Take It Personal (Ep 162: Easy Back It Up)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hey, Hey, Roger the announcer here and thanks for tuning
into episode one sixty two of Take Your Personal Radio.
Last show hit you with the mid nineties, and now
we're going back to the early nineties where it wasn't
as dark. The tracks had more bounce, more harmony, and
in some cases more flavor. Get ready to dust off

(00:21):
your hill figure Nautica, dk NY and those Polos.

Speaker 2 (00:24):
Sports and throw on the trecar Nawan.

Speaker 1 (00:27):
We've got music from EPMD, Grampouba, Positive, K, Big Daddy, Kane, Biz,
Marquis MC search, Black Sheep, Nice and Smooth, ex Clan
and De La Soul. Before we get started, we have
to shout out some of our og top tier Patreon
members for supporting Take You Personal all these years. Thanks

(00:48):
to Brian Cliicies, Joe Olsen, Patrick Roebles, Richard Hoffman, Tony Gentelcore,
Adam Stenlank, Matt Lowe, John Gardner, Ryan Tuone, Alex McGill,
Brian Lot and Die Haze for your continued support and generosity.
If you would like to support Take It Personal, head
over to Take It Personal Radio dot com and tap

(01:09):
the Patreon button at the top and support your favorite podcast.
Come on do it you know you want to anyway,
get ready for another incredible tip episode to put on
the shelf.

Speaker 2 (01:26):
Yo, what's up with what up?

Speaker 3 (01:28):
Yo?

Speaker 2 (01:29):
What's up? Yo? Yo?

Speaker 4 (01:30):
Yo?

Speaker 5 (01:30):
You need to take that person, take the personal person.

Speaker 6 (01:34):
Take take.

Speaker 7 (01:37):
One checking out, take your personal the radio t Yo.

Speaker 8 (01:41):
What's up this black thought from the legendemic woods flood
geo yo.

Speaker 6 (01:46):
Yo yo yo?

Speaker 2 (01:47):
What up is your boys?

Speaker 6 (01:49):
That shut out? Take yeah? Yeah yeah tag and right
now you're listening to take your personal tax.

Speaker 2 (01:56):
That was good, y'all with DJ Mon check it out.
This is checking out taking.

Speaker 9 (02:01):
Person yill Yo the sub this is diamond D representing
digging in the crates right here or take it personoe.

Speaker 5 (02:06):
Radio Yo, check it out.

Speaker 6 (02:08):
It's the infamous buck.

Speaker 10 (02:09):
Walk from here and start. Yeah yeah, what's good your
boy KG y'all y'are checking out taking personal radio with
my man so a playbook Kevlov Ammon Wade and the
boys J sixty year he yo yo yo, it's your boy.

Speaker 11 (02:29):
Arl Marsh Yo.

Speaker 12 (02:30):
What's up to see nice?

Speaker 6 (02:31):
Yo?

Speaker 7 (02:31):
What's a good job the eight?

Speaker 13 (02:34):
Yeah?

Speaker 6 (02:34):
Yeah, yeah, what up y'all?

Speaker 2 (02:35):
This is com sense and right hope and yo check
this out. This is ready fine what good.

Speaker 14 (02:40):
It's a man on rising dirty rides.

Speaker 15 (02:42):
Down and treble with them to let you know you
need to take it personally.

Speaker 7 (02:46):
Take it personally, what d man, and we end up
building it be a d yo.

Speaker 12 (02:51):
What's up?

Speaker 2 (02:52):
This is be real and you're blazing out to take
it personal.

Speaker 15 (02:57):
Nut hipop the way it should be.

Speaker 12 (03:00):
Right there.

Speaker 2 (03:00):
The best in hip hop been in that fly ship
you heard hip hop State Yea.

Speaker 16 (03:34):
With the rock Michael chip Oh Graham Apple to one
moment returns all station with my face, sending them back
and singing, showing my eyes ringed ship crusting just when
I'm seeing your dick. This the new fig for the
Beat double. I pack up back ten just in case
of trouble, Like if I had the one that pop
from Steamings Fame, the more glory than marking Freeman. I'm

(03:56):
then rich to know my styles beform so it could
sound one. I perform Yeah, check one two Mike Supreme
e ply the Rock American Dream Too, the Double Toughly
no joke. You can't see me even with the microscope.
A massive dope, fucking Who's tougher Joe? When I expressed

(04:16):
myself like st Tougher Eric summoned and Paras Smith the sickest,
the quickest, crazy mess cycle the slickest o korbaming. Yeah,
that's the ticket found enough for a long hour.

Speaker 17 (04:51):
Back up boy moviesy with the air motion, don't even
play kid or I almost start smoking the clockhammers cough
with the speech shot so shout the bus.

Speaker 2 (05:01):
Target is the Crown flock to call.

Speaker 17 (05:03):
Me smooth talk from Jabot with the slangs off boy
fanatic straight from New York. The foundation went marked on
the rat sea if he am here in efectum clocking
bag creation, the Curmison sparks flocking like boss off curms
Waning would made a like of corn door for mice
Lady to flow with slow mod know the rap paint
just like bo nose os hard.

Speaker 2 (05:25):
Hits Gonson with the hit squat fun.

Speaker 17 (05:28):
You'll catch your bullshots charged you're telling the no statement
to a puffer.

Speaker 8 (05:32):
Phil hit the Mantavius In a year Kids shows.

Speaker 6 (05:58):
Sure.

Speaker 18 (06:07):
Take a Personal Radio episode one sixty two, and we're
going to replay every song that we've played before in
a different order this episode because we are at the
point where that is happening.

Speaker 19 (06:20):
Folks. But you know what you love it.

Speaker 12 (06:22):
We love you.

Speaker 18 (06:23):
Hope everybody is having a great time out there. Hope
you guys enjoyed the Oscars and saw those idiots up
there talking on stage. Colon O'Brien fucking sucks, but hey,
we're here one sixty two.

Speaker 19 (06:35):
Let's do it.

Speaker 6 (06:36):
Okay, people still watch that shit go in and catch
these straights.

Speaker 4 (06:41):
I'm a cone watch it.

Speaker 19 (06:43):
Yeah, I don't think Kylin did a good job.

Speaker 5 (06:45):
Nobody watching that shit.

Speaker 20 (06:46):
Man.

Speaker 21 (06:47):
This episode does have some music that we have not
played on this on taking personal over the last nine seasons,
although there may be a track or two that we
did play. This is taking you back to the early nineties.
This is Andre and Wade's wheelhouse. This is a little
quick mini show before we get to some blockbusters coming

(07:08):
up soon. Everybody is still probably listening to episode one
sixty one Cold, which is our dark winter ish vibe episode.
This one's gonna be a little bit more fun. We
got a little spring, a little pep in our step.
We got music from I Want to Know? Can we
go an episode about mentioning MC search Because I'm looking

(07:31):
at the track list and back to the grill.

Speaker 6 (07:34):
Again is on here?

Speaker 11 (07:35):
Yeah?

Speaker 4 (07:35):
It seems like we love them.

Speaker 21 (07:36):
It's so good, though, But we got music from Biz Marquis,
we got music from Big Daddy, Kane, Positive K, Scarface,
Cool Dew, Wrap, MC eight, Keep Rock, See Us, Move, Freestyle, Fellowship,
and many many more.

Speaker 6 (07:52):
So it's a fun.

Speaker 21 (07:53):
Episode, really dope music, and kind of like the last one,
it's gonna have a lot of replay value.

Speaker 4 (07:59):
The names Jay described.

Speaker 22 (08:02):
Roger might have a few problems pronouncing some of those
on this episode, but we're coming off a great episode
one sixty one. All I keep hearing is how that
Rugged Winter era hip hop was like the sweet spot
for so many of you, so we appreciate all of
the feedback.

Speaker 4 (08:19):
This show's no different.

Speaker 22 (08:20):
It's packed with those deep cuts remixes that were always
just out of reach if you were kind of a collector.
But this show's not as obscure as have your heard episodes,
but it's got that same energy. It's kind of tracks
that are buried in the middle of an album, the
ones that group's rarely led with, but they always hit hard.

Speaker 4 (08:39):
So I'm not gonna talk much.

Speaker 22 (08:40):
I'm gonna let the music and mixes to the talking
on this one, So.

Speaker 4 (08:43):
I'll keep it short and sweet with that passing the
mic Aaron Away.

Speaker 6 (08:47):
What up, sir?

Speaker 5 (08:48):
Listen?

Speaker 13 (08:48):
So I agree with you in that the beauty of
this is if you owned all these albums, you're gonna
know the songs. No worries that nineteen ninety nineteen ninety three,
that's my personal sweet spot. I guarantee you all know
every song. I'm pretty hyped about this show. I hope
everybody else is too. It's a little something different coming
off of the last show. Pick it up a little bit,

(09:09):
It's gonna be fun. Let's get into it, Let's talk
and more rapid.

Speaker 22 (09:12):
Let's go Marquette music definitely not on those episodes, not
well ninety three Yeah moms.

Speaker 4 (09:19):
Yeah, different playlist, but definitely.

Speaker 1 (09:23):
Hey, did you know about the new Tip store. Go
to our website, click the store tab and cop yourself
the latest Tip merchandise and enter promo code March twenty
five to save twenty percent off your entire order. We're
giving stuff away practically. We've got new tees, hoodies, coffee mugs,
and a few gune but not forgotten shirts still left.

(09:45):
Remember you can always stream, take it personal anyway, or
download directly on our website. If you can't find an
episode on Spotify, look for it on Apple Podcasts, Pandora,
or even Amazon Music. All episodes are listed on our website,
along with each playlist and links to stream or download.

Speaker 19 (10:04):
And now let's start mixed one Enjoy.

Speaker 7 (10:17):
Hey yo, what up this in firement? It's the Pete
Night's the third day? And when I ain't throwing up
old phase two flies on Instagram. I'm trying to break
into my man bake Daddy can't start un checking out
my boys. I taking person over my fan James Glossaja's chucks.

Speaker 2 (10:37):
You'll be You'll start, you know, people trying to tell
us right, try to.

Speaker 23 (10:41):
Joe, so you know we gotta we gotta.

Speaker 2 (10:43):
Rip this, so just drop it right here.

Speaker 24 (10:47):
Right right once.

Speaker 6 (10:49):
You just don't stop.

Speaker 2 (10:51):
Bruals get check this.

Speaker 25 (10:52):
Search out the flip like coin pain like the foot
to groins restricting.

Speaker 2 (10:56):
But I didn't tell the head jet the white snow
fixed up the things I haven't even said to the people.

Speaker 8 (11:00):
Put your part time like taps scale Michael Fence put
you in the past tense.

Speaker 2 (11:04):
You try to take them but you ain't. That's enough
to chase me.

Speaker 8 (11:06):
So what I did to schedule to bring again the
bend case and don't waste time to this tracks.

Speaker 2 (11:11):
So why you're gonna waste rhymes? I absorbed like a
sponge and the bucks that can triple get the right wall.

Speaker 8 (11:16):
I stepped back and cracks slops and mco gets pounds
and pops tops on the show. Let me know that
I'm still professions, you know. And at the end of
the session you'll know that the further col sturf the purpose.

Speaker 2 (11:25):
Then now ship the sound.

Speaker 8 (11:27):
So scatals and gits down searching them the stands and
they try to flam and be like boys vandamnit.

Speaker 2 (11:31):
Just kick him in the grib come in the group.

Speaker 14 (11:37):
In the.

Speaker 26 (11:39):
The you can like a trimble to a bit of
this missing the points of the pitty's splips if you
want to camp, but let it flow. I ain't out
chops in it, sampo a little like a Buddhist dip.
The body treated with that booty that Ben's it ain't
moving me to be, not to be on your head
felt step to the a m the gimmicks up. I

(12:00):
see him mom taking forty swigs. A china man eats
with two twigs. Court you number nine seven, No piss
the feller, you can tell you on my head list
to this a stick like a split them play you
like to speak because potatoes ministuff sirt, sick, chicking my
guessing and trickle Proham's like a booming now chop.

Speaker 14 (12:17):
Stick chump jump with the man with the plant chump rock,
you know, a chewingo, a chop chop chop surreal. Molnoue
rationalized the comments like that had him and if I
stime almost as start an English found in the gutter
or the salon while I talk like people, how many
loves do you want to tie? Your coffee?

Speaker 2 (12:33):
Is not about time mas? What about pine and stuff?

Speaker 7 (12:35):
Off?

Speaker 2 (12:35):
Meo? Chump? Are you about? Saw you in the one
that went down Squaw's chest?

Speaker 12 (12:38):
Look?

Speaker 14 (12:39):
Nevertheless, my bingo wont through the walking through clearance.

Speaker 2 (12:42):
I got a girl on my own cheese at home, chump.

Speaker 14 (12:44):
As I can see that, I'm convinced of the fact
that Vanilla Slow Summer million copies of some ship that
was whack picking raptisms around a big black cock.

Speaker 2 (12:51):
He needs the more pressed. Let me stopped.

Speaker 14 (12:53):
Sherman Crusader's clean clairvoyant concepts, claiming critical conversations that came
in to view a third base Frisman shop rocked on
the motherfucking his on g R I L L L
word up, that's the grill him.

Speaker 18 (13:10):
Back to the good again, the grill again, Back to
the good again, the grill again.

Speaker 23 (13:15):
Back to the good again, the grill again.

Speaker 18 (13:17):
Back to the good again, the grill again, Back to
the good again, the grilla again, Back to the good.

Speaker 6 (13:23):
Cars and never stands.

Speaker 2 (13:24):
You need a posse the size of the Nazis to
attack this.

Speaker 8 (13:27):
Send you more out of the mistic then the sounds
of blackness flip rock the rip through the chest cavity
and I keep going and going just like aanergize the
battery flattery admure nowhere unless it's the area, and then
it catch you everywhere.

Speaker 2 (13:38):
What to the flea market was.

Speaker 14 (13:40):
In my car pocket?

Speaker 2 (13:41):
The flight grunt sipped.

Speaker 8 (13:42):
The guy in this pocket and with the fifty cup
came to fifth and you jointst this cigal on him
off with death lift went back to the seventies and
brothers got on friends because they can step the steps
and says, let me some skins, honey, dip me and.

Speaker 2 (13:54):
Take the squaw to the TV.

Speaker 8 (13:55):
Hitd it off smoker sig watch a little TV and
if there ain't no pace, there's no show of just
chill and return to kick him in the grill.

Speaker 24 (14:02):
Actually yeah, actually flying grillaga not like this?

Speaker 2 (14:11):
Don't what's this time am I doing?

Speaker 12 (14:13):
If you know we're gonna get now?

Speaker 27 (14:14):
What if you new we're taking new? What if I
catch up funk too? How much dronk the flavor floing
on us? Hed your fup for witch and I can
read the franklin Your mom's jumping too, w something some
something witty.

Speaker 14 (14:22):
To go whinn you know?

Speaker 27 (14:23):
So many even want to be fly like yo to
ya yai ya yo, locks lots and any wrapper can
top the red hot, not r and b rips hip hop.

Speaker 2 (14:33):
Not mc sears is gonna flip flop.

Speaker 27 (14:35):
Not all my holes look like socks watched and a
George Bush gets enough props. Well anyway, I'm a slave slate,
lake full a whole around my way and may hook
us soup flake on. Well, how am I someone like
the day mcy search You'll get chilled for making these
party to a.

Speaker 2 (14:49):
Kicking him in for the people. Check none now but
press up, flipo, press you under pressure.

Speaker 28 (14:54):
But I'm like the tump tudor the heap sodas a
brap some over tonight pump furd s, nons kin you
don't have with runs, I'm waving automatic counts and nuns
sticking up the preatures in the church on the stone truck.

Speaker 2 (15:06):
It's over your job. Who works quite a.

Speaker 14 (15:08):
Phone book before you want out a lot to shoot
soft here my mom to hodder that a buss too
with bottle rills.

Speaker 3 (15:14):
Oh no, my come let the.

Speaker 14 (15:14):
Camel every smell like gotcha? Ch'all kick him in the drill,
continue with the floors. That's straight up drill. How can
you figure you're faming out?

Speaker 2 (15:22):
Mush the drill?

Speaker 14 (15:23):
Try how you flip a livery bo out of the
problem temper hood and the grimy buck for love him?

Speaker 2 (15:27):
Tattling with your stocks where you shouldn't be.

Speaker 14 (15:29):
Ript fished stop on your head and didn't catch your
chip ship I shouldn't the float figure of the old sack,
I delit it with the whiff of a gold lint.

Speaker 2 (15:36):
None as a figure rope. I got the wheel of
the skill. Give me the bill man they send you
to slap jimp that go.

Speaker 24 (15:40):
I'm gonna kick in the drills.

Speaker 14 (15:51):
Up the bris and naughty takes that here he has
the man he makes the first the search kick him
in the car again, mantu, well up the night, elect
the elect the murder lift banana kicked the bot on
the car.

Speaker 2 (16:00):
Coming around the mound.

Speaker 14 (16:01):
When it comes to suwhe wrecking bumps with digest the
leverage on yourself, off the dock, drums with the energy,
bum the lump shop and lift you to the mission
to the pressure.

Speaker 2 (16:08):
Then your hot men the.

Speaker 14 (16:10):
Door hing show them into a bin and there you
get to pump it in your room.

Speaker 2 (16:14):
And the kinni south check the car.

Speaker 14 (16:15):
When I'm about to yell or apply for a mouth,
a blab of and get snow out them delivers on
the night just to get snow out of like a
win to the copy. J'm the bones with the searches
with their sweat up and be on the strip crapping
down a stop off. You want us to sell out
your wish my list, I'm not gonna touch us. A
cumfort for Thomas clippers.

Speaker 2 (16:33):
And if you see some to horse and sail with
some hill till, don't kick me in the grove, a.

Speaker 24 (16:45):
Kick them in the trail.

Speaker 8 (16:46):
So here's it to a boss tell me if the
boy you want to kill the clams, shoot the fans out,
attract the bull.

Speaker 2 (16:51):
Got crazy games and no one could stop me. But
then yo, I'm right. I guess my game is hockey,
a basketball, ball, taking painting dot.

Speaker 8 (16:58):
If money tip got a money clip, I'm gonna stroke up,
put him in a chill chill.

Speaker 2 (17:02):
You can't swing because mc girl a McDonough more.

Speaker 8 (17:04):
Now she gotta ring respect my wisdom like I respect myself,
trying to jill put you in the treaties like the keepler.

Speaker 3 (17:09):
Else you couldn't be the mac if you had.

Speaker 8 (17:11):
To call the hack the hole in the which he'll
be at the back like a patty because I thought
you would get pick knuckles with like knuckles in a
clunquote chumples when they played move buckles.

Speaker 2 (17:19):
He'll kid your life is flimsy.

Speaker 8 (17:21):
Can't you number took the back because I would see
yourself from the Corton bolls to the poles and the cars.

Speaker 2 (17:26):
Because I'm coming off.

Speaker 8 (17:27):
Like dresses at the bard search like Mama's gonna kill nephtew.

Speaker 2 (17:30):
And now I've read her love of tone, seeing Chuck
Rock kicking them in the pram.

Speaker 29 (17:36):
To check it out your boy MC search third base
officially in the building and right now you're checking out
taking personal well.

Speaker 2 (17:48):
My people is full of flavor Kevlar on DJ three
sixty full cycle for that ass.

Speaker 30 (17:56):
Long time.

Speaker 31 (18:00):
Never take care of their foul stranger. Should have out
there when I met you, I should have run.

Speaker 24 (18:10):
Away from the day.

Speaker 27 (18:13):
Can't gets the paper, It spills and fills the lines.
Will rick stat thrills like my jills. Take it on
the grilled chantol, then I chop it. I don't care
about the niggas because the girls are gonna chock it.

Speaker 2 (18:23):
Take her to my hotel.

Speaker 27 (18:24):
No speaking, just freaking leave my door open so the
niggas can't come. Begin ripping after done. Got niggas wuk
out with the hopes they can get theirs. But it
ain't not mean trying to ticket notes. He comes my kids,
He comes my kids, but I caught him in a
rubber lead titty TD bang bang, gotta do, gotta do.

Speaker 2 (18:40):
The hoe's in a coma, So I want.

Speaker 27 (18:42):
Tippy tippy toe walking in the door, chuck slip through
my shoes, so damn more fornication.

Speaker 2 (18:49):
Do't wanna take the monkey because I'm here for the.

Speaker 20 (18:51):
Duration before I get this record, usually starting with a
forty one forties.

Speaker 2 (18:55):
I know walkers, now I'm.

Speaker 32 (18:56):
Drinking sixty four on a grand flo But jump rock
up here one that bunch beat the phone winners if
my name is, got each other into devil fashion.

Speaker 2 (19:04):
Always nay your fashion, love backs, and then relax and
hit the skins. Wear the backroom, I.

Speaker 12 (19:07):
Said, should that comes some days.

Speaker 14 (19:08):
I think the seven of eleven because my.

Speaker 32 (19:10):
Fox had a heart similar the James Evans now shit
tipped them on the hip hop to the vegan.

Speaker 2 (19:15):
Don't stop rock on, I'll kicked the new Tampermingo.

Speaker 14 (19:18):
Hit the spot down a tingle, make the girls win.

Speaker 8 (19:20):
The jingle said he running, get the tingle my simple
tastes and.

Speaker 14 (19:23):
Make the shake that lass on the creeks fast and
the main is last.

Speaker 8 (19:27):
It's just three minutes, chum king getting busy. We come
a long way since who the injured busy in you
thot stop rap.

Speaker 2 (19:33):
On, chimp rock flip the script because I'm gone by I.

Speaker 14 (19:37):
Yate stage hooraye yo hurrah. I dropped to the ball
numb with the chumps, the tall bust the bull b
intricately go far, chilling and the man should no fashion
relaxed and they get to the track, then react, I
want the ball and author room because I don't like
the fack my highest bunch of kids on the corner
by and get insuited the lion pans and like commenced
the firing one, two, three shots and then I do

(19:58):
the black walk, reclear my clar and then I grabbed
my crotch and squeeze the tests and then I grabbed
my wooden puppety Oh that goes not just bust it.
Get myself together because I'm the i'mber what I wanted
to do, and do it with the grass. Mister Gruler
took the forty out of the cooler out with better
track for shirt on there once sooner and never rolled
up on the groove field as sister team and all

(20:19):
straight at in ninety fifteen, get a little doe for
the three mans getting in.

Speaker 2 (20:24):
The jam with the curse.

Speaker 14 (20:27):
Fucking is it damn yet it's like out of the
vocal move again a dollar junkkin Sola Grandpooper.

Speaker 2 (20:34):
Ho tone bust, No, We're over and with how geezy
back inn yeah yeah yeah, the really real tezy back
in Grandpood what's that Doug Yeallo.

Speaker 8 (20:48):
Mocheezy backup, chickobree flipping ship the way you're supposed to
meet Geezy back and I'm back.

Speaker 2 (20:58):
Listen how we're gonna bost this off you back, get
up fucking kizy back in im hey kick a prize.
Here's the resume both the day check the prognosis. Here's
your deally doe shit check. The fourth one one on
how we flip it. Grab a bag of boom in
the forty ends your shipping.

Speaker 25 (21:14):
Grandpooper kick you free is on that new ship in
ninety two a O.

Speaker 8 (21:18):
This is how we flipped ship on b and all meff.
We start to drop a bom, drop a bomp a
bomb like.

Speaker 2 (21:23):
Some ship in Vietnam.

Speaker 12 (21:25):
Patrinia sup s.

Speaker 4 (21:26):
Here we come.

Speaker 8 (21:26):
If you're RIDI or not cold mounting in the joint
making hot, he's hot. Grandpooler comes in here on the
right care cashing it on the jacktie showed.

Speaker 2 (21:36):
Here we go to the show that don't jo you
know how that ship go.

Speaker 33 (21:43):
Easy back in on back, get on fuck keizy back in,
I'm backing up back get on y yeah out.

Speaker 22 (21:51):
Job.

Speaker 2 (21:52):
First things first, that goes the opposite.

Speaker 8 (21:54):
The worst slid out my mother's aflip after the nurse
and kicked the nurse. This thing, my man, he joints
your ship as a curse for those.

Speaker 2 (22:01):
Who got stuck with koof means fuck. That's what I
like to do.

Speaker 30 (22:04):
But the other buber makes the fuck. For those that
say you're sucker, then step up and pushing it up.
Your a stout, Now your ass out. I still hit
joints till they pass out. I mean, you're talk Let
my empty class out to people. Clear focused because I'll
say hopeless focus. That's all I have to say to
make the mob swarm like locus. Then the climb the bridge,
push up town to the rucking to the Harlem River.
Drive to pick the valley up the ruck because then

(22:26):
we try to not the newgi the gold pick up
stud Juggie.

Speaker 8 (22:30):
Easy back it up, so all your grand Pooba wanning
bees your better pack it up.

Speaker 33 (22:35):
Easy backing up, back, get up, easy backing up. Fuck
eezy back in, m back it up, back, get up,
fuck eezy backing up?

Speaker 22 (22:46):
Did it here is the kids never did a bid,
never hits jigs.

Speaker 2 (22:51):
Check out the ship I.

Speaker 34 (22:52):
Did man in the bass on Then brookuinn chill them.

Speaker 2 (22:56):
Man act and then a drop A ship took it.
I meansing you on the flect.

Speaker 11 (23:00):
You know my ship is right.

Speaker 8 (23:01):
We're gonna win on a flight. So folds on tight
kise your free is on point with my man man
pooper suckers trying to get twisted like a tuber. You
have a part trouble that stop.

Speaker 2 (23:11):
My staff always on the moves, Jack Kates father path.

Speaker 8 (23:15):
I'm crazy on the loaf, but the old places though,
I always do with show, so you know my god
go girls try to.

Speaker 5 (23:21):
Sweet talk for bullshit and warm.

Speaker 8 (23:23):
But those who try to walk a staff clip like
a fort I'm very mag to telling me jis, so
don't try to play me.

Speaker 2 (23:29):
Try to press the ysu wearing a bust of ass.

Speaker 8 (23:31):
Baby, I'm bit like a shit that'd be high yeller
the stove.

Speaker 2 (23:35):
Kick the free Uptown's big fella.

Speaker 8 (23:37):
So now you know the flavor and please do me
your favorite stead your assign.

Speaker 35 (23:40):
My playing calls a snap back a bead, a lady
backing up, easy, backup, backing up, bracket ut backet up,
back up.

Speaker 8 (23:52):
Yes, if everything is so negative, this always fish, my
father said.

Speaker 24 (24:02):
Chill a come on.

Speaker 14 (24:04):
I said, chill, come on, ship, chill, come on.

Speaker 8 (24:10):
I said, chill a come on, I got a Brooklyn honey,
and she don't want me brought my money, laughing on
my especially when that's not funny, and how confessed her.

Speaker 3 (24:19):
I'm a true man.

Speaker 2 (24:20):
She gotta fly a head, dude, man, drink.

Speaker 24 (24:23):
It's on our head.

Speaker 12 (24:24):
He's his pets and then those.

Speaker 8 (24:25):
Diamonds shunks, my bromses fans. I want you back up
for book bos don't get a trunk and someone no
the brother's sweater. But that's okay because I know shit.
No patter o caseen drake him on things that ring things.
There ain't no need to try to gas at us wing.
She's not impressed about your fancy cars. She got her
body so she's not in. She don't get who you,
So I said, don't get mad, and just some reputation

(24:46):
calling not repuse they and they conversations and grab my
backstap because they want to be up.

Speaker 2 (24:51):
I like Stevie, want to None of y'all can see us.

Speaker 8 (24:54):
So when your fella this term, just learned to keep
looking because I got me your flower that glows in Brooklyn,
come off, come off that close, saying proul clean, you'm
tap come off walking down the street. Then let's go
back to I'm saying maybe maybe it's a little quote

(25:20):
some money that back up. You're the best that guys
want your move put this ship stuff.

Speaker 2 (25:24):
I come back like up on that right now, big
boy mag Why ain't like us on?

Speaker 3 (25:28):
That's saying now let's.

Speaker 12 (25:29):
Want out of what fucking had?

Speaker 2 (25:31):
Yeah, your ladies want that what fucking hay.

Speaker 8 (25:34):
I looked at your white you said nobody let you go,
will let you little at times?

Speaker 2 (25:37):
Out fast?

Speaker 36 (25:37):
How fast?

Speaker 2 (25:39):
See your girl?

Speaker 8 (25:40):
I know shit right, I run that ring to your
line and say shoulder goods last that's your past.

Speaker 3 (25:45):
I'm not I got me.

Speaker 2 (25:47):
Young, fly that close single, proo clin.

Speaker 24 (25:49):
You hook tells.

Speaker 2 (25:52):
Come off that close, saying pro clin you.

Speaker 3 (25:57):
On walking down the street.

Speaker 2 (26:00):
Fellas woke about.

Speaker 8 (26:01):
Your buck, saying hey, maybe yes, what's in the neighborhood?
Though like my style, they don't like stuff like yeah,
they don't like my smile. But when I go see you,
they don't try to blame me though they give me
up Papa to say, you know.

Speaker 2 (26:18):
You're from the video and by the way, did you
live on.

Speaker 8 (26:20):
Canasi nah about my trospector the brothers in process step
to the rear because I.

Speaker 2 (26:25):
Don't want no beef for money.

Speaker 14 (26:26):
They might know my neighbor.

Speaker 2 (26:27):
Not look, they don't know me. Not still.

Speaker 8 (26:29):
I mean because the kid had starro pup in for
ris there any time feet up? All right, you know
there's I'm looking wherever your girl and every girl that's.

Speaker 2 (26:37):
About what that's dying to grow.

Speaker 24 (26:38):
So when I'm in.

Speaker 8 (26:39):
Town, you know why man lounging like a bad They
ain't in the cut.

Speaker 24 (26:43):
And when did I get that feeling?

Speaker 8 (26:46):
Like I said, damn for priss get left on the ceiling.
She came up tight and she left the papa seats
and they wake us up. But either have a sissi
or good beast. I came along way to say you
take it. Took it, and that's why she's my flower.

Speaker 3 (26:58):
That girl s.

Speaker 7 (27:07):
The t.

Speaker 27 (27:09):
The trouble for the past, for the trouble, come too,
for the the trouble, Rumbo for the base at one,
for the trouble Rumbo for the pa. I'm guarantee I
still your home when I'm moving microphone doing my show.
I'm guaranteed I still your whole when I'm moving microphone
doing my show. I'm guarantee I still your whole when

(27:31):
I'm moving microphone.

Speaker 12 (27:32):
Doing my show.

Speaker 27 (27:33):
And I'm guaranteed I still your whole when I'm moving
microphone doing my show.

Speaker 2 (27:38):
We'll have the time a rocker robbers show.

Speaker 37 (27:39):
Jamal's intellectual girls still want to get sexual and try
to put me off stage, hoping that we can engage
in some sexual escapage, grabbing for the jewels of the
fam acting like they've never seen goud rocker chamm in
their lifetime, grabbing my lifeline to floating through it like
Alaskan pipeline.

Speaker 38 (27:58):
My brothers getting yelt when to see the swell.

Speaker 14 (28:00):
Man because we got your girl under respect.

Speaker 2 (28:03):
I had to talk to yo, she said. She wouldn't say.

Speaker 14 (28:05):
Now, I gotta on the train on the way to nerves.

Speaker 2 (28:07):
Show the girl wanta stort pyr what then't provoke?

Speaker 39 (28:10):
Now I got a left behind the head and the
ugger flegst to have and next time bring a friend
from my messa dot exist and said puts hitting honeys
from the rib go a strong lesson wrong because you
drinking in a stout beer.

Speaker 2 (28:23):
We don't fear if your man's blood oil, because we.

Speaker 37 (28:25):
Know what place was some nice sort sil to check
the hot rock proceed to rob y'all by the way,
we rocked the shop ship.

Speaker 27 (28:35):
On the top of cove too for the past, off
the top of coming too for the bas ain't for
the tumble, coming too for the basic. And I'm guarantee,
Let's do your hole when I'm on the microphone do
my show. I'm guarantee, Let's do your whole when I'm
over the microphone doing my show. Let's do your whole
when I'm on the micarophone doing my show. Let's do

(28:58):
your whole when I'm on with Michael phone doing my show.

Speaker 8 (29:01):
A critical move at a cham home. Girl got a
hand in my pocket. Your girl, the one you call
sweets dreaming about the xin ruin in a sheet. I'm
kind of cool black alright. I mean I'm sweet on
the girl ship, wooing your girl with a scurty on.
You know, I put some hurt on at Yaddy Shiity.
You know the dude that want to act like that.

(29:22):
I want to play the front with the boom boom
fat talk about your man. Yeah, yeah, you gotta goat
But at the end of the night you in the hotel.
And if it ain't all of that to play the motel, yo,
I ain't the one for it. You can't get show
your girl, take a boy the bean and put a
lock on it. And if that shit don't work, and
throw the clock on it. Man stacks numbers, but I
can't remember placing a bunch lesser lass what I damn on?

(29:43):
No the race extremely maricle or a sweet soul system.
Thinkful that I didn't hit your girl. I could have
just them but a lamps and maintain. But on the
front jack kill, don't slumber. I still know, honey, and
I still got the number, so you be cool.

Speaker 27 (29:57):
Alright, I'm guarantee I'll steal your whole host when.

Speaker 2 (30:03):
I'm hold the microphone doing my show.

Speaker 27 (30:06):
I'm guarantee I steal your whole host when the microphone
doing my show.

Speaker 14 (30:10):
Shows sent plenty of roomors since rap, many many many
nick Jack's got it in they hat that they can
race up on me some and put the cane in frightened.
You are right, listen, you're just the softest baby powder.
Don't let your mouth get yourself. Your rooms can't get
you out of some good advice it's don't even come
at my weight.

Speaker 2 (30:28):
You're better press of the corn chuck.

Speaker 14 (30:29):
You have to be looking for child's blake because I'm
a thrown ass man and total co man, one of
the best to ever be in. No other can ever
take a stand. When I kick a burst. The scene
becomes so scary. The niggas get quiet like a liberry.
I pick up the mic like a hundred in hot
with soup. Or you want something that suit, then put
that might goa mute because you're being more take jer
than Penelope pitstop point black.

Speaker 2 (30:50):
You get your ship dropped. I got a blow.

Speaker 14 (30:52):
Whenever our throat, we're double impact to take got the
whole bolt.

Speaker 2 (30:56):
I start swinging again and again. You hear so many
you think it was boys the men.

Speaker 14 (31:02):
I'll wake damn shut down, see down, beatdam back, damn
stack down, stdamn get damn shut out, shut down, no doubt,
turn down. There's a little message for your own concern
to try to pless upon this and get burns.

Speaker 2 (31:17):
A battle with the non believer is what I yearned.
Damn niggas never learn.

Speaker 23 (31:27):
Point your friend, point your friend, your point your.

Speaker 14 (31:46):
If you ever see a champagne, you can bet that
damn Caine, We'll make it sparkling bubble like champagne talk.

Speaker 2 (31:53):
Be yawned of the dawn of.

Speaker 14 (31:54):
The set, and I bet that the girl will have
grief that the the I g d A double d
y s apply feel like Barba.

Speaker 2 (32:00):
Neil get Sall. I got ain't going on worthy bark.

Speaker 14 (32:03):
I'm more dangerous than Michael Jackson, Shome moll and so
out on the track waiting lack to.

Speaker 2 (32:09):
Take a step back, your new new new jack Christian boy.

Speaker 14 (32:13):
All of your RUMs of prenatal bots a fatal because
I got the hand to rock the cradle to stay
in your grip pit before you get.

Speaker 2 (32:19):
To that, I mean done it. You can just nun it.
The last rapper the press up on me wrong was
so damn it's been that long. So competing it is.

Speaker 14 (32:28):
Not a smart decision because I start the testing, this
start dismissing. You're trying to battle with me with god
damn s grammed establish it to use in this and
SODA's a trans jam. I'll take yourself just like in
a fifty ship seat. Oh so you just still can't
get gripped me. William C's trying to best the press up,
But I guess step best. What's the good And I'm
not rapping testing, but if it's time my feet, I'll

(32:50):
leave a rapper's chess eating like you had five off
feet knocking and I taught like rocking five four and
I'm max more noise than a lawn mower for my
stat stuff works hard at the earth did the thinking
better and better the both the brother break bring him
the bar?

Speaker 6 (33:06):
Yeah, everybody and.

Speaker 8 (33:14):
Anybody come on, get about to see the grand grooves back?

Speaker 2 (33:20):
What's to beat the sinking heap? And like wolfman Jack.

Speaker 8 (33:23):
I'm bringing in the swings like shingling the lead, guarantee
the rock and make the microphone sing. I can thrown
fuck what a make a piano? I'm not, I'm crazy.
I lost it, Anna And then when type of blood
and my vein and head like I'm cool, coo like
in that beat dressed now with me, so dagat emma

(33:44):
take out one the eve as you can see someone
to see Mama, my mom death.

Speaker 2 (33:52):
To rock and put you in shot not from the
past but our blast like Blenard.

Speaker 12 (33:57):
Yeah, what what's getting there? And nobody beats the Bestill.

Speaker 7 (34:02):
Get up.

Speaker 24 (34:07):
All right, get up like constantly.

Speaker 2 (34:11):
Look, I'm gonna do an.

Speaker 8 (34:13):
O y'all hold your general Beyazzi. Mark can't let you
know my body's words of the my bar. I'm coming
out with some freak of fro. If Joni woods around,
do not be your hut, but said she, I still
am thy calorfi king of the har rap the other
out of the head to let you know tis of

(34:35):
that Marager stealing the show off you. It's just like
a speaker with my man got the boves that should
junker to say something after long of a dude from
the streets of Calibord, it to Caliber.

Speaker 2 (34:49):
Give me like I am crazy.

Speaker 8 (34:50):
You're done because my jingle will take Will you have
to read broke my sensation deliberary and give you and
she'll look, that's why nobody best.

Speaker 2 (35:00):
His restless.

Speaker 38 (35:04):
Steeve in my heart, in my.

Speaker 12 (35:22):
My my sister.

Speaker 2 (35:27):
Partyop put my wow. I'll put you in the stop
work hump.

Speaker 8 (35:32):
So with doctor butt with the trunks of funk to
make the heart beat em say y'all to y'all, hey, hall.

Speaker 2 (35:39):
He hall, ball's off rocking the cat's back.

Speaker 8 (35:42):
Cari maintained with no restraint, not shine tough with James
hit it at the top, cure to a post in
the stower from the.

Speaker 2 (35:51):
Crack, Keep me kicking like a Mie.

Speaker 14 (35:53):
Chunky, Roky Chunky and fronky tronky Choky a chunky with
the monkey on.

Speaker 40 (35:59):
My back, with them the track, pistil wax, get the
bro back skill, tell always broke and I need the pistill.

Speaker 6 (36:09):
So agree nights with.

Speaker 14 (36:15):
Agreed nuts, that hellbody.

Speaker 2 (36:19):
Rick the hell about. Yeah, yeah, it's good. This is
your home. The money only to thank God himself, Psycho Leazy,
Psycho last.

Speaker 5 (36:32):
World famous, beat nuts and rank.

Speaker 10 (36:35):
Now I'll be checking out the take It Personal show
with my peeps.

Speaker 19 (36:39):
Full of flavor, keV Law and.

Speaker 5 (36:41):
D J three sixty.

Speaker 4 (36:43):
Hit me with that ship for the time.

Speaker 41 (36:46):
Never forgot more than the bore end. That's a thread
alert on the weekends, Daddy rip.

Speaker 42 (36:52):
Skills on the cuts like the mother, the head for
the hills, Jet filling to your mother, Minister Sinister office,
full dollar Street, get with the bots, the must like
purpleap the street. Then a second yes because you're repersented, the.

Speaker 2 (37:05):
Crumble, the roll humble. If you all will never stump,
don't sweats all.

Speaker 42 (37:10):
If you think you're on the suspect one day you
reckon my boom.

Speaker 2 (37:13):
In the podcast say where You've been?

Speaker 41 (37:15):
The hate swimming and the Sizason winnfl Street picking up.

Speaker 43 (37:19):
Some more from I sing you with the Liverpool Artillery,
big rap.

Speaker 42 (37:23):
M Me make the these display stuff for me like
they uncle said, So what's just saying to get your fat.

Speaker 2 (37:29):
On my way? Rat money make it.

Speaker 41 (37:40):
Man, you got here, come on alone with the burger
on backing, but you afe the wizard touns some cool
met pack Jason the role with the fat man.

Speaker 2 (37:51):
Listen to my man Saint Sean to my batman.

Speaker 42 (37:53):
Make the way the moody if the booty have a
stuffs off, not the pervert with the frisk and got
your buffed off, think of all off.

Speaker 2 (38:00):
But let me tell you something. That's the day I
see the white man jumping when it comes to tracks me,
it would just kind of picky.

Speaker 26 (38:11):
And I said, Dad, the rich swing and get the
place just the way out, my way out by the ring.

Speaker 6 (38:19):
Man.

Speaker 12 (38:20):
You got to keep on the mood.

Speaker 44 (38:25):
Rap money maker, money making up in the boats where
the people's trying to some bought the Nike.

Speaker 42 (38:42):
Allo cuts off the you man polish up the track
like you polish up your five saws, win and finished.

Speaker 2 (38:47):
Robin Better checked the start or bringing out the worst
like a herbson a casket. A question, I asked it
a tiscuit, a.

Speaker 42 (38:54):
Tacket, not the butter head coach you went on the
grip note we ne't stop poetic with the butt of
the big looking overseas like the love tron Duncan's school yard.
Roger Brown a county looking like a duke milks the one,
but it's for you sucking on pipes, but took the
one is stiffening the door bus to win? Or went

(39:15):
to the garden see the nick Bucks morning this believe
that we've got to be swingings. Mike Britty and leave
my man.

Speaker 12 (39:22):
Serious man, got keep on out of my.

Speaker 24 (39:33):
Craft maker.

Speaker 2 (39:38):
Man, got keep on.

Speaker 8 (39:46):
I can joke the stop puck like can the pop
that fucking craft bather man, Mike think I must.

Speaker 45 (39:51):
Like a plane.

Speaker 2 (39:52):
I had more TA can't take because that's that's say
with the black belt mat that's that back help.

Speaker 3 (39:59):
I can't get so hot just.

Speaker 2 (40:01):
Like a night song.

Speaker 8 (40:02):
I don't give a fun tee.

Speaker 12 (40:03):
Hey, Hey, what the monk case, I'll buck dum dump.

Speaker 2 (40:07):
Don't want say I go on and on like Amembra Goon,
I sing like Sarah Hart.

Speaker 14 (40:12):
Or like the Hunter God.

Speaker 2 (40:13):
I'll do some hump book.

Speaker 12 (40:14):
You know that I'm come to like that ship.

Speaker 34 (40:17):
You just don't kidd her from shipping, you know. So
I'm kidding ship and not gidder. You know what I'm
sat So I'm gidding fun shot.

Speaker 46 (40:29):
Now I can get toponic like Camri konic on the Philharmonic.

Speaker 2 (40:34):
I'll jump a comic vocals or solo like Sunday Romo.
I ain't got ja my ho's got the wardo. I'm
gonna let that.

Speaker 23 (40:41):
No winder want o wind know, I know it's like
a minder.

Speaker 2 (40:45):
You put me out.

Speaker 47 (40:45):
Don't mind that went out ship.

Speaker 24 (40:48):
I'm saying.

Speaker 48 (40:48):
I'm not just.

Speaker 2 (40:49):
I don't get a fuck.

Speaker 34 (40:50):
I'll make your filmy ship bro rod down, that's straight.

Speaker 2 (40:54):
I'll take your all out with same. I got the
scouts cat like I pulled out.

Speaker 26 (41:01):
Go gets moved like Jackie Well said, sing gets some
pando book.

Speaker 2 (41:04):
To the piano.

Speaker 12 (41:06):
Hey book A then.

Speaker 14 (41:07):
Don't push that.

Speaker 34 (41:07):
Now your hand off and get it from your sht.

Speaker 24 (41:10):
You know what I'm sht.

Speaker 34 (41:11):
Get it from yaht and no son, get her from y'all.

Speaker 2 (41:15):
You know what I'm shutting, get her from up shipping.

Speaker 20 (41:19):
No screws, cross and.

Speaker 24 (41:27):
Scrous.

Speaker 27 (41:30):
I shoot, we do but hip hop like s outra,
I'll sprite my buny hock up.

Speaker 2 (41:34):
That's shake my my baca. Hey, it's the winkup.

Speaker 24 (41:37):
Fuck a hamper where.

Speaker 38 (41:39):
A finger you'll check the ultimate senka, Oh my ya.

Speaker 2 (41:43):
You'll go by y'all like bella monte. What's the monte?
I kicked the playpo that help book behave y'all sick
like the yo wow like the yo out.

Speaker 8 (41:53):
That eggheads book took the classic ass kick.

Speaker 2 (41:56):
So the casket look, no, no, no, let's go. Let's girl.

Speaker 34 (42:03):
So get her from shut shutting, get her from shut it,
not so jet her from doing shouting. I'm shutting, get
her from get shut and not getting from doing shutting.
You know what I'm shutting, yam getting bum got shutting,
not getting fuming shutting.

Speaker 24 (42:22):
Know what I'm shutting on getting.

Speaker 2 (42:24):
From y'all shut.

Speaker 9 (42:27):
Yo, Yo, what's up? It's this diamond D representing digging
in the crates right here and take it personal radio,
keep it right there. The best in the hit Bob
all right, peace, peace, peace, yeah, Hey.

Speaker 8 (42:39):
This is going out to all the brothers who got
like six or seven different addresses.

Speaker 2 (42:45):
You know what I'm saying. Hey, y'll check this out.

Speaker 6 (42:53):
My name is John Doe.

Speaker 8 (42:54):
When I wanted for murder, I didn't even do it,
but my temper just blew it. Remember it, well, seems
like the other day.

Speaker 2 (43:00):
Now I gotta stand away from around the way.

Speaker 8 (43:03):
He and my girl went to the movies badly in love.
We got shot by cupid. We both have fat jewels on,
so I put my joint in case brother's act stupid.

Speaker 14 (43:12):
Not to the movie.

Speaker 2 (43:13):
But before we.

Speaker 8 (43:14):
Got in, a kid got robbed by a crew of ten,
punched them and start from nobody with help.

Speaker 2 (43:19):
She didn't want the beef, so I seemed to sell.
I died inside.

Speaker 45 (43:23):
Now my girl is shaking.

Speaker 2 (43:24):
She didn't want to get punched. Jewelry takes said it's
dark in the movie. Hey, they won't find us.

Speaker 8 (43:29):
Then they walked in and sat right behind us, talking
all out and told on a girl carking playings and myself, please,
I don't think they don't start.

Speaker 2 (43:36):
And then I heard mumbling the words I couldn't figure.
And then when the movies gonna want to get the snigger.

Speaker 8 (43:40):
I kept my cool because I'm only one beat one
against ten. That's the hell of five beef. Now the
mumbling is getting louder. I hid the scheme, but to me,
it's a dream.

Speaker 6 (43:50):
Baby, I'm wrong.

Speaker 2 (43:51):
You know the rules.

Speaker 8 (43:52):
So I kept my cool until they made a move.
Somebody reached over and sash to change punch me in
a grill, but I felt no pain. Time to step,
but I just couldn't let them. So I backed up
and I wet.

Speaker 6 (44:03):
Them here.

Speaker 2 (44:07):
And I'm mad at feet.

Speaker 4 (44:17):
Don't fail me now.

Speaker 7 (44:19):
No.

Speaker 2 (44:23):
Money in the dard don't when I sling white rock,
but not on the corner. I work in a spot.

Speaker 14 (44:28):
I used to work for.

Speaker 8 (44:29):
A fast food joint, bust in my chops, and still
I had to hop on the train because my chaine
was so small.

Speaker 2 (44:35):
But now I got a bends with white war word.
I don't want up the spot every.

Speaker 8 (44:38):
Morning and keep things in check for my boss. One
thing I was import your working with the hypodermic niggle
four ten dollars loss, but I got plans on my own.

Speaker 2 (44:49):
I don't want to be another man's flunky. I know
the ins and out of a drug aide.

Speaker 8 (44:53):
Hey, yo, put them make some dough up these junkies.
I told my boss about my plans and said, I
want to be my own man. Heyo, I know you
put me on, but yo, I gotta quit. I want
my own shit. The scenario became a tear jerker. He
would have said I was his best worker, but I
continue and he refused to list. Sing became upset because

(45:14):
I had ambition, said he doesn't want me to leave
and that they get over if I still want to
breathe It doesn't that sound like a threat.

Speaker 2 (45:22):
Hey, yo, you want to play that way? No sweat.

Speaker 8 (45:24):
He got the spot and said he'll be back. Fuck
that time to react. I looked to buck the room
at the product. It was about fifty thousand dollars worth. Well,
if the chips going down, I.

Speaker 6 (45:35):
Just have to handle it.

Speaker 2 (45:36):
Yeah, so I'm stepping with the work. But now I
five thousand babies and I'm mad at.

Speaker 44 (45:51):
Feet.

Speaker 12 (45:52):
Don't fail me?

Speaker 45 (45:53):
Now, what don't you trying to do?

Speaker 8 (45:58):
When I had to move, I got into a beef.
Now a friend is deceased. I went to see my
aunt who lives uptown. I think it's the clock, and
though I don't live around the block, but I'm find myself,
so I'm chilling, totally aware that they might start kielings.

Speaker 2 (46:11):
I walked in the lobby. They were smoking phillies and
they allowed rack ill kid run that jack. I tried
to react, but I caught one.

Speaker 14 (46:18):
Yo.

Speaker 8 (46:18):
We tell you one beef, now your boot one. I
clearly escaped and said I'll be back putt at home.
Thinking of a counter attack. I told my man and
we all got hyped. Hey funk you saying about this
shit tonight? So everybody jumped in the MPV show to
the spot with the shotgun clock. We got till the building.
They were standing outside. They saw my face and began

(46:39):
to raise from the spot, but someone shot through the window.
I take my clip, but my man got hit so
much blood that I just couldn't take it, saying to myself,
money ain't gonna make it.

Speaker 2 (46:49):
I feel filty because it was my beef.

Speaker 8 (46:51):
But neighborhood, no, some friends don't speak, and so the
brothers keep looking at.

Speaker 2 (46:56):
It totally upset and they keep making threats. Word is
out and they walk my head. Yeah that's my.

Speaker 12 (47:02):
Fourth that their little brother's dead.

Speaker 8 (47:03):
I understand, So I played down though it Stay down
in town to things died down.

Speaker 45 (47:08):
Now a physical it's fall falling, Let's transform.

Speaker 2 (47:38):
That's how the song is done.

Speaker 45 (47:41):
The humming bird humming the physical falness fall farming the.

Speaker 2 (47:46):
Physical, Let's transfall.

Speaker 5 (47:48):
That's how the song is done.

Speaker 14 (47:51):
See the humming bird humming, t rod the local last clock,
watch politics, the humph six of the Suffolx scre face free.

Speaker 2 (47:59):
It's the most man and.

Speaker 14 (48:00):
Clothed transport, Papa gentle vote master stroke getting boat ain't
no joke. I read a long gas marthon in to
shake the out the gun, took it around my new
tropha protons.

Speaker 2 (48:11):
On that ballon and one step be off. I'm Carolallo
piped up, swamped the prop at the brom and woke
up mcdonne.

Speaker 14 (48:19):
It's been gone and what's come? I don't get a
foot the recruit and overshoot the parades.

Speaker 45 (48:24):
The call come.

Speaker 2 (48:24):
It's barmy, b mean. The physical is transformed.

Speaker 49 (48:29):
It's how the sun is gone, provailed and hell you're
black manrd detail retail many your hotel him seen the
sneeze when he swings Mama mother seeds and parnos seeds.

Speaker 14 (48:42):
Weans don't know what he needs. I'm sleeping bitter sweet.
I believe sack that had a hard det dealer the
bat for a last breath. Ton't preserve the flesh and
then confess it what the lock lesson when dressed the princess.

Speaker 2 (48:56):
But nevertheless I got in the winter. That's I gas
my boodle.

Speaker 14 (48:59):
Plus's when I'm left the path through manifest.

Speaker 2 (49:01):
Stress to please no stress and stress. It is a
path to do what bath tests wouldn't do what rap test.

Speaker 14 (49:08):
But he signed a list of black list journalist and
it took a mathematician to good condition to figure rout
for my bus. It's a magician for a nope mission.
So you keep wishing.

Speaker 2 (49:20):
Farms falling.

Speaker 27 (49:23):
Fullish transforms us.

Speaker 14 (49:26):
Goal no more than thirty thousand words a minute, spinning
in three hundred and sixty three circles long, winning the
gentle differal test with the mental accidental complemental tip of
one state. It took your physical come ofself hell, nobody
in your right check your rob scare Mikey White, He hides.

Speaker 2 (49:48):
The incites me two in new paragraphs. I grab my slack, run.

Speaker 14 (49:52):
Up the vath with an evil ass, live claring my
shower from the vocal rap by the Math, The Math.

Speaker 6 (49:58):
With two teams.

Speaker 14 (49:59):
Third seen in sixteen ten of Thieves the ten or
peeves ship Beef Beef not knees that you prefect black green,
be get out of this calypsoul for your range old
to change those that's freeze all. You know what that

(50:21):
ship was like, you know, Mikey Whitey A C. Wacey Joke,
Dye woof Dey Jayson d wombdy DC, we see you
know what freestyle is out of.

Speaker 22 (50:40):
Here coming out of mixed one that was physical form
freestyle fellowship not my favorite from them, but as you
can see, we kind of used that nice piano sample
in about six or so up in songs, made it

(51:01):
all kind of flow like it was one.

Speaker 4 (51:04):
I enjoyed this mix a lot, man.

Speaker 22 (51:06):
These these were songs that definitely made you needle drop
in between the grooves of your favorite records that most
people didn't play on radio. So this was good stuff
for me.

Speaker 21 (51:17):
If there is no freestyle fellowship, I'm convinced there's no
far Side, there's no Souls of Mischief. I mean, freestyle
and fellowship really paved the way for a lot of
West Coast artists.

Speaker 6 (51:28):
Yeah, and we're ahead of their time, and.

Speaker 4 (51:31):
More importantly, Jay allowed them to be different.

Speaker 6 (51:34):
They were different.

Speaker 21 (51:35):
They were all of them were different, Like all of
them had a unique style, a unique sound, whether it
was Mike and Nine Ac alone, they all really kind
of came together.

Speaker 6 (51:47):
They were, you know before like woo was wo, right.

Speaker 21 (51:51):
This was a huge group, Ac, Micha and nine self,
Jupiter and Peace that walk the top of my head.

Speaker 6 (51:58):
They were, like I said, they were the Ogs.

Speaker 21 (52:01):
I mean they started around what ninety one, right, I mean,
that's that's probably when this album dropped, and it was
to him to make concern and I think they really
truly paved the way for a lot of artists, not
just on the West coast, but really the sound that
they had probably resonated with a lot of folks on
the East as well.

Speaker 5 (52:21):
It did for sure, you know, I have to admit
I wasn't into it and shocking, right, what a surprise.

Speaker 13 (52:27):
And you know why, it's because they didn't have beats
that moved me, because back then you had a lot
of these.

Speaker 5 (52:36):
Very you know, you had the bouncy beats and so forth,
and they weren't.

Speaker 6 (52:41):
Really doing that.

Speaker 13 (52:41):
It was a little more abstract and they were like
you said ahead of their time, and I think I
wasn't on it yet.

Speaker 5 (52:47):
I missed the boat.

Speaker 22 (52:48):
One thing you didn't miss is another gap in this mix,
and that was all of the Grampuva early Brand Nubian stuff.

Speaker 19 (52:58):
Man so good.

Speaker 22 (52:59):
It was just such a nice chunk of that early
nineties hip hop. And like I said many times on
this show, no one had the style like Grand Pooba.
Maybe maybe one other person heavy D, but Grandpoopa had
that style.

Speaker 4 (53:12):
Everyone wanted to dress like him.

Speaker 19 (53:14):
Hell ya, he was so smooth.

Speaker 4 (53:15):
He definitely had had the whole thing going on.

Speaker 13 (53:18):
What was the song with Grandpoopa on it that really
grabbed your guys' attention, Like the first time you heard it,
you're like, oh shit, Hooba is the man?

Speaker 4 (53:25):
I mean anything from early Brand Nubian was that.

Speaker 21 (53:30):
I think for me it was probably three point sixty.
So again I'm little younger than you used to when
I heard Brand Nubian. It wasn't in nineteen ninety it
was probably a few years later.

Speaker 6 (53:42):
And I want to say.

Speaker 21 (53:44):
Rail Reel was what nineteen ninety two, two ninety two,
So that was probably the first time I was really
exposed to puba And I think because of his innovative style.
His fashion is Tommy He'll figure all that stuff. Jabo's Naunica.
I think I took a liking to him. Now, keep
in mind the the the song we played off here

(54:08):
was still Yeh, which is off of the in God
We Trust, which is Sam's Grand Pooba. Right, that was
just jomar and and and and. For me, that's my
favorite brand movie now, as much as I love the
the the obviously one for all that one, I just
go back to an awful line.

Speaker 6 (54:29):
I'll you a far past that song.

Speaker 22 (54:32):
Yeah, but the first album it was it was a movement, man,
it was a movement one.

Speaker 5 (54:36):
The one for me was Step to the Rear. You
listen to Step to the Rear. That's Gooba at his very.

Speaker 4 (54:40):
Best, which is where we get take it personal.

Speaker 5 (54:45):
Yeah, yeah, that's right.

Speaker 19 (54:48):
I like the song he talks about English muffins.

Speaker 5 (54:51):
What was that I'm trying to place it. That was
off of the first album.

Speaker 19 (54:55):
Right, that was All for one, All for one.

Speaker 14 (54:58):
Yeah, the kind.

Speaker 22 (55:00):
Of like trying to place the song, you know, the
lyrics playing em out like an English muffin, because it
was never bluffing.

Speaker 13 (55:05):
Yeah, what hey, here's an assignment, though I want you
all to listen, to leave the career after the show listens.

Speaker 4 (55:12):
He's got food going on in the refs.

Speaker 18 (55:15):
You don't like the English muffin tuck the butter on
it looks and crannies.

Speaker 19 (55:20):
Yeah, you know you make a little English muffin tato.
You see the butter. It was an Now you're like, oh,
this is a good morning.

Speaker 21 (55:26):
Google will always find a reference with the food. Remember
ghost Face, She said, I love what you're saying. Man,
I love you some cooked food because you're talking about
ron Zoni noodle.

Speaker 19 (55:36):
Noodle, stellar door of breadsticks. Look, I relate to that.

Speaker 18 (55:39):
I don't relate to gats guns and you know, talk
about food and you get my attention.

Speaker 22 (55:46):
We kind of had a little Juice crew going big
Daddy Kane with a bismark to follow.

Speaker 4 (55:52):
So that was a nice little uh middle middle of the.

Speaker 6 (55:55):
Album and joined the Flower Grows in Brooklyn?

Speaker 36 (55:58):
True?

Speaker 6 (55:59):
True?

Speaker 18 (56:00):
Wasn't that the name of Tupac's book, A Rose Grows
in the Concrete or something like that. Wasn't there a
second the book that Tupac wrote, or like a post mortem, yeah,
homage to him?

Speaker 19 (56:12):
Yeah, he fucking stole from me to you, Prinky.

Speaker 6 (56:15):
Well, A Flower Grows in Brooklyn was actually.

Speaker 19 (56:17):
A book of book Yeah, okay, so but in.

Speaker 21 (56:21):
This case it's a positive K song cruced by LG
that was off of the Skills That Pay the Bills album,
which I listen to that.

Speaker 5 (56:30):
I listened to an album today at the gym.

Speaker 6 (56:32):
Did you really you're pumping like fucking car Hoppers? And
I got them?

Speaker 5 (56:36):
Yeah, I listen, listen.

Speaker 13 (56:37):
How the fuck would you know? Was the jam night
Shift car Hoppers? That album had some joints, man, that
was a slept on album.

Speaker 5 (56:47):
A lot of people. Did you know when you think
nineteen ninety, you don't really think pos k Posk had
some joints. I Got a Man was like the sixth
best song on that album.

Speaker 22 (56:56):
So funny speaking of joints. But definitely all stunners man.
The Diamond D album the Stunts, Blunts and hip Hop.
We played I'm out of here man. This album was
just if you go back and listen to it, there
are samples on this and then.

Speaker 4 (57:18):
This Runaway Slave show Business ag.

Speaker 22 (57:20):
If you go back to those records, and that was
a long time ago, early nineties, there are samples on
those records that you hear in mid to late nineties
that were classic class so Cypress Hill samples, soul Clap samples,
even the one from DJ Scratch for Busta, which was
much later, that New.

Speaker 4 (57:40):
York shit sample. All of those samples were on those records.

Speaker 22 (57:44):
They were diggers when it was not that big, Like
they had shit nobody had way back in the day.

Speaker 4 (57:52):
And so it's just it always surprises.

Speaker 22 (57:54):
Me when I go back in in nineteen ninety nineteen
ninety one, you're hearing samples that were classic, classic shit.

Speaker 13 (58:01):
So I just let album from that album I think
stood the test of time. It still sounds great today.
I have one beef with it. Can you guess he
didn't like? That's kept secret?

Speaker 12 (58:10):
I don't know.

Speaker 5 (58:11):
No, that's the best song.

Speaker 6 (58:12):
I will never know what beef could you possibly have
with this album? All right?

Speaker 5 (58:16):
How many tracks are on it?

Speaker 6 (58:19):
I don't know off the top of.

Speaker 5 (58:22):
Too many skits, too many skits, too many Now.

Speaker 13 (58:26):
I know that was the thing, and that was right
around the time as Day I Soul is Dead and
they did the same thing.

Speaker 5 (58:31):
But I skipped him every fucking time. Skipped him single.

Speaker 6 (58:37):
Is an anti skip fucking You should be called the Skipper.

Speaker 22 (58:41):
All I know is when we speak to our next guest,
because there's a lot of skits.

Speaker 5 (58:45):
On his record, skipped every one of them.

Speaker 4 (58:48):
Oh my god, Jesus, you won one guy I like.

Speaker 5 (58:53):
Was the one where search goes. Oh my, I can
feel the blood rush from my remember that one?

Speaker 19 (59:02):
What's that?

Speaker 5 (59:03):
There relics of dialects?

Speaker 19 (59:04):
Yeah?

Speaker 6 (59:05):
What's one of the best skits off the master Ace album?

Speaker 19 (59:09):
The master Ace like the College one?

Speaker 6 (59:12):
Yeah?

Speaker 19 (59:13):
Oh jump and Jehosah Fat something that goes with that?

Speaker 6 (59:17):
What was day?

Speaker 21 (59:18):
Paul Paul Barman on the Disposable Arts. He had pretty
pretty entertaining skits on there.

Speaker 18 (59:25):
I mean there there are some skits that it's like
Saturday Live. We were talking about last episode. It's either
either land or they taken those dive.

Speaker 22 (59:33):
I can tell you. You guys just brought up Search.
The first Third Base album actually had great skits on it.

Speaker 2 (59:38):
What are you doing in the desert?

Speaker 11 (59:40):
Oh?

Speaker 2 (59:40):
They were lost? The food is all gone? And boy
is it hot? I haven't passed water in the four days, and.

Speaker 12 (59:47):
I'm dying of ice, dying of dice.

Speaker 15 (59:50):
You know what?

Speaker 18 (59:51):
Skits make the album even like that much more important
than classic is all the skits on thirty six.

Speaker 6 (59:59):
Chambers because they're baked into the song.

Speaker 5 (01:00:01):
Yeah, they're skits.

Speaker 4 (01:00:03):
And the whole album is based on the movies that
it came from.

Speaker 21 (01:00:08):
Protect Your Neck had a little you know, I'll I'll
bang your ship with a rusty screwdriver.

Speaker 19 (01:00:19):
The Illness one for me method man.

Speaker 13 (01:00:21):
I think it's before Superstar on Group Home there is
like a two minute fucking long, dragged out skit before
that banging ass beat hits, and you can't skip it
because it's baked into the song. You gotta fast forward
like a minute and a half into it to get
past it. You guys know what I'm talking about. It's

(01:00:42):
either Sitting Superstar or Living Proof. It's one or the other.

Speaker 6 (01:00:46):
I think it's Superstar And you can't wait.

Speaker 5 (01:00:48):
To hear the song, and you've got and the thing
just goes on and on. You're like, God, damn it,
can't I skip this?

Speaker 19 (01:00:55):
Oh that's bagging. I think I remember that.

Speaker 6 (01:00:58):
Well, I'll tell you what, you guys aren't going to skip.

Speaker 21 (01:01:00):
On Mix one, there's a nice little medley that we
pay an homage to Joe Williams and the song is
called Get Out of My Life and most of you
guys will immediately know the song. Well, you've already listened
to the mix one, so you know what I'm talking about.
But that is the sample that Cool grap used for
Ill Street Bloopes. So there's a few songs on here

(01:01:23):
that we wanted to use to kind of like pay
our respects because jazz is really what makes this kind
of hip hop so great.

Speaker 6 (01:01:34):
Right.

Speaker 21 (01:01:35):
So you have Big Daddy Kane, you had Biz Marquee,
you had Pete Nice and Daddy Rich, you had Funk Dubious.

Speaker 6 (01:01:42):
You know, so there was a few, quite a few
that flipped that sample.

Speaker 5 (01:01:46):
Piano was crazy.

Speaker 22 (01:01:48):
And I will say this for all the producers and
DJs out there, Get Out My Life Woman was made
about thirty eight to forty times by different people, and
every one of those original songs or taken they have
the greatest drum samples right from the beginning.

Speaker 4 (01:02:03):
They have great samples throughout.

Speaker 22 (01:02:05):
So if you ever just wanted to sample one song,
go to Get Out My Life Woman and get the
fifty different people who made that version. And I guarantee
every sample is different, every sample is funky. They're all fantastic.
Even though there's a lot of great samples out there.
Another sample legend passed away. We hate this Roy Airs.

(01:02:27):
So we're gonna turn this over to a new segment
called Aaron's o Bits because he seems to have like
a long list of everyone who's been passing away.

Speaker 4 (01:02:37):
So, waite, who else has died?

Speaker 11 (01:02:38):
Do you have?

Speaker 6 (01:02:39):
Roy Airs?

Speaker 13 (01:02:39):
I'm gonna I'm gonna carry the Grim Reaper. H Yeah,
we're gonna make a T shirt man.

Speaker 19 (01:02:45):
You guys see dude Lex Luthor.

Speaker 4 (01:02:48):
Talk about exhilarating.

Speaker 6 (01:02:53):
The Superman one and two.

Speaker 5 (01:02:55):
Wow, good call.

Speaker 19 (01:02:56):
Unforgiven? Wasn't it the movie he was in? Also was u?

Speaker 21 (01:03:00):
Yeah that was Unforgiving? Was Yeah, that was ninety two,
so it's kind of fitting for this episode.

Speaker 6 (01:03:06):
Firm Chris, Yeah was he? He was also an Enemy
of the State.

Speaker 19 (01:03:12):
Yes, I remember the Smith movie that I kind of dig.

Speaker 11 (01:03:16):
Yeah.

Speaker 2 (01:03:16):
What else was he in?

Speaker 11 (01:03:19):
Uh?

Speaker 19 (01:03:19):
He was like the French connection is what got him
on the map?

Speaker 7 (01:03:22):
Right?

Speaker 19 (01:03:23):
Yes, that was from the seventies.

Speaker 12 (01:03:26):
Yeah he was.

Speaker 4 (01:03:27):
He told that one that no one knows like Moose something.

Speaker 18 (01:03:31):
With with with the uh, the gays in Miami bird Cage,
the Burt Cage.

Speaker 4 (01:03:37):
Yes, he was. He was the center. Senator of Keighley.

Speaker 6 (01:03:41):
Yeah.

Speaker 13 (01:03:42):
The illest thing is there's this big controversy about there
being something wild with his death.

Speaker 19 (01:03:47):
The guy's fucking ninety five.

Speaker 5 (01:03:48):
And they're talking about like foul play or something.

Speaker 18 (01:03:51):
I mean, I am interested to hear how they pieces together,
because you know, unfortunately Jean passed away ninety five. His
wife she was what like in the midst exties, I
think your late late sixties. And then a dog died too,
So that's some said ship.

Speaker 4 (01:04:06):
Does anyone have any theories on how this happened? I
think I do.

Speaker 19 (01:04:09):
I mean, so I think they ruled out carbon carbon monoxide.

Speaker 4 (01:04:13):
Yeah, yep. So I so you got one man, let's
set the sign. One man who fell in.

Speaker 19 (01:04:20):
Was like our Super Bowl predictions. No, Gene Ackley died.

Speaker 4 (01:04:23):
So you got one man in a room that's fallen.

Speaker 22 (01:04:26):
You got a woman who's got pills strewn all over
the countertop and also fallen and gone.

Speaker 4 (01:04:32):
And then you have a dead dog.

Speaker 12 (01:04:33):
In another room.

Speaker 6 (01:04:34):
Right, So.

Speaker 18 (01:04:37):
From what I understand, the dog was in a cage
or unable to free itself. So I think the dog
unfortunately starts horrible death. Any dog death is horrible.

Speaker 4 (01:04:46):
But I mean, wait, the dog was in a cage.

Speaker 6 (01:04:48):
I thought the dog was.

Speaker 18 (01:04:49):
I heard the dog did not because there was three
dogs in the house and two of them were able
to exit the home.

Speaker 4 (01:04:56):
Two of them were outside.

Speaker 6 (01:04:57):
I heard the door was open when they yeah, when
they discovered.

Speaker 18 (01:05:01):
So the one dog that passed away I heard was
in a closet, so it may have been trapped in there,
couldn't get out, and unfortunately time got it right.

Speaker 19 (01:05:11):
So in the closet, I don't know.

Speaker 4 (01:05:14):
Man takes away my theory completely.

Speaker 18 (01:05:17):
So you have Hackman who's ninety five and probably on
like fifty five different prescription meds per day just to
keep his heart beating. And you know, when you're ninety five, dude,
any second you can drop. And what I think happened
is I think the wife maybe had some type of

(01:05:38):
stroke or something, and jeans in the other room in
the bedroom, like, what the fuck's just happened. He gets
up out of bed, he sees it, she's on the ground,
His heart can't take it, and he just keels over,
and like I said about the dog, unfortunately the dog was.

Speaker 6 (01:05:56):
What the dog in the closet, I don't well, I
don't know.

Speaker 18 (01:06:00):
Maybe it was in time out because he pissed off
the other dogs or something, and that's what they did.

Speaker 11 (01:06:04):
That was my theory.

Speaker 6 (01:06:05):
Anyone else, your theory does make sense.

Speaker 21 (01:06:11):
I'm just trying to figure out why was the door
open to their house and why was the fucking dog
in the.

Speaker 19 (01:06:17):
Closet because the other dogs. That's what I read. But again,
I don't follow this shit like every day. I read
it like the day it happens.

Speaker 22 (01:06:25):
If the dog wasn't in the closet. Here is my
simple and fast version. Genackuen's old dude fucking pacemaker. All
that thing drops dead.

Speaker 19 (01:06:36):
Boom.

Speaker 22 (01:06:37):
The wife comes home many hours later, or maybe even
a day later, I don't know.

Speaker 4 (01:06:42):
She comes in, sees the dude dead.

Speaker 22 (01:06:45):
It's like I don't want to live anymore, gets out
the prescription pills go all over the place, She takes
a couple, boom, done out. All of a sudden, the
dog jumps up on the countertop, eats those damn pills.

Speaker 4 (01:06:57):
Dog dead. That's my theory.

Speaker 22 (01:06:59):
Now I didn't know, but I didn't know about the
closet being locked in a car.

Speaker 19 (01:07:03):
The dog was stuck in a closet. Jumping along those lines.

Speaker 22 (01:07:07):
Those are simple theory that was a simple theory I
thought could have happened.

Speaker 6 (01:07:13):
I heard a wild theory on Howard's during Today. Of course,
Bobo said the cartel was behind him because this happened
in New Mexico. Oh boy, yeah, that's right.

Speaker 21 (01:07:24):
Santa Fe. Yeah, but no, Santa Fe is a bunch
of art. Well no, I mean, because he's extremely wealthy.
But I don't think they stole anything from the house.
I mean, the house is like a compound. Did you
see what it looked like? Yeah, I mean it's it's
pretty big.

Speaker 24 (01:07:38):
Uh.

Speaker 21 (01:07:39):
Both of your theories sound fine, And honestly, the guy
lived a long life. I don't think anyone feels like,
you know, there was a stoul play on his end.
I think maybe he did just croak and the wife
was like, you know, she didn't want to live anymore,
or maybe the guy was a pain in the ass.
My wife was like, fuck this, I'm leaving this place,
and then she just you know.

Speaker 6 (01:08:00):
In her thing. But the dog, I feel, honestly, I
feel more bad about the dog dying than those two.

Speaker 4 (01:08:07):
That's terrible. How couldn't you say that?

Speaker 6 (01:08:09):
I mean, because they lived a long life and Gina
was ninety five years old.

Speaker 19 (01:08:13):
And she didn't live a long life. She was in
her sixties.

Speaker 18 (01:08:16):
She ain't gonna go off herself. When her ninety five
year old husband loads of money passes away.

Speaker 22 (01:08:21):
The two daughters didn't speak to him, So I wonder
what that's all about, or at least like they said
that they were out, like gallivanting at lunch or some shit.

Speaker 6 (01:08:27):
So shit like that. The wife was sixty five years
old and looking at it now, she's from Hope.

Speaker 26 (01:08:33):
She was.

Speaker 6 (01:08:34):
She's Japanese, but she was born in Hawaii. So he liked,
you know, he had a thing Gene Hackman good for.

Speaker 5 (01:08:42):
Him, like doing not as juicy as the Idaho Four.

Speaker 6 (01:08:45):
The Idaho four. Wasn't he in the Royal Town? But
he wasn't. That was a good one.

Speaker 22 (01:08:51):
And no one ever mentioned this movie Mississippi Burning, which
was very very big around the U nineties political rap era.

Speaker 19 (01:09:00):
There was another really good one, like like a legal
one that he was in.

Speaker 7 (01:09:04):
I forgot.

Speaker 19 (01:09:06):
Oh no, it wasn't the Firm. It was a different one.
Hold on, I gotta look at his IMDb now.

Speaker 18 (01:09:11):
The Runaway Jury, Yes, runaway Jerry uh uh ge uh
uh what's what's his face?

Speaker 6 (01:09:20):
Yes?

Speaker 19 (01:09:20):
You sack yep.

Speaker 4 (01:09:22):
And for those classic heads young Frankenstein.

Speaker 5 (01:09:25):
Oh that's so good man. You guys are good with movies.

Speaker 4 (01:09:28):
Made a little Cami.

Speaker 6 (01:09:31):
So I'm trying to think was there any other hacking?
But like Lex Luthor, I mean that was awesome when
he played Lex because it's uh that was that was Yeah.

Speaker 18 (01:09:40):
Yeah, I don't know, but this is actually a pretty
cool game and we should play more often.

Speaker 19 (01:09:44):
When people die.

Speaker 50 (01:09:47):
What they did?

Speaker 22 (01:09:50):
All right, I'll do it easy. I'll do an easy,
simple thing. I mean, what was roy Air's most popular song, Kevin.

Speaker 19 (01:09:57):
Roy Air's most popular song?

Speaker 4 (01:09:58):
Yeah, you A lot of hip hop heads sampled it.

Speaker 19 (01:10:02):
Uh, little drummer boy you know that was James Brown?

Speaker 4 (01:10:06):
Right, no one, no, I what about you?

Speaker 47 (01:10:12):
You know that one?

Speaker 19 (01:10:13):
Yeah?

Speaker 13 (01:10:14):
Me?

Speaker 6 (01:10:15):
Yeah, you're not ask me.

Speaker 4 (01:10:16):
No, We'll just let them all know.

Speaker 6 (01:10:18):
Everybody loves Sunshine.

Speaker 4 (01:10:19):
That's it most popular one.

Speaker 8 (01:10:22):
You know.

Speaker 4 (01:10:22):
Every time you hear and Graham Moova sample that, So
there you go.

Speaker 6 (01:10:26):
H There was also a Roots the Proceed Part two feature.

Speaker 21 (01:10:32):
In roy Air that is true, Yeah, I think, but
everybody loves Sunshine keV. Anytime you hear Sunshine and a
hip hop songs prettyone that sample and the.

Speaker 4 (01:10:41):
Brand Nubian album.

Speaker 11 (01:10:42):
Did it best?

Speaker 5 (01:10:42):
You have some others too?

Speaker 4 (01:10:44):
Oh, I'm just saying going.

Speaker 18 (01:10:47):
With popular most people would know we play a whole
game for Gene Hackman, and you just throw a trivia
question out for roy Er.

Speaker 22 (01:10:54):
Well, you know you guys that were a little more
knowledgeable about the other one, Aaron.

Speaker 4 (01:10:59):
Anymore any more recent deaths?

Speaker 5 (01:11:02):
Yes, that girl from from uh actually it's she was
a star of some show. My my daughters used to
watch One Tree Hill or something.

Speaker 19 (01:11:10):
I think she was like a Nickelodeon kid or a
Disney kid.

Speaker 6 (01:11:15):
She was very old.

Speaker 19 (01:11:17):
No, I think she had like liver problems or something.

Speaker 6 (01:11:20):
Is that what it was?

Speaker 4 (01:11:21):
I think so she had a liver surgery. So that
was like from the liver surgery tragic.

Speaker 5 (01:11:27):
That's terrible.

Speaker 19 (01:11:29):
Thirty thirty five, I think.

Speaker 18 (01:11:30):
And and but you know what, I don't even like
remember this broad fraud to calling her abroad the girl
A couple of a couple of people said that I
should know her, And they said that the euro Trip movie.
And then I'm thinking to myself, I never said, I
don't think I've ever seen euro Trip. When I think
of a trip movie from back in road Trip with
Tom Green and he speaking of Hey.

Speaker 4 (01:11:51):
Hey, you know who just passed away? Was David Hasselhoff's wife.

Speaker 1 (01:11:55):
I don't know who she Well, we hope you're enjoying
Episode one sixty two Keep It Locked as mixed to
features music from Gangstar, Lord Finesse, Common Sense, Scarface, Compton's
Most Wanted boogie Down Productions, and Showbiz and ag.

Speaker 8 (01:12:54):
You'll check this out out the sob of a number one,
Pete Rock You checking out Pink A personal show.

Speaker 6 (01:12:59):
Why let you work?

Speaker 3 (01:13:19):
It's like this.

Speaker 38 (01:13:24):
Check here comes the Hurricane Ceo sing name cut by
the Green.

Speaker 48 (01:13:32):
When I land upon the plane, y'all knew the Hebrew
wo Papa, Duke, need you, but none of the family
who saw had a crew that'escalate the prime rape words,
congagulate and generate.

Speaker 4 (01:13:41):
The mont state never.

Speaker 51 (01:13:42):
Can defleet nigga you jabou, which doesn't have to be you,
funny like a cartoon, Peppula pew him Popper live gool
g stream the individual, but the metaphysical is a spiritual.

Speaker 2 (01:13:53):
Straight from the heart. I frame the art, tuned up.

Speaker 38 (01:13:55):
My class, real fast, very smart, dictate the technique.

Speaker 48 (01:13:58):
Wait a minute, I speak Look Bama's son and a
kiss on the chief start of stuff, the concept blueprint
approach steady as we go, so act.

Speaker 7 (01:14:06):
Like you know.

Speaker 47 (01:14:09):
That's right, you don't stop this non stops.

Speaker 38 (01:14:26):
Stand by the robber, I sail in Shanghai, or we
got an alibi even if a lie crucial never neutral.

Speaker 2 (01:14:32):
They had the fruteful past time.

Speaker 38 (01:14:33):
Another rof cadetto get you do the white skin and
lovely chip just for the honey good bed to make
a mega hit fin.

Speaker 51 (01:14:39):
Pod to install the pipe dream renaissance regime, wring your
one ragged I'll pick up the.

Speaker 2 (01:14:44):
Steam the brook and what corded up took the hook.

Speaker 6 (01:14:47):
Is a new brook.

Speaker 2 (01:14:48):
The simplizer give a joke, a pet a three feet
of around.

Speaker 48 (01:14:51):
See don't know ches adel can never sweep the the
drag that the that the gun set a fish shot
of water his death.

Speaker 14 (01:14:59):
He walk the soul o the fools on the floor
swing with Yojanamo, act like you know.

Speaker 3 (01:15:06):
The show.

Speaker 6 (01:15:08):
It's like that.

Speaker 38 (01:15:10):
Too.

Speaker 24 (01:15:15):
It's like that sign.

Speaker 47 (01:15:19):
Blowing.

Speaker 4 (01:15:22):
See Yo could play like Nike, come on, just do it.

Speaker 2 (01:15:24):
I'll pass upon the.

Speaker 48 (01:15:25):
Gym and I sold into which really till my meat
is a rock like called Greek prawfulled the street the
second never incomplete, a clean additorial rather historical or a
movie qadable be like a border bar.

Speaker 51 (01:15:37):
It's the same broom in a garitone. Listen on a phone,
clean duma gee, run to gree from s.

Speaker 48 (01:15:44):
Yo because please he like everlieve so so werich is
a good sign.

Speaker 2 (01:15:47):
I in crime titties when the ladies.

Speaker 48 (01:15:49):
When up blying and don wm like corderoy, comes the
bad boy. But just like a Nita Peter, I bring
your joy a gooplelniens with your knowledge and can't guess
set so flow and act like you know, act right.

Speaker 3 (01:16:04):
That's like.

Speaker 5 (01:16:11):
You don't quick.

Speaker 38 (01:16:13):
Yes, that's the big on fucking hell one.

Speaker 36 (01:16:22):
You want to say shame suthing, no business chas that
over and all it's.

Speaker 52 (01:16:27):
The ball head the stats and you're showing me some
represent with my people thinking the great piece.

Speaker 2 (01:16:31):
Of my frock and want to not a found.

Speaker 10 (01:16:34):
Oh yeah, I'm saying, look out, we.

Speaker 2 (01:16:36):
Got to see and the mother fucking that's the.

Speaker 12 (01:16:46):
Six year.

Speaker 36 (01:16:47):
The girl is the first to represent what the white is,
big girl, that brother who takes play god nor for
sending garden and see the great yard A pack of
jack not a swing shock step in this and get
an asked woman like Whattney King, got what the beat
to your death? Like coach seas my lorses, no beast
talk to police and seeds be bragging them off cash
they collect, put them trucks. It's like Great Charles because

(01:17:08):
they ain't see no money yet. Trash rapp us Up
says far I be whtting niggas up like water rides
and that you park a nigga stuff eats and that
ain't funny, sons, So I got money gun they ran himhead.

Speaker 12 (01:17:19):
It's twenty one.

Speaker 2 (01:17:19):
It's phony fact. It's I froze.

Speaker 12 (01:17:21):
It's a fact that flipped.

Speaker 36 (01:17:22):
Fast and fosed the fabulous fantastic close and as the
rebel tight. I'm rouffers of metal, bite truff of bits
because I can pull skins.

Speaker 12 (01:17:28):
On the pedal bikes cracks.

Speaker 36 (01:17:30):
I got the most knowing sea comes close Coase the
coach shows, I host pose, I know side of yo
sack loose.

Speaker 3 (01:17:36):
You know what I'm saying.

Speaker 52 (01:17:37):
Rapped the Mighty Shawn Jos Street trawingers in the joke's
the place this nigga stand wood on Machelle and I'm
a crazy had, he says, a hand rolls such a
thirsty chill.

Speaker 12 (01:17:47):
I can shout two.

Speaker 14 (01:17:48):
Hundred Georgian's up fifty dollars players cut fitch niggas tail
would a hundred pale ash like I was raised the cycle,
praise lumber tacks to win the battle, Rob Stabbage shopping
him seized like trees, peace for peace, builty.

Speaker 2 (01:18:00):
I'm a man mathematician.

Speaker 14 (01:18:02):
Apple the gabbler making pain in your pills, and some
traver rusty chains and make the noose the choke can
assle hard.

Speaker 2 (01:18:08):
He's beating fucking Adams.

Speaker 52 (01:18:10):
Apple juice to come chect the magic show body Shawn,
and witness the way I put you to death with
the magic wand turning your home to a casket. Turn
your wife's been to a widow when you're selling to
a bastard basket.

Speaker 2 (01:18:21):
I got a little boiler.

Speaker 14 (01:18:22):
Of gapto, and if I died, and then my jolla
be a bastards.

Speaker 2 (01:18:26):
I got a little boiler look gafter, and if I died,
then my challa be a bastard.

Speaker 52 (01:18:31):
Because I love that you've been to see something for
Rent begging for big empty bags of buffer Wrent face
ball Batnam explattening them so many harm. Aside of records,
my cases went platinum to shawing this nice non for
jipper now had tracks without touching dice, just paying the
punishment from the bookie down plank stuff to showing the
maniac street.

Speaker 42 (01:18:51):
Mark street fun, show your bad.

Speaker 12 (01:18:55):
I repres.

Speaker 2 (01:18:58):
Fake, come on off for next. You gotta represent. It's
gonna have far any double s sea.

Speaker 36 (01:19:03):
Don't play and stress me because that shit don't impress me.
I make paste off the ship. I create and then dictate,
So get your mother fucking shit straight. I got skills
in the marred.

Speaker 15 (01:19:13):
To kill, so you have to jazz rappers better chill
and just gone the grill.

Speaker 12 (01:19:17):
Get grabbing Mike. You know it's getting hyped up about.

Speaker 36 (01:19:19):
Fucking niggas up when you could barely beat your dick right,
So stop robbing McGill's nick because I can still kick
the ill shit on the mother fucking will tip like
Foreman when I'm brawling those who they can.

Speaker 47 (01:19:29):
Pull, and I play your monkey answering the oil.

Speaker 36 (01:19:31):
I got crazy niggas in the semmy noise got mad fitches,
but it's not because.

Speaker 38 (01:19:35):
I'm a mother fucking pretty boy.

Speaker 2 (01:19:37):
I'm ruthless.

Speaker 36 (01:19:37):
I'm not on that goodie good except that ship played
out with that v Street electric BULLI shit, i'st off
any rapper, that's your half compete if they ask this week,
they rather chill me, grab with.

Speaker 53 (01:19:47):
Sick and go ahead what they master planing, Stevie.

Speaker 36 (01:19:49):
Wonder probably see you before half your rappers.

Speaker 54 (01:19:52):
Can You can't hang in your falling fast your.

Speaker 36 (01:19:54):
Rappers dash trash, better dash and start hauling nass because
I'm out the rag shit from the f cort my
dot one step off with a bad fish expectator, so
and t half the best time when they come to.

Speaker 55 (01:20:05):
A show in here, forty.

Speaker 36 (01:20:06):
Lord Vane rob come out to get the bigger clown
should make quick biggas.

Speaker 34 (01:20:10):
You'll never catch Vaness associating.

Speaker 12 (01:20:11):
With fitch niggas. I work over time with the time
to throw.

Speaker 54 (01:20:14):
For mind trabass rappers.

Speaker 24 (01:20:16):
Don't they inform me?

Speaker 36 (01:20:17):
I know the time?

Speaker 12 (01:20:18):
So what's shop for me to step?

Speaker 36 (01:20:19):
Needs to show fish and ain't cheek and I'm off.

Speaker 5 (01:20:22):
To the left.

Speaker 56 (01:20:22):
I'm the pope back get sick.

Speaker 12 (01:20:26):
You know what I gotta represent.

Speaker 6 (01:20:27):
I'm the.

Speaker 2 (01:20:29):
You wanna stick with my food gets sick?

Speaker 8 (01:20:31):
You know what I gotta represent check technique into the
GE's gonna record on stage on my record, So nigga,
don't forget it.

Speaker 2 (01:20:37):
I'm the man, the one man band. It's on my
right hand. It's ain't even showing me with so bit
with the program.

Speaker 57 (01:20:43):
I take a couple of the bood the blessed till
my back to the back. Now let's see who's the best.
I like my package sack never ever flat. Niggas want
to tack my foot and father and having that. Folks
get no do so why try the think it's gonna
be a hit and run wrong? It's a drop by
nigga stetches ten because your girls never say from rather
Midnight Phantom.

Speaker 2 (01:21:03):
They put there on the floor. They must be down
with Michael Jackson because that ship is off the wall.
You don't believe me.

Speaker 57 (01:21:09):
That's the brother show snatching hotties, grabbing hotties.

Speaker 2 (01:21:12):
Man, motherfuckersing up. You come wrong if it don't come strong, motherfucker.
I made the song style will.

Speaker 15 (01:21:19):
Barry they won't carry yo?

Speaker 2 (01:21:21):
Fuck go fuck with no devils.

Speaker 12 (01:21:22):
I'd rather married Oprah.

Speaker 23 (01:21:24):
Yeah you got it.

Speaker 2 (01:21:24):
I'm so black and my skills are so fat. I'm
paid my jewels. I don't know Jack, yeah, bite my style.
I can spot it, trying real hard to get it.

Speaker 26 (01:21:32):
You gon forget it because you don't got it and
my skills are excellent.

Speaker 27 (01:21:36):
Then and Clayton gonna look out of repersenting people say,
oh yeah.

Speaker 2 (01:21:41):
I'm telling job.

Speaker 24 (01:21:51):
Lad and then.

Speaker 3 (01:22:06):
Shot hop up, Hold up.

Speaker 2 (01:22:28):
Thirtee thirty birdling? What thirteeth timberd ling? You I was small.
I used to have to train you to electricity.

Speaker 14 (01:22:40):
Had got a insane am to the sane and son
of the ship to be quite nice. The fins cucocle
some fostering the post.

Speaker 2 (01:22:52):
And style your hair down.

Speaker 14 (01:22:55):
And let's get a flap, and another got I don't
leave the style? A lot of what about a three pist?

Speaker 2 (01:23:04):
Skins don't cut.

Speaker 36 (01:23:29):
Predestination concentration leads to a physical medical station. House cannot
be built on a week foundation strong and I move
with motivation as long as my continuable limit flow and
my brain contains memory info, photons and tron says and
mem brains.

Speaker 2 (01:23:47):
Mylosilver Two's that I had friends.

Speaker 47 (01:23:49):
So you can get a vision a digital picture.

Speaker 38 (01:23:52):
Once three consecutive mixed justice solids.

Speaker 2 (01:23:55):
Let me which glass creates you back.

Speaker 36 (01:23:58):
My runs run up flat at my mom's are respectable. It'srectable,
fable because of the best dip. But you can't check
me because the same chest kid kid splendid. But don't
get offended. My mom's a fight when.

Speaker 11 (01:24:13):
Really y'all check it out, y'alltherst from here. You're live
and direct to the speaker. But that's my voice coming
through the speaker. You heard and you're checking out the
taking personal show. Don't get it twisted. My love, thank

(01:24:37):
God forever a light, a light, a.

Speaker 2 (01:24:40):
Lot too deep, and yes, much too complicated.

Speaker 20 (01:24:43):
My line has been stated up quite often underrated, so
consider it a privilege to hear this.

Speaker 2 (01:24:48):
The weak minded opinions could never come there. This from my.

Speaker 20 (01:24:51):
Outlook on life. It's a profound you while the sucker's
act down thinking that they sound new, only a few
sound true. Me and the clue know who because see
me and the fellas have been for a while now,
giving you the time to get your black ass style down,
your pumps pop chunk, because if life it's a fanity,
knowing that hard is something you can't beat, so you're front.
But you can never call my bluff to catch hell, kid,

(01:25:12):
you get dealt with.

Speaker 8 (01:25:13):
I never sleep.

Speaker 2 (01:25:14):
I always beat rhyme's creek. I'm too deep, I'm too
g I'm too gen.

Speaker 20 (01:25:29):
I forgive you sight from taking your life because you
continue to disrespect, so I make it tried. But then again,
I think I'll spare you because I know that all
it takes is one rhyme just to scare you. See,
I'm the holder of the key. Don't ask me if
I Muslim. Don't say nothing in me. I said, I
was raised like one son. I had two cousins.

Speaker 2 (01:25:47):
They sposed to be done.

Speaker 20 (01:25:48):
Find myself up unstaying who I wasn't running paper and
I'm statistic.

Speaker 2 (01:25:52):
My life was twisted. I almost missed it.

Speaker 47 (01:25:55):
The chance.

Speaker 2 (01:25:56):
It's a chance to make you feel good. I used
to steal because then take my parents out.

Speaker 20 (01:26:00):
But now I got k n O W L E
G G himself because I'm beeve and the nation enough again.
Islam has my support because they're trying to educate one
to my lists and the five percent nation takes other
stuff to get through to the brothers on the corners
with the rest and then the prisons given the brothers
new visions of how we can gain well friend, gain
self esteem and dreaming of a total different scene. I

(01:26:23):
dress clean, stand and len say what I mean, and
I'm hout like a scout on a new route, exhibiting cloud.
I never sleep by always beat Rohm's creak.

Speaker 2 (01:26:30):
I'm too deep.

Speaker 20 (01:26:41):
For right now, yoe my relisting this rhyme perfect time
and test the flows and climbing hands sunai chih g
how al must regard the times are hard? You not
a pa acist a message that a travish that.

Speaker 2 (01:26:54):
Goes all my people are paul religious.

Speaker 20 (01:26:57):
If we're all black, why have so many divisions official
factors of trauma that suppart.

Speaker 2 (01:27:02):
Don't let it happen. Let's put some respect back in.

Speaker 20 (01:27:05):
So before my hacks, I think because it's the frint
group destruction, well corruption, what's up?

Speaker 6 (01:27:09):
Son? Your gun is just one, and I just might.

Speaker 2 (01:27:12):
Have one or two or maybe even three or four plus.

Speaker 20 (01:27:15):
Anomy of about one hundred or more violence.

Speaker 2 (01:27:18):
It's never my first choice that come in each two
really is the effect of my boys. I never sleep,
my always beat Rob's grief up to thee.

Speaker 58 (01:28:00):
Said Twitz said, Twitzer said, Twitz said Fwizz said Twitz, you.

Speaker 8 (01:28:15):
Better stat it quick because you know you can't hang
with the hate. Get it straight, because I'm dropping the
fatch the.

Speaker 14 (01:28:21):
Things locking the.

Speaker 2 (01:28:22):
Doors, weren't that hot? Hain't nothing?

Speaker 8 (01:28:24):
Say your wind hate hot pool ries me a bunting
clowns this week we put my work in on the
poor poons talk.

Speaker 2 (01:28:31):
It's too cheap, you sitting the mate that takes.

Speaker 8 (01:28:34):
If you push me, the brother wouldn't have perm swiming
against the perm.

Speaker 2 (01:28:38):
M M your bready for brown? What here it come, fool?
I got my blood in my hand, Come and get some.

Speaker 8 (01:28:43):
Damn I'm trying to fish go breast kick paste souls,
sorry little want me go screaming like a summery cold.

Speaker 6 (01:28:49):
Don't you have to be sound? Resting up brown?

Speaker 8 (01:28:52):
Nothing but a song, clowns, stay that hell damn don't
damn you know you can't say this.

Speaker 58 (01:28:59):
Shill stuffish whist, death whistle, deaf wwizzing def twizzle.

Speaker 8 (01:29:11):
Defoing into the park, saying you know it's the frock
when they hate start with the book team.

Speaker 6 (01:29:18):
It's the sixth song.

Speaker 2 (01:29:20):
Feeling nothing Now, what's called the lord cheer? Did you shut?

Speaker 11 (01:29:24):
You know?

Speaker 2 (01:29:25):
Stop food?

Speaker 8 (01:29:27):
Click a cross it shot right, no shot nor front
smoke your block like complacing knocker.

Speaker 2 (01:29:34):
Look, damn, I hate.

Speaker 8 (01:29:36):
Your pocket because your nuper He wrote the Death Wish sequel.
Tell me, can't your faith that black will get song
like a fifth cheer. So it's the second call to
our song Black your seas that spout Tom, dear boy,
did you get the fizz? One more Death Wish? Last

(01:30:09):
first fools? What's up? Ready to rack back and ot
y'all got my back and I'm ready the busy hand
of two or three try to come deal with the chill.

Speaker 2 (01:30:20):
So can't wait as I drab them.

Speaker 8 (01:30:21):
I just stick them bus in your grill when I killed,
because you're just enough the victim.

Speaker 14 (01:30:25):
So when I step your bed, I keep your hands
on your grip.

Speaker 2 (01:30:28):
Don't trip when I flip or get a back lift.

Speaker 8 (01:30:31):
I put them from the city where don't stop fin
it just might drop when they're not coping and Jack
gets my special t G quick blast of lak wants
and take the money chill and damn for the group.
Just like the Flits, we gotta get paid too, and
knock you bothering when you're punk, but come to you're
realize because the night man a death which.

Speaker 47 (01:31:01):
Quick they.

Speaker 2 (01:31:14):
Get prettiness shuck shut.

Speaker 13 (01:31:18):
Yo.

Speaker 38 (01:31:18):
Anybody seen my diary?

Speaker 2 (01:31:20):
Oh that is I gotta write this ship down, take
it out till Tommy.

Speaker 14 (01:31:27):
I'm having a little problem. I can't make it for myself.
Maybe you can help me solve. I'm confused that I
don't know what to do.

Speaker 2 (01:31:34):
I'm hoping you can help me because there's no one
of those talk to.

Speaker 24 (01:31:37):
I want to talk.

Speaker 2 (01:31:38):
Boy, that ain't for me. I try to talk to
my dad, but my old man ignores me.

Speaker 14 (01:31:43):
He says I'm delirious and I take too much, so
he doesn't take me simpleness.

Speaker 2 (01:31:48):
Brother little doesn't know I really looks in it. I
got a head, but it ain't no screws in it.
I'll be thinking tea.

Speaker 14 (01:31:55):
That's one of some reasons that night I can't sleep.

Speaker 7 (01:31:58):
I thought it would change.

Speaker 14 (01:31:59):
When I was but even now still people know I'm
a shoulder and their life out of death too, and
want to fuck a nigga with the cane and the
black suit. They wanna buck cancer. Too many motherfucking questions
and not enough for dance. I ain't no suice and trust.
We might have shrunk face it.

Speaker 38 (01:32:17):
We were all boring done.

Speaker 2 (01:32:18):
There's a black booking brass hands. And it's the time
we dear time, dear dear time, we to tell you.

Speaker 14 (01:32:26):
I hit a nigga with the torch, shot him in
his face, and watch him down on his front porch with.

Speaker 2 (01:32:32):
The family heartbroken, flashed.

Speaker 14 (01:32:33):
Back something and wearing the breeding with his eyes sofa.
I can't put the ship behind him. I know I'm
here somewhere, but I can't find it. I used to
be a drug till on the fability, but now I'm
a born killer, and it ain't no change in me.
It used to be hot, but now way it ain't
no thing to me to go into a nigga's house,
put a pistol in his mouth and throw us fucking

(01:32:56):
brains out, no doubt with the course. And I'm gonna
take you because I'm a fucking trible my nature. You
gotta nm me nothing, bring your weapon. I gotta make
a forty seven. It's gonna be a forty sunny cause
the booking winter. Nigga like bun and I was taught
not to kill like I'm being aft with a thousand

(01:33:16):
yards tails.

Speaker 2 (01:33:17):
So welcome to the Florida house.

Speaker 14 (01:33:19):
Nigga a red rubber, and I'm gonna be the great
nigger and it they want a cat coach captain, a
trigger happy like my great grandpapa. Just watch stuffer chrome
in my white hand.

Speaker 5 (01:33:30):
I'm taking this too from the.

Speaker 10 (01:33:31):
Dowary up a man Yeah yeah, ship boy who laughing
and right now got checking out taking hersual radio with
my man fella played with Cavalos, Camily Wade and the
boy DJ P shit.

Speaker 8 (01:33:43):
I'm gonna first commit the murder my pills getting on
my last, but I don't run.

Speaker 2 (01:33:47):
I hurt her. She wants me to get a job.

Speaker 6 (01:33:50):
I get her.

Speaker 14 (01:33:51):
Whassa's I'm laid? Does I ass like like a big
slow But that be where I felt. I get with Jefty,
say well, hi.

Speaker 8 (01:33:57):
Your motherfucker wear the tail record.

Speaker 2 (01:33:59):
So on least I could too. It's representable. Try.

Speaker 14 (01:34:02):
I'm lab a bottle city as a criminals.

Speaker 2 (01:34:05):
They won't give me no.

Speaker 8 (01:34:06):
Slack jack and I got gonna strike against me. You're
ready because my skin is black. See, I'm a relevant
to health one the size, and they wonder white niggas
commit crimes. My paste ric cat said, like go to
class and dates at work sat night. I'm trying to
get somebody I can handle her. But I ain't with
me and no motherfucking tanada. Plus I got my little

(01:34:29):
nigger and I'm trying my best to beat their white
kind of father figure.

Speaker 14 (01:34:34):
Put my hands to starting to shake.

Speaker 8 (01:34:36):
I'm trying to hold my head because I'm beating for
the thirty eighth.

Speaker 14 (01:34:39):
I'm picking it up. Man, fucking I gotta go wipe
and hit the street and get some duncans looking for
something to hit.

Speaker 8 (01:34:48):
I'm throwing up work. Get send my bucket to some
stupid shit. I stuck in the seven and eleven. Come
in past with the cash and get the ass set
to happen.

Speaker 2 (01:34:57):
He wants to hit them along because.

Speaker 14 (01:34:58):
I was falling because time I'm hearing motherfucking cyrus. I'm
trying to run out threat out from PCI.

Speaker 2 (01:35:05):
Next thing I know, sitting in precint.

Speaker 14 (01:35:09):
You're trying to feed a family, and they from a
bosks falling north that had the sanity.

Speaker 3 (01:35:19):
Man, man and man and man, what the.

Speaker 14 (01:35:26):
Fuck does night? And I'm mad because the cop put
on a handcuff. The fucking tay said, your book in
this way they sent me so they can take a
couple of pictures out there. That thinger britt me. Then
they put me in a cell, and then it.

Speaker 8 (01:35:40):
Was awful of niggas that was dirty your stake in
the cell four hours past, already saying I'm yawning and
I'm hoping to see the judge jen of morning. Finally
they called my name. Man out there that was Steve,
to look here before the judge, and then complete I
saw the judge.

Speaker 14 (01:35:55):
He was a brother, he said, sitting on motherfuck and
I got you down a corpse to the house where
they got all of this come from the fowl and
all I single's teenagers the props to select from one
another with straight basis.

Speaker 2 (01:36:12):
I assure him, skipping that he was stone tall. I said, yo, I.

Speaker 14 (01:36:15):
Gotta make this motherfucking thhe go. He said, the ruins
are mine. Then you ain't with it, and put the
face all up in mine. Somebody had it.

Speaker 2 (01:36:23):
Seals came.

Speaker 8 (01:36:24):
Niggas started to say, Now I gotta do about three
days in the face.

Speaker 14 (01:36:29):
I took my towel.

Speaker 8 (01:36:30):
Now I'm back for my vacation, right okay, Then put
me back in pumpulation. I got dressed to hit the
mess on. Then when I came back, probably.

Speaker 14 (01:36:39):
I got I make my phone go on my Croul's bringing.

Speaker 8 (01:36:41):
Out the man and me because she's shoveling the ship
while I'm hanging.

Speaker 14 (01:36:45):
On it at the sanity, at the Fanta.

Speaker 3 (01:36:57):
And Flanna and Santa.

Speaker 14 (01:37:02):
And the mana.

Speaker 13 (01:37:08):
Man.

Speaker 8 (01:37:10):
I'm setting nothing north in doing with three to nine.
And if it was like my whole life, it's den
look behind. I'm throwing crazy in this place. They'm counting
the days because I'm a block to be a mental case.
My little son is getting bigger, and he picked up
the phone with there and throwing up with some mother nigga.

Speaker 14 (01:37:27):
Yeah, that pitch is trying to break me like the sucker.

Speaker 2 (01:37:29):
It's on the down.

Speaker 8 (01:37:30):
And lord, I heard another nigga fucked the homicide saw
on my mind.

Speaker 2 (01:37:35):
I'm nothing with that Pitcher's.

Speaker 8 (01:37:36):
At home scowl while if the with tough and the
nigga that's hit and it skids. It's a poor motherfucker
because he wanted my old friends. But that's the white
as I got sucking from the gasses. And when I
see him, ma'ma smash his fucking glasses. Live in the help.
Now my blood is getting cold. Two months later I
got her leased thump of rot. So now I'm Brola Cola,
then a Flippes. I got some time from.

Speaker 14 (01:37:57):
A man and with the face and fish, I'm bringing
the met of health on my body's home. Felt something
in the house with a finger on the trigger. Gotta ass,
nigga study my fit's dead because she knew that I
was steeping. She wear ass to the back and started squeazing, squeaming.

Speaker 53 (01:38:17):
Check check check it out, check check check check it out,
check check check it out, check it out.

Speaker 54 (01:38:28):
For those that know me, I wonder why I always
play low key. I know I got people boring fans
that like me, but all the noise in attention don't
excite me, so I just lounge to play the tyl
in the crib with just me and the female.

Speaker 36 (01:38:42):
I'm still slick besides the others because a nigga like me. Yo,
I'm smoothing in the iceley Brothers when I'm on to
see and I get feedback Brothers running up sup.

Speaker 12 (01:38:51):
We feel.

Speaker 54 (01:38:52):
I be by myself, just cooling because I don't have
no time to sweat what someone else is doing because
they're not equal to me. I got place is to go,
money to make and people to see what you're gonna do.
The man is coming through your man, mother fucker. Yo,
That ain't nothing new now making higher figures that God
damn motherfuckers who always want to try a nigga. But

(01:39:13):
I'm wild in Harlem, kid, I'm straight making pace. So
what the motherfucking problem is to talk about unity when
I turn my back to talking about what you want
to do to me? But y'all could keep riffing because
I'm gonna send your home with your motherfucking teeth missing.

Speaker 2 (01:39:27):
So stop running at.

Speaker 14 (01:39:28):
The mouth, straight up and down.

Speaker 2 (01:39:31):
Yo, you know what I'm about.

Speaker 15 (01:39:53):
It's the man with the rough flow.

Speaker 36 (01:39:55):
Some niggas don't like me, but I don't give a
fuck though, because I may command y'all. I'm smacking niggas
up like Cord Reagan's play hand.

Speaker 11 (01:40:02):
Paul.

Speaker 12 (01:40:03):
I ain't the funny tight.

Speaker 2 (01:40:05):
To joke around.

Speaker 36 (01:40:06):
I gotta get my mother fucking money right, and I
got the right game. I'm definitely the wrong man to
in fight to a dice game. I'm rolling numbers with
no practice. I'm snatching up the money like motherfucker's.

Speaker 54 (01:40:17):
Old taxes, and I got strategy. I'm rolling head cracked
trips and making on the brothers mad at me and
I'm taxing shit.

Speaker 36 (01:40:25):
I'm shitting on niggas like I just had a laxative,
trying to gain props.

Speaker 54 (01:40:29):
I ain't gonna want to see your clowns to fuck
around and get played like a drum machine. You gotta
find a better way. I pull your card, your foul shit,
plus your resume because I don't play clown. I'm trying
to get mine. That's why my face stay frowned. I
don't smell, I don't try to pull my foul. I'll
lay your ass like tell you know my motherfucking's down.
So just slow down because y'all can't throw down, and

(01:40:51):
y'all can't accept that. A brother's making dough now and
I'm living better, true because I'm making more noise in
the fucking heavy metal group. It's the cool man brother
with the smooth plan, and I'm seeing more papers than
the newsstand.

Speaker 3 (01:41:03):
So peep it.

Speaker 2 (01:41:04):
Don't try to run around and speak it point blake.

Speaker 54 (01:41:07):
I keep him aware of all secret while brothers are
packing still acting hell. I'm on the d L with
a female and I'm stacking bills. How you living everything
is well because a nigga like me, Yo, I'm ringing
bells without doubt.

Speaker 2 (01:41:19):
I got clout, no fuck that it.

Speaker 14 (01:41:22):
You know what I'm about.

Speaker 59 (01:41:24):
A Nigga's out, Nigga's outgas outgas outgas outs out.

Speaker 2 (01:41:42):
You know what I'm about?

Speaker 47 (01:41:45):
You know what?

Speaker 14 (01:41:48):
You know what? You know what?

Speaker 36 (01:41:53):
You know The shukar d I C d A d
I he that's a title explaining who I be, missus
l A for you in ge. I'll take a sucker
from any filling into me now that I'll spell that out,
and you're like the way it sounds.

Speaker 38 (01:42:06):
I'm just in rap music and rap music called the
grounds to.

Speaker 36 (01:42:09):
Say I'm full of shit, and for that I give
up bound the cigadick daddy, mister Long to break it down. Ladies,
step to me for a real neat treat. And if
you don't want to call me Long, you can call
me sweety.

Speaker 2 (01:42:19):
I want protection.

Speaker 36 (01:42:20):
You won't catch class here, come over later, but first
go get a papsmel nine point five okay here, and
don't forget clean underwear because I don't want the frock
the float.

Speaker 38 (01:42:31):
And after I'm not yo, you gotta go.

Speaker 4 (01:42:33):
Don't to know hope, don't you know ho?

Speaker 36 (01:42:38):
Okay, another thing I've time to get that off my
ladder and dick leaping and stuffing matter you know what,
you know what, I'm sick and tired of Raper's not
brail and stuffer is making it. Want the pop fill
label sign and as for enough bills, tax right off.

Speaker 19 (01:42:56):
Because I have no skills.

Speaker 36 (01:42:58):
You go make a demo, get Anna, start to sprout
gold platinum and then start selling out. You get up
Benson trasting over double platinum and start crossing over.

Speaker 2 (01:43:08):
Then you get full.

Speaker 36 (01:43:09):
I won't give examples head they use the same old samples,
but not the Sheep, but we asleep and unique top
of the Peak and others a week follow the words
I speak. The situation is bleak, but this is the
fly shit that just seek with the stylars dope. Mister
lungs a participator. If you want to battle, let's talk,
because Black Sheep will certified great tail then.

Speaker 4 (01:43:30):
But I said, Lato man, I could dig it.

Speaker 36 (01:43:34):
You know what.

Speaker 42 (01:43:37):
You know what.

Speaker 7 (01:43:39):
You know what?

Speaker 27 (01:43:42):
You know what?

Speaker 26 (01:43:44):
You know what?

Speaker 11 (01:43:47):
You know what? You know what?

Speaker 42 (01:43:52):
You know what?

Speaker 56 (01:43:53):
I turn on the raby yoll be your prime time
to La Night rep show. Yeah, the same old, same old,
and that's on your new single.

Speaker 12 (01:44:02):
Your product is a product them no productivity. Kenya Siegi,
you kick the.

Speaker 56 (01:44:08):
Back style and Caln I have friends, trick the fucking
drama and give them back the games. I'm going, I'm going,
I can't go your card this because you're born this.
You said you're short year, but I'm the sure of
this beat black sheep or unique from.

Speaker 22 (01:44:22):
Mother brothers that will make the truck girl freak.

Speaker 3 (01:44:25):
Out with that a doubt.

Speaker 56 (01:44:27):
You have no lens in on'm nd one fout, so
shout out.

Speaker 2 (01:44:31):
You want your work, but.

Speaker 56 (01:44:32):
Your outcome pickup, chup, and I'm gonna.

Speaker 50 (01:44:34):
Kick jessacuse you's a dumb motherfuck got better off as a.

Speaker 12 (01:44:38):
Truck, the throat truck.

Speaker 2 (01:44:40):
My moving right along to the woodstock stop.

Speaker 12 (01:44:43):
Remember when the man was.

Speaker 56 (01:44:44):
On rock degromeosic separated. If the weapon then came wrapped
and you hated it, that's of course. So you see
a motherfucker that could be in your family, drop little
Rick and you hair Rick with flee.

Speaker 2 (01:44:57):
The only thing that tells me is that you know
a good thing when.

Speaker 12 (01:45:01):
You see it.

Speaker 2 (01:45:02):
You're running get a ting because it cannot be it
still at.

Speaker 50 (01:45:05):
The top of my head, I guess I keep it
rolling to love a wrapping, stolen write so many other
things called fact and when it's going walk good left
you sucker, dumb fuck.

Speaker 4 (01:45:17):
I don't turn you know what talking to you?

Speaker 54 (01:45:21):
You know what?

Speaker 24 (01:45:23):
You know what?

Speaker 42 (01:45:26):
You know what?

Speaker 36 (01:45:36):
You know what?

Speaker 4 (01:45:46):
Connection?

Speaker 2 (01:45:46):
Ain't click what my dick chick.

Speaker 46 (01:45:49):
I smack a fish shippy thinks my connection. Ain't think
dick headed like a punk whip. I travel miles with
a rhythmic glit my bunk halfro in eighty three g
Yo marade of schine.

Speaker 5 (01:46:00):
So I get a soul.

Speaker 2 (01:46:01):
So I played the corner tough and me May's pull pumps.

Speaker 12 (01:46:04):
That lie five is what I want.

Speaker 60 (01:46:06):
So I puffed the blunt, I got front, I get
slipped in the stuff and I go humble stunt.

Speaker 2 (01:46:12):
I gotta plump bro man Man that superass cool because
I'm still in that for bro. Yeah, I'm lying, but
my life.

Speaker 14 (01:46:18):
Is specting every hour, every minute, every second. I keep
my level, had to stay down and drop in afro
since birth.

Speaker 2 (01:46:26):
Now I hold my crotch because I'm top not. I
run up like CSS watch.

Speaker 14 (01:46:31):
And I like it my crap. I got five feemles
your sca, but you can.

Speaker 51 (01:46:35):
Probably directly on the app my bro I eat the
water man, they take me, take me to I kiss myself.
I always your snacks of cheeses, trust to sup and
you know that.

Speaker 7 (01:47:07):
I do.

Speaker 12 (01:47:08):
Three flips went.

Speaker 2 (01:47:09):
Up on flips off my stop cliff.

Speaker 51 (01:47:11):
But I'm like more stress, but I'm I'll sleep on
the other side of teak six. Maiden's taste make her
dry her face, but her gold hair locks now.

Speaker 2 (01:47:19):
I makes she fock man.

Speaker 47 (01:47:20):
I got the nuts.

Speaker 2 (01:47:21):
She got freaking, but I got my way out.

Speaker 51 (01:47:24):
More mothers my father try to ships real good, like
a real hood ship from the plot tape let the
cost faker ship the man. I calmed down, I smiled,
frying with my mother soul cold teeth because I ain't
a vegetarian. I skinned a beef spoiler feather. I like chicken,
got a scriple pad. You can get these dol naps
because something will go off like a sailfifer that ship.

Speaker 46 (01:47:46):
When the affle is real, I'll either your love goad,
but yever with it this because.

Speaker 14 (01:47:52):
Of something for California, La mal is her.

Speaker 46 (01:47:56):
I play your thick, but the son of nothing around
low so blow gia that keeps it his hoad time
I hind and half a kicks.

Speaker 2 (01:48:06):
My chicks is filling for il on my mother.

Speaker 12 (01:48:08):
I'm a vict but.

Speaker 2 (01:48:10):
I cool I self with the quick news that comes
to true slang. So no to those who don't understand,
may see.

Speaker 60 (01:48:19):
You got tail with the big bill, I'm gon loose,
but now the blue cuss on my tail.

Speaker 2 (01:48:23):
I s in the cat throw go lower than it
because it's selling tracted again much up.

Speaker 60 (01:48:29):
New with twelve more in the contain with my solo
on my forty five pack sick trow quick up town
tail tail tail and none other from brad Or was
head my paper saying not playing college Chell with Sean

(01:48:49):
now change and the crown then and don't father cud
sister still how fire, miss, I'm saying.

Speaker 8 (01:49:10):
Easy, easy, easy, like Sunday morning.

Speaker 3 (01:49:12):
I'll take you this stuff.

Speaker 2 (01:49:13):
We know this, Joe. When I'm doing it, I'm just
coming there with the oh excuse me, Alissa, bit this
is a big one. I mean nothing too.

Speaker 8 (01:49:19):
Why with two years I was up because I like
bops taking it with the shot and now but see
have the Tropser's house the family sides. I'm let us
with figure open up surprise big back for La the
bist going up. I'm the print fies I go with
second Sunday said the pots and a cock.

Speaker 3 (01:49:36):
Nah, So enough for that.

Speaker 8 (01:49:37):
I'm like, you know, given that, come.

Speaker 2 (01:49:40):
It again, my my famite sail like that. You met
the Throe wrestling.

Speaker 8 (01:49:43):
You just have played the trot at the com and
the fed them your seat and south.

Speaker 2 (01:49:47):
You're mad because what is to me?

Speaker 49 (01:49:49):
Know?

Speaker 2 (01:49:49):
What's your name?

Speaker 6 (01:49:50):
Come and me coming again?

Speaker 12 (01:49:52):
Give it together?

Speaker 24 (01:49:53):
Come tell what you're doing.

Speaker 8 (01:49:55):
Come MANU ship, Come check it out coming. It's coming
soon to a theater that you to the U eight
se crow that respect to.

Speaker 12 (01:50:05):
To what winner?

Speaker 6 (01:50:07):
Whatever? Do yo? I do it on the ship. The
check it out.

Speaker 2 (01:50:14):
Here we go safe the check it out?

Speaker 14 (01:50:19):
How you kicking it?

Speaker 8 (01:50:20):
I'll be kicking it with the no one to know
Whima comp timed the trimming it with torn like Murphy,
who are you gonna call ghost? Pluster Pumpedi? We stuff
went up and I'm just a huss up. I'm tried
to skiing for a set but the record got back.
Trying to ride a backat someone set myself before self
got bucked. Wow, trying to live bow I had the
bust to wake to What's that ever took you make

(01:50:42):
me tho I had the hell. I can tell it's
great because I'm staking off eighty seven the south side
of sap You fama w come follow me yo everywhere
that I go. And I know I hate did that
this figure. I'm just a little trick hed fucking you.
I got my back to the city. Contact in the back.
It's a shrack on.

Speaker 2 (01:50:59):
That's what with so cat and is slack so the.

Speaker 8 (01:51:01):
Like Oprah book He's lost, wake im put my brother's
good cans hey like ballsteak and I'm all.

Speaker 2 (01:51:06):
Lett say that's phobia on the spider man. Give it
the phobiaya. Holy mo yah, It's totally awesome.

Speaker 12 (01:51:13):
That's a race sis.

Speaker 8 (01:51:14):
It's gonna get the Richard Dawson, but I won't get
all the pipe of the sea.

Speaker 2 (01:51:18):
This is when I'm flexing for sex, the or.

Speaker 7 (01:51:22):
The check it out, the eave, the the the check.

Speaker 12 (01:51:27):
It out the.

Speaker 2 (01:51:33):
Man, Thanks for the soake.

Speaker 12 (01:51:39):
Back to.

Speaker 8 (01:51:41):
A walk, babably un boo, Mamad's got that's when.

Speaker 2 (01:51:45):
Your life spyr do. Let's just step in yoga, re
read my self.

Speaker 6 (01:51:49):
I'm come.

Speaker 8 (01:51:50):
I'm like the tramp okay to forget it's a that
I'm dope gimery. Yes y'all, kippy yo, go to up
the hula hoop over the alley oop took him.

Speaker 2 (01:52:01):
I got this magic, but.

Speaker 24 (01:52:02):
I'm out of make. I'm thinking it making it.

Speaker 8 (01:52:04):
Think it's just something about breaking your home. The wom be,
the one that's whist Oh my jaws are in my prod.
All right, back to take to make.

Speaker 12 (01:52:12):
Ad exactly make it.

Speaker 6 (01:52:13):
This is the bion.

Speaker 2 (01:52:14):
I'm mad.

Speaker 12 (01:52:14):
I come into Saint Tim.

Speaker 6 (01:52:16):
It's straight.

Speaker 8 (01:52:16):
I made us take where I am. What's eight fall
in the corner? Pocket count of pocket? Look ticket, I'm
ba look there with the binger.

Speaker 14 (01:52:23):
Come out the broa a side of rope.

Speaker 8 (01:52:25):
But we'll tight so of cooke. But I don't make
this sift. But you got something right hand suck y
your shock, you know the one two eggs.

Speaker 2 (01:52:36):
You don't stop. But the buck stops here. But I
got to hear from this not you know what's in
too particulous. Matter of fact, we're gonna take it these
it's so straight, so nice.

Speaker 24 (01:52:48):
We're gonna, we're gonna, we're gonna stop.

Speaker 14 (01:52:52):
Like I.

Speaker 3 (01:52:56):
Don't like.

Speaker 47 (01:52:58):
I don't like, alright, I want to get I want
to get no work to.

Speaker 4 (01:53:07):
Get alight, you.

Speaker 3 (01:53:09):
Get I want to get work.

Speaker 24 (01:53:13):
I want to get in, getting in.

Speaker 61 (01:53:20):
I'm chuckling like a ball. But my name is not
wrong saying my skin has a pigment reminiscent of a ten.
I'm playing to grow dress to the person that he throws.
The longer the heir, the easier the scare up. It
grows from my head till it covers up my face.
But looking stare when I'm walking to the place, I
race the stage. I hate stage.

Speaker 14 (01:53:36):
The Charlotte.

Speaker 61 (01:53:37):
Just now, I feel the time has come for me.
It's all so I'm with the kitten over them. But God,
what the fucking that moves?

Speaker 36 (01:53:43):
You?

Speaker 24 (01:53:43):
Talk so and you're over.

Speaker 2 (01:53:44):
But the manipulate, the specultators like take.

Speaker 14 (01:53:46):
The cup of field and a drop of real rhyme.

Speaker 2 (01:53:48):
But the time for changeing.

Speaker 61 (01:53:49):
I rearrange my styles like I just saw people jack
the stiles in the round because it is wrong walking
through the skins of work leaning where I like freak,
But let's try to jump me to the side and
try to hurt me.

Speaker 38 (01:53:58):
But freaky little Devil's only get the levels er.

Speaker 2 (01:54:00):
Then the growing of the cannabis.

Speaker 4 (01:54:02):
Plans and now this man on the stamps.

Speaker 61 (01:54:03):
That just take it because I hate the heck of
ol many trying to put my neck be bear the child,
the young boy.

Speaker 14 (01:54:10):
I like you.

Speaker 3 (01:54:13):
Want to get what you get?

Speaker 2 (01:54:18):
No, I like you what you get?

Speaker 3 (01:54:21):
No m w get no.

Speaker 2 (01:54:27):
Town exactly you know what exact we got.

Speaker 14 (01:54:30):
To say, you got the straight.

Speaker 24 (01:54:45):
There's time we can a baby.

Speaker 61 (01:54:55):
The friendly men just scoping the whole ride and keeping
eyes on the mischievous. And I'm on the like a
polo fee seeds on released easter matches, like the twall
with the mans, you quish them. We risk the world
on the blood. I leave like a tigger and a lamb.

Speaker 2 (01:55:09):
With the flood colossal is causing earthquakes and the earth sakes.

Speaker 61 (01:55:12):
Constant gets more ash to Charles Boston House like a
because I think them all that when it comes to
the drums, when I see our y'all to the h
to the ira, my oh my, oh man, it slams.

Speaker 2 (01:55:22):
I never came candy like the yam slam Bo stands no.

Speaker 61 (01:55:25):
Never to my latitude, never was a nigga, and I
never had an attitude.

Speaker 2 (01:55:28):
Never act the mattitude unless you trying to point the heat.
Like at the end of the day of the Monkey.

Speaker 61 (01:55:33):
Once they get up with for this ship and you
know it's funky because keep up your belt because I'm.

Speaker 2 (01:55:37):
A ball and go to NYT like you do. Would
rather act like your not tell.

Speaker 61 (01:55:41):
So the mis defective world, y'all was coward.

Speaker 2 (01:55:44):
Side because like that show that you know, shop check
it out, Yo, Yeah.

Speaker 62 (01:55:51):
Don't shot, turn out, chill, you don't shot house shot,
don't shop next you figure out here, don't.

Speaker 2 (01:56:02):
Shop and no stop for I says and shot.

Speaker 24 (01:56:09):
No shop shopping.

Speaker 36 (01:56:14):
Yo.

Speaker 14 (01:56:14):
Yo.

Speaker 48 (01:56:14):
This is Dell the funky almost safe be and Joe
k rex one and yo, check this out.

Speaker 2 (01:56:19):
This is Freddy Fox a k A.

Speaker 15 (01:56:21):
Bumpy Knuckles and you're checking out taking personal with my
people's fill of flavor. keV Law and DJ three sixty
Pip Pop the way it should be raw raw.

Speaker 55 (01:56:34):
Yes, all right, thank you, and all site, all Brooklin
B on site, all up telling all type rum.

Speaker 12 (01:56:41):
B s Ico and I out down in our house.
He swearing that Freddy Fox and all side Rockley your
right pat for years.

Speaker 24 (01:56:51):
That's the blast ust.

Speaker 55 (01:56:52):
To care us one stopping all sup to d J
Room of course you're here all commercialized album.

Speaker 12 (01:56:58):
We come down up that God wicked in the DP
laboratory on.

Speaker 55 (01:57:03):
The second in violence, Timness year for nineteen ninety two
nickto shut out the cheap Joy, all cool, tight, no perspect,
no perspect, all hardcore DJ, no respect a commercial DJ.

Speaker 12 (01:57:24):
We must shot all the way over to the west
and west see.

Speaker 55 (01:57:32):
Now on We're gonna come down wrong thing for today
because of course VDP crew don't playing come down tennant,
pucker your wrong play a one two dead one too
hot again old stop.

Speaker 12 (01:57:45):
We gonna rock his feet to your trop Now we're
gonna kick it out.

Speaker 2 (01:57:49):
Song like this.

Speaker 12 (01:57:49):
Yoh, we got buddy Foxy cams one on the microphone.
So you're not you're not. You're not ready for us
off yet. Let's check it out.

Speaker 55 (01:57:57):
Try cup West says a tel I pick a pina
mother icehome, play my union as an icehole.

Speaker 12 (01:58:05):
I'd be empty the mother night soel but fuck me.

Speaker 55 (01:58:08):
I did nothing nothing, nothing, not logging at nothing nothing.
Ruis car beat Remember the name of the Ruis car Beatie,
not Freddie far You know you're getting healed to us.

Speaker 12 (01:58:21):
You don't nobody. Michaels approprive to kill fuck.

Speaker 14 (01:58:25):
This ship out, my bad plass, the care rest one if.

Speaker 55 (01:58:29):
Yeah, mynther' stun, I'm a father.

Speaker 8 (01:58:31):
Gone checked the flop him be the phone so I
could take it in the front line in the rock door.

Speaker 12 (01:58:37):
Oh brother, sounds all the buck, I could him say
when I.

Speaker 8 (01:58:41):
Hit the sleeve, stop there, because I take the micro
holding and get respected, and then I got spected.

Speaker 12 (01:58:47):
Put it back together, lyric some nules man whatever.

Speaker 8 (01:58:50):
Because you're trying to step into a diffyc I had
you all for luncheon, took.

Speaker 12 (01:58:54):
A ship, came my head better quick fucking with Freddy.
Function gets taken.

Speaker 8 (01:59:00):
Now listen, respect, you do the blacks, the care restaurant
rest Now I'm done.

Speaker 55 (01:59:05):
Yes for the cops. It can never be done because
we aren't number one. Such I get out. I'm got
with the mama.

Speaker 3 (01:59:11):
I toome.

Speaker 12 (01:59:12):
I know they unit.

Speaker 55 (01:59:13):
That's an eyehole. I know, nice ish mama eyehole. Okay, Caprina,
mama idel fuck me. I did not not nigga, nothing,
nothing nothing, remember us remember the name of don't want
type of take just see me. They don't set a

(01:59:33):
fresh But I'm here now.

Speaker 6 (01:59:35):
Will you believe it?

Speaker 55 (01:59:36):
And hear what a pit you're trying to be coop
with the topness a Jimmy Tippy. You didn't know they're
into washing and mumbling what you're saying. I'm sorry, you're
my stop, I'm stuffing. I'm gonna say this once in.

Speaker 6 (01:59:47):
A mean this.

Speaker 55 (01:59:48):
Just attach yourself from my penis. Give my turn to truth,
to breathe. You take shots at me with the weak.

Speaker 12 (01:59:55):
Believe you got no skills, Choll, what's your morning? Give
your heart?

Speaker 6 (01:59:58):
Talk?

Speaker 12 (01:59:59):
Is he got a forty?

Speaker 55 (02:00:00):
My car's not not to eat with the chip when
I read it, roight forgot the hard ship.

Speaker 14 (02:00:05):
You plan up row me.

Speaker 12 (02:00:06):
You don't even know me.

Speaker 55 (02:00:07):
I'll be leaving the gym with you, be like, yeah,
it's a trophy myself with the teacher. Don't propare me.
None of this creature feature off the treacher and that
of rappers.

Speaker 12 (02:00:18):
He arrest work is the chap.

Speaker 55 (02:00:20):
I said, no Mama's I home. I don't, but you
has an I home. I know, I said the mama tel.
I don't take a free I'm.

Speaker 12 (02:00:28):
A tele fuck me.

Speaker 55 (02:00:30):
I ain't not nigga. I'm nothing nigga. That nothing not nigga,
nothing nigga. I'm not nig Rember the name of the
Bruise Call member.

Speaker 12 (02:00:38):
The name of the bruise call.

Speaker 55 (02:00:40):
Yes, sorrow, you don't be like y eighty two s
he coming out into my rock God, I really am Now.

Speaker 12 (02:00:50):
I think you ot to kick the free up in
the park, come down, take the bree with two together.
Fucking hey.

Speaker 2 (02:01:05):
You know that cons from mate, that from doing the
parties and blowing up. That's where that come from, ladies
and gentlemen.

Speaker 14 (02:01:12):
My people's speech area six feet from a flavor, fla three.

Speaker 7 (02:01:18):
A rod my man rods up.

Speaker 13 (02:01:26):
The great will always sore above the media they create,
while others a straw.

Speaker 18 (02:01:35):
All right, coming out of mix too, I was gonna
do a little scarface voice, but he wasn't.

Speaker 19 (02:01:39):
He wasn't that depressed at that time.

Speaker 22 (02:01:41):
He was still ghetto boys type scarface, right, Not that
scarface is depressed, but he.

Speaker 19 (02:01:47):
Didn't have the skull face twang on his voice.

Speaker 5 (02:01:50):
He wasn't preaching yet.

Speaker 24 (02:01:51):
Ye.

Speaker 22 (02:01:52):
That Diary of mad Man was probably the best song
on that album.

Speaker 19 (02:01:57):
You don't know why, because he hadn't seen a man
cry yet until he's seen that.

Speaker 12 (02:02:02):
My opinion.

Speaker 13 (02:02:03):
Of course, I'm gonna go with early nineties over mid
nineties any day, but I think that first Scarface is
his best by far, not even close.

Speaker 5 (02:02:10):
Nothing within ten thousand miles of that album.

Speaker 22 (02:02:13):
And if you guys connect the dots when he said
something about Gravedigga, I actually sampled in the Grave diga
Diary of a Madman sample into that mix. So I
hope you appreciate the connecting of the dots, the nuance,
the nuance.

Speaker 6 (02:02:31):
Uh, you know, Face was a huge proace still is
a huge metal dude. I mean he was. I'm sure
a lot of this was taken from Ozzie and Randy
Road his joint Diary of a mad Man, right, at
least the title.

Speaker 5 (02:02:44):
Yeah, but he he.

Speaker 21 (02:02:47):
Youah, I don't know. I don't know if he grew up,
but he was a very, very big metal dude. So
I think early Scarface is really good. I don't know
if I necessarily agree that's his best album, but I
do think this is probably one of his better tracks.
Definitely the best track off off the album. Maybe Missus Scarfy's,

(02:03:07):
but this is probably one, A, one, one B. What
else is on this mix? We got two deep Gangstar,
we got pumped up by Nice and Smooth.

Speaker 19 (02:03:15):
Oh good one.

Speaker 5 (02:03:17):
That album is so good.

Speaker 21 (02:03:19):
The Nicest Mood Album was a fun album. That was
like pre il ol scratch fun hip hop for me.

Speaker 19 (02:03:24):
Those guys just make me happy.

Speaker 6 (02:03:26):
Yeah for sure. You know what makes uh Dre happy
is the Lord Finess jo.

Speaker 22 (02:03:32):
Yes, this is this is one of my favorite lyrics,
not of all time, but it just is always stuck
in my head.

Speaker 6 (02:03:38):
Serious.

Speaker 22 (02:03:40):
I'm not gonna go on the first part, of course,
because I'm Caucasian, but smacking I'm gonna say bitches up
like Puerto Ricans play handball, even though that's not the
real word. That's what I'm gonna say, smacking them up
like Puerto Ricans playing handball.

Speaker 4 (02:03:55):
To me, that is just so like I can see it,
you know what I mean? And that living in New.

Speaker 22 (02:04:00):
York, the pr community, they they played racketball at Westpord
Stop constantly.

Speaker 4 (02:04:06):
So it was just something that was like one of
those moments for me.

Speaker 5 (02:04:09):
And what's your what's your favorite Lord Finness album?

Speaker 22 (02:04:13):
I think the second one, I don't know, there's a
there's there's a lot of good ones. Technic Funky Technician
was pretty good.

Speaker 6 (02:04:20):
That was the first one. The second one was the
second one.

Speaker 5 (02:04:22):
Return to the Funky Man.

Speaker 6 (02:04:23):
That's my favorite.

Speaker 18 (02:04:24):
That's what I'm all right, Sorry, what's the one with
Brainstorm and the KRS song Awakening, the Awakening, the actual effects.

Speaker 5 (02:04:33):
Yeah, yeah, you guys are straight mid nineties.

Speaker 4 (02:04:36):
The Game, Hip to the No Listen. That was a
good record though it was good. That was a really
good record.

Speaker 13 (02:04:40):
Everything Lord Finess does is good, you can't go wrong.
But also Technician was slept on. It was really good.

Speaker 6 (02:04:47):
That was good.

Speaker 4 (02:04:47):
The problem round. The problem with with that first record was.

Speaker 22 (02:04:53):
It was straight samples, so it wasn't like creatively done,
whereas I think when he got to that Hip to
the Game and all that he was, he was stabbing
and and chopping ship up, and it was a little
more of a creative uh you know, collage.

Speaker 6 (02:05:08):
So to speak. It was like the first Gang Star
album No More Mister.

Speaker 4 (02:05:12):
Exactly exactly the same.

Speaker 49 (02:05:14):
You know.

Speaker 13 (02:05:14):
Also his first album, Funky Technician, it was not promoted
at all. No was that wild Pitch wild this wild
Pitch and listen that was right in my sweet spot
and I barely heard the album.

Speaker 5 (02:05:27):
Wait, I mean you had to really dig for that one.

Speaker 22 (02:05:29):
I think people forget if you sold thirty thousand copies,
you won, you were so ahead of the game. That
was considered a success. So they didn't have to do that.
They didn't have to promote any of these guys, and
they didn't and you never had superstars. But what I
want to ask is, does Lord Faness just like live

(02:05:50):
in what's his name is? Like basement?

Speaker 13 (02:05:52):
Oh?

Speaker 4 (02:05:52):
The comedian median?

Speaker 6 (02:05:54):
Yeah, what's what's the guy name?

Speaker 19 (02:05:56):
Peters?

Speaker 6 (02:05:58):
Russell?

Speaker 4 (02:05:58):
Peter Russell Peters.

Speaker 21 (02:06:00):
Yeah, I didn't want to say a few years ago
we talked about how he did all these rappers are
kind of like freeloading off this Russell Peters dude. Yeah,
and he wasn't minded because he he loves to stay
within that hip hop world that he he you know,
wants to be a part of. So yeah, it's a
little weird because these guys are grown men, like in
their fifties.

Speaker 4 (02:06:20):
They're like his toys.

Speaker 21 (02:06:21):
They're all like hip hop Cato, Caitlin's you know what
I'm saying.

Speaker 5 (02:06:25):
Just chilling, That's exactly what it is.

Speaker 4 (02:06:29):
But it's funny.

Speaker 22 (02:06:29):
He was in the news this week because he was
at a like a New York City little diner spot
or some small restaurant club.

Speaker 4 (02:06:37):
And who was there but cool Keith Man.

Speaker 11 (02:06:40):
Oh.

Speaker 6 (02:06:40):
I thought, yeah, that was that was cool. That was
a really welcome thing.

Speaker 4 (02:06:45):
Yeah, yeah, absolutely, that was kind of cool.

Speaker 6 (02:06:48):
That's what he loves.

Speaker 4 (02:06:49):
I mean, here's the thing is why sitting right next
to him, there's no way she's like, what's going on
with this?

Speaker 21 (02:06:57):
He Yeah, you know it's luck. We already talked about
this ad nauseum. But I don't know if I find
him funny, like the way like you would.

Speaker 63 (02:07:08):
Find you're like Terry Spears so unportant lately. Harry Spears
is so funny because he's so talented. He can do
all these different like impersonations.

Speaker 4 (02:07:19):
Yeah, and he interacts with the audience really well.

Speaker 22 (02:07:21):
And Russell tries to do that, but it's usually like
an ethnic thing, so like if that doesn't fly over,
then it's sometimes falls on deaf ears.

Speaker 6 (02:07:30):
Do the best is Ari Spears is tony soprano.

Speaker 4 (02:07:34):
Yeah, very good.

Speaker 64 (02:07:35):
And I'm a fucking doing a hitch for my shelf.
I got guys for that question for Paul, you know,
fucking uncle Don Johnny Shack. If I get caught, then
I'm going to fuck a jail. It's gonna happen to
my kids. Been on a j I gotta be here
with a.

Speaker 6 (02:07:46):
Basish ket did you ever hear Ari Spears? You know
Ari Spears? Is I think so? But I don't.

Speaker 4 (02:07:52):
We have a drop from him too.

Speaker 55 (02:07:53):
You always up to the boy Airy Spears and you're
listening to the Taking Personal podcast, Keep you locked up.

Speaker 18 (02:07:59):
So about thirty minutes before we started recording tonight, Jason
all of a sudden sends a text to me of
a SpaceX ship exploding in Florida over the Florida Skies.

Speaker 6 (02:08:12):
I guess.

Speaker 18 (02:08:13):
And then you said another video It looked like it
was from your phone. Did you take that footage? Was
that the baseball field? And you saw it well before
flying through the sky.

Speaker 6 (02:08:23):
That was before we found out it was SpaceX.

Speaker 22 (02:08:25):
Oh so I didn't see it that it that it exploded.
I always I always saw stand right. So well, they
lost contact, is what's happened?

Speaker 6 (02:08:33):
Well, that was during the takeoff.

Speaker 21 (02:08:35):
But then when it hit paying back, I guess, and
then hit the surface, it started to burn up, burn up,
and for a good two three minutes. You just saw
this light and you know what are we thinking. We're thinking, Oh,
maybe it's a star or some kind of comment. Although
it wasn't moving a spout as that normally would.

Speaker 4 (02:08:55):
I think Aaron and I are thinking missile command.

Speaker 5 (02:08:59):
I'm thinking we're there.

Speaker 19 (02:09:01):
I don't I don't think so, I don't think I
think it was unmanned.

Speaker 21 (02:09:06):
Okay, hopefully fucking He's in the news every single day.

Speaker 4 (02:09:10):
He's going to be the new Trump in the news
every day.

Speaker 19 (02:09:14):
He looks so weird. He literally he looks like a robot.

Speaker 4 (02:09:18):
And definitely ultra rich people are weird.

Speaker 5 (02:09:21):
It goes hand in hand.

Speaker 6 (02:09:22):
That's just the way it is.

Speaker 5 (02:09:24):
If you're ultra rich, you're ultra eccentric, and you're ultra weird.
It all goes hand in hand.

Speaker 21 (02:09:28):
Yeah, what if he's like reptilian we find this out
from years from now, like.

Speaker 22 (02:09:32):
V Well, Aaron, I have to tell you your Aaron's
Obits was a very weak first episode, so thank.

Speaker 19 (02:09:42):
God kidding me. We got to play it. Who done it?

Speaker 14 (02:09:46):
Game?

Speaker 19 (02:09:46):
We played the game of Clue. We basically played clue.

Speaker 4 (02:09:52):
So we'll take each week, we'll take someone who has died.
We'll have to recreate the death.

Speaker 22 (02:09:55):
If it's an unknown mystery unsolved.

Speaker 6 (02:09:58):
Colonel with the candlesticks.

Speaker 21 (02:10:01):
We got Gene hacked man, we got Roy Airs, and
we got David Hasselhoff's wife.

Speaker 6 (02:10:05):
Yes, death comes in threes.

Speaker 4 (02:10:08):
I think there's more than that. Dolly Parton's husband.

Speaker 19 (02:10:11):
It's a lot Jesus Christ. This guy knows all the
spouses that are dropping, like flying Carl Dean.

Speaker 22 (02:10:17):
They made a lot of songs about him, Joe Lean Dean. Yeah,
jo Leane was made about him. I will always love you.

Speaker 6 (02:10:24):
What about Jim Dean from Evidence?

Speaker 18 (02:10:26):
Yes, OK, guys, we're gonna make like a bad check
in Bounce, wrapping it up one sixty two.

Speaker 19 (02:10:32):
We hope you liked all those songs for the nineteenth time.
See you next time.

Speaker 22 (02:10:37):
I think maybe we played two of those songs cav and.
I know you want to go to bed, but you
know it's oh man.

Speaker 21 (02:10:45):
All right, well look we're gonna take you out with
some cosmic art. This is the uh off of the
X Clan. What's this album?

Speaker 19 (02:10:55):
Exodus?

Speaker 6 (02:10:56):
Exodus Exodus?

Speaker 21 (02:10:57):
This is where Wade was April national code switcher around
this time? Right, yof you wear his cross colors?

Speaker 5 (02:11:05):
Hell yeah you, I owe you yo jeans, I owe you.
I had the twist top at remember that.

Speaker 4 (02:11:13):
Oh what about the steel toe boots?

Speaker 5 (02:11:16):
I had steel Toe's shoes, Polka dot shirt.

Speaker 4 (02:11:19):
Dude looking like a fucking albino ka.

Speaker 5 (02:11:22):
Clown clown shoe, bown shoe.

Speaker 6 (02:11:25):
You know what, if you could laugh about it, now,
that's really It was a great time.

Speaker 3 (02:11:30):
Man.

Speaker 18 (02:11:31):
Hey, we're gonna we're gonna get out of here, but listen,
a couple episodes from now, we're gonna do something really cool.
We're gonna go and dig through Andre three thousand's greatest verses.
There might be some tracks, et cetera in there, just
some nice kind of homage to Andre three thousand that episode.
If you're a Patreon subscriber, we are going to send
you a harmonica in the mail.

Speaker 19 (02:11:53):
So you'll be able to play along with all the
tracks at home.

Speaker 6 (02:11:56):
Okay, you can't wait.

Speaker 18 (02:11:57):
It's gonna be the first take it personal play along episode.

Speaker 6 (02:12:01):
I think he did those good hormy Yeah.

Speaker 19 (02:12:04):
He's to blues travel ship man.

Speaker 5 (02:12:09):
Shit you played in sixth grade. That's what it is.
The recorder, it's a recorder.

Speaker 18 (02:12:15):
We'll send you a recorder, play along and all with
you take a personal crew.

Speaker 6 (02:12:19):
We'll catch you next time. My god.

Speaker 1 (02:12:30):
All right, folks, that concludes episode one sixty two.

Speaker 6 (02:12:35):
Can you believe it?

Speaker 1 (02:12:36):
Get ready for two Mammoth episodes coming your way.

Speaker 6 (02:12:39):
This April.

Speaker 1 (02:12:40):
We've got one of the best rappers to ever do it.
And on the other episode, Andre Benjamin often imitated, never duplicated.
This is taking personal radio, Roger the announcer out.

Speaker 25 (02:13:44):
Yeah, yeah, you know, so many people ask me who
is God? And when I'm telling God is love, the
reaction is quite mortal. But the UK is being built
and so the awk will flow and there's a call
to the Father, you know, one two one two.

Speaker 2 (02:14:04):
It goes a little something like this. Check it out,
Zerbra two nine. I got to be on time because
the Arc takes sleep for the Coplic.

Speaker 65 (02:14:11):
Ride all year and the hardest strong m so if
you know what, sing along.

Speaker 2 (02:14:16):
Server tune nine.

Speaker 65 (02:14:17):
I got to be your on time because the Arc
takes sleep for the Coplic ride all year.

Speaker 18 (02:14:22):
Put your head to the.

Speaker 2 (02:14:23):
Heavens and let us all turn together, Silver tune nine.
I got to be your on time because the.

Speaker 65 (02:14:29):
Arc takes sleep or the Coplic rides. To pack up
your servants and your urbs and fruits and milatary shackles.
It's time to break place that's straight from the Bay
South Dumb Daddy dumb, clear my land and has the
big tree thumps that they using the temple little boys
so many times a kicking session from the planet Earth,
and how they call me funk a lesson and mixing
herbs and burns and make the big chunk Chunk's son

(02:14:50):
your too, a black silverb, powerful birds, some mad they trying.

Speaker 2 (02:14:53):
To pin the lb and only if you deserve the fuck.

Speaker 25 (02:14:55):
Some of the brothers goes deep, quite deep pyramid and
milver never sleep, price to step by step through the
rays of the new sun. Or a nine strong son
for the one God's son four years gone with the
African drum. If you play a skin now, then run
because it's time around. I got shipped roof this co
question your vibe, my style, let's be proved this eighty six,
eighty seven, ninety one, ninety two.

Speaker 12 (02:15:18):
What can you do?

Speaker 25 (02:15:18):
What they kind of tail to besides have a problem
with me, it's by the way you're fun my listen
to My people are fraid like speaking that old paint
caddy as a lean back my stats like the old
pen caddy on and off from sun to sun down.

Speaker 12 (02:15:31):
What's to be the site for them?

Speaker 25 (02:15:33):
But silvil seats round so many sakes for time, but
Dona where it's the early time. He's on the risk
of show were whereas my rap pass must say cast
my drum that watch out Kate Boyd. No doctor chivery
comes him to crab. But verbasic slack is longer in
flatter than give. It's a hurst back, a run your
simple flag because of represent a brave bar. Don't like
my stats, don't like my behavior. I don't follow your

(02:15:54):
rules and laws to order the square take my sword
found them off. There's no funting in the realm. The
truth to bringing your double trees and your thirteen two's,
it all adds up to the sumpter threes and three
sixty is the path.

Speaker 12 (02:16:07):
For me to zimbra two.

Speaker 65 (02:16:08):
Now I got to be your time, the un taste
to leave for the consul ride, to pack up the
service and your urbs and fruits and natury shackles.

Speaker 25 (02:16:16):
It's time to break loose like a goose, small soul,
like an ibis running for your brain cell.

Speaker 2 (02:16:22):
The hype this has a shape, break damn it. Partake
and do all the things, and I know you can't take.
Your only challenge is the model debate.

Speaker 25 (02:16:29):
To try to match up, must sow to your dust slaves, renouncements,
civil verbs, props and actives.

Speaker 2 (02:16:35):
It just amit it with your moralist actives. Give your
mortal silly models your bab you'll tell your passive scientifics
and they.

Speaker 12 (02:16:40):
Come to reality.

Speaker 25 (02:16:42):
But to see the notable, so you know we're not
a rap coup are some super high blue troop. It
spread to the blacks and the green thanks to leading
the fly death on the scene. That makes your wonder,
It makes your contemplate. They kill Jesus Christ.

Speaker 2 (02:16:55):
It's on a good.

Speaker 12 (02:16:56):
Lady check the master man.

Speaker 25 (02:16:58):
I won't question because from the parts, how about I
my lessons so on to the scale, I'm your lesson,
please the father all hell fucker lessons.

Speaker 43 (02:17:06):
Five Vanrias drift getting stream on those that didn't. Different
fucking motion outfly is your grip? Watch the beat, gom
fript me the for the sun the castius myth and
you thought you were slipping quick clear your vision rights
in the mixed casting a shadow on those happens and drink.

Speaker 25 (02:17:25):
Home with own when there's my flex, don't bend be
on myno coat bots and no trend if in your
care of like, we would want to play and sit
by the radio for what I gotta say. You're Jammi
corn track with nice sus Justice and god leap pesters
and resemble Uncle Festa. They had a problem when they
came to one need and now recently as to the
way something ease when it's the open hard love. The

(02:17:46):
language turned too perpersh and life strife and English years
and years of the blood ship tears. So I brought
my skills so much to don't pay. I'm always pre
supposed to unlaw fix. It's always something to the sword
from the hills and speaking down teeth off kill. And
I'm trying to steal when they know they can't deal.
Because my brother Miss Vibe before coctive put tea box

(02:18:07):
for all the probex selectives. Now I'm gonna goin and
I wait you because I always learned them dot come
let them shake you.

Speaker 2 (02:18:14):
Poor ride on the other side, ain't candy by no
gas on the moon soon room.

Speaker 25 (02:18:19):
As I picked up my brooms, the wore cris zoom
on the devil trying boo hoo. I ain't that a
trip to the flip the more ways death When the
flips the lips, so the words and the birds in
the second popordscause they keep the funt flowing in the
black still nerves. Yeah, the cosmic galk and they step
to room of Aradane Slam and on theft pace.

Speaker 2 (02:18:39):
Protection, to the red, to the black, to the PA
with the

Speaker 6 (02:18:45):
City f

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