking woe for my supper and I
comes on, there'll be pleasing niggas back like fucking popo
giappers come from bringing mad going something that point. When
I was younger, always carry guns. I never had noist

(43:03):
gripp give me that. And for Redd and Si Meg,
I'm going the red that for nigga far hits and
making motherfuckers ind in you got beef, go get yourself
a week because it's murder because I hold him up.

Speaker 2 (43:12):
Beef the fucking white canceled Burgers so.

Speaker 35 (43:15):
Now I got to run up on a clown with
the folk town to fuck black cutain nigga down. I
see him, he's coming off the fucking color seeum and
have the two of p M ship put in my clipper,
then not tipped two of the part that my man
had pucks on the shop walk to rest on the
gold I'm braining on them.

Speaker 7 (43:34):
Or you beginning on the cities with somebody else sucking
put his brain on him boom boom.

Speaker 35 (43:39):
No, some fathers lifted the nigga out of seat when
they follow him. Here for your flexity, Java. When I
ain't finished with the trigger yet, I'm like nothing cigarette
faith fait no the umber nigga wet see red baby.

Speaker 4 (43:50):
You know me.

Speaker 35 (43:51):
You're trying to learn this split the fucking top believer
to the parental purpose.

Speaker 33 (44:05):
My style definitely come from my heroes, which was Caine, Rod, Kim,
karros One, Cougie Rap. During that time, you just wish
you could be as great as them, or you'll be
noticed or be your name would would.

Speaker 23 (44:22):
Ring like they name would.

Speaker 33 (44:24):
So with the compounds is just different compounds and metaphors
because I need too with the jokes.

Speaker 22 (44:31):
That's the snapping error.

Speaker 33 (44:33):
That's the projects as you know your mother is so fat,
you know your mother is so black. You know that's
where you know a lot of the wit and the
funniness and the humor came from was from snapping. And
it was just like me putting it in rhymes and
then doing metaphors assemblies. And I think some of the

(44:56):
greatest punchlines is when you don't see them coming. If
I could predict keep punchline and see where it's coming from,
it ain't that great?

Speaker 21 (45:02):
Ain't that great?

Speaker 2 (45:04):
Stop town, stop town, ring your sleep?

Speaker 40 (45:15):
That ain't x fix anonymous with the same only drawing
a long war the mission up my name. I got
a rama too left pen. I'm gonna blend to the side,
going on top like Jim Brown in his teeth. I
get back like hey, week can get my free corner?
Who days to speak on my own horses? Seacorn put
a trading light, bakehorn Gorilla tactics states the act fix

(45:35):
he's leave on the actress.

Speaker 2 (45:37):
Even hyping up the black dress, couldn't scroll the lead
to bless I pull the that's.

Speaker 40 (45:41):
Off my boss and he sweat trying tune thrill the
lad up so let's make these sacks and Max relax,
but wax the tracks receive tax triple pictures and the
cowboy hat now Top Pat and Yo kids, Top Pat
kick got.

Speaker 2 (45:53):
Brown away at exact way you're sitting just the other days.

Speaker 40 (45:57):
But nobody said make you to the crime. I'm a
MC none of them bega, that'st in history, but maybe
one of the top three, he says myself, No jiggat,
I'll be sonona mister kings fling niggas to the mat
like a hacker bat clipping the Mitchell's ass whipping is
serf went on her vanilla wax Jack and posters trying
to flaud you guys, just get the fuck down with

(46:18):
the law for ness.

Speaker 2 (46:19):
Whether you think you pimpstat it's so the best mad crazy.

Speaker 7 (46:23):
Is stupid trying to hot beat him open for what
a smirk a fan out here, popper from Burnt try
to disrespect him.

Speaker 2 (46:29):
Get your ass played up like the smurf from Bunning
over the track.

Speaker 7 (46:32):
Type of nigga to stack one million, take my moss
and then fucking make a trillion.

Speaker 2 (46:37):
The start showing the world who's the man with the heart.

Speaker 7 (46:39):
That's about the last tall forties kisses mad, so don't
fuck with lost professor.

Speaker 2 (46:44):
Oh you can get your ass waves, so say no
more the niggas.

Speaker 7 (46:47):
That's the Wall's lost professor law faness and Tod Taggs
for the traw grand Pooba who's probably.

Speaker 2 (46:53):
Coming back from with the skill. To Bill, I'm saying,
po niggas shire snap crack you slop.

Speaker 21 (47:06):
Snap rock stop stop crack stop stop stop.

Speaker 7 (47:24):
I beat that nigga with the creamy ass wine fluff
my ship so hot, I burn the asser that's come out.

Speaker 2 (47:30):
I'm saying, though, we'll be the grand flipping flame giving
love to my fans.

Speaker 7 (47:34):
And you know this, man, my competition leaves competition with
your nia can be in my position because I did that.

Speaker 17 (47:40):
We know the ass kitchen.

Speaker 2 (47:42):
I'll be there like Michael Jackson. Then you don't snap
until you get enough, and I'll be damning my nose. Drump.

Speaker 40 (47:47):
I speak back to you with facts in Hawai Mao
doing Wi me baby, but there's no.

Speaker 2 (47:51):
Winging, just the nex sent I back guys like Jada
step you play. Y'all hate us keeping niggas moving like
a fucking escalator because it's foge in motion. But keep
its moth like lotion. Keeping them sees us like Billy.

Speaker 7 (48:05):
Yoshi Dick what I'm saying, I'll be a buck eighty
five on the wing.

Speaker 41 (48:10):
It goes still cop and the check full your size,
and it's the wild civilized in the pockets still rising.

Speaker 5 (48:16):
Win I drop it.

Speaker 41 (48:17):
I'm futuristic, like fight my optics. They hit found my house.
Explain yourself. Shit a copted none could be my elite promps.

Speaker 2 (48:24):
Throwing up your hands. Can that better be a peace sign?
You don't want it? That's my steel o.

Speaker 41 (48:30):
How we on it when we do our games shaven
spread the world like a mormans. We're still advanced in
skilled enhands. And we got a ponent sugar off beat
like white people dancing. We're two buff trooped thugs. Quit
to getting that ass away that morbos wouldn't have prove up.
I'm not yapping, just wrapping. Don't care if you go
on a plant. Don't think it can't happen with the

(48:52):
We're a beat or propeller. It's the miccroc Fella strictly
out for the Mosarella, fuck guns and Julie. We don't
portray movies shows, truly. That smoothie still South movie. You
can't do me that this me don't try to give
but me. My style is tricky like spelling Mississippi. Strictly
come and get me if you could flip me up.
This plot was whiskey. I had your motherfuckers Pepsy, the

(49:15):
Gyatto type players that Katus favors to your spectators.

Speaker 7 (49:19):
Ron say, yo, yo, what's up this black thought from
the legendary Roots crew. You're checking out taking personal radio
with Philler flavor a a Rod DJ three sixty my
man kevlar.

Speaker 4 (49:31):
Y'all know what it is. You can't wunt.

Speaker 7 (49:33):
I'm coming with the shots to pump we got because
it's what you want. Du watch your sex got here yo,
sax shut yo.

Speaker 2 (49:42):
You can't runt.

Speaker 7 (49:43):
I'm coming, got the shots to pump we got because
it's what you want. Way ye sax shut yo. Y'all
know the dynasty, the Roots repertoire, the Luchennan from the
Reservoir service ball, the injabra Platt, Tarboro fucking Pettit Tar
I send him seized where the paramedics saw at first
st I'm like no, I'm non Chalan from a father

(50:05):
strike to cut the fake rap star junk your lawn
with a regular law. Balance of the cat burglar bar,
knowing the pond, lay with God, see your vegas a guard.
I know the flavor because me and the thugs minds
of mutual we come gluent play on the corner with
the charms unit. I'm from the lab where the bombs distributed.
So never try to implicate the skills.

Speaker 2 (50:22):
Execute his son.

Speaker 7 (50:23):
You get electrocuted from the world wide reputed shine like
nickel heat.

Speaker 2 (50:27):
De blow your mind when I shoot it. Some know
me as a man. It's from the boots of It's
this bad lute.

Speaker 18 (50:31):
Saying it on for Snyder Avenue we go, We go
a h behind like a sam abroad.

Speaker 2 (50:36):
That a command that dynasts, Don says died.

Speaker 18 (50:38):
Who will apply that? A lack of ability? Time make
your words know where to find the jute.

Speaker 7 (50:43):
Till a time I'm looking like the eye on a
toxic mark liquor, the Lambs whipper, the don perring Yon
sham zipper, the fifth of ringing all together like the
zipper on the butter leather.

Speaker 2 (50:52):
The bad rule brings a bad weather to whoever God ripped.

Speaker 7 (50:55):
Let him rest reflect the recollect on the way of
what's set it's the veteran in Arkansas. The floats with
the river of my sex be on the low shot
gun at the left. So with my man, Lord of
Flex arresting where they had donver text and the leverco
van don't it's next to float. So my man, my
mids of my man and Milan te what's the master plan?

Speaker 2 (51:13):
What's change?

Speaker 5 (51:14):
Sort of front?

Speaker 7 (51:15):
I'm come up with the shotsta pump. We got more
because it's what you want something and get shirt and
could woun your sex shut and get every yether. Do
watch your whole sex shut? Yo, you can't front.

Speaker 2 (51:26):
I'm come up with the shotsta pump.

Speaker 7 (51:27):
We got more because it's what you want somebody and
get that shirt and come woux your saxon shut and
get every yell. Do watch your whole sex shot picture lit.
The Tory niggas bought me with theatrics. Moms listen to
their daughter story about my packets, the adversus on your
table stable lot of solution. A soldier and he's put
on post the utmost dragging boats and my antidotes that
you're invade your whole terran and field the painful vote.

(51:50):
When I pressed stroke your eve flipped the intense to
see my alliance bringing woof to you went in to
tea your whole vicinity. I can tell my nigga with hey,
got no time to debate. Behold up, waits's traight. It's
a middle and you listen, you violate, you get a
ticket and see you can't tell an expelled to get
effected from out the missery, Sir, if you ask for
my delivery, the lord makes the grass. You stepping on

(52:10):
chivalry permitted, tears the food, your thoughts, your quiz. It's
all upstairs were it's a crowd to take on in
chance for years. We don't want to like them, like
a dyke with stairs when I frank and stays here.
Niggas they look where they glip from over here, marange
over square, the blast off side, switch the picture from
south park to a north the dusk A shot can
bring with the miscallanus who be desaining is nigga with words.
They're a spy saying here on the purpose mainly is

(52:32):
to generate the loser fan lever go caught your fan
control and you come in and you can't runt.

Speaker 2 (52:37):
I come up with the shots to park.

Speaker 7 (52:39):
We got more cons what your work coming it, don't
your sex shot it come out.

Speaker 2 (52:43):
Your sex shots and the gout do watch the whole
Saxon shot. Ye you can't runt.

Speaker 7 (52:47):
And we come up with the shots the park and
we got more because it's what you're watching over there,
your sex shirsh and come out your sex shots and
you got to watch your whole Saxon shot shot.

Speaker 5 (53:03):
Boo tah.

Speaker 2 (53:08):
Boo and those bullly.

Speaker 42 (53:17):
Somebody like the Fuse who I can bring fat news
to all these crews who can't NBA jam with the
shoes that devil shot here and see got my mind
ship drunk enough to start a campaign on ash with
my nigga Sheef can give assists like Scott Enter and
put empty devil lick with it cap for Fox twisted,
drop your money in the slack. If they're black, they've
got a real represent the.

Speaker 2 (53:38):
Copper action like my black guy.

Speaker 7 (53:40):
I'm skills three in the quarter for them shops your
Calibu straight up pussy who dock clock when I can
fax me act tho.

Speaker 42 (53:47):
Foking shocks Jimmy boom like the highat while I went
this jungle habitat and then my slap get.

Speaker 7 (53:52):
That muky off my back, being mics together, row tighter
the stick and there smack toast to the build them
seas that can fiel and the bill fitch up another
later or she will be all these we cooked them
sas kills.

Speaker 2 (54:04):
They don't fill me.

Speaker 5 (54:06):
Kill.

Speaker 43 (54:17):
You must be blind then tap they think that you
get cat a brig of new gun class.

Speaker 2 (54:22):
Tune to your chant.

Speaker 43 (54:24):
Hey you to blesh you when they brash you underground
when you hit the sound, what will we roam packed
mad chrome? So niggas watch your tomb peez. Are you
jess my cats too shots? So your mother fucking head,
bad boy.

Speaker 44 (54:39):
Why do for some mash dig in your mouth satisfaction
enough full of it out you breather get like Tony
Rax did.

Speaker 2 (54:45):
I'm asked niggas, but I'm blasting niggas. You'll be passive.
Niggas of the rock.

Speaker 4 (54:49):
Just laugh at niggas.

Speaker 44 (54:50):
My mond nails off brown skills and none males so
wild real sounds that keep the mond fell. Plumps get smoked,
and chumps get choked when they try to quote the
nose that be g Rock broke a while. Make wait
for the master the blaster who blast fast fast just
because my shit's mast top.

Speaker 4 (55:06):
God.

Speaker 2 (55:07):
This that the help that the skelts up the gun
gun of taps. This that helped up the.

Speaker 21 (55:15):
Skelts yell.

Speaker 2 (55:18):
This the hell up the scout scout what it's the
loopie Bill strung them up.

Speaker 5 (55:23):
This shit is real.

Speaker 2 (55:24):
Fucking with this crowd Toms is hard.

Speaker 5 (55:26):
Niggas.

Speaker 45 (55:27):
Dude, eat the bodyguard to block the body starts boothambo
with in the charge. I bring the beef to the
biggest of the bigger niggas on the bigger niggas. Here
the death of Buller's little niggas. It's missing to the wests.
Got our back. So niggas dropped your gata. You could
catch your head clap, snap the nigga face up and down.
Take the smuth of the nigga face up and down.
Take the smile of your face. That catch two straight

(55:48):
straight to your face.

Speaker 2 (55:50):
Your punk. Push use a rookie.

Speaker 45 (55:51):
I'm gonna play your West like a hot Take your
hook so push, I stopped the face.

Speaker 2 (55:56):
Put a boot in the place of your front tooth.
The truth just and the that to this.

Speaker 46 (56:03):
The hell this gun laps, this the hell cel scale
gun and yours. Get your boys telling them bring the noise.
If you want the niggas right, you're running the ball
in this nigga that stable and that nigga rocks and
living ill that will kill that will that field you
up from your gut to your brist Hello, nah man,

(56:23):
that'd be my grandpa's. I slam gostel blocks and buckshots
sold over with your block. I can't believe them living
no believers who want to see the rocking umber whippings
like Mike' seem reflects the bo jacket rolling with the
your rig and nogat lap, but so act a bush
brown who can't stick in this bitch God Jamelena, cut
your swelling from some moved stiff.

Speaker 2 (56:43):
Higgins get crushed into dust.

Speaker 47 (56:45):
Stake and fill the brat plus fuck around and get
that ass fuck standing in the back of one and
you're frightening fucking with the strengthen face the thunder rindant lighting, awesome,
torsing niggas likes deforcing niggas get piked like beans that
straight from horsement and.

Speaker 2 (57:00):
My clocks make ship hot cops get more nervous.

Speaker 47 (57:03):
Than thursdays on the box and and be down when
then the sucker tries to puttact, help us, help the place.

Speaker 2 (57:08):
The front gun clapp was in the back, so I
like you want the back, take your grip and break
my face. Just killed or be killed or be killed?

Speaker 14 (57:16):
Hey yo yo yo boys now months right now you're
listening to you take it personal radio with your boy
ketlong Phillip flavor and J sixty.

Speaker 16 (57:27):
You already know what it is, don't you?

Speaker 2 (57:33):
Don't you tech ship.

Speaker 5 (57:36):
Yearn up?

Speaker 48 (57:40):
We packed, We packed, packed things till we backed metal, tall, remarkable, soul,
cold flooded, leaguing ice, sickles and quit the lifted now
hel productive staff foot to mind state.

Speaker 2 (57:57):
But I don't smoke weed to proceed on my lad.

Speaker 7 (58:00):
I'm rock well where somebody's watching me. Ron's fine like
thiszell to have a short. He's all chocking me. My
poetry painting pictures can be Picasso.

Speaker 2 (58:08):
Not so fast. Put your microphone back.

Speaker 21 (58:10):
In the stash.

Speaker 2 (58:11):
When I'm through pots with the holes. Take what fits
you ain't worth for the sea hoole tick made of gold.

Speaker 18 (58:16):
So controller ruler on my desk, all es on me
like a ban thirty eight double gs rest the shore
when I'll be on the mic wall holding the goods
like you're buying in the surfplus store.

Speaker 7 (58:26):
You see I brought it down and not you gonna
understand all. I'm smooth like a harp. You nothing for
a man's your advance, your tech, not style. That ship
is played off running to the likes of a mongo
slave fall out the shiner Rabbi your command now at
the quarter of the century, I'm the man shout fuck
that appreciated ft sooner come bust off we bust bat
strapped red trump Bang, I got Joe Adam Swave, say

(58:56):
Gado fang where we've not met Bang, just the sad ship.

Speaker 5 (58:59):
I got your.

Speaker 2 (59:02):
Get your motherfucking orders some protection. M sees no question. See.

Speaker 18 (59:07):
I was raised in the ill drucked section, and it
persuaded my powet through selections to.

Speaker 2 (59:12):
Be hardcore ship. I swore on my father's brave.

Speaker 18 (59:15):
I make slaves and niggas who play raise to crave
the en grave a name inside of the pavement, and
my place puts an arrangement of different torture devices that
slight the first niggas who think they are the nicest.
My advice is to you think twice Christ hate his life.
Jesus Christ, I am the pharaoh to rote them on.
It's kind of narrow taut. There's a fork in the
ship and I don't know which way to go with

(59:37):
these scriptures of sculptures to prove the dead rappers to
words above flight folk just fight pless a write to
type shit to make niggas a sight race rise from
the hate that write and lighted. Send this stuff when
it's the time to finish the rhyme. Watchuff minis. The
climbs up to filling in the atmosphere like canna us
and if it's activating me, believe I'm captivating. He put
something caappitating three im see with my axe like to raxis.

(01:00:00):
Practice allows me to receive the information like facts.

Speaker 2 (01:00:07):
Metal things and ship.

Speaker 7 (01:00:09):
I'm at your headle swing wow since the Ghado than
where we packed mettle things just.

Speaker 2 (01:00:13):
To set way whead and ship. I'm at your hado.

Speaker 7 (01:00:15):
Swing wow, since a ghado thang where we packed metal
things matter wash your back.

Speaker 2 (01:00:19):
It takes concentration and confrontation. So far caver sake in
it called the blaking calls.

Speaker 7 (01:00:24):
I'm breaking sweater back with well like in caverself, because
you one please back, especially when I have a half
these got suspend the fair yo wama fift this this
head my car red and and scars to leave you
in it disappears.

Speaker 2 (01:00:35):
Check my credentials, penitendials or instrumentals. I make your mental
SPIRALMNU don't.

Speaker 7 (01:00:40):
Be hacking cockermint me because Nigga's home my block and face.

Speaker 2 (01:00:42):
He talking that rap shit.

Speaker 7 (01:00:44):
You couldn't even rock a baby even schild without import
the bright flow because half it's more than trifle. I'm
sure of psycho like a retort on the motorcycle. My
mom changes when the top changes. And then see I
ain't saying suit might as well be rapping the side language.
I get talk and nods. When I sparked, the lives
starts talking. But God's happen the screen. But let's call
from my love of flop brow so wasta. He's looking

(01:01:04):
at me. I'm gonna spray some light soil and ydful.

Speaker 2 (01:01:12):
This ship I met you had to swing?

Speaker 7 (01:01:13):
Why this ghatto fang where we met those danks the
saddle this ship? I mean Joe had swing since that
gado fang where we mat Whose dang this ship? I
bet your hat who swing since that gotto fang where
we met? Whose dang is the sad man this ship
I met Joe had swingin that Gatto fang where we
met Whose dang is the sattle?

Speaker 2 (01:01:33):
Than Nah seven and five Street small, smart smart?

Speaker 22 (01:01:47):
All right, guys coming out of Mixed one that was
metal things with the f T and who else isn't
that song? Oh yeah, see Para mint.

Speaker 23 (01:01:57):
Let's talk about f T and not the other two guys,
all right, FT.

Speaker 4 (01:02:05):
Had like two songs.

Speaker 49 (01:02:06):
Yeah, so I was.

Speaker 22 (01:02:08):
I was listening to that intro again, and man, we
gave a lot of love to Canada. And meanwhile Canada
and USA are getting quite rugged on the ice this
this week in that Hockey World Classic. What's the official
term of this thing that's going on again?

Speaker 50 (01:02:25):
I think it's just like or nation.

Speaker 22 (01:02:28):
That's what it's core nation to faceof. So yeah, you know,
but hey, we got to show love to Canada here.
I take it personal because I think they're like sixth
place in our rankings and we went over a few
episodes ago.

Speaker 16 (01:02:40):
So we we got it to a love. Can you
we name any players.

Speaker 4 (01:02:44):
On the US?

Speaker 3 (01:02:45):
Well, you got the two brothers, Matthew and Brady kochuk
uh zap shot. Yeah, awesome, man, last.

Speaker 22 (01:02:51):
Name is k Chuck. They're not fucking American.

Speaker 3 (01:02:53):
Now, listen, it's a family thing, man, Walter Kachuk. Their
their father was definitely right. You know, this is this
is there have been in the in the world for
a long time. And shout to the Florida Panthers because they,
you know, got a lot of players on this team.

Speaker 4 (01:03:06):
Tell me this isn't like the movie slap Shot Man.

Speaker 24 (01:03:09):
They boo the national Anthem brothers look at each other
just like those dudes in slap Shot.

Speaker 23 (01:03:13):
The Hansen Brothers.

Speaker 4 (01:03:15):
We're going at it.

Speaker 16 (01:03:16):
It's just like slap Shot.

Speaker 23 (01:03:17):
The Hansen Brothers are awesome.

Speaker 18 (01:03:19):
Love that.

Speaker 4 (01:03:20):
Okay, guys, show us what you got.

Speaker 23 (01:03:23):
Paul Newman before he started selling like, I.

Speaker 22 (01:03:25):
Like the movie with Stiffler Goon.

Speaker 4 (01:03:28):
That was good.

Speaker 22 (01:03:28):
That was and I Lived on I think Lives Lived
Shreiver's in it or something is that.

Speaker 24 (01:03:34):
Yeah, it was kind of like a B movie, one
of those movies that would be on HBO every day
in the summertime at two o'clock in the afternoon.

Speaker 16 (01:03:42):
Yeah, yeah, I don't think I think I've seen the
what was the one slap Shot?

Speaker 4 (01:03:47):
Yeah, I don't. I don't recall seeing that I.

Speaker 23 (01:03:49):
Haven't seen that. I've seen it that's as good as
the Fish that Save Pittsburgh.

Speaker 16 (01:03:53):
So yeah, I have a better one either. That was
actually Blake's handle on Philip Flavor for a while.

Speaker 4 (01:03:58):
What's that? I believe that the fish at Save Pittsburgh.

Speaker 23 (01:04:01):
Really Yeah, I'm surprised. I wouldn't even was that about
Mario Lemieux. That was about basketball, but it was like,
you know, like a whatever.

Speaker 4 (01:04:09):
It was one of those.

Speaker 16 (01:04:11):
But we definitely showed love to our Canadian comrades that
listened to the show. We had uh, we had Frankenstein,
we had Chae Claire, we had Socrates.

Speaker 4 (01:04:22):
I'm trying to think what else.

Speaker 3 (01:04:23):
I think at the end of the day, we're you know,
we're creating the peace struggle that's going on in this world,
and we're like, you know, smoothing it all out.

Speaker 16 (01:04:31):
Well, of all the terriffs that they're gonna hit on,
you know Canada, I figure we'll show them leve, We'll
play them some joints and you.

Speaker 4 (01:04:39):
Know, so they don't completely hate us.

Speaker 23 (01:04:42):
All right, I'm not gonna hate to take your personal.

Speaker 4 (01:04:45):
Short term pain, long term gain. Does what else is
going on? So as I eluded. That eluded.

Speaker 16 (01:04:52):
I basically screamed like a maniac. The Eagles won the
Super Bowl. I believe our last episode all of us
took our predictions.

Speaker 22 (01:04:59):
They the Eagles dominated the Super Bowl. Their defense should
have won the MVP like they should have. They should
have taken the MVP trophy and sliced it up into
like twelve pieces and given each one.

Speaker 4 (01:05:10):
Wait eleven, Wait.

Speaker 22 (01:05:11):
Twelve, it's twelve minute on the field again in any
of the defense?

Speaker 4 (01:05:16):
What's the start?

Speaker 24 (01:05:17):
Although Hurts is one hundred percent class act, awesome dude,
it would have been super cool if he would have
handed that trophy over at the podium to his line,
to his defensive line.

Speaker 16 (01:05:27):
That would have been pretty cool. There's so many of them,
but I think you give them credit. I mean, without
a doubt, they did They did it.

Speaker 23 (01:05:35):
Can I just ask a quick question, ask a few questions?
Why is it so difficult to spell Eagles?

Speaker 2 (01:05:40):
Well, listen, we've got to do this. Let me hear
you all say, Hey.

Speaker 4 (01:05:50):
Let's I mean, what the fun mayor?

Speaker 23 (01:05:54):
I mean, that's the mayor that's like Marion, that's like
some Marion Barry shit.

Speaker 9 (01:05:59):
Why a tear?

Speaker 4 (01:06:00):
Why do y'all tear up the whole city. But it's
not just Joyet's event.

Speaker 23 (01:06:04):
It's not just the mayor.

Speaker 22 (01:06:05):
Every I think, like two people got shot.

Speaker 4 (01:06:09):
Yeah, what are we doing here?

Speaker 23 (01:06:10):
Oh boy, Jacko's on crack.

Speaker 4 (01:06:13):
I got some for you, Gloss.

Speaker 24 (01:06:15):
One of my bosses that I work with when I
was in radio, she came directly to West Palm from
the Philly Market and I said, Hey, you know, I
got some friends from up there.

Speaker 4 (01:06:25):
What how'd you like it there?

Speaker 24 (01:06:27):
And she thought, and she thought, and she looked up,
and then she looked at me and she said, you know,
I've never been a place like that where everybody just
loves to be miserable.

Speaker 4 (01:06:38):
They love it and they embrace it, and they're never leaving,
never leaving.

Speaker 16 (01:06:44):
Yeah, I think Philly is not that different than New York.

Speaker 23 (01:06:47):
Yeah, New York's like that too.

Speaker 16 (01:06:50):
It's a more it's a smaller city than New York,
but it's very much like New York. I mean, if
you if you've really been to both of them, it's
hard to just separate the palities. I mean, they're they're
pretty much identical, you know. And Philly walks around with
like a chip on their shoulder because they know, New
York is like superior. That's why. Like when there's something

(01:07:11):
great in Philly, it's not great, it's amazing. It's like
they're proud, They're they're very you know. Uh, I should
say they're competitive, you know, But I don't want to
talk about Philly. But let's talk about the Let's we
talked about the egos. We talked about fucking Brian Leech
playing for Team USA.

Speaker 4 (01:07:31):
Well how about since.

Speaker 24 (01:07:33):
Since we're talking dark music and winter and dark Ship,
how about death.

Speaker 4 (01:07:39):
Unfortunately we had some passing. Oh yeah, we got to
give us.

Speaker 16 (01:07:44):
You got to give an r I P to tow
nasty nests.

Speaker 4 (01:07:49):
Man.

Speaker 24 (01:07:49):
Listen to any of us who were in college radio,
Uh several years ago you knew ness and and those
of you that are hardcore fans from the eighties like
Dre and I. You know us from the Posse on
Broadway video that we Want Easy video. Ness was a
figure man and he was a cool dude. He was
a lot older than us, but he had been in

(01:08:10):
the game forever. I love your story Gloss on Instagram
about hits. You should tell that story.

Speaker 16 (01:08:16):
Okay, real quick, just so to give context of who
Nessa's Nasty ness is. I think many people say he
is the guy who discovered some Mix a Lot. So
Nessa's originally from Seattle, and I don't know when, but
obviously he moved to California many many years ago, and
he was the rap editor of Hits Magazine, or he

(01:08:38):
managed the rap department.

Speaker 4 (01:08:42):
Co founder of Nasty Mixed Records along with Mix a.

Speaker 16 (01:08:44):
Lot exactly, and that's kids Sensation as well. So ness
was a pretty big figure. He was like a pioneer
on the West Coast, specifically like in Seattle, Filipino guy, right,
so one people think Nasty nests, they may think like
nat he had the national way before there was even
a Nasty nods of what we're talking about in the eighties.

(01:09:07):
He is the guy who was on what's the easy Song?

Speaker 4 (01:09:10):
I just played it? Uh radio radio.

Speaker 16 (01:09:13):
At the very end he calls doctor Dray hello.

Speaker 2 (01:09:17):
On the air, Hey, what's up.

Speaker 21 (01:09:20):
From Pio?

Speaker 4 (01:09:21):
Hey?

Speaker 5 (01:09:21):
What's that in it?

Speaker 11 (01:09:22):
All boy?

Speaker 4 (01:09:22):
I'm Records Radio.

Speaker 16 (01:09:25):
That's not his claim of dame, but it's kind of
cool that he was on anyway, ness was on this
Hits magazine.

Speaker 4 (01:09:32):
Hits Magazine, for.

Speaker 16 (01:09:33):
Those that don't know, is a trade publication like a
Billboard magazine where they it's it's it's a music publication,
charted chart correct. So when Kevin I did the phil
a Flavor show, you had to be a credible station
or or or have a credible show, and in order
to do that, you had to be charting.

Speaker 4 (01:09:54):
Right.

Speaker 16 (01:09:55):
Uh, there was the Gavin, there was CMJ, there was
Urban Network, and there was Hits.

Speaker 4 (01:10:00):
And quite honestly, at the time, Hits was probably the biggest.

Speaker 16 (01:10:03):
It was also the hardest to get into because it
was like a fraternity, a small fraternity, the Super Elie
Country Club, and they just didn't let anyone in, right,
Because what happens is once you charted there, record companies
would want to send you stuff, right. So Trey kind
of back in the day when you did, you know
your stuff, you probably got service like promos, record labels,

(01:10:26):
right all right, So I'm just kind of giving people
the understanding of what Hits is and how is it
important to pjs. Anyway, it took a while for us
to get on Hits because, like I said, it's pretty
pretty difficult to get into those trade pubs. But nonetheless,
after many months of hounding ness, I happened to fly

(01:10:48):
out to California for an Urban Network Annual Summit or
something like that. It was in Palm Springs.

Speaker 4 (01:10:57):
I drove to LA that's long drive.

Speaker 16 (01:11:01):
Yeah, a couple of hours, Yeah, like three four hours.

Speaker 4 (01:11:05):
Look at you with a commitment. I know I didn't drive.

Speaker 16 (01:11:09):
When I say I drove like we, I was with
two other people, so I don't I didn't drive. I
was with my friend Nate, who was Epic Records, and
then Mike Baxter, who those might know him as Willis Strummer.
Mike uh uh he managed Mountain Brothers and a few
other groups. Anyway, I knew him, so we roll up

(01:11:30):
uh to hits. Mike had a relationship with Ness and nonetheless,
after meeting Ness, can you know, added us to the
hits and we Kevin and I and Crisis and everyone
else on our show. We got a lot of records
to play on the show.

Speaker 7 (01:11:47):
Right.

Speaker 22 (01:11:47):
Jason's Mailman, Jason's Mailman is very pleased.

Speaker 4 (01:11:51):
I would always.

Speaker 16 (01:11:53):
Break off the mailman every Christmas with a nice little
uh you know uh scene. Yeah, I should say not
the mail man, the ups man, because the ups was delivered.
When I got those packages from No Limit, it was
like Christmas because it would be like ten vinyls of ship,
but it would be like shirts and hoodies and beanie.

Speaker 4 (01:12:12):
They had great merch. Oh it was awesome.

Speaker 22 (01:12:15):
Yeah, you get like a silk the shock or hockey jersey.

Speaker 16 (01:12:17):
Yeah yeah, yes, dude, I got a college success. The
promos back then were great labels. We were stupid money
on promos. They don't obviously that doesn't exist now. It
hasn't for bro.

Speaker 4 (01:12:30):
Remember the lis Licks turntable cover.

Speaker 23 (01:12:33):
If you save that ship, you were smart.

Speaker 3 (01:12:35):
But a lot of people gave it away and and
or just didn't, you know, keep it in their in
their arsenal. But if you saved that ship, a lot
of that stuff was very limited quantity. So it's it's
it's great stuff.

Speaker 24 (01:12:47):
I loved it when they sent me the Alcoholics slip
mats for my top turntables.

Speaker 4 (01:12:52):
Just I mean, how cool was that?

Speaker 5 (01:12:53):
Yeah?

Speaker 23 (01:12:54):
But the shirts in the and the hoodies and and
like some of them, you're really good.

Speaker 16 (01:12:58):
You know who has a great collection of that is
that journalist guy. No, well, Rapteese is for sure, but
he does just really t shirt yeah journalists since here
I think anyway, he is a really dope collection of
all those promos from from uh you know that er So, yeah,
that's my next story. He was a really cool dude.

(01:13:20):
He was always funny, ball breaker, funny dude, like a
wise dude. And I'm not saying because he was Asian,
Like you know, when he talked, you're like, oh, yeah,
you know, he listened to what he had to say.
But he had great stories and he was very He
was just very likable.

Speaker 23 (01:13:35):
Man. You got on the list, that's the important thing.

Speaker 4 (01:13:38):
He was loyal. Yeah, I got on the list.

Speaker 16 (01:13:40):
I got on the list, and you know, I always
appreciate the relationship.

Speaker 4 (01:13:46):
And rest in peace. Ness.

Speaker 16 (01:13:48):
Who else we lost IRV Gotti? I think that happened
or gott he passed. His funeral was today.

Speaker 4 (01:13:53):
This is a we've got to take care of ourselves, folks.
The stroke stuff is no joke.

Speaker 24 (01:13:57):
My mom was a victim from that same thing with
the diabetes causing strokes and that's what eventually got HERV
Gotti so terrible story, hate to see it. Fifty four
years young, way too young for this stuff to be happening.
All of us here on the show are not terribly
far off from that, dre You're right in that ballpark.
I think, yeah, and it's kind of scary, man, when

(01:14:18):
you're thinking about this stuff. And then Gene Allen otherwise
known as Groove from Groove bea Chill We all loved
him and House Party passing away as well. I'm not
sure what the circumstances were, but very sad, you know,
not really old.

Speaker 4 (01:14:31):
What was he sixty two sixty something like that. That's
it's get sort of up there, but not really.

Speaker 24 (01:14:37):
I don't know what caused it, but I was sad
to read that because I always enjoyed Groovy Chill and
I loved his part in that movie.

Speaker 4 (01:14:43):
It was legendary.

Speaker 22 (01:14:45):
House Well, thanks for the weekly obituaries, Wade, Like.

Speaker 16 (01:14:49):
I said, the dark the mean the death we had
soose with the show.

Speaker 5 (01:14:54):
Who else?

Speaker 4 (01:14:54):
Yeah?

Speaker 16 (01:14:54):
Way, Oh Drake died at the Super Bowl Yeah well yeah,
so it was about to happen at some point. Yeah,
but you know, look it is it is a reminder
that helped is wealthy.

Speaker 22 (01:15:07):
Right, So so isn't that whole like Drake Kendrick thing
like multiple songs also right, like is it worth like
investing my time and like trying to like follow it,
like connect the dots, like from where it starts to
where it ends or is it just like it's not really.

Speaker 3 (01:15:25):
I'm going to say this because a lot of people
talk on social listen They're like, this is the craziest
disc track ever made. This ship is so weak hot
it makes no sense. They don't go after the person
in the way that you know, LL might have known
that I hit them up.

Speaker 51 (01:15:44):
N I mean, it's.

Speaker 4 (01:15:46):
Different even the and you it doesn't.

Speaker 23 (01:15:48):
It's a different one. So again it's time and place
and age. But Jesus, this is it.

Speaker 4 (01:15:54):
Hey, did you guys even watch the Kendrick Lamar halftime?
I didn't watch it.

Speaker 23 (01:15:59):
Aaron, you didn't even watch?

Speaker 37 (01:16:00):
Yeah?

Speaker 23 (01:16:00):
I watched the actual game.

Speaker 16 (01:16:02):
I don't video game?

Speaker 22 (01:16:04):
Yeah wait yeah, last episode.

Speaker 23 (01:16:05):
You're like, what do you get?

Speaker 52 (01:16:06):
Dre's like, what are you gonna? I want to play
video games, guys, you know I did. I took my
daughter the movies, but we got home in the game.
It was only we saw that horror movie Hard Eyes.

Speaker 24 (01:16:18):
My daughter likes horror movies, so anyway, my plan was
to skip the game and go to the movies.

Speaker 4 (01:16:22):
We get home, it's only the end of the first quarter,
so I ended.

Speaker 24 (01:16:25):
Up watching him rest of the game. Of course, but
I did not watch the halftime. What what did you
guys think of the halftime?

Speaker 16 (01:16:32):
I thought, look, you're gonna find it's gonna be a divide.
You're gonna find people that hated it. You find people
that thought it was good. I didn't hate it. I
thought it was good. I think it was great, but
I thought it was good. I think they kept said
if you kind of followed a little bit, you'd have
maybe a little bit more appreciation for some of the
nuance that went on in the show.

Speaker 4 (01:16:53):
But I mean it was a message to America.

Speaker 16 (01:16:55):
Absolutely, And I think if you know, there's people that
probably didn't like it are people that probably thought like
Chris Stapleton should have been there, the same people that
think Beyonce shouldn't make country music. You kind of get
where I'm going. Yeah, the people that did like it
are people that were probably hip to what was going on.

Speaker 3 (01:17:14):
The thirty somethings loved it in my house that day,
but look, it's not our brand of hip hop. Well,
I don't necessarily love Kendrick in general, but you know,
it certainly spoke volumes. The next day at the water cooler,
you know, everyone had an opinion and.

Speaker 4 (01:17:31):
You got people talking.

Speaker 3 (01:17:32):
The truth is listen. Was it the right kind of
show for a Super Bowl party atmosphere?

Speaker 4 (01:17:39):
Absolutely not.

Speaker 23 (01:17:40):
There's nothing that it was such the wrong move.

Speaker 3 (01:17:43):
So there's a million concepts I would come up with
that would bridge all of the audiences. You know, if
you have Arrow Smith playing and then run DMC comes
in and does the rap, and then there's a funk
song and then Bruno Mars comes out, there's ways to
mix genres, to mix eras this is a Super Bowl
fucking halftime. It's about having fun and party. You cannot

(01:18:07):
have Hicks on one side, young people on the other side,
urban crowd over here. It just loses all of it.
So be smarter and try to bring this shit together.
It's easy, man, It's very easy. So it's not about
like or dislike. This is what goes on in this country.
There's always that divide and this was a perfect example.

(01:18:28):
The next day, I had, you know, the neighbor next
to me, you know, at worked. It was just like,
you know, well, what did you think. It's like, look,
you're white, you're racist, and you really don't understand that world.
So I'm not going to sit here and try to
explain to you, you know, you.

Speaker 22 (01:18:42):
Know what they should do next year. They should start
something new, fuck music. Have Bill Burr come out there
and have and just do like a five minute comedy skit.

Speaker 24 (01:18:52):
And just bring out, bring out Chappelle, just lay it
on everyone, everyone, every you know whatever, man and just.

Speaker 4 (01:19:00):
I think that would be hilarious.

Speaker 16 (01:19:01):
I think Kendrick did fine, but his music isn't for
that setting, like Drake said, like Bruno Mars, when Bruno
Mars was out there, like yes, and when Prince is
out there and look even Dre he knew to bring
out all of those guys, brought.

Speaker 2 (01:19:16):
Up the heads.

Speaker 23 (01:19:17):
He brought no offense. I don't know what says a
song and all the young people.

Speaker 4 (01:19:23):
I thought it was just a chick with a big
ass that looked pretty hot and that was about it.
That's the substance.

Speaker 22 (01:19:28):
I like Serena doing the crip walk.

Speaker 16 (01:19:30):
That was that was pretty cool to see. But that
was the last of two seconds. You know, Like overall,
people want to hear the hits. When you had a show,
good money for a concert, what do you want?

Speaker 4 (01:19:41):
What do you want, Wade? Do you want to hear
the hits?

Speaker 5 (01:19:44):
Yeah?

Speaker 4 (01:19:44):
I want to hear stuff that's gonna make me happy.

Speaker 24 (01:19:46):
That's what Dre and all those guys understood at that
halftime show why it was so great.

Speaker 4 (01:19:50):
First of all, they come out, they were smiling, Hello, big,
They're ready to have fun. That's a good time. That's
all this.

Speaker 16 (01:19:56):
Who's that cornball that does the past? That Mike we
always roast.

Speaker 4 (01:20:00):
Man, That dude is the world.

Speaker 16 (01:20:01):
I don't want to punch him as a Yeah, I'm
with you, let's all punch him in the face, but
let that dweeb run. The next halftime shoots out all
all of those acts and then like you have these
thirty seconds you know, like little you know, performances, little vignettes, Yeah,

(01:20:24):
like vignettes of salt and could totally happen.

Speaker 3 (01:20:26):
But listen and think about what we do with the
mixes here, so like sometimes you put the funk ship
behind it the originals. Could you imagine if the original,
like you know, Brothers Johnson was out there playing stomp
and then fucking Redman comes out and wraps over like
when they break and they're just the bases going. That's
the type of shit you want to hear things that

(01:20:46):
are just so different that bridge funk soul whatever.

Speaker 12 (01:20:51):
You know.

Speaker 4 (01:20:51):
Pepper's come out.

Speaker 3 (01:20:52):
That's the best chili. Pepper comes on, does a fucking track,
and then all of a sudden, you know, ice Cube
comes out.

Speaker 2 (01:20:58):
That's amazing. Who the hell is just Red Man?

Speaker 23 (01:21:02):
That's awesome. I love things that are different and people
just don't push envelopes.

Speaker 22 (01:21:08):
They should do AI halftime with holograms of all people
that have passed away like that, Jannis, Joplin, Chupac and
fucking Kurt Koba, and that.

Speaker 4 (01:21:17):
Would be pretty cool.

Speaker 3 (01:21:18):
You know.

Speaker 16 (01:21:18):
I think America wanted the Avengers to do a show
and they got Black Panther and it was just you know,
if you get what I'm saying, the.

Speaker 23 (01:21:27):
Lions absolutely yeah.

Speaker 4 (01:21:29):
So that all right, time and place.

Speaker 22 (01:21:32):
So let's head in the mix too. We're gonna kick
it off with the group Home Flip Little da Fit,
get the group only thick, you know what, don't eat beef.

Speaker 16 (01:21:43):
You know, if Mike Tyson was a rapper, he would
tell like lill Dad.

Speaker 23 (01:21:45):
You would true, that is true. So let's get into
this one. This is uh definitely one of my favorite
songs on that Living Proof album.

Speaker 4 (01:21:53):
This is about the beat is insane unbelievable piano.

Speaker 1 (01:22:03):
Hey, we hope you're enjoying Episode one sixty one, Keep
it locked. This mixed to features music from Fince to Bundy, Frankenstein, Socrates, Jayla,
Soul Jay Live, Nonfiction, and Mike Geronimo.

Speaker 11 (01:22:37):
Yo.

Speaker 46 (01:22:38):
Check it out, y'all.

Speaker 23 (01:22:38):
This media for mere Yo.

Speaker 15 (01:22:40):
This is little that from the gang Steut Foundation, and
you're listening to take it personal with full of flavor
Hevlo and DJ three sixty.

Speaker 6 (01:22:49):
Don't get it twisted one love Gangstaff for gangst Off
for life.

Speaker 37 (01:23:00):
Get here, Yeah, yeah, yeah, yeah, yeah.

Speaker 53 (01:23:20):
You're what being your black champs up balls in your dreams,
up against the wall. They helped me because you can't
see me and you ain't supposed to desire.

Speaker 17 (01:23:27):
You're natural.

Speaker 53 (01:23:27):
That's that, and that got the work car from mind
buckles on the line, watching little these niggas in the
street for a while, break it down, little limp up
the fucking dirt off down.

Speaker 2 (01:23:36):
I keep it real.

Speaker 53 (01:23:37):
You keep it to yourself and don't see that and become.

Speaker 21 (01:23:39):
A turn around.

Speaker 53 (01:23:40):
Take your back for what I don't know. He's up,
who won't leave me? Your own up in here for
twenty years ahead. It's there in my ground and these
double get in open but they.

Speaker 2 (01:23:48):
Can't get down. Check and lyrics through this city like
a new born scene. These type of lyrics. That's mine,
that's all, and not with the times. I'm on the boat,
check in my yacht.

Speaker 53 (01:23:56):
I did buck to come, but this season up sixcause
they got them more for what you want White now
you may see Matt laid up.

Speaker 12 (01:24:03):
Yo.

Speaker 53 (01:24:03):
My word is the fine you got to see. You
can find a new police to rest my mind. No
more Freddie crime for.

Speaker 54 (01:24:08):
Yo, up against the wall, Yoga world just fall in
depth is calling I don't know mc v brawl in
on the mic.

Speaker 14 (01:24:20):
Mind.

Speaker 2 (01:24:20):
We're not getting hide height whatever you want, yo. Whatever
you're like like fight well my style. I like that
your here's your feedback with one smack, yeah.

Speaker 18 (01:24:31):
You know what I'm saying.

Speaker 2 (01:24:32):
Ain't no time to be playing because these niggas died
the land.

Speaker 5 (01:24:35):
Word, Yo.

Speaker 54 (01:24:36):
When I get busy and here and over there, it's
just on York City, one for what, one for all.

Speaker 9 (01:24:43):
I'm on the wall.

Speaker 2 (01:24:44):
My back is on the wall.

Speaker 19 (01:24:47):
The division of the city is like Didion of Frank
Citty then coming to hell.

Speaker 5 (01:24:52):
The next time.

Speaker 2 (01:24:53):
The end of the time, So I think his mine.

Speaker 29 (01:24:56):
Mine, Chipmitty.

Speaker 2 (01:24:58):
The division of the city is like avon the toe,
the freaking hitch, the hell the heckt time, end of
the times one. I think it's mine, yore. It's a
wonderful world, oh world. So one dump, that's done up,
that's done up. I'll go undue, We'll get in the trap.
I'm pasted to a lack.

Speaker 18 (01:25:15):
The stupid motherfucker Marama's fat, fat, fat ass.

Speaker 55 (01:25:18):
Can be under him.

Speaker 2 (01:25:19):
My seat took the place to beat me.

Speaker 18 (01:25:21):
If you can't see see, if you don't know, then
go ask Shama.

Speaker 2 (01:25:25):
Eating them seas live like Jeffrey Dama. But one for one,
one for I'm on the ball. I'm on the ball
for the seeds in the streets.

Speaker 53 (01:25:34):
Wop them up, getting in hard and the sen five
spend the hit and fivepence guard take.

Speaker 2 (01:25:39):
It's not keeping the rails and they will get hard.

Speaker 53 (01:25:41):
Five hole on my back thinking that they get guard buckers,
keep going dividing and we won't get fard the doubles
on some slack ship. But they holds us down. But
I mean, came my focus in. Just hold the fourth down.
You're all no what situation on the thing like this.
Untus fenses yellow cat right and food that ain't scepting
your type.

Speaker 2 (01:25:58):
Father take the hunter couple.

Speaker 53 (01:25:59):
One got niggas even shine my life suck Cracker gave
the woman fox at night for my father to my
si my facts against the wall. I can't do with
damn thing up against the wall.

Speaker 55 (01:26:12):
The walls.

Speaker 18 (01:26:36):
After had the nineteen seventy four when Daddy Dukes with
brown your children's from too exploring reached the egg for
sure a child do the birth ten niles on and
now I'm trapped released on this why earth? My generation
had worked with my development. No, that's the drive the government.
Younger nigga struggling living life got me wonder rent new ship.

Speaker 2 (01:26:54):
I'm discovering your son.

Speaker 18 (01:26:55):
I can't sleep, situations so deep my niggas drowning in
the streets. Another rapist stuff and younger Murderer's book. They
got you locked in the foot of buck fist. If
he talks, verbalize and all times find no ways to
be climbed and dedicated to the round Bloodie shade and
your wine.

Speaker 2 (01:27:10):
I survived hard times.

Speaker 18 (01:27:11):
Prime time as I read wind my thoughts and remandens
said that, oh he courts rest the piece of my
piece who died up in the streets.

Speaker 2 (01:27:18):
Fuck Halloween treats.

Speaker 7 (01:27:20):
This ain't shit sweet, that's shame, and I would have
a shame my life.

Speaker 2 (01:27:28):
That's chaos, shame, and I would have en up when
he's crooked with streets.

Speaker 18 (01:27:33):
It was off for Black Teeth to make these motherfucking
in smith the first store that closed up got stuff.
And if you didn't give me your cash, I put
one in somebody's guts. I ran book, would through the
streets with this group of individual bulls, commit and crowns.
Felt performed might prevent your boot until one day Mama's
tried to send me upstate.

Speaker 2 (01:27:51):
The job caught. I didn't know what the fuck for.

Speaker 18 (01:27:54):
So why pulls out the fowls and pulled up the
nigger out? What's the deil Son, It's been the fucking
long way out, he said, Joe Black Team, you had
this dream about this cream. I'm going all off for
moms by ye. Any fucking means we grabbed our hen
in past it wrote about this world gone.

Speaker 2 (01:28:08):
Mad and how it sounds was getting real bad. But
what we need to do is connect with the mother too.
It make that dream you had come true.

Speaker 56 (01:28:16):
I'm out of the front door and I want to
deal with this bull shitting no more. What full I'm
ready to throw this heart on the floor. Back in
the day he showed tie had it or women don't
call sex and all someone win the's spring and the foe.
Then my mom's broke out to get the way for men,
by no doubt. Then I settled down, made one girl's
spouse should have known to and replace moms. My heart
bringing the alarm situation was the bomb. I blowing the

(01:28:39):
streets and started smoking. We drinking heinies, tapping hinies right
in words to its feats. We came in every day
strugglerstead with your type of the hustler, constant butther recided
with my father frequent. We talk with my mother reactions
crazy and but fens thoughts maybe asking what am I
doing here? Someone come safe me because I feel I
got no purpose. The Bill Latino surface just different type

(01:28:59):
moves than that of Tubu RPOs and you winners here
to maintained my mom free. Now when people ship enough
bit before.

Speaker 7 (01:29:06):
Change, I'm like, let's change, change, change, and I will
never beat a.

Speaker 2 (01:29:11):
Moon changed the Let's change change, change.

Speaker 42 (01:29:15):
And it will beat us brutup, green and fat. Should
never had no ass, should never be there. You'll find
myself in the same old fashioned Saturday, my safe fucking
pumas and leaves. So I bet the knees that would
always squeeze my bond say I have no fun, Sam,
You'll get dumbed. Let's school at three o'clock to facing
a big shunk and tears that in appears my crip.

(01:29:36):
For years, it's just been the to the landlord kids,
no rhyp them because my back was for mass surpassed
third class quick the stash when the photo flask and contrasts.

Speaker 2 (01:29:46):
I'm first lake bred as an.

Speaker 42 (01:29:47):
Applecast a freak to telecast these chicks and tell me kids.

Speaker 2 (01:29:50):
They ask no self escape, but GoF to get me clean.

Speaker 42 (01:29:52):
Sway from sports didn't Payday's a mad man drink. She'll
help my princess. She would live to be your queen.
And that's the moon beating me.

Speaker 9 (01:30:00):
Count me great, gout.

Speaker 11 (01:30:28):
Out it's gone now. Yeah, rain is gone. The rain
is gone.

Speaker 5 (01:30:38):
The pain is gone.

Speaker 11 (01:30:39):
No matter how you king, what you do, still the
rain is gone. The pain is going. Yeah, check out
to check it out. To be about us now we'll
pull the value sometimes sitting remend. That's about ship we used.
Why don't you put it to the plane telling me
what you think? Sometimes the whole world around me. You're
ready to get sick. Since you left me, ship.

Speaker 2 (01:30:59):
Has been the same.

Speaker 11 (01:31:00):
No matter what I do, I can't catch you out
of my brain.

Speaker 2 (01:31:03):
I felt the pain, but you know what I feel
with like my first stop before I held the piece
of still.

Speaker 11 (01:31:08):
Used to think it were real, but that ship was
pretending because you ain't really down like you was back then.
Used to feel the warm weather when we went together
forever whatever. That ship soed over because every time you've
seen me, you would be giving me the cold show
got the chilling my poems on the time we was
in the for light, but you was on the roll side.

(01:31:29):
The rain is gone, The pain is gone, but no
matter how you flipping what you did, you're still goom.
The rain is gone. The pain is gone, but no
matter how you flipping and what you did, you're still
go The rain is gone. The pain is gone. Wasn't
no matter how you flipping what you did, it's still going.
The rain is gone. The pain is gone.

Speaker 57 (01:31:47):
Wasn't no matter how you flip in what you did,
it's still going. Get to play about the clean now

(01:32:13):
we're pulling the value.

Speaker 11 (01:32:14):
You try to punt kid and act like that Shi
used to run bad papers, take the papers and set
buller go on state scoring and had your back to
the pretend things changed those situations five gone gullage with
police interrogation, back against the wall, behind the hay pool,
standing on my home to feet with nobody to court
found my way.

Speaker 2 (01:32:33):
Things are great, even though.

Speaker 11 (01:32:34):
The sun shines the bread you ever signed, the time
the dark hour to swoon on the rival with judgment
day where we all picked survival. I hope you live,
going profital and state scoring.

Speaker 2 (01:32:46):
But no matter how you flipping what you just you're
still going still.

Speaker 4 (01:32:54):
And the rain is gone.

Speaker 11 (01:32:55):
The pain is gone. Wasn't no matter how you flipping,
what you did was still the rain is going. The
pain is going. But no matter I haven't, But what
you did was still The rain is going. The pain
is going, but no matter haven't.

Speaker 4 (01:33:08):
But but what you did was still.

Speaker 11 (01:33:10):
The rain is going. The pain is going, But no
matter how you feel, what you did is still want
still without go without the till people that know people
place my man.

Speaker 5 (01:33:33):
My man.

Speaker 29 (01:33:36):
Out in the ground, in the plate, place in the plate,
in the place.

Speaker 58 (01:34:00):
Yeah, now, ladies, give me just a second just to
speak to your mind. Sipping on some fine wines I love.
They hit it from a sam. It feels good like
a bottle of.

Speaker 5 (01:34:09):
Canar going down.

Speaker 2 (01:34:10):
I'm nember downtown, just slow within.

Speaker 58 (01:34:12):
The uptown and still like getting around with girls, just
smalling dope and ladies get money. Man beats like, hey,
no work. They know the flow, they know that she
is not does my respects and smiling stipping on a
long hour, whyfors homes trying the.

Speaker 2 (01:34:24):
Chestise, but now they need device scene.

Speaker 58 (01:34:26):
They catch a red from their eyes, the hot on
the farm, and that made them heel saying, well, my
stanles that be alder from clean like saints.

Speaker 2 (01:34:33):
But still let's stay smooth.

Speaker 58 (01:34:34):
Let my hand feel with some hot oid you rubbing
on your girl's back and chests to make it sot
the perk shot clear. Does the work and say what
I want to say. You're stay suprevious like my dj
I play Socrates on a Tuesday, your rocket twelve incher
ladies loving every bit of this. That's why rappers can't
touch me on the chill on something. That's because I'm
not paying the veil und girls love me because of

(01:34:54):
the way you're getting around smack when they play the
song go the brown you're doing.

Speaker 2 (01:34:59):
Check the way that shocks rids the box.

Speaker 58 (01:35:01):
Your behavior got the flavor before your ball head.

Speaker 2 (01:35:03):
Or your dread lock.

Speaker 5 (01:35:04):
You can break it down like this.

Speaker 2 (01:35:05):
We can break it down like that. It's all about
the dam with normal mom's that's staff. You know, we
keep it live. The mob side representative keeps.

Speaker 18 (01:35:13):
A live We can break it down like this, but
we can break it down like that. It's all about
that you behead, your moms that snack.

Speaker 2 (01:35:20):
You know, we keep it love. The full Side represented picks.

Speaker 58 (01:35:23):
A live one for of dollars to formally changed three formats.
They'll be acting real strange.

Speaker 2 (01:35:29):
I don't need the puff.

Speaker 58 (01:35:29):
The way to make my brain will saying is when
the floor is on the roads like you run away train.

Speaker 2 (01:35:33):
That'd be the man.

Speaker 58 (01:35:34):
Let's sit in order, damn basket. What your bodies have.
These ladies who'll be staring like I'm chilling in for virus.
You try to not me been the same city seven
days and change a step and hope because some hop
try the bust with your hashan. Ladies want and mental things.
Give them all some mad dollars and some fat nam
of rings. But girls, let me tell you one thing
that I ain't got no fire place, But I'm gonna lie.
You want my best. And I hear skins are tad skins.

(01:35:55):
Don't lick skins with ripskins and fellers. When I pass,
you see the trail of women the will brother knowing
to break it down next year we discovered.

Speaker 5 (01:36:04):
Yea, we can break it down like this.

Speaker 2 (01:36:06):
We can break it.

Speaker 5 (01:36:07):
Down like that.

Speaker 2 (01:36:08):
It's all about the hill behead a rounds that stack.
You know, we keep it live. What side represented kicks an.
We can break it down like this. We can break it.

Speaker 5 (01:36:17):
Down like that.

Speaker 58 (01:36:18):
It's all about the bed with all the probs that stack,
you know, we keep it alive.

Speaker 2 (01:36:22):
The whatuble side represented dick kicks alive. Damn baby yeah.

Speaker 58 (01:36:29):
Now let me the Rachel of this float from cheers
was coming out from all the bubble.

Speaker 2 (01:36:33):
Because when I around, the liberical session is like.

Speaker 58 (01:36:35):
Bubble leads done. The competition is just one and he
human sides on the tracks. My eyes take up subordinate
to ours.

Speaker 21 (01:36:42):
Went around to get.

Speaker 2 (01:36:43):
Flicked on this liver coal high.

Speaker 58 (01:36:45):
They overdeed on the bob wants to paturelones of rhyms
and you late moms to leave your brain imports rated
because they can't go with the cheers shots on the flex.
My mindsets like the something where you've been in the West.
It's on the farm, ill Liverpool type vibes and ill
plans out. My found out besides on the loaf with
my ill raps be getting down like Craig mac or
some super don bocats. I flipped that ilverbializational skills from

(01:37:08):
my pens or creating and went up on the stage.

Speaker 2 (01:37:11):
Didn't want to beat.

Speaker 58 (01:37:12):
Down because it right on the cortel that's not man
and breaks it down like now the only boon them
with the ladies and the boots that's fatter than roots,
mean diamond rings or gold chains, zil thing. Do your
being the clock, up your blood strength, the girl got
creams or don't even try to run up. Bring your
pops again, knock to bring your moms to get noted up.

Speaker 2 (01:37:31):
We can break it down like so, we can bring it.

Speaker 5 (01:37:33):
Down like that.

Speaker 58 (01:37:34):
It's on the cavanormal rons that snack, don't we keep
it live.

Speaker 2 (01:37:38):
The obside represented did picks it live. We can break
it down like we can bring it down like that.
The cavanormal rons that said, you don't, we keep it live.
The mobile side represented tid picks alive.

Speaker 11 (01:37:51):
We can break it down like this.

Speaker 4 (01:37:53):
We can break it down.

Speaker 58 (01:37:54):
Baby, it's all about the pair of normal rons.

Speaker 2 (01:37:57):
Yeah, you keep it live. The mumble side.

Speaker 18 (01:38:02):
Speaks, go to box the cons praying the several of
the seed of every kind of title.

Speaker 2 (01:38:16):
Stream people caught the ms and he can't be quaking
in this.

Speaker 18 (01:38:19):
What's the pay of ship like sorrow ticking had like
the fellow we've been all getting a locky in the web,
represent those kids on my sadas on the tails for
the never let.

Speaker 2 (01:38:29):
The web and take you and read.

Speaker 18 (01:38:31):
Your nast The Maga ship like Tata take a claiming
all the table and sober or on the marble says
like a hock you know what the older I think
the more rocky is coming.

Speaker 2 (01:38:40):
Cli Ganda's on that shade with the man in the
mirror and if he's not.

Speaker 18 (01:38:44):
For it from week individuals talks there this ever shows
no visual You listen to worse cobey for it.

Speaker 2 (01:38:51):
Is come upon practice, Miss Tay the fly shreds.

Speaker 59 (01:38:54):
This happen to stress you Marros. You know is stress
speaks Stress just looks. Roust speaks, Stress just looks excuse.
Stressed speaks stress just fus us.

Speaker 2 (01:39:15):
Lights seems like how we struggling the living hard times.
Let's put your mind tricks down to your kids. Regeneration.

Speaker 7 (01:39:22):
The man's up for the naked chasing and pain for
a lot of stress on the brain.

Speaker 2 (01:39:26):
Can't stand the rain to being friends, the gangs.

Speaker 32 (01:39:29):
Contained to change dust being with strange stem the plane
to maintained.

Speaker 2 (01:39:33):
Strength too, indeeds to see if we gotta chance the
sea because I fish, swoop and doors for the mental
express what I think.

Speaker 7 (01:39:41):
Through Mast says the mix because it's just right four
schol years ago morenop.

Speaker 2 (01:39:45):
So just beak the mind without.

Speaker 7 (01:39:46):
Taking yours in the seven then my intelligence is relevant and.

Speaker 2 (01:39:51):
Something go ahead.

Speaker 7 (01:39:52):
It's never had sixty six from elements to lights, getting
like to many sight and try to live right.

Speaker 2 (01:40:00):
Dress just brus.

Speaker 59 (01:40:02):
You don't have its dressed head but upstress busy.

Speaker 18 (01:40:08):
You don't high head end the world rings steps shipping
up up the snow clovers and of us the rush.

Speaker 2 (01:40:14):
These works must be discussed. The whifs take dozed to
let again.

Speaker 17 (01:40:18):
The lut nothing but us because you become while the sun.

Speaker 2 (01:40:21):
Try the brain.

Speaker 21 (01:40:22):
The outs with doors short right, just as the rain
and tis.

Speaker 2 (01:40:25):
It is, they ain't the same saying change some of
the range and my thoughts that spot out the brain.
These bulls hitting no slow gets it tends right.

Speaker 59 (01:40:33):
They gave different place to ticket fat and killed suspense.

Speaker 2 (01:40:37):
Pre man tense to my trade and pay tabs.

Speaker 4 (01:40:39):
The sacks over again and.

Speaker 2 (01:40:43):
You know how it goes down.

Speaker 11 (01:40:48):
All the time.

Speaker 51 (01:40:50):
Finish, put that ship out.

Speaker 50 (01:41:08):
My maid's dudes, whack CRUs lay your damn kids cannot
for walk a mile in my shoes. Shorty's clock could
he always be coming into dues niggas from the north
and bringing you tracks of good news my debut with
rails to the blond industry mind. He never had the time.
Now he's prest but wand to the top. But legally
you gotta show love for me hate being ship answers
defaulty your bar. If I had tacked to the microphonte

(01:41:30):
like Jack ripple rail, even kids you booms like yeah,
but you would have a corn and number.

Speaker 2 (01:41:36):
First, work suits and work.

Speaker 50 (01:41:38):
For jo like j wine ron a black fat and
leather on half nicking honeys who forgot about the weather,
fucking exhibition and warm up scrimmage, shoot more works and
macho Men's just them in the village.

Speaker 5 (01:41:55):
Lay.

Speaker 4 (01:41:59):
Lady by the drama.

Speaker 7 (01:42:00):
I advanced on the branch of spectony, a past of
the Ill State Center and trauma never been won this side.
Wahamma for arm again and I'm getting m plus armor
the comma other Marty on the rise like a tempering
the south Side signa. The Repeciti book The Life states
to pack human to what I react, I stay in
strapped with the mac of courage, bevallelch with kevi cell murders.

(01:42:22):
I prefer to make a life, to take a life. Yeah,
stopped at the street called wise and made the bike.
So now I played my brothers's how I played the mic.
First sigh, cuff it, figga, fucker check. It's just something
to brugge it up. The niggas be reluctant, touch it
after me passively, they strike, never matching me. Rapping lydo
placidly a fabric the verbal type. The streets happened to
keg up your conscious navigate niggas like fever.

Speaker 50 (01:42:45):
Com with the complaya play this, play this, y'all, play
play this, slay this, play this, play.

Speaker 5 (01:42:53):
This, y'alla.

Speaker 2 (01:42:56):
Play this, slay this, play this, play.

Speaker 4 (01:42:58):
This, y'all.

Speaker 50 (01:43:01):
Secondly watching five in this fast state on top of Tom.

Speaker 2 (01:43:04):
But I'm already tell minute to wait. Nigga, play what
you want to play, he says. She's say, but Socrates
got the butters and tea dots stole it.

Speaker 7 (01:43:11):
Surely y'all call you let me consist the glass up
the line, Roama, be the diamond that will cut these lines.

Speaker 2 (01:43:17):
They cutch you do.

Speaker 16 (01:43:18):
You don't know what suit y'all wish the like the tooth.

Speaker 7 (01:43:20):
And then y'all the buck suit didn't get my chest
do so I just had to do it here my
mikey yore, Mike, come on, don't get threw it. See
rose and brew of me be too believe on my
neck you risk me how jewelery my old man be
schooling it the show. I rapped good Cat's claims. This
said in that hood like man, yo, hood is the
universe on this earth. You was first through the worst.
My cookar hers rose to go upstairs, and we went

(01:43:41):
through the purse. I don't curse around Julia spread lovel
like rumors. Niggas like my table, But how many wor.

Speaker 50 (01:43:47):
Can soon shout out to Honey's working them our class
hip stay so Franto written serrano to my tech t
episodees yo comment, Let me play with niggas brings like
click kitchen when up I stage skip the rumors in
live so y'are under the stairs. When I dropped my
there'll be some tag repair man and flip flopped the
fix who thought discord and half fast niggas sending your
back to drawing boards to deliver the real ship at

(01:44:09):
least real spit on your mic co mercy child like
I'm playing of real grits.

Speaker 2 (01:44:14):
Ladies La.

Speaker 5 (01:44:19):
La la spot the time lad related.

Speaker 9 (01:44:31):
Slaty slaty s.

Speaker 2 (01:45:22):
Based up the track a little bit because I'm here.

Speaker 4 (01:45:24):
I want to hear that bo movie. You know what
I'm saying.

Speaker 5 (01:45:27):
Yeah, yeah, you know the business common sense. So with today,
lie get out of playoffs.

Speaker 4 (01:45:40):
Yeah that's the.

Speaker 6 (01:45:42):
Hi.

Speaker 5 (01:45:43):
Don't do it like this. They're high like that Chicago.

Speaker 2 (01:45:48):
I speak to find of God. Theories don't need to
be hot.

Speaker 60 (01:45:51):
Always exhale the facts because I don't in hell a
lot play the greater man's games and mound soft my
loss so I could earn the anchors the house. Of course,
it's much greater than your benzing, your election the engine.
To my comprehension, it's just too complex, much too complex.

Speaker 2 (01:46:05):
Affects be live like Dods.

Speaker 60 (01:46:07):
Making moves down south to avoid the chaos, andever flount
the coin is.

Speaker 2 (01:46:11):
Dime gets me gates. They call me Luther fan.

Speaker 5 (01:46:13):
They say my style is so abasing.

Speaker 2 (01:46:15):
I have to facing those is supposed to have.

Speaker 5 (01:46:17):
The last after.

Speaker 60 (01:46:18):
It's even when I'm going on to your tearing in
the after, I have to cent respects to real money.
Meanings do not connect us with those champagne zipping money
faking takes the quarter pounds with spikes from shotdown.

Speaker 4 (01:46:28):
Now what that proved?

Speaker 60 (01:46:29):
It's so full you can't even moved to the o
the fee to the eighth and can another brother cookies
that are can.

Speaker 2 (01:46:35):
See well, I'm the b l u g to the
one walk around the planet.

Speaker 7 (01:46:40):
He comes on the seat, so the old double him. Oh,
I sit you think with the drink about I'm gonna win.

Speaker 5 (01:46:46):
I'm the seat to the.

Speaker 4 (01:46:47):
Old double m O. I said, think with the drink.

Speaker 7 (01:46:51):
You're want to be an MC, but dude, you're want
to serve. Dude, you want to be dape, but dude,
you're going to fill it fibricated a critic, I feel it.
I'm the style a lesson I do with show gets
at the feast like the hosp professor. In fact, I
get Moses and testa up he game like a reffer
binging so controlled love my test in the best of
three out of five with anybody asset and be a

(01:47:12):
live rappers take a job like record gain us with
this that's rather be your baby.

Speaker 5 (01:47:16):
Basically we hate.

Speaker 4 (01:47:18):
It's not a hater of the players.

Speaker 7 (01:47:19):
I'm more like a coach or an old I used
to love her, but now my boner hood. At one
point in round I thought I lost my rection. Then
I got it back with the rest the rection bless
us above. Ron So left Park portrayed the victim Sadama's
nigga styles. I predict coma seats of the old of
them m O. I sit and think with this rink abaka,
I'm going to win. I'm the d to the oh,

(01:47:40):
the feet to the d. You can't no other brother.
These delicacy.

Speaker 4 (01:47:44):
Well, I'm the p.

Speaker 61 (01:47:45):
LG, the key to the one walk around the planet
Earth making money having fun. Walk around the planet Earth
taking money having fun, walk around the planet Earth making
money having fun. I'm the mostes from the coats of
the Eastern Flea dropping more knowledge to let them on
the New York pag it's me wonder why and the
place to be certified as superior and see while others

(01:48:06):
explore to make it hardcore, I make it hard for
whack them.

Speaker 60 (01:48:09):
See they even step inside and do it because these
kids is rhyming sometimes and when we get the racing
on the mic, they line up to see the liric
go killing.

Speaker 2 (01:48:17):
With the stain egos on the celling.

Speaker 60 (01:48:18):
My rhymes escalates like black death rakes over musical place
being played as the rule kids thick and step into
the souls who claims to drop jewels before?

Speaker 2 (01:48:28):
Now you do the catching.

Speaker 60 (01:48:29):
I don't worry on the crew you run over section
of earth you design. They're not even the man, so
what those even mandatory taking your problem? But I will
because my man says, so for the light you cry
keeping the real it should try keeping the right.

Speaker 61 (01:48:42):
It's understanding my patrol mathematics. These the commercy and tip
for wherever the world sets.

Speaker 7 (01:48:47):
And when one shows the post threat to this one,
this one will make that one until none simple equation zero.

Speaker 2 (01:48:54):
You shouldn't play a hero if you can't stand strong like.

Speaker 61 (01:48:57):
The island I'm from now, I'm the p l u
G to the one walking around the planet Earth making money.

Speaker 7 (01:49:02):
Here far on the seat to the old double, And
I said to think with the drink about how I'm
going away underneath over the v to thing and can't
another brother?

Speaker 2 (01:49:13):
See he can't another.

Speaker 5 (01:49:16):
Can't another brother?

Speaker 7 (01:49:20):
Yo?

Speaker 5 (01:49:20):
What up'll live?

Speaker 21 (01:49:22):
Right now?

Speaker 5 (01:49:22):
You're checking out? Take it personally, you know what I'm saying.

Speaker 52 (01:49:24):
To do that?

Speaker 34 (01:49:25):
To do that?

Speaker 4 (01:49:26):
Do that.

Speaker 31 (01:49:29):
F underground at the floor, how deep mus the drill
just to reach the black gold? No mai live float
but comprehension mind you it's probably too deep for father.

Speaker 2 (01:49:38):
What's the funt you?

Speaker 5 (01:49:39):
Son?

Speaker 2 (01:49:40):
Need not for mind taking sense?

Speaker 31 (01:49:41):
Because when the pen hands come quicker than the eyes
to go to be like years that had the did
watch this catch right there is in the old years?
Oh yeah, because she took the base out, it's find
to put the stairs there. Don't think for perhaps when
you finally get the idea. I know, if you're getting warmer,
but you're still nowhere near hope, sit up.

Speaker 2 (01:49:58):
You need to relate up and fly in to America.

Speaker 7 (01:50:01):
Had thirteen steaks fertilizing norm beats found and buy you
backwater swat meats the get up in their ass like
feats with cleats. So the same m seeds the clan
streets a leaf I happened dreams of defeats in the
fifty bed sheets. I greeched mych like those the parks,
creaks pus seats, because who needs permission when the flavors
they're sweet and happen, y'all are switching.

Speaker 2 (01:50:21):
You could snack on these streets, but ride is catch
cavity creet. So I suggest that you mind to piets
and cues from.

Speaker 31 (01:50:27):
Me to see because these inhales the then tail earthquakes
and leaves no room for mistakes.

Speaker 2 (01:50:32):
To the pensions blood we just robbed them. Do but
depo take cause.

Speaker 7 (01:50:35):
I look, you wanted to make moves with sun your
back to take a second look, so crange my fe
just aquit instrumental.

Speaker 2 (01:50:41):
I look, you wanted to make moves with sun your.

Speaker 31 (01:50:43):
Boast with j lock from your pretenta. Every mom got
their handsplit and self print and in start the mix
the competition witch up, what's the label made? So getting
straight like I had the role play some love portnities
say the bat the motor bashing. No, the jack train
runs into national super expressed.

Speaker 38 (01:50:59):
So muse with no time for going.

Speaker 31 (01:51:01):
Indivisions by hble grooms, so people set to clock on Snoops.

Speaker 2 (01:51:04):
You can still get the worm like the early birds.

Speaker 7 (01:51:07):
That's out the rules through the archives of brown books
from yester year to review my whole delyrics and my
obsolete staffs. It's funny because the ship that I was might,
in fact then it sounded better than the music that
you're putting out class because everybody rapping, But only if
you can say they.

Speaker 2 (01:51:22):
Got the kind of liver side the.

Speaker 31 (01:51:23):
Comparabook to take I'm got there on that June caller
work and corner plate might even.

Speaker 7 (01:51:27):
Take it out one time, but not today. So brom
I know, if you're wanting to make mooves with Son,
your best to take a second look along and specs select.

Speaker 2 (01:51:34):
If you take again with me. If you wanted to
make moves.

Speaker 31 (01:51:37):
For Son, your best to take a second look. It's
just completing on the lock twenty rounds.

Speaker 7 (01:51:41):
Hope you wanted to make moves with Son, your best
to take.

Speaker 2 (01:51:43):
A second look. Let me take this mathdays.

Speaker 7 (01:51:46):
I look, if you wanted to make books with Son,
your best to take a second look. You're going with
the wind take up defense of pre send does too
across examination to hear an explanation of the situation. The
bird that comes without must boration ship because they confessed
the cheating.

Speaker 31 (01:52:02):
Off the answers up session. I guess it's because the
average we're rap of scorpas way your love to mean
matter fact, it's unbelievable truth the rocks and two loves up.
But I'm gonna be taking one bout one consider reading
the count deceivable achievable. Naturally my two ss be untarpinated.
And what's all the prop raps a propul little bits
lamblade I may for compass rock and rock smashed. The

(01:52:22):
sisters still live with the MICA's like a chef with
the blade. So since this ain't requiring from me to
rap cheeks, to tread and turn heads and the pensulums
and then some what's some get slick what's sick the bricks,
the need to beat hand to live it that transcend them.

Speaker 2 (01:52:35):
The bottom line to be the last one.

Speaker 31 (01:52:37):
We're not the worst one consistent to leave your reminiscent
about the first one. Put all the big examples of
the rap what's some spoke too, but that still gets
the last last last rock.

Speaker 7 (01:53:00):
Yeah, you gotta stuck to sing coming after you with
the rappers, the nine double trained up.

Speaker 5 (01:53:09):
How we do it a day?

Speaker 7 (01:53:11):
Must the flesh represent from the East coast, bringing the ruckets,
six stouts loss and from the mic you get tossed
under trading through your soul son but taking drastic message
dropping for the bevery treasure living life forever.

Speaker 4 (01:53:23):
Or however the soul.

Speaker 7 (01:53:25):
Brother is still doing this thing about to get you
wide open off the songs that we.

Speaker 2 (01:53:28):
Sing your fiend from now burning the Queen's.

Speaker 7 (01:53:31):
Extra p about to set up shopping drop its next
degreed nigga, I'm breaking down until the very last moll
sor to make you shake your taut so also to
bring the mics.

Speaker 2 (01:53:41):
What's dark like a dog on the truck bus, make
it s nobod.

Speaker 7 (01:53:44):
Jail when I fuss with the tracking active masquerade and
gets prayed by the automatic Bob Paddick. That gets dramatic
when the feasts and you know the rail Willie, well,
come on, can listen.

Speaker 4 (01:53:54):
We slinging like a crap.

Speaker 2 (01:54:01):
In the world in the.

Speaker 7 (01:54:12):
Go go to this piece to ensemble. We rocked together,
we lost the bomb Copper. We raised the stakes on
flakes and rock the show foot master, Babe, your son,
we got to go to the top and won't stop
a flop a foe whether copp will go the plant?

Speaker 2 (01:54:26):
They hit the Matt Matt.

Speaker 7 (01:54:28):
And every section tag team connection, Why getting hot on
each track? They to be got me twisted rhymes and
too delicious.

Speaker 4 (01:54:35):
You look suspicious.

Speaker 7 (01:54:36):
You want to wipe a can gripet recognize the blave
as blad on watch the crime dogs up the punk
and never fakeing no jacks before the record.

Speaker 2 (01:54:44):
Look on your face you see rejection.

Speaker 4 (01:54:46):
It's hard to believe.

Speaker 2 (01:54:47):
I like pidated every section.

Speaker 7 (01:54:50):
Let's get it on like Smith and West up or
don't even look in my direction.

Speaker 13 (01:54:56):
Crime got drop, crawl, roasts and tack.

Speaker 21 (01:55:15):
Out.

Speaker 2 (01:55:15):
You throw bulls to the dark like Tyson.

Speaker 7 (01:55:17):
Spend your rap license, kid, bring on the cake plus
the ice raw deal to all my niggas who keep
your rail one glove fit.

Speaker 2 (01:55:25):
In like a hand of your ushrug, so keep it hard.

Speaker 7 (01:55:28):
Or for the ducks from east to west, it's time
to rise up a glove and bill, So relax and
chill and make cats that well crap brow, It's how
I eat my bills. So here's the chit since the
high Top Chris Funk, Dawn's coming through the knockout nawns
in this morningly fashion straight up the fun flash in
my capability to bring the honey cut back as to

(01:55:48):
any set three the queens lounge veat loss, so Dawn
the camp floss because your pet competition is no, I
got the glow, so yo, I'm truly in the world
to state plus bro.

Speaker 4 (01:55:58):
Bro, you'll check the bat so brother number one feet.

Speaker 7 (01:56:01):
Rock Yeah, yeah, yeah, without godes is consense.

Speaker 4 (01:56:05):
Hey ya yeah?

Speaker 5 (01:56:05):
What's goodness is psycho less candy chilling right head? Listening
to take it personally.

Speaker 49 (01:56:11):
Yo, yo yo, it's the great apps to break the
artist formerly known as fashion Man. You're listening to taking
personal radio, loving and lesson. That's an exact joint right
there too.

Speaker 2 (01:56:21):
You gotta take it person No, motherfucking motherfucking extra, do
not the plexter, don't you come next? Oshimoshi Booty calls,
so then a sex.

Speaker 60 (01:56:30):
Flexed put it in the buck in the rock because
I take ship like her quicks in No Soka got.

Speaker 2 (01:56:35):
The superban surpent hitting my blood stream.

Speaker 4 (01:56:38):
I'm n to blake cling to your cut.

Speaker 60 (01:56:40):
So what I'm done with DJ bond the nigga you
go no problems, nigga, Come and let me solve from
niggah goo fast, get in that ashes, that's the ashes
gone past us. Backing bites and fucking asks have been
the cord to your vascular masculine. Masculine now blasphet, oh
women or man go wrap to no man, no men,
body points shit.

Speaker 2 (01:56:58):
To your get it and would give it oo ween.

Speaker 60 (01:57:01):
We gotta hit coo fast whipped that ass come on, that's.

Speaker 5 (01:57:04):
That ship on it.

Speaker 7 (01:57:05):
Also, we are got of chass lis too short, so
we got to live fast.

Speaker 2 (01:57:09):
Gotta keep it real. Get the dogs that before we
go out. You know, we gotta little fat and sun't
want to be the show. Stuffer has a sound like coal.

Speaker 7 (01:57:17):
I'm for brepas no like co on the sa fire
fake thinking.

Speaker 2 (01:57:19):
Dropper which burro HiT's the thorough I know.

Speaker 4 (01:57:22):
Do you know?

Speaker 7 (01:57:23):
Let me know what I'm saying though the coach connect
just pointing up this would reflect us.

Speaker 2 (01:57:27):
Don't get caught up in my sector. Who I'm gonna
have to inject you.

Speaker 7 (01:57:30):
With the slap of the slippercal joke, shit, freak your
cheese and more a peace this time, Joe, But doin
them it would prefail. Can't kill like sonny, you from yourself.
We'll well we're tardy, my nigga, chut your body. What
let my nigga said aside about it?

Speaker 21 (01:57:45):
But they don't need to talk about it.

Speaker 2 (01:57:46):
Keep it doing the house, put the woods and boos
than the cross hot Jo? What up to pass?

Speaker 7 (01:57:52):
L What up?

Speaker 2 (01:57:53):
Two o'clock?

Speaker 4 (01:57:53):
We know game sad.

Speaker 2 (01:57:54):
Also, we are out of chash. Light's too short, so
we got to look fast.

Speaker 7 (01:57:58):
Gotta keep it real.

Speaker 51 (01:58:00):
The do that before we go out.

Speaker 2 (01:58:02):
You know we got a little fat.

Speaker 7 (01:58:04):
I'm wasted looking from my stash. I forgot where I
placed it. It's so close. I got the most taste
that smell it and hell it I can feel it.

Speaker 2 (01:58:11):
It's that trouble. But the sight come to bring real shit.

Speaker 7 (01:58:14):
Have a fake goose sample and take Bruce Dally nick,
it's a bird that's playing dogs the Capitol alleys, Hey,
no wait, talk to.

Speaker 2 (01:58:21):
Your chest, your god friend's breast.

Speaker 7 (01:58:23):
The neighbors say, yes, we got to call them five foot,
complain about less and you're done.

Speaker 4 (01:58:28):
Squeal.

Speaker 2 (01:58:29):
Some niggas are swack.

Speaker 7 (01:58:30):
Could ain't get a plus from my seal, nigga chill
before I have the dope, gonna blount to steal from
my tros car. Getting down hold your motherfucking George, class him, classy.
Matter of fact, I'm on them that I just tapped
good doom and asked you who got the shit when it?
Come on, niggas, get come on, honeys, take the album
home playing and get the cup on, get the cume

(01:58:51):
on water, get down to make fly my nuts up too.
The teddy's give a mouth full of bit while my
left has on their head and my right felt to
click her boy senter scratched by the fucking that. Then
I'm out bad Shire truck on least two ship bitches
and nor least freaking seas word not from New York
to depend mondy Gahanda's the man.

Speaker 2 (01:59:12):
Yeah you want it all so well for the cash
like too short, So we do to live fast, got even.

Speaker 4 (01:59:19):
Real get the doing.

Speaker 2 (01:59:19):
That's that before we go out, you know, we gotta
lift fast.

Speaker 4 (01:59:23):
It's the ninety five fis school.

Speaker 2 (01:59:25):
Some say the score the revolution.

Speaker 7 (01:59:27):
Therefore I upcome a common for the star, words of
boring form, drawing in the brain, so one scored by
the pawn rain. But I can stand it. Seldom do
I feel stranded. Granted, I stand with the staff that
is free. I'm the Mandela. I smells.

Speaker 16 (01:59:40):
Some brothers love me. I'll lay in love.

Speaker 2 (01:59:42):
I'm ugly bodies on the mic.

Speaker 7 (01:59:43):
I strike like a teacher rappings some minds standing lines
with their signs, trying to pick it.

Speaker 2 (01:59:48):
They pick it the way. I'll kick it because with it,
I'm not wicked.

Speaker 4 (01:59:51):
Because that's my liquid. I use my fingers, which is vivid,
and give it.

Speaker 2 (01:59:54):
To your baby like love without no limit. I have
no limits, So give me some imge, no mimic.

Speaker 4 (01:59:57):
I'm there.

Speaker 7 (01:59:58):
It's no minutes to be timid. I said, stick, I
spit with. I'm the nit with I six shit. I
stick with it, kick with the crew.

Speaker 4 (02:00:03):
I click.

Speaker 16 (02:00:04):
That's why I sit with, and sip with, and sit
with the bus.

Speaker 7 (02:00:07):
I dipped it and got dripped without equipment off the
bit to figure. That's the solid one that liquid. You
know this from my man Honda.

Speaker 5 (02:00:14):
Oh yeah, word up, We.

Speaker 2 (02:00:16):
Got the whole crew up in here to night kid
about to seen it. You know what I'm saying, Big
jew represent three cf.

Speaker 12 (02:00:21):
Po all right, good delly, better drawing white feel bother
furious stress man, blunts and six packs and so on.

Speaker 2 (02:00:28):
Nigga real hip hop, you'll win that essence.

Speaker 12 (02:00:30):
You about to get a pound of soul in every sentence. Yeah,
say what you want by big Juba. When it's time
to get down. You know what real nigga shine through.
Takeing out your whole crew.

Speaker 2 (02:00:40):
Say you for last so.

Speaker 38 (02:00:41):
You can see you all the pay.

Speaker 11 (02:00:42):
You're gonna go.

Speaker 12 (02:00:43):
Through something you should have known the man will. Now
you have turning more colors than the man. Drill a
little more than you can handle, Big.

Speaker 56 (02:00:50):
Jude, the man go here to put it in the
all scandals.

Speaker 2 (02:00:53):
Word up, you know what.

Speaker 12 (02:00:54):
I'm saying, Doing it for my man Honder kids, getting
damn for real real hip hop kid, alight up, you
want it all. So we got for the cast like
some short So we got the little jim get the
dole outside before we go out.

Speaker 2 (02:01:10):
You know we gotta left fi no doubt, no questions.

Speaker 7 (02:01:21):
Checking after I see, I got my nigga boy flood,
no devil sweet in the lands.

Speaker 2 (02:01:29):
You know, said your master.

Speaker 12 (02:01:33):
I see, let's conversate a minute before we walking in
cease for New York to finished, said the niggas talk ship.

Speaker 2 (02:01:39):
Ship's time to blow the whistle.

Speaker 7 (02:01:40):
I moved just like a messala bar, like drislan the pistol.
This time we came blushing, fishing like slicing light, you now, said, said,
and even the phitties we did. You kids better to
know the ulti medium's death for cast King of percussion,
Mike get flush plus me. Oh see, you'll make come
in fag in sea for file over there in the

(02:02:01):
granted to earth fleet. The stakes higher then the nigga's
physicals work.

Speaker 2 (02:02:04):
We need this money guard. We penetrate through the house state.
Tom sure fuck death flush less.

Speaker 7 (02:02:09):
Motivate this money guards. We bend a trade through the
house states. Tom sure fuck that. Oh, let's move. We
made this money guards. We penetrate through the ouse states.
Tom sure fuck that that's going on and.

Speaker 2 (02:02:21):
You can't flip the fat.

Speaker 7 (02:02:22):
I'm a Virginia while they sleeping on the walking back
and you're going to getting the record for Mike Bully.

Speaker 2 (02:02:28):
You come fully sting where you're seeing in that I wander,
I'm in worsting opinion to make the rough raps come
in your thing.

Speaker 7 (02:02:34):
Capture man, relax aflay pleasing like that, let's get the situation.
Twenty five is what a facon with more bodies and
Mason a mazon they tell the wet understanding the collage
in the dia mint dropping the ball limelight rappers have
a choice in my committee, flow over the call full

(02:02:54):
the first man falling if he doesn't take the swamp
she had to see if he is sprawling on Tom's schooling,
I'm overhole until the morning capital singer, then a fluidly
dropped like.

Speaker 2 (02:03:03):
Or set this real life for living? Worried up God,
I'm tired of what I see.

Speaker 7 (02:03:06):
Motherfucker's one of vibe like and phibious traits my trailing.

Speaker 2 (02:03:11):
I'm nailing its side. Your suck right, can't stop the
swelling of instinction. Right or a poet. If you need
racks to be stitched, we're gonna slow. We need this
money guard.

Speaker 7 (02:03:20):
We manetrate through the house states time sure, fuck that, Mike,
Let's move. He need this money guard. We manetrade through
the House States time. Short, Fuck that old, let's move.

Speaker 2 (02:03:30):
We need this money guard. You penetrate through the house
states time. Sure fuck that low, that's smooth, evate.

Speaker 18 (02:03:36):
I'm cheaping you all in the state of suspense for
the time that I spend because I never paid print.
I'm a real goat jetto a point set up. My
only occupation in this world is scoop and cheado a
freelance and take a chance and go go with my man,
Mike gee.

Speaker 2 (02:03:50):
Because the guy too.

Speaker 18 (02:03:51):
I got my man don't see and my man for
your flesh his nigga's sleeping.

Speaker 2 (02:03:55):
They never get enough. Now, who's that?

Speaker 5 (02:03:57):
Man?

Speaker 7 (02:03:58):
Even you want to try these live shop than a
store from Sammarai brother, recaptivate the grab and ship every
years I leave blowing the bits fucking with this. It's
all about living expanding and you're playing a surface store
for just the gramm until you coverous land. I wanted
to all picture it. The possibilities is infinite till explad it.
While I may get money on ptendom.

Speaker 2 (02:04:18):
Yeah men verse many man de mind's.

Speaker 7 (02:04:20):
In the scheme for this said teams you motherfucker's drain
for or forth the light. When I'm write, I shine,
I get a little people, but my thoughts like Sigina
the phenomenon winner in a career, quick with fit.

Speaker 5 (02:04:32):
From a workplace.

Speaker 7 (02:04:34):
Lay need this money God we benetrate through the outstate time.

Speaker 16 (02:04:37):
Sure fuck that.

Speaker 2 (02:04:38):
O need this money?

Speaker 7 (02:04:40):
Guard you penetrate through the out states time. Sure fuck
that low le's smotivate this money. Guard penetrate through the
outstates toime. Sure fuck that we got to motivated? Who

(02:05:11):
goes there?

Speaker 53 (02:05:12):
The element of surprise recognized. Monteverd restrects, I'm gonna be
making ask bets with bounce checks, crack card scammons. What
I examine, I'm clicking words cards and vocal famine. Let
it loose, direct, loose with neck noose to.

Speaker 7 (02:05:23):
Tip and go and hanging part of simple supplying the
slanging for bionics of phonics. Silver boots A left tripping
with blood puddles turned announced and that she took the
probble and degree emergency shot that repeat my redman depressive
fee for redommune deficiency. Take two with me and called
me in the morning, bright and early niggas to receive
a daily morning. I got your hook line of setup
window big. I'm making salivate woman Nervy's pali potape for

(02:05:45):
an increasing heart break with an aggravat comber tap that
in the sword see the front lines of land mines down.

Speaker 2 (02:05:51):
The wo with extor ship.

Speaker 31 (02:05:52):
The black mail tail from the whole trail or helm
a train of Thor's third rail, non stop expressing, turning,
never even winning to note the tree, my point.

Speaker 2 (02:06:00):
Sand poo, my thoughts, not dressing.

Speaker 18 (02:06:02):
In the check black Sam Piro superhero rabbit than Nero
nigga ilbel zero the infinite powers they have to break.
Equation of sea equals dense square man whoever tests it's
not preparing for morbile examination.

Speaker 2 (02:06:13):
Ain't a paction with no limitation. When that my heart
stays what you feel. I see what you see for
all eternity. You no one like me. Where we go,
this legacy will carry.

Speaker 18 (02:06:22):
Your st bring it off illn filtrate your fortune should
make me naught to be cautious by the mixed twist,
like a catos list fort in garbage of season, the
division first rob believe, but then the necessary physical it
will map to or I declare war, I your temper
talk then spoor or for randomlynars Rob's plots if you're

(02:06:43):
sucked overthrown when you'll for garage mark too to tell
I'm forced to put self apart with the hell you
can just sit to hit your.

Speaker 7 (02:06:49):
Fucking head like sage well boom, I'm.

Speaker 2 (02:06:52):
Shooting the ship like a bloker.

Speaker 12 (02:06:53):
Should know sun.

Speaker 2 (02:06:54):
My tongue was swinging swarms like a shoker. I have
the side like a perceiver.

Speaker 18 (02:06:58):
Every word that's bet creeps and bing your blow stream
like dukimi instigation, the mutilation, undefended investigation, escaping public stations.

Speaker 2 (02:07:06):
What's your nation flap like Zooto beats with.

Speaker 7 (02:07:08):
Some trees killing enemy's misery coming from the pool.

Speaker 2 (02:07:11):
He's out behind your crane. Take it from the beach
to the seaston state. No substitution for.

Speaker 62 (02:07:17):
The revolution that we bring in Trigg into the massacos
of massing O.

Speaker 5 (02:07:20):
My ear is ringing.

Speaker 2 (02:07:21):
What's being from the black guy? He was speaking depending
on freaking active but he's weaking. Can't even chest muskiles.
Muscles come like oops, hold them, let me put you
back upon the roots.

Speaker 62 (02:07:31):
Brookman shoving you to apply your bag the fire setspis
culture primin like you're making out and parks out flat,
push me sud wed death, put doves back, attack like
see Thomas Howell Red taunts down, but now it's sights
of like sell Steve Prophecy.

Speaker 2 (02:07:44):
You got to be voted and stop shit like.

Speaker 62 (02:07:46):
Pottery that's ancient a gypsian can lips it fits flips
the contry taken, bring off fixing hits.

Speaker 2 (02:07:51):
So bakeer put the craze to outstrots in between for.

Speaker 31 (02:07:54):
Those fu mean I'm gonna kill yourself the steels, but
you feel I see what you see for all eternity.
No one like me where we're going to have to
see them carry on, nor fix your state shot to
bring it on for hard feels what you feel out
see what you see for eternity be no one like
me where we gone just tend to see you carry on,
nor fix your state straw to bring it on.

Speaker 32 (02:08:16):
For the unclean Dustian to night brother zussin cream my holder.
They cracked flights for insight them pricely dice me over
like electrical connections.

Speaker 2 (02:08:24):
That's the record.

Speaker 32 (02:08:25):
People limbar sections down the global to tell mon satanic
crhy mechanic, bless rhymes and abrimatic. I put those thoughts
that for the fiber blass and loot courts, no shorts,
tobacco got sold, will not teleports pay like to the
score off with me, sorts of clams, lamp fields like
man fields, touch god unts a sense she like madmen
back and rim shot some black pants coren them being
enforcement safeguard the wastelands to grab vettery quick to blasts

(02:08:48):
Republicans macaddos, communists, cause that pollution ports from now on.

Speaker 2 (02:08:51):
Americans back up, strap the borm.

Speaker 7 (02:08:53):
Some up back and it's like that Mussolini Medina arafat,
hang with girls with grills and stop traffic.

Speaker 2 (02:08:58):
Canadjust your comfort like crap Mati's oradic.

Speaker 12 (02:09:01):
You're float sleeping like a narcoleptic perfected Romp's a life
and times overconnected.

Speaker 2 (02:09:06):
It's accepty like.

Speaker 63 (02:09:07):
Caanna Reid to speak, get the cash and click sino
a raw steed le me to another lamp holds on
with phones on own dial tone, and I stayed prone
to light lyrics alone and hanging hotels with Countie seller
to lang, serving drinks on a.

Speaker 12 (02:09:20):
Love looking on savage America. How you gonna politics without
no campaign. But politicians get stuff we're not getting in
the game. That a primary I'm gonna name names, but
that depentagon who they start to take as am a hexagon.
There's a lieutenant whose spot say if you try me,
it goes back to their own eye ninety six seventy six.

Speaker 2 (02:09:38):
The Revolution still spinning in the cast.

Speaker 12 (02:09:41):
What what what?

Speaker 5 (02:09:42):
Check it out?

Speaker 10 (02:09:43):
Your boy MC search third base officially in the building
and right now you're checking out taking personal with my
people's fill of flavored cuv law and DJ three sixty
full cyclic for.

Speaker 11 (02:09:53):
That ass, for that ass.

Speaker 21 (02:09:57):
Jordan Avis tell.

Speaker 7 (02:10:01):
The Troy flight for the famous bush and shots Office
ain't depressing Midnight were doing with right the Blue Life,
the trip flight, liven rough when we're handcuffs like bracelets,
twenty five of Life and stay Sick got on them
running and God wasted man agady having me more effects
got me pulling out text on opposite sex. The cream
got me singed for massive bill skin they doing when.

Speaker 2 (02:10:21):
Drop off the stretched limousines.

Speaker 5 (02:10:22):
I got tons of guns.

Speaker 7 (02:10:24):
My nigga's on the untact then they can play the ones.
Get the chatter. However, Ton because niggas got dream taming
king which this drug swing got their brain train just
to sleink okay continuously Stiller asleep. My brain punted the
lives we may get, honey, that's what we wanted to see,
My ill.

Speaker 2 (02:10:39):
Mean team singing creame.

Speaker 7 (02:10:40):
The infamis coming out of Queen your check checking your.

Speaker 14 (02:10:44):
Wish tea men and the y z.

Speaker 2 (02:10:47):
We put the shutters together us a week.

Speaker 7 (02:10:48):
It's up with long seas and grow likes of family
trees and bean stalks. It's mustless naturally pulling with streets,
small show koarate this showing Gotti yell if the way man.

Speaker 18 (02:10:57):
A noise attempt starting telling of a player. The mall
Niggas live the wut side of New York State. The
five Gates pH Niggas shook, just let him shake while
the coach baked, the chef trip cook a puller over
the show over the one that's with the hand and
plot or the solarite bro don't walk, rapping noids takeet
over over, coursed over, then you gotta walked In October,
no remember just seven.

Speaker 2 (02:11:16):
Came out the hospital.

Speaker 18 (02:11:17):
Keet up driving lives from your feet up.

Speaker 7 (02:11:19):
Let's go your speed up to recognize them real lives.
I'm not that they get live on the side of
the prodigy on the ship.

Speaker 2 (02:11:25):
For who you did recognize the real lives?

Speaker 18 (02:11:27):
I'm not the say a lot of v I G
and the why then he read the constantly stay truly
full ships with extra sources.

Speaker 2 (02:11:33):
My non tourists hit boots is looten.

Speaker 7 (02:11:35):
It's whoever said it once the main man drunk, I
got it lot to they get over by now, don't
that that nigga?

Speaker 2 (02:11:40):
nowI get the drop on coming steddies?

Speaker 7 (02:11:42):
Have you ready to pull the breaking tricks on to
be famous danger.

Speaker 2 (02:11:45):
This type of nigga, I'm like tru si fense fits definitely.

Speaker 49 (02:11:48):
Hut.

Speaker 7 (02:11:49):
It is that you're born in solifics wit finessing it
the hustle in tuesseling, rusting niggas wide open. No, Joe
can't learn right you want to be smoking around with this.

Speaker 2 (02:11:57):
She tried to commend. You didn't hear that they extor
niggas by there. It's extra ordinary rap flows.

Speaker 7 (02:12:04):
Snakety my mom's staff we clapped at your rap show.
Were formerly just as debate and like some politicians and
come together like some coalitions and position will seem a huddle.

Speaker 2 (02:12:13):
The scheme was too subtle, wound its course.

Speaker 7 (02:12:15):
Passion hosts faced looking for trouble praise. So you found
a couple of men rapping.

Speaker 18 (02:12:20):
You know that the North like not the Space Shuttle apology,
but powers refined. Now that you're uped in top of climax,
you're small cats.

Speaker 2 (02:12:26):
What is you chumping to par flex? The man got
slapped you so for reflex, learned from his mistakes to
a void for the next solardy.

Speaker 7 (02:12:33):
Thugs occasionally act like those battery backs with after line
of durself munks, Hey, your noise believes must you got
some poun pray up, hold.

Speaker 2 (02:12:42):
Up to recognize the real lives.

Speaker 7 (02:12:44):
I'm not the nigga lie on the side of the
Prodigy on the Siper who he means.

Speaker 2 (02:12:48):
To recognize and realize.

Speaker 18 (02:12:50):
I'm not the nigga Lita v I G and the
wad you rien constantly to recognize.

Speaker 5 (02:12:54):
The real lives.

Speaker 7 (02:12:55):
I'm not the nigga lie on the side of the
Prodigy on the.

Speaker 2 (02:12:58):
Sniper who recognize of niggas a lot to be I
see you and the constantly jump.

Speaker 23 (02:13:07):
Term you.

Speaker 64 (02:13:12):
Start the door.

Speaker 7 (02:13:15):
Rat Yeah yeah, check it out. Now work for your
life or you want to get your heat. Whatever, we
can die together. It's long, as I said, ja maggot.
As to the essence, I don't give a fuck about
my presence. I'm lost in the blocks of Hey. You

(02:13:38):
can't wait for the next traf nigger to step and
meet faith.

Speaker 2 (02:13:41):
I'm looking the wind, I see you.

Speaker 7 (02:13:43):
There is no sequel twenty for seven back of eleven
is my people.

Speaker 2 (02:13:47):
So why you're going to add your little life like this?

Speaker 7 (02:13:50):
Because now you bump at you with kids, this lifeless.
I've lived by today only if I survived the last night.
Damn right, I ain't trying to fight. We can settle
this slight since room back on the pall preet floor,
my slugs an put a stop for your hall throw
winsor faction. I grat the got that ain't no turn
it back when I start.

Speaker 2 (02:14:09):
Flashing, and pick up the handling and serve the pull.

Speaker 7 (02:14:12):
Shit cock the ship back there in the calm like
most shit, those sounds of angle of fair, because you
the one that take to that for.

Speaker 18 (02:14:19):
Share your plans where the stange the world? You know,
I fucking out there and you can now what got you?
You got the art to get busy with out your crew.
Let's getting it on, nigga over what we gotta do?

Speaker 2 (02:14:29):
You fucking me?

Speaker 18 (02:14:29):
You're fucking right back at you. I put the drop
on you, kidd Now what got you? You got the
heart to get busy with out your crew. Let's get
it on, niggas over.

Speaker 21 (02:14:39):
What we gotta do?

Speaker 2 (02:14:40):
You fucking me? You're fucking right back at you.

Speaker 31 (02:14:43):
Shut yeah, shit shit yet shat, get out, check you down,
check you down?

Speaker 18 (02:14:48):
Now said get out shit yet that shit you down?

Speaker 11 (02:14:53):
Fucked when you re shit?

Speaker 2 (02:14:55):
And this is where you're from? This is where if
I'm from, nigga SPACs. What the big guns around?

Speaker 21 (02:15:00):
More?

Speaker 31 (02:15:00):
Wait, niggas dook out floors for out of sounds come
through bright and Naggy stuck with the ring pamp the
loud sounds up.

Speaker 2 (02:15:06):
He'll wrinkle and on a point the finger.

Speaker 5 (02:15:08):
More on.

Speaker 2 (02:15:09):
You wanna be us slickers? You gotta real life? Squrill,
Where are you really?

Speaker 11 (02:15:13):
Real?

Speaker 2 (02:15:13):
Step through the hell and I'm gonna touch your gut skills.
This real niggas. Don't try to crows down you just
the Trump. We need to get Trump and up wound.
We'll swing that wroll shits this way. Then I'm gonna make.

Speaker 31 (02:15:24):
Your visits to the bridge, your mother fucking short steak
Queen's Bridge.

Speaker 2 (02:15:28):
That's where I'm both. The place just starts going and
Frodi rappers get to six.

Speaker 31 (02:15:33):
Of locks and you might not nk it little what
you're gonna do When Marko Cruz las in that with
Max and text and lint to get your tone crush,
you thought that you could come around away your feet
super fuck, what the hell is smoking? What the fuck
posession to come out your face? Now I have to
wreck you go on my tenis black masks and black
soaking twists. The Nigga Captain defended Jake Thurt because.

Speaker 2 (02:15:54):
We're in the drop on your kid, Now what got you?
You got the hart to get busy right out, Just
get it on there, y'all.

Speaker 7 (02:16:02):
Said, out you bucking for your bucking right back at shoot.

Speaker 2 (02:16:05):
Hoos the riches. Lincoln in the Project who got in live.

Speaker 18 (02:16:08):
Rocking Convertibles, drop chops in that high.

Speaker 2 (02:16:11):
To sack Whiskin and plays on.

Speaker 18 (02:16:13):
His teams organized on live Bulls is on bringing your
whole click gun out and for.

Speaker 19 (02:16:18):
Broad shit swip back to whit State, flashing you s
dick on tricks.

Speaker 7 (02:16:22):
The whole Crustavish and chiefs are touchable and the.

Speaker 18 (02:16:24):
Jungle banging, no small team and woof is going he
out there. You do catch trumpers with your sons jumps,
just send them to Russ's bitches.

Speaker 2 (02:16:32):
Open your guns. You know what's south yid gous.

Speaker 21 (02:16:34):
A Sagrain trapped and.

Speaker 19 (02:16:35):
Savan seal tight, keep the fresh stance and Sali spans offer,
drop your guns, son.

Speaker 18 (02:16:40):
Now surrender getting in on the Alan uster Fritch boy
wait man dog telling drugs and he's trumpling.

Speaker 2 (02:16:46):
They can't got him pucking. I try to tell him slow.

Speaker 7 (02:16:49):
Down, cutting bud effects and they just getting wet up
in the projects.

Speaker 2 (02:16:53):
But when no Doubt showt he's out for his freaks back.

Speaker 7 (02:16:55):
But it's his brain is saved from the fire smoking
now one eighteen tiny tip wow a nigga jest Todd
last week tap this morning he was going and he's.

Speaker 2 (02:17:05):
A duck in the street.

Speaker 5 (02:17:06):
But it's like that.

Speaker 2 (02:17:07):
My group pumped tracks and we backed that.

Speaker 7 (02:17:09):
He's out this wild with the rescue monkey on his back.
But I'm stressed and he needs to be left with
a fire pack.

Speaker 2 (02:17:15):
Don't even go there because it ain't like that.

Speaker 7 (02:17:17):
Slow down baby, he said, what you're trying to play,
you must be crazy? Was out the heat and almost
Lafey didn't even swazy the shot, but the Paton Doug
Sully drunk wasn't stuff, but he ain't crazy.

Speaker 24 (02:17:59):
Perfect example of what this show is all about. Tonight,
right back at you, mob deep ghost face rappin'.

Speaker 4 (02:18:05):
Noid taking us straight into the snowstorm head first. Jesus Christ,
that is so dark, so good.

Speaker 22 (02:18:12):
Though, Wait, there's nothing on this show you don't like.

Speaker 23 (02:18:16):
There's one track now I'm forget.

Speaker 3 (02:18:20):
The show's Hey guys, hey guys, key, okay, okay, this
is my third favorite song, but I hate it for
this one.

Speaker 16 (02:18:28):
Hey guys, life after listening to this fucking mix bro
because he broke his windship. All right, Hey, hey Ron,
He's like, I need a new wind show. But I
guarantee there's one or two songs. Wait, it's like, why
do we put this song there? And that's wait and
we love them for it.

Speaker 4 (02:18:45):
Nothing wrong with that. So what's so?

Speaker 16 (02:18:46):
What's in the Let's talk about Waite's packer bell computer.
So we were supposed to record about forty five minutes
before we actually did, and Wade has one job, and
that job is to basically send out to Google meets
Notice roughly thirty minutes before we record, and Waite's packer
Bell from two thousand and one was not starting up

(02:19:07):
that or he forgot his password and he couldn't log in,
so we were gonna can this episode, which meant you
guys would have this show out a week or two later,
and that one that would be kosher. So Wade figured
it out. He figured his passport, he got a reset.
I don't know what you did.

Speaker 2 (02:19:26):
Did you find the files? I don't even know what
they look what do they look like?

Speaker 23 (02:19:30):
They're in the computer. They're in the computer.

Speaker 4 (02:19:34):
I got it.

Speaker 29 (02:19:35):
You gotta figure it out.

Speaker 16 (02:19:36):
Roger, Wait a minute, Hero, Yeah, he is all the
video games in the world working, but a computer that
doesn't work for shit.

Speaker 4 (02:19:43):
Hey, it ain't my computer. It's Comcast computer man, and
I got it.

Speaker 5 (02:19:47):
I have it.

Speaker 24 (02:19:48):
I have this thing corrected already. Is it a Compac, No,
it's a Deue and it's a tablet and this thing sucks.
You have it on for twenty minutes and its hottest fire.

Speaker 4 (02:20:02):
That was the tablet.

Speaker 16 (02:20:03):
I was gonna say, you have a floppy disc in it,
like a free aol that you got.

Speaker 4 (02:20:08):
I want to burn some back yo. I want to
earn some CDs for real.

Speaker 16 (02:20:12):
I've done that recently, just for the old nostalgion field.

Speaker 4 (02:20:16):
Well, I got this Studi Baker boot CD. Holy, she's
got a CD player and a double A cassette player.

Speaker 23 (02:20:23):
Is there such a brando Studi Baker.

Speaker 4 (02:20:26):
Isn't that a car?

Speaker 24 (02:20:27):
Yeah, it's a boombox and it's it looks like an
eighties boom box And I want to burn some CDs
and play some CDs on there?

Speaker 16 (02:20:36):
Is it a boom box you can like take with you?

Speaker 4 (02:20:38):
Oh yeah, it's got a.

Speaker 16 (02:20:39):
Handle, got the lights, light up the radio right heem
of sports?

Speaker 14 (02:20:43):
It is that?

Speaker 55 (02:20:45):
It is that?

Speaker 3 (02:20:45):
Yeah, except he walks up and says twenty triple as motherfuckerd.

Speaker 16 (02:20:51):
Mother fucker triple A hurricane wings boom box playing.

Speaker 23 (02:20:58):
He's like, he's like this fast guy on the bike.
Hey baby, let's slip snocks.

Speaker 4 (02:21:06):
On my beach cruiser. They just stop it. You gotta
like pedal in reverse. Oh my god, wait, I'm not kidding, man,
I have that.

Speaker 23 (02:21:15):
Did your wife yell at you for spending forty on that?

Speaker 4 (02:21:20):
So what's next?

Speaker 2 (02:21:21):
We did eighty eight.

Speaker 22 (02:21:22):
We talked about it.

Speaker 4 (02:21:23):
He did it well.

Speaker 16 (02:21:24):
We gotta We got a surprise guest coming to the show,
and I won't say anything other than he is a
return guest and.

Speaker 23 (02:21:31):
He possibly your favorite guest, possibly the most entertaining.

Speaker 16 (02:21:35):
Yes, let's leave it at that. Yeah, otherwise people are
going to figure it out. And so we're excited to
talk to to this group or artists. You'll have to
figure that out when the time comes. And it's gonna
be our first guest of twenty twenty five.

Speaker 4 (02:21:51):
I think some shit's gonna get as deep as Jack
Handy this time.

Speaker 23 (02:21:56):
Oh wait, a Saturday Night, Saturday Night live reference.

Speaker 22 (02:21:59):
What do you guys think the Sataray My Life stuff
that I did not did not watch the Actually it
was good.

Speaker 3 (02:22:04):
Very concert was better than the music is ever the concert. Yeah,
so you can you can get that on demand. There's
a three hour concert that Questlove curated and it's all
it's all mixed into one another, so you'll have like
Vanilla Ice doing one thing. Freddie Mercury is almost like
a blend. Saturday was the new concert.

Speaker 16 (02:22:25):
So wait, they have by a live concert they haven't.

Speaker 22 (02:22:28):
Yeah, post Malone did his best Kurt Cobaine.

Speaker 4 (02:22:31):
The fiftieth show I thought was cool because it was
like mixing the old.

Speaker 24 (02:22:35):
With the new.

Speaker 4 (02:22:36):
Yeah, I thought.

Speaker 22 (02:22:37):
I thought I came out the gates really slow, like
the first like four or five skits that did not
really they didn't, They didn't land very well.

Speaker 4 (02:22:47):
Watch SNL I do no. I mean, I'll I'll watch.

Speaker 22 (02:22:51):
Like clips that come up on like Instagram or whatever,
because I I'll follow it, so I'll i'll watch them there.

Speaker 4 (02:22:58):
I don't watch.

Speaker 22 (02:22:59):
SNL like like appointment, like nine what times it come
on eleven o'clock on Saturday or whatever.

Speaker 23 (02:23:05):
It used to be a no brainer.

Speaker 4 (02:23:06):
It was used to be excellent.

Speaker 24 (02:23:08):
I find that you can catch the best skits from
the past show on social media.

Speaker 4 (02:23:12):
And just skip the rest.

Speaker 22 (02:23:13):
Yeah, yeah, yeah, CAUCERTINAI live man. Either the skit is
hilarious or it's there's like no in between it all.

Speaker 4 (02:23:21):
Yeah, you're right. Have you either hit or you miss completely.

Speaker 3 (02:23:23):
When you watched the earlier music show, the one that
was out before the actual special, those seventies concerts that
they had on there, you realize how forward the music
was to go on a show like that.

Speaker 4 (02:23:39):
They were totally avant garde so much.

Speaker 3 (02:23:42):
These dudes were I mean it was like the greatest
funk soul stuff that you would never ever hear, really
really like smart people to put that shit on. Letterman
did the same thing. It was very New York. It
was very like things that were bubbling in the underground.
And then that and they did the same for hip hop.

Speaker 4 (02:24:02):
Why don't we do this absolutely all leave?

Speaker 16 (02:24:04):
Why doesn't everybody give their three favorite S n L.

Speaker 4 (02:24:09):
Actors of all time? Hm hmm. Interesting? Okay, all right,
cast members.

Speaker 22 (02:24:15):
That that's the cast members, cast member, your three.

Speaker 16 (02:24:18):
Favorite cast members of all time?

Speaker 4 (02:24:21):
Just three? Okay, no way, Chris Farley, Okay, that makes
sense for you.

Speaker 22 (02:24:29):
I always love Mike Myers.

Speaker 16 (02:24:31):
I was not aware of that.

Speaker 4 (02:24:33):
Mikey Myers, okay.

Speaker 65 (02:24:34):
And you know what, man, Will Ferrell's fucking funny guy. Yes,
so those three, okay, very interesting.

Speaker 4 (02:24:45):
Wait, I'm going Will Ferrell number one.

Speaker 24 (02:24:48):
I'm going Eddie Murphy number two, and my wild card
personal favorite.

Speaker 2 (02:24:52):
Bill Hayter.

Speaker 4 (02:24:54):
Okay, go ahead, Dray.

Speaker 23 (02:24:58):
It's a tough one, man. I'm definitely going Eddie Murphy
number one.

Speaker 3 (02:25:05):
I really love Bill Murray, but I don't know if
he was his best during Saturday Night Live, and you
know that whole dan Ackroyd group was great.

Speaker 23 (02:25:13):
Look, Will Ferrell was.

Speaker 3 (02:25:14):
Amazing, So I have to maybe put him as two,
not in necessarily an order, but it's the third I'm
having problems with.

Speaker 16 (02:25:23):
Uh, you were You're older? Obviously Belushi was he one
of the guys that.

Speaker 3 (02:25:29):
Yeah, but you know, I didn't love kind of that
over the top comedy. It just didn't make sense to me.
And I don't think the Blues Brothers that type of
shit's funny, Like, that's not funny to me.

Speaker 4 (02:25:40):
It was real talents.

Speaker 21 (02:25:41):
Yeah.

Speaker 23 (02:25:42):
Yeah, most people like don't think of Darryl Hammond.

Speaker 3 (02:25:45):
I think that dude is like hysterical, because what'd you
think of Martin Short Now, I.

Speaker 23 (02:25:49):
Wasn't a fan. I'm gonna go I'm actually gonna go
wild card guys on this last one. I'm gonna go.

Speaker 3 (02:25:55):
Dare I say it, man, I'm bringing in Kristin Wig.
She's cool, she's good, dude, total character actress.

Speaker 16 (02:26:03):
Maybe the best female Tarantina are definitely, but he wigs
way more, way more versatile.

Speaker 4 (02:26:09):
Yeah, way more of it. He did three.

Speaker 16 (02:26:13):
Eddie is definitely number one. I think Eddie doing mister
Rogers and mister you know on there.

Speaker 4 (02:26:19):
No he didn't.

Speaker 16 (02:26:19):
He did mister Rogers, he did Gumby, he did Ebideen Ivory.

Speaker 3 (02:26:24):
With gave you wonder no offense, guys. The hot tub
with James Brown.

Speaker 4 (02:26:28):
Oh that was classic party sometime.

Speaker 2 (02:26:30):
But maybe a break out in the col sweat, but.

Speaker 12 (02:26:37):
For the whole.

Speaker 64 (02:26:45):
To make it hot up stop a cub it hot up?
Stop it cub chuking dot up? Really maybe a sweat, yeah,
tell you really?

Speaker 5 (02:26:55):
Maybe what well?

Speaker 4 (02:26:58):
Well for the hotel.

Speaker 22 (02:27:00):
And I think Eddie Murray. I don't think Sara Laife
because I'm because I'm not Eddie Murray, Edie Murphy.

Speaker 16 (02:27:06):
He said, Eddie Murray, I mean Dray, did you you
fucking think?

Speaker 11 (02:27:10):
Yeah?

Speaker 23 (02:27:10):
He did?

Speaker 22 (02:27:12):
Know, Hey listen, I'm there ship because Eddie Murphy to
me was like, you know, Beverly Hills Cop. You know
that that's where I first saw.

Speaker 23 (02:27:20):
But he would have never been in Hills Cop.

Speaker 51 (02:27:22):
I know.

Speaker 22 (02:27:22):
But but I didn't grow up with Eddie Murphy and
Sarai Well, look, we grew up.

Speaker 4 (02:27:26):
With Chris Rock.

Speaker 16 (02:27:26):
But I don't think Chris Rock was as funny on FNL.

Speaker 24 (02:27:29):
No way, and he was definite way after you know, yeah,
he found distrade in the movies.

Speaker 4 (02:27:33):
Eddie Murphy.

Speaker 16 (02:27:34):
Same thing with Adam Sandler. I mean, he's way funnier outside.
It's funny that you bring up Sandler. I was telling
my wife this, Tell me if you agree they cloned.
They tried so hard and to clone Sandler and did
so successfully with several.

Speaker 4 (02:27:51):
Dudes after him, Adam Adam Sandberg. Absolutely. There are a
couple more to who's the little skinny heroin looking dude
on their now, what's his name?

Speaker 3 (02:28:01):
Uh, the kid with the tattoos and yeah, yeah, yeah, yeah,
you know, Kim Kardash Davidson, Pete Davis.

Speaker 24 (02:28:08):
Yeah, And there was one there's one other one that
I'm thinking of that was basically just trying.

Speaker 4 (02:28:13):
To do Adam Sandler clone, which they did several times.

Speaker 24 (02:28:17):
And these guys probably watched Sandler and said I want
to be that guy, but they definitely had He definitely
carved a lane.

Speaker 4 (02:28:24):
Sandler's an all time great man.

Speaker 22 (02:28:25):
Yeah, and I rudely interrupted Jason, so he said, Eddie Murphy,
who the other two I'm.

Speaker 16 (02:28:30):
Trying to think. I mean, I wasn't really a big
spade or carvy guy, although they had their moments. I
definitely would say probably Will Farrell. I got to give
it him. He's had too many classics. And here here's
my pick. And I think, keV, you try to sneak
this in, but I kind of wanted to use it
as My third.

Speaker 22 (02:28:50):
Is Norm McDonald and let's take this show out with
a bunch of j jokes.

Speaker 4 (02:28:55):
Yeah.

Speaker 16 (02:28:55):
I thought Norm McDonald was so good because he was
so different than than the other cast members, kind of
like the way like h Dennis not Dennis great lyrics
Dennis No, not Dennis Miller killer, you know, had that dry,
sharp sense of humor.

Speaker 4 (02:29:11):
And I thought I thought his voice was just was
great on very tone cheek.

Speaker 3 (02:29:16):
Yeah, but you know what, when you think Saturday Night Live,
I just don't think he encompasses the all.

Speaker 22 (02:29:22):
He was a great weekend updates the weekend.

Speaker 16 (02:29:24):
He was is many people's favorite thing about FNL, you know,
and I think like he did it better than anyone.

Speaker 4 (02:29:31):
Can we do we're having fun with this.

Speaker 24 (02:29:32):
Can we do one more category before we sign off?
Who is your favorite guest host?

Speaker 4 (02:29:39):
You give two if you want guest hosts. I guess
because there are a lot of people that have done it.

Speaker 23 (02:29:45):
I mean Timberlake, does. I think Timberlake did it the best.

Speaker 4 (02:29:48):
I think those are the two.

Speaker 23 (02:29:49):
Yeah, I mean Timberlake always did it the best.

Speaker 3 (02:29:52):
He hit the skit of the Beyonce single Ladies was
freaking hysterical. Dicking a box is just block unlike Parallel,
those are just he And then he had the one
where he was.

Speaker 23 (02:30:05):
Like with the with the boombox like you know Sandwich Bill.

Speaker 3 (02:30:08):
Yeah, it's just I think he was really exemplified showing
the most as an outsider coming in.

Speaker 22 (02:30:17):
I think I think Eli Manning did a really good job.
If I recall when he hosted, he become quite a
quite a little comedian these days.

Speaker 4 (02:30:25):
You know, well I remember Peyton throwing throwing a hundred
mile an hour balls at kids. That was excellent.

Speaker 16 (02:30:31):
Mine is Tom Hanks. I think Tom Hanks is always great. Now,
Kevin said, what did he say, Alec Bald Uh, Yeah,
alcohol was great on it. I mean I almost look
at him as a cast member.

Speaker 3 (02:30:45):
You know, he's been on the most and I think
his Trump and presidential stuff has probably done the best.

Speaker 16 (02:30:52):
Yeah, and uh, of course you got to give like
not to Chappelle, but Chapelle's like has his own thing
like it's a was too easy for him because he.

Speaker 4 (02:31:01):
Has his own SNL.

Speaker 3 (02:31:02):
He's a conversationalist, so he makes the comedy just work
for him that way. So but as far as a
guess that's went into the skits, I really do think
Timberlake has just done it the best that.

Speaker 4 (02:31:15):
You could has.

Speaker 22 (02:31:16):
Has that keenan guy aged in all since he was
a Nickelodeon No incredible. He fucking looks exactly like he does.
It was in Good Burger.

Speaker 3 (02:31:27):
Yes, So I'm going to tell you a couple of
my favorite skits that like are rarely mentioned.

Speaker 23 (02:31:33):
What's up with that?

Speaker 3 (02:31:35):
When he's like the Preacher with the Jerry curl and
like someone's doing the Running Man in the background.

Speaker 23 (02:31:41):
That ship is just it's too much, man, It is hysterical.

Speaker 16 (02:31:44):
So you used to watch sm L on the RG.

Speaker 23 (02:31:46):
Yeah, I mean I used to watch it for sure.

Speaker 4 (02:31:48):
I like the one where they're doing the California.

Speaker 23 (02:31:51):
People and the Jeopardy Celebrity Jeopardy hysterical.

Speaker 4 (02:31:55):
Dude, that's always good. He's doing uh, the James Bond guy, Shawn.

Speaker 2 (02:32:01):
It's amazing, right, mister Connery, why don't you pick.

Speaker 21 (02:32:06):
It?

Speaker 23 (02:32:06):
Looks like this is my lucky day, I'll check the
rapist for two hundred.

Speaker 2 (02:32:12):
That's therapist.

Speaker 23 (02:32:17):
It's perfect. You see, that's exactly what it is.

Speaker 2 (02:32:20):
That's therapists, not the rapists.

Speaker 1 (02:32:27):
All right, folks, I know you don't want to hear it,
but that concludes episode one one. Get ready for our
first special guest interview at twenty twenty five coming soon.
And when we say special, we mean special, often imitated,
never duplicated.

Speaker 16 (02:32:46):
This just take it first.

Speaker 4 (02:32:47):
Radio Roger the announcer.

Speaker 2 (02:33:16):
South Suicide queen. Oh niggas got up all your own.

Speaker 21 (02:33:25):
Getting ready for this new world.

Speaker 2 (02:33:29):
Shit is what to change?

Speaker 29 (02:33:30):
Motherfucker.

Speaker 2 (02:33:33):
I'm a same America.

Speaker 7 (02:33:34):
Snight me young black and just don't let the fuck
I just want to kid oliver it. I'm so fucking
non a PLoP. And why he's trying to slave us
like women and a waitress swimming my niggas up and
pageous changing their behaviors. It's been erased that that's ulrageous.
It's more remotious and surface.

Speaker 18 (02:33:48):
We want lady, So this scoltious, ladies, So let's to
fuck us for how some more?

Speaker 2 (02:33:52):
You frush us?

Speaker 7 (02:33:53):
Old The Russian stand Official mass A pictures for pristops
and cash.

Speaker 66 (02:33:57):
We're living in the last there he is fucking sexy niggas.
Get it, don't take my come up there. It is
conducted through ghetto sipping nor moretto hand on the metal,
foot on the padle.

Speaker 2 (02:34:05):
That was we want Carolina.

Speaker 66 (02:34:07):
However, thirty down the cave sweaters over levels the swats
go play.

Speaker 7 (02:34:11):
The guns the grenades to blow what I've got new
some of the informers.

Speaker 66 (02:34:14):
I'm trapping the corners rust the shot said, So I'll
be honest.

Speaker 2 (02:34:17):
My man, big cup, do you know how to get bought?

Speaker 67 (02:34:20):
Get hot woul Jackston, be fixed to be flocks, submit
poor sip up and downtown pass and we need stick.
You keep up for big moved with track shit you
keep mad, ba boss, I'm playing the state bissing. Why
not flipping in the state sick crooking Jackson, fake snake
niggas full out the paps or who wanted.

Speaker 5 (02:34:37):
To overtake you?

Speaker 2 (02:34:38):
Leaven with Drake, so might she covers the heat slumps
the street heat pass the shot straight to God. Man,
we all ready for these wolves, were all for he
is the last day.

Speaker 66 (02:34:49):
You're thirty two shots asirt the flats. You heard it
foot Blacks, the murder who guts Convert, the blue jocks,
living life on the edge of danger. This where you're
living there for giving this ship because I mean because
it be you off the crooks crashed. She was spots
and selling the cops around the clock. It's living like
at you j Jon live in there, but get in

(02:35:09):
this ship because we live in there. It can I'm
taking my own life. I might as well, except they
might not sell weed in half. And that's where I'm
going because the devil's aside them. They make me ride
for my own nationality.

Speaker 2 (02:35:23):
That's kind of ignifant. So I gotta play the rent
at year.

Speaker 66 (02:35:26):
I'll stick the nigga, most definitely the degenerated if I
can caught him in the suit.

Speaker 2 (02:35:31):
So I don't leave no sticky finger crank for the cops.

Speaker 11 (02:35:34):
They don't even do it.

Speaker 2 (02:35:35):
They Dad, You know that Dash and the glunship be
going there. They hey to make bread of God, steal
the sports. So I stole the show and made some
pennies for my thoughts.

Speaker 66 (02:35:44):
And if the fucking raps shit don't play, I'm gonna
start selling drugs around my way, killing my own people
in the US g they gonna get it from somebody,
or rather it remade side.

Speaker 2 (02:35:56):
They can't tax dirty money and you can't trust no
no bottle, no one.

Speaker 66 (02:36:01):
You don't want to scare me out and the bolly
baited the bullet because I live here. It's twenty five
of light Bit's who just came out and Wanda flame out,
say kay, pull your brains out. It's like going the
age of dangerous where you're living, never giving this ship
because we living in the South suicide race, when niggas
socked up, Nigga blocked down Official Nass.

Speaker 2 (02:36:21):
Though your fuck you got something. It's like finger adju
dangerous where you're living, never giving this ship because we
living in there. We never giving this ship because we
living in there.

Speaker 4 (02:36:30):
Official Nass.

Speaker 2 (02:36:31):
Motherfuckers don't give a ship for real

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