Take It Personal Flashback (Sean Prince Tribute)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Yo, Yo, we're back. Did you miss us?

Speaker 2 (00:04):
Well, We're ready to close out this year proper, and
what better way to do that than with a much
needed take your Personal tribute to.

Speaker 1 (00:12):
The late great Shawn Pee.

Speaker 2 (00:14):
On episode ninety nine, we celebrate the life and the
career of Sean Price. We're also joined by special guests Fonte,
Peter Rosenberg, Torrey Mayhem, Lorente, and Pharaoh Manch. Get ready
for hours of music, memories, and laughs as we play
over seventy plus tracks showcasing the remarkable catalog of Sean Price,

(00:35):
from Helter Skelter to the BCC to the plethora of
guest appearances to a stellar solo career.

Speaker 1 (00:41):
We've got you covered on this tribute, Yo.

Speaker 3 (00:46):
Just relax, last last.

Speaker 4 (00:52):
Yup, dono to name name name, take.

Speaker 5 (01:05):
Right now, Get tuned in to take it post taken,
post take it person, Take it person. I'm here to
put y'all up on something. Man revolution it said.

Speaker 6 (01:13):
No doubt, no doubt y'all to cho rest one checking
out the taking person the radio show.

Speaker 5 (01:18):
Yo.

Speaker 6 (01:18):
Check it out, y'all.

Speaker 7 (01:20):
Yo, Yo, what's Upping's black thought from the legendary Roots
crew and you check it out?

Speaker 5 (01:24):
Taking Personal radio radio number yo.

Speaker 8 (01:28):
Check this out of control brother number one piece rock Yo?

Speaker 5 (01:30):
Yo, what's up? This is Diamond D representing digging in.

Speaker 9 (01:33):
The crates right here?

Speaker 5 (01:34):
Or take it personal radio the best in hip hop.
You are now checking out with y'all.

Speaker 10 (01:39):
Y'all know to day boy barl Mont, you ain't know
what it is. I want to give a big shout out.

Speaker 5 (01:45):
Take it personally, show missus, Chuck D, mister Flavor flay boy.
You checking out? Take it personal, so yo, do.

Speaker 11 (01:52):
That right now? You're listening to taking person a perfect
in that fly shit you heard you heard, yo, Shommer
the Green.

Speaker 5 (01:59):
Knight a bandit he said to EP and D.

Speaker 7 (02:01):
You can't even take a personal radio just the truth
to check him out, check him out, check them out.

Speaker 8 (02:06):
Yes, these things.

Speaker 11 (02:09):
Check it out.

Speaker 8 (02:09):
Take your person get check it out.

Speaker 5 (02:11):
Take the personal with my people.

Speaker 12 (02:13):
Don't care anymore about this hipartment.

Speaker 13 (02:17):
What you're waiting for?

Speaker 5 (02:18):
I gotta stab on man, man, somebody check it out.

Speaker 14 (02:21):
Your boy ams surging right now you're checking out taking
personal Take a person.

Speaker 15 (02:26):
Person by yo, ladies and gentlemen. Right now, No, no,
the fuck is about.

Speaker 16 (02:31):
To go on.

Speaker 15 (02:32):
This is taking person with my boy full of flavor,
cav law, Hey Aaron Roger. He announces the d D
three sixty ways. Soaken ass, this is taking personal and
we end up.

Speaker 8 (02:44):
Building yes, yes, yeah.

Speaker 17 (02:52):
Yo.

Speaker 18 (02:53):
I was on touring your Jilt Simpson, Black Milk, Hex
Murder and Sean Pet this particular tour, I was on
my groove soul shit, So I was wearing cowboy boots
and shit like that, and I knew they would be
cracking on me, but I didn't give a shit and
we would be a backstage in a dressing room, and

(03:15):
Sean had the lies, jokes and and and hex Murder
X Murder knows he always.

Speaker 19 (03:20):
Talks about this.

Speaker 18 (03:22):
We were at the airport this one particular time, and
it was mad, crowded, mad crowded flight.

Speaker 20 (03:29):
We were like, man, are we gonna get our luggage on?
We gonna get the overhead on? Man, are we even
gonna make this flight? It was crazy, and the flight attendant.

Speaker 5 (03:41):
Called on the louds because she said.

Speaker 18 (03:43):
Anybody with any disabilities please step forward, and Sean Price
stands up. He makes his knees knock together and his
foot crazy crooked, and he stumbles over to the desk

(04:05):
and tells.

Speaker 13 (04:06):
The lady I have a handicap.

Speaker 18 (04:12):
And they absolutely let him onto the plane first. This
is the craziest shit I seen, Yo. This is Pharaoh
March and this is a tribute to the late Great
Sean Price.

Speaker 7 (04:27):
Peace m Botswana, small town little League player, pop corner
rock corners with hot blocks, this drug infested supply suppliers
my money say thugging, fasted, no disrespected duck down Records.

Speaker 5 (04:42):
After this goes around the nigga looking for the exit.

Speaker 7 (04:45):
Peace Sincerely, pyricks Potshawn Trip to cut it and spit.

Speaker 5 (04:49):
It on not Right dot Com.

Speaker 7 (04:51):
The vet Erner stripes, the sketch burner tears in my
eyes when thinking the Heck's murder?

Speaker 9 (04:56):
What up Hecks?

Speaker 5 (04:57):
I don't pau lay with the crewe nigga. I don't
wild lader.

Speaker 7 (05:00):
The new niggas hardcore rapping Mary J. Bloche Records, The
Guard Gonna snap and waving the five Reckless Sean Price
the best rapp in Brownsville.

Speaker 5 (05:10):
Don't know me by the time this song done. You
clounce well, clouns well hurts something, nigga, You know what
I mean?

Speaker 7 (05:16):
Fuck out here, grown man rap nigga, Give my son
the fuck one of your young rappers up words of
mother fuck out here?

Speaker 5 (05:24):
Whatever you like? Where was I?

Speaker 4 (05:26):
Oh?

Speaker 5 (05:27):
Yes, Sean Carter is nice, but Sean Price is the best.
Seawan gone. Oh no, Seawn Dawn. Oh, Sean is a dawn.
I don't war Seawn.

Speaker 7 (05:35):
Jean army suit, black Beerry, Brandy gets long shawns, matching
cheese tims.

Speaker 5 (05:40):
You separate weed stems. We carry your bulletproof vest, test
block the spray.

Speaker 7 (05:45):
Get just the left of rocking wing your chester too
old the rap, too young to whack ten fingers, two hands,
my nigga and the guns clap bottle. I don't like
niggas no more. Eight figure dreams nigga, but the figure
is fog. These are words from.

Speaker 5 (06:00):
One thousand and there.

Speaker 7 (06:01):
Someone cracking the peas disguise in some housing here. I
fucked them somewhere down the line, but.

Speaker 5 (06:07):
I got my shit in order to crown his mon fucking.

Speaker 7 (06:13):
Fuck out here, Sean Price, Timbo Price, Mike Tyson, go
get all.

Speaker 21 (06:21):
That shit, that shit, that shit, and I punched the
school buses.

Speaker 22 (06:50):
Take it personal Radio episode ninety nine, and who got
a shout out tonight baby the great one, mister Wayne Gretzky,
and like the man famously once said, you miss one
hundred of the shots you do not take. And five
years ago, Fellas, we took a shot with this taken
personal radio podcast.

Speaker 23 (07:09):
And look at us now.

Speaker 22 (07:10):
Ninety nine episodes later, nine nine red balloons, nine nine
bottles appear in the wall.

Speaker 23 (07:15):
However the fuck do you want to play it out?
Ninety nine?

Speaker 22 (07:18):
I said, listen to this stuff. Hey, hey, you know what,
after this episode, you're gonna have ninety nine problem.

Speaker 23 (07:25):
All right, So tell them, Fellas.

Speaker 11 (07:27):
This show is one that is not only long overdue,
but it's hard to find a more deserving artist, uh
than Sean P. For a take a personal tribute. We
have hours of music, hours of memories, collaborations, freestyles, we
have the classics, we have the I've never heard this
ship before joints. We have everything, and kind of like
our Doom tribute, we have a few friends stopping by

(07:50):
to help navigate this journey and share some stories like
Pharaoh manch Torre, Peter Rosenberg, Fonte of Little Brother, and
of course Mayhem Lorentz. So look, let's get into it.
Dre tease him a little bit, tickle the team.

Speaker 24 (08:06):
Hey man, Sean P.

Speaker 25 (08:07):
What can we say getting close, like everybody said episode
ninety nine, otherwise known as the Angel Number.

Speaker 24 (08:14):
I've always felt like this show as a higher power.

Speaker 25 (08:17):
Looking over our shoulder, and what better time to do
a tribute than to do.

Speaker 24 (08:20):
One on Sean p from up above. I know he's
looking over us and going through all the music and
laying down the mixes.

Speaker 25 (08:27):
I was saying, Pee was a different kind of dude,
a little crazy mixed in with a unique flare that
made him nothing more than original. His wit, his charm,
his presence on and off the track made made him someone.

Speaker 24 (08:40):
Will never forget.

Speaker 25 (08:41):
So strap up, get ready for a tribute the only
way the Tip Crun knows how to do it. I'm
glad we got to get this one under our first
hundred shows. And you know, I think this one's going
to be really, really special.

Speaker 24 (08:52):
So Wade let him.

Speaker 11 (08:53):
Know, brother, what are they strapping up? Exactly? Just curious, Adildo,
what's the strap up?

Speaker 26 (09:02):
Dare I say?

Speaker 27 (09:02):
There is nobody on the planet more excited about the
content of this show than yours. Truly, I've been waiting
on this show for I don't know four years something
like that. I knew we were gonna do it because
he's one of the greats that we lost way too soon.
I got to tell you, I remember exactly where I
was and what I was doing on that day in
August twenty fifteen when I saw this come across my

(09:24):
timeline and I straight up dropped my phone. My heart
sank because this dude became my favorite rapper. I don't know,
maybe two thousand and eight. As soon as I heard
onion Head. Pretty much that signaled to me the start
of the new Sean Price that I would come to
consider in my top three of all time. And some
of y'all might think that's a reach. Fuck you, he's

(09:45):
the best. Sean Carter is nice, but Sean Price.

Speaker 13 (09:49):
Is the best.

Speaker 26 (09:50):
Let's get to it. Watch Roger do his thing thing.

Speaker 1 (09:55):
Let's recap the year I take it first?

Speaker 11 (09:57):
Shall it?

Speaker 2 (09:58):
We dropped over twenty one episode. It's eight tributes, including
our most death D and D Studios, Mafioso Rap, and
our incredible five part tribute to nineteen ninety three.

Speaker 1 (10:09):
We've interviewed Cool g Rap, Corrupt Bar, Oh Mind, Blue,
and am of You.

Speaker 2 (10:13):
It's been a busy year on Tip and we have
to thank you the listener. And now let's get into
our Sean Price tribute right here. I'll take a personal rate.

Speaker 23 (10:27):
Be Be.

Speaker 5 (10:32):
Jim rob imperious rap.

Speaker 7 (10:35):
Joe shut the fuck up and recalled the ship man.
If I can't and beat the shit out you d
hold up, let's go.

Speaker 9 (10:42):
We dropped it to our forty rapper list.

Speaker 5 (10:46):
Yeah, I like no female rappers. You don't like no
femalp not one not what not one? You don't like
logan I gave, but she saying a lot of times
I wouldn't call a rapper you don't like.

Speaker 19 (10:57):
Uh.

Speaker 7 (10:58):
I like no female rapper no, not like. I don't
like a person like. They don't hold my interest. What's
like MC light I haven't liked.

Speaker 5 (11:07):
I haven't brought a female album female rap albums. MC
light Light is a rock album. I haven't brought one
since we straight up I like none of them. What
about raisings? I like none of them? Sorry, only you
don't like just MC light album? Yeah, but the one
we take that back, Rodger, that's what you.

Speaker 13 (11:27):
Get by too.

Speaker 5 (11:28):
And my wife was a big rod Deka fan too.
But otherwise that none of them. They don't know.

Speaker 7 (11:34):
I'm not buying none of the albums I'm not buying
none of the albums, right, you can complain all of.

Speaker 6 (11:42):
Them, all of them.

Speaker 28 (11:44):
I mean.

Speaker 7 (11:51):
The Street, the bleat Leta had Mega trying, except the
conshawn Duke you know my name, Fuck around and send
your gass back from where you can, back in the.

Speaker 5 (12:06):
Dirt, back in the earth, back of my turf.

Speaker 7 (12:08):
Clap cowards, black power, black red, freedishit smoke South with
so power.

Speaker 5 (12:12):
Because Track hasn't need a ship. I mean the hotelb
was gone.

Speaker 7 (12:16):
You don't need a staunchy new hotel Rawanda, Go get
your partner, rocking head nigga, go get your mama, my
cock right here.

Speaker 5 (12:24):
I got this here. It's a different doctor in here.

Speaker 7 (12:27):
Fuck if the cops are where, you get popped in here.

Speaker 5 (12:29):
Listen.

Speaker 7 (12:30):
I fear no man but God. Matter of fact, Duke
I abbed the God. Pee body, four eyes, two arms,
and three shoddies. Got ship, don't locked like irving Jean Gotti.
A mean mommy from Puerto.

Speaker 5 (12:42):
Rico whose self Metigo for the right price, Princess of
pop at your people, Pee Body.

Speaker 4 (12:51):
Cover, past effect, past perfection, the punch, pie Holes and Pretenders,
the Tang and It's gonna Pipe off body and beat
the body in the street.

Speaker 10 (13:07):
Huff anybody introducing.

Speaker 5 (13:10):
Boot lot of the cops, tell the truth and the poofy.

Speaker 7 (13:12):
Sit you tell the truth to the cops and line
the boot fucking back.

Speaker 5 (13:16):
With ass rappers to stack with the gash.

Speaker 7 (13:17):
Happily boom shot shots together, back up the faculty together,
left hook and shatty your chin and si a love
and down darkins when he shatty the bread.

Speaker 5 (13:26):
Niggas getting mad at my tents of one thousand dollars.

Speaker 7 (13:28):
Jeams don't get who can't bitch recognize my team's strong
nigga kneel down just the ring or Kelly get verse
f not piss on your sixteen nigga rapped proud men's
to Paul President p pop up my pistol partially parched
past the t truth be told star top raking them
not thinking, singing whatever love it putting, I put it together.

Speaker 5 (13:47):
Listen, y'all, bitch.

Speaker 7 (13:49):
Niggas probably do ninety y'all bleuss the shot and start
running for mommy.

Speaker 4 (13:52):
He body gave you time for pound perfection, the punch,
pie holes and pretenders the tang and it's gonna pipe
a body that body in the street. Anybody get body
within it's Bill introducing me. Fine, you rack that gonna
and they get this position fun the box shitty and
they hate it. You're gonna see your body. Somebody's gonna
beat my body. Somebody ain't gonna probably need a body

(14:13):
fans lamb pe Body.

Speaker 7 (14:15):
Listen, listen is the peace C and W D into
two K six. We make hits, we make chips. I'm
over stacking my dog. Can't beat the broke trapper, you know,
Pete Body, Yeah, get on getting lost. We're gonna get
your ship split with licking the fifth off. Just take
the gangster rapping? How many motherfucking against this rap?

Speaker 5 (14:35):
Listen?

Speaker 7 (14:36):
I mean, truthfully, you might think you that well over ball?
Do I think you rack Peabody? The name is double face,
the says the judge is fact, the cases laying.

Speaker 5 (14:47):
I love the rapper. I hate the game, matter of fact. Bitch.
What's my name?

Speaker 4 (14:52):
Pete Body, Pete Body, Pete Body's.

Speaker 29 (14:55):
Going on to your boy baby, paul A k B
pasing and now checking out taking personal?

Speaker 13 (14:59):
Who's my man?

Speaker 29 (15:00):
Sill a slaver Kevlar and the Horny DJ three sixty
yell Jill Jill jill.

Speaker 10 (15:08):
Yes, Yes, y'all shalls, he helped the help be the best.

Speaker 5 (15:11):
Y'all.

Speaker 4 (15:12):
That's yall five slam from me. It's the west yard.
That's shop pound straight through your bubble fash y'all, that's
your chest shin run bus the ring gun clapper number
one on the set.

Speaker 5 (15:22):
Man, I cut your light number. I still play the
back yard with under gear. Damn to my underwear.

Speaker 7 (15:27):
May God your motherfucker's underwear come from because motherfucked that.

Speaker 5 (15:31):
But then I'm a gun clapper Famus run rappers.

Speaker 7 (15:34):
Last Fab five fad live blow up the spot, Drew
High gets the paper black one still gets the right.

Speaker 4 (15:39):
Your next to snapper neck b big God rose Case
send them seas the mean squad just three say, rocking
his muster as he for the can't be seeking me
in action as he transformed that man to me and
thee mesa cutter and to welcome back in my home,
not getting blown like corner's slots and pay phone to
phone home or return like your yard.

Speaker 10 (15:57):
I got better. I can without lie, give your stupid
the rest.

Speaker 30 (16:00):
I like niggas who can't see past a look a
bit that like come touch the time for yonja gun
die theod night.

Speaker 5 (16:06):
It's six feet deep.

Speaker 30 (16:07):
It's when you sleep he tonal lead resting in piece
you felt relief. Now big up to all my true
heads in the east stalking the block, not leaving the
house without they yet if best the belief that Fab
five got my back like that.

Speaker 5 (16:20):
Like that, I control the masses with matter force. That's fast.

Speaker 7 (16:23):
If don't ask if this nigger ruck er bashit like cashes,
I'm drastic. When it comes to verbs, I'll be flipping
because herbs just be shipping off the words.

Speaker 5 (16:31):
I'll be kicking.

Speaker 7 (16:31):
I scold you nomb ahead this water both the petty
but I told you which niggas that heads ain't that
need nothing?

Speaker 5 (16:37):
Mold you back too, a bitch that you are fucking
with the ruckers. Get bruce, batter, discuss.

Speaker 28 (16:43):
Up your rangers, bru.

Speaker 31 (16:45):
It's then you bitch your news guns popping to us,
rush your throughs.

Speaker 32 (16:48):
Three on three.

Speaker 3 (16:49):
You can't see week and don't we stay take it.
Not too many niggas won a fight.

Speaker 33 (16:53):
This this nigga where that nigga riden the sight for
brother camp just got in and so I took them
out for a desk.

Speaker 3 (16:58):
Big gun triggers all down like the.

Speaker 5 (17:01):
Bridges of London.

Speaker 3 (17:02):
But it ain't too many.

Speaker 4 (17:03):
Niggas rush yes, y'all, y'all see help the help to
be the best, y'all. Slam from meets the west yard
town straight through your bumble vest y'all. Ain't you know
why why did I need machinos? Roll my face butter
god im pinos through your meg fosy and judge with
ring mo dramma didn't was I'm tying.

Speaker 5 (17:23):
In BC TV show and don't don't win? Damn sure?

Speaker 32 (17:26):
Ain't fred biggas walk the streets with more boots to
get heavy back bred.

Speaker 5 (17:32):
Pod hit your mind.

Speaker 4 (17:33):
Mixed door is just like a blender This shore from
shoe h yard to what said like rocke fella, you
hit rock by them when you win?

Speaker 33 (17:40):
You see rush the scene permission for back yup, Facebook
back attacks fools, the doc back pumps his back to
the petrol.

Speaker 34 (17:47):
Don't get though no bism before this nigga that you.

Speaker 5 (17:50):
Said, go with you do? Who screwed?

Speaker 4 (17:52):
I blew through two crews who claimed they got funk?
May be true because they have you afraid.

Speaker 30 (17:56):
Ain't nobody laughing the war I've ever sw on your knicks.
Your niggas hit the floor with that my different you
got that ass and hot water. Now watch his orders
in the piece in your head quarters to take away
your strike right fucked up tonight. You don't do right,
your wud get that. That's why I clicked found this
is your stay. Stick to the war people, my high
out as.

Speaker 5 (18:16):
A it's the shame I thieves them. Season one of
the bees. Front on knees and get hung up like them.

Speaker 16 (18:21):
You please, he's up.

Speaker 4 (18:23):
Select strangles on whoever passes to my second.

Speaker 5 (18:27):
What you're gonna do when you're stuck at thirty two?
The greed?

Speaker 7 (18:30):
Please get off your knees and follow these Swallow these
rock shots from the right boot, and I will make
niggas be there. It's scream like Michael so how I'm
in the corn and yam seguan try strength sets it
off like the fourth of July.

Speaker 10 (18:43):
Nobody.

Speaker 5 (18:43):
Why is everybody gets bodies? My brother? I smother but
they're good than the rock bounce like proper step to
the state. Set the microphone on fire.

Speaker 4 (18:51):
Your desire to call me science because I'm flying live like.

Speaker 5 (18:54):
Why he's from the east?

Speaker 11 (18:55):
Who is he?

Speaker 13 (18:55):
Where?

Speaker 5 (18:56):
Roar like niggas busy.

Speaker 4 (19:00):
See help the help to beat the best yard five
playing from meets the west Yard Pound, straight yard show
shot rock rock meet the best yard shim playing from
meets the west Yard, pund straking the bubble.

Speaker 10 (19:17):
Best yard.

Speaker 5 (19:19):
Y shot, Yeah yeah.

Speaker 4 (19:24):
Shot yeah yours and fuck in your gushi year Yeah by.

Speaker 7 (19:31):
Five out as we say, as we hello, as we're
saying that slot and love.

Speaker 10 (19:50):
Let the man is beginning. Let it begin.

Speaker 4 (19:53):
Let the man is beginning to Let the brain blow
with your grin. Let it begin, Let it begin. Let
the man is beginning. Let the brains blow with a year.
Run for your guns, me, your son's coming through rap
ruck you and your.

Speaker 5 (20:05):
Crew, fuck boys and blue.

Speaker 4 (20:06):
This be bucks down around these ground dato room because
we send them home with dreda flux and they don't.
You don't not the frame by the rock miss the
flip stuff. Ship's helped to skelt the weidsday get flick
stuff right.

Speaker 7 (20:17):
If I get side with my eyes on the post,
I'll see dude getting ready said he only trot word.

Speaker 5 (20:23):
Let's he claimed, you can burn me yup and wrapped shit.

Speaker 4 (20:25):
Ship take it to whisper and lacks the pump what
he feels too, to which because he weaks of this year,
they can play hisself right and like he hard to
the draw more right hand flips and not enough flucks
when your mom and my flip strip to get drawers
run your the wing, your jewels tools stock and they
ain't able first but not breaking full morn funk niggas

(20:45):
test rockets like the July while you catch your shot
and you're not from a block that night. Pop, you
don't wonder what the rock at the dump. Don't fucks
your by the luf you got caught by the rough.

Speaker 7 (20:54):
Or niggas don't don't check my floats fat so fat,
my guts flat bat. Niggas who claim that my ship's
a you know, I thought you're new it to lee
bitch and blue with now by much bring your shit
up like I was Lenix s Lewis one, two, three, four, five, six,
seven eight Niggas of ship, where's my nine mail? I
trailed fine scales into your men two block, I hit
your ten food hockey come chick too not you must

(21:16):
mistaken before what sucker type of mother?

Speaker 5 (21:18):
The fucker might lose his life because I'm trifling the.

Speaker 4 (21:21):
Night alright, let the man's beginning and let it begin.
Let the man's bigg then let the brain flu with you.
Stil nigga set it off in the dark. I spark
marks when the big rock flips.

Speaker 7 (21:31):
The art, the broad rapper, your type of ruckets kicking wicked,
keep it rail my click bro.

Speaker 5 (21:36):
Thick like a cidics plus.

Speaker 7 (21:37):
I'll be there like Jackson, breaking your backs and acts
and who want more? That's where my gats mit so
chump chill from my pump killed. You want to hell
still rock knock out your front rail the liver cool whatever,
because whatever is liver cool?

Speaker 5 (21:50):
And I bring four thoughts beyond those.

Speaker 7 (21:52):
The physical raps get deep when I'm mac with my peepes,
you yapping by we if you get clapped in the street, stitch.
This nigga runck is fucking crazy. Hear the ten niggas.

Speaker 5 (22:01):
I said niggas to hell one of my brother that
they not be niggas.

Speaker 7 (22:04):
So what what's he bring it on with this bomb?
Sean got sold, that's mass strong, Old Sean got soft.
That's mass strong, showing that Sean got solt. That's mass wrong.
Sean Sean got soft, that's fast Sean got sot. That's fine,
Sean got Solt, that's my strong.

Speaker 4 (22:20):
Let it madness beginning. Now, let it begin that it's mad.
It's beginning that that just break with your grinds.

Speaker 10 (22:26):
Let it begin.

Speaker 4 (22:27):
Let it begin that that madness beginning, and let's just
break yet with your grinds.

Speaker 5 (22:32):
I pushed your guy to a piece of shop with him,
but I was with my friend Lee Roy.

Speaker 11 (22:38):
Rounds up so and men.

Speaker 5 (22:40):
He was fighting two dudes.

Speaker 35 (22:42):
The dude here LeRoy's so hard that I got mad
and I stopped fighting. The guy was fighting and turned
around and punched the ship out of the guy and
he went through the pizza shop with him.

Speaker 11 (22:53):
And I ran on looking out my fist the whole
time like that.

Speaker 5 (22:56):
Sad, yeah, yeah, yeah yeah. They kobe as, hey, hey,
hen hey, keep here in your mind. Run to your children.

Speaker 7 (23:04):
And heard the God's pitching fire and Michael the Skills
friend John the Skills being.

Speaker 5 (23:08):
The quiet jelly. But this alone, he called.

Speaker 16 (23:11):
The whole I'm just calling g O d shoot in
the head.

Speaker 5 (23:15):
That shot the bitch and brodam.

Speaker 8 (23:16):
Man the time for the shiner.

Speaker 24 (23:18):
Let meat.

Speaker 7 (23:18):
Let no sh to my mom to put the bitch
in the battle that tall rang with it comes the
hard ball.

Speaker 5 (23:24):
That's been your day. Your ship got flows fong and
he saw no days. I'm the broad rap right and
recited for broad raps.

Speaker 7 (23:31):
All that backshit that you're talking just fall back see
my floor Bots of one two Shiit p fly g
I Joe the Kong Fu Grip. Gotta lock on the game,
not with the game, Ben the Luba comstock op.

Speaker 5 (23:45):
Your friend got my mind made up. You can't convince
me home that the waiting the top is.

Speaker 7 (23:50):
My cock in Quincy Jones Secret Society designed by.

Speaker 5 (23:54):
Man made the Mason beat the murder the big designed
with his hands, cool manufactured that she don't believe. But
none of that ship.

Speaker 7 (24:02):
Your facts are back, which active been active gang leading
the broad love did.

Speaker 5 (24:07):
This treats my peaks?

Speaker 7 (24:08):
They hey, hey he man, keep hearing your mind, Brothers,
your chill friends, the gods spending fighting and Michael the
Skills Friend the skills britting the crisis Lippid the Cody hair.

Speaker 5 (24:22):
Hey hey here man, keep hearing your mind. Brothers, your
chill friends, the god spending fighting and Michael the Skills
Friend the skills britten the crisis Lippid the chills there
that was.

Speaker 7 (24:38):
Shot at you, said the man, it's doing too much
truck and strake Jimmy Hendrickson pops and drinking the farms
something this fat habit, lot of god you both pops
and pillstip in the line, drinking some.

Speaker 5 (24:54):
Bottle up in the clock, draping my cou.

Speaker 7 (24:56):
Fucking the shop plan playing it's the Shawn practicing too
many clowns.

Speaker 5 (25:00):
One the tray with the hill, the one chick out.

Speaker 7 (25:02):
The king x five the first none down your eyes
pitch as thinking ready called me say girl took king
the brush you saya and bring back the three and
suches to me the fine Joe from Nannie, trug habit
and all trust, spattish cass static ky fucking with job,
don't get in my hands journey y'all got plus that's
gray with the chiller. Fucker fucking like from fire through high.

(25:23):
What up Jim je top shot up Jill, big Joe
check is still what U? Joe fro same show, last
name price a step in the then wigging to even
two hundred and lost twenty thousand email, sucking the round
the exailus so whook the trip to jack the lane
got a pain fact like that when us has to

(25:45):
change look of hard four far fours in the adage
and charge four.

Speaker 5 (25:49):
I'm small fall incontassis.

Speaker 7 (25:51):
That niggas ain't fucking frock while it's out like it's
cussing my Dutch fucking fucker.

Speaker 5 (25:56):
Stupid riches think the cars got plenty shows just because
they sober.

Speaker 7 (25:59):
Mother A couple of jinny Jones have to step back
as after these holds, I'm shaan fright to folks trapping
your nose, it's has to meet you. I turned him
with rocket the wife, beat up and step up my
toes holes in your wife and my sick.

Speaker 5 (26:11):
Year crusty shop, shoot up job Jeff.

Speaker 9 (26:14):
Till the joys?

Speaker 5 (26:14):
What up? Joff? Jeff tell a joy? What up?

Speaker 28 (26:18):
Jo Jeff?

Speaker 15 (26:19):
Step what up?

Speaker 13 (26:20):
Jelly?

Speaker 7 (26:21):
First snap shaw last Joe right, just say what you
want to spell my name right, first stame, Sean last
name right, Nigga frocks, aa'ven roffers in the flesh fucked
up with the James, but Jeffers unless I'm the best
yo nigga street ramen fron nothing I'm from about nothing.

Speaker 5 (26:38):
It sounds like something I used to sell.

Speaker 7 (26:40):
Crack and listen to the friend man, it's not by smoke,
black prolems getting some head drowns.

Speaker 5 (26:44):
Sean fright so he's broken and money stuff.

Speaker 7 (26:46):
Why if gone smoke choking your foot, stick them up,
put your hands, wear my.

Speaker 5 (26:51):
Eyes and see you know the same.

Speaker 9 (26:52):
Trust the bounce, trust.

Speaker 5 (26:54):
The mind, rob truffles and toughness, and don't suck the mind.
Not with snuffing the cutting before you truck of mind.

Speaker 6 (26:59):
Joe the man.

Speaker 5 (27:08):
Flash, I'm going can for life, Never worry about the yard.

Speaker 7 (27:11):
I get creams say I switched sins getting plumped like
miss grig Yoe, brust some MFC for life like my
hand and sea straight into the glassgow Ice. You remember me,
raight if I pass your wife, remember me through I
see her ass of tripe. Yo, I push your hot car,
go in the hot ball, slap the ball, tend the
garsop pits on the cock, call niggas.

Speaker 5 (27:31):
Tell me brother, it's you the basket tight. I'm like,
go fuck yourself.

Speaker 16 (27:34):
You her bassroom dyke.

Speaker 5 (27:35):
You never do with your what song unless the dashes right?

Speaker 7 (27:38):
But I give the humble throng if her ass is tight,
hopping in e Yo, mom, pops with me. Have to
knocking my knees, busts down under teeth when I jump
out the car, eyes.

Speaker 5 (27:48):
Locking at me and my fault. That in a popular
being fucking looking down? See how sound? See how it sound?
A little unrational? A lot of like to use the
words for madical on.

Speaker 8 (28:01):
One checking out to text your personal radio show.

Speaker 36 (28:04):
Yeah I'm a tell Gate.

Speaker 3 (28:11):
Nick number, Yeah, yeah yeah, once again, here we.

Speaker 5 (28:16):
Go one time for.

Speaker 36 (28:21):
All game nicknumber.

Speaker 5 (28:24):
Oh Jill.

Speaker 32 (28:28):
Yo yo pad bubble up like a branded tatoo outland
this she got plans to get that you.

Speaker 34 (28:36):
Rap dudes, perhap dudes for anything that I fell off.

Speaker 3 (28:39):
You could get the balls.

Speaker 32 (28:40):
Get that look fall little crook where I'm from. If
they get ship, they call them you guessed it the brook.
Let's hit the books and read a classic. Show me
flos no, give me vo snow fox. It's not the
beating that.

Speaker 34 (28:53):
I'm out this time for a home and then Tom,
I'm taking this shine.

Speaker 5 (28:57):
If we was a gun, you were boozy.

Speaker 3 (28:59):
I'm ann but the accurate one shell.

Speaker 5 (29:01):
And fill your inside.

Speaker 32 (29:02):
Any pride light skates on anybody, anytime, everywhere, anybody, any place.

Speaker 34 (29:07):
It could be a round sleep and we'd get battle
for first place, put the.

Speaker 5 (29:11):
Loser game two wounds finished until.

Speaker 36 (29:15):
Of a twell Gavenumber.

Speaker 37 (29:16):
If you wouldn't have a second to learn, or you
wouldn't have a second to turn, moved to.

Speaker 38 (29:21):
Spots the shells hot shot.

Speaker 36 (29:22):
Striking parlor of a twell Gameinumber.

Speaker 37 (29:27):
If you wouldn't have a second to learn, or you
wouldn't have a second to turn, Moved.

Speaker 3 (29:31):
To spots the shells hot shot striking the curl.

Speaker 34 (29:34):
I paint the picture like a painted with no brush,
not the average.

Speaker 5 (29:38):
What goes with us?

Speaker 34 (29:40):
Let's see gases, pulls, wounds and cuts the rest.

Speaker 5 (29:43):
Time for the moon and stuff.

Speaker 9 (29:44):
It's your tune.

Speaker 32 (29:45):
Fuck little fuck added to bassy. Only thing missing is
the coffee. But of course each or three at the
age of hadn't see my purse coffee. But I was
shot likely so stuck with the plant.

Speaker 5 (29:57):
Fuck with the fan.

Speaker 34 (29:58):
Got a label plus off a handy custom van, but
that ain't.

Speaker 32 (30:02):
Interrupt the skin because with no deal, my set hit
like the fucking can walk.

Speaker 24 (30:07):
The town uptown.

Speaker 5 (30:08):
Whoop in the mad hat.

Speaker 34 (30:09):
We make break that, you make stand back.

Speaker 5 (30:12):
You're not on my leage.

Speaker 34 (30:14):
You're not on my level either, homie, Please who on
your ad in.

Speaker 36 (30:18):
The barrel of a twelve game nick number, if you.

Speaker 37 (30:21):
Wouldn't have a second to learn, or you would't have
a second to turn to spots the shells hot shot
striking the earl.

Speaker 36 (30:28):
In the barrel of a twelve game nick number, if.

Speaker 37 (30:32):
You wouldn't have a second to learn, or you wouldn't
have a second to turn yo to spot the hot strikingly.

Speaker 7 (30:39):
Yo gun on my left, knife on my right. Want
to get neck and slice of your wife, then get away,
clean and put the way creams. Niggas might start.

Speaker 5 (30:48):
Hating, violating the ten.

Speaker 7 (30:50):
I'm blasting hatred and blasting the age shit niggas, Philandatha
David so to fact the gay sho go four fold
now snatching your bracelet.

Speaker 5 (30:57):
I ain't slow hold listen blasting the tress.

Speaker 13 (31:00):
Okay, I got mind? You get yours?

Speaker 7 (31:03):
Fuck you take ten paces over the frown and draw
squeeze gock gotta spreads, Doc Holliday, niggas, I'm your huncle girl.

Speaker 5 (31:10):
Please don't give a fucking family nigga.

Speaker 7 (31:12):
Get it nine a lunch, motherfucking is you about your mind?
I will beat foggy flame, wouldn't it foggy the Dingle
late enough for the doctor Tiber Faggy.

Speaker 5 (31:21):
Bread and Yo yo yo boy, Carol mart Right now.

Speaker 8 (31:27):
Radio, what's your boy? Kept Row?

Speaker 5 (31:33):
You already know what it, doesn't it?

Speaker 11 (31:35):
Who are you? Foul manch man?

Speaker 5 (31:38):
What's good?

Speaker 11 (31:39):
Pharaoh?

Speaker 7 (31:39):
Mart I have it right off the baba get for you, Pharros,
it's uh. Eugene McDaniel's Headless Heroes of Your Pocket?

Speaker 8 (31:47):
What do you tell me about?

Speaker 5 (31:49):
This is incredible, man, It's like classic.

Speaker 39 (31:52):
It is one of my favorite albums for you, like
for real, Eugene McDaniels.

Speaker 5 (31:56):
I have no idea where this guy is and it's
actually a duck down record.

Speaker 11 (32:01):
Came to the back of it, no idea.

Speaker 5 (32:05):
How much? What does this mean to you?

Speaker 13 (32:07):
I fucked up fascially this.

Speaker 39 (32:11):
My childhood and it also bring up memories of the
epic Simon said, sample, but also some horror stories.

Speaker 5 (32:18):
Too, man, such as you know man like that.

Speaker 11 (32:22):
Simon says, you know that was my record, but very good,
very big hit.

Speaker 5 (32:27):
They also sued to sit out of me, so's so
sorry far. Mart I had no idea.

Speaker 7 (32:35):
Is it true you adapted your name from the Egyptian
Greek lord Pharaoh Montargy?

Speaker 15 (32:40):
Uh?

Speaker 5 (32:40):
No, that's not true. That's not true at all.

Speaker 39 (32:43):
The name actually comes from a eighties cartoon Manchi Chi
and I got a real fucked up haircut in school
and name teasing me saying, now I look like that monkey.
And I just swung with the name.

Speaker 5 (32:59):
And through the fact on there. Yes, tell him much.

Speaker 7 (33:02):
You went to Penn High School, told us about the
history of ten William High.

Speaker 39 (33:08):
I actually didn't go to Penn Hide or I went
to Art and Design.

Speaker 5 (33:13):
Thank you so much.

Speaker 7 (33:16):
Then keep your rocking and pee world and Wap Bob
the wop.

Speaker 24 (33:21):
Man Boooo.

Speaker 9 (33:26):
Nigga.

Speaker 4 (33:27):
When they see him, they say that stat nigga. His
last name should be that stash nigger. Sound kind of nice.
That's that nigger necker.

Speaker 5 (33:36):
Check your with them plastic cat fans snicker when you
hear what you should have.

Speaker 4 (33:40):
Stag Nigger says, hurt for little plas nigger white people.

Speaker 5 (33:45):
Please do not resess the chorus. If you do, will
wash him.

Speaker 8 (33:49):
Out with the story my god.

Speaker 7 (33:52):
Listen, listen, and the boys fatter I you would surveal
you act and Andrew Lloyd Temper through McCoy.

Speaker 5 (34:00):
From the back of the cow raft the cult.

Speaker 16 (34:02):
Of Powers will kill.

Speaker 7 (34:03):
Your fucker's the four blas. I said the same thing twice.
Tell the phone guts my nigga the thing ring twice.
You a cock deeseus nigga extra gin sings tight.

Speaker 5 (34:13):
I'm a pop eagle nigga with the thing ring twice.

Speaker 7 (34:17):
Root shot is the first name fit fights, first motherfucker,
the first flame Hurst Lansley.

Speaker 5 (34:23):
They face in the street to pick up your face.

Speaker 9 (34:26):
You wait for police, but the father do flaws her nik.

Speaker 5 (34:31):
You mam sucks my dick.

Speaker 13 (34:32):
We bothered you.

Speaker 5 (34:33):
Sauce fucker nigga. When they see him, they say that
stash nigga. This last name should be that stash nigger.
Sound kind of nice. That's that nigga. Never catch you
with them plast the cab fas snigger when you hear it.

Speaker 4 (34:50):
You should have tagg nigger sas hurt for little past
whis people. Please do not recite the chorus if.

Speaker 5 (34:58):
The stew will wash him out. But the horrid ma'am.

Speaker 9 (35:05):
Bafa shiki. Four fifth chapters.

Speaker 5 (35:07):
You rocking, you got believe me popping beanies from rocking.

Speaker 7 (35:10):
The hot perkinis transgender slam glad leaf in your man's engine.
You purpor tricking, the fraud penetricks the floyd will dance schools.
You be tempi straightens o boys, you slaps and them
things in here, Jip and niggas for lessen on how
to catch a traded niggas. I'm a battle neveris ever
nigga cross tresses. The essence of Tyler peveris fucking can't

(35:33):
cat's Hansen playing plays hansn shuck in this jockey Man
Tennis fan says, I showed those love bots, those studs.

Speaker 5 (35:42):
When you throw those studs, I ain't believing it. Y'all
make your boss suck like dick little cheese on my balls. Yell,
you fucking onion heads do here. Let's go fuck up
stupid motherfuckers. Ron Brown Brown, Yeah for loading his mom.

Speaker 23 (36:09):
Let's go.

Speaker 7 (36:11):
Joe and Yo pitch Harmie the Swiss Sammy knife.

Speaker 5 (36:15):
In my hand.

Speaker 7 (36:15):
No this shit cont nicking in the life of your
fam niggas.

Speaker 5 (36:19):
No Sewan knighte with their hands.

Speaker 7 (36:20):
Why if you punch your your face, stick in your pockets,
leave you right when you're staying. Gotta dom bitch that
live in your pan black belt. Some dick chop bricks
with their hand. Idy got the old sean price slicked
like hell got told three feet suit in the bluefin
shit shoot right, smack off half your smile, go to
court with the suit.

Speaker 5 (36:39):
Smack the other half.

Speaker 7 (36:40):
Half the trout clean the fifth that nigga's better than
clean the ape.

Speaker 5 (36:44):
Don't leave your face fucked up.

Speaker 7 (36:45):
Now your nags is ray my bucket, eve pills, mushrooms
and dust. Got that nigga sharp pee in the move
the bus sean pe the motherfucking all town cret New York.

Speaker 5 (36:56):
And see nigga the all round state bro see trapping.
Let's put the Queen's saying it's his show, fours.

Speaker 7 (37:06):
The mac the leper, and it's presents bony brats, a
shiperk it's shows not winn even trying. Lord helln you
put me up to stack up blood show the great less.

Speaker 3 (37:17):
In the game, madam he telling ye.

Speaker 7 (37:20):
Yo, motherfucker's dat's nice as me. And if there is,
they put the bench Seawan, that's fucked up for you.
You shouldn't have been on trapping the gin trump rappers
need to grab.

Speaker 5 (37:29):
Up a pen, write some ale shiit niggas and let
the madness begin.

Speaker 7 (37:33):
Rhyming for doe nor money Paul rhyming for Doe nor
party is just me hop lagging the show.

Speaker 5 (37:38):
Niggas said, I lost my image when I cut off
my dreads. But I'm the nicest nigga out.

Speaker 7 (37:42):
Dude, Fuck what you said. Letting you know go ringing
bedding with Doe. It's the wind I put you but
in the head the ship and then up, get done.
Nigga's running up, asking about rocking. I'm seeing grasp that heaven.
Motherfucker asks God about park, asks about big motherfucker, asks
about party cakes.

Speaker 5 (37:59):
The rappers chant, so.

Speaker 11 (38:00):
They rap of.

Speaker 5 (38:04):
One gun, one clip, one shot, one slove on.

Speaker 11 (38:07):
It takes for this. Nigga took this figure.

Speaker 5 (38:09):
Your mom five not ball nine three nine tells you
just see.

Speaker 7 (38:14):
All I need is one mike like NA one night
like j'ahn the crap hold your niggas can't.

Speaker 5 (38:19):
Handle the god Shaw price with the metal of the wall.
You what's a group number? Yeah, break up, make up,
break up again? By the blad got the figure. It's
a fraighten you just bad that you taking the bus
and he taking the bends. He like.

Speaker 7 (38:37):
Listen, blam blad blad from the cannon. I shoot you
group up Now who's the last man standing, the last
man rapping his skate, taping the pe nigga, one yourself,
glug yourself, choke from a broken nigga when you're hung yourself.

Speaker 5 (38:53):
Got the call from your bit you like, son need help.

Speaker 7 (38:55):
I'm like one click one is knowledge knowledge, the foundation
of food's really really who's making the move?

Speaker 11 (39:04):
Niking?

Speaker 7 (39:04):
You making, making your shoes, shaking your fake nigga.

Speaker 5 (39:07):
So listen, shaw price.

Speaker 10 (39:11):
The damn you kind of nice, but we got the same.

Speaker 7 (39:14):
So I copped the range. Then I copped the chain.
Now the cops and range. Yeah, one box of baking soda.

Speaker 5 (39:22):
One package coke or the pire pot nigga. That's all
she wrote.

Speaker 7 (39:26):
One episode in a while. What you know about dope niggas? Yeah,
one life, then the one wife, one kid, one gun,
poppy son drop slice you wegg up be one of
police plans and there is a locker head neggas next, Yeah,

(39:47):
may Yo nig and monkeys, michrophone knicks, masks, make punkys
and music. The from the fifth Fast to slap up
Boy knocking tooth out his trail, Short Price be the
truth in the veil.

Speaker 5 (39:57):
Listen, if you knocking my.

Speaker 7 (39:59):
Door on top in the foe great escape from the Fall,
like the side of chicall for with time attacked.

Speaker 5 (40:04):
If you put your cock in the hall cond.

Speaker 7 (40:06):
Of first win clocking on tour, Listen, Roopy girls want
to take gonna get decked.

Speaker 5 (40:10):
Roopy guy's going to hit in the flick. I'm like,
fuck you give me some chips, oh ball. They like
Sean so Ill, who you think you missed?

Speaker 7 (40:17):
Ron O'Neill, Allah Frock, Bob past Off, Pond the trail,
fig fox face cut whit They fucked with the frail,
mighty flow young the soul, dumb couns his drawn calamity
or the family your son's morn on.

Speaker 5 (40:36):
The flooring them the savage.

Speaker 4 (40:42):
You can tash defense stilling the brothers through the abbage
three and avoided the sides that the agony basket to
pitch back and we can call the.

Speaker 7 (40:50):
Old fatly tell Sean Price from camp best give me
this number two often to watch me taking the test,
shake your set and break your neck, competitive sleep, Who.

Speaker 5 (40:59):
The fuck from bet to me? No body body got
my old EyeT my palm.

Speaker 40 (41:04):
I'm freaking cooking to face Michael mat Moms, you brought
the Vermond.

Speaker 5 (41:07):
That's when to spark at the.

Speaker 7 (41:08):
Dom, pull out the stings, slave all life, coughing, the
Tom fan tactic, glow, connect the concepts, broke niggas with
these chicks.

Speaker 5 (41:16):
That's my projects, my man life, Buck, you ain't reaching
the kids. I stuck my hand out in three piece
this wig doing my things. You knew to the game.
Don't hate something, break park foed the gang. I just
have a big true just Drew mister Rank and a
couple of dude school dude s boosy chain Yo.

Speaker 41 (41:34):
This is Fante Fantailo, just tapping in to say a
few words about my brother, the late Great Sean P.

Speaker 8 (41:43):
Sean Price.

Speaker 41 (41:45):
Yeah, Sean P was one of those guys man him
along with Evidence, they were two guys that I really
looked at and kind of saw blueprint and how to
transition from going from a group to being a solo apps.
I just really looked at the way Sean he was
able to go from helter skelter.

Speaker 5 (42:01):
To just totally reinventing.

Speaker 41 (42:03):
Himself, you know, as a solo artist and just really
building his brand, and uh, you know that was something
that I really admired because I understood and understanding how
hard it is to do to when people know you
for one thing, but you want to, you know, try
to forge your own pass. It can be difficult. So
I always had that respect for him for.

Speaker 1 (42:23):
Doing that, you know, and and making it look, you know.

Speaker 8 (42:26):
Really easy.

Speaker 41 (42:27):
I met him when he came down when he was
boot camp. The whole cool was I was working with
nine uh and they came down to record with us.

Speaker 15 (42:37):
In North Carolina.

Speaker 8 (42:38):
That came they came to Durham and yeah, man, I
mean it was.

Speaker 41 (42:43):
It was amazing, just you know, sitting in the living
room with dudes used to watch on Rap City like
that ship is the next level, you know what I'm saying.
So I always just had mad lovel just the entire
camp click. Man, they just showed us crazy love and
just really you know and break up brothers.

Speaker 5 (43:00):
Man.

Speaker 6 (43:00):
They're just really beautiful guys.

Speaker 41 (43:01):
And Sean pe was just he was just always a
personality like the same way he was on records, he
was the exact same way in person. Held just tell
me just outlandishing stories Like he had this one story
talk about how he did a show in.

Speaker 13 (43:16):
Like London or somewhere, and it was this guy in
the audience that.

Speaker 41 (43:20):
Was just pressuring him, trying to get him to do
a show in Ganda because.

Speaker 5 (43:24):
He was from Uganda.

Speaker 41 (43:25):
So like everywhere he turned around, the guys was like,
Pride'll pride come through you, Ganda come through Pride, pride.

Speaker 5 (43:33):
And like he had to voice and ship.

Speaker 15 (43:35):
It was hilarious.

Speaker 11 (43:36):
But nah man Sean.

Speaker 5 (43:38):
He was a beautiful dude. Man. We did our record together.

Speaker 41 (43:41):
Let it be non record and you know, didn't let
my last time seeing and I saw him at Pete
Lock's peat Nimbus two album release party, if I'm not mistaken,
and that was my last time seeing Hi before he passed,
and uh, you know he was just I mean, he's
killing it, you know.

Speaker 11 (43:58):
And he saw some of it.

Speaker 8 (44:00):
Yo Pee what up?

Speaker 5 (44:00):
Hey? Mothers say, Yo, what up? What up?

Speaker 41 (44:02):
He's like Yo, He's telling I think somebody was with me.

Speaker 15 (44:05):
He's like, yo, it's the only dude, yo you he
said you killed me on my ship.

Speaker 9 (44:09):
He's like, yo, you you.

Speaker 41 (44:11):
He's like you mentioned L.

Speaker 5 (44:12):
He's like, yo, you and L's eye. Man, y'all dudes
make me, you know, go back and write and y'all rapping.

Speaker 41 (44:18):
He's like, yo, you the only want to get me
on my ship and I never even looked at.

Speaker 13 (44:22):
It like that.

Speaker 8 (44:22):
I just spit my verse and then.

Speaker 41 (44:24):
When I heard his verse, you know, I don't back,
but I just clapped it like yeah, I thought that.

Speaker 23 (44:29):
Shit was crazy as fuck.

Speaker 11 (44:30):
I was like, hell, yeah, this is dope, you know.

Speaker 38 (44:33):
But uh, I always remember that.

Speaker 13 (44:35):
I never forgot it.

Speaker 8 (44:36):
You know, it's a h incredible dude.

Speaker 41 (44:38):
Uh, this beautiful guy, incredible MC and just uh, this
is a human being. Just want to be funny as
motherfuckers you will ever meet in your life. And I
miss him really so yeah, fun take fun take looks.

Speaker 5 (44:55):
I don't think it.

Speaker 42 (44:56):
I just do it.

Speaker 32 (44:57):
Y'all still thinking it's just music, but jad it is
a just movement, so you should just it. Just to
it because a whole attitude is fucking ruper.

Speaker 15 (45:05):
People on the.

Speaker 32 (45:06):
Outside saying he must do it becauz all niggas make
his love songs and drug music out on to don
p but kick it with Von Peach and now with
Sean pe Book.

Speaker 5 (45:15):
Can't go the fuck do it Brook.

Speaker 32 (45:16):
Now I's in the building, but me and Sean's in
the building. Them joints the rock hard like biter tal Gord.

Speaker 5 (45:22):
It's just the emc to. It's like a.

Speaker 32 (45:24):
Motivational speaker and niets you and never versus a seminar
and leads you in every word. It's a misture representation
of the divine revelation.

Speaker 5 (45:32):
He's sydney yall up next to citted. It's good, it's ready.
Shribtisus rhymes to the public.

Speaker 32 (45:37):
Sorry, get from a benning yard, say the cruel raker
overseas shoe shopper and ma Gianoz ordering two pastas. Back
in the days, the whole say too proper. Now he's
the main attraction, Like move Foster, I ain't lying. But
then if you think that I ain't trying to be
the best, you need to rewind this. Big Joe and
Boo Hot standing behind this.

Speaker 5 (45:58):
You looking have been in tune to Devine. It's Boma
the man that's under Fine, fine, save a league, but
you know about it.

Speaker 16 (46:07):
The camp.

Speaker 5 (46:08):
This ain't sean people who can't, but you know about it.
This gos right here right now. Yeah, they know about it.
It shines saving Let it be known, Let it be
know it be.

Speaker 7 (46:24):
I don't gap it, I just clap it. Y'all still
thinking it's just rapping. But boot camp is a tough unit,
so you should just it. Just to it, because my
whole attitude is.

Speaker 5 (46:33):
Rough to it.

Speaker 7 (46:34):
People in my procerts say it buff your fuck music.
I've been loving raps since Run was crushed, proofing. I
don't eat told food. I don't drink soy milk. Always
in the beef park. Don't get your boy killed, killing lifically.
I'm killing them. Call t telling my god, Jagging Brooks said,
call him something. My family Crack is buying crack one

(46:55):
hundred the craand I got the gun in.

Speaker 28 (46:56):
My head, my head.

Speaker 5 (46:57):
Don't make me take your life. I brow just to
make shit right right.

Speaker 7 (47:02):
I thank God for fucking prove what out of dal
who knows what the fuck I do, probably standing on
the corner with a gun.

Speaker 11 (47:09):
And the beeper.

Speaker 7 (47:10):
A wrong clap strong, put your son in the sleeper
somewhere the reefer.

Speaker 5 (47:14):
I got the room with your joint, bring the chorus,
and I proved my point.

Speaker 8 (47:20):
Yo yo man mea. And then listening to the show
on price, should let's get right into a man shout
out of my mother showan that's the piece. Song was
a real one. Song was one of the people where
it's like you know, you have rapt friends and you
have real friends that rapped and like Song was a
friend of mine.

Speaker 5 (47:36):
Man.

Speaker 8 (47:37):
He was a good dude, a solid person. He taught
me a lot of lessons throughout the time that I
got to build with him with the most of gold.

Speaker 42 (47:46):
One was one day I was kicking her with him.
And this was early in my career, Like I'm talking earlier,
like I might have been doing my thing for two
or three years and I'm still going to come up
with relatively unknown. And he had told me, like, may
every time you could choose me, use my name, use
my likeness to help you out do it, because if
you can't.

Speaker 8 (48:06):
Be used, you're useless. And I was looking at him
like you mean, like you mean you want me to
use you, And he's like, yeah, there's a difference between
using somebody and taking advantage of him. He's like, yo,
you my man. So if you could get if you
could get a bag, if you got a show, you
could say, yo, i could bring Sean through to do
a verse so a feature, and that'll help you do it.
Or if you could throw my name around and say yo,

(48:27):
I'll rock with Sean and it helps you get some
production or whatever to build your album.

Speaker 15 (48:30):
Do it.

Speaker 8 (48:31):
That's not taking advantage that using me because I'm your man,
and he's like he said, laughing, don't work. Y'all got
faith in you, you're gonna pop. And when you pop,
and you blow him and use your name to it
the same way. And always remember, if you can't be used,
you're useless. And that's just my man. He's just a
result because, like I said, at that point in time,
he was on top of the world man, top of

(48:53):
the world and his genre of rapping, he was the king,
and I was just somebody trying to come up and
he just showed genuine love and like, I'll never forget that.
And now even when I come across people that I
might be in a position ay here then or above
for the moment, I always just remember, like, yo, somebody
looked out for me when I was going to come up,
and I kind of moved the same way once again.

(49:16):
Mayel Laurette, you're listening to the Shaw Price tripping.

Speaker 7 (49:20):
Jel Real Action, Phil Jackson, sidmaster my right, look the
fuck up your lands Craftice said, act to send clapp
this senmasts, all the lists walking around women.

Speaker 5 (49:31):
Cooky heads and shit, I ain't in the play with
that's the curriculus sticking the victman.

Speaker 7 (49:36):
The case been hands on this week, my gage straight
on one shot and the niggas singing quicker than Trey songs.
You would think guy fitted texts cut on the coat,
you dink, guy fitty stretch.

Speaker 5 (49:48):
I didn't.

Speaker 7 (49:48):
The fucking inflicted up Tony told me no, no, not
the fuck with his sisters enough Sean Price, Don cornelis
eight man. Great fans debate who Drillasis adapting mother fuck you.

Speaker 8 (50:01):
Win this rap music?

Speaker 5 (50:04):
I come off double house.

Speaker 43 (50:14):
He choos you be out straight up yo with Jools,
Beyond Tools, beyond world bomb. We keeps the fucking it's
whenever we could shoot it out and go, we'll suck it.

Speaker 5 (50:23):
Niggas be over.

Speaker 43 (50:24):
Sensit if nothing to educated something. You know my Stee's
got breath for Queen's.

Speaker 5 (50:27):
We never hesitated.

Speaker 32 (50:28):
I did it then that for when that kids.

Speaker 5 (50:30):
Are separating my shout to turn. I'm prepared to be
forever hated nigger game.

Speaker 43 (50:34):
Besides my waking shop, I keep it because we faded.
They'll listen self induced colorl playing and played it well. Ever,
just glab of five suckers get intimidated, rightfully so, because
the phol leaves are mascinerated. I never set my teams
to yell. It's just insinuated. Tripple double do no rock
and polar waning men and straight and real ship hold it.

Speaker 5 (50:50):
I've rapped. We gotta be on a south block. Holly
did something that. That's how I'm going.

Speaker 43 (50:54):
Frank mull at town peas right, vest Roman, No, you
say it's getting Soulty's more sold to him Narroma.

Speaker 5 (50:59):
Then to one.

Speaker 44 (51:15):
Ye mind Vendor quiet tender, fly down, fend the mine
for mine crimes, my tender mind knocking tend, I'm more
narcotic Fender glocky Stender, copper top rocket Center, property.

Speaker 24 (51:26):
Spender, Terry Sad Project member, slash.

Speaker 44 (51:29):
Heaving Belafonte, Nigga La Fante, pots Brinde, Neversnje and Como.

Speaker 16 (51:34):
Gate over kick up in the deer Monde un.

Speaker 34 (51:36):
Coomsto walking on the surface, coming the earth, my g
and make a whole open.

Speaker 5 (51:40):
The person in.

Speaker 3 (51:41):
Bloodthirst think Lady Buss.

Speaker 44 (51:43):
Slugs first crushed gator and touched enough bloods trees to
burn European bes keys, turned sleeves and dilig just squeeze it.
The bloss frivolous type reptile in the spite fists children
that the nigga sick.

Speaker 15 (51:56):
Mama bake a person, Brady.

Speaker 5 (52:02):
Watch out what watch out? Shout what shout they call
Shawn and scattered army.

Speaker 7 (52:13):
The fuck that they called me shawing the scattered Army,
Shawn the vet garn and your showing the grabb the
frowns and Baum would do like I will got it now.
The nigga that you know flockers ellerbro to Obama, I'm
in the whole different space, calling and drama. The battles
start collecting with the ratchet.

Speaker 5 (52:28):
Obama and your father.

Speaker 7 (52:30):
Understand Nigga to float l you should know by now,
Nigga answered the boat film no Dirk, I'm blow purpose
captain the member of the logo in front of the
low shirt. You can't sell drugs with no work manly
cured finger nail.

Speaker 5 (52:44):
Niggas did no dirt.

Speaker 7 (52:46):
Nigga, respect my conglomerate before I run to get cribs
from taxis and Obama ship.

Speaker 5 (52:51):
Time for change, get the fucker for Obama, digging pe
for president.

Speaker 9 (52:55):
Nigga.

Speaker 5 (52:55):
If I know a lot of SHITU.

Speaker 24 (53:06):
The most gonna have it, so.

Speaker 5 (53:13):
Listen, jolly, but I'm known in my room.

Speaker 7 (53:21):
Sometimes I stare at the ball, put my hand in
my pants, and then let's scratch my balls. Irritation go bomb, powder, medication,
twenty pair of kicks, I saend them ship the Haitians,
Shako stole cop rocks, a blow, crush it, get dusted
that I got the gold pie. I'm not your average Joe.
I'm a savage with bad man. It's the hammers that

(53:43):
blow to the clock and use cats. You just take
the boope of rockers through its black and I don't
give a fuck about the color.

Speaker 5 (53:53):
Ain't baby buthers give a fuck about a rubber beat
the balls the ball, he be flast blow and.

Speaker 7 (53:59):
Heat is off for niggame them pat the josh, Nigga
rushing back, goostackd sean prash up, nice playing black boom record.

Speaker 19 (54:07):
Bottle shots, shots, guessing.

Speaker 43 (54:27):
Straight up Yo, priceless paragraphs, get fritten with expensive pens,
walk through fences, move and lentless, drop extensive gems, probabilities,
my motherfucking pocket mumble broke niggas won't be money in
your pocket then too, not afraid of height, son, but
I'm scared of falling, so one must stay fly forever. Nigga,

(54:48):
keep bowling, respect my elevation. I'm gonna let the wind
blow me fucking celebration. I only das the fly. Look
at my dress codes, Nigga, I'm past the sky. I'm soaked, Tomorblo,
bitch fucking next year you left me in a scarvyer
fresh fear.

Speaker 5 (55:03):
I am that mac ten five pop.

Speaker 43 (55:05):
Side street jogging three for fifty two for thirty five
less darking master of the ocean.

Speaker 5 (55:11):
My class is the aquatic center.

Speaker 43 (55:13):
Feisty firearm pistol with a rod exemple, mature paley crabbed
it into JUACAMOLEI that is at the bottom, like to say,
the top is lonely. Keep my music frauds, just like
my blue points. Each week I'm banging out new joints.
It's phil thick bottles and ice baths, bitches with knights, calfs,
whole chrome toast and we might blast. It's King's nigga.

(55:33):
Every day is a food and wine festival. Pearl white
flights in the vegetable. Who's soul that I feel naked
when I service my watches fly shit my fierce and stops.

Speaker 11 (55:44):
What's good?

Speaker 5 (55:44):
Nigger? Hey, Yo, what up?

Speaker 8 (55:48):
But your man may have len aka o mala rendre
aka lime don la preno bitch. When I'm not out
Wiley doing the bottom king. I'm told the mother they
can personal podcast, they can personal.

Speaker 5 (56:09):
Been my heart yob.

Speaker 11 (56:15):
Uh yeah.

Speaker 5 (56:20):
Nice mother sho love justice. Sleep here we go, y'all,
nick y'all.

Speaker 7 (56:31):
I love selling Next at night, go home to my
son roller split to watch Jack cast night.

Speaker 5 (56:37):
I loved it with my pitch cops. Come home to
a hot mail. It's not real.

Speaker 16 (56:41):
The bitch can't cook.

Speaker 5 (56:44):
I love dumble Billings.

Speaker 9 (56:45):
I sent you you know what's up?

Speaker 7 (56:47):
Focus fucking niggas the friends to it. I love my
mom saying that truck happened.

Speaker 5 (56:52):
I love a double joint. This bitch up in my pastematic.

Speaker 7 (56:55):
I love snatching niggas Joseph on the mass transit.

Speaker 5 (56:58):
I love punting nigga off.

Speaker 24 (57:00):
I know you can't stand it.

Speaker 5 (57:01):
I love it.

Speaker 7 (57:02):
I love it's when your bob your hand and this
at the same time sun the God hands and wedding.

Speaker 5 (57:08):
I love it wetting up with white when you say nothing.

Speaker 7 (57:11):
Right under brush something right up to your clothes, and.

Speaker 5 (57:14):
I love it a little slick bit in my heart, y'all.

Speaker 7 (57:33):
Y'all, I got hard broke, y'all. I love fist fights
with rashed up. I love to skip right with the
fifth and make your ass buckle bob po.

Speaker 5 (57:52):
I love mushrooms and I love the push born home.
Love lif it with your wings mushrooms.

Speaker 7 (57:58):
I loved when you say my song is corny at
the same time hun getting my nusts in God sing
on you. I love to flow dog, tell me you're
about at the host. I love to braw dog tellings
a fallace, you know. I love Martin Luther, love Malcolm X,
love not Slam, and love falcon Press.

Speaker 5 (58:17):
I love waller bees.

Speaker 45 (58:18):
I love treams just as much as I love college
greens and cheese French.

Speaker 24 (58:23):
Y'all love it.

Speaker 46 (58:26):
It's all hard, y'alls. I got hard ryeh.

Speaker 5 (58:44):
Ohs love ship man. I love the punch tree. Niggas
food and winch and food is take and bush. Meet niggas, y'all.

Speaker 7 (58:55):
Motherfucker Foy the father told me can knock y'all niggas
out creaking, told your part, show me your dollar, nigga,
I'll show you the lama the bullet blow throat homes
in your arm up playing playing damn fam fucking with
the pron ass man, couldn't you get your life different?
On coo that can see I'm gonna get block getting
the tone back. Fans jumped out with this new gun

(59:17):
holas fan shot price, past, present and future better ladies
nothing whatever, right see you?

Speaker 8 (59:25):
I love it?

Speaker 5 (59:26):
Yeah, shure up. You know what I mean. You know
a lot of lyrics don't get paid. A lot of
lyrics don't get paid. But you know what, I can't
help but ron ron.

Speaker 7 (59:38):
Frost the ball don't make me burst and braw image
is nothing you front and see the thirst of y'all.

Speaker 5 (59:43):
The its fucked up. Now think your worst for y'all.
Assassinate your best friends. Never hurts you call. Butting up
on your block don't will not hurt you.

Speaker 7 (59:50):
Ball the fuck out when the weapic dukes wurts you fall,
you murk up, be braw.

Speaker 5 (59:54):
Hot like surface called get tap your baby mom straight.
Earth's the hall and you gotta do rhyme and crowd too.

Speaker 7 (01:00:00):
The purchase small it's to wait in there for that
for the purpose paw and if you don't give a
fuck toe, so my.

Speaker 5 (01:00:05):
Buck foe shot from the roof and my bed Brock
catch you. We're close.

Speaker 7 (01:00:09):
Never give a fuck about nikkas shot not not so
hype over a carpendated boman rest of bruck toes straight
butt throws with the niggas Brock pulled st up those
wait bruck Shall with the deal saw a love toe
look into my hosty.

Speaker 5 (01:00:20):
You get out of something shade for the gun and
things knock your niggas out the clup the lane, the
gun up, breaking straight for the fuck to beat you down.
He said you down, leave for you six feet deep
in the crowd is a.

Speaker 7 (01:00:29):
Real motherfucker's go on rot tonight or you're jewels in
your cash he ain't got tonight, or somebody in the
car getting shot tonight showing fight yet I like keeping.

Speaker 5 (01:00:38):
I'm the mother fucking ungrateful. My heart is hateful.

Speaker 32 (01:00:41):
My tongue ben nicking on the blade that slaved you
faggots packed this bitches roof pauw the niggat shared ONEm
nolt shake with two straws he grabbed from nope doors
pour wolves tightened, seeing the roof floor filling the floors
tightened and trusting shit your boones and blood siphons and
put into a jug reset before bite, I brought my
power extends to the planet and now through the opposite

(01:01:04):
ends black man travel through the universe and back came man.
Still boy, that the heart was flat on the EPI
sac plan that we carry you throughout the ancient lands
before the separating of the sands.

Speaker 5 (01:01:14):
Of course, saw the power I created my head.

Speaker 16 (01:01:17):
He fared my tee straight from applicating and man.

Speaker 7 (01:01:19):
It's some rail mobfucker's gone rock tonight, or your jewels
in your cash. He ain't got tonight, or somebody in
the clock gains shot tonight showing price shot on mine,
keeping hot tonight. It's some rail mobfucker's gone rock tonight
or your jewels in your cash.

Speaker 5 (01:01:33):
He ain't got tonight, or somebody in the clock.

Speaker 7 (01:01:36):
Gains shot tonight showing price shot on mine.

Speaker 5 (01:01:38):
He's the hot tonight, y'all.

Speaker 7 (01:01:39):
You're tastelessly this beauty and strange places. I find beautigan
raises a fire, beautiguan lunch dripping from your faces. Find
BEAUTI in the Koran and all of ITSI remagic equations.
I find beunique in twelve cages. Find Fudigan teaching you
with the destinition of pains. I find Beaunigan stainless, stay
with it, can care when reveil on the front of
your ground, you pray, say, y'all don't want to test

(01:02:01):
Finny pass patients, I cracked yaws and swing songs of
the ancients. Y'all pretending to overstand the matrix with's nott
attempting to overstand the phasics we' dedicated to cast that
spear dug in Finny passed out more homes than Jim Duggan,
y'all being duck in for quite some time now. Then
if I have to teach you how to write some
browns now, we ain't beams in between your eyebrows. Should

(01:02:23):
I mob shall team combined out Yo Yo one shore
one shoe, this packed crystal passy, crystal gang passy ends
the other wat spoons Finny pass? Should I montretch representative
and checking out taken personal in my family?

Speaker 5 (01:02:38):
Fill of flavor kevlar DJ three sixty. You know what
I'm saying. Keep your head to the street, to keep
your eyes piled one one nigga, y'all, and yo a
numb mag feel this man, I'm betting with bond Sean Price.

Speaker 7 (01:03:08):
Remember this time my ball lacked. You'll tip Paul record
behind strap of the ball. Plus I got the package.
Your brawl in the ass crack of this hole over
the passing the door, got niggas is whack and it
shouldn't be slapping the fall shit like that.

Speaker 5 (01:03:21):
Cauld get tracked of the law. Can't get knocked.

Speaker 7 (01:03:24):
You better to get can't and shot bust a shot
at the bad boy.

Speaker 5 (01:03:27):
Can't be stopped. Listen to my old shit. They'd be like,
damn Nika, how what happened to the niggas?

Speaker 7 (01:03:32):
Manly fly drinking and smoking vice versas smoking and drinking.

Speaker 5 (01:03:36):
I'm hoping these Lincolns at up, I ain't supposed to
be stinking got niggas.

Speaker 7 (01:03:39):
As far as sight it didn't notice the kinkin up
closing your face, bust toasting your face.

Speaker 4 (01:03:44):
That why I mot you strack, you the bitch that
your off fucking feeling. Ruckers get roots better than this,
you slacking.

Speaker 7 (01:03:50):
With buns whacking you young rapping for fun. I don't
be rapping for fun, and I'll be rapping for funds.
I'm clapping my guns package your jumps, cracking the slums,
anything for the capital, so unrepeat dash, lack of the buns,
whacking you kill, rapping the far now'll be rapping for far,
not be rapping for funds.

Speaker 5 (01:04:06):
Clapping my guns back at your.

Speaker 7 (01:04:07):
Jumps, packing the stumps any day for the cap of
your son.

Speaker 5 (01:04:11):
I'm a fast on the bash man.

Speaker 9 (01:04:13):
Oh don't you bash?

Speaker 5 (01:04:14):
You don't say you up right there? Yeah? What what?
What man need to tell you? He's saying that. Fuck,
I'm the one man for me, a soul. I've never
been choking now I can't get him. See he's looking
out on top times like dogs be top of the babies.
They just don't play. Get old up things never shown

(01:04:40):
up anyway.

Speaker 28 (01:04:41):
Come.

Speaker 5 (01:04:41):
I don't give mugbout nobody give up.

Speaker 28 (01:04:46):
I don't give up.

Speaker 24 (01:04:47):
I don't get up on my.

Speaker 7 (01:04:50):
I don't give a fuck about your songs, on your rap,
skilled wards, in your class, your dog and you can.
I don't give a fuck if you fight, Oh your
mother tonight, oh the sun at nine over a burden.

Speaker 5 (01:05:01):
I don't give a fuck about.

Speaker 47 (01:05:02):
The trap over ten, your black resident, over black president,
fucking kble box sitting motherfucker, your TV hole pops off
for you know you're a cop over a seat on
motherfucker drink goose.

Speaker 5 (01:05:14):
And you fuck can't he suits. He's on your neck
with the squeeze in your check. Motherfuck you claim your
crew when you said you click on your post, you
gotta be your set.

Speaker 7 (01:05:23):
Motherfucker mad rapping, fuck your abstract on you canmpaign, you
just be drawing mad trap fuck rap, fuck fuck all revision,
all funck all of y'all.

Speaker 5 (01:05:33):
That's how a nigga be brut give. I don't give up.
I don't give up, no matter, I don't give.

Speaker 19 (01:05:42):
I don't give up.

Speaker 28 (01:05:43):
I don't give up.

Speaker 5 (01:05:46):
Ladies in front of it.

Speaker 15 (01:05:47):
That's just take your personal what brad Man, yo yo?

Speaker 5 (01:05:50):
What's up?

Speaker 32 (01:05:51):
Black thought leading Woo's cruise a master Nation, master Man.

Speaker 4 (01:05:55):
Rackers or down Rocket wouldn't take it personal?

Speaker 6 (01:05:58):
Year year?

Speaker 1 (01:05:59):
What's up?

Speaker 5 (01:05:59):
Man? This is the RAS cash you are now checking out?

Speaker 7 (01:06:03):
Take it personal with my man, Jason Gloss, Kevin Lawn
and DJ three six.

Speaker 5 (01:06:09):
You know what the fuck it is?

Speaker 32 (01:06:11):
Ah bo for m see a blow up Mike from
street corner, siphers to in to NASA and the website
or run up on you and said it for no reason.
My flowes are like Brodney blows to cause in turn
of bleeding. So I'm the baddest motherfucker above Paverage with
Ali and d Oxy rival Nuclay as a plus ball
with mat the fast fall Shaws, so fly I need
a pass.

Speaker 7 (01:06:32):
For just the walk, mister deal man man, I set
it off for my people who beat you website that
have been left from my desertgo fucker people treat you.

Speaker 5 (01:06:39):
Ain't got no time for your feelings on tracks.

Speaker 7 (01:06:42):
I'm repealing the facts that Vicker Seldon a book because
most black niggas don't mean gott be thinking about my
sister d my new born scene.

Speaker 5 (01:06:49):
See this world is still be able to get what
if you will live and consider it. Motherfuckers. That's kicking
the lash left him two thirds of this nigga. That's
water Levatha Way.

Speaker 32 (01:06:58):
Then I want Jesus Christ the fat one wait farm
pulling the nigga's card.

Speaker 5 (01:07:01):
I wanted to take in the dealer, but but knock
them inside of me. Michael Body, I see.

Speaker 32 (01:07:06):
One bit jass nigga, then my head doing like the
You and TV emptm C Nigga record in this you
rule number one two in gree you've run it.

Speaker 5 (01:07:14):
Niggas run around in it.

Speaker 10 (01:07:15):
Believe Nick pop.

Speaker 5 (01:07:16):
Up East what So just over you pop alone to
us niggas line indiot.

Speaker 4 (01:07:26):
Y'all must think I'm stupid, but I know my ship
just dollars more. That makes me one done like that
robot business. You'll watch this got this ship locked dropping
the kid. You get popped in the face like you're
through wet fries, up in hot grease, rock swept straight
through toys, got rapped this jumping dude.

Speaker 5 (01:07:40):
They pro windows like they do boys dot hold you this.

Speaker 4 (01:07:43):
East West beast bullfen live but whylos bit LEAs whatever
rock god winn til.

Speaker 5 (01:07:47):
I main young studid.

Speaker 32 (01:07:49):
Whenever boot it, I'm strong enough to rower ruler faster
than the gunk and shoot it. So once you try
to battle me face to face, I bring your career
to a stop quicker than anti lock breaks.

Speaker 34 (01:07:58):
Look little side to my of the animals.

Speaker 32 (01:08:01):
It will beat you to death with the partmer so
wrapped in the towel while your niggaspraveling my lyrics is
traveling like a javel and the staff you in the athol.

Speaker 4 (01:08:09):
Hoop belongs to what So just over Hip hop along
with us niggas rhymes your idiots hip hop.

Speaker 5 (01:08:16):
You're hard hop alost to what so just O Nigga
signed stupid hip hop s hard over he so talking about.

Speaker 7 (01:08:30):
You walked, you gonna bet this we something getting these pump.

Speaker 5 (01:08:33):
Black and chemic defend better than sick foods. Shi your medicine,
your victory from the crip. Keep your locks on.

Speaker 7 (01:08:41):
So I think the plot saw will b big girl
Yo the bitch and the pops call Cote the treat
you don't need to sleep to. I'm nocturnal, don't care
about my weber props.

Speaker 32 (01:08:50):
Nigga VI, I got niggas heads divide faster than nerves
had the calculus befits.

Speaker 5 (01:08:54):
You see our school niggas, then after school niggas like
the ten.

Speaker 10 (01:08:57):
It's the center back that just ham.

Speaker 32 (01:08:59):
But I remember they's this when I was brokeed, I
was good for nothing, nown good for nothing. Down the
bitch just rope like rob Sha get the barb w
you got anything to get on your chest to side
your cheer. This niggas bit like I was teething fucking
up more human beings.

Speaker 5 (01:09:12):
Then you repeat us bull.

Speaker 4 (01:09:13):
Guard Joe Lady like barb leave, don't start me your.

Speaker 10 (01:09:16):
Whole spot seed you bar three years win the heart
beat a.

Speaker 4 (01:09:19):
Dark we see like our fast VAMPI is at a
large tree ready this night. This that's at walk speed
blunch talk, be thos and see no but they we flows,
We flow in, bounce on tracks like a goddamn speed boat.
So slow your watt down, row down. Don't be hatty
face me. You be get indies and bitch pressing, dainty
lost O. I pop along to us niggas right, your.

Speaker 48 (01:09:40):
Idiots tip top here you're hard. I'm not sure anymore more.
Yours knocking' got my god or other?

Speaker 7 (01:09:56):
All that I know acted fucky winning billy brother some lute,
but they can't.

Speaker 5 (01:10:01):
See me that my rebellum fly fly because I big god.

Speaker 7 (01:10:05):
Sight butther vibe and that nigga can't test mega mine.

Speaker 5 (01:10:10):
Man, if you want to come feeling nigga, come for trying.
Some say Sean Price is nicest on my devices, packed power,
which makes me more mighty young than icis trying this.
That's when the rough shakes, the rictum inflicts the for pain.

Speaker 7 (01:10:24):
My aim is the rip young picture you trying to
break through my pat my a class.

Speaker 5 (01:10:29):
Don't you fucking snakes in the grass? What the hell
when hain't you dust?

Speaker 7 (01:10:32):
Plus I busted the boot lungs with the picks that
come from tip of the tongues that.

Speaker 5 (01:10:36):
You shrunk Sean sparks like john stalks in the fourth quarter,
order meat to my peaks jeep like the toro.

Speaker 7 (01:10:43):
You put your the foot like nack kings back swings
loopy bilt chilled because my mother fucking slaps things.

Speaker 5 (01:10:49):
This track rains the average coverage to go home? Is
it my fault? You feel victim to my purpul of salt?

Speaker 7 (01:10:55):
And if I had dollars for every nigga who did
the battle, be your microphones.

Speaker 5 (01:10:59):
I fuck around your getting there.

Speaker 31 (01:11:01):
Chump starts from the dark, resubmerged, I splurred on herds
with verbs and the usage of my words, don't be
even swollen or for Tresa cold.

Speaker 5 (01:11:09):
And then Librit who.

Speaker 31 (01:11:10):
Functions Ben I flow likes do go greg junction see
punks hit Ben but constant consistently when the yard ug
blesses the best TC yards. When black don't slack, never
cut slack, They've been back to the whack snatch offs
like Jackson is actable and factionable that my mental might
blast foods. It reacts like a gun tube releases pieces

(01:11:32):
of no making your brains blow. I browsed the frost
like something w flow my jams like the blast to
shoot my liprics like jay them seas from from my house.
I don't play on bad days to display dismay. Blow
him away, play movie celet for d you've done the
way like that.

Speaker 5 (01:11:48):
I'm not sure any more. Mark it is knocking my god.

Speaker 7 (01:11:55):
That I feel it added funny when big Bro got
something I don't care. Let mine haven't been them fly
fly to them, canty gods like but divine fine, never
cout with me, Oh mine mine if at my mind,
fucke lend it my fuck comfort tried buds by Joe.
Niggas don't know me, host blow me show me the

(01:12:16):
affection for Chanson direction my director in the fists point
of that. Niggas on Pristol who thought it was fun
to pull guns. It iss you my dismissal, but you
can't handle this. I get scandled this when Cannabi said
this my sister, which makes me more art than Tony
random pitch do the circumstances than the vergool advances nothing
man die wow. This is my verbouling hands transmit Olympics.

(01:12:37):
So for my men too highway, I say what I
want to smoke. Math Wanda going to.

Speaker 5 (01:12:42):
Hit you in the personal niggas knows your fucking wounds.
Boom in my system.

Speaker 7 (01:12:46):
Keep me getting timed into sure Andy Bover's knocking.

Speaker 10 (01:12:51):
That's my God.

Speaker 7 (01:12:54):
That I knew at the funny with Big Brother God
something though, I don't.

Speaker 5 (01:12:59):
Care that might have a venom gize like fine never
fu oh my my. If you there, you go wow.

Speaker 49 (01:13:17):
Sean Price, just walk in, ladies and gentlemen, Sean Prace,
just walk in, go down, all right?

Speaker 4 (01:13:22):
How do you feel about you know, where you are
today as opposed to when you first started?

Speaker 15 (01:13:26):
Is it?

Speaker 5 (01:13:27):
I don't really feel it is really good? Why why
do you suppose that is? I don't know. I'm just
a regular.

Speaker 50 (01:13:34):
Time you know, I'm in Brinville, NA take the kid
to school, regular dude. Man, I'm so nothing into this
hippity hopshit that's going on. I'm not with it, and
I'm enjoying myself too, you know, cool being me. I
don't want to be guyed. I don't even want to meet.

Speaker 5 (01:13:51):
My favorite rapper like he might be an ayeshole.

Speaker 28 (01:13:56):
Had man I.

Speaker 5 (01:14:00):
Swear head say ready for the clicks?

Speaker 38 (01:14:04):
Headed head say.

Speaker 28 (01:14:11):
Now what days?

Speaker 3 (01:14:12):
I had it up their head from my chest to
my head.

Speaker 33 (01:14:15):
When the boot up plus bless my head, then these
guys are red coming for you riche one. Nice to
know y'all you're wanted the pop checks and I was
like a little fit.

Speaker 5 (01:14:22):
You're brought up Floyd ready got to get rich of
new guns.

Speaker 4 (01:14:25):
And the Setti's up pinning that ass to the grass
like I was setty, because.

Speaker 5 (01:14:28):
Brothers ain't ready for the frozen.

Speaker 4 (01:14:30):
The dreads got the glock aheer from your toes together.

Speaker 32 (01:14:33):
There's an ex amount of y'all we yo, that's the car.
We pass it over here so I can get tivery.

Speaker 5 (01:14:39):
Why we choked so much?

Speaker 32 (01:14:40):
Brothers keep asking why the riching new gun clap, Let's
keep on clapping.

Speaker 5 (01:14:45):
Heads ain't ready for what my click got in shore.
Here's what we got, and show keeps us prepared for
the wall.

Speaker 7 (01:14:50):
Shows get blown, Hoes get thrown off the froot plus
napkins for now now with soon position bos pising their
pants because liver whose kills is make and you just
still live.

Speaker 10 (01:15:01):
You didn't know how we be living.

Speaker 4 (01:15:03):
It's in my name year they be dropping like ye
things from real though when you're still brokekni little medill
jug you don't know that he just threw like a
deal though I still below pumps like trusting tells plus
wing at your buck.

Speaker 5 (01:15:16):
Rock and what.

Speaker 32 (01:15:19):
We got head saying lady man, that's where they go
in the head saying ready forlike.

Speaker 5 (01:15:24):
We got necessary.

Speaker 32 (01:15:28):
What's sad a roment in the head free So what
that means is hurting promised technique you've got when.

Speaker 5 (01:15:35):
The sticks can you react?

Speaker 34 (01:15:37):
When your lights at stake, rap the strikes.

Speaker 7 (01:15:39):
Of the emp by my tim tree and keep the
turrets from mine and to me.

Speaker 34 (01:15:44):
When the body come in the midst of this will
camp click it gets fellers.

Speaker 5 (01:15:48):
So what then, sir justice.

Speaker 34 (01:15:50):
Three two, the three freeze until these and see the
side and believe.

Speaker 5 (01:15:54):
You were freeing my way from out of state.

Speaker 32 (01:15:56):
I hit my block f a p with my man
rough and my man brock ass here just left my
man brown nose. Now we gotta sack up the black
for the shows. Clothes ain't really nothing to me, but
I stay with my simber Land tree and my lead
double hole se seed rock the party, keep my head nay,
did you know this snee float in with po seed

(01:16:17):
walk shot the bd B and the evil Dean flock.

Speaker 5 (01:16:21):
Fluid had saved ready for rick Flix weekend.

Speaker 7 (01:16:26):
Mister mcgino, get me Gan, Wow, you wouldn't like get
with him and it was going to do the don't start.

Speaker 9 (01:16:31):
To change when your ranks.

Speaker 5 (01:16:33):
When you gotta be kicking my labor. Even my neighbors
notice the change in the rushes.

Speaker 32 (01:16:37):
But hand you vote, just don't even complosive roppos this
when I'll be smoking. Leave your monkey yass choke straight
from YARDI like the one Robin Barley. You hardly ever
saw me without a bag of that barm we I
wake up in the morning the chocolate what starts preaching
in my pocket for the rooks to smart. I'm stepping
in hotter this year with my birds dry tip, my

(01:16:58):
cousin with no fish, so bot you wanna come test
the top doors?

Speaker 5 (01:17:02):
Did did you up the pensis in take you to
the fare Here's misdemeanor.

Speaker 7 (01:17:06):
The grook with the mouth full on for being your
mind and rocking nose plate for simbols. Half past Lincoln
close down and sinking country boy got me just zoned
in and thinking. Time to start backing on your crab
ass snakes. Gotta move right because my reps at stake.

Speaker 3 (01:17:21):
Call up my dogs.

Speaker 7 (01:17:22):
That's quick, the butts be and te take your backs
to the dust. Now what got four wives to watch
my back? Plus my own two? Make it the full
six sacks. Now we bring abrupters to one of the
b numbers. Body end something like that, change up my juxtus.

Speaker 5 (01:17:37):
Don't you know the w A z and open.

Speaker 32 (01:17:41):
Send them head scoping over they can hear the bike
and right one that right for hadles over nights keeps
hearing my flake as height run all y'all writers wanting chunks,
just butt your.

Speaker 5 (01:17:52):
The sake flake bid my side as you shake my head.
Get it in the big smile.

Speaker 16 (01:17:55):
But I got too two for a while.

Speaker 32 (01:17:57):
Ease out selected when the people move the five can
I pull it hard to get the bucks guard again
the harmon legg lake arm ahead so may games Yeah
you act go way?

Speaker 10 (01:18:07):
Who want people here for the backs? Went automatical board disablemore.

Speaker 4 (01:18:13):
Don't even speak about my fleet. Need match up with
front when them see medium you need.

Speaker 16 (01:18:18):
From the click.

Speaker 5 (01:18:19):
We can say, man, I swear head saying go to click.

Speaker 3 (01:18:24):
You gonna wearing the say even I swear they.

Speaker 28 (01:18:27):
Not many.

Speaker 27 (01:18:44):
Lines.

Speaker 51 (01:19:01):
Oh my.

Speaker 10 (01:19:03):
My westcoat has come, come on.

Speaker 16 (01:19:08):
Time and to come.

Speaker 5 (01:19:14):
And on my hands, Oh sea, mother fuck.

Speaker 3 (01:19:22):
I had it up the head from my chest, in
my head.

Speaker 5 (01:19:25):
Would nothing that takes your town red, lust and death.
I will do these payments. We all together, and there's
no slave ship. But run these reboos and race.

Speaker 33 (01:19:33):
This be watchful love blotch crown cover ring, cover ring,
and the thawing tops just on my cock backs.

Speaker 5 (01:19:39):
But like to drink the honey bills.

Speaker 33 (01:19:42):
Leader seat I had so we will see you, sucker,
shake them down for propel town.

Speaker 5 (01:19:46):
Don't you butt like he don't get the shuck. Turn
your fight as the pain when it's followed us.

Speaker 16 (01:19:51):
The ship from Guatemala moved.

Speaker 5 (01:19:52):
To qu seven years ago with the pormer. I met
surety wap that a.

Speaker 7 (01:19:56):
Block chan no words words change body languae fittish things
that got there.

Speaker 28 (01:20:01):
You win up here the coney.

Speaker 5 (01:20:02):
Back to the leftwich.

Speaker 7 (01:20:04):
The blackout as soon as we hit the rest, because
the kids to sway like.

Speaker 5 (01:20:07):
A flying broom.

Speaker 16 (01:20:09):
Scapti flee your rest aless you gley towards the will of.

Speaker 7 (01:20:11):
Costs see them for in the bad crab, the ankles say,
it's been a long time.

Speaker 16 (01:20:15):
Let's see if you're ready to.

Speaker 4 (01:20:16):
Get a.

Speaker 5 (01:20:22):
You are you.

Speaker 19 (01:20:27):
Talk?

Speaker 52 (01:20:27):
Excuse we the soldiers of misfortune, had fought one common
course to keep minding yours. Throw the north wind sources
uncontrollable office courses for all of you, So we'll see
it might be too late to come in in your
with on it again.

Speaker 4 (01:20:40):
Whack gets going and when boot camp against warming and
so watching all my people's.

Speaker 11 (01:20:45):
Are you ready?

Speaker 4 (01:20:48):
And I didn't watch gash like they get he let
me he's so just give busy like this party like
the barbie.

Speaker 5 (01:20:52):
You were too late.

Speaker 10 (01:20:53):
Once we start, we have to get a long beat.

Speaker 5 (01:20:55):
When Swash lee.

Speaker 4 (01:20:56):
Oh guard and he wet all at but the rock
and you can just gave me call me y'all the
crash out the smash rock rolls and crashed.

Speaker 10 (01:21:02):
Like a drunk ropper with this tiger slash.

Speaker 4 (01:21:05):
You don't know that as if you do, then baby,
you get fuck with me and my double due double
b CC. Oh it's my goal. I blow MC's out
of the frame. Tell me that it wasn't your last
LP the blame yo. I got this ship locked like
temper rist and hairplug.

Speaker 16 (01:21:19):
That must square.

Speaker 5 (01:21:20):
It's complete.

Speaker 16 (01:21:21):
I got no time for game. I know we get
right O be like the long Ranger and tonso.

Speaker 10 (01:21:25):
Sticking niggas up for theirs.

Speaker 4 (01:21:27):
In the fronto, I played the background, called me the
head haunto how to get mine.

Speaker 8 (01:21:32):
I got no time for your combo.

Speaker 4 (01:21:33):
We got you ho to hit him with a combo
me getting Bill slugger out in jody y by, I blow,
Oh my, oh.

Speaker 26 (01:21:49):
You like?

Speaker 5 (01:21:50):
What's the sound?

Speaker 3 (01:21:51):
Y'all need tamping the champions. Yeah, this is a sound.
Y'all need number ones, the number one.

Speaker 5 (01:22:00):
Yay, pull the people. Damn. We have to be he
to do storms up. Holding on the top door, you
will be calm to miss the storm on seed.

Speaker 8 (01:22:08):
Be warm giving you the call big.

Speaker 16 (01:22:10):
Up to talk Sean from an.

Speaker 5 (01:22:12):
Unknown region leading my leads.

Speaker 7 (01:22:14):
You never believe in the evil ways of for hees
that not breathing out improve on my physical trees. Keep
me blessed prepared for the virtuals. It's critical we're not
with some of the boods I choose to use because
y'all niggas is critical. It's difficult to season spreading nocturnal
miss journalist racing do foods like in red.

Speaker 10 (01:22:34):
As I come back on tracks, but you with the
moods to sit back and relax.

Speaker 32 (01:22:38):
I hold the copper squad because what I got boxed
your mind's body and soul well as I take control.
What's the definition of bucks or some stayed the way
forteen years but came back in the four stand alone
on the throne, of course, But be the boors.

Speaker 53 (01:22:53):
The restkin toss wuck shot this thing. You best believe
it is check for what you got. You got to
get the big I like.

Speaker 7 (01:23:07):
I too for the hood, pop too, pot tooth burn
back slaveyja think they young touching bo brinted game's never
been afraid of feet.

Speaker 28 (01:23:16):
Get it to corble up?

Speaker 7 (01:23:18):
The story is this sunny and say you know, but
this time something I take member am big and the
lead up shot a pan.

Speaker 5 (01:23:26):
On the fore fel. I guess some back where I started.

Speaker 7 (01:23:30):
Opening up for buckshot and just raping retarding times.

Speaker 5 (01:23:34):
I hate the life that I'm living and I need it.

Speaker 7 (01:23:36):
Don't believe me, Ask my wife and my children to
see I'm back on the street packing and heat roll.
He checks you with the track in the street. Niggas
like fuck cracks frock wrapped to the beach. I'm like, allight,
I'll be back in the week. Listen from day one
to have the bad start to eat mom stole me.
I have to pass off. I ain't playing up with
from the praise in the street, the blazing heat to blazing.

Speaker 5 (01:23:57):
Heat, the hazen street.

Speaker 7 (01:23:59):
Did the couple the months and came home throwing them
out what I did, did the same shit.

Speaker 5 (01:24:03):
I ain't come back home. Nigga's like, why you've done
that home? I don't know, shit, fuck I don't know.
The soper continues. The mother fucking drama continues.

Speaker 34 (01:24:14):
Bruck Rumma Farm sitting the interview and blew up.

Speaker 9 (01:24:17):
The main tocket.

Speaker 5 (01:24:18):
It's something who can't click.

Speaker 32 (01:24:19):
Sunday ain't knocking and they ain't hotty ain't dropping the
now topics for listen niggas. This is how my pop
shit no am means. Moment corks when the poet talks
every line league the blind, when the mind get lost,
fire can force on action because everybody looking like it's
they slacking, tardy, backing or cracking nigga, I'm hip hop like.

Speaker 16 (01:24:38):
The back spending.

Speaker 32 (01:24:39):
Never change the fact that that's pig it back then, wait.

Speaker 43 (01:24:42):
Before the soul begins.

Speaker 32 (01:24:44):
Back when I wasn't a rapper and I was rapping
for ends, stopping crime started rhyme and nap, sacking my tails,
chalk crime, and y'all can't it here the gap in
your brains.

Speaker 34 (01:24:52):
It's to then line between what I rapp and I
lived with before.

Speaker 5 (01:24:55):
I lay mind.

Speaker 32 (01:24:56):
I'm getting back at you, kid, don't bet it getting
to the gun and clapping and ship plastic rats back.
Smack you in the back of your wig. Ah, make
it so you're gonna get back to your crib. Break
your fresh snapper scratch it's never wreck it again. Take
a fresh snapper, stiff, you're still an test your gain,
take the fifth cock the hammers.

Speaker 5 (01:25:12):
Let the rest of your chin. My dudes dest than
to win.

Speaker 32 (01:25:15):
Fuck your thoughts, want to broad dog my team, group
the sports and so your thinkings. I'm the one like
that lee test me still will lean resting here and take.

Speaker 10 (01:25:24):
This flood boiling pressure rots.

Speaker 54 (01:25:27):
Open my eyes and we narrowed down the seven guys,
and so you acts about the guards the yoke.

Speaker 5 (01:25:31):
I'm top not holding my spot. Come off my crops,
you think not.

Speaker 54 (01:25:35):
I'm respecting and fear the brown hair, and so I
must be preparing the brown hair. You know everything that
glitters tin gods you hold and pit my niggas.

Speaker 5 (01:25:44):
You don't know that A.

Speaker 54 (01:25:46):
Shouts for cars that moves slow when those flows, let's
talk by the bestitude the one that can't. But it's
gin to be sold and not told. And so I'm
gonna rep for my means double low tc A and
ples some top three o g number three you know
what I mean. The o gcs got load trees, fucking
with the Pocov, fucking with the Pokov.

Speaker 5 (01:26:07):
Fuck everything you've been told.

Speaker 32 (01:26:09):
Sh like brook Ain never went gold, she never have
a platinum hit on that Underground, that time Factor ship
and Ship.

Speaker 11 (01:26:32):
Coming out of Mix one that was, and so off
the boot Camp compilation that chosen few. I don't know
about you guys, but the compilations that the boot Camp
has released over the years always left me wanting more.
I think we all got burned by four of the
people back in ninety seven. Uh, you know, there was
maybe one, two, maybe three joints off there and and so,

(01:26:56):
which came out in two thousand and two. Off the
Chosen to You was probably the only joint that I
recall off that compilation, but it both with me to
this At this point in two thousand and two, I
think it was safe to say that Sean P not
only saved but carried the whole Duckdown Crew. No disrespect

(01:27:20):
to the other guys, but I think this is when
Seawn really started becoming his own dude. We all remember
him as rough from the early days of Helter Skelter.
We all heard him first on the Shining but he
was rock then. He didn't have the personality that he
had later on in his career. He didn't have the persona.

Speaker 23 (01:27:42):
You know.

Speaker 11 (01:27:42):
He wasn't as charismatic, he wasn't as witty, he wasn't
as confident. We all saw him grow as an artist,
which made him so enjoyable to listen to and to watch.
There's really a handful of artists that are authentic Redman,
you could say is authentic Face Doom. These guys are
unique individuals and Sean P was one of them. And

(01:28:05):
I think because he was never this huge commercial success
that we gravitated towards him in the underground. He was
our superhero, Sean P. He was the guy that you
wanted to have a beer with, the guy you wanted
to get in a fight with, the guy you wanted
to listen to with the gym or riding around in
your car. I would say, pound for pound stood his
own as one of the best to come out of

(01:28:25):
Brooklyn period.

Speaker 5 (01:28:27):
For sure.

Speaker 22 (01:28:28):
I mean, I'll echo everything you said right there. You know,
when when he was with Health the Skelta and he
was partnered with with Rock, we were all gravitated towards
Rock at that time, at least at least I know
I was in the beginning.

Speaker 23 (01:28:43):
For sure, there was the lord voice.

Speaker 22 (01:28:45):
He had that voice, and it was just a captivating voice,
and and and and he would pretty much drive all
the hooks back then, I believe for them. But but
you would also be like, damn, bro, Rock can fucking flow.
He used to be a little bit more of like
I had, like that battle wrap twang going. I guess

(01:29:06):
maybe back in those days, right before like the whole seanp.
P persona came about, and he always had rhymes that
fucking hit. And you know, I think for me The
first time I really saw the transition, I guess from
like rock to Sean Price. Was that two minute track

(01:29:26):
off of Helped to Skelt the second album, Magnum Force.
I believe it was called right, It's called Sean Wiggins,
and it was like, it was like a two minute
track and I think I think he raps really for
only like one minute, and the second minute of the
song is just it was an ilas beat, just like real,
like boombapfish, and that's where he comes to He's like

(01:29:46):
semp and he just fucking goes off, dude for like
seventy seconds straight. And that's when I was like, Yeah,
fucking rock is definitely in the back seat now, and
I'm all up on the rock train.

Speaker 26 (01:30:00):
So you guys called it earlier than I did.

Speaker 24 (01:30:03):
I never did. I always say that I was.

Speaker 25 (01:30:05):
I was very late to the Sean p train, because
you know, you talked about the Bootcamp collaborations and the
albums put out. First of all, the only album that
I ever listened to was Basic Training, and that was
his greatest hits.

Speaker 24 (01:30:20):
I thought they were all terrible.

Speaker 25 (01:30:22):
I thought there was a disconnect beyond Priority Records. They
they just didn't have what it took. But I think
once Sean Price became a video entity, I think once
you could see like his persona rather than just his voice,
I think that he grew and in.

Speaker 24 (01:30:39):
A weird way, he kind of mirrors ol dB.

Speaker 25 (01:30:43):
It's like he says some weird ill almost like strange
ass shit, but you can't not laugh at it. So
I think he then took that and just ran with it,
and he became a persona more than Sean P.

Speaker 24 (01:30:56):
The rapper. And from that point on, once.

Speaker 25 (01:30:59):
These little videos gets and little clips came out, I
just think that it just added such a dimension to
him as a character. And to me, that's really what
hip hop is all about. You know, it's the character
that you create. You know, Slick Rick did it, there's
a few that did it, but Sean P did it
in a.

Speaker 5 (01:31:18):
Very very witty way.

Speaker 25 (01:31:20):
His word play was so creative, genius, almost like oldb
like it didn't make sense, but it makes sense as
you go back and dissect it. But he wasn't the
most like verbos.

Speaker 24 (01:31:31):
Dude on the planet.

Speaker 25 (01:31:32):
It wasn't like if you interviewed him he would like
captivate you with his like words that he used. But
he had word play when it came to his rhymes,
and I have to give him credit.

Speaker 26 (01:31:42):
I feel like he's closer to like ghost Face.

Speaker 27 (01:31:45):
And the reason I say that is a big character
and a street dude that's really funny and entertaining.

Speaker 26 (01:31:53):
But he will fuck you up.

Speaker 5 (01:31:54):
Yeah, but don't I don't think he gave a fuck.

Speaker 25 (01:31:56):
That's what I'm saying, Like he's like, you know what,
I'm not into this hippity hop shit and I don't
like this.

Speaker 11 (01:32:03):
But that's what made him so authentic and likable. For sure.

Speaker 25 (01:32:06):
For sure, ghost Face is a true authentic street dude.
Rook will fuck you up. But I think at the
end of the day, it was his candid like honesty
and is kind of like off offbeat flow.

Speaker 24 (01:32:20):
He's funny.

Speaker 26 (01:32:20):
Here's a funny dude.

Speaker 11 (01:32:21):
He's funny. He's He's definitely funny. And I think big
ups to Drew Hof for extracting that out of his
Shawn Price and making him into this character that we know,
this this larger than life figure because he's a guy
you root for. He's a guy you you just want
to get behind because he's so damn likable. Everything he

(01:32:42):
says and does, he does it with a smile and
it comes from a good place. He's not he's not contrived,
he's not trying to be something he's not. And he
also gave he breathed really new life into this whole underground.
If you guys remember I think don't don't quote me,
but I believe the first non BCC collabo came courtesy

(01:33:06):
of Jedi Mind Tricks in two thousand and What this
did that was off the Blood Runs Cold remix. What
this did is it opened up a whole new lane
for people to now reach out to Sean p and
get these collaborations. And he did a plethora of them.
That's one of the reasons why we have three mixes.
He did so many collaborations, like rhymes Man, he did

(01:33:30):
in a ten year span.

Speaker 26 (01:33:32):
How many?

Speaker 11 (01:33:33):
How many collabos do you think he did too many?
To put it like this, I think I think I
think he probably depended on a lot of those collabos
later on in life. And he didn't say no. You know,
there are some cats that will say no. He didn't
say no. There there are many tracks that I was like, no,

(01:33:54):
we can't play just because it was the rappers who
whack horrible man.

Speaker 22 (01:33:59):
But look, you know, going back to when you know
we we we first had that experience of Champy and
rock kind of taking the taking the torch from rock, right,
because like we said earlier, we were all captivated to
rock at first. I'll never forget that song by Socrates,

(01:34:20):
the ultimate mc rush us and did fucking rock or
Schampy whatever the fuck he was back then, right, he
was ill a shit on that song. And that's that's
another standout for me personally. Whenever I hear that song,
all I want to do is is hear that verse by.

Speaker 26 (01:34:37):
Sean What a fucking Jewel? I can't believe you brought
that out.

Speaker 24 (01:34:40):
Well, it's on it's on our mixes.

Speaker 26 (01:34:42):
I didn't even think of that when I haven't heard
that song in ages. What a gem? Hell yeah, that
was old man.

Speaker 11 (01:34:48):
Can't said something that was pretty on point because we
initially gravitated towards rock because of his voice, right, and
I think a lot of us gravitated towards method man
because of his voice. True, and later on we realized, well, shit,
just a could rap. Ray Kwan could rap. You know
that the man may not be the best out of
the crew, and as you. For me, at least, as

(01:35:11):
I gotten older, I started to appreciate lyrics more, and
then I started saying, Damn, Sean Pe is much better
than rock than rock because he has depth, he has lyrics,
he has the storytelling ability. So when you mentioned earlier,
and I agree with you, I initially gravitated towards rock,

(01:35:33):
and I think a lot of people probably did, uh,
and then later on moved on. I think dre when
you said you got on him later. I think there
are like three stages of Sean Pe fans. You have
the early ones that knew them from you know, the
early records, the Help the Sculptor, the Shining Debut or Nocturnal.
Then you have those that kind of knew him around

(01:35:55):
two thousand maybe from the collaborations that he did with
Jedi mind tricks with Ree for all those guys. And
then the Sean Pee that we later on. Uh, you know,
like I said, Champion, the guy with the deeper voice,
the guy who was on video doing these funny, you
know characters, whether it was Nardwar, he took on a

(01:36:18):
whole larger than life personality. That's Sean Pete. That's the
Sean Pee that we know, and we love and and
we miss and I think you know at that point,
his voice has changed, but his confidence, Like I said earlier,
his personality just became bigger and bigger and bigger. When
there was a demand for this. Uh, everybody, I'm talking

(01:36:41):
about everybody in hip hop. Everybody in hip hop industry
loved Sean Pete.

Speaker 24 (01:36:47):
No, they did, they did.

Speaker 26 (01:36:49):
You know.

Speaker 25 (01:36:49):
It's funny because I knew of Sean Pete through through
the Nocturnal album. I mean, it just wasn't that good.
And that's when hip hop started to like it started
to like get a little bit. I don't know, Blase.
For me, there was nothing new coming out. It was
just the same old thing. And I think he was
a monotone MC at that time. He certainly did his thing,

(01:37:12):
he just wasn't the persona yet. And I think that
when I say I came late, it's not that I
didn't hear him. He just wasn't making that much noise
for me. I mean, Laflora was a great song, but
that was kind of it. And it wasn't until his
later persona that made him say like, hey man, we're
not all making money. He'd have these videos in his

(01:37:34):
house in the kitchen and you kind of see like
roaches in the back. I mean, it was a real
shot and it made you like break the third plane
and say, hold up, man, this this dude ain't what
I think he is.

Speaker 24 (01:37:46):
He's he's struggling, man.

Speaker 25 (01:37:48):
And how is he struggling because he's with a group
that's kind of well known and he's you know, he's
he's kind of doing his thing with Buckshot and you
just expected more.

Speaker 24 (01:37:58):
But the glimp into the real ship just made you
fall in love with him and.

Speaker 25 (01:38:03):
Say, I'm going to root for this guy and I
actually have to have him on my team. And that's
when I say he became that guy for me. Yeah,
he became honest.

Speaker 22 (01:38:13):
You know what's amazing is that Sean Py ended up
having such a cult following that it's almost like an
M F. Doom type of fan based you when you
have when you have Ryan Phillippy, I believe has a
tattoo of Sean writes.

Speaker 5 (01:38:31):
Am I not am? I right? Yeah?

Speaker 22 (01:38:34):
And it does you know, and and and like who
would have thought that, you know, the other half of
Helter Skelta, one of the one of the crews down
with the boot Camp click years later would have such
this like cult following and just continue to remain just
real dude and deliver fucking material that was always fucking gold,

(01:38:57):
you know.

Speaker 25 (01:38:57):
And can everyone mention the wordplay of his album titles?
They were fantastic man, Yeah, they were great man.

Speaker 24 (01:39:03):
Sean Price, Jesus like the Superstar. What was that one?

Speaker 5 (01:39:06):
Oh?

Speaker 24 (01:39:06):
That was a genius, fantastic in the artwork.

Speaker 22 (01:39:08):
What was the late The last album came with a
penny and I never got my hands on one, but
it's like a coin and it mirrors the penny, but
it's Sean Price's you know, profile, and on the on
the tails side, I think it's like a microphone or
something like that.

Speaker 23 (01:39:25):
I mean, that's fucking dope.

Speaker 5 (01:39:26):
You know.

Speaker 26 (01:39:26):
See, this is a dude that can sell merch man
Like you want that doll?

Speaker 11 (01:39:29):
I want the doll. I want the doll.

Speaker 27 (01:39:32):
I mean I would rather have and I love j D,
but I would rather have the Sean Price doll than
the j D doll, you know.

Speaker 26 (01:39:38):
The one where he's on the piano.

Speaker 24 (01:39:40):
I'll take both, no doubt.

Speaker 27 (01:39:43):
So, keV, you said Shawn Wiggins was really your your
eye opening moment for Hey, Sean Price, dre Jay, what
were what were your Sean Price like eye opening moments?

Speaker 11 (01:39:56):
Uh again, I mean I liked him on early Nocturnel,
but he wasn't Sean Price to me until around two thousand.
I don't even think I cared for that Magnum Force album.
To be honest, there was me. I did a few songs.
Some of the collaborations didn't feel right. There was like
one with the Dog Pound, It didn't really do anything
for me. The one we met the Man was just

(01:40:18):
all right. But there was nothing on that album that
I felt was really, really, really good. And it took
a few years, and I think once they got our priority,
you know, and you go through some struggles, you have
to start redefining your sound. And I think this is
like I said, around two thousand to two thousand and four,
all he did was work with other independent artists and I.

Speaker 10 (01:40:41):
Got a song.

Speaker 11 (01:40:43):
But it gave him. It gave him. What it did
is it brought more visibility, helped his brand, gave him confidence,
patted his pockets and then with that became the Sean
Pe we know today. You know you didn't hear you
didn't hear Pee? You didn't hear that in the early
days of Helter Skelter, you know, he didn't find his

(01:41:03):
and I hate to say the word swagger. He didn't
find that until later on. And keV mentioned Ryan Phillippy,
like these guys they liked him for the same reason
we loved that MTV Cribs episode of Redman, like there
was like, you know, there's something when you see a guy,
an artist, whoever it is, that does something either relatable

(01:41:25):
or something that is maybe not you know that that's
just authentic. That's his true self. And that's what I
think Sean P has been since day one.

Speaker 25 (01:41:34):
And I think after two thousand and four, j is
really where he made his mark, you know, with Monkey Cripsars,
Jesus Price, even Mike Tyson. I mean, these were great,
great records. This is really where he made his mark.
But you know, speaking of the Ryan Phillippy thing, there's
also a few little six degrees of separation with Sean P.
And that is, isn't he like Memphis Bleak's cousin.

Speaker 13 (01:41:55):
Or something like that.

Speaker 11 (01:41:57):
He's some connection of Rockefeller.

Speaker 24 (01:41:58):
And also Michael William the actor Michael.

Speaker 11 (01:42:02):
Rest in Peace.

Speaker 27 (01:42:04):
Yeah, so Imar, you know, I'm the biggest fan, and
I really didn't. I really start paying attention to him.
Actually shout to our boy Double J Fahrenheit the song
that he did with those Rays and ag which I
believe was two thousand and four, Is it two thousand
and four? That's that really got me paying attention to

(01:42:24):
Sean Price, and I paid close attention from then on.
And the song that really hooked me that said all right,
this is my favorite rapper right now was Onion Head.
Fucking absolute banger in my opinion, the number one Sean
Price song of all time, in my opinion.

Speaker 23 (01:42:41):
Five five on the windshield scale.

Speaker 5 (01:42:43):
Huh man, no doubt.

Speaker 24 (01:42:44):
I won't lie, Wade, I would.

Speaker 25 (01:42:45):
I wouldn't be surprised if you had a Sean Pe
tattooed on your on your ass, because you have always
been almost to that point, you have always been a
fanatic when it comes to him as a rhymer and
as an MC. So I'm sure that you share some crazy,
you know, love affair on that level.

Speaker 11 (01:43:03):
So and you love Ninth Wonder, so like that makes
sense where yeah, well it was.

Speaker 27 (01:43:08):
A crisis or Ninth Wonder because I'm not sure which, uh, well, I.

Speaker 11 (01:43:11):
Know Ninth did most of the album the the monkey Bars,
and he did a lot of the Jesus Christ. For
some reason, I think the onion Head was Crisis, but
I could be missing so that that may be the case.
But I know, like, uh, but.

Speaker 27 (01:43:25):
Ninth had a lot of joints with him, and that's
a they were really good together, really good together.

Speaker 11 (01:43:31):
Well, the album was monkey Bars, right, Yeah.

Speaker 27 (01:43:34):
I really also loved the Random Max album because you
put three great artists together like that, the two guys
from Detroit with Sean Price and who really went together.

Speaker 11 (01:43:43):
Well I stand corrected, You're right, Crisis did onion Head,
Ninth Wonder did Heartburn, Yeah, Ninth.

Speaker 26 (01:43:50):
Wonder did several Yeah, both both great great man.

Speaker 11 (01:43:54):
Who mentioned Ryan Philippe.

Speaker 22 (01:43:55):
It's kind of funny because it's like the fifth time
he brought up his name.

Speaker 23 (01:43:58):
Now, Ryan fucking Ryan Philippy. Cuss, motherfucker.

Speaker 11 (01:44:04):
Not that I think Sean Price is one of these guys.
But and this is kind of a sidebar convo, but
I know for a fact that rappers are the biggest
starfuckers out of anybody. Every rapper needs like one of
those actors. So when you think Q tip, who do
you think immediately Leo. Okay, when you think Cage, who

(01:44:24):
do you think Shia Labouch when you think d Yeah,
that's right comment Jeremy Piven, Jonah Hill, met the man.
All these dudes falling over because it's currency to them.
It's like wearing a dookie chain when you have one
of these actors, these Hollywood dudes that rock your shit,
and they will jock any yeah.

Speaker 22 (01:44:46):
Like Dudekking, Ryan Phillippy is like liking Halloween nine.

Speaker 11 (01:44:51):
I don't think that Sean p gave too much of
a fuck. He was cool. I know he was cool,
but what but he wasn't one of those guys who
constantly named anything like that. He was just like, hey,
that's cool, Like I don't go fuck yeah yeah, And
that's what made him so great. I mean, you could
be like, hey, Sean Chelsea Clinton likes your ship. Who
the fuck is that bitch? I don't listen. I don't

(01:45:12):
listen to women or some shit.

Speaker 27 (01:45:14):
Yeah, that would be actually real funny that say something
like that, right, he would he would like it, though,
Ryan Philippy, he would he would like.

Speaker 11 (01:45:21):
That, I know, but he just seemed unfazed, like he
wasn't about that ship.

Speaker 22 (01:45:26):
All right, guys, hey listen, Episode ninety nine. We gotta
keep this thing moving on our way to triple digits. Here,
big up Sean Ryan Phillippi. He's heading off to go
film Meatball seven with Dan Akroyd's steps on.

Speaker 2 (01:45:44):
If you're enjoying this episode or any of our other
ninety nine episodes, please.

Speaker 1 (01:45:49):
Consider joining our Patreon.

Speaker 2 (01:45:50):
Simply go to our website and take a personal radio
dot com with the Patreon button at the top of the.

Speaker 1 (01:45:55):
Page and support the squad and now Mixed two show.

Speaker 5 (01:46:07):
Walking to the style pr what Teddy there are not
dealing nor fuck your blood clock Teddy the.

Speaker 9 (01:46:16):
One two things called he.

Speaker 5 (01:46:22):
Show rap me, let your clip pop and kill.

Speaker 7 (01:46:27):
I'm insignified, Pokey you on the tree popping the bullshit
broken limbs, make me for him? Still popping the full
clip in the street with my heat number small blot
with heavy home best something cool on my What the
fuck is that?

Speaker 5 (01:46:39):
Get told now? Niggas getting the phone and cook the
man up, he's telling the mister sticking with you see
me put.

Speaker 8 (01:46:44):
Your hands out, man up?

Speaker 7 (01:46:46):
Man, what y'all nigga just asked you, what should you do?
Would make the nigga pulling the plastic. Nah, stop the filings.
Fuck that let your clip.

Speaker 5 (01:46:53):
Pop needs some dead president this.

Speaker 7 (01:46:55):
Ship nigga didn't hit pop funny style niggas get hit.
Fuck is you Chris Rocket Rich comedians be getting rob
for the Chris watch Sean Price the name and Robert
beats my pendigree clip.

Speaker 5 (01:47:06):
The Manias is nocturned the body.

Speaker 7 (01:47:07):
Therapy doctor Phil copper pill still feel no better be?

Speaker 5 (01:47:11):
You want to live there? Oh my side, it's what
you better be. One grab your.

Speaker 55 (01:47:22):
Relations read pop Oh no one saw grab relation flip pop?

Speaker 5 (01:47:35):
Oh true man.

Speaker 7 (01:47:37):
He keeps on making it. Brooklyn keeps on taking it.
Broublyn keeps on taking it. Yeah, Broublyn keeps on taking it.

Speaker 5 (01:47:43):
B K all day, all day.

Speaker 7 (01:47:45):
B K be from Sean Price, Brown Phil Pj's spring
shots at gay cops like make my day, make my knife,
fuck around, I take your life, take my knife, matter fact,
hold my shirt, want to fight? Paul holds this first,
Bob Bob y'all no much style respected, dons my technique.

Speaker 5 (01:48:03):
Merging with the birch and even blood on the red sheet.

Speaker 7 (01:48:06):
I love fucking just as much as I love shooting
ship red like district got the nigga go with loud
christ no pun intended, gun intended dick Joe. So if
you're not with that bullshit and chill Joe Brown, Phil
never friend, never willly let you strap, then I'm not
a fucking knock out the pill.

Speaker 5 (01:48:23):
You want to.

Speaker 55 (01:48:29):
Show grad pop Oh no, it's sister Foojees refugees about to.

Speaker 46 (01:48:42):
Take you on the journey into the dimensions of the
book of Basement the basements.

Speaker 28 (01:48:48):
Word what what?

Speaker 5 (01:48:50):
What? What the cornis car you sitting? But test the
raps din stop the can.

Speaker 28 (01:49:00):
Just bring it on?

Speaker 5 (01:49:01):
Why on to breed the crew is called PDP and
if you want to those stop the hippop wi fucking deal.

Speaker 11 (01:49:16):
Make a flapped at this.

Speaker 5 (01:49:19):
And went on that weekly ram ship.

Speaker 7 (01:49:21):
Fuck the week, fut it the pressure fuck out here,
I mean, bru, stop it like I'm damn bru.

Speaker 5 (01:49:31):
Let's do it, yo, bus the corilla. I had a skill.

Speaker 7 (01:49:37):
I'm like a dog with bloods covering down the fill.
Still chill with the cribs and ship talk ship and
a switch and lip.

Speaker 5 (01:49:43):
What the fuck is you on? If you better to
stop fucking with Sean before a while knocking your door
shut up from your mom. Old Bridge, tell you so
your man Sean was.

Speaker 7 (01:49:51):
Here karate, but you said, mom a rare dispectful dude
plus a getting disprotected dude.

Speaker 5 (01:49:56):
Leave the less disaspective room with Oh maybe he broke
the boat.

Speaker 24 (01:50:01):
Said the ship.

Speaker 5 (01:50:02):
Don't flock your fucks down to Cobo.

Speaker 7 (01:50:05):
Just a free style nigga punch flies out of your
face and freem out Nam and Sean pranks.

Speaker 5 (01:50:10):
Shopping done, David, He's a change that job. We're doing.

Speaker 28 (01:50:20):
Everything that we move to.

Speaker 5 (01:50:24):
Meanwhile, we losing.

Speaker 56 (01:50:28):
Because we won't let go. And let's start thinking what
we're doing. Nothing change yo.

Speaker 5 (01:50:41):
Man, Let's start cat sting a home with bow. Get
off the ground, stop closing. Nah, we don't got an
up style, man. I should is universal mass. You know
what I'm saying. Whatever the track is fel, that's how
rhymes it. Man. You know what I'm saying. I don't
be sitting and devising the style. If the track is

(01:51:04):
a certain way, that's how I.

Speaker 11 (01:51:05):
Go to it.

Speaker 5 (01:51:05):
You know what I'm saying. You know what I'm saying.
You know what I'm saying.

Speaker 7 (01:51:14):
One night I was chilling now that the trap in
spot these two shorty WAPs each cut like.

Speaker 5 (01:51:18):
Staff in and fighting Shorty.

Speaker 7 (01:51:20):
To this nighbor too great brads with us, thinking later
on they gonna they get pad to us.

Speaker 5 (01:51:24):
So what said?

Speaker 4 (01:51:25):
We just all they getting the cut with a ton
of seafood that needs to swollen mud ship the tidny's
on the hook world. I beat them both because they
be based when they laughed, and my.

Speaker 7 (01:51:33):
Son had yoe what ain't too much the other vistality
in bitch, But they both slimmed Shorty, so we don't
mean shit.

Speaker 4 (01:51:39):
I totally chicks that I thought they both had. Last
they looked at me funny get laugh.

Speaker 7 (01:51:43):
Like I ain't have cash, I said, ha ha ha
ha HAA have to find that funny. Somebody said, no, child,
I'm tall Sean.

Speaker 4 (01:51:49):
That's the bummy bunny jab baby, eat your crabs and
stop flapping them darting bitch and fits like something boy
these class.

Speaker 7 (01:51:55):
Bob does his shrimp four bottles and such and such
free lapses with these two crabs.

Speaker 5 (01:51:59):
But we go with y'all.

Speaker 9 (01:52:00):
Don't drink.

Speaker 10 (01:52:01):
Someone tell you what from too much? Y'all big with
my eyes, I told Shorty young feeling horneds, but she.

Speaker 4 (01:52:06):
Bought me yapping by that man and how he some digs,
not when she's getting them, but lots of she.

Speaker 7 (01:52:10):
The other girl I'm talking to the said she's living.

Speaker 5 (01:52:12):
The brath broke at at you see, yes, you do
what she wants.

Speaker 7 (01:52:16):
Pete the Steve type jeans blonde here from the secular
says she's got little kids.

Speaker 5 (01:52:19):
Plus she pushed your white cellar but out of you.

Speaker 4 (01:52:21):
But what all that shit developmentness had about the hold on?

Speaker 5 (01:52:25):
What's that small? Self? Son? I can't help them farms?
Who coming? I ate too much food?

Speaker 10 (01:52:30):
Yeah, damn that ship is humming?

Speaker 5 (01:52:31):
Hand me that boy.

Speaker 11 (01:52:32):
Y'all got the.

Speaker 7 (01:52:33):
Table and said, excuse me, walked to the bathroom filler
of the little goosey goosey soon as I got inside,
you know why, heavy by duty walking back to the table,
and Yo, what happened to them?

Speaker 5 (01:52:41):
Shooting?

Speaker 32 (01:52:41):
Don't want to.

Speaker 10 (01:52:42):
Happen on the guys, son, No, son, this Siggar ship
boy goes in the bathroom. The bitches ain't just as
much as he did.

Speaker 5 (01:52:49):
They go to the bathroom back and on all yo, Yo,
bitch this ship.

Speaker 7 (01:52:52):
Yo, what I'm saying if I go to the bathroom
for the whole of business now I'll come out on
the whole of bitches.

Speaker 4 (01:52:57):
I still want many we pay the bill and we
skated into that a year to read your boy cast.

Speaker 10 (01:53:03):
Throw them bitch, just lay.

Speaker 5 (01:53:04):
Me damn and my truck and we ripping all the
way in the bed. I can't believe you let them
bitches dip the bail the best my words.

Speaker 10 (01:53:11):
If I ever see your I'm gona treat them.

Speaker 27 (01:53:13):
Like they do.

Speaker 7 (01:53:13):
Stay there, beat them back when I see your mama.
Stick them chickens for their cash, your lights linking.

Speaker 5 (01:53:19):
Here's a few Lincolns for some gas.

Speaker 10 (01:53:21):
Just parting to hank with the think cast, No dude,
think fast.

Speaker 4 (01:53:24):
Direct me when thesmoved right there on the left with
the left and then the ride hold up through who up?

Speaker 5 (01:53:29):
And I couldn't believe my.

Speaker 7 (01:53:30):
I'm nedcited, but I can still tell the stuff. Say
two punk kitchens in that settling, get your gas enough
about to catch.

Speaker 10 (01:53:37):
Your body, kid.

Speaker 7 (01:53:38):
This bitch got in this sad like the karate cat.
Thinking this bitch about to kick off my hand. I
did the love of two tables.

Speaker 5 (01:53:44):
They roll the left on their left.

Speaker 11 (01:53:48):
Oh yeah, but pe just like that thing nothing his
P was.

Speaker 34 (01:53:52):
The P was the he was the last, like rock star,
ain't no more rock star?

Speaker 5 (01:53:57):
Ship please pee?

Speaker 34 (01:53:59):
So that was you know what I'm saying.

Speaker 11 (01:54:00):
People said he.

Speaker 41 (01:54:02):
A rock star?

Speaker 32 (01:54:03):
That was That's that, you know what I'm saying, Like
he wasn't no rapper that Nigga like swagged like a
blues singer or some ship.

Speaker 5 (01:54:09):
Like saying that Nigga started doing this with his finger.

Speaker 34 (01:54:14):
Some George Clinton ship with him man, like you know
niggas fill fuckle.

Speaker 7 (01:54:17):
Peas pep ripping the stage by Nikki Gage, ripped your
face off, like Nigga is Kange cut the front page, Nigga,
I need the main article on how many get my
croup niggas bring in the party goop so they don't
start that you can't finish because that will be shore
do ended whatever you create it. I hate it with
the n C blow with Black and here they give
him blottle, assuming to be defleated because my niggas ain't

(01:54:38):
feeling your temper.

Speaker 31 (01:54:39):
Nigga found it hard to listen behind the swags and
listen run through my raish found the harder hitting found
the rods and fishing in trouble waters a horner fishing
to show you something, y'all. People fell shorter doing how
we do he do off for another wonner, Yo, what
I think of corner?

Speaker 3 (01:54:54):
Let it fall on them, Mike, link you with on.

Speaker 5 (01:54:55):
One to the little dudes like mellou. He respect you.
Don't try, I mean even let you open your eyes.

Speaker 38 (01:55:01):
You see your mom's inside.

Speaker 31 (01:55:03):
And I see you like I was supposed to win
the first place. Don't be rolling the nice industry life.
If you donates nigga your places.

Speaker 7 (01:55:10):
The back of the fuck up now, yo, My ship's
kinds like you, Rick, Yo, it goes bitches.

Speaker 5 (01:55:15):
Send him the sun.

Speaker 4 (01:55:16):
He might stick those when I'm with yours with flows
not abortion. When the battle, baby, y'all take niggas out
like abortion. You know me, guy's the round going around
the drives above me. Jab out the smash the kicker,
bone out your ass. You don't have the ass. That's
Illinois and Sean Price.

Speaker 5 (01:55:30):
Man.

Speaker 10 (01:55:30):
I know wext, but you ain't. Mike Tyson, stop righting.

Speaker 5 (01:55:32):
The evidence is substantial.

Speaker 31 (01:55:34):
I dismant to my jam. Seemed like playing divide that
by dable. In fact, the good got the gout out
into like maracas, stopping up a post. The first axe
before they off and swift black golfense and with my shop.
Since I developed a sharpness to flip this, I guess
it with shotpher than tarshis.

Speaker 5 (01:55:50):
That's how you need to be, how you immediately rest
your ship.

Speaker 10 (01:55:53):
Repeare you need some Nigga told me to send them
some new ships.

Speaker 4 (01:55:56):
So I shipped it in the box and I meld
it to his crib, just fucking with your No, let's
get the bumpet. Niggas was liable face the face you say, yeah,
ain't white yet, like I'm hushing you behind your front
and all of a sudden you got harm like you
saw the wizard rocking the mothers out taking niggles with biscuits,
bummy to stay the mind of mind when not thief
ship even though I got two whiffs and changed like this.

Speaker 7 (01:56:15):
Nigga watches beginning on them nights, youn say what you
want to spell my name?

Speaker 5 (01:56:20):
And he ain't he too?

Speaker 9 (01:56:22):
No, I see even nigga.

Speaker 5 (01:56:24):
They ain't no tomorrow. Who's gonna drop a fuck? I
look black and act up because when I slapping, that's
some emotion. Pictures can't half shot that mother fuck.

Speaker 32 (01:56:36):
You must be blind then daft the thing that you
can cast a for your new gun class to to
your chance. Hey, you move to flesh you when they
resh you underground when you hit the sound when we
rom fat man croom. So niggas watch your tombez.

Speaker 34 (01:56:52):
Are you jess my cast two shots to your mother
fucking hat?

Speaker 5 (01:56:56):
But you wanna wantle some mack.

Speaker 7 (01:56:59):
Dig in your mouth his back shit up under that
if we looget like Tony Racks did the masks niggas,
but I'm blasted, niggas, Yo be past them. Niggas don't
a rock to laugh that niggas my mond nails off
brown skills and none miles. So while real studs that
keep them mond fell blunts get smoked and chumps get
choked when.

Speaker 5 (01:57:16):
They try to the those that we got g rock broke.
So while make wait both.

Speaker 7 (01:57:20):
The master blaster who blast fast fast because Marsh's masters.

Speaker 13 (01:57:26):
Rock.

Speaker 57 (01:57:27):
I mean it was cool at first, you know, just
you know things about love things most day like what
hobby walls, people died down it talking balls things that
makes sense.

Speaker 5 (01:57:40):
I like it. Bun people shill, I ain't wanna know
where that she calls me. I let yo fucking amazing man.

Speaker 9 (01:57:52):
Really really, I don't even know I did.

Speaker 4 (01:57:56):
She right down like this one of the new niggas
knuckle the door beat this seen snap a few big
red blue went. Two more heads. We're getting nervous. That's
three now they wouldn't have breaking off too late. Five
more toward the doors, straight the office or now and
down in the trenches. They so just getting the more
wax blinters on record debentures since it ain't ship sweet
this click this person.

Speaker 5 (01:58:16):
Then they transformed the jest.

Speaker 7 (01:58:17):
Sped grounds that for speed clowns rocking rock beating the brooks,
hold the swim.

Speaker 5 (01:58:21):
Yeah, are you prepared? Now?

Speaker 7 (01:58:23):
I tit down and nigga opponent who simulate yourself would
me while your gass I can flitterbate, limonstrate tactic.

Speaker 5 (01:58:29):
SHO need practice first.

Speaker 7 (01:58:31):
And for your monkey gas runs like your back Tsha
smashed kids when they try to get to your limits, timid,
but they can never forget with Shawn. That's where Sean,
don't give up. What if I none of you got
niggas or snakes, That slipper And if you want to
come test d and flix the I.

Speaker 5 (01:58:46):
Got your name number, I just push your picture. Chris
sister BC.

Speaker 13 (01:58:51):
The ninety.

Speaker 7 (01:58:52):
We lock your jasam, We lock your jass pepe my world,
just my heavenly words, words like niggas locked up in
seventy third prefer the chill.

Speaker 5 (01:59:05):
But the sun can't do that. Then my temperature attempted
to bring it with your crews at you lack with the.

Speaker 7 (01:59:10):
Skills that it takes to make and it's meat because
it seems that your gass is weak. My occupation operation lockdown.
Don't get ready your station new weaper got the hot.

Speaker 4 (01:59:19):
Sat one test y'all missed them all. Dude with ka
rock next, y'all. God your chest, y'all know thing can
attack y'all from budshall on down to the rap.

Speaker 10 (01:59:28):
Y'all, we running through your set, y'all. Fuck the restaurant.
We mean the best, y'all.

Speaker 5 (01:59:32):
Yes, yes, y'all.

Speaker 4 (01:59:33):
Crack backs North, sound beast the West, y'all, we no shresh, y'all.
I d do what I yes, y'all said, dous in deces.
I never match y'all. Ready the West, y'all Clack chack,
y'all love bet y'all chest boars become mess boys if
you flext y'all.

Speaker 5 (01:59:45):
Never done.

Speaker 4 (01:59:46):
Let y'all, we y'all to save this ship before present.
Y'all lo at that with the full court press. Y'all
this sister b C ninety half we lock it, dab
this sister bc ce your dad your sister. Yeah we
get Dadah we not ninety now.

Speaker 5 (02:00:17):
Ship that we got.

Speaker 7 (02:00:42):
Understand. Help the skel don't only mean more, understand the more.
With everything I got, you're gonna understand. He me, y'all, Roy,
are you understanding?

Speaker 5 (02:00:51):
It can't happen to you? Help the skelp the start
storm it.

Speaker 7 (02:00:53):
You're like for dreaming this morning in the morning, people
who tell my name ringvels like a dormant a warming
but leave your rest of my military menace. Serve heads
like tennis with words that the finished must the scrimmage.

Speaker 5 (02:01:04):
I call the hot post. Play the shore off too,
to send the phone the quick play.

Speaker 7 (02:01:09):
Anybody come in my lane gets blown out the frame
by the flips of the laves. Look but with this
getting swift, with this future listen whip with the liverrical gift,
the flip scripts. People duck sick, don't want to touch
with that eruption the rock kick break voice bones like
Voyd Jones de Voys roll but they can't mess with
my people.

Speaker 5 (02:01:27):
He can step to the rucks recognized that I behind them.

Speaker 7 (02:01:30):
My gat bits that wack black kick tactics make it
harfer any infiltrated to what tactics understand.

Speaker 10 (02:01:36):
Help the Skelter wrongly mean war. Understand the war.

Speaker 5 (02:01:39):
With everything out your door understand, I mean ya ro
he be yard.

Speaker 16 (02:01:42):
You understand and can happen to you understand.

Speaker 5 (02:01:46):
Help the Skelter only mean more. Understand the more.

Speaker 4 (02:01:49):
With everything outside your door understand. Give me y'all roll
while me y'all you understand and get happened to you.
I really think I you're to tell you before rap
the belt. Your ruck makes so hide way that he
might even swell the rough melcher right nailuall and you
try that yell money Felter shall not have one of
the wren who's helped the Skelter Spartsky get that rucking
Rosy gets w wild on your block and harassed the guts.

Speaker 5 (02:02:12):
No diggy, my head's high.

Speaker 4 (02:02:13):
The screens out ain't Claire watching the red down and
for mustle board your bed.

Speaker 10 (02:02:17):
Now see the last two figures that can't describe me.

Speaker 4 (02:02:20):
Militay punish your rock and pe watch thee n mile
me the brain beat. It won't be be being in
your heart, won't be be any But even your real
little rod hates you.

Speaker 10 (02:02:30):
Wip break you like last the boy.

Speaker 4 (02:02:32):
Brings into that ass faster You're too faster much gun
far faster, run you at the faster the next else.

Speaker 10 (02:02:38):
But understand the skelter.

Speaker 5 (02:02:40):
Only needs more. Understand the water.

Speaker 10 (02:02:42):
On everything OUTI you don't understand.

Speaker 5 (02:02:44):
Me, y'all row while me? Are you understand it can
happen to you?

Speaker 7 (02:02:48):
Understand in the fits of other confusion. I got something
for stars running the cars and bars. When I make
you with my gym star record not fail never the
wrap that's frunch, but my make your snap black punch
as me. You not like God mar and look the
I'm starting undershooting people messing with my future.

Speaker 5 (02:03:05):
So who's done well?

Speaker 7 (02:03:06):
That on the testament again to dress me just to
try to get impressed me them people come and stress.

Speaker 4 (02:03:10):
Understand to be the man. Ain't even the plan, but
standing in my way you get trushed. Understand to guard
your backs. I'm at the fact, guard your naps on
down till you click your hell three times at I'm
at your door. Bringing war to your town.

Speaker 5 (02:03:23):
It's the rock.

Speaker 4 (02:03:24):
Now you gotta getting a wait like by me Brown
knock gets down, Tom gets pounded like fractions. World get
blown with rucking rockstartn't but reacting understand you're.

Speaker 5 (02:03:32):
The only means war.

Speaker 4 (02:03:34):
Understand the worlds with everything outside you don't understand?

Speaker 5 (02:03:37):
He be, y'all, Rod, I mean, are you understand it
can happen?

Speaker 16 (02:03:40):
Then you understand?

Speaker 10 (02:03:42):
Helpless young li Road, He means war understand the.

Speaker 5 (02:03:45):
Wolves would ever be thinking out your door? Understand? How
mean y'all Road?

Speaker 10 (02:03:48):
He be y'all you understand it get happens in you.

Speaker 5 (02:03:54):
Understand.

Speaker 4 (02:03:55):
You lack understand, understand and know you catched the backstand
but understand go catch your back over the back and
you don't understand, get period, get checking out take it.

Speaker 15 (02:04:13):
Personal Radio with Philip Flavor, Kevlar, a A Ron and
DJ three.

Speaker 7 (02:04:18):
Win those dyas you know me Yes, hell number Uno,
Poppy Chulo sticking dick to your chick Kulo hard to
kill like the white boy hat and snatch your mc
y off the wrap back for the simple back is
whacker On's this did I feel just can't step the
show We're getting out on bitch as niggas since the
septic car dress for lands on by which man be
j block herman take my hood that your nigga If

(02:04:39):
I can't see behind.

Speaker 5 (02:04:41):
Why God shoots the five alls of the most high.
Most guys get their ship wrapped in guards place. The
biggest is on my side. What the fuck your pride
like in the coup with the big rock your monkey?

Speaker 10 (02:04:51):
Yes yes, any said that.

Speaker 4 (02:04:53):
Technic gets worse when rocks appending to somebody telling the
fat lady she's up in five minutes. Ship is almost
finished right after everbody take care bro witnesses room in differentises,
not mine. Then they businesses and missions up in your
melody telling you digestion. You know what you say, y'all
giving my whoop, y'all chest pains and saigagrette.

Speaker 10 (02:05:09):
Let your body dollar, don't move a swelling.

Speaker 4 (02:05:12):
You're not promised up, my brother, but I promise you
will make your pop your collar bone stones away.

Speaker 10 (02:05:17):
He's that not stalking my stones. You can roam, just
don't get caught.

Speaker 4 (02:05:21):
Last, The biggest is on my side because you don't
want to leave my talking when not flyther.

Speaker 5 (02:05:34):
The next patients see where we act.

Speaker 4 (02:05:43):
So oh life seem to think about it violently. It
doesn't matter if from death so, but from being's strange.
You're not that ain't no release. I don't think so, Arendma?

Speaker 5 (02:05:56):
You think so? Down?

Speaker 10 (02:05:57):
Truthfully, y'all don't know.

Speaker 5 (02:05:59):
So what do I do? We go?

Speaker 10 (02:06:00):
My crew won't act for hell, but they ain't no help.
They go do the same shit.

Speaker 5 (02:06:03):
They damn self.

Speaker 4 (02:06:04):
So I look deep into the mind of a crook
and out of know where I get vision to right hooks.
Oh damn again goes this ship. I can't get out
of the sight. Gole thish one got me whip on
the throwing up, but bring bashed and doctor shot me
before blow my mother fucking top gez see that.

Speaker 5 (02:06:19):
Loves the sofa over there?

Speaker 7 (02:06:21):
Ye sit back with the six packet the splip that
have your mind twisted while we chip shot. I think
that we should start with the session. But before we begin,
let me ask you with a few questions. Have you
been touched the wrong way? Involved in gun playing?

Speaker 11 (02:06:33):
You're talking?

Speaker 7 (02:06:33):
Let me get the credit like you was ol Ja
Tipiku black life, you jack knife son of for see
biscuit and get specific and stop fucking around with that
fact down schmoke Ye what you do, dude?

Speaker 5 (02:06:43):
I can tell because you act with funny like when black.

Speaker 4 (02:06:46):
Skin bug me jazz only married to Jawana right, instead
of helping you get it be heated like a son.

Speaker 7 (02:06:51):
Just trying to get into your head. Pardon the way
your feature. You can tell me about your scar? Did
your mama beat job?

Speaker 5 (02:06:57):
Man?

Speaker 7 (02:06:57):
Fucking mister v doo? Tell me get this to be
pissing me? You're plus the time people don't flip the sector.

Speaker 24 (02:07:13):
I think back to the nineties.

Speaker 10 (02:07:15):
That's when like that extra grimmy multipplied with the fleet
behind me.

Speaker 5 (02:07:18):
Wasn't it smart to try me?

Speaker 10 (02:07:19):
Is the good fam gave less than that? Which added
on the eighties angers every through my end?

Speaker 5 (02:07:23):
I now we're getting somewhere.

Speaker 10 (02:07:25):
Yeah, so we come and clear. I always feel that
I have to blade the rids hill I was.

Speaker 5 (02:07:28):
Out of here.

Speaker 4 (02:07:29):
That's when I flipped out and became a blame that
transform into what robot.

Speaker 5 (02:07:33):
Rock up Guess was his name? One of the decent
niggas taking door closing?

Speaker 10 (02:07:36):
Then something vent?

Speaker 5 (02:07:37):
Did you have any legal source events?

Speaker 4 (02:07:39):
I said, farewell, love welfare crazy long ago. They want
you to work for the p that's now when you
need to shrink. If you think I'm a good any
thoughts and hopes to rehabilitation with chill. When I lost
my nigga Phil, it's been down hell ever sin and
ain't nobody helping me? So I came to you, the
doctor kill patience forever pever.

Speaker 5 (02:07:58):
The understoodest.

Speaker 7 (02:08:06):
Must the prognosis better get do can doosi your prescribe
treat that people perceive it's poking.

Speaker 5 (02:08:12):
I've been going through.

Speaker 7 (02:08:12):
Your father and I found a conclusion that you destined
to be the best.

Speaker 5 (02:08:15):
In this world of confusion.

Speaker 7 (02:08:17):
You lose when your fall victim to evil ways. I know,
prompt Hay, but the romp slaves not with theys take
to willies. And if you have a problem about all
our calls one you four hours of the brawl, Why.

Speaker 5 (02:08:38):
Did you with man or your hands in the hey? Thugs?
So just fucking even players?

Speaker 10 (02:08:44):
Whether your hey guns?

Speaker 5 (02:08:45):
So you show what's line?

Speaker 10 (02:08:46):
I know what you do money your guns?

Speaker 5 (02:08:49):
Did you with men or your hands in the he my.

Speaker 10 (02:08:53):
Thugs and soldiers fucking even play?

Speaker 5 (02:08:56):
Oh my son, what you do? Babies? And your guns?

Speaker 4 (02:09:00):
Light a number and the elevator on this while my
brother wish back mine like my baby mama, I shine
when it rang. This guy's crying for all the black
youth that's dying. I heard he went out clutching the
iron and then the Messrs Sluve's flying. One person he
kissed the dirt, not knowing when he would touch that
first or badley hurt. It's all science, I know, But
they go, MRD, you can't snap this person his work.

(02:09:22):
But nothing but the shells on the turf. The situation's worse.
A lot of bitch have niggas is coming out their
skirts because it's red. Now that be one king rhyme
and get it down now that every one can shine
and make a male. So Johnny Gary nine in the
steel one and a half, all the fuck has to
leave that. After that, enough set don't be mistaken or misled.
The sore peace, but with my baby's gotta get back

(02:09:43):
on more teeth biting down on the woman's now shat,
I caught my heard from a natty dragon and lift
his flight for an ass nigger.

Speaker 5 (02:09:51):
One job I'm gonna get wang. Are you with man
your hands?

Speaker 10 (02:09:58):
And they all my soldier stuff fucking.

Speaker 5 (02:10:00):
Even don't lie down.

Speaker 8 (02:10:02):
They know who's on the run no matter.

Speaker 10 (02:10:04):
What you do money, stack your guns and.

Speaker 9 (02:10:06):
Water your pie.

Speaker 7 (02:10:07):
Steven up are the main brain splatting bar and no
matter of seconds, I'm disrespecting your character.

Speaker 5 (02:10:12):
What's the matter of your niggas? Ain't better? The fuck
the massacre.

Speaker 7 (02:10:15):
I'll be slapping your niggas in the face with the
calibbug you like the voice, baby fucks the choice lately,
slap one.

Speaker 5 (02:10:21):
Wing the just like hoys cracy. My boys may be no.

Speaker 7 (02:10:24):
Mom for this ship, I say lately the deep down
in the part they think that nigga fucking racey.

Speaker 5 (02:10:29):
Maybe y'all nigga shuit just chill before Why fuck you up?

Speaker 7 (02:10:32):
Hockn snuff for your nigga in the face with the
upper cuss. What the fuck your niggas do with the
bike ruping your life while screwing your wife's Now, who's
in effect with the mother the fucking brimey style meth
the cow healthless?

Speaker 31 (02:10:43):
Yo?

Speaker 5 (02:10:44):
The fucker dyankey down for mine be how the where
it used to be? Yo? You used to be Betty
didn't get is on the mic, but now.

Speaker 4 (02:10:50):
You do so where you're with man on your hands
in soldiers fuck it even blowing you rap on one
of them and that's drugs for fun.

Speaker 10 (02:10:59):
No matter what you dude, snack your.

Speaker 4 (02:11:00):
Guns and long and I used to be your good boy,
fat cheeks, little que kid, potential to leave rebellious. Yeah,
the straight a student. I listened to my elders till
I found out they were stupid. They told me how
me broken bummy, Time for some new ship. Now my
whole more guns he'll heat then I can Oko and
Briggins and Bush we called me Rocko at Mino loco
kind of food and duck sing like a see get jojo.

(02:11:21):
I can never since my Morocs had guns, was a no, no,
we don't need those. No street cats don't need gas.
Six Boe from the NB gave me the niggas be
that so try me like gonna humble.

Speaker 10 (02:11:31):
You can't get ship by me.

Speaker 4 (02:11:32):
Sent you to eat y'all some with broken and goes
like allan ivy hole lit door for a minute and
watching short even.

Speaker 5 (02:11:39):
Before I running be in it.

Speaker 4 (02:11:40):
I ain't been in and I'm like, right, them's got
your shaken thinking I'm Jamaican. But the first that they
get your jeweler Brigain, Joe taking fun, Batman and Rob
robbing with a batman chase niggas like sh'll be for
making wash jas hit hard as if they got the
relaxed dance Act.

Speaker 10 (02:11:54):
Any Sean Franks and alcol Drafts Man, I'll tell.

Speaker 4 (02:11:56):
You wash the Jesuation wi man with your hands and
that yeah, all my soldier stuff, it even play. Yea
God's ears and cons chrips and blood and what you
do money, stack your guns and ones? Is you with
men with all your hands in the y'all all my
soldier stuff it even plays.

Speaker 5 (02:12:15):
And my outlaw sack your guns man.

Speaker 10 (02:12:33):
When you learn how to do the same nigga and
your raps that.

Speaker 5 (02:12:37):
You are in real life, Nobody's gonna.

Speaker 4 (02:12:41):
Not even me because you are an ill nigga. I mean,
without wrapping under ste what I'm saying, without rap, you
take music away. You're the most entertaining nigga in the world.

Speaker 5 (02:12:52):
I know what I'm saying.

Speaker 4 (02:12:53):
When you learn how to be that stupid in your
trusting son, Nobody's gonna be able to fuck with you,
not even me.

Speaker 5 (02:13:00):
That that sell what I'm saying. You know what I'm saying.

Speaker 16 (02:13:03):
What the rain by that?

Speaker 58 (02:13:05):
But like Woo tang, my two bridges drop my hang
in your ass sometime dawn by your shoes right, that's smoke.

Speaker 5 (02:13:10):
Tell him how we doing it?

Speaker 58 (02:13:11):
Top the whole ship, just to pick up my man
down the old mean I do what show in the
waterings and get what about it?

Speaker 28 (02:13:16):
Bout it miss the golden frings.

Speaker 7 (02:13:18):
We've been missing you last year, ain't ye, but your
most got physical.

Speaker 4 (02:13:21):
I can't to them now read about it in the
into in d indeed two and three stitches. I was
still getting bitches in the tunnel taking pictures and the
most listening in the press. I got dat y'all want
that high sex or son? I ran yo ship does
damn time to throw damn sure what visit your gab
show down load now one low down, hold down the folk,
now where the whole path, blow down your.

Speaker 10 (02:13:41):
Old town first, go grab yore smiling quickly be.

Speaker 4 (02:13:44):
Switched fishing your frown went out digging your block. I
said they're gonna let no vath let your go down
now with don't throw downs? What words you have to
fuck up on the crying whole dash tied the punk
bass's taking ship.

Speaker 5 (02:13:53):
For a b shoke.

Speaker 4 (02:13:54):
Now want your floun cat pointed out your door at
like you know now we could.

Speaker 10 (02:13:58):
Be so fall shaking hand running up in your fish.

Speaker 5 (02:14:01):
No no dab h having that I a happening, that happening,
that shady asses.

Speaker 59 (02:14:07):
I got too fastest to the bar telling the night
we fucking your comfort super thow pripples. I ain't got
the frapp because I did it going before the rappers.
I was swapping on these motherfucking me streets of brown Field,
gun clapping.

Speaker 5 (02:14:19):
I ain't got the front.

Speaker 59 (02:14:19):
I'm making it happen strictly snapping nut strictly max becuse,
Hey lord.

Speaker 4 (02:14:23):
My overduced the besial matter of fact, has a listed
some of the ship that I ain't having. First of all,
it won't be no more talking after asks man, I
ain't having no backstabbing.

Speaker 5 (02:14:32):
I ain't having shiit.

Speaker 4 (02:14:32):
Niggas won their math. You get smacked in the why
why why guess why? I say good bye and missed
the nice guy say hi to the bad guys. Four
horsemen had the magnum horse man with you getting aig.

Speaker 10 (02:14:43):
Fuck, I'm like a spliting human tors man. This shit
scorting it.

Speaker 4 (02:14:45):
Do your research. Your feet hurt from half step day?
Why am I ship to make your team Will's mom jokey,
why man, my dad don't say y'all my hot stop.

Speaker 5 (02:14:53):
Riding niggas trying to beat me in ahead with gas.
Fuck that, yeah, niggas running up in the police they
be that. Yeah, you rest the losses at my grip
trying to take you back off.

Speaker 7 (02:15:06):
That you ain't taking those school Let's leave me me
in the back fop that I ain't got yeah, yeah,
telling my people having seed passed off, giving toes to
my own towns winging rock and shaking the foundation with
some brown breaking ship down the leading the town breaking
when I cocked back my pistols, trop back and whistle
to my niggas to hold me down because this time

(02:15:26):
about to get hit to the nig thinking nigga won't
let this cho click.

Speaker 5 (02:15:29):
I got a full clip for you.

Speaker 59 (02:15:31):
And yours, Marsham, when your willow let us called him
on my pillows, get the tick between just like the
brass fucking bag and let's see you keep it cooking.
When you're making with the blue prints of playing mind
escape from since your book.

Speaker 5 (02:15:41):
The rock picked the lock broke, but the shot shots
with the plast sixty.

Speaker 59 (02:15:45):
Four, the flow the door every hand, the dedicated, tell
me underwear the fucking tim whip as you niggas look
as glass god bttal.

Speaker 5 (02:15:53):
Steep mass doing them back and ain't the only two
past rays?

Speaker 36 (02:15:56):
I ain't, I ain't happen.

Speaker 28 (02:16:00):
N't that light?

Speaker 5 (02:16:01):
You don't got no wings in me? Copps my ship problem,
but you're still sucking my your.

Speaker 7 (02:16:05):
Box up from hell, shot your eyes still fighting from helicopters.
But the birdies I heard the tailor tells of the coppers.
Cock ya coming from the prison singing office. Let you
up your friend from the blous side. I dropped, slapped
your teeth, opped your mouth. We're not copyre set you up,
stop together A gun.

Speaker 5 (02:16:19):
Niggave things that I was on beloor right now. It's
gonna crack fuck that you don't you smack me and
I smacked your back.

Speaker 24 (02:16:26):
Fuck that.

Speaker 5 (02:16:29):
Go niggs that you're gonna come around here flash and
rock niggas on getting my treat rocked so you know.

Speaker 24 (02:16:38):
They can't stand from my back.

Speaker 5 (02:16:40):
He like my yeah, wringing for these rappers outside of
the graves, they be killing me? How they willingly be
thrilling me because they sure they want just be feeling me.
Could it be my name from my big gold chain.

Speaker 4 (02:16:51):
Getting the airport on our way the soldier, I got
niggas on the west coast me.

Speaker 5 (02:16:55):
At the airpoint and came again heat and.

Speaker 58 (02:16:57):
They trench business classes and prince to sing on telling
what step back up for me?

Speaker 4 (02:17:02):
Going y'all warn yoah, y'all still couldn't.

Speaker 5 (02:17:04):
Wait for the whole time.

Speaker 9 (02:17:05):
Great for your age.

Speaker 5 (02:17:07):
And if you're calling out now you just call me
black fuck that.

Speaker 4 (02:17:12):
You just can't smoke at you with it for it
sad fuck that I ain't r Jimmy hat attacking rap
spell like ask crack fuck.

Speaker 5 (02:17:26):
I'm crapping ship.

Speaker 59 (02:17:28):
Fuck this rappings ship cause that send this to Andy
them see who would what gout in me to get fits.

Speaker 5 (02:17:33):
It's simply just don't stop my steps.

Speaker 59 (02:17:36):
Who I'm prove it's feeling enough your brain with supreme all.

Speaker 15 (02:17:41):
Yo, ladies and gentlemen.

Speaker 16 (02:17:43):
I hope your mother fucking the tone, and I hope
you have a.

Speaker 15 (02:17:47):
Fat blunt lady because right now you don't know when
the fuck's about to go on. Right now that you
can just take it personally with my boy full of flavor.
M long hey Heyron Roger. He announced the head is
painting personal with red Man and.

Speaker 5 (02:18:06):
We end up. Yo. Listen, kid, these niggas can't right right.

Speaker 7 (02:18:13):
Plus they pass tight tight and they sweat the small
fucking them better than y'all go up against the God.

Speaker 9 (02:18:19):
That's the wrong move.

Speaker 10 (02:18:21):
What doorm It's a celebration, bitches, I just got bag.
Listen to when my back pocket just my oh god?

Speaker 5 (02:18:30):
Can we do with track? Nope? With hollering them shipping
niggas trash and whack toose and toddler my gun pop niggas.

Speaker 7 (02:18:36):
Niggas one shot nigga run out of the shells and
straight unbacked niggas fuck rap criddles, get riddles with shells.

Speaker 5 (02:18:43):
Yo, I'm gonna reach you a bitch like.

Speaker 4 (02:18:45):
Tip movie in a world my taste buds and YO
taste buds will never taste bud.

Speaker 5 (02:18:50):
To get up.

Speaker 4 (02:18:50):
If YO taste buds, we taste his bud. Niggas whole
mold bugg and clown fig red bowls over those rubbing
and reodrating.

Speaker 13 (02:18:58):
Ain't your mind you.

Speaker 5 (02:18:59):
Almost what the bitch paul ass niggers. The sniggers got
a fucking man.

Speaker 4 (02:19:04):
This niggas like disrespecting my niggers, disrespecting Lane got.

Speaker 5 (02:19:10):
It looking like Lee Royce the famous ship. I got
it that being your sweat pants and gottle pockets. Guy,
no respect for the game, so we ain't got no
respect for the few.

Speaker 7 (02:19:21):
Plans, rapping, settling, selling, crack ain't selling, So what's back
to all robberies? My bat sting melons, taking back to
de sell back out the hammer fan and I ain't
talking ham my black fam I'm talking and my dad
calling ambulance.

Speaker 5 (02:19:35):
No fuck that I'm letting.

Speaker 10 (02:19:36):
They can't even laugh.

Speaker 5 (02:19:37):
Had that man smoking like this amp the damn damn
it man.

Speaker 4 (02:19:40):
I go when your hood didn't get love, You go
when your hood ain't getting all.

Speaker 10 (02:19:45):
Bitch basket, You don't go to sun cribpy shit?

Speaker 5 (02:19:48):
Why get tapped?

Speaker 10 (02:19:49):
This chunk got a mic and his tip car got the.

Speaker 5 (02:19:51):
Mic and the pimp cup catching right from the fist.
Chunk no smoking, choking with like in this pitch chump.

Speaker 7 (02:19:57):
Still Bozo's hit knocked the fuck out with Yo co
No first zap Judi the worst, pass me the nigga.

Speaker 43 (02:20:03):
Boles, stupid, your whole truth Snake, Sanya Jules, the truth
plag fuck out.

Speaker 5 (02:20:10):
It snigger got Gucci made frust but like rass is
my fast speach fuck out here.

Speaker 4 (02:20:15):
Niggas ain't got no respect for their gigs, got no
respect for you.

Speaker 7 (02:20:24):
Hold out of shots followed after our bushy snock box
with their rock bottle shoot the fair one, Monano, the clown.
I put a pound on the Ronald McDonald. You would
happy to build nigga with the toys and box. I
clapped the still nigga, put your boy in the box
being and the gun that slapped you.

Speaker 5 (02:20:41):
I'm lying just like the rest of these dumb mass raptors.

Speaker 8 (02:20:44):
The bottle flesh.

Speaker 7 (02:20:45):
Most of your niggas can't test. Besides tech, most of
your niggas can't dress.

Speaker 5 (02:20:49):
Snack.

Speaker 7 (02:20:50):
Good lord right off the floor, cope, but he paid
with finty one time on tour.

Speaker 5 (02:20:55):
Listen, Love and Love clapped the gun.

Speaker 7 (02:20:57):
As y'all hates the CEO of your neighbor lives a
basketball player. That means your ship is never coming down,
Sean Price, I'm forever dumble.

Speaker 5 (02:21:04):
Now might set when the resk.

Speaker 32 (02:21:23):
You probably think I'm baking cake when I'm working the
you probably think it look in facts.

Speaker 7 (02:21:27):
Wake up poll that cracks the street talk. It's made
up like jacket the bean stalk. But when I talk
to the streets, listen, but you talk.

Speaker 24 (02:21:36):
The streets listen.

Speaker 5 (02:21:39):
I don't even like you. I don't even want to
fight you. You're staying away for such and such from
such and such combuck spraying pirefects.

Speaker 7 (02:21:49):
Don't make me dibuse my power when tell the phone
call shoot this coward.

Speaker 5 (02:21:54):
I was the bum bu dependence switch. Now my whole
team's spring.

Speaker 7 (02:21:57):
No, Kendith McGriff, your niggas is fiend steamed to lap
of your fing rings into being slap of your annimal.
It's a beast on tweater incredible, half monkey, half man,
the meadow mole. He posit in disguise to cross beat
fire spotslout your face and break waters.

Speaker 5 (02:22:28):
Y.

Speaker 7 (02:22:29):
I don't want to dunle, I just want money. He's
studying under the understudy the one twenty young dummy. Can't
spawn no life. My flow tight like your pass all
you know, got a chance, pa handsaw community Now the
con York freaking sing your fucking eulity.

Speaker 5 (02:22:47):
From Jewelry one Jewelry.

Speaker 28 (02:22:50):
I took this from.

Speaker 7 (02:22:50):
Another rapper slapped the wrecking Julie g con boy rappers.
I see you're on bet, but leave them the Jewelry
Interview be DVD, P.

Speaker 5 (02:23:00):
T and T the Float Turn the Mighty Niggas so
so bozos.

Speaker 7 (02:23:04):
Ain't robbin ray. I hit the line away. I smoke
a double green. Niggas call it purples. What the fuck
you mean? Fuck a fist fight. I'm gunning you rappers.
I don't give a fuck about none of y'all. Rap
The fifth Great shit shit the fifth Stein litt me
by Bitch State tip print the riches paint tis niggas
saint shit shit they sing it nain't shit.

Speaker 5 (02:23:26):
Shut the fuck up, nigga. Nothing in the plate with Burke,
I bus heat is at your.

Speaker 7 (02:23:31):
Whole damn clickbloud, shap price to leave the raboot can
click down and mine in the Admiral and Little Rap
smack this ship downing for niggas for handing his hand,
bringing no wacks. Niggas don't bang in the street, bringing
no line. Niggas don't bring in the street playing for keeps,
keep playing. I slam your masks on your face, turn

(02:23:51):
your fucking teeth breaking.

Speaker 5 (02:23:53):
Brig the jerk being retired, end up nice and on back.

Speaker 7 (02:23:56):
Niggas smash earth Friend fucking red Knights out that nigga
rap niggas.

Speaker 5 (02:24:02):
I doubt if this nigga doing it like me, fuck
out of it. Sean Price Kimbo the nickname Ron Nice.
My timbos kick lanes, switch lanes up in the coop.
I spit games too.

Speaker 13 (02:24:20):
My ship is the truth.

Speaker 16 (02:24:21):
You live in the line.

Speaker 9 (02:24:23):
You like it, BENI with like your beties.

Speaker 5 (02:24:25):
You getting be on now your bingie. So I knock thing,
it's out for fun. I knocked niggas out with guns.

Speaker 9 (02:24:32):
I knocked thig it's.

Speaker 5 (02:24:33):
Out with hands. I knocked thing it's out with fee.
He is a perfect weapon, winning them up in the street.
Pabo blood in your shirt or double the purp. Maintain
well trained nigga buddy, but girls second place niggas.

Speaker 7 (02:24:45):
I hang you this self up the rap version the
Anderson Silver So your mother fucker's got no wings and
boot care, but I got no tens.

Speaker 5 (02:24:54):
Shut the fuck up, fuck up, fuk up red Phil
and yet said, what's yours? Shut the fuck off? Listen?

Speaker 7 (02:25:08):
Oh I do was rapping a rhyme. I don't know
today's math. Don't keep track of time. You the verse
who beat down, Please don't give you the verse Seaun
p a k A you the worst, the best rapper,
the worst rapper, the sketch clapping.

Speaker 5 (02:25:22):
The person at you, the next snap of the earth.

Speaker 7 (02:25:24):
Slapper to this shabat Sean, the opposite of a fucking
Duran Durrad song.

Speaker 5 (02:25:31):
That niggas off of the back shit my rap slap.

Speaker 7 (02:25:34):
The earth off of the axis into the Winnow, motherfucking balls,
she basted.

Speaker 5 (02:25:39):
Niggas died when I raised it my.

Speaker 9 (02:25:41):
Fox a ratchet.

Speaker 7 (02:25:43):
Motherfucking do you for my fair cattle smack And he
posted on YouTube, p I sprayed the guy that your ride,
Sean Prace, the greatest rapper of herlive.

Speaker 5 (02:25:53):
Shut the fuck up.

Speaker 8 (02:25:56):
Proby put you in the violence, the rob.

Speaker 5 (02:26:00):
The fuck up up, Shut the frock.

Speaker 7 (02:26:15):
Shut off the first first who know second first offs
first verse, this braino.

Speaker 5 (02:26:22):
The next one is boss.

Speaker 7 (02:26:24):
Back when Nolk was chilling, my man smoked the bag
of dust and killed his children. No fucking the round,
no wild the Stilton niggas, that's all balance.

Speaker 9 (02:26:33):
Get killed for Tilton.

Speaker 5 (02:26:35):
I being prone that pictures not building for building.

Speaker 7 (02:26:38):
Couple with your round trans fans quilt your feelings. So
how take off the hot sweater. It's supposed to line
the chat to get pop with the hot bread. African
boss Man Tella in the ya Mean was smoking and
yy me and clutching the pal Then I started waving
my arms for fucking the round niggas stopped.

Speaker 5 (02:26:57):
Playing with Sean. Listen, I stick Chris eat Bob Boss.
Let him put you in the y'all. Paul shut up
the fuck up, the fuck up.

Speaker 16 (02:27:10):
Stepping up, ye man, He's like these or girl up.

Speaker 12 (02:27:26):
This nigga nigga shap girl looks nigga nigga guilt three
one three.

Speaker 24 (02:27:32):
To the n y E J.

Speaker 5 (02:27:34):
Turner and it's like he's crawl up.

Speaker 7 (02:27:37):
Nigga nigga guilt, Call up nigga nigga shamp three one
three to the y.

Speaker 5 (02:27:44):
I'm chemically in balanced. You're no challenge. I eat hot
them cease like cold salad sing. I'm so balanced. Trust
the word.

Speaker 14 (02:27:52):
Find me in the ghetto.

Speaker 38 (02:27:54):
Fucking nerves.

Speaker 14 (02:27:55):
Murder city man man stacking bills, walk past snakes and
daptor talk to him.

Speaker 5 (02:28:01):
File a clap. Still the type of jewels you'll have
to kill. We keep hunting, and if.

Speaker 32 (02:28:07):
I'm breathing what we won't stop till our.

Speaker 5 (02:28:10):
Eyes get even.

Speaker 14 (02:28:11):
Revenge is a dish served cold so on where coats
and stay in murk moles break bread.

Speaker 5 (02:28:17):
The float is worth gold, the silver line in his skin,
his bronze sit so.

Speaker 14 (02:28:22):
I ain't have much to give to mom's but a
headache and now I'm on it.

Speaker 5 (02:28:26):
She straight Yeah who again his like gesu or.

Speaker 12 (02:28:30):
Gl up nigga nigga shup me call up nigga nigga
guilt or three one three to.

Speaker 5 (02:28:36):
The in washed under turner in his sight, Jesus, little.

Speaker 7 (02:28:40):
Girl up nigga nigga guilty, call lookig nigga shap be three.

Speaker 5 (02:28:46):
One three to the wash Sa Joe. You can't mess
with the bot shit he guilty and black. It's aggressive content.

Speaker 7 (02:28:54):
Don't love let the ROMs and raps about chicks, just
a whole lot of drugging and chucking that shit. You
can call me one dimension due, but nein't too much
talking with the slug get into you and don't ask
the god stupid shit in the interview.

Speaker 5 (02:29:07):
I grab heck's chatting.

Speaker 7 (02:29:08):
Then the winner pit in the twos like like bry
the man's on frong Nigga winning not an air fan
can't stand wrong nigga, Sean Price, the po strapper, the
person that's just smack, sit down and you winder whether
it's the church pastor my hand in the selects you play,
don't you ever disrespect the age?

Speaker 5 (02:29:25):
Se disrespect me looking like Flamingo Joe from punch Out.
Don't never disrespect me with just for minute your hand
extra medium brown, y'all's good. Respect me looking like no
from the sentences stuck in.

Speaker 7 (02:29:36):
The jam while you're on the fuck with me fan,
I'm trying to live the square life. If you want
to fucker, I'm playing. I'm the robust fucker. But I
thought you want to prevent though. The man in reversing
the I do with again Grand death Aldo, the man
with the sketch also to a turnstable detective to touch
boss on me.

Speaker 5 (02:29:53):
Niggas thinking that the family sneak running b rock and
get beat with.

Speaker 9 (02:29:56):
Heads and feet.

Speaker 7 (02:29:57):
Nigga can bo slice and the slices hit Kelly thing
go popping and to get then belly fuck being humble
them better than everybody Melly college niggas get hit with
the heavy shiny dumb fuckers don't know why the rules
going Young pumps can't fuck with the cool job.

Speaker 5 (02:30:14):
Your bark better than fight, y'all. Balk was no better
when not fight means means.

Speaker 7 (02:30:29):
Some of the nicest nigga read the game his friends
if it was saw within them, did the fresherman, Then
I saw a loser spitting the braw Ignore rubies.

Speaker 5 (02:30:37):
That niggas frost like John Clayton, Brost Lubins. He's coach
niggers West Coast Niggers. Most niggas with the sketch close nigga,
I make you mad. You're living fucking when Sean Franks,
that's a bad decision. I was once fussed up from
the ash. I risen a lot of them fights, almost
got slashed in prison. Id money on my head.

Speaker 7 (02:30:57):
You can ask my lipping. This raps up actual fact
that's written up. But if Cash is kipping spitting the
nigger ahead called it bad division, I.

Speaker 5 (02:31:08):
Just smember the tip.

Speaker 19 (02:31:11):
Start feeling.

Speaker 32 (02:31:23):
I'm so tired of till that's a propagand that mama ran.
They ain't been rad home in you're my slim. I
got the fander Field. It's b pheel Man is still
with the master Fields. He's showing boys dad for bills.
But you was shacked my nigga. You asked crills is
ill how they restocked shells with sheet rock peet pot
not the recent fiends want a detox.

Speaker 3 (02:31:41):
Pete got that six foot bounce, but out the east
side peace got.

Speaker 5 (02:31:44):
I just need to queen that won the d ride.

Speaker 32 (02:31:46):
I stayed low, keep fiving on my gee high free
ride hunters, get the peace signed, catch your w on.
They recline and turned up into the decline N sign
nightmares and right and rhymes like this, like yeah, all
right there.

Speaker 34 (02:31:57):
Trigger my nice snisser question.

Speaker 5 (02:32:01):
Don't be something really dramatic about it.

Speaker 24 (02:32:03):
Chuckle what you're saying.

Speaker 46 (02:32:04):
It's a falsehood and they're giving Sean Spicer, our pro secretary,
gave alternative fact.

Speaker 7 (02:32:10):
You've been played off beat groove and ruben kink shoes
straight to your two peg hey fiasco like a blue
peg nigga, a.

Speaker 5 (02:32:20):
New dang big gun son. That's you can don't care
what the youth say. All scrong smoking, no Paul balls fits,
confronts your front nigga.

Speaker 7 (02:32:28):
Your Paul wall Wall, I will clapping your neighbor hater
Niba had fast paced. You're making race up the cold
man who mashed the gold best science, big headed motherfucking
the old devil.

Speaker 5 (02:32:40):
Listen when the aim the.

Speaker 7 (02:32:41):
Knight famine to plunge your heart started blaming.

Speaker 5 (02:32:44):
The white man, white man.

Speaker 7 (02:32:46):
We hate sons that work in the church and the
cremate dons nuns. You hope Sean Fall pray for my downfall,
fucker Pope John Fall. Hey, I go to war, but
you can'ts They already the die like of Toby's Big
Big I stayed people at the gun. Ron fam you
can't see you in the sunshine man man after your

(02:33:06):
face embracing you got money?

Speaker 5 (02:33:08):
You top twenty Ksey Jason, what up? What ups? DJ
skis Yo?

Speaker 8 (02:33:13):
What a good job man today?

Speaker 27 (02:33:15):
Check it out this Malcom Polo, Toronto, Canada, Brooklyn.

Speaker 6 (02:33:18):
New York drum majors and you checking out taking personal
radio radio radio radio.

Speaker 34 (02:33:27):
I used to poll up the whole, the whole up,
pulling right then Mike Shot.

Speaker 16 (02:33:38):
Come on.

Speaker 5 (02:33:41):
Right right right right there, y'all. Rap cat is so focused.

Speaker 32 (02:33:48):
That's why in the clutch, y'all, y'all choke like no smokers,
just say the magic words like whole, focus and poof
your career is a blur like no focus.

Speaker 34 (02:33:56):
No folk, y'all don't know me, but I ain't knew
got mad years in the game.

Speaker 42 (02:34:00):
But I ain't doing I can.

Speaker 5 (02:34:01):
Look a young kid in the mouth and wrapping like
a live in the South. For the fact is I
ain't you look.

Speaker 3 (02:34:06):
It's just me here spitting some game.

Speaker 60 (02:34:08):
Hold up, did I just say spend some game? Could
have hind that were in the drop getting some brain.
Try to make a claim like I'm shipping some cane
and now I don't wrapped like a typical lane talking
about how Shane got him stick of some dang.

Speaker 15 (02:34:21):
I'm such a fan of the game that I'm sick
of the same.

Speaker 5 (02:34:23):
So I go back into off conds and listen to
King what I used to roll up?

Speaker 13 (02:34:29):
This hit the whole up the.

Speaker 5 (02:34:32):
Hole, the whole up rake there like this shot.

Speaker 11 (02:34:38):
Pon my jump up the whole up.

Speaker 16 (02:34:42):
Rake there, shot up the.

Speaker 7 (02:34:47):
Pistol was crawling the hand the pro Gray winning the
pop Kings, I kill him up, James A Ray fucking around.

Speaker 5 (02:34:52):
I ain't with the games. Girls playing clutching the pound.

Speaker 8 (02:34:55):
I know what your man.

Speaker 7 (02:34:56):
Girls sitting rappings for real, grow up the fucking rapping
from play back in the day, acting like back in
the day, clapping the trapper actually activate with the king
with the gun.

Speaker 5 (02:35:04):
I get y'all like them back in the bay. Listen,
my folks, cab off the chain? Hold up? Did I
just say off the chain?

Speaker 7 (02:35:12):
Could have said some mother ship like com better than
y'all line them up, watching fast. My competitive is fall
lets wrapped up? What the fucking sweating is fall kind
of funny like you broke the day's letting him is tall. Listen,
cracking joke self cracking the folks rolling the black smoking
up until this wrapping rope.

Speaker 34 (02:35:27):
Home, holding the gull up the whole, the whole, the whole.

Speaker 32 (02:35:34):
Up, pulling right there, logion like shot, hold up.

Speaker 5 (02:35:43):
Right here, break there the legion white shot.

Speaker 4 (02:35:47):
Put it closely with your attentions of the body you ship.
Hold up because you bought the witness.

Speaker 5 (02:35:52):
And block ship matching shown that ain't locking.

Speaker 4 (02:35:54):
The chemistry sounds but well mean while your wag cloud
butter will get it straight the fact and bringing exactly
do it for the love of.

Speaker 5 (02:36:01):
The rat been the double on the last. Do it
because the love is the fact you love with.

Speaker 4 (02:36:04):
This bid brainiac dump jumps bust.

Speaker 5 (02:36:07):
That's not it. You're so able to with the best.
Hold up?

Speaker 58 (02:36:10):
Did I just think to with the best could have
second demographically too, and yet blaming your flesh bring David congression.

Speaker 5 (02:36:17):
It's the whole feat on being mad with the posts.
Your niggas sweet like the feeling and the hostess.

Speaker 4 (02:36:23):
Get shit and teach y'all, conciliate your host the Brooklyn
we body it.

Speaker 61 (02:36:26):
Beat it so and a testimonial about Sean Price. Sean
Price is a testimony, you know what I mean. He's
a He's a testimony and a testament to hard word,
to resilience, to understanding who you are, to having an
incredible skill set and the vocabulary and life experience. You know,

(02:36:51):
I think one of the illishits about Sean was that
he spoke from his life experiences and he found the
humor and even through the pain, you know, he found
a humor and it he found the teacher who moment
in it, and he gave it to us in the
most unorthodox of ways through his lyricism.

Speaker 5 (02:37:11):
You know.

Speaker 61 (02:37:11):
For as much as I miss Sean Price the artist,
you know, as a fan of hip hop, I miss
Sean Price the artist, But as my brother, I just
missed my guy, you know, somebody who would always cheer
me up, who would always have you know, just have
us laughing during conversation if he was telling the story.
You know, somebody who kept me sharp on my NC shit.

(02:37:34):
He wasn't afraid to tell me what he didn't like
or you know, what he felt made the most sense
to him as it pertained to what I was doing.
You know, he would give me that insight, he would
give me that tutor list. You would just you know,
big broke me, big broke me and shit, and he
made me continuously feel like I was one of the best,

(02:37:58):
one of the fiercest and seeds out there. You know
his famous yo, I'm not getting on the try. I'm
not taking the bronze. You know what I'm saying, I'm
not taking the silver medal. You know what I'm saying, Like,
that's what he would say. He would have to be
on his a one game when he did records with
certain people, because he wasn't trying to come in second place.
And you know, we we had the honor the privilege

(02:38:18):
of doing a few records together, and you know, I
just missed my bro man Sean Price, one of the
greatest ever and you're checking out the Sean Price tribute
or take your personal.

Speaker 5 (02:38:30):
Radio m hm.

Speaker 11 (02:38:36):
Hm coming out of Mix two that was hold up
by Marco Polo and where's the eighth and feature in
Torre and Sean p So that was another example of

(02:39:01):
the endless bangers that Sean Pee was a part of.
And man, I love that joint. I think Sean Pe
is this is one of those Seanpey tracks where you
heard and you're like, fuck, this is why is this
guy not bigger than what he is? I mean, it's
kind of like the whole big L thing, like big
L unfortunately before he died, like he should have been bigger.

(02:39:23):
Sean Price should have been that. And I think like
most artists when they pass, they get this huge could
following and they become like it's that Kurt Cobain factor,
just like it happened to Doom and everyone's starting to
follow Seanpe. But those that were with Seanpe from the beginning,
or at least I would say the early two thousands,

(02:39:44):
really appreciated joints like this. So let's get into some
of the Seanpe collabos and look, let's talk about his
importance to the label itself. And duck Down in general,
I mean duck down again. They started off as a
force to be reckoned with. You had enter the stage.

(02:40:06):
You had this shining, you had, you had Nocturnal, you
had what else? Am I? What else am I missing?

Speaker 22 (02:40:14):
The first the first OGC album wasn't a storm The storm?

Speaker 23 (02:40:18):
Yeah, the storm.

Speaker 24 (02:40:19):
Look this crew. I lived in New York at the time.

Speaker 25 (02:40:22):
I just want to say, because a lot of people
kind of down Buckshot, and I will say this, buck
Shot at this time in New York City was a god.
These guys like idolize this dude. It no matter what
he did, they followed. He was the one who was
pulling the strings. So buck Shot, Helter, Skelta, OGC, Smith

(02:40:47):
and Wesson, they were a movement in New York City.
I don't care what anybody says now later they were
a movement and Sean p was not even on the radar.

Speaker 11 (02:41:00):
But I think you're talking about like ninety three, ninety four, yeah, five,
but yeah, because really they didn't come out until ninety six,
so they weren't a part of that movement. And I
think you're right. Buckshot was like the guy who spirit.
He was like this is probably a weak analogy, but
he was the MASTERPI of the no Limit, Like there

(02:41:20):
is no boot Camp without Buckshot. But in my humble
I feel like Enter the Stage he was not able
to duplicate any of that previous success, and I truly
believe he got caught up on the wrong side of
history and started becoming some thug after Tupac died. Remember

(02:41:40):
that stupid name that he took on, And I think
he went there and he was never quite the same.
And I know, you know, look he still does his thing.
And I'm not saying he's a bad rapper. Yeah, all
I'm saying is he never quite had the success of
Enter the Stage. And I don't think anybody in boot
Camp really had the following or success in terms of

(02:42:05):
long term. You're right, then, Sean p. And quite honestly,
I think Sean Pe kept them afloat. He kept them relevant.

Speaker 22 (02:42:12):
You know, when you you you could all right, look,
you could definitely say Helter Skelta, because I think when
it comes to the early albums, you know, Nocturnal and
then you know, you mentioned not really digging Magnum Force much.

Speaker 23 (02:42:26):
I thought it was a pretty good album, but.

Speaker 22 (02:42:28):
Look what happened what happened with every single second album
out of everybody from boot Camp Click.

Speaker 23 (02:42:36):
It kind of sucked.

Speaker 11 (02:42:37):
Yeah, no good. I think Priority, Yeah, Priority wasn't at
all helping them like that. I mean, second OGC album flopped,
The second Black Moon album was fucking terrible.

Speaker 25 (02:42:48):
You know, keV, I'm just gonna I'm just gonna rattle
off these names and you'll know right away who are
the throwaways. So you got Buckshot, Louisville Slugger, rock Strang,
Steal Tech, top Dog. You could throw away the majority
of the hand that I just threw out. So think
about that.

Speaker 11 (02:43:08):
I will say, I think what Smith Smith dope?

Speaker 22 (02:43:14):
Smith and Wesson's dope, But I don't ever want to
hear the Coco Brothers ever again.

Speaker 11 (02:43:21):
Was the man he stank was one of those dudes
who just probably like a young z like, had the
talent but just didn't get the opportunities or whatever it
was to really shine. I think he could have been
number two behind Sean.

Speaker 23 (02:43:35):
B who was that guy who was whining in every song,
and the Tat Doag, the.

Speaker 28 (02:43:39):
Tap, the.

Speaker 11 (02:43:43):
Look, top Dog and Louisville Slugger. They must have been
high school friends or or you know something like that.

Speaker 27 (02:43:49):
Do you remember hearing Sean Do you remember hearing Sean
Price on Grand Theft Auto three to the Top, Yes,
for that was remember the old Game Game Records album covers.

Speaker 23 (02:44:00):
Yeah, hold on a second, Hold on a second.

Speaker 22 (02:44:02):
I'm having quick flashbacks here to grant theft thought of
three big shout out to eight.

Speaker 23 (02:44:06):
Ball, which was voiced by Guru Guru.

Speaker 51 (02:44:08):
Yeah, Yo, my man Salvatory phoned ahead. But the job
like this is gonna need a lot of fireworks. I'll
need one hundred thousand dollars to cover expenses. But you know,
with me, you get a lot of bang for your buck.
Come back, brother when you have the money.

Speaker 23 (02:44:22):
Damn man, I need to fucking dust that one off
and play it again.

Speaker 11 (02:44:25):
Yo.

Speaker 27 (02:44:26):
My number two favorite Sean Price song of all time
is one of those two minute joints that you talked about, Kevin.
It's uh figure four and he's just he's just doing
the I Declare War instrumental and it's a mixtape joint,
but it's perfect for him. It nothing could be better.
It's incredible, man. The song is incredible.

Speaker 11 (02:44:45):
It sound like ll right now, incredible, incredible, credible, lick
your lips real quick.

Speaker 13 (02:44:53):
Oh man, that's crazy.

Speaker 25 (02:44:55):
But going back to the Buckshot thing, I think his
biggest downfall of why he didn't become the persona that
Sean P did.

Speaker 24 (02:45:04):
He thought he was the god and I think that
like people were supposed to like bow down to him.

Speaker 25 (02:45:10):
And I think what was nice about Sean P and
how he kind of, you know, got into that next
phase of his career. He was humbled and he kind
of became everyone's favorite underground kind of superhero.

Speaker 24 (02:45:24):
You know what I'm saying.

Speaker 27 (02:45:25):
Yea, Hey, you listened to his words. He's talking about
being a thousand ear and shit like that. That's pro excellent.

Speaker 11 (02:45:30):
Sean P never changed once. He may have grew and
you know, got older, his voice changed and maybe got
a little bit you know, more swag in his pep
and a step, but he didn't change. Buckshot changed. I mean,
he literally changed his name. He changed his whole image. God,
that changes rhyme style, and once you do that, that's it.

Speaker 5 (02:45:50):
Man.

Speaker 11 (02:45:50):
I don't care who you are. I don't care if
you're fucking jaw Rule or Buckshot. Once you change the
way you are, okay, from your style to your sound, everything,
there's no turning back. Okay, and I don't think I
don't think that. I don't think you could say that
about Sean Pee. He's always been Sean He may not
have been Sean Pe. He may have been a rock,

(02:46:12):
but he was always Sean Price.

Speaker 43 (02:46:14):
You know.

Speaker 27 (02:46:15):
Yeah, And guys out there, everybody listening, you're gonna hear
a lot of the snippets of his video comedy pieces
on YouTube during the show and during the mixes. But
if you have not had a chance to go and
just seek him out, watch all the videos that Sean
Price made with Drew ha and the whole crew at
duck Down where he's the star and it is some

(02:46:37):
fucking comedy. Make sure you watch the Grinch video if
you haven't seen that one, maybe the best, So.

Speaker 5 (02:46:44):
Good, so good.

Speaker 11 (02:46:46):
Before we get in a mixed three, can you guys
tell me your let's say, your three favorite Sean Pete joints,
whether they're his joints or collaborations.

Speaker 22 (02:46:59):
Mine Tree have already been been mentioned on the show.
Like I said, man, that one song Sean Wiggins like
just he just kills it. And then the song with
Socrates always loved that song, Ultimate mc rush, and then
Onion Head, dude, onion Head is just straight fucking bananas.

Speaker 24 (02:47:19):
He's got great songs. I mean, we could all go
through him.

Speaker 25 (02:47:22):
I'm gonna mention one that is rarely mentioned, Sabado Gagante.

Speaker 23 (02:47:27):
First of all, oh wow, that's right.

Speaker 11 (02:47:29):
That's a freestyle though.

Speaker 26 (02:47:30):
I don't know if you want to, that's fine, that's fine,
all right.

Speaker 25 (02:47:34):
First of all, I'm just gonna tell you this though,
Sabado Jagante is like a Latin show that was like
something like you watched, like you know, k Pasa Usa
back when we were children, you know, like the Spanish
station Sabato Jagante. So the fact that it's his references man,
and all of the things that he brings up in

(02:47:55):
the titling and the way that he titles albums, titles tracks,
it just remind you of your childhood. I don't care
how old you are, if you're close to his age,
it's shit that just brings you back and puts.

Speaker 24 (02:48:07):
You in that in that right place where you're just like, damn, dude,
this is like some.

Speaker 25 (02:48:12):
Creature feature Saturday afternoon or like you know, midday shit.

Speaker 24 (02:48:17):
And I'm sorry, his word flows, it's fucking amazing. So
I love that track. I love that one. You know,
you know what I've always liked on your head. I
don't care what anyone says. And Operation Lockdown, I.

Speaker 11 (02:48:31):
Thought he they always say that, don't what anyone says.
Like a lot of people are saying that's not a
good track.

Speaker 23 (02:48:35):
No one's gonna I don't care what you say.

Speaker 22 (02:48:38):
But Buckshutt was the king Dawn of New York City
two thousand three.

Speaker 23 (02:48:44):
He owned all the businesses across the North Shore.

Speaker 25 (02:48:47):
What about Operation Lockdown? Great beat song had I don't know,
I liked it all right, yeah it was. How about
the matrix? How different is that beat? Black milk?

Speaker 28 (02:49:00):
Ooh?

Speaker 42 (02:49:00):
You know what?

Speaker 11 (02:49:01):
Why why don't we do this? Why don't we a few?
A few of these joints?

Speaker 5 (02:49:05):
So?

Speaker 11 (02:49:06):
Uh Shan Price was on the Troy Blog many years ago.
I mentioned this a few episodes ago, and he gave
me his top five duck Down releases and top five
Sean P. Collabos. Now keep in mind this was at
two thousand. This was twenty ten, I believe, so we're
not including a lot of stuff, but at that time
these were his top five duck Down releases. First one

(02:49:29):
entered the stage, he calls it the Genesis second one,
Nocturnal No Surprise. He calls it his first rap book,
the third best album, the Shining, his first pro verse,
fourth Monkey Bars, he says, the Pain to Get Back,
the Empty Pockets, and the fifth best Duckdown release as

(02:49:50):
of twenty ten. October twenty seventh, to be fucking exact,
sky Zoo and Ill Mind Live from the Tape Deck,
he called this the.

Speaker 24 (02:49:59):
S was a great producer, and yeah, where's he been?

Speaker 23 (02:50:03):
Man?

Speaker 25 (02:50:03):
He's scoring. He's scoring films these days. He's no longer
kind of the commercial hip hop producer. He's he's scoring films, commercials.
He's on another level.

Speaker 26 (02:50:14):
I like this shit, man.

Speaker 11 (02:50:16):
He's the top five Sean p collabos as of twenty
ten from Seanpe himself, Boys or Bo was I don't
know what the fuck Goodfellas feature in Sean Pee number
two Jedi Mind Trix Blug runs Cold. We talked about
this earlier to me. That was like his jump off.
That was the coming out party for him. As Sean

(02:50:37):
Price three Rock Marciano Snow Remixer Part two one, Yeah
good one, and then he says off his Kimbo Slice
joint Abortion feature in flood Diesel, I don't know recall
that joint timeless truth priceless feature in Sean Pee Again.
Those are from Seanpe himself on our website. Top five Colabos,

(02:50:59):
Top I've duckdown releases, and Trew was always cool, always
gave me his ear, and and I'm glad we are
finally doing this tribute on episode number ninety nine, the
Great One, A lot of other great ones in the
ninety nine keV. We have Aaron Judge who's ninety nine.
We have Warren sat who's ninety nine. We have j. J. Watt,
who's number ninety nine.

Speaker 27 (02:51:20):
Oh Damn wend Now Jerome Brown Burk, Wendell, Ricky Miami,
hurt Ricky.

Speaker 49 (02:51:29):
Ye, Ricky into the wind up in his first opering
Josh the bit Outside, he tried the.

Speaker 27 (02:51:37):
Corner in this Hey, I'm I'm going my top three
right now. Number one easy onion Head, Absolute banger Head
through the Windshield Forever, number one of my favorite songs
of all time. Number two, figure four but best fit
Man watch the video.

Speaker 24 (02:51:54):
Another great title for a track, Yeah Man.

Speaker 27 (02:51:56):
Number three, I'm going random call Random Max the heart
of the song where he goes and that's it, and
the beat stops and then it comes back head through
the windshield one of my favorite moments from Sean Price.
And it's just it's a simple production trick, but it
works so well, man, it works so well, made the
whole song for me.

Speaker 23 (02:52:17):
Wait, I have a question for you.

Speaker 22 (02:52:18):
I feel like you would know, like either agree with
me or say that I'm crazy here but and and
and I don't even know the song title names of
the of the ones I'm about to mention here, But
do you ever feel that just a slight knock is
at Sometimes the production on some Sean Piece songs are
just okay, you know what I'm talking.

Speaker 5 (02:52:40):
I don't let him finish.

Speaker 26 (02:52:42):
The production is not good enough for me.

Speaker 22 (02:52:45):
Yeah, like time it gets something, it gets some like
he almost gets that, like like like the Snow remix
that that drumless effect. Actually that song has drums as snares,
it doesn't have like a bass.

Speaker 24 (02:52:57):
Well it's rock Marcy at his finest.

Speaker 23 (02:53:00):
It's yeah, like I feel like he was.

Speaker 22 (02:53:01):
He had a lot of shallow beats at times.

Speaker 11 (02:53:06):
Something he jumped on that wasn't like a joint that
was produced for him. That was the hot joint. At
the time that he jumped on like he needs like that.

Speaker 27 (02:53:13):
That song center stage with little fame, He needs beats
like that, bro Like.

Speaker 11 (02:53:18):
If he if he was still here, he'd begin the
best beats from Apollo Brown, He'd begin a fucking Marco polo,
he'd be get enjoying from Primo. I mean, look, shaw
Price was on that trajectory of being one of the
biggest names in hip hop, so out of doubt, yeah,
without a doubt, he would have got some of the
best production you could think of. Now. Unfortunately, you know,

(02:53:39):
there was that small window where he got you know,
a lot of joint and I think a lot of
it maybe had to do a budget, you know, maybe
duck down and have crazy money to throw around, and
he had a lot of in house producers or people
that you know, throwing beats for free. But look, favor,
he definitely would have had the best beats, you know,
if he was still around today and the.

Speaker 24 (02:54:00):
Newer cats loved his shit. I mean, Rock Marsy loved
working with Sean.

Speaker 11 (02:54:04):
Pete absolutely so legend it was what it was.

Speaker 25 (02:54:08):
And look, you gotta remember Rock has his own style
of production, so does seanp necessarily fit on that, not really,
but it was cool.

Speaker 24 (02:54:16):
That he tried it.

Speaker 5 (02:54:17):
Well, it was.

Speaker 27 (02:54:18):
It was better then because he wrapped over beats. Now
he puts everybody to sleep.

Speaker 22 (02:54:22):
Oh, listen, bringing it listen, bringing it back, bringing it
back to nineteen ninety four when when when Buckshot was
the mega don of the Five families. Hey, one thing
that Duckdown did right is their merch. I remember I
straight up bought a T shirt off of the album

(02:54:43):
liner from I think Black Moon ento the Stage album
or one of them. And I always loved their logo
and their merch. You know, reach was strong back in
the day.

Speaker 26 (02:54:55):
Sean Price has great merch too.

Speaker 27 (02:54:57):
Man, he really killed it with the logo and P
with the exclamation point kind of slanted.

Speaker 26 (02:55:02):
Putting it in yellow is a great idea.

Speaker 5 (02:55:04):
Yeah, that was on the point.

Speaker 25 (02:55:06):
Yeah, it's a little Batman for me. But you know,
I think I think the label did better than the
Sean p personal stuff.

Speaker 26 (02:55:14):
That's me.

Speaker 11 (02:55:14):
I think I think it's supposed to be Batman. Well,
look let's get into mix three. So look, as you
guys can hear, we are playing all Sean Pee joints.
We're giving you the collaborations, we're giving you the helter skelter.
We're giving you the BCC joints. We're giving you everything
you could think of to kind of show you the growth,
to show you the struggle, to show you the Sean

(02:55:36):
Pe that we know and love. And uh, this is
Mixed three and this is the ghetto. Freddie Gibbs and
Sean Pe.

Speaker 59 (02:55:47):
Like rocketsons, I didn't hear no bell one more round,
Well we've got one more left.

Speaker 1 (02:55:54):
Enjoy Mixed three, Sean Prestree.

Speaker 2 (02:55:57):
Remember you can catch all of our take it personally
as we've done this year, Cool Ge Rabbi, perrub Barrow,
Peter Rosenberg and Blue.

Speaker 1 (02:56:05):
Exclusively on our vebo channel or by going to our
website take a personal radio dot com.

Speaker 2 (02:56:11):
Don't forget to check out our classic interfe was legends
like Kars One, Redman, Eric Surpy, DJ Premieer Black Thought.

Speaker 13 (02:56:19):
They're streaming as well. And now back to ts Alright, YO,
some memories on Sean Pete.

Speaker 62 (02:56:33):
Let's see, it's kind of tough to remember, like the
first ways that I interacted with Sean when I got
up here, because I didn't know him pre hot ninety
seven years.

Speaker 13 (02:56:43):
I only knew him personally after that, and we.

Speaker 62 (02:56:46):
Got to be pretty cool. I got pretty tight with
the whole duck Down crew. I started playing lots of
his records, of course, and you know, he was so
on fire at that time.

Speaker 13 (02:56:57):
And I remember a few things, but one thing that
stands out is.

Speaker 62 (02:57:01):
I remember I think we talked about it, probably in
the interview I did with him, but we had a conversation.
I remember being on the phone about when this is
when he first started release getting hot, like he started
dropping freestyles blog era time he was getting super hot,
and I had a conversation with him about like if

(02:57:22):
he really wanted to make a go of shit, because
DJ's at hot. We're starting to play a couple of
his records, I know enough was really into one of
his records and playing him at like the five o'clock mix,
and he started like picking up some steam. So we
had a conversation and he really made clear to me,
like and not like in any shitty terms, but just

(02:57:46):
in like very honest terms that like he just didn't
have any interest in any version of the game, you know,
like he was happy enough for me to play his
records on my show and you know whatever, but he
wasn't gonna do anything extra.

Speaker 13 (02:58:09):
That was gameplay, you know. He just had no interest
in it at all.

Speaker 62 (02:58:13):
And I ended up coming away, Like sometimes I would
get frustrated with artists when they say that, I'm like.

Speaker 13 (02:58:17):
Oh, come on. In the case of Sean Pee, I
really respected it.

Speaker 62 (02:58:20):
He really seemed he knew what his limitations were and
where he wasn't willing to go, and he stuck to it,
you know.

Speaker 13 (02:58:28):
And then of course me and Drew Ha's.

Speaker 62 (02:58:30):
Favorite story that we always liked to tell about me
and Sean Pe is I ran into him the day
after I had my Nicki Minaj feud at Summer Jam.
Like it was the Duckdown Barbecue in Brownsville, and it
was the day that summer twenty twelve, day after Summer Jam,

(02:58:50):
I had to go to this barbecue in Brownsville, and
I walk up and I see Sean pe backstage.

Speaker 5 (02:58:56):
He's like, is that the man who wrecked the buffet? Whatever?

Speaker 13 (02:59:00):
The full fucking quote is.

Speaker 5 (02:59:02):
From direct at Harold Club this moment your voice for
price Shake.

Speaker 62 (02:59:09):
But it was just hilarious because he was like speaking
to the elephant in the room that I was the
man who had just wrecked the proverbial buffet at summer Jam.
But yeah, man, I love Sean Price so much personally
loved running into him. You know, I sampled him on
my album and that quote is pretty hilarious too. Like

(02:59:31):
even that quote I sampled him just playing that. He
said Rosenberg played me at late night. But the whole
quote is Rosenberg played me at late night. I'm too
old to stay up and listen to late night.

Speaker 13 (02:59:44):
So even when he picked me up, he was still
kind of making fun.

Speaker 7 (02:59:47):
You know.

Speaker 13 (02:59:48):
Anyways, recipe Sean Price man one of the greats to
ever do it for real. When he died, I did
not believe it. I thought it was a prank he
was playing. At the time.

Speaker 62 (02:59:56):
I really believed he would play a prank like that.
Like on Twitter. I was like, oh, just fucking with
the Twitter world. No chance Shawn Price is actually gone.
But the rest of peace Sean Price.

Speaker 25 (03:00:09):
Yo, hur.

Speaker 5 (03:00:11):
Listen boy from the ghetto mind playing tricks.

Speaker 11 (03:00:14):
Saw me toy with the metal.

Speaker 5 (03:00:16):
Now I'm extra clip ball me rap from my hud.

Speaker 7 (03:00:18):
But my style favy, whether it's b phel Bed style
or gad went from Project Buildings, the Nasty at tenements
holding the warehouse, Big roaches, benevolentds. I'm played with the
mouse in the house calling ben I'm older, I don't
play with rats.

Speaker 5 (03:00:32):
Hit him with ten centa clause in my hud shit,
I've been the hater.

Speaker 7 (03:00:35):
Jumped down on shipping and eat the niggas into you
sinerator wrack, wrap up this integrated worad is my ball,
and shoot up your shoulder with the fuck up and
nerve in your arm.

Speaker 5 (03:00:43):
Listen, gun on gun, one on one, anyway you want it.
You can get your gumbo done. Listen. In the ghetto,
I'm good, cracked in the mail box.

Speaker 7 (03:00:52):
And some shot the fuck up your damn or little
in the ghetto, the ghetto, dig ghetto, Ghetto.

Speaker 5 (03:00:56):
I'm from the ghetto, the ghetto dighet, the wet on
wetter dog, the tall pictures. I owned the ball with
us every day we get to brady with us in
the ghetto.

Speaker 32 (03:01:32):
I'm back on the block. I'm back in the track.
I'm back on the box. I'm back with the rap.
As a matter of fact, the pack of the mac
in the back of the act. Who needs a big
gun with a big pun.

Speaker 5 (03:01:42):
In your rap? It's right, tell him put it back
on the map. Put the boom to the bat like
case slake.

Speaker 9 (03:01:47):
Put the poof to the.

Speaker 32 (03:01:48):
Pack like a shine of great boots from the cat
power boos in your back enough to make Bruce Boos
do a lap by bean. It's the Houston, the rap
with the hust in the crack. Who else better to
put the truth in the track. Too much beef and
coos coosling the track. Too many spicy mcs, not enough
loose scools on the track. I guess there's a who
schools on the track, gets schools on the track. It

(03:02:08):
were first after fool on the track. I did defeat
and that was after the fact, like after math on
the track. And after that, keep the winding it back.

Speaker 5 (03:02:17):
My box trust fun.

Speaker 58 (03:02:24):
Rolled up speaking the truck, my boy, my voice box
makes them see rocking.

Speaker 5 (03:02:35):
My boyful box and the teas the trunk of.

Speaker 58 (03:02:39):
The red gods in my voice box touch street blocks.
Those were like the hustle and smoke, keep the heat,
cotton potting in the water, the boy lump in the
tea pot and wicking like the kid in the park
with a nice meat shot.

Speaker 34 (03:02:50):
Now make the mcs drop like rain y everybody nice
as the ship.

Speaker 58 (03:02:54):
Whom will the lame stopped me and more thinking the
balls room on my brain stopped and tearing up man,
and he's never say imagine me blowing and doesn't flowing
the fizz mall me and Rozel no radio up in
the fizz off, lying up in the sam on the
MC first media don't seem to bear nothing.

Speaker 5 (03:03:13):
Get another one hundred.

Speaker 58 (03:03:14):
You're almost close to think you gotta die to be
almost good. My boss could have made up the mc
pillow roots and on top of all that, I'm an.

Speaker 34 (03:03:22):
Mc killow, my box, drop.

Speaker 5 (03:03:32):
Box, speaking truck, my boy.

Speaker 7 (03:03:45):
Listen, it's hard trying to enjoy this rap money say
gonna win jail?

Speaker 5 (03:03:49):
Damon do what in the flat twenty when he got arrested? Dad?
He got blocking some corny ship by the time he
comes home.

Speaker 11 (03:03:55):
Sean P.

Speaker 5 (03:03:56):
Here be forty six. My lifestyle of cold and.

Speaker 7 (03:03:59):
Fact of the start to feel like the nigga too old,
the rap I got ten years in and I ain't
ad fance yet.

Speaker 5 (03:04:05):
Just need a catty phrase and the back ass dance step.
Fuck a rap record, fucking track record, fucking two step
white shirt on, fucking snap record. Listen to the heat Rocker.
Sean P. Rozelle. Listen to the Beatbox.

Speaker 7 (03:04:19):
Listen with the heat pop to where you nervous God
got him hart bottle, mister funeral service.

Speaker 5 (03:04:25):
Your little bit brother got.

Speaker 9 (03:04:26):
A suit on.

Speaker 7 (03:04:27):
Lock your mom's coup in hand with the fucking fruit
on top. Gook on stop Sean p Kimbo Price. I
ain't fucking with your niggas. I'm gave your life right.

Speaker 5 (03:05:01):
You'll check this out, y'all.

Speaker 8 (03:05:02):
So brother number one, Pete rock you checking out taking
a personal show while let you boy peace.

Speaker 5 (03:05:09):
But still with my mother.

Speaker 58 (03:05:27):
I ain't tell you that them local brother he neeple
protect me instead like the Choko brothers.

Speaker 32 (03:05:31):
My nigga still smith wesside me, hard handed to God.
Bodies couldn't teach a lesson than me. Our kids couldn't
reach me because the church boys o the south side
with a gun moving that worked. I've all out set
up now he had boy had been milk some nigga
system us. You can't see the men rib to a
fricking seat and a norm wicked so but don't wear
roses and your ficker beasts, no.

Speaker 5 (03:05:53):
Cross, no Bible of Capon. Just survive along my mind
with a gunner.

Speaker 58 (03:05:57):
My palm or spirit nig I'm all the recruits down them,
back them the ghost all merry ghost.

Speaker 34 (03:06:03):
I told them stand Medusa and they take them high.

Speaker 5 (03:06:06):
But they're really trying to stand.

Speaker 13 (03:06:07):
The future shoots.

Speaker 7 (03:06:09):
Close and now the da want to chase because the
way you have to get chase wants a slap in
the face.

Speaker 5 (03:06:19):
And now were looking like an asshole.

Speaker 7 (03:06:20):
Howe and their to basket trying to stop the cash floor,
gonna pull it in the.

Speaker 5 (03:06:24):
Other side of the pillow.

Speaker 7 (03:06:26):
They want to give me years that end when it's
a row and it's a trap trying to get rich.

Speaker 5 (03:06:31):
You've got crats and all types of.

Speaker 7 (03:06:33):
Pull ship the connect slow back the money, shoot money
or they want to play one ship.

Speaker 5 (03:06:38):
They brought ship. They better stop playing in the rations.
Got to apply the divide and the fractions.

Speaker 32 (03:06:44):
You got opportunities to go glow for the click and
swish the chip in the mobile, shake the fans off
my coattail, sell a little on me.

Speaker 5 (03:06:52):
Want to see food and re book sells that stop
like it's what I remember.

Speaker 7 (03:06:58):
Listen allowed the rackn is wrapping down, but I know why.
I want to call ball pops, so the rest of
it go. Try all praises due to a law no
bow tie, whole family state stolen them some slides. Cry down,
cry lady, no laughing cocaine. Hill's in the cribs, so Aspen,
no acting o King who bond blow cats back in
your whole can team do slave faster?

Speaker 5 (03:07:20):
I sell white girl.

Speaker 7 (03:07:22):
I don't even have motherfucking my mic earl go shaw Price,
I got the murder flow grab President of the world,
Curtis blow Curtis Joe fucking about nobody y'all whole shoddy
up State New York is with my thrown bodies body
shaw crappy nigga rapy Mike, you singing the can't braun
tis the nigga?

Speaker 5 (03:07:39):
Now that's all.

Speaker 63 (03:07:48):
No, no nobody, everybody, I mean anybody. Y'all might need somebody,
please if they watch me catch your hommy even hit
you with the lobby shody poppying like a molly propping
your Harley breathing. I'm trying to play with Johnny, even
if you got an army, dirty money and the laundry.

Speaker 28 (03:08:05):
Don't.

Speaker 5 (03:08:05):
That's why I got my reasons.

Speaker 10 (03:08:07):
I buck that Bob Marley might hit you with the tommy.
You can catch me getting the party in there and
speaking not speaking.

Speaker 40 (03:08:15):
Four beatty niggas club night, no sparkles, fordy wolves on
deck with berners in a snork, criminology, pace suit qualities,
cohast face killers with degrees and kind of collegies here,
shoot your old lady in a prolacy, I put your
whole host.

Speaker 5 (03:08:31):
Want a bottle with me?

Speaker 40 (03:08:33):
A quarter a finished strong old rivalry play with the
lot of readers.

Speaker 5 (03:08:37):
Pussy niggas shot a yum.

Speaker 7 (03:08:39):
You've ever been face fucked with the four fifth sweating
facial expressing the stressing like, oh shit, that's the ships
that that don't like non rapping rappers in the booth
and they don't right right fucking stupid dash rappers acting
out in the character I shooting staff rappers.

Speaker 5 (03:08:59):
What do you nigga? I focks with boot tang and
a couple of the new niggas.

Speaker 7 (03:09:04):
I don't wear dough with grill clothes. I share flows
when it into your ear home. Shit, it should think
of pure beauty. Everything that's pitt in is freaking by
your truder nigga with Sean Ray. Hard niggas do anything
for it like Klon dake balls Paul I'm the greatest
of all times.

Speaker 5 (03:09:25):
I shouldn't forget the ladies with all times, food.

Speaker 40 (03:09:29):
Beatty niggas, club night, those sparkles, forty wolves.

Speaker 5 (03:09:32):
One day we're.

Speaker 40 (03:09:33):
Burners in a snorkel criminology peace suit, whileabies ghost face
killers with the greasy kind of collegey Ye, shoot your
old lady in the privacy A put your whole host.

Speaker 5 (03:09:45):
Wanna ye with me?

Speaker 56 (03:09:46):
Set a quarter a penny strong old rivalries.

Speaker 5 (03:09:50):
Please with the lottery pussy shot it merciless with the flow.
I put the spit on particulars. I do not lick chicks.
I do the beat, fox and the clitter. It's like
the god represent the Sun's.

Speaker 4 (03:10:03):
Earth, moon Star, a beast on all four smackd hip
on cheese, stuff with Conquista door rocking the mink on
EASTA never ceased to amaze the crowd, to feast the famine.

Speaker 5 (03:10:14):
So we're not talking. It's the grammar.

Speaker 13 (03:10:15):
When we shooting you with them.

Speaker 5 (03:10:17):
Cannons, smile you're from can.

Speaker 4 (03:10:20):
Camera you versus the gods, gods, silver versus camera, animal
Cannibal with animal instinct.

Speaker 5 (03:10:26):
Thank Hannibal with the helephants. Channel is six Tanks, New
York Nika bock a slick Click.

Speaker 7 (03:10:32):
A picture upper stick sticker sister down, take a.

Speaker 5 (03:10:34):
Picture and get the number clicked.

Speaker 7 (03:10:36):
Pick six hit the cops, which for the whole scene
with the stick is still.

Speaker 5 (03:10:39):
In the window. The sickest nigga from Queen's.

Speaker 28 (03:10:41):
Breaking Down, Down, Down, Down, repair of lines.

Speaker 34 (03:11:00):
I spit the lead you pair of lines invents some liver.

Speaker 7 (03:11:03):
Path if you're not parallel to my paragraphs. Apparently if
they say I'm better than yous, no reason.

Speaker 5 (03:11:09):
For me to put myself on the pedal.

Speaker 7 (03:11:11):
Stool moving for all that head and you like you
riding a bike, then you can't bove to the bettal dude.
No white teams compare bool niggas falling so fast they
need to pull the strings on the bear shoe to
stop the comparisons, and compare the fund of American story,
and we can start with the latter youth a spoof
for thought for foods. When niggas are taken life for
the jewels and the bear shoes, the hood is out

(03:11:32):
for down a side portrayed the temp diskuies for what slight.

Speaker 4 (03:11:36):
Said that that was wiet Try to make it my downfall.
But see all I know with the tall audiences applause
for the turk casts.

Speaker 7 (03:11:42):
All the best now was pitting the truth. Fock used
a let down like convert uble roots. I see the
mic and murder the poof.

Speaker 5 (03:11:48):
Not feeling shed for sise like a snipe that's on
top of the roof.

Speaker 49 (03:11:51):
Hop, you love my staff because somebody with your heat
stuff talking to me trip.

Speaker 3 (03:11:56):
Sits out of hand?

Speaker 28 (03:11:57):
Hot.

Speaker 14 (03:11:57):
The man got getting my danger like God.

Speaker 49 (03:12:02):
You love my style because somebody with your huge stuff
we caught in the matrix.

Speaker 15 (03:12:06):
Sits out of hand.

Speaker 5 (03:12:07):
How the man got you?

Speaker 11 (03:12:09):
Damn?

Speaker 4 (03:12:09):
What dangers field is the four finger ring, wrap, sling, slang,
pharo the froese goods.

Speaker 5 (03:12:15):
You couldn't hang if he was being rains and roads
wood couldn't string.

Speaker 4 (03:12:18):
Together some shows, if hoes were things together? Was sold
for you with like you can't with the does good
Billy Joel, I'm really sould myke to start some red bito.

Speaker 5 (03:12:26):
That's really old.

Speaker 7 (03:12:28):
Shot Truss on the road while I'm shot gun with
a wireless and received four thousand. I got one A
bar proves him hot. I'm proving top gun, but not
the bards are. Tom Cruiser got a pool of lyrical
warning shots that you shouldn't respond to, like tan legs
around the ankles and hick stirs.

Speaker 5 (03:12:45):
Some sight, ain't that more vigeonal?

Speaker 7 (03:12:47):
Pick turn and pickrel get more star and skeleton or
rich fuel.

Speaker 5 (03:12:51):
But y'all white like you have a sight.

Speaker 49 (03:12:54):
You love my style because somebody I with your huge
stuff caught in the matrix.

Speaker 28 (03:12:57):
Sits out of hand.

Speaker 5 (03:12:58):
How the man got you?

Speaker 49 (03:13:00):
Yeah, my danger fields like rid riden, you love my
style because.

Speaker 5 (03:13:05):
I'm out with your huge stuff cap in the matrix,
shs out of hand? How the man got cha? The
end my day, the page.

Speaker 7 (03:13:12):
Field group film it gonna punch, shoot Sam kill, smoke
this this that nigga passed the pills, nigga fabbing about
Dafford dels between hugger. That's when the cat clap your
grail with pet bunky my defense, offense, offense and offense for.

Speaker 5 (03:13:27):
Y'all, bring it to my long been sof he with
the glasses off.

Speaker 7 (03:13:31):
Papa fucking lover fling because he asss off crips tonight
but number blood today, Latin King tomorrow, keep it calling again, day,
y'all said Spanish niggas the physician label rent of me
handshare and tickets at your new cable.

Speaker 5 (03:13:44):
The god hard body you ain't physically able to test me.

Speaker 7 (03:13:47):
Your canting lead this whipping his finger flash catch your
niggas past x acting.

Speaker 5 (03:13:52):
Like a boss, get lost what he cats?

Speaker 6 (03:13:55):
Y'll check it out, y'all for me. You're live and
directly speak of because that's lots coming through the speak
of your herd, and you're checking out the personal show.
Don't get it twisted, my love, my love.

Speaker 5 (03:14:07):
My lord always rapping, said he's never arong, but one
day when he needed his strength, you found it all
had dog.

Speaker 7 (03:14:21):
Go rambow fo full clapping, then open your toe shadows.
Oh no, the African rapper, the dope sample. I told y'all,
cats are gonna focus your.

Speaker 5 (03:14:30):
Float shadow of him. I hit them harder with.

Speaker 7 (03:14:33):
The launch, trade bullets, long with forward igo dollar, the
already gun in my hand, the knife in the other.
Whichever one of them strikes, shake good knight to your love,
that pop god mom, doups in that headlocked, no exaggeration,
duke him tight with your mother at tea. I don't
listen the most rappers. Most rappers suck fuck rutgers and

(03:14:54):
toast crap of butter. Your bread, the gun in your head,
I eat shit sleeping the gun in my swings wallen
or the gun and pound showing the King of the Florid.

Speaker 5 (03:15:10):
Yeah, I come from brown Vale. You come from who cares?

Speaker 7 (03:15:16):
Son got brut stairs round from the Pound killed niggas
is not tough. Sht off the black cowchever so cracked.
In fact, the self watch tiwers witness the card just
tripping in hard despicable balls. He go part the arms,
beat the ship up. The squad Rokis is broad and force.
My team love her, not law, but off my dean

(03:15:37):
spin harder for ship before the ship I spin father,
pay four times a day, God, ms Marger, I'm a
work in progress, work hard to God. Know my words
are honest, super verse, worthless Soner to McCloud, You.

Speaker 5 (03:15:54):
Diverse some soul circus.

Speaker 8 (03:15:56):
You went down rocket with the best.

Speaker 7 (03:15:58):
Everybody back box, start propping with the resp.

Speaker 64 (03:16:01):
Want the back of them plucked test fin your faith
sneeal you up to that man pick it wants to
back them. Plumb test fin your Facebook sneeze. You up
to that man pick if it wants to back them
plumbed test fin your faith sneeals you up to that
man pick it wants to back them plumb test fin

(03:16:22):
your faith sneeals you up to that man.

Speaker 34 (03:16:26):
Superb purpole two words murder, ship you hurt.

Speaker 32 (03:16:29):
Purplet it sag along, Yes, the rep happen to test it,
put a hip hop on the fame came and name
for playing with magnic Tony King, Supreme Pip.

Speaker 34 (03:16:37):
You see sup the Blounts for your couch, wrap my house.

Speaker 5 (03:16:41):
This front, nigga. You see the sun.

Speaker 32 (03:16:43):
Niggas want to put out the mother the fucking sun.

Speaker 15 (03:16:46):
Would chaos for the dark in my heart.

Speaker 5 (03:16:48):
Repping this heart bigger, better for che for weapons. That's
sweating way.

Speaker 32 (03:16:52):
I have to attach pack, apply press to take your
dark back.

Speaker 34 (03:16:55):
Your head flows kim jong ill this tongue here be
like yop not get.

Speaker 5 (03:17:00):
The boss, the boy and girls. I hurl pearl chols,
the wide.

Speaker 32 (03:17:03):
Tails, the high up bail, the fat sail across the
sure steal you now rocking with the best a pile
of brown rocking wreck a rich.

Speaker 5 (03:17:11):
And now get off the next man's tax.

Speaker 34 (03:17:13):
Man Yo out whatever be your brought on to the
e k to the ass once and once you know
what it is.

Speaker 14 (03:17:18):
Man as khys yr OSCOTSI live of the borrow, and
this is take a person, Take a person, Take the person.

Speaker 5 (03:17:25):
Want to back up.

Speaker 16 (03:17:31):
If he's want to back off?

Speaker 8 (03:17:33):
Man, want to back.

Speaker 4 (03:17:42):
Drooperson back got barely respect. Niggas make you sweatsuits.

Speaker 16 (03:17:45):
I'm pready to check.

Speaker 4 (03:17:47):
Niggas give the scarf work, good morning your next Niggas
wait the revolution by waving a tax Nigga wake up
show still split time to wake up.

Speaker 5 (03:17:55):
Though you might see me with the mac, but.

Speaker 9 (03:17:57):
Then they make up.

Speaker 5 (03:17:58):
Yo, I'm making up clothes, kick up.

Speaker 4 (03:18:00):
I'm gonna make up monkey to stay low so that
Jake don't know baby brow its t tape. Come to
make sure that the strip straight block it down on
the release date.

Speaker 5 (03:18:08):
Govery the beat breaks.

Speaker 58 (03:18:10):
Had bet you on the beat to the beat break
back of bad Bitch to beat breaks. Couple with Tundras,
Battle Brothers, double the monsters. We're bringing the max sat
in this bunkers be binding your.

Speaker 28 (03:18:20):
Frost and grow a.

Speaker 4 (03:18:21):
DA's like telling them block a bob baby to let
yo get the concept.

Speaker 14 (03:18:24):
Here, ship off the old block a great shot from
right here, I can pick off your whole block pick
off my old knot. My pocket is dead President's cemetery.
I get you buried and a steel pistol carry it
goes without sam spraying and niggas and change clothes.

Speaker 5 (03:18:41):
Used to keep working with one of my main holes.

Speaker 14 (03:18:44):
Then I had to jumper and grind it all summer
your front running certain gun bumpers my gun, slump you
and leave you and the slum jumps to months stands
of the zero. Try to play hero. I'm pointed as
an ego at your ego. That's chest meto, sweeze the hammer,
winter see a vandal and be the now off the
seat with the heater and handle fuck around the fire
lake squad.

Speaker 8 (03:19:04):
I'm fucking down.

Speaker 5 (03:19:06):
We got the muscle now.

Speaker 65 (03:19:07):
All Lendygethern, now this whatever, Now that your threes and
low knit sweaters now whether stand leg his ours like
forever now fifty forty in ninety if you let us down,
all Lygethern, now this whatever now let your threes and
low net sweaters now, league is ours like forever the
forty ninety.

Speaker 58 (03:19:27):
If you let us have all in the gone bless
Scully is fitting me like a crime.

Speaker 5 (03:19:32):
I'm all yeah, money, so this isn't coming down so
off here.

Speaker 58 (03:19:35):
It's funny I'm listening there for them now and then
you'll head hungry with shit if they won a round. Now,
I do believe I'm showing d to two to three
showers working them, butter's work from a shuter spree sharp shooter,
part shooters. The more the seas hit it shows worth
part seeds. Jesus all, we even ain't at the same
dock thrown for the crak. I cook you a straight

(03:19:55):
swap man, Damn kudos, and you know you're standing up
with me.

Speaker 5 (03:19:59):
You're standing next to the for real like a you
go for it's new wave. That's all swinging from mine.

Speaker 58 (03:20:03):
I was probably hitting your moms and pinning your raps.
Can't lie to be feeding in and out of your place.

Speaker 34 (03:20:09):
I should have stuck with my gut and let it
rock her face to pay Homas.

Speaker 7 (03:20:13):
All prager to respect that can't clap shown shady too,
Pete shat chucking the shakny salt Shakerno can do something
big words like I won't Fraser, I'm won't bait you,
but I'm right in the e bro.

Speaker 5 (03:20:25):
So when all the time, what the fuck do he know?

Speaker 7 (03:20:28):
Ten percent bloodsucker under ball, I untucked the gun buff
the sucker on the floor.

Speaker 5 (03:20:33):
Pet I don't like boy rappers or mark for that
fla like the white boy hatch.

Speaker 7 (03:20:39):
I'm gonna racist. The white boy rappers is good money. Look,
I just despise toy raps. Shown it this ship, this
ship shown spinny legit legitimate balls. Paul you be hate him,
be bitch ship hop parade, Be happy your nigga hit
for hip hoped to day all.

Speaker 65 (03:20:54):
Day yeather now ye whatever now threes allow neweather snaw
know leaging his eyes like ever fifty, forty and ninety.

Speaker 49 (03:21:03):
If you let us sawny a town yelling.

Speaker 5 (03:21:08):
Three is a low neck sweater down leg his eyes
like every ninety.

Speaker 28 (03:21:14):
If you let us down yell ye.

Speaker 7 (03:21:27):
You see I please, you know that the fos cap
by my side. You're scared to leave from your doorstep
and breaks. You're shaking my niggas in doorstep. Eat your
face fixed up, scalpel at four steps, Sean brad bro
Look at my wore chests. Can't broke your hell bullets
pilling no fra a flesh she got your grass niggas.
You can't see my floor gassed niggas. Listen this, I

(03:21:50):
got a bullet for every park on your face.

Speaker 16 (03:21:53):
Scared do she looid your.

Speaker 5 (03:21:54):
Neck without doing the state beds called you choking. That's
when the ape live.

Speaker 7 (03:21:59):
Your nigga's whacked to beats in our head kids little.

Speaker 5 (03:22:03):
Girls just sluts.

Speaker 7 (03:22:04):
The older they stay slips, fat, out of shape, fit
and shelter with eight kids.

Speaker 5 (03:22:09):
Fucking welfare chick witches.

Speaker 9 (03:22:11):
Hell Yeah, our deck bitches.

Speaker 66 (03:22:13):
Chris Brown, all right, niggas thinking of washed up don't
fit the yo, little rady yo, so you think it
down my squad suthing, that's outrageous.

Speaker 5 (03:22:29):
Passport stepped out.

Speaker 9 (03:22:30):
I needed extra pagious.

Speaker 8 (03:22:33):
Rap us more in the battle.

Speaker 7 (03:22:35):
Smag blood out your fish rap us on the tattle
hard didn't leaf vibe from beats. Polo hold on ads
is hard body. Y'all dressed like Bozo's almost the shameless.
Say that I rapped not because of the age, It's
just that gave it so whack. Grown man's fitting some
wraw shit. Y'all spoke calling grown home Alona some child shit.

Speaker 5 (03:22:55):
I ain't know it. I can Smelcolt getting off the yellowphant.

Speaker 7 (03:23:01):
Christ. Tell niggas understanding the cards before who alving understanding
guards my selfe doing, boss, learn your lessons before your
face can face with the black smiff.

Speaker 6 (03:23:15):
And rushing.

Speaker 5 (03:23:26):
The three words the nuss you.

Speaker 7 (03:23:28):
Spoil, fuck Christmas, fuck this ship, stick my dick in
the box, Fuck this gift.

Speaker 5 (03:23:37):
You sleep enough to cousin the death. By picking, we
get funded retreats till it ain't none left.

Speaker 7 (03:23:42):
I'm a mean one. Call me mister grinch. Underwashed socks
of the block. Make niggas French deep by night. Now
the fucking me dann watch my nuts.

Speaker 5 (03:23:50):
Put your shoe brushed down on displays. I don't give
a ship. I ain't higging ship.

Speaker 7 (03:23:55):
I hate spigging this bus. I hate sat Nicholas, you
wake up by I'm taking his ship. That's putting the
smack blood out your little way.

Speaker 9 (03:24:02):
It shouldn't binge.

Speaker 5 (03:24:03):
Bom can'dy came came into candy.

Speaker 7 (03:24:05):
There's some sugar remol shit the tree. Look fancy fuck
you bring your Christmas tree. I'm the drench.

Speaker 5 (03:24:11):
You can't be pee futher fucker.

Speaker 11 (03:24:17):
Yond yo.

Speaker 5 (03:24:24):
Once the day before Chris messing off through the peas.
Once the motherfucking defend his thame with pee. He still
sell drugs. Indication of the shoot ship the whole whole hose.
But he's staying some new cakes.

Speaker 7 (03:24:34):
I beed back on these stuff. I like the choke
rabbits were down with Rudolph. He got a coke habit
better believe he worked blade almost silk. It was because
it's Jesus birthday.

Speaker 5 (03:24:45):
He danced ship but never been raped.

Speaker 7 (03:24:54):
Cat real nigga the president have that evident that the
rap bad me think it's uncomfortable fucking.

Speaker 5 (03:25:02):
With that whack. Every bar is hard, every hard ball.

Speaker 7 (03:25:06):
I spit bizarre to y'all, every bizarre hard ball up
the par Paul, your balls ain't hard. God, I saw
your floors. M boot camp champion. Ye, your style is
equivalent to Ambi streep be hand me your no those
most of my friend broke. I handled my old clothes,
made him the rand he gave me his rugbies.

Speaker 8 (03:25:26):
Take it personal.

Speaker 7 (03:25:27):
Yes, Today's matth is wisdom, culture or being born to
a quality.

Speaker 5 (03:25:33):
Come follow me at your pig.

Speaker 11 (03:25:43):
Man.

Speaker 7 (03:25:44):
Back with the lines, your lines, wax, back with the rhyme.
My shit is ratting exact black rap all the time.
I never trying to rhum like the latest wrapper.

Speaker 5 (03:25:52):
Ousemack of mouth.

Speaker 7 (03:25:53):
As soon as he says ship when I spit this
rage understand, motherfucker rock I kid your age, pig.

Speaker 17 (03:26:00):
Yo, there's the Obama don. I'm a twenty year old
rapper from Inglewood. Heard about Sean Price's clinic for my homie.
He said it was the best experience he's ever had,
so had to.

Speaker 5 (03:26:11):
Try it once a week.

Speaker 7 (03:26:13):
You know, I have a bunch of these fluff boys
come over here, man and try to rhyme and shit,
and I was supposed to give them pointers.

Speaker 5 (03:26:21):
Really, I want to point them to the fucking door,
telling you the fuck out of here.

Speaker 44 (03:26:24):
Scoop your girl up like a ladle, spinning around like
a drado.

Speaker 17 (03:26:29):
Waiting up for Hondika got her wish list.

Speaker 28 (03:26:31):
Say my favorite rappers could filter fish.

Speaker 5 (03:26:34):
Yeah, Mazisia was my influence on that one.

Speaker 11 (03:26:37):
Are you Are You?

Speaker 5 (03:26:38):
Are you?

Speaker 7 (03:26:38):
Drew Cousin, Tell Drew we don't do nepotism, Man, get
the fuck out of.

Speaker 5 (03:26:44):
Here, go back, yo. Listen, it goes Frederick Douglas.

Speaker 7 (03:26:53):
That Turnip klu klux Klan, Big Black Burner, ash Tray,
sigafit Box, cut the gym Starr. Watch this nigga get
cut ten dollars, two tokens friends holler for gool, what
you smoking, I replied with none of your business. Father's
dagget and I ain't get shipped from none of my kids.

Speaker 5 (03:27:16):
Listen, liquor store. Let me get the fifth we eat spots.

Speaker 7 (03:27:21):
Let me get this splayful mad as hell plus a
frustrated last album came out, you motherfucks hated rock solo
rock growth.

Speaker 5 (03:27:32):
Here's one hundred dollars. What a fucking joke in fic.
You notice yo wack Gotta Go album been there two months?

Speaker 11 (03:27:40):
Ain't then the fucking show fruck is shit?

Speaker 7 (03:27:44):
Rubin, I put the barel to my don't. But what
the fuck are you doing? Chill found the new wave?

Speaker 5 (03:27:50):
The bell fuck rap started selling two.

Speaker 7 (03:27:52):
Ways and pills when the stuff and grasped up, ran
the fridge, bed fridge and starve and any kids there.
Its mother fucking fredic, you pa my pursuit of this rap,
loue this straight terfic you pa.

Speaker 5 (03:28:06):
Niggas all flam.

Speaker 7 (03:28:08):
Loyalty, yet they all jet when they fucking win the
four dollars royalty check. And if you feel me, act
like you know sincerely, you're that the broken wrapping, you know.

Speaker 5 (03:28:18):
Shaw goddam all right, don't worry about it.

Speaker 67 (03:28:21):
Look at you, you regulars the room, eat the hole
out of doughnut cracking.

Speaker 41 (03:28:25):
It what.

Speaker 49 (03:28:30):
Yeah, damn like I thought you'd goddamn thing.

Speaker 5 (03:28:33):
But I say what I'm going.

Speaker 8 (03:28:35):
I'm gonna over there, get it for real before my
mother kind of way her mother.

Speaker 5 (03:28:41):
You use your head on the morning the hat shout.
You will never see me so far, see me your
corner with streets soldiers.

Speaker 7 (03:28:48):
Head hold this weat plumb with straight lipping to beat
the loco over roon the plan called the chase the
chet up. Get this dough then'm retiging like Mason. Better
see got niggas, ain't trill to y'all. Fi forever in
your pockets and take your lever. Pull the gun up
on your bast Now you talking about wait, wait, broke
the waggon and package. I'm packing the ege snuff nose
with the gun up close to your grill, laughing at

(03:29:10):
your niggas blocking y'all supposed to be drilled. You will
always been nice, y'allin't noticed the scale, and I've always
been trying.

Speaker 5 (03:29:17):
Y'all'll know that I'm ill and I'm always in the
not so y'all.

Speaker 7 (03:29:19):
Don't know that the rail we're gonna broke with the
gun we get dumb for the spraill flocking your frame, y'all,
I'm always spotting the lane, put the doctor your dame
brun and watching.

Speaker 5 (03:29:28):
The chain the n changing the money. You know what
I mean by two?

Speaker 7 (03:29:34):
All them niggas in the streets that are sticking, bro,
when you see me, don't say ship the brouck yo.
Two of my pictures in the world that I licked
the fuck when you see me, don't say shit the brucks, yo.

Speaker 5 (03:29:45):
Two, all my niggas and my mother fucking clicked his butt,
don't say shit.

Speaker 7 (03:29:49):
Yeah, rock, you can never criticize my fighting the game
that I's aleve the five can rind the bard never.

Speaker 5 (03:29:54):
I'm clevering my flows to finished God.

Speaker 7 (03:29:56):
Remember I shaw price tough like semper five s then
the block that kills you when most with the cent
of God, Yo, I come through vinde rended ride tenant
high off of the weed my number sent to bar
Enough of that. Don't let me tell you what the
rack pole snash though. If nothing is back to back
in the black bow with black folks, I ain't in
the clapping the black.

Speaker 5 (03:30:15):
Folks, less black clapping, the clapping right back in black Yo.

Speaker 7 (03:30:18):
Yo Ya ain't ready for the tngue twist of guns
jail resting, yell big jail. Do all the niggas in
the streets that I'm sticking buck when you see me
those they ship the bro yo.

Speaker 5 (03:30:28):
Do all the bitches in the world that are licking
fuck when you see me though.

Speaker 38 (03:30:32):
They ship the brock.

Speaker 5 (03:30:33):
Yo told my niggas in my flicks that I think
is but when you see me though, they ship the brock,
Yo Joe.

Speaker 7 (03:30:39):
I get screwed with niggas, Get crew with niggas, don't
rock bread, but I eat food with niggas. Good height,
hug night, get shrewed with niggas, Look HiPE, good night,
Got new for niggas, Got cute for niggas, hot boots
for niggas, put it on the half and now she
got loot.

Speaker 5 (03:30:55):
The niggas joke won.

Speaker 7 (03:30:56):
The fair one rock shoot this nigga Brownsville projects, I'm
not swooping niggas. Touka lame cat fucks that bopp This
nigga Paul came back with the fucking rock on nigga
shuit have shopped this nigga.

Speaker 5 (03:31:08):
Not a black sticker on the front the sun. This
my gun popped.

Speaker 9 (03:31:11):
This nigga.

Speaker 5 (03:31:12):
Can't get locked up.

Speaker 7 (03:31:13):
Can't go up top my nigga eating Jack Mack and
all kind of slapped my nigga. Worst came to worst
and I got knocked my nigga. Saw pa people sobody
had it chopping.

Speaker 5 (03:31:22):
Nigga see yo, came down.

Speaker 7 (03:31:24):
Then they quickly boxed the nigga whin it with the
brow came out red locked my nigga. He pulled up
my girl in the bitches topped with the long ass
big so the mother rocket Chu men.

Speaker 5 (03:31:34):
I'm locked up. The ain't no fucking stopping her. Late
night danging niggas begging cocking her. When I come home,
I'm gonna put it stop, yo. Just a jiw shit, y'all.
Hit the jaw.

Speaker 7 (03:31:44):
Two on the niggas in the streets that I sticked
and bucked when you see me those ship the brocks, yo,
to on them bitches in the.

Speaker 5 (03:31:50):
World that I licked and fuck when you see me
those nigg shits the frocks, yo. Two one of them
niggas if my mother fucking niggas. But don't say shit
the broh.

Speaker 7 (03:32:02):
The best part about me is the best artist, bigger
the song k Sean that's my daughter Sewan Prist.

Speaker 5 (03:32:09):
So how to care might go back and on. Yeah,
making the album is the best part of me.

Speaker 7 (03:32:18):
Man, you know, sitting there, coming over with these ideas
and it's torn, you know, and actually you know, tolling
and getting money for you know, your work, to be
a boy for your craft as a great thing.

Speaker 5 (03:32:30):
You know what I'm saying. I learned about nice, but
I also learned there's also little.

Speaker 9 (03:32:33):
For a proven too.

Speaker 5 (03:32:35):
I have to learn to take better care of myself
on the road. Yeah.

Speaker 7 (03:32:39):
Actually the troll was man all overseas in Europe except
probably like two spots, and I like to calogize on.

Speaker 5 (03:32:45):
Him just because of the brother I could take the car.

Speaker 11 (03:32:53):
Mm yeah.

Speaker 7 (03:32:58):
What what I just held?

Speaker 32 (03:33:00):
Didn't say one half of the legendary artifact Jersey, stand up, Jersey?

Speaker 7 (03:33:04):
What up?

Speaker 5 (03:33:04):
Let's telling you? And shit you have game?

Speaker 11 (03:33:07):
Take this person, New York Jeez art attacks for out
here come.

Speaker 32 (03:33:12):
Man time take my slay and killings struck with the
taste wrapped around the waist not safe just for any
case A base.

Speaker 5 (03:33:18):
Performed like bell tring. What long about the norm?

Speaker 7 (03:33:21):
I'm torn between a line like yo, frequent MESSI has
a walk through the hood, mother's gating and black bitch
and sharpe hood Jersey spawn nigga l every year boom,
that's smart crops every year.

Speaker 32 (03:33:34):
Ti nigga said, Slapping, hiding and swift motivated by children
for cash.

Speaker 5 (03:33:38):
In the plane, shrip the infamous.

Speaker 32 (03:33:41):
Think you kicking with the soul cool man the risk
of school niggas, then fly them.

Speaker 7 (03:33:45):
Oh listen, par I'm every gain he slapping in the face. First,
stap you with the drug Dena. Let the fucking cats
work the Kenvin went Tumbo police and I shot by
a GOLDIGGI has free like I'm a stard water.

Speaker 34 (03:33:57):
No matter should be, no matter the so niggas trying
to get it.

Speaker 5 (03:34:00):
Get the door with roll on yet up.

Speaker 7 (03:34:02):
No matter if you done, no matter the shot. Fucking
shoot me your nigga. I can shoot me your cock yo.

Speaker 5 (03:34:10):
See from the church Brownsville. Matter no matter your trucks
de sensing the pills.

Speaker 7 (03:34:16):
Sean Price beat the mother the fucking best in the field,
no matter, Hey, yo, tipping them boots, I got stomp out.
Sean Price it's a nice nigga from brass field work
on that niggas can't drive worth for stam the non
burst slamming then earth slam and the fam work the
mother ship roll dog like fuck brothers, mother fuck the.

Speaker 5 (03:34:35):
Lad fuck mothers. Two thousand six got the new bag
and shrieks and.

Speaker 7 (03:34:39):
Sean Price elder Sis and you got some new grapp
and ship on the rapping ship.

Speaker 5 (03:34:43):
This wack win soho tho we like getting shrecked without
splitting the shack check check check out.

Speaker 7 (03:34:50):
Felling needs assultant batter speaking funny style bill.

Speaker 5 (03:34:53):
Felling me nigga. If I'm fuck with the words, I'm
with the school when I'm popping with the school.

Speaker 9 (03:34:57):
Catch the slug from the guns.

Speaker 5 (03:35:00):
You said the bath that I gonna fuck yourself and
see you win after the niggas fullsail. I never do
them to fail, no matter drop the cess of the pills,
Sean Price beating, call the fucking messing to fail your
master brown failure. Y'all, y'all prun Jersey ship rictly ready

(03:35:30):
to straight ship ship.

Speaker 4 (03:35:32):
Just read the lost cause and you checking out take
it personally with my people's You know what I'm saying
full of flavor, have loss d J three sixty.

Speaker 13 (03:35:40):
I mean shout out to those brothers Philly five.

Speaker 5 (03:35:42):
Let's get it, Let's get it. What up, mighty mind to.

Speaker 7 (03:35:47):
Joe the Armor, stop watching clock popper'd eye Rocker, fend
him up.

Speaker 5 (03:35:51):
The opera doctor with.

Speaker 7 (03:35:52):
A chop up the legitimate boss pitch all being born
to bullshit. Do the knowledge on that while I pull
this meets you woped West Africa soup ity y'all, Me
and nigga Kanda match you making niggasmo ganja motion Losha
Ocean twelfth Caper.

Speaker 5 (03:36:06):
I had the bitch now and then gave her the
brad Pitt Lady.

Speaker 7 (03:36:09):
Listen that raptist kid better promotion, probably go domit. When
I thought they had in the ocean bro Raptice Walt Brad, but.

Speaker 5 (03:36:16):
They steadily loafing hassim to eat. You still can't rap
to the beach to lean out. So on your head.

Speaker 7 (03:36:22):
Make ya niggas believe hurt your nigga till y'all nigga
sack like you heard of me. Listen, I beat Earth
whind fire. You're nice our niggas talking slick shit about
Sean Price.

Speaker 5 (03:36:31):
Hey, Yo, we undisputed it.

Speaker 4 (03:36:32):
I don't box for my clock of shooting, that the
fad one don't excess. Kids, all wop your hoofen, stop
the music.

Speaker 5 (03:36:38):
I'm telling you the truth.

Speaker 4 (03:36:39):
We don't care, son, So do fucker faed wall because
we undisputed it. I don't buy spot my block of
shooting and the fad one don't exist. Kids, abt the hoofin,
stop the music.

Speaker 38 (03:36:49):

Speaker 4 (03:36:50):
We don't care, son, So yo, fucker faed wall Yo.
I send murmurs my words too much for your heart
to stand. You flow primitive black exhip. It's at the
heart mus saying, I remember all your plans. Reach to
your blueprint, Robbie for your two cents, can't rocket you
two bench word to Sean, pay from Philly to Canals,
back the brown spells. Put your hand till to the
dark meat.

Speaker 8 (03:37:10):
I spent bought up.

Speaker 5 (03:37:11):
My flow is where the sharks meet.

Speaker 4 (03:37:12):
I thought your bit chass through a window like Charles
Barkley and Rick my Horn. All I do is make classics, nigga,
pick a song, keep a king piece that will flip
your pawns off the chessboard. My tech braward leave your chest,
so I'll be right on your stoopid like I live
next door. Line from inside the ghetto where they palmed
the metals, pardon me and f ain't rhyming on a
conscious level.

Speaker 34 (03:37:32):
The death breaking my hood is up a monstrous level.

Speaker 10 (03:37:35):
Look inside that boy eyes he got.

Speaker 5 (03:37:37):
I'm undisputed.

Speaker 4 (03:37:38):
I don't box, but my clock and shooting that the
bad won't don't exists. Kids will bock your rufin stop
the music.

Speaker 5 (03:37:44):

Speaker 4 (03:37:45):
We don't care, son, So don't fucker fair well because
we undisputed, I don't box. Spot my clock is shooting
if you had one don't exists.

Speaker 38 (03:37:53):
Kids will back your ruffins.

Speaker 5 (03:37:54):
Stop the music.

Speaker 10 (03:37:55):

Speaker 5 (03:37:56):
We don't care, son, say yo, fucker fair well. We
holding gun un.

Speaker 9 (03:38:00):
We're in a fucking shawls.

Speaker 5 (03:38:02):
I clutched the fall. Leave you fucked up for sure.

Speaker 7 (03:38:04):
Fuck the hall, no cardon, fuck a raw, go home
to your wife and then fuck some more niggas like Sean.

Speaker 5 (03:38:11):
You fuck with the words. I'm with the school. When
I pop you with the tool, catch the sluck from
a nerve. All day y'all been hugging the curve, fucking
with birds. Thinking about take a trip with this bitch
of the birds. Niggas, don't wang wrap too tight.

Speaker 7 (03:38:23):
Slap a nigga in the battle for the fact you
ain't wrap too tight. Play yourself using the math for
dyke go fuck yourself.

Speaker 5 (03:38:30):
I'll see you in the after.

Speaker 4 (03:38:31):
Life and you're minus villa. Mister movin boot champ. Use
a food stand.

Speaker 5 (03:38:36):
I'm about to buy chips with my fifth pitcher from
the eyes up. Leave a hole in the.

Speaker 10 (03:38:40):
Side in your face the size of an onion. Kits
of bay go whether you.

Speaker 4 (03:38:44):
Coon kaike a day go or must break you like
Ivan dray go, fuck.

Speaker 8 (03:38:48):
Your pain, broll.

Speaker 4 (03:38:49):
I'm dipted because the game without brief cutting BALKI, don't
be RIDICU loves I live my buzz now. I'm blowing
smoking your face. Use a chauncey ass nigga coach showing
the tape with shake without the fat man reef and
showing p fuck with that man. You need a chat man, undisputed.
I don't blatch what my black shooting. The bad one
don't exist. Here's a pop your roof and stop the music.

Speaker 5 (03:39:12):

Speaker 4 (03:39:13):
We don't care, son, so don't fuck the fan all
because we undisputed here, I don't fox for my black
of shooting of the Bad One don't exist. Here's a
pop the roof and stop the music.

Speaker 9 (03:39:23):

Speaker 11 (03:39:24):
We don't care.

Speaker 5 (03:39:34):
To show you, show you in my lifetime. I did
it all. I spit it y'all right.

Speaker 54 (03:39:41):
Rhymes cannot quite like my great hard rocks down the minerals.

Speaker 5 (03:39:46):
Don't believe what you read.

Speaker 54 (03:39:47):
Nickas lie and interviews, and I can lie to Triminous,
got the lady.

Speaker 33 (03:39:51):
Saying hey gee, fly ass niggatis and.

Speaker 5 (03:39:54):
I'm a South Bronx general.

Speaker 54 (03:39:56):
I'll put your face on the wall next to the
candles on the floor in around the World and back again.
You know it ain't a rerun, but they want to
know what's happened. Then they want to know if I
can make them soul clapped again. If that's your question,
call me Alan Novilson. Move like damn Pino. They think
I got tied to them. I introduced you to gott
He puffed the ground like Bobby.

Speaker 5 (03:40:15):
Fuck around.

Speaker 54 (03:40:16):
Watch your body you found in the lobby by Mike
Stop and Shawn White.

Speaker 13 (03:40:23):
Turning up to show you.

Speaker 5 (03:40:27):
Getting ready. Just be shipping off the wood drop.

Speaker 13 (03:40:34):
Turning up.

Speaker 11 (03:40:35):
Show you.

Speaker 5 (03:40:39):
Hey, g he's talking. He's cleez it up.

Speaker 68 (03:40:43):
Son, he the suck one. Take these nuts, honey, they
just come run. Get your stun guns. Tore these thumb
jumps stick you for your trust guns and your lump
sums turn the mush. When the blood runs, I get
a rush like a sump pump when the prunk drums
make the club dumb attacking heat to make your trunk jump,
stacking sheeves that make buck up swung and racking shreez
by the dump truck. It's dumb lucked out. These punk

(03:41:04):
tugs try to pump drugs and to wind up with
they bug slug instead.

Speaker 5 (03:41:07):
You find them in the buff clugs on. They come
up getting much love right up. Sin of using.

Speaker 68 (03:41:12):
Sluts hugs by cuts buzz like the blunt bluds get
you fucked up like it does when you bluff skunk.
I'm taking posing till my lung spunk don't close, and
my tongue stuff no smokes now.

Speaker 7 (03:41:22):
While I'm plump struck your fuck hip hop it don't
stop the bone pops and shell y'all bitch niggas froil.
I'm heard things Denana Hupper king to treat up holes
on the corner off gone. Have you seen up slacking
grip my mac and clipping, rip my pippin tratched packed
with gadgets, Oh lean them lifting spam, bust the foa
slam shut the don't follow, fucking fleeing.

Speaker 5 (03:41:44):
Up her hand cuff the hole. Oh just not the
throat with outstanding night time drummer. The lover hath not
slagged it. God damn it.

Speaker 7 (03:41:52):
Sean's the man, the almighty, all knowing do with all
I can cost the man what the fuck is to
deal with Sean Price sending them repping the bill.

Speaker 5 (03:42:06):
Where I knowing.

Speaker 4 (03:42:09):
Ultimate I could draft to call them rocky, try to
make you jump like House of Major, Prince Rod's leg
and house Gosh, I got the mott maybe even winning
with smaller still crazy hard like a three eighty and
I hate the speaking them seas flee for your tempered
to drive most degree then the five per saying that
dressed in the young ass jacket and up winning for it.

(03:42:30):
Don't end up in the cat getting this rat.

Speaker 5 (03:42:32):
Hole the p horse. I see death in your future.

Speaker 7 (03:42:35):
With thoughts connect, it's best to step or wat shoot
jump back in the days, I knew.

Speaker 5 (03:42:39):
Brock the rock couldn't break that long. So why Jack
Michael j Fox sister temper the lord again.

Speaker 7 (03:42:44):
I've been best before, but then color seeking meceadiums holding
the Lady Hills. Ain't the twenty five from this twenty
five year bro ultimate them seed sess me get the ball?

Speaker 67 (03:42:55):
What say to beat crabs? Who done the Ryan Sabdu?
You can't prove it was my clients, dorm and babble.

Speaker 5 (03:43:07):
Arrest my case doing it never sewed up.

Speaker 67 (03:43:09):
They both kept heat on the street and had it
sold up. Defense was wise, complete with alibis.

Speaker 5 (03:43:15):
What the informer total coroner was a pill of lize.
Beat the wrapping the corner law.

Speaker 67 (03:43:19):
You to beat the crap out the Smith's while protecting
them and starting the poor.

Speaker 5 (03:43:23):
Expect to expect the unexpected.

Speaker 67 (03:43:25):
Check for wreck turns up under all in front of
hard detective thunder for breakfast son of hundred sons under
a second You ever to suspect necket disconnected off the record,
macho steel case, tiger strike, metal fans striker versus not
to Liebrey Michael type reached four fake draw.

Speaker 5 (03:43:41):
That's what the paper do big more cake score HD
pay per view. It's much safer for you to cry
dry tears for years. Da I'm doing here, no fears.

Speaker 11 (03:43:50):
It is what it is, sip.

Speaker 9 (03:43:51):
It ain't what it used to be.

Speaker 5 (03:43:53):
That's new to me. She used to be free musically.

Speaker 7 (03:43:56):
Take it from Dooljeni to crew to meeting, act like
you don't know even in the.

Speaker 40 (03:44:00):
Seeing me for the Grave UCCHII, so we can get
a new beat for guy boot on one of two.

Speaker 5 (03:44:05):
Starting game mumble pumping, This is cool. Mine wins Christalk,
no damp.

Speaker 69 (03:44:14):
You don't know when when it's Sabota, don't start on,
won't bring game, mumble pumping, this is cool. Mind Chris
talking with no depth. No Winter's some about question.

Speaker 16 (03:44:29):
Nigga, have you ever heard.

Speaker 5 (03:44:30):
Of Sean Hell?

Speaker 7 (03:44:31):
Yeah, but I prefer my uncle murder songs. I'm sort
of rack like hand kock movie. Sure he dropped to
a knee singing hand kock, bean box and chops to
be flowing through out of space. Bring nigga and all
this nigga trying to mock fu me pop shots to heat. Damn,
it's bad drama. Fucker sing your city sending the bad
Grandma Shama rapped black Obama m sound like po chops

(03:44:52):
the slap with the hammer changes on you, but the
four popping oft the doc socks knee high. Jason Kerry Rapp,
Rick Savage, Chick Quinn chasing fifty in my mind, throwing
my money money, you're my mind.

Speaker 5 (03:45:03):
It's now know my ways, Gatante money in your the time.
Whack rappers always argue over pagg and ship argument drew
about seeking the man with don't start none, won't bring game.
Mumble pumping.

Speaker 43 (03:45:15):
This is cool mine friends, quick talking, no doubt, you
know what it's about.

Speaker 5 (03:45:22):
Don't start nothing, won't bring none.

Speaker 28 (03:45:25):
Mumble plumping.

Speaker 5 (03:45:26):
This is going day finds prick talking no doubt when
it's a bountain junk Season three officially in Handles Town.
He sort of bringing Mado's call and lay your sounds.

Speaker 31 (03:45:39):
They fly.

Speaker 5 (03:45:39):
Didn't mind creating is why I waited the whole time.

Speaker 67 (03:45:42):
I balls dilated, flyer was faded. The day was right though,
Oh it ain't nothing but my hound all night, tro
go get the ball bill one thousand jeers after I
finished skinning.

Speaker 7 (03:45:53):
Them, y'all to split the tars Slenard Skinner, Why did
I say that? Not the fuck up the emmon flow
of set head crack. I always throw six returner, I turner, I.

Speaker 5 (03:46:04):
Always thow bitches.

Speaker 7 (03:46:05):
You know the flowshes, no wind the blue ship, no
time for argument, and do what you do.

Speaker 13 (03:46:10):
Witch.

Speaker 7 (03:46:11):
I like sneakings and I like bud catch'moking right in
front of the flights.

Speaker 5 (03:46:17):
Gets the good brother, Sam Rode three, the whole brother
over there. I mean you saw broken wrapping, you know
type ship? I mean nae, Look, get.

Speaker 70 (03:46:36):
The messy mad, you wrap the techie all right, Look,
get the messy mad.

Speaker 5 (03:46:42):
You can't get the job show, Look, get the messy.

Speaker 7 (03:46:49):
Shine who can't get the mess the fucking slide listen,
I ain't had the hit since ninety six, ever since
then in my Cared twists, the Fab five album got
put on the shelf, but they still playing the floor
on the throw back at twelve, my man said.

Speaker 5 (03:47:08):
He heard me Yon'll miss the sea. Yeah that's cool, buddy.
Don't eat the.

Speaker 7 (03:47:12):
Chips, the page, the broken strapping, your know soelf cracked
after the show with a four fold down to blow
back half you bro the drugs down.

Speaker 5 (03:47:19):
The soul got fucked up.

Speaker 7 (03:47:20):
God so with carhart suits, construction, jaws and it ain't
crabbed old, but the money is cool.

Speaker 5 (03:47:26):
You got to make sure we life. You ain't coming
in school.

Speaker 7 (03:47:29):
I guess this crap ship this thing in the past.
It took the bring off my finger, so the thing
was the cash. The nice things broken the.

Speaker 5 (03:47:36):
Rest of your pain. Damn. Look at the mess I made,
the mess I mad? Look get the mess you man.

Speaker 38 (03:47:41):
You wrapped your tea.

Speaker 5 (03:47:42):
Shine, Look get the mess man. You can't do the
jol Look at the mess.

Speaker 9 (03:47:49):
I man the mess o man, Look.

Speaker 70 (03:47:50):
Get the mess you may do the shine. Look, get
the mess you mad. You're a fucking slid.

Speaker 7 (03:48:00):
Yeah, you know how it goes when you got no dough.
Niggas going out the part again, you got no clothes,
and when you do, getting closed and you can't go out.
That's the bullshit I'm talking about.

Speaker 5 (03:48:11):
Check it out, yo, rags the bitches and riches to rack.

Speaker 7 (03:48:14):
Just catch the brawl teeth check. We can't get me
your cabin through, the next best thing that's to.

Speaker 11 (03:48:18):
Get on the train.

Speaker 5 (03:48:19):
Niggas looking at me strange, trying signs of my change.
I gotta cut.

Speaker 7 (03:48:23):
Corners in order to look lug bade the name jeans
and jacket and match hug niggas think I'm plod of them. Actually,
yoll Bo brought I brought it from an African trafficking
back goods. One of the games things, said the guy
who's rich brother to broke. Motherfucking thinking, life's of bitches.
Slit my wrist with at knife a blade. Damn, look
at the mess.

Speaker 70 (03:48:42):
I mane the mess out man, Look the mess you rat, shine,
look get the mess.

Speaker 11 (03:48:51):
Can't get it?

Speaker 5 (03:48:52):
Look at the mess o man, the mess out man,
look at the mess, shine, get the mess.

Speaker 39 (03:49:00):
You mad?

Speaker 5 (03:49:01):
You're the fucking side first rate. How you're going to
be broken? Your last thing? Price?

Speaker 7 (03:49:07):
It's like sweating pullet singing nick named Ice Carmaronic take
two pulls past the chronics, trying to ride the brown
down to get big out the projects, trying to ride
the brown.

Speaker 5 (03:49:17):
Down to make me your meal.

Speaker 7 (03:49:18):
But if you're into taking pills, I got a spot
in the bellows right up wrong.

Speaker 5 (03:49:22):
I must get paid. Damn. Look at the mess I
made the best. Tell you chie the mess, jock the mess,
get the mess these shine, get the mess.

Speaker 28 (03:49:44):
You side.

Speaker 5 (03:49:54):
With your back. Don Cornelius kicking the eggs. You know
about me?

Speaker 7 (03:50:07):
Yeah, bucking with that, Yuah, Brute, you gotta acknowledge pe
rapping with the sea cipher king equality quality. Your life
is farked up. It gotta be upbraided, and I hate
it when niggas came bar with cheese. Everybody thinking Nick
grown to the end of the Shawn Price House of
Saving and the loans. Get the job, getting to gather

(03:50:28):
and get the pack of something, go to work, sell
pack or start clapping something I always do. The math's
raised by number of runners. You always stupid ass. You
raised by Hummer Stunners. Son is dummer, he could have
been smarter. Thug life luck Snay. We thinking your martyr.
I'm thinking your father, the.

Speaker 5 (03:50:45):
Man to follow bullet Kevin Nacon. This man is hollow.

Speaker 7 (03:50:50):
I smoke on the stranger stuff we coke everywhere in
mad Brute, you.

Speaker 71 (03:51:00):
Were looming, and that was when it was the swan.
The room wasn't moving, but that was only in his mind.

Speaker 5 (03:51:11):
He was sailing. You never really seemed to know.

Speaker 10 (03:51:16):
That feeling, because that was all part of the hide.

Speaker 24 (03:51:23):
Let's go.

Speaker 5 (03:51:26):
True good selling, Let's go, let's go, let's go, come on,
let's go listen.

Speaker 7 (03:51:37):
The weeds spoke up in the repulling past your west
and seeth produ you know, taking your mouth flow and
split from the couch flow.

Speaker 5 (03:51:44):
Watch what should the plub with houses.

Speaker 7 (03:51:46):
Their bout flow leeds seedless like grapes and grape flavoring,
rolling people upset the eighth listen taking the flight forward,
enjoying the light northern lank toward.

Speaker 5 (03:51:57):
But the road trip is type for me.

Speaker 7 (03:52:00):
I smoke weed on some hippy ship by Callie counting
act hooked me yep win the trippy stick Lord notes
wouldn't have verted the cushion we talked to me like
chrises wouldn't have hurted the bush group. Hallelujah, hollow fat
nigga up pound the google pound the black nigga, Yes,
wouldn't have blazed the l like the dam son no

(03:52:21):
sam Son paint Chappelle.

Speaker 5 (03:52:23):
Listen, I'm so you so I'll be smoking read till
the motherfucking dog. I'm so hodd you so I'll be
smoke your reed to hope the guard.

Speaker 13 (03:52:34):
I don't die.

Speaker 5 (03:52:36):
I'm so uh you so I'll smoke your weed on
the guard.

Speaker 8 (03:52:40):
I don't die.

Speaker 5 (03:52:42):
I'm so listen, no paper, but I got the borrow palm.
I slow with red simple love of.

Speaker 7 (03:52:53):
Tommy, charm charms, alcomist, kam ed brownies friend out of
the pips.

Speaker 5 (03:52:58):
So when nigga hate the.

Speaker 7 (03:52:59):
Weed brown shit, what the fuck I ate them weed
browny blur vision, God's red can't singing around me?

Speaker 5 (03:53:06):
Black fist in the air, feeling the cow with people,
patic flip fitting the end, feeling.

Speaker 7 (03:53:11):
The super deesel evil and even ready deduce stunts.

Speaker 5 (03:53:15):
De Tok's coming on nothing for two buns.

Speaker 7 (03:53:18):
The sixty first day, I had two blunts us up
flipping they we have them thinking I need that shit.

Speaker 5 (03:53:25):
The lessons Saint sick sax sick stretched down a.

Speaker 7 (03:53:28):
Rare downin sik sax kid, the little cond of bimbos
look Sean Prance spoke.

Speaker 5 (03:53:34):
The Chimbot clutched his skin, blisten. I'm so hard you
so hog, I be swung your reed till the futherfucking dog.

Speaker 7 (03:53:42):
I'm so odd you so i'my smoke your reed, op
the guard outn't die.

Speaker 5 (03:53:48):
I'm so you so I've swore your.

Speaker 11 (03:53:52):
Red and open the guard I don't die.

Speaker 5 (03:53:54):
I'm so.

Speaker 46 (03:53:56):
Nigga, I'm so high, so high, I'll be getting money
so other tange out outside.

Speaker 3 (03:54:06):
I'm so high, so I'll be getting money, so Tage.

Speaker 7 (03:54:13):
You know, I had a promising career man, and then
I asked, you did a show with already rugged man
and he jumped off the stage and when he he
landed on my vocal cords.

Speaker 5 (03:54:24):
And I haven't been right ever since. And ship you
know what I mean. So you know I'm forced to
fucking train a bunch of I call the fuck hands.

Speaker 72 (03:54:32):
But with you, out of everybody, I thought you were
the what. You're the age, You're the Knights, You've the text, You're.

Speaker 11 (03:54:43):
The we grown man.

Speaker 7 (03:54:45):
Don't nick junr references like no s funny bottle lines.

Speaker 5 (03:54:50):
No fucking blues clothes were grown. You're rolling in your
cat yeah, but get the fuck out, man. So it
was just like what you doing?

Speaker 38 (03:55:00):
All underdogs.

Speaker 9 (03:55:02):
You're the worst rapper I ever heard.

Speaker 38 (03:55:05):
In my entire life.

Speaker 5 (03:55:07):
Ah, my phone died. You have a charger it yeah, yeah,
you have the Android charger.

Speaker 13 (03:55:18):
Your sure.

Speaker 5 (03:55:19):
It's horrible when your shoes along go away, not for
a go away, don't ever rap ever go away.

Speaker 7 (03:55:27):
Gold Raprofessor, Elecnology Scholarship Scholarship, World Play Wizard, give it
PI on the Lama stead and follow this. Those who
don't fucking they fake the Polish fan sucking slop snickers
and psychologically swallow dick ship to sink.

Speaker 5 (03:55:39):
The same show for the last hour. Don't smoke, eat
the snopy.

Speaker 7 (03:55:41):
See when I'm blasts clap Howard and the robber came
niggas diy brolyrically up supplying the flame of fire and
came so pill. I don't cut on it and the
track ain't cracking. Let's rock on it like who the
fuck wanted croaking noise in the background.

Speaker 5 (03:55:55):
Niggas quiet if you can't do what thing? When I
smashed down Clayman, you can't woke the garden sas ground
put it back on my head.

Speaker 9 (03:56:02):
I'm taking it back down.

Speaker 5 (03:56:03):
Sean pranks on something that wouldn't improve shit. Life is
the chess game. I'm strategic with Movemitch, your move, bitch,
hurt n.

Speaker 8 (03:56:29):
Listen.

Speaker 5 (03:56:30):
I'm the magnificent.

Speaker 7 (03:56:31):
The mathmatical magical misfits technique is tactical clapping.

Speaker 13 (03:56:35):
You win your bitches.

Speaker 11 (03:56:36):
My rapp terriping.

Speaker 5 (03:56:37):
My rapping is explicit.

Speaker 7 (03:56:38):
I'm active acking ripman, slapping up your pitches a fact
ful graph that's whack.

Speaker 5 (03:56:43):
When you kicking cats, shoe cats forever in my district.
Thank you back. I think I'm nice.

Speaker 7 (03:56:49):
Fuck up your feel like Frank at the fight and
fucking around the gains, shank by a knife shop, shiny
speaking the fight, the life of the party, link night
with the man for some fun.

Speaker 5 (03:56:58):
Yo.

Speaker 7 (03:56:59):
I'm now with my spot set the House of a
Funko dominically plays diminished to play, smook the bullet, then
fuck the decision escape. I make nice rap, ship, great life,
straight fight.

Speaker 15 (03:57:10):
Ain't like tactics period, Yeah, yeah, what's good your boy?

Speaker 8 (03:57:16):
Kg are school?

Speaker 13 (03:57:18):
Do you rap?

Speaker 8 (03:57:18):
For those who don't know about.

Speaker 7 (03:57:20):
The acting, show of the Green Knight represents the speaking
gee you take the personal radio just the truth pez Yo,
listen Joe this side, don't vocals aside, I will fuck
your ass up.

Speaker 5 (03:57:35):
A fucking back to the music, so Sniggi's backs packed
in the music. When not rapping, I spoke black and.

Speaker 7 (03:57:41):
Self tracked in the music, even tracking killers after the music.

Speaker 5 (03:57:45):
They like the truck as your rab by sudden.

Speaker 7 (03:57:47):
Like they can't fuck with you dad, truths throw I'm
clutching the phone, sell the first foe with sheep.

Speaker 5 (03:57:53):
Paul Hustle and flow.

Speaker 7 (03:57:54):
You can act like you don't put motherfucker's on No,
who's the nicest shaw Franks this motherfucker.

Speaker 5 (03:57:59):
Let's go Yo line for line s brown for rohme tennis.

Speaker 7 (03:58:03):
Faces, turn the round, shoot it's down for don You
can tell by the bron it's much time to shine.
Let's eat motherfucker Ino's Donald Swan.

Speaker 5 (03:58:11):
I know reason lit the turkeys. I told you that
God to fold you hard to die. Yes, I suggest that.

Speaker 73 (03:58:16):
You take to you know what, hate niggas like you
fake niggas like you take niggas like you, shake niggas
like you put you in the face.

Speaker 9 (03:58:24):
Straights break niggas like.

Speaker 5 (03:58:26):
You winning them. How I know'm telling the fuck frock like.

Speaker 73 (03:58:29):
You hate niggas like you fake niggas like you take
niggas like you, shake niggas like you put you in
the face.

Speaker 9 (03:58:36):
Straights break niggas like you whinting them.

Speaker 7 (03:58:38):
How I'm telling the full right, I'm messing that all
the warm before with nigga rit Son su Throt the
Greek black belt master forgung fool pop pills folk.

Speaker 5 (03:58:48):
We even get drunk too. Do what you can then
not do what I want.

Speaker 36 (03:58:52):
To tam ain't nothing to fuck with it?

Speaker 5 (03:58:55):
Who can flick? Ain't nothing like your tail?

Speaker 7 (03:58:58):
Niggas see a shot by the wait? Did that dang
fus with destiny child? I still ride in to train.
Sometimes I feel like I'm the messing my field, but
I'm not in them broken, So by go investing some
cralls my nerves. Niggas like fuck rappers find you with trade.
I gotta wait on the plate, bitch and finding your brain.
I'm trying to get paid. Your punks trying to get wrong.
Give me the cake, excuse me while getting them my job. Listen,

(03:59:22):
Sean praxis this nice at.

Speaker 5 (03:59:23):
The White Poems. I never seen the same ship this twice,
like my Joe.

Speaker 73 (03:59:27):
Why hate niggas like you fake niggas like you, take
niggas like you, shake.

Speaker 9 (03:59:32):
Niggas like you put you in the face.

Speaker 7 (03:59:34):
Straights break niggas like you, winning them high them telling
the fuck frock right you Hey, niggas like you fake
niggas like you, take niggas like you, shake niggas like
you put you in the face. Traits break niggas like
you winning them highs. I'm telling the fuck frock white dudes, you.

Speaker 8 (03:59:53):
Know what I mean, I don't even know how to
talk for.

Speaker 28 (04:00:00):
Oh cool, you're laughing, man.

Speaker 13 (04:00:03):
Ship, I ain't even.

Speaker 5 (04:00:08):
Your brother. That's the old. Yeah, there are two seven percent.

Speaker 7 (04:00:23):
Listen, listen, it goes made back, laid back now Sipher
rented Zip calls something to sniffing my bitch Bral I'm
rich after this trip.

Speaker 5 (04:00:33):
I'm shutting shop down, no deal of weighing this real.

Speaker 9 (04:00:36):
Estate in stocks down.

Speaker 7 (04:00:38):
Quit while I'm head rappers. They're all laying forty three
years old. Some of the nut crackers at ball games.
Lebron James, I'm kepting the duck worth letting Bay. It's
been with to die, fucking with rough work. You're balling,
but your left hand weak.

Speaker 5 (04:00:53):
Now you're falling when the shit.

Speaker 7 (04:00:54):
Man creeping stupid different pe strictly ll rock down records.

Speaker 5 (04:01:00):
Come sona three sixty dills. He comes, SONA three sixty dills.

Speaker 13 (04:01:05):
You know other.

Speaker 5 (04:01:07):
Sixty digs and come ground.

Speaker 7 (04:01:09):
Be pushing pails. Hand me the awareness. I will sell
them to Manny Ramirez, who I am the best? Wrap up,
quick drawl hit Paul fucking your flesh faster, who.

Speaker 5 (04:01:24):
With that gumbo shit up? Seven thousand great weeds and
one split listen. I know what it is to sell.
I know what it is to fly Brownsville. Dude, got
so h and I hate cops.

Speaker 9 (04:01:38):
Letting the eight pop as soon.

Speaker 7 (04:01:40):
As the bank stop. Shake niggas down and have me
come out they tank top. I'm making my franks, making
my your rose, making my cronies. Yea niggas his sire
ros Ruugh, it's a weirdo.

Speaker 5 (04:01:52):
Letting this bear grow. Came up from nothing, now, bruck
is your hair roll?

Speaker 13 (04:01:56):
What do I fear?

Speaker 7 (04:01:57):
Yo?

Speaker 5 (04:01:58):
Been through the worst shit, addicted parents into mesveraging.

Speaker 7 (04:02:01):
Growth, shit, pops and trucks, nigga bombs, a crack addic
love them both to death, but.

Speaker 5 (04:02:07):
The nigga got bad habits.

Speaker 11 (04:02:09):
Did you know?

Speaker 5 (04:02:10):
Take a sip of this, Take ahead of that my
no sauce for sniff neck.

Speaker 7 (04:02:17):
That's dope, that's we, that's coke, that's be don't choke choke, Yeah.

Speaker 5 (04:02:22):
Choke, man.

Speaker 27 (04:02:28):
What a great place to be finishing up one of
the most incredible tributes that we've done. Sean Price my
personal favorite. You know, I have to I have to
admit something here, guys. A lot of times when we
do a tribute show, I have to skim through it
a little bit because I get a little tired of
hearing the same guy for three and a half hours. However,

(04:02:49):
this is the one instance where I do not get
tired of the one artist for what three solid fucking hours.

Speaker 5 (04:02:56):
That's how we do it.

Speaker 26 (04:02:57):
Take it personal, radio, bitches.

Speaker 24 (04:03:00):
I think.

Speaker 25 (04:03:00):
I think on this episode, Aaron put in like the
ninety three octane, no more than eighty seven octane in
this car for just this episode.

Speaker 24 (04:03:07):
You know he didn't see that. You went for like
the full gusto on that engine.

Speaker 25 (04:03:13):
And I'm you know, I have to say, Aaron, from
the from the jump of this show, not this actual
episode ninety nine, but the jump of our show having
you on Sean Price, was that dude for you? And
you've always herald him as that guy, And you know what,
after this episode, he is that guy. He's really really special,

(04:03:33):
really different. And I'm glad I got to kind of
piece this together the way we did.

Speaker 24 (04:03:38):
And this this was a cool show man, really cool show.

Speaker 11 (04:03:41):
We really did this for Aaron because Aaron has been
on us since he joined the show. Let's get pee,
Let's get pee, Let's get get a pet of you.
And yeah, like I said, this is long overdue. It
was needed, but it was a tall task. Seventy plus
joints special thanks to guys like Torre and Fonte and

(04:04:03):
Mayhem and Pharaoh and Peter Rosenberg for really helping us
with this tribute and being the tour guides, being the
midnight Marauders ish kind of tour guides throughout this excursion.
And Sean py Man, he is, like I said before,
he's one of those guys who never be forgotten. Was

(04:04:23):
a guy we all loved because he was authentic. He
was like the logan roy of hip hop. Every fucking
word he hung onto as a hip hop quotable. And
did we talk about Ryan Philippi yet I don't know if.

Speaker 5 (04:04:38):
So. Yeah, man.

Speaker 11 (04:04:38):
Thanks to everybody tuning in episode one hundreds coming up.
We have a huge, huge episode coming up and shout
outs to get on down Records. We're doing another giveaway.
We got some outcast joints, some knives joints, so big
ups to them, Big ups to everybody who's on Patreon,
Big ups to everybody who is you know who's a
Sean p fan. Please listen to this episode, spread the word,

(04:05:00):
retweet it, post it on the ig send the links
out the Facebook, whatever you could do to spread the
word because, like I said, this was an honor to make,
but we really want to make sure that everybody listens
to it because you know, you can, like like Waite said,
you can listen to Sean Pee. Never get sick of them.
And hopefully after this we all agree that Sean Pee

(04:05:22):
is nice. Sean what how does he say?

Speaker 26 (04:05:25):
Sean Carter is nice, but Sean Price is the best.

Speaker 11 (04:05:28):
Hopefully everyone can agree that Sean Carter is nice, but
Sean Pee is the best.

Speaker 22 (04:05:33):
Hey, I'm gonna I'm gonna watch Cruel Intentions after this episode.
I'm gonna play Grand Theft Auto three. I'm gonna go
right to the hip hop station. I'm gonna eject some
old man for his sixty three Cadillac, and I'm gonna
drive and run over a bunch of people. Sean Pe,

(04:05:59):
Sean Price Rock always will always be a fan and
grateful for the dent that you put into hip hop
and your legacy. And you know, it's really nice that
that your wife and your daughter continue to keep your
legacy alive as well through ig active posting and you know,

(04:06:20):
keeps you kind of like it's kind of like you're
still out there, man, and you know your music is
just timeless.

Speaker 23 (04:06:28):
So it is good shit, man. Guys. Yeah, ninety nine episodes.

Speaker 22 (04:06:33):
All the listeners out there can't can't thank you all
enough for all of your support and love over the years.
Big ups to the Patreon supporters out there, and we're
hitting with the hondo man. And it's bittersweet because I
think we've talked about this for the last couple episodes,
but we're all out of athlete.

Speaker 23 (04:06:52):
Numbers now, so we are I don't know a lot
of what the fuck they do now. It's like one
hundred and one Valmatian.

Speaker 25 (04:07:00):
Hey Hunter is going to be actually a really fun show,
different from what we've done in the past.

Speaker 24 (04:07:05):
I think I can open it up a little bit.

Speaker 25 (04:07:07):
I'm not sure you know what day it'll drop, but
one hundred is gonna be basically our top ten favorite
songs that kind of stuck with us, you know, for
whatever reason.

Speaker 24 (04:07:19):
You know, there's so much to choose from.

Speaker 25 (04:07:21):
But Aaron's gonna have ten, I'm gonna have ten, Kev's
gonna have ten, Jay's gonna have ten, and we're basically
gonna go in.

Speaker 24 (04:07:29):
It's gonna be a versus type of a thing.

Speaker 25 (04:07:31):
But we're not going to have an actual winner. We'll
let the kind of audience decide. But it's gonna be
very very very cool show.

Speaker 22 (04:07:38):
And unless is fat show going to be on our shown,
I don't think he's allowed the show.

Speaker 27 (04:07:46):
We should do a poll man to let people vote
on whose list you like the best.

Speaker 5 (04:07:50):
That might be good.

Speaker 11 (04:07:52):
Yeah, I definitely want people to vote on which ten
they like the best. And if you think you know
what the cover is going to be, me, I will
give you something. So I'm gonna give you a hint.
It's one hundred. I'm from Philly and uh, I'm gonna
leave it at that.

Speaker 22 (04:08:08):
The winner gets a Blu ray copy of Cruel Intentions
Perfect what?

Speaker 28 (04:08:13):
Uh?

Speaker 11 (04:08:14):
Can you name any other Brian Philippe movies?

Speaker 31 (04:08:16):
No?

Speaker 26 (04:08:17):
But wasn't he a shooter?

Speaker 22 (04:08:18):
Every time I see Ryan Philippi, I think of fucking
the guy who played Darth Vader, even though he's not
fucking the same guy.

Speaker 5 (04:08:25):
You know, you know what I'm talking about.

Speaker 24 (04:08:27):
Yeah, wasn't he a cop?

Speaker 5 (04:08:30):
Like?

Speaker 24 (04:08:30):
I always see him as a cop dress.

Speaker 26 (04:08:32):
Up on that show on USA called Shooter.

Speaker 11 (04:08:36):
Yeah, looking dude who just can't act. For shit, Maybe
he can't act. I don't know, but just not a
great actor.

Speaker 25 (04:08:42):
And there's some show on ABC that he was on
the first episode that he died in the first episode.

Speaker 23 (04:08:48):
At least he got the grease of spoon with the Witherspoon.

Speaker 1 (04:08:56):
Hey, thanks for.

Speaker 2 (04:08:56):
Tuning into another classic take the first inal episode, Keep life.
As we hit our one hundredth episode. Next we'll have
some special guests, some giveaways. Musically, all right, we'll be
doing versus like battle with our favorite track of all time,
Happy Holidays from us to year Rotcher.

Speaker 1 (04:09:15):
The announcer olo.

Speaker 5 (04:09:19):
O Ryan Philippe. He going for the crown.

Speaker 7 (04:09:24):
Yeah, right, number one LC coming out of Hollywood, God Hollywood.

Speaker 5 (04:09:29):
To yell see you got it, baby. I don't think
I got to do though. Yeah, let's see what the farka.
I'm gonna take a shot.

Speaker 4 (04:09:35):
I'm not laying on this scene, Bob Leech swagger, wouldn't
Smith and West sin But I can duck down too.

Speaker 10 (04:09:42):
Got Pete tadded on my arms. So I keep walking
around too.

Speaker 22 (04:09:45):
I do, I do, I do.

Speaker 5 (04:09:55):
Whatever?

Speaker 19 (04:09:55):
What?

Speaker 5 (04:09:57):
What's my Name's my name? Yea? The fact he said
show up?

Speaker 3 (04:10:01):
Sorry, we do it, yo, Yo.

Speaker 33 (04:10:06):
Yeah yeah, yeah, yeah, yeah, yeah yeah yeah yeah yeah
yeah yeah.

Speaker 5 (04:10:18):
Ad a law saw boy. Yeah, came the blood line straight.

Speaker 7 (04:10:23):
Beautify Yo, ship with all cool call anybody can get it,
win chestas Rimington's any shot that got hit it, Yo
dress sloppy, but my rappings deeper.

Speaker 5 (04:10:33):
Watch Rose Wooden go.

Speaker 7 (04:10:34):
Outside and slap a crack up Yo vamigue styles and
that vecuez hot shit killed a nigga on.

Speaker 5 (04:10:40):
The trains with very slide and they do it bah
blah blah. And you ain't ready to run with your girl.
I'm ready to.

Speaker 7 (04:10:45):
Fuck to the knowledge of hell, especially when the girl
swallowing with pails spans out doing your bitch watching out
with my tails. All my niggas went the drama for
rail rough dread at a lave body armor, still swamping the.

Speaker 5 (04:10:56):
Veil and touching boot.

Speaker 7 (04:10:58):
Sean Connors got killed. Got niggas hill for your Obama,
get killed? Yo, what I touch your booth?

Speaker 5 (04:11:03):
Sean Corney got killed. Got niggas chill for your mama,
get killed. We go.

Speaker 45 (04:11:12):
To spot, keep rising and tender the side my my
nigga's cheep rising and send it south.

Speaker 5 (04:11:19):
We got.

Speaker 45 (04:11:22):
Go to Spot, keep rising to the side. Oh my
nigga's cheap rising to the top. Oh my manvery one,
Welcome to the gangs, the world of Aglow. Where's me
and my niggas, my bets, my guns and my cars.
My dogs don't kill they'll kill these rap stars. I
like riding around with a gangst the brawl. I'm aakankst
the dog. Don't with deciding, y'all. I'm saying, y'all, wind
up in president. No thanks to y'all.

Speaker 32 (04:11:43):
Come back to the block, and then I break your balls,
get prop braded on.

Speaker 5 (04:11:46):
The spot so we don't have the brawl.

Speaker 32 (04:11:48):
Listen to Paul, don't fuck with agg alow No leave
these niggas can let us see the cat along. I
don't give a fuck up this digital world. Add a
law to any stab a press recall.

Speaker 5 (04:11:59):
Give me your fliggin and that's how you blessed the law.
Bon't shit me.

Speaker 32 (04:12:02):
I won't even step the y'all, because this is what
I left with y'all. Look at all the hot shipp.

Speaker 13 (04:12:13):
Thot.

Speaker 45 (04:12:14):
Spot Key Rising said, sick. My name my nigga is
Jeep Rising.

Speaker 5 (04:12:18):
Send it suckle, don't spot Key Rising, send it sick.
Oh my nigga's cheep rising. Send it to on my music.

Speaker 1 (04:12:32):
Lots of.

Speaker 7 (04:12:34):
Everybody, dig a right, everybody, get right.

Speaker 38 (04:12:40):
Smoke everybody.

Speaker 5 (04:12:43):
You want a ship. I love f raps and flows.

Speaker 7 (04:12:52):
I love getting stacks of doe like I love hitting
raps and hose. I'm in the club with a stashed joe.
Why can buffing be gone? I can number front the
company car. Got some ship up in the truck of
my car. We can fight right now. If you can
get lumped in the bar bottom line, do fucking your
ball spin two jim stars up my mouth.

Speaker 5 (04:13:09):
Give you a couple of scar the flame from fucking
nag and law and Lin.

Speaker 32 (04:13:13):
Nigga's Spittley. He come through like this with Brooklyn. My
niggas hope with Sidley. My Nigga's like blick sweet that
be ripping with me. My nigga a god. Y'all call
him Ike Gittley agg litle feature risk pritty.

Speaker 5 (04:13:24):
We don't waste no time. We take care of this
quickly to get off to Hittley. Siddley. You know where
I'm man.

Speaker 32 (04:13:31):
My nigga hit me, May God be with me to
the seats. I move swiftly. You want, won't put a
nigga party, Come and get me.

Speaker 45 (04:13:46):
Go to spot keep Rising Sender top my nigga's keep
rising and send it tock.

Speaker 11 (04:13:54):
We got.

Speaker 45 (04:13:57):
Go to spot keep Rising Sender Top Keep Rising said.

Speaker 5 (04:14:05):
Lots of everywhere.

Speaker 38 (04:14:07):
Everybody did it right. Everybody did it right. Everybody.

Speaker 5 (04:14:18):
Everybody did it.

Speaker 38 (04:14:20):
Everybody did a lots of everybre everybody dig a ry.
Everybody did it right. Everybody you want.

Speaker 5 (04:14:38):
Ship, I don't deal with it like I'm not.

Speaker 29 (04:14:47):
I don't put the pictures with recipes rock, I don't
do the recipe any of that.

Speaker 24 (04:14:54):
I don't do none of it because it still doesn't
registered to me.

Speaker 5 (04:14:58):
This ship ain't no joke.

Speaker 51 (04:15:00):
Yeah,

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