Take It Personal Flashback (Pharoahe Monch Tribute)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Hold hold up before we get started, get.

Speaker 2 (00:05):
Done, y'all. Check it out, y'all.

Speaker 3 (00:06):
This is chuck.

Speaker 4 (00:08):
This is a flavor flame boy, and you take it personal,
show popped.

Speaker 1 (00:15):
The way it shouldn't be should be. Yo, what's up?

Speaker 5 (00:18):
This is cool Keith aka doctor doctor gun and get
checking out taking personal with my J.

Speaker 1 (00:23):
Three sixty J three six full cipher for that.

Speaker 5 (00:27):
As for that right now, I'm cool.

Speaker 6 (00:29):
But my man Kevin Kevin law Ken and my man,
I'm my man.

Speaker 2 (00:37):
Little flame, little fla k.

Speaker 1 (00:39):
Jas face and glows and glows.

Speaker 7 (00:41):
And Yo, what's up?

Speaker 8 (00:43):
This is be real when you're blazing out to take
it first, taken.

Speaker 1 (00:46):
Person, the personal, Yeah, and chilling with my people.

Speaker 6 (00:49):
It's still a flavor kept law d J three sixty
Take it person, take.

Speaker 9 (00:54):
It personal, and sho, Yo, what's coming to the flood?

Speaker 10 (00:59):
Yeah, this is a homey psycho blast world famous beet nuns.

Speaker 1 (01:03):
Yo.

Speaker 2 (01:03):
What's up?

Speaker 11 (01:03):
Is a speech from the rest of development.

Speaker 1 (01:05):
Right now you're rocking with breaking personal? What up?

Speaker 12 (01:08):
DJ skis at cool by love checking and breaking personal?

Speaker 1 (01:15):
Yo, what's good?

Speaker 5 (01:15):
This is apple good to Shaman original thirty dray musdam
to let you know you need to break the personal.

Speaker 13 (01:22):
They're playing nothing but that authentic classical boom bab ship.

Speaker 14 (01:26):
Check him out, check them out, check him out, check
them out.

Speaker 15 (01:31):
Breed my spree and greed and my spree and.

Speaker 1 (01:41):
Greed my spy and it's so music.

Speaker 16 (01:43):
So but your soul music for Matty, how much we
on sol music from your finish figure nights soul music.

Speaker 1 (01:49):
It's chee, but like it's soul music. This soul music
sounds good, don't they.

Speaker 17 (01:59):
Check.

Speaker 5 (02:02):
I gotta message out a mic want to share with
you to show that I'm hard at you know, he's the.

Speaker 1 (02:07):
President and his government and.

Speaker 12 (02:09):
For God, and I know something has to away.

Speaker 2 (02:13):
We all him a cad.

Speaker 1 (02:16):
I got the intimation, my adella. Go ahead, take shame
in my screen.

Speaker 18 (02:21):
And just forever go so I gotta brot shavy in
my spree.

Speaker 13 (02:26):
And from the California all the way after the shows,
A yoke shape.

Speaker 18 (02:30):
Me in my screen and no house away all care
in my screen, and I got this.

Speaker 1 (02:37):
Infmation, my swelling. Go a head, take shame in my
screen and open your heart. I'm sure you'll find a
way to truly get this.

Speaker 5 (02:46):
The driven a man from man to Jesus from man
and sickness.

Speaker 1 (02:51):
What is like what a one B one trouble one needed?

Speaker 19 (02:56):
And you knows and getting people musity kind of aven
to hey in the.

Speaker 1 (03:01):
Moon and fucking leave and you're working our.

Speaker 12 (03:04):
Pop and leave and you say, don't train when you
read it the love music Gospel of Doug music summer spots.

Speaker 5 (03:13):
So when they write some of music, I choose to choose,
when I choose, when I choose it put love and
the music cause.

Speaker 15 (03:19):
Were must be and it's forever don't so we gotta
put mystery.

Speaker 1 (03:25):
And the guy for you all the way after the
chosen Yolk.

Speaker 18 (03:28):
Sha mystery and no way a care creen mystery and
take shame be mystery and love.

Speaker 1 (03:41):
I know somebody in here for the love tonight.

Speaker 12 (03:46):
If you can feel it in your soul and your spirit, let.

Speaker 1 (03:48):
Me see one head and the air.

Speaker 12 (03:51):
I turned to the person, to the rater you and
you can tell them, you can tell him.

Speaker 1 (03:56):
You can say it.

Speaker 8 (04:21):
So get the fuck up, and ladies, rub on your
titties because Take a Personal Crew is coming through with
episode number thirty two feature in Pharaoh March, alongside the
number thirty two Greatest Athletes of all Time, Magic Johnson,
Frank o'harris, Steve Carlton, Julius Irvin, Sandy Cofax, Karl Malone,
Shaquille O'Neill.

Speaker 5 (04:40):
I mean, the.

Speaker 8 (04:41):
Roster's fucking thick, baby, what I'd love to oj Yeah,
love out anyway to the guy with the hardest name
in the world to spell.

Speaker 20 (04:50):
I just want to say one of my favorite MC's
of all time, the rhyme plow the patterns. This guy
is unbelievable.

Speaker 11 (04:56):
After premiere, after Pete Rock the krs, so we were like, Wow,
this is it. But Pharaoh fucking Munch, the man who
made lyrics matter, the man who who's on everyone's top list,
top five, top ten, whatever, Pharaoh fucking Maunch is on
the show.

Speaker 20 (05:15):
I'm geeked man for sure.

Speaker 11 (05:17):
It's been a minute since I've been trying to make
this happen. It finally did. The stars aligned. I got
to give a shout out to Abby O'Neil at MPR,
shout out the guy for making this happen. We are
such fans of Pharaoh Manch and organized confusion is an
absolute fucking honor. And I hope now now we will
we will make everyone proud, and we will enjoy the

(05:39):
show and it'll be yet another fucking classic Take a
Personal Interview and episode stay tuned.

Speaker 20 (05:45):
All I gotta say is, when do you get to
interview your favorite artists from one of your favorite records
of all time. I'm geeked, I'm excited, I'm amp whatever,
whatever the source word you want to use. Pharaoh manch people,
Let's get this going.

Speaker 8 (05:59):
Let's start this as always. Check out Take It Personal
Radio dot com.

Speaker 11 (06:03):
Hey, big ups to Aaron Wade and.

Speaker 8 (06:04):
Roger who are not here tonight. Miss y'all wing for
the fences, rogero.

Speaker 21 (06:09):
Fat if you can listen or download your favorite episodes
of Take It Personal at Take It Personal Radio dot Com.

Speaker 5 (06:38):
Pens a breeze Study four Agrees and hate She's pumping
organized in the streets, Buggins Brothers on thet with brand
new pumps, fit your balls, and man, it's gonna study.
Donna start up with the down pop. But then it
come around so we can big out. I come a
band now, honey, through the big.

Speaker 1 (06:57):
That it's a second wedding in to night.

Speaker 16 (07:00):
But I gotta get a bite to eat because I've
been nourishment to move my feet. That was about time
that we round up the herd so I can get
a lifted work, got the weed and bead, get some
ready to get elevated.

Speaker 1 (07:11):
Never hesitate this to run up the hurd for a night.

Speaker 5 (07:13):
A big excegment took it to the long light and
Philly forty dogs test a round, hanging with us.

Speaker 1 (07:19):
So and stopping to your round back to the south
side of town. We're after it in a summer. Up
pumps the drummers up so I can kick it.

Speaker 5 (07:25):
Represent organized as I walk into the sun.

Speaker 1 (07:28):
And that's how it went.

Speaker 14 (07:29):
All rain, sun ever, sun.

Speaker 22 (07:37):
Sun, sun one in front of the mother.

Speaker 1 (07:48):
That's how we walk into the sun.

Speaker 16 (07:49):
My brother, the way you're raisers knives guns, no needs
for that black as we walk into the sun. Or
should I say brun Jason girls with the big bet
buns or you gonna say Betty a new smitty the
girl's with the big thing.

Speaker 1 (08:04):
I can't say that. I love it when you're dressing
and they say, I don't play that.

Speaker 5 (08:07):
Ooh, gimme mine. As I'll walk into the sunshine, go
go and beef feet. Willie Burger bound thinking something uptown.
Ain't no of the wet sugar, or rather swash the beef.
But never hesitated a moment to pull up chicken to
protect self. You were gonnas out that I can possibly kicked.

Speaker 1 (08:23):
To my left brother.

Speaker 6 (08:24):
You believing the idiot who convinces about a yet a
blast direct event.

Speaker 5 (08:28):
To work to black whatever word that's what's happening. So
I will say like, come get it, collect luke and
with the match I split it money being in too
buckets my West Coast connect when I'm in the baby area.

Speaker 6 (08:40):
On the second, as I walk into the sun, I
gotta give broup to the supporter, send them on to borders,
because the best get the butt.

Speaker 1 (08:45):
Out, let the sunshine in.

Speaker 5 (08:47):
Street it with the grill, open up your heart and
let the sun shine in.

Speaker 1 (08:53):
I'm having this. Let me see if you disgusting a.

Speaker 5 (08:56):
Busy name not with my feet and stinking little fright
name of Nirie s absolute sleep for some of the
Koma County tap she the way she don't want me
tell my hands.

Speaker 14 (09:08):
Pooping along the.

Speaker 1 (09:09):
Wood walk to concerns and.

Speaker 16 (09:10):
Not to mention the sting in the summer. So about
pastbendson win so we're not cower s dammit, but likes
the beach. So you never catch me your howard to
come up. However's not going and looking through the sun
no matter of the weather.

Speaker 23 (09:23):
War yeah your doom silent about sons, ter about six sons.

Speaker 1 (09:43):
War war war wo.

Speaker 5 (10:00):
Here we come get with the funky instro.

Speaker 6 (10:02):
People will approach me no when on the prints bonet
on my guests and out the first battle the fellow
us a l the first budd.

Speaker 1 (10:09):
It'sn't battle matters like.

Speaker 6 (10:10):
This, the big like this comes once in the blue,
but it's the half a meter two.

Speaker 5 (10:14):
So get off the shoes and don't forget your socks.
I washed it wash them's like CHROSSI if it wants,
don't vers but they'll give.

Speaker 1 (10:23):
Mix Jimmy beasts. Put them into this something that I
can float, float though, float on.

Speaker 24 (10:28):
It's getting blazy to guineas and get the coat on
when I proceed to play a party in the summer
and something like the party Bi Guineas, Penny Gosh justicing
ma second the girls out like straws who upside to
do it?

Speaker 1 (10:42):
I don't have somet The phone went a home, not
alone on the bone. You can name your number and
a brief message to the end of the tone. And
I like, because the poetry decided it and to let
you be loved with brother na.

Speaker 2 (10:55):
I don't like that you stress to show you better
than do one more time thro.

Speaker 1 (10:58):
The limits of the two.

Speaker 6 (11:00):
I'm I sway with I swaying the news like Eddy So,
but I'm not a pretty already into specialism in from
Hong Kong Fu couble on God. I love the woman,
but I don't try to see him. I'd rather make
the money being on the cover of ell. Get him
his mad make the flat nostrils. I'm poetry, the lat fanatic.

Speaker 10 (11:20):
I get hostiles, getthing like that.

Speaker 6 (11:28):
Never pressure pressure, pressure, pressure, prencher, pressure cooker.

Speaker 17 (11:33):
Hush.

Speaker 1 (11:33):
I leave the pony.

Speaker 16 (11:34):
When I asked about the hook slips inside slips, Yeah,
against the.

Speaker 1 (11:41):
Court, you with the drug, the jury to the hill.
I hit the hook heavy ready.

Speaker 16 (11:47):
No china chatter. I'm make a sent some bigger. Whatever
that prompting on the puperis for heavy. You're just the
booty cat, but I'm taking you, disprospecting you clever.

Speaker 12 (11:58):
Whenever I select the new time one plus one, get
it together, girls, don't despair clus up for your fair rent. No,
I don't have a mins and no, why don't have
an infinity?

Speaker 16 (12:08):
I figure of an ache to some meat to your
ball because sound me downe a thump. You don't have
a heart tough. I tell you now you're never hated
the triple X. When it comes to sexist let him
made it.

Speaker 1 (12:19):
I'll tell you now that I can give your something
the one your ship about it. So don't try to
dis fudge much, because it's all right with me.

Speaker 25 (12:29):
Slip rhymes out of the mouth, tricky and a shout for.

Speaker 5 (12:32):
Some time when they keep out, come on, everyone, Lets
slow to the rhythm of my tongue, to the rhythm
of a drum. Mcs won a battle, but they can't
get with the capitol MHENSI ha told the mic I
get swipped up for the rest of the man.

Speaker 1 (12:44):
Even the best scoring.

Speaker 12 (12:45):
One on one a number one take.

Speaker 1 (12:48):
You know we get you don't.

Speaker 5 (12:50):
Say become perform a SIGNA fast caught the fitted was
spread it in any many He's gonna's memoriles stick vetted
in my fate takes shop, but's a shape knife.

Speaker 1 (12:59):
I strike them just as quick as the saying they
got the toys, and yeah, go ahead, try excuse a
man of sacks.

Speaker 5 (13:05):
What just upply Go to the matter.

Speaker 26 (13:07):
Of the bubble.

Speaker 1 (13:07):
I'm swinging f to.

Speaker 5 (13:09):
The even the lord of people playing tree nm cs
like government cheese shot them like tryna cut him up
because peace laid out for the plant while we.

Speaker 14 (13:16):
Right to the tracks.

Speaker 5 (13:17):
He's so funny when it comes to the snaps. But
I'm off prom that's what the boys said. Slice the
boy's head. No, that's time and wait on the test
down basm dog get around so see fuss from them.
Everybody's funky commented. When you hear the paistline, you'll be hurted.
And I'm giveing inut simple because I can swing many ways.
That must getting mad because man it pays.

Speaker 1 (13:38):
It's some mad. That's the man.

Speaker 5 (13:40):
What I go and get swinging.

Speaker 1 (13:42):
I'm quick to pull out.

Speaker 5 (13:43):
The driveway by the way your girl because she was
going my way. Hand the mistake foot on the plate
flow and I'm right in my hour. I'm pulling on
that get sick stripped from the ground like cattoos.

Speaker 1 (13:54):
The rumma smelt better.

Speaker 5 (13:55):
Than to do the r shoes You stay dot think
whys is what I because see still the killer hoo
with forgetting Yes, saucet there was sole out of a sausset.

Speaker 2 (14:07):
Then we go.

Speaker 12 (14:08):
Then we don't got a rod.

Speaker 27 (14:11):
Hey, roll with up with up this ole c remember
the d I T C. Mordas check it out, chake
it personal podcast with my door. Fill the flavor Jeb
long d J three six so I know what it is,
mar take it personally.

Speaker 3 (14:48):
What check it out here with the big old with
the big big lady.

Speaker 1 (15:00):
No, what we want John to do with this bounce
fast past bells?

Speaker 2 (15:05):
O we do what like this gun to?

Speaker 5 (15:11):
So do you want to hear the fuck a bad
cha buffin through the free cook so your hands in
their hair? Compare me with.

Speaker 1 (15:18):
None the son of the king triple blown just.

Speaker 5 (15:20):
To get the chop gun.

Speaker 6 (15:21):
That's the fast fast dash to for mastic trash.

Speaker 5 (15:23):
Pikes and pluck the spot, organize on that ass flat
but no sugar strake coffee. You stalk me because the
girl want to hawk mean shopping pluck.

Speaker 6 (15:31):
They watched me mutilate the mic rip it a push
out of your brain when a shrike.

Speaker 1 (15:34):
How's the friend to.

Speaker 5 (15:35):
Wraps the cleaner foe and the pots down down the
amateur cut the pool. Your five honey took to see
me and they get an organized and they know Pharamox
got skills pull the ship look too walked in the door.
Can't tiger Tiger and upper cut directly to the cut.
When I struck on, mice makes my windpipe be rough?
Go off and tack off a wack.

Speaker 1 (15:54):
M seas in the vicinity, make of these, I make
compounds d dolls.

Speaker 28 (15:59):
Come on out of let's bowing, nas, Come on, riatta house,
let's go and nas, come on, wegatta house.

Speaker 29 (16:04):
Let's talking, nash pull house spoil and NOAs.

Speaker 1 (16:07):
Come on, we gotta house balling nas, come.

Speaker 5 (16:10):
On, come on, we gotta that's bowing nas. Come on,
I'm gonna just talk backing forth like in army bocaetes.
Do you have the slow can wearing his skills? Is
just play ray blow your mind like fans in the
summer home, like red Man ready to bucket spanning my
cleverness own wax to Japan them back expert Prince and
honah hope you got just five seconds for black brit

(16:30):
stip like this. Now all up up, says I like
ear smooth, get I send sit up next, Victoria secret.

Speaker 1 (16:34):
Couldn't keep it from the bridge. Total people.

Speaker 5 (16:36):
When I text for the wake up your Fedo max
space taste the bread.

Speaker 1 (16:40):
I'll break up fat, I take it to your face.
Can you keep a buck skill and watch over.

Speaker 11 (16:44):
Your nice confusion?

Speaker 5 (16:45):
Trip la la la, la la la with the style
that's fla prince pol ah. Don't swoop like silk so
freaked me because I ain't shot, so see let him
know how we go.

Speaker 1 (16:53):
I'm again, my friends, nothing on the fu.

Speaker 5 (16:55):
Flow, just steaming. Oh see your name? And who's I said?
You walk till it hang and baking. Bundy's up in
the tree like a figure out of many exclaimed masculine
before daughters whose ard it's not videomo sol and loop.

Speaker 1 (17:07):
It's like square dancing on your tours. So bounce so
nast kind of house you want there? Come on, I
got a bounce. I want check you down. We have
to win time, fucking mine. Most just can't cook.

Speaker 6 (17:21):
Don't get holding up and book up your brain from
the main artery.

Speaker 1 (17:24):
Battery with your FATA platter.

Speaker 5 (17:26):
You will never ever shot in mind, Prince talk exact,
put the intellect you will concept step and the rachel
like steps and the rest take steps. Bout your ass
to the hoods. Here's the goods and house enough for
you to bounce.

Speaker 3 (17:37):
I'm this sor your man.

Speaker 1 (17:38):
We got a bounce that's your manas a kind of house.

Speaker 30 (17:42):
Come on, we got a bound cot you down house
last port.

Speaker 1 (17:48):
Like stakin of house. Let's pour out, gotta the house,
check it out the winter. Come on christ.

Speaker 29 (18:02):
He d just to make up organized. Come on, y'll
lind it organized. Come on or marriage organized. Come on
the Friends with organizer. Come on the spring peeld organized.
Come on Old Pasily organized. Come on Ford the pj
Ain't organized. Come on't push it organized. Come on the
queens Bridge organized. Come on to co organized. Come on

(18:25):
Bitstars organizer. Come on and impact Bush organizer. Come on
the Bushwick organizer. Come on the Red House organizer. Come
on the brunchtop for organizer. Come on organized.

Speaker 1 (18:38):
Come on to North Island organized out here West parric organized.

Speaker 5 (18:43):
Come on to Hempstead organized.

Speaker 1 (18:45):
Con't go get uptown organized a rough.

Speaker 29 (18:49):
Organizer, come on the colored Brown organizer.

Speaker 1 (18:52):
On you by by by check it out your boy search.

Speaker 27 (18:56):
Jae, y'all checking out, y'all from me without the rock
mark you listening to take a personal radio.

Speaker 1 (19:03):
Right now you're checking out taking personal to take.

Speaker 2 (19:05):
A personal show. Check it out to take your personal
radio show. Don't get it twisted my love.

Speaker 31 (19:11):
Yeah, then.

Speaker 32 (19:38):
Then coming coming.

Speaker 16 (19:50):
I'm coming like a red I tuck up. Watch your
bad man, sir face the basic from your run. When
you hear it, it's the most infredible friend style pals
up like to the cases. The Queen's kind of triminal court.
Surety sad because you're gonna watch it. My whole hurts
back and fuck weapon. Let's take it to the corner
of the block and no matter what the the but

(20:12):
if you would like to take it to the Saints
and my did, come on, come on, that's how I
like it.

Speaker 1 (20:18):
Hit me in the face. Why don't chuck rib chuck
and puncture.

Speaker 12 (20:22):
Your wood fer criminal sleeve to wher My whip it.

Speaker 5 (20:26):
Then I take its leave and change its religion. Then
I chucked the foot off the fucking feet. We're trying
to astake the track. That was so sleep That's just
a state of mind that I'm in where I used

(20:56):
to play beats on the lunch room table. That's swilling
your neighbors. They stable inside of my mind for selling
me to climb and then shine.

Speaker 16 (21:04):
This is the process that for the girl, the new
time bust. Everything I thrust this activator styles. I foule
a naf decaffeinated, a rough talk on tanca. Why I
even let you by the sky, had said my bos
mom kids follow me and my phillies like Willie Bomber, silly,
I assault int Conker, the Fulton brainwash.

Speaker 1 (21:22):
And harsh your little minds with crimes crimes that I
went your balls.

Speaker 16 (21:26):
See, I say, motherfucker with chests and glosses, Paul brain
cells not to sell unit that you know everybody say
you make a fuckerass and glock for prepared. We got
the table of content and say, well, hey you, hey,
you you can't deny when I bust catch the whole
block scatter scraped amount of shadow, mad glass and whatnot.

Speaker 5 (21:42):
Crazy medical attention is needed to make a cock stop bleating.
Then I'm perceiving up the block Fell's poll for the
game rap shatter show flight grenade. I'm put your ship
like grenade, whether folk silk stands up, I come the power,

(22:05):
what n me your pin in the pan?

Speaker 1 (22:06):
I'll be back now. Hey what some more fat ship?

Speaker 16 (22:09):
I tell you gims in mind, I'm kicking the poor
black shit pound liney do I'm like the bar He
draws not even at a party, even be Bacardi. I
smoke blunts, stunt someone a hut, chop someone to powerful.
I never asked the crowd to jump, but tick a
five the exo shoe that you your mine before the asses,

(22:29):
to kick a lot of asses, the m O and
C eighty. I drank fortyes, the fruit with the crew
that brokes deep within the Mediterranean.

Speaker 5 (22:36):
It comes the rain of flipping on my head. It's
like a memory. Now I got getting. That's what the
endemies that's in the industry who don't want to be
friends with.

Speaker 1 (22:44):
Me, I say, God, suck my dad from the.

Speaker 5 (22:48):
Bank with a crazy straw, do lazy or do that
ship to make the t expand?

Speaker 1 (22:53):
But watch it did no teeth, no hand smoothly. What
am I in nass? So you want my ash was
as I was like fucking jacking the fuck out here.
It's right here right A. Lord, help me outtown.

Speaker 5 (23:17):
We gotta get together them, we gotta organized. No man
the weather.

Speaker 1 (23:24):
It's a nice Sunday.

Speaker 12 (23:27):
Last to last, last, I used to watch my grandmother
cats the bony cot and choke choke.

Speaker 1 (23:35):
I thought she would search five years later.

Speaker 16 (23:37):
Now I'm off to work in the department store from
folly pants and shirt s at the end of the week, Lord,
just enough look to.

Speaker 1 (23:46):
Put some cheap sneakers on my feet. But when I
made a promise to my mama.

Speaker 12 (23:50):
I said, I bet you you see me in your
dear problem one day you.

Speaker 1 (23:53):
Na, mohamma.

Speaker 12 (23:54):
We kicking that back pump ship lash back of doxious
speakers in the back trump ship goes the ball fords
to me, that's falcing me to miss classes and the
family spot to me to be your jack dancing in
the feut jug dude, Then who's gonna shoot junk at
this point in my life?

Speaker 1 (24:12):
This wait? I told the White Pride right instead of doing.

Speaker 16 (24:15):
Prime nineteen eighty six to nineteen eighty nine, oh ghnah's
confusion did not didn't sign, But we will soon one day.

Speaker 1 (24:24):
Until then, up your on.

Speaker 16 (24:25):
The twelfth noon on the track lest Sunday help me,
how time we got a hit together?

Speaker 1 (24:33):
We got an organized Oh man of the weather. It's
a black Sunday.

Speaker 6 (24:41):
Yeah, remember losing the loved one. God help us to
make it old up to leave the box sig the
ritz and thought and nine said soda. We came a
long way and I'm still running for my freedom, still
have one hundred miles to go escape from the draft bouse.

Speaker 5 (24:56):
So you define that baby eight. I used to ride
the elevation, you know, with the crazy Lady. A year
later I made Demo Christus with them, my fantastic wis
on the fader.

Speaker 6 (25:05):
Robs ran out with's a while, encouraged March to start
record rhymes or missus shake good dinner.

Speaker 1 (25:10):
Then we came in and some hard times.

Speaker 5 (25:12):
It's our conche shouldn't have been on the plate to
aches escape back to l A with ut with dimot
the state of mine, I was, this is poor seed.
That is that I gotta get launched from for sent
and forty pro so on more and gotta make they
us to know all that it's my own record deal
because I can't full for that old snake ship. It's
sitting in the grass for the cash little system. It's

(25:33):
a wish and listen, if you're missing my money, the
fisher will be kissing, kissing. Damn.

Speaker 6 (25:38):
I don't you gonna start said.

Speaker 1 (26:00):
Break bring it all. You could set my food to
whatever matif potato battles mop the pictures on your t
goes a lett to Prindala, how you fucking poor when
you say bring it off?

Speaker 5 (26:15):
You fell the god to whatever simply.

Speaker 33 (26:18):
Taino battles listen to level bomp the pictures on your
tea goes the lett of Brendal.

Speaker 1 (26:23):
Down to say, how you fucking for when you say
bring it off?

Speaker 33 (26:27):
You can set my mode to whatever entertain the battles
the woman listen to the level mom the pensions on
your tea goes to let to prindic don say how
you fucking form when you play.

Speaker 1 (26:37):
Bring even became a raphic me oh hee ah ready.

Speaker 5 (26:40):
To make computer chippy hip me team my list said,
then I'll shut it anything style you up, literally my
fucking seats from the ring of the picture, suck up.
It's my terminology that fakes the mind instead of put
you know the man these times like you was gonna
boots on the start, I come up with me. That
up with me.

Speaker 16 (26:56):
I know that's a good rhythm and sidence I made
into the praying and then I begin to get him on.

Speaker 1 (27:01):
The part of me fllow me.

Speaker 5 (27:02):
I'm say, when you're bringing in l give me the
p h A r O, give me an at barrel.
Crazy voisons and barrels are hitting you from all directions.
You cannot dodge the manage to this slot them to
the point in which they are connecting.

Speaker 1 (27:15):
I am selected the new staff app Pop pounds of Steve.

Speaker 12 (27:19):
Who's going to fuck?

Speaker 31 (27:20):
Fuck?

Speaker 1 (27:20):
Found the fuck that?

Speaker 16 (27:21):
When I'm and off and off and off, say off mind,
I'm innovating. Never been afraid of pracket of microphone. I'm
prone to be eliminating clean When I sing a song.

Speaker 5 (27:28):
Of sixpensive it makes sense, then sing along, cling along
to my nuts.

Speaker 1 (27:32):
If you've got gusts, and bring it on, bring it on.
The step my mode to whatever partifically tatoa.

Speaker 33 (27:41):
Pop the bass on your t goes the left to MANA,
why you fucking formen?

Speaker 1 (27:46):
You say, bring it off? The mode to whatever partifically
tato batty walking this together?

Speaker 33 (27:52):
Pop the basons on your old tea goes the left
to Blenda, Say why are you fucking foreman?

Speaker 1 (27:57):
You say, bring it on?

Speaker 5 (28:00):
Oh to whatever? Retain the battle.

Speaker 33 (28:02):
Ducking in the mom the majors on yo gee.

Speaker 1 (28:06):
Go and let the burnap powers? How you talking form?

Speaker 11 (28:08):
Have you fake it all?

Speaker 5 (28:10):
The one is the bitting me your rhymes for little
The text execution is parallel and then accepted off the organism.

Speaker 6 (28:16):
Why can't be this man to soustus whittingt me getting
me back? Why how data praps you the revel Why
sense some elevation shows that I'm ahead of your time
behind until Brian tripping ship up that prime time ie,
I'm prime time material in privial wizard. Okay, pilaric having
e seems like cereal. That's sorry, Milkie skills like missing
me out.

Speaker 1 (28:35):
You wouldn't father.

Speaker 5 (28:35):
Earlys Probies remain the rappers of the loom of your love.
How rip your nick shit, get sick quick gets you through?

Speaker 6 (28:42):
Or I do something worry till you're the white mutual
Stop to raps you wax Simon. I listed the fifth dimension, armies,
the football number, tip of most and eleven. Then mister
Cole rips it till the Bible brows those shows to compete,
but to lead them, observe.

Speaker 1 (28:55):
The fake to sing me down from my buffle, just
a delicti inter you betroy.

Speaker 33 (29:01):
Right, it all go to whatepen partentilar ate a battle
by walking in the mom the meson on your day,
doing the lect of plenty kind of thing.

Speaker 1 (29:11):
Now you fuck your pull back your facing right.

Speaker 34 (29:21):
I wanted to pull from real life experiences. I wanted
to give people an insight to where some of the
badness comes from comes from. I knew that I had

(29:46):
to address some of my own issues, be they from
the past or in the present.

Speaker 1 (29:54):
A lot of it pulls from situations that I went
to Now I w mooish, press us God, pain, stress.
My brain can't even rest.

Speaker 5 (30:14):
It's hard to.

Speaker 6 (30:14):
Maintain the pressure on the chest. Excess frustration strikes, bl
brushes my head when I come up trust roast with.

Speaker 5 (30:20):
Dead mics and white promoted shows.

Speaker 1 (30:22):
It's hard with the presidents of God up to to
the game.

Speaker 5 (30:25):
So I'm back back to.

Speaker 6 (30:26):
Take charge and regret sure the time which she can
never be wet.

Speaker 5 (30:30):
I'm pure.

Speaker 1 (30:31):
I insert my life, slide.

Speaker 5 (30:32):
Into the truck, the energy and because the poison but
no unrevealed for minutes. I'm spreading like leopardsit throughout the
regular label because mine's put.

Speaker 1 (30:40):
Me in Mosca and jumpiddy, can you come see me in.

Speaker 5 (30:43):
The getta Where to start? Well, it's surreal lost speechs
blurts in the heart. God, No, it's the hurts. Re
check the hurts to the execute first things first, the
bloodet minds to work, my hert sight and my fan supports,
and so my mind for the time being a sea
at peace, but taking no.

Speaker 1 (30:57):
Short so sure.

Speaker 14 (31:00):
The stress.

Speaker 1 (31:04):
Kill destroying stress. Man man's right, take the railroad.

Speaker 5 (31:17):
His cap has put it tennimpieces right here, yo, yo,
ye go go.

Speaker 1 (31:23):
Damn suck yo, swear shifty right here yet oh y,
your hardy hand.

Speaker 31 (31:30):
Right here.

Speaker 6 (31:31):
I was coming a yo, yo, we're going to Queen's
re fastest right now.

Speaker 5 (31:35):
Then we're going to Queens yo is right?

Speaker 1 (31:38):
And man, yo, I'm going that way. Man, hell, would
you stop yelling it? Don't want to stop quick.

Speaker 5 (31:51):
You will now consider me the apocalyptic one to describe,
for there is nothing, no more will exist. What not
emerns I'm missed and wins that was born into storn pooster.
You can't even comprehend what I am saying to you,
even in my human from the lessons I'm remained.

Speaker 1 (32:08):
Why do you choose to mimic these wack them seeds?
Why do you choose to listen to R and B?

Speaker 5 (32:14):
Why must you believe that something is fact just because
it's played on the radio. Fast for saying my perception
of p whenical injections and ejaculations, the immaculate conceptions, the
whole hawker who stalks bodies and sets you walk Sony
Emergency survices outlined that body and job did I begin
to walk away in Spain?

Speaker 1 (32:33):
Then when I walk away, I talk shit.

Speaker 12 (32:35):
I talked a sprain my face.

Speaker 1 (32:36):
Wood makes she didn't know that I enjoyed the taste
of brainy. You wack the past when.

Speaker 16 (32:41):
I'm in the vaccine that you're bits out TAXI go
even ask me for the cat gee before camp before
didn't picked me up, No act to suffo.

Speaker 1 (32:49):
The fuck's gonna stake me up?

Speaker 5 (32:51):
Brush stress us.

Speaker 1 (32:56):
Rush chill destroyed stress brush.

Speaker 5 (33:02):
Rush, the cip the finger put the pets off to

(33:33):
the mechanism. Whit skipped of response for the automatic to
release Brittel thousand single foul because they meet you with nite.

Speaker 16 (33:40):
And then traveled through the barrel, tending for the light
at the end of a tunnel. The target and sight
slow the flow like water Christal life scene of a
homicide and slaughter. No remorse for the cost I take
when you pullet, it's the result, straight bullet make it
the new hit the ground run in the stay down,
except for the kids who played off the play ground.

(34:00):
Because for some little girls, you'll never see more than
six years of light stripe. For Ring when she fell
from the sea stork. But wait, my course sits and
over flat out of the other side of my head.

Speaker 5 (34:11):
The words of.

Speaker 16 (34:12):
Red ring Rover sent up ricking shades fath fast about
the Samson. Damn with that nigga, say oh fuck it,
next target smart Fret's face had a stuck it that
was a fetal blood and the comforts to a face,
and then the.

Speaker 1 (34:24):
Punts and brains all over the street.

Speaker 16 (34:27):
Shame how we had to meet fash your fucking Greek
Bye fucking family. They follow behind me in a hoddly
fashioned fashion, through flesh and wild, crashing through the doors.
Are project always through the fucker for the child. I'm
coming more, you little girl, what's inside a shadow?

Speaker 6 (34:43):
Your world swirl?

Speaker 1 (34:44):
No more dreams, No bat's gonna cray.

Speaker 12 (34:46):
You're gonna pray to the boat for a Vatican before
I go rest again, a Vatican brother.

Speaker 16 (34:51):
Somebody's mother won't be sad again. But whose blue shots
will third ray from the attack to come back? Eleven
number straight Bully.

Speaker 6 (35:00):
Nobody, nobody hurrying it come sh nobody hurry nobody, nobody hurrying, nobody, nobody.

Speaker 5 (35:16):
Hurry fairs the fire. I'm traveling at high yes bees.
The Brics are pending the trade flesh eating this spleen
at the splitting. The chest of a queen's teen age
of page just spread into pieces from the black nonning
it's hollow tips. It releases the police in the back
of the Ambulens blood lord ship.

Speaker 1 (35:30):
The cross the.

Speaker 6 (35:31):
Chest arrested, rupture on the sluptre slasher a bush deliver
faster plus.

Speaker 1 (35:35):
Pause that was up to the master.

Speaker 5 (35:37):
Poom has the crusher been the doors fake mess for
praying in the operating room?

Speaker 1 (35:41):
The body still consumes me. That has you repooled me?

Speaker 14 (35:44):
Lord?

Speaker 1 (35:44):
Why don't they use me? I'm taking individual maki poms,
the beep, the cup in the ghetto, busting shots the
props and when I hit the ship soon you forgets me.
Nuts God start to explained to us what I've done.

Speaker 5 (35:57):
I'm flipp with the hollow tip and I'm not the one,
and as a human, I'm the surprising one.

Speaker 1 (36:01):
Prince to my father Ripper, E's the way you can
never ever.

Speaker 5 (36:04):
Know how I'm coming man, I'm uphasizing, rising and tup
your lips. Then step super bullet full oft dow, I'm
making moose, no sympathizing, so take that grit.

Speaker 6 (36:12):
Legs stress or too. The scenario a matter of party.
Will oh a lot of honey calay and.

Speaker 5 (36:17):
The DJs playing the fund blood flow pod niggas.

Speaker 1 (36:19):
Come up with the cowboy rough.

Speaker 5 (36:25):
Oh shit, Oh another lick, another struck, he comes, miss
the strap, bullet, rob the tip getting my eyes from.

Speaker 6 (36:37):
The screams and the rift in your chest. Pin a flip,
nip your liver, blood flowing like a river. Money starts
to shiver, to not.

Speaker 5 (36:43):
Give, but delivered for your birth cruises straight shooes is
your renaissance.

Speaker 1 (36:47):
No response your mom do just.

Speaker 5 (36:48):
Sow cold figure. I'm bigger, taking your heart and to
get it when it gets hold straight bullet.

Speaker 2 (36:55):
Dang.

Speaker 15 (36:56):
Look how motherfucker's using net using like I'm a I'm
a gun.

Speaker 1 (37:01):
Sh It's like I'm a motherfucking gun gun.

Speaker 35 (37:06):
Shall we play.

Speaker 1 (37:22):
Okay doty clan.

Speaker 5 (37:28):
Pourcain SWI niggers floor fingers for more fans look clear
tactic issue will limited.

Speaker 30 (37:33):
Access to him fire to campalons and.

Speaker 4 (37:36):
Thousand from the flex shop, from the.

Speaker 5 (37:52):
Flex Flex Flex Flex flex Flex shop.

Speaker 16 (37:58):
These I think of, looking figure Rachel's. Don't exactly how
many steps it'll take me before I get to the
passenger side.

Speaker 1 (38:10):
Of the car. Break through the glass max, when the
wi the hands on the death pitch.

Speaker 5 (38:14):
I will feel clad. Stick up your ride, give it up,
put it in park. Baby, don't let me swalk to
ask far you die? Pop the yelling or shoting a
dieing my itch, nor time for thinking, honey, make the switch.

Speaker 14 (38:26):
Move over.

Speaker 5 (38:26):
Your ad is near fear me.

Speaker 1 (38:29):
I speaks clearly, I didn't shut out.

Speaker 16 (38:31):
I shudder the thing, the thoughts that would de Bencher
Woodley shot at the hammer at the back of the ground.

Speaker 1 (38:36):
The fats the face and blood and stops the heart.

Speaker 16 (38:39):
The power paint seems quite excruciating when I think of
how long I was situally.

Speaker 1 (38:43):
Waiting and the sbat on from.

Speaker 5 (38:45):
Torotto after late at night, seeing the flashing of the break.
Blake throws the jar on the car, but she takes flights.
How's the place to night? Drip my troops almost.

Speaker 1 (38:53):
Torn from my arm. I'm a storm. If you're worship and.

Speaker 30 (38:57):
Raised for your old gold, far y'all frims go with
you won't go far.

Speaker 5 (39:01):
Whatever can live whoever your off the systems of trap jacks, and.

Speaker 1 (39:05):
You won't go far. Once this black man beside Sada, and.

Speaker 16 (39:33):
I keep my admission for re ignition you next night
before I kiss my thirty eighth sup Why because I
love you?

Speaker 1 (39:39):
Then I cut the stirrup wheel. I'll come pull the
club through.

Speaker 5 (39:43):
Should I get this day's hurt, My cruise around to
take time to take plans the proper movers need it.
We did, but I don't lose fucking takes warm like
a look at some woman depression.

Speaker 6 (39:52):
Don't look addy, dear receive be nearest to me and it's.

Speaker 5 (39:55):
Infect she's lexus flicking in bolshl in't them holly respect
gay time. This be your home is Bama's side. A
few days later, karbree apre Mamason, fear rule the crime,
don't limit celebrity lin'd like fu Cadella got Jackson. Niggas
called him the spycle and fight lost life, nor foresight
nor light shut off that broncks last wife cross the
New Jersey term fight no southwest the east car Jacks

(40:17):
mustis a kid now too place he accidentally grabbed a
niche in the back seat. Fact simile was Emily jack
a figure. You promote front any finished identity and yours.

Speaker 1 (40:27):
Don't mean nothing.

Speaker 5 (40:28):
Couple example, get a copy down a hand coffee now
I Prusia the lets baby. You won't go far hormos attractief.
You won't go far wherever you live, whoever you are,
the sisters of trap Jackson, you won't go far for
you're all.

Speaker 1 (40:44):
You won't go far whoever you are, You won't go
for fall. Yeah, don't you.

Speaker 14 (41:23):
Don't you ship dear fund up time we packed.

Speaker 1 (41:33):
We packed, We packed the things when we packed.

Speaker 5 (41:40):
Fall remarkable soul, cold blood and leading night sickles, equipal lifting,
no call, raw hel productive staff foot to my state.
But I don't smoke weed to proceed follow my man.
I'm rock well when somebody's watching me, rons fine like
didn't sell have a short. He's all chocket My poetry
painting pictures gonna be Picasso not so fast, but you
might con fall back in the stash when I'm through

(42:02):
fos with holes. Take what fits you ain't worth fort
sea hoole stick made of gold, so controller.

Speaker 1 (42:07):
Ruler on my desk, all es on me like a
fan thirty eight.

Speaker 5 (42:11):
Double g's rest the shore when I'll be on the
mic wall holding the goods like you're buying in the
surf plus store.

Speaker 1 (42:17):
You see I brought it down and not you can
understand all.

Speaker 5 (42:20):
I'm smooth like a harp. You nothing but a fans
your advance, your check, no style. That ship is played
off running to the likes of a mongo slave fall out,
the hit a robber your command now at the quarter
of the century, I'm the man hid fuck that appreciated
ft sooner come bust off we bust got strapped, read.

Speaker 3 (42:39):
Tup.

Speaker 36 (42:44):
I'll bet Joe Adam Sways and say, godo fang where
we pat bangs? Just to side who ship I got
Joe Adam Sway was just say got no fang?

Speaker 1 (42:52):
Where we pa got your motherfucking orders of protection. MC's
no question. See.

Speaker 16 (42:57):
I was raised in the ill Drup section and it
persuaded by Popeta too selections to be hardcore ship. I
swore on my father's grave. I make slaves of niggas
who played brave. I crave the engraved by name inside
of the pavement in my facements an arrangement.

Speaker 5 (43:11):
Of different torture devices. That's lights the first niggas who
think they are the nicest. My advice is, did you
think twice Christ hate his life?

Speaker 1 (43:19):
Jesus Christ? I am the pharaoh to roll them on.

Speaker 16 (43:22):
It's kind of narrow because there's a fork in the ship,
and I don't know which way to go with these
scriptures and sculptures. To cru the dead rappers to words
of above flight folk just fight puss. I write to
type ship to make niggas to sight race riots from
the hate that write and lighted.

Speaker 1 (43:36):
Send this stuff when it's the time to finish the rhyme.

Speaker 16 (43:39):
Watch stuff minis the climbs up top, filling in the
atmosphere like canna for sin. If it's activating me, believe
I'm captivating.

Speaker 1 (43:45):
He put some decapitating three I'm see.

Speaker 16 (43:47):
With my axe like to Raxis. Practice allows me to
receive the information like facts.

Speaker 36 (43:52):
What a gatto thing where we packed metal things just
to set man and ship. I met your adam swinging Wow,
just a gado than where we packed metal bands.

Speaker 1 (44:07):
You met her watch your back.

Speaker 5 (44:08):
It takes concentration in conversation.

Speaker 37 (44:11):
So for caver say in it called the blake and
arms up breaking swelling back with well like in Cavernel,
because no one please back especial least when a half
a half these have to spend to fear. Yo wama
RiPP this into tirs, my car, brands and scars to
leave you in inten some chairs.

Speaker 5 (44:24):
Check my credentials for penitentials or instrumentals. I make your
mental EXPERIALMENTU don't be hacking cockers.

Speaker 37 (44:30):
Ain't because Nigga's on my blockers face me talking that
rap shit. You couldn't even rock a baby even child
went out and for the right blow because half it's
more than trifle. I'm sort of psychoed, like a retard
on the motor cycle. My mom changes when the top changes.
And then see I ain't saying suit might as well
be wrapping the side language. I get talk and nods
when I sparked, the lives start start.

Speaker 5 (44:48):
But God's have scream. But let's call form the love
of flower ball so was stall. He's looking at me.
I'm gonna sprace some light soil in you.

Speaker 1 (44:55):
Our full powerful pounds.

Speaker 5 (44:57):
Pouch man, stay, is it true you adapted your name
from the Egyptian Greek lord sarah Man talking to you?

Speaker 1 (45:05):
No, that's not true, that's not true at all.

Speaker 5 (45:08):
The name actually comes from the eighties cartoon Marchie Chi
and I got a real fucked up haircut from school,
and the name teasing me, saying, now I look like
that monkey. And I just swung with the name and
through the pharaoh one man, nice, keep on rocking.

Speaker 1 (45:30):
And pee world and wopambo Jesus Christ, who is it?
Come in? Good morning?

Speaker 38 (45:51):
How you doing morning?

Speaker 1 (45:52):
You're out there?

Speaker 38 (45:53):
No fan?

Speaker 11 (45:55):
What are you doing with that?

Speaker 16 (45:58):
And so it was that I had settled several times
in the head mouth sin I six fifteen pronounced head,
the new supporter said. The assailants fled the city. Mean wow,
I'm shocked to toss the street.

Speaker 12 (46:10):
Let's I'm shitty ass hotel waiting til things get a
little quiet.

Speaker 1 (46:14):
Then I can talk about But now why should I
even try it? The riot down, sue.

Speaker 12 (46:19):
A few birds out blue floors up behind the curtains.

Speaker 14 (46:22):
In the news.

Speaker 5 (46:23):
Took three hundred and sixty five to get close to
him once to them roast.

Speaker 16 (46:27):
When I put the toast to them, they interous. The
most heinous trials have been committed. Painless means more.

Speaker 1 (46:33):
Feenis lives and will It's winning, so they went bit
said government issues. My initial imprect We'll.

Speaker 16 (46:40):
Never miss you in the streets, understanding that you made
it hard to eat a psychok or make ends me
twenty fuck years my father spit hardly, or you suspended
them from the force. Place this head beneath the pendulum.

Speaker 5 (46:53):
Riffer your vision now dor nom shifting, I'm the conlusion
off the coach.

Speaker 12 (46:57):
Adam Smiftonday rhyme a lettin. Maybe it's SMI hit the bikes.
What's the floor sid staining his sleep? See if the
store this is manifested through some amazing dreams. Days cops
lienter to.

Speaker 16 (47:08):
Woo with guns and ladies of beams. But days the
teams we blasted at one another on it hit the
chest of black undercover. My last minutes on us drop
say your prayer.

Speaker 1 (47:19):
Fuck it.

Speaker 5 (47:20):
If I'm gonna die, at least I shot the mayor,

(47:46):
whoped up the room, stagger.

Speaker 16 (47:47):
And dagger in my back days, waggling my leg imagining
the matter, fraid.

Speaker 1 (47:52):
Raised and crues. The maids that.

Speaker 5 (47:54):
Rus surrounding cock guns, cock back whack teams astounding from
roof tops to black snip my melon culling Tarzan yelling
for me to come out.

Speaker 1 (48:03):
Mike Helen, I'm coming, go through the lobby and the
front door.

Speaker 16 (48:07):
Back in hand Grenadesan's back with C four come more fine,
No never you hevery get jacks on my head ready,
took me on my body perform It's a lad a
dead man walking destination doubles layer. Fucking If I'm gonna die,
at least a shot the mayor?

Speaker 9 (48:46):
What's bringing? That's your boy than world famous Simpia finished,
motherfucker right about now you're checking out the sam gonna
chake it personal shout out to the Philly Flavor dev
Law DJ breuhing you turn that shirt ned.

Speaker 1 (49:08):
Got time, gott guy some every need with my next
page twelve Tree to the Trinity, asiminate the r now
taken cognity.

Speaker 38 (49:25):
To my vicinity.

Speaker 5 (49:26):
Rats like energy tashed enemy back behind n e line
the fact too melonic melodies that a melo dramatics for
menatic like jet folk yellow promatics. I'm beating bull fuck
with an appropriate fiddling with someone call associates run will
remain in the.

Speaker 1 (49:42):
Minds of my bones. Whatever you're him for me? Do
you fetomy you?

Speaker 16 (49:46):
The recol epiphany still fully places poles and carefully playing symphony.

Speaker 1 (49:50):
Who would be actorant enough to have this gatiny the
fuck the light to buy in mind to that meet
what you up?

Speaker 12 (49:56):
Well you far with up like some pexact dynam is
slow Tasso, take advantage, demo, Pete.

Speaker 5 (50:02):
Slash taper, march horse, gammages being bantages. We managed on
the ladies and manage shammicks found.

Speaker 1 (50:07):
Six feet deep and that okay that think me down.

Speaker 25 (50:09):
Don't sit on the times of this he needs a
touch thurt seat shot noe, Marama shot sell. Don't person
on the times of this ship. He needs a truck
thirst seat shot Yo, Camma.

Speaker 39 (50:27):
Gang lit fay bringing dap though that's put a stop fall.

Speaker 1 (50:31):
I'm gonna tell her. Listen before you get the.

Speaker 5 (50:32):
Call five ball and you want to see miss balls
five flower niggas put the.

Speaker 33 (50:36):
Phone down on my two tights paone, but you wochrish faut.

Speaker 1 (50:40):
He knows my hams and it.

Speaker 5 (50:41):
Got tack like tightwash.

Speaker 1 (50:43):
Don't not just one night fout.

Speaker 5 (50:44):
I'm gonna show you how to stretch your motherfucker if
you want to watch time fall, yeah with them ball.

Speaker 1 (50:49):
No and when I hold this down. Down fall is
for men. Put it down is what don hell.

Speaker 33 (50:54):
I'm gonna make the niggas Heli corpum king candy fall
your prawn field, oh your hood and.

Speaker 1 (50:59):
Wait until flat for money fall office. He WoT mack
and jam hunts up, hunt shut out to sun damn
nicking six ticket list's show no mercy for the times
of this.

Speaker 40 (51:11):
He needs the t thirty shot, no time m.

Speaker 1 (51:16):
Off shot show no Parson For the times of this.

Speaker 12 (51:21):
He needs to t thir Slee try.

Speaker 1 (51:23):
Him who Hamadan John put to Caw with the perspective,
say you're looking for tah play, don't look tom plaits
to day. That's not gonna take me any tredits. So
if the Philippa Homostete finished.

Speaker 5 (51:36):
When the Mama tuck.

Speaker 1 (51:37):
It's self called, it's only.

Speaker 33 (51:39):
Seven ways that nigga usually fall, I'm gonna fishing them all.

Speaker 5 (51:42):
And when the film comers were.

Speaker 1 (51:43):
Stand tell them just the wall says.

Speaker 33 (51:47):
On yourself, dance, don't sleep when I touch.

Speaker 1 (51:49):
You on that tree. He look the draft right.

Speaker 33 (51:51):
From I'm pointing the streets that supposed to row sing
a man that put a man of doubt.

Speaker 5 (51:56):
It's the return of the hunted Soto.

Speaker 33 (51:58):
Your man should have told horse sent this to smoking subway.

Speaker 5 (52:01):
Let's send it to.

Speaker 33 (52:02):
Place much studying, trimming a way, show no horse for
the top of the ship the blood jersey dropping who.

Speaker 25 (52:14):
Carmol dang shop show no hose from the top of
this ship.

Speaker 28 (52:21):
Shop no caramel, dang. Get Get the fuck up, Get
the fuck up, fuck up, fuck up. It's just getting get.

Speaker 1 (52:42):
Get the fuck up. Get, get the fuck up, Get
the fuck up.

Speaker 5 (52:51):
And Simon says, get the fuck up, don't get hands
in the sky.

Speaker 1 (52:56):
Who's in the back sipping yack? Yo?

Speaker 38 (52:58):
What's up?

Speaker 5 (53:00):
Girls?

Speaker 1 (53:00):
What on your city is?

Speaker 5 (53:02):
Hey?

Speaker 1 (53:02):
I said it?

Speaker 41 (53:02):
Prop on your city is New York City? Witty committee, Titty,
the food that actitty in the midst of the calm,
the witty, y'all know the name?

Speaker 1 (53:11):
Found a fucking mam cha't of dead thing?

Speaker 16 (53:13):
Shane, you wanna been the range of shit amebriated trade
from your engine plan get deviated out.

Speaker 1 (53:19):
He headed the train with long term roads, the bott
in the ground one without the gold. You so flattening
around the roll.

Speaker 42 (53:25):
I'm so what in the hood.

Speaker 1 (53:27):
But when I'm in the street and shit is a
good but sooner motivated Boom control the game like Boom
rade a round clock down the fifty ships like a
way that block shot stats made.

Speaker 5 (53:35):
To let my lips annoy. If you're holding up the
roll and you're missing the forty, get the fuck up.
Simon says, take the fuck up.

Speaker 1 (53:45):
Put your hands to the scow, putting in the back,
shooting tracks. Now, what's up? Girlies roping your city?

Speaker 16 (53:53):
And I said, rub on your kitties New York City,
Witty committee, pity the food at a city in the
midst of the.

Speaker 1 (53:59):
Calm the witty you know where you at town?

Speaker 5 (54:02):
Let me see him. I'm tell me you're score the
sixty fives in the field. That's give you can put
them into mazolinium hit.

Speaker 16 (54:08):
Don't start rumping to Laftter twelve m h ignorant minds
the freedom If you tie of the same on every day,
you will agreeam I'm more probligated, hard all rated, slated
to be the best. Some must the best, saw made it.
Somebody even say the song.

Speaker 12 (54:22):
Is sexyistcause I act the girls just rop on the practices,
whether you're riding the train or lesises for either hor
ro lee the time, sisus.

Speaker 1 (54:30):
Wicked like that. This this just the joint you're holding
up the wall and you're missing the point. Get the
fuck up. Simon says, get the fuck up.

Speaker 12 (54:41):
Don't your hands in the sky. The harp is in
the back shooting tracks. Now what's up girls?

Speaker 1 (54:47):
What on your titty? I said, rock when your titties?

Speaker 5 (54:51):
York City Pretty Committee, they eat the food as shitty
in the midst of the tom to Waity, Get the
fuck up, Simon says, take the fuck out, Take the
fuck out, Take the fuck out, Take the fuck out, Yo, Yo,
what up?

Speaker 43 (55:09):
This is DJ Rob Swift word up, sail the streets
in New York's boy, mister sinister.

Speaker 8 (55:14):
And you're checking out.

Speaker 5 (55:15):
Take it personal with my fan Philip Flave, keV Law
and DJ three sixty DJ three sixty cutting it up.

Speaker 3 (55:23):
Chick Chick Chick Chick Chicken.

Speaker 1 (55:27):
Executions.

Speaker 5 (55:29):
Yup, yup, y'all know the name he's having the track
for both fans executions?

Speaker 1 (55:34):
Yep, yep, y'all know the name.

Speaker 14 (55:38):
Execution?

Speaker 1 (55:39):
Yup, yup, y'all know the name he's having the track
for both fans executions? Yep, yep, y'all know the name?
You bot is this master for classical.

Speaker 5 (55:49):
Mature and your wax and papal tactic black shit, I'm
master the track sack a back which all ever your
access passes without practice, hit them, then I'm gonna shit
on them.

Speaker 1 (55:57):
To spit on them. It's in facts back some.

Speaker 16 (55:59):
Of my mouth, not the minium over or to rock
chopped like Florida, seminal, subliminal rap switch make criminal, exact,
bitch instremental in creating the most finical rat ship got
Tony Braxton looking women collapsing probably is confeated, stepping like
fast factors and acting dominant x men conference like pactent
back to clap.

Speaker 1 (56:17):
Rap access to get the reaction. Vendom of reps centim.

Speaker 16 (56:20):
Is up in the marec ship sent them a flif
fit minutes it hits on the snack ship DJ slight
hits from them to hit the exit at they joke
the front row.

Speaker 5 (56:27):
You do release, you can't get hectic. The y'all know
the name Pharaoh fucking Montane, the dead thing.

Speaker 1 (56:33):
Change trains, retrains, reheads, be trade, subscribe, hey, j.

Speaker 16 (56:50):
Hey, y'all spent twenty four hours practicing there forming nothing.
Your execution is cut without transforming buttons for DJs together
combining the base ones and drumming, multiple movements and.

Speaker 1 (57:11):
Hands form of sandscorma. So these guns get to the.

Speaker 12 (57:14):
Turntable robs with for leebally nothing to be amazed at.

Speaker 1 (57:18):
How he keeps the meating stable feeble people. When you
meet him, please take a.

Speaker 5 (57:21):
Portion with his hands when you cre he's robs with withee.

Speaker 1 (57:48):
Y'all DJs needs slide so we can all hit your ride.

Speaker 16 (57:52):
Notice me ditch styles, totally switch mobile, vocally pitched my
tones for totally clint scratchers.

Speaker 5 (57:58):
He reacts when he backs. It's three times until the
move catches. That's where you know the movie matches.

Speaker 16 (58:04):
And it's amazing how that nigga curt without a brilligers
don't even ball.

Speaker 1 (58:07):
He rocks far than now. You're made in it hues
totally cl.

Speaker 12 (58:36):
Smuggling scratches in the city when they ain't beach turntable.

Speaker 1 (58:40):
It's dismissed the myth that.

Speaker 12 (58:41):
All DJ's are struggling off Mister sentence to poleice.

Speaker 16 (58:43):
When it's the time finish to cut, to finish the competition,
that minister Boo to make the nuts ridiculous beeed slept
me on the side and conspicuously watching his hands glide oh,
I can't explain it moves so obtainable. Please watch the
five fingers appear from beneath his legs.

Speaker 1 (58:59):
Unexplainable.

Speaker 5 (59:23):
He's in a human the way human manipulates the music
excell scratch scratching the ARTISTY see if Jaxons cuts into
your armies chiseling out wax cut hand called barn the street.

Speaker 1 (59:35):
Right up.

Speaker 12 (59:36):
I think it's quite time for you to relate. Wish
the speed to make these niggas screen to like data
Prickett quote on one time more data and actually what
you're gonna say, it's the spot data watching rock ray
to rock Gray to try state.

Speaker 44 (59:48):
Just play that song, Hey, you.

Speaker 14 (59:54):
Just play that song.

Speaker 35 (59:59):
DJ creating shirt.

Speaker 5 (01:00:14):
To Yah for the sho shovel so for the Bay
Bay fucking to the great incredible pay but say says
he get bull slaves if you want to keep paid, bagga.
They scared the hustle.

Speaker 43 (01:00:25):
It spent seven days the same clothes as them, a
ridgin nose because they know oll step naked bos step
away from the mighty too.

Speaker 1 (01:00:34):
Bos both my rat your do so.

Speaker 5 (01:00:42):
Say my name, say my name, sir, for my stake,
my claim, I independently laid down and made my game
my own soul raised on flankers, stick rides, sate my thing.
I heard what they set up, would I got it
the way they set up, But now I'm getting it,
and they whole grillas truck it, man, because I'm getting
kicked out from my pokers.

Speaker 1 (01:00:58):
When YO was at the.

Speaker 5 (01:00:59):
Posession, not just stepped up and took it. What the
kids bet up, I'm gon get caught now. It's after
this year. The price sain't coming down. And if you
got the joint bumbling and get money down, it's in
a minute. There's gonna be some real trouble coming out
just the morning. Shoot you will. Some cats wonna heat it.
The hard head always got to feel it to believe
that shame. The jealous cage is too short to see it.
But when they stay sit the seeming you know, and agreement.

(01:01:20):
We cook play knights in dcent for dirty like the
seven more put sick. All of this day. You're making
it as long keeping it. You keep on skimming, and
give me some more reason that had the women in
your mama's church streaming. Little Jesus harder than y'all, because
I'm smarter than y'all I know that.

Speaker 1 (01:01:33):
Damn it's not to be bothering, y'all. Put your attention.

Speaker 5 (01:01:35):
What'slock gonna get started in the y'all for your pride
on the flock. Say he's swugging with all the mathematic
problems for y'all, that just getting harder than saw every
stay of the ball to do. What y'all stay fumbling
the buckle now hard and when we we ain't got
no discussion at all, East Coast on your neck and
you ain't shrugging it all, try.

Speaker 1 (01:01:52):
To fully foot and ended up stumbling off. I'm Daddy Brooklyn.

Speaker 5 (01:01:55):
Them niggas something new, y'all get inspect when it's too
much troubleing, y'all spect.

Speaker 43 (01:02:00):
Look at that is the back goes from Lone Beach
to Rookler day goes. We walk from the East to
West coast queens and lut step away from them the
two coats white ratt You know every.

Speaker 16 (01:02:14):
Containe this raps should be trapped in cage to stage
is the wapes spouse rats of blades. And then it
amazes me how you claim thugs and go two ways
without Scott tell Page and something in election ball pass
mode essays the motor caves at least parades.

Speaker 1 (01:02:27):
Do we sale more beefs and delays. That's when I.

Speaker 16 (01:02:30):
Finished just shoe less to fit this eve. Hello your
federal Mancha Tonia, maintain the same frame of mind. Screw
your there, sit your seat, your great you with scriptures.
I'm a quick to brick your preacher.

Speaker 5 (01:02:43):
Federal and most it's burgle lots MOS's coast the coast
we most to be the most explosive here for folks.
Just the libertool prog nos that you don't just sleep
with your mentally unfocused there them seize, just come on around,
you're the next contestants, or catch your feet down.

Speaker 16 (01:02:58):
Don't be hans of it. Sound cracks the said of man.
It's not mat it we met, I say for your
wholetil Scott's the land the case to finish when I'm
in it, or windows of Senate seeing me when I'm
in it. Rap we got that on lock Man, Stop
that put that mic back down, boy, drop that firo
close close shows like cat Froze.

Speaker 5 (01:03:14):
We hate y'all though. That's when they dog nose jiggers.
They scared the hustle. It's been seven days.

Speaker 43 (01:03:21):
The same clothes tax them a richer knows because they
go so step two nick dog the bolls step away
from the mic.

Speaker 1 (01:03:29):
The two toes both mike racks in your nose.

Speaker 12 (01:03:32):
So sho.

Speaker 38 (01:03:36):
Oh, no.

Speaker 5 (01:03:42):
You about to introduce the next MOLLENI.

Speaker 1 (01:03:44):
Of rap now should rock. They don't bring your head
ship talking about you now.

Speaker 12 (01:03:55):
Everybody just said you just up to me knocked out.
This is a new world transition.

Speaker 1 (01:04:02):
Chin now.

Speaker 40 (01:04:04):
Ship sh sh sh to man sh sh sh sh
sh shoot.

Speaker 5 (01:04:11):
Jump she sat data that I have my niggas cut
him a red ding the brown yachts cop figgas like
n s Land is the laugh bat of the head,
lash out of your heads, mash. She ain't fitter a
basketball that because I'm ridiculous.

Speaker 1 (01:04:24):
He figured ristly trigger and the.

Speaker 12 (01:04:25):
Ringers amount of energy that'll be definitely needed defeeding for
who retreated back. So you don't need to repeat it.
Women the time stopped this and me why that back.

Speaker 16 (01:04:33):
Listen the five by non mark, No cons fat, you're
bout a gun, I'm brother put him and so tumble properly.

Speaker 1 (01:04:38):
Never seen your tongue. The next milling in your man.

Speaker 25 (01:04:40):
Now, everybody listen yourself to be knocked out.

Speaker 1 (01:04:43):
I'm gonna watch out. This is a new world Chine
now said.

Speaker 40 (01:04:49):
Ship ship that ship that ship ship ship show bush.

Speaker 6 (01:04:58):
The bride permential Liberal, you hurt killed like the one
fill vel word, the criminals of the Liveropal killing nixture
the for neggas leave.

Speaker 1 (01:05:05):
And even when the critics were destroying him in the room.

Speaker 6 (01:05:07):
Back when I was scrambling in front of the jelly
and live on the Selly, we was in the streets
with Reno shining for Relly. Now every second I tried
to resting with niggas projecting like they really fucking I
ain't even checking.

Speaker 5 (01:05:16):
Niggas can try to like they were.

Speaker 6 (01:05:17):
Leave him bound, niggas fucking with Now niggas let him down.

Speaker 5 (01:05:20):
Niggas for my operation.

Speaker 6 (01:05:21):
Niggas going the hiber nations while he's gonna be chasing
situation of hyper nation. Not that recrediable, not for quiet,
busy schedule, because like the predials being put on a
tediscope while we couldn't then we keeping you pheening, you
know the meaning start to holler and screaming and tickets.

Speaker 31 (01:05:34):
Now everybody, this.

Speaker 1 (01:05:39):
Is a new world transition.

Speaker 40 (01:05:43):
Ship ship ship ship ship.

Speaker 1 (01:05:51):
Stadium men left again. You willing in your rights by.

Speaker 5 (01:05:56):
Now she's wait no time that has to take universe
le body it on my brother friend, what would you
said he got bold to take here, stop holding the
ball and get h.

Speaker 1 (01:06:06):
Come on, come on, sh sh the aw asy HOI
chat him?

Speaker 45 (01:06:23):
He shook kind of cold.

Speaker 12 (01:06:28):
I talk con junk from my hid and that's behind
with Alids standing up wanting his finger at girl of
man coil.

Speaker 45 (01:06:36):
What worn't cast the metic Ali has just turnk it off?
He has a tie off? What is he kinda through
but holmd all, I kinda come upside hare a one
of those alas coming in the ring, had as on.

Speaker 1 (01:06:59):
The ring fucking her shoose up a brother.

Speaker 45 (01:07:01):
He wants to go roun and rob what corollab cut
a big mystake on the part of the boxing.

Speaker 1 (01:07:08):
I mean what curting?

Speaker 5 (01:07:09):
Yeah, that's wucks off the fountain.

Speaker 45 (01:07:14):
Let's do it?

Speaker 1 (01:07:15):
Can you West Moon? Turned me up and black door kes.

Speaker 2 (01:07:19):
Turn me up and tell what I wrong?

Speaker 5 (01:07:22):
Turn me up, tell us while you get the house
your gorilla monsoon rap all the short He's like, who
mag that's the whole crowd like, hag you do that, nigga,
you get smack kid, your blue black.

Speaker 1 (01:07:33):
Can't you crool.

Speaker 10 (01:07:34):
Getting me death like you that we come through n
all the short He's like, who had got the whole crowd?

Speaker 1 (01:07:40):
Like hag you do gang nigga, you get smack kid
can blue black? Can't you cool?

Speaker 5 (01:07:45):
You be dead like Joe since she's with the gripper.

Speaker 11 (01:07:48):
That's like I was a valking.

Speaker 5 (01:07:49):
Ain't a lot of him saying it's just straight sulking.
It's on to swallow it sounds so take horses by
haing off more thing you could shot you game office MC,
species and things and like door pisic rappers suspending nails.

Speaker 11 (01:08:01):
Into their own courtho here come to.

Speaker 5 (01:08:03):
Junkie moon walking on to your black thought quit playing
in close in back of pr.

Speaker 46 (01:08:08):
Lea strews to the tree, brows to the lead the
real MC that's your favorite rapper used to be or
for one to knock of Maley school league Dmron's and eulogy.
Your flea can move a tree before you think you're
moving me. You're black and blue. Them seats acting doing
me get smacked stupidly. They lacked skills like the black
community like unity are still mo Brown's hurt like Ali
The phrase to put the stage. Shout to kray oh.

Speaker 1 (01:08:29):
These four mcs, can't you get down?

Speaker 5 (01:08:31):
Rearranged the rap game, change your whole sound, nigga, you
got up.

Speaker 1 (01:08:35):
Understand the plotzaup.

Speaker 16 (01:08:37):
Moving and proving and always improving the lots up all
our fox, the unaverage course, your box, the talk, break
the bank on some more freak Sinatra, slash shot.

Speaker 1 (01:08:46):
Down, slash filey checked the flashings of.

Speaker 5 (01:08:48):
The what you can get slack silly, my soon wrap,
all the sort. He's like, oo, dad got the whole
crowd like how.

Speaker 20 (01:08:54):
You do that?

Speaker 5 (01:08:55):
Nigga?

Speaker 10 (01:08:55):
You get smacked here your blue black head, your crew
ain't getting me death like true that we come too,
and all the short He's like, who that? That's the
whole crowd, like, hay, you do that? Nigga, You get
smacked in your blue black and your cook get me that?

Speaker 1 (01:09:10):
Like true?

Speaker 11 (01:09:11):
A case my sound trenches.

Speaker 6 (01:09:12):
You tell a five censis wan the shot fight you
want electric five fensis. It's too for consequences. Why win
it's something against us?

Speaker 5 (01:09:19):
It's you a dedicated soldier, but you're a princess dog
a minute to win it and not for the while.
Gott a crib with the grammy and a gat on
the shelf man nigga competition and got the fat on
myself me in quality, you don't aditiate, hey.

Speaker 16 (01:09:31):
Favel for help, for help, it's not lack and a white,
a black ship sag stack crash shoop, sag flash sort
bar crashed your wag stashed loops and wrapping doze.

Speaker 1 (01:09:53):
My main chinks like a profana tank than most of
the whites.

Speaker 12 (01:09:56):
Bigga make a reality terror shigga grabb waught on modern
day Mickey your mallory small.

Speaker 1 (01:10:02):
But I'm sick enough to walk into an off cavalry.

Speaker 5 (01:10:04):
You're pissed on.

Speaker 16 (01:10:05):
Off a gossaw crack statue from my bass on her face,
be shit on it and throw it at shoot so
when the beating testified it by becoming emotionally desynthetized, like
once I slapped the rapper with mace. Mace, then I
split ass and his face has to be pristicized.

Speaker 5 (01:10:20):
No wait, wait, I actually really grew five times by size,
craped makes by the.

Speaker 1 (01:10:24):
Time slapped the rapper with him. That ask practice and.

Speaker 16 (01:10:27):
Sactly religious activism atacks for battle and practical rapper wisdom.
Actually the just ragmatic capital doesn't active crack of the
pressure collapsed when I get him paunches medicinal man made
medical marijuana with a.

Speaker 1 (01:10:39):
Face blasts the rightfule like.

Speaker 16 (01:10:40):
I'm searching for sabricara and sure he's got brains, surely
not playing from forty blocks and a chiller with forty
black range with an arrangement a bullets.

Speaker 1 (01:10:49):
Di diver of rings and timpted in squit specific.

Speaker 5 (01:10:51):
Individual names that shall remain anonymous and anonymous being nom
munitions in a relationship that's monogamous.

Speaker 16 (01:10:58):
It's like I'm married to the sound until I found
for the force and release my ex column if.

Speaker 5 (01:11:03):
You want, with your armies, play sad for my adversaries.
But your snap back fact, your capellaries lie. It's not
that ain't no white, no black musa. It's that trapped
fusag black door barrel wrapped too bad. It's that us
wrapping don more oefully twice SMAGNI fine and separate here
with rock and scream through a megaphone with the significance

(01:11:24):
of doctor jeans filling dropping hoping offies because I'm trying
to see Man united without referencing took soccer teams by
philosophy prophecy, the opposite of methasophy.

Speaker 1 (01:11:34):
Sun side of the sacles said to.

Speaker 16 (01:11:36):
Earth your warning, environmental the trocities.

Speaker 1 (01:11:38):
That nobody can copy me.

Speaker 16 (01:11:39):
Stop, It's not possible, but probable that it's only philosophical
mock or restrained change cop for the gold twitch the
property stage, stay on top of the globe, flip thenopolie aim,
take stock and.

Speaker 1 (01:11:50):
The soul sit.

Speaker 6 (01:11:51):
Propably, properly, Take stock and the soul spit properly.

Speaker 1 (01:11:54):
That excepted clip on my head since.

Speaker 6 (01:11:56):
Off with a young diyabolical follicle triggers that a cock
and squeeze set shots the ancient Greece the pop soccer team.
I been arms like button downs without the sleeves, manic,
depressive and possessive like aposterpheest my psychiatrists. Wait, the doctor
feel went away with the crystal and said, listen, quit
watch me so I could breathe. National Associations for the
Advancement of Drugs for Performance Enhancement, And it's something taking

(01:12:18):
so many chances.

Speaker 5 (01:12:19):
But I've been a vast seed from the boom.

Speaker 6 (01:12:21):
They call me overary cancer, and I got an ugly
harder though I'm solely handsome and I take the love
of your life and fuller for ransom. Number tactic you
can and never stood for any national anthem.

Speaker 11 (01:12:31):
Twist herd.

Speaker 6 (01:12:32):
I am the actual answer and now proving black it
tire rappids, fire raptors, eye movement.

Speaker 5 (01:12:37):
I'm from a species that is higher, right, you're not human.

Speaker 6 (01:12:40):
That's just to rest with you, Eli and a monster
killer reconcer chilling and a baron of lobster at slave
sado massa chists that gave the mass of my asterkists
a dying breed on the last of this blackness as
miraculous to Jesus a nasapist. When I'm vocalized, the crowd
rides like a lassifist. It's the roll scyllar my cold
columists on fetap your holes holand he's.

Speaker 5 (01:12:59):
On top for the boss.

Speaker 6 (01:13:00):
Me to mister Lowe, Tritter, Remiah, thets.

Speaker 5 (01:13:02):
Pure, she the hopperta, this exatic.

Speaker 6 (01:13:04):
He'll repeat a four seedar holl she but she will
like I'm park side killing.

Speaker 5 (01:13:09):
It's the dark side feeling them.

Speaker 6 (01:13:10):
God, I'm God feeling sometimes a pob feeling the blood
on these sacks for real, So God willing you feel
what I'm spelling. Yeah, I never quit them still sending
the kid is up me and fam shit dwater fed
the bus.

Speaker 5 (01:13:22):
This is straight ways of behavior. If I never get enough,
get the picture of my militia, can't ignor ens a
buck's suicide murder up straight from the underground, Papa per complete.

Speaker 1 (01:13:35):
The moves many.

Speaker 14 (01:13:40):
Music.

Speaker 1 (01:13:41):
You like it because you Jesus.

Speaker 16 (01:13:45):
It's the purple sloop weapon with word ton cannon. You
can put me, but I cannot fu with Boody Juliani's
st patic. What ship it hits a grantic cannon, I
can kill it from the whist coat to the athletic.
Now what they's a seems just hot. The main thing
can take the fresh go when insane. If you can
film a plane, say yes yes. If you can film
a plane, say.

Speaker 5 (01:14:04):
Stress that Pharaoh I possess the skills, will bring it
to your tests with clymics and manifestations for the insagon nation,
with his excellency insteading.

Speaker 1 (01:14:12):
Next to me, and especially the ectopy on what eppy we.

Speaker 5 (01:14:16):
Serial feral I stand tolm for your hero with zime
to stress the Pharaoh won't less.

Speaker 47 (01:14:20):
Crush kill smyre crush Till destroy Stress, crush Till destroyed,
Streight crush Killstroy Spress crush Till destroy Expressed, crush Till destroyed.

Speaker 1 (01:14:37):
Stres crush kill Smory, Stress crush Till destroyed. Stress, crush
Till destroyed Stress.

Speaker 47 (01:14:51):
Crush kills Troy strit crush Reill destroyed Stress crush Till destroyed.
I ain't nothing having a nigga in the sleeping sweats
and take that ship from lost for fest year because
I'll be on the train trying to maintain getting lowered
in the hole while the reco mad game, and it

(01:15:11):
makes me want to sting somebody with the shoddy because
I can't plate to live unless the great. So while
I'm making a fat beat to eat some of my
mans from John Brown High School.

Speaker 5 (01:15:20):
And sleeping in the street, that stress ship as hell
and let it it will.

Speaker 1 (01:15:24):
Can't ass on the staircase smoking a crill.

Speaker 5 (01:15:26):
Never that for me, nigga Monday.

Speaker 47 (01:15:28):
Sexually, I can't afford to be stressed the fuck out
at ninety three or ninety four, because everybody know my
solution to being stress is looking at the front door.
Crush kills more stressed crush for sure, stressed crush till
sure stress stress, crush kill. It's mort stressed crush, sure

(01:15:51):
stressed crush destroyed stress.

Speaker 6 (01:15:57):
God, No, I can't take the stress put to the
ball that little figures for all your rap fingers not representing.

Speaker 5 (01:16:04):
I show to the projects you be dinggas death because
our respect's good.

Speaker 6 (01:16:07):
Burbo assassinator shot with the tough I come, I'm in
my pocket, millerishment for another brother, and I'm not the
one that's you're looking more, mister figet.

Speaker 5 (01:16:15):
Or I'm the chick.

Speaker 1 (01:16:16):
Can't you take it?

Speaker 48 (01:16:17):
Hey?

Speaker 5 (01:16:17):
Later on, I don't want your puck a book with
black gas. I'm like my ass like I'd rather towards
the street. Leave on your brill s Parker felt Ball
Mossy told me that a five all upon a day,
extra large, professor.

Speaker 1 (01:16:29):
Give me the rest of.

Speaker 14 (01:16:30):
That old fox.

Speaker 1 (01:16:31):
Someone allowed to rob the pssing all that down.

Speaker 5 (01:16:33):
Look in this rest the picture in the health pregnant
sister seeing the daddy Jah, I know you in there
since there the glances the heast is representing baby Door
Prince is my name.

Speaker 3 (01:16:41):
She's real.

Speaker 49 (01:16:42):
So listen, listen, listen.

Speaker 11 (01:16:46):
Here's another exclusive interview I'm taking personally. All right, we
have a special special guest. We have the Man of
Pharaoh Munch. He's live and direct.

Speaker 2 (01:17:01):
What a Pharaoh page space stays FeAs Fee.

Speaker 11 (01:17:06):
There's so much that all of us here want to
talk about with you, and I know you've been asked
these questions, but before we get into the hip hop,
before we delve into that, I got to ask you,
as a man who always kind of battles weight. As
I've gotten older, how did you go from looking like
questlove to Michael Strahan? What was your secret?

Speaker 1 (01:17:30):
Oh? Man?

Speaker 2 (01:17:33):
Yeah? Man, I mean it's been stages, and the stages
have been due to educating myself more and more along
the way. And my diet still isn't as refined as
it could be, but it's really about diet and moving
a maisthmatic as well. So it's important that I just

(01:17:55):
stay moving and acting and lifting away from liquors much possible.

Speaker 11 (01:18:02):
Yeah, your transformation has been amazing. Although I did see
on IG the other day it looked like you were
drinking a cores or a blue Moon and you had
a vait pen and a Verry Manilow record none other,
so that was a weird combination.

Speaker 2 (01:18:18):
But une I took That's why I took it that way,
in that direction so people would be like, this dude
is economic control.

Speaker 20 (01:18:27):
With the very man hip hop dichotomy.

Speaker 11 (01:18:30):
Man, right, are you gonna get on the remix of Mandy? Exactly?

Speaker 2 (01:18:34):
Exactly?

Speaker 11 (01:18:35):
All right? So you know what, let's do this. Let's
do a timeline to give the listeners a true enjoyable experience.
Pardon if we get redundant, but it's important that we
put things in perspective. So ninety one Hollywood Records, which
is Home I think by Michael Eisner, Who's Disney which
is Disney Records? Right, Hollywood Basic, you guys came off

(01:18:56):
or you came out of, and I think it was
what four or five years Hollywood Basic existed. So my
question to you is, how did that deal come about?
I know Paul c rest in Peace was a part
of you guys starting out, and he was kind of
like Killa, like once in a lifetime talent gone way
too soon, but he was instrumental in getting you guys

(01:19:16):
going when you want by simply two positive mcs. So
take us down to that path the connection. How did
the whole Hollywood Basic thing come about? And take it
from there?

Speaker 2 (01:19:28):
I mean, we started out like just inspired from the culture.
I can say so myself. So we were just rooted
and those cats who were really raw or really trying
to put their foot into something that was exploding and
not just reckon an industry, like the vibe of everything combined.

(01:19:53):
And so we went in and we were fined our
skills local league, you know, for local DJ. You know,
I promised my pops we would be professional, and he
was like you that one year because me and Prince
Boe both went to art school, so he was kind
of like forsake and something off the rit.

Speaker 38 (01:20:16):
Uh.

Speaker 2 (01:20:16):
Kwame went to that school, Cottage went to that school,
Percy p went to that school. U it was just
rich and and Seis and you know, not all at
the same time, but you know, but just to give
you a background.

Speaker 8 (01:20:31):
So you and Prince met met back in school.

Speaker 1 (01:20:33):
You're saying, yeah, we met him in school.

Speaker 2 (01:20:36):
I mean I knew him before then, but.

Speaker 20 (01:20:37):
And Kwame was rocking the polka dots back then.

Speaker 2 (01:20:41):
Shortly shortly after, shortly after, I know, he had one
talent show that he he bodied, you know, so even
then the competition was very, very high, so you know,
we were we were already starting to get in shape
and and hone our craft. But yeah, we decided to

(01:21:02):
do it professionally and I had a year and at
the end of the day we get discovered by Paul C,
you know, working on some demos and cleaned, and he
walked into the room and he walked out. He didn't
say anything, but lady. He reached out to us and
was like, Yo, what I heard was, you know, pretty insane.

(01:21:22):
And so the demo that Paul C worked on, simply
Too Positive, got shocked at death Jam to Barbudo, and
initially Rusfu passed on us and nas and we eventually

(01:21:43):
ran into Russell at a party and he was like, yo, people,
are you know raving over this demo? What are you
guys looking for? So he kind of came back around.
But the also they gave us was in half of
what we got at Hollywood. So we just was like, fuck,

(01:22:04):
are we going to take a shot and sign at
a label and Cali, which was so foreign.

Speaker 11 (01:22:11):
It was a Disney record, I mean Disney literally it
was Disney money, right, Hollywood Records, right.

Speaker 2 (01:22:17):
And you know, they had some queen rights to some
queen records and they were doing some heavy rock shit.
Since they were kind of prominent and day Funk and
Klown was prominent out there. They were trying to sign
Cypress and Naughty, and I remember they passed on Cypress

(01:22:38):
because they were trying to get Cypress to take the
N word out of their songs and be real. Was like,
what the fuck, bro, Like, it's not going to do that.

Speaker 11 (01:22:47):
You had mentioned Russell. It wasn't Russell critical of He
was pretty much like shitting on the names, like simply
two MC's or something.

Speaker 2 (01:22:57):
He's the reason why we changed the name than that.
And that second time around with him, he was like,
fuck it. You know, the demo is dope, but you
know I can't trugle you guys with the slack Cat's name.

Speaker 38 (01:23:09):
And it's like.

Speaker 2 (01:23:11):
We were like STP you know, like the Oil. He
was like, yeah, that shit is horrible.

Speaker 1 (01:23:21):
Sparis moment of your time. The rhymes undersigned will make
it a big fine. It's not confine my line to
the paragraphs creative boy, the stt rap staff. I'm commenced
the kick of principal a sentence soaking you gonna incline
and sept that into the.

Speaker 16 (01:23:36):
Kid must remain to the king of the snood, So
I swinging one. I bring a song to do the
sing too. Although most simp sees can't cling.

Speaker 6 (01:23:43):
To, we have better fresh instead of stale, releasing a
talent most can't catch.

Speaker 12 (01:23:48):
According to the scratch we wrapped frontatch like von Trot.

Speaker 1 (01:23:51):
We no longer slow up with the seed to go
on and flow on and so on.

Speaker 38 (01:23:55):
And so on and so on.

Speaker 11 (01:23:59):
So the hell how did you come up with organized confusion?

Speaker 2 (01:24:02):
We went back to the lab and we were like,
we need something that described what we got so far
and how far we want to stretch. Yeah, Cat had
an organized confunction record and we just flipped it, you know, Yeah, okay,
man got it.

Speaker 11 (01:24:20):
Now what year was that shit?

Speaker 50 (01:24:22):
This was.

Speaker 2 (01:24:24):
Obviously ninety eighty nine.

Speaker 11 (01:24:26):
Well, because Paul died in eighty nine, and I think
your first record came out of w ninety one.

Speaker 2 (01:24:32):
Yeah, So why the record sounded so experimental is after
he passed. You know, he was an arrangement master as well,
you know, he was beating us into shape. But after
he passed, because we had garnered deals, so we had
to go ahead and do the shit on our own.

(01:24:52):
And so at that point we're basically walking into the
studio with records and making them shifts on the spot,
and you know, it wasn't a lot a lot of
pre production back then.

Speaker 20 (01:25:04):
Now, Paul c had had a special way about him.
I mean, of course, now it's easy to see everyone
talks about him on so many levels of genius and
kind of the first you know, ring in his style.
But I mean, how was that working with him and
how much did he influence you guys at that particular stage.

Speaker 38 (01:25:23):
Of the game.

Speaker 2 (01:25:24):
It was amazing. Man. It was like he had already
worked with Ultra and super lovel Scene Large and you know,
Large would be in the sessions and just just great
queen and sees would be in there. And so he
was the first one the structure because we started getting

(01:25:47):
a buzz that we could wrap. But he was the
first one to tell me, like, yo, you gotta fucking
change that, you know, twenty five bar shit to a
sixteen bar shit. And I'm like, I got cut. I'm Taro,
i gotta cut my rhyme. He was like, yeah, you
gotta cut your fucking rhyme down, you.

Speaker 20 (01:26:06):
Know, yeah, No, And you know, was Large playing that
apprentice role at that stage. I mean, you know, that's
what we all know.

Speaker 1 (01:26:12):
And and here, yeah, I mean he was.

Speaker 2 (01:26:16):
He was doing ship with the drum machine that I'd
never seen before, and he was doing chops back then,
and he was truncating in a certain way back then,
and he would get a certain swing. He was a
drummer himself. You know, there's there's jam sessions with him
on drums and Paul on drums and teas and truck

(01:26:38):
hands early ikanelly and knives and just catching the studio,
you know, just being loose, like just just being free.
But under when we made records, he structured, you know,
he showed us structure and arrangement.

Speaker 11 (01:26:56):
Yeah, tell us about fudge punch. So that was the
date you of oc right, I'm correct, it wasn't the
definitely touch Budge is definitely before back to the grill agreement. Okay,
So fudge Budges is the is the debut of oc
oc omar and you you're like childhood friends, right.

Speaker 2 (01:27:15):
Yeah. He moved across the street from me, and at
the time, I was, you know, sharpening, I felt like
I was sharpening up and big sports fans. So we
played basketball and we were playing baseball like we would
do all the ship in the day and play two

(01:27:35):
hands touch like all in one day. And one day
he was like, yeah, rhyme. Now I was kind of
like a fucking everybody rhyme, and he just spit some
ship on the block and I was like, oh ship.
It was the kind of good that you're like, we

(01:27:57):
got to get this kid on something, you know. And
then at that point he was his sword was sharp,
and we really went in at that point like we
were not only going at each other bars for bars
for bars, we were freestyling. We were trying to you know.

(01:28:21):
It was the best that I ever was that off
the top of the head, like we were going in
at that point in terms of exercising the lyricism. You know,
we were like, Yo, we gotta throw you, We gotta
throw you on this joint cool story about times Up
actually had that record and me and Prince tried to

(01:28:43):
do it, and I thought it was pretty whack, or
I felt like what I wrote was pretty wack. So
I was like, yo, here and he came back the
next two days with the first verse and I was like, okay,
the records yours.

Speaker 8 (01:28:58):
Wow, you had wait wait, so you had DIBs on
the beat you're saying.

Speaker 2 (01:29:03):
Uh huh, wow, shit, did you the record?

Speaker 11 (01:29:07):
He had no idea that it would turn out to be.

Speaker 2 (01:29:11):
It was just the record. I had looped it up.
You know what I'm saying us fining to the loop up.

Speaker 7 (01:29:16):
You lacks of men and rouse vitamins, irons and the
Naya said four crew, Did I have fear rappers? In fact,
I'm about to begin bout foul talking.

Speaker 1 (01:29:23):
Squaw never even walk the walk more less, that's the
ticket tested.

Speaker 5 (01:29:26):
Never been arrested. My alcam will manifests many things that
I saw or did or heard about, but gold firsthand.
Never word about what's in the future. For confusion and
the change, Your rappers are in danger? Who were you
switch to be a remainder with the missiles aim to
blow you out of the frame.

Speaker 7 (01:29:41):
Some will keep the limbs in, some will be made
the same suckers with the gab about killing instincts.

Speaker 14 (01:29:46):
For turn fit.

Speaker 5 (01:29:47):
You know where damn whether lacked in this division that
God is soa tracking your head with a four by
four ward reallyized sucker, I'll either coming lack Noah or
what some of you down for portraying for something what
you consider image to me?

Speaker 1 (01:29:58):
This is just scrimming.

Speaker 5 (01:30:00):
Jump fill up stone now because my capt the emotion
not put into any the hard.

Speaker 1 (01:30:05):
Those supposed Liver group. What really ain't you.

Speaker 2 (01:30:12):
Ship?

Speaker 11 (01:30:12):
And you know what's cool about you guys is that
you've maintained that relationship, like you guys still work together
to this day, which is is not entirely too common
in this in this industry. I mean, you've had this
friendship that has stretched decades and it's cool to see
and looks like obviously you both challenge one another and
make one another better. It's kind of like Nas and
AZ so to speak. You know, like you bring out

(01:30:33):
the best of one another, so that that is cool
to see. All right, So we got that the debut album.
The next album is ninety four. Hell of a year, man,
this was this was, let's argue with the great one
of the greatest years in hip hop.

Speaker 8 (01:30:50):
Why don't we all pause for a moment and congratulate
this man because it's twenty four years to the date
that this album was released. Congratulations Pharaoh, Maunch, Prince Organized
con Drastic Extinction, Jenna, thank you for your time with
us night. I mean, there's a hell of a lot
more things you could be doing than talking to us.
So we feel very grateful for this.

Speaker 11 (01:31:10):
This is man, this album from front to back is perfect.
At the album mark Matt, du I mean rest in
Peace is another one that you know, Matt and his
brother Garnet. I mean, this is This is such a
classic piece of hip hop that to this day still resonates,
still plays. It's not aged, uh, you know poorly. It

(01:31:30):
has actually gotten better. It was ahead of its time,
both on the production end and on the lyrics side,
and all of us here at this table that can't
thank you enough. But let's get into that.

Speaker 1 (01:31:40):
Man.

Speaker 11 (01:31:40):
I mean, so this album, this is it. This was
one of the greatest albums dropped, especially in a year
where you had illmatic, you had ready to die. So
then playlistic I mean classic after classic every Super Tuesday,
and this was one of them. Tell us what was
it like making this album?

Speaker 1 (01:32:00):
Ah?

Speaker 2 (01:32:00):
Man, it's just amazing that this album is on this day.
But we were we were digging, heavy, heavy, digging, you know,
learning things from Paul and learning things from Semeets and
being around and moving out of our burrow more. And

(01:32:21):
we toured all of their first album. So now we're
being exposed to different people, and we're broadening horizons. Actually,
buck Wilde was on the first flour we ever went on.
Law Seinetts had brought buck wild on that tour, and
he told me recently that he was just so amazed

(01:32:42):
to be around you know, biz and organized and you
know oc and we had records popping at the time
and he was just starting off producing. He said he
had no idea that he would be able to produce
for us so quickly. So that particular album was we

(01:33:06):
were in the trenches, my pops passed away, The competition
was incredibly heavy.

Speaker 1 (01:33:14):
And.

Speaker 2 (01:33:16):
It was still heavy, real cultural. So we were like,
we gotta just pave a lane and carve a space
within this culture and find our sound, to find our voices.
So we were heavily paying attention to that as well
as One thing I remember, and you know, one appreciation

(01:33:38):
I got from digging was if these songs are resonating
with my spirit, you know, when those songs were ten
years twenty years old, it made us think about what
type of records we would have to make to make
them have a long shelf life and have people talk

(01:34:00):
about the ship twenty four years later like we're doing now.
And if it's not only in the sample or the writing,
but it is in the gut and the spirit. And
you know, on today with a RepA Franklin passing right,

(01:34:20):
you know, it puts into perspective, you know, how much
of yourself and how much of your soul you do
put into a vocal performance, and how deep you do
try to dig, you know, And and to this day,
I think m sees and lyricism is marginalized because there's

(01:34:41):
so many different levels you could look back or look
at it and see, and it's so many layers there
to judge and to how to listen and how to grade.
But for that particular album, we were kind of pulling

(01:35:01):
from the gut and trying to push the envelope where
we were trying to where it was simple. We were
trying to be as heartfelt as possible and honest as possible.

Speaker 20 (01:35:12):
And you were because I mean speaking from the gut
and performance. I mean you mentioned Finesse, but you know
to also mention Buck wil Rock Wilder Q tip, I
mean as far as the production of this particular record,
I mean there were classic albums at that particular time
that had a multitude of producers on them, but you
had that as well. I mean who approached too, and

(01:35:34):
like this was the transformative album. How did that particular
group or the collective of producers all wind up happening?
Did you choose them? Was it something that like they
wanted to be a part of. How talk about the
process of the multitude of producers that you had on
this particular record.

Speaker 2 (01:35:55):
You know, we were going hard as well, but we
realized to you know, after a year of big professional
that people don't do it by themselves. I looked at
the multitude of producers in and around the Tribe sessions

(01:36:15):
and the large sessions, and you know, just having that
even studios, you know, we would be in battery and
Tribe would be in the next room.

Speaker 20 (01:36:28):
And you did most of the recordings at battery right.

Speaker 2 (01:36:32):
Right, You know that record happened because cut it was like,
came into our session and was like, what in the
fuck is that? Because that's just crazy, Like and he's
such an artist. He was like, young, I'm hearing something
right now, Like what I'll go in the booth right now.
I'm like wow. So it was super organic and there's

(01:36:53):
a lot a lot of things that are probably can't
transpire like that anymore because everybody's working from home.

Speaker 20 (01:37:03):
Yeah, it can't be like that anymore, for sure.

Speaker 2 (01:37:06):
Well, yeah, you know, people wanted to work with us,
and we were just listening to a multiple suite of
things and trying to figure out what fits into the
scheme of what we were trying to do and be honest.
You know, we're from South Jamaica, seen people get shot

(01:37:26):
and murdered and then in the hood and seeing everything
there is to see on that side. But we were
also you know, art students and comic book fans, and
I'm like, I can't lie about that, you know, if
you're going to be that, then be honest with that
as well. And I think they're in lives of the

(01:37:47):
kind of chambers that we opened. If I if I
could look back, where a lot of lot of artists
to day and back then. You know, was like when
I heard these songs, just let me know it was
okay too, you know, Broughton, I was having a conversation

(01:38:12):
with where I am. I was having a conversation with Holmes,
I was having a conversation with company Flow, you know.
So you know, it was a way of kind of
being a nerd that the album kind of merges together.
You know the kid that is definitely from the hood

(01:38:35):
but went to art school.

Speaker 8 (01:38:38):
So, hey, Pharaoh talking about comic books, talking about this
wonderful album. I got a question that's been bugging me
for twenty four years. I got to ask you. There's
been some listeners who have actually asked us to ask
you this question as well. Who are the four heads
that are on the artwork of this album? I want
to say one of them is Prince Paul. Don't know,

(01:39:00):
might be wrong, you know what I'm talking about. You
got have you and Princeboro. But Prince Paul, I think
might be wonderful.

Speaker 1 (01:39:10):
I don't know what's going on.

Speaker 38 (01:39:11):
What's going on that?

Speaker 2 (01:39:12):
So since since the people are unknown, they get compared
to people. So the guy the demand over my heart
is my father.

Speaker 8 (01:39:22):
Okay, oh wow, right, all right.

Speaker 2 (01:39:25):
The guy to the right of him was my best
friend and very u integral in the making of both albums.
He discovered a record collection in the Bronx. We were
like best best like we he was from the Bronx.
He would come out to Queen's and stay at my

(01:39:47):
crib and knew all my other friends and we would
dig and dig and we would do the same out
in the Bronx. So he was a real dead friend
of mine and was one of the original organisms from
first album, right the Lady. I just felt like I
needed somebody with an afro because I wanted so.

Speaker 1 (01:40:11):
It looked like grit all right.

Speaker 2 (01:40:13):
So we picked a random album cover and then the
other dude is, oh see.

Speaker 8 (01:40:19):
Oh that's o C.

Speaker 1 (01:40:22):
Before it was born.

Speaker 11 (01:40:23):
No, I said, exactly, oh, ship, Now you got like
the the whole hands is that? I mean, you're just
about comics before. So did you tell Matt like some
of your interests and he just came out with this
or is this something?

Speaker 2 (01:40:36):
Oh my god?

Speaker 11 (01:40:37):
How did that work?

Speaker 2 (01:40:38):
He was insanely crazy, soul hyper, just growling and yelling
all the time about artwork, and like when we did this,
he like interviewed us, got into our heads. He had
his ideas of what our music made him feel. So

(01:40:59):
he came up with some higher concept on the Lava
and he was like, you're like the home but don't
want to put the hands.

Speaker 30 (01:41:06):
You know.

Speaker 2 (01:41:06):
All of that shit was him, you know, wow, and
just genius. Man. When it's like a thirty by forty
five fucking actual painting and uh, and I went to
his house to see that ship. Man, I was just
like I was blowing the fuck away.

Speaker 11 (01:41:26):
He did incredible work. I mean that in the co
Flow album cover. I know he did the body rock,
but what a talent, man, what a fucking talent. Incredible
And you know, like I said, besides the music, I mean,
it's still resonates to this day. And you can pick
up this album cover and it just it has such
an impact on you.

Speaker 8 (01:41:46):
And then we see something new every time you look
at it.

Speaker 11 (01:41:49):
Yeah, this is crazy. It's almost like where's Walbill. There's
some crazy shit up in here.

Speaker 2 (01:41:54):
Yeah. And then he was he was doing the collage
and page ship back then to see that shit so big,
like the News are the Cools and the pop and
the Pig and all that other shit, Like, Yo, this
shit is crazy.

Speaker 11 (01:42:08):
I mean, this is ninety four, in ninety four my
favorite year of hip hop? Was it tough for you
to have a classic album in ninety four? As crazy
as that sounds, there's so many think about common and
OC and scarfakes and gangstar and outcasts.

Speaker 2 (01:42:23):
And nas and it was crazy. It was crazy.

Speaker 11 (01:42:26):
It's stupid. I mean ninety ninety three ninety four. We
don't have those years ever, We will never have those years.
But for you to have a classic, and truly it's
the test of time. It's a true classic, was ahead
of its time, ahead of its time. It was almost
unfair for you to drop a classic in ninety four,
you know, like if you dropped it in ninety five

(01:42:46):
or ninety six, maybe it would have gardened more attention
than it deserved. I mean then that it got during
that time.

Speaker 2 (01:42:55):
One thing I wanted to say about the record too,
is because of all of that, all the people you named.
When Buck Wild played me the Stress record, I was like,
this has to be the single that the way that
the horns cut through. And I was like, this fucking
song will help good or bad, will help carve us

(01:43:19):
a frequency in a and a sound of bad apocalyptic
ship that that I was looking for, Dude, it will.

Speaker 8 (01:43:29):
It worked because you know why. For me personally, first
time I ever heard your music was r MTV raps
Stress video and I fell in love at that moment.
The energy, the darkness, just the aggressiveness. It was amazing.

Speaker 11 (01:43:44):
And the beak side the remix one of the best
remixes of all time. Oh my god, I mean right
up there with pe right up there with black Moon.

Speaker 8 (01:43:53):
Yo, what's the verbal of sault?

Speaker 51 (01:43:55):
It was?

Speaker 2 (01:43:57):
It was that ship was hard man. Paul. Paul is
a as a perfectionist, and he's one of the hardest
working dudes in terms of work ethics. I know, minus
is high. I know I got around daylight in the
studio and I was like Jesus Christ. But Paul is

(01:44:17):
Paul is up there. And on that remix he went
through like three amazing different things he was trying before
he got to that, and the ones before that were
equally is insane. And when I remember when I was
coming in off that drum roll, I kept sucking it

(01:44:40):
up because it's not on a four to four like
the way that drum roll comes in, and he was like,
count it, man, count it.

Speaker 16 (01:44:48):
It was the verbal weapon with words undercann and you
can move me, but I can't up with Rudy julietistomatic ships,
the szoplantic canna. I can killing from the West coast
to the Atlantic. Now what day, It seems just it's
the main thing.

Speaker 1 (01:45:01):
You can't take the fresh. So I don't go with insane.

Speaker 5 (01:45:04):
You consumer plans say yes, yes if you consumer plans,
say stress that far, I possessed the skills to bring
it to your tests with lyrics and manifest nation pull
the insagon nations with his excellency in standing next to me,
and especially the extopy on Eppy well zero zero stand
toil him when your in row with zimes to stress
with viral won't less.

Speaker 2 (01:45:24):
He was yelling and shit, but he claims he didn't
yell at me. But he doesn't yelling.

Speaker 11 (01:45:29):
Oh so good, So you probably get ascids a lie.
But do you have an inmate change? But do you
have a favorite off of this album?

Speaker 2 (01:45:38):
Yeah? I would say it would have to be on
between Stress and thirteen thirteenth.

Speaker 20 (01:45:44):
Grade thirteenth so much Yeah, I mean listen. First of all,
I just want to take a step back and say
I'm a huge fan. I've been studying you since the
days of Fudge Pudge and of course Extinction Agendas, one
of my top album of all time. And the one
thing I noticed about you in particular is your rhyme
and style, your flow patterns, the way the way you

(01:46:07):
come across on the mic. Dare I say you sound
like a brilliant schizophrenic and you create your home lane.

Speaker 38 (01:46:13):
You know.

Speaker 20 (01:46:14):
Look, this comes to my first question. I don't know
where I heard it, but somebody influenced you early on
in your career and told you the key to being
on the mic is to sound incoherently crazy or something
to that effect. Who was that conversation with and do
you thank him every day for helping you mold kind
of your rhyme style.

Speaker 2 (01:46:34):
I mean, it's a little off. I think I know
the conversation you're talking about. I had one similar like
that with a guy named Benny Rat.

Speaker 5 (01:46:46):
Yeah, because he came.

Speaker 20 (01:46:47):
I talked to him before and he's the one who
told me the story, but I just wasn't sure and
I didn't want to bring it up unless I had
a little you know the way he did. Yeah, so
I did. So can you explain a little bit about that?
And do you still talk to him?

Speaker 2 (01:47:01):
I don't, But you know, again, man, it was like,
how do you cut through for all of these nice
people as well as the schizophrenic multi personality shit is
from having so many dope influences at the time. I mean,

(01:47:23):
you're talking about KRS one, Rah g rap came chuck
l You know what, in my mind, I'm like, I
want my diction to be like Chris. I want my
I want my patterns to be like g rap I
want my I want to and my inflections to be

(01:47:47):
like Chuck. You know, so when you hear me going
to those different spaces, that's kind of all the people
I'm pulling from.

Speaker 11 (01:47:55):
Did Paul's work with ultra influence you, I know, he
was pretty big, you know, ultra cool, Keith especially.

Speaker 2 (01:48:03):
So definitely, definitely. I just remember this ultra in general,
them dropping Ego Trip and uh Prince had got a
new box. We were just fucking with that record so hard.
And then the records that Hall did for them, they

(01:48:24):
would just you know, they felt like art school ship
and nerd ship. Not nerd in a bad way, but
just like who raps, like who Keith.

Speaker 5 (01:48:43):
Cool? Something back and forth, the same food with a
baby temp to come and joint right. Rickman brought the
rounds up rothetic that they think were prosthetic, using us
and returns at least not poket on an educated base
and tell it the wise as the record.

Speaker 1 (01:48:58):
Just turn you learn plus learn.

Speaker 5 (01:48:59):
About game of the lyrics with Scrooks and human brain
providing over here. Now that means going to thain, look
at my brain, hated yourself, start them up while the
technique spin the wax says on the motov oclock lives.
The more you realize mob laws moving steady by, most
were ever ready lack a battery charge?

Speaker 1 (01:49:16):
Don work the out line.

Speaker 5 (01:49:17):
Yes, the mister rita solvet so seeking the prom these
worlds have given the strength been out daven we forgot
send me a Max summ out of did just the
wizard cool Keith and I'm sporting my round because.

Speaker 11 (01:49:27):
We're Yeah, when you think albums that were ahead of
their time, you have to think critical beat down and
then obviously yours as well. So that's that was the
comparison I was trying to draw. I would think that
you would have that influence from from Paul, which is
which is pretty great. So let's take it to ninety
seven now. So now we're off Hollywood Basic, We're on

(01:49:50):
Priority Records. They are a powerhouse. You drop the equin none.
I love you, I just met you thirty minutes ago,
but I'm gonna keep it one hundred something just didn't
feel right on this album.

Speaker 27 (01:50:01):
What was it.

Speaker 2 (01:50:03):
If I just don't think about it. First, I would say,
I think we tried to do too much, okay, and
then we had a deadline and I was pushing to
get the skits done to tell this kind of story.
And at the end of the day, you know, it
was as exhausting as fun to get done. The shit

(01:50:26):
was way more complicated than it would have taken now.
But like we were in the studio with the dude
doing that ration and we were way behind schedule as
well as our touring schedule was crazy and we didn't
have as much time as we were used to formulating

(01:50:48):
because we were touring. The success of the.

Speaker 20 (01:50:52):
Stress album, did it lose spontaneity? I mean, did you
guys feel like the synergy was a little off.

Speaker 2 (01:51:00):
I think one thing we tried to do was to
create and the story what I feel we gave you
overall as a group and this story trying to intertwine.
But in that I think it's the most kind of
earthly record we did in terms of straightforward. In my opinion,

(01:51:22):
it wasn't as organic.

Speaker 11 (01:51:25):
Oh, I don't want to act like it was a
bad album. I mean, when I say it sounded different,
maybe it was priority records. Maybe it was the climate
of hip hop. Maybe it was just the vibe between
you and Poe, because.

Speaker 2 (01:51:38):
All of those things, you know, I would have to
give you no, I would have to give a percentage
to all of those things combined were off killed. And
I think in the end we tried to pull it together,
how we tried to pull it together, but it's just
not cohesive.

Speaker 11 (01:51:57):
Well, ironically, you have songs like hate Like, which is
pretty powerful and like pretty relevant today. I mean we're
talking about ninety seven, but you know, someone said one
of the listeners, like with what was going on in
Charlottesville and recently in DC, like hete was almost ahead
of its time too. I mean, you had you had
a lot of bangers on that album, but in that

(01:52:19):
particular song, uh, it's probably has more impact today than
it did in ninety seven.

Speaker 16 (01:52:27):
Recognizing Weed, Nigga looking to my eyes.

Speaker 1 (01:52:30):
See raw visualizations of hate re incarnating.

Speaker 5 (01:52:33):
He needs no sunadulterated for my brief evil in karate
solely for the purpose to mislead what was once promising.
Seeds are now destroyed and replaced with mischievous weeds for greed,
the purpose simate a bitch eliminate top rappers, though they
remained the side of dishes. Nigga political snitches hate me,
which is the every reason I'm able to strike.

Speaker 1 (01:52:54):
So shit, take these keys that.

Speaker 16 (01:52:56):
For years were not found, allowing all simmy us to
be freed sucked down if he turns straight back to
the block.

Speaker 1 (01:53:02):
Only the cop or smack rock from cops that act
not in a manner for you to prosper. You are
osa unless you can handle the bull too, a full
board less.

Speaker 5 (01:53:11):
When the wikimotion the bla bels to bring hope, kneel
to your master. That got any folks the strongest emotion
know in the mankind.

Speaker 2 (01:53:19):
Hey hey, hey, yeah that the attempt to do that
was ahead of its time, because I'm pretty sure people
was like, alrighty, then.

Speaker 20 (01:53:28):
It was apocalyptics. No, listen, it was post apocalyptic. Even
with internal affairs. That was a very post apocalyptic record.

Speaker 2 (01:53:36):
Yeah. Yeah, and and and we reached you know, and
I was feeling like, kind of gotta go with these
topics where cat find going either, But that it just
felt natural, you know. It wasn't like the stretch. It's
like I'm into the films. I'm into I was in
the rock music the whole time, the whole hypnotical gases

(01:53:58):
is thought about trying to change tempos in the middle
of the song on two inch taps like yeah.

Speaker 8 (01:54:06):
Fast forward, now, now it's time to move on. You're
ready to get your first solo album out. Internal Affairs.
You go to Ruckus. You went to Rucus had a
pretty monstrumental time within that label's history. It was at
the height of the I don't know how much you
liked this term, the backpack era, the indie label movement,
the singles, but you were right there, man.

Speaker 14 (01:54:28):
I mean, you had three.

Speaker 8 (01:54:30):
Albums already under your belt, so you're a veteran this game,
and you're walking into a label that has most death quality,
you know, tons of this lyricist lounge stuff going on.
I mean it must have been very exciting and like
at the same time, well, I'm gonna say at the
same time, you being a part of the game for
a minute and having the time underneath your belt and

(01:54:54):
veteran shit that you had. What was it like being
on Ruckus at that time? Because things were very active
back then and Rugas was a spotlight of the industry.

Speaker 11 (01:55:05):
You had fun making this album and it sounds like
you had fun making this album. The other album, the
equal not it doesn't sound like you guys had fun.
This album sounds you had the carbe blanche to do
what you want. You worked with some amazing artists in
men amazing music. Feel again, but you had fun and
that that comes through in the music.

Speaker 2 (01:55:24):
Yeah, I did, and it was liberating. And one of
the things that was liberating was, you know, I called
it internal affairs because I was feeling a way that
I thought was unfair to XP to participate in some
of these thoughts I was having about songs. Internally. I

(01:55:47):
was like, ah, man, I have like eighty records in
my brain that I need to vomit out, and then's
fucking killing me and I need to get it out.
And then you know, I had got offers a fat
But I was telling labels, let me work on the
music so you can hear what this shit sounds like,
because it's you know, it's sounding different in my head,

(01:56:10):
and you know, being a lover of hip hop and
an MC, I was talking to my pupils and I'm like,
who's the hottest and what's going on right now? Because
I was in the lab heavy and who's that dope
at And he was like, Yo, there's these kids out
of Brooklyn. I lived quality in most death. Qualie got

(01:56:31):
a bookstore. They'd be doing shows in the bookstore, and
I went to the fucking bookstore and impure books. They
had to show about forty five people pops and they
just had routines together and shit felt authentic and fun
and oh shit, I fuck with these dudes, and you know,

(01:56:52):
me and Tyler became cool. And Tylib was the one
that was like, Yo, you should really look in the
rocket because they got it popping right now and they're
doing the singles and they probably would love to have
you there.

Speaker 20 (01:57:07):
Let's go to the elephant in the room. I mean,
let's just talk. Simon says, I mean, whose idea was
it to place that Godzilla sample in that particular track?
I mean, that is that is your solo jump off
that just brought you to that next level. I produced
the record, so you found that sample?

Speaker 2 (01:57:27):
Yeah. A friend of mine, my best friend is one
of my best friends, lived down the block for me.
We both were in the marshal Or shit and monster
movies like everybody else was on some old school shit
for thirty Karate.

Speaker 52 (01:57:43):
For Thirty Monsters, Creature, Feature and Right.

Speaker 35 (01:57:46):
And he was.

Speaker 2 (01:57:50):
Heavy, heavy, heavy, heavy rockhead and none of my friends,
none of my other friends listen to rock music, so
we used to listen to a lot of music together.
So he's in Town Records and he cops the CD
and he goes home and he just picked it up
because he's a fan of the monster shit and he
played the ship and he calls me and he's like, dude,

(01:58:13):
you're gonna want to come down here and listen to this.
So I go down there and we're listening to it
and it's not just the the God, thether One. The
whole CD got chopped and shit, it's just dark. And
he knows I like dark fucking music, and I'm like, yo,
let me get this. So I get home and had

(01:58:35):
all the shit on there was like, I can flip
this with the intro right, and it's a rap. I
didn't even I hadn't even put the drums on them.
I was like, once I dropped these four bars, these
these four notes and put this intro, it's a rap.

Speaker 1 (01:58:51):
Did the drums.

Speaker 2 (01:58:53):
After I got the drums going, I was like, this
song has to be about you telling people what to
do and not asking the much to do. And it
has to be directly.

Speaker 11 (01:59:07):
You had no idea how big that record would be, right,
There's no way you knew how monumental that the crossover appeal.

Speaker 2 (01:59:14):
I did know. Once I did the chorus in the
first verse, I knew what it was. I knew how
it made me feel, and I was like, I want
to go crazy, you know.

Speaker 1 (01:59:28):
Get the fuck up. Simon says, get the fuck up.

Speaker 12 (01:59:31):
Don't get hands in the sky.

Speaker 1 (01:59:34):
We're just in the mackxipping yack, y'all. What's up girls?
Wop on your citty?

Speaker 41 (01:59:40):
Hey, I said it prop on Your city is New
York City. Gitty committee, pitty the food that at kitty
in the midst of the car, the witty y'all know
the name fucking mama. Tain't a dad, Thank Shane.

Speaker 16 (01:59:52):
You all have been arranged of shit to mebregated straight
from your enginee plan.

Speaker 12 (01:59:56):
You deviated out of deviated the same with long.

Speaker 1 (01:59:59):
Term boats on the ground though put out the gone.
It's so backing around the road.

Speaker 12 (02:00:03):
I'm so what in the hood, but when I'm in
the street and shit, it's so good as to motivated
boom control the game like broom made of rock block
downs like a way to block shot das made to
let my lips annoy.

Speaker 1 (02:00:15):
Then you're holding up the roll and you're missing the ploint.

Speaker 20 (02:00:18):
That goes back to my earlier question too.

Speaker 14 (02:00:20):
You know what I mean?

Speaker 20 (02:00:21):
You went crazy, so like you gotta think, like what's
my step here? At where do I go? Because my
last few records I was tongue twisting. I was doing
shit lyrically and from a rhyme stance. But you you
went into another realm. Man, you you went fucking schizophrenic
in this one.

Speaker 1 (02:00:39):
This is what I love.

Speaker 2 (02:00:42):
Yeah, and it helps, It helps. That's why I'm excited
about the new ship that I'm working on, because I'm
trying to push to another chamber still. But that that
thing is like, you know, we had Chicken on organized albums,
we had fudge pudge on the organized albums, and we

(02:01:04):
also had you know, things where we were trying to
push the envelope in terms of cadence and slow and
so what I felt was important about Diamond was again
like being totally honest. I love monster movies, I love kitties.
I wanted to I wanted to be direct and I

(02:01:30):
wanted to be wild and I wanted to say something,
and I did that. I could say, yeah, I said that,
because I know you're not expecting.

Speaker 8 (02:01:38):
Me to say that Monsters, titties sports the only MC
this date, the only MC this date who's wrapped Raoul
Mandese and ray Or Doniez and I mean form God
bless you, my man. The reason why I'm talking up
right now is because I think we're very similar in
our sports fandoms. I'm a Giant fan and a Mets fan.

(02:02:01):
I believe you are as well, right, yep, yep, okay,
So sha Kwan Barkley better not fucking get injured, okay,
And if you're in New York, met you're gonna get injured.
I mean, are are we ever gonna win again?

Speaker 2 (02:02:13):
Oh? Man, it's pretty it's pretty bad. It's no form
system and nobody to bring up and no outlook and
looking like we're gonna have to get rid of one
of our pictures.

Speaker 8 (02:02:26):
You know, we gotta we gotta make some some kind
of hard decision quick to get better quick, because I'm
tired of losing. But anyway, despite the point, because nobody
wants to hear us talk about a shitty ass met fan,
But I definitely want to appreciate the sports fandom within
you and that song Official, and and again you know
the way you twist and tie all these athletes names

(02:02:50):
into that song, and and just talking earlier, even this
interview about you and OC sharing that same common interest
in sports. It's just nice to know that sports resonates
within rappers and comes through within the rhymes, because it
is a big part of a lot of people's lives
back in the day when we're growing up, is being
athletes and being active, and when you hear it come
through in raps, and especially when you get older and

(02:03:12):
you re listen to it and you hear names of
athletes you watch growing up, it makes you appreciate even more.

Speaker 2 (02:03:18):
I have to agree one hundred thousand percent. And you know,
it's just nostalgic. Sports is nostalgic, is stat based. Absolutely
we're going to be comparing Lebron to Jordan and Jordan
to Oscar, And so no matter how deep you go
in that, it's always dope. Even when you go back

(02:03:40):
and listen to Official, it's a couple of things in
there that I'm like, ooh.

Speaker 8 (02:03:45):
I forgot to go Rest in peace, Junior, Say that's
the way you kick off that rhyme?

Speaker 2 (02:03:50):
Yeah?

Speaker 8 (02:03:50):
Man, right, that was before sayau.

Speaker 11 (02:03:53):
Yeah, you know all that shit happened really other than
Fife Dog. I don't think that many people do the references,
and as a sports fan, I appreciate it. So my
question to you, you're a Mets fan. You're from Queens
eighty six, Mets most swagged out, drugged out team in
the history of sports.

Speaker 2 (02:04:11):
Oh, like they were fucking drinking beers and smoking cigarettes
in the dugout.

Speaker 11 (02:04:19):
I don't know Wally Bachman has ever been referencing a
hip hop song. Maybe that's that's something you can that.
Mackie Sassar Fuck.

Speaker 1 (02:04:29):
Yeah, I was.

Speaker 2 (02:04:30):
I was a big Mackie Saster fan. Man. I thought
he was going to be the ship.

Speaker 11 (02:04:34):
Had his rate rookie card Barry Barry.

Speaker 8 (02:04:38):
Remember fucking Barry Lyons.

Speaker 11 (02:04:40):
Didn't you do the play by player?

Speaker 8 (02:04:41):
He was like, he was like Mackie Sackers, Sassar's backup.

Speaker 11 (02:04:44):
Yeah, eight and six metso man, even if you were
a ball that twelve Anthony young didn't Anthony Younger one
in twenty one?

Speaker 8 (02:04:53):
All right, let's get off the Mets.

Speaker 11 (02:04:57):
So you're a Giants fan too, my condolences. I'm the
Eagles fans.

Speaker 8 (02:05:00):
So yeah, we got Yeah, we have four super Bowls.
I mean you got you just got your We got past.

Speaker 11 (02:05:07):
The A's coming up soon, so he'll have my back.
But yeah, man, so.

Speaker 2 (02:05:12):
Before you guys man and I know it was a
Giants fan like that's the rival, but I wasn't man.
I wasn't man at the quarterback situation.

Speaker 20 (02:05:21):
With the Super Bowl champions.

Speaker 11 (02:05:24):
Well, that's because everyone hates the PA.

Speaker 20 (02:05:26):
They hate them.

Speaker 8 (02:05:27):
I'm at the point where I just want to see
a good game now, and that was a great Super Bowl.

Speaker 11 (02:05:34):
So I know, we jumped to sports, and it's fun.
We could talk sports. You seem like a guy. We
could just you don't drink, or maybe you do drink
with Barry Man a little, but you seem like I do.
We could just chill with and drink and talk and
you know, sports and whatnot, which is which is cool,
because uh, not all are rappers like sports. Believe everyone
we speak to, they they're in the comic books, and

(02:05:55):
Apasta is a huge in the comic books. Pete Rock's
huge in comic books, but not everybody.

Speaker 20 (02:06:00):
He's a huge sport that kind of one dimensional right.

Speaker 11 (02:06:02):
Now your sport, dude, you and Rob Swift and a
lot of other a few other people.

Speaker 8 (02:06:07):
That's another met fan right there. Yeah, Rob Swift?

Speaker 53 (02:06:10):
Yeah, man, homeboy said man, okay, yeah, I mean Jerry
Seinfeldt yeah.

Speaker 1 (02:06:21):
Man.

Speaker 11 (02:06:21):
So all right, so let's go back. So we talked
about the Internal Affairs album that was ninety nine. It
took how many years after for you to come back
with Desire? I mean it seemed like almost an eternifick seven.

Speaker 5 (02:06:34):
Yeah.

Speaker 44 (02:06:35):
I mean after the success of Internal Affairs, I was
able to go on tour with from some more heavyweight
cats and I learned and learned and learned a lot,
and that was awesome.

Speaker 20 (02:06:52):
And who were those old school cats for you?

Speaker 2 (02:06:55):
Daylight Common is just just amazing toys. Amazing fucking toys.
But I had the legal issue over the sample with
the label and that held up the next project over
the time it said sample.

Speaker 20 (02:07:15):
How did that go down?

Speaker 2 (02:07:18):
Fuck? I gave them the fucking sample information and they
didn't claim it.

Speaker 20 (02:07:22):
Yeah, So do you lose a lot of the money
on that? I mean, how does that happen? Just so
our listeners know the real story of what happens in
the industry.

Speaker 2 (02:07:33):
If they cleared that sample, I'd be talking to y'all
on my global own life two Barbados.

Speaker 20 (02:07:42):
Yeah, sh I always love breaking down the nonsense of
how people perceive the industry. I mean, it's when we
get people like you, who you know, show the real
side of life and what really happens. I mean, that's
so refreshing. So I appreciate that just on not that angle.

Speaker 2 (02:08:00):
Yeah, man, I mean that was a lot of it.

Speaker 14 (02:08:02):
Man.

Speaker 2 (02:08:04):
After a while, I was like, you know what, I
don't want to be on Rolkin said, I don't want
to be on NCA. I want to get the fuck
out of hair and so I just kind of thought
to get off to becoming free agent. When I got
off the label. When I got out of the sample situation,
I was touring, and I was touring with Most and

(02:08:27):
a Lee and Gayla in Common, and I had a
publishing deal, and I was like, I'm never signing another
record deal again. It's a lot of fucking heartbreak and
it's a lot of pressure.

Speaker 20 (02:08:41):
What was the synergy like that on that tour?

Speaker 11 (02:08:44):
Was that the spit Kicker tour?

Speaker 2 (02:08:46):
Yeah, that was spit Kicker And then a tour called
Breed Love Out of Sea, and with that joint it
was like a Sony PlayStation tour and then it's really dope.
And Quali's manager came to me one night it was like,

(02:09:09):
I don't I don't think you realized the fandom that
you have and you're holding on to all this music
and it's unfair and it's not godly and it's not
spiritual and you got to put the music out. And
so when I got back off tour, I played a
couple of records and shit kind of started a bidding more.

(02:09:33):
I was writing for Puff at the time.

Speaker 11 (02:09:35):
You have did that come about? That was one of
my questions, started to interrupt you. But before you get
into the next point, the Puff thing. So you're writing
for Puff at the time, which was around time in
two thousand and six seven ish, yep, okay, how did
that come about?

Speaker 2 (02:09:53):
I into publishing Bill I forget. We were on the
same umbrella and he reached out and he was like,
I love what you do. I had on the hoodie
one night and I came to a show of Yours
and Most and how y'all had the crowd and the vibe.
I want to get some of that, and I was like,
what are you fucking kidding me? I can't pay that.

Speaker 20 (02:10:17):
That's crazy. That's just that's a crazy story because that
ultimately became the downfall of the hip hop we love.

Speaker 2 (02:10:25):
Here's the kicker, though. So he tells me this, and
I tell him what I'm doing. He tells me he's
worked with Havoc and the non Porter and all these
different producers that I didn't expect him to be working with.
And so I listened to the beat and I liked

(02:10:45):
where he was going. But more so than anything else,
I kind of took the job to kind of see
what the A list so called A list shit sound
like and to do some studying. And I met another
dude with high work ethic and that was him, obviously

(02:11:08):
not on the writing side, but just what he applied.
I took a lot from that experience, like like, I've
never worked harder on somebody else's shit than my shit.
So it kind of put a battery in my back
after that experience.

Speaker 11 (02:11:27):
You said, Porter, you worked with Porter a lot. Porter.
He's an m dude, right, I mean he was, He's
a part of that camp.

Speaker 2 (02:11:34):
If I recall there at the beginning, Okay, like in
his first beat.

Speaker 11 (02:11:40):
Yeah, ever, Yeah, I know, M's a huge okay man
was a huge fan of yours. So that's a that's
a pretty cool connection. Now, you put out, you put
out War, you put out the PTSD. That was the
last album we heard from you was twenty fourteen. So
I want to say, as we're approaching twenty nineteen, we

(02:12:02):
got to have something new come from you.

Speaker 12 (02:12:04):
Zoom.

Speaker 11 (02:12:04):
I mean, please tell me that's the case.

Speaker 2 (02:12:07):
Yeah, it's pretty insane. It's really really, really really insane.
I'm looking at the Collective of Records and I'm thinking,
it's one of my best projects ever. It's the hardest
project ever in what way, And it's the darkest. It's

(02:12:27):
the darkest project ever, and it's the hardest and the
bars somewhere in between Extinction Agenda and Internal Affairs.

Speaker 8 (02:12:37):
Wow wow, Hey, so Pharaoh, we actually interviewed Apathy Gosh
I'd say about a year ago, maybe a year and
a half ago, And prior to that interview, I did
a little research on Apathy. You know, he's he's been
around for a minute. He's been killing it lately. Yeah,
that joint with that joint project with OC Perestroika, and

(02:12:59):
one of the things I saw during my research was
was how influential Stress the Extinction agenda was for him
and his career. And then when you know, you and
Pete Rocket Apathy get together and do that joint keep On,
which was freaking phenomenal record.

Speaker 16 (02:13:15):
Let me be totally honest. You want to know what
made me demonic? I made it two bigsnomics Listen to
my head, Listen.

Speaker 5 (02:13:23):
It to the tail chronics, Truliani ship Man to the
pen felt infinite, but.

Speaker 16 (02:13:27):
I breached the ballpoint pen write sexes smell me. You
understand this is feet ship life setting.

Speaker 8 (02:13:37):
Is there any plans to work with him more? Because
I felt you guys had great chemistry. Any chance you
can maybe join in with your Palo c and and
and Apathy and you guys get together and just just
fuck up the game for a minute.

Speaker 2 (02:13:50):
Yeah, me and definitely talking about doing something together. We
became good friends. But you know, I want to push,
you know, if I'm to do something, then I just
don't want to get it beat rap. That's cool too,
but I want some extraordinary ship.

Speaker 49 (02:14:08):
Okay, so that or.

Speaker 2 (02:14:12):
You know, let's let's take let's take risks. This new
project is a heavy rock influence, as hard as fuck.
It's super barred out. Some of the songs don't even
have choruses. If it's everything that I've been mourning to
two over the last i'll say eight years.

Speaker 11 (02:14:34):
So it's heavy, heavy rock influences. Let's let's talk about
that because I know you, you're you know, your friend
grew up with you. Guys were into into that music, right,
So I know Soul Steve, you Wonder all that good stuff,
you love it. It's an influence. But let's talk about
some of the stuff that people aren't familiar with. So
this album is dark We know you love dark Ship

(02:14:55):
and has a lot of that that metal or that
rock music. What are some of the the sounds of
the influences that a you grew up on and be
that inspire you today.

Speaker 2 (02:15:07):
Well, I mean, I'm a huge Zeppelin saying, but I
would say that record feels a little more like Sabbath
and Zeppelin. It's still chops and you're gonna hear it
and you're gonna be like, this is not different. He's
already this. It's just what I the darkness that I

(02:15:29):
brought forward before on steroids in terms of uh, it
is very clear what it is. It's not in between.
Still obviously hip hop, because that's the temperament when people
have tried to do this type of shit that I
always felt was listened for me. So my production partner

(02:15:51):
from Internal Affairs leave Stone, Spear Ahead and the ship
it's joints from from not that I think people are
gonna kind of know it's him, but kind of be like,
where the fuck did he find this?

Speaker 20 (02:16:09):
You pushed him to?

Speaker 24 (02:16:11):
Right?

Speaker 1 (02:16:11):
That's nice.

Speaker 11 (02:16:13):
You work with a lot of people. My question for you,
and I apologize if you get this a lot, but
this is something I as a fan, I'm always treated here.
Who would you like to work with? It you haven't
worked with and it doesn't have to.

Speaker 38 (02:16:25):
Be hip hop.

Speaker 11 (02:16:25):
I don't care if it's Lina del Ray or the
Chili Peppers. Who out there in music would you Pharamont
like to work with?

Speaker 2 (02:16:37):
Right now? Probably one of my favorite artists is Old
Girl from Alabama Shape Yeah, okay, trying to get I'm
still trying to get her on this record.

Speaker 20 (02:16:48):
Hold on, Brittany Howard, she has that soul. Man, it's
just on another level.

Speaker 2 (02:16:54):
But it's rock too.

Speaker 1 (02:16:56):
You know, yeah, lie my life, don't post the lad.

Speaker 54 (02:17:08):
What you lie?

Speaker 35 (02:17:11):
What?

Speaker 1 (02:17:13):
Why can we both be? Ray? I don't really, I
don't kill there's nothing really my lad don't west my fashion.

Speaker 20 (02:17:37):
So that's that's that's a great one.

Speaker 1 (02:17:38):
Man's good call.

Speaker 20 (02:17:39):
So on on that same kind of note, what's the
one record across your entire discography that sums up the
style that exemplifies Pharaoh mantch Like, if you can choose
one song, ship.

Speaker 2 (02:17:56):
I want to say, it's so many different sides, but
I would narrow it down to probably Extinction Agenda, the
song thirteen, maybe even Queens.

Speaker 20 (02:18:12):
I was going to say that Queens is like, it's
a great song. It's a little away from kind of
that dark spot, but there is a dark spot to
the beauty in that. I love that track, and I
want the instrumental and I can't fucking get it.

Speaker 2 (02:18:30):
I could get you an instrumental album.

Speaker 20 (02:18:32):
Yeah, I mean, I'm so happy you guys put out
Extinction Agenda on vinyl of that instrumental album is amazing.
I think you should do the same for Internal.

Speaker 2 (02:18:41):
Yeah, man, you want to do that.

Speaker 11 (02:18:43):
So the number one question we got from our listeners,
you can probably imagine is can we expect to see
another Okay Weenion song album in the near future?

Speaker 19 (02:18:56):
Can know?

Speaker 2 (02:18:56):
I know, I guess sent him a beat and he
loves you know. That's where we're at with it right now.

Speaker 11 (02:19:05):
It seems like you guys have been on different paths
since ninety seven. Like once you I heard you on
Metal Things, which is one of the greatest collabos that was.
It's stupid. It seems like you gout. You know, he
worked with I know Tom Tom C three and a
few other cats, and you guys just take different paths.
And look, it's common. You can go down any dual

(02:19:28):
and hip hop, whether it's Havoc and p Eric Sermon
and PMD Fifing Tip. Everyone kind of has their differences
and goes their separate ways for a little bit, even
in Pete Rock and cl Guru and Premiere. But you know,
you guys made history together. People know you as organized
Confusion and the work that you've done. You know, as

(02:19:52):
a fan of hip hop and a believer. You always
have that like hope in the back of your mind
that one hey, you guys will come together, you know
and do something. You know, look, we get it. Native
tongues may never like.

Speaker 20 (02:20:10):
Show the last show.

Speaker 11 (02:20:11):
You know, it's okay to sometimes hope for things. And
I think I speak for many people that we do
hope that one day happens, whether it's now or five
years from now or whatever that it that it does happen.

Speaker 19 (02:20:25):
You know.

Speaker 55 (02:20:26):
Yeah, man, it's got to be you know, for me,
this ship has gotta be super organic. And as long
as it's that, I don't I don't.

Speaker 2 (02:20:36):
Care what the vibe is like. The vibe could be
all fun and ship. The vibe should be all functionhit.
The producer could be this guy that could producer could
be that guy whatever. But as long as it's organic,
and I can tell you on my honesty, then wait good.

Speaker 11 (02:20:58):
You know, I'm I'm really looking forward to the new album.
It's been a few years since we heard anything from you.
You along with Black Daughter like my two you know
one A one B. I mean, you guys are the
reasons lyrics matter, especially in this day and age where
lyrics do not get.

Speaker 8 (02:21:17):
The consistency in this game also production based world.

Speaker 11 (02:21:21):
Right now, I appreciate what you've done, what you continue
to do, and this is the part where I guess
I blow you up. But even though you're a Giants
fan and a Mets fan, and I'm a Phillies and
an Eagles fan, you know, and we did beat you
in the doubleheader, so oh shut up. But look again,

(02:21:42):
I look forward to the music, and I appreciate what
you've done, and I appreciate you giving us your time.
Like I said earlier, you're kind of we could just
talk to you. We could talk another hour and a
half quite easy.

Speaker 9 (02:21:53):
I know.

Speaker 2 (02:21:54):
I know every artist puts out a new project and
they're like, it's my best ship, your your son, it's
my beast. I'm feeling like there's a certain temperament of
Cat that's going to be like dog, this is the
best project.

Speaker 11 (02:22:10):
Well, there you have it. What's your favorite game on Nintendo?

Speaker 2 (02:22:16):
Of course, he probably had to be one of the
football games.

Speaker 8 (02:22:19):
Is Dave Meggan running that ship with Dave Meggan of it?

Speaker 2 (02:22:25):
Right? Exactly?

Speaker 11 (02:22:28):
What's your what's your favorite comic book?

Speaker 2 (02:22:30):
Definitely X Men X Men?

Speaker 20 (02:22:32):
What about favorite film?

Speaker 2 (02:22:35):
I'm gonna go non nerd and say Coolly High or
Into the Dragon.

Speaker 38 (02:22:42):
Wow?

Speaker 20 (02:22:42):
Interesting, and a lot of fans that A lot of
listeners asked favorite.

Speaker 11 (02:22:46):
Book, Let's see.

Speaker 2 (02:22:53):
Octavia Butler. What is it pledging there?

Speaker 1 (02:22:57):
Yeah, I look that one up.

Speaker 20 (02:22:59):
That's how like a female centric book.

Speaker 2 (02:23:02):
Yeah, it's about a sheet. It's about a female black vampire.

Speaker 8 (02:23:07):
Hey, Pharaoh, just to know that twenty four years ago
today you were probably champagne toasting with Prince Poe and celebrating,
celebrating the station agenda, and today you're talking to us.
So thank you so much, man, And you know, I
just want to say this, fuck it. If I'm going
to die, at least I shot the mayor.

Speaker 20 (02:23:26):
Yes, appreciate it, brou so good to have you on
this show. Really a great night.

Speaker 11 (02:23:34):
Let's go, g men, Let's go Eagles exactly.

Speaker 8 (02:23:39):
Yo, thank you so much.

Speaker 2 (02:23:40):
Great, all right, y'all, thank you.

Speaker 11 (02:23:42):
Do you have a good night?

Speaker 2 (02:23:44):
All right?

Speaker 11 (02:23:44):
Take care?

Speaker 2 (02:23:45):
Hey, thanks hey yo, yo, Yo, this boy Pharl Mark
right now you're listening to Take It Personal Radio. What's
your boy? keV Long, Phillip Flavor and DK three sixty.

Speaker 12 (02:23:59):
You know what it is.

Speaker 21 (02:24:05):
You're listening to a dope exclusive remix by DJ three
sixty on Ticket Personal Radio.

Speaker 1 (02:24:24):
Yo.

Speaker 16 (02:24:25):
The Ship, fucking the Simmer and the Thief four niggas
for Kindling War seek the Horseman. We want to Planet
Earth going on boards because you can't play it afore
like the season before winter. Don't get beside yourself like
clones twins enough for Center, assassinate the mayor through time
traveling the assignments, reduce all my accused and.

Speaker 12 (02:24:42):
Pass them slid.

Speaker 1 (02:24:43):
You'll find it the only way.

Speaker 38 (02:24:44):
You can flow.

Speaker 12 (02:24:46):
Worst lique what I derived, come put me, blow me
by me crystal life in your mind.

Speaker 1 (02:24:52):
The Government of.

Speaker 16 (02:24:53):
Signed Center news for horsemen elimination, claiming we were Newton.

Speaker 5 (02:24:56):
Support official in semination. Lot my lift the box riding
down for yourself regeneration.

Speaker 16 (02:25:01):
The flood accelerates the twenty speed peat them indication and
day take four when you play fake sire in the city,
rob three banks at the same time to the low
felicity shine. Please please these four niggas combined the lot
bring a nation of them seeds that they need for
these see your soap gent old man for ransom, stop
procreation chopping the console for the can come flock off

(02:25:22):
a forty mile RADI your sparking fan base seem to
abnormally born to sport.

Speaker 5 (02:25:26):
With a man's face. Indeed, watch the moon see we
leave by example.

Speaker 16 (02:25:30):
My life and tod stretched as a nine like the
Sam Street.

Speaker 1 (02:25:36):
That bath was a m that's the now, See, sir,
I did it nice.

Speaker 14 (02:25:52):
I did nights.

Speaker 1 (02:26:01):
Eat urts, doesn't it?

Speaker 56 (02:26:05):
You can't believe what fell? All your dreams? This hops
down the fucking drain. Your faith is sitting right beside you.

Speaker 57 (02:26:21):
That ace could not have helped you, and I, Betty, Oh,
you're right, he has didn't help me.

Speaker 1 (02:26:42):
I flopped then straight You're not a fucker.

Speaker 20 (02:26:51):
That is it.

Speaker 5 (02:26:52):
That's it.

Speaker 1 (02:26:53):
What the fuck are you talking about? That's it? Taking
there no more, no, not tonight. This son of beats
all night?

Speaker 12 (02:27:02):
Did chick chick check?

Speaker 1 (02:27:05):
He trapped me.

Speaker 2 (02:27:07):
Well you feel unsatisfied now, Teddy, because I can go
on busting you up all night.

Speaker 1 (02:27:12):
Yeah. Yet he'd be it to me straight up pay him,
pay that to me and his money, his money, my
money and my money. Give me that money.

Speaker 5 (02:27:35):
Started asking for my.

Speaker 1 (02:27:47):
Check it out.

Speaker 6 (02:27:48):
We're like pretty up piece precise for my five's deadly
venus were international clubs.

Speaker 5 (02:27:52):
Let's not organized and get it. Twenty thousand leagues extra
week running with the number thirteen or forty blows upon
the feet now, Adam twelve got nigga in this twenty twenty.
So I'm talking a little seven enough about my four
one one sunny four cast.

Speaker 6 (02:28:04):
For eighty three to the reason he we murking four
twenty eight hom five and two deep back to none
to see for projecting passage to fifty sevenths A five
nineteen get the dumps upon herself on the eleven for
one O eight.

Speaker 5 (02:28:15):
Or nine one five nine, saying two to seven hours
one nosy bitch in the line hit one five five
twenty sacks and better nothing but love for this niggas,
mister sixty.

Speaker 1 (02:28:24):
Years nine times out of ten a nigga won't shine.

Speaker 5 (02:28:27):
I drop down on five niggas who all had nine
on the corner of my blofty with trying.

Speaker 1 (02:28:31):
Now I'm walking around with the four pound now.

Speaker 16 (02:28:34):
Lately looking over my shoulder with a six hour three eighty.
Maybe the baby tech would have been nicer to bring
him on sing along with me. If y'all know the song,
minds give me it's not finny Brod. I'm alreaty in
forty projects, striking forties till I'm forty with coy troon
King and drum loops with tolly Onner SB twelve hundred
and twelve twelve. You feel it mission to create, it's
matrimony and revealing its love in the form of life

(02:28:57):
as you know, it's figging with the eight. And I'm
a damn sure showing make Clive fantastic protic got my few,
his chivales, the tretching his three.

Speaker 1 (02:29:08):
We mean the wholesome two most step and that leaves
out on some time. Now, why need you get smart? Smart?
But I'm not not eighty six in the mind mine.

Speaker 12 (02:29:25):
I got a girl in ninety nine and when I
find she rhymes two, she likes to do the sixty
nine is to what climb up to choose the top
of the powers.

Speaker 16 (02:29:31):
But I'm not standing on the former. I hit a
Homer and I got jumped by the Simpsons. Not to
mention Faber Marchie g eighty nine percent of the time,
I'm sure with my rhyme like ship rendition.

Speaker 1 (02:29:42):
The remaining eleven percent.

Speaker 16 (02:29:43):
Comes from seven percent regard caval of heaven descent racing
a five point oh in my cre eighty I on
my way back through four or four nine flu and
love me for three y.

Speaker 1 (02:30:01):
S deefinitely now.

Speaker 5 (02:30:02):
Just yesterday I took her last five heart beats now
Phyllis for spiritual reasons.

Speaker 6 (02:30:07):
The more sweet sixteens and dixies. Too many tech guys
behind trees and novels keeps a flat brother bleed, filling
them up like the leathern Phillip sixty six, I'll win
me more than forty eight can send these new kids
kicking the forty eight hours like Edie Murphy to start
to mix Nation for six one and heard me still
feature for more.

Speaker 5 (02:30:24):
This saamiliar sales.

Speaker 6 (02:30:25):
It's three to your fifty four wait into a tale
with in the world'sweld, the seconds in it's life factors.

Speaker 1 (02:30:31):
That's fight so many impacts.

Speaker 5 (02:30:32):
It's when it gain fight fifty to fifty eight and
thirteen inches of reference seven eighty two and three on
the steven forty seven three strikes two, So what's a skinful?
The mast threws like the five with grad mast flag joke.

Speaker 1 (02:30:44):
Fuck you for a plus one.

Speaker 5 (02:30:45):
You know makes five fantastic romantic god live.

Speaker 1 (02:30:49):
Few wes stip which is the chest three beat the
ball film two seven.

Speaker 5 (02:30:55):
Yes, yes your down arrived. Why don't you explain how
did him he brought up in this da rap yard?

Speaker 12 (02:31:01):
I gottah you pray by the nigga's the skills cause
them niggas.

Speaker 5 (02:31:06):
Are tolerate them niggas that be hollering in the selling
two bottling niggas with skills on with the forecas.

Speaker 1 (02:31:11):
The problem with Twiler would ride now?

Speaker 12 (02:31:13):
Would we be your pivo, your misick ship who did
not be in fortever.

Speaker 1 (02:31:16):
You missed this to this sixth show accents, you know
just because the niggas got don't on me, they got
that by them niggas got don't don't mean they got
that flown.

Speaker 5 (02:31:26):
What nigga You check your centerment the bong and bustment
on it, get on it and ride for a little bit.
Feel how you're innocate from getting that intellect.

Speaker 6 (02:31:34):
Fi said, I'm sitting it now, your soul Bubbalyn brown.

Speaker 5 (02:31:36):
Sugar, so you'll remember it. The jitter fits him in
the crash was for reliterate from August the September Princess
Heaven be given from center split strain the thoft that's
mad because you twisted and Ruby don't mean everything movie
when you hear it, the world's gonna feel it before
saying now some top shit, but the labels get the bit.
Jesus sales nobody saying shit. It just smells get them.

Speaker 6 (02:31:56):
South side side of they love like Chamelle busting the
kid is kind of fight.

Speaker 1 (02:32:00):
Forty Sons got to take the Northern Heights.

Speaker 5 (02:32:02):
The Beverey more Black Shop all my bardwise to don
Bars for forty project.

Speaker 16 (02:32:07):
Thenty Live rash your prayer. Why don't you explain how
the hip hop the quarter in this still mapp.

Speaker 1 (02:32:14):
I gotta put in hip hop who they followize.

Speaker 5 (02:32:17):
Your niggas was killed, and your niggas that be hollerwing.

Speaker 16 (02:32:19):
The niggas that be hollering be sup to models, and
the niggas for the skills forever keeps following, swallowing with pride.
I don't we be in peri You to cool and
shitt up mature of your LISSI statistics show acts due
keynote because them.

Speaker 1 (02:32:32):
Niggas got DoD on me.

Speaker 45 (02:32:33):
They got to that flood.

Speaker 1 (02:32:34):
Them niggas got dot on me. Nigga got that flu.

Speaker 16 (02:32:38):
Please man, not the first some of the most fantasy seas,
like from in your propolony, It's not even tangible for
them to understand the hall ofway. It takes solo making
crown animated Prince Day, Hey, Hey, wait till we get
off that label.

Speaker 2 (02:32:49):
Man.

Speaker 12 (02:32:50):
I waited twelve months for the perfect opportunity to talmm
bucks up.

Speaker 1 (02:32:54):
In love for my community.

Speaker 16 (02:32:55):
You're moving on all you pump bebby in nor masks.
It sounds depleted like muscles with don't mean no accids.
My last kids with mass times matters. But I for
clinging to one's up and the fine clup of words
stops waiting enough frustrating verbs and risk my rapidating's radicate
for me to take rhythms and mading with primes and
mating season, creating ship never before meet it. We're making hybrids,

(02:33:16):
creating put it up to open ishlands and leave people sihilated,
set just alleviated. Now it's easy, plus economic, be feasible
for me to leave raptless in this squeasy. You gotta
need created.

Speaker 1 (02:33:26):
We made it.

Speaker 16 (02:33:27):
We can't dedicated. We rated supreme even with the without cris.

Speaker 5 (02:33:31):
You fellore, sir, So why don't you explain how to
hip hoppy brought up in this ill rap?

Speaker 16 (02:33:36):
I got a question in hip hop who they father?
But niggas were skilled. Other niggas who be hollows the.

Speaker 5 (02:33:42):
Niggas to be to modeling niggas with skills the rhythms
forever keeps.

Speaker 1 (02:33:46):
The following with swallowing prime.

Speaker 16 (02:33:48):
That will be being your pre with your miss stick
ship without being partifu your mystic statistics show as shit know.

Speaker 1 (02:33:54):
Just because the biggas got on me, ain't got that shchucht,
the niggas got do me, ain't got that fot yo?
What up?

Speaker 58 (02:34:01):
What up?

Speaker 6 (02:34:01):
Just at the sudden saying one happen of the legendary
artifacts when we shap out game and take your personal
your artifacts.

Speaker 11 (02:34:07):
We out want smoke friend that you don't know what's
going just right, y'all?

Speaker 1 (02:34:11):
Sure, right now, y'all water.

Speaker 6 (02:34:17):
You got to tell a test like don like that
tell the same thing on the nine eight half seen Mike.

Speaker 5 (02:34:24):
Jo Prince Paul Barrel Bond the front Line. You know,
so what's up with this?

Speaker 1 (02:34:31):
Huh?

Speaker 31 (02:34:32):
You don't know what's up with this drama like this?

Speaker 5 (02:34:35):
Though, yeah, check it down, check it out, mothering that
in this form a musical song, it's too enlightened and
brighten the mind.

Speaker 49 (02:34:41):
Where's the minute rum?

Speaker 5 (02:34:42):
And it's those inadequate blows that doing it that make
it snack so it locks click the dtails descrac fast
slash cross has slash coross patch.

Speaker 16 (02:34:49):
Every word of mine be verbally so tight to match
that I gotta hit you harder than caterpillar trucks in
the lap when we collaborate on matter with it from.

Speaker 6 (02:34:56):
A music one to once more time break the water,
tort your sound next you mighty water.

Speaker 1 (02:35:00):
See my harker, you knew where slave.

Speaker 5 (02:35:03):
Rapped the shines and ambulants and hard to.

Speaker 37 (02:35:07):
Playing but not name saying my ain'ts bringing I didn't
mind that fighting state lay in the bay. Can't whether
you know whether or not I'm gonnalaw up the spot.

Speaker 5 (02:35:14):
If you hold me a lot, I'm gonna show up this.

Speaker 6 (02:35:16):
Lies wet pull up the socks, span the arts is
a white watch from from the ground spots from the
city to the boondocks.

Speaker 49 (02:35:22):
Bas double push by like shocks to plans splots.

Speaker 5 (02:35:26):
World shine with prides for all the time keeping by
the tests at see sass word teste and see you
know we shine with ribes or.

Speaker 1 (02:35:37):
The jop keep their b testings and see.

Speaker 5 (02:35:39):
Suss word testes and see testing a split fire to
tiger indeed please Phenomenal demographics broadcast around four tracks, adding
a path Mini came down last, who do catch for blast?
Gas for hurts the lines for a movie cast but
after sent trail blaze the track engage. It's thematic sporadic
insight pays for tape to getting Florence, Liberal track of

(02:36:01):
Dominie doors, pour this back closings.

Speaker 16 (02:36:04):
That's an animated mim You didn't mentioned the rote school.
We're cloaking the vice of States, not just the Mota
voter hole pot, the ransomst the handsomest successinating Satan leaving
the world, Maryland Masters, some stay the recipe Jill Saint,
the mill like Setip, the rest of be the half,
the math, the most, the gothetistics, Faber mar Steve, Post
the box, get You, get Sure, Get.

Speaker 1 (02:36:29):
Fire Sure, get the.

Speaker 5 (02:36:41):
Kim fantasm, delibercals and pro ball. Then y'all with color
plactic messages that I'm saying. Then y'all min reached the
scripts like Greeks like Jim Jones and Guyana King, do
your brain like winds in Savannah off g eight Great

(02:37:03):
Adventures without six Flags, My heavens the melody cause it's
mental zig zags, madness and folds will not released. Scriptures
and quotes all tales of goblins and toes, games of
role playing and soul playing. Power from the staff of law,
like the hammer to thor clothing on me your vote.
It's a folk, a thief who steals for the chief
of the tall Man, the high priest. Imagine me and

(02:37:24):
ugg sipping from the city of Gatta leaves to wash
away fanity and keep us saying that humanities. It's unsafe
in this four flag beyond time.

Speaker 1 (02:37:32):
It's no cinematographer feat state of mind.

Speaker 5 (02:37:36):
When I beg your wives will open the eyes of
the mind. Phil raised to make coming news, to think
crime pays Paul lay and shrink wouldn't play.

Speaker 16 (02:37:44):
I thank God, a god who must be signed a
boship time ship.

Speaker 1 (02:37:47):
I'm synonymous with Jesus Christ. In other words, the words
will last forever, word forever.

Speaker 16 (02:37:51):
Blessing the mic re HBD you never heard for any
possible tip of who hostile trap speak Abo my time
for food rats from offable behind and a few powerful
glass the clark in the back and participating go way
the good.

Speaker 48 (02:38:04):
I know.

Speaker 37 (02:38:04):
My layoff floats on a atop the mountains. A sip
from the mystic fountain gives me powers to run on
half of flowers across the meadows with incredible speed and
birth speed.

Speaker 5 (02:38:14):
Dam dog Kung Kong helas with three.

Speaker 37 (02:38:17):
Monsters, the sides of the Titanic tie to run, Panic,
run Frontic, Run for your life, run the ice, run
your watch, running spots and bats.

Speaker 1 (02:38:26):
You Apocalypse, No stopping this.

Speaker 37 (02:38:28):
Fuck popping Christ, non stopping miss on tracks, arm backs,
some un villainous dog fan drama one Paul.

Speaker 6 (02:38:35):
La catastrophic versus the cast, curses the mast, purchase the blast,
the last the of the circus.

Speaker 1 (02:38:41):
Four seas from it and careers the sea's.

Speaker 6 (02:38:43):
Purpose, not even cheaping, your heaping, your fairly briefing, What
is your purpose? What is the sense of competing your sister,
ringling brother who wants with a circus?

Speaker 54 (02:38:50):
And so on?

Speaker 1 (02:38:51):
Only peanuts you're eating are singing.

Speaker 5 (02:38:53):
Attack, bringing it back. Pl pick the fer like hustle,
the sling.

Speaker 6 (02:38:56):
In the crack, still the scriptus, But Jeff picks this show.

Speaker 5 (02:38:59):
I'm playing a little less.

Speaker 6 (02:39:00):
Cameras, hitting the side light fixtures, a hot second embedded
inside the song.

Speaker 1 (02:39:04):
My feet from the back end of that ass.

Speaker 5 (02:39:06):
Tracked like a throw with the fans of the tasm.
Prince took the pulp Yeah, the huge to the Jean
and the march favre the colab smack y'all, y'all, Eric
the attack y'all.

Speaker 1 (02:39:15):
On the brown sound, we come and as y'all the tasm.

Speaker 5 (02:39:19):
Prince took the pulp Yeah, the huge to the Jean.

Speaker 16 (02:39:21):
And the march fall colla smack y'all y'all, attack y'all
the grass sound, We come at ass my.

Speaker 1 (02:39:28):
Class Clinton and back flip over walls, spot you and smash.

Speaker 16 (02:39:33):
Smack niggas inside of the act niggas past the micro.

Speaker 5 (02:39:36):
Fans and he smashed these black niggas who lefts and
sessions and proble blessings, you know, escape from guess the
great One has come. Towns people staying Claire Fans now
fighting through.

Speaker 6 (02:39:46):
This week like forvar bed on the Chapigons jail, Tommy
Gunn's big honey. These niggas picked with bigger mommy stuff
to move to this straight Henny Swigger and spell the
Mitchell de nigga, Holy your neck, smack niggas like Fello
sat and blush.

Speaker 37 (02:39:58):
Strictly fin this Tipp and Ginnis and Hennis. When I'm
finished scrimmage endless spendships from here to nnis printage since
kise what a sentence?

Speaker 5 (02:40:07):
Don't mention this infentshi with joke made me correct.

Speaker 1 (02:40:12):
Ship hectic bricks loan the tech.

Speaker 5 (02:40:14):
Clips of the spos of the stop what edison Yo,
No don't you g g g as where the echo?

Speaker 12 (02:40:19):
What the fans of the tam of the pulp Yeah
you to the te and the Monte fabril smack y'all,
y'all typically attack y'all on the ground sound.

Speaker 1 (02:40:29):
We come at that, y'all fans of the tasoms but
to the pulp, Yeah, they to the team.

Speaker 12 (02:40:34):
And the Monte Fabril colla smack y'all tip to attack
y'all on the grass sound.

Speaker 1 (02:40:39):
We come in that shop man, come in that job.
You're hear the got job, y'all. Ship was the y'all
y'all U y'all yuh Yeah, I'm wrong.

Speaker 6 (02:41:05):
The one man deep come in the streets and beat
plotted like the hell ni can sick and hips ticking
cock with.

Speaker 5 (02:41:10):
Massive watching to who's drum for pleasure, every single measure
of plock exactly amount of pressure that's chemical reaction. Happy
with fast and Bothera's fish ratchet fous catalystic fast and
show winness, passion for Haradso and Michael Folks passes to
the left and let my nigga.

Speaker 16 (02:41:25):
Last, my very last breath to be your long walk
off for not cutting cotton to mark me inside of
the sharp bars, sparks the liperical charts, depth of visual
when nation none.

Speaker 1 (02:41:34):
Of this raption in the visit never miser for Blinney
Moore Federal.

Speaker 5 (02:41:38):
The tricks of the league clay rat profession and he's
been computed digital are half the best feat the experts.

Speaker 1 (02:41:43):
We could keep niggas alert in the school for not
the letters yes sir, every round the shot and come
on yeah whatever molts. Niggas caught fake, but we cut
into red tags.

Speaker 16 (02:41:56):
I many men to take the quality time to renovate
you rhynd for them please for wedding penetration sublimming the
winning world with minimum ventilation. The tax masters don't test
master from a clinic. I spoking the bird according to
global epidemic.

Speaker 1 (02:42:10):
I limit the.

Speaker 16 (02:42:10):
Sign to v ray Twitter visa. You're past the blake
when car plant to be your survival. We main't line
the rhyme in your mind like rapolize.

Speaker 5 (02:42:17):
The kickers have robbed y'all as far as leave demssionally circumcibed.
Non sit it fucking you so hard you never forget
it even Knowellen the Martina director lovas coming.

Speaker 1 (02:42:28):
Over because they trying to get with it.

Speaker 5 (02:42:30):
We crack back of bore critics in the New York minute.
You ain't seeing me, my dog is take their return.
The dudes that you're never heard niggas know your home
style reading.

Speaker 12 (02:42:38):
Them the job, the team, Yes, sir, what shabe don't.

Speaker 1 (02:42:45):
You thirty not steal your linking different tame job the team, yes, sir,
Ever around the shine and the pabe come on, don't
never niggas coming fake, but were cutting the red tape
right break down bare.

Speaker 6 (02:43:10):
Liberical mass to breed cans to be of the wack
up calling. You had your steed to make a switch
of me tragedy. Flip's got a more mad that we
are up, since we can start schoo.

Speaker 12 (02:43:20):
Flying a pound block and block block shots and chops
flots from top notts, cots the.

Speaker 5 (02:43:24):
Bus from a crashing. My condition in the laugh me
to withstand the ring like you step to the hicking
the whole rock flipping the fole my fiction, make frickenes
and switching domins from Cole overweightlyric man, I'd be ripping
your poles. I'll be hitting the every minute the setons.

Speaker 16 (02:43:40):
To go solictening crack and flack and glistening the maths
the top of the ship or submission impossible ship.

Speaker 1 (02:43:47):
We're not your cool wren for the tire bottle clo words.
They never underne yes up shot.

Speaker 2 (02:43:59):
Other time.

Speaker 59 (02:44:05):
Yeah, yeah, I'm about the old st y'all, y'ah, y'all,
be a real baby, y'all. Y'all, y'all, y'all, y'all, jay
I Jean's one time, y'all, y'all get him over the
head right.

Speaker 1 (02:44:24):
Here, y'all, y'all.

Speaker 5 (02:44:25):
By some of the shit, y'all smid. It's hard to keep.

Speaker 1 (02:44:27):
Interest in this game.

Speaker 5 (02:44:28):
And I know some of y'all know like this shit
that we spent.

Speaker 1 (02:44:30):
We feel the same.

Speaker 7 (02:44:30):
See the pains who plans don't work with a lot
of niggas, just a few friends, and I blast before
a nigga even get a chance to put him his
two cents, O get me.

Speaker 2 (02:44:36):
Wrong, saw them for more.

Speaker 7 (02:44:37):
But my fellow black brothers like nice down Chillery in
the projects we attract others fro from black rubbers the
way I stretch you out. You want to test me
to be the artist formerly known as Alive, so please
don't stress me. Yeah, motherfuckers is too sexy, and y'all
supposed to be hardcore and you're supposed to be giving
a consumer what they asked for. I'm about to tap
that PLEXI glass off that glass too, of path I'm
micing for.

Speaker 1 (02:44:55):
To money and horse like tell me grass, show.

Speaker 16 (02:44:56):
Me miraculous ship drink drapulous blood exists for sent you
by GNA. Eventually Min's wounds, hills injuries, the identity unknown
for obvious extremities. Barral be a sax and it was
hied to shield Kennedy the murder with Malcolm Exima. Only
your part of assignment produced my molecules and pastor solid cofiement,
the eclectic collectively indivisible.

Speaker 1 (02:45:16):
Please fucking with the wrong individual?

Speaker 16 (02:45:19):
Why with one even combatiant to tea in which wins
attack the x plops lobbing your energy. Already picked your
verse before you said it. I stand and wax shit
and the power to teleprometic.

Speaker 5 (02:45:30):
H Yeah, quiet throat, you know I was fortunate enough
to come up in the era and hip hop where
those elements, the five elements were pretty heavy involved in
the movement, and it forced me to want to add

(02:45:51):
on to that in terms of paying an ode to
the people who made it possible for me to do it.
So when Organized can Fusion was created, the mentality was,
you need to add on to the theme of this
and bring something.

Speaker 1 (02:46:10):
To the table of what this is.

Speaker 11 (02:46:12):
It isn't just a job.

Speaker 1 (02:46:15):
It's deeper than that, ether than that two weeks before
my old man must have been my mom's.

Speaker 5 (02:46:19):
Never walked slow, not to smoke cracks the back and
listen to talk shows. I hope she don't eat walk
ride rice tonight see the cholestero bol already got my
arteries tight. I might select even before she injecks something
through chemicals.

Speaker 1 (02:46:32):
The rapting your the local cords a brown.

Speaker 5 (02:46:33):
The next shit am pissing in the half of men
needs you in the half week soul already to stabbing
men of having them, and blocks and plans for thieving
and shit immune with the gospel not believing the shit.
Where the fuck do I go from here? Because when
the after birth dispersed hard, the births there sway.

Speaker 1 (02:46:50):
I can't fuck with it. She it's about two packs
cigarette today and I'm stuck with it.

Speaker 12 (02:46:55):
The asthmatic and eternally scarred and crack addicts who should
need me.

Speaker 1 (02:46:59):
Outside in the race.

Speaker 16 (02:47:00):
Ain't no rapthematics to laugh at it. I can stand
up and seem funny for school. I'll be the nigga
who kills for pretty money. Presumed inside this tip of
the stewing reto the boom my blooms we.

Speaker 12 (02:47:09):
Be emailted in June, considered a coom.

Speaker 5 (02:47:12):
But if in my life ain't complete tho on the
edge of destruction, I beat tro vi tro I be true.

Speaker 1 (02:47:22):
I'd rather not be trawing.

Speaker 12 (02:47:24):
Send the beat scorns in this world that hate what
life escape me and stick me like.

Speaker 5 (02:47:28):
Thawing wild like child porn. Naw yo the undorn seed.
I'd rather not be born, been the beast scoring than
this world. I hate my life to skate me and
stick me like thawing wild, like child porn.

Speaker 1 (02:47:41):
Nah be your fire. The undorn seed.

Speaker 6 (02:47:54):
Overshadow the darkness with curiosity. Is my life fetal but
very coherent. That is a fifty percent chance that I
might not make it in spite of the fact it's
my life. I can't take it no one that I'm
losing this fight to contradiction, in love with the hatred
of inviting friction, and I'm bailifully inflicted watching my life
go down Like Christian understand my misteriousness confused right now,
but my faith brings us fruit some way, somehow.

Speaker 5 (02:48:15):
From now, I'm about to invest and living only to God.
The coach stows the tell our vision. Violence got me starved.
Disregard what the devil aloud on my set. This city's
number one threat. Bet I could probably put familiar on
some shit like that one.

Speaker 6 (02:48:29):
Day, or get my hustle on just like my dad.
Quiet as check for the long state for when a
positive ball of the first step. I want some friends
in the lasted fucking neighborhood rep s.

Speaker 5 (02:48:37):
It's such a friends who staying with a Knackamiti system
minute graduated from a rookie.

Speaker 6 (02:48:41):
Both of friendos INNTE designed percent it for ice cream refills,
local read at movies, the power ranges, Flying King toy
story and goodies with the ball.

Speaker 11 (02:48:49):
At least that's what I heard.

Speaker 5 (02:48:50):
Beyond my nine to fives. I'd write adult raps ang
but with your inside's gone, the vision is frail. Dreams
can't set self from all that unprotect the sex and.

Speaker 6 (02:48:57):
Cold balance I hells, oh well, for fel God always
has something to store.

Speaker 5 (02:49:01):
For me outside this hell.

Speaker 1 (02:49:03):
We're more torn in the hides.

Speaker 5 (02:49:04):
Of our large form and the dawn distortion upon my
abortion clinic visit in the morning rather before shout out
and shoe or to liver gifts with the foolish ship
is on stuc My position in the ill of going
mission is an elevator Fine listenfestor for ever weather the story.

Speaker 15 (02:49:20):
I rather.

Speaker 5 (02:49:22):
Lifing chor to lif this gifts the foolish.

Speaker 1 (02:49:24):
It is on stuff became.

Speaker 5 (02:49:26):
My position of ill of thing mission is the elevator pines, listen,
blessed forever Weather, the store that.

Speaker 12 (02:49:39):
I ain't gonna ki.

Speaker 16 (02:49:51):
Yo time roll my chas and Clay the boar. We
didn't get his big and take taking his ship. It
had because my worst thing earthquake. So listening intricate for
your possible school said, you get your ugly fucking faced
man defending them even winning in the minimum state.

Speaker 2 (02:50:08):
Up time.

Speaker 5 (02:50:08):
Boys, My rhymes shine like go man world, certain work, yeah, perfect.

Speaker 1 (02:50:12):
Ty yeah.

Speaker 16 (02:50:34):
Brom this ship in your new cross system dependical accident
the Senate is the my.

Speaker 5 (02:50:39):
Strategy split him seemingly hitting him with little lean weenie,
been to flattery, done to stagger him for a minute.

Speaker 1 (02:50:45):
Imagine I'm dragging a minute the much much bud.

Speaker 5 (02:50:48):
Remember, I'm bragging in finish this minute here to finish
you off society.

Speaker 38 (02:50:52):
Now.

Speaker 1 (02:50:52):
Then it's the nemesis of a different variety, the gat
to kid with the ill computer flaw.

Speaker 16 (02:50:57):
The most beautiful less thing so super bowl, the little
stink in the sword.

Speaker 30 (02:51:02):
And it's like that, I can't get a personal podcast,
mother fucker. Keep Rover in this cloud. Yes, Carl'll be
and we will't last. Then you personal cat cat cat.

Speaker 1 (02:51:21):
Now an it chuck you Mintel being DJ quick had
some new classic ord in this tree. Can't say tuns
of the basket.

Speaker 5 (02:51:27):
Money getting Hugh with John will in the pocket, spot
me attaps the blind field tacket. Watch it.

Speaker 23 (02:51:33):
Y'all, y'all, and y'all.

Speaker 1 (02:51:36):
Chalking uncle be time that.

Speaker 14 (02:51:40):
I ain't nervous.

Speaker 17 (02:51:40):
I'm looking for plot for dead that's overdue. Hanging out
the window of the river, we jumping over you, we
do walk by skip bies bicycle biys water holds, douse bids,
pushing front of your house. Boys, being a rotter is
more than sound effects. With words wrap round your neck,
you know the sound that's next. With a twist, snap
you fall, We shall take me in your wrists, achos,
laps and all. We love that a fella scarface, all

(02:52:01):
that mafia stuff, but a few volumes of basis of
death at your compet itself.

Speaker 5 (02:52:04):
Look at the all tops where v.

Speaker 17 (02:52:06):
Lost Water's got masks from mobs writing checks that their
insides couldn't catch, like lost Take the vital organs they
saw very much okay, like chrome they popped off truncky
the wicked and meet you quick did it the murder
that made him like phony we sick.

Speaker 14 (02:52:22):
I was like John, this is.

Speaker 6 (02:52:25):
Bad.

Speaker 12 (02:52:29):
We know.

Speaker 1 (02:52:33):
This is one guys, I'm bad. What the fuck do
we have here? Federal marks. Let's make one thing clear.
Look at the tiger.

Speaker 16 (02:52:45):
I admire the AA, the bull spending for the critics
and the undesirableles quick beats play like street kings and in.

Speaker 5 (02:52:51):
The city, y'all playing like that's what's playing, like ship.

Speaker 1 (02:52:53):
And shitty shitty sell fake pooty bags on eBay. So advanced.
When I rhyme that you need time play, beat you
enough company.

Speaker 5 (02:53:01):
Like Jack Slipper to get in depth like Johnny's, but
not Jack the Ripper slap slash that will run to
your whole team and abductor church pass up.

Speaker 1 (02:53:09):
You know you gotta get it from the incredible master
of mine.

Speaker 16 (02:53:12):
Wafters wraps hard to find to follow the model she
just quick it hit more frequently than quick kick.

Speaker 12 (02:53:21):
I'm like Johnny and if this is another one, because.

Speaker 60 (02:53:32):
Fuck fuck you, fuck you, fuck you, fuck you, suck.

Speaker 1 (02:54:07):
You ye, fuck you dog and did your I'm all

(02:54:38):
in spend them. I'm out tum fuck you, fuck you
for you.

Speaker 5 (02:54:46):
Said tucking is around with you sorry says out, fuck you.

Speaker 1 (02:54:53):
Fuck you.

Speaker 5 (02:54:55):
Basically, I'm the worst nightmare you ever had to figure
what trigger happy Nick with a badge but bating around
Los Angeles high off.

Speaker 1 (02:55:03):
Cook with a banana clin feasting off the reeks to your.

Speaker 16 (02:55:05):
Candulous When a man you spreading a professional asks for
me task force grass knuckles a master with nast kicking.
If you asks for a glass for in your back clipping,
no one saw it. I won't stop the clock.

Speaker 38 (02:55:16):
Sicken.

Speaker 16 (02:55:16):
Got a rookie fourth one that that's ready to fight.
The world's a memory go around. I stever get hit niggas.
He's a spitting the face from Pitbull and white niggas.

Speaker 1 (02:55:24):
A matter of fact, kind of like this chatl or
a white nigga kid yr hands. I'm all un spread
them opposition. I'll just stand them. Fuck you, fuck you,
fuck you. Fuck you said I'm not fucking around in
you shot every six out, just fuck you, fuck you,

(02:55:47):
fuck you fuck I got the projects on lot.

Speaker 5 (02:55:49):
They trust my logic because the star cops got Hi
from punts, the narcotics.

Speaker 1 (02:55:53):
My object is a deep program flying your opptits.

Speaker 16 (02:55:56):
You cannot stop this mission, this topic because you could
write to get.

Speaker 12 (02:56:00):
To my nigga up, get tail, learn his skin in
the streets and sayd collect this jeesus and the.

Speaker 16 (02:56:05):
End of this lazer hick the tests and fill out
forts for days. We gotta remind you how easy it
for me to take the city by store with a
whole force behind you, Shoddy in the truck and all
my ankle.

Speaker 1 (02:56:16):
There's a nine too. It's psychologically. The guns you use
will to find you.

Speaker 5 (02:56:20):
Did your hands come against the fun spend them opposition.

Speaker 1 (02:56:26):
Out testing them. Fuck you, fuck you, fuck you, fuck
youn saying I'm not fucking out shot every says out
just fuck you, fuck you, fuck you, fuck these even streets.
Don't sleep.

Speaker 16 (02:56:42):
Be careful with Mingo in the city where it pays
to be by Lingo, Joe so griefol know ma I.

Speaker 12 (02:56:48):
Port out Khulo v I I di Goablo favo, believing
in the knees that on a rival for a couple
of mel and you're fucking the deal up, trying to
play hero cop and you're still sucking just the best
one in your head. You won't feel much in your hands.

Speaker 5 (02:57:05):
Tas all and spread them compositions outstan them, fuck you, fuck.

Speaker 1 (02:57:11):
You you.

Speaker 5 (02:57:14):
Saying that is around with you, show racist out then
to fund you your hands gas all and spread them
compositions outstentum.

Speaker 15 (02:57:31):
Fuck you you you pun don't say that is around with.

Speaker 61 (02:57:38):
You, shad rasist out then to fill.

Speaker 1 (02:57:53):
The same.

Speaker 12 (02:58:00):
It's from march in your embryo. About course, Master Elia, let's.

Speaker 1 (02:58:06):
Go and stop, let's go. We are well, we can't stop.

(02:58:27):
The Master speaks masterfully when he has mastered the floors
to change.

Speaker 12 (02:58:31):
New laws are forecasting spigging in the dirty South for.

Speaker 5 (02:58:34):
By postal scope more and the weapons we choose the
pro tools rap.

Speaker 1 (02:58:38):
Mobules get slapped with mobules until they learn this from
local Let's go we go on postal.

Speaker 12 (02:58:43):
That's what I am supposed to do is suppose you
revolution is stop to think.

Speaker 1 (02:58:47):
And that's whole school that since you like alone.

Speaker 16 (02:58:49):
From stock sent I'm in the cop cap back and
lock this indoctrinated with the stop toxins refused to be
labeled to create it the box and let's go.

Speaker 1 (02:59:05):
Get my means we can't stop. Look at the top,
spell wat sit back.

Speaker 12 (02:59:20):
Food time to five years from hours from now, can
see the bride the future.

Speaker 1 (02:59:25):
You might want to be ridding back twenty or nine
fee sweets to.

Speaker 16 (02:59:28):
Try you destroying every planet you and have it from
the past tomorrow. It's not accept twenty cross cash quick.

Speaker 1 (02:59:34):
You need to push push sticking ass out of office.

Speaker 5 (02:59:37):
Been observe for forty day fast rail so that the
darkness women will we sing the strains honey he did
it again fever By like.

Speaker 1 (02:59:45):
Jos still question in the future the omen to what's that.

Speaker 38 (02:59:58):
Swim?

Speaker 49 (03:00:08):
We get, Oh, yes, yes it is, yes.

Speaker 18 (03:00:37):
It is here.

Speaker 16 (03:00:41):
Comprehend the sidelines my chest stout chinchilla, all relaxed on
the sidelines.

Speaker 1 (03:00:47):
I'm so famous. Understand New York City.

Speaker 16 (03:00:50):
Respect my game like your name, and I protect my
name like Joe amis in prison.

Speaker 1 (03:00:56):
Y'all. Don't hear me, y'all. Listen, y'all just for.

Speaker 16 (03:00:59):
The shine, y'all just wanna glisten flaws, knowing that the
soul is still missing.

Speaker 38 (03:01:04):
Damn.

Speaker 16 (03:01:05):
I'm a poetical pastor. Slaves to would label, but I
own my master's. Still get it popping with our artist
of repertoire, because.

Speaker 12 (03:01:12):
March is the monarch.

Speaker 16 (03:01:13):
Only monaster A and R with my brain excels. You
train the wells. Popship makes you feel the clips like
the well.

Speaker 1 (03:01:21):
You will feel me. You will admire struggle. I smile desire.
Say this my.

Speaker 38 (03:01:34):
Yes, O.

Speaker 31 (03:01:42):
Man is facing.

Speaker 16 (03:01:47):
My books are overeat the pages a lust, the currn,
my penans the penis when I write, the ink, the
spurs desire, the fire that ignites the toyster burns.

Speaker 1 (03:01:56):
Stop rocking science.

Speaker 12 (03:01:57):
It is easy to learn my MIC's the cavil when
I so course the terms spec Even if he was asked,
you couldn't earn. I imply the gami biotic swamp fected
the germs rats fatal gill Please Dick.

Speaker 1 (03:02:09):
Discern plays concerns to play turn, I tell a comment.
Sake the game like Chick curns.

Speaker 16 (03:02:15):
This is the moment true for my police delias. Focus alone, folks,
the emotion, the black wires fire. You don't want to
get burned like Fritz Tryer moves back.

Speaker 1 (03:02:24):
Who's that bad?

Speaker 5 (03:02:25):
A live wire?

Speaker 1 (03:02:27):
You will fill me?

Speaker 5 (03:02:28):
You will it My eye struggly, sire.

Speaker 62 (03:02:35):
Please, this is Pitfall, the spash hit video game by
Activision that everybody wants for the Atarian video computer system.
Work the large it's in rolling along with underground passages
and cobra rattlers, slip.

Speaker 51 (03:02:48):
Eyes, with the swamps, hungry crocodiles, and much more.

Speaker 62 (03:02:52):
Don't miss Pitfall, the small ship than everybody wants.

Speaker 52 (03:02:55):
Get it before there all gone.

Speaker 15 (03:03:24):
Like this.

Speaker 16 (03:03:38):
Though, the motherfucking white house small and I threw a
rock in my brand because I couldn't stand anymore within
the grips of the man.

Speaker 1 (03:03:45):
Y'all want to ask me what saying peace? Byloe gats
are eating my brain.

Speaker 5 (03:03:50):
It's a political crab BACTI wait, Mother Earth. Thirty seconds after.

Speaker 16 (03:03:54):
They bagdad for what he's worked, which fountains to die now,
submission to smile later, This Saint the rock for smiles
because they stocked found dative state of life. When you
discussed who styles Rader and this chilling pool, you playing
it cool like cow data when you're all ready to
rock like let's sen the Nownciada with weapons of mass
struct an hour later.

Speaker 1 (03:04:11):
Now, what's your identity today?

Speaker 16 (03:04:14):
You want some John apptennit and your Timothy mc bain
the tendency that left me with the trimity.

Speaker 1 (03:04:19):
Just pray for my identity.

Speaker 16 (03:04:20):
Your life is the penalty to pay my father.

Speaker 38 (03:04:34):
Please kind of be a non song.

Speaker 5 (03:04:57):
I know women from bending storms came back to fall,
mister limbs and disease and the legs and norms chemicals
twice as strong as an It's messages in the bass
drums war going on with your mind, No man, Saint Frum,
it's not a game Boy Xbox PlayStation's resident.

Speaker 1 (03:05:14):
Even whenever President's.

Speaker 16 (03:05:15):
Mains robbing, y'all forms like this race and if y'all
are herod boots and you don't know how to retrace them,
blase them fast, Blase them fast, disgraceful, faceless, tasteless. Ask
Pharaoh takes the authorities to court this crime before it happens,
like I already was born and.

Speaker 1 (03:05:32):
I will never be mentally defense. Let's catch me on
the block and the hood and the.

Speaker 38 (03:05:36):
Trench, sayer.

Speaker 1 (03:06:00):
I love the smell of play pop in the morning,
smells like.

Speaker 3 (03:06:05):
Victory.

Speaker 15 (03:06:39):
N't row.

Speaker 1 (03:06:41):
All.

Speaker 5 (03:06:43):
My life's all.

Speaker 10 (03:06:44):
I have, my my smiling, my head and not amazing
dude's struggle.

Speaker 5 (03:06:50):
Don't shudge me.

Speaker 1 (03:06:51):
What you say now won't wutch me because where I.

Speaker 12 (03:06:54):
Come from, so often people you.

Speaker 1 (03:06:57):
Will as often. But I'd have made it through the
pain and strife my.

Speaker 12 (03:07:04):
Life.

Speaker 10 (03:07:05):
My life it's based on lighting glunks, loading guns, telling
my lawyers to get the case gone. I need the
feels that the president's got their face on so I
can switch to presidents. Get a truck in the lects,
fucking check. I no longer have to wave form. I
made a couple ends, lost a couple of friends. I
light a blunt cus never was a struggle in So

(03:07:25):
you can judge.

Speaker 1 (03:07:25):
Your nigga, but you ain't got it.

Speaker 5 (03:07:27):
You ain't in the roll, so you.

Speaker 1 (03:07:29):
Really can't fudge your nigga. You ought to love a nigga.

Speaker 10 (03:07:32):
For the fact that it's my world and my life
is still I'm a rugged nigga. They say, you fucking nigga.
Fuck it, I'm a thugget nigga. You're talking bullshit and
kick it with another nigga. I got a bigger bed
and I need a cover nigga. And I ain't got friends.

Speaker 1 (03:07:46):
I got enemy.

Speaker 5 (03:07:47):
So if they with me, then that means they my brother, nigga.

Speaker 1 (03:07:50):
My life.

Speaker 19 (03:07:51):
So I have my ball, my pad, and I'd have
made it through the struggle such me.

Speaker 1 (03:07:58):
What you say now? Whoa what you need?

Speaker 16 (03:08:01):
This is where I come from. So often you grew
up here and laying in a coffin. But I'd have
made it through this main sight, this world, lady.

Speaker 1 (03:08:12):
What stops me?

Speaker 63 (03:08:13):
I got six frings, six championships, Clint Chain, spakes.

Speaker 1 (03:08:17):
Things, got a sneaker line that swept your fit.

Speaker 5 (03:08:19):
It might catch you in it.

Speaker 63 (03:08:21):
Now your gang's too timid, might move your pivot. I
need a dress up clothes like Gray Allen and Eddie Jones.
I need Tavick Geter, Michael Finley hout like Steeper. I
need a knockout king that's out boxing out fox saying,
got Knie like gang can't be play type similar to life,
similar to Christ, similar to ice.

Speaker 5 (03:08:39):
If you slipped you.

Speaker 1 (03:08:40):
For you on no longer Gods, my life was so hard.

Speaker 5 (03:08:44):
I'm glad I had.

Speaker 1 (03:08:45):
Tort y'all my life.

Speaker 12 (03:08:47):
All I have my skill, smile house, smile shall and
I'd have made it through the struggle.

Speaker 43 (03:08:53):
Je what you say? Now?

Speaker 1 (03:08:55):
Whoa what you need? This? Where I come from?

Speaker 5 (03:08:58):
So often people you grew away to lay in in
a call feta, But I'd have made it.

Speaker 63 (03:09:03):
The strike on my side now my word to supposed
to Stanley Cup, the ammateurs to the least time forts
in the world. That man that just intvies that damn
it just man and Trump you still get cay for
that day that cannon buck.

Speaker 1 (03:09:19):
Would I ever played the sports again?

Speaker 5 (03:09:20):
The flashy show?

Speaker 63 (03:09:21):
My teen's gonna be trying to withju my adverture. If
God answers me, no, when would I flows?

Speaker 6 (03:09:27):
Where would I go? Who would it be? Who's shipping man?
That chance to brote meant the king?

Speaker 5 (03:09:32):
So back my pain be trucked.

Speaker 1 (03:09:34):
My famous name in the Champ Open Weight, getting in the.

Speaker 63 (03:09:38):
Chain can in my offense fright got better on my
life jump my life.

Speaker 12 (03:09:43):
All I have my skills, my house, my child, and
not amazed do the struggle.

Speaker 1 (03:09:49):
Don't judge me what you say now, won't watch me.

Speaker 16 (03:09:53):
This is where I come from, so Austa, before you
grew away to lay in in a call center.

Speaker 1 (03:09:58):
But i'd have made it the strip smart sign. Now
my world, my life, my life, my life. All I have,
my fall, my pen, my pad, and i'd a man
through the stub. Don't judge me what to say now,
won't bunch me.

Speaker 5 (03:10:15):
This is where I've come from so often before you
grew up with a the in a coffin, but i'd
a made it through the main and.

Speaker 1 (03:10:22):
Striping it's smart side.

Speaker 16 (03:10:24):
Now, my world, my life, my I shrip becka Pharaoh
March three point entertainment, the life Pete Pete Az.

Speaker 1 (03:10:34):
You know with a world Rocker Iris science Yo, love.

Speaker 2 (03:10:39):
Of direct brick City, say all the facts listening to
take it personal.

Speaker 5 (03:10:44):
Yeah, chilling with my people's fill of flavor.

Speaker 1 (03:10:47):
keV Law DJ three sixty. Take it personal, you already know.

Speaker 2 (03:10:51):
Take your personally. Nigga, let me see him next.

Speaker 19 (03:11:06):
Say that stat nigga. His last name should be that
stash nigger. Sound kind of nice.

Speaker 12 (03:11:12):
That's that nigga namba checking with them plastic cab fas sniggers.

Speaker 1 (03:11:17):
When you hear it, you should have nigger.

Speaker 5 (03:11:19):
That's hurt from little plas nigger wise people, Please do
not resach the chorus.

Speaker 2 (03:11:25):
If you stew will.

Speaker 1 (03:11:26):
Wash him out with the story. Mag group.

Speaker 5 (03:11:30):
Listen, listen and the boys better. I do feel real
you act and Andrew Lloyd, Trevor roemerccoy's lefter.

Speaker 1 (03:11:38):
From the back of the cow raft the coach of
powers will kill your fucker's the four black I said
the same thing twice.

Speaker 64 (03:11:45):
Tell the phone guts my nigga the thing bring twice
You a cock deeseus.

Speaker 1 (03:11:49):
Nigga extra ginzing type. I'm a pop equal nigga with
the thing.

Speaker 5 (03:11:53):
Bring twe urt short is the first name could fit
fighters first motherfucker, the first Hurst Lamesley.

Speaker 64 (03:12:01):
They face in the street to pick up your face
and wait for police. But the father do flaws and
make your mom suck some dick. We bothered you sauce
mother fuck nigga.

Speaker 1 (03:12:15):
When they see him, they.

Speaker 19 (03:12:16):
Say that Stash nigga. His last name should be that
Stash nigger sound.

Speaker 1 (03:12:21):
Kind of nice. That's that nigga.

Speaker 12 (03:12:23):
Never jet your with them plastic cat fans sniffer when
you hear it, you should have stagg nigger.

Speaker 1 (03:12:30):
That's hurt for little pass whis people.

Speaker 16 (03:12:33):
Please do not recas the chorus if the stew will
washing out for the story.

Speaker 5 (03:12:39):
Magd what is.

Speaker 65 (03:12:46):
Rockers whom?

Speaker 5 (03:13:05):
There's no reason for increased volume.

Speaker 62 (03:13:07):
I am scanning your interrogatives quite satisfactorily.

Speaker 2 (03:13:10):
I am the voice of night industry.

Speaker 66 (03:13:12):
Two thousands microprocessor.

Speaker 5 (03:13:14):
Okay, I T T for easy reference.

Speaker 1 (03:13:18):
Oh, if we're gadding, you think they give you a radio?

Speaker 2 (03:13:21):
What would you like to hear?

Speaker 1 (03:13:23):
What the hell is that I were breathing? Is resuscitated
when the sun.

Speaker 67 (03:13:27):
Goes down, and we might riot hockey mask Mike MIAs.

Speaker 12 (03:13:32):
Do not try us a dry bias vampious night rise
with the lightest to the sky around the cad FIUs
night rides vas pious.

Speaker 1 (03:13:44):
Not try us a drive bias. There's nothing about me.
Ask how'strung?

Speaker 5 (03:13:50):
No do I look for with the villion knowing unsung
or being shot down in the streets by your pig's gun,
your fama product of the hood and the soul good
raising the states with this kiff doubles ball were as
long as I'm breathing. Oh will never stopped. Most hoods
are survived by girls. Whatever I seen quietly took note,
trying to ask for only time I used bath saw

(03:14:12):
is the soap?

Speaker 1 (03:14:13):
Never did I want sniffed dope?

Speaker 5 (03:14:16):
Used to believe when I saw a black crow flip
by in the sky. Miss, somebody's gonna die, So goes
the saying, God, blood in your eyes. Calmers habituaiting patiently
on the sidelines.

Speaker 1 (03:14:28):
Easotic smoke got these dudes going. We drive by, rive
or Betty yet call it suscitated.

Speaker 67 (03:14:37):
When the sun goes down, then we might riot hockey
mask Mike Maas, do not try us a dry bias.

Speaker 1 (03:14:45):
Vampires night riders with the lightest to the sky around
the camfires night riders.

Speaker 12 (03:14:53):
Vampires not try us a dry bias, might riders if.

Speaker 2 (03:15:01):
You wish further information until I come down head, I
don't know.

Speaker 27 (03:15:03):
I want to know who you are and how you're
lifting in, so I don't prefer And what more, I don't.

Speaker 26 (03:15:08):
Intend to drive around in a car to talk me
back to me.

Speaker 2 (03:15:11):
So'll either Devin fools.

Speaker 44 (03:15:12):
Your plug or you get yourself another driver.

Speaker 2 (03:15:15):
I'm a driver, I'm a driver.

Speaker 14 (03:15:16):
I'm a driver.

Speaker 1 (03:15:21):
Loopy, a man demanding your hand over your land rolling.

Speaker 5 (03:15:38):
No man's volving, and Pharaoh when he jams your blands over.

Speaker 16 (03:15:41):
I am fixed gleurosis, the most ferocious. When I spy,
my third eyes extremely high volted.

Speaker 1 (03:15:46):
That's why I need Ruby Court's.

Speaker 5 (03:15:48):
Glasses, because when I glass, it's a chance that I
might blast the masses.

Speaker 1 (03:15:51):
Subliminews transmitted through piano.

Speaker 5 (03:15:54):
It's a greater than flow calculating the nano by you skills.

Speaker 1 (03:15:57):
When I need, please heed the ride.

Speaker 12 (03:15:59):
I hear when I when I perceive through time, I
walk through walls and stacles, finduc.

Speaker 1 (03:16:04):
And the reduction of selves and moleculars.

Speaker 5 (03:16:07):
I bring the knowledge.

Speaker 16 (03:16:07):
You swallow a stake that's a hologram. I box you
head fat. You're living like college the.

Speaker 12 (03:16:12):
Telepath de liver versus with no posting fable march Mike should.

Speaker 2 (03:16:15):
Know that we hire both in.

Speaker 68 (03:16:18):
Your hip hop is a well and live It's dope.
In the United States.

Speaker 5 (03:16:35):
From the artist perspective, you know, it's a lot of
incredible artists. I just think that, uh, our appreciation and
art in itself is squandered in the States. You know,
they want to control what you think about in what
you buy in a capitalist society. So to promote real
art is truly to promote and opinionated people. You look

(03:16:59):
at piece of art, everybody is really supposed to get
a different understanding and definition of what that piece of
art is. And so when you have real artistic music,
it creates, you know, and it gives the people that
type of mindset something to think about, think about.

Speaker 1 (03:17:17):
Think about.

Speaker 5 (03:17:25):
Yeah, translator, that's a whole qualified time clipping.

Speaker 1 (03:17:39):
Another tea time spray.

Speaker 5 (03:17:41):
I say, just get tlimming any matron translator, that's the
whole another tame time stray. I was like, just get
dream any mass.

Speaker 12 (03:18:04):
G the selection for messages hard camoy, glass necklaces, cresciusist,
large cameras, last lecticus ex I get a sweet swea
getting about with the exodus consecutive beaks that ready put
out the negative.

Speaker 5 (03:18:15):
There's gonna be for backing, because we could make it
happen and go quick, tell it, oh ship, and tell
it to five feet with relevant prime flow. Benever, let
from beneath the sentiment no speech impediment.

Speaker 1 (03:18:25):
And the beating president.

Speaker 16 (03:18:26):
I don't know I'm president, but I scro you know
why put the medicine, perfect forwards, be peddling word flows
and meddling in my business.

Speaker 1 (03:18:34):
That's when I gotta beat jettison the nigga with.

Speaker 5 (03:18:36):
The big balls, girls with them all me drop jewels
like Jewish jewelis with separable balls and my phone doll
the flow off the mod squad.

Speaker 1 (03:18:42):
Flittman splitting a nigga water like Chris Jane hitting mean.

Speaker 12 (03:18:45):
Yeah, U much in the house and my plans is time.

Speaker 69 (03:18:51):
We get that's going the all right niggas in the
house and my friends is tight a black We don't
believe us that tree for the non nigga nine I
mean tell I'm thinking problem.

Speaker 1 (03:19:00):
Like the thousand motherfuckers.

Speaker 69 (03:19:02):
Don't yes make your round like stabbing up fitting mess
toll tiy in and books on fat ladies, sos like
the liquid and the hobby stuck and frack babies, free production,
stay fooming in my tenants on your radio, ty that
in the tweets Richard Simmons, Rob do.

Speaker 1 (03:19:16):
You go on for? Do look like a couco on
the loan?

Speaker 69 (03:19:19):
Been in my show going so had Liverpool fro Yo brother,
Stop lingual like you have Virginia speak a little broken language.

Speaker 5 (03:19:26):
Get back street money, tax free money.

Speaker 1 (03:19:28):
Why any food trying to jack me money?

Speaker 69 (03:19:31):
Flick proper, ain't no other chick hot to boys the
lung scar you have to death.

Speaker 21 (03:19:57):
You're listening to the ticket personal radio show on ticket
a personal radio dot com.

Speaker 1 (03:20:18):
This could play high know with the bitch's doe? What
it rop? You put your dough until on the loop
in south Side Queen Queen.

Speaker 12 (03:20:28):
But if you say the ad, people automatically know the path.

Speaker 1 (03:20:31):
If you don't have to do the math, be south
side Queen Queen.

Speaker 5 (03:20:38):
Nis nigga named Jota finished start said in the way
he used to handle the mill going, let me speak
about the way he used to dribble off his.

Speaker 1 (03:20:44):
Knees and in the middle of at the same time.

Speaker 12 (03:20:46):
Stuck up in the bed like a buzzing fiddle stubber
in his path through.

Speaker 1 (03:20:50):
The scoop shot to the back forth. Wos stuff got hot?

Speaker 12 (03:20:54):
Snepper knew he would have threw it cool nigga when
it came to school, he blew it a stollar read
a cute nigga prisms in that politicans guitar her. But
your God has been here, come around the block, Doug.
It's three sons, fucking with coupons, beat on the boot
stand still leave, what's the champs?

Speaker 1 (03:21:08):
Time to get through for boots and kickstall? Fuckoo, gotta
impress the chickstaw. His father said, Donna and Wall, aren't
you on the throw on the lifting n o? He said, Mama,
listen close. I'm gonna tell you one time they're chilling
my hies. Plus I got a nine.

Speaker 12 (03:21:23):
Well, I mean you wear it twitching the work so
you can get a brand new dress for church. I
know that that reserves outside. Man, it's cold, but I
don't want to get paid. Sok and bro old like Papa.

Speaker 1 (03:21:33):
Puss up on her own eye, got up and get paid.
Fuck your steak, bake and sweet.

Speaker 5 (03:21:37):
With the back of her head, she smacked him in
the face or out of the trip piece pitch with
no taste. That night, rocking knikes, eating Mike and nikes,
slap box and put a knikes on a mike.

Speaker 16 (03:21:47):
Too small, thinking this time next year, I'm gonna be
able to hold ship from across the street.

Speaker 1 (03:21:51):
Niggas a broke lubill get the metal out too late.

Speaker 16 (03:21:54):
The guns flash and the many that wear them like hey,
a suns flash sun dash with the quickness back to
the ride with a smile on his face.

Speaker 5 (03:22:01):
The fit's your pride, blood coming from his mouth. Now
I'm at his side, kneeling over without.

Speaker 1 (03:22:05):
Off his body. Before he died, I flooding up and
down in his head with a slash preference is what
he said. Said, wow, wow, then a closing his sides.

Speaker 12 (03:22:22):
There's a place I know where the people go. But
you can catch go and chill on the low in
south side.

Speaker 1 (03:22:31):
Queen Queen.

Speaker 12 (03:22:32):
But if you say the half people automatically know the path,
you don't have to do the math.

Speaker 1 (03:22:37):
Fist south side greens Queens.

Speaker 12 (03:22:42):
And if you got a clock, you could bunch shots
like cos gout when the block is hot and it
talking about green greens.

Speaker 1 (03:22:53):
Come on, come on, you talk. I know where the
people low people do.

Speaker 16 (03:23:11):
Yeah, truth had me up against the tropes, to me
conscious without no boxing skills, fear of makes her my
neckrok like but not so they're watching the clock is
ill wind face. The truth parallel is observing amateur video
tapes up twenty one top patching my pedi cock.

Speaker 12 (03:23:25):
Scale feeling mine doctor kill Still.

Speaker 16 (03:23:27):
So I've never filed truth feelings speaking on the truth
right now, when itself is a healing See the Creator
created existence and balance at right angles lest it's conceived
and stated. So whoever is y'all straight away from writing
is wrong. The the prementium of the word cos opposite
of truth. Off course, show us my slave name sending
Troy Donna Jamison pays the path enable the truth, stay

(03:23:48):
stable and clean earth, sort of similar to the way
static electricities things see tooth brains, light, light fracks off
the mirror.

Speaker 12 (03:23:56):
Visions that yourself never could never be clever up.

Speaker 16 (03:23:58):
The truth is that your ugly, not on the outside,
but in the inside. On the outside, you front, you lovely.
Got discovery of these things and all will go hidden.
But when you and deny yourself, it's bidding.

Speaker 1 (03:24:09):
That's the truth is the truth for.

Speaker 14 (03:24:14):
We gotta recoize.

Speaker 6 (03:24:16):
Let the truth be told from your souls that become
old from days.

Speaker 11 (03:24:20):
But in the jungle, where must one go to find it?

Speaker 6 (03:24:23):
Time is well, we can't rEFInd it out of everybody, y'all,
Man who told the truth?

Speaker 1 (03:24:27):
Signed?

Speaker 11 (03:24:28):
Did we find cares speaking?

Speaker 5 (03:24:29):
Because it's naturally in us off finding by telling us
be boring.

Speaker 6 (03:24:33):
Centers vendors of hate got me battling my own mind
stayed at up to find rate.

Speaker 5 (03:24:37):
I ain't in It's just the fine grace. See the
truth in the thighs of a strip of the eyes
of my nigga. If it's only one that, why should
it differ so constantly I seek it? Why I gotta
drink a six pact to speak it.

Speaker 6 (03:24:48):
It's a depicture of the truth, and try to develop
it a proof if it was only recognized by the
intelligent to the negative impostives because niggas got your lips said,
I gotta give more than I'm giving, because.

Speaker 5 (03:25:00):
Truth will never be heard in religion. I'm deception in
the world. On the inside, what was hitting it was
the truth, truth, truth, truth, truth, Truth.

Speaker 1 (03:25:15):
Check it.

Speaker 70 (03:25:15):
Oh my neck, I still gotten marked from the now,
says the truth that the deuce says, fear the god.

Speaker 15 (03:25:20):
Nigga's on the run of the wiz.

Speaker 70 (03:25:22):
The truth is my truth is the smoothest fit of
stuffs A loud the juices like the.

Speaker 1 (03:25:25):
Root says, more organic than acoustics.

Speaker 70 (03:25:27):
Heavenly but will set you free and killed you in
the same red that ship you gotta get off your
chest before your death. The rest the way you speak
is lighter than the pamphlet. If the truth get the worse,
the way of a planet, God, damn it. I rad
with God planet in my heart, and I understand it
to be to bring some light to the dark, bring
some life in this art.

Speaker 1 (03:25:43):
This must be the true because we keep marching on.
The truth lay the foundation of what were rocking on.

Speaker 70 (03:25:48):
You can't see it if you're blind. With me, we
always prevailed life.

Speaker 1 (03:25:51):
It's like the open sea.

Speaker 70 (03:25:52):
The truth is the within ourselves, and in the end
our names is on the living dying man ever crush
to the earth, always rise again in the word of
Lyon manstyle hushed, like the sounds of a violin the
truth dance just the part you gotta fund.

Speaker 1 (03:26:04):
Of that fund of that that am right, A right,
a right, okay. It was like her twisted around her,
she shifted the ground. I was like, oh, ship, she's
off the hook. I would just her recently, A look,
A lot of is immaculate. I'm a tacking it from.

Speaker 16 (03:26:24):
Are, but this is something and inside my mind hopefully
you won't be doing it for me. If I woke
over there and say, excuse me, can I have your
number please, I'll get on my knees if perha to
that through the whole episode, just that I knew I
had it a lot little cock flocking, please this one's mine,
dying piece and ship son shorty was fine. Every nine
a mile was like a ride. I wouldn't lie somewhere

(03:26:45):
sparkling the whole time as.

Speaker 5 (03:26:46):
All see the lie babyand but you to me, I
know you mel sees the line baby, you understand.

Speaker 1 (03:27:04):
Watch you to me.

Speaker 16 (03:27:09):
That said, I'm saying a little bit of blood slash
people by gentlemen. But let me introduce myself all so
again so that you can further understand what I say.

Speaker 5 (03:27:18):
I took the slash swallow with a brand on you.
It's a little to the dance floor. Now She's like, wow,
oh damn money got style.

Speaker 16 (03:27:26):
Funny how things change when you got a little licking
and your with the tongue giving me for the now
lock the music and the people out to with my
love the nervous buck perfects to see your side love
and like, ma'am, what a shot guns, let's go this
joints at this point is stay here so let me
know you will see the light.

Speaker 1 (03:27:43):
Baby, you understand I'm what you to me?

Speaker 71 (03:27:52):
You mel seeds the lie baby, you understand, watch you
come on see the night.

Speaker 1 (03:28:07):
Boy. What what you mean? What you do?

Speaker 11 (03:28:11):
No doubt what you have.

Speaker 48 (03:28:15):
You are now listening to the assassinator of rap hit
ri rime rap Richie will hit you with my best shot,
get you, sit you down. Let you know we'll never
get dropped. When I flip flop, hit pop, when I
wreck shot, check it.

Speaker 12 (03:28:26):
I move with the finesse in the smooth and it's
even inside.

Speaker 1 (03:28:29):
Of the grooves of a record.

Speaker 48 (03:28:31):
Check it, Check it again, Check it again, and check
it against and check the metalphorce. Make sure they make
sentence and can be one hundred percent credit. Let it
met at take in your brain like a sid tip.
I said it, and I bet it's twelves on.

Speaker 1 (03:28:43):
So let it lit. We'll let it lit.

Speaker 12 (03:28:44):
Let it lit.

Speaker 72 (03:28:45):
Let it.

Speaker 1 (03:28:48):
Okay, spoon like I'm at the ball right, I'm at
the club.

Speaker 14 (03:28:51):
I'm telling the ball got much?

Speaker 38 (03:28:53):
You know.

Speaker 1 (03:28:53):
I drink my gray grouse. I turn around, I'm drinking
my hand.

Speaker 11 (03:28:56):
Okay, shut your lover.

Speaker 1 (03:28:58):
Anybody looking at my face like would be like you
know what I'm saying.

Speaker 38 (03:29:01):
So I'm like look at im like, I'm.

Speaker 1 (03:29:04):
Like, who let me adjust myself. She's making it hard.

Speaker 5 (03:29:08):
I don't trust myself, but you'll putting it back to
mike buses right here.

Speaker 1 (03:29:12):
That's like you're really trying to right here.

Speaker 12 (03:29:15):
If you don't fill that hole of waters through that
bubble back hole that water and if you turn off
around and ben, I.

Speaker 1 (03:29:24):
Will show you one motte again.

Speaker 31 (03:29:26):
I got kill.

Speaker 1 (03:29:31):
I said, who you know? How you getting down in
the club.

Speaker 12 (03:29:34):
I said, that's not a night mare, that's nearly an eight.
But if I buy you a drink, could we go
out on the date?

Speaker 5 (03:29:39):
Because you sound like you wasn't born inside the impost
state said, I'm.

Speaker 14 (03:29:42):
Not from her.

Speaker 16 (03:29:43):
It's shotting here, which are popular, so I'm not secure.
Everywhere she was walking, deuce was stopping her. The smoke
was improtating to an ocular. That such a contact. She said, huh,
give me your contact.

Speaker 20 (03:29:56):
I'm going to the bathroom.

Speaker 1 (03:29:57):
Can okay, okay, your sex? Won't let.

Speaker 14 (03:30:07):
Choose some secret? Can speak?

Speaker 1 (03:30:12):
Said, won't shot light? I got you here and seeing coke.

Speaker 16 (03:30:21):
But should have got a diet because if you're watching
your calabies, no, where's my hospitality? And if I got
it straight, she would have been straight because after a
couple of those. You started to relate she'd had some
better than saving y'all work in a lady charm.

Speaker 1 (03:30:34):
That and the eyelashes for nigga and her.

Speaker 5 (03:30:36):
Babyyard and all up in my space. Next day, I'm
on my Space top eight. We come complete on.

Speaker 1 (03:30:41):
A hot date.

Speaker 5 (03:30:42):
Got pull side flicked with the cool fly blogs with
the rules.

Speaker 1 (03:30:46):
I kicked about the gibil side log.

Speaker 12 (03:30:48):
She like low cut jeans with the real high clogs
and take music so much.

Speaker 1 (03:30:51):
She got suit iPods.

Speaker 16 (03:30:53):
I'm trying to make it to your third base like
a rod with a couple of get it stout back
just to stay kessk saying. Now, let's just say I'm
trying to get harveyzonod like yesterday, yesterday to day.

Speaker 1 (03:31:06):
I'm talking about my troubles sim sofa.

Speaker 14 (03:31:12):
Plastic example the day gray day.

Speaker 5 (03:31:14):
I'm obsessed with multiple new photographs of the beating my
room on the ball part of bringing the birth day
finally leave my balls.

Speaker 1 (03:31:21):
Witness a nigga who will take crap and chase it.

Speaker 5 (03:31:23):
We went out, you probably dimly let stair cases and
map the graph is drums by the waist slide. I
snacked the kit kick the snag inside of minds the
base line.

Speaker 1 (03:31:31):
Never waste time.

Speaker 12 (03:31:32):
I get the birst babies come on the chorus, tell
her swallow my babies.

Speaker 1 (03:31:36):
Maybe I might switch. Let the witch lives.

Speaker 16 (03:31:38):
The original plan was to kill the bits on the bench,
fits the body parts off somewhere and it up with
shindo with might in your windows, he laps, I wanna
let your window with zax be instrumentally laughed fit.

Speaker 1 (03:31:49):
Perhaps that's the only reason that I spared of life.
You can sell all my fucking vocals and I still
get tripe.

Speaker 16 (03:31:54):
Slice the rhythm, just figure the base to the roof
for any fate of that lines or no, it's the
button that moves instead of this loop a similar to
clitterists expole on your miss as a whole. It's just
like a sitting, but does an until I stopped fucking.
I'm know your youm speeze and they ain't sinking nothing.

Speaker 5 (03:32:09):
Ain't fucking it Pride, and they ain't fucking it Bride,
They ain't fucking it right.

Speaker 16 (03:32:13):
They ain't fucking it right, They ain't fucking it like me.
All right, She had a nerve to take the case
to court. No, when I break the sport took the
stand crime, denying her whole involvement line. Why would I

(03:32:33):
Scott lie in a six shot fly letting it down,
crinting with my coat over my shoulder, sent it brownsing photography,
the phenographer smiling the whole time, autohning verbal photography.

Speaker 1 (03:32:43):
My god is a hog in it. I flashed through
a photo in my mind if.

Speaker 16 (03:32:46):
A body bludget was flashed out and reboted me back
to the case, slapping the face, examining the druelty similar
to cracking a safe. HAPs the base was in this thick.
I went in la and sniff fact saturass, hold over
my face to face it. Hell, would nineteen eighty be me?

Speaker 1 (03:33:00):
Just fuck this doll?

Speaker 16 (03:33:01):
Turned on the three shounds and stuck my dicks with
a disco yoke the now fifty sixty m pc sixty
byre the thicket the hell verbally thicking the twelve down
sound shitty. I know she used to be pretty too
many empacit of seeds in this scarf for Sacon City.

Speaker 1 (03:33:14):
Ain't fucking a ride, ain't fucking a ride, ain't fucking.

Speaker 16 (03:33:17):
The light me consider this, what groops of Siller that
the clitorist is exposed on your miss as a whole.
What's just like I'm a sentence because again so I
stopped fucking mum.

Speaker 1 (03:33:27):
Your m seeds and they ain't singing nothing.

Speaker 5 (03:33:29):
Ain't fucking it Bride, They ain't fucking it, Bride. They
ain't fucking it right. They ain't fucking it right. They
ain't fucking it right. They ain't fucking it right. They
ain't fucking it.

Speaker 38 (03:33:38):
Light Me me me what you tad.

Speaker 5 (03:33:44):
What you're sad?

Speaker 38 (03:33:45):
What you tadam what.

Speaker 2 (03:33:49):
I'm sad?

Speaker 1 (03:33:50):
I'm saying that's the greatest singing.

Speaker 12 (03:33:51):
This world is light and life is full of pain, struggle,
a striking sits and moods you make.

Speaker 1 (03:33:56):
It's gotta be precisest said. Kids, watch on your ice
the greens.

Speaker 5 (03:34:02):
Thinking this world is like and like Fotaine struggle, it'strip,
scissors and more. You take time sides thinking that shoo
the man that you might see ice and that ain't nice.

Speaker 16 (03:34:12):
It's like that in them, it's like that, never exceeding lives,
recommending kosis when it comes to licking, selecting the chicken
slepper when it seems when you're picking because you can't
tell from the hides, especially now they separate.

Speaker 1 (03:34:24):
The legs from the wings and thighs. Ain't no surprising it.

Speaker 16 (03:34:27):
You get it with seller fame wrapped tight over with
the meat. They be like the skies in there. I'm
sort of sticking to my whole way, give being my waters.
Caught a chicken talk nowadays, even believing and retrieving in
my home chicks, it's no need to be brue shit.

Speaker 1 (03:34:41):
I let them put your chopping up.

Speaker 16 (03:34:43):
And chief food, and here the keys of cheese or
mended me like poison, man, I tell her, I know,
want to catch summon the other poison. Then I'm poisoned white.
It's the opportunity of time before I stuck my face, No,
my head off for my plate, and I saved my grace.
Spray up above, slips on my rubber glove, and time
father us walk the middle and enjoy some wine.

Speaker 2 (03:35:03):
Relaxed recline.

Speaker 44 (03:35:05):
Yeah.

Speaker 12 (03:35:09):
The greatest thing in this world is life, and life
is full of pain, struggle a striking decisions and moves
you make gotta be precise. Step camp son, watch how
he wrote with your tyson. The greatest thing in this
world is life, and life is full of pain. Struck
of a striking singings and moves you make gotta be
precisely thinking that you the man that you might see
ice nat ain't.

Speaker 5 (03:35:29):
Nice at your most depth. You know what, loved getting
it on, but not without strand don't need to be
making that break out of chat pool heap for who
wants you was to make food to better Believe me, love,
we live within the paradise of foods. Your father a

(03:35:50):
right ven mahamady Venan Dallas textspect.

Speaker 12 (03:35:53):
Who queen dawn Borne chick with macnexts no ques. Yes,
she ut us to the game for strain ship.

Speaker 5 (03:35:58):
What's going down into town for some pretty day packing
pound cakes, a coco for the baby with Painte too
wells and black act and mad niggas was like in
that players stricken on that chicken and slipping never to
go far.

Speaker 1 (03:36:09):
Chante had the scarf that heppy.

Speaker 5 (03:36:11):
If I did knew one motherfucker started dropping foot. Nobody
to do. Chante's ex husband was Peto Poppins and on
the other side of town man the corrected was lost.
Blood examples was brought. The doctor fixed up the found
the stem free families through the fusing what the cycle
doctor at hand against Sandy d BRUEs only two the
follow that man and he's singing the blues.

Speaker 11 (03:36:32):
He sings the blues.

Speaker 1 (03:36:34):
Listen to he sings the blues.

Speaker 5 (03:36:37):
Were living in the world of Rush straight Him, busterlize Us, Glutton,
Nigga mistrust situations we discussed about world dominations, reflected guns, funny, greed,
and sit or connects like a puzzle for in the
game of life, in the.

Speaker 1 (03:36:51):
Game, in the game of games.

Speaker 5 (03:36:54):
In the game.

Speaker 1 (03:36:56):
Life, think it's a game day.

Speaker 14 (03:37:05):
Think.

Speaker 1 (03:37:08):
Shut on, come on, can't so sho diesel? Yeah, now

(03:37:50):
by your soccer. So why you're trying to play the East?

Speaker 2 (03:37:56):
Now by a soccer?

Speaker 1 (03:37:58):
So why you're trying to play an East.

Speaker 5 (03:38:02):
Like sucker?

Speaker 1 (03:38:03):
So why you're trying to play me? You're nigging around
like a sneaker.

Speaker 12 (03:38:09):
Baby was to be before used to do my shores
like you're hacking like a wh boom sitting My bro went.

Speaker 3 (03:38:15):
You're off to the store.

Speaker 1 (03:38:16):
But now you don't love me no more.

Speaker 5 (03:38:20):
Hey, By the way, who's curt When I said your mama,
she said you didn't come to work.

Speaker 1 (03:38:24):
You ate more from the job. Plus, who's rob The
way you're acting, I think you're been slaving you time
to swing. I'd make you feel like robing Ah, what
what's all mean? Never the snuff, No girls, you give
them diamond on his shoes.

Speaker 12 (03:38:37):
You burst curl creams and shoes and cold space check
from time to time, I.

Speaker 1 (03:38:43):
Want to dress up. You couldn't wayy for Tina like
Amy Fitcher in this Miisser.

Speaker 12 (03:38:48):
You're from the court room in a hugo, you know,
something like so.

Speaker 5 (03:38:52):
But if you go with peoplestarte my heart, they still swings.
When I think I can remember I was your the
swinger a ring for.

Speaker 2 (03:38:59):
Her ring finger.

Speaker 1 (03:39:00):
It's like you stuff ain't not like ing up, ing up.
I'm not going on out like Felix Sunger. So somebody
you're trying to play me out of buying a sucker.

Speaker 71 (03:39:10):
Somebody you're trying to play check it out by your socker.

Speaker 1 (03:39:15):
I mean, why you're trying to play me the cover
you try out by your socker. Somebody trying to wow
out by your sock.

Speaker 6 (03:39:26):
I remember this back when I was swinging with mixed pitting.
I think she got up can got on my cheep
in uphill at Burger, king of shot up eagle.

Speaker 5 (03:39:33):
Down with my maturity and getting papers from word Tarboro
and he doing security.

Speaker 2 (03:39:37):
Huh.

Speaker 6 (03:39:38):
She just used to climb up in my whip a
whipp ches to stress the nigga quick jumpty going.

Speaker 5 (03:39:42):
A gagle chop. What thing my fuck? I hack the
stuff that bitch in the chef find a double.

Speaker 1 (03:39:47):
Comprehendis exactly how I'm living. So what man? I fell
around the way from the uptown set.

Speaker 5 (03:39:52):
We used to drown and sweat.

Speaker 19 (03:39:54):
Uh.

Speaker 6 (03:39:54):
She was my dollar two one lost, but nom the
foxy started dis listen, particuling and chicken on my bride.
She tried to first project cut off, so to the next.
Oh not for the sex's when you used to run
through the projects.

Speaker 5 (03:40:05):
I's have been with the next about the next, love
the cup of her next for stress.

Speaker 1 (03:40:09):
Gave up a cat as a pet expected in.

Speaker 5 (03:40:12):
The witch when she wanted to flow flowing with the
snosey who she went.

Speaker 6 (03:40:15):
I was out doing my shows doing the dim bo
them love them load them bo.

Speaker 5 (03:40:20):
You can't introduce the bustle for Prince bow and fall
fastest week until.

Speaker 1 (03:40:24):
The morning drippers started flipping, so yo, Prince had to
be gone.

Speaker 5 (03:40:27):
I'm just enough the brother trying to get around the
fix and keep my mental safe no matter what it takes.

Speaker 1 (03:40:33):
The meal one get trying to play me though, I
like a sucker.

Speaker 73 (03:40:40):
Did not hurt, did not hurt, sifte did not hurt,
fifteen did not hurt, sim did not hurt.

Speaker 5 (03:40:53):
This top three shot grew up on you know, Cold Train,
seventies Rock Zeppelin, and when I was in high school
and I was like, really really into that music.

Speaker 1 (03:41:08):
I was realizing that it.

Speaker 74 (03:41:09):
Was like ten years fifteen years before me and wondering
why I was still resonating and had a long shelf
life when a lot of things in hip hop culture
was real trendy. You know that's the thing now. I've
been trying it for years.

Speaker 5 (03:41:22):
I've been like, how do you explain disparage between what
the artists and all genres of music do. I just
simplified it down to not feeling anything from it. I
could love your song, and I could tell people this
is a hit, and I love this song when it
comes on. I can also be like, it doesn't give
me anything. I think that's what separates a lot of

(03:41:45):
things for me. I like to feel something radiate off
the music. It can be silly, but it's something there, something.

Speaker 1 (03:41:52):
There year year.

Speaker 5 (03:41:53):
What's up?

Speaker 38 (03:41:53):
Man?

Speaker 11 (03:41:53):
This is the RADZ cast. You are now checking out?

Speaker 6 (03:41:57):
Take it personal when my man's chasing my love laurd
and DJ three sixty, you know what the fuck it is?

Speaker 5 (03:42:04):
Reflect with me, you know what I'm saying. We're just
sitting on the porch.

Speaker 1 (03:42:11):
And wat.

Speaker 5 (03:42:14):
Helicopter flying over here, little niggas in the streets throwing
dark rocks.

Speaker 1 (03:42:19):
Feel me chylogical logic, We.

Speaker 6 (03:42:22):
Discovering dam ghost possiles to paint a perfect picture.

Speaker 1 (03:42:24):
Twelve years of slave, twenty years a splinter.

Speaker 6 (03:42:27):
Thirty seven years a nigga hoping to see ninety begin,
A strong black figure as I stayed in Deliver three
fire in Japan, Godzilla my popular demand and the fans
see the god got killer like Cord down West with
scalps on my chest, Superman, Thungus tent trip to night
to the flesh, see the hood, got me stressed, taking
fits to the next move the poor rest and I

(03:42:50):
discovered KRS.

Speaker 14 (03:42:51):
Let us begin?

Speaker 1 (03:42:52):
What where, how or why? Will Lord be explained? And
if not being we die?

Speaker 5 (03:42:57):
Who's in Granny?

Speaker 1 (03:42:58):
What's the hardest?

Speaker 5 (03:42:59):
Good women?

Speaker 6 (03:42:59):
I fucking left broken hearted, turned up being retarding transformation
an optimists from an artist like young Malala p the
tally Man with target shot in their hands, just because
she wanted to read. To let me put some sex.

Speaker 1 (03:43:13):
Traffic is freeth We got a fall for one because.

Speaker 6 (03:43:16):
Niggas come on theyself now with days filming on bonding,
wanted to walk Crown don't pay, candied outlandish, the dirty pistol,
my brandish cletic didn't have camera cons.

Speaker 5 (03:43:25):
When I was just doing fast shit.

Speaker 1 (03:43:28):
So shit, I just dated myself.

Speaker 5 (03:43:30):
I'm no spring chicken.

Speaker 6 (03:43:31):
And why you hate on yourself for five minutes of fame?
Find yourself like cats Dat's knocked out of the frame,
locked in the cage and bitching. It's true, you're backwards
hustling homie. You snitching on you Come on my day card.
I beat Bob Fristotle, three story challenge, twist the top
off the bottle, my areas classic Carannosaurus wrecks and the

(03:43:54):
lap shit Lemurt Park.

Speaker 5 (03:43:56):
So I passing giraffecking things at life cooks on, so
keep living. Can't take the thing tag with like blutes on,
so he clim There were a couple of things that
be awarded. If I could get my friend, you forgive me, Yeah, I.

Speaker 1 (03:44:15):
Got this dream tack with like blut so on, so
keep cl.

Speaker 16 (03:44:20):
In order to recollect sptional memories, I developed the way
to transform brain weays to find every cultural energy to
translate algorithms converting the information to digital uploading compiled foucil
wins that projected the more screener living beautiful scene, the
strapped up straight.

Speaker 1 (03:44:37):
Symphonies and heavenly trees.

Speaker 16 (03:44:39):
The alchemists in kindergarten when kids was asking about alphabet
so was a maculate what's part of the master rich
out seas from my parents during the scene when I
was seven.

Speaker 5 (03:44:48):
The experimented on my brain up until I was sage eleven,
and at age thirteen, I learned that they didn't really stream.

Speaker 16 (03:44:54):
Mylecues and teleport my electular structures with the being these
are my memories. Some them in with not you to
fast for with the bad, play the good and slow motion.
Now I ask real pro check, analyzed grom study aging
almost bring back a secrets from nom The government asked
me to track the locals on this lawn. They ask
me to whoever about to go go horam and crack.

Speaker 12 (03:45:16):
My brain for catastrophic chatta that's insane to extract that
from satellite.

Speaker 61 (03:45:20):
So this simulation plays my memor me, my member, my
memordmer I'll go for holy just a week ago.

Speaker 1 (03:45:27):
My member bee, I remember my memor. I'm coming back.

Speaker 31 (03:45:32):
To day in the day.

Speaker 5 (03:45:34):
Right, We're back back back in.

Speaker 13 (03:45:37):
The days when I was young. I'm not again anymore. Ever,
some days I sitting more shall was again back in
the days when I was young. I'm not again anymore over?
Some days I said in wish I wasn't head again.

Speaker 2 (03:45:48):
Kid again, can't again, can't again.

Speaker 60 (03:45:49):
Can't again.

Speaker 5 (03:45:52):
Somehow, some way we be coming up with like every
single day. But somehow, some way we'd be coming up
with flying shit like every single day. But somehow, some
way we'll be coming up with funky fly shit like
every single day. But somehow, some way, some house, some way,
some howsome way.

Speaker 3 (03:46:12):
Check it.

Speaker 6 (03:46:12):
Intelligent words and colors inside of the straps, vision liquids
whooper scission which clisses.

Speaker 5 (03:46:17):
Them like baptism.

Speaker 1 (03:46:18):
I blessed souls through.

Speaker 5 (03:46:19):
The world's second religion from the left with all angles
to enlarger prism.

Speaker 1 (03:46:23):
Prince Poa out of the south side.

Speaker 6 (03:46:25):
Slumps claiming spots around old the ship for criticalutos, repeating
the same topic, misleaving the seeds off the for two
years out of the BLI sheen, I.

Speaker 1 (03:46:33):
Still rock it and run well.

Speaker 5 (03:46:35):
We'll never let my stiggy get your jail.

Speaker 6 (03:46:37):
Ethethically international ghetto crying shout the freaky black Jay's barn
with infra red fut jet propelling force itapping my steps
and with the few I make po were you drop
juice inside of the bruise, inside.

Speaker 1 (03:46:48):
Of under the eyes of God, can't blues out of
and bruce cruise and let the he's fall.

Speaker 5 (03:46:52):
The cues got your boys crying while you should.

Speaker 7 (03:46:54):
Shout in front of the church cues. Foods hit the dance,
poor to shake, shoes hit the glact.

Speaker 1 (03:46:59):
Kipp hop, who sucks? Oh?

Speaker 14 (03:47:01):
Why does the fuck with that?

Speaker 1 (03:47:02):
I to stop the party?

Speaker 5 (03:47:03):
What ball ease, niggie button, niggad and raw Some house,
some way we be coming up with funky fly shit
like every single day, but some house, some way we
be coming up with funky fly shit like every single day.
But somehow, some way we be coming up with bunky
fly shit like every single day.

Speaker 1 (03:47:22):
But some house, some way, some house, a way, some
house way.

Speaker 16 (03:47:27):
Only inches beyond my eyes. Lord, here out the soul
of a nigga who fights in Liverpool war with the
side of himself Pharaoh. He gonna see feeble in some media,
eat them see immediately the leader repeatedly, y'all know the
un press a tented room without herd every single word
to be verbally the minute percentage, so that when it
decentegrates no sentiment. A mi minute stand in the morning

(03:47:48):
hits your tentement, isn't it, Doug How about buslyrical clubs
and dougs that mother nigga's for looke to sell drugs
when the fan gets stroked by fee seats. I'm only
rolling with the most superiod. You're profiled in my speed scene.
My s the police, he's gonna fly.

Speaker 5 (03:48:02):
All means yes, yes, sacked. The mic cracks till it's cracked.
Scene makes the base when they misplaced the vaccine.

Speaker 12 (03:48:11):
Was pulling out on the poe on it took a
peg of tholar system with.

Speaker 16 (03:48:14):
Scriptures that I wrote and not My physical form is
like nom. It's seeing like storm, say, was still calm
some house away. We be coming up with funy fly
ship like every single day.

Speaker 17 (03:48:26):
But somehow some way he be coming up with ship
like every single day single.

Speaker 1 (03:48:31):
Where are going a job?

Speaker 14 (03:48:33):
N song?

Speaker 1 (03:48:33):
You can I drowsy call we all shines rather than
the organized. That's the tight one hundred percent.

Speaker 5 (03:48:43):
From a full almost a person is the children's brother,
bad amma bad, some superb liberty herds from the slums
up to say this gun job running suns beds and
some ready hand organized.

Speaker 1 (03:48:56):
Believe it.

Speaker 16 (03:48:58):
He so so many train leave me off beating over
your head. That ship stands like reptile skins.

Speaker 5 (03:49:05):
When niggas found the same beginning to the innnings up
the now, pease try to sell me ship what they
put the ad poons and they full sh shit shit,
I'm hitting you on up the Nancy.

Speaker 1 (03:49:14):
Kaken on shin fuck it. If niggas can't.

Speaker 5 (03:49:17):
Come for Joe, consider me ill with skill, nigga shill
still some sleep suity. That's a good bit. And when
I revealed technique wherever hot speed, I'm going there fucking
killed for real future street prodigy fall. The model was
hollow be your name. If you livers whole sorrow ain't
got a GM shade. Confucier put the k whole look
sect like brainway that's it from tomorrow.

Speaker 6 (03:49:37):
Prince Pop Pisorrow maintains the status Apple batter throughout the
stratus fear. Here stands one of the battest city Chrispy
Brong rebelously like crystal okp zgebiis gatt.

Speaker 1 (03:49:48):
Dope fish knots us out a ten.

Speaker 5 (03:49:50):
I think good one to shine, but nobody shines righters
and they're like organize. That's the tight one hundred percent.
So I'm a full harmug a persona is the thrush
should destroy the bad comma. Back from the sums of
the latest gun truck runs fun fat sun jumps.

Speaker 6 (03:50:04):
Why you already hand competition, Bulgod, that's missing this shipping
hands believe.

Speaker 51 (03:50:09):
That m.

Speaker 15 (03:50:13):
Kind of where where head is it?

Speaker 1 (03:50:17):
You're gonna get the slice. You're going down to southth
where I gotta.

Speaker 75 (03:50:20):
Make your deliveries, not check it back there?

Speaker 2 (03:50:22):
Right?

Speaker 60 (03:50:22):
You rebring that all right?

Speaker 1 (03:50:25):
Oh shit, what you got it?

Speaker 5 (03:50:29):
That's the height news latest. Let me tell you the
story of right hand, left hand.

Speaker 1 (03:50:35):
It's a tale of good and easy. Hey, it was
with this hand the cane iced this brother. Love these
five fingers they go.

Speaker 5 (03:50:48):
Straight to the soul of man.

Speaker 60 (03:50:51):
The writing the hand of love the.

Speaker 1 (03:50:55):
Story of life.

Speaker 38 (03:50:57):
This is this.

Speaker 1 (03:51:00):
Ecstatic.

Speaker 3 (03:51:02):
One hand is.

Speaker 5 (03:51:04):
Always fighting the other hand, and your left hand is
kicking my hands.

Speaker 1 (03:51:09):
I mean it looks like the right hand love is finished.
But hold home stopped depressing the right hands coming back.

Speaker 65 (03:51:16):
Yeah, he got the left hand on the ropes.

Speaker 1 (03:51:18):
Now that's right. Yeah, ooh, it's the devastating right and
hate is.

Speaker 5 (03:51:22):
Not down boom left hand hate kaos my love.

Speaker 2 (03:51:31):
If I love, I love, but if I hate.

Speaker 15 (03:51:39):
Ever it is love and hate loving hate.

Speaker 5 (03:52:07):
Recognize weed, nigga, look into my eyes, seek raw visualizations
of hate reincarnated.

Speaker 16 (03:52:14):
It need sumost unadultriated for my breed evil and connate
solely for the purpose to mislead what was once promise.
Some seeds are now destroyed and replaced with mischievous weeds
for greed. The purpose in siminate you a bitch hot
eliminate top rappers, though they remained the side of ditches.

Speaker 12 (03:52:30):
Nigga, political snitches hate me witches the every reason I'm
able to strike.

Speaker 1 (03:52:34):
So shit.

Speaker 16 (03:52:36):
Take these keys that for years were not found, allowing
all simeons to be freed.

Speaker 1 (03:52:40):
That's locked down. If he turns straight back to the block,
only the.

Speaker 16 (03:52:43):
Cop or smack rock from cops that act not in
a manner for you to prosper.

Speaker 1 (03:52:47):
You are opsa leap unless you can.

Speaker 5 (03:52:49):
Handle the ball to mingle full core brest. When the
weak emotion of blood fails to bring host, kneel to
your master, the God, and evoke the strongest emotion know
in the mankind. He ah, you are sadly mistaken if
you think my everring year race could be taken out
by the likes of you ate skites, conservative nigga loving fops.
For tonight must white right, wall headed, white raceley the

(03:53:10):
breast of the bags on the bed for visus as
the war white taa Hey.

Speaker 70 (03:53:16):
Hey, what we have here in any wation where our
government is allowing these aliens to take over the country.

Speaker 14 (03:53:21):
We can't allow this to happen.

Speaker 15 (03:53:24):
Turn your Bible for Psalms thirty four to twenty one.

Speaker 70 (03:53:27):
Evil shall play the wigan, and they that hate the
righteous and shall be desolate.

Speaker 15 (03:53:31):
You're there, young man in the back, with your hand.

Speaker 6 (03:53:34):
Up me speak a fucking taxpayer who salutes to a
Confederate flag. But chain of thoughts is on the bag, y'all,
ring your ways looked from my granddad I'm almost.

Speaker 5 (03:53:42):
Toes around these monkeys to speak.

Speaker 1 (03:53:43):
I thank God that a white hoo.

Speaker 5 (03:53:45):
Don't we need to snatch off this nigga's the facts
we used to stay tax we can't job positions from
Madan control of opposition place me to be the summon
to her serving this hand and foot a rape miss
slave and betrayed them for birth. Never to overlook the
American coot, the sperch versus of the Bible sabotageship. Since
Christopher's a rival, hey making them Indian aspect for survival,

(03:54:06):
not life for riches and could's homicidal. We knew your
Nazi speak nothing but world dominations. God's planners for us
seek and destroy man's foot creations. It's exerted in the
Good Book of Revelations. Set up to destroy phase and
Jews from here the station, so more hot springs can.

Speaker 1 (03:54:20):
In all this confusion for good.

Speaker 6 (03:54:21):
No, most moved your north for wealth and for jigger
booths in the so called wood sickle cells acres and
your death.

Speaker 5 (03:54:26):
Fight you black bitch, But I like the way you
sucked my wood. Something names that where the former as
was made to fight your mind. But now I'm friers
got that you're semi with first fun in the valet,
I'm off to college within a nap Psycho saph religious
artifacts from the Grand Dragon Wash taking three grams two
guess with hey, hey.

Speaker 2 (03:54:43):
Hey, still putting what you're calling me home Left and
white supremacists on the same moral plane.

Speaker 8 (03:54:49):
I'm not putting anybody on a moral plane.

Speaker 1 (03:54:51):
What I'm saying is this.

Speaker 66 (03:54:52):
You had a group on one side, and you had
a group on the other, and they came at each
other with clubs, and it was vicious and it was horrible,
and it was a horrible thing to watch. But there
is another side. There was a group on this side.
You can call them the left. You've just called them
the left that came violently attacking the other group.

Speaker 8 (03:55:10):
So you can say what you want, but that's the way.

Speaker 20 (03:55:13):
It is.

Speaker 1 (03:55:15):
On both sides. So you said there was hatred, there
was violence, says I do think there's blame.

Speaker 8 (03:55:20):
Yes, I think there's blame on both sides.

Speaker 1 (03:55:22):
You look at you look at both sides.

Speaker 5 (03:55:25):
I think there's blame on both sides.

Speaker 66 (03:55:27):
And I have no doubt about it, and you don't
have any doubt about it either. And if you reported
it accurately, you would say, Charles Chas and you had
some very people in that group, but you also had

(03:55:48):
people that were very fine people on both sides. You
had people in that group.

Speaker 1 (03:55:55):
Excuse me, excuse me.

Speaker 8 (03:55:56):
I saw the same pictures as you did.

Speaker 66 (03:55:58):
You had people in that group that we're there to
protest and taking down to them a very very important
statue and the renaming of a park from Robert E.

Speaker 5 (03:56:08):
Lee to another end to another end. Fuck you da Slou,
Fuck you Dar Slo.

Speaker 12 (03:56:17):
Motherfucker, my fault Thoe makes all your keys.

Speaker 25 (03:56:20):
Don't blow.

Speaker 14 (03:56:23):
Tiding it over.

Speaker 12 (03:56:28):
I'm making feels so good if you don't need to wonder,
I take a train of stalk clouds, train of fun. Somebody,
some man said, people spits miraculously stipttacking. His blood exists
for injuries to the body, chemistry men whom steals injuries.

Speaker 16 (03:56:51):
My ministry leaves the industry and the closman us to
unvelop like ux Milman.

Speaker 1 (03:56:57):
We need a leader who is not mischievous. Give your
trump sake to lead.

Speaker 16 (03:57:02):
Us or the trust The facts fastious.

Speaker 12 (03:57:05):
In fact, the pact facts just easily leave them.

Speaker 1 (03:57:09):
Seeeaseless threat from the bomb.

Speaker 12 (03:57:12):
But the non believe us suddenly wonders had it become
under astievas one of the facts currently.

Speaker 1 (03:57:17):
Us not speaker got it? You want it? To get it?

Speaker 35 (03:57:24):
I want it?

Speaker 65 (03:57:24):
And how so you do?

Speaker 1 (03:57:26):
Way to let my people vote today?

Speaker 12 (03:57:30):
If you don let my people go, go, let my
people go.

Speaker 26 (03:57:38):
The staves are mine, their lives are mine. All that
they own is mine. I do not know your God,
nor will I let Israel go?

Speaker 1 (03:57:53):
Who are you to make their lives bitter in heart? Bondage?
Man shall be ruled by law, not by the will
of other men.

Speaker 5 (03:58:03):
Who is this God that I should let your people go?

Speaker 1 (03:58:07):
Aaron has done my staff before Pharaoh, that he may
see the power of God. In this you shall know
that the Lord is God. What is the lose?

Speaker 56 (03:58:33):
To lose?

Speaker 39 (03:58:34):
Here's your ticket, wicked? I got so much super on
my mind.

Speaker 1 (03:58:49):
News to lose? Here's your ticket? Here the wicked to
prove you to.

Speaker 16 (03:58:55):
Push the plat to plata, so a satin chap and
slap the mat all ready to my I get.

Speaker 2 (03:59:03):
There.

Speaker 1 (03:59:03):
My favorite teasm Lola, never be your brother like me?

Speaker 5 (03:59:06):
Go so low plays the day the stage of major ways,
the blazer.

Speaker 1 (03:59:10):
Praying and trainer. The way I'm living forgiving what I'm
giving up. Thanks on the flats, staving now. I don't
know about later pass.

Speaker 12 (03:59:17):
From now I know how to avoid the folly land.

Speaker 1 (03:59:20):
I've had it up to here.

Speaker 12 (03:59:21):
Here go were I got him going in there let
him be said and read.

Speaker 1 (03:59:25):
Just a bit of goal, not putting the.

Speaker 16 (03:59:27):
Sign of hard work the jeep from getting just taking
some ways to way back in the better days.

Speaker 1 (03:59:32):
Row better physically.

Speaker 5 (03:59:33):
Bold, Never follow the phone, still drop the lord, never
busting water, am card, lord sir, that's coming from the hair.

Speaker 1 (03:59:40):
What I got rede, get some hustler up.

Speaker 12 (03:59:44):
Coach out, stay sitting fins, fitting the facer with the rods,
keep fitting, respects, be given, pride you're living now. I
can't go check the plat off deep check the reck
of the reckon good a national wreck playing office. Intellect
made the boat, took the phone, broke the lord.

Speaker 1 (04:00:00):
Not motherfucker they pulling, Go do the square through what
my kids so my crowder pulift the car left in
the bow up, holl them and shot roll. So welcome
to the tumble Doe. Come on down.

Speaker 16 (04:00:26):
There's a whole the apple and apple that's been brightening. Steve,
let the clan I'm playing like.

Speaker 1 (04:00:30):
Great license bringing screened by a sleep and stip out
of the dropping down.

Speaker 5 (04:00:33):
Here and he hit like that's aout.

Speaker 12 (04:00:35):
Seven years later, History year in the cards, the United
States coming min It's just a facade.

Speaker 1 (04:00:39):
The Catholic Church got times.

Speaker 14 (04:00:40):
With the bars.

Speaker 1 (04:00:41):
I see it all like it was to the farm
and they said yellow brick prod the fame which is
in party. You don't really had to bring you would.

Speaker 12 (04:00:47):
Go with y'all watching your ventilation cut to edlication at
se information bro domination, take a reservation trigger and ages you.

Speaker 5 (04:00:54):
Know she tsunamis to control the population. Gods in the
sky good an oativation that y'all want you pot to
take away.

Speaker 2 (04:00:59):
You're like, yet me do y.

Speaker 38 (04:01:04):
Us?

Speaker 18 (04:01:04):
I want to be mad?

Speaker 1 (04:01:05):
I putting down on the planet something that you never have. God,
let's just sw we welcome to the summer Toome. So.

Speaker 8 (04:01:44):
I haven't playing a lot of video games lately, mad
and uh, you know the old games are the best games.

Speaker 11 (04:01:52):
They're really Wait what shirt am I wearing right now?

Speaker 8 (04:01:54):
Get a blade of steel?

Speaker 11 (04:01:56):
That was that best hockey that was steel.

Speaker 20 (04:01:59):
That's he scored every time he touched it. No, I
don't know.

Speaker 1 (04:02:06):
Gets that's where I used to play.

Speaker 11 (04:02:08):
You guys are nine and n is probably what you're
referring to, right. That was on Genesis, Yes, Nintendo.

Speaker 20 (04:02:16):
Okay, sorry.

Speaker 8 (04:02:17):
The one thing I want to make Steel was definitely
the best Nintendo hockey game. Yes, but remember ice hockey
and you had the chance between there was like three
fat guy, the city guy, and the regular guy. I
remember when the fights would happen in that game. They
were fucking great. Like everyone would just all of a
sudden like attack like piranhas to the fight location, and
it would just be like, we're making those like eight

(04:02:38):
bit fucking sound.

Speaker 11 (04:02:39):
Expect Why is it that those games resonate so much
with us? And it goes with the music too. Man,
stuff we grew up on just stays with us. It's
the simplicity of some of these games today are so
It's still an enjoyable game, more so than some of
these games.

Speaker 20 (04:02:59):
Kids look at you like you're crazy though.

Speaker 11 (04:03:01):
Well, during our little break, I went to Cleveland, which
is definitely the armpit of America. There is nothing I
don't know what to do then, no wonder Lebron left.
Cleveland is a depressing acity, but I did have fun
because there's there is a lot to do if you're
doing it within a day or two. So shut out
to Cleveland.

Speaker 8 (04:03:22):
So my summer was cool. I didn't go anywhere, but
my family fucking left. So I sat home, jerked off,
and drank every goddamn fucking night.

Speaker 20 (04:03:30):
Gotta have goals, kid. Let me ask you a quick question,
both both of you guys, if you could have one
piece of hip hop memorabilia in your home she shed
in your home, man cave studio. What the hell is
that when a woman takes over your man cave and
runs the ship.

Speaker 8 (04:03:49):
I'd want the toothpicks that cage stuck between his teeth
for that stupid fucking picture that he took in the source.

Speaker 11 (04:03:58):
That is a pretty funny comment.

Speaker 20 (04:04:00):
What about you, Jay, hip hop related has to be shit.

Speaker 1 (04:04:08):
I don't know, man.

Speaker 11 (04:04:09):
I'm like, I don't really collect hip hop relics like.

Speaker 20 (04:04:12):
That doesn't have to be a relic, could be something
new to be a sneaker, could be Michael Jordan's prize.

Speaker 11 (04:04:19):
I don't know it you're talking about. You said hip
hop though, anything that revolves a hip hop maybe like
a pair of Adidas that run or DMC.

Speaker 20 (04:04:30):
War fantastic thing.

Speaker 11 (04:04:31):
Maybe maybe a mic that rock Kim used, I don't know,
someone some stupid shit like that.

Speaker 8 (04:04:37):
What about the actual radio that was on the cover
of Radio You know that's actually available?

Speaker 20 (04:04:43):
You really, yeah, you can find that one. I had
the best boombox of all time when I was a
kid ten twelve years old. I had a boombox at
at a turntable took about fourteen D batteries.

Speaker 8 (04:04:55):
Boombox with a turntable in it e D batteries.

Speaker 71 (04:04:58):
Took about fourteen What the fuck it's D you JOSEU
D motherfucking d learn to speak English first, all right,
D how many you say?

Speaker 1 (04:05:08):
Twenty? Motherfucking twenty?

Speaker 2 (04:05:11):
What the fuck you?

Speaker 1 (04:05:16):
Johnny, this is tropping. Where the hell are you, John
Come in? You're way.

Speaker 2 (04:05:33):
Murdoch, he's here, Yeah, I'm oh, this is Murdoch.

Speaker 1 (04:05:42):
We're glad you're alive.

Speaker 58 (04:05:44):
Worre you give us your position and we'll come to
pick you up.

Speaker 52 (04:05:56):
Muddoc many get years.

Speaker 12 (04:06:21):
I stand here before the forces of evil with the
style so poetically god get fit shall bring a forth
the story of a lyrical souldier.

Speaker 1 (04:06:29):
Bless the matterifest in the eyes of the Behold the
words of wisdom never abused.

Speaker 16 (04:06:33):
The line they in Greek, they's how a lease the
phrase like a lousy nine from the larynx shot in repetition,
words never heard before, but still the renditionous rats will
enable me to attack from throwing.

Speaker 1 (04:06:43):
To dust for liberation driven. I will never give into.

Speaker 16 (04:06:46):
Interrogation the rank given to me the pharaoh, because every
broke flows like a cross bow, even with the picture
soul with the poison tip arrow. Any man wording applying
for and be miss flat replies of the one with
the eyes in the.

Speaker 12 (04:06:57):
Backs of the head.

Speaker 5 (04:06:58):
Here's the key to a locked the door and afford
without poetical core crime sword for sure. If an attacks
the adapt to combat for the brisoners of war.

Speaker 76 (04:07:08):
It's a pressed listens, listen, smalling the cords and damage
the whipper too, a hide the volading phil which is
like a poetical soldier and v nah for just released
defic gas spot of maturity.

Speaker 1 (04:07:22):
You're ready as a small.

Speaker 6 (04:07:23):
Mass fare to last as a rebel or rapt stop
though the google as.

Speaker 1 (04:07:27):
A maneuver, Whipper cars and has a verbal of each
counter attack.

Speaker 6 (04:07:30):
It's like a lack of mass slapp because I'm the
type of hyperactive right because recommend the enemy with them,
because I'm not upeending me to the trying to get
rid of me, your little any biddy twenty for more
than matter. You're killing me because I'm a glock nine
that will rock your mind. The shorting that trusting your
brain ways is the rhyme with the sign of the time.
Don't flie because I people attacking from the side that
is going. Therefore I gotta be hard to the core
and I walk as a prisoner of war.

Speaker 16 (04:08:08):
Wake up to the mathematics of an erratic wrappers through
nata a rhyme the sort of coro mortomatic for readical
medical medicine over cerebellum.

Speaker 12 (04:08:15):
I have them in front of them and serve them.

Speaker 16 (04:08:16):
Then I rebell them a break down for whether to
shake down fifty to pick up a stick of salt
on the floor, face down, the amble to keep the
people stepping breaking open the ball because I'm like a
verbal assault weapon, a.

Speaker 12 (04:08:25):
Mathematical astrobatical attack. The blactic wraps to the lax a
moment you're struggle like you hung up when you heard
the style ode. I brung out a thing that I
come out my mom where I stick my hung out
in the atmosphere. Take a good look at what's happening
here going I'm like Conford, I'm rapping, make.

Speaker 1 (04:08:38):
Them, sticking them up, making them, shaking them up and
bashing the lyrics.

Speaker 16 (04:08:41):
Dictator, the abaight of hats in the hall, beware to.

Speaker 12 (04:08:43):
Prepare them for mc guillotine. Rhymes to express experts extreme,
be up to par with wisdom in it too, like
see tattoo, one said directly from one's neck, still upping
inling the drill in your brain like I'm feeling. I
came in the dark business park, the litter retort for sure.
When I've round for the.

Speaker 1 (04:08:59):
Prisoners for.

Speaker 6 (04:09:09):
Gas a cheese, the chatter cheese.

Speaker 1 (04:09:34):
As you looked from when's fourth fight?

Speaker 5 (04:09:36):
Come writing the wind, the celiminating competition from bird's eye view,
descending in helicopters in the village raid flesh ful burns.

Speaker 16 (04:09:43):
What exposed to the poetical germ grenade. I'm highly intoxicating
your mind. What I'm operating myself wants to membrane saddle
passims and brutal plasms to centegrade on my lemonade.

Speaker 1 (04:09:52):
I'm not on aasm in battle.

Speaker 16 (04:09:53):
I display a nuclear raid, battle destroyed bone mound cattle,
the apply destroying button, tied food supply that spoiling aids.
Maggot splies. It's ironic one of dermonic. Government utilizes biotics
in a six million dollar man to capture me. However, however,
you could never ever begin to apprehend a hologram who
was determined to fight solely to the filling le of
a land of a holy I do a rock and

(04:10:14):
iran because I couldn't stand anymore within the depth set
of saying. So don't ast me who've seen Christ. The
hypnogodical gas is all eating my brain.

Speaker 5 (04:10:30):
Twenty two thousand least that'll be low minus one hundred
and forty three degrees sees the and forget that the
hockey ours after math needs to follow this because it's
deep equivalent to the esopha dispressed.

Speaker 6 (04:10:41):
The sciences aka to miss prim tom television is dad
on the tsue and very much of a lovesion. This
intuition d leading and the ailiness and in descriptive more
a calm petition.

Speaker 1 (04:10:51):
With everybody like vision.

Speaker 6 (04:10:52):
Precision means colors, rants, fusions, lime, graz black, dunting in.

Speaker 5 (04:10:56):
My fourth Killar's fourth dope lyrics up cliff spirits, say
your w it's fatal to walk the path, the confusion
where it talk to some church while most human like
being s parish subjected to depth.

Speaker 6 (04:11:06):
The body's gonna feel with that, I'm not into life.
The wedder goal asks that it's burning up flesh. At
the end of the corridor, you're seeing me sitting the.

Speaker 5 (04:11:12):
Johnny Moore protest liter mature some of the equivalent to
concentrate the sod of your mic.

Speaker 1 (04:11:16):
The chloride, insight, foresight, more sight.

Speaker 6 (04:11:19):
The cock in the wall reads a gona past bird
knife insight, foresight, more sight. The cock in the wall
reads a going to past great knife insight, foresight, more sight,
the soy nauseous forever you will avoid mo royal presence
as a step into darkness.

Speaker 5 (04:11:38):
Darkness.

Speaker 1 (04:11:38):
Con't waitness, can't wait, wait this, I am one.

Speaker 16 (04:11:48):
With all things lost your fort side, Aram the pi
er for not extending my hand to the always so.

Speaker 1 (04:11:57):
The light have the feel to me death. There must
be more. So I played with rhythms, something.

Speaker 5 (04:12:02):
More with a mere game enable to me to a
fast and whist records with the Christs like the highs
to leave, for such light.

Speaker 12 (04:12:07):
And concentration can't high escape with my.

Speaker 1 (04:12:09):
Sanity in two southern of ten. Every man will be.

Speaker 12 (04:12:12):
Subjected to clable warning.

Speaker 1 (04:12:13):
For on this stove millions of focus saw.

Speaker 12 (04:12:16):
Me singing too chok on to deliver rock around the
intelligent rue to realize you to b third vision surrounded
bery side of figure containing the brain. The triggering mechanism
for which I strike like beyond sight time beyond time,
which one from belowal magma the granted the grounds will separate.

Speaker 1 (04:12:31):
Dispersing awful ashes.

Speaker 5 (04:12:33):
Your optics will not be able to detect the deadly
hip the plot of the passage.

Speaker 1 (04:12:36):
Damn, it's off the breed.

Speaker 12 (04:12:39):
But if I got one breast left hell suf wins
from the valley of death. Here right, come from the
slums the first of center.

Speaker 1 (04:12:45):
Now refill myself. It's a piece of.

Speaker 5 (04:12:46):
Center, unbreakable shell through the tall waves of heaven.

Speaker 1 (04:12:50):
On if as hell the time is not right, now
now done.

Speaker 5 (04:13:00):
This is the new stepping to the third in the
door with the flows. As the wind blows visible light
the instros to releasing hladical gases and chemicals max fixed
stating to the sixth realm up whether the warfare energetically,
I walked with the flare fat page to night, a
mighty figure out the night sets fare.

Speaker 12 (04:13:16):
I swear I risk posed by Twitter Dart's can overshadow,
because I have.

Speaker 5 (04:13:20):
Read up smashing you crashing you have to unbashing you
with ever forth past to me, my it oka't you
know my flat follow soap.

Speaker 1 (04:13:27):
Cheek came up race brain washed the transports me.

Speaker 5 (04:13:29):
But I still went, Oh my hammer to let the
mer But God still my unp slifter. I used this
now just to frust the crust of crypst. I approached yourself.
I can see that flat back to the whole justice
at the continents of the celebrate the.

Speaker 6 (04:13:40):
Translated conical lab that un data so stucking up trying
to be quite fal matter complicate upper pabetical, hypothetical, mathematical stakes,
certain punt step stuns and a mazes and dansers the
face the stage, the pages of the lot chapters. I
found practice swash texts like these riches have taught the
land continuing with beating gas, delivering your regards tyck of future,
but go on about lash suggests slashdam slashes. Because I

(04:14:07):
released the last of Nautical Jazz.

Speaker 77 (04:14:09):
My name is Prince Paul, Legendary Organized Confusion. We wrote
the songs a lot of times at Manchau and Mans
Moms just like hip hop Mom of the of like
the World, like she would hit the curses and she
would just come through room like she didn't hit the curses,
but you could tell by her face expression she had
the curses.

Speaker 5 (04:14:25):
But she's like that beat us hot.

Speaker 8 (04:14:27):
I'm like, yo, he's stumping in here.

Speaker 5 (04:14:28):
This this level would have.

Speaker 77 (04:14:30):
Got me an easy ass whooping, like you know, it
would have been like we just gonna asked because is
it's too loud? But you know, we wrote most of
the stuff over there, and having that type of support
it makes it easier, but you know, it was. It
was difficult because we had to meet the criteria because
Disney was like, yo, you gotta sell some records. So
people think that y'are too advanced. We think y'all to advanced.

(04:14:51):
We listened to hip hop, but y'all don't know hip hop.
But we we had to respect them on what they
were saying. And it worked out, you know, when people
supported us, and you know, it just proved that it's
not really about gender or ethnicity or anything like that.

Speaker 1 (04:15:05):
It's about what are you, what do.

Speaker 5 (04:15:06):
You dealt with?

Speaker 77 (04:15:07):
And how are you going to find solutions out of
you know what you applause, you got you dealt with?

Speaker 1 (04:15:13):
You watch the rhyme.

Speaker 5 (04:15:15):
Flip to the rhythm of that sultry. Just because I
brought a don't rhyme about paultry.

Speaker 1 (04:15:19):
I bring access to the past than seven years.

Speaker 16 (04:15:21):
It's my answer if you don't want to remember these
days of the chicken wing lake and kiss it.

Speaker 1 (04:15:26):
Mother was a recipe genius.

Speaker 5 (04:15:27):
And wizard on the groove, looking the chickens slicking, greasy
made easy.

Speaker 1 (04:15:31):
You can check the brocads with.

Speaker 16 (04:15:33):
The strip slow tells, cut them off, blue dumb to
release with the bell bottoms.

Speaker 12 (04:15:37):
Come on, pull op po, come on, come on, pull
hop poe, come on, Oh hold on, pull hop come on,
Oh young on, pull up, come on home, come on,
pull up po, come on.

Speaker 31 (04:15:47):
Come on, come on.

Speaker 5 (04:15:49):
Remember we used to play Skelly's back in the days.
Other favorite snack between the butter and jelly. Kelly had
a new box. It's what nu jocks but white jupe
socks for them over broop sock cous shot. But what's
on bus stuffs because we threw rocks when the sunset.

Speaker 1 (04:16:02):
Then I checked. I stuffled in a hurry because MAM's
made curry chicken chicken chickens. Hi Hi, chickens.

Speaker 6 (04:16:08):
Skimming at me because I'm constantly licking the bl even
though the food's cold.

Speaker 38 (04:16:12):
I love it.

Speaker 1 (04:16:13):
When the chicken got what shoes got?

Speaker 16 (04:16:14):
Chickens chicken chick chance, come on, come on, chickens black
chick chick chick chance, boom, come on.

Speaker 2 (04:16:22):
Come on.

Speaker 5 (04:16:23):
And your mother was singing up the clothes. Oh my mother,
chap your mother in the crill, what color?

Speaker 1 (04:16:28):
But came out red. But it's not I read alert
because if I was the kid again, I'll put you
in the dirts. South to the s. I t to
the e fresh shot of a bat Jr. Can't catch me, no, missus.

Speaker 16 (04:16:38):
Mary matt Oh dressed in black jeez rather fat, and
she carries the Louisville slugger.

Speaker 1 (04:16:42):
Now I ask you who's going on? Mugger? My daughter
was dove back in the days. I really dug her,
marsh You nugger much? You dougger barbecues in the summer.
What's the moon? That's the choice?

Speaker 5 (04:16:53):
GMB was the technician, shiny black beams, cool up to listen.

Speaker 6 (04:16:57):
I wasn't on the mic, but I didn't care. I
had the skills of poetper polo. Kicked your mama's button
because she.

Speaker 5 (04:17:03):
Stole the last piece. The evidence was there because she.

Speaker 1 (04:17:06):
Says the grease.

Speaker 78 (04:17:07):
Make sure you thank your mamma for everything. Tell you mama,
how good the food is, tay mama, how nice the
house looks? Tey Mohammad, heir, Look, did you tell your mama?
You better go in there and tell your mama.

Speaker 79 (04:17:18):
That's right, Tell your mama, Tell your mama, Tell your mama.
Nobody ever tells daddy shit. I'm talking about the real
daddy that handle the fucking business.

Speaker 78 (04:17:29):
Nobody ever says, hey daddy, thanks for knocking out this wrench.

Speaker 1 (04:17:36):
Hey Daddy, I sure love this hot water.

Speaker 79 (04:17:40):
Hey Daddy, it's easy to read with all this light.
Nobody give a fuck about daddy. I'm talking about daddy
that handle his business. Nobody give a fuck the fout dad,
think about everything. That's a real daddy does. Pay the bills,
baby food, put a fucking foot, momma.

Speaker 1 (04:17:58):
Your head after you say you can ever asked make
your world a better safer place. And what does Daddy's
get for all this work? The big piece of chicken.
That's how daddy gets. It's the big piece of chicken.

(04:18:18):
That's right. It's some weather. Don't want to give up
the big piece of chickens. What a fucking shoe.

Speaker 14 (04:18:26):
Jack keeps a.

Speaker 1 (04:18:27):
Big piece of chickens? How dare you keep the big
piece of chicken?

Speaker 79 (04:18:33):
A man can't work twelve hours and come up to.

Speaker 1 (04:18:36):
A wingle wangle wangle wag by a gripsa god.

Speaker 5 (04:18:48):
I give my speech like mouthcom express infecting a sound.

Speaker 12 (04:18:54):
Some people can't understand the part aguilar way that I'm
kicking it too?

Speaker 6 (04:18:59):
Is it not you?

Speaker 1 (04:19:00):
Is it dope? Is it height? Is it hot?

Speaker 12 (04:19:02):
Easy for you to hum along too?

Speaker 16 (04:19:04):
Whenever I'm happing, keeping your feet tapping and keeping your
hands coming together, you may think you're nice when I
am off for better sleeting cloud on.

Speaker 12 (04:19:11):
The microphone depict the clown like the ConA lust label
me as a delivering professor, pressing to be the ones
I'm liver troublin the stead effects.

Speaker 1 (04:19:18):
My brother read all about it, and once you take
out of doubt it something school move yes for the
audience pesus.

Speaker 6 (04:19:28):
You got it together to think of then whatever, just fuller,
this is something news for you.

Speaker 1 (04:19:38):
We are the similar. It's not around again.

Speaker 16 (04:19:44):
It beens an intertwine five the centrific before in the
sense to give ben here.

Speaker 1 (04:19:47):
A steady blow like dude.

Speaker 16 (04:19:50):
Yet I'm like nascid, cooler than lake classet. You're living
it when the past thing get off, slick.

Speaker 1 (04:19:55):
Slick, so that you know well, free your man. Just
state principle.

Speaker 6 (04:20:01):
I flow like spring order out of the force and
where I complete in the text, like tossing. Course, I
was tossing to the Pharaohs several m flower case. Oh,
then listen, strait. It's the presence of the two inning double.

Speaker 5 (04:20:11):
You'll hit some elections with food on my way interjecting
you a few messages, draft stories, a few last.

Speaker 6 (04:20:16):
When it comes to step on yoga, ain't the quarters
an even and a half like forson.

Speaker 1 (04:20:20):
I'll subject the feature vetom. I find them lone of them.

Speaker 5 (04:20:22):
I thowed them up at Mushall Chillo Kurty is shimming
a hot five for hand shake.

Speaker 1 (04:20:27):
But I can't flip like ship at the House of
pan Kicks.

Speaker 38 (04:20:30):
But I mean I create a.

Speaker 16 (04:20:31):
New strange something empty slinger and I bring on a
new swinger. They swim up for tip from money, put
the state, to the environment, and the kind of from
See you're fine with the minor for minutes, start round
a logical timement or maybe simon for finis you.

Speaker 1 (04:20:43):
We're gonna be right from the trail the two kings
in the streets.

Speaker 80 (04:20:45):
Yeah, yeah, it's the ot think Mike, yo, check this
down and it's ready, five yo boy, hairy spins right now,
I get checking out the taking personal show, whichha's glouts
health law a d J three sixty with up homies.

Speaker 1 (04:21:03):
No not now all I'm done? Oh God, ask you
what you said? This this stenditized. Let's go say all
I need. But it's gonna be your battle. Come come
I and come come, I come come. You know I'm
thinking the bigger.

Speaker 38 (04:21:20):
I think the bigger?

Speaker 1 (04:21:22):
Is it the people? And make your boos and people
make yourself These are the people and your food. The
people are making your saying. It's a confusing really has
the bread not over? Battle out?

Speaker 5 (04:21:35):
Go ahead, sane, come from me just a second as
until the river do you and you can man, don't
do shake your shivery AKA first, don't wat you tell akut. Actually,
I told your new concept of fuck rock. So Liris
to Bay a post.

Speaker 1 (04:21:55):
Hit, a queen.

Speaker 5 (04:22:00):
That doesn't come to everything on her weddings open and
you're not just like six Yeah, now baby goes.

Speaker 48 (04:22:16):
What did.

Speaker 2 (04:22:22):
Joe? That's Chris One checking out to take your personal
radio show. DJ A three sixty is down with us
from a flavor, It's down with us, flawed, string down
with us. Hey, hey Ron, it's down with us. Ride
us down with us.

Speaker 1 (04:22:40):
Sneaking fucking music is a month from number what? What? What?

Speaker 50 (04:22:45):
What?

Speaker 1 (04:22:46):
What?

Speaker 51 (04:22:46):
What?

Speaker 65 (04:22:47):
What?

Speaker 2 (04:22:48):
Yill Jill Jill Jill.

Speaker 1 (04:22:58):
Would keep been coming. We keep it coming, we keep
it coming. We're coming.

Speaker 40 (04:23:03):
And when it's time the organized, it's to gather.

Speaker 5 (04:23:05):
Through the town with the attitude like no.

Speaker 1 (04:23:07):
I ain't for coming.

Speaker 15 (04:23:08):
We keep it coming, we keep it coming, we keep
it coming, we keep it coming.

Speaker 1 (04:23:14):
And when it's time of all the novels, it's to
gather through your time. What's the attitude like God, we
keep it coming.

Speaker 5 (04:23:18):
Come on, I'll be flipping the scrips, ripping through what's coming.
The quick lifts out on my livery, slipping forties in
the whip. Organized rides raise up the level. Surprise niggas,
watch frits. Open your eyes when not the live looking
but honey dipper wait, think chocolate, bitch, twitch up the pace,
kick me. The gentis later. You can taste the base
stumps for months and trapped in the lab with mad
blood creating formulas that you can grab. I just the

(04:23:41):
touch is a whack and something like the matt just
lay your death for the south side.

Speaker 1 (04:23:44):
Sounds of blackness. Oh oh, I keep it coming, stunning.
You're running through states to make base gunning. You're down
with the drumming. Got the race in the dome.

Speaker 5 (04:23:52):
Oh my god, time's a heart So I gotta flows
stuck up the l' sound level.

Speaker 6 (04:23:57):
Distress, flushing the competition. Gotta stark from east to west,
rest of the shore. We will deliver the goods to
the hood for the youth.

Speaker 5 (04:24:04):
This is group.

Speaker 1 (04:24:05):
We should well organized.

Speaker 5 (04:24:07):
At the can or does they call for him and
like bo drawing and then attacking the door.

Speaker 1 (04:24:10):
We keep it coming, We keep it coming. Here we came,
we keep it coming. We just becoming cur of car
and roll. It's sound the organizers like's together through your toll.
Shut the attitude. I'm like, oh, we keep it coming,
we keep it coming up. We keep it coming here
in the car and keep it calling. We're coming here, car.

Speaker 6 (04:24:26):
And when the Salla organize together through the town with
the attitudes likes each other.

Speaker 1 (04:24:30):
Check your hand A fed up? I want my hand
and stand at me teasing your child.

Speaker 12 (04:24:35):
Things are going to get eased in your instam mine,
and then I can't.

Speaker 16 (04:24:39):
Take control up for people in never opro stroll up
the block before these all cock back on my knapsack.

Speaker 1 (04:24:45):
It's a oozie white life.

Speaker 14 (04:24:46):
What's up?

Speaker 1 (04:24:47):
Spreading like the Larry of But what's scary?

Speaker 16 (04:24:49):
Am I breaking in the hall? Try to state area
without a doubt. My niggas never go out.

Speaker 5 (04:24:54):
They are braids and phasing baldies and blow up the
blue out throughout the entire night of people.

Speaker 1 (04:24:59):
You woul your entire your poor out. What's that all about?

Speaker 16 (04:25:02):
I suppose I'll be stepping through the holes when.

Speaker 1 (04:25:04):
I'm asking them what confidence? Because I don't know who.

Speaker 16 (04:25:06):
Shit is going to go black? And I'm a apping.
I'm like skin ones inside of the max I. I'm
going the passenger side. This is what I'm asking about. Hey,
may Man, you look so good when you're driving through
odd neighborhood.

Speaker 1 (04:25:17):
It wraps up rope.

Speaker 5 (04:25:18):
What cookies up at your by the check bookie for
the summer time to but not a buck style on
the end. Back to the beginning. Niggas is winning, Prince,
Niggas is winning. Took the fact from me running your
back black sacks effects for the tracks.

Speaker 1 (04:25:32):
That you can react to.

Speaker 81 (04:25:33):
We keep it coming, Yo, unprecedented barrel Manchi cheat us to.

Speaker 6 (04:25:37):
Deal whatever yours, Prince for our flow, you know what
I'm saying, flow master show shops are queens, you know,
shop Jamaica.

Speaker 81 (04:25:45):
Oh man, We've been together for what about ten years now,
you know, starting off in the basement whatever whatever, writing
coming up with the chemistry and the science.

Speaker 1 (04:25:56):
Science, Yo, what's good? This is appropy of the Demi gods,
army of the Pharaoh's pair of stroiker you're now checking out.
Take it personal.

Speaker 12 (04:26:05):
Take a person, Take a person, perfect person.

Speaker 50 (04:26:14):
The verbal illustrator, Nobody skillers greater, I kill a hate
to rip him up in the guerrilla nature still a
major threat suicide facilitator, Nobody ill or a greater with
a vanilla flavor. Where's the reccent of Raptor rehabilitator. I
spit a verse that I hit the Earth and driller.

Speaker 1 (04:26:29):
Crater mouth deep style Seeperci. The core competition won't be dead.

Speaker 50 (04:26:33):
So I'm sleeping on the floor, the sleeping in before
a creature feature with God.

Speaker 1 (04:26:37):
The feature like you can fight at the Grim Reaper
the War. I'm more the visions thread to fluck to God.
I'll be wanting pitches. You get more than sickness.

Speaker 50 (04:26:44):
You leave it with abortion stitches. It'll take a forklift
to lift this sor again if the stor can fit
it deeper in the butter in the porno business, swiping powder,
sniffers or gut a mouthful of guinness. You read about it,
It's like I'm living on Mount Olympus. I can't hof
for the fans with the realness. Throw up your hands
in there if you feel this. I keep going to
maintain tradition, the.

Speaker 2 (04:27:03):
Same the machines, as long as they stayed less shit.

Speaker 5 (04:27:06):
Brock this Sports Cooper crew. He brocked this short Cooper crew.
He brocked this Sports Cooper crowd, brocked.

Speaker 65 (04:27:14):
This sports hooper.

Speaker 16 (04:27:15):
Let me be totallyannis. You want to know what made
me demonic? I made it too economics.

Speaker 1 (04:27:20):
Telf Listening with a pistol to my head, listening to the.

Speaker 5 (04:27:23):
Deel chronics Giuliani shift men to the pen felt infinite.

Speaker 16 (04:27:27):
But I embraced the ball points. Paying the right sentences
smelled me you understand such This is.

Speaker 5 (04:27:32):
Fifty two.

Speaker 16 (04:27:35):
Ship life sentences, Pharaoh and happyth. He's like a virus McAfee,
attacking your faculty back to back to capitats gradually. Actually,
I'm a rap fanatics flash mathematician with a chronic lung condition.
When I breathe, you would never believe he's satisthmatic. Fucking
I'm stuck inside the ninety.

Speaker 1 (04:27:52):
Still got Parelli rock what your bock in the bay?

Speaker 5 (04:27:54):
Now?

Speaker 6 (04:27:54):
No not?

Speaker 1 (04:27:55):
You can tell me the sub nose, put it in
your mouth, got canello. I keep going for the fans
from the realness. Throw up your hands in the head
if you feel this. I keep going to maintain tradition.
At the same the machines as want if they stay, let's.

Speaker 11 (04:28:08):
Get, let's kill, let's.

Speaker 5 (04:28:11):
Yes, Yes, you want that I style by shunt. You
want a brand new block, don't you? You want to
hold up lockdown for your men's lockdown till they get
me back on.

Speaker 38 (04:28:27):
Just do it.

Speaker 1 (04:28:27):
Just do you want to start the revolution right? You
want to purn the constitution? Right? You want a sitution
for whack mother fuckers on the mic a j all day.

Speaker 71 (04:28:37):
Just do it?

Speaker 1 (04:28:38):
Just do it, do it, do it?

Speaker 38 (04:28:42):
We just do it.

Speaker 2 (04:28:43):
Let's do it.

Speaker 5 (04:28:48):
I get attacked by whack marine rack machine or some
for your machine scene when I dream, but imax on
wide screen space ship from the basement like five la.

Speaker 1 (04:28:58):
Let mean Carrill, does how you fucking with my team?

Speaker 5 (04:29:00):
We glean shine like seven forty five high ben see
fine like my na.

Speaker 1 (04:29:04):
Just twave the flying.

Speaker 5 (04:29:05):
Scene like await the sidereings and then I sken to
see Nigga's online for cocon do nine Nigga Diamond line.

Speaker 1 (04:29:12):
Man, I ain't lying.

Speaker 12 (04:29:13):
That's sixteen Jesus burst without trying. If you fail magmatics
depressed and wine.

Speaker 16 (04:29:18):
Please, let's not get it twisted like rupid got damn
you running back for the teams like Mike crew it.
You want to obtain things for sue it never hesitating
the game you made strong hands.

Speaker 1 (04:29:28):
Just do it.

Speaker 5 (04:29:28):
Just do it anyway, he sue. It can't be touching
long and it's doing just show it because it's grown right,
so it show line. I would so this moves back if.

Speaker 2 (04:29:37):
I just do it.

Speaker 5 (04:29:38):
Just show it because it's street music.

Speaker 1 (04:29:40):
Hold along, bounce to it, your body's moving.

Speaker 8 (04:29:43):
Just do it.

Speaker 5 (04:29:43):
Just sew it because it's nothing else to it lives wrong,
stay song, Just do it.

Speaker 16 (04:29:47):
Just my nigga clock Hanna be fuck the clock from something.
You want to give a nigga respect.

Speaker 12 (04:30:02):
Got out the roll with smifing Wesson, indeed, but we
to teach these niggas in lesson.

Speaker 5 (04:30:06):
With Thief had it for the projects. Sam My only
objective will not be pass the stick. When he gets
max when we can hit passive.

Speaker 1 (04:30:13):
Ton't let him be barked. You'll get involved.

Speaker 12 (04:30:15):
You're not gonna be no from the ability. He's trying
to stall shit. Tell you who black uppy nigga from
the desert who rolled the plump shop from the Bronx,
that scepter.

Speaker 16 (04:30:23):
That's when his son My name is twenty five. Ye
fly this nigga and the click don't take no pick,
ain't gonna the second five rent on some of these
put up your flock like go high trench five and
the hammer makes a dog when I hold him I'm
back to the next questioning on they face when I
told him, he.

Speaker 14 (04:30:39):
I told you Tuncher Rocher come up.

Speaker 1 (04:30:46):
Single gets or before Junior get hit up around too
to the club.

Speaker 12 (04:30:52):
Niggas is trying to get their club on consecutively.

Speaker 1 (04:30:55):
We spoke about with.

Speaker 12 (04:30:55):
Taking them being executive then that detective fits they be
with Saturday from round weight should the rest you But
in the night with Spike, you try to spash.

Speaker 1 (04:31:03):
You up a little villa gering.

Speaker 5 (04:31:05):
We get in the militark work time, hangs around his
brother a K who don't say ship. He just prayed
with the heaves on one side and watch Nick flow
with the bree.

Speaker 1 (04:31:17):
Whats that?

Speaker 82 (04:31:19):
What's what's turn for? Returns for what's the what's what's.

Speaker 1 (04:31:37):
The guns?

Speaker 5 (04:31:39):
Folly?

Speaker 49 (04:31:49):
What page.

Speaker 5 (04:31:55):
Anger?

Speaker 1 (04:32:05):
Behind closed doors? We go to war all out it
will turn bitch.

Speaker 5 (04:32:09):
You have to fall out witch fall out snitch switch,
the out of township flit not the ball out.

Speaker 1 (04:32:14):
Danger Nigga control its city house doors.

Speaker 5 (04:32:17):
We go with war all out, it will turn bit.
Just have to crawl out which fall out snitch switch,
the out of bound chip flit top the ball out
danger control it flitted more than I.

Speaker 16 (04:32:27):
Scorpia animal That sting shit, I'm like that with blood
coming out the wings.

Speaker 12 (04:32:33):
You should never in your wildest dreams shit on a
nigga who resides in the Borough of Queens. Struggle on wicked,
You're getting the elect on the celly.

Speaker 16 (04:32:40):
Now you're getting the fun without the k hy Shelley,
How may it you salivated over my calibrated, rationally validated,
my gettle credibility still not be packing abilities. I've seen
for really my killing abilities on cleaned facilities for more
than military tact some scene extreme confidential, my studio.

Speaker 1 (04:32:59):
Serene with them hit child of a killing machine ex Marine.
You drag Queen.

Speaker 5 (04:33:03):
We tagged in Queen's fina stee your lines to find
we backed beans. The fuck you're looking in my face
for a nigga, I make spikes and it las to
face figures. Yeah, come, Pharaoh's officially like you started hit

(04:33:25):
harder than for a green orthentic Nike Adita is small
Beene had the back like making.

Speaker 16 (04:33:31):
Them all feed for my interned ways to shake your
whole peen, or that you started hit harder it's for
a green No, a finic Nike Adita is small mean
you know they behind the back, like making them all
feed for my intriged ways to break your whole fis down.
Makes the crowd say out like number fifty five of
the chargers of promise to your dodger nigga like broken
monasy something like say combine he means like they trying

(04:33:53):
to pawd like hell memories inflated with mad pam rapped
lasers deliver a scripture similar to Jesus that you couldn't
catch if you was he brother Rodrigus saying on compete
within his own way to mind. And that's I'm on
the phone in the luxury box, like George Steinman as
the whoner making you get your diamondback like Arizona winning
whole bas Indian, like chief knock a hole in socks
a nigga in the snakes, I batrows the small thing

(04:34:13):
authority blacks attracted to my rack like that for the
rorities you already fucked up when you steps up the
back stride.

Speaker 5 (04:34:21):
That's sad you like shot I hit harder than for
a cream. Authentic Nike Adida is a small, mean two
minute behind the back, like making it on theme for
my intricate ways.

Speaker 1 (04:34:31):
Don't break your whole been on my shoes. You gotta
hit harder than for a green no ony Nike and Adida.

Speaker 16 (04:34:37):
Is small deed this minute behind the back like making
him on bee for my intricate ways.

Speaker 1 (04:34:41):
To take your mission.

Speaker 16 (04:34:43):
Stuck females blocked man like Chuck the special standing in
count commissed to be bound like bub will are you
to be brown set to score gets the bonus Strange
went out the rover more range the radio through is
what if the MC's flipped My kind of grammar on
the break were on one like spot slammer, jam a service, lie,
curse at a knuckle ball, spit a change to me,
bitter brime, hit a note quote, get a head and

(04:35:04):
now I iverson but get crossing over the shape men
similar the Troy. I bring the pain to the nigg
men break men will take men out. Make me want
to sland the prime time I found defense beyond me.

Speaker 12 (04:35:14):
You know what I'm saying this, I want to hurt
with my broad in this strick man promise.

Speaker 1 (04:35:17):
People thought I was Thomas.

Speaker 12 (04:35:18):
Hurt the way y'all hit man, you might start to hit.

Speaker 5 (04:35:21):
Harder than for a cream orthentic Nike Adita is small
mean cominuty be on in the back, like making them
on bean my indocate ways to break y'all teen look
play shoes start to hit harder than for a green
no centic Nike yadda is more.

Speaker 1 (04:35:35):
Mean dominic be on in the back, like making them
on beans for my indooking ways to shake y'alls up
and shoe march here. I said yes, yes, y'all to
the beat. Y'all, we're trying to teach the youngest get
the newt and still be like having the ball hey down.

Speaker 5 (04:35:53):
We're about to walk a little bit like this, surry lady,
I hate rapping motors. I start to motor so from
the south side you north Minnesota, drake Grandma, Yeah, with
a small cup of soda.

Speaker 1 (04:36:03):
Remember, get the women with.

Speaker 12 (04:36:05):
The under arm Oda Skytel mothertroller hold on, who rocks
roller the nose, who fall when they try to throw
me the cold shoulder trying to turn These young kids
just come up letting rover towards up on the crapper.

Speaker 1 (04:36:14):
And then we need our shoulders.

Speaker 5 (04:36:16):
I'm riggingy rock, I'm riggedy red Shoting'm fucking with y'all.
I fall too, pepper lets universes with the gun and
murdering myself the gang strength like jet leaging the gun.

Speaker 11 (04:36:26):
It's mean your.

Speaker 5 (04:36:27):
Slum, slumming, tipping a little some something upping big fun.
It's nothing to front and get the dumpins something up
in head.

Speaker 1 (04:36:32):
Y'all gonna make.

Speaker 5 (04:36:33):
Means with my mind, lose my nine and drew my time.
I do my grimate's bit. Rod's freaky. Every out put
new holes and costas rappers.

Speaker 1 (04:36:41):
The chikis be beneath me.

Speaker 5 (04:36:42):
The rapper could defeat me like quitting your face and
feast these talk shit. Do I be real niggas with
the fake got d O g.

Speaker 14 (04:36:49):
Bg l A n y C.

Speaker 1 (04:36:51):
That mate sinces radio hand TV.

Speaker 5 (04:36:56):
I see de sign the classes, teddies and nasses for
love you with me.

Speaker 1 (04:37:00):
It's the boss to move the masses. Disaster speaks to strike,
VIP passes it all. So it's all I see.

Speaker 5 (04:37:07):
Six money to get rob murder required good time. So
did the god for us to the shot least fifty
that break balls us all us when the shot called
us call the coast who was fast to a vast?

Speaker 16 (04:37:18):
Who's the chance you couldn't scrap if you was one
of the big Daddy King's Dancers the answer, but not
for the seventy six.

Speaker 1 (04:37:25):
We're in here talking about practice.

Speaker 10 (04:37:27):
I mean, listen, we're talking about practice, not a game,
not a game, not a game. We're talking about practice,
not a game, not not the game that I go
out there and die for and play every game like
it's my last.

Speaker 1 (04:37:45):
Not the game.

Speaker 10 (04:37:46):
We're talking about practice, man, I mean, how silly is that?
And we're talking about practice. I know I supposed to
be there. I know I was supposed to leave by example.

Speaker 11 (04:37:55):
I know that, and I'm not.

Speaker 1 (04:37:57):
I'm not shoving in the side, you know, like it
don't mean anything.

Speaker 5 (04:38:01):
I know it's important.

Speaker 1 (04:38:02):
I do, I honestly do. But we're talking about practice, man,
What are we talking about practice?

Speaker 24 (04:38:12):
No?

Speaker 75 (04:38:13):
No, no, no, nobody and everybody, I mean anybody, y'all
might leave, somebody pleading the door, watch me catch up, hommy,
even hit you within the lobby, shoddy popular like a molly.
Probably leave your Harley breathing, been trying to place with Johnny.
Even if you got in army dirty money, you no
laundry doning. That's why I got my reasons. A buck
that Bob Marley might get you with the Tommy, you

(04:38:35):
can catch me getting the party in there to speaking
not speaking.

Speaker 6 (04:38:40):
Four betty niggas club night, those sparkles, forty wolves on
a day. We're burners in a snorkel criminology peace suit
whileabes gohost face kill us with degrees and kind of colleges.
You shoot your old lady in a prolhecy.

Speaker 5 (04:38:55):
I put your whole host quarter bother with me a
quarter finished straw play with the lot of readers. Pussy
niggas shot it, yuf you've ever been faced fucked with
the foul fifth sweating facial expressing the stressing like, oh shit,
that's the ship that I don't like. Non rapping rappers
in the booth and they don't write right, fucking stupid

(04:39:18):
dash rappers acting now in the character I shooting staff
rappers period. What do you do, nigga our focks with
bouttang and a couple of little new niggas. Nigga, I
don't rear dough with crier clothes.

Speaker 1 (04:39:31):
I share flows when into your ear home.

Speaker 5 (04:39:35):
Shit, it's a thing of pure beauty. Everything that's pitting
in is written by yours truder nigga with Sean ray
Hard niggas do anything for it like klon Dyke balls Paul,
I'm the greatest of all time. Mustup you forget to
ladies with all times food battery, niggas club night, no sparkles,

(04:39:56):
forty wolves on deck with burnus in a snorkel, criminology,
peace shoe wallabies, go face killers with the grease and goliccology.

Speaker 6 (04:40:06):
Shoot your old lady in the prophecy, put your whole
host wanna ride with me?

Speaker 33 (04:40:11):
Shut up a quarter finished strong old robberies, please with
the lottery.

Speaker 5 (04:40:16):
Push you in a shot at merciless with the flow,
with the spit on particulars.

Speaker 16 (04:40:21):
I do not make chicks. I do the beat fox
and the Clitteran's like the god represent the Sun, Earth,
moon Star, a beast.

Speaker 12 (04:40:30):
On all four smacking chick go chiese the conquista door
rocking the mink Gnista. Never cease to amaze the crowd.
It s feast the femine. We're not talking, it's the grammar.
When we shooting you with them cannons.

Speaker 5 (04:40:43):
Smile you're from can camera you versus the gods, God's
silla versus camera animal cannier with animal instinct, think.

Speaker 67 (04:40:51):
Hannibal with the Elephants Channeler six.

Speaker 5 (04:40:54):
Thanks New York, Nickaback the slick. Pick a pic of
upper stick stick a.

Speaker 16 (04:40:58):
Sister down, take a picture and get the number. Click
pick six hit of conference for the whole theme with
the stickers. Steal in the window, the Sickest Nigga from
Queen's Breaking Down.

Speaker 6 (04:41:08):
Better Niggas Clubs forty rooms on a day you were
furnished in a snorkel, criminology, peace suit, wallabies, ghost face,
killers with degrees and kind of coologies. Shoot your old
lady in the privacy, I put your whole whole host
You want to bottle with me a quarter finished drawl
robbery please with the lot of readers.

Speaker 1 (04:41:30):
Pussy niggas shot at you? Damn you shot me. I
think I would be able to feel if I got shot. Man.
You got so much adrenaline going through you. You don't
feel it's a sum Wow?

Speaker 52 (04:41:42):
What went straight through it?

Speaker 1 (04:41:44):
Oh my guy, it's a hole in my leg. I
got shot. Yeah, I was pretty clear on that second.
Right now, I set yourself down, Sit down, Damn my,
I can't put my toe. Give me your brother, you
a what thing cause I gotta shot Turn a kid home?

(04:42:08):
You gotta get a cold peas and leave like a steak.
You gotta put a steak on it. Let's listen, I'm
missing it. Y'll be okay, lost a little blood. Just
gotta get you to a hospital right right down there, you.

Speaker 11 (04:42:25):
Yeah that get him up.

Speaker 5 (04:42:26):
My shakes with this chatter and the cut man, I
love a single veeta with a strut.

Speaker 1 (04:42:30):
I'm a boss.

Speaker 5 (04:42:30):
Catching nova on him will be no longer sofa, sweet
of them, the Shapemica Keetter Park her name, sweet of cold.
He's from being there with enough koloak to do what
ju done on your feet up powder pups, Mama Minius
Keeter diamond in the rough to tore off my wife
beater as the climbing in.

Speaker 1 (04:42:42):
The sharp, which is wholesome with a sofa stretch.

Speaker 5 (04:42:45):
Young hope, unlimited, bloome ring, bending it, killing it in
hard body sex ex spinning it met up by its
worth thirty thirty and let's tenement shaking that ass will
be y'all four flash and the joint damn, I'm twisted
on the glass and your fetus first class. We don't
pull My daughter Nmfoo was still swimming with the truck.

Speaker 51 (04:43:00):
Never smash smash what yeah, uh oh no, oh see friends,
how y'all smash smash y'all still gonna fly, y'all old
sh no need for chop. But while I go see

(04:43:22):
no statue as e.

Speaker 55 (04:43:23):
Y t is.

Speaker 1 (04:43:24):
Let it be know. And if y'all learned the age,
please show me your t allow me to do.

Speaker 63 (04:43:27):
My thing career long as y'all makes all leslie sall.

Speaker 38 (04:43:30):
Let it tape.

Speaker 5 (04:43:31):
We just fall beyond.

Speaker 1 (04:43:32):
So let's be honest.

Speaker 5 (04:43:33):
But team smatch with legal dudes in convicts, it's so
low cit.

Speaker 1 (04:43:37):
Never yo bettery.

Speaker 5 (04:43:37):
Yeah, better get y'all luck on the desk, blow pray.
Put in the call for me to show up me
plus two when I roll up, fly with it. I
wear chock care your when I ride the valet falk
my pride d chair announced when I in y'all, no
one in advast.

Speaker 1 (04:43:51):
But if you got the ship on small.

Speaker 83 (04:43:53):
Smash smash, smash, swosh.

Speaker 1 (04:44:12):
Smash, Slow down girl, I'm trying to get the ball.

Speaker 5 (04:44:17):
Slow down girls.

Speaker 49 (04:44:18):
It's with say.

Speaker 1 (04:44:23):
Slow down girl, Slow down girl.

Speaker 6 (04:44:25):
I have to shut off the cat herrass as crazy
as stasty dak is that plastic and not God should
have made the more pasting.

Speaker 1 (04:44:32):
Think you should have made a million like this. The
men wouldn't have the rash.

Speaker 12 (04:44:36):
If you can telegray should increased my tiction Volk shouldn't
cope flick holp smash, colprit passion, adult swim crash.

Speaker 16 (04:44:45):
I started singing the older mask song. So this after
they kick with yoga pasts and she had a yoga mat.
I lied told her that I always wanted to try
to be clothed. She said, I don't believe you touch
your toes, said the sidewalk. It's not the teaching yo.

Speaker 5 (04:44:58):
She had an union no bad or if the bad
headed down with the down head, what does it in't cry?

Speaker 12 (04:45:04):
You see in the studio couldn't breathe the ship, But
looking at the voudios, Judy truly knows how to stretch through.

Speaker 5 (04:45:09):
What Judy does.

Speaker 84 (04:45:09):
So after class or the sex, when you were putting
this album together and coming together with this kind of sound,
you know it's very different from what everyone else is doing.
Oh yeah, was that always a conscious decision to end
up with the sound that you have it in mind
before you stepped into the studio, that then I haven't kind.

Speaker 14 (04:45:28):
Of pull down a picking markets a long nothing.

Speaker 13 (04:45:31):
It is like, listen, I'm just a musician.

Speaker 52 (04:45:33):
Yeah, I like to think about who's gonna hear it,
who's gonna buy it?

Speaker 1 (04:45:37):
Who who I'd like to hear it or buy it.

Speaker 52 (04:45:39):
I don't make music.

Speaker 1 (04:45:40):
I would like to read that's what I've done.

Speaker 62 (04:45:43):
I'm lucky I've been able.

Speaker 9 (04:45:44):
To make it.

Speaker 1 (04:45:44):
But you've made musically you liked here.

Speaker 84 (04:45:46):
But also what seems to be having at the moment
of the modern day hip hop, some of the greats
are really kind of accepting the sound and we've done,
we've done.

Speaker 1 (04:45:54):
You try don't make me go to rehab.

Speaker 5 (04:45:57):
I'll sit and no, no, no, yes, I'm beat him
black from where I come back loo loo loo.

Speaker 1 (04:46:08):
I gan back to time and if my daddy can'ts south.

Speaker 5 (04:46:14):
And say, don't make me go to rehabb ver much
listen jo no no no, no, no no no, I
can't go go go go to rehab. You just be
man in the lobby, Phedrow, just smite Earl. Place me
with the snobby white girl though step program, Lindsay Low
hand holding bitchy Nikovich. She's getting bone. So then they
see through hot though we have the did you even

(04:46:34):
believe it anarexic wash their mouths with aniseptic. No, great goose,
I won't accept it. They say, Pharaoh's too exected description
drugs adding a cold smith cell you losis what I
rolled with? Past that here and let me roll escape
with Mary Katos.

Speaker 12 (04:46:47):
De time taint getting extreme open and bush that down
with them out some gold and sit me here with
Britney spears. When rehabbing it us?

Speaker 58 (04:46:53):
What what?

Speaker 1 (04:46:54):
What make you miss place underware and get it really
beat up? What's contract? Make you miss place underware and
get it really beat up?

Speaker 43 (04:46:59):
On that?

Speaker 5 (04:47:01):
Don't make me go to rehab? I said, no, no,
I take my black hair to rehabs now.

Speaker 1 (04:47:20):
Trying to make me go to rehab horble.

Speaker 52 (04:47:23):
And the first question America wants to know, are you
clean right now?

Speaker 1 (04:47:28):
Look at me? Drug test?

Speaker 52 (04:47:30):
Don't lie? When was the last time you did drugs?

Speaker 1 (04:47:33):
Don't remember?

Speaker 60 (04:47:33):
Don't care.

Speaker 52 (04:47:34):
You say you've cured yourself, yes of addiction. You don't
get alcoholics anonymous? And how have you done that?

Speaker 1 (04:47:38):
I closed my eyes and and made it so went
the power of my mind.

Speaker 52 (04:47:44):
Did you turn to alcohol and other substances because you
were bored?

Speaker 6 (04:47:49):
No?

Speaker 52 (04:47:50):
I did I did that because they work.

Speaker 15 (04:47:52):
Yeah, free past.

Speaker 5 (04:48:00):
Sorry funk mass sling Lingo, watch the thing go far
new single Bingo, Rego star more pringos.

Speaker 1 (04:48:08):
Which leads to more dicks.

Speaker 38 (04:48:09):
Hm.

Speaker 1 (04:48:10):
He's saying, oh say more.

Speaker 5 (04:48:11):
We've seen it before, like deve javou so since it
shot skyline Poolsocks when.

Speaker 1 (04:48:17):
Where we in here whispering and Slim's.

Speaker 5 (04:48:19):
Here, like I could be your hip bro with defisi
ro zibo.

Speaker 12 (04:48:22):
See the reason is we could get up but loving
that season.

Speaker 1 (04:48:24):
And always show love, liveing deceiving him. He could get
my vote. We believe in him. He could get it.

Speaker 6 (04:48:30):
I got it in the exotic too, seated the exact
color of his hypnotic get back.

Speaker 1 (04:48:35):
Tronics back onto the shack ships on the straps chronic
extronic automatic, So Redick is sent.

Speaker 12 (04:48:42):
There falk falk Man, I said, sim.

Speaker 85 (04:48:48):
Far citizen there like you love to center air, living
for a life, got something to share, still trying to
real progress out of regrets. Cut through the be I
speak through the beak of a phoenix fly, scheming on
the sadness, my language, dangerous spandel damage distancel break free
from the baggage, expand across the planet's canvas, catch.

Speaker 5 (04:49:09):
The block, put the lid on the jar, or hold
it in your hand.

Speaker 1 (04:49:12):
So you could pick it apart. If you would listen
it hard, you'd be lifting your cards. Cool A couple
of fins trying to swim with the sharks. So we're
fing based on if the dogs chase it work. So
you're barkin yourself out of the basement.

Speaker 5 (04:49:24):
Spread the word.

Speaker 1 (04:49:25):
My voice is spacious. Taste of BREAKO. We're sitting there
right now. You break met, you break the right What
up though? Slug from that right now you're checking out?

Speaker 2 (04:49:34):
Take it personally a play kevlar j drink and the
one they call Aaron Wade word.

Speaker 68 (04:49:41):
Up natural Prego spaghetti sauce, homemade taste.

Speaker 1 (04:49:45):
It's in there, great fair mantcha, Yes, sir? What up?
Raced out for me to go? What zoo? I say,
open the door, lea. He just preaching.

Speaker 86 (04:50:06):
On the black handside, the black hand side, Oh, lack handside, black.

Speaker 5 (04:50:14):
Hand side, the black handside.

Speaker 10 (04:50:20):
Give me five on the black handsign can tell you
what a seed through the black man's side, the black
chicken and the catty lack of black man ride. But
every different day, a different black man died shorty mama
stripping off a cracked man.

Speaker 1 (04:50:33):
Now you watch the CD leffing the bag guy.

Speaker 5 (04:50:36):
You know his bull with a wealth fed jack.

Speaker 10 (04:50:38):
You know we got a kick because he ain't get
healthy and yet no night. Put down the snapsack. You
got a crack pack.

Speaker 15 (04:50:45):
You don't overstanding this provision.

Speaker 10 (04:50:46):
Ain't abstract for standing the projects. A lot of us
are slapbats, hoodus bowl farmba hoping me one as brother.
Now I can tell you got a fella ass fellat.

Speaker 5 (04:50:57):
I still remember how a self snap.

Speaker 10 (04:50:59):
Still I still remember how to pig jack spid me
crying enough on the feet.

Speaker 1 (04:51:03):
I couldn't dig that. Open the door and seat.

Speaker 10 (04:51:06):
Your song has to blunt around hoping that to beat
your song. Now give me five on the black Man's side,
goas the farl mounts. Watch the black man rocks open
the door.

Speaker 86 (04:51:19):
I sat in the door, black ring, the door, the
black handside, the doors, black hand side, Oh god.

Speaker 1 (04:51:37):
The black man babels are now but whole ships.

Speaker 12 (04:51:39):
The way you're making the brain, but never the full
strip putting emotional pain.

Speaker 1 (04:51:44):
You would spike the Sniperschmidt for the brain because rain
see what so you eat folks the rains.

Speaker 5 (04:51:50):
My hood told me, nigga, keep the spl the plan,
So let me explain the game.

Speaker 1 (04:51:53):
Put the down to.

Speaker 16 (04:51:54):
Cut the little levels like that dress he said, chilling
the don't blood for the neck, CLI leave locked over
the really the lexus of smoke, cush, wake up and
eat breakfast. Put the fucking spect a generation no really
successful monsters, our revolutionary smoke.

Speaker 12 (04:52:11):
Grammys, the Nascus impossible faith as your weak shots, making
the mocka. We gives the music to beat popstars.

Speaker 5 (04:52:19):
And they sing them as saying that's I see the
remains with the wits had changed.

Speaker 1 (04:52:23):
Then my hood with he ain't all good. Beat the
pain of a single mother. She's struggling in young child slang.

Speaker 5 (04:52:29):
Give me five on the black hand side, let's main say.

Speaker 1 (04:52:32):
Like soul strength to keep it moving together. I'm saying
open the door. Last song reach, just saying bird the cheek.

Speaker 31 (04:52:42):
Last side.

Speaker 12 (04:52:44):
On the black handside, one for the money for the show,

(04:53:10):
right free to getting cracking at a her.

Speaker 14 (04:53:12):
Let's go pop.

Speaker 38 (04:53:14):
Left them nines.

Speaker 16 (04:53:14):
They clean their chop, but they like lust the shine.
My ships like bluster limes, sniffing.

Speaker 1 (04:53:20):
Lines of teo.

Speaker 16 (04:53:22):
That's all she wrote, goes a quest to qualified for
these inquisitive quotes. Quirk cast some seas be as queer
as folks talking about nigga can rat no ships sherlock y'all,
it's just casting me like Matt Murdoch from the Pinnacle
rhyme kidding any nine of minus criminal mind and lined
up with the original rhyme, ship full of lined with
cynical rhyme, ship clinically rud for.

Speaker 1 (04:53:42):
You to move your behind with time.

Speaker 12 (04:53:44):
Listen, a world cirls bigger, that's fried with pharaoh.

Speaker 16 (04:53:47):
Do you need to be reminded now to stick 'em up?
Get them up, put them up that let's go.

Speaker 1 (04:54:03):
Let's go, line it up, line it up, fire it
up by me up, let it blow.

Speaker 12 (04:54:09):
Wonder for the money for the show.

Speaker 5 (04:54:11):
Sweet to get it cracked.

Speaker 54 (04:54:13):
Let's go.

Speaker 12 (04:54:14):
They researched, must themselves cloton of me? Send one of
them back in time just to get rid of me.
Stop fellow march from having verbal epiphanies.

Speaker 5 (04:54:21):
That's the definition to your own worst thing of me.
Listen man, stop stitching man.

Speaker 12 (04:54:26):
Do use sex cell for your next cell and spread
everything you represent the ski morals sing your luve not floral.

Speaker 1 (04:54:34):
You and your side.

Speaker 12 (04:54:35):
Can't get rid of that white trios. I freeze them
see zero degree freeloads.

Speaker 1 (04:54:39):
The black of the berry, the.

Speaker 38 (04:54:40):
Sweet of the juice.

Speaker 1 (04:54:42):
You need to get loose to the heat of produce.
From Long Beach to Boston.

Speaker 16 (04:54:47):
The Chicks text such like Jalason Norston, I sparked TI
your lists illumination by your sixteen bars. Why your less communication?

Speaker 1 (04:54:54):
Let's go.

Speaker 5 (04:54:56):
You know, after everybody else starts dealing with a producer,
it's kind of like I'm an.

Speaker 1 (04:55:00):
Old school in scenes, kind of like I don't want
to bite. You know, everybody's using them now. I will
probably relinquish some of my stubborn ways.

Speaker 2 (04:55:09):
What it is.

Speaker 1 (04:55:20):
Rats like Star Wars, only the stars die.

Speaker 16 (04:55:22):
It's no sea wolves beat three cases see three Heos
for four more fierce and NEOs chilling them. We was
ducking Malett's in the hood like we were Williams understanding
underground Tom Sip for taking seriously di laughing like John
Bredda Young Eastwood, just trying to eat good breed, easy,
relaxed mac like fleek bods, keep snoring, keep sleeping, I'll

(04:55:45):
keep touring, come back laying the cut like BeOS falling
came out of the fallopian blast and vero hoppi of
the meat, theopians last, and flies all in my teeth,
stomach sticking out niggas wool tips on the weed with
ain't kicking. See this is not a Memorican title. This
is me trying to eat human survival. Spread at your

(04:56:06):
favorite craft or take his title. The needles and his
eyeballs and the signs in the Roga Vidal.

Speaker 1 (04:56:11):
This sink that I'm not them. These ain't those rhymes.
I'm not him. This is more like cocaine all night.

Speaker 12 (04:56:19):
It shine like the new five holler the dog lights
no more like sunshine, and one line than mine.

Speaker 1 (04:56:26):
And remind you were.

Speaker 16 (04:56:26):
When you were nine, before you were busting cherries, it
wasn't necessary to grind them. Now were all on our
grizz list and you got the nerve the press frisbees.

Speaker 20 (04:56:36):
What it is.

Speaker 5 (04:56:46):
If I'm not for more rains, catch me, it's range
practicing my aim.

Speaker 1 (04:56:51):
Cats you in your brain shade.

Speaker 12 (04:56:54):
They thought I was backpacked, slept, didn't know that he
kept inside the knapsack.

Speaker 1 (04:56:58):
Today's niggas do skate by it, running.

Speaker 16 (04:57:01):
Your quib go some quid ride for the straight guy
ship but not homosexuals. They master and gun play, rearrange
the furniture shrewd.

Speaker 1 (04:57:10):
They be swimming this joe for the be up in
the club, cross cutter in the boot with the.

Speaker 16 (04:57:15):
Sason Hill and no ice eagle to right the bare arms.
I'm not talking white beat us eager. When they see me,
they say that slash nigga. My last name should be
that stack nigga. Sounds kind of nice.

Speaker 1 (04:57:27):
Shaddle that stuck. You never trust me with.

Speaker 16 (04:57:29):
Them plastic cat fast niggas with the flow that soul
and flo went to niggas fucked up.

Speaker 1 (04:57:35):
They get no instrumentals. Now, next time you're spitting.

Speaker 5 (04:57:38):
On the min bet your bottom dollar you be spitting
over rhymes.

Speaker 1 (04:57:42):
What it did, what it did, what he did?

Speaker 5 (04:57:54):
But no f fights ey torn and forget for battle
from the first keep by.

Speaker 1 (04:57:59):
The fiercely pomas upon the fact the facts that defallacates
the poor line.

Speaker 16 (04:58:05):
My phonetic timo fort the seed on them seasons of
the fence on the fly film men, thriller.

Speaker 1 (04:58:12):
Let's get the stillers down there there. These derilla pick
the whole.

Speaker 12 (04:58:15):
World speller from the crap to the cat killers sitting
niggas in the back shoot craps with the hats.

Speaker 5 (04:58:20):
For us relaxed, tell us time with the immaculate, miraculous
thirteen endless to all.

Speaker 1 (04:58:27):
My niggas will be sitting on us.

Speaker 5 (04:58:28):
Get it all.

Speaker 1 (04:58:29):
I'm gonna let it hang and sit it all. But
the that's the many red next reckon except I.

Speaker 12 (04:58:34):
Strike him with the right hand, sit in a step
and miss hell.

Speaker 1 (04:58:37):
This is hell. This is hell, This is how, this
is how, this is house.

Speaker 31 (04:58:43):
This is how, this is how, this is.

Speaker 5 (04:58:46):
How, this is how, this is how.

Speaker 1 (04:58:49):
This is hell. This is how incests kids under pressure.

Speaker 5 (04:58:54):
In the corner clutching they general botoclusser of undersea seeds
that are uncut cleaners in the veins twenty out with
an extravenus.

Speaker 1 (04:59:01):
To the left, we have bright greenix genis on.

Speaker 16 (04:59:03):
The screen of man exposure breasts with no keenis Matinas
probably the four in this Lady saw soccer bear says town.

Speaker 31 (04:59:11):
This is so, this is, this is so, this is
this is this is this is this is hell.

Speaker 1 (04:59:21):
This is this is this is this is this is
this is y'all. This I feel like from one of
the Bimus, one of him hop.

Speaker 5 (04:59:32):
Finess to leave Bimus and I'm planning to graduate behind us.
For one, they will all be your bunch of old
Thomas with all simus looking at our labels yes to
wondering how the fuck they forgot it?

Speaker 1 (04:59:41):
Not could be done, recording dozens of albums and made
them hundreds of thosands of dollars. They still dropped us.

Speaker 5 (04:59:46):
The different niggas with the fuck they got the Holocaust.
Stop the niggas with the dips of man March.

Speaker 1 (04:59:50):
I ain't living in Hell.

Speaker 5 (04:59:52):
Hell's living in me. That's why I'm always streaming on
you fucking ob seeds. The ship that I quote, but
with the points see it for both. With the popacy,
your piscope mistick to the bro o, the don't that's
extremely fatal, doctor said, wipe that, go scram before an
antidop't save you.

Speaker 1 (05:00:05):
You can't breathe, your.

Speaker 5 (05:00:07):
Chesta fell's painful, your skin cut, it's going from dark brown.

Speaker 1 (05:00:10):
The face group your hole. Rumors from the ancients all
lead the head. Find the sad.

Speaker 5 (05:00:14):
You went to God used to pray soul. You pray
the head souls me. You don't want to save you
because you want faithful, So we give you to a
safe so you caramelized on the hot breaking table, praying
pretended disc slices from head to tapul de ban from TV, SPA,
from CD spent from DVD's and downloaded.

Speaker 1 (05:00:29):
ANTIV three yea, every caroline I.

Speaker 6 (05:00:55):
Spit a leading par of lives invents some liver path.
If you're not very lewd of my paragraphs, apparently, if
they say I'm better than yous, no reason for.

Speaker 1 (05:01:04):
Me to put myself on the bed of stool.

Speaker 6 (05:01:06):
Move you for that head of you like you're riding
a bike, then you can't move to the metal, dude.
No white teams compare pool niggas falling so fast they
need to pull the strings on the bear shoe. So
stop the comparisons and comparing the puzzler of American story,
and we can start with the latter youth.

Speaker 1 (05:01:21):
As poof for thought for foods.

Speaker 6 (05:01:23):
When niggas are taken life for the jewels and the
bear shoes, the hood is out for John a side
portrayed the typest guys for what slice of that that was?
Piet try to make it my downfall.

Speaker 16 (05:01:33):
But see all I know with the tall audiences, applause
for the Turkman costs all the best Now was picking
the truth flock used a let down like convertable roofs
off see the mic murder, the poof knocked feeling shed
forcise like a snipe that's on top of the roof.

Speaker 3 (05:01:46):
Hop.

Speaker 16 (05:01:47):
You love my staff because some man with your heat
stuff talking the matrix.

Speaker 1 (05:01:51):
It's out of hand? How the man got getting my
danger fields like rid?

Speaker 16 (05:01:57):
You love my styff because some man with your heat
stuff we call in the matrix's out of head?

Speaker 1 (05:02:02):
How the man got you?

Speaker 3 (05:02:03):
Demn?

Speaker 1 (05:02:04):
What danger for field? This your finger ring? Rap sling,
slang pharro the froes good. You couldn't hang up you was.

Speaker 5 (05:02:10):
Being rams and Broadswood couldn't string together some shows if
hoes were things together?

Speaker 1 (05:02:15):
Was sold for you with you can't with the does good.

Speaker 16 (05:02:17):
I'm Billy Joe, I'm really sold my start some red
bright on that's really old, shot trumps on the road
while I'm shot with a wireless and received four thousand.

Speaker 1 (05:02:26):
I got on a bar proves them hot.

Speaker 5 (05:02:29):
I'm proving top gun but not the bar to Tom
Cruiser got a pool of lyrical warning shots that you
shouldn't respond to, like ten legs around the ankles and
hick stirs some tight more visual pick turn and PIU
get more starle and scull of tall ritt fuel.

Speaker 1 (05:02:45):
But y'all fight like paracite.

Speaker 16 (05:02:48):
You love my style because somebody with your hue stuff, I'm.

Speaker 1 (05:02:51):
Caught in the matrix. It's out of head. How the
man got getting my danger.

Speaker 5 (05:02:55):
Feels like bride like rid.

Speaker 16 (05:02:58):
You love my style because somehow it's a huge stuff.

Speaker 1 (05:03:01):
We want in the matrix is out of hand. How
the man got ya? The day the page Field.

Speaker 5 (05:03:06):
Group film it. Go punch your shoe, Sam kill smoke
this this that nigga pass the pills. Nigga fab about
daff for del tree hugger that's putting the cat flapping
your grail with pe bunker my defense, offense, offense and
offense tru for y'all bring it to one.

Speaker 1 (05:03:23):
All been off him with the classes off.

Speaker 5 (05:03:26):
Papa fucking love with fling because I ass soft crip tonight.
But I'm a hug today, Latin king tomorrow, keeping calling
again day, y'all said Spanish niggas the physician label refle
me handg and tickets at your new cable.

Speaker 1 (05:03:39):
The god hard body yan't physically able to test me.

Speaker 5 (05:03:42):
Your cant leader's whipping his finger class catch your niggas
past X acting like a boss, getting lost with.

Speaker 14 (05:03:48):
A bas.

Speaker 87 (05:03:51):
In twenty thirteen broculse him in the police sinking youth
took his free thinking individual He fourth, leading two many
years to one way of life, and in the lidly
funded an organization called WANSD and give them the ear
food because even your online and fat stop fucking downloading
music for free and we can save hip hop tired
one hundred assassins streams about infantly.

Speaker 1 (05:04:14):
Kept files for cats.

Speaker 5 (05:04:16):
These one hundred ninety seven were captured, tortured, and executed
execute Only three remained, the third of which was said
to own an arsenal that would rival in the entire
Cities police force. The second was rumored to be able
to move throughout the space and time, and.

Speaker 1 (05:04:36):
The first one one one fasciness.

Speaker 5 (05:04:39):
Seege Hills for the last of the three assassins on Earth.

Speaker 88 (05:04:42):
The first flash and her purse with a stealth the
army gen.

Speaker 5 (05:04:45):
Mccorities to the employed.

Speaker 88 (05:04:46):
The hole ordable disruptive actions attracted a chord, and so
that's why I asked passing the lights over.

Speaker 1 (05:04:52):
He'll deliver with.

Speaker 14 (05:04:53):
The river six eighties.

Speaker 1 (05:04:54):
I'm called the liver lady.

Speaker 14 (05:04:56):
My fust limited.

Speaker 88 (05:04:57):
Framis a phrase sing one against hose villains. It's great
in your days, went to landon Harry never the line
packed at six six, the sign right with a sixth
mind traffic sick fitch frame truck you with.

Speaker 5 (05:05:07):
A drinking line of nine drinks.

Speaker 1 (05:05:08):
You broke in his mind getting you this brain. I'm
itching a slit, drain its mind.

Speaker 14 (05:05:12):
Let's change truck your hive.

Speaker 35 (05:05:13):
Six rings.

Speaker 1 (05:05:14):
This nigga kicks box a kick, ride to the page,
nick a.

Speaker 88 (05:05:17):
Riddle, member and been then sit and it's like a
free ton ignorant us ever she clever he quiz up
a bee none fourth bringer call thinkers out with pass
you know you got the door fastest the brawl with
the broad basket, the ball in your cart, passing the
barn and gold faster and assid with age flack on
the back of a car.

Speaker 1 (05:05:33):
Dashing in the ball, crashing you all on the floor.

Speaker 88 (05:05:36):
Cast and the cast poor with the car with door cracking,
Your doors flacking.

Speaker 5 (05:05:39):
Now I catch Gray backing out the back door, cackling.

Speaker 1 (05:05:42):
Still make it back to the brall the last moll.

Speaker 12 (05:05:46):
Hall masked me while I'm high and regarded his god
body probably launch.

Speaker 1 (05:05:53):
As the mixture of Mark's cave your.

Speaker 16 (05:05:54):
Mouths davids from Paul Marty cool him us kick poor
sling like normally more like we didn't not whipping away
ye top like Shaw's balky. You are hardly prepared to
small with the Motsan faught me your gammic with the
ace of spades, a master renault shav pennicular, particularly the vernacular,
specifically the fit.

Speaker 5 (05:06:10):
So when I spin it in spectacular renactar rich, when.

Speaker 12 (05:06:13):
I get tack, I'm on that tonnacula, the bloomer, the
burdy bitch, more.

Speaker 1 (05:06:16):
Blood ibacular, more.

Speaker 16 (05:06:17):
Chryston crypton swifts than krypted with black of vernacular plus slicker,
the most likely close and fatal attraction.

Speaker 1 (05:06:23):
I am that nigga for Bill first cat.

Speaker 5 (05:06:25):
With a smack in the next trap and that uses
the term swag of rats. The three is sad and
the ass whipping. Prepare for a professional ads and shape
ship fit, Hello, said Clinton.

Speaker 1 (05:06:36):
Mainly, ain'ty make you shoot your best friend in the face?
Sick shady?

Speaker 12 (05:06:42):
My life is like the document Sirry film depicted in
black and white flicks training my more patanam o' babe,
taking picts and a captain Lauren pood with my left
foot on the land and Sainty's feming.

Speaker 40 (05:06:53):
We are relie falck.

Speaker 1 (05:06:54):
You pay me whoo who right, we're a pupil.

Speaker 5 (05:07:00):
You gonna be here?

Speaker 1 (05:07:01):
Gave me his word rush.

Speaker 38 (05:07:02):
He's got them every time he's.

Speaker 2 (05:07:04):
Gonna be here.

Speaker 68 (05:07:05):
Truck.

Speaker 1 (05:07:05):
She should have ruined on his pos said look at here.

Speaker 35 (05:07:08):
He comes down.

Speaker 68 (05:07:11):
Rain control.

Speaker 1 (05:07:12):
There ain't no such thing as brain control. There's mind control.

Speaker 6 (05:07:18):
I'll be riding around with a stripper slash girl.

Speaker 2 (05:07:20):
That's model.

Speaker 6 (05:07:21):
I'll make you PLoP like my cock and the directs condom.
A'ma opposite artists a fine irony and going from being
like a stone in the grass to rock in the garden.
The same irony is going from fully automatic in the
backyard to having the whole machine behind me.

Speaker 5 (05:07:35):
I take moss, trail and bitch and show us some
mother's things. She know my stroke is deadly, so she
gave me bloody brain.

Speaker 12 (05:07:40):
I try to get familiar.

Speaker 1 (05:07:42):
If found feel you in person, I flipped the stripping.
I'll accidentally kill you on purpose. The baddest what I'm fliling.

Speaker 6 (05:07:47):
I got so many first, but you ain't gonna paint
splash me when they see me, no matter what I'm wearing.

Speaker 5 (05:07:51):
Your bitch about to open up and if some blow.

Speaker 1 (05:07:54):
Off of my thick guess you could say see on
my coke and nuts.

Speaker 12 (05:07:57):
I'm on point like Chris Paul.

Speaker 1 (05:07:59):
You want point like this Atlantic.

Speaker 5 (05:08:00):
City hooker at Nicks balls. I'm about to slip in
this trips like Dow'm.

Speaker 1 (05:08:04):
A nick dog and shut ship down like a car.

Speaker 5 (05:08:07):
But gets start. I am the jetties wrapped.

Speaker 1 (05:08:09):
You're claiming it to.

Speaker 2 (05:08:10):
Flow like water.

Speaker 5 (05:08:11):
Barrilla, young niggas cat begging backwards.

Speaker 12 (05:08:13):
Marshall hit the jack pops floated, I got.

Speaker 6 (05:08:16):
I'm knowing them hottest, my shoulder stopped, holding my cracks,
my whip cleaning.

Speaker 1 (05:08:19):
And Thomas men in mines tens two.

Speaker 6 (05:08:21):
John's whip me like I'm a twin because I'm a tin.

Speaker 1 (05:08:29):
Okay, we are bread a gauge.

Speaker 72 (05:08:36):
This means more sixteenth bus to break unjust laws with
the machines in the name of the cars.

Speaker 1 (05:08:43):
Bread a gage never slaves. This.

Speaker 72 (05:08:45):
This means like one hundred percent of uncut more fuck
limited freedom, nigga, we want more.

Speaker 2 (05:08:51):
The machine is.

Speaker 1 (05:08:52):
Corupted down to the car and motherfuck arm this.

Speaker 12 (05:08:56):
I mean got a middle finger for mass.

Speaker 1 (05:08:58):
Meeting your mute to no. It is when the gun
draws received the middle of your views, which gives me
to write to break the room, stay radio what the
people can't pick The June buffyt gexcluded by.

Speaker 12 (05:09:10):
Via come the New Revolutionary and shy a man.

Speaker 1 (05:09:13):
It's not for spire.

Speaker 16 (05:09:15):
Rapis five along the vision music outter. I am gone
my innovitions, mysticism, call me mister wisdom. They want to
turn the globe into a prison. And being sick is
better than.

Speaker 1 (05:09:26):
Being dead, because when you're sinking in ven you're.

Speaker 16 (05:09:28):
Indebted to miss clone chickens walking around without it. The
food is determinated the wood I got in it is
population control.

Speaker 1 (05:09:37):
Make the baby sick her and fidy chips are you
for eighty six?

Speaker 5 (05:09:41):
Missus Ford gets consciousness, control of your soul, full of
It's psycho.

Speaker 1 (05:09:45):
Logical dictator ship.

Speaker 5 (05:09:47):
Because we are on the front line, guilty as charge
of intellect is the crime that we all redegaged.

Speaker 1 (05:09:53):
This means for our sixteenth.

Speaker 72 (05:09:55):
Bus to break unjustors with the machines and the name
of the call scooping the gas member suades this is
me feed one hundred percent.

Speaker 1 (05:10:04):
Uncut your fuck limited freedom nipple.

Speaker 5 (05:10:07):
We want more.

Speaker 1 (05:10:08):
The machine is conducted down to the port Rada. Bobby, motherfucker.

Speaker 58 (05:10:12):
This means war, sir, Yes sir, How a joker? Wh
did you just go on my gloved cold search concert?

Speaker 1 (05:10:19):
You're a giller, sir, Yes, sir.

Speaker 14 (05:10:21):
Let me see your.

Speaker 58 (05:10:22):
War face, sir, you got a warp face. Ah, that's
war mace. Now let me see your war made. Oh yeah,
you didn't convince me. Let me see your real war face.
You don't scare me, work on it?

Speaker 1 (05:10:37):
Are yes, sir.

Speaker 89 (05:10:39):
I I'm fled to the legions. Took my hodies who

(05:11:03):
keep it banksed up?

Speaker 1 (05:11:04):
Frock father Heylus Day can't stop. It's cruel.

Speaker 5 (05:11:09):
I'm pled to digons the game.

Speaker 1 (05:11:12):
Cousin got me falling came. Don't wait, soap, I'm not starling.

Speaker 5 (05:11:16):
I'm still This is the.

Speaker 1 (05:11:19):
See this's this front line. No turning back down. I'm
about to score to SWA on the track. Now give
me my mess. I am wear my mac. Now I'm
about to spit ITRD. I'm gonna get it in the
first way.

Speaker 16 (05:11:30):
Sleep competition proves the opposition back wake the fuck upho,
because when I get beyond enemy minds, I might slake
that ass like John Kennedy's mine. Now should I get caught.
That's the remedy, its effect of wounds. With my last
bottle of Hennessy bleed to let the seeds.

Speaker 1 (05:11:45):
Remember my memory is chilled to be killed here, son,
that's the penalty. Ride to the front.

Speaker 5 (05:11:51):
And the heat of the night, a time far when
I'm six feet teeth and snow freezing, and to look
to know when the true complexilite.

Speaker 1 (05:11:58):
This call ain't this call this morning?

Speaker 2 (05:12:26):
The south side.

Speaker 5 (05:12:27):
You know we living in the junko broke nah, you
know we living in the junker. See them gorillas over
there in the park. Then my niggas after darg we
just sparked.

Speaker 12 (05:12:42):
Up the fool figgas got speak of raggazant slang of
poor capers. The cops are the cheetahs and the trees
of the skyscrapers.

Speaker 2 (05:12:49):
Seeing the jumper.

Speaker 1 (05:12:49):
We offer rumble for luke.

Speaker 5 (05:12:51):
Some of us just stumbling around, hide and food, shoot,
get shot, ship play humbled like last year when the
cheetas tried to check my honks off.

Speaker 1 (05:12:59):
You cock, you could give buck too if you don't
got at least four to five.

Speaker 12 (05:13:03):
Year billers a mon shoe for the bigger treat him
shot and the maize forty one shot hot check you
out in the blazing itnot this ship gas for the
bronx in the cages to the island.

Speaker 2 (05:13:12):
When you spend your times out in the.

Speaker 5 (05:13:13):
Days still agriculturally, it's kind of l We blow bills.
They make it chilling their bills.

Speaker 1 (05:13:18):
Who lads in the joke?

Speaker 5 (05:13:23):
Shot Land, You don't be living a joke. Shot Town,
you don't be living a joke. What side you know
we living in joking?

Speaker 1 (05:13:39):
I tell these champans these to be carrying tooms. You
don't want to invest your life but necess for form
a suit and co distributed breaking the wounds.

Speaker 12 (05:13:47):
You need to take your monchy ass so off for
school and learn about Boswana suit.

Speaker 1 (05:13:52):
Playing in Ghana.

Speaker 12 (05:13:53):
Mozam p can speak the pride in honor.

Speaker 19 (05:13:55):
I understand some time we all feel fenced in, but you.

Speaker 2 (05:13:59):
Tolige your minds with the er man.

Speaker 16 (05:14:01):
Just then I lost a little monkey's attention as he
stayed into the distance, focusing his squinting at him. Beautiful
counsel that was grazing in the grass with muscular legs,
and I run off to was said.

Speaker 1 (05:14:11):
But in the least case, ilember Yo did try to
tell us to hit him with the sound.

Speaker 5 (05:14:14):
That was a little compelling, little giving, or a mission,
not alike Magellan, which you call spelling, trying selling jungle.

Speaker 1 (05:14:22):
Jo, welcome to the jungle film.

Speaker 14 (05:14:25):
Not myself.

Speaker 12 (05:14:53):
I've never cut the ugly, raped my mother to see
my sister separated, my brother, murdered, my children home my father.

Speaker 1 (05:15:02):
Now they want me to.

Speaker 5 (05:15:03):
Rot the room, the fuss for my father, seen it
comrchers for the man or whatever to.

Speaker 1 (05:15:09):
Me given a damn my set. Never, my mind's too.

Speaker 5 (05:15:13):
Sharp, my brain's too clever, my spine is too strong,
and red lines volture level.

Speaker 16 (05:15:18):
Limit this fine for the your digenous dimity plats shitting my.

Speaker 1 (05:15:22):
Money like the chilledy's flip it. Put them in stocks.

Speaker 16 (05:15:26):
Collect the limities, rock road, behold my plasa, read them.
If we heed him, I read him asleep, Chris, lead
him till we eat the Stephen, defeat.

Speaker 12 (05:15:35):
Him with freedom of speech, and let him know that
I'm the mother fucking buy your start up.

Speaker 1 (05:15:39):
Christ on the clock.

Speaker 54 (05:15:40):
The ship burn the mesa, the story got.

Speaker 5 (05:15:54):
Oh oh, and We're dying over black gold they harvested

(05:16:21):
in the stand.

Speaker 12 (05:16:22):
President's lepping, marvelous and starving.

Speaker 1 (05:16:24):
It's stand. It's starving.

Speaker 16 (05:16:25):
Used to walk a blind pad to Blippy and the
book because you just weed to skip to something like.

Speaker 1 (05:16:30):
Tiddian Light my fire, start my engine. When Pharaoh becomes Moses.
This medicine for listens.

Speaker 5 (05:16:37):
A fetterman with the mike, bringing prophecies to fruition, the
motivation of versus.

Speaker 1 (05:16:41):
On the adverse conditions. You're caught in the main frame.
I've seen the names man.

Speaker 16 (05:16:46):
They watched you from the street, like you and your
main man. The bar code around your next same is
your main brand. You're lost in a strange land.

Speaker 1 (05:16:54):
Your thoughts of the start free.

Speaker 12 (05:17:21):
Music, please please music, music, please please please.

Speaker 5 (05:17:37):
If you think, I think what synchronicity split my body? Multiplicity,
It's fifteen places at the same time, speaking the gospel,
the optic illusion, to watch the cool, the institution of impossible,
world resuscitation and execution.

Speaker 90 (05:17:49):
Electric electrocution, emergency broadcast. We can reaching expand the band
wibstand beyond the abandoned scopagus, brimstone ball with the esophagus
of the dragon breathing apocalypse.

Speaker 1 (05:18:00):
Spitch this, spit out.

Speaker 5 (05:18:01):
Get incredible responses from these unearthy creatures and androgynistic monsters.

Speaker 1 (05:18:06):
Haunster every move, exercise, no discretion. We're pressing the boundaries.

Speaker 90 (05:18:12):
Rather beat like street lights on nights with like a
lateral battle moves to all crews mcs freeze, freeze.

Speaker 1 (05:18:24):
Music, please please please please Yeah now now I guess.

Speaker 6 (05:18:46):
Now form braids, big wills, she goes sticks, sugar hell, Yo, y'all,
Austin Martins, slave shots, my mother, ring pops love to
see them dance on some train for the phones. Mary
James Teddy p told women turn the lights out. Now
I'm finally old enough to spend nights out breaking gang bangon, bombing, learning,

(05:19:10):
tell you truth you were slamming. Now it's just a
high hone dumb Kiss used to be Pumping Season, sun Kiss,
trade Bag, but now now Laters, Street Fighter two Leave
Majors and Living Color, NBA boat backs, black Bevers, Broat, pops,
col Shat, coach shaft.

Speaker 1 (05:19:28):
Now now now.

Speaker 16 (05:19:37):
Say Fantasy Island, love Boat, Isaac Sis Lookie kick Smiling
with the side kick. Twenty five cent unengarlic fries Chips
It's one catch and kiss Folly high Ship Heart, Petty
pat Space, see how I spit Crazy h shell Toes
what a fly kick?

Speaker 1 (05:19:54):
See chicks gave love when it was.

Speaker 12 (05:19:55):
Nights out, Mike Sights to fight Night, put your lights out,
Hop and gang Bang and ball Man, He's gonna take
it true when you're small Dren and.

Speaker 1 (05:20:04):
Then the regard just left to the westlands Now my
old man forced to be your mets man.

Speaker 16 (05:20:10):
Civil Rights Broake Sess no drama, armadup Sean Bell Obama.

Speaker 1 (05:20:15):
When I dressed, It's never nothing less than.

Speaker 12 (05:20:17):
Guests say, fresh Fresh Fresh, l B Fresh now.

Speaker 2 (05:20:26):
Now now.

Speaker 6 (05:20:30):
Now come gold Funch from the Dimes in It, Bad
boy Death bro No Limit, MySpace, Afro Swing, Huomas, George
Forman Grill's Rap Game, Rumors, High Traps by City, Flavor
of Love, Girls from Big Titties.

Speaker 5 (05:20:46):
Tickle Me Elmo, Good Times, The Edward Pitty.

Speaker 6 (05:20:49):
Straight Daddy, Supervits, Fat Laces, Sugar Daddies Off the Ash,
White Walls On Caddies, Speed Buggy, Summer, Can't Free Lunch,
use have Parkins, Brady Bunch, count Brewing into the Dragon's Top,
im the mex Spot, Oh the Smiler, Hunky Bear Night
esc Sales and d G s see affect the.

Speaker 49 (05:21:10):
Mind fas the HD t V s hip hop non stop.
This is how do stop serp.

Speaker 1 (05:21:23):
Un hunding the boy Rod.

Speaker 39 (05:21:33):
Real Nigga's Nigga Rock Codro and Doses doesn't explaining.

Speaker 12 (05:21:37):
What you know about this, especially the songs.

Speaker 1 (05:21:40):
Got this whole dr masad.

Speaker 38 (05:21:43):
Bit with with liver.

Speaker 1 (05:21:48):
Spit at hims. When I could at him, I could
at him like Eve. When I spit at him, come
at him.

Speaker 5 (05:21:51):
When patterns didn't leave rings around him like Sadam stringing
them up in trees.

Speaker 1 (05:21:54):
I'm really lynching him.

Speaker 5 (05:21:55):
Should he mentioned him recrutable for my suitable sitting, then
they got beautiful, beautiful, so they sent him in Siemon
and sweet Cinnamon and ten.

Speaker 1 (05:22:05):
I have the mind of a sick marine. It was
constantly be minded.

Speaker 16 (05:22:08):
He this is his team, but for the life of him,
he can't remember the time when I mind exploded and
Nick dis flean.

Speaker 1 (05:22:14):
I am a mix between mister.

Speaker 5 (05:22:15):
T and mister Clean, Spikers, fans, spick and spectacular, sixteens,
te rhyme schemes and green.

Speaker 1 (05:22:20):
Like the Matrix Neo fight just.

Speaker 38 (05:22:23):
Fight.

Speaker 91 (05:22:24):
Oh then you know smoke a microphone Lord the mc
tack designs of blind lines, yours.

Speaker 5 (05:22:29):
Mediocre, come through your hope to be fool for.

Speaker 91 (05:22:32):
The vultus massacre of mini men, straight faced like Booker,
engineered to burn black rats, death force like the bell Horsepoder,
I slapped God, cruse your luft. You won't get no
older jabrup which the name spit flames and nostalgia saint
like acause our valley brand the heats of wild beats
and it can't be tamed.

Speaker 1 (05:22:48):
Book around.

Speaker 5 (05:22:48):
Put your arm in the cage.

Speaker 38 (05:22:49):
You get name.

Speaker 91 (05:22:50):
If this was a virus, it to be a deadly
strange persistance of antibiotics and opus narcotics.

Speaker 8 (05:22:55):
Plus I'm enhanced with advanced role bodies stands the champ.

Speaker 1 (05:22:58):
That's a price where you're saying for the product for
that cover.

Speaker 5 (05:23:00):
Miss on the fleece. When it hit the band white,
we shoot up your face, no doubt.

Speaker 91 (05:23:04):
When I turned it out, You're gonna get late trying.

Speaker 5 (05:23:06):
To chet the wow.

Speaker 91 (05:23:09):
Let's go to Shaman original thirty Vice County Madam to
let you know you need to take it personal with
the homies.

Speaker 9 (05:23:16):
Fill the flavor keV Low and ZJ three sixty.

Speaker 1 (05:23:20):
You know what time it is.

Speaker 22 (05:23:29):
The cattle.

Speaker 20 (05:23:42):
You Oh my god, Pharaoh Manche this was this interview. Man,
this was a really incredible thing. This guy sat through
over an hour and a half with us. Take it
per No Radio really brought this to the listeners. I

(05:24:02):
hope you guys appreciate the questions. Thank you for your questions.
This was this was This was a cool night.

Speaker 11 (05:24:09):
I feel like when you fuck, like shortly after your
dick still semi hard and you feel like you go again,
like you're just on another level.

Speaker 20 (05:24:18):
That's how I feel, right that's eighteen year old ship.

Speaker 11 (05:24:21):
Yeah, I have a little bit more of that that
dribble coming out and I feel like I could do
it again. That's the mode I'm on right now to Trick.
This interview put me on another level. We did a
lot of good interviews on the show in such a
short period of time. I mean, think about the kind
of caliber of the guests we've had, but this is
right up there, man. Pharaoh Manch is one of my

(05:24:43):
favorite and it was an absolute pleasure. Thank you to
this guy. Thank you to Abby for connecting me with guy.
Thank you Pharaoh Manch. It is uh. It was a
treat and it was definitely an episode and forget a
real a real cat like.

Speaker 42 (05:24:58):
I love well, definitely keep in touch, k I T
give me a pH GM and r emon Ah, Pharaoh
manch thank you my friend.

Speaker 20 (05:25:09):
One of the most difficult country too. First of all,
one of the most difficult names in hip hop. We
said that earlier.

Speaker 8 (05:25:16):
Well, he invented his own way to spell the word tomorrow.

Speaker 20 (05:25:19):
It's like alcaz.

Speaker 11 (05:25:21):
He definitely did jazz for that.

Speaker 20 (05:25:24):
Yeah, no kidding, and uh, you know it was.

Speaker 8 (05:25:27):
It was a great night, guys.

Speaker 35 (05:25:28):
Uh.

Speaker 8 (05:25:30):
I really don't have anything else to say, but thanks
to everybody out there listening, and Pharaoh manch Man, thanks
for being you.

Speaker 20 (05:25:36):
I'm going to do my best to get on this
guy's album. Honestly, I am going to send him my
absolute best stuff.

Speaker 11 (05:25:43):
Listen, this has been a great show for all of us.
Roger Wade, they're not here there spirit, all of you
guys listening. I really hope you enjoyed that. We we
fucking scrambled last minute we found out were having munch
today and such a fucking treat man. Well hope we
covered everything. There's probably a lot more we didn't cover,

(05:26:04):
but we covered enough. An hour and a half of
this man's time. Most people don't do that, take a
personal radio. No other podcast that is doing this, especially
not when it comes to the nineties hip hop, and
we hope, fucking I gotta stop saying we hope. We
want you guys to.

Speaker 8 (05:26:22):
All motherfuckers are wishing from what I'll tell you what
you wish to ask.

Speaker 3 (05:26:25):
Motherfuckers. You know we have on deck.

Speaker 8 (05:26:28):
We got Royce five to nine coming soon. We got
Master Ace coming soon, we got Riza coming soon.

Speaker 1 (05:26:33):
We're about to the elae.

Speaker 8 (05:26:36):
Your fucking assholes.

Speaker 20 (05:26:39):
All I got to say is, suckers.

Speaker 5 (05:26:44):
Yo, please spread the word.

Speaker 11 (05:26:47):
Take it Personal radio dot com.

Speaker 38 (05:26:49):
We do this for you.

Speaker 11 (05:26:50):
Peace, I love you. Goodnight God.

Speaker 20 (05:26:54):
I know we're out, but I just want to say
it kind of feels good to have the original three
kind of doing what we do. Like I said earlier,
there's a lot more elbow room at the table.

Speaker 11 (05:27:05):
Basically said don't come back to the exit.

Speaker 20 (05:27:07):
Nom just saying there's a lot more aces in this deck.
So I appreciate you guys, and I appreciate the listeners
for kind of keeping up with us through our metamorphosis
from episode one to episode thirty two, that's what it's
all about. I appreciate it.

Speaker 21 (05:27:24):
Peace and trade, duce, catch up on the latest take
it personal radio dot com.

Speaker 12 (05:27:41):
Yes, yes, yes, yes, yes yo, mister Soudman, we would
very much appreciate it if you had us.

Speaker 16 (05:27:48):
Had more minutes and a little more loads to the mic.
I'm on Mic number one, Princeville, Mike number two.

Speaker 1 (05:27:54):
More right right right then yeah?

Speaker 12 (05:27:57):
More come more come more right yeah, yes, right here
come on.

Speaker 16 (05:28:03):
Sort of similar to the way y'all remember to be
the worst Smith Barrol, God's gipping the vote, cavalary my
person who's a little.

Speaker 12 (05:28:10):
Queen be killing me, so please still not be packing
on telling me you're feeling me.

Speaker 16 (05:28:14):
Yeah, perhaps don't stop here, nigger and knock them seize
out of a six sided figure my statugy's the tragedy
to see to receive certificates from MAC for Academy's a
specific for word play word specific words say we.

Speaker 1 (05:28:27):
Step it up to the next level.

Speaker 12 (05:28:29):
See if I represent God all my competition.

Speaker 1 (05:28:33):
Is exclusively lucifer.

Speaker 16 (05:28:34):
See y'all used to the niggas who was sa kept
ride right with some bullshit college azz weapon the greed.
But let me tell you how we can win with
disco them. But if ain't loud.

Speaker 1 (05:28:48):
Enough, we other sawn man turn that shit. H come on,
come on, let me introduce myself.

Speaker 6 (05:28:57):
Jeddi Prince, Pope God skipped the volt captul level faveri visual.

Speaker 12 (05:29:01):
Every libriical slide.

Speaker 5 (05:29:03):
Is spiritually protected, but inside nothing to hide but the shinelight.

Speaker 1 (05:29:07):
Diamond the side mind that as man.

Speaker 5 (05:29:09):
Right, lad both free flows over baseline, taking elevasion to
next flats with the cosmic sense level CDs and consect
some depth. Now who mash that the funk when it's
time the fan the south side swark sharp and please
thinking they cook, presuming to get smoke like freeze and
eat them season all kinds split out the robber girl

(05:29:29):
to take their mind stake because I don't eat swat.
Set a straight online internet from fand the drama might
catch it in the ground straight bow on the dim
and let me tell you how we do it thattle
disco fluid and if it ain't loud enough, shall the
sound man to turn that ship up? H h.

Speaker 31 (05:29:51):
Wat check.

Speaker 5 (05:30:07):
To be a fucking and half on the dash of
weather stuff.

Speaker 11 (05:30:11):
It'stering.

Speaker 6 (05:30:11):
Your color is cash black Italian doth loca Michi sis
in the blackst bull metal to the pedal when we
organ down that apt alas amongst the mask in the cash,
but in the dash past before the stock market crash
splash five fourth straight go the full the five.

Speaker 1 (05:30:26):
First place to get the sparting your norse.

Speaker 5 (05:30:28):
And then the couple on the corner in the postum
with pots and mother shops, ladies spitting in who feeds
some in blocks hops? Look at love love fucking with
this top fu mastic you go now blotting pastes the
passion with very toxic flotche Really the dose can stroller
up in the clocket lock shit with.

Speaker 1 (05:30:45):
My bo boxing optic. You ain't fucking with this propt Who's.

Speaker 38 (05:30:48):
To drop it?

Speaker 8 (05:30:48):
Stop it?

Speaker 16 (05:30:50):
Mister s You see I'm sitting them in your face,
spinning them quick wick, sitting and blending the midwich, burming
them in it in the body. Obama the ship whenever
I s no need for me to go get over here.
Record you're gonna go with your ship, so what absolutely
no innovation whatsoever?

Speaker 1 (05:31:08):
You annoying. You missed my lover that needs to be
told that ship you.

Speaker 5 (05:31:11):
Ain't full black plans and promote the schemes are scared,
so whack tracks are trash to me, nigga, Actually you're
platinum black shit even go back to the factory. People
want to be like Michael and when recycling, when the
fans want to hear fresh mssing, you're from.

Speaker 1 (05:31:25):
A period you backcro organized, can't in very.

Speaker 16 (05:31:28):
Get tolerant A ramp shows like blacktose those niggas that
act up gets mack back. What's the biggatt sucking mack
Watch any mack in put on his back, greatlifical tactics.
You a line, whatout practice?

Speaker 1 (05:31:40):
This is how we do it. This so through it.

Speaker 92 (05:31:45):
But it ain't loud. Now say it it ain't loud enough.
Say it ain't loud enough. We're telling salesman's earned that
motherfucking bogue up.

Speaker 1 (05:31:55):
Bigg Body.

Speaker 15 (05:32:05):
By by.

Speaker 2 (05:32:10):
Body Body.

Speaker 31 (05:32:15):
Candy, Body

Speaker 1 (05:32:21):
Body Body

All Episodes

Episode Transcript

Popular Podcasts

Bookmarked by Reese's Book Club

On Purpose with Jay Shetty

Dateline NBC

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Take It Personal Flashback (Pharoahe Monch Tribute)

Episode Transcript

Popular Podcasts

.css-r6mb8g{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:1;overflow:hidden;}Bookmarked by Reese's Book Club

On Purpose with Jay Shetty

Dateline NBC

All Episodes

Take It Personal Flashback (Pharoahe Monch Tribute)

Bookmarked by Reese's Book Club