Take It Personal Flashback (KRS-One Tribute) with KRS-One

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Hold hold up before we get started and started.

Speaker 2 (00:05):
And get done.

Speaker 3 (00:05):
Yo. Check it out, y'all.

Speaker 4 (00:07):
This is chuck.

Speaker 5 (00:08):
This is a flavor play Boy, and you take.

Speaker 6 (00:12):
It personal, show pop the way it shouldn't be should be?

Speaker 1 (00:18):
Yo, what's up?

Speaker 7 (00:18):
This is school Keith ak a doctor doctor gun and
you're checking out taking personal with my Jake.

Speaker 1 (00:23):
Three sixty three six full cipher for that app.

Speaker 8 (00:28):
That right now.

Speaker 2 (00:28):
I'm cool buttle man Kevin and my man.

Speaker 9 (00:33):
I'm my many.

Speaker 2 (00:38):
Little play k jack faces glows and glows.

Speaker 10 (00:43):
Yo.

Speaker 2 (00:43):
What's up?

Speaker 11 (00:43):
This is be real when you're blazing out to taking
purse taken person.

Speaker 12 (00:47):
Taking personal, Yeah, chilling with my people.

Speaker 2 (00:49):
It's still a flavor flaw d J three sixty take
it person, take it personal, and ye whole shoot Yo?

Speaker 13 (00:57):
What's come to the flood gap is home in Psycho
blast world famous beef nuts?

Speaker 2 (01:03):
Yo? What's up?

Speaker 1 (01:03):
Is a beach from the rest of the development.

Speaker 2 (01:05):
Right now you're rocking with break at Personal?

Speaker 14 (01:07):
What up?

Speaker 2 (01:08):
What up is the dj Skis he cool? Love?

Speaker 15 (01:13):
Check it in the break that personal?

Speaker 2 (01:15):
Yo? What's good? This is Apple the app good? It's
a man original thirty chain dray with them to let
you know you need to perfect personal.

Speaker 15 (01:22):
They're playing nothing but that authentic classical boom bab ship.

Speaker 16 (01:26):
Check them out, check them out, check them out.

Speaker 17 (01:29):
Rappers Jai Wrap, rapped out, rap raps already rap rappers
are jan dast.

Speaker 2 (01:43):
To the world, says once I know where you go
to detail blast master Chris, I don't talk yours and
dismiss huish, snick you this or you to christ common structure.

Speaker 1 (01:59):
I am the nucleus that is the center of the group.

Speaker 2 (02:02):
Weeds, they fared you, every swatery Watson, every group senttal
blocks because looks were true. Wrapper jumps off the cash
is into daic but a mental distract you. Of course,
the stuff that I am kicking is like chicken. It
will be bitten, rewritten, then perform for a twenty five
dollars admission.

Speaker 1 (02:19):
Reviewed in the sauce.

Speaker 2 (02:20):
You will look at the barn. Something missing. Of course,
it's gills, That's what you're fishing for. It's looks. I'm
sting too explicit attract jingles. I will do a WAT
album of the remix it for my single kicking Raps
till a Wrinkle and my brown Eyes Poinkle God caught
hip hop for not Sink rappers adage rap rap rap rap, dane.

Speaker 1 (02:48):
Rap, indame, tasty.

Speaker 2 (02:51):
Like the superplate French croissant on Tuesday.

Speaker 1 (02:54):
Wrappers be foodstack, good baby, how they croup.

Speaker 2 (02:57):
Steady and whatever you say? The moon steak go, we
know the speed low your hotelentice back. It makes me
want to shoot a fruit from found from the dietico.
No get go, my float hits all the salt ship
code that's for my ship. Go what BBB buck escape?
I thank you self?

Speaker 1 (03:15):
Who's everyone else? And the bank?

Speaker 2 (03:18):
I'm just wait to bring the shati to the party.
Couple dollars of self. You sued the mind, you sured
the pond. The rappers like to come to the party,
hoping you'll leave with somebody.

Speaker 4 (03:26):
Check.

Speaker 2 (03:27):
I'm coming with the skills and now leave what your
mother fucking respect? Yeah so check. Rappers are in danger.

Speaker 18 (03:37):
Rap rap.

Speaker 2 (03:40):
Rap Raps are in danger.

Speaker 19 (03:43):
Rap rap rap.

Speaker 2 (03:46):
Rap rappers are in dame danger.

Speaker 17 (03:49):
Rap rappers are in danger.

Speaker 4 (03:53):
In day.

Speaker 2 (03:56):
Takes a verbal hip hop by break when you know
you can sing boor you know you could see I
shall not cut her up the hairwalls? What's not to
useless backs? He's trying to be Max but that's like
ignorant blocks. I've slept your back. As it cracks, you
will experience. Look, so what to battles, stop to ballance
crop ontil we bucked in aloud all of you and
chowers hide behind the mask an see I remember thinking

(04:19):
back to eighth break no video. Know you had to
be a real bob and see now you're young and
grow a pocket and the new chop your hunt production.
Let me tell you of s N E MC come
battle for Gladen, but the kitten don't problem to wake
up your people from another spot. Quit you never saw
one because when it comes to lips, I'm in a
simple cattle cork, cattle, corn, cattle.

Speaker 17 (04:41):
Rappers are in danger. Rap Rappers are in Gaya. Rappers
are drawn. Rap rappers are in Gaya.

Speaker 2 (05:01):
In danger.

Speaker 11 (05:09):
Take it Personal Show, Episode twenty five. We have hit
the quarter century mark. This is the silver Anniversary show.
But we have a golden MC that we're gonna tribute tonight,
the Blastmaster KRS one. Not only are we gonna celebrate
this man's catalog, but he also stopped by for an interview.
It's an insane privileged to have had the opportunity to

(05:30):
speak with him like that, and then the next night
see him on stage live down in Fort Lauderdale at
cash Only. So it was a hell of a forty
eight hours, something I'll remember forever and just blessed to
be a part of.

Speaker 20 (05:43):
First of all, the actual interview was one of in
a million.

Speaker 14 (05:47):
It's something that we could have never asked for but
actually received fell in our lap. This guy was completely gracious, unbelievable,
answered every question, not only that, shouted us out on stage.

Speaker 20 (06:00):
That's the way an interview should always be. Love this man.

Speaker 21 (06:03):
The interview was so unexpected, Like Drey said, he had
just got done interviewing Pete Rock and it fell on
our laps. We had to take the opportunity, sees the moment,
we weren't prepped for it, but we think we put
together a pretty dope interview. And like Kevin and Dre said,
he couldn't have been more gracious and likable and humble

(06:23):
and is real really cool. So I hope you guys,
you know, despite what some shit that have happened or
said over the years, especially with Ben Boda, I know
a lot of us, especially us here you know, looked
at him a little different. But if anything. This interview
reminds you of the guy he is, and hopefully you'll

(06:44):
agree that he's just a really all around great person.

Speaker 20 (06:47):
And he loves fucking hip hop. It is his life.

Speaker 14 (06:51):
It is what he's all about in every essence of
the words that he speaks, which sounds like a damn sample,
every damn thing he says. But everything that comes out
of this man's mouth is one hip hop, all elements, everything,
and I love that about him.

Speaker 11 (07:06):
Hey, guys, let's just quickly take a look at where
we're at. Twenty fifth episode, silver anniversary. Let's shake each
other's cocks right now, good shops.

Speaker 21 (07:18):
Twenty five episodes deep, and we've done a lot. We've
done the WU tribute, We've done a Pete Rock tribute,
We've done DVA premiere tribute, We've done a whole shit
on the indie Ruckeus era tribute, we did Philly tribute.
A lot of tributes, So stay tuned, keep it locked.
This is the krus One Boogie Down Productions Tribute. Take
a Personal Radio dot Com brand new website. Big ups

(07:39):
the cap for treading that butte it is abute and
shoutouts to Adam Kissinger for all the all rookie keeps
our shit looking flossy.

Speaker 8 (07:47):
Yes, yes, so now let's get fresh for twenty eighteen.

Speaker 2 (07:52):
Uckers, Lockers, lockers.

Speaker 6 (08:00):
Yo to charrest One, you're checking out to take your
personal radio show.

Speaker 2 (08:04):
Yill been no minded, You've been blinded looking for a
sty like mine. You can't find it. They are the audience.
I am the lyricists. Sometimes the sucking's on the side.
Got they he have this ca arranged and I'm not
in a cage, so it's a bird to fly. F
staate ain't here for just to say O the songs something.

Speaker 1 (08:23):
Gone because all of out nothing.

Speaker 2 (08:26):
However, I'm really fascinating to the letter. My alarum Thomas
gets better and better.

Speaker 1 (08:31):
My English Grandma comes down like a hammer.

Speaker 2 (08:34):
You need to stop. I need to put your bottles.
Dagn famous. You're kissing other people's all. Write and produce
myself just as fast. Keep my hair like gotten accomplishitary curls,
attracting only women, gotten accomplished new girls because girls look
so good, but their brain is not ready. I don't know.

Speaker 1 (08:52):
I'd rather talk to a warm because I.

Speaker 2 (08:54):
Mind it is so steady. So here we go.

Speaker 1 (08:57):
I'm not a music, doing many.

Speaker 2 (08:58):
A point for now. They whistled, what was upstating the attic.
I've listened to these scies back when I was a kid,
but a bus more shots than they ever did. I mean,
this is not the best of kr Esse, It's just
a section. But how many times must I point you
in the right direction? You need protection when I'm on
a mic because my mouth was like a nonne Melar
video with You're a king, I say you're I'm a solar.

(09:21):
If this was a class will it would go right
from the drama to kings, loose crowns, the teachers saying
intelligent talking.

Speaker 1 (09:27):
Big woods, and the mics still a relovant.

Speaker 2 (09:29):
It's only when you're not in college material we can
have mornity, you're lucky, charms, cereals. That's a college, a
great class specic krs, writes poet Tree. I will go
deeper in the subject because they get see boring. It's
a shame to know. Some esses on the micro brought
say and stop like this, just take a dish.

Speaker 4 (09:47):
But the students I from.

Speaker 2 (09:49):
You said sh rapping on the like this to me
get fine, because if I really want to bottle, I
will pull out an you can see this scot the
rock and I are mentally finded and of the world
of folk.

Speaker 20 (10:17):
So you're a philosopher, yeah, yeh yeh, yeh yeh.

Speaker 22 (10:30):
I think very deeply.

Speaker 2 (10:32):

Speaker 20 (10:35):

Speaker 4 (10:37):
Wouldn't I think?

Speaker 2 (10:39):
I think?

Speaker 5 (10:40):
I think very deeply, and about four seconds a teacher
will be NEI to speak.

Speaker 23 (10:45):

Speaker 2 (10:47):
Let's where, why or why we'll will be explained like
a structures to a gain saying in.

Speaker 1 (10:54):
Fact, I'm kind of rational asking who was more dramatic.

Speaker 2 (10:58):
This one or that one? When the black one Black
Pain jump up to attack one Terror one, he's just
a got to lead a crew right up.

Speaker 1 (11:06):
To your face and diss you. Every saw me on
the last.

Speaker 24 (11:10):
Album cover holding a pistol something park from a lover
beside my.

Speaker 1 (11:14):
Brother at until last.

Speaker 2 (11:17):
You're looking defeat me. This is election number two? What
philosophy number one? You know it's me, you know it's play.
Artists gotta learn. I'm not flammable. I don't burn, so
please don't burn it and learn to earn respect because
that's just what k see. What do you inspect when
you ride like a soft park? You walk down the

(11:37):
street and get jump. You're god that has stopped. It's
loud to be original, original, and everybody's good to one
to thiss you like me. We stood up for the
South bro, and every sucker MC had a response.

Speaker 1 (11:49):
I think we care.

Speaker 2 (11:50):
I know that the.

Speaker 1 (11:53):
I know that they want to tip one pussy from
the bronx thoughts.

Speaker 2 (11:56):
And we're real life. We wrote correctly. A lot of
suckers w I can forget me, but they can't because
like a champ, I have got a reckond. I'm knocking
out the frauds in a second on the let you
get loose. I haven't come to tell you I got you.
Suche create anything on a higher level, I'll be mad.

Speaker 1 (12:15):
But but now, just second, second, second the name.

Speaker 2 (12:23):
About the first seconds a TeV wouldn't give you said,
I'm playing the nine and you played the talking.

Speaker 1 (12:30):
You're all on my name, So I guess I'll just
started because should I say.

Speaker 2 (12:33):
Start this talk? Artists often concepts that they're hardest because
I'm a teacher, this guy is a scholar.

Speaker 1 (12:40):
It ain't about money because we all make dollars.

Speaker 2 (12:42):
Last one. I walk with my head up when I
hear whack rocks. I get fed up rights like I
read that up a lot of games. A lot of
suckers were colorful names. I'm sewing, so I'm I'm fat,
but they all just whack. I'm not white or rent
or black. I'm brown from the Bookie down productions. Of course,

(13:04):
I'm music be funky.

Speaker 1 (13:06):
I'm gonna say.

Speaker 2 (13:06):
They're bad, they're fucking Let me do you something about
hip hop, about the nice melody, and set out on
a rock. I get a pencil, A mark up many
what I write it for the atres New York.

Speaker 1 (13:18):
Some of MC's be talking and talking.

Speaker 2 (13:21):
Trying to show how black people are walking, but I
don't walk this sweat up or drain over rein fourth
stereotypes of to day like on My Brother's Eat Chicken
and Watermelon to a Broken English.

Speaker 1 (13:33):
And drug selling and feel fastest.

Speaker 2 (13:36):
Tho with something act in rack that's kind of lack
and it last lanctivity and intelligence, but they don't care
because they company's selling it. It's my philosophy on the industry.
Don't bother dissing me or even wishing we soffing dilute
or commercialize all the lyrics because it's about top one
of y'all hairing on hairs man from the intelligent brown Man.

(13:57):
A vegetarian, No got or ham or chicken or turkey
or hamburger, because to me, that's suicide self murder. Better
to what we call hip hop and what it meant
to DJ Scott.

Speaker 4 (14:10):
You're a philosopher.

Speaker 2 (14:11):
Yes, I think the day and if my first second
is the teacher, we'll begin to speak. How many mcs
must get this for? Somebody says don't, but Chris, Chris,
it's just one song.

Speaker 1 (14:26):
I'm many like a biggie bang. This is one petty.

Speaker 2 (14:29):
Her mother's name is Channy Chance, Kenny Talker, my other brother.
I see, here's my cup.

Speaker 1 (14:35):
You don't eat our productions. It's made up of teacher.

Speaker 2 (14:37):
Selection is conducted from relected to the speaker who gets
weaker but came or the teacher. It's not about a salary.
It's all about reality to the teacher, and do the
world good?

Speaker 1 (14:47):
Can just rule?

Speaker 2 (14:48):
And most I never understood if you went to rule
off a certain industry all inside this show right now,
it would be a misery.

Speaker 1 (14:55):
You don't worry.

Speaker 2 (14:56):
We get them on nor singer saw does everyone be singing?
Phill of King Roy Up, It's me again, Scott A
rock Ko's CDP again. Many people had them to think
that we would end the trend with criminal minding and
heine to only can fucky funky funky funky funky hit
record hit record no more than four minutes and some seconds.
The competition checks in checks, it keeps checking. Take the

(15:19):
OUTU and take that. Homo starts sweating. Why what simple
to them? It's kind of vityal to take a kr
reste title to them. I'm like in idols, some type
of entity, and everybody's wrong. They want to mention me,
or rather mention us, me and scottland Rock. But they
could get us, get rock, get drop. I don't play around,
nor do I app around. And you could tell by

(15:40):
the fox said, all up the round when something clown
jumps up to get the down broken down, so the
very last calm down. See how it sound a little unrational.
A lot of ensies like they use the word dramatical
fresh for eighty eight. Back in the days, I knew

(16:02):
rap with them, but dun how you used to listen
awesome too? What w u hbi? I used to sing?
We all kind of rap proops. The boys said, from
the Luke's trappers. We felt bottomly suits. Me and Kenny
couldn't afford that, so we would go to the park
when they were jamming.

Speaker 4 (16:15):
They can't rap.

Speaker 2 (16:16):
Are yoused to listen to the cops broke you up?
I always thought to myself, dam why they pucked it up?
But nevertheless I wasn't up with them the ball and
this stain't that way until I left Oh on the
six in New York. Now I'm freak, but would breeding
comes big responsibility. I used to walk around driven by
the boss.

Speaker 4 (16:33):
I remember how long super runs were.

Speaker 2 (16:36):
Are yoused to wondering about Bruce. They used to rock,
they were large, but none of them come bat to
stay on top till you ever think about when.

Speaker 4 (16:43):
You hot of here?

Speaker 2 (16:44):
I can tell and video out of Here, Mercedespenson Range
wrote for out of Here CDB is old school, but
we ain't going out now.

Speaker 25 (16:52):
I'm Johnny down in the sound off down on their
head head.

Speaker 4 (16:57):
I'm Judy down the sound.

Speaker 2 (17:01):
I still living on the street saloon. Some years went by,
I saw myself into a group home. I used to
watch the show I dream a Genie and jump about
laws like Buccini. But I was missing with graffiti on
the subway and can get chase Mottercott so much every
day I knew what had to be a better way. See,
So I was going to my room, glass front seat
and a simper around the afore I left the crew

(17:23):
home again alone, still dreaming about the microphone, give me
a transmit. I know what the rocket, but I had
to worry about pucking money in my pocket. So when
I reached the show, talking at my house, but DJ's
not a rock and we both bluff mop, I was
taking up this time in the shelf system. It it
was top usin to tell the butt. I had to
miss them. But all along my vision was never lost.

(17:43):
I kept seeing all these rack gels falling off till
you ever think about when you got of here? Fop
girl and fresh hair out of here five thousand dollars
love seat, How heat PDP is on Schooper wind going out?

Speaker 4 (18:00):
I'm ju change, Hey.

Speaker 25 (18:02):
I'll jump, I'll jump jump jo Jo, I'm.

Speaker 18 (18:15):
Chin it's waiting, waits wait clat.

Speaker 2 (18:29):
Week, it's wait. Let me speak soun clear done mother,
y'all sign or I sun your jun walk where I walk,
watch Yoe, we run new yob But in fun comp
we put some up the way off fast. You don't
like how I have you play on sunning track? Will
you'll be doing that? I had to say see you
because I would never be you see your soup? You're

(18:50):
we You don't see U shot? You want to Jim
coup to me? Say ye first, so a little respect,
treat your behave ye take your hatty soon, take your way?
Could never really be justice? Are stolen land? Are you
really from peace city?

Speaker 4 (19:03):
Quality? O with my car?

Speaker 2 (19:05):
Jump? You know you want to follow me? Your Lord's
a minimum because you won't even think about I'm looking
at the real criminal. This is not the seas because
we're beginning. I just the ut in the police. Woo,
that's us under the one is.

Speaker 4 (19:19):
Woo, lets us out up Woo.

Speaker 2 (19:22):
Let's us under the body is woo, who lets us
out dancing the con truth.

Speaker 24 (19:28):
Open up your eye while you're checking up.

Speaker 2 (19:30):
The whole box to the exercise.

Speaker 4 (19:32):
Check the word over.

Speaker 2 (19:32):
See them lack a sample repeated very quickly in a
true point. Sample oversee oversee you over see oversee I
was officer overs an officer here, officer from oversea. You
need a little clarity.

Speaker 1 (19:45):
Check the similarity the over.

Speaker 24 (19:47):
See your road around the plantation, the officize of patrolling
at in Asia, the oversee.

Speaker 2 (19:53):
It's not what you're doing the office one for your hope.
But just when this what's sewing the over see. I
had the right to get him, I did. I see.
I had the right to shellmicide. That's the right to arrest.
Hit your fighting back. Then what a hold in your shirts?
They both ride horses after funking this, I got no
choices the policeman. I'm a little guy. So when I

(20:15):
want to see I walk around with a figure.

Speaker 4 (20:17):
What I hear it? An'll pay.

Speaker 2 (20:21):
Your pointing a way. That's the sothing that I buy is.
That's the sound that I is. That's the sothing that
I boy is.

Speaker 26 (20:41):
That's the sound that I'm saving here alonely like a
broken man.

Speaker 27 (20:48):
I served my time doing the best I can here
rolls and barsday su me.

Speaker 2 (21:00):
Sh you're taking me site ship right here right you know.
I'm spoky on the mine on the mine was so
starts when I walk down the block and rink in

(21:21):
my pocket, You with my not in follows me into
the spot, compelling the dread and yes, he served selling
Opennatty gate. I'm a potential felling. It's some mis smelling
like I ain't even telling Channel one two, I'm smashing
the law. Channel three, I make a run to the store.
Channel four leave the store with the Philly cuse I spoked.

(21:41):
I'm off the channel live China can't bring shall love
love in direct d P all day every day. Here'll
my homie d J thro sixty telling you take it personal,
take this hip hop personal. Take a personal ship. It
was it was full carry, it was fun. Marrier, it

(22:06):
was carry, it was fun carry stuff up.

Speaker 20 (22:13):
Yet a live po coming up present?

Speaker 2 (22:15):
Who want to battle, who want to fight in the morning,
got the uniform which loses something else.

Speaker 28 (22:21):
Menophors and verbs and adjectives. Ain't the magic kid butting.
I'm picking multiflavored bags and sex for the picking. So
is the mad talk stun stock howadian went around in
But so is the Chuclin's High. Now the High starts
to settle to confact lyrics that rough like heavy metal.

Speaker 2 (22:37):
I'm pulling out it on with us the buster and
see when I speak mat hello and money like John Lenning. Yes,
some icy coming and I stop printing and then sell
the bulls. Stop building. My stylars are tangible. It's like
the wild animal. Check the label as it goes around
its whole capital. That's what I'm smacking. You win because
it's hazy like Lionel Richie. Your whole styllar is twitchy.

(22:58):
Switch me, mix somebody me. Don't let me drip back
my cloth like Phil kills me. Like the phone till
my motherfucking sixty smoking an indom by the windows.

Speaker 29 (23:07):
Wandersm My expontism, misstep saism.

Speaker 2 (23:10):
My plow would take you over like I was heaping.

Speaker 1 (23:12):
Something to waste, the light to the cipher.

Speaker 2 (23:14):
The skills that I.

Speaker 29 (23:15):
Bring it hyper than the little kid on jin Sen
groups and culture, My intellectual and culture finisca dead ma
like a vulture.

Speaker 2 (23:23):
I gotta get mine getting quick because it's all these.

Speaker 29 (23:25):
Weak wraps, steady making hits fun back by ninety four.
I bring the skills back. So let's send that one.
But I want to do what's poking back?

Speaker 4 (23:32):
Is It was fo there. It was for Clare, It
was for Clare, It was for Creep. It was for there.
Keep it was there, Keep it was there.

Speaker 28 (23:51):
It was I come with notions deep for the ocean,
shift out my ocean. My rhythm and the motion. The
ism brings the wisdom when I get on the rhythm
to it. How I'm rocking in the cipher. The saya
picks your high the raccoon messaiah yo yo yo.

Speaker 1 (24:06):
Yo, pa'st that light life counterclockwise.

Speaker 28 (24:09):
I was like the sun now Phil, the heat from
the rays of the gun shooting, not the mental miss.

Speaker 2 (24:14):
How you gonna know the real ship when your style's
counter of fit. This ship is kind of fit because
he's motherfucking phony coming to the jam.

Speaker 1 (24:21):
Try to front like the moonie.

Speaker 4 (24:23):
Ah.

Speaker 2 (24:23):
Listen to this new type song pumping ninety four eight
for no funting new type of lingo. Catch you like
the jingle rough neck and pop stripping from the sing
Go now, let me introduce you to the water. The channel,
donus loucids. You are going to the channels, up the
rouff control, looking through the frequencies, up your.

Speaker 29 (24:42):
Son simple the isle, the inflator. I'm eat it like
grabbing a sweater at the equator. I'm heating, but a flipper.

Speaker 1 (24:48):
Style, like the flipper channel.

Speaker 2 (24:49):
Step up a testa skills. You can get my testa kills.

Speaker 1 (24:52):
Because said pop's been running.

Speaker 29 (24:54):
Through my veins and past Scooter wasn't hard for me
to grabb the mic.

Speaker 2 (24:57):
And represent represent and tormenting him. He's greenium.

Speaker 29 (25:00):
So they can't flow quay because I'm painting them. Don't
mean to be block but so fun. I'm going in
for the love. So now I'm doing what I want
to do with my candle like grouse. So just listen,
Just listen and see I's fucking.

Speaker 19 (25:11):
Enough fast fast, Yes, yes y'all.

Speaker 2 (26:23):
You don't stop, car your rest sla, Yes, yes y'all,
you don't stop try your rest splash. How about to
hit you with that conditional style of co rockish, give
it hopes for head knocking, not stoppage, said topping. Here
it's been dropping, but stuffs can be cooktten. Somebody bring
lash the fraor hit pockage. Just like the record, sake

(26:44):
takes you to be hoppish, got some break dancing poppish lockish.

Speaker 4 (26:48):
It takes topping.

Speaker 1 (26:48):
You can't receed to have you hockish.

Speaker 2 (26:50):
We only get better and only better when you cock
it this type of phot don't even think about shoppish.

Speaker 1 (26:55):
Beware the link comes the brown can be shocking.

Speaker 2 (26:58):
Oh this is love, This is in the place right understood,
the way they carry your rescut down. You want to
get the kills into political coasters, relying on talent, no marketing.

Speaker 1 (27:07):
In promotion, with no political flow, with some must you.

Speaker 2 (27:10):
Got the float with your name. I'm not saying I'm
number one. I'm sorry, y'all lie number one two at
fark not putting your money.

Speaker 1 (27:19):
You are marking skies pretty just pushing through instead of keys.

Speaker 2 (27:23):
I don't fancy it's a don't tramp siege. Do a
recond deal for tim siege and that's who kay your restaurants, son,
I'm not your running the milk because for the mill.
I don't what yes, yes, your yes, your sick your restaurant, Yes,
your sick.

Speaker 30 (27:42):
Rock cast.

Speaker 2 (27:46):
Damn we lost stop, we can't stop. We wat.

Speaker 20 (27:55):
Can't stop.

Speaker 2 (27:57):
Damn we woll stop Jesus and the sound on my
money machines.

Speaker 31 (28:05):
Six hundred from real Glean, Pitcher cars and the Tough.

Speaker 2 (28:10):
Daddy see the young black tamers rich like Maddie with the.

Speaker 31 (28:13):
Power and the knowledge that a finger tips with the
style makes the.

Speaker 3 (28:16):
Lakers want to lift their little shape.

Speaker 31 (28:18):
They had shake their based off believen they can tie
by the way you jump the player up the hip
hop mayor bat round player and talk the book you
down to the Himalayas.

Speaker 2 (28:29):
I comment illustrating description given work to your neck hurt
like that work rock Steady. You went for the teacher
just when you thought you had any licks come with
another deep parent one.

Speaker 32 (29:21):
Listen yawling to the like ether dam so rapp se
tam until the lagans what I am slaves like different
kind of rapper language.

Speaker 4 (29:35):
I have tres What happened?

Speaker 2 (29:41):
Yo? What's up?

Speaker 1 (29:42):
Blastematics?

Speaker 4 (29:43):
One? Yo?

Speaker 1 (29:46):
What a the nice?

Speaker 3 (29:47):
Yo?

Speaker 10 (29:47):
What's sep?

Speaker 1 (29:48):
This is the nice?

Speaker 2 (29:49):
And you're listening to the take a personal podcasts, jam,
I want to tell you a little something about us
with the Bully Ondustan group and who the fact that
no one outside that knew what time it was.

Speaker 1 (30:00):
Let's to tell you a little story about where we
come from.

Speaker 33 (30:03):
South Bronx, the South South Brom, South bron the South
South bron the South bron the South South Bronx, South Brom,
the South South bron.

Speaker 1 (30:13):
Many people tell me this star is terrific.

Speaker 2 (30:15):
It is kind of different, but Leska specific he as
one specialized in music. I'll only use this type of
style wind, I choose it part of people in the
place that being pay are as one attacked, you got
dropped off MC ain't because the rahms you wrote was what.

Speaker 1 (30:33):
So you think that hip hop pat is start out
in queens Bridge.

Speaker 2 (30:38):
If you pop that junk up in the Bronx, you
might not live because you're in South broms.

Speaker 33 (30:44):
The South South Brom, South Brom, the South South Brom,
South Bro, the South South Bro, South Bram, the South
South Bro.

Speaker 2 (30:53):
I mean with scott Larrock to express one thing, I
am a teacher and others of kings. If that's a
title they earned, well it's well deserved. But without a crown,
see I still burn. Get set up for a pebble,
not a stone, like a rebel KOs one is the
holder of a boulder money, folger, you want a fresh style,
let me show you now. Way back in the days

(31:14):
when hip hop began with Coach of the rock who hirking,
Damn dam These boys ran to the latest jam, but
when it got shot up, they went home and said, damn,
it's not to be a better way to hear. I
mean's every day people was getting blown away, but come
outside anyway. They try to gain outside and see the park.
Power from a street light made the place dark. But Yo,
they didn't care.

Speaker 1 (31:34):
They turned it out.

Speaker 2 (31:35):
I know a few understand what I'm talking about. Remember
Bronx River rolling Fish the Good they read to Learn
and chuck chill out on the mix when Africa is
Long was rocking the jams. But on the other side
of town was a kid named Flash Patterson and Milk
brook Projects catting over all over.

Speaker 1 (31:52):
You couldn't stop it.

Speaker 2 (31:53):
The Nine Lives Crew Decipher thought the real rock steady
taking out these toys as odd as it look as
Wallace a scene. I didn't hear a peace from a
place called Queens. It was seventy six to nineteen eighty.
The Dragson Brooklyn was crazy. You couldn't bring out yourself
with no hip hop because the pistols would go. So

(32:13):
why don't you wisch up show off the people in
the place that you are. Why instead of trying to
take y'all l L they need to take your home
boys off the crack because if you don't well, then
then nerves will become shock and that would leave the
job up to my own Scott Little Rock and he's bron.

Speaker 33 (32:33):
South Brom the south south south Ron the south south Bron,
south Bron the south south Bron south from south south
Bron south from the south south Bron south Bron the
south south Bron south Bron south south Broth from south
south south.

Speaker 6 (32:53):
From yod krre one checking out to take your personal
radio show DJ Preez Expedire Down with Us from a Flavor,
It's down with Us, Fare down with Us. Hey a Rod,
It's down with us. Ride you down with us?

Speaker 1 (33:12):
Making funky music is a mussim number one?

Speaker 2 (33:16):
What what? What? What? What? What?

Speaker 34 (33:20):
What?

Speaker 2 (33:20):
He's still taking rapping for a joke, a passing hope
or a face with the rope. Sometimes I choke and
try to believe when I get challenged by a million MC's,
I tried to tell them we're all in this together.
My album was brought because no one would ever think
like I'm thinking, do what I do? I stole the
show and then I leave without a clue. What do

(33:42):
you think makes suck for KRS concisive teaching or very
clear speaking, ridiculous based affrimating trouble Rebel renegade mustake paid
not by financial aid but a rate of hits, causing
me to take long trips. I'm the original teacher of
this time, a star rocking off beat with a star

(34:02):
or a smirkboard chuckle, get someone not up to feed
p posse. So I love to step in the damn
at slam. I'm not superman because anybody can or should
be able to rock a turntables, crap the much, plug
it in and begins.

Speaker 1 (34:18):
But here's where the problem starts.

Speaker 2 (34:20):
No heart. Because of that, a lot of groups fell apart.
Rap Us still a part, and no one's from the
old school because rapping still a brand new tool. I
say no one's from the old school because rap on
a whole isn't even twenty years, oh fifty years down
the line. You can start this because we'll be the
old school artist. And even at that time, I'll say

(34:41):
a rhyme, a brand new style, rustless and wall running
around spending money having fun.

Speaker 1 (34:47):
Because even then I'm still number what what what what?

Speaker 17 (34:53):
What?

Speaker 35 (35:17):
The bridge is over, The bridge is over. The bridge
is over. The bridge is over. The bridge is over.
The bridge is over. The bridge is over. The bridge
is over. You see me a commedy. You need to
answer the slippers and see you down with the sound
called b d P.

Speaker 2 (35:32):
If you want to join a crew where you must
see me, you can't sound like share not the one Molly, Molly,
Marl and my Ryman like the gay begin of the mic.
Man they don't know what to say, saying him started
out thinking he's bridge, saying last like that. Mind you
know what I'm countless. So tell her we come to
tell them. Magain, tell her marg We come to tell them, McGain,

(35:54):
tell them, we come to tell them, McGain, tell them
mar Let me come to tell them.

Speaker 1 (35:59):
Man.

Speaker 2 (36:00):
He keeps on making it, Brooklyn keeps her taking the
brons keeps creating it, and Queen's keep some fake in it.

Speaker 4 (36:12):
There yourself.

Speaker 2 (36:14):
You won't you please come out to play card. It's
not exact my love k S one. He's not exact
my love k S one.

Speaker 1 (36:21):
They would step out to beat the people.

Speaker 4 (36:22):
They cannot.

Speaker 1 (36:23):
They must be off the dish, the hook. He just
got the wrong card.

Speaker 2 (36:26):
We don't come play now do we play that game?

Speaker 4 (36:28):
Oh?

Speaker 2 (36:29):
Faithy down production coming three different player and stick for
the faymite that you say that, mister mass. Mike wants
to come and try to say that, but it's that
that helps me out. You want the same thing I
can't get. I'm finally figured out a magic man. Let's
use for sucking. I'm saying, I'll tell you it's only
good for steady Papa. That's he shad that Molly Malage
really only broa like Jnkie Fresh said, I tell you

(36:49):
know you win't not talk, said he said, Amanda, he said,
he said, I'm rest one. You know what I'm saying.
Remembers spend over there, movement over here. This name of
mister ten is called light. I even swear swear, swear swear.
What's the matter with your emc Molly mall, don't you

(37:11):
know that you time to touch? What's the matter with
your em shan on the Wizard still Molly suck your matter? James,
what comes out your sneak?

Speaker 1 (37:22):
Dog matter off?

Speaker 2 (37:23):
Talking about the whack boomer snake got's most hated him
hops please will only get drop and still telling lost
to me. Everybody's talking about the shoe screw funny, but
you're still tell you what's the matter with the closes?

(37:49):
Can't you tell that your ties too wide?

Speaker 4 (37:52):
Baby? I'sh your bicycle.

Speaker 1 (37:53):
Wol Tab Collins, welcome back to.

Speaker 4 (37:56):
The edge and give.

Speaker 2 (37:59):
Where a few that high out.

Speaker 36 (38:03):
Tell your stand the line on it, and my body's
talking about the new sounds rock.

Speaker 10 (38:08):
And road and me.

Speaker 37 (38:23):
He just.

Speaker 2 (38:30):
I'm gonna Junior high with the feet plus grade. At
the end of the day, I don't hit the arcade.
I walked from school to my mom's apartment. I'm trying
to tell the suckers every day, don't start just where
I'm at. If you soft, you're loss. This thing, on
course means to roll with force. A boy named Rob
is chilling in a fence in front of my building
with the rest of his friendship him a town.

Speaker 1 (38:51):
Oh, I mean, I shake his hand. He's the neighborhood trusty.

Speaker 2 (38:54):
Off my man. I go upstairs and hunk with my mother,
chant my sister and punch brother. I sit down on
my bed to watch some TV. To my ears to
see me. No, that's the fourth time this week. Another
fast brother shot dead in the streets. The very next day,
while I'm off the class, my mom's going to work
code bustling her ass. My sister's too fuss, she got

(39:17):
no gear. I got three pairs of passing with my
brother I share.

Speaker 1 (39:21):
They're in school.

Speaker 2 (39:22):
See, I'm made a fool with one and a half
pair of pants. You ain't cool. There's no dollars for
nothing else. I got fiends, rice and bread on my sholf.
Every day I see my mother struggling. Now it's something
I've got to do. Something I look for work. I
get this like a jerk. I do our jobs and
come home like a salt. So here comes Bob. It's

(39:42):
gonna a shimmery. It gives me two hundred for a
quick delivery.

Speaker 4 (39:46):
I do it once.

Speaker 2 (39:47):
I deal with twice. Now this steak with the beans
and rice. My mother is nervous, but she knows the deal.
My sister's gear now has sex appeal. My brother's my partner,
and we get in pay for three months later. We
you run our own case for my family's happy. Everything
is new. Now tell me what the fuck am I
supposed to do? That's fine. You fall in love with

(40:16):
your chain, you fall in love with your ball. Love
is gonna sneak right up and snuff you from behind.
So I want you to check the story out. As
we go down the line, line line line, let us
move off. Money's flowing. Everything is fine. Got myself a
UZI and my brother are nine. Business is booming. Everything

(40:38):
is cool. I'm pull about a g a week. Fuck
school again. It goes fine, and I begin to grow
not in hyphen foot juice and cash flow. I kick
out my feet and begin to watch TV because now
I got other people working for me. I got a
fifty five each television, you know. And every once in
a while I hear just say no for the other commercial.

(40:58):
I love is when they say this is your brain
on drugs. I'm picked up my remote control and just
turn because with that bullshit, I'm not concerned. See me
and my brother jump in the beam dropping around our
territory again. I stopped at the light like a superstar
and automatic one will freak my car. I hit the accelerator,
scared as ship and drove one block to find my

(41:21):
brother was hit. He wasn't dead, but the blood was pouring,
and all I can think about was boring Leda. I
found that it was probably his crew, and I'm telling
me what the fuck am I supposed to do? We
will be here forever, do you understand?

Speaker 4 (41:36):
Forever? Forever and ever and ever and ever tever?

Speaker 2 (41:41):
We will be here. How many real hit hopposite? How
many real hit hopposite?

Speaker 4 (41:52):
Real hits.

Speaker 2 (41:58):
Tweet Remy is Helena plate. There's one hut tag remody
is Helena plate. There's one hut tag Helena plate. Three,
there's one hut tag Up Up, up Mom is one

(42:22):
hut tag. Pemma No whyy, fucking peaks beats bee, Pemmy peaks,
peaks beat, pem Jack Jack Jackson Jack packet pets beats
beat three, Pemmu up and now just fucking peaks beats be.

Speaker 1 (42:48):
I want to thank you for wonderful times. It's questions
man on that ship.

Speaker 2 (43:06):
Boom back, original rap, boom back original rap. See how rational,
see how so see how so little? A little unrational
boy squad. I'm not a wife, bru. Everything I do

(43:30):
I do just for you, necessarily sucker once to chump
at the unbelt, But like a microwave these days, I
make a belt on. The turn of the boom back
means just it means your turn of the real heart
beats and real rap. The ladies in the.

Speaker 1 (43:42):
Place like it, just like that.

Speaker 2 (43:43):
I'm around the way guy with the baseball cap. You
know my style, you know my name's shilling at the top.
But I'm still the same. I never crossed over, never
went pop you know, may or wrestle, give you real
here hop self.

Speaker 1 (43:56):
See how sound a little See how sound little unwashing them?
See how sound a little unwashing them? See how sound
a little unwashing up.

Speaker 2 (44:06):
People's always calling me a top celebrity because when I'm
want the mic, I like to speak freely. You hear
me checking lyric. But I'm not NMC but one poetic
member of the group b DP. I looked around the
nation bottom simply and find another entertainer with haram like mine.
I've picked up the bike in and tear up the phone,
and this one in the party. I should be left alone,
But oh I've come to show a brand new flow.

(44:29):
Is the flow black? No listen to the bro come
to the show in the poble with stands bugle in
the dance bugle and the bugle in a bogle in
the party. Here's a little style of coming to wake
up everybody. Boom that original rap. Boom that boom, that
original rap, refreshing when you're hearing hard rappers all that.
So see how soald a little unrashed up? See how

(44:52):
sound a little unrashing up? See how sald a little
unrashed up? See how sound a little unrashed up. See
how see how sound?

Speaker 4 (45:04):
See how sound?

Speaker 2 (45:07):
See how soul?

Speaker 4 (45:09):
Pull them in the dance, Pull them in.

Speaker 1 (45:11):
The dance, bolder in the bouldering the boulder in the party.

Speaker 4 (45:14):
Pull them in the dance, Pull them in the dance.

Speaker 2 (45:16):
Bolder and I'm bouldering the boulder in the party, pulling.

Speaker 4 (45:19):
And on to the m drawing.

Speaker 2 (45:22):
Two shots and the squad is going. You had a
little streak in your r A P? What Never did
you want to challenge?

Speaker 4 (45:28):
Feeding p?

Speaker 2 (45:29):
This? Smash it up a crew one two, it's the
least whin, it's up with the battle act just gets
me gazy. I never back down to an em C feud.
Never on stage. K Risk got food, stay's hard board,
never changed my attitude. I got the hip hop puce
bother hip hop food. I eat playing a drink gin
drink playing. I eat when I'm speaking, but I speak
what I'm speaking. It's not weak. Get i'mna get up, Get,

(45:49):
I'm gonna get up. Get I'm pert up. Told your
hands hot in the sky, wave him around, because I
get down. Down to the nitty to the nay to
the gritty leads to the hardcore kids in the City,
summer City.

Speaker 3 (46:04):
Summer Yell check it out, y'allther eating career. You're live
and direct to the speaker, because that's my voice coming
to the speaking her, and you're checking out the taking
personal show.

Speaker 2 (46:14):
Show your heads, everybody, your hair, your hands, your hands,
your showing up to the hardcore.

Speaker 4 (46:24):
There, mom.

Speaker 2 (46:28):
Showing up to the hardcore here. Of course, we don't
put bubbling. If you don't know me by now, why
don't you'll ever know me? I never want to crammy.
I won't wear the tony, but I'm not the only
amps keep in the mill where the trap to make
the smash wrap for girls go ill doctor Thomas, the
armist like you, Hainty Bob whatever. The body gets light

(46:50):
fro with the mass of right, that's something behind the
beauty your face. Listen to top drive behind now cours
another going to another matter. I wanta jump to that
the blast master. Don the drains some free open dearly
everybody called Okay, I'm to guarantee the print the body
like top phrase. More heads are Nazi dress. Once the
story about a man named Jan but now she is dead.

(47:13):
All the kids instead want to kick crops from the
top of their heads a bird, we're going around. Come
around up here, yo, Now we got what did you
call her themselves? Makers?

Speaker 1 (47:22):
That's tables turn that's the cross this bird.

Speaker 2 (47:24):
Remember you must learn. I'm about to saw something blue. Men,
how far I get? I go full like the stay
safe talk and sh you could be your mac a
primp puffler. I'll play y'all, make sure love you with
until moms say Tim temples tempt Tim exact like they
don't know Tim exact.

Speaker 24 (47:47):
Like they don't know MC exact, like they don't know
exact like they don't know sincituated all year.

Speaker 4 (48:01):
For the hardcore. That's what he rests.

Speaker 2 (48:03):
See a force, seeing a brand with the see and
all keep you ill. If you see, then your sore.
I mean you're through with nad skill and see if
you only tattle with bronze and got punch lots, let's
troble to see who's headlods instead of float blow.

Speaker 1 (48:16):
Let's gonna show for show.

Speaker 2 (48:18):
So what's ho yo?

Speaker 4 (48:19):
You matter?

Speaker 2 (48:19):
Act like you know too many MC take that word
MC lightly. They can't move a from not even slightly,
and my feet the fact that they expressed wackness. Let
me show you whose ass is the blackness. I'm look
for a little pick. You want the different ship to
sit there, get with it and you pick your solars
counterfit that wrote it down of it my title. You
will never get him. Hum intelligend I said, your time

(48:41):
about beat my set up in that solards toxic. When
I'm rock get shot and hip butt. I locked your
head on, knocked it and split quick from the lyrics.
It's a rat cat perfect.

Speaker 1 (48:51):
You can't get with it.

Speaker 24 (48:56):
Like they don't know MC exact, like they don't know exact,
like they don't know tense exact, like they don't know.
Some mcs don't like the k r s, but they
misrespect them. I said, no, this kid gets all up

(49:18):
and they racked thought slapping and selecting them, checking them,
disrespecting them, just checking them, checking them, backing them. Who
in the right mom come in and the star like
mom I designed rhyme and kick pot all the top
and standing on the sidelights. Boys said, when I roll
up with Russ and the crew, they so bitchy. I
don't burn that no prize yet some mcs believe they

(49:38):
can ring up with them like some beasts.

Speaker 2 (49:40):
Put the season. Do your odds whatever, Aparah what magnamads
like the old she tad. You don't you know, I'll
resigned like artifacts on the wrong side of the truck
set jama yo whatever, Just a to say one half
of the legendary artifacts in the ship hop games take
it personal, y off, you already know taking burns coming
around the mone you put it, but depends and defender lyricists.

(50:05):
That's what man the nineteen ninety six what I Jim
exact like, they don't know cares. This is Jason, How
you doing? I'm chilling.

Speaker 21 (50:27):
It's a it's an honor. We just have Peter Rock
and now we have you. And it's like, this is
the my bucket list today. We've completed it.

Speaker 14 (50:34):
It's if we got chucked, if we got chucked you
we got the perfect trifecta ship.

Speaker 30 (50:39):
I think we can just quit.

Speaker 21 (50:43):
We have a special treat. We have a surprise guest.
None of us here knew this was going to happen.
We have the Blastmaster, the teacher Carras won himself. What up, Caress, I.

Speaker 2 (50:56):
Am chilling, man, He's good to be here. Thanks.

Speaker 20 (51:00):
It's like every every word you say is a sample
to me.

Speaker 2 (51:06):
Then you have full permission.

Speaker 20 (51:07):
Yeah, coin documented.

Speaker 2 (51:10):
Right, So you've been in Florida for like a week. Yeah,
like in vacation mode.

Speaker 38 (51:14):
Are you going to retire and move and play golf
down here?

Speaker 2 (51:18):
I mean you've been here since what Sunday? Yes, well
it's like I've been here since eighty six. But you know,
this is uh Florida. You know, I hear that a lot.
People say, you know, you come to Florida to retire
and this kind of thing. But every time I come

(51:38):
to Florida, I'm working and hey, hey, how was Florida?

Speaker 1 (51:43):
We just bought a new place dom it.

Speaker 2 (51:44):
I know we were looking at the brochure.

Speaker 12 (51:47):
What why are you thinking you're moving?

Speaker 1 (51:49):
No, not really, because if you are, you shouldn't.

Speaker 30 (51:51):
There's nothing available in that development.

Speaker 11 (51:53):
Are you telling me there's not one condo available in
all of the Boca Vista, that's right, and one like Hotcake.

Speaker 2 (52:00):
It's it's it's lit out here, man, Dud's the mc DJ.
It's crazy. I love it. And and of course I look.
I was just the other day.

Speaker 6 (52:11):
I was at a Wing Dixie and got into a
cipher in the parking lot.

Speaker 2 (52:18):
Yes, you rap, fresh man, this is what I'm talking about. Man,
this is this is what what I'm saying.

Speaker 23 (52:29):
Uh.

Speaker 2 (52:29):
And actually it may have been public, so I don't know,
but you know, right out in front of the super
Walk and that's what I'm saying. The energy, you know,
the energy this this this's here, uh, the right of town.
This is hot for me.

Speaker 20 (52:45):
Literally, that's nice.

Speaker 39 (52:46):
Man, the k os Man. I saw you a few
years ago Milwaukee at the Rave, and I gotta tell you.
One of the things that's so great about your live show,
and I want to know if we're going to see
this tomorrow night. It was you on stage, you and
the DJ, but you, no hype man, no other people
carrying the ship, carrying it for two hours.

Speaker 2 (53:07):
You still do it like that? Wow? You still do
it like that? Yes?

Speaker 6 (53:12):
And no, I I yes, that's the standard though. I
mean that's the straight up standard. Absolutely, and I may
even do that.

Speaker 2 (53:25):
Tomorrow. And the reason I hesitate is because I do
have students with me. And the thing is is only
when I have apprentices with me do I have other
people on stage. Not that they'll be on stage tomorrow.
They may open, they may not, but DJ wise, I

(53:46):
may have an apprentice on stage with me. But the
as you mentioned the standard is what you could have said.
That's what I know, believe do is this just usually
me because people getting the way.

Speaker 6 (54:00):
Oh you know, I have certain flow techniques, rhythms, uh
that only I can do for myself. And if you
have a side man there some sometimes uh it could
it could they could trip you up, you can it
could be clumsy uh in that sense. However, for the
side man, big up the split star with buster rhymes

(54:22):
shout out to uh uh fight even though fight is
not really a side man's big Oh, no doubt, no doubt.

Speaker 20 (54:33):
As much as we love Scoop, he did, he did.
He did take over the mic a little too much.

Speaker 2 (54:38):
Yes, right, well see, but that's what I say.

Speaker 6 (54:39):
You know, there's a thin line there between a co
star and a side man, someone backing you versus someone
uh fronting you, you know, siding you.

Speaker 20 (54:51):
Now, I know you're gonna be speaking out now.

Speaker 14 (54:53):
I remember you speaking at when I was at at
college at the Florida State University Family you area, yea,
And I remember it's about eighty nine, nineteen ninety and
I went to go hear you speak and kind of
talk about politics and life.

Speaker 20 (55:08):
And I looked at hip hop from of course.

Speaker 14 (55:11):
You know, I'm an early, early guy as well, over
thirty years of loving or thirty plus years of loving
this art form and what it is, and you really
moved me that day.

Speaker 40 (55:21):
Man.

Speaker 20 (55:21):
It meant a lot to me as a person who
was trying to understand and.

Speaker 14 (55:26):
Navigate this thing that I felt that I helped create,
help promote as a DJ.

Speaker 20 (55:31):
And you know, you just really the way that you
went about your early part of your career, it was
really education first. The way that you did things. You know,
you spoke from that side of the mouth, and I
appreciate that to this day.

Speaker 2 (55:45):
You know, wow, wow, I appreciate that today. Yeah, thank you.

Speaker 8 (55:52):
Hey Chris, this is keV.

Speaker 11 (55:53):
I hope I get this question out because I'm starstruck
right now. I am, like, you know, little a little
shaky here, but listen, I can't thank you enough for
your time. I want to ask you, you know, with
everything that you've done for the culture, everything from the
Stop the Violence movement and now you got like your
KRS one Hip Hop Jedi Academy and you're bringing on

(56:15):
all all these apprentices and and and and and just
everything you've done to bring rap not from just like
a music and rhyming and and you know, working with
you know, hip hop beats, but making the entire hip
hop culture footprint deeper than just the rhymes and and
incorporating the DJ and the graffiti and the break dancing.

(56:35):
What along your career are you most proud of that?
You stand behind and you're like, yes, I did that.

Speaker 2 (56:40):
I am so proud of that.

Speaker 20 (56:43):
Wow, you didn't think you were getting us tonight.

Speaker 2 (56:49):
Just one thing, a po thing, you know.

Speaker 6 (56:52):
I would definitely, uh put the Stop the Violence movement
at the top of the pile, Okay, I definitely would
put that The song self Destruction, even though we followed
up with Heel Human Education Against Lies of even a
bigger project. And even though the song Stopped the Violence

(57:14):
preceded the Self Destruction song. It was the self Destruction
song when we all first got together and said, you know,
let's speak out against this this particular issue of violence,
that that was probably the pinnacle. But you know, and

(57:39):
in my own personal book, But but I tell you, man,
it's been thirty years. Then you know, you know you
have to break that words, you know, you have to
break that into categories in certain senses, because I think

(58:00):
about You just made me think about working with working
with Shapa Ranks and uh and like Ziggy Marley and
these people bringing reggae into hip hop right was would
be something that I would just sit back on on
on the influence you know, of reggae into hip hop

(58:21):
in that way. You know around that time, the late
eighties early nineties, you know you had the jazz influence
as well.

Speaker 2 (58:31):
You know that's a tonic.

Speaker 6 (58:32):
It already did talking all that jazz, and I don't
think jas Matas was out yet, but hip hop was
was experimenting with with jazz. Run DMC had already did
the rock fusion as well, had a huge success with that.
Reggae is is where I would sit back on and say, Yeah,

(58:54):
the influence that we put there is we still hear
it today and it's it's permanent, it's in it's in
that sense. And that's why I say putting it in
certain categarys. It's like, you makes me think about this, like, really,
I don't It's it's not every day you get a
question like that, but it's but no, but it definitely

(59:18):
takes takes you back. As a matter of fact, you're
making me want to start start my recorder here, my
little journalist record.

Speaker 2 (59:28):
Yeah yeah, yeah, no, thank you. I appreciate that because
you're making me think, actually, wow, interesting.

Speaker 21 (59:33):
The p is Free is probably when I first heard
that influence where you're bridging the gap between you know,
Jamaican music and hip hop. Absolutely looking out productions is
lot and you you've you've expanded. I mean, I know
in ninety or ninety one you were you were on

(59:54):
an R E. M joint radio song.

Speaker 1 (59:56):
Hey hey, what are you saying?

Speaker 4 (01:00:06):
What are you play?

Speaker 2 (01:00:09):
They have to pay.

Speaker 40 (01:00:11):
Lay communicating? Now I kilt you for prisoner all their
life lady.

Speaker 2 (01:00:25):
Now how did that work?

Speaker 4 (01:00:27):
Oh?

Speaker 21 (01:00:27):
Was it Michael Stipe that reached out to you? Was
a Warner Brothers that put that together? How did that
come about?

Speaker 2 (01:00:34):
You know, it's crazy. Uh, it's two people that it was.
It was weird.

Speaker 6 (01:00:41):
Here's a short story. It was a publicist named.

Speaker 2 (01:00:45):
Layla Turkan who ran set to run publicity and an
artist named Billy Brag and me and Billy Bragg was protesting.
We were together in Washington protesting the when the CIA

(01:01:05):
threw President Arispeede out of Haiti. It was a coup.

Speaker 6 (01:01:09):
Uh, and and everyone knew what Tom. It was so
uh the people were fasting and Haiti was in a
mess again, uh and President Aristeed was on the run.
So me and Billy Bragg got together with some people
and we started protesting uh the US involvement in the
Haitian coup. While we were there in Washington, d C.

(01:01:33):
Here comes uh Laylor Turkan, who was our publishers, both
of our publiciers at the time, and she was also
uh working with Michael Stipe. So so she said we
you know, she's the one that then said, wow, you
Billy Bragg, Michael Stipe, y'all should get together and kind

(01:01:54):
of work on something. But that didn't even work out.

Speaker 2 (01:01:58):
What happened was.

Speaker 6 (01:01:59):
About a month went vibe. After that we got on
the phone, we saw but nothing came of it. It
was when I was doing my first lecture ever. My
first lecture I ever did was at Yale University nineteen
eighty nine, and they had sent a limo for me,
and me and Michael got in a limo with Laila

(01:02:21):
and we went up to Yale and we that's where
he said, Yo, we're doing this album and we don't
even know the name of it yet, but we want
you to be on it and this kind of thing.
And I was like, yeah, you know, because again back then,
also me and Michael, he got together because he was
a big environmentalist in the sense of, you know, the

(01:02:46):
greenhouse gases, this the nineties, it.

Speaker 2 (01:02:48):
Is like like ninety right, like ninety actually, and you know, people.

Speaker 6 (01:02:55):
Weren't discussing these issues as flaquently as they're being discussed today,
of course, but you know, he was on the forefront
of bringing awareness to this. We were meeting on these issues.
And it just one day in the studio right after
the Yale the thing I said, right after that, they said, Yo,
I'm going in the studio like the next day, day
after that, come on in and just hang out two minutes.

(01:03:18):
Next thing, I know, I wanted to Mike and we're
just rhyming, just doing our thing. I think more rhymes
than that. But they kind of took that one and
uh and said, yeah, let's just ride out with that.
And the idea was that Michael was supposed to say
those rhymes. I always wanted Michael to stay those rhymes himself,

(01:03:40):
but he said, you know, he wasn't going.

Speaker 2 (01:03:43):
To do that.

Speaker 14 (01:03:44):
Oh It's funny because that era that era of artist,
even Snead O'Connor at that time she backed by all
means necessary as like a must listen to anyone who
has any heart soul activist on any level. And I
think that that's just that alternative seen not only from
the UK, but what was going on in the early
kind of what we considered alternative music in the late

(01:04:06):
eighties early nineties that catapulted BDP to that next real
level even before Chuck.

Speaker 20 (01:04:12):
Yeah, it was beautiful mane and I remember that very much.

Speaker 4 (01:04:15):
Wow.

Speaker 2 (01:04:16):
Wow, it's a bit of history there, that's right.

Speaker 19 (01:04:18):
Yeah.

Speaker 21 (01:04:19):
You never shy away from politics or you know obviously
what's going on, and your new album covers some of that.
I know, well at least this is what I read.
So I know you you voted for Ron Paul a
few years ago. I know you cannot be happy with
what's transpired today and that's kind of come out in

(01:04:42):
some of some of your new music. Well do you
want to speak on that? I mean, you've if there's
anyone listening out there that really follows what people like
you say about politics, I mean, this is it's an
important moment in time of what's going on and some
of the vulnerability that we are in, especially being in Florida. Now,

(01:05:05):
I know you're feeling some of this where the shooting
in Parkland recently happened. So I mean you you was
someone who's been around this, who's been open about this.
I mean, what is your take on what's going on
and where we can kind of go from here and
what can we do as you know as everyday people.

Speaker 2 (01:05:25):
Wow, well you know you mentioned that that last plot
everyday People. That's where it starts right there.

Speaker 5 (01:05:32):
Uh.

Speaker 6 (01:05:33):
You know, forgive me if I'm a bit too philosophical
in answering this question. Uh, but you know, I go
right to where where I believe the problem stems, and
it has It has a lot to do with pushing
the reefs.

Speaker 2 (01:05:49):
That's rotten on the whole United States of America. You know,
there's a lot of.

Speaker 6 (01:05:55):
There's a lot of bad karma that the United States
has allation have. But you know, we're talking about our place.
We talk about our home here, America, United States.

Speaker 2 (01:06:08):
And if you know, first of all, if we can't
have honest.

Speaker 6 (01:06:14):
Conversations with one another, then obviously you know the problems
is going to exacerbate until finally we have an all
out civil war, because this is where we're moving forward
to this a kind of civil war. Probably won't be
like the last Civil war, you know that Lincoln had
to fight. It probably won't even be a physical civil

(01:06:37):
war that way, but definitely we're already going through an
intellectual civil war where you know, where people's opinions are
so divided that we can't agree on anything. And this
is this is the real piece when you say, everyday people,
you know, we're so programmed, uh in that way where

(01:07:02):
if you look at the world, even the United States.
I'm gonna go real quick with both. Right here in
the United States, I travel all over the place obviously
where I'm saw, we're moving around, and so everywhere I go, everywhere,
the South, North, Canada, Mexico, California, New York, everywhere. Everywhere

(01:07:24):
we go, people are trying to help people. People are
trying to encourage people. People are helpful. Of course, you
have your idiots, yeah they out there too, you see
that as well. But the majority of Americans are actually
deliberately trying to make America great Acadi.

Speaker 2 (01:07:48):
I don't believe I just said that, but realistically, but realistically,
there's no other way to put it real.

Speaker 6 (01:07:58):
Americans are out here trying to make America graven can.
I I'm out here in Florida, obviously. At a couple
of days ago, I was in Orlando. I was chilling
on disney World. I was somewhere around the disney World
resort area, and I was at I was I was
at this bar, waiting at this hotel, just park over

(01:08:20):
at this bar, I'm sitting down.

Speaker 2 (01:08:22):
Two cops walk in and they asked for a glass
of water. At the bar.

Speaker 6 (01:08:29):
One of the cops recognized.

Speaker 2 (01:08:30):
Me, yo, kay l rest wants the deal.

Speaker 6 (01:08:34):
We like, we sit down, We start talking. Come to
find out were from the same neighborhood. He from the Bronx,
Come from the Bronx. Were talking about the Ford Train
and the five train and how they messed up the
line people. And then after a while, you know, I
think it caught us both that you know, people were
looking at us because we were loud.

Speaker 41 (01:08:54):
You know, we we were standing there, you know it.

Speaker 2 (01:08:56):
So it's like we're joking. We no tell me yo,
yeah you remember that, Yeah, you know this and that.
So and you look at the picture. Okay, here's me, Okay, arrest.

Speaker 6 (01:09:08):
I got a TUPAC shirt off a way at that
particular moment, I had a two Pots shirt on.

Speaker 2 (01:09:15):
You know, see is a chilling.

Speaker 6 (01:09:17):
I'm at the ball, you know, doing.

Speaker 2 (01:09:19):
My thing to top fuck in. None of this antaggonism,
none of this racism, none of this. And I know,
I know, I know that this is not the every.

Speaker 6 (01:09:35):
Day of the United States. I know the relationship between
some police officers and some communities, yes, I do know
what that is. But I also know that the average
every day That's that's the key word, the average every day,

(01:09:55):
the average every day person is not going through half
the stuff we see promoted on television, through the media
and so on. This stuff is being sold to us.

Speaker 20 (01:10:06):
And we're being played driving through We're being played I'm actually.

Speaker 2 (01:10:11):
Driving, I'm actually driving through the safest country in the world.
This is I'm actually driving off of course, And like
I say, I always have to say this, Yes, there
are idiots out here. There are people, and let me
be respectful, they are idiots. And then there are those
who have mental challenges. There are people who are really

(01:10:31):
going through mental challenges, whether it be depression, whether it
be some sort of just a mental challenge. In that sense,
something hereditary. America is full of that as well. It's
just this statistics say that half of America's our prescription
drugs anywhere.

Speaker 20 (01:10:50):
That's part of a plan too. That's play man. We're
getting played on that front. It's all about views.

Speaker 14 (01:10:55):
How long you're going to stay watching television and how
long you're gonna do spending your money on things that
need to be promoted, whether it's cigarettes, whether it's prescription medication.

Speaker 20 (01:11:05):
This shit's been going on far too long. It's a joke.

Speaker 14 (01:11:08):
I mean the fact that it used to be big
tobacco now it's pharmaceuticals, and you could.

Speaker 20 (01:11:13):
Even say that we're being pimped by the television community.
Is it is ridiculous at this point.

Speaker 2 (01:11:19):
Sure, the revolution will not be televised, that's true.

Speaker 21 (01:11:25):
Are you recognized everywhere you go? I mean you You've
been in the game for so many years.

Speaker 2 (01:11:30):
You're such.

Speaker 21 (01:11:32):
Like you're on the phone now, I'm nervous too. Like
keV you are the you are You're You're it, You're
You're fucking Willy made is the hip hop You're You're
you know you are.

Speaker 2 (01:11:43):
You are such an iconic figure.

Speaker 21 (01:11:45):
And you have influenced and educated people for decades, not
a decade, decades. I have to imagine whether you're in
nhwah wah seven eleven or publics, they know who you are.
They come up to you and and and they just
want you to just talk. Like you could do a
fucking thing on children's stories, bedtime stories. People would listen,
you know, like you Black, you're the teacher. You you

(01:12:09):
have such a way about you.

Speaker 20 (01:12:12):
You'll Geba Gabba, please call car us.

Speaker 2 (01:12:14):
Yeah. So my question is, you know, are you recognized
everywhere you go at this point? Oh yeah, oh yeah,
I mean it.

Speaker 6 (01:12:25):
But it's a healthy thing because again I mean, look,
my children are the ones that get aggravated. Not anymore,
but when they were like now they're twenty nineteen, this
kind of thing. But when they were twelve thirteen, we
would go somewhere, of course I be recognized and they

(01:12:48):
would you know, you got to stop for another auto
travel hole, You got to stop for you know this,
you know, a picture or something. And over the years
days even comes to realize that. And this was the
saying that I say to them. They grew up with this,
and they grew up in me saying to them that.

Speaker 2 (01:13:05):
The problem is is that if you walk into a
room and no one recognizes you, or it walks up
to you or harasses you. You have a problem. Your
your career has a problem.

Speaker 6 (01:13:19):
So what you want is to always be harassed and
bothered by those who respect, or honor, or or admire
your your art I don't understand artists that have no
time for their fans, and some of them are my
friends as well. I've been places where I've been with
other artists and you know, the fans are coming up
and they're like, well, you know security, and I'm like, nah,

(01:13:43):
we don't understand that. You know, everybody is uh. First
of all, a person honoring another person is a sacred thing,
and that's a that's a sacred thing. It's like especially
you know, when you in certain neighborhoods. I get this
from all kinds of people, especially men where you know,

(01:14:03):
all types of men to run up on me and
be like listen, man, you know I ain't no punk man.
I just want to see that straight up to tell
you know, but you know, can I kiss use it?

Speaker 2 (01:14:13):
You know? You see?

Speaker 3 (01:14:14):
You know.

Speaker 2 (01:14:16):
You know? Or can I give you a hug you
know or something like that? But you know, but it
does get there, they say, like, yo, straight up. You know,
it is a.

Speaker 6 (01:14:25):
Respect level and it's healthy. That's why I say it's
a healthy thing, not on the ego or the arrogant level,
but on the level of it's been thirty years. If
you're still interested in me, I'm the one that's humbled.
If you're willing to come out to a show and
get a babysitter and spend your money and get put
money in the car. You know, we don't got to

(01:14:45):
get ready to hear.

Speaker 2 (01:14:46):
They got to take showers, they gotta do their air,
they gotta you know, you know, to come out to
a concert. You're going to do all this for me
to come out. Oh I got to bike you. Oh absolutely.
By the way, don't go on too late.

Speaker 8 (01:15:01):
We're all, oh, yeah, exactly, you gotta.

Speaker 42 (01:15:04):
And you gotta take your pictures, don't no, I know,
But what time you actually gonna perform?

Speaker 2 (01:15:13):
Actually, I think I'm going to two. Just put a
wrench in everything. No, no, no, just put a wrench
in everything. Said, I go on at one a m
we got one. I might have to come to you.

Speaker 21 (01:15:37):
So you have a lecture at seven. It says over
at nine, you take a nap from nine to one.

Speaker 1 (01:15:44):
No, student, Maybe.

Speaker 2 (01:15:45):
I'm going to see a movie or something. I don't know.

Speaker 20 (01:15:48):
You should you should chill with us.

Speaker 12 (01:15:50):
You should chow with us, take a personal radio.

Speaker 21 (01:15:52):
So my question, because obviously you are recognized everywhere you go,
because that do you have to do? You feel a
certain sense of responsibility as far as an artist a musician,
because you are a larger than life figure.

Speaker 2 (01:16:09):
You are an icon in this in this industry.

Speaker 21 (01:16:11):
You know, you've fathered many styles, You've influenced almost everyone
as an artist over the years. Have you felt like
you've carried a burden or you've had to maintain a
certain level of I don't know, hip hop integrity with
the music you make or the or even maybe the
way you you carry yourself.

Speaker 6 (01:16:33):
Well, you know, while you just curved the question at
the last part was would carry yourself? Is that I
was actually gonna that was actually my answer was that
it is. Yes, there's a sense of responsibility, but I
wouldn't put that on everyone, but for myself, yes, there's
definitely a sense of of the's a deep sense of responsibility.

(01:16:57):
You know, It's it really comes down to, uh, what
you stand for? Like what what you and and and
not the cliche what you stand for. It's like when
you get up in the morning and you put your
feet on the floor and you stand up. Uh, what
did you get up toward today?

Speaker 2 (01:17:16):
What?

Speaker 6 (01:17:16):
What did you stand for?

Speaker 2 (01:17:18):
And your intent? Right? What is the intent of your day?
And you know my intent?

Speaker 6 (01:17:25):
It just it just in terms of my person my
my intent is always to empower the person next to me.

Speaker 4 (01:17:32):
Uh.

Speaker 6 (01:17:33):
If I can do that, that's that's my mydeal. And
and and it's also a habit as well, because really,
as a father you grow up like that. As a
husband you grow up like that. You know, you have
to empower your wife, you have to empower your children.
You have to you are a power pack within yourself. Uh,

(01:17:53):
that has to empower others. And of course you get
your empowerment whatever you know, whatever variety of sources you
empowered from. But I want people to be empowered around me.
If you're around me, you should feel healthier, you shouldn't
be hungry, you should be clothed, you should be sheltered,
you should have your dreams fulfilled. In that sense is

(01:18:17):
why I like to start ciphers when we're in live
on stage, I hope I'll be able to do it tomorrow.
But if the place is right, if the mood is right,
you know, just the flight, get off the stage. We
open up a real cipher with the with the opening
act or acts that want to just jump up MC
if they want to get up and do their thing. Yes,

(01:18:39):
there's a sense of responsibility that says, no, this is
somebody in the crowd that was just like me thirty
years ago, and this is their shot right now. They
can't get this shot no other way. This is it
right now. It's my response. Ability. I'm responding to the fact.
You know, this is my response. I'm like saying, Yo,

(01:19:02):
you just enjoyed the show.

Speaker 2 (01:19:04):
You got that.

Speaker 6 (01:19:04):
But let's get into the tradition of what we do
real quick. Let's get decipher started. Spit with me right now,
get on the stage. If you got the heart, let's
do this right now. And a lot of people jump
up there.

Speaker 20 (01:19:17):
Some some crash and burn, yeah, some don't, some don't.

Speaker 14 (01:19:20):
But listen, I'm gonna flip it for a minute. I'm
gonna go into a little bit of hip hop folklore.

Speaker 20 (01:19:24):
I got a question.

Speaker 14 (01:19:25):
I mean, as monumental and as powerful as criminal minded
was as an album. I mean, I would love for
you to kind of talk about how how that was
prepping for an album like that, because it was so
I guess low tech at that point, I really want to.

Speaker 27 (01:19:42):
Know, did you steal did you steal Molly Maul's real
of all of those snails and ticks that basically you got.

Speaker 14 (01:19:53):
You know, the story was that you guys kind of
went into the studio, he kind of didn't give you
the respect that maybe you guys do. I mean a
lot of people know about that, but did you guys
pretty much make criminal minders.

Speaker 20 (01:20:05):
Off of Marley's beat fucking reel the reel?

Speaker 2 (01:20:13):
You know this is this is a mystery. This is
a mystery, And let me tell you why this is
a mystery, because I at Scott the Rock did not
technically lift anyone's real for real out the studio. He
wasn't us. Now.

Speaker 6 (01:20:34):
The one who was producing our record though, was a
guy named said see from See Okay now said she
was our producer.

Speaker 2 (01:20:45):
He had the drum machine and the four track that
we were doing our originals music with. But he said
she was not using a real to rel said she
was using floppy diss. Now, kids, what where the controverty
comes in. And here's what I think happened that Uh

(01:21:09):
I used on the Bridges Over. I used the ticken
snare from Eric Bef for President, which which is Molly
mal from sound. Those are from Mally Molly produced, Uh,
Eric b for President. So I use the chicken the

(01:21:31):
snare from Eric Beef for President be for the Bridges over.
Now the tickets snare for the bridge is over the
original Bridges Over. The ones that appears are Criminal Minded.
That is Molly mall production, and that is production is sound. Uh,
those are his sounds, so Mally Uh. When I interviewed

(01:21:54):
Molly a couple of years ago, he craigs that. Uh
and he stole his his real real uh topy it
and then put it back to you. Uh As that's
how we got our sounds. Now the top part just
is technically correct. That's the only record that is indiscrepancy

(01:22:18):
is or would be the Bridges Over, because the other sounds.

Speaker 6 (01:22:23):
Were sampled from break Beat records. Those were specifically break
Beat records Criminal Minded.

Speaker 14 (01:22:29):
Uh.

Speaker 6 (01:22:30):
Elementary on Criminal Mind on the album Criminal Minded was
a drum machine, uh in just a straight of BMX
drum machine. Everything else was pretty much sampled trum breakbeat
albums and so on. The only song that's in discrepancy
is the Bridges over uh and in that sense, but

(01:22:52):
Marlly does like to take it further and say that
the whole Criminal Minded album, you know, we got all
our found.

Speaker 2 (01:23:02):
From him.

Speaker 11 (01:23:04):
You know, actually perfect opportunity this question here, because it's
thirty years after the Bridge is over right. You're you're
you're driving on on the highway up up in New
York and you see a highway sign where it says
Queens or Queen's Bridge, you know, X amount of miles
to the exit. Do you still look at that word
Queens Queen's Bridge and smile a little bit and pat

(01:23:25):
yourself on the back, like, yeah, I got you.

Speaker 2 (01:23:31):
I do that with the whole of New York. Yallo, yes,
I do that with the whole of New York.

Speaker 19 (01:23:38):
That that Queens.

Speaker 6 (01:23:40):
Look, I love Queens. They still got Gabby Piete over there,
and they still got the mass I'm uh, I'm addicted.
It's a funny thing we did, uh, criminal Minded and
by all means, And that's actually the first four albums
criminal Minded by all means. Next, sorry, Gettle music and

(01:24:00):
sects and violence was all done at power Play Studios,
which is ain't Queen's Bridge, And it's a funny thing.
We used to have to go over the bridge every
day to get to the studio. Interesting thing, my wife,
Simone is a Queen's native. Her best friend was Jim

(01:24:20):
sd J. That's how her home campus run the MC
that there's a whole deal with her.

Speaker 2 (01:24:28):
On that side of.

Speaker 6 (01:24:31):
Queen's as well. But yeah, when I when I look
at I tell you when when I go to New
York and I'm like leaving on the Turnpike or something
like that, going bought for some you know, you do
put a smirk on your face. This year, I had
a frown on my face because I left New York
in like sixteen below decrease. It was like one decrease

(01:24:55):
or something crazy snow storm and it was ridiculous getting
out of New York. Uh, the past went. But I
was so happy.

Speaker 2 (01:25:06):
I was. I was going to on the Sundane Film
Festival with where I am and I don't fly, so
I was driving and to get out from go from
one snow storm to another, it was just ridiculous or
like I'm never doing this again.

Speaker 21 (01:25:22):
Getting back to the whole queens Bridge It's it's ironic.
You've you retired a lot of rappers to be from
some rappers, you do some rappers off stage, and you
worked with Marley in two thousand and seven ironically after
all of this, So that was pretty That was pretty crazy.
I mean, I think a lot of people thought that

(01:25:43):
came out of nowhere. So that was was that the
years in the making and what transpired where you guys
were like, let's do this, you know, I tell you
the truth.

Speaker 2 (01:25:52):
It was karma.

Speaker 6 (01:25:53):
It was really karmic because at the time I was
on cotch Uh in the Paint Now records and or
actually it's Eve one now, but.

Speaker 2 (01:26:08):
At the time I was, I was, I was there,
I was distributed there.

Speaker 6 (01:26:12):
So it was weird because I knew Molly from from
the from the very beginning, from the very beginning, Me, Shan, Molly,
SHANTEI is Uh Cougie wrapped Uh Big Daddy Kane. We've
all been close, all of us, all of us. Even
recently me and Shan was battling. He got in twisted

(01:26:35):
in himself uh and started making remarks about me on
online and I just took it upon myself back him
around a little bit. But uh, it was but it
but we always been friends. It's from the very very
very very very beginning. And so the karma then came around.

Speaker 2 (01:26:55):
And this was the karma for me.

Speaker 6 (01:26:57):
It was that I wanted to to do something. I
wanted to bury the hatching with, especially with Mallie and
with Magic, with mister Magic before we did depart, before
we did leave the earth, and that was the project
to do it on. Mallie felt good about it. If

(01:27:19):
you remember, during that time, Mollie had a heart attack
during during that time, he was almost out of here,
and you know, you start getting epiphanies right around that
experiences like that, and Magic did actually die after I
think maybe a year after the album was recorded. Uh

(01:27:42):
maybe a year even, almost like nine months after the
album was recorded, Magic did pass. And I was so
happy to have uh said to mister Magic that you
know that that we were friends and that you know,
did the past is the past. We were young, we
knew what it was. We're MC's with DJs because it

(01:28:06):
did go deep. Uh you know, if we've we all
said things to each other that were immature and shouldn't
have been said in even outside of battle, uh, because
back then it did get serious a few times between
us and we had to you know, cool ourselves off

(01:28:27):
and get back in place. Uh here, So it was
like here we are now grown men, and it's it's
one of the reasons why I don't do the full
bridges over anymore. I do the bridges over, uh, but
I don't do the full bridges over because the second
half of the bridge is over. Uh is if it's

(01:28:49):
brutal on one crew, you know magic table.

Speaker 2 (01:28:56):
With huh name and names, name and names.

Speaker 6 (01:28:59):
So it's like, you know Magic, you know, he has
bull family and people there. So I don't run around
this and him. You know, in that record, I do
only half of it because half of it's sort of
like the warm ms.

Speaker 20 (01:29:13):
And we've all grown a bit too, you know what
I mean, would you respectable?

Speaker 35 (01:29:17):
No?

Speaker 2 (01:29:17):
Absolutely, it's it's uh, that's it. You know, that's that's
really what it is. So it's like but nah, but
the album, you know, it was really a common thing,
and so me and Mally got together, we did it.
You know, Shan was there. You know Shaan say everybody was.
I mean they didn't appear on the album but you know,

(01:29:38):
we had a chance to do our thing. But then,
like I said, the main thing was that magic then passed.
And that's when I say, wow, you know recently, recently,
love Buck Starsky just passed and I was with him
there in Vegas two weeks before he passed. And it

(01:29:58):
was a weird thing because I'm Dan Vegas. It was unplanned.
He just came out, you know.

Speaker 6 (01:30:03):
So he's down stage and and and he's just rocking
with us and doing his things, and you know, just
he's just there, you know. And I mentioned to the crowd,
you know, this is love fuck Starts. This is who
started this who, this is who gave us the word
hip hop. This is who's credited with with giving us
the term hip hop. And uh, here he is and

(01:30:25):
and he and we laughed and joked about He said
I should have trademarked it.

Speaker 2 (01:30:29):
I was stupid.

Speaker 6 (01:30:29):
I should have trade marked it. And he and he
just went on and two weeks later he passed his band.

Speaker 2 (01:30:35):
That's it.

Speaker 6 (01:30:36):
And it's like wow, I got an interview with him,
I got a chance to rock on stage with him.
I actually he was his last show and uh is
uh he sent me a text the night after that,
the night after he rocked with me, sent me a
text and the text was I'm paraphrasing, but it was
like he said, uh uh uh, if if I died tomorrow,

(01:31:03):
at least I didn't go out like a sucker.

Speaker 4 (01:31:06):
Uh.

Speaker 2 (01:31:07):
He's just like that, he said, if I died tomorrow,
at least I didn't.

Speaker 6 (01:31:11):
Go out like a sucker. I got a chance to
rock the KRS one and and he sent it out.
He said love you brother, and that was it. And
two weeks later both that was it for him. And
it just made me think, like, you know, just the
important So saying like the album you mentioned.

Speaker 2 (01:31:28):
You know, hip hop lives uh as as as an album.

Speaker 6 (01:31:32):
Yeah, to do that with Molly, it's good for your life,
it's good for your calma. It's good you know, you
get to sleep at night on things like that. You
like you said, it's respectable. It's not just about how
much money can be made or what's same or video
or you know whatever that's about. Yeah, this is part

(01:31:53):
of a any project, but the deeper part to the
actual art is when you're in When when you art
is in tuned with life, When when you're doing art
for meaning and purpose and and you see it like
you know, you went in for that reason and then
you know this happens and you say, wow, I was

(01:32:13):
covered right there. And here's my testimony is written down.
It's called Hip Hop Live and that's what it is.

Speaker 2 (01:32:23):
And that's yeah.

Speaker 39 (01:32:24):
Words Krus you said something earlier that kind of it
made me think for a minute, Shan. You said, he,
you know, disparaging words or whatever.

Speaker 2 (01:32:34):
What's up with that?

Speaker 43 (01:32:35):
Dude?

Speaker 2 (01:32:35):
Man?

Speaker 1 (01:32:35):
Are you guys cool or is he just is he?

Speaker 10 (01:32:39):
Does he have moments or what's the deal?

Speaker 4 (01:32:42):
Yes?

Speaker 2 (01:32:43):
Yes, yes, everybody you just said yeah, because I mean
it just sounds like that was weird.

Speaker 38 (01:32:49):
It's like, okay, I thought, you know, he seemed like
he goes in weeks.

Speaker 8 (01:32:53):
Yeah, which way is that time of the month?

Speaker 2 (01:32:55):
The publicity thing, he's just.

Speaker 6 (01:32:59):
He's just Fastality's just say, Shan, he's crazy.

Speaker 2 (01:33:03):
He's what it is.

Speaker 6 (01:33:04):
But but the but the thing is is that you
know I'm gonna I will look, I would not have
a career if.

Speaker 2 (01:33:12):
It wasn't for empty Shan.

Speaker 6 (01:33:13):
Let's start right things. Okay, San answered me. I did
a little answer record called the South Brawl, and he
had the audacity to answer me, and that is really
how my career begins. And so you know, if if any.

Speaker 2 (01:33:31):
Book is written, if any movie is done, if any
legacy is called, you know, I'm indebted to Empty Shan.
He's crazy, he's out of his mind. But at the
same time he's part of my legacy. He's part of
what it is.

Speaker 1 (01:33:51):
But it's all good.

Speaker 10 (01:33:52):
Yes, he has some dope records.

Speaker 39 (01:33:54):
I love the second album, the one was that pioneered this.

Speaker 14 (01:33:58):
Oh Nodell what krs listen as a legend? As someone
who meant so much to me? One of your most
honest lyrics drives me to my next question. Fifty years
down the linehere we can start.

Speaker 20 (01:34:12):
This will be the old school artist.

Speaker 14 (01:34:14):
I got to ask you because you've been from the
entire stage of what hip hop has been. Like myself,
sometimes I feel a little out of place because when
I asked this question to people who are like Golden
era fanatics or you know, two thousand guys, who's that
producer that like meant so much for me?

Speaker 20 (01:34:35):
It was like a Larry Smith. To me, it was
a man Tronics. These guys were.

Speaker 14 (01:34:40):
Doing things that were very creative and very different for
the time, Like what was that music that made you
before you became actually krs the superstar, you know, or
the artist who was the guy that was driving those
beats that made you want to, you know, do this
that you loved well.

Speaker 2 (01:34:59):
You know, was well, wow, I'm gonna date myself right now.
When I was coming up, there weren't any producers like that.
There was one producer and his name was, oh wow,

(01:35:19):
just that his name thriller producer of Michael Jackson, Quincy Jones. Jones.

Speaker 6 (01:35:26):
Quincy Jones was the equivalent. He's not even the I mean,
Quincy Jones is beyond the names of the producers. I'm
even mentioning today the impact that he had back then.
But when I was growing up, before before signing Ji
B Boy record for any music, even before leaving home

(01:35:48):
around seventeen eighteen, when I just started thinking about being
an MC and you start looking for beats and looking
for what your music is gonna possum sound like it was,
we only had one producer. It was Quincy Jones.

Speaker 2 (01:36:06):
And then and if you even knew uh that he
was a producer, if you even had the work producer
in your mouth, and you knew that he was the
dude that hooked up Michael Jackson with thriller.

Speaker 4 (01:36:20):
Uh.

Speaker 6 (01:36:20):
And I mentioned that because again, Michael Jackson were the
people that you would look up to. These were the
guys earth Wind and fire, Isley Brothers. James Brown was
just simmerin off when I was coming up, he was
just simmering off. The breakbeat is where James Brown has
been relegated to. Everybody was playing his music Fly in

(01:36:43):
the Family, Stung, but he wasn't doing big tours anymore
in that sense. So we were looking at bands. We
were looking at whole bands and saying, Yo, we want
to look like them, we want to dress like them,
we want to do it like that. So when I
was coming up, you had guys like Peter Tosh who
was big in the hood. Bob Marley was huge records

(01:37:09):
certain songs like the Doobie Brothers song, and he did
see And let me just back up real quick and
say also, this was a time where the audience was
into the artist and not even so much the music.
It was like, yeah, you was into the music, but

(01:37:29):
it was the artist that was into the music. The
musician was into the music, and you was into the musician.
So it was like whatever the musician put out that's
what it was.

Speaker 2 (01:37:41):
Uh, and we just got ried. It was none of
this rating of music or putting music against music and
saying well this compares to that or that. With this,
it was a time where you know, you didn't care.
Michael Jackson's coming out with a new record next week.
He's like, whatever it is, it's gonna tell a million records.
Richardond to Michael Jackson, like that's just what it was.

Speaker 6 (01:38:05):
So you know, just understand the logic of this. So
when you see someone like, let's say, now feed up
the tape a little bit, come over to run DMC
and you see, you know, three black dudes from Queens
with you know, no shoelaces in a sneakers, pressure thet

(01:38:29):
his goal on a neck leather from head to tell.
One of them dudes call himself run and he's always
counting money. He's in front of a.

Speaker 2 (01:38:41):
This is when that happened.

Speaker 6 (01:38:44):
It was like, hold up, this was a whole nother thing.
Now where you say influences on me, Then now you
start entering the realm of DJs and just basic breakbeats.
We were looking up to cruise like the Steady Crew
and graffiti crews like the tax crew. Uh, there was

(01:39:06):
people to look up to because the tax crew they
used to do the whole side of trains. This was
a graffiti crew. They still exist, of course.

Speaker 20 (01:39:15):
Of course.

Speaker 6 (01:39:15):
Uh and and and uh they used to do the
whole sides of trains. I don't want to get there,
give them away, but uh, they they used to top
the bottoms and everybody knew that. You first of all,
you had to risk your life to do that. And
so it wasn't just art that was on the train.
It was like they got away with something. It was

(01:39:36):
style with it. It was like a style like you
actually did that and then put this type of art
with it, like total defiance of the system. So we
was looking at that, We was looking at graffiti, right,
and we was looking at breaking and so on. Now
you get run DMC. Now you get a guy named

(01:39:57):
Russell Simmons. And this is where hip hop ast culture
starts the bubble because it's no longer just earth winding fire.
We's just look at earth wind and fire.

Speaker 2 (01:40:08):
And that was it. It was earth wind and fire.
That's all you saw.

Speaker 6 (01:40:11):
You didn't see earth winded fire. And then their manager, right,
you know, you didn't see Donna summer and her manager
was just as huge as she was.

Speaker 2 (01:40:23):
That's in the current.

Speaker 6 (01:40:24):
Russell came out and was like this runs the EMC,
this LLL cool Chay and then there's this other guy
over here that's an executive that he's not rapping, he's
not doing any of that. He's the guy counting the money.
And he became a CE and like he became a celebrity.
So it's like, these are the things that are influencing us.

(01:40:45):
This is what started Bookie Down Productions when we looked
not even so much at Russell because we all started
around the same time in that sense and really as
an artist, the influence was run DMC. That that was
the that was the influence, Mellie mel the message was

(01:41:06):
the influence. The Treacherous three uh coom O d l
A Sunshine Special K there the flow. There, they're flows
even some one one hit artists as well, like like
Super Rhymes and t Ski Valley and with Heartbeat. Uh

(01:41:30):
you know these these guys Jazzy five mcs.

Speaker 2 (01:41:34):
With red Alert Red alerts. First group, these guys they
had one hit out, but they but the.

Speaker 14 (01:41:41):
Man you feel that's my favorite.

Speaker 2 (01:41:48):
Boy, huge huge, the huge influence, h huge different.

Speaker 6 (01:41:54):
These these records, you know, are the ones and these
groups you.

Speaker 2 (01:41:59):
Know they did, these are the influences.

Speaker 6 (01:42:03):
Yeah, just you know put I mean, of course I
could go on, you know, but it's uh when you
say initial influence, like you know before it was kl Rest,
who was it?

Speaker 2 (01:42:14):
You know, go back like I said, Peter Sage, Bob.

Speaker 6 (01:42:16):
Marley, Isley Brothers, Uh, earth Wind and Fire of course,
lying the family, Stone, Chains Brown, you know, the Watts,
poet Uh, actually the last poets. All of that is
just this is all in the house too. This is
my mother is buying these records too.

Speaker 2 (01:42:38):
Vinyl.

Speaker 6 (01:42:39):
Uh, you know she's buying Every Friday, she's coming with
two records, one album and one twelve inch vinyl. And
it was it was a religion, it was it was tradition.
Every weekend when she got paid come from her job,
she buy one album and one single. No doubt that

(01:43:00):
might have been too much. These records was like a
dollar like albums was like three dollars.

Speaker 2 (01:43:06):
I don't know this, this is like the eighties.

Speaker 21 (01:43:10):
I'm gonna bring it back to the nineties real quick.
Plus Golden era dudes. I'd be remiss if I didn't
asked this. Because we're talking about great producers and things
like that, there's one in particular that I feel that
you guys have always had great chemistry and you put
together some of your best work, and that's the goat.

Speaker 2 (01:43:25):
That's DJ Premiere.

Speaker 21 (01:43:27):
Can we can we expect to see Cares and Premiere
again doing it. I mean, whether it was returning the
Boom Bap out of Here MC exactly. They don't know
higher Level, which is one of the greatest fucking beats.

Speaker 38 (01:43:43):
Ever, and we need more of that. Hip hop needs that.
I think it would. It's long overdue, best fucking song.

Speaker 21 (01:43:55):
So for the people listening out there, I mean, is
there a possibility of you guys are working together. I
know you work with a lot of cats, but this
is in particular.

Speaker 2 (01:44:06):
Yes, no, we keep threatening to do it. But but
the thing is is that the public really for Premiere.
It's really on Primo. It's not really on me.

Speaker 6 (01:44:18):
I'm always ready, always I could do an album anytime anywhere.
I'm always ready. But it's Primo. He's a perfectionist.

Speaker 2 (01:44:27):
He makes beats and he you know, you know what
kind of album is this? A fifteen cut, a Dwelt cut?
Is it an EP?

Speaker 6 (01:44:36):
Does he do all of it or some of it?
You know you had mentioned Pete Rock just before this
this interview here, Pete Rock was on that's somebody I'd
like to do an album with. Pete Rock lays down.
I heard some of his feats that he was playing
for Sway on the Morning on the wake Up Show,

(01:44:59):
and I was like, yeah, I wanted to get in
on some of that, but yeah, no, this this all.
I would hope one day that we could do a
record with Primo, but you know, it's really on Premo,
and I think the public has demanded from Primo and say, listen, Premo,
we're not going to play any more of.

Speaker 2 (01:45:19):
Your music until you do this record with kr Rest.
We need another returnable back part two. Uh, you know,
and and do that. I'd be totally up for it,
But and I think it may even actually happen because
my best work is still in me. I still don't feel.

Speaker 6 (01:45:37):
Like I've reached my peak, to be honest with you.
I say that respectfully. Of course, I guess it's thirty
years but uh, but.

Speaker 2 (01:45:46):
I honestly.

Speaker 6 (01:45:49):
Now I got a little more on meat that I
can get out and for me it comes with the rawness.
Certain tracks we can open the imagination of the list
a little broader.

Speaker 38 (01:46:02):
Yeah, absolutely, people listening to Tony Robbins.

Speaker 21 (01:46:05):
I listened to you krs. Look, we could do this
interview a fucking that long and I would love it.
But I know you're giving us. You're giving us plenty
of time, and it's been an honor, a pleasure, and
I know from all the listeners to us here it's
this is a surreal experience. And I can't wait to
see you rock the stage tomorrow.

Speaker 20 (01:46:26):
Not only not only that, every night after you do
a concert, what do you do?

Speaker 2 (01:46:31):
You do the.

Speaker 20 (01:46:34):
The cipher?

Speaker 14 (01:46:35):
I want you to do a take a personal cipher
about the interview you just did, wrapping off the top
of the head, talking about what we talked about.

Speaker 20 (01:46:44):
Is that a possibility?

Speaker 6 (01:46:45):
Great now on the phone, Yeah.

Speaker 2 (01:46:48):
You got it if you're performing tomorrow at one o'clock.

Speaker 20 (01:46:51):
So I'm not going to do the cipher. I'm asking you.

Speaker 14 (01:46:55):
You just talked to five people who just broke down things,
how they feel about someone like you, what you meant
to us. So the fact that we can get this freestyle,
it could be twenty words. It doesn't matter talking about
what we just did on taking personal radio with the
Mighty King or Kars one, I'd be like honored or

(01:47:18):
here we.

Speaker 6 (01:47:18):
Go then three two one take it personal radio. This
is the way to go, kr Rest. This is the
personal radio. What I mean by this is what I
say in the class. What we're doing right now is
called the broadcast. When I say broadcast, this is what

(01:47:41):
you need. Go back get the dictionary. Broadcast means throwing seed.
So when I proceed with the free style bomb, I'm
throwing seed into the listener, into the mind. You gotta
overstand what I'm saying on the radio.

Speaker 2 (01:47:56):
This is personal.

Speaker 41 (01:47:57):
This is the way to go.

Speaker 6 (01:48:00):
I see tomorrow, I'm gonna rip this down. I'm gonna
let these cats know from the West coast to the
Boogie down, from the North to the South, were coming
off the top. We're doing it like we up in Canada,
like we on the top. But I'm gonna do this
right now for easy Ian, Scott Rock, I'm gonna do
this right now. For HEAVYD and two Pop. I'm gonna

(01:48:20):
do this right now. For Big L I'm gonna do
this right now for all my dudes in heaven, no hell.
So I'm gonna say one time, it's a personal radio
ko rest one. This right here, that's the way to go.

Speaker 20 (01:48:33):
Oh wow, dude, I love you so much.

Speaker 14 (01:48:37):
It's beyond it's beyond words. I can't even describe what
I feel right now. But here's the thing I gotta have.

Speaker 20 (01:48:43):
You Just do one thing for me. I'm the DJ
of the show. I'm the DJ of the show, DJ
three sixty. I just need you to say. DJ three
sixty is down with us.

Speaker 2 (01:48:54):
DJ three sixty is down with us.

Speaker 20 (01:48:57):
Phil a Flavor is down with us.

Speaker 2 (01:49:01):
Full of Flavor, It's down.

Speaker 20 (01:49:02):
With Kevlar three is down with us.

Speaker 41 (01:49:07):
Law three.

Speaker 6 (01:49:08):
It's down with us.

Speaker 20 (01:49:10):
My man a Aron down with us, Hey.

Speaker 2 (01:49:14):
A Ron, my man a Ron. It's down with Doc.

Speaker 20 (01:49:19):
Roger is down with us, my Mayor Roger, He's down
with us making fucking music as a must. Thank you,
my brother. This was a beautiful interview.

Speaker 14 (01:49:30):
This was very special for taking personal and the take
a personal crew behalf of our listeners.

Speaker 20 (01:49:35):
Bless you, blessure, line.

Speaker 21 (01:49:37):
For line, word for word, MC to MC. I don't
think anyone could touch you, man, and I can't thank
you enough. I'll thank you tomorrow and you and he
can go to win Dixie gets get a chicken tender
sub and we can do a cipher in the back.

Speaker 20 (01:49:49):
But this was this is s real man so much
you're actually hanging up on the wall in the studio.

Speaker 38 (01:49:58):
Brother, I appreciate, Thank you enough man, have a good night.

Speaker 2 (01:50:01):
We'll see them off.

Speaker 19 (01:50:02):
Thank your wife for you from me.

Speaker 6 (01:50:04):
I appreciate it, all right, pace man, you apprecie all right, Joe,
this is krus one. You're checking out to take your
personal radio show.

Speaker 1 (01:50:13):
Yeah, where's the stuff that I loved?

Speaker 2 (01:50:20):
Karen?

Speaker 30 (01:50:21):
I toished it there on Twitter?

Speaker 2 (01:50:25):
What what was I supposed to do? We're all over
the house, however, and that was worth sixty thousand dollars.
I need that money. That's all we got.

Speaker 4 (01:50:35):
That's all the money, Karen. I was dependent on that.
What did you do that?

Speaker 2 (01:50:40):
Do that?

Speaker 30 (01:50:53):
Ca were.

Speaker 2 (01:51:00):
America? God jump his next control some America. Pay our restaurant,
come to start something miss area, y'all and then go
business control some America.

Speaker 44 (01:51:10):
Here brot the cheep the tea, cheap a tea?

Speaker 2 (01:51:17):
What what what? Afternoon around eleven o'clock it was freezing call.
He was standing on the block selling cheap, nix it
nine sand a rhyme just to pass the time. The
cops passed by, but he stayed calm because the leather
trench coat was keeping in warm. But this time they
walked five real slowly. He thought to himself, they look

(01:51:37):
like they know me. They drove away, but he didn't say.
He jumped in the cabin. He paid his tab. But
guess who he saw when he hit the block it
with the same cop car, the same two costs. They
jumped out quick. They pulled the gun. They said, don't
try to fight it, don't try to run, go walk
a rake and we will be your friend. Non cooperation
will be your end. He jumped in the car and

(01:51:59):
while the road he ran down the list of things.
He owed this that you owe some money, you owe
us some product, because you could be right in the
river top. He bought for a second and he said,
what is this. You want me to pay you to
stay in business. They said that's right for your go
to prison, because nobody out there is nearly gonna listen
to a hood. So he said, goody, I'll pay you

(01:52:21):
off for the whole neighborhood, because okay, business control some
aerica God your business control some America KRS one comes
to start something hysterario he legal business control some aericond.

Speaker 40 (01:52:33):
America regard checking out, taking personal podcast podcast podcast.

Speaker 45 (01:52:47):
No KRS and Skylar Rock on the cover with the
guns and you know the whole album you can listen
to from beginning again and Banion the way cars rhymes
and his style like it was like off mead flow
or some of the regids off these kind of styles
of man. It was banging and what he was talking
about was like before we came out.

Speaker 2 (01:53:09):
You know he was doing it.

Speaker 4 (01:53:10):
Man, what not for us?

Speaker 2 (01:53:13):
To listen to the teacher and a lesson class is
in session, so you can stop dressing.

Speaker 1 (01:53:18):
If this is a king or a written down memo,
I a professional.

Speaker 2 (01:53:22):
This is not a demo. In fact, call it a
lecture official picture. So the poetic and rhythm like mass
to listen. I'm not missing, but this is something that
you miss it maybe you should touch me. Yay stop
whing for beats with plenty base and lyrics. Said, Hey,
if it's meaning doesn't manifest, put it to rest. I
am a poet.

Speaker 1 (01:53:38):
You try to show it, yet blow it.

Speaker 2 (01:53:40):
It takes concentration for fresh communication observation, that is, to
see without speaking. Take off your code, take notes. I
am teaching the class, or rather school, because you and
me schooling.

Speaker 1 (01:53:50):
I am not a king or queen. I'm not ruling.

Speaker 2 (01:53:53):
This is an introduction to poetry, your small au dedication
to those that might know of me. They might know
of you, and maybe you're game, But when things for
showing me the one in your hand. Listen, when I'm
at the row, this god is the gorsebow. Say something now.
So you seem to be the type of only understand
the annihilation and destructure of the next man. That's not poetry.

(01:54:14):
That is insanity. It's simply fantasy, far from reality. What
you in the language of imagination, What you is from
a positive reaction. Listen it the point you're missing it
your faces in front of my hands, so I'm listening it.

Speaker 1 (01:54:28):
Get your trouble to form.

Speaker 2 (01:54:40):
Time, come on, y'all, or let's frocks that one jump
that the time.

Speaker 1 (01:54:45):
Come on, y'all, let's frock.

Speaker 4 (01:54:51):
Rock explained half.

Speaker 2 (01:55:05):
Half something. Fuck up your mother, you can't eat mean
jump up, shut the fox up the numb the fuck
you're gonna he and me a rest. I'm thinking like sir,
h no, I'm not hurt or no, I won't let
him because I'm set up. How come in to you
on a crazy reserves? Get up and get let up?

(01:55:27):
They met him with the trip some liment of original matter,
Cristal light up, fight up any game to print some
nia I belief the mac can make a funny get
live off tim on fine moll with the time I'm
attached to your mind. Remind them on the head line up.
You'll see when you're talking to the show plass mister
k risk one lea coln try it and see they
be fine? What if I bin about as please please

(01:55:50):
mat I'll be fishing this a whizzy whizzy dismissing Christine Kenny,
rocking Minnie goodn't plenty Henny and see test me literally
such a movement to literates my terrorist one.

Speaker 4 (01:56:10):
Damndancing damn.

Speaker 1 (01:56:23):
Hip hop is lost.

Speaker 2 (01:56:24):
It's gone. It's not that's the forefront of America, because
the forefront of international culture, because they're afraid of it.
Uh what right now? What everyone wants is wrapped. Rapping
hip hop are two different days to different day.

Speaker 4 (01:56:45):
That don't do.

Speaker 1 (01:56:47):
That, don't be as that, don't.

Speaker 2 (01:56:55):
Rush sow gz like so they show extrictly for the
hop Lady say jet, so you couldn't know every work
Yo up the set tense said hey, like the god
they got common sense, says the complements. After I commenced
the Athens offense, seats rocking under fourth pretense, Yes, thinking.

Speaker 1 (01:57:15):
Bird like insects, murry freaking sense.

Speaker 2 (01:57:18):
You know the consequence when you pay your mess man sense.

Speaker 1 (01:57:22):
Chris presents all them ses the rock would eat.

Speaker 2 (01:57:25):
I'm not conceited. I got confidence in my abilities, atilities,
my credibility, what retorted to Chillery. You know facilities. It
takes a village like killer for killing me. He your mestest,
my brains capabilities? What the like the phones and the
combat soon and seas eating like the old soul. Lay y'all, Hey, y'all,
I'm not gonna play ya. I'm a teacher, but if

(01:57:46):
I'm wanted the girl, you can living single like my teeth,
like him uptown like most people, like the people, and
like the money or pizza.

Speaker 14 (01:57:55):
Lean.

Speaker 2 (01:57:55):
Let me PreTect you who was like scoop rock steady
stretch alogy of I want my fanny broom like a
heat bring in the new balance of the speaker like
to see the still a teacher proof it like Madison
Square this God.

Speaker 1 (01:58:08):
And the feet.

Speaker 2 (01:58:09):
She's the part of mood bringing fa't you bring ringing fair?

Speaker 4 (01:58:14):
I don't know that man, I don't know you're.

Speaker 1 (01:58:21):
I'm to me siting skill in how we feel. That's
a culture.

Speaker 2 (01:58:24):
I don't eat a full material like a folk shop
bro beating myself a welcious bath for my health every day.
I expressed myself with a dope livery from my indus.
Shelling saying that shivering with others as they hear it.

Speaker 1 (01:58:35):
He can't sing. He's saying, we's overseas brothers and sisters.

Speaker 2 (01:58:39):
Some shit. Gordon straight sent it on borders out there
with mini spell ship and need time. You aimlessly chance
that romance. It's your life that you be chancing, not
saying I don't want to sound gloomy, but I don't
why I'm about do it to me me and shake
your body when you're gonna grow women be gone instead
of making rack for full time job, it's a jomping out.

(01:59:00):
They only rhy this money because true self distress takes
hearty God rob god type mind said not type should
go like I wish you good chilling, not good job
because only the gun so hot? Bring don't you bring here?
Don't you bring you.

Speaker 4 (01:59:23):
Bring here?

Speaker 2 (01:59:25):
Stick gets you jack? Why your here is still clapped?
It's funny.

Speaker 4 (01:59:29):
Just listen.

Speaker 2 (01:59:29):
You fucking make money, but no one's tip bit. My
message is simple. You're slipping, slip slipping. Bring me everywhere.
I look about the house talking about the people and
how they should be eating. They're talking about the conversation.
Ain't going nowhere? Can't this hippop? So don't you even

(01:59:50):
gold them? See the Lord's talk? You want to quote
the scripture every time you hear a nigga.

Speaker 1 (01:59:55):
Listen up, sister, what this girl named the law?

Speaker 2 (01:59:58):
It's up rank shot that MC.

Speaker 4 (02:00:00):
She said, thanks so much.

Speaker 2 (02:00:01):
She was going to head the floor.

Speaker 29 (02:00:03):
Like got breaking the hands wrapped up up like the
arm end up voice saying the nods, moms.

Speaker 2 (02:00:08):
I'm wanting them just uns on him hopping the forearm up.

Speaker 29 (02:00:10):
Channel time and rest one who the NMC's up brought
some recause?

Speaker 1 (02:00:14):
He said, you're the one who big horse ain't brought
that masses every.

Speaker 2 (02:00:17):
Young pleaslim show coming out of the mounts of eights
and something, but you blind did not call your ignorance.
Instead he judging judge not least he made me judge
for the judgement. He judge, he shall show me me judge.
You get He shout, I like you, that's why I jocket.

Speaker 46 (02:00:30):
Then I said, you want to go my back because
I'm no brother's pockets got them dripping.

Speaker 29 (02:00:34):
Ben says, he said, rod Choice says attacking me with me,
You with no voice says that joy sais yours, not mine.

Speaker 2 (02:00:40):
Hang with me? Have you breathe down that barba graffe.
See we get caught that up, like what play may
not cause Violet whatever? Come with Violet before.

Speaker 4 (02:00:48):
Rap fast.

Speaker 2 (02:00:50):
L William instead of freaking William.

Speaker 4 (02:00:56):
William. Instead, why don't you do with me?

Speaker 2 (02:01:00):
I ain't know why I kicked the final like the
fight over all I watched blah blah blah blah. I
had some bustling balls that pick with that that son.
I mean them to do this.

Speaker 28 (02:01:08):
Side fucking care that that back because he said something
that you said something matter for you can get that
my mother because of you, that brings up real horror for.

Speaker 2 (02:01:20):
My sure back before he was one, they.

Speaker 4 (02:01:23):
Sold us out.

Speaker 2 (02:01:23):
Yeah, take Jack's widow that you are boutand he's a
slave mason, not a free mixed.

Speaker 4 (02:01:28):
Before long daughters.

Speaker 2 (02:01:29):
Hear my new hip hop to be saying stop me
because I'm either lyricist. The nineteen ninety nine Millennium Party
held that Gisa saying he's something froling, Oh my god,
is like you just just respecting arm instead focus your
attention on astronomy and the up and coming shifting me
a fine here.

Speaker 1 (02:01:47):
If you can't do that, then heed the final.

Speaker 2 (02:01:49):
Corps freeing with me ull. This is this is this, it's.

Speaker 47 (02:02:12):
We all are teachers with We're all that hope black ship.
We're all are conscious niggas.

Speaker 4 (02:02:16):
That used to chat like this is.

Speaker 47 (02:02:17):
He happy member yesterday when y'all was gods and Nurse
Gus and magnificis on.

Speaker 1 (02:02:21):
The fur to understand it.

Speaker 47 (02:02:24):
They're playing these texts brow everybody's on that little ship
about killing him. So my pussy something when I've decided
to the ship. So when that had to ignore Solign's
subconscious niggas is it's small. My tacks had to keep
your You can't do stop selling.

Speaker 1 (02:02:36):
Tack is me go back takes more.

Speaker 47 (02:02:38):
I'm don't have hole called freedom sw them travelpop the
wal to tem bringing yourself like like there's some conscious food.
God degreed, because see God decises me. He can't difference
with the West. He niggas, there ain't no difference. Just
spread the news.

Speaker 2 (02:02:50):
I spit.

Speaker 4 (02:02:51):
I got to listen.

Speaker 47 (02:02:52):
I can't south hoove the ship. This niggas clacking over there,
niggas flacking over here.

Speaker 2 (02:02:56):
It's niggas tying over here.

Speaker 47 (02:02:57):
Niggas tying over there like you throw follow them because
they don't know ship. They saw you tapped on that
fort bits and lexis. We got to talk about it
because I revealed your as. You can't silter to these thoughts.
It's winning No five cif the Jews that I family,
see the fools that I class, I be schooling you
because we are too.

Speaker 1 (02:03:13):
Isn't tested and I am nothing what God pleased.

Speaker 2 (02:03:16):
Nigga.

Speaker 47 (02:03:17):
Take your hand off your lips, and your lips off
that much. Stand for something, stand the right stamp for that.

Speaker 4 (02:03:22):
You fall for.

Speaker 2 (02:03:22):
Everything, because zero stamp for ship.

Speaker 4 (02:03:25):
I'm on the slim.

Speaker 47 (02:03:26):
Come with your tept, retire until your mind, with the
conscious runs.

Speaker 2 (02:03:35):
You ever wonder why you ain't living how you should
be living? Could it be your mentality? You get been
off nor the south west east. You unt change some
thoughts pulling you. But the thief really the little piece
with speed before the fabish gems feet proceeds the feet
about the minds of the minder. I find an answidome
to the f DMC that things don't we's got too far.

(02:03:57):
The joke opportunities are shutting down after then this from
flow one day you when he saw on the next
day your morner.

Speaker 4 (02:04:03):
You can see it.

Speaker 1 (02:04:04):
Play things like buck bunny if you water.

Speaker 2 (02:04:06):
Real bad boys if the movement's silence pet it, But
now real bad boys seem to moving feet. Twist societies
with the trip. Don't flip with the list talking ship
with that click show when your access up blasting? What
are the flips for concious livers? Wi Wick, can your
risk one comes? Follow up quick? The following of my
SI one ton and my sister the turntable sit down
now on the profil like twif he artie, You're want

(02:04:30):
tell them just what you see.

Speaker 1 (02:04:31):
It's this talent shit. But they had a god to base.

Speaker 47 (02:04:34):
I came to say that Agnes, smile off your face,
use acting alice or something.

Speaker 2 (02:04:38):
What I'm talking about music is said, but that's something
that you tell your about right now.

Speaker 4 (02:04:42):
You're trying out.

Speaker 47 (02:04:43):
They're kind of tracking back in the house. My wife's saying,
I'm not gonna tell how to take you out and
telling represent a nothing slotted slam stand entertained, unship God,
I'm playing.

Speaker 2 (02:04:59):
To that boy. Kiss you there, coming through crazy teris

(02:05:32):
one coming through, big set, last temper. That's the sound
of a mess last emperor kress big exact. You know
the rest. Now wenna down like this now o tide
shad common day, locking it off. Wait brand.

Speaker 1 (02:05:56):
Because forms that's the same reason.

Speaker 44 (02:05:58):
Can't be every war, because the tops of rock here porch,
keeping on your jaws.

Speaker 2 (02:06:02):
See I see your because your time is coming soon.

Speaker 44 (02:06:04):
If flifted like Latino when it's your talk three afternoons,
just bring your state. But howe slacks naked flipping at
America dramatic like Alisha he Muhammad brought the five.

Speaker 2 (02:06:16):
I bring the sun and red jawn, the poor, the
thals of frost and non so standing the text.

Speaker 44 (02:06:20):
Your devil touch you never survived too and signs against
the wages of the notes. Look get filtrator shot the
toxicator Tuly caught from Rader Liberation movement and.

Speaker 4 (02:06:30):
Now your lap.

Speaker 44 (02:06:31):
We got your clocks, push your frocks and it fail.
We got brought the troop in subways like the whole
she betrailed.

Speaker 2 (02:06:36):
We got the truth.

Speaker 44 (02:06:37):
Taigh Glass dem prok res this manifested tomorrow next lesson.

Speaker 4 (02:06:43):
Will do that.

Speaker 2 (02:06:51):
You know the cops they got a knit one for
a toss it rod, get that flash the last embro
kaa risk one and based zach as free market capitalism
and technology.

Speaker 48 (02:07:07):
It fans the Third World fertile soil becomes a desert
grace fan. So it takes fans to demand the government
provide answers When Lady Liberty has me betwitched like Samantha
if poverty is one of the most malignant forms of cancer,
to hold my black magic romances and accid rain dancers
develop close ties like Jerry Seinfelder George the Stanza he
Fear No Man, and ro jams that attack counterintelligence programs

(02:07:29):
exciting like the Epic Adventures of Conan.

Speaker 2 (02:07:32):
I colonize minds like Zaire by the Belgians.

Speaker 48 (02:07:34):
Now what the hell is the problem with the system,
and when it sells us I bring ancient relics like
y Cliff did the selics. I saw an im curtain
called hip hop and got it open, like Order Jolson,
or when tornadoes in the rainforest. If you says go
k arrest of the last that were brought like the
green Hornet and catos zach Dyala Roker brings the enraged flow.
We're all free job science and become the most powerful
alliance its NATO, NATO.

Speaker 2 (02:08:01):
What you presuing that's play?

Speaker 4 (02:08:03):
I'm selling cracks.

Speaker 2 (02:08:04):
What you bes to doing that?

Speaker 9 (02:08:06):
You know the cops they got a nick work for
the toss it robs.

Speaker 2 (02:08:12):
Getting that flash fight you're play, I'm selling flax. Why
you reason to play that? The last m Roquet and
Risk one and Big sa need. I say the CIA
be criminals and action cocaine crack gumb packing heids. The
balis tracking prominent blacks and whites giving orders for mass slaughters.
I want all my daughters to be like Maxine Waters

(02:08:32):
when they flood in the streets with crack cocaine.

Speaker 1 (02:08:34):
I was like, Noah, now, ain't.

Speaker 2 (02:08:36):
Lower because the whole cobot is over communists and fell
to the dollars. You were grabbing it on me your
sault and battering in the name of intelligence gathering. Now
it's calling you battling a losing fight. I choose the
mighty pcsychic night light in the night. I we should
beat him. President Clinton should delete him. It's not hard
to see IA simply has no more job. Oh my god,
this mother, you can fix this. We lost.

Speaker 1 (02:08:58):
Go for mixing six. This is the message to all
the get hear it.

Speaker 2 (02:09:03):
If you got to see your information now because Thomas
sher it the conference woman, you send it to your mayor.
It's time for all the scholars and you not put
all the players re arranging see times and definitely changing gene.
I used to tap the phone. Now they tapping. Why
you're paging me? It's crazy by it's playing to see
who the endemy? Who's left the n RA, the at F,
the A m A. Okay, okay, it's all the relevant.

(02:09:26):
Send the new Millennium Tolino sxral intelligence intelligence. Okay, okay.
What I want you to do is counter TAD nine
nine eighty seven, seven, six, five, four or three two

(02:09:50):
on one. You will be a sleep sleep one. I'm
a plan gets off, then I can't wake up. I'm
aa plant. Get it off, then I can't wake up.

Speaker 4 (02:09:58):
I'm a plan.

Speaker 2 (02:09:58):
Get this up, then I can't wait. I'm a blood.

Speaker 4 (02:10:01):
Give yourself. Then I can't wake up.

Speaker 2 (02:10:02):
I'm dreaming about being a blood. I'm running around, man,
I just can't wake up. Fuck, I'm treating about being
a flood. I'm working out out.

Speaker 19 (02:10:19):
Man, I just can't wake up.

Speaker 2 (02:10:22):
I'm trying to wake up. Back can't wake up. So
one running joke, someone Yo, get that blood, get that flood.
Now I'm thinking this is make Joe. I got a
bunch of people chasing me with a razor. I don't
like this stream as a blood, but I can't get
out of been there and I can't see me. No
wake up, So I'm running and racing blood sweetings and chasing.
This is insane. I'm caught my house in pain. I
put They said they gotta put my head out. They

(02:10:43):
slipped my basket orthers Abacco fell out. Now I'm mama
wasting in Yes, ready they put the shoe anxiously every
week me I'm in about Jo. I can't wake up, Yoma.

Speaker 1 (02:10:53):
Blood can's up?

Speaker 2 (02:10:54):
Then I can't wake up.

Speaker 4 (02:10:55):
I'm a blood. Get's up.

Speaker 2 (02:10:56):
Then I can't wake up. I'm a blood get's hope.
Then I can't wake up. I'm a blood giggess hop.
Then I can't wake up. I'm a blood diggess hop.

Speaker 4 (02:11:03):
Then I can't wake up.

Speaker 2 (02:11:04):
Check it out there in the same attire, he comes
to fire out. They let it now, won't burn him
by the mine, but you get out one heads came
in the chill ever last set. The pulling passed me
to say Prince Hill.

Speaker 1 (02:11:15):
PRIs Hill took the boot blown to the foot, will.

Speaker 2 (02:11:17):
Stick some of him pastor done something, I said, think
the man full smoke goes and it's really smoking, but
I can still see black sheep. Whoa black sheep gets
me being likes me, rumors cropping.

Speaker 4 (02:11:27):
I'm passed off.

Speaker 2 (02:11:28):
The shovel shopper's boys gets a little like a too,
we said me and the fellow in the room, and
passed me to Grand Cooper. I wasn't burning right, so
Pooper got mad at me. He said, who rolled this?
The passes the kick a break, get a free set
our front passes the red man. He knows how to
roll the blood Red Man said, no need to re rope.

Speaker 4 (02:11:45):
He hit it.

Speaker 2 (02:11:46):
Really it pass me the day I saw then I
saw took a hit and kept the head. Now then
bucket because they passed me to Bill Clinton. Bill Clinton
said I smoke, but I won't.

Speaker 1 (02:11:54):
In Hell, I only hit it twice. He gotta slapped
by brick knife.

Speaker 2 (02:11:57):
Now I fell on the floor.

Speaker 1 (02:11:58):
Quick next gek me from me yourself.

Speaker 2 (02:12:00):
Then I can't wake up. I'm a blood yes, old,
then I can't wake up. I'm a blue yes, Then
I can't wake up. I'm a blind yes, then I
can't wake up. I'm a bline yes. Then I can't
wake up. I'm dreaming of the music. Please easy.

Speaker 22 (02:12:23):
Music please, conclusing music, felsiclease we music field music, pusic
please music please please please please.

Speaker 4 (02:12:40):
Music music us please Yes.

Speaker 2 (02:12:48):
Welcome to Jealous ones Envy. We'd like to thank you
in advance for first seam as product. It is a
Relativity Records product. Artist that show my name is KRS
one And of course we're gonna bring b nor because
we can never be talks. Yes, signed the ultimate honoring
ultimatums for the fun of it appears to me you
don't know who you fuck you are.

Speaker 1 (02:13:08):
You can't see this with my focus because they're awful.
I can't hang with my fuckers.

Speaker 2 (02:13:12):
Betty, you fuck for Sonny Phone, you'll go on it
okay arrest Oh no, no, you might think you are
laxy for that. I'm giving a fucked up I'm rolling
part right God with a squad flash. Bitch with that
money you are to show stop? How's a sound like
go h for rapper's dole like cover of the sort
the five fake nigga drop. Whit's bough it's the double hollo?

Speaker 4 (02:13:33):
Do you know like me?

Speaker 1 (02:13:35):
No one's saying though to go connect dogs? What in
love with reflectors? Don't get caught up.

Speaker 2 (02:13:39):
In my sector.

Speaker 1 (02:13:40):
Who I'm gonna have to inject.

Speaker 2 (02:13:42):
Your with a slam of the slipper who don't sit
take him seas the more the beasts. The quote this
that Joe for to one living will prevail. Take pin
like Sonny up and Prostel. We'll love fail telling her
nigga kept him play. We'll love for niggas trying to
sound about it. Sure indeed, how my fack Gensey's take
Nick concerted me and my face the screaming We're not worthy.

(02:14:04):
You s a hassmi Actually you hat THI I'll beat too,
ring when you beat home taste it yet, So what
fucked you to battle in? Sayank the bottom lines? Where's
your hit, breck? You hang them shopping on your check
Listen when my one, your chick running must do to
be simples and the way I play Crow, I'm gonna

(02:14:28):
have to fake jamester and but hesna make them black
and flam bay your nyspray, Mama's.

Speaker 49 (02:14:33):
Gray's God as the man origins, Dirty Lives County.

Speaker 2 (02:14:37):
Dreaming the dam to let you know you need to
take it personal with the homie Sure, the flavor cub
Law and DJ three Kicky, you know what time kit Ca.

Speaker 4 (02:15:15):
Oh a wild?

Speaker 2 (02:15:17):
Why don't you end up by? I know, I know,
I know, I gotta play you know.

Speaker 50 (02:15:23):
By ud By dock Down, go there married honey. By
the way they're going it out, he had paper by see,
I got the game, but you wanted me. They gave
me Moody's greame. Load up the dear shotcot clip. They're
going bold up, thank you, thank you.

Speaker 4 (02:15:41):
Come on.

Speaker 2 (02:15:44):
On and on and on and on and on and
on and on and on and on and on. Freaks
that float to make the brown just go. The hold
took the new, The New took the whole the rhythm
be working upon me, the probably comping up on me.
The people are waking upon me, taking in the stage,
and the page man lies out the page. Now it
sounds for me and gage Us and big witness, the

(02:16:05):
lyrical fitness and the jumps, the doubt, the least getting this.
It's that part than the pot check comes to pay
off f once to come and get your back up.
Kill Christmas. See how Mother for Heaven Number seven is
the weapon with the guards some stepping directly. I'm never
becking your note. I'm lit a ristsweeking do and a

(02:16:28):
record over imagine a fresh I am not maybe the
Deslirics somewhere a year ago, so report back. It was
that thick, all that quick pump, that shop fast hit.
I'm literally just click test me fucking on the mic
every pay you and every night and every hour, every
second minute, don't stop pitty giddy yess a bit anyway,
I'm wait you a minute. You can't hire just my
read us one pivot, pivot, I resigning the watch tower

(02:16:48):
watching mc flan. Your career will be your shortest. My
part age is the man God damn, I'm the finnicle. Yes,
the meta physical come to you. Ask the rap card
of lyrical syllaba, fall to your knees, Bring fruit, ask
your fight, put your prom from the hops on, turn
the mess of sacrifice. Your roma reaches something to my
nostril like in Hostel delivered a stiff like David copple Yes,

(02:17:09):
Premiere rocks the track on Tom Hey, your press one
one on the top of the head bomb he a
bad show. You know you gotta bloat my man, tuck
you press down with no work. Okay, rest we got
the imaginem sees a fin the leac about Jean.

Speaker 1 (02:17:24):
Yeah, what the fuck is you know?

Speaker 2 (02:17:27):
Who's the best sip? It ain't thatad Joe turn. They
put me on the nest. Think that this show what
you got, but don't grant this night the ship too
pat for chiller, pick up some the frocks, trapper s
flak shit, what this really?

Speaker 4 (02:17:41):
No parks?

Speaker 2 (02:17:42):
Bring you on if you think joke ahead and the
flap they let me do much.

Speaker 1 (02:17:46):
Thank JP to Smiff the Wesson.

Speaker 2 (02:17:48):
If you down with me, represent won't shine on the mPire.

Speaker 1 (02:17:52):
Say see, mister RiPP, get your gar prepared for all
the fixture.

Speaker 20 (02:18:02):
You ain't got to tell me no more.

Speaker 2 (02:18:03):
This is what that see on the jail lead jails
with regalities to come full of the weed on the
sarneys Brooks where.

Speaker 5 (02:18:10):
The crooks dwell in the brodyt over looked at in
the forum ofther set. You know we're well, that's your glass,
this rats, this greener, the twenty shock, a sens a bit,
you know, the drive and wesson.

Speaker 2 (02:18:21):
What's up the street some up.

Speaker 5 (02:18:23):
People in the field and my head tend to stout
you with the test the shading. Now so when they
challenge that we passed about the fucking hawk to the family.

Speaker 51 (02:18:36):
That shoot for scientist for madness, my status is the baddest.

Speaker 1 (02:18:40):
Every time I blessed.

Speaker 4 (02:18:41):
The apparatus you wished to take me out for this study.

Speaker 2 (02:18:44):
Take me out where our clothes, mics and fools are
left bloody floody be from the.

Speaker 4 (02:18:49):
Ground on up.

Speaker 1 (02:18:50):
When I plan my attack, I doubt bless you already.

Speaker 51 (02:18:53):
Rain't on competition like razor shock confetti, food techniques from
the proverted monastery see food roots when of you it's
the microphone and rhymes like bullet penetrate your song. See
be bringing more drama than Kevin kasnaj No, I'm not Jamaican.

Speaker 1 (02:19:08):
But yes, Sama rosst Ross and we about to bounce like.

Speaker 51 (02:19:11):
A bad shake and my man, mister day was Shay
and the dnd all Stars.

Speaker 2 (02:19:15):
Hey lord, for that's the day r rest wolves who
they Removest's way.

Speaker 1 (02:19:26):
I'm telling for them, we know your gun skills.

Speaker 2 (02:19:30):
You o me to that's like my hands build and
chill out off and see how you too.

Speaker 15 (02:19:36):
Come go, come go check it out. Come on, it's
a chance to swing with some ill motherfuckers. We don't
dance to sing in ninety five we out jingling, serving
poetic justice. Without that nigga John Singleton, I'm doing my think.
Lot of fans be yelling, hey yo, I'm so dope.
You've had to tell your man and tell them I
don't fake moves. That's brake the cruise. I mean, brothers,
break fool. Just end me a beat with a bass

(02:19:59):
proof a man, fuck yat's the experts because I'm.

Speaker 1 (02:20:01):
Making bump your head and to your mother, fucking that hurt.

Speaker 15 (02:20:04):
So don't ask me to match gee because if you
ain't real, I'm bringing it to your face like at me.
The wrappers run scams and flint flam or how they
be getting look when they rusty like the Ted Man,
they wrap fast, try to stack cast, but on a
reel of real yo, they still sounding half fast, yell
in the streaming like they got something when they don't
got nothing. So them niggas need to stop fronting talking

(02:20:26):
how they be ragging shit when I don't know if
the niggas are wrapping.

Speaker 2 (02:20:28):
The talking motherfucking Arabic.

Speaker 4 (02:20:30):
They act so ill. They no frills.

Speaker 1 (02:20:32):
They should go and shills.

Speaker 15 (02:20:34):
They don't walk, no skill When I'm around, they don't
feel funny because I'm young, making fucks like Shaquille o'
nil money. You want any drama, you better with plenty
arm up. I'm cutting that ass like the chef that
ben Hard as the Funky Man said it to win it,
we gotta keep it.

Speaker 2 (02:20:49):
Real, yo.

Speaker 15 (02:20:49):
No motherfucking gimmicks will make their hit. They depend so
wreck your faced on how you get dressed the ship.
That's kind of breath.

Speaker 2 (02:20:58):
It's gonnas off with frock like you're stressed.

Speaker 4 (02:21:01):
Was when you're only in.

Speaker 15 (02:21:02):
Two act pays, when you're yelling the street in the
more stage, I said, get in your rood. It's still
the broadcasts. We have a rico Stella's Share Your Days. Yes, yes,
y'all took the feet, y'all freaking the street. Let me
put up bars.

Speaker 2 (02:21:15):
We won't hear it beat representing the street concrete when
I speak, yeah, I'll.

Speaker 4 (02:21:20):
Let me you know.

Speaker 2 (02:21:20):
Hey, your rest is not about it, kimmick. I grabbed
the mic and rip me wallely stolen. I raised the
MIC's stand because I'm Paul, and I kicked the crop crawling.
I'm not writing those other rappers something about the cap
state pill Paul come out of Lempsey's for real, fuck
a record. Tell when you're steal in a hip hop
and with your country ass sounds like it's still freaking cotton.
You get thrown across the room in that tell direct

(02:21:40):
you listen, then the Rico teach is not the one
you should be checking. This as my hero for error
or arrow whatever. A man clever, I'll shoot you your
dou mi. So I'm gone. Lirical Tell records should never
ever come from O. When around my clean up empties
with a fresh smell of pond, I got skills and
it shows you can slow a feet up the temple.
You s all the stake like that in Jackson's nose.
I'm selling that real live ship and you could get hurt.

(02:22:01):
You're selling that fake ship like the home shop and
that work. You got a lot around the battle in
a second. But frankly, the bottom line as whereas your
hit bucket, you claim I'm jocking, you claim I'm when
you're dick. What is your witness? And from when your dick?
My name is got to be said, bless I come
with every no physical fitness too much from now you
would have fit this. Watch me like that ass up
like Christmas. Don't let me come out on that ass

(02:22:22):
im flipping of the ricks. I'll be kicking be honded
in trut Chicken some moether from Vicks, some from the
West Brothers. No what chao rest I got four second
any time to set it off? So when for this
ghost hitting, I'll never mimic Kallo rest what cause you
never use a Kimmy and yeah.

Speaker 37 (02:22:37):
With our with our old shoe a k A old
scision number the g I T C and waters checking
out shaking personal podcasts with my old slaver kevlas six.
I know what it is man, shake a person up.

Speaker 52 (02:23:07):
Enough fox Comb State State most cease coming to town
but justice like hey, your kids anyone first four versus
spontaneous combustion.

Speaker 2 (02:23:16):
Trust me, no rapping.

Speaker 52 (02:23:17):
Adjustment bounced upon the scene with the Thames Well life
for the fantasy alcazata from a trade wisdom last week
in my molecules, you assumed I felt vistom to hip
hop CLUSI with y'all fusting on your off the rocker
spots all the California coast, trading on back the bors
and imports of my period, leaving rappers syd find bolts.

Speaker 2 (02:23:38):
You came and thought they had strick you.

Speaker 52 (02:23:40):
We accustomed to cussing and bluffing, fussing for nothing.

Speaker 2 (02:23:43):
Half of y'all crumbs are just soft like nothing's our big.

Speaker 52 (02:23:46):
Masterpieces, yop of theists, y'all can't they coded? Motherfucker stake
like thess needless to say, all.

Speaker 2 (02:23:52):
These runners shoes yours. You retreated when I gave out
here for wars.

Speaker 52 (02:23:56):
My michaelphal set is a mensely brick ball and now
you slept so now snore who.

Speaker 2 (02:24:02):
Got my back?

Speaker 52 (02:24:03):
U ass lord and blastmaster a Northodo's combinations from the
masters Mike, some minute sweat is finished. You get an
understanding know what we bringing new women spots from state State.

Speaker 15 (02:24:21):
Vanessa's coming shine spire sas in this precision, I'm heading wage.
You can't vision. I got niggas worship the Lord finesse
like religion. You can't fuck around your kitting. You don't
want no collision. You better fly south like a pigeon.
Good writtens.

Speaker 1 (02:24:36):
I'll flip flows.

Speaker 15 (02:24:37):
You can't imagine I break down your clint Stone style
in the fragments, So pay attention to the man rapping.
Don't think that it can't I'm living proof it can't happen.
I raise supreme logical verbally, I dropping the waves that
should never dream possible. So lyrically, I personally figure that
my halt for now is too deep for you nursery niggas.

(02:24:57):
When I clutched the mic, I'm coming rough and right.

Speaker 2 (02:25:00):
I built more than them.

Speaker 1 (02:25:01):
Work is on construction sites.

Speaker 2 (02:25:03):
I'm skilled.

Speaker 15 (02:25:04):
Added, I'm illmatic. So yes, answers your question if you
ask me, do I still have it? I'm the realist
the illness coming out the woodworks like them homos in
the village.

Speaker 1 (02:25:14):
But seriously, I got the remedy.

Speaker 2 (02:25:16):
If I was at the bottom of the toilet, your
nigga still couldn't shoot on me.

Speaker 1 (02:25:19):
Originally it's the.

Speaker 15 (02:25:21):
Same fat I'm going to get rich list, but they
didn't call.

Speaker 4 (02:25:24):
My name yet.

Speaker 15 (02:25:25):
I'm making special like a prom night a ball Mike
to all other brothers are old news, like what the
chron kite is critical? You got these xerox individuals, but
word like it ain't nothing like the original irec kids.
That's my theory and perspective when it comes to hip hop,
I'm going the case like detectives. You better step to
the next man because the greatest soccer player couldn't kicking

(02:25:46):
like Fanessa.

Speaker 2 (02:25:53):
From State States coming. This is the scientific that prolift terrific, mystic, simplistic, metaphysic,
no gimmick type lyric. When you hear it or hear me,
it's running through the scrimmages. You'll see images affecting your
syctomic kick on your theory is no theory is no
heary is frocking your superiors in your heart is arias.

(02:26:15):
Your Liverpool skills are refio. That's because you're they chair
for you. I'll take cherry quickly because.

Speaker 4 (02:26:22):
I cannot take it.

Speaker 2 (02:26:23):
Your needs to be to chaffer hate it because you
fake it if your heart was caffeine, well you're now
to jaffeinated. You stream bout it for this end of
your career you anticipated. I hate it.

Speaker 1 (02:26:37):
Career ended?

Speaker 2 (02:26:38):
How splendy for whacking peas I come, doctor, recommend, recommend,
don't see the doctor? Cool cool, cool school whischool shots cool,

(02:27:04):
shaky as the man shot? Now come god, shit, chill?

Speaker 1 (02:27:15):
What do they make me want to ruin their career before?

Speaker 2 (02:27:18):
What's your ship? Let's you want think? Rick?

Speaker 4 (02:27:20):
So promote?

Speaker 2 (02:27:21):
Chris? No show me this.

Speaker 4 (02:27:22):
I don't write.

Speaker 1 (02:27:23):
No rappers, not sack yo.

Speaker 2 (02:27:24):
What they shot you?

Speaker 23 (02:27:26):
No one else?

Speaker 2 (02:27:26):
Still seeking only we didn't talk kills me said, she
did not take no chart rappers, Hey, man shots, the
instrumentals ain't got no real sh Cris choos and from
the map of h hoping.

Speaker 1 (02:27:38):
You couct me in the renascency.

Speaker 2 (02:27:40):
Continue to hunt me lifting like un the track show block.
So many struct me?

Speaker 1 (02:27:45):
What's the Liverpool print block?

Speaker 2 (02:27:47):
Living so mental lock? Get my short bus yet I'm
shilling no like the exostu chip's non stopping shot up
to your locus with metaphorics. Now you be using chips
one choosings off your mouse? What do you think this
is can your rest on the Bronx This this is

(02:28:09):
a test of the boogieyn production prevention against suck m seeds.
In the event of a real emergency, you would have
been instructed on which jams to play and how loud
to blast your radio. And now a word from our sponsor,
from the Bronx blastmaster, KRS one proven that my y'all

(02:28:30):
ain't done until I get some more. No need to
rule or yell, because I could still tell what will sell.
You would have sold without yelling over a drum roll
that styllars all. It's a one full blossom boom. You
got the room, so go ahead and consume a new error.
KRS one comes better fite another lyric. Never because I'm

(02:28:51):
too clever. However, on my own label partners with Scott
la Rock, He's on the turntable and part not Alice Smith.
I'm exercise saying you get just the pup lift hip
hop hip hop. My voice is like a monster. And
now work from my sponsor sak what to young to

(02:29:13):
young rock them in the discus rocommend the disco, don't
put me when the DISCOI disco. Hold on for this,

(02:29:35):
hold on hold on, I want to go back to
where hip hop started.

Speaker 1 (02:29:41):
Give me take me back to the yard.

Speaker 4 (02:29:45):
Take me back to the yard.

Speaker 1 (02:29:47):
Some old dums, some old toms.

Speaker 2 (02:29:51):
Word word words, word.

Speaker 4 (02:30:00):
I loved.

Speaker 2 (02:30:08):
Dang hey, listen to my nine mellow Peter, go bang
da dang dang hey.

Speaker 4 (02:30:17):
This is k artist mom.

Speaker 1 (02:30:19):
And what crack dealer by the name of Peter had
to buck him down with my.

Speaker 2 (02:30:24):
Nine mellow me?

Speaker 4 (02:30:25):
He said, I had this girl.

Speaker 2 (02:30:26):
I said, now, what to you? Stupid?

Speaker 1 (02:30:28):
But he tried to play men. It's one knew it.

Speaker 2 (02:30:31):
He caught his pistol, but it was just the waste
because my na mella mesa, what's up forget his face?
He put this pistol anyway, and I feel him full
of lead. But just before he films the ground, this
is what.

Speaker 19 (02:30:42):
I said, What da dang dang hey.

Speaker 2 (02:30:46):
Listen to my nine mellow meter, go bang dang dang hey.
This is he.

Speaker 16 (02:31:01):
Remember, Oh no dose, hold on those three quie throw.

Speaker 2 (02:31:12):
We all agree, all these figures agree that America has
a very serious.

Speaker 12 (02:31:20):
Had a very.

Speaker 2 (02:31:20):
Serious problem, have a very.

Speaker 20 (02:31:24):
America's problem.

Speaker 4 (02:31:26):
Southeast.

Speaker 53 (02:31:27):
Stop ship, my South to stop ship in southeast, Stop ship,
my South to stop ship. Southeast, stop ship, my South
to stop ship Southeast, stop ship my South to stop.

Speaker 2 (02:31:44):
Well, today's topic self destruction. It really ain't the rat
body instant bugging. It's one of the self ignorant brothers
trying to rob and steal from one another to get
caught in the midst So crush that stereotype he is.
But we did. We got ourselves together so that you
could unite and fight for what's right, not negative. Course,

(02:32:04):
the way we live is positives. We don't kill our relatives,
nor the rap artists will speak against non violence because
it wasn't cool. It wasn't so bad at the time.
So here comes b d He again. We come out
with a record stop for violence now being this is
on my second album. We had already gained the respect
of the of the ghetto. Oriente had kids a criminally

(02:32:25):
minded these, so they're listening now.

Speaker 12 (02:32:37):
Two three.

Speaker 1 (02:32:38):
The crew is called b DP and if you want
to go to the tiptop, stop the viol hip hop wild.

Speaker 2 (02:32:52):
Version. As my thoughts submerged these past those words, I
can't at the paper to know what's going on. Someone's
doing wrong. The story goes on, Arry Luis had it
Farry someone else he capitated.

Speaker 1 (02:33:11):
The trauma of the world should and keep us so frustrated.

Speaker 2 (02:33:13):
I'll look, but it doesn't coincide with my books social
studies will and I speak upon political crooks. It's just
the presidents and all the money they spent, all the
things they invent and how the house is so obdaculated.
They gave pistols or family's eve whistle. Then they get
upset with the press goes the whistle. Don't cause a
made profiles kept low, your tempered with some jobs. Now
of press's control, not only news papers, but every single station.

Speaker 1 (02:33:37):
You're only getting to hear the president. It's on vacation.

Speaker 2 (02:33:40):
But say calm, there's no need for alarm. You say
to the butt, to your mom, and you're off the
Vietnam You shoot the killed, come back and you're a veteran.

Speaker 1 (02:33:48):
About how many veterans are out?

Speaker 2 (02:33:49):
Damn pedal is there's no telling because they continue selling.
As quiet as it's kept, I will go into death.
You could talk about my cheerier people used to laferte.
Now I take a look, you would say, am I

(02:34:20):
supposed to stand here? These bright lights? I'll probably get
a tan here? Scott turn up the Master so I
can hear and talk faster. I'm the Blastmaster because I'm blasted.

Speaker 1 (02:34:34):
I know a lot of y'all ajocked it. I'm lasted
or blastmaster.

Speaker 2 (02:34:39):
It's a subtitle KRS one is more vital, why and
more lethal and more dishes. As the sucker Zoeways said,
he just distanced this. He got a problem. This yo's conceited.
I'm not conceited. They just couldn't beat it. Because when
I'm in a cluk, I like to mingle piece. Seconds

(02:35:00):
later they're playing that single. A lot of the collision
that pumped up dramatically, so the people in the place
will automatically time and time it. It's dance right behind it.
Those that have it on tape will rewind it. It's
not surprising. We want parties anywhere, anyone, anybody. Any sounds shoddy,

(02:35:22):
any like cardboy, But I'm blessed, Praise the Lord. You see.
I like to study.

Speaker 1 (02:35:29):
I like money.

Speaker 2 (02:35:31):
I like getting weak bread with honey, with honey, none
of these am I addicted.

Speaker 1 (02:35:37):
I like to remain free and unafflicted.

Speaker 2 (02:35:40):
With the sickness of attachment, the material road of entrappedmen.

Speaker 4 (02:35:47):
This row becomes weak.

Speaker 2 (02:35:50):
They can't think.

Speaker 1 (02:35:51):
They can't speak un self sufficient.

Speaker 2 (02:35:54):
Because the elite elite. I'm not listening, simply teaching. Well,
if you and notice not once have my Siscott's name
to gay things. See it's a shame that they're blinded.
If they had a piece of paper, I sign it.
That's call him autograph. This is called a class. I've

(02:36:15):
only come to educate the massive young people to this.
This is no sequel, just a message piece. Man loving
but not a sucker, and stay away from negative, motherfucking motherfuck.

Speaker 4 (02:36:32):
Down with their hate.

Speaker 1 (02:36:33):
Wait, get something to meditate. Take time, says.

Speaker 4 (02:36:47):
They say, you are.

Speaker 1 (02:37:06):
You are the fund around.

Speaker 2 (02:37:07):
There's no problem of catching when it from from us.
Take a second, Just take a second. Take a second.
Shout out for a minute, take a second, check the second.

(02:37:48):
Just some mad cool out. And we're just chilling right
here in D n D studio. It's about five o'clock
in the morning. We're gonna talk about what you believe in.

(02:38:14):
We're gonna talk about how you be trained. So you're
gonna come down like this. Let me take you to
another dove the seven Years of Rock and howel do
you rap me poorly or gratefully? Everybody seems to be
going for there slately. You're mad has to be needing money.
So listen very close as I cond up this little

(02:38:35):
sunny See it's funny to me. You can watch CV
and keep up your life trying to be Oh, you
give me in the arm me not knowing your history.
You'll either fight or die or come back home and
mixing me. You'll get with me. I deal with reality.
Loosen your mind to the truth, and don't get mad
at me. No politician can give you beasts. If you
trust Jesus, why should you vote for a beef? Emascipation

(02:38:58):
is long over. Two would become procrastination because freedom is
within you for some reason. We've been with freak, so
will never be because we happen drinking our slavery. You
still a slave. Look at how you behave the baking them,
where and when and how and what Master gave You
want to know how we screwed up from the beginning,
we accepted it our oppressors relations. So in the case

(02:39:20):
of slave for re it ain't hard because it's right
in the eyes of their God. Where is our God,
the God that represents us, the God that looks like me,
the God that I could trust a God of peace
in love, not mass hysteria. I don't want to God
the blesses America. I can never really vote for the devil.
Let me take you to a higher level title. Take

(02:39:52):
the title from the Bible. We can get there. Rip
the title from off the front of the Bible. God
don't live there. Too many inconsistencies, too many mysteries. Rich
of aote bit of vatcuant laughing, they drinking and sinking
against me, I saying with God, whether I'm paid or
whether I'm crying. Bro, I like to ask these politicians
with Jesus vote. The way we be God as a
freaking shame church is to blame. We trust God for

(02:40:13):
God's saying, we simply loving the scripture, say scripture that
which as soon as the picture religious getting richer with
that European version of Christ made into a picture, our
society's getting sicker and sick, sicker like leto we are
gods oxicated not to the true God but the one
the government created, the same government telling people to vote
a pray to God because the.

Speaker 4 (02:40:34):
People have lost you.

Speaker 2 (02:40:35):
We can vote for the mons, the measles. Whether you
vote for the lesser of two evils. You vote for evil.
Politics and God are not equal. But the education they
get on God has really seen people have more respect
for a Holy Book then they too for a cow.
Want to meet both Believers of Jesus beat denouncing Satan
on every level. But every Halloween they're dressing like Yum.

(02:40:57):
I pray to you for the like you might give them.
Mother makes them know that they're living within them. You
forgive them and end them in silence. Frankly, if they
knew you, they would understand violence. I'll pray to you
for the popen the Vatican. Have mercy, Mother, because I
know that you're mad at them. The white Jesus to
see the Sawalla go and Pope Julius the Second paid

(02:41:18):
my golagula. I know this happens in fifteen nineteen, yet
this is the image we can't seem to forget. Vote
for God, don't vote for the devil. Let me take
you to a higher level. Going out to the hardcore
a head mob. Of course, we don't flipp flock. We're
gonna stuck down with the ninety four style. Of course,
we have just accepted all applications and tuition will be

(02:41:43):
paid on Friday Friday. You can't cant me be riven
like yo. They me me missus acause they're just like
my Liverpool pages. And for the flipping from backing the
back in the days, it's a it's goind the heck.
Different thing would be something o't perspective check it flame.
I know the light is right, but keep but watching me.
I'm stolen properly kicking into society. Police be clocking me,
but logically they got to be because they talk. The

(02:42:04):
serious poetry will come from Socrates, but that ain't it.
And and before I picked the hit up, I was
runner Shakespeare. Our battle won't get take a shit. I'm
not having it. But scenarrative I come to give. Listen,
rap me something you do if hop is something you lift.
The difference cis kids nowadays they got the video rap
us don't need skills to build, so they don't really know.
Hear me, Yo, I'm four times on a SINEO got
ten videos, but does that help me float?

Speaker 3 (02:42:25):
No?

Speaker 2 (02:42:26):
That's why I'm gonna come to the show. M He's
acts like they don't know because they were too young
to rock. Commend the disco Frisco disco the discuss. I
got a bisco chalklate chip cookie. Don't with me, rookie,
I'm rocking, pet sending with NEF the firing peet sending
I'm never squeaking. I'm always freaking when I'm speaking inside.
I'm keeping a statement for policing. I'm down for piecing.
But now turning up the cheek gets so this dee chase.

(02:42:47):
He gets down, mixing records while they go go round
and round. Brown we go two years ago. A friend
damar and flashes gone a rock your mind. Welcome to
the territome, to terri it home. I would if I
take you home. He f f pct who operator operating correctly.

(02:43:08):
Back in the days, I knew rat would never die
to lay baby ba by your numbertive boy Hen had
had insane in the membrain. Take the train, take the train,
hemmy t hlt Man and keeps on making it. Brook
keeps on taking it. We keep coming back with more
more heads hard if people I can't through the door,

(02:43:32):
I said it before two years ago. So boho, if
my train goes off the track, pick it up, then
get up, pick it up.

Speaker 1 (02:43:40):
Back back back to the driller again. The thrilla can
back to the drill again. The thrilla ta back to
the driller again.

Speaker 2 (02:43:47):
The prilla can.

Speaker 1 (02:43:50):
Check it out, your boy am.

Speaker 15 (02:43:51):
She searchs third base, especially in the building, and right
now you're checking out.

Speaker 2 (02:43:54):
Take personal well, my people's full of flavor Cubla on
DJ three sixty full cycle for that ass. It's not
a case you won't get it right, right.

Speaker 19 (02:44:04):
Right right right.

Speaker 2 (02:44:09):
Andy, Yo man, yo yo. I'm trying to stay away
from it, but it won't stay away from me.

Speaker 30 (02:44:15):
You better as you stuff.

Speaker 3 (02:44:18):
What do you want?

Speaker 20 (02:44:19):
What do you need?

Speaker 4 (02:44:19):
What will you find?

Speaker 2 (02:44:20):
Don't feed your friend, don't fall asleep off in your mind.
I hope this time gets you in tom and space.
Come to a different place where you his the rituallybcal
knowledge in your face, the face like well man in
these rappers lyrics, they need help there just can you
best represent Heaven hell here? Let me take you help.
Swear when you stand. It's a curse there for sure.
Unless you're mature, grow up. If you're immature, then you

(02:44:40):
living sinister. You project the words of the minister. You
better to give with your caron the Bible. You won't
be living long if you're living idle the teacher, that's
my title, and shaking it up, baking it up, making
it up, breaking it up, taking it up high, No, liar,
you can't deny the public and the meat with the
public and them, I get take up in your buttocks
South Rocks because it's hip hop the long last Stu

(02:45:01):
Chuck D with blast murder bra. I know you heard
of the word. I'll be spurting and serving y'all, hull
thing y'all whilst in your divine speaks to the part
anounced lock's fitting to hate your teach mystic lyrics. Don't
stop you could get it. You better hear it. Battle,
quit it, unstopping public getting me on the disc unstoppable
gun in the game shop, get chriss unstopped.

Speaker 4 (02:45:21):
Hold.

Speaker 2 (02:45:21):
Let you know they had a grip unstoppable. You don't
want to take this risk. Unstop public getting me on
the disc unstoppable. You don't want to take the risk.
This is Chuck D. This is a flavor flame boy,
and you're in tune to.

Speaker 1 (02:45:34):
The fill of flavor. Show what's the man that's.

Speaker 2 (02:45:38):
Right with any beat me sall? Don't put your money
on bail. Put an awful scale God never fail k
r rest. I'd rather have one hundred thousand true heads
by me than one million of your faith fanatics behind me.

Speaker 1 (02:45:52):
You can running chase me, You'll.

Speaker 2 (02:45:54):
Never find me. I'll take you out two or three minutes.

Speaker 4 (02:45:56):
You can tie me here.

Speaker 2 (02:45:57):
You don't defend, see Holly that ass. I'm giving more
rhythms and gang breaks a brisson and you snare Tom.
You ain't a pro and you put the gord rom
and you're showing your float. That's all mine, silly me.
If I'm calling my livery ability, I'll bring it right straight.

Speaker 1 (02:46:12):
See your jaw free delivery and get with me.

Speaker 2 (02:46:14):
Now. I split rap. I represent peace and knowledge, but
I will contradict that click a click clap. You don't
want to battle me, that you want to stat away.
I battle Monday using Thursday Friday game. Let me say
you a game Saturday. I think you want to follow
your squad They ran that away. If you played your
space out no tar now now, why would you place
your money you on? Now? If I try more bosses,

(02:46:36):
sing sing change realty. Just see trial things prays knowledge
that skill you trying to get with it and challengeing
knowledge only means that you're ignorant. With the sword of
just at your throat. I'm sticking it, gossipping scandal. I'll
put my lips in it. Throw up, but moving like that.

Speaker 4 (02:46:51):
You want trump?

Speaker 2 (02:46:52):
You want stop? Since you're so forget the cut tops.
Your love stops. I'm bringing to your butt outs from
nothing drops yo.

Speaker 8 (02:47:01):
A squad is on as like Elajah Muhammad.

Speaker 2 (02:47:03):
But I'm glad re chared.

Speaker 54 (02:47:04):
It ain't no righteousness, and there's harder violence, hardest doamond.

Speaker 1 (02:47:07):
But I'm in the rough.

Speaker 4 (02:47:08):
Listen enough.

Speaker 2 (02:47:09):
If you've ever seen me.

Speaker 54 (02:47:10):
With the Feds, you can better send the cuffs. Ain't
no shitching nuts, pitching nuts, unofficial nuts. Everything wet outside
you wish you was official thighsand in the truck profession, trucking, nextions,
truck addictions, still singing the judge, your truck profession, the
four these or these, it's more v's to either get
bit a leaping that live. If we the best of
year cs ain't nobody else We prop you tough. Of course,

(02:47:31):
we all look at your top of the shelf. I'm
locking your wealth with the master keys.

Speaker 2 (02:47:34):
Freeze.

Speaker 54 (02:47:35):
I'm trying to breeze. I'm a squeeze and blast the
back and get me. It's this class of cheese, please,
and chest and soap stuff. Take a roachter body faster
than for Robberie Syster.

Speaker 2 (02:47:42):
Roasting your gain't coaching the death.

Speaker 54 (02:47:44):
Reaper's gotta holding your breath, going straight the hell.

Speaker 2 (02:47:46):
Lets you sell your.

Speaker 1 (02:47:47):
Soul for your flesh. He was coaching the threat, not
you froast.

Speaker 54 (02:47:50):
In the bad minute ago, you was pop a ship
holding your dick.

Speaker 2 (02:47:53):
No, what's the problem.

Speaker 54 (02:47:54):
You ain't not like you said on your elbow muckles.
You was wild and busting your guns and running the island.

Speaker 23 (02:47:59):
You wasn't violent.

Speaker 54 (02:48:00):
People started trying to get cottage credits, hypothetics. Then it's
to get out of the contastatics.

Speaker 19 (02:48:04):
I'm dying.

Speaker 54 (02:48:05):
That is some probablivers. Ma'ma suurnis. Is my shrimance, come
my appearing, So I'm a China spirits. You gotta ferish
just Everythian's poison. He got a cherish.

Speaker 2 (02:48:13):
You can't wave. You better join them.

Speaker 54 (02:48:15):
Had annoy your niggas like the holy guys, go.

Speaker 2 (02:48:17):
On the holy to smoke. You will fire floyent now,
so watch for the chie.

Speaker 54 (02:48:21):
W you see it better thoy yours going doors coming
into giant doors.

Speaker 8 (02:48:26):
Yeah yeah, uh don.

Speaker 55 (02:48:31):
Laugh.

Speaker 2 (02:48:31):
Fellas got more to it than that cut up.

Speaker 16 (02:48:36):
So I saw about time blou huh.

Speaker 12 (02:48:41):
Okay walking shocking.

Speaker 3 (02:48:47):
Man, moring.

Speaker 2 (02:48:55):
Man loud me know me w you know, have.

Speaker 36 (02:49:05):
Foul energy trying to absorb my energy, knowing it's strength
for me. Take a few to give me your edge,
my green light, shine bright kryptonite type full of the
operational physical queen. Put the bottles of smoke down, picked
umble magazine top in the side to all fifteen, put
it aside.

Speaker 1 (02:49:22):
Round up to the regime.

Speaker 36 (02:49:24):
While you rely on religion, a hold asie on the
mission to pull fire on your position. Revelation was the
visit of this crack the head ends is trying to
bring the business, said, so he goes back to themat
fair mans, I said, dame that you want't believe me?

Speaker 1 (02:49:38):
Said the moon chick.

Speaker 36 (02:49:40):
Spending it top to the second every night, got your mom,
you rocked on fatigue. Subscribe it to popular guns, But
are you really prepared for.

Speaker 20 (02:49:47):
The things to come?

Speaker 2 (02:49:51):
Check it out? Shoot underground sound from the bookie town
of Towntown Town's got the found for the showdown. They
pass calling out these briks had Rolling Stone spins details
in other places. Can you arrest hits the source fuckings
magazine's leagues. Of course your print about black mass black senators.
Why you ain't got no black candidates? It can be

(02:50:12):
talking to what endum you win rowing Stone and said,
let me get writing out. Look like these homer zones,
ain't the rigs couture, ain't nobody no phones. This has
got to stop. Your hot spot is gone sky high battle.
Why trust my views? Burn side scoping with my first dog.
You don't understand why you're publicly paid. You recognized the
writing skills up of blacks man black headed.

Speaker 1 (02:50:32):
All's the same.

Speaker 2 (02:50:33):
Fuck yeah, it's God's depend on one who's the sexual
Something wants some black intellectuals up upon the worlds.

Speaker 1 (02:50:39):
You can't get with me.

Speaker 2 (02:50:40):
So now when me town, you want to stop and
talk to me, bitch as journalist, it says your fake
him publications of the Earnestness, the same way when the
fact voice came out, when Houdini came out, when I
even taking even further of mc hammer, when he can
win told Low came out. All these people young MC

(02:51:03):
they got the same criticism your commercial, your pop. You're
to the mainstream, you're sould out. And then two years
later what they did is the norm, and what we
do is not the norm. And this is what has happened.

Speaker 12 (02:51:19):
Now here's what we need to do for Nigga.

Speaker 2 (02:51:22):
First of all, Nikki Jamaican, is I live because Nikki
know what roots and coaches?

Speaker 38 (02:51:33):
Yes, sir, she's playing games with everybody head here.

Speaker 2 (02:51:38):
She running around in a costule, getting dudes all choked up.
She's playing a game. Respect the system of a hustle.
That's all hustle is woutang any better? Is Fitty any better?

(02:51:59):
Is Snoop any better?

Speaker 4 (02:52:03):
Come on?

Speaker 2 (02:52:04):
It's kao rust city better, it's criminal minded. Anybody to show.

Speaker 56 (02:52:09):
The pussy is friend. I thought I was niking when
that came that un when that came out, that was
oh God. When these rockers.

Speaker 57 (02:52:22):
Saying, hey, heyday just got like rock.

Speaker 2 (02:52:35):
You know your roal hip hop?

Speaker 1 (02:52:37):
Hey, yes, d nights to know your roal hip hop?
Hey this Meladi you know your roal hip hop?

Speaker 3 (02:52:42):
Hey?

Speaker 2 (02:52:42):
But ko s one a rule it NonStop. When I'm
in the Brooklyn yes menoral hip hop.

Speaker 4 (02:52:47):
Hey.

Speaker 2 (02:52:48):
When I'm in the Queens, yes, memoral hip hop. Hey,
when it's that no, Yes, memoral hip hop. Hey when
I'm in Manhattan, Yes, manrolland hip hop at in the
Bronx manroling y'all tonight boat, but in the Bronx ruling
y'all tonight may come to rock your weather a black girl.

Speaker 1 (02:53:03):
And why because y'll s one. You know I'm never fright.

Speaker 2 (02:53:06):
Come catch you start the pussy years free because the
crack course Monday. Oh yeah, I said, the pussy years
free because the crack course Monday. Oh yeah, coming to
you shot her head the breeze, just the facts this Monday, Okay,

(02:53:35):
I said, I go this.

Speaker 4 (02:53:36):
This breeze does the crack.

Speaker 2 (02:53:38):
Sea one day the seven years? I see you just
tell us Caesar, look what she did?

Speaker 4 (02:53:48):
Had it did?

Speaker 2 (02:53:49):
Look Dad, I can fully surmass up the free half.

Speaker 4 (02:53:52):
I need to think.

Speaker 1 (02:53:53):
She lets she no, no, she's still but for this
show O j.

Speaker 2 (02:54:00):
To trying to shake the much. I roll my window off.
She got and said, you ain't all that, and wait
you got some longer girls keeping for crash and my phone.
I'm come to hear what they spoke about. I hit
the get celebrator and I was out. I never get
my mord, but I knew the plan. Come to the
tame NCCD me kicking this superman showing nothing the place

(02:54:21):
back with no grace, crazy girls and walk to wre
m C. I'm like, I can't he cooks some fancy please,
I'm thinking, mom gonna to rup the bat Dene she
said something little bit of paper money. My girlfriend here
really needs some cleat money. I'm a gonna girl. Friend
of her friend was floss. But hey, stop see I
never looking in her eyes. I'm talking the man, he says.

(02:54:44):
Then he says he gotta crash. Is he the one
I gotta put back your feet? My son? I said, oh,
she said three months I walked away from my pants.

Speaker 4 (02:54:52):
Pop put up front.

Speaker 2 (02:54:54):
So people that I'm learning shot him in the party
except for the MCS. I knew everybody, did you?

Speaker 4 (02:55:00):
No, No, I got dumb.

Speaker 2 (02:55:03):
Somebody to turn the wine?

Speaker 4 (02:55:05):
No one, no mind? What's up?

Speaker 2 (02:55:07):
You know the time under thirty three feet? You know
what time is? The shine of course on the hardcour heads.
This one goes out to you crank up the volume
one time. The song the real t J is out there.
Because I don't send my music to no copy DJ.

Speaker 4 (02:55:29):
They give me.

Speaker 2 (02:55:32):
Some waiting. The pots on the get.

Speaker 4 (02:55:38):
On the books, I get.

Speaker 2 (02:55:41):
Yeah, I'm I'm been chilling with them. I'm rolling with the.

Speaker 1 (02:56:04):
See this is what I'm saying.

Speaker 2 (02:56:05):
And I know you don't see this whack under privilegencies
think they can see Chris. They watching too much television
in they rock up this tink the TV shot taxi
and I ain't locked up.

Speaker 1 (02:56:16):
I'm breaking empsy a crop, but.

Speaker 2 (02:56:17):
You don't check me.

Speaker 1 (02:56:19):
I ask your moms in fox or they respect me.

Speaker 2 (02:56:21):
But here you staying trying to get yours beginning nothing
you probably can't smell Forget out off production.

Speaker 1 (02:56:27):
I'm played for jims, I'm playing for kicks.

Speaker 2 (02:56:28):
I'm playing for shots.

Speaker 4 (02:56:29):
Believe me.

Speaker 2 (02:56:30):
Put down the microphoney, consider a squoshie. You're reading bitchy.
I'm getting a win wind. I'll be getting a fleming
and getting no in TRN I apprehend. I don't I
rather dad at your wall like the Savage kickt as
clashes your styllars with trashes. Stay out of my classes.
Stay out of my classes. Yo, I got the bad crew.

(02:56:51):
I'm chilling with them. C I'm dueling with them and
not be hanging with the mad cruel up in the
house in the house.

Speaker 4 (02:57:03):
Shin shine ship.

Speaker 43 (02:57:13):
The Lord gives and the lord taken away.

Speaker 2 (02:57:19):
But now he'll have yelled, Pop yelled, how refreshing? Is
it really our refreshing? Is it really the fresh maker
makingmaker at the gramic shot to Filly in the house,
she's some mom. You know you're not alone like this

(02:57:43):
nothing math lie all time, Browns getting no mind. You
were queen, that's all. You didn't want to chalk them.

Speaker 4 (02:57:50):
Everybody. We give them the bow.

Speaker 2 (02:57:51):
Brown's game with the mind. You were queen and all
you didn't want to talk them. Everybody, we give them
the bow. We don't come with dis we come wait
and tell them you're coming. This us can get them
from barry in. Some people, don't it spend me? Tell
me so violent? I mean, nah violent. This is my son,
my president. Too many times I say you're gal pretty,
ain't fine? Ten twenty thirty dollars So from my son

(02:58:12):
saying that song sat bready father what he said, so
brethil of you. But I'm not turn about healing them
some money for the fun mahindah. When you're up the baby,
when you have to get him in this that's happened
six to take not the fine man against sex. For
too many talk sex, but I talk about the next day.
Now the next day, I'm gone.

Speaker 4 (02:58:33):
I can sit down. God, I'm so b yea.

Speaker 2 (02:58:35):
I finding my girl Brownking, you mine, you walking? And
if I tam everything we get them in the boat browsing?
Mind me what kind of And if I next tap.

Speaker 4 (02:58:45):
The mary before we get there?

Speaker 2 (02:58:50):
Lord? Yes, some course there's one not lie telling God
waits it on. This is the remix's more art originally
said off my tao now was gonna have to come
down like this, honey, right on.

Speaker 52 (02:59:10):
Shutter You hear that lady got shotter you hear it
out about God?

Speaker 4 (02:59:17):
He done?

Speaker 2 (02:59:18):
No whoa we Bonny Harvey gone now lighting on and
mid lie on? Whoa got in to day? The drives?
You know? So take up the solenap here delive s there?
So I got the real flop You feel like you
tell I stop the waller bed channel tea, spoonesh keelly tything.

(02:59:44):
Will you think combs teeny? How far you're think?

Speaker 4 (02:59:48):
Three?

Speaker 2 (02:59:48):
Count teeth? Help me one two, three? You don't want
to bring three anything you can think it's just weeding
proptly the forward tea. I'm go with you lot of mercy.
Now I'm thirstying swing this first one from the crown

(03:00:25):
and do nothing. You think you're talk.

Speaker 4 (03:00:30):
I think you're t scared.

Speaker 2 (03:00:38):
I like that.

Speaker 30 (03:00:40):
That's when I took this job.

Speaker 34 (03:00:43):
I hate little motherfuckers like you, Nicholas Ship. Think you
tell her you're gonna blow your head off.

Speaker 12 (03:00:54):
This myth worsening.

Speaker 34 (03:00:55):
You couldn't do Ship, how you see you?

Speaker 2 (03:00:58):
Now? You know thirty years ago there were no black caps.
You couldn't even run drive round the black Recently pullice
trained black cop the sand on the corner and take
bun shot. The seer warfare is ado brun shot. It's
black corn, black crime. I cannot stop black top, black top,
back top, black cop pack top back tops, stap shoot

(03:01:20):
him like nipping on the drops. You don't even get
it paid. All that stay take your empsis them put
the burn loups. It fo fipe line. You're putting burn loups.
Pick your pa pumps. Here are in America dun spot
they give the black cop don't want the dog spot.
The black druck tailer did some pipe bun cop the
killing chug. Then East dos plumps killing each other. Anna

(03:01:44):
West dostops. Wait, please, they given care about that? The
one just killing it chug the other cracks anyway you
put the cup burnt blood clap top tack top tag
tops black top tack top tack tops top top. Well,

(03:02:14):
you know what. This is how life works. We have
to experience what we don't like before we change it.
Life doesn't speak English, Life doesn't speak French or Spanish
or life speaks like this. And if you can't hear
life speaking and saying, look, let me show you the stupidity.

(03:02:37):
Life has to show it to you. But it also
shows you the solution at the same time.

Speaker 41 (03:02:42):
And time Pine, that's right.

Speaker 2 (03:02:54):
Right you and now Jimmy in the sounds of the cam, Yeah, yeah, yeah.

Speaker 4 (03:03:02):
Can I get it yet? Yeah?

Speaker 2 (03:03:04):
Can I get a mother fucking yeah?

Speaker 4 (03:03:05):
Yeah?

Speaker 2 (03:03:06):
Do I'm Mica? Give me back? Yes, legal gree Yeah,
canna get wrecked?

Speaker 4 (03:03:10):
Yeah? Okay?

Speaker 2 (03:03:11):
But can I get a hole?

Speaker 49 (03:03:12):
He?

Speaker 2 (03:03:12):
Can I get a motherfucking hole? Hoo? Do I get
wrecked in every show?

Speaker 4 (03:03:16):
Hoo? Literally?

Speaker 2 (03:03:17):
I got the phone? He say here we go? Put?

Speaker 4 (03:03:20):
Does he arrested?

Speaker 2 (03:03:21):
Tim dog haven coming?

Speaker 4 (03:03:22):
We don't eat.

Speaker 2 (03:03:23):
Cornyass off commercial Ryan, I don't sound like till a
Timon off the line is homah central. But gentlemen take
me for Paul Simon. I can't hear nothing but rat
do not force me. I can't hear Fredi Stairs share,
Tommy Luss.

Speaker 4 (03:03:33):
You lost me.

Speaker 2 (03:03:34):
The him got rom speaks. I see keep singing like trap.

Speaker 1 (03:03:36):
Let's kick you up songs.

Speaker 2 (03:03:37):
You get keys, give me the poor back when I
kick my rap. You don't need for blackfront singers.

Speaker 4 (03:03:41):
It dances. Fuck all laugh what you.

Speaker 2 (03:03:43):
See, you see, what you hear, you hear when you cheering.

Speaker 4 (03:03:45):
You cheer.

Speaker 2 (03:03:45):
I'm in repressings. He's like man instrumentalist fund the mental essential.
When a practice, I get shop like a prienzil. But
the princips made him hope. So something promote. You don't
get prope. What do you take any fighting? Sure radical mathematical.
If I have started off, look up the micro automatically
the way I won't. I'm talking about whole gimmy. I'm like,
don't right to leave it with your ass out like
a flaggy. This is a losing battle. You're like cattle

(03:04:06):
that sounds that my name care rest makes the tail
where I don't better Yet you're a snake sor a brattle.
I'm write you up like your apple, smash you in
a snaffle. I'm not doing you want to battle that battle,
the skinning your ass, I'm making shoulder bag. I bring
the plate all the brown. By the time I'm telling
you'll be two ninety out of bound.

Speaker 4 (03:04:22):
Yeah.

Speaker 2 (03:04:24):
This tech has been dedicated to real hip hop.

Speaker 4 (03:04:28):
The lyrics they.

Speaker 58 (03:04:30):
Thought the two hit my followers out there, peace to
the zoutle Nation piece the Willie did, and bring it
out with jumps and mussy and piece to the stuff
from Hey, who.

Speaker 59 (03:05:10):
Says, actually, I said, I'm so sad, so he said so.

Speaker 4 (03:05:50):
To Prince.

Speaker 14 (03:06:05):
Krus won the Mighty Blastmaster. I am enjoying this show.
This is my era, this is where I come from. Guys,
I hope you're enjoying as much as I am.

Speaker 11 (03:06:13):
Hey, the way this is lining up is beautiful. It's
twenty fifth episode, Silver Anniversary show MC Legends blast Master
KRS one tribute interview the next night, followed by that concert.
That concert man unbelievable, How how he just rocks the crowd,
how much energy you don't have stage.

Speaker 20 (03:06:32):
How much sweat he pours out.

Speaker 8 (03:06:33):
I mean, the only thing is poor his poor sound man.
Is fucking unemployed by now.

Speaker 11 (03:06:38):
Because he couldn't get his fucking mic right all night.
But still regardless, he turned that into part of his
show on the.

Speaker 20 (03:06:46):
Fly how many days?

Speaker 11 (03:06:47):
Like he was like, he was like, instead of some
artists up there bitching and moaning about it, he was like,
you know what, this is real hip hop.

Speaker 8 (03:06:54):
This is what happens when you got real hip hop.

Speaker 24 (03:06:56):
You know what.

Speaker 11 (03:06:57):
My MIC's a little fucking squeaky, but fuck it, I'm
carus one and he just took command.

Speaker 8 (03:07:01):
Dude. He was like fucking General Schwartzkough in the Iraq War. Bambinos.

Speaker 2 (03:07:06):
Motherfucker.

Speaker 20 (03:07:07):
How much did he go off the head? It was ridiculous,
you know, it's unbelievable.

Speaker 2 (03:07:11):
Lot.

Speaker 11 (03:07:11):
I mean, the guy, like, seriously, he's gonna like he
got He's got like this DNA of hip hop in
him that does not exist anywhere else.

Speaker 20 (03:07:19):
So what's your favorite Caress album? I mean, what are
we think of?

Speaker 8 (03:07:22):
My favorite Keras album, Return of the Boom Bat. Really
I think that's his best work. I think say song
loft that album.

Speaker 11 (03:07:29):
My favorite song off of that album is Higher Level. Yes,
I love that song absolutely, Jam that or or out
of Here You know what I.

Speaker 8 (03:07:38):
Think I think out of here, actually, but all right,
that's your favorite. They're fucking both great.

Speaker 2 (03:07:43):
It's like one A, one B.

Speaker 8 (03:07:44):
So so here's the thing though.

Speaker 11 (03:07:46):
Here's the thing though, I think karras one the greatest
work is when he's paired with Prima.

Speaker 2 (03:07:51):
I do did his date?

Speaker 21 (03:07:52):
Didn't I say that past? Maybe I didn't say that,
but I alluded to the fact that you need to
work together.

Speaker 8 (03:07:58):
You did say that to him.

Speaker 20 (03:07:59):
I don't don't necessarily agree with Jay throwing.

Speaker 21 (03:08:02):
That well if we're gonna go solo album and has
to be returning the boom back. Okay, but all right,
so if you count you know, Boogie Down Productions, Ship, look,
Criminal Mind, is there sex and Miln? I don't know
for some reason that we're turning the boom bab really just.

Speaker 14 (03:08:18):
It's I would say it's the quintessential Golden Era album.

Speaker 21 (03:08:24):
Okay, all right, so hear me out. It may not
be his best album, but it's my favorite album. Like
Hard to Earn is not Shang Star's best album, it's
my favorite hour reference Midnight Marauders might not be better
than the Low End Theory, but it's my favorite. A
tribe called quest album Returning the Boom bab is it
you start to finish production lyrically. I mean, just going

(03:08:48):
back to the performance. I've seen a lot of shows
in my lifetime. I've never seen one dude control the
mic and the audience and the audience the way Kras does.

Speaker 8 (03:08:59):
Unbelievable show.

Speaker 11 (03:09:00):
Again, he didn't even come on stage till one thirty am.
I think at three am they had to fucking end
it because there's like a sound ordinance at the at
the venue he was playing at, so.

Speaker 8 (03:09:08):
They're like, all right, dude, you gotta wrap this shit up.

Speaker 11 (03:09:10):
Because one thing I was a little bit disappointed is
that we never got around like the whole freestyle cipher
thing that he's been known to do at his shows.
Because I was feeling a little ballsy that night. You know,
he got me back into the mood. Lit Kevlar wanted
to spit some shit.

Speaker 20 (03:09:22):
Not only the last master.

Speaker 14 (03:09:24):
I think you guys were fucking deaf for three days.
I was the only guy who actually put in some
some like ear plugs. I think it was a smart
way to go.

Speaker 8 (03:09:31):
Fucking old man.

Speaker 20 (03:09:32):
But let's get back to get back to the balls,
hang out.

Speaker 8 (03:09:35):
Like Johnny Knoxville when he like fucking tissues out of ears.

Speaker 4 (03:09:40):
No doubt.

Speaker 20 (03:09:40):
But to get back to favorite albums, I have to
say bar none.

Speaker 44 (03:09:43):
For me.

Speaker 14 (03:09:44):
As much as I loved the first Criminal Minded album,
I have to tell you the second album by all
means necessary. When you talk about my philosophy, illegal business,
when you talk about that shit in his next level.
Not only was it next level political cool, the drums,
the beats, you're talking ic you, you're talking Kenny Park.

Speaker 20 (03:10:06):
You're talking some different level shit. And I love what
he does with Primo. It is the quintessential nineties boom bapshit.

Speaker 14 (03:10:13):
But when we're talking about KRS from that level, I
don't know that that particular record just.

Speaker 1 (03:10:20):
Made it for me.

Speaker 2 (03:10:21):
I'll give you that.

Speaker 20 (03:10:22):
And not only that, it was videos. We were on
a different level and I appreciated that.

Speaker 14 (03:10:27):
And when we spoke to him in that interview, I
felt like that particular album came out in our talk.

Speaker 8 (03:10:33):
Do you think he was talking to us the whole
time standing next to it this way?

Speaker 14 (03:10:38):
The whole way, I felt like Malcolm X was on
the ledge, get your hand out of my fucking pocket.

Speaker 8 (03:10:43):
It worked, Wow, Dre. I like the emphasis on that
ship smoking. Yeah, no, I definitely give you that.

Speaker 11 (03:10:50):
Man, that's a great album personally again, Return of the
Boombass my favorite. I would then probably go by All
Means Necessary number two and then probably so off titled
project or Criminal Minded Next, and you know I got Next.
I wasn't really feeling that there's a couple of good
songs off that. And then, honestly, bro, I'm fucking guilty

(03:11:13):
of like losing track of him for a minute.

Speaker 8 (03:11:15):
Dude, I really am.

Speaker 11 (03:11:16):
I mean from like after I got Next. He he
he put out about six or seven more albums after that,
and dude, I need I need to do some homework.

Speaker 21 (03:11:26):
Well, this show, this tribute will help catch some people
up to what he's been doing since then.

Speaker 2 (03:11:33):
I know when he recorded a lot of the World
is Mind album.

Speaker 20 (03:11:36):
Uh, which you have to say that album is pretty
damn What do he perform?

Speaker 2 (03:11:42):
You guys? Remember How Gonna Get You Sucker? The movie? Yeah,
and the Jack of Spades Jack of Spade.

Speaker 8 (03:11:48):
Jack, Yeah, oh right right right here, get made a cameo?

Speaker 2 (03:11:52):
Yeah yeah, Jack sucked, man, b Jack. These guys.

Speaker 12 (03:12:00):
The music every good hero should have.

Speaker 8 (03:12:03):
So wasn't he?

Speaker 11 (03:12:03):
Also, when Who's the man for a minute. He was
like a fucking like stick up kid or something. Remember
that du That movie was the Ship. I haven't seen
it in so long. I gotta watch that movie again.
You make remember with Ed Lover and doctor Dre, who's
the man?

Speaker 20 (03:12:16):
You make me want to watch c before?

Speaker 8 (03:12:18):
C Before was all right? It was I don't even
corny as fuck, actually, but dude, who's the man? I
remember that ship?

Speaker 11 (03:12:24):
Remember they were always busting Doctor Dre's balls for eating donuts, and.

Speaker 8 (03:12:27):
Ship Guru gets sucking. They like chase Guru down. It
was the first up against the first car first. Like
these guys, All these guys were in the fucking movie man.
It was great.

Speaker 2 (03:12:36):
Wait was it Dennis Leary or.

Speaker 11 (03:12:41):
My fucking uncle? Didn't spend six years in medical school
and not be called doctor? How the fuck did you
in your doctor degree?

Speaker 2 (03:12:47):
Doctor?

Speaker 20 (03:12:50):
That was some like early MTV ship right there.

Speaker 11 (03:12:52):
Anyway, we're gonna spun off, but yeah, but uh, I
don't think it was word for word, but it was
something like that. I remember would always bust his balls,
he wouldn't let me fuck donuts.

Speaker 8 (03:13:01):
But I remember Cares being in that movie.

Speaker 11 (03:13:03):
I forgot exactly the role he played, because again, it's
been so long since I've seen it, but I remember
enjoying that movie. I remember there was like one time
that it was like one of those movies. I was
on HBO on repeat for like three months.

Speaker 2 (03:13:14):
Who's the Man that?

Speaker 38 (03:13:15):
Yeah, dude, I remember that she Who Was the Man
was basically like TV raps but a movie version.

Speaker 8 (03:13:19):
Or maybe it was like Showtime or one of them.

Speaker 4 (03:13:21):
Was it that?

Speaker 38 (03:13:22):
For everybody was in that movie? Bro, he did Who's
the Man?

Speaker 11 (03:13:26):
Guru, fucking dude, fucking partying bullshit is from that soundtrack?

Speaker 2 (03:13:30):
Yeah, of course.

Speaker 20 (03:13:32):
So what is the best Kress song? Period? I mean,
we've still there's so many period, But what is the
number one? Is it Step into a World? Raptures the Light?

Speaker 35 (03:13:43):
No?

Speaker 20 (03:13:43):
No, it is here? Is it my philosophy.

Speaker 11 (03:13:49):
To dance to some fucking bluesy ass ho? Then you
put on step into a world.

Speaker 20 (03:13:54):
That's never Harry, It's not you, dude.

Speaker 8 (03:13:58):
I'm saying, if you want to dance the club to
a care song, the.

Speaker 14 (03:14:00):
Production album is amazing on that particular record is phenomena.

Speaker 8 (03:14:04):
Yeah, that's not the best. How the fuck did that
come to your head? Anyway? You, of all people I
thought you would have say like that, I didn't know
it was mine, Like fucking.

Speaker 20 (03:14:14):
That's true.

Speaker 11 (03:14:15):
I mean, honestly, my favorite charist song of all time
is probably out of Here or higher level Bro. I
mean my my my favorite charist to get me hype
song is Sound of the Police or fucking mcs act
like they don't know.

Speaker 8 (03:14:30):
I mean, that ship just gets your hype. You know,
sometimes you just need a little hype hip hop.

Speaker 20 (03:14:36):
But what about you, Jay, There's so many man.

Speaker 2 (03:14:38):
I mean, I love loves going to get you.

Speaker 20 (03:14:42):
That was that was as a favorite.

Speaker 2 (03:14:44):
I'm just telling you what I love.

Speaker 21 (03:14:46):
I mean my philosophy. Love's gonna get you. Of course,
the bridge is over out of here.

Speaker 8 (03:14:51):
You know, why don't you tell him what Chris did?
It's a concert for you, dog. Love's gonna get you
my pick like autograph from Timberlands and then he signed
your bald ass head and then gave you pounds.

Speaker 20 (03:15:01):
Anyway, I hope you guys fucking appreciate it.

Speaker 38 (03:15:04):
Always say we hope they have to.

Speaker 48 (03:15:05):
You have to.

Speaker 11 (03:15:06):
You motherfuckers don't appreciate this ship, then you can go
fuck yourselves, all right.

Speaker 14 (03:15:10):
Appreciate this show. Take a personal radio dot com. This
is what's going down tonight. Hairs one knowledge rains supreme
over nearly everyone.

Speaker 2 (03:15:19):
Boom town Man seed Funne fun again, see town man
see fun fun again.

Speaker 4 (03:15:30):
See ain't what.

Speaker 49 (03:15:38):
Jos Well, let's just took Obama bah Bahama about to
set it set it take us messed, let.

Speaker 2 (03:15:45):
It be let the credit ge what it tea to
the fucking t sho me delivered sister, fearing this to
op the ship.

Speaker 1 (03:15:54):
Fun this ship, get you bunt the ship. That's how
we come in.

Speaker 2 (03:15:57):
Hip you by this ship.

Speaker 49 (03:15:58):
Now, who the fucking witness? Nicky affected reflexing because we
got this promise.

Speaker 60 (03:16:02):
Affects Yo, my rock and blowing nigga out the.

Speaker 1 (03:16:05):
Sock and get get trying to keep the tracks.

Speaker 2 (03:16:07):
Now they're like my pocket watching.

Speaker 60 (03:16:09):
The rhyme, pining about the second from the crime.

Speaker 9 (03:16:11):
Saying the foggy bang and twisted it off the long
three fucking dome.

Speaker 60 (03:16:14):
We strictly fifteen seed p and it squarked me sing
on my ciy, that's my cousin Smithy. Yo, you got
to get the doe. You got to blow the spot
these down till your brests.

Speaker 61 (03:16:24):
So the tony nigga jacking ate, Hey my ship to
make the faith from what's the mamma boys that.

Speaker 49 (03:16:40):
I can hardly see the punk of paint and thinking
height before we hear what's not reported them. We're coming
back and runder and talking Michael Jordan recording tell my
niggas in the super Hot you Tonyan Nigga so we
don't from's.

Speaker 9 (03:16:52):
On the flush handling rock like Indianders and the Brandishes
siggy stuff to keep him Steve Vantish shattering fuck it
was don't be mad, the rind of Padom Rinds amazing
plays and sat by sat and mends of no No, I'm.

Speaker 2 (03:17:05):
More fame than Coco.

Speaker 1 (03:17:06):
I'm paying the still ship to win the play.

Speaker 2 (03:17:08):
From my local ass takes your style and go go
like d C. Meyllo.

Speaker 1 (03:17:12):
The hats removed for strapped.

Speaker 2 (03:17:15):
May Day, may Day.

Speaker 1 (03:17:16):
It's crazy, crazy pay day.

Speaker 49 (03:17:17):
I'm making the wrecked a day kick like, Hey, Brady
a minute, because we can any forward the mass of classic.

Speaker 4 (03:17:23):
Okay you.

Speaker 2 (03:17:26):
Follow me, following with my syllable syllable Liverpool criminal mc
cutch some minimal to my physical things, just little and little,
with little and little to say.

Speaker 1 (03:17:33):
I say, tally wait they.

Speaker 2 (03:17:34):
Say o, catch, but I top that. What's your hands?
And like a mad MC had some pornaments, I got
change you want empty skin, sandy. I'm like some cos
like the cant watch it milcause when I'm feltliberately screaming, fu,
would you hear?

Speaker 1 (03:17:48):
You can't be you can't even wear hoss is just cheering.

Speaker 2 (03:17:52):
Go get the spirit.

Speaker 25 (03:17:53):
Blah blah blah.

Speaker 2 (03:17:54):
I'm coming with the bather rock. You might tell you
goodle's not gonna take a fama. You wanted to ride, Okay,
your rest when you were young, you told your papa
exactly when your head said what you're thinking in the warning.
Now I'm in the face.

Speaker 1 (03:18:08):
Now I'm in the face looking at your group.

Speaker 2 (03:18:11):
When they are broken because they're not in but l
your restor's face and your mother, fuck you face.

Speaker 1 (03:18:18):
Your DJ dies fine.

Speaker 4 (03:18:57):
From the road.

Speaker 2 (03:18:58):
If you don't know that the that's what let's sir,
hell sir fo shure, that's the fults general.

Speaker 1 (03:19:13):
Stop, that's my man.

Speaker 4 (03:19:15):
You don't stop.

Speaker 2 (03:19:16):
It's the girl, and you don't stop.

Speaker 44 (03:19:19):
To rope a bacon recapaking and leg in fro the
radio jack that they they could be in the priestly
like handy I'm probably have a.

Speaker 4 (03:19:28):
Big up to Sandy. What my name is?

Speaker 2 (03:19:30):
Hansie wants as what the truth at the most sens.

Speaker 36 (03:19:33):
But I leaveing mom Soia speakers me getting moti flas.

Speaker 2 (03:19:38):
No, hey, pop I speakers. You may think I'm crazy?
Right what I'm crazy?

Speaker 17 (03:19:41):
Tides Next night, y'all, let me tell it best might
not chancey right tonight?

Speaker 47 (03:19:46):
Got the hardest a piece of stolesquarter me God, and
don't stuff the rope.

Speaker 2 (03:19:53):
Don't off the rope?

Speaker 1 (03:19:58):
Somehow does it look tracking made it?

Speaker 2 (03:20:00):
You waded? You getting must traded because see some season
traded stills the Mike boil rotting rats and others can't
make it. They can't take any from the Canabis, say
naked the same mold has to train out here to
break it. The highly concessable multidirectional hot in ninety seven.
So what yet some flexible rap relief stress up? Yes, yes,
it's medical or your richman, Raymond, it's still the medical

(03:20:22):
red Man. You know you must understand red Man and
you want to stand and jeez, what comes to one
beauty people representation? Lest you're too hot and you don't
quits chrisen act with the whole today want too hot.
I don't quash smoke weed in.

Speaker 1 (03:20:39):
Those crash ha.

Speaker 23 (03:20:58):
That's case sunshine mode all the time. The Hotey feel
the Hotey Street Hotey.

Speaker 2 (03:21:08):
He got the chills. He's in the house will right now.
I'm cool with my man j three sixty kevlar and
my man Jason Gloss like no and touch that down.

Speaker 62 (03:21:18):
Yes he's just ice, he said, right yo, the real
dynamic duo.

Speaker 4 (03:21:25):
And I quote you.

Speaker 2 (03:21:26):
Boys, I'll bring him back to a droopy wrote joke.

Speaker 4 (03:21:29):
I squote the.

Speaker 62 (03:21:29):
Bust fit the commandments, shops fighting Now where the hell
a man with? And he thinks to right people long
in the wind, the throng night. I'm a lost pagers fight.

Speaker 2 (03:21:40):
Don came in the ring. That's my thing. Before the stream,
that's all here fell in the wind.

Speaker 62 (03:21:45):
If you got turns, act up you wanted to act
up by hit up with the clap up that comes
after scene.

Speaker 2 (03:21:51):
I ain't playing kids, he screamed, And I ain't just
say you did.

Speaker 1 (03:21:54):
You can't leave a shit for.

Speaker 62 (03:21:56):
Us that someone might write the dusty throw rush charlock
the time.

Speaker 2 (03:22:00):
My god, it's not the next so what's it's just shut?

Speaker 62 (03:22:03):
Shoulders were to put your hands in the air, keep
them there.

Speaker 4 (03:22:07):
Run the jewels.

Speaker 2 (03:22:08):
Run the jewels. Put your hands in the air, keep
them there. Run the jew What I said, man, we
are brain time. Don't wait till this starts bringing thumb,
he said, the plane, run the jewels. Shoes, cats walking
past your clib and walk in your house, throw in
your mouth, chalking you out. Will the invest respond you

(03:22:30):
and this carring you out with the slow ivy feeds
broken the fuck up my guy with the nose. My
kids be like pet chills.

Speaker 38 (03:22:37):
I'd be like fuck chill cats complaining about the game.

Speaker 2 (03:22:40):
Past the hill, the p and D's two hills. Y'all
know the reason why y'all eat incos. He plays the
bill bo many times. I gotta tell you that the
ship shut down till African Parish return and hope the
people is down.

Speaker 1 (03:22:51):
Step on the throw a hot body and let up around.

Speaker 2 (03:22:54):
See we just listening now, swept like wow, there's those
in repeated the fishing that had for I don't get
hit with the gunpile, respect the guard. Excuse me. I
beg your paw, get hear you. You gotta bring up
with the.

Speaker 12 (03:23:05):
Beach too hard on.

Speaker 2 (03:23:07):
I put your hands in the air, keep him there.
Run the jewels, Running the jewels.

Speaker 62 (03:23:12):
Put your hands in the air, keep him there. And
one of the jewels what I said to because we
play in too. Don't wait till this thut's bringing tunner,
he said.

Speaker 2 (03:23:23):
He getting playing running the Jewels. Run the jewels, motherfucker.
I'm bringing the heat quick. I do what you're bemoaning.
Beat streak, I get the club rocking on. I see
six ship. I ain't gotta tell you I'm hooked man.
You can see how I'm in. It's my dim hits.
I don't freak out cash because most of the yard
no cash, like the easy pass. If you can't, they

(03:23:43):
talking about you gonna beat me, and you left out
talking about I'll just give you two more cvs. Y'all young.
So y'all need to be gangsters. My real jeeves want
to sit home and be even pay for of course
if you with the La Lakers. But it's always something
young and you gotta say to its makeup. And I
don't need the rat you have to reach. I'm old school.

Speaker 57 (03:24:01):
I'm off.

Speaker 2 (03:24:02):
You would have been class run you know who would be.

Speaker 63 (03:24:13):
It wasn't about a hold a lot of electronic machines
and they basically get tour of the same records with
a mix up and a very good DJ. We knew
how to spend, cut or slice whatever you want to
say and having the beat going over repetiously and the
MC was just rocking. That's why back in the day,

(03:24:35):
I don't consider myself a rap up. I mean they
need to took that turn and manto something else. Rappers. See,
back then it wasn't called rappers. We were called AMC's.
It's about if you go get on the mic and
young kids black or white are gonna buy the record
and let them have something to listen.

Speaker 30 (03:24:54):
To they can learn off of.

Speaker 38 (03:24:56):
I let them play booking our.

Speaker 63 (03:24:57):
Production's record anytime, because is not only has a nice
solid bead to it, but it's telling.

Speaker 2 (03:25:03):
You so telling you telling look at these we can
see and geesnip before BPD's or even be bottom lees.
Please with these fantasies. Not you're selling peas and you
know you pleas in front of the TV's and a
grill geese on your knees. You know Mustad's Chris is
next with Ease and my Seeds. I'm Poyson likes the
five tickets with not be getting and livery clicket flipping

(03:25:25):
and he mixing over the skipping and cable clipping. Still
sick men, even though some people ain'ting me in who
they system.

Speaker 1 (03:25:31):
I can't see chicken and tipping.

Speaker 2 (03:25:33):
The scale up, Hey, tuition not bail, drink water not
l my mc how many hits it right on the nail.
I can't fail with my seventh strikes. Strike one here
sis the lung over trumps m sings become dumb like
oh said dumb like listen, I'm over the bass drum
mc mcs like frunt spreading the ricks of fun and
b some the bread crumbs you've missed when you swamped.

(03:25:55):
I connected, oh my number one done on the US
to make your restaurant.

Speaker 30 (03:26:05):
Wake up, God, wake up your mind.

Speaker 2 (03:26:18):
Black people less skill and very your people. You vary
your skill. We can defeat any congressional film that will
a hip popping. You will fulfill all problems in design
in the city veloscopy. The hip hop me must come
out and din a lot if you no doubt the
secuted property. I'm beginning to shout out this plant out
approximately three single syllable words for setting like I am gone,

(03:26:42):
you are gone. We are gone forgetting Tom is seven
and another go back. I never chat it like a
shocking your head. I'm in dreaded in your mind. We're constant.
I'm delivering the problem. At the end of time, I'll
be in my prom resign then rah Man like orficalshime man,
I look still, but I'm club man newsplash. Here's the
lady's fonted. Your whole environments created in your mind and

(03:27:05):
in your heart. Hip huff, displace art the highest level
of mental expression. Play your fundy intelligent Monday intelligent, Monday intelligent,
and everybody help all this motherfucker is trying to be
large with a two car garbage ess and like YO

(03:27:26):
to Marge, it's played out, fading out both us talk
to you broke the time to give back that brain
broke a soda. I told Chuck bow one to the
hip hop betrayed him hops enlightened neighbor, stealing on your
wavor danger nature. You better rearrange your facing to put
you weak. Miss drinking to rep the stinking with the
stench of a snitch with information linking up with the

(03:27:47):
endemies of chriss speaking but I'm already in nineteen ninety nine,
feeling fine. Almost something before me out site that mark
rewind as I got to put a bit of time,
negativity will be wiping out my pay at the perfect time.
By Ron combines mobility, creative positivity, relative sensibility to a
wide vicinity.

Speaker 1 (03:28:05):
And you can go from your facility or filly me.

Speaker 2 (03:28:07):
You're killing me. I begin to see your sivility a
rock way hard. You can't th with me, or go
with me or fot with me. Frankly, this is grow
a people's poetry. Forget your little warm in the head, Rob,
just wait past bedtime for the ten times, but you're
trying to get my I went from the book with
my art in the dog, the simple spot, a little
pops walk, and I'm in your heart. Every time you
think them coming one way, you'll come another way. If

(03:28:29):
you ain't got the flood, Rob, say today, run away,
run away, run away, little boy like the that crew,
I tell a rise toy noise. That is what I
hear when you shout your rhyme to the atmosphere, the
blast masters, I.

Speaker 64 (03:28:41):
Hear intelligent ties on. I'm saying intelligent pies on. I'm
saying intelligent ties on the I'm saying intelligent ties on I'm.

Speaker 26 (03:28:52):
Saying intelligent ties on the my I will ride by
in funner your eye test, I am a surprise. So
I'm gonna let penalogy drawing to at all praises to
to a law. And that's a pleasant and that's a passing.

Speaker 2 (03:29:06):
Specialized off this one.

Speaker 9 (03:29:11):
Top five favorite rappers, Top five favorite rappers.

Speaker 35 (03:29:15):
Me it'll be artist like rock him a Biggie two
five Nose.

Speaker 20 (03:29:22):
Caress one is one of my favorite. Early on is early.

Speaker 2 (03:29:28):
Me the type of polyrical terrorism of present. Didn't you
kids people let the free companies?

Speaker 4 (03:29:40):
My bad?

Speaker 2 (03:29:40):
You be hearing me now for the best note Seles
when a rap you, I know you want to step
to me?

Speaker 4 (03:29:47):
Can what you thinking? This not a bit?

Speaker 2 (03:29:51):
What's the most with the booty, don't care and time
saying video single every year from your eye trunk sent here,
I don't play that, I play your home gates saying
it is not legit, your whole criminal wagon, the host
not my much, you in your face, not be wrong,
don't even think about bally with a song. You'll be fun.

(03:30:11):
You're coming at strong enough the whole I'm look you
ain't look, you ain't your bet at what your ripped
peat crush taking in a box. But don't call it
who sucks? You know the Titi's name Blas sens the
cams thinking, fo wait, sir, check it out? Why everything

(03:31:08):
you do is fresh?

Speaker 4 (03:31:09):
Cancer?

Speaker 2 (03:31:09):
My name flashmaster krs your only right reality? Why cancer
come to? People are going to God? Quest going to God?

Speaker 1 (03:31:18):
Please explain the common cancer.

Speaker 2 (03:31:20):
Some people are using ignorance to make a procty question,
how do we soften? Answer? Throw them in a jail?
So in Locke and question why some people so stupid?

Speaker 4 (03:31:28):
Answer?

Speaker 2 (03:31:29):
They gotta pray for felsa youth? It question? How did
it get like this? Answer? People are more worried about
answering tits and little bits of information. So Parian teaches
us to be bobarians insnation. This new creation takes from
the Manifestation number four the education question what's a solution?

Speaker 4 (03:31:52):
Question?

Speaker 2 (03:31:53):
Devolution in God's chilling cancer? Whether you're fighting of God's
blood is still killing and we're chilling? Thinking up my
cares telm the food tem think classic book in this history,
they're not cre shedding their blood question tomb of question
Christal New plectic, charist and canny.

Speaker 4 (03:32:14):
The half, the half.

Speaker 65 (03:32:26):
Usual, up, the pre nasty, fussy, yet so crystal clear.

Speaker 2 (03:32:54):
The no commercial set is now here, brought to you
by the will of positive people care plus one EATU
slamming lyrics and beats, unquestionable the professional while I Yes,
Joe wrap the albums the most on the market Strong
honey with a talking and the talking is it shot?
The lyrics and rebload the flip Another shell hits the

(03:33:17):
ground along with the shell my opponent's sweet crown. The
title comes aft, though, what a disast to listen to
the laft y'all want I catchum? Does that relaxture has
to test him? If you're whack, I say next, Who's next?
Because I've got no talk for weakness only the thiere
fix this dias decades which money can't buy you yet,

(03:33:39):
But I don't care because book eat our productions has
both the most worl what flor w go commercial sound
trying to ghetto does hor fuel the black?

Speaker 1 (03:33:48):
Do you see your throat?

Speaker 2 (03:33:50):
Understand? I know it? You gotta copy? I read nor
foot breaks? Hey Jack, all right, you got this stuff? Yeah,

(03:34:12):
I'll clean the noise. Oh yeah, beautiful, beautiful, Let's get
it on.

Speaker 30 (03:34:18):
Who these guys. That's my theme music. Have a good hero,
should have some can have.

Speaker 2 (03:34:27):
Guy little poet all.

Speaker 66 (03:34:35):
Its original piece written by me, fly guy, and I
want to dedicate this piece.

Speaker 15 (03:34:42):
To all these players and all your ladies out there.

Speaker 2 (03:34:50):
I can't be stop. Let me say my part. I'm
not the only god who has some thought, it some
pot but the heart to come. But it's hell and
everybody's in heal crashing through the door of that boar,
bringing an end to this gold chain boar. What you
saw Chris one is now seeing another five human being
making no excuses for the losers.

Speaker 1 (03:35:11):
Change that you hence trug abuses.

Speaker 2 (03:35:13):
You don't like it, but you gotta keep pushing until
somebody saws mushing all the suckers claiming the rule being
fined me. You seem to think that everybody can be taught,
that everyone else could be bought, but you took a
short because one guy hasn't been paid. He is a
jack of Spade.

Speaker 11 (03:35:32):
Jack Jackson jack Jajack Jack Jack Jackson Jack Jack Jack
jacks Jack.

Speaker 2 (03:35:37):
Jack Jack Jack. Jack's calm kind of guy, courageous and loyal,
but don't let the temple foil. It's just like a
pot when the whistle blows. That's why the crime is committed.
And he's right on your tail. There's no bail, not
thinking about jail. All the ants are justified by the means.

(03:35:58):
When Jack's on the scene, the movement don't lose it
because it he comes from the back of your tax crack, cocaine,
cops and more.

Speaker 1 (03:36:06):
Babe talk at the same in the heed of this
gold game. Here's the aide.

Speaker 2 (03:36:10):
Destroy all the stereo types, heights and crack tights. We
don't like criminals and crime, but we don't pay it
any more. So here it comes, come move Joe and
by God saying hammer and Samma, hi amma, relegade, teacher
and scholar. If you ain't up on it, you gotta
fall to the back of the line. Here this rhyme
because I'm gonna say it one more time. It's Jack.

(03:36:33):
The k r s made. It's called the Jack. Say
just say, I didn't want to want to lose my call.
Teach you you must turn, you must burn. It's wrong

(03:37:17):
yet Gama star that I speak, you still go fast
and you will never get in the heart. In fact,
your start to illuminate knowledge to others and a song,
I'm gonna be coming straight the force of knowledge college
rank su creame, the ignorant rig is ripples to the wres.
What are your means when you say I'm rebellious because
I don't accept everything that you're telling us? What are
you selling us? The creator dwelling us? I see in
your unknown class why you're failing us. I feel your

(03:37:39):
class because I with your reasoning, you're trying to make
me you by season it my mind with see Jane running,
see John walking.

Speaker 1 (03:37:46):
A hardcourt, New York.

Speaker 2 (03:37:47):
Come on, now that's talk with cow. It doesn't exist,
no way, no how. It seems to me that at
the school, this ebony African hinders you should be pumped
up suddenly, but it's not. And this has got to stop.
See spot run from that's insulting black mentality, a black way.
I went for a jock black family include with one
concern that you must learn.

Speaker 4 (03:38:09):
J I told you.

Speaker 1 (03:38:13):
Mustard firmil and told you.

Speaker 2 (03:38:18):
Here you'll just.

Speaker 1 (03:38:21):
Camasi.

Speaker 2 (03:38:22):
I know you're you're good and.

Speaker 4 (03:38:27):
The power up to do it all.

Speaker 67 (03:38:31):
You SI stopping here, you know conversation and now today
go disco hoppen.

Speaker 2 (03:38:45):
Man, you can play them cond of drums too.

Speaker 11 (03:38:47):
Shoo to get a Band's my dream playing a band
in New York, saying the York The.

Speaker 6 (03:38:53):
Bron brogan looking to take your personal fans play.

Speaker 2 (03:39:05):
If you could dream it, you could be it.

Speaker 13 (03:39:07):
I'm one side allowed the few guys I superseded as
I know you here Anita Baker playing in my BMS.
Indeed up from the era Patrick Ewing Adidas. It can't
turn public house into arenas. Blummy dudes moved packed so
they could buy Jews a Snakers.

Speaker 2 (03:39:20):
Money crew some adaptter.

Speaker 13 (03:39:21):
Others would become distracted smoking woolies opening their packs like Wookie,
I'm a fin ad pop I'm gonna rap a cinematic
could beat us the plot. I'm breeding to clock Jez
like all people believe it or not. Prestigious and illusion
that'll lose you when you're not high.

Speaker 1 (03:39:37):
You know how I'll do my juice or color for
my daughter.

Speaker 13 (03:39:40):
Jn't gotta watch cartoon food, watched mamous like Lebron fresh
out of high school.

Speaker 2 (03:39:45):
My electric fire skills on rock. I'm an all star
baby par A. Lot of dudes just lost in the
rap game. Chasing life with a rap star not paid.
I paid my dues while you're hating snooze. You always
come correct from singing the blues and pops my life.
People already page price and your mic and the phone booth,
and y'all could keep the ice and I still run
on your young ones like Jemmy Rice. You can't see

(03:40:07):
in the dark. Hold the turn of the light and the.

Speaker 4 (03:40:09):
Sucking on like aids.

Speaker 1 (03:40:10):
The fielding is mute to my mind to a large PM,
and then shift the.

Speaker 2 (03:40:14):
Loot Trevy wops cruise shoe catch PFG coming through the
hood and the U S B with the crow shoes
from the l A, the QB Smeggi and Pig to
a nice rest in NYC. Parah Smith, you don't be
well for me ping PA's with Gosta shields. Niggas care
for hermy.

Speaker 8 (03:40:30):
You know what I got to shine with.

Speaker 1 (03:40:32):
It's time to get mine.

Speaker 68 (03:40:33):
Pops down, ask with a classic Cans time you're trying
to step into me.

Speaker 2 (03:40:37):
You're worst than land mind twist show smile like five
o foot cline.

Speaker 68 (03:40:41):
All this do your shoe must speed out your mind pop,
shut it down, show on wonderful tine.

Speaker 2 (03:40:47):
Get mind for back of a climb.

Speaker 68 (03:40:48):
If you look up paying motherfucker and this meeting your
gron clines man poot where I can never suck. That's
like trying a round and round with single git rems
on the caddy truck.

Speaker 2 (03:40:58):
Me and this tie it up equals it's under can't
maud I submit? Come please, you know the deal will
recognize real. So throw your hands up. Let me know
how you feel, because it's on on that's that table
like a green man the ship authentic to grab food aside.
Here we go, pay your wrestling spot. When I spinning,
you can see that I'm fresh there or not. It's

(03:41:19):
that other type of lyric with you hear what you
stop pay your wrestling car making that that's a real hand.
I'm glad to see these MC's coming. Amathter me running
amathter me. It's doing it how it has to me.

Speaker 1 (03:41:30):
It's that new ship, but it's whole. It's that hot ship.

Speaker 2 (03:41:33):
What it's cold, poor fuck flits when we go fuckt
then you got.

Speaker 4 (03:41:38):
Off all open next stayed toll and.

Speaker 2 (03:41:40):
I standing next to the flesh. I'm never for the soul.
My history is to come play whenever it's told want
of a car freaking the moles. We're finding the micro
built in the soul help club away, It said, where not,
that's the goal from past the toe. Well, that's my
boone that you hold. I modeled my role when my
pockets a floe. Son't have to be told twice, Hey
you men, Joseph Cats, why not when that was, as

(03:42:17):
you know, the Academy Award winning music.

Speaker 69 (03:42:21):
And now for my next number, I like to return
to the classics, perhaps the most famous classic in all
the world of music, world world.

Speaker 2 (03:42:35):
Going out to the hardcore.

Speaker 1 (03:42:42):
Towns last classic classics.

Speaker 12 (03:42:52):
I like to return class.

Speaker 70 (03:42:56):
King bid Is is like a shine. Your highness is
performing the Calowna line is. This is what happened you
make ship, It's timeless. That's what happened these rappers is
the pine is what do would take to be a
legend like Nazis. I'm so nivice, I'm so polished. I
gotta right to be a little bit snobbish. I did
a little bit in pilige semessages into two like privepace.

Speaker 2 (03:43:20):
So let me figure out this wasn't my place to.

Speaker 47 (03:43:23):
Be slow to you listening to my pace, because I'll
be killing ship.

Speaker 70 (03:43:26):
But that's evident, and y'all feeling it, but I expected it.
If this classic is gonna left for evident, I'm every where.
You've never been embedded, and I ever been classic.

Speaker 2 (03:43:36):
Black straight classic classic.

Speaker 20 (03:43:38):
I'm better than that ever been times time, I'm everywhere.

Speaker 71 (03:43:42):
You never been abletted and I ever been classic to
block black straight classics, I'm better than that.

Speaker 7 (03:43:48):
Ever bed time, nack well, perseverance, see the fake Crystal
Papper to them, been hosting here this? Oh you went platinum?
Yeah that's nice. Now let me see you do the
same thing twice three times, first times, been a couple.

Speaker 2 (03:44:05):
Of more times.

Speaker 7 (03:44:06):
Please your amateur nights. It's show times. It's one life
to live, so live it the best you can. The
world can use one less man. It's not enough air,
not enough car factory, the manufactured new vehicles and dans
and dance where they do make it with you like
your chips ain't right by the time you could afforded
the car and report it in the street timent. It's
just iron hop key firemen in my environment, Levia slump.

Speaker 2 (03:44:28):
Then they drive home car for the hood brothers.

Speaker 18 (03:44:31):
They eager to jump on.

Speaker 7 (03:44:32):
I like to be the wall and they toast them.
I'd like to see the fall guilty to doing wrong.
I'm class sick like the air once the hustle's shoe.
That's what I'm accustomed to. Year classic, last straight class
from classic.

Speaker 20 (03:44:45):
I'm better than that ever bed time.

Speaker 1 (03:44:47):
It's time to time.

Speaker 2 (03:44:49):
I'm everywhere you.

Speaker 71 (03:44:50):
Never been and betted and that ever bit class sick,
last straight classic, I'm better than that ever.

Speaker 2 (03:44:56):
Bed time we have. That's the kr Rest one. How
many y'all got criminal mind? June John, don't be blinding
in the tree. I've got no jewels on my neck.
Why I don't eat them? I've got your respect. Ka
Arrest one twenty years.

Speaker 1 (03:45:12):
I'm rock. I do it with j mha and Scott
of rock this hip hop.

Speaker 2 (03:45:16):
Don't he's a nation. Don't you want to hear what
k Arrest on your radio station instead abroadcasting how we
smoke the trees on the media. We need to hear
more local them seeds when you rot and when come on,
when you walk. This is the difference between m C
and the rock. The spit rhymes that are mostly illegal.
I see spit robs up the big people. He's the
unit have funds are the limits of ko wrest the class.

Speaker 3 (03:45:40):
Class yellow checking out y'all and you're kicking out the packing.

Speaker 2 (03:45:45):
To show.

Speaker 8 (03:45:56):
Dip just writing my name Tigabdi on the wall.

Speaker 2 (03:46:00):
Up dude, who was knowledge rings supreme it We got
the world follow women, Turn up the CD or turn
up the TV, Turn up your tap, turn your phone up.

Speaker 1 (03:46:14):
Crak up to PC. See my voice over the PC.

Speaker 2 (03:46:17):
If you talking raffiti, see we call it ever so
long when we was splat in the city, I got
twenty five hands in my knapsack, crusting out the wick wrack.
YoY has this ain't even kid that fat tips and
black books. Yo. We repped that one forty nine three benches.
When we slept that clip trap clip clap clip cleft
clap doo said not my words. The spray can't said that.

(03:46:38):
Wear the red sack or the green turned poise were
my real draft writers.

Speaker 1 (03:46:42):
Make some noise cool herman.

Speaker 2 (03:46:44):
His first part is that introduced hip hop fifteen to
twenty Sachi Gavenue in the Bronx August eleventh, nine pm,
nineteen seventy three. He was a graffiti writer. He went
off the wall and got on the turntable. And started
cutting up James Brown breaks. So little kids like me.
I was eight years old. I lived across the street.

(03:47:05):
We would hear James Brown breaks playing and we would
only dance to the breaks of James Brown. So they
called us breakboys and break girls or later on b boys,
be girls all breakers like that. Breakdancing is from twenty
twenty the news shows to be a news show called
twenty twenty. They started calling us breakdancers. We never called

(03:47:28):
ourselves breakdancers. We use the term it's cool, But if
you want to be authentically hip hop, it's bee boys,
be girls and breakers. So this is it, This is it,
This is it. I grew up in the streets like
everyone else, but instead of pushing drugs, I pushed knowledges
South Why them cats was in the back smoking the moolies.

(03:47:48):
I was filtering with the gods. We used to wear koofies,
aproc ampendents for Stevens on them. Real black men, some
of y'all never saw them. The cops called them real leaders,
real street preachers. Black panther stole poor right to teach this.
This before the cell phones than the beepers, conscious black
men would fly new sneakers folks. Styles came from us

(03:48:09):
God bus We were criminal minded, but in God we trust,
not that white man God. The other one. We didn't
call that God. We called our brother one and our
sister was the Earth. Peace. God. Don't need to act it,
but let me bless out with some Jews. Knowledge with
them understanding freedom, just equality, food, both, then shelter, love, peace,

(03:48:32):
being the seas of Jews of life. Let's go knowledge
Withdom understanding freedom, justice, equality, food, clothing, shelter, love, peace being,
the seas other Jews to life. Oh my God, where
you think the cipher come from the God? You think
them cops were running from the God. The streets were hard,

(03:48:53):
but the streets that God's.

Speaker 1 (03:48:55):
Earth, some moaning stuff. This was my universe. Greef birth
a new way of seeing.

Speaker 2 (03:49:00):
Black people at celestial beings and raised the whole self esteeming.
We started Third I seeing and seeing what Martin was dreaming.
God's on the bull of ball, building on life, wash, intelligence,
King's son, justice, King ayaded, Nobody's equal rock him. These
are enlightened people, the pop percent. This is the school

(03:49:21):
of meccan Halem. If you never went, it's good, Tom
spent bet you come.

Speaker 19 (03:49:26):
Out with a new tactic.

Speaker 1 (03:49:27):
But while we hear Chris, go ahead, just drop it.

Speaker 2 (03:49:30):
Knowledge with some understanding, freedom, just ski equality, woes and shelter, love,
peace being the seeds of a Jew's life.

Speaker 30 (03:49:41):
God places, you're check it out.

Speaker 2 (03:49:44):
Evidence, violated people, rhymes, lighting direction, take it hurt, hurt lyrics,
marm you got ahead, rest and day. Why the fruit
your voting garment? You let it go?

Speaker 72 (03:50:03):
Yeah, pack up evidence, exception to be on Thomas Lakes
to be late's unacceptable. Of course I talk about myself
and the third person long overdue sets to blow up
certain three LPs under Capitol Machine platform. Neghbor would watch
expansion teams at Lake's Fondness open and shows some headline.
Sometimes it's meat and greeted in store signings, a lot

(03:50:24):
of cats claiming pro game and amateurs.

Speaker 1 (03:50:26):
It ain't a good look. All your height. Man's your manager.
I've seen where it's boring.

Speaker 30 (03:50:30):
Performance curts.

Speaker 1 (03:50:31):
You hit the stage of the storm.

Speaker 2 (03:50:33):
You know what's working.

Speaker 72 (03:50:34):
Whether Man said bring umbrellas tonight, Dave Letterman said, your
fellas are tight. This is a remix of Steady'd be serious,
donated chaos one style.

Speaker 4 (03:51:00):
You got this, Tom.

Speaker 2 (03:51:05):
You know the voice soon as you hear your name
is liric spawn from the legendary.

Speaker 69 (03:51:08):
Cars and syrics, part of them and signs, part take
your face is transparent type of paybodens children will inhabit.

Speaker 12 (03:51:13):
You've seen the pair of a normal spear and paranoid.

Speaker 69 (03:51:15):
I'm a crazy ass iry boy breaking five star senders
down to every boy's claim it saving zoid redistributed amongst
we attributed to this country.

Speaker 4 (03:51:24):
We lived it because these.

Speaker 69 (03:51:25):
Percentages that week been given, it ain't warmly indictative what
we put into it. You'll believe me passing you in
the presence of excellence, the respawn care us one and
ever dance bound down and kissed the temperness matter fact
you gets the lizard skins.

Speaker 2 (03:51:38):
God damn it when you had to kiss the mission.

Speaker 69 (03:51:40):
It's I hoped, my cowboy while I'm hopping your car,
audition on the cop showing off because he got a
new cause of the ship.

Speaker 2 (03:51:45):
By shot you'll knock in like.

Speaker 16 (03:51:46):
A soft pinion.

Speaker 69 (03:51:48):
You flock with the lark, shot with bottle lines on
your day. Any music that I want, but I.

Speaker 20 (03:51:52):
Think hop hop hop hop hop hop.

Speaker 2 (03:51:56):
My name is.

Speaker 41 (03:51:59):
Between them kill.

Speaker 2 (03:52:03):
Steal ship.

Speaker 1 (03:52:08):
Bringing eighty gate back.

Speaker 2 (03:52:14):
Like this, y'all, where my socks at jacket at shoes
at twenty city talk for sure we're gonna do that.
It's running through that where my crew act were the
best lovem season in the world. But you already knew that.
Do that, hey, arrest what what one? Don't you whack
gas strappers on and run what your son? Oh your horses?
Retreat from the streets and count your losses. We teach

(03:52:37):
hip hop courses constantly at the university.

Speaker 1 (03:52:40):
Give him my philosophy.

Speaker 2 (03:52:42):
Don't try stopping me lyric monopoly or you iceed op wrapping.
Y'all just say't hot. You see the hip hopping me
at all authentic. We at the birth of a nation.
And y'all don't get it all that kitty titty talk. Yo,
I ain't with it if you ain't ready to die.

Speaker 1 (03:52:56):
Don't spin it. Where the critics where they at?

Speaker 4 (03:52:58):
Now?

Speaker 1 (03:52:58):
We loses them on.

Speaker 2 (03:53:00):
These conscious rapids. Yes, who influenced them to them young cats?
More than this fluted them. But I remember you when
you try to ruin them knowledge the brain supreme when
you're sitting in a cell and you'll see what it
means why you're living in hell. You can help your cream?
Does this ring a bell? I have a dream. I
have a dream. One day this name them will rise up,

(03:53:27):
live out the true meaning.

Speaker 4 (03:53:28):
Of the dream.

Speaker 56 (03:53:30):
We only used this belf epidemic that all man are creator.

Speaker 1 (03:53:37):
Instead of reading the word of Christ, be the word
of Christ.

Speaker 2 (03:53:44):
Instead of following God's words, be God's words.

Speaker 1 (03:53:51):
That's the consciousness of hip hop.

Speaker 2 (03:53:55):
You are not just doing hip hop.

Speaker 1 (03:53:57):
You are hip hop. You are not just reading the
word of God.

Speaker 4 (03:54:04):
You are the.

Speaker 2 (03:54:05):
Word of God. I will make it. They did bacon
state a great bacon from me. What you see is
what you get in these days. I'm so funky. You
can throw my tender right on the stage. You can
fight down on my rage, right down on my anticipation.

(03:54:26):
When no doubt that hesitation, repeat this affirmation, not I
want to make it.

Speaker 1 (03:54:33):
In fact, we've made it.

Speaker 2 (03:54:34):
Every time we stated and believe it. We created the
power up your very words underbrad it sleeping in the
dark in the park, watching help us push that car,
stay this whole thing in your heart. I will make it.

Speaker 1 (03:55:15):
How y'd one question?

Speaker 2 (03:55:18):
One question calling who am I that MC tony? I
don't whim suny, I wear DJ's out quickly at the parts.
Who am I if you like me? Hip hop is
in your box? Who am I that MC? When the
jam is smoke? Can you need a proceed up? Who
am I that M six when you need a liftical
leading with orbit iCal triple features? Who am I that

(03:55:41):
M six when you need to prock your three chouns
and see the fringing up?

Speaker 1 (03:55:44):
Let's believe mom? Who a mole MC? When you need
to get the words on the streets with the met up?

Speaker 4 (03:55:50):
Who is MO the m C?

Speaker 1 (03:55:52):
I beg thee let me sploke problems? I have plenty?

Speaker 2 (03:55:55):
Who am MO the MC? Art of mercy, hits suthing
like always moose, like Jersey say thirsty? Who am I
the m C showing it's already s very already and
artistic minority nights starting me Because party's philosophy can only
be carried out by who and I the MC no
doubt predicting fire ahead? What will set the party up

(03:56:17):
for mentally with plenty of food the m C trace
that roof com menzon Roxy and ben Lee? Who am
I the MC? Gently move crowds with harmonious rhythm, because
then the ricks we give them. They miss him. Who
am I that m C again, that Nzen in power
help suppressed people sent me to tell you. Cause you
truly study lirical clothes and stay on your toes, you

(03:56:39):
will be who and ma let m C. And that's
in MC. You will study verbal magic. But watch what
you say because you'll attracted. Control your subconscious magnet from
pulling in happy. Who am I?

Speaker 23 (03:56:50):
That's true?

Speaker 4 (03:57:14):
Y'all know what time it.

Speaker 2 (03:57:15):
Says when KRS comes, suspend your DJ's with no breaks.
I don't want to hear that ship the radio. I
can't even bear that shit. Goud she proud of I
don't even wear that ship. I'm in the streets holler.
But y'all fear that ship. We blue collar DJs. We
hear a riff nine hundred number. We got two pairs
of it by MP tree ship. I'm not sharing that

(03:57:38):
classic say. For the Lukes, were not claring it the life,
but for DJ they's still comparing it. And then they
want to be but many more scared of it. Before
they start, they already planned the twig the music. They
no longer fans a bit. They want to use it
so they can get a granted ship the programs directors
handing them trips, make them play, block shit and lie
from their rooks. Let's just see that sounds like this

(03:58:01):
when you need real motherfuckers like.

Speaker 1 (03:58:03):
Us to let you know what a DJ is.

Speaker 2 (03:58:06):
Listen, man, I gotta pay you to play my ship.

Speaker 4 (03:58:09):
Check this out.

Speaker 2 (03:58:09):
My shit's already hot, so I ain't gotta make for shit.

Speaker 1 (03:58:13):
You can't tell the DJ what to do. We tell
you what's really good.

Speaker 2 (03:58:16):
DJ Revolution, I got you fuck these clus So if
you wanna be in DJIN live on the second camp
traveling back again, you should not forget camp. The beats
in the street, and you have been elected to carry
the tradition of records being selected. Check it. Your job
is to break new records. Go to the pub, get
on man direction, See what's mixing, blends, undetected. The true

(03:58:38):
DJ and MC are connected like me and DJ Revolution.
Look at what producing beats and bombs. No confusion. Woo's
in the house and my trows in the house. Hundreds
of people be throosing it out come mixing, scratching, NonStop,
party blocking, two hours, non stop. If you got serado, bravo.
But if you can't come final records. You want be

(03:59:00):
able to followed me a true MC, not a new MC.
Fuck the computer. It's human me and the crowd and
oh yes they going it down at the Tombstone of Scotland.
Rock out sound, never to let a wap. DJ minis
me and I'll be splitting this way past sixty. Ain't
nothing change for the Foreman from Soul jungle Man. You

(03:59:20):
gotta play all that mix it up, not lift it.

Speaker 4 (03:59:23):
Up to mix up.

Speaker 2 (03:59:24):
D J should pick you up, Okay, arrest one DJ revolution,
tell what's the solution?

Speaker 4 (03:59:32):
The DJ?

Speaker 2 (03:59:36):
The DJ, the DJs. I now listen D.

Speaker 4 (03:59:45):
Deep, d out lock the DJ.

Speaker 30 (04:00:00):
How low can you go?

Speaker 1 (04:00:03):
How deep can you go?

Speaker 2 (04:00:05):
Because after a while, if you really become a spiritual being,
you don't rely on the world and not grow for
non grow but not wrong.

Speaker 1 (04:00:29):
Come on down this check I control your mind with one.

Speaker 2 (04:00:33):
BA must speak and get you hoping like a prostitute
budgeez Rappers. He kicking the name out with because it speaks,
refuses to reach beyond the beach.

Speaker 1 (04:00:42):
Pop a seat.

Speaker 2 (04:00:43):
I speak of spit frits on your cheeckens. Times of
complete ship, no whit shit. How may rich and properly.
I can feel myself becoming a Libric monopoly. Others will
come be met, repeat my ship, slopperly shocking me with inclinations,
stuff rocking me, saying it got to be my jewe identity.

Speaker 1 (04:01:02):
You've never meant to see. I simply you gift sent
to me mentally.

Speaker 2 (04:01:06):
Yo, worried out getting from out my face before you
get buss quick tom the hemmy I'd been in a
minute because I'm gifted like December twenty.

Speaker 20 (04:01:15):
Then let me.

Speaker 2 (04:01:16):
I'm all knowing literally this syllable throat, even when it's snowing,
I'm party gold free blowing. It's starting, never tiptoe overthrowing
a cough, pig up broms. I got one stobs on
the planet got with me? Well, I got as many ROMs.
It's this many stocks for where Hello, don't let me
come out on that ass. Start flipping you until I'm aflicting.
I get hell and sitting picket friends slamming them, rocking

(04:01:40):
to the stage and dismantling.

Speaker 17 (04:01:42):
No.

Speaker 1 (04:01:43):
I smiled like Dchen turns to heal him. I shin
none of your lirics.

Speaker 2 (04:01:47):
I'm feeling though you rob like you should be wearing
at a brist Plittman a pot where that names like
burry over here, but a rapper salt tooth.

Speaker 1 (04:01:56):
My shit, I can't pack it up with lyrics.

Speaker 4 (04:01:58):
Bill your skill.

Speaker 2 (04:02:18):
To your super listeners, how you're doing the night, All
your fly guys and Flo girls.

Speaker 1 (04:02:22):
Welcome once again to.

Speaker 2 (04:02:23):
The world famous mister Magic and rapper Jack and the
Fourth I am wait, wait before the hots and the
powers we use stuff. Listen to Live Mixing for Hours,
Rocks and Seante utf Bo mister Magic Wrap attacks. Some
of y'all know, but I was in the shelter and
weakness homeless turntable listen Micro Homeless, fresh gearless. But still

(04:02:44):
I was feel less and focused on being the dopeer
simc a lot eighty five ls on Jeff Jam with
the Best Jam and Bugini's on job. Man. You know
I had to survive. New York City was crazy in
the eighties with Damn it was a love. So here
comes to the Juice Crew.

Speaker 1 (04:02:59):
With MC share.

Speaker 2 (04:03:00):
Chauntey's already this queen, Mally's already the man. Y'all don't
really understand when you throw on Chauntayo Share. It got
live in the jam. So we went to miss the magic.
If anybody had the power to put you on, he
had it. We gave up the demo tape No Love Lost.
But it seems mister Magic just brushed us off. Somehow.
We heard we were whacked every track and that we

(04:03:21):
shouldn't even called back. Right there, my joy dropped, no doubt,
but it made me see what I was all about.

Speaker 24 (04:03:27):
And I'll keep rising, turn the top while my mom goes.

Speaker 19 (04:03:32):
You I'll keep your eyes and turn the top, while.

Speaker 24 (04:03:35):
My mom goes, you know, give me well, keep rising,
turn top, while my mom goes me, give me on look.
We'll keep rising, turn the top while my mom.

Speaker 2 (04:03:46):
Goes in the spot. New hip pop the back in
corners in the Union Square and the rooftop. We used
to hit him tools Pop in the parking lot.

Speaker 1 (04:03:56):
We'd got Dark the Lock Me and Scott the Rock.

Speaker 2 (04:03:58):
But it was soft for the hip hop. But some
pepper answered Douncky Freshman with the show stopper mc shan
was gonna challenge l L. Sean Tay was batting three
or four groups at the same time when the Hell
Answer records were big. Then after Shaun take did it,
everybody was trying to spit them. So we spit on
to tell you the truth. It was the only way
EMBc could get on. We answered them. See Shan's Queensbridge,

(04:04:21):
a dope chim about where he was from and where
he lived. But in the Bronx there was these kids
k arrest Scott LeBrock, trying to live. And I'll keep rising,
turn and talk while my mom.

Speaker 24 (04:04:31):
Go you, I'll keep your rising, turn and talk while
my mom go give book, keep rising turn, while my
mom go give me on bookkeep rising turn time, while
my mom goes.

Speaker 2 (04:04:49):
This is what an m C was. We had a
strong street buzz. Molly and Shan showed us some love
and love never hurt because while Shan was with Marlly,
we was with d J red on Love and Funday Night.
Every Saturday night on the hand waves, the battle was
right hunt the New York Knights, smalling lights, shogging at
night to Roxy used to get soap hype. You could
put on your headset and get what head says, yet

(04:05:11):
yet live and the sea's going check check hit his
broms over the radio set. See these are the days
and the ways I can never forget, so I don't
forget it to Molly and Shan. I am indebted for
the start of my career. These guys could take credit
for my rapping the whole battle. They let it happen.
Molly and Shann and Sean Tey could have been gunstrapping cousin,

(04:05:32):
but they Wasn't you know why, because we was on
some real hop. Let's keep it buzzing, buzzing, buzzing. Why
these people always got in front? Why people can't be real?
From the jump, y'all, I'm gonna be hunt on hall it.
My flow is like the ocean, sale it all. It's metaphoric,
oceanic flow, running like the ocean. I'm a stake current.
From the first time my rhymney spun it in the

(04:05:54):
UMC test bedp sound, we upon it.

Speaker 1 (04:05:56):
They just begun it.

Speaker 2 (04:05:58):
We the veteran better than any of them, and we
keep it one Honey, I'm the same glass master, but faster.
I'm the same that influence the game. I'm named after
hip hop. Don't fight the hunch, fight the punch. Take
it back to the cast of Bunch. I'm having these
raptors for lunch. I give the captain a crunch munch crunch,
hunch off you're feeling kr rest put your one.

Speaker 4 (04:06:20):
Up one.

Speaker 2 (04:06:23):
Woman and woman and I know why I j yeah
middle woman and woman and woman? I know dg yeh
middle what that man?

Speaker 4 (04:06:30):
Middle like?

Speaker 2 (04:06:30):
What they say mid a woman and woman and woman?
Y no d yeh float you stop coming in boot
who now want to throw damn the crew? Who one
bloke you go to? Both you are to here we
pro pretty blow do y'all again, let's raise the baron.
I don't anything says we don't like you know what
I'm talking about? Yo? They might go on tonight they

(04:06:50):
never never type.

Speaker 1 (04:06:52):
That's not polite?

Speaker 4 (04:06:53):
Am I lying?

Speaker 2 (04:06:54):
No? You're white right? So tonight I'll be staking facts.
Sont DJs why they be holding back? They n b
a of a broker? Yo? What pupping that avery DJ's
open wrapp bring the focus that can take the crates
from his faith to the Lincoln throwing over that we'll
eat him. The freedom of poetic could beat him up
and compensions like need him see them. We plan to
eat him up. I'm beating him singing, singing, and the
bringing that this haircut definitely will heat them both. So

(04:07:17):
we say bit the wo man woman the one no,
I d year bit Wama the woman and wo men
to one no why idd year butter.

Speaker 1 (04:07:24):
Like what that like what that sir bit woman and
woman the one?

Speaker 2 (04:07:28):
No why I d chair I scream on these rappers
like that rector to actors hang with computer hackers on
farms and ride tractors. Thus spell backwards his gut dropped age.
If you ain't got guts and you're calling yourself a thought,
you are faith, not just the guts.

Speaker 1 (04:07:41):
The bus up for the four time.

Speaker 2 (04:07:43):
It's mass up from bitch. When you show that ass algebra,
it's like defects. Look the sex loop the checks cup.
Because brothers be scared of that text book. You best
look elsewhere. Now, let's just self here never no welfare,
the nation for healthcare out rapping up sufing them, get
a scholar like punch. We cocked up on the spring
thing we put in my castle on earth and the yard.

(04:08:03):
We're going to it harder to return to our previous
mom man and Chris Barker, the exact guy signing on
checks and proofing budgets. But if you want to make
me in any club, we gonna talking the woman to
want me woman, you want no w d Jill. But
the woman want me want no back, like what that
min of like what they said, wan want no wad.

Speaker 10 (04:08:24):
Jill, little ce bind the mastermind.

Speaker 2 (04:08:55):
You're here kicking it live with Taking Curse Radio on.

Speaker 43 (04:08:58):
W HBr one O five point nine or something for
the ladies. And this is the world's famous supreme team show.
I think it's about trying that we play everybody some
world's famous break Kang of the.

Speaker 2 (04:09:09):
Tell them a Jack Kang of the uh huh and.

Speaker 4 (04:09:16):
Word to the world, Word up.

Speaker 1 (04:09:20):
New York, Word up the bronx h bro playing up town.
Please make boys sat.

Speaker 2 (04:09:29):
Down in jeep wilin word up, who yeh yeh yeh
and why see York setting fountain and jeeps on these
New York streets recognized the elite. What we did with
these feats your your town wouldn't beat New York City's
feet some prop with the heat make me come with
the fleet. New York is complete, more concrete, the center

(04:09:50):
of the world with all people for me. I'm keeping
the style symbol of against me. How could you wonderful
window and landing on four pats. New York City is
bull waste, fooling, preach and teach and all ways school
and no, I'm not pooling crowd is not polling original
MC and that's what I'm doing. New York, just soldier.
Don't forget New York, home of the Yankees, and mess

(04:10:11):
New York something you have to see. It's the place
to be, It's the place for me. That's tell them again.

Speaker 4 (04:10:25):
Uh huh.

Speaker 2 (04:10:29):
Year, that's right, were word? Now you can shout your
clique and shout your town for the time we shout
New York holy town. You want to see latinos show,
that's Bookie down, African American joke. That's not town to
make these patients. That's Brooklyn down, run up to queens sake,
a good look around. No on a man all the

(04:10:52):
way out to see that in New York is the
birth of djaing and rapping. That's yeah, yeah, tell him again.
Were were worth? Uh huh yo yo jeer checking gun clapping, cops,

(04:11:16):
cracks and rocks, rolled blocks, routine traffic stops. But that
raw hip hop's over here. You can check my city grammar.

Speaker 4 (04:11:24):
It's cold.

Speaker 2 (04:11:24):
We care what we gave the world save the world
before hip hop pop enslaved the world, but we freed
ourselves with the help of cool work that from the
Bam Bama and Flash the work. This is the reason
we respect these people because when they were suing, the
hip hop was illegal. Now we all ego and heads
won the floors. They forgot hip hop and all the
lives that was low us. You see the way they

(04:11:45):
dress and the way they talk. They claim they the best,
but that's all New York. I'm gonna shout into the
world the truth is out New York number one, and
we didn't the house. Yo.

Speaker 4 (04:11:55):
What up?

Speaker 73 (04:11:55):
This Dominos dot Com right now listening to take it
personal with fellow flavor DJ three Thicky ket Law that
Aaron Wade.

Speaker 41 (04:12:08):
It's up to you.

Speaker 73 (04:12:27):
Make sure check it out. We'll take that ship personal.

Speaker 72 (04:12:34):
Check this exclusive remix by d J three sixty on
Ticket Personal Radio.

Speaker 4 (04:12:39):
Yeah, Jim j.

Speaker 2 (04:12:46):
J. We're going to do it like this, burn out
all the way from the Bronx. You'll be seen.

Speaker 4 (04:12:55):
What something.

Speaker 2 (04:13:00):
There's some movement.

Speaker 4 (04:13:00):
Let's go here we go.

Speaker 2 (04:13:02):
I'm approving.

Speaker 4 (04:13:03):
Let's go, there we go.

Speaker 1 (04:13:04):
Can r rest swore, Let's go there we go.

Speaker 4 (04:13:07):
I'm approving.

Speaker 1 (04:13:08):
It's loud, let's go to it's a movement.

Speaker 4 (04:13:10):
Let's go there we go. I'm approving. Let's go there
we go.

Speaker 2 (04:13:14):
Tr rrest woe.

Speaker 1 (04:13:15):
Let's go there we go, car rrest woe.

Speaker 4 (04:13:18):
Let's go here we go.

Speaker 2 (04:13:19):
Rady your ways making you behave like a slave. It's
so many ways to enhance what you pray. Minae chicks
and out the clips you look in your lips. Put
your eyes fixed on tips and fast whips. It's funny
how we call coss wits we slave. Forget how many
times are you being money tricks? You're looking at any cuts? Okay,
the dog spot in front of the light, shut your eyes.
What international?

Speaker 19 (04:13:40):
Kay?

Speaker 2 (04:13:40):
Arrest passing through? And when you spell it top the
ass always capital one is what we have to do.

Speaker 1 (04:13:46):
It ain't hard to see your k arrest one good
and change.

Speaker 2 (04:13:49):
That's the power. It ain't no calm in me and
no canal. It may see the guard and meet and
pardon me and pp your heart is free when you're
telling me k arrest l we saved this some movement.

Speaker 4 (04:14:00):
Let's go there we go.

Speaker 2 (04:14:02):
I'm approving.

Speaker 4 (04:14:03):

Speaker 2 (04:14:04):
Try your rest wood, Let's go there we go. I'm improving.

Speaker 4 (04:14:08):

Speaker 42 (04:14:09):
South Bronx tile times we'll be down to my cheek
from productions to I check one to move a little southing,
stumping with my beef's hip hop declaration of speech, street movement.
Let's go there we go, Let's keep it music, Let's
go there we go.

Speaker 2 (04:14:24):
I'm improving.

Speaker 4 (04:14:25):
Let's go talk.

Speaker 2 (04:14:27):
You got thing with hip hop? There we go to national.

Speaker 42 (04:14:30):
Income somewhere around the sweet watching it.

Speaker 1 (04:14:32):
You roll, hitting brons like this.

Speaker 42 (04:14:34):
Sweet, I'll take you back around club now the droves
supreme over nearly everyone. It's a shame how we gonn
offend the material lifestyle and our next generation that the last.
It's time for discipline, time for listening to this declaration
of hip hop christening with some movement.

Speaker 4 (04:14:50):
Let's go there you go.

Speaker 2 (04:14:52):
I'm improving.

Speaker 4 (04:14:53):
Let's go, there we go. I'm improving. Let's go there
we go.

Speaker 2 (04:14:57):
Try your rest wood. Let's go there we go, some movement.

Speaker 4 (04:15:00):
Let's go.

Speaker 2 (04:15:01):
Let me go, Papa believe it.

Speaker 30 (04:15:03):
Let's go, let me go believe.

Speaker 4 (04:15:05):
Let's go. Let we go store, Let's.

Speaker 2 (04:15:08):
Go we go.

Speaker 74 (04:15:10):
What's gone music? Pay one specialized? You want to press style,
let me show pay one professionalized music. Let's press.

Speaker 4 (04:15:31):
If if you put that jump off.

Speaker 2 (04:15:34):
If you put that jump off in row, might not live.

Speaker 5 (04:15:40):
If if if you put that jump off in jump
jump jump jump just jump jump, just jump.

Speaker 4 (04:15:47):
Off rock, you might not live. Left. No listen.

Speaker 2 (04:16:48):
Up, if you got what it takes, because I'm k

(04:17:36):
your rest, Kate chet k your bread, set im on
the Michael.

Speaker 1 (04:17:43):
You you ain't fresh. You ain't fresh.

Speaker 2 (04:17:50):
With that the witness pas like easter bread underground. You
gotta find me like no need to bed. I hit
the club hard on the red. Why you're shut to
see these? I'm selling boxes, Dad, I travel the country.
I called my foot in mag what's works to being
behind us? Being ahead? Prompetic visions of President Jeff five
storms hit Florida on his head and nobody said, what's.

Speaker 4 (04:18:10):
The meaning of this?

Speaker 2 (04:18:11):
It's like God is dead in the mindset of people
hanging on to a tread. You gotta go with your
hard slip. I spinsh truth with some cats. They just
got the hardest head. As you can see, I'm on
the slip. I take it to the blacks and the
green into the darkest red, A right precitem and of
course the off the head top. Now, let's supreme, man,
don't forget hell.

Speaker 1 (04:18:31):
Y'r redset, I'm on the mike. I'm kay, you'r redset.

Speaker 2 (04:18:37):
I'm on the mike.

Speaker 1 (04:18:41):
Okay, your redset up.

Speaker 2 (04:18:42):
On the mic, bring open here and I'm kay you'r rethset.
I'm on the mic and on the brain. Ye Jem
Jem's try this started word. You gotta kid yourself.

Speaker 4 (04:19:01):
Damn.

Speaker 1 (04:19:03):
It's a real hip hop MC.

Speaker 2 (04:19:05):
He said m TV, he said bee T he said
Bob in my seed so the people could see. I mean,
how you think you free when you act like drop
and he tell me? How do you judge an m
C when he's rocking I mean rocking it love, not
picking his cock? I mean adjust this rose. I mean,
how do you know before you're coming to the show
that you're not getting hated, that you're not eating checking
that your when it comes to the club, thinking I

(04:19:26):
must have been weeding? What you got to be at?
You beating consumer? Spend your money on MCS because he's
rapping so to you orfully wants your cash, ass grass,
gas and the flick when you ask for that autograph
the assdash put beware up the rapper he talks like
it no matter he pulls this game.

Speaker 1 (04:19:42):
When we bus off the gatler.

Speaker 2 (04:19:44):
Yeah your off self, knock damn yeah, yourself if it
shouting down yourself. If it's not down here.

Speaker 30 (04:19:52):
Yourself, Oh yell yeah yourself.

Speaker 2 (04:19:56):
Knock damn yeah, yourself. If it shouting down yourself, yourself. Okay,
the darkness, that's where the best shit comes from. Out
of this ship. Look, it takes feces to make things
grubb things grust.

Speaker 1 (04:20:12):
Nor life is funny.

Speaker 2 (04:20:15):
If you don't repeat the actions of your own success,
you won't be successful. You gotta know your own cameoa unien,
your on ingreed is what.

Speaker 4 (04:20:24):
Made you you you you You.

Speaker 2 (04:20:26):
Nineteen eighty seven hours at the Latin quarters listening to
Africa Man how to give the order. The core of
the order was to avoid the slaughter. He said, right here,
compan these ain't gotten nothing for you without a lawyer.
He talked the affility lessons and how how could be
many a blessings and that was great. So in nineteen
eighty eight there was no debatey at the end of hate.
The name of the game was the violence at unity,
dollars and self reliance. We started talking about Mark and

(04:20:48):
the Malcolm and these yettle kids going up what about them?

Speaker 1 (04:20:50):
Nineteen eighty nine. Professor Thripp speaks.

Speaker 2 (04:20:52):
His mind, but his freedom of speaks to his decline
nineteen ninety k with the West coast, East coast, West coast,
who is the best coast? Looking back? Now, of course
it was focus. The whole argument was, but we lost focus,
we got hopeless. Now I'm delivered to music. But with
hip hop and how we used it or abused it,
you don't want the crew again if you like it
because you use it. Nineteen ninety one we opened the
eyes with human education again. Blos tried and talk about

(04:21:15):
sake of humanity, but only other rappers got mad at me.
They call me captain Humans. Another Mexical cent self destructions.
Don't pay the fucking rent. Remember that nobody wanted conscious rite.
It was like with his ball asack, But can they
call us at all? Was whack? Hip hop? Coach was
calling flat and that it was that. So in nineteen
ninety two I found my crew. They said, yo, Chris,
what you want to do? I said, damn, why do

(04:21:35):
you want to get with me? If I'm bust? They's
some contradictory. If I played a bitch row and take
my shoes tell me what the fuck am I supposed
to do? So I did it, don't stop, didn't get it,
get it all of a sudden, these critics, they want
to spit it O k arrest one is contradictory, just
because I wouldn't let these rappers get with me, pump
that uck.

Speaker 1 (04:21:50):
You and fuck your pen if a wrapper one of
this yo.

Speaker 2 (04:21:53):
I can really can. But I'm making these hands and
I got my friends, and I really don't want to
have to sit in the pen. So want go back
to the Philosopher teen ninety three, Hip Hoperer Up, the
Watcher the Facts nineteen ninety four, Returning the Boom Back.
It wasn't all about the Loop. It was all about
Harry Allen. Rivencoke commenced the two Blowing Up nineteen ninety five.
Conscious Drafts still alive, but nobody want to play it,

(04:22:14):
Nobody want to say it, nobody jocate it.

Speaker 1 (04:22:16):
They all rather hate it. Nineteen ninety six. I really
don't stop.

Speaker 2 (04:22:19):
We put together something called the Temples of hip Hop,
not just dejing and breaking craft and lyrics, but how
hip hop affects the spirit step into the world. That's
what I did. Ninety seven. I was raising my kids
for kids, But I had to go because new your
DJ's changed the blows too clothes and hose.

Speaker 1 (04:22:34):
But that wasn't me.

Speaker 2 (04:22:35):
I'll be damned if I dance for the MTV. So
in nineteen ninety eight I began to debate should I
go now? But should I really wait? Ninety nine I'm
moved to La, you see, and took a gig with
the WB started studying philosophy full time to have a
full heart, whole body, old mine.

Speaker 1 (04:22:49):
But you know what the problem is, or was DJ.

Speaker 2 (04:22:52):
Someth raise our kids because they so caught up in
the cash and jewels. How they gonna really see a
hip hop school? How they gonna really see a hip
hop tempo? They don't even want to play my instrumentals, fun,
big up, Doctor Trey, Snoopig, Simmy, especially Simmy. He was
day in a minute, Mike conception on. All of them said, Yo,
you need help. I should call them. When I was
in La, I held the crown bloods crips, they held

(04:23:12):
me down. I can never forget Mad Lion kill a
pride with the gap in the lap in the low ride. Oh,
I can't forget he see Nike flucky loup oula, Yo,
g that was the crew. Dav t in't pre dad.
The corner list goes on and off. Let me tell
your pred brest and my man protests much respect, no
less to my spiritual and mental defenders. Pick up to
La Sple members. But in two thousand, I seen how

(04:23:34):
I wanted to live. I wanted to know except you there.
So I picked up the mic and I quicked my
yall said to some moone, I got a kid with God.
She said, don't worry about these dollars in quarters. He
coup of knees. Ain't gotten up your damn. She took
me back to params, took me back to who I am,
broke me back to the New York plans.

Speaker 1 (04:23:51):
Now I overstand.

Speaker 61 (04:23:54):
After shine, shine, shine shit, I said, children, what's it?

Speaker 4 (04:23:59):
All?

Speaker 2 (04:23:59):
Is it?

Speaker 67 (04:24:01):
You?

Speaker 3 (04:24:02):
Your phones were on, You're shaking out, taking personal shout
out to all the vegegans, all the real their profits.

Speaker 2 (04:24:09):
That deserves to be in this room. Salute to all
of you. Put for more of Rush legends. By bye bye.

Speaker 4 (04:24:18):
You know what I'm saying.

Speaker 2 (04:24:20):
Bye bye bye bye bye bye.

Speaker 1 (04:24:23):
Wumy.

Speaker 2 (04:24:24):
Many have claimed to attain levels in rhyming, but when
not listening to them.

Speaker 1 (04:24:29):
I see they're only lions there trying.

Speaker 2 (04:24:32):
But after some years, if you ain't good it, lay
it down, put it then find a way to try
and stop it, but change it, re arrange it.

Speaker 1 (04:24:40):
Be a producer.

Speaker 2 (04:24:41):
Don't take the microphone because you'll always be the loser.
And laugh that smirk. Go on.

Speaker 75 (04:24:47):
You don't be wrong with those that performed this song
on and on and on and on and not unless
dispeciment the scholars was a gifted oh exically uplifted.

Speaker 2 (04:24:59):
I speak to you, not asked you to attack you.
Maybe when I'm through with this wrong, I'm gonna stack you.
So now I ask you. I'll tell you people literally,
when it comes to rocking funky lyrics, you ambetter than
me down would b dp endlessly reciting poetry anytime I'm
getting the street here, my boy, sid no f me Hey, Nope,

(04:25:21):
I'm not ready to say my name yet. Many say they.

Speaker 1 (04:25:24):
Teach with this style, they having attacked.

Speaker 2 (04:25:26):
Yet what if by by five? What about five by five?
What about by five?

Speaker 4 (04:25:31):
Five?

Speaker 1 (04:25:32):
What about five five?

Speaker 4 (04:25:33):
Five?

Speaker 2 (04:25:33):
Lit by by five?

Speaker 4 (04:25:35):
Five?

Speaker 12 (04:25:35):
What five?

Speaker 2 (04:25:39):
Put it.

Speaker 4 (04:25:44):
Around a rough.

Speaker 41 (04:25:53):
Rough?

Speaker 2 (04:26:05):
I wanna I wanna wanna rock.

Speaker 18 (04:26:13):
I wanna rock.

Speaker 60 (04:26:19):
You gotta dope me, We gotta dope don't see you
gotta dope me.

Speaker 2 (04:26:26):
I got a dope be, We gotta dope be. My
name is at the top of all of those that
meant turning poetry into cash bay seventy something. It got paid.

Speaker 1 (04:26:35):
Some jams were never played and just a poem and
watched the play.

Speaker 4 (04:26:39):
Don't why and why.

Speaker 1 (04:26:41):
Because they wasn't flying. Others cling to be fresh, but
they not care.

Speaker 2 (04:26:45):
I cannot walk around the street with my hate in
the clouds either running on my gear, having colors floud.
Everything must coincide with the way I feel, by the
way it's Scotland rock on the wheels up still, don't
take one step to adjust the mic. I around the
whole city. So I do nice time like the punky Beatles. Dude,
YO like me to break the crazy fresh lyrics and

(04:27:05):
I don't eat me. You can look me up and
down and my d J too, because we make up
the punky production.

Speaker 4 (04:27:11):
Take it.

Speaker 2 (04:27:12):
I'm in seize on the one, two three. No matter
who they claim to beat, the society kiss the big games,
We'll pull that far. They need a different style. We
can't get rodd I see you keep out to kill.
I'm k R S and we get l d J.
Scholar Rock got his own beat. The travag in life
is what we sit. I will tell you like this

(04:27:34):
because I know for a fact I will live along
like Dad.

Speaker 4 (04:27:37):
I don't slow.

Speaker 2 (04:27:38):
Crusty making the crowd seven days a week. You know
what they told me to say. I got the dope beat.
I got a dope beat. You gotta dope me. Don't
we got a dope beat. Don't you gotta dope me?
Don't beat? Yo?

Speaker 1 (04:28:20):
Man these people around and he set slip.

Speaker 2 (04:28:22):
Do you know what I'm saying.

Speaker 1 (04:28:24):
We're gonna reduction, not slid it until to whole gass.

Speaker 4 (04:28:29):
Yo.

Speaker 2 (04:28:30):
He was going rose to the magic. You know he
slid dog. The kids set up a lot.

Speaker 1 (04:28:36):
Man's chilling, Yo.

Speaker 60 (04:28:38):
Mann sitting there, last kid trying to be jumping coming.

Speaker 1 (04:28:43):
Man right up, you're setting it, yo, tell him right up,
right off. You gotta heil a pot off.

Speaker 2 (04:28:49):
Where the description is gentleman, not what you just heard.
People with a little chicken. But let me tell you
this whip a cocke fel ticket. This is the warning
known as the caution do not attempt to this because
you'll soft just like a pillow, a betty, you got
a mattress. You can't match this, stop or attack this

(04:29:11):
while I'm telling you quite on schedule a fuck with
kr West saying I'll bury you deep in the dirt.
I stand with a shovel. No fight, no scurry or
scuff or just walk. Total domination on stage.

Speaker 1 (04:29:24):
Chris is the name. Twenty two is the age don't
don't want a battle.

Speaker 10 (04:29:28):
I know who you are.

Speaker 1 (04:29:29):
You got a little girl, you drop a little car.

Speaker 2 (04:29:32):
You're coming in the place with that look on your
face before you random mom, you lost the race, so
assume you're doomed when you step in the room. I'll
be the witch and you'll be the broom. I'll ride you,
guide you into the concrete. I'll slide you to it
for your beat. So what do we have here?

Speaker 1 (04:29:49):
A sucker in fear.

Speaker 2 (04:29:51):
I snatched your heart, put it way up on the
chart at ten, you're fucked. At nine, you suck at eight.
You're a sucker at seven, a motherfucker. It sticks your
slap and baby just what and poor your loss and Brie,
you're just soft at who You're an ass boy, You're
a but before you slip off we because boy your son? Hello,

(04:30:19):
hey when the rip last night?

Speaker 19 (04:30:22):
Yo yo yo yo.

Speaker 2 (04:30:24):
Chris Early knocked the boost those two big but females
last night.

Speaker 8 (04:30:29):
Yeah man, I'm my way on the lack quarter to
find some more free word.

Speaker 2 (04:30:51):
Tyle rock is for now the main topic. Not looking
at its cut so fast, flow off the pocket. You
may not be a loss it or you may not know,
but h when I say super, I'm not exaggerating. Thank
you for a guy like Scott turns in the main
he needs to be.

Speaker 1 (04:31:07):
Quiet, but I don't buy it. In the footing, why
don't you just try it?

Speaker 2 (04:31:11):
Just whole is loosing your section and he's armed with
the powerful erection to wrap your up girl and run
through protection Your mama too, because I like demension. One

(04:31:35):
got the sing o'bron the same will stop the same
old brnna has friends of mom. See, I don't know
exactly what you know, but what I know is that
stuff gotta go. Usually when I picked up the mic,
something he'll jumps out in my mouth. But that night

(04:31:55):
I like to talk about that. Not fiction. I got
spittasy rocks, but just everything right free meditated somethings want
to fake it. I just hate it. Fighting routines are
saying something I don't want. Every time I speak, I
have spoken. No, I'm not choking. Please don't sleep over.
Stop trying to Can't you have enough? Say the man

(04:32:18):
with the six pack of height again? I get ten see,
but never in your life trying to siss me because
I don't battle with rhymes. I battle with guns. Knowledge
free over nearly everyone. If me take the first letter,
what I just sung? You spell my name? K S
one it's elementary. Hey, kay s one one one, Got.

Speaker 4 (04:32:43):
La la, gotla?

Speaker 2 (04:32:47):
Hey?

Speaker 1 (04:32:47):
What up y'all?

Speaker 66 (04:32:48):
This is DJ samming Bee from the legendary Jon Brugs
and I'm chilling on The Chicken Personal Show with DJ
three sixty, Kevlar and Philip Flavor. Native Chungue for Life
Pigs Pigs was.

Speaker 2 (04:33:00):
Ground control in Houston. Show hershaw rather shop her shawl
rather come in play?

Speaker 4 (04:33:05):
What your shame?

Speaker 1 (04:33:06):
I don't see nothing.

Speaker 2 (04:33:08):
I looked around and looked around, and as it turned out,
there was nothing to worry about, just another typical government operation.
Overreaction and under reflection.

Speaker 8 (04:33:22):
The country was saved from any new threats and can
now go back to being.

Speaker 2 (04:33:26):
Afraid of the old things like democracy, humanity and racial harmony.

Speaker 1 (04:33:33):
Harmeder alert, Alert.

Speaker 41 (04:33:40):
Them them.

Speaker 20 (04:33:44):
Jimmy, it's Jimmy, Jay them them Jimmy, It's Jimmy.

Speaker 1 (04:33:58):
Here is a message of the super was.

Speaker 2 (04:34:00):
Just keep in mind when Jimmy grows, it grows and
grows and grows. So let it. But keep in mind
about the epidemic. But Jimmy releases boy he pleases. But
what do you do about all these diseases. Jimmy is
Jimmy no matter what. So take care of Jimmy because
you know what's up. Because now in winter as attacks,
so run out and get your Jimmy hats. It costs

(04:34:22):
so little for a pack of three that Jimmy hats
for the windsor sack. Good for a pleasant great for lovers,
demonstrated by the Jungle brother. Protect your Jimmy and keeping
breaks the Jimmy hats by k r S.

Speaker 55 (04:34:36):
Remember you're never too a black Jimmy wearing. Remember you're
never too bowl Jimmy is wearing to me a favor
where your hat, so Jimmy don't have the opportunity to
come back.

Speaker 2 (04:34:55):
Well that alert it's down BDP teaching you all about
jim brow Ski. I don't want to hear that you're
not witting turned around and see your butt in a
clinic and having doctors just poke at Jimmy.

Speaker 1 (04:35:07):
Let me express what now?

Speaker 2 (04:35:08):
What's in me? Too many people take too many whisks,
too many people I see, get this, Jimmy hat son.
Now it stopped because you can't trust a big butt
and a smile. Do smile? This is a point the.

Speaker 1 (04:35:33):
Year and yore will what's up?

Speaker 2 (04:35:36):
Kenny? I got a serious problem, man, what's the problem?

Speaker 48 (04:35:40):
You know?

Speaker 2 (04:35:40):
After all these years of ripping ship, the suck is
still dropping fun. But check it, sile. We've been on
tour everybody, so I don't why everybody y'all be in
every party. I'll be in every gym. I see their
faces and they look at me in front. They come
to every show and no, he breaks it up all
the time. You know what, Chris, what's your opinion? Yo?
Love the way I himan kating? Nobody out here can'ts

(04:36:02):
ain't re arranged me. Tain't me trying to kid me?
You don't blame me when I grabbed a mic, been
shot the art spot. Your RUMs are flipping, fucking I'm right,
not stop minute, I shop flock. You can't touch this,
but you'll get shot. Now, what's this all of that?
Chris said?

Speaker 1 (04:36:18):
Humanity and my base yet happy to.

Speaker 4 (04:36:19):
Be on the fighting.

Speaker 2 (04:36:20):
You're mad at me, Yo, pro blackness is your solution,
but I don't really know what I'm gonna start you
using Yo. Too many in the class foiled the school.
After a while you got blabbering fucking fools. That's what
sing always talking about sex vest filled. It ain't enough
to study clown. It's thirteen at the white man.

Speaker 4 (04:36:39):
Ain't the devil?

Speaker 2 (04:36:39):
I promise if you want to see the devil, take
a look at Clarence Thomas. Now you're saying, ooh like
you what hour throw in the towel? The devil is
calling power? You talking about being forging it me your
black colin powers black.

Speaker 1 (04:36:53):
Olivia Hill attacked let me as an after break up?

Speaker 2 (04:36:57):
What a black man will leave? A black man to
fight a good man and accomplished the deblis the Devil two,
the doubles antwo human? Who the hell are you a
lecturing right without rehearsal? A manifest as a black member
and I'm universal. The Capitol can't small arm beat small area,
small we are feet Wait, I'm thinking, come, we gonna fall.

(04:37:21):
I'm building destroyed. Yeah, what a worldish man that old
jeekus live and direct and you checking out taking person cursal,
curs yo up.

Speaker 46 (04:37:37):
From me, tell me in like that's nothing from a
dick and go run nothing from my house when you're crazy,
because I'm sick like a z if they try to
step up, every nigga who is kept the rest to
say fukie like that hell bilos of heroes when I'm
hearing I got to come jeffer than the vest of
now fastest left to run because I used to be hot,
but now.

Speaker 2 (04:37:53):
I'm not even heated.

Speaker 1 (04:37:55):
Brothers brought your head. If you're weeded, I can't be
defeated once I complete it, so just missing.

Speaker 2 (04:38:00):
I won't fall half like a bunch of y'll sell
out house nigga pop rap, black figure just and need
to take your shovel to the whites because they dig you.

Speaker 46 (04:38:07):
But I don't and I won't because I can't get
bumped my the system.

Speaker 2 (04:38:10):
I dismissed them and then the black system with a
hip hop the hit me the hip hop. It don't
stop missing rain drops stick like props and get the props.

Speaker 1 (04:38:18):
And these can do the seventh letter.

Speaker 2 (04:38:19):
That's ship, Yeah, nigga, because that's how it's supposed to be,
right twin good twink, go to the little ride stock
I got off. Take my MC tongue in a pickle jaw.
So here's a quick free stop some immer talking. My
core body is fuck the rest of the market. If
I smoking, stop some more chalking to break your lace.
If you're trying to charny. I got howking, I said,
take a lot to rock and can.

Speaker 4 (04:38:40):
Get with it.

Speaker 2 (04:38:41):
Some mcs can't rush for five minutes. Sorry, that's nothing
way to approach me. Use caution, I said, my political
fruits an mp c's part. Then you prob me. You
don't know this second perk to empt cs. And I'm
also give my poorshit. I said, what number till your
body struck you? You look like someper and I'm not hungry, motherfucker.
You don't want to be on the menu. You what's

(04:39:02):
you up from bed?

Speaker 49 (04:39:03):
Like?

Speaker 2 (04:39:03):
It's not the microphone and Christo like a back but
no one never set me coming now and there was sorrow.
That's let I'm telling to me talking. You know what
I'm telling trouble number one of making that risk, no
number saying, my bro, that's that's how it's the balls.
Come be down, come down, come down, come down.

Speaker 4 (04:39:20):
You con be down.

Speaker 2 (04:39:24):
But just that trouble right now, just the base. Turn
it up, stop front, come on, turn up, all right,
check it out, ninety two layers. I never want to
dumb my hat. The woman in my bed has got
the Please just play back. I nember want money in
my lyrics. So so I wanst ucked. I'm like, I'm
tell you only I play your luck. Do you have forgiven?

Speaker 4 (04:39:47):
You're up to you?

Speaker 2 (04:39:47):
And then seconds to show you better?

Speaker 4 (04:39:50):
I am all that.

Speaker 2 (04:39:51):
So I must sucked the mike all your time, Lyrical liars,
fast and fies. You want to be ncs, really good
tries tripping over my core getting your board a total fraud.
This kind of thing I can't afford. So while pick
up the monkey, chilling till it top fill it. The
club is a skill it. When MC get fried in it,
you cant beat chilling blood, I steal it. After seven

(04:40:11):
long years of ripping the party down, I'm still with it.

Speaker 4 (04:40:13):
You call my name.

Speaker 2 (04:40:14):
I don't think about suing you I'll come to the
fop with that boyapop la from all. I'm doing you
the proudest booing. You give me one month wrecking for
a record.

Speaker 4 (04:40:22):
I'll tape.

Speaker 2 (04:40:23):
I'll ruin you something ble up on somewhere on for
Ruler City. It's Hollas don't get pretty beat some rhymes
and tibby jivvy. Hey, comestico, raptical teacher. I let your
sack and your teaken shatter. You'll be going through compulsions
and stuf last statter any wrapping una, get to capitating raping.
That wasn't the matter. You're full of more junker than
a sausage. Let me show you where a real hip
hop offices may.

Speaker 4 (04:40:44):
Put the bus stops. He took the boss stock from
the boss stop. I see from the boss stop.

Speaker 2 (04:40:54):
Here, yo, check it out and you're checking out.

Speaker 1 (04:40:58):
Take it personal.

Speaker 74 (04:41:03):
Damn it.

Speaker 2 (04:41:13):
We m is it. Damn k Kate Kate kate k
I rast each one, each one showed one broke one
Domind's brain supreme. I don't sound like no one this
take no keep rapp this, take no ass and titty
rap this That boom boom pretty bad. The bugs were

(04:41:35):
killing that if these thugs are feeling that stupid dumb ship.
We gotta chill with that man. The beep gonna happen.
It's gonna happen, has nothing to do with this here.
Wrapping the hood itself is gunstrapping. When I say stop
the bonds, how do you think that's gonna happen. Look,
we're all in the same gang. We all do the
same thing. We all in the same game. We all
share the same name. So while all the back back bang,

(04:41:57):
we all share the same blank for the murder, the
man to eat, the person sustaining, and your heart in
your brain when you can take another brother's lap and dang.

Speaker 15 (04:42:05):
Damn is it?

Speaker 2 (04:42:08):
Damn kay, I'm fast It is a damn is a damn?

Speaker 10 (04:42:19):
Say vote.

Speaker 2 (04:42:24):
Bumpy Nuncle's emc from the element stuff like an elephant
bottom line, If you will, you relevant gun slingers really
dump rhyme. It's only a few. I'm one of them.
Others not you worth bumpy knuncles, our rock revolution in
the bulls paint on every face in the room. Bench
nigga shit, I'm a mule, spit wroth if it's sober
raw beats with no auto tool. I represent from my

(04:42:47):
eraror like Yogi Berra. You can't be the terror hits
a terror grip styles that educate the dumb dumb. We
either squashed this beef, I'm anda hit you.

Speaker 1 (04:42:55):
With the dumb dump a floats full.

Speaker 2 (04:42:58):
If when I feed the drum sump the baby is moving,
don't we pop the pump sum and it's the colle
backdoom strap bu rap wo come from the era of
Chris Kane and you rap rap rap? Could you wrapping
polo frapped again? What this is this thing?

Speaker 1 (04:43:16):
So for your learning courseous, don't so wrack awayous.

Speaker 76 (04:43:19):
You will get norse, just suffected, contaminated tonal yesterbiyo and
become radio activated head Liam fatal poisons the titles, Mama titles,
it's the foughts out of vital title.

Speaker 2 (04:43:30):
Well, you know this is my life purpose. You know,
some people may look at us a che voist, and
I guess they are in hip hop.

Speaker 1 (04:43:36):
But for me, it's normal.

Speaker 30 (04:43:38):
It's just everyday life.

Speaker 37 (04:43:40):
You know.

Speaker 2 (04:43:40):
I look back on these things and I say, wow,
you know that was really hot. But while I'm doing them,
I don't feel anything.

Speaker 30 (04:43:47):
Poise the preservation of hip hop and that's it.

Speaker 2 (04:43:49):
I don't feel and I look back when I say, wow,
you know I could have did more. You know, maybe
if I had a little bit of an ego or
you know, in that direction, or you know, really un
understood the commercial magnitude of what I was doing, that
I would have took advantage of it when I really didn't.
Not only did I not know, I didn't care. I

(04:44:10):
just wanted the culture to be preserved. That's the reason
I came into Hippi, into hip. How many MC's must
get this, How many mcs must get this? Yeah, let
me do that right here. How many mcs must get

(04:44:31):
called out? When I'm called dumping them clubs, I'm all out.
I run them all up. Then I blow them all out.
I'm that tall scout with a tall couple, that strong stout.
I'm all clouds. They all drowned, I'm all faith, they
all shout. I'm eating fresh water trout. I start pulling
them strongs out, start jumping people ready to fall out.
I'm good with the weapons, keep stepping in any hood.

(04:44:52):
I'm good because I'm a true legend. By any means necessary.
Cledging Deffy Return of the boom Back Whip from me
legend Jeffrey, send your host squads in the cemetery. Man,
I'm fresh, y'all seminary. I marching step for the fine military.
My hands are still unsteady. You could have been killed,
but ready so deadly metal my Medley's deadly. I break

(04:45:12):
rappers down off the head be had on the red Bee.
For years, rappers wanted to jeff me beca re set Sea.
They can't, but I can, like Medsi, see through these
clowns like FLEXI. Now let's bring Supreme. I'm here with
show biz. PAP will never forget me. Go y.

Speaker 1 (04:45:34):
Don't go to all school.

Speaker 19 (04:45:38):
Krs.

Speaker 1 (04:45:45):
That's right, no schools, true school, old school.

Speaker 2 (04:45:56):
Let's go. Let's go Mann. Don't welcome to all school
hip hop. That's right. I'm not some you musty lumbo

(04:46:21):
who school mug love, I'm not you musty lumboo school
or music lump. All school jumps time for the teacher
once small. Don't jump, it is time for the teacher
once more. Don't bo cats, rapsent or not for your raps.

(04:46:42):
Don't bubble because they're intancy the real life. Oh jeez,
don't even speak because you I'll bring the heat. To
you when it comes to them flocks like Freddie Fox,
I'm keeping tous. I'm known for my scared refuse. That's
why I'm called a terrorist by the Daily News. I
really lose. I'm knowing the rattom of page. I'm knowing

(04:47:02):
the wrapped us off the stage. You may be just
a matter of page, but that's an MC. I got
no patiencecause something rapped face some old school. I'm not
pulling something old school.

Speaker 44 (04:47:20):
It's a boy Brooklets Findings, New York Times, Gods Gray
with DJ and you need to take it personally.

Speaker 30 (04:47:25):
On that podcast, you know you know.

Speaker 2 (04:47:29):
Said the disaps right? Well, where.

Speaker 4 (04:47:54):
A where.

Speaker 2 (04:48:02):
Joe? Where I come from? Yat's bus for not It
starts minutes in this Cops teaches all be hustling. Your
family's the only one you're trusting. Hups, You jumping treat
the sign console's rank some freeze. Okay, your raptures are
pree man pop culture. I'm like Alan Greenspan Colt of

(04:48:24):
what's hot and what's not? Now, Look who's on top?

Speaker 1 (04:48:27):
And look whose ship?

Speaker 4 (04:48:29):
Just rop.

Speaker 2 (04:48:30):
We ain't nothing out selling records, We ain't music purchase,
we haven't seized we go straight to the coup and
hurt shit shand for two thousand three Free Joe Suck,
come a MC to the court, A core for MC.
I spent more gores sixteens than med need. The EMBc
raps rain is not Bridley Pay. This debate is critics.

(04:48:51):
Man is many rappers, woman tent me and lyrics. We
kent me a Beth annoying that man can come up empty.
The universe sent me with a rom for spur Because
you listen to universe, become the persue, follow your purpose
that will never hurt you. Follow these corporations, man, they
will hurk you. I got work to do.

Speaker 19 (04:49:09):
I can't birt with you.

Speaker 2 (04:49:10):
How I am got word to you. I might sound
absurd to you, but has it ever occurred to you?
Then I'll still lyrically murdered you. Run along, don't you
have to turn to two true and seeds. Never even
heard of you, even with a number one video. We
never heard of you. You stole your shine like purpoles
to I'm hoping mind. I'll burn your crew. You rap,
and seeing's what you gotta learn to do. When people

(04:49:33):
see hip hop, they don't turn to you for the
real man. There's only a few that's chao rest one
two one two past speed of might. He can't put
it gone, Yo. They just see through it's law and
it's burned. His Bobie may calm, got love for cops
and his mom's get chatting to the neighborhoods and showing
respect to the cops, plus the dogs on the block

(04:49:53):
of Hollywood and sex. A good man's about to be
better for good knowledging with them over drugs and shut up.
He keep schooling in the cabinet. Attract people magnetics, mathematic
when they come to static. I study my mathematics, help
my friends in need. Aim to succeed, respect man or
color of basic dream. Don't destride know who years I
stopped to be it My father's the ching my point,
that's how I see it. Track who revolution of your

(04:50:14):
rolleto by something of my cold gotch kung my skin
jumpings the toad?

Speaker 4 (04:50:18):
Who am my?

Speaker 2 (04:50:19):
How can doubt or not that I am what I am?
Just sitting there from the moves high better Morman's better physical.
We've build a better physical. We see Sidney aside. Therefore
he's not invisible. But see they heard everywhere from a
spect of dust, who all following over here to a
roadway with the ocean, to a pile of f you're
of air. He's there by the stopping too. The johnstics
whatever you force an object that, whether you're not stick Coptic,
Gothic or the prophet, you deal with mathematics because you're

(04:50:41):
track or hatic, divide it most apply bringing down the
practice from apply of blood. It's brother selly fashion, the
vacuum of we equation walking to a reaction one to
to two one two past speed of mic. Here's what
we call do past sneed of mic. Here's what we
called do.

Speaker 1 (04:51:00):
The Bible got me bugging.

Speaker 2 (04:51:01):
But I'm alive on the rible but live, but I'm alive.
But I'm alive, but I'm but I'm alive, but but
I'm alive, live, live on the school. Micharophones are not.
But these some seeds who don't have no sur fries Michael,

(04:51:22):
here the season, don't have no fro ye kid, Yeah,
Michrophones are not these some seeds who don't have surprick
here to.

Speaker 19 (04:51:34):
Care vible.

Speaker 12 (04:51:35):
See what I've been do, see what I go do?
If I don't look at you because I don't know.
You know where to go to, you know where to
hob What is it take?

Speaker 2 (04:51:45):
Nowadays?

Speaker 12 (04:51:45):
Survived?

Speaker 30 (04:51:46):
See what I've been do?

Speaker 12 (04:51:48):
See what I gonna do. I don't look at you
because I don't know. You know where to go to,
you know.

Speaker 1 (04:51:53):
Where the high?

Speaker 2 (04:51:55):
What is the tall?

Speaker 57 (04:51:56):
Now?

Speaker 12 (04:51:56):
They survived?

Speaker 2 (04:51:59):
Tom rappers don't be us. When you hear rappers in
the clubs, you ope its us. Back in the days
they used to smoke the dust. The cats kept jumping
off the roof too much. So today you don't abuse
the Dutch. We use our bonds to fight vombs. If
you could touch my feet states playing it on the dround.
You want that soft pop shit, you better fuck another sound.

Speaker 1 (04:52:21):
We get down. I know the streaks. Your rappers got maps.

Speaker 2 (04:52:24):
Out looking all around. Y'all want the crown, But why
should I battle for you? Next week they're gonna put
you in the ground. That's a waste the time. I'd
rather phrase a Rome or someone trying to raise their mind.
Fuck town us saying buly down connect Yo. Fuck what
the fuck they gonna say?

Speaker 72 (04:52:43):
Kids didn't want that popshit, that soft hit hop shit,
and share your restless fuck not shit boy, beats banging
on your door, like right, Tom, I invent the rhyme
that was vent for your mind. Or I get physical
A mean physical might mean with the smile, kill you
in style. Why I am just the smartest in seed.
I knows what you call an artist in seed. See

(04:53:05):
part of me be like pardon me, the other hap
be like motherfuck man? Is what's the hammer?

Speaker 2 (04:53:11):
Hammer?

Speaker 72 (04:53:11):
Feel like a mattress. The way they keep sleeping on me.
They don't see I'm the draftmatic. I spread everywhere, lad everywhere,
shot Rickychetan bounce back. Look at heavy year and my
deadly year, machedy year.

Speaker 1 (04:53:25):
You professing what you're feeling on your city.

Speaker 4 (04:53:27):
What I'm going to do?

Speaker 2 (04:53:28):
See what I go do?

Speaker 12 (04:53:29):
If I don't look at you because I don't know you.

Speaker 2 (04:53:32):
You know where to go to?

Speaker 1 (04:53:34):
You know where the hob?

Speaker 2 (04:53:35):
What does it take?

Speaker 3 (04:53:36):
Now?

Speaker 12 (04:53:36):
They survived? See what I'm going to do? See what
I go through? I don't look at you because I
don't know. You know where to go to, you know.

Speaker 4 (04:53:45):
Where the hob?

Speaker 1 (04:53:46):
What does the tall now?

Speaker 12 (04:53:48):
They survived?

Speaker 1 (04:53:52):
Survive?

Speaker 2 (04:54:13):
Two point five million young people get arrested every day,
every day, every day, and for dumb stuff here's the point.
Nature is set up in this way. Nature puts out
a trillion sperm to fertilize one agg What I say
to my youth is this, are you the Yu, the Yu,

(04:54:36):
the one in the land of Madride. You're sweeter than
app before. There's a billion people on the planet Madrid.
You only take one to change it.

Speaker 10 (04:54:49):
The change it the change whereage game and.

Speaker 1 (04:54:55):
I'm manifesting.

Speaker 2 (04:55:07):
Thirty years back when the cover with the weapons hunger
in the eye, we could roll in the second in
the real sphles, we can must be respected. One way
in the entrance is the exit. You ain't getting out
of this wreck. Shit bullies and black hoodies. Man, you
had to be on some ne shit. Every other person
had a knife for robox cover. Every other song heard.

(04:55:27):
What motherfucker? This's this where I grew up at when
my first song flew up, back where I first got
my new chrome cat. But you know that it's just
every once in a while you do go back. I'm manifested,
a man aifesting a man aifesting.

Speaker 30 (04:55:54):
A man aifesting.

Speaker 2 (04:55:59):
A man. The best thing my team, my means my
seeing my dreams. No sleep in the hood of sirens.

Speaker 30 (04:56:05):
They clean.

Speaker 1 (04:56:06):
It seems my dreams were dreams, just dreams.

Speaker 2 (04:56:09):
In nineteen eighty five. My means were so clean. Rappers
back then were so crisp and clean. How could I
ever be heard or even just seen? Come buy me?
No money, no runny funny, but indeed knowledge drains even
when it's sunny. Just when I thought my dreaming had
stopped and walked d J. Scott, a rock, Just when
I thought my dreaming had finished, said he had special case,

(04:56:31):
said let's spend this. Just when I thought that I
couldn't build there, my fishes and my dreams were for Bill.
Right there, I told you we will be here forever.

Speaker 1 (04:56:40):
It was still here, Oh man.

Speaker 2 (04:56:45):
Worst.

Speaker 4 (04:56:49):
Dream.

Speaker 11 (04:57:06):
Wrapping up episode twenty five silver Anniversary Show, The Golden
mc kars one, sublely thank you so much for your
time on the interview, for rocking the stage.

Speaker 8 (04:57:17):
In Fort Lauderdale unbelievable.

Speaker 11 (04:57:21):
And Andre jay aa ron here in spirit and miss
your brother Rogers.

Speaker 8 (04:57:27):
Guys, I can't thank you all enough.

Speaker 11 (04:57:29):
Twenty five episodes deep, but you know what the biggest
thank he goes out to our listeners on fans out there,
because guys, honestly, without hearing all the feedback you guys
have and and how we impact your new lives just
from having fucking dope music to listen to or relating
to us on some of our discussions.

Speaker 20 (04:57:45):
It means a lot.

Speaker 11 (04:57:46):
And you know, we we stepped into this to do
it for fun, and the one thing I'm so happy
is that it still remains fun. But the you know,
I'm not gonna lie, hearing the feedback and how we
impact you guys sometimes really feels good and it goes
goes a long way with me.

Speaker 8 (04:58:04):
So being this twenty fifth show, I hope we got twenty.

Speaker 11 (04:58:07):
Five more, and twenty five more and twenty five more,
let's at least hit one hundred and after that.

Speaker 8 (04:58:12):
It's just times that shit as many times as we can.

Speaker 73 (04:58:14):
Motherfucker.

Speaker 2 (04:58:15):
Just think it's all like a Foxy Brown ver.

Speaker 8 (04:58:16):
Just think if you had a dollar three kilos of
another key, If you.

Speaker 20 (04:58:20):
Had a dollar, you just gave up a fucking quarter.

Speaker 14 (04:58:24):
Now you got seventy five cents left, which means take
a which means take your personal's got seventy five cents
that they're gonna throw.

Speaker 20 (04:58:32):
At your ass for the next year or two.

Speaker 2 (04:58:34):
Maybe.

Speaker 38 (04:58:34):
Yep, it's Kallas One in your top ten after the
past few days.

Speaker 2 (04:58:38):
I think there's a.

Speaker 21 (04:58:39):
Human element to this too, Like if you if you
meet somebody you and you have a good experience with
that person, you tend to look at them differently. And
I think it's impossible not to look at Carris One
differently after both the interview and the live show.

Speaker 2 (04:58:55):
Now, is he the best rapper of all time? Some
maybe think so.

Speaker 21 (04:58:58):
I mean I wouldn't argue with people that thought he
was the best and rock Him's up there, Chard's up there,
Ice Cubes up there, jay Nas whoever you want to say, biggie,
But I mean Karas won to me after the past
few days.

Speaker 38 (04:59:14):
Yeah, I think he is in my top ten, right,
I really really do.

Speaker 11 (04:59:18):
I'm guilty of like listing, and I realized that, you
know what, I should stop because you know why, I
really don't stick by it, Because when you're comparing something like, oh,
top ten third base move all time, top ten quarterbacks
of all time, those people are all in the vacuum.
They're all playing the same position in the same sport.

(04:59:38):
When you're trying to make a top ten list of
rappers of MCS, you have so many different branches on
that tree that it's literally fucking impossible.

Speaker 14 (04:59:47):
Let me break it down, keV, I'm gonna have Karas
one as one of my top fives to the half
of my bucking house. He was enjoyable, he was relatable,
he was fucking kind and humble, and I I got
to tell you, we've dealt.

Speaker 20 (05:00:02):
With a lot of rappers, We've dealt with a lot
of people in this industry. That is refreshing.

Speaker 2 (05:00:07):
Right.

Speaker 20 (05:00:07):
He is an elevated guy at this point. I still
love that, So.

Speaker 11 (05:00:11):
I'll play the game. Though I'll play the game. You
want to hear my top ten that doesn't include Karris, Well, look,
I get where you're coming from. Like Slugg on the
show said, the first three or four BDP albums are
all classic, his favorite. He loves Karras, but he necessarily
included him in his top ten, which is kind of
what you're saying. You might love Kis, but he's not

(05:00:31):
among your top ten. I just asked the question because
I is he in your top ten? I revisited that
list that I had and yeah, it does change, but
I think he is my top ten.

Speaker 8 (05:00:42):
Yeah, I mean, honestly, bro, he is a teacher. He
really is.

Speaker 11 (05:00:45):
He stands behind that name like no other. I mean,
you got all these guys out there who call themselves
this and that and AKA this and whatever the altered names.

Speaker 8 (05:00:55):
Harris is alter names. He stands behind like no one else,
the teacher, because he is man. He really educates. He
gets out there. He puts hip hop on the map, dude,
and he backs it up. He's a fucking professor. He's
not a teacher. He's a professor, right. He's got a doctorate.

Speaker 11 (05:01:09):
Degree and his shit and the Blastmaster because you know
why when he wants to bro and he just showed
us in Fort Lauderdale how much fucking command he has
on stage, but when he wants to even grab you
when he's done on stage, when he's in your in
your speakers, in your car or in your headphones, and
shit like MC's act like they don't know or sound
of the police, or even fucking like South Bronx, the

(05:01:30):
way he just hollers and and and just gets it
out there.

Speaker 8 (05:01:33):
He puts hip hop on the map, dude.

Speaker 21 (05:01:35):
So touching on what keV said, it's amazing that we've
done twenty five. I know how we all sounded on
episode one, I don't even listen to that episode, but
it kind of makes your dick shrink.

Speaker 2 (05:01:46):
Oh my god.

Speaker 21 (05:01:47):
But we've done We've done a hell a lot since,
and I'm proud of what we've accomplished in such a
short period of time. You know, we were just a
few dudes that just wanted to have funny and escape
for a few.

Speaker 2 (05:01:59):
Hours and a hip hop podcast, and we've done that.

Speaker 21 (05:02:02):
Man, We've grabbed, grabbed some of the biggest and some
of the best and got to chop it out with
them and it's great, great you know, moments and memories
on this show, and even the anniversary show where we
had the callers call in and we were able to
build with them and that was really cool on it
and I look forward to doing another one of those.

Speaker 8 (05:02:20):
Rock Marciattle on deck. Motherfuckers.

Speaker 21 (05:02:22):
We got rock, we got mers, Daryl Monch, we got
a lot of good stuff. We got a Native Tongue tribute.
Well that's coming down the line, but we got some
stuff in store. So stay tuned, keep it locked. Like
we always say, show us at love, We'll give you
that love back ten times and that's it. Spread the
work bill the Flavor cav Law DJ three sixty. Aron Roger,

(05:02:47):
the announcer, Roger on the couch, Rove just sleeping.

Speaker 2 (05:02:49):
Somewhere right now.

Speaker 20 (05:02:52):
You guys, You guys enjoyed man.

Speaker 11 (05:03:06):
You can listen or download your favorite episodes of Take
It Personal at Take It Personal radio dot com

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