Take It Personal Flashback (Atmosphere Tribute)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Sister this flavor flame boy, and you re doing.

Speaker 2 (00:06):
The hottest underground hip hop spot on the neck and
you're checking out and drink up Perso.

Speaker 3 (00:16):
Right about now, you're in the house.

Speaker 1 (00:18):
J I'm with my man d J three sixty. Now
I'm cool with my man.

Speaker 4 (00:24):
My man, Pavlog Pavlog and my man, my my, my man.

Speaker 5 (00:33):
Jason lost Jerk.

Speaker 1 (00:35):
That Prso that personal first check it out. This is
Prince parn you're checking out to.

Speaker 3 (00:43):
Drink up Purso reference love flavor and.

Speaker 6 (00:45):
All that r yeah, yeah, yeah, what up y'all? This
is time sense and right now you're listening to the
drink up Pursho.

Speaker 5 (00:51):
You rock drinking personal ystra Chill.

Speaker 7 (00:54):
He's in the house, will you're right now, I'm cool
with my man d J e sixty, Kevlotti them a man,
Jason loss On take a cresshow let you know, don't
touch that death it's blood.

Speaker 8 (01:07):
D and the hand hand and Chum eight nine being
gum pad mom p for Reginam currently with Ron Arm
prow Head, Jake a Crushow, the clean wrong on Almos.

Speaker 9 (01:23):
Rell Real.

Speaker 1 (01:33):
They loved the taste of blood and I don't know
what that means, but I know that I needed that.

Speaker 10 (01:39):
Maybe their receivs they see or maybe I'll only look
up the window when it's seen it.

Speaker 1 (01:45):
The atmosphere finally made a good record year right, that
ship almost sounds convincing.

Speaker 11 (01:51):
The last time I felt a sick and contradictive is
this was the last time we played a show.

Speaker 1 (01:55):
And since get real, they tell me, only they knew
how real this life really kicks, they would stop acting
like a silly bitch. They wouldn't respect the cock whether
or not they believed.

Speaker 10 (02:07):
And it doesn't take fuction. That's messed up because these
people do a lot of.

Speaker 1 (02:12):
Simple shit to impress us. While let me one was
trying to out do.

Speaker 10 (02:15):
The last man, I was just a ghost trying to
catch some back.

Speaker 1 (02:19):
Man.

Speaker 10 (02:19):
Hello, man, would you be interested in some sexual positions
and emotional investments?

Speaker 1 (02:25):
See I'm not insane. In fact, I'm kind of rational.
Would not be.

Speaker 10 (02:29):
Asking no where it did or the passion goes.

Speaker 1 (02:31):
Toast West Coast house out for it? How it days?
Everybody knows how they gets rush. Somebody give me.

Speaker 10 (02:37):
A big yes, God, what's America? But she's got to
be from pleas chef.

Speaker 1 (02:42):
Now I'm to fucked up.

Speaker 12 (02:44):
To day.

Speaker 1 (02:44):
So I'm gonna sit with my hand on the front
of my hands.

Speaker 10 (02:47):
You can't ache your ghost if you don't take that ship.
Go pry open that shrunk and get those saying for.

Speaker 1 (02:53):
No kay Kats and quintins.

Speaker 13 (02:55):
I wasn't Chester to treat me like a god, or
they treat me like a leopard. See me move back
and forth, which me brothe.

Speaker 1 (03:02):
I'm trying to find a balance.

Speaker 13 (03:03):
I'm trying to build a fast in the taste of
things and quins I was.

Speaker 1 (03:07):
At Chester treat me like a joy on they shreat me.

Speaker 14 (03:10):
Like a lever.

Speaker 13 (03:11):
See me move back and forth between both. I'm trying
to find a balance. I'm trying to find a balance.
I'm trying to build a balance. I'm trying to find
a balance. I'm trying to build a balance.

Speaker 10 (03:27):
So now my kids will throw sigh on my pets
because they make most of their move so for instinct
in six sleep, fuck and self defence. So straight you
get set your clocks and place past and wait right
way on a blind tap. Some said, hustle, maybe your
propable love what you say. He's trying the feet across
a pic naked playing an empty bag of seat and

(03:49):
a fake shake of hand.

Speaker 1 (03:51):
I got some last words.

Speaker 10 (03:52):
Fuck only y'all writing raps and don't play Folley hoole
Joy is turning the world in a hurry because my
attorney didn't put enough girls on the jury. Kill I'm
dropping his farms in the city bottom in the sixth
off is the motive. That's while you're killing them, killing
my fight, you're in all fifty butt them in a
single vinement on my equilibrium.

Speaker 13 (04:13):
In the case of Kings and Queens, I wasn't Chester
treat me like a god?

Speaker 1 (04:18):
Or they treat me like a leopard?

Speaker 15 (04:19):
You see me move back and forth with me wroth.

Speaker 13 (04:22):
I'm trying to find a balance. I'm trying to build
a balance. In the case of Kings and Queens, I wasn't.

Speaker 1 (04:27):
Chester treat me like a god? Or they treat me
like a leopard?

Speaker 16 (04:31):
You see me move back and forth?

Speaker 17 (04:32):
Which we growth?

Speaker 13 (04:33):
I'm trying to find a balance. I'm trying to find
a balance. I'm trying to build a balance. I'm trying
to find a balance. I'm trying to build a balance.
I'm trying to find a balance.

Speaker 1 (04:50):
I'm trying to build a balance.

Speaker 15 (04:55):
I gotta find my balance.

Speaker 10 (04:56):
I gotta buy my.

Speaker 18 (05:05):
Take your personal episode nineteen baby, fresh off the Mayhem,
lorent and Planet Asia treats, We're now taking you to
the streets of Minneapolis, Minnesota. That's right, we got the
one and only slug O coming through from Atmosphere.

Speaker 19 (05:19):
Ry I'm saying is entertainment, Baby.

Speaker 18 (05:21):
We got them holiday treats coming all season long for y'all.

Speaker 19 (05:24):
So sit back, relax.

Speaker 18 (05:25):
We got episode twenty on deck. Shit's about to get
crazy around here. Love all you motherfuckers out there tuning
in on a regular basis for real.

Speaker 19 (05:33):
My heart is big for all of y'all.

Speaker 20 (05:35):
All right, over two decades of music, they've toward their
asses off. This is how they made a name, is
how they stayed in the game. Atmosphere is the group
we break bread with.

Speaker 17 (05:44):
Slug.

Speaker 20 (05:45):
I want to thank Johnny Doobie. I want to thank
my man Aaron Wade. There's a little history with Slug.
Oh hey, hey Ron. And of course we have the
announcer of the show now officially mister Roger. Watch Roger
do his thing.

Speaker 17 (05:58):
What's up?

Speaker 1 (05:58):
What's up?

Speaker 21 (05:59):
And of course I want to thank you guys for
tuning in to take a personal radio dot com.

Speaker 22 (06:03):
We try to give you all the special treats, but
you're also getting some good insight.

Speaker 21 (06:08):
You're getting the special remixes by DJ three to sixty
yours truly on top of the multitude of playlists that
we've done over these last eighteen shows. Spread the word,
Make sure you give your reviews. Tell a friend, take
your personal radio piece.

Speaker 23 (06:29):
What up though this is a slug from atmosphere right
now you're checking out, take it personal with my people.

Speaker 24 (06:35):
Philip Flavor, Kevlar, DJ three sixty and the one they
called Aaron Wade. He's He's kind of like Key Money
to Mailman from your MTV raps, except he's white in
for Wisconsin.

Speaker 17 (06:46):
Word up.

Speaker 10 (06:49):
The first time I met the Juggle was at a
Motel six. She left Hell to spend a weekend on Earth.

Speaker 1 (06:54):
Just for kicks.

Speaker 10 (06:55):
Sexy little bitch sort of than expected, about five foot
five thick in the breast of eyes due to ful
dark guys, a strong.

Speaker 1 (07:03):
Stare, large lips, soft hands, and long hair.

Speaker 10 (07:06):
I said, I'll make you smile to the simple fact
I'm good at it. I'll make you smile just so
I can sit and look at it.

Speaker 14 (07:12):
Look at it, Look at it looking at it.

Speaker 1 (07:23):
I will show you or you need to know.

Speaker 10 (07:26):
You must hold onto anyone that wants you in. I
will love you but the simple and the struggle. But girl,
you gotta understand the modern man must hustle. I will
show you or you need to know. You must hold
on to anyone that wants you in. I will love
you people, simple and the struggle. But girl, you gotta
understand the body man must hustle. He cares what Jane says.

(07:47):
She always fits the same spit. I'd rather kill the baby, yo,
and listen to the rain. Here little sister needs aeclusion.
Somehow she'll discover that you keep the pots and got
used to the feeling of falling. But you'll never see
your following by some back and forth between the healing
and the hollering, riding the outer rings of your own
rabbit satter, part scatter all across the grain.

Speaker 1 (08:07):
That a little baby dog. She doesn't know what to
say to you.

Speaker 10 (08:10):
All the patience is shortened, of course, the brightest raight
you tall break it all smashed in the past like
it was made of class. Ain't no other way to
make it last anywhere to watch Lucy Lewis and dream.
I've had the pleasure of seeing our hero kicking scream,
and when she calms down, I'll turn the sound down
and put my arms around the liddle lost and found man.
I'll tell her that I will show you well. You

(08:32):
need to know you bus hold on to anyone that
wants you in. I will love you, simple and the struggle,
but girl, you gotta understand the body man must hustle.

Speaker 1 (08:42):
Will show you or you need to know you bus
hold on to anyone that wants you in.

Speaker 10 (08:47):
I will love you simple and the struggle, but girl,
you gotta understand the body.

Speaker 1 (08:52):
Man must hustle. I spent how bar, I spent on
cop car.

Speaker 10 (09:06):
I spent game to the chicks that belongs or blotched stars, got.

Speaker 1 (09:10):
The goods some town that Hollywood. So what you don't
like us?

Speaker 10 (09:13):
Your girl probably boyd letting the keep days on the freeways,
A close say and nurses out go baby listen in
the ghost face. We'll hold up and let me smile
for a minute while I looked across the sky through
the limit.

Speaker 16 (09:24):
I mean get it.

Speaker 1 (09:25):
I'm gonna ride this over the coast until the wheels
fall off, and.

Speaker 10 (09:27):
I'm gonna ride your CANi roll until the iell go
so like a journey through the mind of a wonderful kind,
self made motherfucker that's to join this.

Speaker 15 (09:35):
Time on land, on air, all mics.

Speaker 17 (09:37):
And on seat.

Speaker 1 (09:38):
Let it all just be good times on me is California,
phone flys breezes in the world. If we could roll
up them Blezzi, Don'll make your.

Speaker 10 (09:45):
Toes her ghost tough tough pass and you can kiss
my ask you didn't know you ust to list the
glasses sunshine one time them seas with punchlines, hit elements,
that Sunda they put it on the front line. Tell
them all to make some rockets for the fuckers in
the clutches and the soldiers in.

Speaker 1 (09:59):
The trench s and the winches on the guest list
to call Heaven.

Speaker 10 (10:02):
Tell them got a situation where since seven came to
breakfast and left with all I say, been hot bar
that's been on cop cars I speak getting to the
chicks doublelong of rock stars got the good sometime that Hollywood,
So what you don't like us, your girl probably would
spend hot flowers I spent on cop cars I speak,
gaging the chicks that along the rock stars got the

(10:22):
goods sometime the Hollywood. So what you don't like us,
your girl probably would when you say you love me,
When you say you love me, you love me, love me.

(10:57):
I had a rough tape, but that's life, it happens.
Woke up on the dark side of my mattress. I
guess I forgot to set my clock overslapt almost lost
the job being the top it off. I'm kind of hungry.
You can't eat till I find my money. It's in
my wallet, but my wallet ain't in my pocket. Can't
remember the last time I saw it, and they don't

(11:18):
want me in a bad mood, afraid that it is
spreading everyone to catch an attitude. They got them all
singing the same tone. Thinking I should go and start
a fire in the breakroom. Coworkers make me sick, and
the manager really ain't shit, But I can't quit, so
I'm hiding in the basement, holding onto my face, like
fuck this place.

Speaker 1 (11:38):
Every day can't be the best, stink.

Speaker 10 (11:40):
Do what you can right now on sit take That's
why we try to make love and get me paid.

Speaker 1 (11:45):
Take the bad with the good that less play. Every
day can't be the best, stink. Do what you can
right now. On when sit take, that's why we try
to make love and get paid. Take the bad with
the good, that less play. Hell now't going to school?
Teachers a jerk.

Speaker 10 (12:00):
He must think I'm a fool. And all the kids
mess with each other always, all day class warfare up
and down the hallways. And if you ain't popular, nobody
talks to you unless they mocking you, not even the
bus driver or the hall monitor. I might as well
climb inside my locker. It's a bad day, bad week,
and a bad month. Don't nobody want a trade with

(12:21):
my bag lunch. Someday I'm gonna be so cool, But
for now, I got cheap shoes, so I keep losing.
Girls give no love to a poor man.

Speaker 1 (12:30):
It's a prison. The clock is.

Speaker 10 (12:31):
Warding, and it won't get no better when I get home.
So I listen to the voice in my headphones. It's say, every.

Speaker 1 (12:37):
Day can't be the best day. Do what you can
right now. Don let's take. That's so I would try
the good that less play.

Speaker 10 (12:47):
Every day can't be the best day, Do what you
can right now on let's take. So I would try
the good.

Speaker 25 (12:56):
That less playgab regab it regain.

Speaker 1 (13:07):
Yes, sir, I like some breakfast. We stopped serving breakfast.

Speaker 26 (13:12):
I know you stop serving breakfast, Rick, Sheila told me
you stop serving breakfast.

Speaker 5 (13:18):
Why am I calling you by your first names?

Speaker 26 (13:20):
I don't even know who you are. I still call
my boss mister. I worked for him for seven and
a half years. But I walk in here all of
a sudden, total stranger. I'm calling you Rick and Chila
like we're in some kind of AA meeting. I don't
want to be your buddy, Rick, I just want a
little breakfast.

Speaker 27 (13:34):
Oh you can call me miss Filson if you want.

Speaker 28 (13:36):
Sheila, we stopped serving breakfast at eleven thirty.

Speaker 16 (13:40):
Rick.

Speaker 26 (13:41):
Have you ever heard the expression that customer is always right?

Speaker 23 (13:46):
Yeah?

Speaker 5 (13:48):
Yeah, Well here I am the customer.

Speaker 1 (13:54):
That's not our policy.

Speaker 29 (13:55):
You have to order something in the lunch menu.

Speaker 16 (13:58):
I don't want lunch.

Speaker 5 (14:00):
I want breakfast. Ye Hey, I'm really sorry, Yeah, hey,
I'm really sorry.

Speaker 10 (14:07):
To ain't no way to explain to say how painful

(14:34):
the hangover was today in front of the toilet, hans
and knees, trying to breathe in between the dry hands
my baby made me some coffee. I'm afraid that if
I drink, Summer's probably coming right back out me a
couple of advils. Relax and chill at a stand still
with how bad I feel. I think I need to
smell fresh airs. So I seeped out the backdooring fell

(14:56):
down the stairs in the sunlight hit me dead, and
I like it. Mad that I gave half the day
to last night. The bad sight made me trip on
my ass right into that patch of grass, like that's life.
All of a sudden I realized something. The weather is amazing,
even the birds are bumping. Stood out and took a
look and a breath. And there's that bite that I

(15:17):
forgot that I possessed. Never really seen exercises friendly, but
I think something's telling me to.

Speaker 1 (15:22):
Ride that speed.

Speaker 10 (15:24):
The breaks are broken and it's all right. The tires
got air and the chain seems tight. Hot con it
felt the summertime. It reminds me of one of them
who sob lines like the.

Speaker 30 (15:34):
Sunshine sun shines fine, feel it in my skin warming up.

Speaker 10 (15:38):
Mamms, suns, you gotta give in to win. I love
the jase when it shines, roes and it.

Speaker 30 (15:43):
Shine, sunshine, sun shines fine, feel it in my skin
warming up mamms suns. You gotta give in to win.
I love the jase when it shines, roes and it shine.

Speaker 27 (15:59):
Shine.

Speaker 1 (16:05):
If I could, I.

Speaker 10 (16:06):
Would keep this dealing in a plastic jar, bust it
out whenever someone's acting hard, settled down, barbecue in the backyard.
The kids get treats and no folks get classic cars.
Every day that gets to pass as a success. And
every woman looks better in a sun dressing. The sun
shines an.

Speaker 1 (16:22):
Excuse to shoot loops, get shoots, show.

Speaker 10 (16:25):
Improve and moves and let loose. I hear voices, I
see smiles to match them. Good times, and you could
feel it in the fashion. Even though the heat cooks
up the action in the streets. Noill got butterflies enough
kids to catch him riding my bike around these lakes,
man feeling like I finally figured out my estate plans
to get all in the day started off all wrong,

(16:45):
but somehow now that hangover resolved gone.

Speaker 1 (16:48):
Ain't nothing like the sound of the leaves when the
breeze penetrates.

Speaker 10 (16:51):
These south side trees leaning up against one watching the
vibe forgetting all about the stress thanking God, I'm alive.

Speaker 1 (16:58):
It's so simple. I had to keep the song simple.

Speaker 10 (17:01):
And when I get home, I'm doing the opening of
the windows, feeling all right, stopped out a stop signed, the.

Speaker 1 (17:06):
Car pulled up, bumping fresh princess, summertime.

Speaker 10 (17:11):
Here.

Speaker 31 (17:11):
It is a groove, slightly transformed, just a bit of
a break from the norm, just a little something to
break the monotony of all that hardcore dance that it
has gotten to be a little bit out of control.
It's cool to dance, but what about a groove, the
SuDS and moves romance.

Speaker 1 (17:27):
Give me a soft, subtle mix.

Speaker 31 (17:29):
And if it ain't broke, then don't try to fix it,
and think of the summers of the past. Adjust the
face and let the alpine flask pop in my ceddn.
Let me run around and put your car on cruise
and look back because this summer time.

Speaker 1 (18:07):
Check it out, your boy MC search Yo.

Speaker 8 (18:09):
Lima DIRECTA lot of Yo was good.

Speaker 17 (18:13):
Ribnic, let's up.

Speaker 18 (18:15):
This is be real, doctor Green thumb blazing them twenty
four to seven.

Speaker 17 (18:18):
Take it personal, personal.

Speaker 16 (18:21):
Tip, pop the way it should be.

Speaker 23 (18:23):
I know what it is, man, Take it personally, you
already know.

Speaker 32 (18:26):
Take it perst shaky pert shake first, second person first.

Speaker 10 (18:30):
I want to get some, but most of them should
go and try to boost the month the income. Speaking
over beats, it's the only time I feel complete. I
don't hear the weekend. I don't hear the beat said,
what you got? Connect the dots. I raised the spot
and removed the blood of light from the brain of
hip hop. The name remains in tiptop Shake. I'm still
the Black Wrappers skap though, and the aim of they
hate I came in lately. It took a chair in

(18:51):
the rear, but my classmates were unaware how long I've
really been there, and my fears.

Speaker 1 (18:55):
Have been held back for years, holding back the tears.
Everybody knows our name like we was a cast from
Cheers to the Good Time.

Speaker 10 (19:01):
Tonight is mighty special. Sebasting your sun belts because I'm
a launch. This vessel ain't gonna land until I'm bigger
than next boat and bigger the next the scene, bigger
than bigger than Jesus, and bigger than wrestling, bigger than
the beetles, and bigger than Breaston plants. It's gonna be
the biggest thing to hit these little kids. Bigger than
guns bigger than.

Speaker 1 (19:20):
Cigarettes and cigarettes cigarettes.

Speaker 10 (19:50):
I used to know this woman who had the most
beautiful tattoos on the top sides of both of her hands.
She was forty three years old, and as far as
I know it, never she had been with a man.

Speaker 1 (20:02):
It's not that she wasn't attracted. She was, and it
was the way that she interacted.

Speaker 10 (20:07):
She was aggressively passive, to the point where she would
have intimidated any men they ever tried to catch it.
On the right hand, she had a tattoo of a
new girl. She claimed that this what God was symbols.
But on the left she had a mireandemic to the
same female, and this one, she explained, looked like they temple.
I remember once watching her touching her own breasts. How

(20:29):
the tattoos smiled as they stand on her stomach, as
if anticipating when they'd be allowed to correct.

Speaker 1 (20:34):
The sweet flower that they both seemed to hug. Sweet slip.

Speaker 10 (20:38):
Maybe I was high, but it felt so right in
Heaven and Hell both take to this woman's warmth.

Speaker 1 (20:43):
It didn't make sense.

Speaker 10 (20:44):
It's how she could commence to the south with me
wide awake in the same room.

Speaker 1 (20:49):
But if I've learned anything.

Speaker 10 (20:50):
In my years, I've learned I no longer believe in
surprise what happened next to him.

Speaker 1 (20:56):
This though my tears, the tattoos came alive right in
front of my eyes. They both slowly stood up.

Speaker 10 (21:02):
They climbed off her hands and showed me why she
never took some time with the man. They climbed deep
inside of this woman's cord. She closed her eyes. She
gently hit her bottle with it. I stepped, I left,
and I don't regret leaving, and I'll never forget all
the things I saw that evening, a glimpse of religion.
I'm gonna be some clumbing closer to understanding more. Robert

(21:23):
Waiting tricks me most. I didn't get turned on. I
just got turned I wasn't as aroused as I was
concerned for each one up on my purtin every time
I've been burned.

Speaker 1 (21:33):
I've got a lot to teach, but even more to learn.

Speaker 10 (21:36):
So now like to keep my eyes open, hoping to
take it and all I can about women taking in.

Speaker 1 (21:42):
All she can.

Speaker 10 (21:42):
As long as I breathed, I'll say a seating my
memory pulled that woman with the tattooed hands. They stood nibling,
each individual figs and the five steeds and feeds. I
desires as long as we keep wasting being in spy,
she can fight a bottom lift off.

Speaker 1 (21:59):
She wanted.

Speaker 10 (22:00):
They should nibbling each individual fidentify saints and thieves. I
desires as long as we keep bosky ring and splashing,
invite her bottom lip.

Speaker 1 (22:10):
Wh God, I don't have it. Oh man, we'll hear everything.

Speaker 16 (22:19):
Man, you.

Speaker 17 (22:21):
No, man.

Speaker 10 (22:24):
All she wanted was a little bit of solid feels
like it doesn't matter.

Speaker 1 (22:28):
What she's falling.

Speaker 10 (22:29):
Heel those cuts aide and underneath the polish breaking up
the promise can take.

Speaker 1 (22:33):
Me as a hostage. Hold your jobs out and.

Speaker 10 (22:36):
Let the zombie s crowled around making mommy scouts and.

Speaker 1 (22:39):
It's a chops down.

Speaker 10 (22:40):
Keep it safe for me while I take a fantasy
and swarmers through the galaxy, searching for her family to
heaping the surrounded fox landings. Saw she was cut top town.
You was standing on Mars and so cut down. Caught
your hand in the jar one of the small step
back into that man in the car and gorges filled
a little bit of blood on the streets for a
lot bit goes mose and know what they drest much

(23:02):
and hold your own glance. Stop to the heavens, take
the little time and try to count the seconds and
cos and fort me.

Speaker 14 (23:08):
Enough spot formations out for me.

Speaker 1 (23:11):
Enough to smile, shoes out for me.

Speaker 33 (23:14):
Nup spier from Amber, How to answer listening ship of yours.

Speaker 34 (23:18):
Out for me, enough spot mension down for me, enough
to swop the pmtions out for me, A up spucking
from Remember How to let her answer this sensiction of your.

Speaker 10 (23:30):
Drink it all the way, number thousand and none. Stay
you awake tonight and wait for the sun. You say
you hate your life, You're into your one Let your
frustration up gat watch the pony one one.

Speaker 1 (23:41):
Double for the hunger and the struggle, two for the
fool trying to pull apart the puzzle the green. I
want a mile while I'm waiting with your a bundle
on the corn shot up.

Speaker 10 (23:50):
Just another child in a trouble, trying to play with
the passion and the placement, just to see what these
people let up get away with.

Speaker 1 (23:57):
Still trying to.

Speaker 10 (23:58):
Club a buntin for you, scammer in my hands, still
finding on a scret.

Speaker 1 (24:03):
She don't listen, so you don't street no more. Nobody's
winning because he score some point.

Speaker 10 (24:09):
I'm thinking no more. Just let me trig some more,
explore another because I can still see the floor.

Speaker 23 (24:15):
He doesn't like you.

Speaker 17 (24:17):
I'm sorry.

Speaker 5 (24:20):
I don't like you either.

Speaker 16 (24:22):
You just watch yourself.

Speaker 1 (24:23):
We wanted men. I have the desentence on twelve systems.
I'll be careful, you'll be dead.

Speaker 28 (24:31):
This little one's not worthy.

Speaker 35 (24:34):
Don't let it get.

Speaker 10 (24:34):
Yourself start twent tracy. Truth went trendy, the story got lazy.

(25:10):
So if we wrote the endings, magnipulated the hand street boy,
He's a friendly number city full of pain, pills and tattoos.

Speaker 1 (25:16):
To fend me.

Speaker 10 (25:17):
I wake up from the tax and the half deck
crace face the twins fans facing the crackcheck and son
set the self up, set course for help.

Speaker 1 (25:25):
Across saying I have up, but you'll have to get
some falls.

Speaker 10 (25:28):
Take credit for anything impedded in the heading it's long
is your mencing when you setting and all of the
kids laugh when you attend Daddy light.

Speaker 15 (25:36):
A b which draft to dat?

Speaker 1 (25:37):
But who's fit?

Speaker 10 (25:38):
Pat or I'm gonna act like I don't. You're gonna
make glove take what I got to teach everyone to
break stuff. I'm ana hack like this poisoning the pan
Jackson and to take the one that wasn't for you
with the handshakes, tribe say no yes ben A sell the.

Speaker 1 (25:51):
Misspells so cold? Can I tell a man the hold
the pistol?

Speaker 16 (25:55):
Simple and simple?

Speaker 10 (25:56):
But set the brig show who saw the pimple? Watch
your whole tucking city rip. It's why we battle, It's
why we travel. It's not of the mast got link,
sit up a asshole. We paint the team without putting
it on a uniform. Smart wait, that's their own. And
you and the torn to the store on win crazy?

Speaker 14 (26:12):
Where you go and win?

Speaker 1 (26:14):
Christ? But where did you go from? Wing Christ? Where
did you go? Start?

Speaker 16 (26:19):
Wait?

Speaker 1 (26:19):
Christ? Where go now? Smart ware? Crazy?

Speaker 10 (26:22):
Kismas, dacy and tough to you whenever you takes Christmas Baby,
you paint me, we could take you back to the way.

Speaker 1 (26:29):
Dear smill On, So what have you done for me lately?
No crazy?

Speaker 10 (26:33):
If the face is poor face, poorte take my big
little cover sport chase, poor taste, got pass off before
me visit here a sport play well, meet up at
short place. I sing like a first force called the
first reports whatever hurts you more your head into a
self destruct.

Speaker 15 (26:49):
You dreamed in and did that chick cut from the.

Speaker 10 (26:52):
Wall into the fuck with parf charming and your arms
duck around ravel this tall call the yawn sn round
back to the star alarm from the plantations of the
reservations of the farm.

Speaker 1 (27:04):
And nobody knows where you're letting up.

Speaker 10 (27:06):
Only gearings in your life is stefan no right head,
fucking yeah you lord.

Speaker 1 (27:10):
It was a set up for best what yeah, you
can catch up with the rest of my vest off.

Speaker 10 (27:15):
I got a few blocks left before I reach my
destination and retrieved by press and.

Speaker 16 (27:20):
God blessed he re step by stove.

Speaker 1 (27:22):
Just don't let me know she willn't never let me go.

Speaker 6 (27:25):
Well though this was murse with the harm of Jason
gloss Kevlar in DJ three sixty Take it personal radio Radio, Grady.

Speaker 36 (27:39):
Now my heart is a pure rest and you can
should cour hold wrong and the puss the gang Banker's
the lord says them.

Speaker 1 (27:45):
For many shores of a product before sall.

Speaker 4 (27:47):
Shot from the plot car to the core. But what
pry they give you more on this life when as.

Speaker 6 (27:52):
Fitted some nice, some text and some abject gliffits, I'm
gonna have that rippon in the sky raptor m I
think a wrestled with my were times kind of.

Speaker 1 (28:01):
Beloved linger sing a song writer, smooth.

Speaker 36 (28:03):
Tomas, free fighters, holding heavy worse to make the beef
seam rider rubber bider will print these ripping profel in
the systems, repelling repertas.

Speaker 1 (28:11):
How projective was send them.

Speaker 4 (28:12):
Persecution of the pears is the father's the bidder, so
they're being crowd punchings. I would never attended by myself
back tack twin like say something them.

Speaker 19 (28:21):
I was put a team down to objective pre different.

Speaker 1 (28:24):
I used to go.

Speaker 16 (28:24):
I took them parties if we didn't stand the bound because.

Speaker 1 (28:27):
I want to lee, to beat myself and kick down.

Speaker 4 (28:29):
That was no war standing in my back to put
crystal ball. I got myself to captain, now ready to ball.
I wake up every morning she killed the scream.

Speaker 1 (28:44):
I wake myself up. WoT the decisions to kill screen.

Speaker 6 (28:51):
The screen?

Speaker 1 (28:52):
I wake up every morning I put your dream. I
got myself a stream.

Speaker 10 (28:58):
I still hear anything anybody is when the light's on
tight in the hood, then like the pole of this
pipe off see the dawn self worth turned to earth.

Speaker 1 (29:07):
It's my song, but I'm still trying to learn the words.

Speaker 10 (29:10):
Passion, excessive, passing, a question, the first one that's write,
the last one to exit castle, some protective, capture the princess,
passing the seatbelt, drive, and counter incious.

Speaker 1 (29:21):
Not so sure, Mam would be proud to she.

Speaker 10 (29:23):
K know how many times I've had to hide from
these clouds.

Speaker 1 (29:26):
Don't really know.

Speaker 10 (29:27):
We check the board, understand how Daddy uses something them
make him feel like a man. Open the pology for
anyone who follows me.

Speaker 1 (29:35):
Did he realized I was a self made power freak?
When I get hold, I put it back to get
the film.

Speaker 10 (29:41):
The board some not to sell the penalties, keep bringing
on the pillows at our village, but it's still entertaining
alcoholics in my village. And when I'm finishing them in
in silence, just me in the corner of the whistling.

Speaker 14 (29:54):
My ship by ship, not ship, dude, don't.

Speaker 1 (30:35):
When I was five years old and I used to
hear funking.

Speaker 10 (30:38):
Soul being played out my pops high fives.

Speaker 15 (30:40):
There were you looking at the photos.

Speaker 10 (30:42):
Bugging on the names with the pot out covers and
the crazy illustrations. I got older and put my own records.
My thirteen, I had three crates collected.

Speaker 1 (30:50):
And that's my ride. No time for pike rides. Kept
on the client and I stayed in side. I was
sort of a hooker.

Speaker 10 (30:56):
I would have my friends over cuting up, so we
wrecked that direct trip motor Mom's turntable went through handle
a whole lot of weekend trying to teach myself. The
micks got stuffed because the parties was rough, but I
still showed up to try to rock some cuse what
man I was showing. But the pigger kids reached out
twenty five minutes on the text to freak out what's
bit tight?

Speaker 1 (31:14):
To get it right?

Speaker 10 (31:15):
Maybe one night I'll be wrapping by my life on
the courtless money, you know, Matam, I went looking.

Speaker 1 (31:19):
I've always kept going, streaming records and boys.

Speaker 10 (31:22):
Then the suckers got shoot between by two decades straight.
Wait before rhyme says first wax, goot man.

Speaker 1 (31:28):
The music is my love man, it is my business
money and is big stuck. I'm on the road to the.

Speaker 10 (31:42):
I used to stand on the blank selling for a
track tapes, trying to make enough beats.

Speaker 1 (31:46):
To five more blanks.

Speaker 10 (31:47):
And give us long kinds and it's backpacks and drinks,
sweatshirts trying to network and guests and fret.

Speaker 1 (31:52):
The herd was spreaded with speed.

Speaker 23 (31:53):
The name to light weeds.

Speaker 1 (31:55):
Was it long till we took believe into its cities?
Was little in the winter.

Speaker 10 (31:58):
It's better getting bigger and bigger. They started taking a
picture for the ship. I spit some rappers I knew,
crit got chap saying a family.

Speaker 1 (32:05):
They just couldn't handle it.

Speaker 10 (32:06):
Life surround me and living like a roach under crown
and broke holding onto the hole in this whole town scene,
we stole like a thief.

Speaker 1 (32:13):
No time to sleep with politics and peace. Pay on pussies.

Speaker 10 (32:17):
The tics and assholes come like this stripe from Letto
Freestyle battles.

Speaker 1 (32:20):
Many mikes, we rifted, many stage We riffed even with
no chips. We take them rope trips. Loyal members of
the crew have ut back to death. Jean Food movesah
byself is stressed.

Speaker 23 (32:30):
What we had was worse coming.

Speaker 10 (32:31):
Off of the month for about something in my life.
Everything fell fine. Table's turn while they DJs mix it.
I didn't know when I was on the road to the.

Speaker 1 (32:59):
All right can we get this money? Do we get
this money off?

Speaker 16 (33:02):
Can we get this money?

Speaker 1 (33:05):
Shut up? Set up, chip, do we get this money?

Speaker 16 (33:10):
Word up?

Speaker 17 (33:14):
Get this money?

Speaker 1 (33:15):
Let me see your mason hand.

Speaker 17 (33:24):
So we have a special guest.

Speaker 20 (33:25):
We have a man slug mister Sean Daily from Atmosphere
on the phone.

Speaker 12 (33:29):
What up?

Speaker 23 (33:31):
Hello, Hello, emphasis on the words special. I'm sober, So
I am special. I'm the special one in the room
right now.

Speaker 1 (33:38):
You're the only one that is.

Speaker 20 (33:40):
You know, I gotta be honest. Initially I wasn't a
huge Atmosphere fan. I didn't give you guys a shot.
I know, I associated your your nineties music, probably to
like Anacon and Sade. And you know, I was in
my twenties, so I was immature and probably a little clueless,
but you were. I will always remember the time that

(34:03):
you reached out to me. And and for those that
don't know, I'm full of flavor I have. I had
a message board. It was quite popular in uh you know,
the two thousands you reached out to me. A lot
of people were there, and you were you were straight
from day one.

Speaker 13 (34:16):
Man.

Speaker 20 (34:16):
You were always cool and I gave you a listen,
a fair a fair shot, and I realized what an
asshole I was. For for just I guess categorizing you
as emo rap or whatever it is that at that
time that people said that your music was like and
and uh, you know, I appreciate that.

Speaker 17 (34:34):
Ever since, uh ever.

Speaker 20 (34:36):
Since then, I've probably seen you a handful of times,
and you've always been cool and you've always seen your show.
You've always been, you know, hospitable to my wife and
my crazy ass brother in law who's always drunk and
uh he met Nick before. Yeah, he's met Nick a
few times.

Speaker 19 (34:52):
Bless you, bro.

Speaker 20 (34:52):
Yeah, you know, and you know, I just I want
to say, ippreciate. Uh, you know, I appreciate the relationship.
I appreciate the you know, you've given us your time
today and you know.

Speaker 23 (35:06):
This this might be the like most humble yet awkward
intro I've ever received. Well, so I appreciate it. Thanks,
Thanks for the kind words. You weren't an asshole, dude.
You know what I'm saying, Like it's it's uh, it's
all good.

Speaker 9 (35:19):
Man, like I I.

Speaker 23 (35:21):
It was. Uh, it was it was a time, man.
We had a time anyway time.

Speaker 17 (35:26):
And you know what, one more one more thing.

Speaker 19 (35:29):
You were cool as ship is before we were leave
and you.

Speaker 17 (35:32):
Know, I guess talk to one another. I remember you Onna.

Speaker 20 (35:36):
I want to say it was Jimmy Kimmel and you're like, yo,
I shout it out, Philli Flavor, And sure enough I
watched that night and it was like Dane Cook. When
Dane Cook was like, I guess somebody and uh, Ludacris
is on the show. I don't and he sure enough
he shout it out, Philip Flavor. It was cool as ship.
And then I think you did it one more time

(35:57):
on Conan or let him in, and I was like, wow,
this dude is really cool.

Speaker 21 (36:02):
Boy.

Speaker 23 (36:02):
It became kind of like a running thing for us.
Was like a because you know, I was I was
slipping and fill of flavor Easter eggs even in the
songs and ship. You know, it was kind of like
a It was just like a weird thing because it
was like, well, this isn't gonna like offend anybody that
that that doesn't know it's only all it'll do is
make the seven or eight people that see it, that

(36:23):
recognize it, that get it be like yo, I can't
believe he did that ship, you know what I'm saying.
So it was just an Easter eggs.

Speaker 17 (36:30):
The first of all, it's been.

Speaker 23 (36:32):
I was trying to I was trying to get those
free banner ads.

Speaker 17 (36:36):
You guys got plenty of banner ads on the low.

Speaker 20 (36:40):
It's been, uh, it's been about a year since you
guys dropped your last album, Fishing Blues, Right.

Speaker 17 (36:44):
I think I want to take Hiah last summer.

Speaker 23 (36:47):
Yeah, so last August.

Speaker 17 (36:49):
What have you been up to besides making babies since?

Speaker 28 (36:53):
Uh?

Speaker 23 (36:54):
Well, you know, we we ran around for a while
and when I finally sat down from touring, it was
kind of like time to get family focused. You know,
both of us had had well mine has not come yet,
my kids doing a couple of weeks. Anthony had a
kid a few weeks ago, so we just kind of
took some time to stay home and work on, you know,
our homes, you know what I'm saying, get things in order.

(37:15):
You know, new kids kind of they come and they
shake things up, you know, so just try to try
to reinforce everything, brace everything, and prepare for that. And
I've been the mile a little writing here and there,
but but mostly I've been kind of been organizing and alphabetizing,
you know what I mean.

Speaker 17 (37:30):
Here and you're prepping for kid number four.

Speaker 23 (37:34):
Yeah, man, fourth fourth child.

Speaker 17 (37:36):
Okay, you definitely are a rapper.

Speaker 19 (37:37):
You got you gotta get that sniff brother.

Speaker 23 (37:41):
I'm not getting sniffed until I go broke.

Speaker 37 (37:44):
Hey, listen, I'm petrified at that. I'm not doing it
at all. No, dude, the whole thought of it just
makes my stomach turn.

Speaker 17 (37:51):
It freaks me out.

Speaker 23 (37:53):
Yeah, then don't don't.

Speaker 1 (37:54):
Don't do it.

Speaker 23 (37:55):
It ain't for everybody. You know what I'm saying. It's like,
it's like if you, if you, I mean you know,
you know yourself, dude, if it's something that you're scared of,
don't do it.

Speaker 16 (38:03):
Don't.

Speaker 23 (38:04):
We don't need it. We don't need another scared.

Speaker 17 (38:05):
Dad another way, nobody needs that.

Speaker 20 (38:11):
So as you, I don't want to say older, but
as you, I guess you've become more mature as a
you know, as an artist, do you allow critics to
get to you like maybe you once?

Speaker 16 (38:24):
Did?

Speaker 17 (38:25):
You know, ten fifteen years ago?

Speaker 23 (38:28):
You know, I'm not saying back in the day and
now has never really been about whether or not you
like the music any any kind of Bee Fiber had
with anybody who was being critical. It was never about
them being critical. Of the music, Like, I ain't care
if people like the music. That's just taste. Taste is
you know, taste is important. We all have that. We
use it to, we use it to to to signify

(38:49):
who we are. We we use our taste in our
opinions to represent who we are as individuals. And so
my problem was always with people who wanted to take
personal shots like they knew me, you know what I mean.
And so whenever I had issues with critics or whenever
I had some ship to talk, it was always because
somebody was kind of coming out the side of it
without really knowing what they're talking about. And so I

(39:11):
was always like, just stick to judging the music that
you don't understand, Like that's cool, but you're you're you're
talking about me like you're you're sizing me up, or
like you're you're you're my fucking therapist, or some ship
trying to talk about you know, And here's the problem
with what sluck does. And I'm just like, look, suck
my dick, you know what I mean. It's like and
it's and and to be fair, it's still like that,

(39:33):
you know what I mean, But just it's just that
nowadays it's not an issue because we're not like on
the edge.

Speaker 36 (39:39):
You know.

Speaker 23 (39:39):
Back in the day, we were like on the edge
of what was happening, and so everybody had to talk
about it. Now we're just you know, the fucking the
Neil Young of indie rap. We're just around nobody.

Speaker 22 (39:51):
You are no hip hop I won't I won't lie,
you know what.

Speaker 23 (39:55):
I'm saying, and so and so at that point, it's
like you you already know you're either a fan or
you're not. And if you're not, you you really got
no business even talking about us. And if you are,
then go ahead and tell and tell the world if
you like or don't like the new record, you know
what I mean. And so in that case, though, the
relationship to the music and the criticism in general, it's
just become a lot more. It's not that it's changed,

(40:17):
it's just it's everybody's muscles are very well exercised, you
know what I'm saying, and so there's no need to
knee jerk or have anything like that go on. You know,
but for real, like if a critic were to like
talk about the new record and then and then discuss
how I am as a parent based off of what
they're hearing on the record, I'll still tell them to
suck my dick.

Speaker 20 (40:36):
So what you're saying is basically, any outsider really can't
influence the way you feel about a project, Like, for instance,
let's take your last album for example, right, I know, yeah,
I know, Pitchfork or Spin, one of the two. They
weren't the kindest when revealing that.

Speaker 23 (40:52):
Oh no, Spin, yeah, Spin, Spin, shoot it up if
I remember correctly, you know, and uh, and you know,
to be fair, I mean, dude had valid points, and
so I can't be like, yo, the stuff he's saying
about the music is bad. I can't say. I couldn't
really critique his critique except for when he would talk
about personal ship and you know, things that have nothing

(41:13):
to do with the fucking music. You know what I'm saying, Like,
don't talk about my image. I don't have a fucking image, bro,
I'm forty five fucking years old. You know what I'm saying.
It's kind of like that and that, and that's just
it that all that kind of stuff. To save that
for these new dudes that are coming in, Just let
me let me fade it, let me fade away. Gracefully,
like a like a less batshit version of caras one personally.

Speaker 17 (41:33):
Me personally, I don't give a flock personally.

Speaker 38 (41:37):
Look, if somebody was harmed or whatever was done, whatever
y'all deal with that ship?

Speaker 17 (41:41):
What what deal with it? I don't give a fuck.

Speaker 19 (41:45):
That shit crazy plug plug shwan. I got two part
questions for you.

Speaker 18 (41:50):
So we were talking about, you know, taste and character
and you know, yo, let me ask you a question
on your hot dog.

Speaker 19 (41:57):
You get catchup from mustard?

Speaker 9 (42:01):
Oh?

Speaker 23 (42:01):
Man, I mean if I have to eat a hot dog,
I'll probably put both on that anything and up, hey,
bro relish all right, fam anything looking, Man, I'm from
Minneapolis and and it's like hot dogs are like they're
in the fridge when you grow up. It's not like

(42:22):
a thing that you get in special at the baseball
game or nothing. It's some ship that your mom made
you eat and you were like, man, I'm fucking sick
of this ship. So really I'll put anything on it
to get rid of the flavor of the fucking hot dog,
like the cheese, pickles, fucking chocolate and cilantro.

Speaker 18 (42:42):
Mexican fucking hot dog taco. Hey, but but let me
ask you questions, so like kind of like piggyback it
off everything. You just talked about the reason why why
why you're able to have a voice like this and
be so influential in your in your music today and
and the audience that you captivate and you please, right.

Speaker 19 (43:00):
Is because you made a decision.

Speaker 18 (43:01):
He made a pretty big fucking decision after God Loves Ugly,
because there was a big fucking push on commercial labels
to say, yo, this dude fucking shown this slug, this
atmosphere fucking grew as dope as fuck. But you chose
to say to stay independent. So what were the pros
and cons that went through your mind at that time

(43:23):
to make the decision.

Speaker 23 (43:26):
I mean, you know there's the obvious factors, the things
that are like, well, I want to work for myself,
you know, my whole life. You know, Remember I was
a late bloomer, you know. When God was Ugly came out,
I was thirty. I turned thirty that year, so I
was you know a lot of my contemporaries were like
five years younger than you, you know what I mean,
And so and so thirty was mad old in rap.

Speaker 19 (43:46):
Even in you were fucking Llio Franco in the rap game.

Speaker 9 (43:50):
Hey, and so.

Speaker 23 (43:51):
So part of the part of it was it was
simple math. It was just like, look, man, I've had
bosses for the last fucking fifteen years of my life.
I don't want another boss, So what do I gotta
do here to not have a boss? And nobody really
could offer that? The other thing too, man, I mean,
to be fully frank, I was scared.

Speaker 16 (44:10):
You know.

Speaker 23 (44:10):
Part of me was like, Hey, I don't want to
get into a situation with some people that I don't
know that really don't give a fuck about me as
a person, and because I don't know where that's going
to go, and I don't know if I have it,
I don't know if I have it. Well, I just
didn't know. I didn't know if I had it in
me to not only maneuver that shit, but also could
I deliver what it is they needed. I didn't know

(44:32):
if I could deliver the kind of record that they
would want, you know. So I was it was great
that fools wanted to take a chance on me, but
part of me, you know, if I'm gonna be fully honest,
is that I wasn't sure that I could give them
the record that they needed, And I'm not the kind
of dude that likes to do a job. So not
only do I not want a boss, but I don't
want to disappoint the fucking boss I end up with,

(44:53):
you know what I'm saying. So it's just a lot
of it, a lot of it, you know, And I
never really talk about that because that doesn't sound as
cool as me just say and fuck the major label,
see what I'm saying. So it was a lot easier
to just be like all that, you know. But but
but the truth, truth does the matter? Was it just
none of it, just none of it made sense to me.
Not for money. I didn't, you know, especially, I mean

(45:15):
I didn't need a lot of money. I was used
to being broke, so I wasn't looking at it like, yo,
let's let's make a bunch of millions. I was just
trying to get through the next year or two, you
know what I mean.

Speaker 21 (45:25):
No, for sure, listen, you know a lot of times
I went back into a lot of the dark stuff
that you were doing early on.

Speaker 22 (45:32):
I mean, it's kind of your your main characteristic.

Speaker 21 (45:35):
I think you came out as an artist with you know,
kind of rushing into the darker side of things. But
you know, you take a song like best Day and
and you see the change and you kind of say, hey,
was this kind of for the for the label? Because
the truth is, I still it's it's a dope ass
joint regardless of happiness, sunshine and smiley faces. I love

(45:56):
that ship and it kind of shows a different side,
and I appreciate that.

Speaker 22 (46:01):
I mean, were you thinking.

Speaker 21 (46:02):
Something different when you did a song like that compared
to the earlier shit?

Speaker 23 (46:06):
Well? You know, the thing that I think resonated was
that the earlier stuff, the darker stuff, was still about hope.
It was not like life sucks and you die, but
it was always about trying to figure shit out and
find the answers. And the thing that you know, when
people started connecting with me and making sure I was
aware of their connection to me, that was the thing

(46:28):
that I kept hearing over and over was people were like, Yo,
your music is helpful, or your music is this? Your
music is that? So when I realized, like, Yo, look
at this our catalog. Are these songs about like trying
to figure some shit out? I was like, well, you know,
I'm still trying to figure shit out, you know, you're
talking about like let's say two thousand and seven, when
let's say, just for the sake of argument, finances were fine.

(46:53):
I had finally gotten my life in order as far
as my relationship shit went, I find, you know, things
are falling into place. So I couldn't I couldn't feasibly
sit there and continue writing songs about trying to figure
out shit and how life was fucking hard because I'd
be full of shit. So I knew I had to
kind of how do I transfer, how do I move

(47:13):
over to be able to discuss the real shit I'm
thinking about, but still maintain my relationship with my music,
you know. And so I just took the concept of hope.
And this was pre Obama, by the way, And I
took this concept of hope and tried to figure out
how to how to cultivate that relationship and also be

(47:35):
able to to fucking grow, you know what I mean,
be able to make music that was still very true
to myself, but at the same time pushed myself for
some kind of growth. And so I wrote a record about,
you know, an album full of stories. It was the
Lemons The Life is You Lemons Joint. And so to
the process of that, there was a bunch of throwaway tracks.

(47:57):
Best Day was a throwaways really fucking uh. Yes, Sunshine
was a throway c and that's a listen dog. A
running joke with us is that we should just fucking
never when I picked the songs. Every time I picked
the songs that aren't gonna go on the record, they
end up being the most popular song hits. Dude, it's dude,

(48:19):
if I were to go look at the listings wherever
they you know, they list digital fucking plays or whatever,
Sunshine investing or two of the biggest songs you've ever made,
you know, along with Balance. There's a couple of big
ones from back in the day too. But let's be real,
I'm like, fuck, I shouldn't be the dude picking the
songs that go on the record, you know what I mean,
Like I should just be like, here, let me make
these songs and then but then again, it wouldn't be

(48:41):
the way it was if it if it was, you
know what I'm saying. Things are kind of people like
the fact that they people like the fact that they
connect with the song that isn't on an album, because
then it's like same thing with me when I was
a kid, it was all about the B side, you
know what I'm saying. It's like the twelve inch had
a B side and my friends didn't know that one,
and so not only did I love the rap or
but I had a song that I connected to that

(49:02):
I felt was more mine than everybody else's, you know
what I'm saying. And so it's like all that stuff's
important with our relationship with music. So when I think
about it, I'm like, oh, maybe I was accidentally forcing
fucking B sides.

Speaker 21 (49:14):
I don't know, dude, Like, and I think the listener
sometimes doesn't allow the artists to have duality. I mean,
you know, the fact that you kind of, you know,
gravitated towards something that wasn't the popular one. I mean,
that's kind of what the true fan really wants deep down, sure,
you know.

Speaker 23 (49:30):
And I'm lucky because I got Anthony and we tend
to agree on all that kind of stuff, you know
what I mean, Like, you know, and it's and I'm
also lucky because I have a label that pretty much
puts me do whatever the fuck I want, for better
or for worse. And so it's always it's always after
the fact that the people from the label are like,
I say that, like, I'm not one of them, but
I do try to separate myself from the label when
we're talking about Atmosphere projects or when we're working on

(49:52):
Atmosphere projects. Fucking I they don't hit me up until
way after the fact. That goes so you should have
put Sunshine.

Speaker 9 (49:59):
On the record.

Speaker 23 (50:00):
I'm like, dog, if you really felt that way at
the time, you could have said something. But they're like, Oh,
nobody wants to pressure you. They want to let you
do what you want because you're a fucking deepa. I
get it. I'm a diva. That's really what it.

Speaker 17 (50:11):
Comes down to. Those songs were for that album.

Speaker 23 (50:14):
Wow, well no, it was that we Those songs were
for the same sessions, you know. For that album. I
made what I thought was going to be a double album,
and when we were all said and done, I was like, man,
this is a whole bunch of shit. It's going to
be overwhelming. It's too much music. So we we whittled
it down to one record, and then the rest of

(50:35):
the stuff we figured out how to release. As you know,
some of it came out on those sad clown EPs.

Speaker 28 (50:41):
Uh.

Speaker 23 (50:42):
You know, and in the process we also made two
other projects. Dude, in the course of like two years,
we made about forty songs and we put out strictly
leakage When Life Gives You Lemons and four different sad
clown records, and another leak joint followed the leaker, or no,
it was the other leaker. Oh, leak it leak it will.
And because we were we were copying rap records, follow

(51:04):
the leaker, leak it will, and strictly leakage. We made
all this shit in over the course of two thousand
and six, two thousand and seven, and then in two
thousand and eight we put out like fucking eight different projects,
you know what I'm saying. It was like it was
like our year to be fucking Lil Wayne. He was
the only other dude that year that put out as

(51:25):
much music as us. And then right before the SoundCloud
world and the YouTube world, so right in the middle there,
me and Lil Wayne were like pound for pound, like
the most fucking prolific motherfuckers, you know what I mean, Like.

Speaker 39 (51:38):
Little Wayne, Hey, Roger here, I just I just wanted
to say that, you know, I appreciate very much that
you don't take yourself so seriously that you appreciate your.

Speaker 40 (51:51):
Art form and that you can acknowledge and accept and
appreciate that that everybody had an opinion and you're cool.

Speaker 19 (52:02):
Sure that you're cool with that opinion as.

Speaker 40 (52:05):
Long as it's not about you personally outside of your music,
which nobody has a right to judge anyway unless they know.

Speaker 16 (52:11):
Right.

Speaker 23 (52:12):
Well, look, if you're my friend and you think I'm
fucking up and you think I'm being a city dad
or a city husband or a city fucking you know,
goalie on your hockey team, whatever, fucking say something to me.

Speaker 19 (52:23):
Yeah, exactly different animals.

Speaker 23 (52:24):
But but if you you know, if you if you
write for a court and being dot com or some
ship like that, and just shut the fuck up with that.
Just just talk about the music.

Speaker 40 (52:32):
And if you don't like the music, say it, let
people know and the and that's cool and and you know,
you know, the important thing is is that you're true
and to what you're doing, and that you love what
you're doing. And the hope is as an artist, the
hope is that people will appreciate it and people will
enjoy it the same way you enjoyed doing it.

Speaker 19 (52:53):
And outside of that it's out of your control.

Speaker 40 (52:56):
And the fact that you that you appreciate people's opinion
when it comes to that, and that they're entitled to
that is a big deal because a lot of.

Speaker 23 (53:05):
You need to take another shot.

Speaker 20 (53:07):
You don't sound king ye Slug. Rogers is the voice
to Taco Bell. He's a voice of an actor. And
if you watch Taco Bell commercial, you listen to a
man rog right.

Speaker 1 (53:17):
Now, steal a base, steal a taco only a Taco Bell.

Speaker 23 (53:20):
Hey, But I'm just saying he sounds well put together.

Speaker 17 (53:23):
Particularly is the voice of Taco Bell.

Speaker 19 (53:25):
He's a voice of reason tonight, all right?

Speaker 16 (53:27):
You know what?

Speaker 19 (53:28):
You know what yo, Sean Slug, I got a question.

Speaker 1 (53:33):
Here's the deal.

Speaker 23 (53:34):
I'm sorry, man, I have to sing where a minute
like It's like you were saying nice things about me
and I can only put up with so much of
that ship before I have to crack a joke and
it's just a defense mech.

Speaker 20 (53:43):
Well, look, you mentioned Batchit Crazy earlier about karas One,
and I want to know.

Speaker 17 (53:48):
I'm dying to know.

Speaker 20 (53:49):
So you've worked with a lot of cats. You work
with karas one and Buckshot. How did that particular collaboration
come about.

Speaker 23 (53:57):
I was the buckshot and his people reached out to
me and he told me, you know that they were
doing this record together, and I mean, I couldn't say no.
You know, Karris Warn is my hero. You know what
I'm saying. He's my fucking idol. He's probably the reason
I rap. I know, people say that about other rappers.

Speaker 19 (54:13):
And okay, it's always the reason number one.

Speaker 23 (54:16):
Oh yeah, yeah, yeah, yeah, yeah, yeah, yea yeah, he's
he's well here's the thing.

Speaker 16 (54:20):
Here's the thing.

Speaker 23 (54:20):
If I were to make a top five or a
top ten right now, I'm not sure he would crack it.
But we know, when you're seventeen and art music specifically
has that huge impact on you, not just because of
the music you like, but man, your lifestyle, everything about
that was that was Karris One. You know what I'm saying.

(54:41):
Because of him, I decided to start paying attention to
the world. I started, you know, not to use a cliche,
but I became hashtag woke because of Karas one back
in nineteen eighty eighty eight, eighty nine, you know what
I'm saying. And so it's like he could do no wrong.
You know, first four albums, first five albums really section

(55:02):
and violence. His first five albums are fucking a biblical power.
That's a horrible fucking way to describe something this powerful.
His first biblical proportions that those those five records, And
to this day, I don't think I would say another artist,
in my opinion, he's had that kind of a run.

Speaker 18 (55:23):
So that kind of correlates a little bit to my
question here right now, is that you were always an
artist who came up right around the time, At least
in my opinion, I felt when like internet was in
the wheelhouse all of a sudden, it was a new thing.
It was available to everyone. People had access, There was
like CD burds, there was fucking music. Accessibility was just

(55:45):
at a place where.

Speaker 19 (55:46):
It was never before.

Speaker 18 (55:47):
Okay, so you're you're kind of part of the new breed,
but you got that old school flavor to you. So
what a couple of things, one or two things today
are just so different than what they were about twenty
years ago when you when when you came up, and
and is it a positive or a negative?

Speaker 19 (56:06):
Like what what is a landscape like today? And like
why is it so fucked up? Or why is it
so great?

Speaker 17 (56:13):
Does that make sense. Yeah, it makes total because he's
he's completely drunk.

Speaker 20 (56:17):
But really, question, he's basically saying, was Napster important to
you coming up?

Speaker 19 (56:24):
I'm not talking about Napster.

Speaker 18 (56:25):
I'm just talking about anything like like touring just behind
the road because I heard I heard you went to
Dallas from like uh, I think it was like Minnesota
Dallas for a two hundred dollars show. Because that's how
important touring was to you back then, and that is
what fucking built your fucking character and built your fucking
audience and made you the man.

Speaker 19 (56:45):
You are today.

Speaker 17 (56:46):
Is because you're hustling.

Speaker 19 (56:47):
Your hustle is dry. Bro Rog, you man ain't fucking
king broke plug.

Speaker 16 (56:52):
Do you remember that show we did, the Why Not To?

Speaker 19 (56:53):
And I want to answer my question.

Speaker 9 (56:56):
Yeah, I have that.

Speaker 23 (56:57):
I have that show on on many DV tape. Have
I just recently came across that show. I haven't on teeth?

Speaker 22 (57:03):
No, No, I got that ship on laser discs.

Speaker 1 (57:05):
I just had a Christmas A moment.

Speaker 17 (57:08):
That was cool.

Speaker 1 (57:12):
So we'll be right back. We have some sensational guests.

Speaker 22 (57:14):
Thank you for joining us.

Speaker 1 (57:15):
We'll be right back. No flipping.

Speaker 28 (57:23):
Hey, hey, what are you doing over there.

Speaker 1 (57:29):
Wait, I'm just waiting.

Speaker 12 (57:34):
You might know.

Speaker 10 (58:02):
I wear my stars like the rings on a pill.
I live life like the captain of a sinking ship.
The one thing that I can guarantee, I'm like a
stepping race. I suggest you stay fair with me. Been
paying news for a decade plus. Before that, I was
just another face on the bus, tapping my foot to
the beat on the radio. I'm dreaming about the mic
and the money and the ladies on mom. I promise

(58:24):
I'm gonna be large someday. I'm gonna stop trying to
borrow your Car's gonna go far Winkle.

Speaker 1 (58:30):
This month's stealing soil. They put my face on a
million dollar bill. Atmosphere. It's just a ten letter word.
Discretion is the name of my cement feathered bird. If
you didn't hear, then pluck whatever's heard. I think you
got the sataness. I suggest to get it cured.

Speaker 10 (58:44):
Caught up in the midst of a battle full of
faith summer, hobble down the street till I reachnop Creak.

Speaker 1 (58:49):
It's not that I don't like you, I just don't
want to seek you. Fucking freaking I keep your days
out my week.

Speaker 10 (58:54):
The world keeps a balance through mathematics to find why
whatever you bat it and subtracted. I'm pushing on the
hammer to trigger the brain embrace.

Speaker 1 (59:03):
How I live God slug.

Speaker 41 (59:27):
Some time in a while, crapping in the septin era
seven or eight grades up from minting flocks together. Crap
its after school will get shaped by rapple letters and
skateboards and trump Odd's rails, Bunny shaky grip.

Speaker 3 (59:38):
Taked Mark Graczi.

Speaker 1 (59:40):
I'll go to Google pudding singer.

Speaker 3 (59:42):
I learned Holly on coke four five liquor and that
sake to be a god.

Speaker 41 (59:46):
Not any practimatic booky cut around my hand for lack
of better action. One kid is a point man in
Pakistan and pager sold just losing camel. I'm building the
hunder agent smoking on the promenade water bloom, scrap hit
card cop escape quick basically hope from the location that
laughed in the build dangerous hair dications under the Brooklyn Bridge,

(01:00:06):
across the Brooklyn Banks draw up. Want to bite it
to some kids and drinking beers and I they're excited
to Brooklyn text Brooklyn friends stops us. Rich kids don't
want to be on hippy chicks on some escape ship
about the separate matches and straight and places on the
own session.

Speaker 3 (01:00:20):
Comprises not jump towns torn, I mean shaders. It's like this, y'all,
this kid, I haven't made the truck roots island broke
class A cup of cold.

Speaker 41 (01:00:29):
Dunk in them, a lax fo salvironment each had in
for a second. Whenever he had started winners, this aesthetic
wasn't there stops that He's fast to be designed?

Speaker 1 (01:00:36):
Home Coming, home Coming.

Speaker 3 (01:00:38):
Home Coming, home Coming. Sometimes it was good. Sometimes it
was just a moment of the definition is another stimulus
that cause you're growing?

Speaker 1 (01:00:48):
Home Coming, home Coming, home Come, home coming. Some times
of the story the suns stills.

Speaker 10 (01:01:00):
The last time I laughed this hard I was a child.
It was a type forgiggle that would make a young
mother smile. I can't remember the why, but the wallpaper
pattern set me running in circles, trying to defend my saturn,
just being in my box of machabelli and cheese. All
I really want to do is show you my disease.
She didn't have the courage to kiss me good night.
But I'm gonna give you my word that everything would

(01:01:22):
be all right. Like what the fuck this stone, is
this demented?

Speaker 1 (01:01:25):
Just my luck?

Speaker 10 (01:01:26):
I need advice before my luck gets mister Brad, Yes,
it's just another symptom of just another victim of the
warfare and those cark between Sean and the slow mentioned
the trucks that used to make a spew board carry
barely out the pleasure of a pack of newpars in
breathe it out?

Speaker 1 (01:01:41):
Would it really being about shine? To loose and elude
all excuses?

Speaker 10 (01:01:45):
The screaming showm and I spent wishing my parents back
together would have been better lead of preparing me for
the weather rocket my t shirt that reads whatever all
in an effort to relieve the fresh in Minnesota good sleep,
what is cheap? And now fire's back and silent? If
I had breaded teams, I would try to crack a smile,
But here I am mister typical, ridiculously meticulous swim painting

(01:02:08):
pictures have been a full and little did I know,
and less did I care. They wish you up and
swallow wall that I flew out there. It's not fair,
streams the one with all her voice arm that full
and that ain't at the ones that got all the
joys of.

Speaker 1 (01:02:21):
Coming home Coming, home Coming, home Coming?

Speaker 28 (01:02:27):
What up?

Speaker 6 (01:02:27):
Well, it's rocker Ira sience dilated people's rock steady cruel
and I'm live.

Speaker 1 (01:02:33):
You understand world wide?

Speaker 17 (01:02:35):
You understand?

Speaker 7 (01:02:36):
Yeah, chill it with my people's Philip Fla Kevlar DJ
three sixty, Take you, perche person.

Speaker 10 (01:02:46):
When I first landed, the damage was out, laying stangerous
anxiousness and taking it for granted. But when I first landed,
I was so relieved I lost my focus soon exceeded
recommended dosage. Just now want to hold the grip that
holds the soul, that holds the closer kills exclusive and
leaves illusions of unfocused flows. I don't suppose you're taking
too much time, breaking too much money, trying to unravel

(01:03:07):
the babbles at dismantle and left the lines of need
of some assembly so I can find the secret key
in free called the empcs. This planet spins on a
thin axis. All axis passes won't help you to grasp
the atmosphere. I mean, what did you think my agenda
was the freestyle smile? Getting paid to smoke, read and
grab the mic and spoon feed this more than this thing,
just paying the rents. If you're riding on the stone,

(01:03:27):
lead to ride it to the end. What would you
say as the Earth gets.

Speaker 1 (01:03:31):
Furder and further away? Lant, it's the small as bulls
of clay.

Speaker 42 (01:03:34):
What good you say?

Speaker 1 (01:03:35):
Is the Earth kids further and further away? Lant, it's small.

Speaker 10 (01:03:38):
As bulls a clay. What would you say as the
Earth gets further and further away, that it's small as
bulls a clay? What would you say, has the Earth
kids further and further the wave? Planet's as small as
bulls of clay. Some shells get broke, Some keep their
wigs closed, some get exposed this little man big post.
Some make moves, and some stay day dreamers, But everybody
seems to watch some loop food and a beama will

(01:04:01):
make mine hunting green with camel inside ten percent, Mister fifth,
handsome French fries sinch by inch. I take it closer
to the shoulder, But day by day it's getting harder
to stay sober. Once again on the hedge, hads Inebriated
movement needs motive.

Speaker 1 (01:04:15):
It's easier to be sedated. What makes me mighty?

Speaker 10 (01:04:17):
In another tiny why does my psyche give a damn
about whether or not you like me?

Speaker 1 (01:04:22):
It's this primes right.

Speaker 10 (01:04:23):
I might be wrong, a grip of mic sight, because
it's all I really have a grip on some Let
the losers loose.

Speaker 1 (01:04:28):
And let the players play. The only difference is the
day to some dust on the clay.

Speaker 31 (01:04:32):
What what I could just say as to earth gets
burthen it So the weight planets the small some balls
of plays straight to the milky way.

Speaker 1 (01:04:39):
Girls out of sight or that I can see, not
even a satellite. I stop the turning, the round of
low at the stand in the darkness, and now.

Speaker 10 (01:04:48):
I'm sparked waiting for the dark to hit, because once
the moon gets above my apartment, I catch fits for
starting shit.

Speaker 1 (01:04:54):
I'm smart with it.

Speaker 10 (01:04:55):
I give it that special touch when I push it
because I'm also a label rep and I can't allow
no bullshit. So shush baby, shut your eyes, let your
head back, and shed the fear and let the tears crystallize.
I wish lies the land upon your forehead when I
extract the essmence from your head and leave your body
wrestling in more hand, I've left more dad and red
mutations that HIV king. But for every killing there's a reason,
and it's not just them.

Speaker 16 (01:05:15):
Cheese.

Speaker 10 (01:05:15):
Man, I'm watched your cea span waiting for the first
state records. Take the first step to have me killed
off to make this world perfect.

Speaker 1 (01:05:21):
Well, let's get shipped right right here, right now, right
away atmosphere.

Speaker 10 (01:05:24):
Motherfucking if I need to it fly your way, I'll
frind you. And you weak crewing the beach, stupid serve
you with seafood. You can't glib by fishing because your seat.

Speaker 2 (01:05:32):
You need to recognize the size of the ATMs. You
ain't tall as half this mad this pass what you
tractice I received. You can't fuck with my tactics, you bastards.
That's why you breathe fast, bitch, No need to add.

Speaker 10 (01:05:42):
We dug the fingernails underneath the skinning your scalping peel
it send you under developed preschool style on a field trip.
Nobody your tongue. This is how the mic gets done.
A whole tree to pick some fruit from, man, you
had to choose the ripest sports.

Speaker 2 (01:05:54):
It It all bumps from inside. And how you ride
the sound? Why you when it's live and the vibes
feeling right in the motion given by rhythms when you
hit them on time with lines making sure your rhymes
sounded tight. Your voice should traveled without the babble up
the average and see so listen, Please use discretion when
you breathe. Sound this vibration I choose to use it
with the vision and then comes to style and precision.

Speaker 10 (01:06:15):
No more longer will we hold your hand? Why because
you're too damn oh oh yeah, the network's calm. They
told me to tell you you big canceled. They also
said big up for all the support. Thanks to your demotion,
they now control the world. So let your head down
and eat the poison.

Speaker 1 (01:06:28):
Where the tall.

Speaker 10 (01:06:28):
Glass of tang a rising past the bank with the
smile of glass of my fangs.

Speaker 1 (01:06:32):
I tumble over something because something I don't overstand. I
got the plot from born. From now on, I know them.

Speaker 42 (01:06:42):
Come on, come on, hang on.

Speaker 2 (01:06:50):
I never gave rocks to mcs and don't deserve it.
Never smoke rocks, never had guts to serpent, never had
a clock, never seemed to be worth it, Never had
a thought life was gonna be perfect. Never hit the
tips unless I have a jimmy yet, never leave the.

Speaker 1 (01:07:03):
Grip unless I have my shitt in tach.

Speaker 2 (01:07:05):
Never do wat say here rhyme and that's the beat
us back best believed that never will despong come wait.

Speaker 1 (01:07:09):
I never went to court, never had.

Speaker 2 (01:07:11):
To serve file, never went to jail, have no records
on file, never disrespect, never treat my friends good because
I never had real friends still now, so if this.

Speaker 10 (01:07:20):
Goes to do'll be supporting at the show? And this
goes to the who's always working on it? And this
goes to know who used music insect to escape by
the live and happiness inside.

Speaker 1 (01:07:29):
Of Mixed ten.

Speaker 10 (01:07:29):
This goes and whose criticism misconstructed this ghost?

Speaker 1 (01:07:33):
We just giveing fucking We just gost.

Speaker 10 (01:07:35):
To know whose love is so strong you can centiize
this and when you listen to these songs. This goes
to who even sleep with Turntable? This goes to the
who say fuck the major label? And this goes to
the who unsigned and day Brumpkins still making before they
even make a demo.

Speaker 1 (01:07:49):
This goes and who keep the break trains litter? And
this goes to roam the Night just you know?

Speaker 10 (01:07:54):
And this goes to know who tagging paint walls, whatever,
soul on speaking crew.

Speaker 1 (01:07:58):
For me and the app State Pauls go to Flip
the B Boy after mat and just goes to with
the ball in the baskets. This goes enough you.

Speaker 10 (01:08:05):
Who listen to the lyrics, because this flows with little
tuki dig the atmosphere like that.

Speaker 1 (01:08:10):
It's like this ship.

Speaker 10 (01:08:11):
True heads are the real music critics. It was always
better with blow then I one was with shoulder roles.

Speaker 1 (01:08:16):
But no matter where you lay my man, the love
is MultiPhone.

Speaker 17 (01:08:19):
It's like that.

Speaker 1 (01:08:20):
It's like this ship.

Speaker 10 (01:08:21):
True heads are the real music critics. It's always better
with blow then no one's with shoulder rolls.

Speaker 23 (01:08:26):
But no matter where you lay my man.

Speaker 1 (01:08:28):
The love is molt Anxiety. That's my new drug of choice.

Speaker 10 (01:08:31):
Society where you go when you lose your voice. Rivalry
SAMs from the ship your man selling me, don't lie
to me I do. The real definition is jealousy observation.
That's my tactic too for playing.

Speaker 1 (01:08:41):
Compensation distracts you while to pick your brain.

Speaker 10 (01:08:44):
Atmosphere a fairlyrical unit that leaves the average jezy confused
like a eunuch.

Speaker 1 (01:08:49):
Nonetheless, that's how I often change the subjects I can get.
That's what they all do.

Speaker 10 (01:08:53):
The slug shit ironic else kids pale in comparison to
my bonny. It's to come and hal some embarrassment roller
coaster metaphor for my delivery overdose, insults of having battle.

Speaker 1 (01:09:03):
Agency activate every time.

Speaker 10 (01:09:05):
It's my terms to grip, but masturbated means that finally
came to grip. So reality mean guns, bitches and weed
the salary.

Speaker 1 (01:09:12):
What comes from guns, bitches and weed. Integrity means your in.

Speaker 10 (01:09:15):
Pain because you're fuck collectively mean son of yall can fuck.

Speaker 16 (01:09:18):
It's like that.

Speaker 1 (01:09:19):
Never the whack and actual fact.

Speaker 10 (01:09:21):
It's like cat transmobal and local sahomiac. It's like damn
andless tenseness wandering. It's a struggle. But what you can
give and what you want's like that ship.

Speaker 1 (01:09:29):
It's like this ship. True heads, all the real music critics.

Speaker 23 (01:09:34):
Right right right now, right right right right right right
right right right now now.

Speaker 10 (01:09:44):
It's the caffeine, the nicotine, the milligrams of tar. It's
my habitat. It needs to be cleaned.

Speaker 1 (01:09:49):
It's my car. It's the fast talk they used to
abuse and feed my brain. It's the cat box. It
needs to be changed. It's the pain. It's women. It's
the flight for power. It's government. It's the way given.

Speaker 10 (01:10:00):
Knowledge, slow with our controlling, subtle hints. It's rubbing and
itching it. It's a flying cream. It's the foreigners, sight
scene with high beams. It's in my dreams. It's the
monsters that I conjure. It's the marijuana. It's the embarrassment, displacement.
It's where I wanda.

Speaker 1 (01:10:14):
It's my genre.

Speaker 10 (01:10:15):
It's Madonna's videos. It's game shows. It's cheap liquor blunts.
It's bumper stickers with rainbows. It's angels, demons, gods. It's
the White Davis. It's the Monitor, the Souman. It's the
motherfucking light levels. It's jazz fumes, fast fool, Tommy Hill
Bommy's Chill, Columbia House Music Club, the Sign of Trucks
and Lyman thugs. It's floods, Cript fives six. It's stick

(01:10:35):
of kids. It's Christian conservative terrorists.

Speaker 1 (01:10:38):
It's cornal flicks. It's the East Coast, so it's the
West Coast. It's public schools. It's a spestos. It's meth related.
It's techno.

Speaker 10 (01:10:45):
It's sleek life and death. It's feed token depth. It's
hay fever, pain believers, oral sex and focused breath that
stretches or as far as the eye can see.

Speaker 1 (01:10:54):
It's reality. Fuck it, it's everything but me.

Speaker 43 (01:10:58):
On and on and on and on, the list jokes,
and on and on and on, the miss jokes, on
and on and on and on, the list jos, on
and on and on and on.

Speaker 3 (01:11:09):
It's life on a whole. It's all life life.

Speaker 38 (01:11:21):
It's all according to your meaning of violence and how
or in which way you use it. Oh no, it's
not violent to show in movies the destruction of the
human body. But yes, indeed, it's very violent to protect
yourself from the party. And oh no, it's not violent

(01:11:42):
when under the Christmas tree is a lookalike gun. But yes,
of course it's violent to have an album like KRS
one by all means necessary.

Speaker 19 (01:11:54):
It's time to end the hip hocus hip hocusps.

Speaker 10 (01:12:01):
I don't see the police, smid notice the lonely man.
How do you think he keeps his head on straight?
Can you feel his ripper?

Speaker 1 (01:12:08):
What do you think he visions when he squits at
the line from behind?

Speaker 10 (01:12:11):
No shades fielder summer stressed, open dress, so much sweat
his skin begins to shape fits the surface, sweat, the
nervous mess over bearing in shaded from carrying the waist,
irritated and constipated, and it's all cup of player hated
trunnel that consolidated into the shelf of one man with
a gun right net in line between the program and

(01:12:34):
my son. And I don't hate you. I'm trying to
relate to wishing you could find a trap door to
escape you. But if I see you, it's a threat
on my seabling on my sibling. I died of over
plug on your machine.

Speaker 33 (01:12:46):
And I just like, just find somebody, and I just
like just love somebody, and I just like just feel somebody.

Speaker 14 (01:12:54):
I just like just kill somebody.

Speaker 33 (01:12:57):
And I just like just find somebody. I just right
just love somebody, and I just might just kill somebody.
I just just kill somebody.

Speaker 1 (01:13:09):
Fucking I ain't ready anyone, but it looks like you,
fucking caterer. I'm not fighting'll make coffee again. I thought
you had one of your pitches in here.

Speaker 17 (01:13:23):
Did what is he?

Speaker 25 (01:13:26):
So we've got these hot books around the world.

Speaker 1 (01:13:28):
Did or something?

Speaker 28 (01:13:30):
Eleven thirty was supposed to be here.

Speaker 9 (01:13:32):
You know, we're supposed to be there by nights.

Speaker 1 (01:13:34):
You're always fucking late for your own fucking funeral. The
funk you're looking at.

Speaker 32 (01:13:44):
Come on, make that coffee to go, let's coe.

Speaker 10 (01:13:46):
Don't have a fucking question, don't never question, don't have
a fucking question that you don't have a fucking question.

Speaker 1 (01:13:52):
Don't have a fucking question, don't never fucking question.

Speaker 10 (01:13:55):
That enough to hold you to the brightest of lights,
a place you dangerously close to that sun, enough to
acknowledge the flaws you can't ignore and recognize the cause
of what's done is done. More than enough to put
my name behind my ideals and neglect my.

Speaker 1 (01:14:13):
Logic twice daily. Enough keep looking for my.

Speaker 10 (01:14:16):
Lucie in the sky with gems when I remember how
you used to call me baby, enough to look in
my mirror with the test to every tear you shed,
regardless of why you wept, enough to curse any man
who can't appreciate the depth of the ocean. I swam
till I ran out of bread.

Speaker 36 (01:14:32):
I love you.

Speaker 10 (01:14:33):
Don't never fucking question that. This is why we'll probably
never get along. If I was better at fighting the
right words to say, I wouldn't need to write these
motherfucking songs.

Speaker 1 (01:14:44):
I love you, I love the first time in my flight,
I see you need love. Don't never fucking question this.
See see see love, I see they love.

Speaker 10 (01:15:13):
Dear Chiglow, I won't take pretty much of your time.
I know you're trying to get your vide. Your game's
Brian born, and that's fine. Skin me your second to
empty my face before I hit the rope again to
go and win this state the chased.

Speaker 1 (01:15:24):
I've been watched you and I'm proud of you.

Speaker 18 (01:15:26):
Man.

Speaker 10 (01:15:27):
You're proming up to be the best man that you
possibly can't. I know you want to snee why I
go out of town. I also know my day's a cult,
and when you're not aground, sometimes I wonder what it's
like to be adapted to the fact that Daddy never
lived inside the same shit.

Speaker 1 (01:15:41):
Sometimes I get this pain in my stomach's pit. It's
what I get. I'm convinced it's my punishment for those snakes.

Speaker 10 (01:15:47):
I got drunk and let go with some bar and
some city with some people I don't know for all
the time.

Speaker 1 (01:15:53):
Put the lines on your face reminded me of.

Speaker 10 (01:15:55):
The days before the dragon flies on skates. It trips
me out till you pick up. I'm like straits from
the way that you spit to the fists that you make.
I watch the way you're trying to keep your mom backy,
Daddy's learned that from you.

Speaker 1 (01:16:07):
You're supposed to learn that from daddy.

Speaker 10 (01:16:09):
I can't teach us when it comes to women that
drive safe and slow but don't know nothing about the
engine you're do when good, little man, this soul love
really means I love you. You're my best friend. Thanks
for listening, Dear trench, what up bones?

Speaker 1 (01:16:33):
How it goes?

Speaker 9 (01:16:34):
Yeah?

Speaker 1 (01:16:34):
Me?

Speaker 10 (01:16:34):
Well you know you know, Sambo Semo. Sorry that the
phone call saying two roufines. Just been running around the
globe front to do my thing. Sometimes the weeks why
a little too fast, and sometimes I go to sleep
a little too treshed.

Speaker 1 (01:16:48):
Other times I'm not sitting on enough cash, and other
times the day feels too much like the past.

Speaker 10 (01:16:54):
Sometimes at night I would watch your fight, but child's
wondering why your wife just staying old Bla's the violence
about twice it in my house and even the memories
that's her up to loud.

Speaker 1 (01:17:05):
Yeah, I got so many shoes in my head.

Speaker 23 (01:17:07):
You we should have.

Speaker 1 (01:17:08):
Started fixing them back when she lifts you. I'm not
trying to get your time. I don't get different.

Speaker 10 (01:17:13):
Now put your little man, just want shoot to listen now,
I'm ot be turk me and can't maintain relations.

Speaker 1 (01:17:18):
All these women want to hurt me in. I just
don't have the patience.

Speaker 10 (01:17:22):
I can't trust them, and they're not much help when
they start to push and pull the buttons. I don't
trust myself what pride miss and works just might do.
I'm afraid of my fake go on and turned out us.
I've never heard the woman. I won't th coping for that,
alh not love you went. I want to thank you,
won't man. Dear Sean, what's going on? Not much to say,

(01:17:52):
just checking in what you're trying to see? What's wrong today?

Speaker 1 (01:17:55):
I know this guy that'll be something kicking your bruises?
How's the love? How's the music? How's the self?

Speaker 17 (01:18:00):
Abusiveness?

Speaker 1 (01:18:01):
Got a lot to lose.

Speaker 10 (01:18:02):
It's breaking your shoulders, So yell at your para and
all you'll place your vets for you.

Speaker 44 (01:18:06):
Too many cigarette's pissing up your voice, too many arguments,
trying to test your voice. The only women that love
you with fans and family mob has no choice, but
fans sleep.

Speaker 1 (01:18:17):
You ragually, no heavy rotation.

Speaker 10 (01:18:19):
It's any location you're not ready to face that you
have no steaky vocation.

Speaker 1 (01:18:23):
Clushing it and knows your wraps are exhausted. Stop it.

Speaker 10 (01:18:26):
Everybody knows that you've lost it. You're singing for these kids.
You don't know when you should be get home with
your owners. That you're on your telephone fighting with your
girl like if you will against the world. Another drunk
the hotel bathroom corner girl looks like a naked feet
us come in, say though, Jesus, play them back in
time before through economic saying, just Jesus.

Speaker 1 (01:18:45):
Sometimes you're not impressed with the work you've done. And
love is it love? If you didn't hurt someone? Your
sun sets? Hi, Taddy, your test said, what's up?

Speaker 10 (01:18:53):
You never want to thank you, but I just say
your pluck sleep. He gave his baby boy your back
to pull the bubbles and toys for him to splash.

(01:19:14):
Took your daddy so such much dash, funny faces and
voices it makes the baby belly laugh.

Speaker 1 (01:19:20):
Try him off now, you squeaky clean and watch the
water spiral down that drain.

Speaker 16 (01:19:25):
Wrap him in the towel so.

Speaker 1 (01:19:26):
He doesn't get the shivers. Brush his hair.

Speaker 10 (01:19:29):
It seems to help him dry quicker, laid them on
my knee in Daddy's bed now that he's.

Speaker 1 (01:19:34):
Dry, and put the diaper on him.

Speaker 10 (01:19:35):
Gave him his pass a fire superman pachammer soaps up
in a scent, face full of unconditional love. Daddy picked
them up and rock them slow. It never takes long
for little guy's eyes for close.

Speaker 1 (01:19:49):
Dad sechnique is different than your mother's. Never learned any
bother la byes.

Speaker 10 (01:19:52):
He sings Steevie wonders there it is steady, breathing, sleep
rip him.

Speaker 16 (01:19:57):
Daddy sits and holds him.

Speaker 1 (01:19:58):
Just to listen for a minute.

Speaker 10 (01:20:00):
Daddy's hands all the mean enough security and baby's hands
all the evidence of purity. Thinking back to the day
baby came and how it changed the whole game, things
ain't the same. Daddy at his side, running the crazy
keep his ass in the.

Speaker 1 (01:20:15):
Home with the son and his lady.

Speaker 10 (01:20:17):
He was there for the first and the first streath,
not to under miss the first words, all the first steps,
going to keep the boy, help me in safe, as
it was best to try to keep those tears off
his face.

Speaker 1 (01:20:29):
Avin m kids, laying them in his crib, turns out
the lights. Good night, my little prince. That's how good
Daddy takes care of him.

Speaker 10 (01:20:37):
And then that good Daddy goes downstairs to package harrowin.

Speaker 5 (01:20:45):
My fuck.

Speaker 10 (01:21:08):
She on a bad dreams in the back seat, the
same one as yesterday, the same one as last week,
surrounded by your favorite the favorites, Elmo, Barbie, her purple
baby blanket, and that little matchbox looks just like Dad's cars.

Speaker 1 (01:21:21):
Fast on the leather, pretends it's Nascar.

Speaker 10 (01:21:23):
It jumps over Elmo because it could fly that far
with Daddy in the front seat.

Speaker 1 (01:21:27):
Front of it like a rap star, little girl, Daddy's
the great.

Speaker 10 (01:21:31):
He knows the words everything on the radio playlist. He
fakes the accent, he even makes all the faces. And
when he raises his voice it makes her feel like
he's famous. Yeah, boy, got his lean on. I mean,
we're eving down Lake Street trying to get a scene.
Stop in the whipt to say something out the window,
bobbing his head to the beat the radio. Good Daddy

(01:21:51):
won't smoke no weed until the base fadles her back
to sleep that he can steak his mac well.

Speaker 1 (01:21:57):
She takes a nap to the sweet dready sounds of
the makes the rack the.

Speaker 10 (01:22:01):
High hats of angels voices. They keep her distracted from
the stranger's face. Escape is a paradox because the childhood
is locked in that music box.

Speaker 30 (01:22:11):
Daddy strangle rend mummies word nice shift, Sweet tree sleep,
Little precious laid down in that music box, snake in
the sound of that music box.

Speaker 1 (01:22:22):
Daddy strangle around mummy's word, nice shift, Sweet tree.

Speaker 30 (01:22:26):
Sleep, Little precious laying down in that music box, snake
in the sound.

Speaker 1 (01:22:31):
Of that music box. That I made you so mad

(01:22:57):
last week?

Speaker 10 (01:22:57):
Right, you know that it's not like saw that rare
sport in here, and let me cherish the embarrassment.

Speaker 1 (01:23:04):
I realize I've.

Speaker 10 (01:23:05):
Been a dickhead, yes, and I respect how you question
your investments.

Speaker 1 (01:23:09):
I take the blame, but it ain't to be impressive.
Feels like a cop out to label it lessons.

Speaker 10 (01:23:15):
I've been through the rain, but I've put other people
through a hurricane just to work for the game. Sometimes
I swim through so much shame. I think my little
man's blessed that he didn't get my last name. And
here you are right in front of me, offering it all, Like,
tell me what you want from me. I want to
up you today.

Speaker 1 (01:23:32):
You forbever. Let me clear my throat and rub my
wings together with ghosts. I'm not perfect, but I missed
that in this my hands are dirty, and I'm miss
that in this.

Speaker 10 (01:23:41):
You've been searching for this that in this, Let's break
the surface and make a little happy mess. I'm not perfect,
but I'm miss that in this my hand's a dirty
and I'm miss that and this you've been searching for this,
that and this. Let's break the surface and make a
little happy mess. Right now, the hok let's go upstairs.

Speaker 8 (01:23:59):
Right now, y'all checking out, y'all's meeting for here. You're

(01:24:20):
live and directly speaking, you're checking out to pay your
personal show. Don't get a tied my love gangdup for
ganked up her life.

Speaker 45 (01:24:29):
She said, as she still wants a friendship. She can't
live her life without me as a friend. I can't
figure out why I give a damn to what she wants.
I don't understand the hour before the then most of
this garbage. I right that these people seem to life's
about you, and how am I let you inspect my life?
And if they got to know you, I got to
take what they want. The one I show you how

(01:24:51):
you can leave it. A friend in Chicago said that
I should stay persistance. If I stay around, I'm bound
to break resistance. Cock you, Lucy for the finding my existence.

Speaker 1 (01:25:01):
And fuck you went to differences.

Speaker 10 (01:25:03):
Ever since I was a young man with a part
time dad, it was hard to find happiness and side
of what I had, I studied my mother.

Speaker 1 (01:25:11):
I digested her pain and found no woman on my path.

Speaker 10 (01:25:14):
Would have to want the saying travel like sound across
the fake Madam. I travel with spum that makes this
take that, and I travel with field so I can
feel we touched. It's like that, Thank you very much,
talk you very much. Ain't no color paint gonna cover

(01:26:02):
the stains. The pictures on the wall will all remain.
And even though he's home now, Sound is safe, surrounded
by the faces that he places his faith. The images
visit from the past he witnessed, can't stay away from
the memory. Sticks to each detail embedded his stone, like
he chisels those convictions into his bones.

Speaker 1 (01:26:22):
The progress stops and pauses.

Speaker 10 (01:26:24):
He sticks his waters like the basement bars, and and
it's obvious he's lost in his regrets.

Speaker 1 (01:26:30):
You can smell it on his breath.

Speaker 10 (01:26:32):
Ain't no color paint gonna cover the stains, but how
the alcohol is gonna.

Speaker 1 (01:26:37):
Mother the pain?

Speaker 10 (01:26:38):
He tuck it away, no complaints, just laying on his
back on his backyard under the grint. Take tomorrow, but
doesn't know how. Though every swallow there's another to follow.
He beeps his way throughout the store, looking for a
new missing piece or a dog que spirits used to
be for celebration, but now they just take him away

(01:26:59):
from the hell that's wait free up until it three
sheets up and take a place for the skeletons.

Speaker 17 (01:27:04):
To meet up.

Speaker 10 (01:27:05):
Ain't no color paint gonna cover the stains, but if
the oxygen escapes, it'll smother the flames. No introduction, doesn't
speak his own name, Gonna beat them demons at their
own game. The sunset rides to the anslong, same song
that going outside of the window. You can't grow with
this hand, don't fits you. Sometimes you gotta get low.

(01:27:26):
Just the kid proves no inspiration left to do your best.

Speaker 17 (01:27:30):
Wind.

Speaker 10 (01:27:30):
Nobody hates you more than your reflection. Suffer the shame
until it stuff's the drain. He's got two hands and
a bucket of paint.

Speaker 28 (01:27:38):
Come on.

Speaker 10 (01:28:37):
Camera, thief, take pictures, run like the parallel stitches. Attach
my feet to the path, I beat, teach myself to
keep the answers brief.

Speaker 1 (01:28:48):
Gnash my teeth like the last feast.

Speaker 10 (01:28:50):
Imagine me on that abandoned beach, sand and sea, as
if the jazz was free of ice cream mixed with gasoline.
Direct the tension to the craftsmanship. Neglect to mention that
the pastel stick like initials darved in the concrete, like
the tattoo that hides on your mommy. I still kick
it with angels the differences instead of the bar. I

(01:29:13):
me at my kitchen table. The starlight shines through the glass,
but you feel safe underneath that mask. Ferris wheel, give rides.
The scars healed in time to get high. Lock the

(01:29:34):
doors and hide the keys. Let's go.

Speaker 1 (01:29:36):
Describe how to climb a tree.

Speaker 10 (01:29:39):
Don't sign the least, just cop a corner for you
to curl up and try to sleep.

Speaker 1 (01:29:43):
Those cheap police won't find my wings.

Speaker 10 (01:29:46):
I keep my treams inside my treams, And if I
had a time machine, I'd probably use it like a
vacuum and try to clean it.

Speaker 1 (01:29:54):
Kind of seems quite.

Speaker 10 (01:29:56):
More than a handful of piece regrets have been circumstantial.

Speaker 1 (01:30:00):
Now give me all the cash, out the draor touch
that mustache.

Speaker 10 (01:30:04):
Down on the floor, and I'll be in court holding
a pitchfork before I let the contest out last sport
pocket watch, impatient, find the mate and make the micration.
Break the rules, but first break the rulers and keep

(01:30:28):
it moving like a rumor. I don't need to defend
my defensiveness. I keep to myself, my family and friendships.
I got enough people I could disappoint. If you disagree,
I think you missed the point.

Speaker 27 (01:30:40):
At things about me. You don't know anything about that.
Things you wouldn't understand. Things he couldn't understand.

Speaker 12 (01:30:47):
Things you shouldn't understand.

Speaker 38 (01:30:51):
I don't understand.

Speaker 27 (01:30:53):
You don't want to get mixed up with.

Speaker 12 (01:30:54):
A guy like me.

Speaker 42 (01:30:56):
Oh my god?

Speaker 1 (01:31:00):
Yes, the rhythm? Yeah, yes, how you're doing. Ain't seen
you in a long time? Is everything all fun? Doing
your best? I'm glad to hear it. It's all progress. Yeah,

(01:31:21):
that's the expiring. Look at you. You look great. It
seems like you kept yourself in good shape. You stop drinking.

Speaker 10 (01:31:28):
Huh, congratulations, you're back at school too. That's fascinating. So
what you're doing nowadays? You live in here again and
just visiting for the holidays. Yeah, yeah, how's your family?
How's your mommy and daddy? They living happily. So tell
me all about la Huh you don't live in l
A hold up? Wait wait wait Chicago? How Chicak?

Speaker 23 (01:31:51):
What?

Speaker 46 (01:31:51):
No?

Speaker 1 (01:31:52):
Well where you live in there?

Speaker 42 (01:31:54):
Oh?

Speaker 10 (01:31:55):
File, fol Please forgive me bad memory. So how's the
big city? You're paying dues? You're making moves? Yeah, I
always knew some day you break through. You've forever been
a go getter, and I won't forget that fact that
I'll remember. I never told you this, but I wish
you the best success in all that other shit. That's

(01:32:17):
my cue. I got stuff to do. It was a
special surprise to bumps. You stay safe, you have yourself
a great day. Wait what was that what you say
my phone number?

Speaker 1 (01:32:29):
No, I don't think so.

Speaker 10 (01:32:30):
I only gave it you a handful of close people.
Let's not make the sin to ass you. But the
truth is I don't miss you.

Speaker 14 (01:32:39):
Li la la la Lah.

Speaker 10 (01:32:42):
I will disappear La la la la la No foreign
no mere la la la la la.

Speaker 1 (01:32:53):
You are not my dear. I don't care where you
know from snow.

Speaker 10 (01:33:03):
Surprise, I overslept, put my boots on and climbed out
my tents.

Speaker 1 (01:33:08):
I didn't see you, assumed you were sleeping.

Speaker 10 (01:33:10):
Immediately start a fire because it's freezing. I can't believe
we went camping in the cold. I'm in the wilderness
standing in some snow. A late start, but we can
still catch up.

Speaker 1 (01:33:21):
You need to wake up. We should eat and then
pack up. It's when I noticed your footprints. The snow's
fresh and.

Speaker 10 (01:33:28):
Those have been put since what You already up making
the rounds. So where you at now? You're laid back down.
The breeze came in and stalled.

Speaker 23 (01:33:36):
Out the frame.

Speaker 10 (01:33:37):
While I went to your tent and called out your name.
You didn't answer, so I opened up the flap. It's
just an empty sleeping bag and your backpack. I'm looking
at your track, saying you took a couple laps around
the campground.

Speaker 1 (01:33:49):
And hooked down the path.

Speaker 10 (01:33:51):
I figure your return no concern. I'm a whole foot
and try to make this cold wood burn. The wind
is blowing strong, minutes rolling on. It's going on, and
at least a half an hour you've been gone.

Speaker 1 (01:34:02):
It ain't right.

Speaker 10 (01:34:03):
Start the paranoia. I left the campsite to go and
search for you. I read the trail your feet made.
Each step was deliberately placed. It looks like you know
where it leads, but I see nothing but leafless, frozen trees.
About a quarter mile into the course, and another set
of tracks appeared next to yours from the north. It

(01:34:24):
came out of the thick woods, and those footprints belonged
to a big wolf trying to find service on my cellphone.

Speaker 1 (01:34:31):
I felt to height with my knife on my belt.

Speaker 10 (01:34:33):
Though I hope the wolf is intimidated by you, I
wondered if you even knew it was behind you, stalking you,
maybe watching you, waiting for the opportunity to hop on
top of you, salivate and want to take you to
the stomach. In the cartoons, you got to turn it
into a drumstick, and it gets about as.

Speaker 1 (01:34:51):
Bad as it ghost.

Speaker 10 (01:34:52):
Because I noticed there's a new set of tracks in
the snow, I understood it doesn't look good. Your fan
club doubled. Now you got another wolf and the odds
are in favor of the home team. Why'd you walk
off all along where you're going? It ain't the right
time to complain but it feels like I'm trying to
find your remains. Your footprints grew further apart. I knew

(01:35:14):
what that meant, and it was hurting my heart. I mean,
you just started to run, so I did the same.
Now my breath's looking like a steam engine train. It
suddenly your trackslip off of the path.

Speaker 1 (01:35:25):
It's so disdaired. Saw my knife.

Speaker 10 (01:35:27):
I grabbed into the forest, expect the worst adrenaline burst
disturbed the nerves. Fifty yards into the woods and brushed.
It got so thick that it looked like dusk. The
air stood serene, sober, seemed like a good fifteen degrease
colder and now legit, hell yeah, I felt feared. The
sound of my heart beat was all like a dear

(01:35:49):
Looking at the snow, it was plain and clear. There
was a third set of wolf prints where yours disappeared.

Speaker 1 (01:35:55):
I can't process. I don't follow. It'd be easier to
believe that you were swap.

Speaker 10 (01:36:00):
But no sign of death, no sign is struggle, no
signs of blood, no signs of trump, and the wolves
never socks.

Speaker 1 (01:36:08):
The tracks kept going and I took off.

Speaker 10 (01:36:11):
So I don't know how your story ends, but I
know I'll never go into those woods again.

Speaker 17 (01:36:16):
To sense smell.

Speaker 12 (01:36:19):
Everybody out of the cat.

Speaker 5 (01:36:22):
Might not be d.

Speaker 1 (01:36:26):
Trump, well done, bitch.

Speaker 16 (01:36:28):
Jack Mason knows he's going to die someday. I wish
it never started smoking.

Speaker 1 (01:36:33):
But today he's not in the mood.

Speaker 16 (01:36:37):
This is where it's interesting.

Speaker 1 (01:36:39):
He never underestimated a man who has nothing to lose.

Speaker 20 (01:36:45):
Record Hower, Charles Don, Gary Musey, f Marie Abraham, William
McNamara and Iced Tea.

Speaker 1 (01:36:57):
Surviving the game.

Speaker 27 (01:37:10):
I don't believe you.

Speaker 9 (01:37:11):
I don't believe.

Speaker 5 (01:37:21):
This is jui, this jeu.

Speaker 10 (01:37:24):
When I woke up this morning, my only intention was
to look in my reflection with what you will respect. Yeah,
I know I'm more than just a badge and a weapon,
but when you see me coming, you recognize my profession.
You should believe that I'm a leave an impression, even
if it means I gotta put my knee on your neck. Man,
it was never made for you to pass this test.

(01:37:44):
The last question on the quiz is what the fuck
you expect?

Speaker 23 (01:37:47):
Man?

Speaker 10 (01:37:48):
A little money made them want some protection because a
man with no money made the money feel threatened.

Speaker 1 (01:37:53):
And we accept it's gonna.

Speaker 10 (01:37:55):
Be some exceptions, but it's films on the connection of
ownership and possessions. Day before, you pay attention to the lessons.
If you're flexing any see if I'm gonna send.

Speaker 1 (01:38:04):
You to the dentist.

Speaker 10 (01:38:05):
It all depends on how you fit into my spectrum,
from lectures to handcuffs, to beat downs to death wishing.
I was told to tell of one sided story, and
that's why I had to eliminate your perspective. I was
await for my death. I had to make an assessment.
Ain't my day to be checked? I felt the weight
on my chest. I was told to tell of one
sided story. So say your prayer, because this one's gone

(01:38:28):
to heaven. In a sense, it's a submissive position. It's
a one sided story.

Speaker 1 (01:38:33):
Read it to your children.

Speaker 10 (01:38:47):
She dropped the gun and started running down the corridor.
She found the exit to get out that department store.
She reached close rent. When she hit the parking lot,
she didn't see police, not even any rents.

Speaker 1 (01:38:58):
A cops freshman across the street.

Speaker 10 (01:39:00):
Went behind the apple Bee's half of there. She could
see those abandoned factories. I figured that's a good place
for her to hide away. Idea why she could climb
inside to the fire. Kate points still felt like a
dream in the head. She could still hear the little
kids screaming.

Speaker 1 (01:39:15):
Stream leaning up against the dumpster to buy some breast.
She got here the sirens.

Speaker 10 (01:39:20):
Now it's time to step run out of the alley
way now relentless.

Speaker 1 (01:39:24):
And bobbing in between houses, hoping fences.

Speaker 10 (01:39:27):
Spend only two more blocks to the overpass, the pad
renal and it's rendering the panic sat handicaty.

Speaker 1 (01:39:34):
She should go back and explain it or swingingly.

Speaker 10 (01:39:36):
The best thing to do now was take that for
it ain't no way that they won't understand that little
girl is never gonna hurt again.

Speaker 47 (01:39:59):
Completely an accent that made a sound hell around this time,
the slimmy.

Speaker 16 (01:40:03):
Joint was MELI even cooler was my social working.

Speaker 1 (01:40:07):
Yeah, I was a social worker. I want to me
out they do that. He brings me to a script
and one of my favorite races.

Speaker 16 (01:40:24):
That's how it was.

Speaker 15 (01:40:24):
Daughter Miller became one of my favorite pass and she
had the.

Speaker 1 (01:40:27):
Turf that may do we want to take chances? I
mean by her man, I love to make it.

Speaker 6 (01:40:32):
Vatho, yeah, yeah, yeah, what up y'all? This is commsense
and right now you're listening to filler flavored crew.

Speaker 17 (01:40:50):
We rocketed, Yeah, yeah, yeah.

Speaker 10 (01:41:02):
A city full of people and my favorite is that
waitress and she treats me like some type of common bakerant.
I see your revy cake, but there's nothing to say.
I'm less side of side of.

Speaker 1 (01:41:11):
Step, side of that cafe. I only get to sit
if I buy something to eat.

Speaker 10 (01:41:15):
Otherwise it's best to keep my feet moving down that street.
And god damn, she's a hard bitch. She talks at
me like, come the bad dog, the gut into the garbage.

Speaker 28 (01:41:24):
Yee.

Speaker 10 (01:41:24):
I know that the toilet is the customers. You ain't
got a tangle up the strings that make this puppet work.
It doesn't have to be a game of patty cake.
But it ain't like you jun't.

Speaker 21 (01:41:33):
No.

Speaker 10 (01:41:33):
I sleep in that alley way and by the way,
I can see it in your eyes. You're angry with
your life, not a stranger to the fight. I bet
you hate every man that you take, and you're probably
addicted to all types of stakes. You take it out
on me that you're on alone when you know you
got your own closet full of hollow phones. Watch the
tone when you speak to oh folks, I'm wrong, just

(01:41:54):
trying to get out of this Minnesota toes.

Speaker 1 (01:41:56):
Look, lady, I'm homeless, I'm crazy.

Speaker 48 (01:41:59):
I'm so hopeless some suicidal daily If you or not,
I can't coexist, let's take it because I ain't got
the energy it takes for this relationship.

Speaker 1 (01:42:07):
I'm waiting for a city bust.

Speaker 10 (01:42:08):
To flatten me and transform me to the ever after.
Happily maybe beincardnat and with luck come back to earth
as a cockroach in your chip cup. She says she's
hid it up to me and she's gonna call abram
tees up.

Speaker 1 (01:42:21):
I don't disappear.

Speaker 10 (01:42:23):
I love her threats and which umnates my breath. I
give a stress for the reaction that it gets. I
got a pocket full of pin handle money on a
cup of bad coffee and a stale honey bunt in
front of everyone.

Speaker 1 (01:42:34):
She calls me pump, but she.

Speaker 10 (01:42:36):
Notices my absence on him. Afternoons, I don't come so here.
I am throwing in in and holding down the corner
table all morning with some corn ships, ignoring the insults
and evilized feed off of for my wonder when she'll
realize that she's the only reason I visit the.

Speaker 1 (01:42:52):
Only woman in my word that acknowledges my existence.

Speaker 10 (01:42:55):
And if my ship number comes, I'll miss it because
I'm still old and I ain't got much left to
get today, saying I have to live with it.

Speaker 1 (01:43:03):
I had the chance to make a difference, but I
did it in the.

Speaker 10 (01:43:05):
Can they bathroom drinking free tap wanna, thinking him, I
should have.

Speaker 1 (01:43:09):
Been a better pot than my daughter.

Speaker 17 (01:43:21):
Yo, are you gonna work with merzigaan to maybe do
a felt for I.

Speaker 19 (01:43:25):
Guess my question got passed off.

Speaker 23 (01:43:28):
I probably will. I probably will. I don't know. You
know the thing with me and Merse brought me we
make if we make easy got of convenience.

Speaker 4 (01:43:37):
Here.

Speaker 23 (01:43:37):
Listen, man, I'm gonna circle.

Speaker 16 (01:43:38):
I'm gonna circle.

Speaker 23 (01:43:39):
I'm gonna circle back to your question here.

Speaker 19 (01:43:41):
I just want to hear make a fucking fella com
padre laughing.

Speaker 22 (01:43:43):
I think you just want to hear yourself talk.

Speaker 23 (01:43:46):
Listen. Here's here's what I'm gonna say. Uh Me, me
and Merse we make those records because of our timing
and our schedules linking up, but because you know, it's
becoming easier and easier to not have to like get
together to do that. I can record a bunch of songs,
send them to him, he could do his parts, send
them back, you know. But we try not to do

(01:44:06):
it that way. We try to actually make sure we
hang out to make those records. Now, to answer your
other question, the thing that I think is most different
is that literally now it really does feel like anybody
can do this. When I got into it, there was
still this you had to prove yourself to some sort

(01:44:28):
of like this invisible hand of hip hop that was
kind of controlling, and you had to prove that you
had lyrics, You had to prove that you that you
had drive, you had to prove you had all these things.
And so as MC's it was our job to make
it look like this was easy, like oh, this just
comes natural, this is easy, and not really show you

(01:44:50):
that behind the scenes, there was a lot of work involved.
Right now, we have a generation of people who actually
believed us when we tried to show them how easy
it was. Where we pretended that this was easy, it's
people actually believed it. And now they're in the limelight
and they're making music and it really was as easy

(01:45:13):
as they made it, and it's kind of an amazing thing.
It's not even a bad thing. It's just a thing,
and it's kind of amazing to see, how, you know.
The bottom line is shit still sinks and the good
stuff still floats. And so the artists that that are
getting known, there's a reason they're getting known. And there's
a reason why SoundCloud is full of people who aren't
getting known. But the bottom line is SoundCloud is fucking

(01:45:36):
full of people. And when when you were coming up,
when I was coming up, there was nothing like that.
You didn't just get to make some shit. You had
to be validated and have somebody fucking make you feel
like you're supposed to be doing this. Now it's a
world of it's a world of everybody's fucking children makes music,
and it's kind of dope. The reason I think that

(01:45:57):
is because it feels like, man with the do do
so much?

Speaker 18 (01:46:02):
Let me just yeah, yes, yes or no, yes or
no response off of this question. The more connected is
it is today? Do you feel disconnected?

Speaker 23 (01:46:14):
I mean me personally, I don't, But I believe that
there's a fucking slippery slope there.

Speaker 18 (01:46:19):
There's a lot of room for people to sell my
angle on that question, right, yeah, yeah, Yet, but like,
is there a disconnection off of all of that accessibility
and connections.

Speaker 23 (01:46:29):
It's not going to fuck my life up. But I
do think that there's a lot of room for for
people to get it wrong. Uh And but but who's
to say that that's wrong. It's just where it's just
evolution to whatever it's coming wrong.

Speaker 21 (01:46:42):
Yeah, yeah, but you gotta say technology plays a part
in that whole thing. I mean, what we had to
do to make production back then, with whether it was
ten seconds of samples or the way we had to
chop things, And now everything is sliced and kind of
set up.

Speaker 22 (01:46:57):
I mean, it is easier now.

Speaker 21 (01:47:00):
So we pretended it was easy, but now it actually
is easy because of technology. You gotta admit that is
part of the equation that someone can just jump on,
throw a breakbeat in, and all of a sudden they're
like making their own shit.

Speaker 19 (01:47:15):
Do Cyprus still exists, Shan.

Speaker 23 (01:47:17):
In my world? They do? In my world, they do,
you know, in the mainstream world, I don't know. I
don't even know, you know. And part of that is
because I'm I'm not connected to the mainstream world. Really,
I pay attention enough fringe attention to keep a finger
on the pulse of creativity, but I'm not really paying

(01:47:37):
attention to the technique that's being used with the creativity.
I don't I noticed that there's not as much sampling
going on, but I don't really care to try to
break down what the sounds are that are being used.
You know what I'm saying. It's like I'm in the know.
But really, man, I'm in my own world, you know,

(01:47:57):
and and I like this world. I'm cool. I'm chilling
in this world. It's mine, you know what I mean.

Speaker 21 (01:48:02):
Like, so you're not going into the production side of
things like most kind of are trying to, you know,
make extra money or go into producing. I mean, you're
you're just strictly sticking to the MC side.

Speaker 23 (01:48:14):
I mean, I'll stick to the MC side mostly because
it addresses all of my needs.

Speaker 31 (01:48:20):
You know.

Speaker 23 (01:48:20):
I have this need to be on a stage. I
have this need to talk to people. I have this
need to to to speak to crowds, to audiences. I
have this need to be like look at me and
being a rapper feds all that, and so that's why
I always kind of stuck with it.

Speaker 10 (01:48:35):
You know.

Speaker 23 (01:48:35):
I started off as a DJ and got into production
before I was even a rapper, and none of that
stuff really fed my fucking my my. It didn't validate
the things that I needed validated, you know what I mean.
Like now, let's not to say I won't make some beats.
It's just that I probably won't try to, you know,
get fucking famous rappers to spit over them. If anything.

(01:48:57):
You know, I'll probably play for friends or some dumb
ass shit. But it's you know, I have the records,
I have the gear, I have the creativity. I just
I keep my focus on the stuff that's gonna fucking
give me what I want.

Speaker 1 (01:49:09):
It still has to be good, it still has to
be you.

Speaker 17 (01:49:13):
That's like a Hallmark card right there.

Speaker 19 (01:49:17):
He just did a microdrop.

Speaker 37 (01:49:18):
Drey just did a microsdrop.

Speaker 20 (01:49:20):
Speaking of producers, I've always been intrigued by your relationship
with Aunt and I maybe met him five times and
said five words so during those five times. But he's
a reclusive dude who's always pleasant, always gracious, extremely likable.
But I want to know outside of the recording, like
does he come over Saturday night and your wife's making pasta?

Speaker 17 (01:49:43):
He brings over some red wine and.

Speaker 20 (01:49:45):
You know, a loaf of bread, Like what is your
relationship like outside of the tour bus and outside of
the studio because you know, you like.

Speaker 23 (01:49:55):
He No, we're not. Actually we're We're the same fucking dude,
we just don't dress the same.

Speaker 8 (01:50:00):
Uh.

Speaker 23 (01:50:01):
Here, here's the thing. If if I was the type
of person that like actually had people come over, yes,
he would definitely come over and epasta. But you know,
in my world, I'm out of the house so much
for work still that when I'm home, man, I'm just
kind of I'm fucking low key with it.

Speaker 42 (01:50:20):
Now.

Speaker 23 (01:50:21):
That's not to say I don't hang out with Aunt.
We get together, we just do it under the guise
of work, kind of like what you guys are doing
right now. You know, with me and Aunt will hang out,
but we'll just make sure that there's another purpose going
on so that we could sit around and talk shit,
you know what I'm saying. And so it's like it's
and so it's so it's you know, maybe there's a
sporting event to watch on.

Speaker 18 (01:50:40):
The television or to go to kids, a time for
us to get down, time to get loose, less relax
and have some fun.

Speaker 23 (01:50:48):
Right right, Wait, was that a question?

Speaker 19 (01:50:50):
No, I don't know.

Speaker 17 (01:50:51):
Kev's cut is my golf.

Speaker 23 (01:50:53):
There's another fucking Hallmark card.

Speaker 20 (01:50:54):
Yeah, keV is uh yeah, Okay, so I got it.
You guys do have a relationship. I mean, it wasn't
applying you don't, but oh yeah, no, he's he's.

Speaker 23 (01:51:03):
My best friend. He's he's he's literally my best friend.
You know, I'm saying, it's like when.

Speaker 20 (01:51:09):
You're a bus your face time in your family, he's
watching like Scorsese flicks and whatnot, Like there seems to
be am.

Speaker 17 (01:51:16):
I right, how accurate is that? Right? No, that's gotta
be accurate.

Speaker 20 (01:51:21):
I totally see him watching, you know, like you know,
all day afternoon and your FaceTime in your family and
blowing co.

Speaker 23 (01:51:30):
It's a it's a cool, it's a cool you know,
there's a cool mental image involved.

Speaker 13 (01:51:35):
Ye.

Speaker 23 (01:51:36):
Nah, dude, you know, we're very very similar. He's definitely
more he's he's he's he's more well versed than I
am when it comes to music and movies, and I'm
more well versed than him when it comes to music
and movies. It's just, you know, we're kind of the same, dude,
we we just don't trust the same.

Speaker 20 (01:51:56):
So you said he had a he had a child,
like a month ago, not him, but obviously his girl.
And you're having another one in a month from now
or a few weeks from now actually, so.

Speaker 23 (01:52:06):
He yeah, yeah to houll that impact.

Speaker 17 (01:52:08):
You know, you're touring and honestly your music making for
the foreseeable future.

Speaker 23 (01:52:15):
Well, you know, I've been having kids and touring throughout
the whole process. It you's just got to schedule it.

Speaker 16 (01:52:22):
You know.

Speaker 23 (01:52:22):
We're fortunate that we actually had both of our kids
in the same season, so we're able to take off
the same time and neither of us is just sitting
on our on our thumbs, you.

Speaker 9 (01:52:32):
Know what I'm saying.

Speaker 23 (01:52:32):
So uh, and the good thing about being home is
that you can stay up all night and make music,
so you know, we're getting it done. It's just also,
but it's just like anything. You know, you're juggling, Like
we're juggling. We probably won't hit the road again too
heavy for for a few months, but then once we do,
you know, I mean, we gotta go to work. You

(01:52:54):
gotta go to work. Hey, right, honey, I gotta go
to work. You wanna you wanna drive? You want to
drive that piece of shit car?

Speaker 22 (01:53:00):
Is that an issue with your wife? I mean I
know it is for mine.

Speaker 23 (01:53:04):
What then I got to go to work.

Speaker 22 (01:53:06):
I'm just saying that you're just always.

Speaker 21 (01:53:07):
Working kind of you know, grinding it out, not spending
time with them, not being around the family the way
they want.

Speaker 22 (01:53:14):
I mean, it's tough because it's you got to you
got to try to fit both in. Its tough.

Speaker 19 (01:53:19):
Our podcast room.

Speaker 23 (01:53:22):
Thankfully, thankfully, we uh, thankfully, there's still logic in the
fact at the time that I'm home, I'm actually able
to be home and I'm one hundred percent there.

Speaker 17 (01:53:33):
I don't have to, I don't.

Speaker 23 (01:53:35):
I'm not a fraction of myself because I got to
wake up to work in the morning and go to
some job, or because i'm you know, I come home
from work exhausted. It's like I'm gone for three months.
Not even nowadays, man, we we we we definitely have
more of a family man kind of tour schedule. I'm
gone for like four weeks, and then I come home
for a couple of weeks, then I leave for four,

(01:53:56):
that I come home for four, that I leave for four,
then I come home for six months, and then in
that period of time, I make another record, and I
you know exactly, I have an off season, and and
and and when and for the off season, I'm fully present,
you know what I'm saying. And so it's kind of
like I'm sure at some point, you know, uh, the

(01:54:17):
likelihood of one of my kids telling us therapist that
Dad has gone too much is definitely a possibility. But
in the same breath, you know, uh, what what what's
the trade off? You know what I'm saying. It's like
for for because of that the time that you did
get with dad, maybe it was you, he was you know,
number one Dad, You know what I'm saying. So it's like,

(01:54:37):
I guess, uh, the only time will tell you know,
everything is what if my dude Massa said that, he
said everything is uh, it's all circumstantial, you know what
I'm saying. It's like every everything it's like there is
is it good?

Speaker 16 (01:54:53):
Is it bad?

Speaker 23 (01:54:53):
It all remains to be seen. But really, what you
do with the time that you're present right there, right
in the moment in your life literally right now you
guys at your podcast table, you know that ship is
whatever it is, it's it's it's for you, it's it's
it's the time that you're supposed to be there, the
time that you go home and do with your kids.
When you when you're with your with your kids, that
time is there and it's supposed to be there, and

(01:55:14):
it's not about you know, it's about what you make
of it, what you make at a time. Like if
one of your dudes is sitting there right now, I'm
mad at one of the other dudes and you're just
sitting on ship instead of like addressing it at the
end of the podcast, you know, all the parking lot
or whatever. You know, it's it's like, that's the kind
of thing that makes life toxic. Life doesn't have to
be toxic, regardless of how you spend it, you know,

(01:55:35):
it's just a matter of how you treat your surroundings,
right man, I sound stoned.

Speaker 1 (01:55:40):
Yeah, that was some stoner talk.

Speaker 23 (01:55:41):
Dude, Sorry about that.

Speaker 19 (01:55:46):
Plug.

Speaker 37 (01:55:46):
It's been like twenty years, man, you've been grinding it out,
doing it big. What's the window of time that was
your favorite time and why?

Speaker 23 (01:55:55):
Hmm? I mean, if you're if we're talking about in
regards to the music career, yep, I would say the
last couple of years have been the best, the best
of this so far, you know, but just you know,
when we started working with Bill. When Bill came out
on the road with us, he came out because we
were you know, we had this idea like what if

(01:56:16):
I had two DJs, like some old school main source
looking shit Dougie Fresh and the Gifts Fresh Crew or something,
And we did it whimsically because it just seemed like
a fun thing to do, and it became something way
bigger than its parts, you know what I'm saying, Like
the three of us on tour together has become this
like it's an amazing family on and off stage, Like

(01:56:40):
the three of us hang out constantly, we go record
shopping together, we go eat together, we play shows together,
we talk about movies together, and it's become this thing
where it's gelling. It it hit it jelled in a
way that started to influence the creativity and the songmaking
as well. And so I got to like having all

(01:57:01):
of that in place while not you know, just being
out there chasing the party or or or not paying attention.
This has been a really great period of time for me,
you know what I'm saying. I can only speak on
behalf of me obviously, but for me, this is the
best part of the career.

Speaker 28 (01:57:20):
Now.

Speaker 23 (01:57:21):
I don't know what that means moving into the future,
you know what I'm saying. But I will say the
last three or four years have been have been the
best part of this. It's been twenty years now, a
little over twenty years. And you know, also a big
part of that might just be because also there's not
as much stress involved. You know, it used to be
a much more stressful environment and now a lot of

(01:57:43):
that stress has worked itself out. Fools eat healthy. You
know what I'm saying. Like fools are getting old, man,
and they're taking care of themselves. You know what I'm saying.
That's like I and so I appreciate being in this
moment with these dudes.

Speaker 17 (01:57:56):
So you mentioned getting together.

Speaker 20 (01:57:57):
I know when we get together we usually talk politics,
and I don't want to really get into politics now,
but and I know you were a big Obama supporter
and Jill Stein the last election. But I want to know,
as a Minnesotian, is that the right word.

Speaker 17 (01:58:14):
Supporter? I want to know how do you feel about
Al Frankin.

Speaker 23 (01:58:17):
I'm a fan of Al Franken. You know, I feel
as if, I mean, I can't get too deep, but
I would say this, I feel as I I definitely
support who this person is and what he represents. You know,
I would love I would love it if more people
were straightforward and spoke frankly. But I also know that

(01:58:41):
you know, he is part of uh he's he's part
of a bigger machine that sucks. And it's like, just
because you might not suck, you chose to be part
of this machine that sucks. It's like a it's like
a police officer. Like somebody might say, oh, he's a
good cop and and and you know I could argue

(01:59:02):
that and be like, well, no, technically he's not. Just
because he's a good person, he's still part of a
movement that's not a good thing. And and as long
as he's not in there like arresting other cops, that
he's not a good cop.

Speaker 22 (01:59:17):
So you support Jesse the body then.

Speaker 23 (01:59:21):
Saying I have the same problem with Jesse. You know,
with Jesse, I mean obviously there's other cops too, because
some of the shit that comes out of his mouth
is he's.

Speaker 22 (01:59:27):
A conspiracy guy in the world.

Speaker 49 (01:59:30):
But he was doping predator, some up pictures dug in
like an Alabama tick. You're hit, you're bleeding, man, I
ain't got time to blieve there.

Speaker 23 (01:59:40):
Was a breath of fresh air to having somebody who
we perceived as being somewhat progressive and and now at
the end of the day, it was a fucking farcet.
You know what I'm saying. It's like, whatever, dude, this
fucking dude should not have been our governor, and it's
kind of fucking embarrassing. But I've been trained to try
to find the bright side to that shit. So the
other part of me just wants to say, yeah, dude,
he was good creditor.

Speaker 18 (02:00:01):
All right, I fucking hate politics. I wanna talk about
hip hop again with you. So you over the years,
we we kind of touched on this earlier. You worked
with the artists like Mers, doom ASoP et cetera. Right,
is there an artist or two that you haven't worked with,
But there's like a chance that's gonna happen soon that
you're very excited for that you can maybe give us

(02:00:21):
a leak on like, Yo, I'm about to do a
project with X and Y and she's gonna be fucking hot.

Speaker 19 (02:00:27):
Exhibit, Like, what's up are you doing shit with exhibit?

Speaker 23 (02:00:31):
I mean, all of the all of the all of
the that's funny, all of the people that I'm in
talks with doing just songs and shit with like the
songs belong to them, so I wouldn't feel right talking
about it. Also, I'm not really the dude that talks
about shit before it comes to tuition, because if it
doesn't happen, then I feel like a douchebag had talked
about some shit that didn't happen. Okay, But I would say, is.

Speaker 19 (02:00:55):
There an artist or how about this? How about this?

Speaker 18 (02:00:57):
Maybe I should rephrase a question. Is there an artist
that you is, like number one on your list to
work with that you haven't yet to date? But shit
could possibly fucking happened?

Speaker 17 (02:01:09):
Realistic?

Speaker 23 (02:01:10):
Man, I don't know. I guess you know, uh, I
would make a song with it, But I don't know
that that. I don't even know if that's realistic. You
know what I'm saying, Like I don't. I don't. I
don't know how to answer that question, Like I guess
I could just do you want me to just talk
some bullshit now? You want like an understanding, understanding and

(02:01:31):
an honest answer. I would love to do some ship
with Premiere, you know, because he's definitely on my checklist.
You know what I'm saying. It's like, who else have
I not worked with that? I would love to that
it could be a possibility, but yeah, I don't fucking

(02:01:53):
know who else Man Thought. Oh dude, I would fucking
jump at the chance to work with Black Thought.

Speaker 22 (02:01:59):
Hell yeah, Goodie Mob, like with the Without Without, Because
I'm gonna.

Speaker 23 (02:02:15):
Tell you why I would. I would totally And I'm.

Speaker 21 (02:02:18):
Gonna tell you why because a lot of that ship
we were talking earlier, Sunshine Best Day, it kind of
has a little Southern vibe to it, with that kind
of like church piano type ship.

Speaker 22 (02:02:29):
But I don't know, there's just something there.

Speaker 21 (02:02:32):
That I do see a parallel and I just think,
give give me good Mob Without.

Speaker 22 (02:02:39):
Yeah, absolutely all that.

Speaker 23 (02:02:43):
I would love to do something with Organized noise. Period
was one of the.

Speaker 21 (02:02:48):
Best production groups period Man Equipment and I are still
my fucking one of my favorite productions period.

Speaker 22 (02:02:54):
I mean amazing.

Speaker 20 (02:02:55):
Let's talk about I want to because I know we
only have you for a little bit more sounds. This
is like fucking lollapalooza hip hop. How did this even
come about? And how much involvement do you have? Like,
how do you guys curate like the artists that you picked,
from Laurren Hill to Snoop to Gucci Travis, and I

(02:03:15):
know you even keep it, you know, Keith Cole, Keith
and you even, you know you can keep a family
of Mers and Blueprint and Pharaoh Mont. How is it this,
this thinge became so monumental in such a short period
of time. I feel like I missed out. Every year
I want to fly to Minnesota. I've never been there,
but I need to see the show one of these days.

Speaker 23 (02:03:35):
Well here's the deal. Back in nineteen ninety seven, maybe
ninety eight, I don't remember, nine ninety eight, we do
a party here in Minneapolis and we called it Soundset
and it went overnight. It was a rap show that
started at like fucking nine pm. You went until like
fucking seven am the next day. We're basically imitating what

(02:03:58):
the rave scene was doing, but we want to do
one that was strictly hip hop. So we booked twenty
rap groups, twenty DJs, a couple of breakdance crews and
through this party in this fucking warehouse and it was
a success. But we only did it in the one
off and it was all local groups. When we put
out the Life Gives You Lemons record. We decided we
needed to do some something, you know, something kind of

(02:04:21):
monumental for our home show and hear in Minneapolis. So
we reached out to some friends Dilated People's little brother
asap Rock abschech Rude, you know, and we were like, hey,
we're going to throw this outdoor show, come play. And
it worked. It came off, you know, and we got
like five thousand people. So we decided, hey, what if
we were to do that again next year and the
year after the year after, you know, we'd already we'd

(02:04:43):
used the name that we'd used as younger kids, and
we threw the that that overnight joint. But every year
the pressure is on us to make it a bigger
deal than the year before, and so every year we
would book bigger and bigger names until it reached a
point where people started criticizing the lineup. They were like, yo,

(02:05:06):
it's not this underground festival anymore. You got you know,
Big Boy and and and and Big Sean and people
whose names start with the word big and so we
were like, yo, uh, but but what do you what
are you really complaining about? Like this is the outdoor
Jam with tons of group and and and and it's
not like we're shitting on the underground groups. We're representing everything.

(02:05:27):
Every every branch of this tree is being represented at
this festival. We still got the breakdancers, we still got
the big boy tent, you know, we got the small stage,
the big stage, the little stage we got you know,
it's like and it's crazy, like uh uh uh. And
then we just had to keep going bigger and bigger
until like, you know, fuck man, this last one we

(02:05:49):
had uh, Lauren Hill and Travis Scott headlining. You know
what I'm saying. The thing about soundst that to me
is the freshest is that if you look at the
groups around the middle of the day that are brand new,
those are the groups that are gonna be really big
in a year or two. And we've managed to kind
of do it every year.

Speaker 17 (02:06:08):
Like we had.

Speaker 23 (02:06:09):
Backamore before he became fucking huge. We had Kendrick before
he got huge. We had Big Sean before he got huge.
We had Big crit before he got huge. You know
what I'm saying. It's like and so it's because the
community here is able to see what's coming next. They
still get to see what's what's old. We always have
a Cyper Hill and a fucking you know, we had

(02:06:29):
t I you know what I'm saying. We always have
some old school ship. We always have the new school ship.
We always have the underground ship. There's DJs, there's you know,
just overall, it's just a big rap festival, you know
what I'm saying. And but I don't know what they're
trying to do next, because it's like, where do we
go from here? How do you go any bigger? Are
you gonna fucking book Kanye? You know what I'm saying.

(02:06:49):
Are you gonna Are you gonna reunite n l u A?
Like what the what the fuck is next?

Speaker 21 (02:06:53):
Like?

Speaker 17 (02:06:53):
How do you you need to get Kylie Jenner as
your host? How do you want up?

Speaker 16 (02:06:57):
Right?

Speaker 23 (02:06:59):
Yeah? How do you keep up? We've already had Snoop Dogg.
You know what I'm saying, We've already had you know.
And so I just kind of like so me personally
last year from stage uh, in the middle of our set,
I thank people for coming, and I let everybody know
this is the last sound set.

Speaker 17 (02:07:14):
Oh shit? Really the people?

Speaker 9 (02:07:16):
Yeah?

Speaker 23 (02:07:16):
Well, and and then you know, my my co organizers
didn't like that, but I figured, hey, what a way
to get the ball rolling in this is if I
announced it was a ten year anniversary of Soundset, Thanks
for coming. And by the way, this is the last one.
So it's really good that you hear because there will.

Speaker 1 (02:07:32):
Be no more now.

Speaker 23 (02:07:36):
They know, no, they still want to throw more. They're
gonna throw more anyway, you know what I mean. And
so now I gotta come up with some dumb ass
shit to say next year when they forced me to
play that shit. Uh well, you know, I'm a co
I'm a co owner of the festival, but to be fair,
I don't have a huge hand in the booking and
organizing of it because that's not really my strength. I

(02:07:59):
am more of like I'm more of an ambassador. And
it's funny because that obviously isn't a strength either if
I'm announcing it's dead. But it is what it is.
You know, I'm one of the faces of Sounds that
it's still my party. Technically it's my party. It's it's
just a long fucking running release party for them when
life's use you Lemons Records. This is still my fucking party.

(02:08:21):
And and so I'm still a headliner at the party,
but I don't Are they gonna get jay Z for
next year? What the fuck are they gonna do? Are
they gonna reunite the fat Boys? That would be magic?

Speaker 20 (02:08:34):
Speaking of Big I don't know if we could talk
about this. You once told me a story about Rick
Rubin trying to sign you guys. Is that something we
could talk about on the air, because I know that
was quite a juicy story that most people, if not any,
know about.

Speaker 23 (02:08:50):
Well, yeah, we could talk about it, you know, I'd
be really hesitant to to. Like I guess some define
it as Rick Rubin tried to sign us as much
as I think he came to see what we were
all about. He came to a show and he was
he was gracious. See what I'm saying. He floated, dude.

(02:09:11):
We were backstage and he came floating in. I swear
to god, he wasn't walking. I think he was covering
like two inches above the ground and smiling. And I
felt kind of like, Wow, this dude might be the
most religious dude I've ever met. And I don't even
know if he is or not. But there was just
a thing about the dude.

Speaker 22 (02:09:25):
This is my dreamy continue It's happening this time.

Speaker 23 (02:09:28):
Okay, yeah, yeah, So it was back in two thousand
and three. We were playing at the Fonda, the Henry
Fonda Theater in Los Angeles this and mister Dibbs was
still with me back then. So me and Dibbs were
backstage and Bird was back there, and I think it
was post show. I think it was after the show,
and he came floating through and introduced himself and was

(02:09:49):
was was Matt Coole and you know, and said nice
things about our set, et cetera, et cetera. So we
were like, well and thanks for coming, so we kind of,
you know, set our peace. I didn't, dude, I made
a mistake. I said this. I said some sit to him.
I was so nervous right that I meant to say,
I was just listening to Paul Revere earlier today. I

(02:10:09):
don't know why I would tell him that I was
listening to a Beastie Boys song that he produced. Is
that really what he wants to fucking hear? I don't know,
but this is what I decided to say.

Speaker 9 (02:10:18):
But the best, the best.

Speaker 23 (02:10:20):
Part was I fucked up and said Paul's boutique. Actually,
but in my head it was Paul Revere and in
in the in the in in the real world, it
was the Paul Revere Joint. We were playing it earlier,
trying to figure out a way to work the beat
into our set, which would have been amazing if he
would have been there and heard us rhyme over Paul Revere.
But that's another story.

Speaker 19 (02:10:41):
Just like Saint Paul and I got the Paul mixed.

Speaker 23 (02:10:43):
Up and I immediately knew, and he didn't fucking bat
a eye. He just smiled and nodded his head and
ship and I was like, oh my god, I can't
believe that just happened. I fucked up. So anyway, he
leaves and I remember kicking myself, like wow, I just
totally embarrassed myself in front of dude. And then his
people reached out and they invited me to his crib
and they're like, hey, we want you to come over
when when the next time you're in town, whatever whatever.

(02:11:05):
So I was like cool, So I went home started
making new music. Then if people reached out and they're like, hey,
you're making new music, and I'm like, how the fuck.

Speaker 16 (02:11:13):
Do they know that?

Speaker 9 (02:11:14):
Right?

Speaker 23 (02:11:14):
So I'm like, uh yeah, and and they're like do
you want to come play it for him? I'm like, okay,
but all I got is four track Ship. But I
was glad to come out there and sit down with
him and play port track Ship for him so you
can at least see how we go about creating songs
and uh, and he was with it. So I fucking
went out to La and went to his h I

(02:11:35):
don't know if it was his house or just one
of his homes or a studio. There was a fucking
huge stuffed beer inside of his like in the main
entry way of his crib. We went and sat on
the porch and they were and I showed up with
a tape a cassette, and and they looked for something
to play a cassette on, and then they brought it

(02:11:56):
out and we sat there on his porch and I
played because had demos four track demos for him of
what would eventually become the you can't imagine how much
fun we're having album. And he sat there and nodded
and said nice things about it. But I don't think
he heard what he was hoping to hear, because after
that we just we just stayed friends. You know, I

(02:12:17):
would fucking you know leading a message that said Mary
Christmas and ship or he would fucking you know. It
was a friend into is a strong word. It wasn't.
It wasn't so much friends. We are acquaintances. We we
had each other's phone numbers. But eventually there was no
real reason to keep calling him unless I wanted to
try to, you know, tell him more nice things about,

(02:12:39):
you know, the things that he'd done.

Speaker 1 (02:12:40):
But you know, it was definitely a time, still a number.

Speaker 16 (02:12:46):
I don't know.

Speaker 23 (02:12:46):
That's a good question.

Speaker 50 (02:12:48):
That was.

Speaker 23 (02:12:50):
For me, is that I didn't even this was pre
cell phone for me. This was two thousand and two
thousand and four.

Speaker 20 (02:12:59):
It is this is this fat Rick Rubin or skinny
Rick Rubin. I'm trying to visualize this.

Speaker 23 (02:13:06):
I don't think he I think he was. I think
he was in shape and and and and actually this
was two thousand and three, and I did have a
cell phone. I had a fucking football.

Speaker 1 (02:13:14):
But you had to raise it, nah, dude, I had
that one that was.

Speaker 23 (02:13:18):
Where you could screen calls. There was a sprint joint
where your your your your voicemail message play and then
you could listen to them, leave the message and decide
whether and decide whether or not you wanted to pick
up the phone with this.

Speaker 21 (02:13:33):
This story still bugs me out too, because I mean,
I just believe that Rick Rubin is.

Speaker 22 (02:13:38):
I mean, he's the closest to Hey sus for me.
It's just he just is.

Speaker 23 (02:13:43):
Usually man, the dude that the dude that introduced me
to him, the dude that connected it. He's at rhyme series. Now. Wow,
it's crazy how shit goes full circle.

Speaker 21 (02:13:52):
I mean, the one time I met Rick Rubin, he
came up to me in the Westville is and he's like,
I know you right, And I said no, and he
fucking walked away, and I'm like, what the fuck.

Speaker 17 (02:14:01):
Did you just do?

Speaker 1 (02:14:02):
That was Rick Rubin?

Speaker 23 (02:14:04):
And I was like, I didn't want that same ship.
You're like, I don't know how to talk to this guy.

Speaker 19 (02:14:08):
I totally fu I have no cash.

Speaker 22 (02:14:12):
I totally fucked up, and and I regret that ship.

Speaker 21 (02:14:15):
I know it sounds so silly, but that stupid little
fucking moment could have been it.

Speaker 22 (02:14:20):
Period.

Speaker 23 (02:14:22):
Hey man, listen, I probably didn't. You know, we probably
only communicated from two thousand and three to like two
thousand and five or six, when once once, you can't imagine,
record came out, you know, it was what it was.
But in that time, we hung out a couple of times,
talked a couple of times. One time he had me

(02:14:42):
and Aunt Aunt was with me. This is before Aunt
you used to with me. I was like, Aunt, you
gotta fucking meet Rick Rubin and and and Rick was like,
let's have lunch. So we went to some weirde little
deli and had sandwiches and somewhere in La yes, somewhere
in Hollywood and uh. And it was crazy because there
was nobody else at the restaurant, and I was kind

(02:15:02):
of like, man, did he fucking did he do that?
Did he do that? You know what I'm saying, Like
I didn't want to ask, but it was just it
was literally just the four of us. It was me
and Aunt, him and then his dude. He had a
like a driver bodyguard guy and uh. And I remember
when he drove off. It was the first time I'd
ever actually seen somebody get into a bent lead with

(02:15:24):
my own two eyes, you know what I'm saying, Like,
I've only seen them in videos and and and then Uh.
It was also crazy because he got in the back
seat right like straight up. He got in the back
and then the back ron right, yeah, dude, yes, that's right,
And that was kind of like this motherfucker. And then
so so later in life when jay Z put out

(02:15:44):
that like out of retirement record or whatever or whatever
the record he made that had recouvering on there that
wait there was or whatever. Remember yeah, at ninety nine
joint there was like some weird little documentary thing that.

Speaker 22 (02:15:56):
That was like a coach with the phone with the phone.

Speaker 23 (02:15:59):
Yeah, and there was a scene with Rick and I
remember when I seen it, I was like, holy shit,
that's like the same guy right that I met. Like,
I was like, so in front of the camera, off
the camera, he really is just this dude who just
fucking smiles a lot and is enjoying his fucking life.

Speaker 22 (02:16:17):
Dude, that's beautiful, bro, This is this is what makes
you so relatable.

Speaker 6 (02:16:21):
Man.

Speaker 21 (02:16:21):
I fucking love that story that this was the highlight
for me and I totally appreciate you sharing that because
that just hit me the right way.

Speaker 22 (02:16:29):
Man, I appreciate that. I'm telling you, Pierre, thank well.

Speaker 17 (02:16:34):
Look you just have one more question.

Speaker 18 (02:16:36):
Oh here we go, come on, did you have a
Tom Brdanski poster on your wall growing up Minnesota Twins,
Tom Brdanski, maybe Kirby Puckett, maybe Ken Herback.

Speaker 17 (02:16:45):
Who is your dude.

Speaker 23 (02:16:48):
On the Twins? I had to go with Pucket. I
guess I wasn't really a baseball dude.

Speaker 18 (02:16:52):
All right, So Vikings, Tulkington, Randy Moss, Chris Carter.

Speaker 19 (02:16:58):
Who's who's the running back y'a had for a while?
He was fucking sick Carter?

Speaker 21 (02:17:02):
Right?

Speaker 23 (02:17:02):
Uh yeah, Carter Carter.

Speaker 19 (02:17:04):
Here's the thing I never had.

Speaker 23 (02:17:06):
I was.

Speaker 9 (02:17:06):
I was.

Speaker 23 (02:17:07):
I was definitely more into football, and I was a
Randy Moss dude.

Speaker 17 (02:17:10):
Rand.

Speaker 23 (02:17:13):
Chris Carter, I was, I was. I was down with him.
You know what I'm saying. Uh uh Back in the day.

Speaker 20 (02:17:18):
We had as our neighbor. And we can all attest
the fact that it's a dickhead, but.

Speaker 18 (02:17:23):
Dante Dante Culpepper, Uh Culpepper.

Speaker 23 (02:17:27):
You know we had uh was there was we had
a young at one point, we had a Payton, you
know what I'm saying. Like Franz Harkinon was a little
bit before I was paying attention, he might have even
you know, I was, I was a little little Denny
Green was the man for a long time.

Speaker 8 (02:17:43):
Uh.

Speaker 23 (02:17:43):
I will say this though, Like I never had no
sports dudes on my wall. My walls were covered with rappers.
There was one point where I on a Saturday, had
fucking pulled the pictures out of a Playboy magazine and
covered my walls with them, not thinking that my mom
was gonna, like, fuck, make me cheer. I don't know
what the fuck I was thinking. My mom immediately was like,
what the fuck are you doing? Take this ship the

(02:18:06):
fuck down?

Speaker 18 (02:18:07):
Why'd you take the I wrap off the wall and
replaced with Miss October?

Speaker 23 (02:18:11):
Abe I had? I had? I had about twelve hours
of like the most fucking pornographic wall that you would
ever see a fucking fifteen, fourteen or fifteen year old half.

Speaker 20 (02:18:21):
What's that I said was that the day you had
the record where you were drinking off the most out
of all the days, it was like a sick day
where you're just junking off your wall.

Speaker 16 (02:18:30):
Nah.

Speaker 23 (02:18:31):
I don't even really remember lice back then, but I
guarantee you that my my masturbation peak was probably like
when I was about thirty three years old. That was
when I was probably like breaking my records.

Speaker 20 (02:18:47):
All right, that's person, We're gonna do a quick game
of this or that. I'm gonna just give you, like
a few few names you picked the one we're gonna
end it. I appreciate the time.

Speaker 10 (02:18:56):
I know you.

Speaker 20 (02:18:57):
Uh shit, I don't know how you endured this man,
Thank you for talking to me. Fucked up and must
have brutal. All right, look, quick game of this that
all you have to do is pick one of them,
real simple. I'm gonna start easy and then we can
get a little harder, all right, like a virgin right now.

Speaker 17 (02:19:18):
Randy Moss or Kevin Garnett.

Speaker 23 (02:19:22):
Who damn, I gotta go with Randy Moss. But they're
kind of equal to me. But I gotta go Randy
Moss just because I was definitely more of a football dude.

Speaker 17 (02:19:32):
Okay, fair enough, k M d or m F Doom
and that's too best Buy or Target Target.

Speaker 20 (02:19:41):
By the way, most that's that's both, yeah, exactly, Tom
Waits or Bob Dylan Tom Waits.

Speaker 22 (02:19:49):
Yeah, good choice, brother, Prince.

Speaker 19 (02:19:52):
He's right though, to going back to that Targets.

Speaker 20 (02:19:54):
You don't even have to say that, Prince Prince or
kras One, Prince Ship, Mark Maren or Larry David.

Speaker 9 (02:20:04):
Mark Maren.

Speaker 23 (02:20:05):
I hate that was hard because I'm I can't really
say I'm a fan of either, but I'm not a
hater of either. But I think Mark Maron just seems
more likely to have coffee and talk ship with me.
I Thinkry Larry, David Larry. That's the dude from Curby
Your Enthusiasm.

Speaker 19 (02:20:23):
Yeah, question, he always hated that dude.

Speaker 17 (02:20:25):
I don't know why.

Speaker 23 (02:20:27):
I've never really been into that dude.

Speaker 17 (02:20:28):
Yes, when life gives you lemons or the family sign,
life gives you lemons.

Speaker 20 (02:20:35):
Okay, mac and cheese or grilled cheese, mac and cheese.
All right, there we go, Sean, thank you for everything.
For those that don't know, this is slugo from Atmosphere plug.

Speaker 17 (02:20:49):
Why'd you?

Speaker 37 (02:20:49):
Why'd you shorten it to slug instead of slug o?

Speaker 1 (02:20:52):
I guess it just was.

Speaker 23 (02:20:55):
Evolution. It keeps getting shorter. It used to be little
slug oh lit, No little and when and by the
time I die, I'll just be a g.

Speaker 1 (02:21:08):
That's a great way to end this.

Speaker 17 (02:21:09):
Thanks again, look for I think an hour and ten minutes.

Speaker 20 (02:21:13):
I'm sure your fans and friends will appreciate this, and
uh we we certainly do here.

Speaker 17 (02:21:19):
It take you personal, all.

Speaker 23 (02:21:21):
Right on, Thanks for having me you guys, have a
great time. Don't puke.

Speaker 20 (02:21:24):
Yeah, and by the way, best of luck, congrats all
that good stuff. I know you're gonna, you know, be
a father to another child. You'd like you'd like to
show on Kemp of rap music right now you have
what four kids, so so congrats to you man, and
you're a good dude.

Speaker 23 (02:21:40):
I appreciate it, Thank you brother, thank you, thank you back,
and I appreciate you. You guys, have a great night,
great day, whatever.

Speaker 17 (02:21:46):
The fun time this is when you're it's love though
your time. Yeah, it's like there is no.

Speaker 23 (02:21:53):
Time in the world of podcast that is true.

Speaker 21 (02:21:56):
Get your ass to work, man, you guys ship to do,
do your thing, my mom away.

Speaker 9 (02:22:00):
I'm out of it, all right, what's hold.

Speaker 10 (02:22:27):
Hold a swell stone boy.

Speaker 23 (02:22:37):
I'll go with you.

Speaker 10 (02:22:38):
Forget it.

Speaker 1 (02:22:39):
Wait a minute, you meet You don't dress in front
of strangers, but not in front of wa That doesn't
make any sense, of course it does.

Speaker 2 (02:22:48):
If they see me nude, it doesn't.

Speaker 28 (02:22:50):
Matter because I don't know them and they don't know.

Speaker 23 (02:22:52):
Me, and I don't know who's seeing me, and they
don't know who they're seeing.

Speaker 1 (02:22:55):
But I know you when you know me and I
don't know what you'll be saying.

Speaker 17 (02:22:59):
And you know.

Speaker 1 (02:23:01):
Me, No, I don't see you're not gleaming money in
the shawn. And I never had tread blast said.

Speaker 10 (02:23:08):
I got larmy full of women screaming that shines. I
guess that explains the door. It just started to pick
the market, but it came apart. It's what you get
to try to make your little sister eat the kitty litter.
Let's watch your apprehet bitter like the city winsor what
the fuck you think?

Speaker 1 (02:23:22):
You be frustrated as something?

Speaker 15 (02:23:24):
Did you have a bad being?

Speaker 32 (02:23:25):
Man?

Speaker 1 (02:23:25):
You got me shoes? I feel sorry for you shitting
on me?

Speaker 10 (02:23:29):
Is so two thousand intensions on your mic off and
turn the lights off.

Speaker 1 (02:23:33):
Whoever puts your record out must have needed right off slowly.
Who they're blaming when the game's in a tight spot,
Slug'll find me in the ace.

Speaker 23 (02:23:39):
Of your iPod.

Speaker 1 (02:23:40):
Watch when the crowd gets loud it get burned up
the roof and make the bull saw full time wash.

Speaker 10 (02:23:46):
When you open up your mouth, fucking smell that you
don't know what you're talking about.

Speaker 28 (02:23:50):
It go watch.

Speaker 1 (02:23:51):
We all have a clown, but we don't want to see.

Speaker 10 (02:23:53):
Your climb up about the undercrowdwash you don't let the
South fuck you. I'm just trying to put it down
for my home. Time cars drive by with the booming system.
I must be getting old because the base sounds ridiculous.
Not only that, but please rappers sound like two fuck it.

Speaker 1 (02:24:08):
I'm standing over here and through the moon walk.

Speaker 10 (02:24:10):
Besides the least I got your just see my beliefs
and a bad cheez a cargo fan. He's some handbeets
enough baptist.

Speaker 51 (02:24:18):
Slap through the last free screen, original rap, boom, original rap.

Speaker 19 (02:24:30):
See how so see how sound?

Speaker 1 (02:24:35):
See how sound? A lot of hens. He's like to
use the words for maddu Yeah, what's good is your home? Psycho?
Last world famous beating nuns?

Speaker 17 (02:24:52):
Yo?

Speaker 1 (02:24:52):
What's up?

Speaker 8 (02:24:53):
Man?

Speaker 1 (02:24:53):
It's the speech from the rest of development.

Speaker 19 (02:24:56):
Right now you're rocking with Take it Personal yells a sea.

Speaker 2 (02:24:58):
Of smooth and you checking out the hottest undergwell and
get the hoop spot.

Speaker 17 (02:25:02):
And you checking out Take it Personal?

Speaker 16 (02:25:05):
Brothers the flavor Kevlar DJ three sixty.

Speaker 1 (02:25:10):
Don't you love it madly?

Speaker 10 (02:25:11):
When it sleeps in your basement on Sometimes they pay
you to stay for a hamburger to take shit, and
don't you love the way that you can relate it
to everything your favorite badma has to say your boutch
of hatred get a hot now.

Speaker 1 (02:25:21):
If I didn't want to.

Speaker 10 (02:25:22):
Watch me in some hotel lobby, didn't sloppy with this
pillow pill call me probably not a be global like Tupac,
but the local pores being my shit hard and they
too bun sit in here pretending I'm not tips watching
over sensitive hit me, excuse my records when they traw Christmas,
be your good little fishes and took me a ticket
to your seeing so your girlfriend and kissing. I'm the
beer that can to polliinate the flower, take a meal,

(02:25:43):
bottle of a towel, and take a shower.

Speaker 1 (02:25:45):
It's called love.

Speaker 10 (02:25:46):
In return, they take tread, paint, dollar's, make pets, catch bus,
give head.

Speaker 1 (02:25:50):
They call it love and I'll get plenty of it.
The rich kids burning my broke people do, They call
it hey, and I get plenty of it. The snake's
always you want to put your name? When can I
get plenty of kicks to the public put in the hate?
Can I get plenty of it? But they know when
they want the party.

Speaker 15 (02:26:10):
Chumping jumping shop.

Speaker 1 (02:26:20):
My shoe is a clean girl.

Speaker 16 (02:26:21):
How about show us here?

Speaker 10 (02:26:23):
We are sitting on your living room floor, listening to
some records from your collection, boredom, in between a coma
and an erection, staring at the skin on your shoulder blades.
You don't take your eyes off my poker face. I'm wasted,
and you were sober as Jehovah, knocking door to door,
trying to want the road that the Mormon's face.

Speaker 1 (02:26:39):
She was here on your sofa with a beer on
the coast. Does she'd have told you that my.

Speaker 15 (02:26:43):
Game was way over?

Speaker 23 (02:26:44):
Blade, Make no mistake.

Speaker 1 (02:26:45):
I love the way you taste like yogurt and some
coover cigarettes.

Speaker 10 (02:26:48):
Girls, show me lay some of good when trade the
shoes for roller skates, so someone stay happy just as
long as there's a horde to face. Some of us
already spent the rints, so we can't be contented until
there isn't no war today.

Speaker 1 (02:26:59):
Those see your shoes, These are my shoes. We've got issues.
Those are your shoes. These are my shoes. We've got issues.
My shoe is a muddy girl.

Speaker 16 (02:27:09):
How about show us here?

Speaker 1 (02:27:10):
We are lounging on your bedroom floor. I'm really drunk.
So I'm looking at your carpet like, man, fuck the permit.
I know where I'm a park.

Speaker 10 (02:27:17):
Tonight it's closing time. The Spinds are gonna visit me.
They were only sick, like they know they taking victory,
but not tonight. Right, I'm gonna make some mystery.

Speaker 1 (02:27:25):
Get up in your system and direct it like a symphony.

Speaker 10 (02:27:27):
Let me get to be the man in your mystery,
because the medal and kids don't understand your sensitivity.

Speaker 1 (02:27:32):
Show some sympathy.

Speaker 42 (02:27:33):
Let me kiss your feet.

Speaker 1 (02:27:34):
Let's talk about a pretty bird and a busy bee.

Speaker 10 (02:27:37):
If I live this sey fifty, I'm gonna be a
tipsy thirty old man, still following my kid beliefs.

Speaker 1 (02:27:42):
I know it isn't really your responsibility, but we'll be.

Speaker 23 (02:27:44):
Straight once I take ahead.

Speaker 1 (02:27:46):
Elis Terrain. Those are your shoes, These are my shoes.
We've got isshue.

Speaker 16 (02:28:12):
What you're gonna do?

Speaker 1 (02:28:13):
Slam doors, break.

Speaker 10 (02:28:14):
A glass, maybe pass out on the kitchen floor with
your naked ass. She still makes time to hate me.

Speaker 1 (02:28:19):
But basically I'm over booked. No emotional fakeancy.

Speaker 10 (02:28:23):
Complacency seems so simple, like pucket, Let me be the
one you fight and call mister Wright.

Speaker 1 (02:28:27):
It's an addiction boundnistic go around.

Speaker 17 (02:28:29):
Because the junk you.

Speaker 1 (02:28:30):
Won't bounce till he gets the crown. These drugs ain't
as good as we wish they were.

Speaker 10 (02:28:35):
This buzz doesn't keep us from missus her that love
that Bill told up.

Speaker 1 (02:28:39):
The symphasis built.

Speaker 10 (02:28:40):
Enough, you'll kill Electron ahead of this, it's easier to
leave it there.

Speaker 1 (02:28:44):
Each time I see your tears makes me need a fear.

Speaker 10 (02:28:47):
To relieve the fear, I want to keep a cliff
sky and fly away like a meeting.

Speaker 1 (02:28:50):
You're right in here. Maybe next year i'll be We
don't play.

Speaker 10 (02:28:55):
We say here.

Speaker 23 (02:28:56):
I hope you take care say there.

Speaker 16 (02:28:59):
We don't play.

Speaker 51 (02:29:01):
I hope you take care of the same you don't.

Speaker 23 (02:29:09):
Don'times.

Speaker 10 (02:29:14):
You make me feel like such great that even now
I'm convinced that I'm the one that's sick.

Speaker 1 (02:29:18):
You get busting, bitch.

Speaker 10 (02:29:19):
You can cut your wrist so you get choked on
that blood from the tongue, you bitch, And when you
act it up, best believe I bless you back. I've
got a fucking fan base that can attested that I'm
returning this Bleeding Hearts Club membership card because I want
no motherfucking part of it. We're just two dogs on
all fours. It's a tongue of four loves, or claim
it on tours, or lock bathroom doors, or maybe just

(02:29:42):
because my voice was.

Speaker 1 (02:29:43):
Louder than yours.

Speaker 10 (02:29:44):
And I be damned if this football rec everybody looking
at me like I don't know better, and said I
gotta run it.

Speaker 1 (02:29:50):
But I'm never gonna forget her, because I'm always gonna
go get her. I say, we don't play.

Speaker 15 (02:29:56):
Care, you can't say.

Speaker 1 (02:29:57):
I hope you take care.

Speaker 52 (02:29:59):
Say there, we don't play care, we stay here.

Speaker 15 (02:30:02):
I hope you take care of the same we don't.

Speaker 42 (02:30:10):
We don't.

Speaker 9 (02:30:14):
Say now.

Speaker 10 (02:30:15):
I got ahead full of fetter office head. I followed
down them steps and slept in the wrong bed. If
I had a breath of self respect left, I set
fire to the box fring to help it catch shrek
let These ashes represent the mattress.

Speaker 1 (02:30:27):
Director left the set, but nobody told the actress.

Speaker 10 (02:30:30):
So she's still acting as if we schedule the practice
and my soundtrack is compromising her theatric she.

Speaker 1 (02:30:36):
Remind me of me, it's not a compliment.

Speaker 19 (02:30:39):
Gets your song?

Speaker 1 (02:30:42):
You trying to be gotten? Tyler Ren slept.

Speaker 28 (02:30:45):
On trung.

Speaker 1 (02:30:47):
Sho would like it to go free, jump off the fence.

Speaker 10 (02:30:50):
Let your close shoes remind me of me frum for
all the until they.

Speaker 1 (02:30:57):
Don't is my way.

Speaker 53 (02:31:06):
God make me.

Speaker 10 (02:31:20):
Carr Carr, you remember a little bit of a showerhood
sometimes bad, sometimes good. But he never was one to blame.
Today's Chris Scott on last. So he sees everything face

(02:31:42):
value looks grim. It takes bad too. It's nothing to
do except you pushed.

Speaker 1 (02:31:47):
Down the wall to get carried.

Speaker 23 (02:31:50):
Swear to God.

Speaker 10 (02:31:50):
It's too stretched, too easy to slip on loose steps.
And the taller you are, the harder you fall. Sat
out of us carried me. Oh mama, please don't look now,
I gotta walk over people I've took down. It ain't
as pretty as you probably think. It's gonna take more
than soa benis tomorrow he'll drink to the guilt of
every cheap wooden bridge had he's built. Harry, those skeletons

(02:32:14):
in his head until you pick him up, Harry in
the bed.

Speaker 54 (02:32:16):
Now, got to change my way of living. God to
Jay Hayes, math uh huh.

Speaker 10 (02:32:32):
Swimming through alcohol and women get some ghost rape paint
for that lemon. Everything he's got is not a given
rock bottom on the flip side of not a victim.
Fuck the sympathy, figure it out and kill the bitch
and me poor a little bicker out calling a victory
they said the sky was living.

Speaker 1 (02:32:50):
No, don't trust none of these people.

Speaker 10 (02:32:52):
Won't give him enough to love people me so even
when they welcome me into their kingdom. Can't bring self
to believer law. Trying to act like no flaw. Turn
it up until it burns that stove top, mister, No,
when all bad voice show walks red lights. No, sir,
sha'py the boy you raise me, depete the trauma depression,

(02:33:12):
afraid that it must be the Dailey and me that's crazy.
Carry me home, Take care of your baby, baby, baby, baby, baby.

Speaker 42 (02:33:37):
Loo.

Speaker 30 (02:33:37):
Got to that familiar feeling staring at an unfamiliar ceiling.

Speaker 10 (02:33:42):
Still got your jeans on, but you're topless, headache and
the stomach feels sossius. Grab your shirt off the bedroom floor,
trying to recollect the night before. How'd you get from
the bar to this mattress? And when you got here
then what happened? And where's the hoop that lives here
in this house? Want to figure how'd you get here?

Speaker 1 (02:34:01):
But the thought got cut by nature finding the bathroom.

Speaker 10 (02:34:04):
The gun got anger here it comes, can't avoid it,
ain't the first time go one up in a strange toilet.

Speaker 1 (02:34:10):
Anyone else with me but you. You crawl back to
the bed and fell back asleep.

Speaker 53 (02:34:16):
All we need is bea comes, come and party with thet's.

Speaker 35 (02:34:20):
Take care of you and your pasted out right there
with you and your glass house.

Speaker 1 (02:34:25):
All we need is be comes, come and party with us,
take care of you and your pasted out right there
with you and your glass house, book us all along
with no friends.

Speaker 10 (02:34:37):
But you had to throw up again, choke up the
tears and the spin, grab some tissue, don't wipe off
your lips, and everything still spinks. And then the chills begin,
and then the god please kill me right now, he say,
You still don't know whose.

Speaker 53 (02:34:52):
House is his?

Speaker 1 (02:34:54):
In between left over July heats, you try to check
out your time piece and you should, Oh your job.
We first got it tur from the.

Speaker 10 (02:35:02):
Saying off your dream, that it's just the dream, until
the phone in your pocket starts to screams, shut it down.

Speaker 30 (02:35:09):
Don't want to hear a sound, as he is the
head that where's that cross class?

Speaker 42 (02:35:19):
Yeah?

Speaker 1 (02:35:21):
So all the killers and one hundred dollars villas we
made the information. Yeah yeah, yeah, hundred dollars Emo, kids

(02:35:42):
have got too many. He held the register open while
he countered or change, and I was next in line,
which meant that wasn't visible. From where I stood, I
could see that the till was full. He didn't look
the types of place superheroes.

Speaker 10 (02:35:54):
So I stepped forward and paid for my cigarettes, crept
out the store's front door to chase a little dangles
in my head, shake the song off another man. Funday night,
It's gonna be a long war. Car pulled up, a
fixed up cutlass. A woman and a child climbed out
and left it running. They went inside of the deli
placed an order with the extra dollar fifty bottled water because.

Speaker 1 (02:36:15):
The god is picky.

Speaker 10 (02:36:16):
When Nick came out, Mommy gave me a glance that said, man,
you love an angel, but he's got.

Speaker 1 (02:36:20):
To take the chance. Already knew the deal. I lit
one up and walked.

Speaker 10 (02:36:24):
So they got back and they oldsmobile felt it up
and took off thug glove on the corner by the Walgreens,
looking at me like I'm just another square salt team
is how get closer? I noticed they're showing each other's
sketches out of their notebooks.

Speaker 1 (02:36:36):
Reminded me of my old roots. I walked past with
the nod and the reminist where the god.

Speaker 10 (02:36:40):
Hip hop and comics books was my shen Assis respect
the life and the fashions of the children. It's the
only culture I've got, exactly what we've been filled in.

Speaker 1 (02:36:48):
All of a sudden, numb in front of some man.
No he's a youngin but he's got a gun in
his hand. He looks fifteen. He looks frantic.

Speaker 10 (02:36:55):
No, he looks afraid, immediately apprehensive till I heard him say,
you want this? It's not mine, I promise. I found
it on my block, in between a couple of baragers.
Didn't want to leave it for a child to stumble over.
I don't even know how to hold it. It was
a thirty eight, the poor man's pashety held it in
my hand, thinking damn manutes heavy, yet then expected wedged

(02:37:16):
it behind my felt buckle, knowing that it's evil, even
thought that I could smell trup extra streets felt weak,
but over there on the corner.

Speaker 1 (02:37:23):
So what I needed, and proceeded across the street.

Speaker 10 (02:37:25):
Put the heat in the mailbox to lose its figures
at the post office.

Speaker 1 (02:37:29):
Snow's what's best to do with it?

Speaker 10 (02:37:30):
Mosey down the road thinking about the old I used
to roam the zone through two feet of snow. Right here,
this used to be your record shop. I've gott in love.
I've gotten drunk, I've gotten freed up in that parking lot.
I've had my Lake Street pride for three decades. These alleyways,
in these street lights have seen my best stage. Before
I was a term learning how to misbehave all the
weight of the graves. South Side is my resting place.

(02:37:52):
Took a ride on Lindale. I'm getting there. But then
the road became.

Speaker 1 (02:37:55):
Empty and the people disappeared.

Speaker 10 (02:37:57):
The clouds ran away, opened up the sky, and one
by one I watched every constellation die.

Speaker 1 (02:38:02):
And there I was frozen, sanded in.

Speaker 10 (02:38:04):
My backyard, face to face, side the eyes staring at
the last start.

Speaker 1 (02:38:08):
I should have KNOWNE walked all the way home to
find that you wasn't here.

Speaker 23 (02:38:11):
I was still all alone.

Speaker 35 (02:38:13):
Don't matter him, I ever, don't matter that I'm always
coming back home to you.

Speaker 14 (02:38:18):
They can leave deep for dead.

Speaker 1 (02:38:19):
They can take away my shrew.

Speaker 35 (02:38:22):
I'm always coming back home to you, the lies and
the scenes that ride them in that blue I'm always
coming back home to you, as sure as the light
and the garden. That shoe crew, I'm always coming back
home to you.

Speaker 10 (02:38:59):
Yeah, in the mirror was homely, so we learned early
on how to switch in the low key little person,
observant and accurate, who the skills to argue in the
passion to back it with, kick over the blocks just
to rebuild them.

Speaker 1 (02:39:12):
Momm and Pop used to pop sound familiar.

Speaker 10 (02:39:15):
Daddy had to leave, but Mama kept hurting, so we
stepped up to help be and anchor random burden. They're
right around the same time he started noticing girls, but
they wouldn't pay him any mind, and if they ever did,
he got nervous. He should have seen them practice on
his hand for his Smurfs kids. Even though he was
too young to hunting, gather, Hungry Puppy had.

Speaker 1 (02:39:35):
To learn how to front and swagger. It didn't matter
if it was all self esteem.

Speaker 10 (02:39:39):
At sixteen, he only needed one on your team, and
mom and Dad was never getting back together. He was
on some Maybe he gonna make it last forever. Basically
married right out of high school, five years of getting
high and fighting that a drive through, and when he
hit twenty one, they made a son. But on his
twenty second birthday their relationship was done. Now he's got
a best friend instead of a wife, but he feels

(02:40:01):
like he stole the.

Speaker 1 (02:40:02):
Best skins of her light.

Speaker 10 (02:40:03):
After that, it was one codependent to the next, a
lot of love, a lot of hate, in a little
bit of great sex, self learning in between, the self loathed,
strangled in a cycle, can't feel yourself choking. Some of
them would overlap, some of them would double back. None
of them deserve to be exposed to all the trouble
that he posed. Strike one, not even out of fear.
He don't even do rough sex to bite the man.

(02:40:24):
He's out of here, Make no mistake. He puts the
man in manipulate, and he's attracted to the women that reciprocate.

Speaker 1 (02:40:30):
Y'all could kick karma until it's get get late.

Speaker 10 (02:40:33):
Until Mama's little drama is the topic of the big debate,
and nowadays the confidence is off the page because women
are attracted to that clown on the stage.

Speaker 1 (02:40:41):
He's only in town for a handful of hours. But Rapunzel.
Want to come down and dance in the flowers.

Speaker 10 (02:40:47):
Want to make a smile, want to make a laugh,
want to make up for the mistakes in the past,
Want to.

Speaker 1 (02:40:53):
Act like he doesn't know better. If Payton backs a
bit should be in debt.

Speaker 10 (02:40:57):
Forever, insecure in page temporary gratification, self validation.

Speaker 1 (02:41:03):
That's what it's made of. It's all true, and it's
the only reason that he's even talking to you, bugging
out something.

Speaker 17 (02:41:11):
You're the man?

Speaker 23 (02:41:11):
Are you the man?

Speaker 1 (02:41:12):
Know you the man?

Speaker 28 (02:41:13):
Are you the man?

Speaker 5 (02:41:14):
You're the man.

Speaker 1 (02:41:14):
I'm a strugling black man. I get my dick hard
on the cool harsh word. Yeah, Hey, wait, you love
people that love you, you get love you pain.

Speaker 34 (02:41:31):
You'll give y'alla, my dear, don't know you don't about you,
don't help you. No, no, you love people that love you,
you get love you pain, you give y'all fall, my dear,

(02:41:52):
don't out, you don't about you, don't out, you don't
out you.

Speaker 1 (02:41:57):
You just got off work, come another night, feel like
worst one. You didn't even count this yet, but you
can tell that it.

Speaker 23 (02:42:03):
Ain't no fish step.

Speaker 10 (02:42:05):
I don't see why you some nice customers, so a
fucks love life.

Speaker 1 (02:42:09):
Don't fight, just keep listed, get that money. It's the
weekend ship.

Speaker 10 (02:42:13):
Nobody all gotta be freaks, which they were just eating
leaf and keep their eyes to.

Speaker 1 (02:42:19):
Themself already here. You don't eat any help.

Speaker 10 (02:42:22):
You can blame the pride that makes you hold your
anger reside, but deep down.

Speaker 1 (02:42:26):
If you want to curse them all, fuck off asshold
your off dirt ball. You love people that love you,
You love music.

Speaker 17 (02:42:38):
You give you all the.

Speaker 8 (02:42:41):
Fall, But you don't know.

Speaker 1 (02:42:44):
You don't out, You don't tell, You don't know. You
don't really like to.

Speaker 10 (02:43:08):
Try to change to make a new life. You don't
mean we eat gone do right tonight. You could try
to change to make a new life. Don't mean he
can do right tonight.

Speaker 9 (02:43:20):
Don't let um know he don't let them love, don't.

Speaker 10 (02:43:37):
You could try to change to make a new life.
You don't mean we et gonna do right tonight. You
could try to change to make a new life. You
don't mean he can do right tonight. You could try
to change to make a new life. You don't mean
wet gona do right tonight. They could try to change
to make a new life. Don't mean we gonna do
right tonight. We all need something we can sneak the way.

(02:44:00):
It can't be your dance that made this rainstorm.

Speaker 1 (02:44:03):
It must be the alcohol. And you hate this place because.

Speaker 10 (02:44:06):
The town too small, and everybody there's so faked your
brand new day. If they was half awake smiling your
face like yes sir, wait until you turn your back
so they can whisper.

Speaker 1 (02:44:18):
And you ain't trying to love none of them. You
know better, right, you learn something.

Speaker 10 (02:44:23):
But even if the first you burst through that, they
only pursue because they want to hurt you. It comes
with the smoker's can. It's gonna turn it on until
it's broken off because suffered and crush it is just
not enough. They want to hold you down until they
lock you up. I know a guy with a rock

(02:45:01):
star life, but he still don't fly, so he's mad
at the sky.

Speaker 1 (02:45:05):
He sends me down, he kicks his wisdom. It's being around.
I give him, Alissa.

Speaker 10 (02:45:11):
It seems like it's got a lot of complaints. By nowadays,
things ain't the same. Nothing used to place some faith
in the basement of topes to the sky, and those
kids that he came with say all on the same shit,
based on cut down placement.

Speaker 1 (02:45:25):
Uptown, stay strong, don't never do the dance with the devil.

Speaker 10 (02:45:29):
Now that smile is a sign that you're selling now
judgment gossip ethics.

Speaker 1 (02:45:35):
Let's just exploit all this excess.

Speaker 10 (02:45:38):
You can feel how we feel to walk around town
looking down from them told you and who needs fame
of fortune when you get the same love that the
famous snorting us so afraid of yours. That's just straight
from the course and you came up short. Believe you
would have more credibility if he.

Speaker 1 (02:45:56):
Wasn't just another drunk pill junkig.

Speaker 10 (02:45:59):
It's obvious to me that he's still hungry for the superstars.
A little bad lucky, Uh, go ahead and betting mad
at guy when you Veger's at you that and a
Santa Claus.

Speaker 1 (02:46:10):
Listen all of y'all into sabotage. It looks so bad
with the bandit y'all. It goes for all the doll
tap two for the shot, so your car, do another line, baby,
Trust them, they're we're all puppets. Love is nothing scared
of success.

Speaker 10 (02:46:26):
One on the base, two for the drums, blast ball,
gonn take whatever comes, baby, Trust them they're all puppets.

Speaker 1 (02:46:34):
Love is nothing scared of success.

Speaker 10 (02:46:48):
I think it's great how you used to be great.
I can't hate and how you choose to relate. But
I know that you had the potential. I understand why
you wanted to let go a lot of pressure in
the middle of those shoulders. And we ain't getting nothing.
But oh, ain't nothing changed but the day we run from.
But nobody knows that better than you.

Speaker 36 (02:47:09):
Hunt.

Speaker 1 (02:47:10):
Call the car tap two for the shine.

Speaker 30 (02:47:12):
You scoty your cardow another line, Baby trust them There
all pup bits.

Speaker 1 (02:47:18):
Love is nothing scared a success.

Speaker 42 (02:47:20):
One for the.

Speaker 1 (02:47:21):
Base, two for the drums class, call gote whatever cost.

Speaker 30 (02:47:26):
Baby Trust them there, or pup bits love is nothing
scared of Successor call.

Speaker 14 (02:47:32):
The car tap two for the shine.

Speaker 30 (02:47:34):
Scot me mor car new another line, Baby, we trust them.
There are pup bits. Love is nothing scared a success.
One for the base, two for the drums class, call
gote whatever cost. Baby, trust them there, All pup bits.
Love is nothing scared of successor.

Speaker 14 (02:48:35):
Free falling.

Speaker 30 (02:48:36):
When you shook from the pack, keep walking, Let the
foot leave a track off him.

Speaker 1 (02:48:41):
Gotta look for a path. These problems other good ones
that have free falling when you shook from the pack.
Keep walking, let the foot leave a track off him.
Gotta look for a path.

Speaker 10 (02:48:53):
These problems are the good ones that have Nobody want
to struggle at home? Based in his voice bliner tone,
what kind of couple makes a puzzle? A lot of
stone chopping and popping, a lot of bubbles that are blown.
Nobody want to pee bong? And once the line gets
drawn across what we disagree upon, it could be the
time bomb that we sleep on. It just the little one,

(02:49:14):
back and forth like a ping pom.

Speaker 1 (02:49:37):
What are your facts?

Speaker 5 (02:49:39):
Turn?

Speaker 9 (02:49:39):
Heal?

Speaker 16 (02:49:41):
Are squeak a lick?

Speaker 51 (02:49:45):
Mm hm?

Speaker 16 (02:49:48):
You have a problem with that?

Speaker 28 (02:49:52):
This s.

Speaker 1 (02:50:02):
As long as I can hit my notes.

Speaker 10 (02:50:07):
I saw the sunrise, then the green crew, even through
the concrete.

Speaker 1 (02:50:11):
Cracks that we couldn't to.

Speaker 10 (02:50:12):
As long as I can hit my note, summer, try
to keep up with my folks. Smelt Win brought the
flash flood with a river, repermanent tear drops and rap hugs.
Bad luck played with the effortless, so I backed away
from quick benefits. Shed skin of those this spit venomous yeat.
Ask him he the one that tip's generous? Still trying

(02:50:33):
to define my description of life with a little spirit.

Speaker 1 (02:50:36):
Time for living.

Speaker 10 (02:50:38):
But even if I want to hold the position, I
gotta go like daddy. Don't know any different. I saw
the new sky, look at the snow melts. I left
most of my baggage. You've been a hotel. As long
as I can hit my note. Summer travel down that
gravel road.

Speaker 1 (02:50:53):
I heard a bird cry. It was pathetic.

Speaker 14 (02:50:55):
Man.

Speaker 1 (02:50:55):
If you could fly, spread feathers like a message.

Speaker 10 (02:50:58):
As long as I can hit my note, summer stand
top this box of soap. I felt the track slipped,
but in pull brakes. I'm half dead, but already you
got a full plate. As long as I can hit
my notes.

Speaker 5 (02:51:13):
Silently as you scratch scratch.

Speaker 10 (02:51:37):
From the side, just to learn how to fly, don't
even gotta put me in the dirt when I die.

Speaker 1 (02:51:41):
I'm not perfect.

Speaker 16 (02:51:43):
I'll try.

Speaker 10 (02:51:47):
I'm trying to free my hands, grab the day by
the throat, got a kid a grip, bod.

Speaker 1 (02:51:51):
I'm at the end of my rope. I'm not perfect.

Speaker 10 (02:51:53):
I know, I know, And if I had a spare moment,
I probably loan it to somebody who needed to hold it.
Life's in decisive might slice you open a show compassion
and throw you back into the ocean. I'm trying to
keep my faith on the path, but the landscape's full
of change of flags. You could change your name and

(02:52:14):
still live in the past. Daddy was the face on
the package of six SAgs. Fall from the sky, just
to learn how to fly, don't even gotta put me
in the dirt when not to die.

Speaker 1 (02:52:24):
I'm not perfect.

Speaker 10 (02:52:25):
I try, I try, You might fade away, you might
burst in flames. Ain't no reasoning you should even try
to search my name. I'm not perfect, okay, I'm a
father and a son of a Southsider, mouthful of hot dish,
pop lifeer and this little piggy squeal like a CoP's

(02:52:47):
tire when I set the ox on fire, like it's
a box of spiders.

Speaker 1 (02:52:50):
You the opposite the truth.

Speaker 10 (02:52:52):
You overproduced. You gotta grow more toes. You wanna fill
these shoes. You gotta make love like there's nothing to lose.
You wanna wake up the world. But this's butt and pursues.
Fall from the sky just to learn how to fly.
Don't even gotta put me in the dirt when I die.

Speaker 1 (02:53:06):
I'm not perfect. I try, I try, I try.

Speaker 10 (02:53:11):
We gotta work it out sign turning around the same
person that I was when the curtains were down.

Speaker 1 (02:53:16):
I'm not perfect?

Speaker 28 (02:53:17):
What now?

Speaker 42 (02:53:19):
Huh?

Speaker 5 (02:53:20):
What now?

Speaker 1 (02:53:22):
Some say that I passed.

Speaker 10 (02:53:23):
None say that I'm passive, white trash with a fraction
of blackness. My mathematics got made of flood too. But
no matter where I stand either way, it's fuck you.
I never been a victim of police, Sir Rashminton. I
knew what they've seen when I turned job absent, Irish name,
Scandinavian frame. I'm a Rubik's cube, I'm the American dream
check it out. I'm a feminist. I'm also a misogynist.

(02:53:46):
Spit like a nursianist, dick like an obelisk. And I
promise if you ever hear me contradict myself, it's not
a sign of the apocalypse.

Speaker 1 (02:53:54):
Southern and asshole. Before it was fashionable, and when it's
out of style, be the last to know. And if
illumin not, he listen. And I don't want to plaeau
who I have to bow to play the halftime show.

Speaker 10 (02:54:04):
Fall from the sky just to learn how to fly.
You don't even got to put me in the dirt.
When I die I'm not perfect. I tried, Lord knows.

Speaker 55 (02:54:13):
I tried to.

Speaker 28 (02:54:21):
Change, change.

Speaker 2 (02:54:29):
To change.

Speaker 5 (02:54:38):
Without At.

Speaker 48 (02:54:45):
The times you can feel like home is when I'm gone.
Home only roads we roam, counting to Rome, me and
everybody I love, living through call, never being one for hugs,
but high, long across time zones for shrimp from family
who are only with me through video and this camera,
looking for answers, particuling the chance to make up for
time that got lost in these sandsors. The click up

(02:55:06):
my heels ain't taking me to Kansas thinking about to
got me stoke in these transfers. My heart speat sands,
fritten with no translator. My soul seeks and handstitch love
and the prayer.

Speaker 14 (02:55:16):
Shit.

Speaker 48 (02:55:17):
I'm everywhere but home. I'm never there, and so I
care for say. I'm peppy, revery l don't even know
the male's name in my own town. They're making noise,
but forgot how my home sounds.

Speaker 1 (02:55:37):
Listen up, I've been meaning the safest, I'm not the greatest.
I'll never make that list.

Speaker 10 (02:55:42):
But every time I come home, You're still there waiting
in case I never said it.

Speaker 1 (02:55:46):
Thanks for your patience, never got drench you and famous.
Don't get me wrong.

Speaker 10 (02:55:50):
There's a lot of different faces that listen to the songs.
There's no big time, never broke, they hit rime, had
to rover the highway just.

Speaker 23 (02:55:57):
To go and get mine.

Speaker 10 (02:55:58):
And when I got it, I brought it back to you.
Wasn't even swear and you were strapping with a new fruit.
I don't expect you to hold your breath. Just know
you're blessed. And let me get that open chest. Look,
you've cried with me, You've tried to forgive me. You
feel neglected because sometimes I'm busy. You still hold me
down on the south side. Dig me, you always forgive
me because you're in my city.

Speaker 28 (02:56:25):
Holy man, yours cold as nice.

Speaker 1 (02:56:47):
You're willing to sacrifa.

Speaker 53 (02:56:50):
So got back.

Speaker 56 (02:57:01):
Then him one too long since shown the flat got
to push it out.

Speaker 1 (02:57:09):
Shot the flat got to get a long.

Speaker 42 (02:57:13):
Then him.

Speaker 10 (02:57:14):
Most I frame what these wings want too, because counting
sheep this is easy. Is worn shoe jumping up the
nest to catch some perd food clutch so tense that
the knuckles turned blue. I've been hoot the wise man,
check corison, read the flight plant spread the life stream,

(02:57:38):
sky heightens A set it's time to climb the steps.
We only trying to get free from the spider's weft.
Gott a murder roper messing around?

Speaker 1 (02:57:46):
Can't we the third and of work?

Speaker 10 (02:57:48):
Never set in it down with a spotlight. Now my shot,
my chance. Put a plot of land in the pockets
of my chants. Great break, close race roof when the
kick drops, and faith little straight through.

Speaker 1 (02:58:01):
No kit stops.

Speaker 10 (02:58:02):
Lift off with your head in the clouds, or get
lost in the rest of the crowd. I got a
basket of treats from Marks Songs. Put them in the

(02:58:22):
passenger seat, smarked one. I'm parked on thirty eighth curve,
feeling in the early bird with some thirty breaks. Thanks
big Krim, like whom I fool in the interior to
plush and contemplating up and then.

Speaker 1 (02:58:36):
What if I slept in the bucket like I'm running
from the government. They want to take my musket.

Speaker 57 (02:58:41):
Pop, Pope, don't approach like you made of goat. I'm
not criminal, mindy, but I ain't no choke neither.

Speaker 10 (02:58:47):
Plugging nine to eleven up in the beaver plus one
at the club with a dupe of T shirts.

Speaker 1 (02:58:53):
We work like we almost there.

Speaker 10 (02:58:55):
Like you can feel the water was so calm and clear,
Americana marijuana and a made beer. Pumping that boney there
like you don't care to cut your hands off and
throw them off in the air, the seing, the stand off. Brother,
nothing is fair the way y'all stare, You would make
that I glow, keep the window slow and drives slow.
Jumped in the bush just to count the thorns. The

(02:59:18):
button gets bushed.

Speaker 1 (02:59:19):
Now sound the one and reshape the form.

Speaker 57 (02:59:21):
Trying to function norm but I raise up and not
run the storm storms.

Speaker 58 (02:59:27):
Everybody wanted to be high, and I sat a spy
till we could have the sky. Everybody wanted to be fly,
trying to make a whole night five o'clock inside. Everybody
wanted to be high, and I sided spy till we
can have the sky.

Speaker 1 (02:59:43):
Everybody want to be fly, trying to make a whole
night five o'clockt up sides like a cruise through the neighborhood.
I started wrapping it.

Speaker 59 (02:59:51):
Won't ren if this was my faith or just an accident,
because I came a long way from cutting my own
chili bowls, bred blowing my jeansus bitting and silly flows
it's where the tag a sounding all right there, kind
of looking forward to growing my own white hair. Only
thing worse than getting old is not getting old and
not getting told you were not fitting moles.

Speaker 60 (03:00:11):
I gave up on societies rules. Things always backfire when
I try to be cool. I'm like a mortician. It
ain't safe for some vildings because I'm making a living
off of making a killing. I ain't making a million
of them making your feelings that are then taking a villain,
escaping your feelings.

Speaker 1 (03:00:28):
I lost a lot of ego, lost a lot of people,
but I got faith in God, so I got a sequel.

Speaker 60 (03:00:33):
If you're looking for me, I've been counting the loop
on the mountain the truth near the Fountain of Youth.

Speaker 1 (03:00:38):
When I'm pounting them.

Speaker 60 (03:00:39):
True handsome, I'm that could tell me the special Olympics
randomb on tracks r J chopped the record down to
the bone, and now Sean Taeley's on the speaker phone.

Speaker 1 (03:00:49):
But I got the ring ring. Hey, hey, oh I'm
messed up. Yeah, let me hear it anyway, Let me
hear it anyway here.

Speaker 23 (03:00:56):
Chuck, Chuck, chuck, chuck.

Speaker 16 (03:00:57):
Check you're checking out.

Speaker 38 (03:00:58):
Take it personal with my people full of flavor, Kevlar
t J six, Touch that God, touch that.

Speaker 15 (03:01:18):
Change your chang, change shot, can your chang? Shrank Kenner Chank.

Speaker 1 (03:01:37):
Puts your quarter up. I got first, and I'm the
type of customer that orders the worst. No, not the
same as any y'all run the game of plenty. Y'all
buy my Nicholas from a diamond goes by the name
of Penny, the last starfighter searching.

Speaker 10 (03:01:50):
For a starbucker, the drunk Peverallel Parker, Thank God for tar.

Speaker 1 (03:01:53):
Block for another day.

Speaker 10 (03:01:55):
Shot in the head and carry But like your wife,
he tries to convince me that she shouldn't have gotten married.
From alick of bugs to the amateur thugs to the
punk rock chicks, A can't handle my hugs. I'll be
standing the porn of web born out of a blot
where the spider makes her bread out of the carcasses
she caught up.

Speaker 1 (03:02:10):
She's got that good man me. I got thorns were up,
she wears a smiling me. I wear your wait a
minute saved?

Speaker 10 (03:02:17):
How about a little shrus You couldn't save yourself if
you had a cape and a phone.

Speaker 16 (03:02:21):
Bloof.

Speaker 1 (03:02:21):
The roof is on fire.

Speaker 10 (03:02:23):
The floor is underwater the fishing north they can ate
the bob and this god hovers up above the highway
in the shopper.

Speaker 1 (03:02:30):
I'm down here and writing songs for her thought at your.

Speaker 15 (03:02:32):
Court, shut Vinyl, change shut, y'll change.

Speaker 1 (03:02:40):
Fidil chank.

Speaker 61 (03:02:43):
What's a quarter around brother? My on the hand in
summer damn escaping for a free game in my back pocket.
The you go in nobody, Yeah, left Claire up the
concrete valley, the murder silhouettes with a budget to have
me bumbing cigarette and my soul stuck in the muddy
pit amsorbing hank because when a washaped water sticking five
grant btom four want to let the door door by
a sideway span, I'm gonna slipped down through problem knocking

(03:03:03):
up with the carbon based common guarding goblin.

Speaker 1 (03:03:05):
I'm drowsy, stripped it by the lousy burgeon every night
light woman.

Speaker 61 (03:03:09):
It's then blow and kissed the sin would have sat
count me in, but just couldn't afford the bounty.

Speaker 1 (03:03:13):
I'll do the d myself.

Speaker 61 (03:03:14):
Before the second leaping sheep even got capt to potasking
drastic on sociable captain gasping Jay Gaps getting great bashing
open the plastic backspins strapped with the plague, and a
cocktail napkin wrapped in over comedy dragon fashion flashed in
an effort to smash your pattern magnanimous to say a
little on this saint hit foundation, they found the Sun's
running basis for nickel kIPS, gounate, the zoning, and the
street ist trickle dripped south. I'll skip town when these

(03:03:37):
upright citizens sits down.

Speaker 23 (03:03:45):
Mom, no, no, I go next.

Speaker 62 (03:03:51):
Put your quarter off, covets, put your door to off
enough sort of not to be confused with the fake
flower all South. Still the ones who use take your
high score down with war rounds and drums of spit
ball carry as it fly through the air like pitfail
Harry shit yawn fries take a loss like swimmer Don
just goes out to man, woman and child from rumble

(03:04:11):
charm before the end, I saved the world. Like the fender,
there's no time for curl enough to hurl from a
fender life like back when your last five never went
to weed, more.

Speaker 1 (03:04:21):
Likely on like twenty rounds a cent a piece. If
to go fast and slow no matter when to flow.

Speaker 19 (03:04:26):
Down pack like the old akroa pattern.

Speaker 1 (03:04:28):
Those who need to learn to take me take his note.
It's just like Spi Hunter once he.

Speaker 16 (03:04:33):
For the speed boat, vote.

Speaker 54 (03:04:37):
The lives and the look King, even the great stars.

Speaker 42 (03:04:47):
Live the lives and look, I'm chilling.

Speaker 17 (03:05:06):
Spilling yet see it.

Speaker 60 (03:05:14):
Set it off for johnlemen rush the boys, maybe on
the pen in the dusts showing the head in the
back of the dust.

Speaker 5 (03:05:20):
We need to watch how they acting with us.

Speaker 16 (03:05:22):
Now, time to get it in gear. You can get
it in right here. The events better than beer.

Speaker 5 (03:05:27):
You're doing. It's been a minute.

Speaker 15 (03:05:29):
Think they're getting the clear women.

Speaker 1 (03:05:30):
Brothers raid your name, make sure we foy right. Were
rocking it all.

Speaker 19 (03:05:35):
Night long, and you've been being on the morning light.

Speaker 1 (03:05:38):
It's hard to see him in the light, even hard
to see him on the mic.

Speaker 4 (03:05:42):
Black Bence's being on the bike and he could talk
the gate check gotta being a die.

Speaker 1 (03:05:46):
Get rest stood off, took the beach up, keep.

Speaker 16 (03:05:50):
It on cooking full of the auto.

Speaker 47 (03:05:52):
I won't stop the rock to pack the sticking Gardo
worn sor Riscausin and bar Bro no talks when he
took us to the water, so normally caught more or
less lessons more or no hawk spit on the cockpit,
stot to the window, to the solid as a rockhead.

Speaker 10 (03:06:07):
That's right, and I'll smack the black offer you a
long villain pushing.

Speaker 1 (03:06:12):
On the couch cushion.

Speaker 10 (03:06:13):
South Side Mini app never lived out in Brooklyn. Kept
the faith, forget the faith. If they swept the name,
let us set the lane, held mine cold and hard, had.

Speaker 1 (03:06:21):
No regard who the chosen are, who you own? No,
you played the oboe, stit on the low low rappers
are candy butter Scottich. I'm gonna let the baby's mother's watch.
She loves the ok.

Speaker 10 (03:06:32):
I touched the spot, thech on the itch. That must
God of a crotch now stop filled the buildings. Leave
some pills for these little villains. Hey, Shorty, share the flask,
lennyx wain while.

Speaker 1 (03:06:42):
I wear this mask, Yo, what's up?

Speaker 23 (03:06:44):
This is cool?

Speaker 62 (03:06:45):
Keith aka doctor OK the gun and you're checking out
taking personally with my people's Jason Glass, keV Law and
DJ three six six.

Speaker 1 (03:06:57):
We're gonda. Do you remember that knife you wouldn't part with?

Speaker 10 (03:07:13):
You kept it sharp just to carve my fucking heart
like a park bench. Well I found it this morning
in a south Side brush stop and now I'm smiling
for the smugshot.

Speaker 1 (03:07:22):
That's when I knew the plane was bound to fail.

Speaker 10 (03:07:25):
By the time you hear the song, I'll be singing
it from down It kind of me jail still fill
to the maximum, So fuck Bill Clinton with the saxophone
and cut.

Speaker 1 (03:07:36):
I'm trying to follow.

Speaker 42 (03:07:37):
What the fuse.

Speaker 10 (03:07:38):
I must have missed the day's allowance of fish food?

Speaker 1 (03:07:41):
Like, who's kid? Do you think that this sits? Dude?
She ain't your bitch to miss use?

Speaker 10 (03:07:46):
And when there ain't nothing more to grab, I might
give something back to the floor of this cab. I
might tag my name on the toy of your building,
might even make a couple of your children.

Speaker 1 (03:07:57):
When all the lights go out, when the light good,
wouds go.

Speaker 63 (03:08:01):
When all the lights go out, when the nights goo,
wouds good wold, when all the lights go out, when
the lights go wouds go wow, when all the lights
go out, when the lights go, woud.

Speaker 42 (03:08:18):
Go true.

Speaker 28 (03:08:21):
Click.

Speaker 1 (03:08:22):
It's when he go in he keeps it flowing.

Speaker 46 (03:08:24):
Wrote this poem from a swollen place and deep knowing
with the sewing He's scared of the dark as night approaches,
until the time comes someone like roaches stop, drop, popa
slug out the mag tag, dug it outdrag hold onto
your blug out bag. When he's out on talk Rouser
and the grid go down, Grab your girl.

Speaker 19 (03:08:43):
He might arouse her bowsers.

Speaker 3 (03:08:45):
What dreams may come some plot and scheming on the scene.

Speaker 46 (03:08:49):
He played dumb from the loadout true emissary who forever
ready actually secretary about the melon berry it's elementary the
dora or the ski hat draws a dunkan slacks where
you're gonna be at?

Speaker 1 (03:09:01):
Don't what beat that?

Speaker 3 (03:09:03):
She ain't the type, no doubt if she want to eat?

Speaker 1 (03:09:05):
Is going right in ther mouth?

Speaker 3 (03:09:07):
Went on light like wid right off.

Speaker 23 (03:09:09):
The light.

Speaker 14 (03:09:12):
Gone a can.

Speaker 3 (03:09:19):
Tonight on money made.

Speaker 12 (03:09:30):
Equipment about what's yeah, I'm got every right on the south.

Speaker 23 (03:09:42):
Okay, this on you out way that I came to.

Speaker 16 (03:09:47):
Congratulations, you made it. You made it.

Speaker 51 (03:09:50):
That's right, yourself created at the millions of sperm selves.

Speaker 16 (03:09:54):
You made it. You furtherlized the egg man. You made it.

Speaker 1 (03:09:57):
You made it first, then you made it through the shot,
and you made it home when you open your eye
first you made it. People hoped that you made it.

Speaker 16 (03:10:05):
Pay your maiden.

Speaker 28 (03:10:06):
You lose it.

Speaker 16 (03:10:07):
You caated.

Speaker 51 (03:10:08):
You made it first say of school, You made it
first rate, second grade, third grade, fourth grade, You made
it into your teenage years.

Speaker 42 (03:10:15):
Man, you made it.

Speaker 51 (03:10:16):
Your dreams, plans, right goals, made it throw it down,
and you stated, I'm so creative, all the right choices.

Speaker 8 (03:10:24):
You made it.

Speaker 16 (03:10:25):
The money in your pocket, you made it.

Speaker 51 (03:10:27):
You never waited, never hesitated, your magical life, would never
traded for nothing.

Speaker 16 (03:10:34):
Man, You've made it. You highly favored and play for it. Man,
you've made it.

Speaker 5 (03:10:39):
I've made it.

Speaker 16 (03:10:41):
Out about what life's gonna hands.

Speaker 64 (03:10:43):
You stepped up god ready hair ran Threw made it
this far won't pack grand.

Speaker 16 (03:10:48):
New where I feel there's.

Speaker 56 (03:10:50):
Something that I can't do, not about what Grice's gonna hand.
You stepped up god ready and ran Threw made it
this far, won't.

Speaker 12 (03:10:59):
Pack rand you way.

Speaker 1 (03:11:00):
I can't advanced nothing. I can't. I made it, and
even know that I made it.

Speaker 10 (03:11:05):
I was placed in a psycho of stress and self hatred,
self medicated as a self preservation state, sedated to kill
the pain and frustration.

Speaker 1 (03:11:13):
It's all related, and these incomplacent. I'm just trying to
take the blame for the time that I wasted. Chasing
after temporary validation, had to stretch my reach.

Speaker 64 (03:11:22):
I could barely bring the chained script freedom broke it
now to shoe's fit.

Speaker 1 (03:11:27):
Keep my focus on my people and my music. Speak fluid,
live and brief through it and leave the foolishness. But
these too cool for school kids.

Speaker 10 (03:11:35):
Some don't want to see the truth to it and
so used to loosen that we afraid of the movement.
It's all right, Let the pride kid boost it even
if you make it, just to prove that you can
do it.

Speaker 16 (03:11:46):
Out about what life's gonna hand you? Step up?

Speaker 64 (03:11:49):
God ready he ran through? Made it this far wrong
pack brand new where I feel there's something I can't.

Speaker 56 (03:11:56):
Do, not about what guy's gonna hand you step up?
Got Maggie and Man three made it this far.

Speaker 1 (03:12:03):
Won't brand new way.

Speaker 25 (03:12:05):
I feel there's nothing not camp to.

Speaker 27 (03:12:07):
Answers, What do you mean?

Speaker 1 (03:12:20):
What was my childhoods?

Speaker 28 (03:12:21):
Like?

Speaker 1 (03:12:22):
What difference does that make?

Speaker 12 (03:12:24):
God?

Speaker 10 (03:12:24):
I don't even know my childhood was messed up? So
what's everybody's child my childhood?

Speaker 21 (03:12:28):
Like?

Speaker 1 (03:12:29):
This is the nineties? Yea, When you'll find me one
person that had it right, I got to do with
me by me what's left now. When my mother died,
I had to take it in stride. There ain't no
room for bride and watching your father. Fride and Dad.

Speaker 10 (03:12:44):
Made it until maybe a year later when they found
this suicide inside of a grain elevator.

Speaker 5 (03:12:50):
Got over it.

Speaker 10 (03:12:50):
I had no other office eruptions, thought about whether or
not Mom and Hack was watching the bothered becaution.

Speaker 1 (03:12:56):
No time for fears, all my folks carrying fierce for
the most hot, earning you man.

Speaker 16 (03:13:00):
I learned from it.

Speaker 10 (03:13:01):
Turns up man and going a storm, a burning sun,
waiting for the world to woman finished. Growing up under
my uncle's roof taught me how to count all the
way up to one hundred roof. From watching him, I
learned how to gather nervous smidt living off the different.

Speaker 1 (03:13:14):
Women that he had to nurt, gym and on the surface.
I became a normal preachee, more afraid of nuclear war
than state might tvas.

Speaker 10 (03:13:21):
My best friend was my TV game shows and cardisal substituted.

Speaker 1 (03:13:25):
From these rainbows and balloons.

Speaker 10 (03:13:26):
Now here, I am the shine tight, and I think
I'm doing alright considering what it was like living in
my light.

Speaker 1 (03:13:32):
Sunshine.

Speaker 10 (03:13:33):
It's all sunshine it's nothing but sunshine.

Speaker 22 (03:13:35):
It's all sunshine.

Speaker 1 (03:13:36):
It's something but sunshine. It's all sunshine. It's nothing but sunshine.
And it saw sunshine. It's nothing but sunshine. It's all sunshine.
It's nothing but sunshine. It's all sunshine, nothing but sunshine.
It's all sunshine. It's nothing but sunshine. There's nothing but.

Speaker 65 (03:13:52):
Sunshine, sunshine, sunshine, sometimes sunshine, sunshine, sunshine.

Speaker 10 (03:14:17):
Shine says you get cool by love.

Speaker 32 (03:14:22):
Checking in on a Sunday morning. Just finishedin and some
waffles with some organic naked syrup. But the purpose is
to shine out with extra ice cream, to take it
personal with my people's fill a flavor Pavlo the Gate
three sixty, the best things the merank.

Speaker 1 (03:14:46):
Run light my face.

Speaker 10 (03:14:55):
Tell you pa, from my head you walk, a prush
your reston senses that I clutched made the day with divinity,
but she wouldn't let me f I got touched by
your hazy shade of God help me change, caught her
rush on the floor from the life in my vein,
from my head a rush your responscesss that I clutched,
fade and date diminity, but she would and let me walk.

Speaker 1 (03:15:17):
I got touched by your hazy shade of God.

Speaker 10 (03:15:19):
Help me change corner rush on the floor from the
life in my face for the cannabis in two forty
dying that three forty reason get four belottle bit try
to get five to your love and six fourt stress
and seventh for the cake that I clossed.

Speaker 1 (03:15:34):
Into this mess from her head, for let rests.

Speaker 10 (03:15:37):
That I made with diminity what she would let me,
and I got touched by your hazy shade. Help me
say he corner rush on all from the light in
my fain. I'm catching noses from the child proof lighters
and all of these fine two fighters that keep.

Speaker 1 (03:15:50):
The wires in my head tighter.

Speaker 10 (03:15:52):
I'm tighting out by the distances the jeep walking in
my sleep.

Speaker 1 (03:15:56):
For the scutcha. This is the I got it, Dad
too deep, best dad to get cool.

Speaker 10 (03:16:00):
I call them back soon as I resume normal and
get out of this bathroom and gore management seeks reimbursement
for the nerve endings that burnt from the first sits
from my head full of fresh arrest of the senses.

Speaker 1 (03:16:12):
That I clutched made this at with divinity, but you
wouldn't let me.

Speaker 8 (03:16:15):
Fuck.

Speaker 10 (03:16:16):
I got touched by your hazy shade of God, help
me change.

Speaker 1 (03:16:18):
Caught a rush on the floor from the light bill.
My face had full of fresh arrest. The senses that
I clutched made.

Speaker 10 (03:16:25):
It take with divinity. But she would and let me walk.
And I got touched by your hazy shade of God,
Help me change. Caught a rush on the floor from
the light in my bag. Fus need those bucks buck
buck lines that make the sinus jump, buck chases, trails,
buck waves and rails buck hangovers, buck hallucinations, regurgitation, mandatory sentences.

Speaker 1 (03:16:44):
Ain't you wit trace and blind my insight? And an't
the common sense get me in the fish and killed?
The superstition and the confidence, build the tolerance. Now it's
more than I consume.

Speaker 10 (03:16:53):
And when it poured up my room, the world's horsal
crew and un unify the eulogy our.

Speaker 1 (03:16:59):
Tops even ain't just reading you for nation.

Speaker 10 (03:17:01):
I eat irony, but here rober within the pool of
my jewels, sedated windows, cyrelating tomatosis like overdose. Tell jacobus
keeping wild stout, I promise sound smile to check the floor.

Speaker 1 (03:17:13):
God's got nice child, Tell check bus, keep that ship
wild stout and our smile to check the floor. God's
got nice fildhead full of fresh arrest of senses that
I clutched made it ain't misd divinity.

Speaker 23 (03:17:24):
But she wouldn't let me.

Speaker 1 (03:17:25):
Fucking I got touched by her hazy shade of God help.

Speaker 10 (03:17:28):
Me change calling a rush on the floor from the
life in my face, from my head walk rush dressed
us inside.

Speaker 1 (03:17:34):
I'm like, I mean that ain't wris dimnity what she
let me?

Speaker 13 (03:17:37):
What?

Speaker 1 (03:17:37):
And I got a shay that God help me. They
ain't calling us on.

Speaker 10 (03:17:41):
The floor on the night there my ahead rushing sense
plus days ain't a minute what you want me? You
touched the haziest guy. You changed rush flor light patterned

(03:18:07):
around the thought and the will we shattered the sound
of perpendicular noise now gather around blueprints to rebuild on
top of that.

Speaker 1 (03:18:16):
I'm found. I'm getting sick of your voice, pretentive.

Speaker 10 (03:18:19):
The earth makes me tend to introvert and out presented
the worth of peace, kicks and the sprinkle sirch ingested
first course, seconds and a big dessert presented verse with
sprinkles of dope interspersed. When you burst him, won't be
an accident it'll be your world wide web of heads
taking this shit back at six. Now find the emergency
exits because I'm a snap of spine to make an

(03:18:39):
example of the skeep acid speed. I don't care if
you know me or you hate me. Just come check
out the show with the travel back on safety lately.
But we thought occurred to me. But if I was
to grab the mic, which one of y'all with service speed,
once the ridenses out to rock the restless and kill
your ego, your whole terms vibing off the bexits best
if you take a hard looking that what you're giving me.

Speaker 1 (03:19:01):
Your name and your rank don't mean shit to me.

Speaker 3 (03:19:03):
Stars and strikes are like causing bikes.

Speaker 60 (03:19:06):
They just vehicles you steer to ride other people's Yaws
and strikes are like nails and spite.

Speaker 1 (03:19:11):
They just chools that you use against the physical rule.

Speaker 3 (03:19:14):
Put down your weapon, sir.

Speaker 1 (03:19:15):
I'm afraid I act gonna be able to do that.
Put down your weapon, diar man, I think i'ma have
to boot some ring. Put down your weapon, sir. This
is part of the dup rebellion. Would you put down
your wead? Call me so you're bringing it. That's far enough,
drop your laundry and turn slowly. She's gonna rob me. Now,

(03:19:37):
I remind you who I am. Oh mark, isn't it?
Pull it slowly, then toss it.

Speaker 66 (03:19:44):
I will move slowly. I ain't tossing nothing cold time.
So if you're gonna do myself, go ahead and make
it quick.

Speaker 1 (03:19:53):
I will you come back. I trust you didn't lose
sleep over it.

Speaker 16 (03:19:56):
Learn about you.

Speaker 66 (03:19:57):
Be like wondering if the suns gonna come up, about
the wildlight of it, because I want to know what's
how you find you're born.

Speaker 1 (03:20:04):
He didn't give you a pas sugar water run through
the veins.

Speaker 8 (03:20:08):
You kill him.

Speaker 1 (03:20:09):
He's resting.

Speaker 10 (03:20:10):
I see your favorite of forty fives gold dude's chamber
in case.

Speaker 8 (03:20:16):
You're hand.

Speaker 1 (03:20:23):
Atmosphere.

Speaker 10 (03:20:24):
And maybe you don't like this, but of all the
stars in the sky, I believe but one of the
brightest of my life, business white is your favorite trap pressure.
And I'm possessed with that insight that enables me to
laugh better. From the last letter back to the eighth.
I'm allow my weight out of the wrapping paper without
the fucking Holada can't ever be captured.

Speaker 1 (03:20:40):
That gets toys with my shell.

Speaker 10 (03:20:41):
But only after they walk from out backward spoopy boy hell.

Speaker 1 (03:20:45):
From here on out, the sunrise is at No.

Speaker 10 (03:20:47):
Thirty with pressings of the whole room, hurt me, sing
the birdy, you fly with it without the wings.

Speaker 1 (03:20:53):
The straightest the equator is losing is the owl sings.

Speaker 10 (03:20:56):
Let the poppers fly, the brightness crash, make the dejas
and the asshole and all the rappers snakes. Most rap
writers are weirdose nowadays. So I hang out with myself
and a wrapper, the random belt. For every show that
I have in the skims pearses have been must have
been written by me, called the Brothers, swim and the
moral till the story comes equipped with the sing once again,
I'm picked for the road.

Speaker 15 (03:21:18):
I'm praying, I'm afray.

Speaker 12 (03:21:22):
So he hated the It's to you the reamy, my pa,
come in, take me on that shot.

Speaker 67 (03:21:36):
Faut posing tramps, fucks and sluts, bitches scams tits and butts,
posing tramps, fucks and sluts, bitches scams tits and butts,
posing tramps, fucks and sluts.

Speaker 10 (03:21:55):
Bitches scams tits, butts, posing tramps, bucks and sluts. Bitch scams, bitches,
be screaming for the satan steaming and when you hear
me screaming, I'm about to free the seamen, wipe myself
off on your couch cover. If she talks any trash,
I flashed my box cut because I'm rougher. Then then
he pippy fatch in your life out. I talk soft

(03:22:15):
walk talk. Can't be your rightful kill that bullshit because
if baby gets spiteful, A lason the liquor with some
pitch and some light salt rolling the ship Brown Lincoln
he in the sticky one spot checked the flock. Big
One's gonna give me something because I'm a freak. I
like the girls with tattoo yo by fun try I
take them through with the time, make them both say
my name. I ain't never had three whoopets believe that

(03:22:36):
I'm Dad. That's the key, gang girl. I fit words
like scrabble. The inner city cowboy with the thick herds
of cat cruising Lake Street, Jean's fool riding shot gun,
got the flights tricky from the Mississippi. I got a
house full of porn to keep the vibe wm. The
Door's always open, Horney.

Speaker 1 (03:22:51):
Come out of the storm.

Speaker 10 (03:22:52):
I got Daddy's little girls ones that always stay true.
Gotten uptown girl, she dies the puba care and I
got a bitch that lives a kent with rich townhouse player.

Speaker 1 (03:23:00):
She travels on business. I'm getting down with her.

Speaker 10 (03:23:02):
Nay, I got a freak, drives a butt, shows me
love with the free rides one hundred holes of Saint Paul,
but only one from me. Scott Bloomington bitch with a
bullet her apartment Rugburn's all over from fucking her on
the cart.

Speaker 1 (03:23:12):
To make them all holes, make them all work. The
food y'll horn you.

Speaker 10 (03:23:15):
Off with a chicken soft topco when a couple of
new guys strip a bitch of body jewels in fake
titties in a hole that lives in Parka for when.

Speaker 1 (03:23:21):
I escape the city. But my favorite one out of
all of them, it's your girl.

Speaker 10 (03:23:25):
I sway the tongue number once have I've been forceble
She lays it on like it's a job that she loves.

Speaker 1 (03:23:30):
Yo whose lips are these? The response is always.

Speaker 10 (03:23:32):
The rich feld bitches, freak, the gloss and hairspring, Downtown
women that like to fuck on the steadcase, north side chicks,
out side chicks, suburban chicks love to open every women
up to the pervertedness disturbing your relationship.

Speaker 1 (03:23:44):
Excuse my morals.

Speaker 10 (03:23:45):
I work it with the way I trick them out,
silly mortals, the words I kick the sport. I lay't
know what to say when I'm sitting at this bufet
with all these tasty mortal My favorite one out of
all of them is your girl.

Speaker 1 (03:23:55):
I sway the tongue. Never once have I've been forcedible.
She lays it on like it's a.

Speaker 19 (03:23:59):
Job that she loves.

Speaker 10 (03:24:00):
Who slips his these And the response is always slud
cruising down the street and my baby's mom caprice for you?

Speaker 1 (03:24:05):
Wherever you got the windows cracked? Where in the fleets?

Speaker 10 (03:24:07):
Hit the busty pope, but you kind of cute. Give
me nine and a half weeks. I have that freaking
snipping to distribute income across the and through the plane.
I know it's hard being your young girl. Let me
soup the pain. He understand you by me straight up,
I understand now, lifted up your ass. Fuck you pull
these fucking pain the only ones I don't do. What's
those Sunday eighteen? At least I keep that ship the secret,
if you know what I mean. Slut that love to

(03:24:28):
give head and I like to watch the way they
move their tongue up and down. My motherfucker, I can't
believe you're sitting down here recording slow man.

Speaker 42 (03:24:35):
It's showing.

Speaker 1 (03:24:36):
It's just a song. It's like a joke.

Speaker 16 (03:24:37):
Man.

Speaker 10 (03:24:38):
Oh you want to be a pair of for that
neglected girl you've got. Damn man, why you always tripping
on me in front of That's what I'm talking about, motherfucker.

Speaker 1 (03:24:46):
You got a kid?

Speaker 10 (03:24:47):
How you gonna be rhyming about small bullshit like man?

Speaker 4 (03:24:50):
I damn I am, drop my draws and the bitch
shiit skinny motherfucker would a.

Speaker 32 (03:24:56):
Fat as you'll always say.

Speaker 10 (03:24:58):
You know you've grown along and you've changed.

Speaker 56 (03:25:03):
Since nineteen eighty two in the eighties when we were
putting out music, but there were we always thought of
as as somebody who was putting out extremely sexual music.

Speaker 10 (03:25:13):
Is that a problem to you?

Speaker 1 (03:25:15):
Are you're talking more about the profanity?

Speaker 55 (03:25:16):
Yes, sexual sexuality is not that good. Sexuality is very
spiritual in nature, and that's a God give a gift too. No,
I'm talking about just plain disintegration, where you're not even
speaking the truth anymore, and the violent in the truth.
That's pated the society and our music. Sampling is getting

(03:25:36):
to the point where it's out of hand too. Capre
soon will be sapling the sapling.

Speaker 1 (03:25:41):
We travel like the wind across the rotten fruit in
the plane. We traveled like the blood that surrounds your brain.

Speaker 10 (03:25:46):
The atmosphere is laying, they demand, And then we raised
the curves man the kingdom, call in all heads up
the earth first to them, brought us all the way
to Dallas, setting deep into MPB to keep the balance.
No painful of talent when no play the slao abuse.

Speaker 1 (03:26:01):
You really think this food is safe to at?

Speaker 27 (03:26:03):
Oh?

Speaker 10 (03:26:03):
Peace to that kid they call or be without him?
No heads in Texas wouldn't know me. That fella hooked
us up with a hotel at Mike's River. Now I'm
deep Mellas Decker read and where rhyme say you're sticking
And that same.

Speaker 1 (03:26:15):
Journey he took me to Kansas City, Missouri. I think
Danny Boy still holds me money.

Speaker 10 (03:26:19):
Fis haven't a writer named Bear who let us crash
on his floor and drink a thirty pack of beer
with that kid?

Speaker 1 (03:26:24):
Dirty day from the raft to the white Now why
not love Milwaukee? Here and waiting.

Speaker 10 (03:26:29):
JB got that late night he thrusty relican's eloquently rocking
the party and my man's self one keeps the jam
helling typeking the tight you have been to Atlanta, That's
where the mic or not slip hulack and myself heyo
shaka I ba until the end of now, No matter what, where,
why how Mi casas socsa you gotta love Saint Louis,
where the cultures away, waiting to.

Speaker 1 (03:26:50):
Dance, the paint, the beats in the rock, a piece
to be money. You're so loved no matter where rocks
as like I always leave a piece of meat behind.

Speaker 10 (03:26:58):
You know, we travel like the window across the rotten
fruit is playe. We travel like the blood that surrounds
your brain. Atmosphere is landing demanded, and.

Speaker 1 (03:27:05):
We raised the current.

Speaker 10 (03:27:06):
Let the man's worst sin behind his word words.

Speaker 1 (03:27:29):
Hey yo, you straight bring the worst game?

Speaker 68 (03:27:31):
Could it be the one? If k r Rest was
your first name, I got the microphone and let you
know of that type. I'll let you know what could
have been.

Speaker 28 (03:27:38):
Your dad right.

Speaker 1 (03:27:39):
Matter of fact, I was with your mob last night.

Speaker 68 (03:27:42):
Matter of fact, I'm the reason your little sister's half white.
We have to go way terrible. I'll beat you so bad.
I'll let your fucking parents know.

Speaker 1 (03:27:49):
We go to Mike. You know what, straight just talk.

Speaker 68 (03:27:52):
I've won more battles than your bitch ass is lost.

Speaker 1 (03:27:54):
And that's a lot.

Speaker 68 (03:27:55):
You know what straight rapper props. This is just another
whack cat. Oh my Jack, I grab the microphone. Is
straight smoke a cloud. I'm beating him in his own
fucking home.

Speaker 1 (03:28:04):
Sound does that make you? On the mic?

Speaker 68 (03:28:06):
I'll break to you even if you was a bitch
with a lakes opened, open grave view. That's how it
goes on the Mikey's straight bus whack. Look at his
cat's twenty five tank grom a mustache.

Speaker 1 (03:28:15):
What's up with that?

Speaker 68 (03:28:16):
Your whole style is weak, you get defeated, depleted. Your
whole style is cheap.

Speaker 17 (03:28:19):
Yo, I grab the.

Speaker 1 (03:28:20):
Micro straight just connected face, Joe. It's your turn, but
you got second place. Make some noise, dear.

Speaker 23 (03:28:46):
Rhyme can.

Speaker 42 (03:28:56):
Rhyme?

Speaker 8 (03:29:01):
Can guy?

Speaker 1 (03:29:06):
Yeah, I've been drinking you already know. Do I smell
like escape? Probably?

Speaker 37 (03:29:11):
So?

Speaker 10 (03:29:11):
I found your tape in my old collection, put it
in pushed blade that I poured a fresh one.

Speaker 1 (03:29:17):
I look back with a hesitant laugh.

Speaker 23 (03:29:19):
But in reality it's.

Speaker 10 (03:29:20):
Dark down memory rehab, all the trials and suffering we
shared with each other. A lot of people thought that
we were actually brothers. You know me.

Speaker 1 (03:29:29):
You know I'm a control freak.

Speaker 23 (03:29:31):
Who told you you could tie before me.

Speaker 1 (03:29:33):
Gone another dog lost to the wilds. I feel like
a son nosed child. And when I hear your smile,
it's outlined. It sadness. You pop poles in the magic.

Speaker 10 (03:29:44):
You taught jokes to the clowns that never learned how
to appreciate the lights before the pulpes burns out.

Speaker 1 (03:29:50):
Flicker rhyme, cannon.

Speaker 42 (03:29:58):
Guy, rhyme, can.

Speaker 1 (03:30:09):
God, Yeah, I've been thinking you already know.

Speaker 23 (03:30:14):
Do I sound frustrated?

Speaker 1 (03:30:16):
Probably so. Sometimes I feel guilty.

Speaker 23 (03:30:18):
I was out on the road.

Speaker 10 (03:30:19):
If I'd have seen where it was going, I'd have
stopped the whole show. I realize it ain't realistic. I
keep trying to make the pieces fit with the info presented.
I felt resentment. I held this against myself. I want
to help my friends. It stays in my head that
I was on a stage when you were laying in
bed body was discovered by your own mother.

Speaker 1 (03:30:40):
It penetrates my chest I still taste.

Speaker 10 (03:30:42):
The regret that I slept do a late night call
from your homie. But then I spoke with Sadik the
next morning, and then I smoked one million cigarettes.

Speaker 16 (03:30:52):
Go figure.

Speaker 1 (03:30:53):
Maybe I was trying to catch up with you.

Speaker 42 (03:30:56):
I did.

Speaker 16 (03:31:01):
Crop fish fish fish.

Speaker 1 (03:31:18):
As we continue.

Speaker 69 (03:31:19):
The first time I grabbed, I almost lost the light.
I had to pay Aaron Wade to get off my
mic Like back, I'm trying to be famous. You know
what I'm saying is entertainment will quickly leave your brain bent.
Because I know I'm straight heinous when it comes to
grabbing the microphone. You can't explain this. My mom says
I'm famous when she introduces me. That's my man juice.
Some c mcs ain't boosting me. I usually be the

(03:31:42):
dopest in the room. I rab the microphone and consume them.
Seeds getting swept like a broom because I crept in
consume with the microphone prepping them. Seeds can't injected. So yes,
it's the m C who comes to please. Some seeds
try and similar to the E y E, I guarantee
they'll get a n up so quick.

Speaker 1 (03:31:58):
I'm not my deep. I can't act card but I
will pull.

Speaker 69 (03:32:01):
Your card, pull down your guard, put you three times,
knock out your teeth.

Speaker 1 (03:32:04):
I help the beef that you hit, settling.

Speaker 69 (03:32:06):
Them on this microphone, giving that and see so much
adrenaline like some mescaline paotian a system.

Speaker 1 (03:32:12):
When it wraps in a microphone, you know that I
will this one. So listen to the way.

Speaker 69 (03:32:16):
I can't act like I'm ill, But when it comes
to grabbing a mic you know that I got skills
and I do it with my man abilities. On the
one and two m sees, I'll be coming through. I
want to try to step from wrecking cruising, and so
easily for me to do so when they coming up,
you know if I leave them with a cruise, I
see so many cruise and I've never remused. They get
worn out like my old shoes. I take these cruise
to the zoo.

Speaker 1 (03:32:36):
And saying, hey, why don't you pose in that cage?

Speaker 69 (03:32:38):
Because really, when it comes to grabbing a microphone, I
phase them. It's so easily because idea, you be amazing.
I be shriveling individuals like you're raising. When they say
I'm hot, I say not kid, I'm blazing. They be
like listening to the way that I did. You just
be displaying the rhythm like officiits easily played. When I
grabbed the microphone and I just be playing my voice
like it's cool. I think I can sing with Ay

(03:33:00):
tells me not to.

Speaker 1 (03:33:01):
I'd be like, I got you a.

Speaker 69 (03:33:02):
Tape and it's gonna be cool of me doing very
white covers. I grabbed the microphone. You know, I like mothers,
but I put on tight rubbers so I don't have babies.
I grab the microphone. I make cats get rabies, acting
like they can fade me. They cannot play me. I
grabbed the microphone from Erin Wade.

Speaker 1 (03:33:17):
And my man JB.

Speaker 69 (03:33:18):
He came to my house and we talked about time
tred yoga. I grabbed the microphone with more force than
yoga yoga. That's the cat from Star Wars em she's
trying to step.

Speaker 1 (03:33:27):
You know that I will scar those holes who think
they got closed. No, I leave them closed.

Speaker 69 (03:33:31):
So it's so easily for idea to make these slow
pokes stop rhyming. I grab the microphone as the cops
timing is off because I'm never rhyming so soft.

Speaker 17 (03:33:39):
I melt them.

Speaker 1 (03:33:40):
Seas like butter and then I squeeze him like an udder.
I say, you mother, uffers up the hells.

Speaker 69 (03:33:45):
You can't even touch the stalo busters. I have them
rythling like rain out the cutter, but thinking they will
step in. But they don't know that the brother will
just wrap the microphone with stous of ill and it
will mother with the rhythm.

Speaker 1 (03:33:56):
That I catch. I never wreck it off. The roots
beat MP.

Speaker 69 (03:33:58):
She's try to step to me, Oh man, they're two
week like fourteen days. Of course, his kid amazes bringing
down sun rays.

Speaker 1 (03:34:04):
When them seeds just get phased quick, I'll break them down,
my man. Juice is to the left, or maybe it's
to the right. Well, I can't tell them kind of
depth and blind.

Speaker 69 (03:34:11):
And since the redeprived, and since some seeds don't got
tendencies to.

Speaker 1 (03:34:15):
Be fied, they died, so why do they try?

Speaker 17 (03:34:18):
I don't even know.

Speaker 69 (03:34:19):
But when Idea grabs the hite, people like man, that
cat's a pro for real. He's been doing it, what
three years or maybe three months? And seeds try to step,
I'll be round her like a tree trunk to try
to step to Idea. I crack them like a peanut.
They couldn't even mess with me in their biggest dreams.
It's the one who just comes on their head like seamen.
They's dreaming, I'm a demon, never steaming on a mic.

(03:34:39):
I gets hot and start steaming them seeds must be
dreaming thinking they will step into the ei e when
it's the time to finish the rhyme, it's the one
watched me climb with the hill rhyme. I'm about to
shut up now and let my man juice flow it.
So check it, wrap the microphone and just show.

Speaker 1 (03:34:54):
It, show it, show it.

Speaker 70 (03:34:58):
Me play play play play you play what ball? Play
play place play Let me play one ball?

Speaker 1 (03:35:13):
Playing what ball?

Speaker 16 (03:35:18):
Play? What what?

Speaker 6 (03:35:47):
She's in the back of a cab again and she
just packed up the backs and then and then a
new town she can bust down and running around and
to leave the ex because he always about that running around.
But she's long gone of her find us just another
back tattoo, her reminder of her past and how they
try to hold her back to the pucker hometown man.
That whole scene was waxed. She's in the big city

(03:36:10):
now do a big thing. So it's a little retail
job for a big change. She got a car now
she moved around efficiently.

Speaker 4 (03:36:17):
She got a car.

Speaker 17 (03:36:17):
Now she's hit in the dispensive reeon.

Speaker 6 (03:36:19):
She made some friends in the entertainment industry where Thomas
were her there, so she gets into her tendensee post
my ride Young his call and it's been two weeks
and she's been at ball.

Speaker 1 (03:36:29):
Now got the number rupper Dyland.

Speaker 6 (03:36:32):
She called them quick transaction in the bathroom stall in
Guess's back in effect dropped in the corner. That's it
to some duffs that rescue by two dudes who was suspectful.

Speaker 16 (03:36:43):
She was so goddamn gone.

Speaker 1 (03:36:45):
She didn't up jack.

Speaker 17 (03:36:46):
They messed around.

Speaker 23 (03:36:47):
She was down for the fun in the game.

Speaker 6 (03:36:49):
That doesn't count when she can't remember none of the
next print repeat.

Speaker 1 (03:36:52):
We send a sight too, but that's her.

Speaker 6 (03:36:54):
Don't come clean in the night glow.

Speaker 1 (03:36:57):
Now everybody know that she's so whole. What do you
go with the blows not freeing?

Speaker 16 (03:37:01):
No hall?

Speaker 4 (03:37:03):
Now the city's can to the small walls pulls in air,
but she knows what the dope dog.

Speaker 6 (03:37:07):
Shebought the peel and she packed the back tway. She's
just too frill for the city of plastic.

Speaker 10 (03:37:18):
She came from the desert on a horse with no names.
Half a week winging at the baggage, claim the pain
killer that she popped.

Speaker 1 (03:37:25):
It's the plane told row, ain't w row.

Speaker 10 (03:37:29):
Little cousin picked her up in the pickup and the
minute she got in there he lit up a big
blunt and passed it to her. She made the end
glow poll puff chair, staring up the window.

Speaker 1 (03:37:39):
Parked outside a house on the south side. First couple
of weeks sleeping on the couch light.

Speaker 10 (03:37:45):
So she got a job out of department store, found
a roommate and got a swide up on twenty fourth
a penny for thoughts of a pedal course. She wanted
new friends that she hasn't met before, started hitting up
the bars just to let it pours.

Speaker 1 (03:37:58):
There's one line to coke and many more. Everybody loves her.

Speaker 16 (03:38:02):
Is she sure like I said old?

Speaker 10 (03:38:04):
Depends on who she jumped in panties for. When the
alcohol call and she does the head, they ignore it.
She says, E gives me more until she hits the floor.
Popular with the elite and the creek, and then people
who have been going to sleep.

Speaker 1 (03:38:16):
This week if they wear disguised as like artists, the
nice guy. But underneath you know there's just another white rhine.
Fucked me the breast.

Speaker 10 (03:38:23):
Fuck these junkies, Fuck this weather. It's not fucking funny,
it's strama. They just got your acting like a star.
Shut the fuck up and marks your ass back up
in that far nich West. It won't be long before
she just she don't be long. It's her against skin
tied surfing, this landslide and the felling.

Speaker 1 (03:38:41):
The Perlin is skin wide. Never run of the mill.

Speaker 10 (03:39:15):
When I shoot the pill, I'm a son of a spill.
I got boots to fill. Showed up with a douce goose,
a swim and a guard toian angel on my coop
to fill shark in the lake, heart strike the drum
mark landscaped with a dart like tongue, Spit my blood
from deepen the guts, smoking cigarette butts with my fingerless gloves.

(03:39:36):
Pull over at the welcome sign and raise the toes
to those that fell behind.

Speaker 1 (03:39:40):
And everybody else.

Speaker 10 (03:39:42):
Got a crippled spine for trying to take it back
to a simple time.

Speaker 1 (03:39:46):
Keep a little pine tree hang from my rear view.

Speaker 10 (03:39:48):
Beats turned up just enough not to hear you gonna
swim till the fins get torn.

Speaker 1 (03:39:53):
I shall return keep the engine worn.

Speaker 10 (03:39:57):
Millennium dope Doe will telephone to take you a futo.

Speaker 1 (03:40:02):
You didn't know that it'll be the logo.

Speaker 13 (03:40:04):
You don't want to play around and get a show
recline like God, don't care.

Speaker 1 (03:40:09):
The world is mine and I ain't gonna share. Everybody
plows smoke in the air. I keep my eyes on
the road, Bud. I know that you're there now.

Speaker 10 (03:40:17):
I was at the party, sleeping on the couch when
I decided to grab a bottle of something and pounce.

Speaker 1 (03:40:23):
I raud the beat by myself.

Speaker 10 (03:40:24):
Than have to navigate another fake cry for help on
the beaten path with a bandaged fist to represent the
last half of the damn. I give play me a
snow mode fly like a plump millennium. Don't do drive
with a limb win doos down heater blasting. Got my coffee,
but I need some mastering. Watch me merge in the
speeding traffic with the truck stop plastic chief sun classes,

(03:40:49):
show respect.

Speaker 1 (03:40:50):
You broke down on the side of the road. Want
to choke my neck?

Speaker 10 (03:40:53):
I got a glove box full of stolen chest and
a drink moonshine that.

Speaker 1 (03:40:57):
The chrome reflects mamonium. Do do We'll watch telephone and
take you a fun though you didn't know Better'll beat
the logo.

Speaker 16 (03:41:07):
You don't want to play around and get a show.

Speaker 1 (03:41:10):
Recline like I don't care.

Speaker 10 (03:41:12):
The world is mine and I ain't gonna share everybody plo,
smoke in the air.

Speaker 1 (03:41:17):
I keep my eyes on the road, but I know
that you're there.

Speaker 10 (03:41:20):
Flannel, look like a farmer underneath camo. Look like a
hunter with that steam mask. Look like a robber sleeping
in the barn with the doctor's daughter. Got stories the
wax for me? A class I run with the ghosts,
the warriors, fast south side, call it pop life. You
all catch frost white waiting at a stoplight. All over

(03:41:42):
the map, we get festive. It's a matter of reclass.
It's a matter of reclad class. It's a matter of
class class. It's a matter of matter. It's a had
a reclass. You could tell by my life of attractive skeptics.

Speaker 1 (03:42:04):
You just mad at my mustache.

Speaker 11 (03:42:06):
Hey girl, Well always have Memphis, Memphis right now, I
want breakfast with the pedal to the metal till we
hit West Texas across to Mexico to see my dentest.

Speaker 1 (03:42:39):
Have you heard the stories about here me yet a
long bout on me.

Speaker 10 (03:42:42):
I've heard a lot of them, and everybody got them.
I never really met her, but I know it's all true.
I never seen her rehathough, but my brother says she cool.

Speaker 1 (03:42:50):
We mus getting around through the hood with a quickness.
Everyone's a customer. Fall up in your business, the ones.

Speaker 10 (03:42:55):
In your circle that don't even know your same, ones
that circulate the stories for you.

Speaker 1 (03:43:00):
I've seen Henry Yetta sitting now by the wall. I said,
what a camel talk, talking on her sail, breaking up
me getting ready for her bront But she never felt
that he to fixing that she in the front. She
kept to herself, only had a few and so she is.

Speaker 10 (03:43:13):
People love the village, got periods, but mostly just make
up stories, some rumors, some gossiper.

Speaker 1 (03:43:18):
Henry Yetta, they in care hens in her pocket.

Speaker 17 (03:43:21):
I heard she used to kick your damn by the
river head.

Speaker 1 (03:43:23):
She used to day the old man that lived out
there in that shd.

Speaker 6 (03:43:26):
I heard he had blue had Honestly, who cares the
whole town?

Speaker 1 (03:43:29):
He's just sitting and would know what they do. That
was heard he wasn't bird.

Speaker 10 (03:43:33):
Plus he was her dad Tyler rubber tracking while her
mama was a crocodile. They used to track race down
at the stript And it shouldn't be no fucking a
crossbow with the extra.

Speaker 1 (03:43:42):
Cliff head something when they rule in New York City.
She doing on some stuff, mixing it up with some
Wrigley doing from the corm Man.

Speaker 16 (03:43:48):
Everybody it is he buff and.

Speaker 1 (03:43:50):
Flaming lips, Johnny Cash and Biggie.

Speaker 23 (03:43:55):
It died.

Speaker 1 (03:43:55):
She made dark truth.

Speaker 10 (03:43:57):
No lord, she's a hooligan amateur sex movie in fresh kicks.

Speaker 1 (03:44:01):
But the breast smell of like chicken boolly. And have
you heard stories about him yet? Alone about him me.
I've heard a lot of them, and everybody got him.

Speaker 71 (03:44:08):
I never really met him, but I know it's all too.
I've never seen a reel of him. I'm gonna see
shit cool. You know you fucked up right?

Speaker 16 (03:44:49):
Bye bye.

Speaker 10 (03:44:50):
I wish you luck with life, but I be damned different.
I let you managed to bless that blade and keep
taking the dansage. Look, man, yeah you shook my hand,
but that was back then.

Speaker 1 (03:45:00):
We're not good, Maam.

Speaker 10 (03:45:02):
I'm the fool because I started to be cool with him.
But I got schooled and the art of opportunity is
so I'm the only one that walked away. Look around
everybody going today, You all alone with your empty chest.
So bury the bones with amy regrets and keep those
sellings and is piled and stacks.

Speaker 1 (03:45:19):
Just drink your medicine. Don't fight your glass.

Speaker 10 (03:45:22):
I tried to make a difference, but the only thing
that changed was I gat you distanced.

Speaker 1 (03:45:28):
I won't trust to look in, can't bet erections and friends.

Speaker 10 (03:45:32):
This time the looser wins because I learned how to
cut off the louser east.

Speaker 1 (03:45:38):
I won't trust to look in getting better erections and friends.
This time the looser winnings because I learned how I
cut off the looser East.

Speaker 23 (03:46:03):
Yeah what us rock killed?

Speaker 8 (03:46:05):
Kid?

Speaker 32 (03:46:05):
Go kick it then to see and you're singing out
take it personal with still a flavor.

Speaker 10 (03:46:10):
Kep Rod and DJ three sixty, Big Philip flavor for
holding me down all these years?

Speaker 8 (03:46:15):
Why why?

Speaker 3 (03:46:17):
What's the nicest?

Speaker 72 (03:46:17):
For at least the last six months, single week doors
got heavy rotation from frum flexing. Didn't have to ask
like once Pennelow stuff was most croding kept the dose.
Solda for magazine critics in case their legs. Niggas ghost
rode it spit with the office. Before all this had
no escape roight from the sum so Rayman became an office.
Now I'm eating good and pushing whips problement some pushing
where bay Be said drop me. Same time the label

(03:46:38):
did album solf wasn't well, no reach croller from a foundation.
What was once mentally and financially stayed with sledge drum
sau was and alcohol plus are done Acid put every
egg into one basket. Now I'm not racing because the
imports of label ReBs couldn't gun blasted one pass it bucket,
one life, one love, one casket, one of the fitness
of office and bluet flesh on tests and left that
nigga srump on.

Speaker 1 (03:46:59):
This office staff wants to building the hand of protection.
I'm falling. You're talking request, I'm calling.

Speaker 4 (03:47:05):
I'm trying to reason with lots reasons with the sixteen sons.

Speaker 1 (03:47:10):
Good evening on Rock Long Well from Channel twelve US.
This just in up and coming raps caar Don Murda,
known for.

Speaker 50 (03:47:16):
Last year has hit ice on layaway as allegedly killed
the CEO of platinum spit rewardings after being dropped from
the label. He's reportedly holding two hostages in the moment.
The negotiations specialist just arrived on the scene.

Speaker 42 (03:47:29):
Let's see if we can.

Speaker 17 (03:47:29):
Get a word from him.

Speaker 1 (03:47:30):
How many of your dead? How many game pieces does
he have?

Speaker 13 (03:47:34):
Not?

Speaker 16 (03:47:34):
Ones? Woman? One man?

Speaker 10 (03:47:36):
Here we go again another day. It's going to defend
the police. Time to make friends with the piece? How
many guns he got? Only one spin shot? Let me
see his demands and a copy of the four last
what's the odds of suicide? Let's try to get him
on the horns and inform him of my no bet.
I'm going in saw. If he's gonna take my head off,
then he's gotta take my head off.

Speaker 1 (03:47:57):
Now what's his name?

Speaker 10 (03:47:58):
Does he have a family? What's the I crown? Because
he picked the place randomly? And get his curl on
the phone. Locay to small. We're dealing with a time bother.
I'm gonna take it through the front door. He'll come
in the eyes. See if we can make this chrome man?

Speaker 1 (03:48:15):
You trump?

Speaker 32 (03:48:17):
Are you crying?

Speaker 1 (03:48:20):
Crying cheap?

Speaker 10 (03:48:34):
I want to follow the footprints across my lover's stomach.
I want to call out a name before I plumb it.
I wish I had a path of the terrain, so
I could step around the land mines, aboard, the beasts
in so under the bed that bring them bad times.

Speaker 1 (03:48:46):
I want to find this here, so called treasure, the pleasure,
the trinkets that.

Speaker 10 (03:48:50):
Never ended, weekends acknowledging, and I'm still just the piece
of the sequence. But seeing these different footprints got me
needing to show my weakness. The timeline, the time zones,
across them with my eyes closed, memories the landmarks, and
learn the cycles, the weather patterns, how the seasons affect
the east and the west of Beach region. Learn the cycles,
forget about the fact that many trails have been tracked,

(03:49:10):
maybe get some. Plus that there's a pat If this
was some uncharted land, I'd have to be a smarter man,
willing to travel the farthest to unravel the harvest and
natural resources are unlimited. Exploration only requires some desire and initiatives,
taking time and find the right way to climb. It
ain't safe to play games with nature's mind if I

(03:49:31):
show you everything.

Speaker 14 (03:49:36):
So.

Speaker 10 (03:49:40):
I dictate Romo Stimsey's lack tic can't wait for me
to smack bricks and fuck them till my sack bricks.

Speaker 1 (03:49:46):
They stand still with a little.

Speaker 10 (03:49:47):
Bit of spindle dripping on the middle of the live
trying to light a cigare brick, and I'm gonna watch
them all choke on my bom from the port ship
of their hearten they die on it. And I promise,
if you could hide from the wants, you'd quit trying
to ride, to lie, to bide.

Speaker 1 (03:50:02):
And count some gotta die for the dumbree a lies side.

Speaker 10 (03:50:06):
Everyone can cli, most don't have wings. Keep taking the half,
wear a brick for reccaper. Get the fuck off the
mount before you lose everything. I smit shrackle, brought the
village's back and slice deep poor heels and letting the
skin on the raftl We here the scrape orf layer
up your makeup.

Speaker 1 (03:50:23):
So we can see what Evinces really made.

Speaker 12 (03:50:25):
I step off in your hula, who's ciphered when my eyes.

Speaker 1 (03:50:28):
All the flow walking tall enough to make your half
moon hole. You don't need to get to take to
the bathroom.

Speaker 56 (03:50:34):
Flow because I.

Speaker 1 (03:50:35):
Don't think your shit is slave with the rats too.
You and your little bitch buddies.

Speaker 10 (03:50:39):
Think your filmer and Louise because you've gotta turn.

Speaker 1 (03:50:41):
Machine and your throat shut us to the priest.

Speaker 72 (03:50:44):
You need to respect the fucking legend, Whinnie Prieste for
you get a case of SLOWO embedded in your knees.

Speaker 4 (03:50:50):
Shock the body, body rock, the consciousness, stagger, the imagination box,
you esophagus.

Speaker 1 (03:50:55):
The paradigm. You step past the line and I'll show
you why. The masterminds of got a fucking act to cry.

Speaker 72 (03:51:01):
We magician like David playing with tea songs, trip walking
through you and some morm its m with metal cleat
sa got the wheat smoke man, got the teats broken.

Speaker 10 (03:51:10):
Your fucking eyebrows right throw back, but your seat, won't
you gonnak?

Speaker 73 (03:51:14):
Pretty funny trying to eat going on the guy with
no fucking bud.

Speaker 74 (03:51:18):
The spirit making our music and producing it ourselves and
manufacturing ourselves, selling out all damn it's crazy. Now independent
is the way to go now, Yeah, it's.

Speaker 75 (03:51:34):
Simply canna describe a b So when I could write
a song folk, let me just ponder it thoughts to you,
my mom wanders Wait, let me correct that I could
write a books sick. Yeah, I have to get all
your turn up the volume problems.

Speaker 1 (03:51:45):
I call them nerves.

Speaker 3 (03:51:46):
I can calm them.

Speaker 29 (03:51:47):
They call me lucky.

Speaker 17 (03:51:48):
Yeah, I'm like a charmer.

Speaker 3 (03:51:49):
But every word I'm saying to you, that's my honors.

Speaker 75 (03:51:51):
Man, I put that on my mama's mama's mama's mama's,
mama's fucking my baby, mama's drama.

Speaker 3 (03:51:56):
I'm a paste man.

Speaker 75 (03:51:57):
Baby, I'm just saying we can make beast to get
up for sailing love bo, No captain, were gonna make
it happen without them restrictions. Yeah, mother's living and trussed me.
No gimmicks and no gimmicks, trust me, no gimmicks left.

Speaker 23 (03:52:08):
We call me in You you cute?

Speaker 3 (03:52:10):
Yeah, you the sue shit.

Speaker 29 (03:52:12):
Everything I'm doing with you with the truth. Every moment
living unfe that's the proof. Every moment living I like this,
so you wish for you?

Speaker 10 (03:52:19):
You?

Speaker 28 (03:52:19):
Yeah?

Speaker 16 (03:52:20):
You the truth.

Speaker 17 (03:52:20):
Yeah, Everything I'm.

Speaker 1 (03:52:21):
Doing with you with the truth.

Speaker 29 (03:52:23):
Every woman living out life, that's the truth. Every moment
living a life keeping true true.

Speaker 3 (03:52:28):
Let's take it back to when I found you. I
was helling with it is you was helding down too.

Speaker 1 (03:52:33):
I spined you when the crowd throw a whole bunch
of waner beats, prouding all around you all, y'all gotta
be And then I got your retention and I broke
the tension.

Speaker 31 (03:52:40):
It hasn't been the same sense then See then I
forget the ben cheer.

Speaker 1 (03:52:43):
Me and you together like Ashburn and.

Speaker 60 (03:52:45):
Simps inside and what I wouldn't do for two four
seventy three sixty five rule girl.

Speaker 16 (03:52:51):
It really just the cool girl me and.

Speaker 1 (03:52:53):
You will gets the world headed to the future.

Speaker 16 (03:52:55):
Mother'st that I know.

Speaker 1 (03:52:56):
I'm allowed to have a little unmanageable in times.

Speaker 23 (03:52:58):
I'm an animal, but I'm a out of Michael Ashelo.

Speaker 1 (03:53:01):
If you're my last judgment, I need some time on you.

Speaker 9 (03:53:04):
You cute?

Speaker 16 (03:53:05):
Yeah, you the sure shit.

Speaker 29 (03:53:06):
Everything I'm going with you with the truth, evan gonna living,
I like that's the proof.

Speaker 16 (03:53:10):
Every moment living, I like this so true.

Speaker 5 (03:53:12):
Wish for you you get you the truth.

Speaker 29 (03:53:15):
Yet everything I'm doing with you with the truth, every
moment living, I likee that's the truth.

Speaker 3 (03:53:20):
Every moment living, I like keeping truth.

Speaker 1 (03:53:22):
Shall I die? I'm by your side, attestament to the
light you shine.

Speaker 10 (03:53:26):
If I needed any more excitement, I'd have to grow
some wings, start fighting crime.

Speaker 1 (03:53:31):
This life of mine.

Speaker 10 (03:53:32):
See many miles of babb and flowing nights alone. Ain't
my gun at the pretty smiles, then run away so
if I could find my home. I was sitting on
the front steps wonder wing if death gonna come. Yet
That's when you cut through the mess, improve my view
and gave my.

Speaker 1 (03:53:48):
Blood breath the negative God swept away.

Speaker 10 (03:53:51):
Remember it like yesterday you change your weight September taste,
and now I want to live forever.

Speaker 5 (03:53:57):
Thanks.

Speaker 16 (03:53:58):
It's for you, you qute kid.

Speaker 5 (03:53:59):
At you.

Speaker 29 (03:54:00):
Everything I'm going with shoe waste the true, yet living
on the proof every moment like this shoe whist for
you you sue.

Speaker 5 (03:54:09):
Yeah.

Speaker 29 (03:54:09):
Everything I'm doing with shoe waste the true, Yet every
moment I'm sat the proof, every moment living I'm like
cheap and shoe.

Speaker 16 (03:54:16):
Sure, thank you.

Speaker 73 (03:54:17):
I'm a modern man and the millennium, digital and smoke free,
a diversified, multicultural postmodern deconstruction is politically I amatomically and
ecologically incorrect. I'm an uplngked and downloaded. I'm an input
in and outsourced. I know the upside of downsizing, another
downside of upgrading. I'm a high tech low life, a
cutting edge date of the art bi coastal multitasker, and

(03:54:38):
I can give you a gigabyte in a nanosecond. I'm
a new wave, but I'm old school and my inner
child is outward bound. I'm a hot wired he's seeking
warm hearted, cool customer, voice activated and biodegradable. I interface
on a database. A database is in cyberspace, so I'm interactive.
I'm hyperactive, and from time to time I'm radioactive.

Speaker 10 (03:55:04):
This is an ode to the modern man. It's the
OH to the modern man. This is the oh to
the modern man. Word up, this is the modern man.
This is that oh to the modern man. This goes
out to that modern man. This is the O to
the modern man. It's to the modern man, like the

(03:55:26):
word to me. I'm saving too easy on self, and
maybe I should keep a closes tab on my help.

Speaker 1 (03:55:32):
I suppose that is simple as that that completed.

Speaker 10 (03:55:35):
I thought me to attack, but in fact again retreated,
completed this word search, trumbled it up in the gate.

Speaker 1 (03:55:40):
My hunger for my plu collar heave and keeps me sedated.

Speaker 10 (03:55:43):
Escaped it last night in the dream, and now I
sleep with the flashlightning.

Speaker 1 (03:55:48):
It seems to keep the night man. Demons and seeming
lace portions tebal lell.

Speaker 10 (03:55:52):
And apart like Stephen's Avenue in Portland, a month traveled
one way or we're slow residential and if the camels
don't stop me, I'm an rope with my so once
I climb.

Speaker 1 (03:56:01):
The sculls up this mc graveyard, I'll see the sun again.
I'm jump and run again.

Speaker 10 (03:56:06):
So come on over, basic, because I got a lot
to shake and shall stress. I ain't mad because I
got my weave. But my man's born and seeing now,
so I'm gonna make it freak finish, shut my coffee together,
but my shit in me. If I got an army
of piers, we might single hand and I won't damn
it to bring until I on this.

Speaker 2 (03:56:22):
Stale half only one chance to advance the next stage
I'm at. Do you really think you actually will pass through?
I have to ask you, did you see what happened
to the last dude? Try to compare styles word he
got his ass to now with this is mine? Do
you still want to bring your shit and find out
the hard way? Slaunch out the one to play for
trade blades with. You might as well sit your own

(03:56:42):
wrist with the brazer. It's best because I'm Blazinger blazes
in your on my own amusement, and two with your
body when I split your whole fixture.

Speaker 1 (03:56:50):
This is what happens when you're on my shit listen
brains to give up blister.

Speaker 2 (03:56:54):
So next time you call me ser vista, it's the
word twist that shall used to make the bird sit.

Speaker 3 (03:57:00):
Now you get the fucking ticks with it.

Speaker 16 (03:57:02):
You gotta save.

Speaker 2 (03:57:03):
Yeah, you better call them because my behavior blose kids
away like a tall wind.

Speaker 3 (03:57:07):
I said you all in between my jobs.

Speaker 2 (03:57:09):
For consumption, m seasoned coffee at my lunch, one of
two lumps and some beans on the team for the Gatherine,
bring Mike's and turntables.

Speaker 3 (03:57:17):
Let's do I can't.

Speaker 1 (03:57:33):
It's another DJ sixty sees shutting down, stepping in the morning.

Speaker 10 (03:57:41):
Police sat my door, but I spent last night on
someone else's floor out.

Speaker 1 (03:57:45):
The back window. Didn't know where I was. I was
still kind of buzzed with a head full.

Speaker 4 (03:57:49):
Of trucks looking at my next and it's about that
time to go whatsap the world from the Daily Crime.
Speaking of Winch, I gotta hit the old seat for
a quick.

Speaker 1 (03:57:58):
Session with my skate parko. He's oh please, this is
still Man City.

Speaker 6 (03:58:02):
Wanna check my street, Queen gowear head, come kick me
on the blackmo pants or the threads, and your nigis
in the foak, cold red on their hands.

Speaker 1 (03:58:09):
So simply so the scribble.

Speaker 4 (03:58:11):
Show plad had the fans go get me still cat head.

Speaker 1 (03:58:14):
Your thorough bread, no niggies, Oh really, I'm a pail.

Speaker 4 (03:58:17):
On your Philly took pictures of a crack like that
failed out.

Speaker 1 (03:58:20):
Billy had to kick out my nail because she smells
like Billy smoking blood. If the breast Tho Steale couldn't.

Speaker 4 (03:58:25):
Killed me, silly quick quitting when I split the shit
putting up me said, getting on me, shits amazing.

Speaker 1 (03:58:31):
I want to walking different shit I'm into.

Speaker 4 (03:58:33):
I try to stay focused on can't legal dier, Gotta
stay on the grounds and to let just get side.
You gotta split that dough between eight seven sixty five
three ain't two many one?

Speaker 10 (03:58:43):
And when I'm on the mic, the women come down
at ursing you on nck and I got more rips
in California, got.

Speaker 1 (03:58:50):
Cops nine in the morning, police at my door. Wonder
what the fuck they want to talk to me for.
She says she wanted money for some fun racist shit.
I slammed the door wear in her face and.

Speaker 10 (03:58:59):
Said, fuck you bitch, looking at my niece, and it's
about that time for me to light another cigarette and
set on my mind foot sofa. I've been waiting for
the tukover. Probably won't be getting naked if she looks sober.
I'm a plamate with him, like misteak. He's raising the curtain,
making temporary's high rate. Still obsessed with your breasts and
your fish neck, beating on my thin chest, screaming now

(03:59:20):
bent West. My nature is to make your a believer
on your stay with your receiver or you're barely legal
free busting over my head. She's making fly candy. Now withdays,
cat's be getting paid and laid the buffer my age.

Speaker 1 (03:59:31):
Wait a minute, take a number.

Speaker 10 (03:59:33):
Made the visit to your village with this fresh page biscuit,
and it stayed consistent.

Speaker 1 (03:59:37):
Taking in the head, Satan.

Speaker 10 (03:59:38):
It's difficult when half of them trimming over how they
missed the bus. The key is controlled, but your flowers
can try it. Keep it in my soul, take it twitch.
When I die, I'm up that mic in and make
Keaven get live. Turn the group into an angel. When
she ate seven sixty five four red three.

Speaker 4 (03:59:52):
Year two with one and when I'm on the mic
or your home.

Speaker 1 (03:59:55):
Girls come down with that inteen slug and you're not.
And I got more.

Speaker 10 (04:00:00):
I was the rappers for got shot, got shot, got shot.

Speaker 66 (04:00:02):
And shut shot, shut shop, shut shop s shut shuck shop,
shut shot.

Speaker 1 (04:00:12):
Check out, check out, check out, checked out.

Speaker 6 (04:00:16):
The smoky Yesterday went out Weday went out with we
don't Sweky Yesterday They yesterday when out was walking out,
I was walking out.

Speaker 5 (04:00:23):
Was walking out?

Speaker 25 (04:00:32):
You ved at your destination?

Speaker 1 (04:00:35):
Come up? Yeah, I saw the sign in the window
for the job.

Speaker 16 (04:00:50):
Yeah.

Speaker 1 (04:00:50):
I got a high school education. And that's all. This
goes out to all my friends. What you're gonna be

(04:01:12):
when you grow up. I'm all grown up.

Speaker 10 (04:01:14):
Still don't know what I'm my throw up a rockette truck,
long as it means that.

Speaker 1 (04:01:19):
I'm kid old and post up.

Speaker 10 (04:01:21):
I used to be a typical winner, living off the
gratuity from delivering your dinner because as a kid, I
didn't consider that.

Speaker 1 (04:01:28):
I would get the opportunity to be a full time spitter.

Speaker 10 (04:01:32):
I love this occupation. I got posses across the nation.
Validation is an understatement, and I don't really know how
to take a vacation. My kind don't have any free time.
I'm so distracted, but everything's fine. I speak shine and
I read signs. Appreciate your opinion, but this dream's fine.

Speaker 1 (04:01:53):
It's all love. We're cool. But you don't tell a
cowboy what to do.

Speaker 10 (04:01:57):
I was the ugly kid that didn't listen, little big man,
full of ambition based on imagination, just like you, ay,
dreaming thinking about the things I might do. I used
to paint, draw, and illustrate. Mom would facilitate and it
would feel lokay. It seems like yesterday still plays a
part when I grow up. I wanted a job making

(04:02:17):
n art picture that how many years old, young enough
to mix up love with career goals.

Speaker 1 (04:02:23):
But I was just this tall when they told me
that the world was mine. But the papers weren't signed.
There's no deed. It's a pro seed to go seed
up the whole piece like it owes me. Groceries. Don't
breathe until.

Speaker 23 (04:02:35):
You formally know me.

Speaker 10 (04:02:36):
Don't leave metical authorities. It's all love with cook But
you don't tell an astra not what to do. The
turntable stole my heart. Burned the paint brush, broke it apart.

Speaker 16 (04:03:07):
I miss it.

Speaker 1 (04:03:08):
I might revisit, but I wasn't that good. I admit it.

Speaker 10 (04:03:11):
Maybe you can't tell, but as a kid, I wanted
to be Emilie mel. Later as a teenager, if I
wanted to be LLL. Then I discovered me and I
wanted to be tell I. Thank god, eventually I found myself.
It's the funny one. I bump into thols I used
to go to school with, and they asked what I'm doing.
Half of the time, I want to crack a lie,
But fuck it, I'm still gonna be rapper guy.

Speaker 1 (04:03:33):
Yeah, I can'st that. It seems that way.

Speaker 10 (04:03:35):
I get to see the world and it's decent pay
as long as somebody want to see us play.

Speaker 1 (04:03:40):
I wake up every morning and I seize the day.
It's all love.

Speaker 61 (04:03:44):
We're cool.

Speaker 1 (04:03:45):
But you don't tell the president what's to.

Speaker 26 (04:03:48):
A new world order and emerge a new era, freer
from the threat of terror, stronger.

Speaker 16 (04:03:58):
Like that Shaw.

Speaker 1 (04:03:59):
It's like fish y'all. I don't get to call in
sick y'all.

Speaker 10 (04:04:28):
He started running down the middle of the street their feet,
looking like he needs a little to eat for a daylight.
School kids are laughing at him. It doesn't matter. He's
battling the traffic jam attack man, trying to come up
a court court joystick to score in the corner, running
from the ghost.

Speaker 23 (04:04:44):
And you get that pill.

Speaker 1 (04:04:46):
Gotta hit the wall when you want to stand still.
He used to sell crack years back. I remember it
was him and his weird fact cousin.

Speaker 10 (04:04:55):
The last ones that you would have guessed at it
soundtrack was black Planet is sex Pack a long time ago.
We're in a hood that is still relatively close as
the crow flies, no time to grieve or plead, trying
to find a way.

Speaker 1 (04:05:08):
To fulfill those needs.

Speaker 52 (04:05:10):
Such temptation, what's the basis? Cut throat pages to up
the raising stock in a phase of Musket paid here?
Plood Rush raised up to the major Such temptation?

Speaker 1 (04:05:22):
What's the basis?

Speaker 10 (04:05:23):
Cut throat pages to up the raising stock in a
phase of Muskit paid here, blood Rush raised up to
the majors.

Speaker 1 (04:05:32):
I was living at my dad's cript, still a kid
with my best friend.

Speaker 48 (04:05:35):
Began the tript so I guess I was a lame
because I wasn't with the game of the cook.

Speaker 23 (04:05:43):
I don't thinking Donna be plowing.

Speaker 1 (04:05:44):
It's a common excuse for those that's so dope. If
your mama hit now, I know she'd throw close. Y'all
moved here from Chicago to grow.

Speaker 10 (04:05:53):
You got a jewel up the side of your coat,
and you got no clue why you decided to smoke.
I never read a second out of the bloke. I
would see him around, but never try to provoke. Well,
here we are, two decades later. I'm curious to see
what the kingpins stays made of. You never got to
be scarfaced, scarface far between a rock and a hard place.

(04:06:15):
Maybe he got something to say to me. I have
to patiently wait and see something. That Heaven has a
vacancy for dope things, because I know we never made
it to the major leagues.

Speaker 1 (04:06:25):
Such teach, what's the basis?

Speaker 10 (04:06:27):
Cut throat pages to the RASI stuck in a base
of muskit eat here?

Speaker 52 (04:06:33):
Blood rush raised up to the major Such Tempeche, what's
the basis?

Speaker 1 (04:06:38):
Cut throat pages to the ras? Or stuck in the
base of musket eat here? Blood rush raised up to
the major.

Speaker 73 (04:06:46):
Sage dope, Hey boy, jams, ladoca doc, you're straight talking.

Speaker 22 (04:06:56):
That's right here for today.

Speaker 19 (04:06:57):
You guys.

Speaker 1 (04:06:58):
I know what you guys are thinking.

Speaker 10 (04:07:00):
Hey, on this crack of the key is walking up
in here, and this honky motherfucker, they'll be thinking that
kind of stuff, guys, They'll be racist.

Speaker 76 (04:07:08):
Is this cracker ass, honky motherfucker from this day forward
is now the face of you? Guys, I'm chosen to
battle on your behalf with the celebrity charity Dragon Boat Race.
There's gonna be other causes that, frankly, are way more
interesting than you, guys.

Speaker 1 (04:07:25):
It was like lives disease, crub pallets, war torn countries.

Speaker 28 (04:07:29):
Rainforests, breast cancer, machines.

Speaker 77 (04:07:32):
But don't let that scare you, because I'm gonna make
a promise to each and every one of you that when.

Speaker 22 (04:07:36):
I go out there, I will win.

Speaker 9 (04:07:39):
Believe that.

Speaker 77 (04:07:40):
See when I got this, Okay, I'm here to a
manage the atrocities of my ancestors.

Speaker 76 (04:07:44):
You think I'm proud to come from a fucking powdered wig,
wooden teeth motherfucker.

Speaker 1 (04:07:48):
But George Washington didn't do shit. He could suck my
fucking dick. I fucking hate that bag it that street
talk y'all.

Speaker 77 (04:07:55):
Hope y'all can get where're coming from We're keeping this real.
So look, I'm looking around this fucking baseball park.

Speaker 22 (04:08:00):
And it sucks.

Speaker 19 (04:08:01):
I get it.

Speaker 22 (04:08:01):
Man.

Speaker 77 (04:08:02):
There's a goddamn swamp in the outfield. There's a used
tampon stuck to second base. But now that I'm your leader,
all that shit's about to change. I'll crush those other
charities of the dragon boat race. And when I do,
I will bring back that scrilla, that cash money, and
I'll spend it here. We'll get a goddamn brand new couch.
We're gonna change your lives, and I have a feeling
that right now the change has begun.

Speaker 1 (04:08:25):
Get ready for victory.

Speaker 16 (04:08:27):
You're with a champion.

Speaker 42 (04:08:28):
Now.

Speaker 10 (04:08:40):
I thought I saw you yesterday, but I didn't stop
because you was walking the opposite way.

Speaker 1 (04:08:45):
I guess I could have shouted out your name. But
even if it was you, I don't know what I
was saying.

Speaker 10 (04:08:50):
But you could say a reminisce about the old school,
maybe sham a cigarette because we both fools, chop it
up and compare prospectives life, love and stress. And yes,
you could tell me how hard you had it, and
you can show me all the scars to back here,
and we can analyze each complaint, break it down, and
explain these mistakes I make. I like to tangle up

(04:09:12):
the strings of the puppetry. But you knew me back
when I was at younger than me. You've seen seaning
all types of life.

Speaker 13 (04:09:18):
Man.

Speaker 1 (04:09:18):
I've been meaning to ask you what I'm doing all right? Yesterday?
Was that you looked just like you? Strange things my
imagination might do. Take a breath, reflect on what we
been through? Or am I just going crazy because I
miss yes? That you look just like you?

Speaker 10 (04:09:34):
Strange things my imagination might do. Take a breath, reflect
on what we've been through? Or am I just going
crazy because I miss you? I'm sure I know I
pushed when I should a pull, took it all back.
If I could, I put that on my soap and
I would make a tip notch. Good listener, if you
could block off a little time, I give it here,
since we win it our separate paths up here A

(04:09:55):
couple of snacks that remind me of the past.

Speaker 1 (04:09:58):
I can't front.

Speaker 10 (04:09:59):
I'm having a last damn defying, afraid of how long
it's gonna last. Second here, wishing we could kick it.
Give me your opinions. I do miss the criticisms. I
didn't mean to be distant, make a visit.

Speaker 1 (04:10:11):
I wake up and keep the coffee brewing.

Speaker 10 (04:10:12):
In the kitchen. But who in my joking with? There's
no way that you and I will ever get to
reopen it. It doesn't matter.

Speaker 17 (04:10:20):
This is more than love.

Speaker 1 (04:10:21):
And maybe if a blucky get to see you out
the corner of yesterday. What's that you look just like you?

Speaker 10 (04:10:27):
crazy because I miss Yess.

Speaker 1 (04:10:35):
That you look just like you?

Speaker 10 (04:10:37):
crazy because I miss you? And when you left I
didn't see it coming. I guess I slept. It ain't
like you was running. You crept out the front door slow,
and I was so self absorbed I didn't even know.

Speaker 1 (04:10:55):
And by the time I looked up, it was booked up.

Speaker 10 (04:10:58):
Put it all behind you, with the bad end good stuff,
a whole house full of dreams and steps. I think
you'd be impressed with the pieces I kept. You disappeared,
but the history.

Speaker 16 (04:11:07):
Is still here.

Speaker 10 (04:11:08):
That's why I try not to cry over still fear.
I can't even get mad that you're gone leave him.
He was probably the best thing you ever taught me.
I'm sorry, It's official. I was a fistful I didn't
keep it simple. Chip on the shoulder anger in my
veins has so much hatred now it brings me Shane.
Never thought about the world without you, and I promised

(04:11:29):
that I don't never sing another bad word about you.
I thought I saw you yesterday, but I know it
wasn't you because you passed away.

Speaker 1 (04:11:36):
Dad, look just like you.

Speaker 10 (04:11:40):
on what we've been through. Or am I just going
crazy because I miss you?

Speaker 42 (04:11:51):
Oh?

Speaker 1 (04:11:51):
My trouble seems so far.

Speaker 56 (04:11:57):
Died, looks as though they stayvy.

Speaker 1 (04:12:05):
In yesterday.

Speaker 37 (04:12:15):
A dub We're bad, you are knighted, We're bayd hey
Ron episode nineteen, Where are you?

Speaker 19 (04:12:22):
Usual?

Speaker 22 (04:12:22):
Edition?

Speaker 1 (04:12:23):
Special? Should it's special? To get the atmosphere? Man, this
is making me want to sing?

Speaker 22 (04:12:30):
Can we sing?

Speaker 19 (04:12:30):
Kevlar Let's sing?

Speaker 12 (04:12:32):
Oh?

Speaker 2 (04:12:32):
That says poly clouding with the chest shows but the
rain ain't coming from Wow.

Speaker 37 (04:12:40):
You've been listening to a fantastic interview with Slug from
atmosphere and look, this is a.

Speaker 1 (04:12:44):
Good dude man.

Speaker 37 (04:12:45):
I mean I've known this guy since like nineteen ninety eight.
I remember doing a show that my partner JB put
together at the Why Not Too with these guys, and
they weren't, you know, at the level that they are today.
But I'm talking. It was a pub in Milwaukee. They
brought the whole rhyme, Saarer screw to like fifteen people.
They had breakers that Moussab was in the house. Idea

(04:13:07):
was like sixteen. Everybody was on stage and they turned
the shit out there. This place could maybe hold like,
I don't know, one hundred and fifty people. There's like
four hundred people there. It was great and we had
we had some great studio time with them too, back
in the day, some good memories. Just good to hear
his voice again.

Speaker 17 (04:13:23):
The idea is birfy today, so rusting piece the idea.
That's right.

Speaker 1 (04:13:27):
How have we not mentioned that yet?

Speaker 9 (04:13:29):
Wow?

Speaker 17 (04:13:29):
Because we did this interview a few weeks ago.

Speaker 14 (04:13:31):
Wow.

Speaker 22 (04:13:32):
Yeah, Well there's that rest in peace idea.

Speaker 20 (04:13:34):
We just let the cat out the bag. So big
shout out to Slug, Thank you for giving us your time.
Shout out to all the rhyme sayers, Brother Ali and everybody.
Jay Bird that the you know was doing their thing soundset.
I mean, one day we should just all go to soundset.

Speaker 1 (04:13:51):
Bird is the man behind soundset, making things happen.

Speaker 37 (04:13:53):
And Bird used to be a record promoter back in
the days in Chicago, him and Jello and they used
to come up and see us all the time and
mannish and all that kind of stuff. Bird has been
doing this forever. Props to Bird, Pops.

Speaker 20 (04:14:07):
So thank you for tuning in, Thanks for all the
rhymesaier listeners out there. Hopefully we retain you guys and
you check out some future shows and some of our
older shows.

Speaker 17 (04:14:16):
Hopefully you they like what you hear. And thanks to
the guys here and we out keV.

Speaker 19 (04:14:23):
Yes yes as always.

Speaker 18 (04:14:24):
Got to thank DJ three sixty A, Dub Philip Flavor,
Roger in the house. What else g Man, Johnny Wade,
Johnny Loss to my left, fucking I flipped up you
in Wade's name and shit all right anyhow, Yeah, because
we're so swollow.

Speaker 22 (04:14:40):
It's like a It's like the people in Hollywood they
kind of combined.

Speaker 18 (04:14:43):
The yeah, like fucking jylaw Neil Patrick Harris, motherfuckers anyhow,
listen slug out, slug and rhyme.

Speaker 19 (04:14:55):
Sayer is a whole click.

Speaker 18 (04:14:56):
Thank you very much, Brother Ali, always putting out solid material.
Everything you guys are doing, I'm always a big fan
of and I'm grateful that you spent some time and
shared some of your thoughts and things of that nature
with our show.

Speaker 19 (04:15:08):
For that interview.

Speaker 37 (04:15:09):
Next episode, you and brother a Lee singing a duet.

Speaker 15 (04:15:13):
I can't mem.

Speaker 17 (04:15:16):
Were just singing.

Speaker 42 (04:15:17):
A dude.

Speaker 19 (04:15:19):
Is not swim anyhow, and that crew is gonna be
called is going.

Speaker 3 (04:15:26):
We're probably strapped the whole thing on the Lord.

Speaker 19 (04:15:28):
All right, motherfucker shuit up. But I want to wrap
it up, bitch, take us it.

Speaker 18 (04:15:31):
I want to thank everybody out there who fucking listens
to our show.

Speaker 19 (04:15:34):
I love all you. Motherfucker's Episode twenty.

Speaker 18 (04:15:36):
We're gonna bang your fucking balls with a spike bat
like wu tank clam motherfucker twenty four years ago today.

Speaker 19 (04:15:42):
Bitch Peace.

Speaker 21 (04:15:45):
Episode nineteen. I hope you guys enjoyed this. We are
rounding out going into our year anniversary show twenty. We
are doing lots of giveaways. As you heard on the
last show. Fan stereo headphones. This is a big deal.

Speaker 22 (04:15:58):
Guys. Please make sure that you guys share the show.
Get the word out.

Speaker 21 (04:16:05):
We're gonna have one hell of a show, a lot
of guests calling in you just wait. You guys will
be pleasantly surprised on episode twenty. Have a good night peace,
Gea

All Episodes

Episode Transcript

Popular Podcasts

On Purpose with Jay Shetty

24/7 News: The Latest

Crime Junkie

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Take It Personal Flashback (Atmosphere Tribute)

Episode Transcript

Popular Podcasts

.css-r6mb8g{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:1;overflow:hidden;}On Purpose with Jay Shetty

24/7 News: The Latest

Crime Junkie

All Episodes

Take It Personal Flashback (Atmosphere Tribute)

On Purpose with Jay Shetty