The Time Machine is a science fiction novella by H. G. Wells, published in 1895. It is generally credited with the popularisation of the concept of time travel by using a vehicle that allows an operator to travel purposefully and selectively. The term "time machine", coined by Wells, is now universally used to refer to such a vehicle. This work is an early example of the Dying Earth subgenre. The Time Machine has since been adapted into two feature films of the same name, as well as two television versions, and a large number of comic book adaptations. It has also indirectly inspired many more works of fiction in many media. Wells had considered the notion of time travel before, in an earlier work titled The Chronic Argonauts. This short story was published in his college's newspaper and was the foundation for "The Time Machine." Wells frequently stated that he had thought of using some of this material in a series of articles in the Pall Mall Gazette, until the publisher asked him if he could instead write a serial novel on the same theme; Wells readily agreed, and was paid £100 (equal to about £10,000 today) on its publication by Heinemann in 1895. The story was first published in serial form in the January to May numbers of The New Review (newly under the nominal editorship of W. E. Henley). The first book edition (possibly prepared from a different manuscript) was published in New York by Henry Holt and Company on 7 May 1895; an English edition was published by Heinemann on 29 May. These two editions are different textually, and are commonly referred to as the "Holt text" and "Heinemann text" respectively. Nearly all modern reprints reproduce the Heinemann text. The story reflects Wells's own socialist political views, his view on life and abundance, and the contemporary angst about industrial relations. It is also influenced by Ray Lankester's theories about social degeneration, and share many elements with Edward Bulwer-Lytton's novel Vril. Other science fiction works of the period, including Edward Bellamy's Looking Backward and the later Metropolis, dealt with similar themes. “Face this world. Learn its ways, watch it, be careful of too hasty guesses at its meaning. In the end you will find clues to it all.” -H.G. Wells, The Time Machine
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DISGRACELAND is an award-winning music and true crime podcast about musicians getting away with murder and behaving very badly. Jerry Lee Lewis's 5th wife? Dead. Sid and Nancy? Both dead. Why? Because musicians are insane, and insane things happen to them. Why did we lose Amy Winehouse at 27? Was Debbie Harry really abducted by Ted Bundy as she claims? Is Patti Smith not just the "Godmother of Punk", but also the "Original True Crime Girl"? What really happened the night of the Jay Z nightclub stabbing? What do the Diddy indictments truly reveal? All these stories and more, on artists from every genre and their true crimes, in our massive 260-plus story archive. The Dead, the Stones, Johnny, Willie, Frank, Kurt, Courtney, Gaga, Lana, Taylor, and too many to name. DISGRACELAND is music history come to life through audio storytelling as you've never heard it before, with revealing facts: yes, assassins are the real reason the Beatles quit touring—reclaimed myths: no, Mama Cass didn't die from choking on a ham sandwich––and constant reckoning between art and artist––all told through the lens of true crime. This is the podcast for the self-proclaimed "Disgos", the musically obsessed and the true crime heads; the outsiders, the independent thinkers who know that the best history is the history that gets buried. DISGRACELAND is where host Jake Brennan tells the stories they didn't want told. The kind you'll end up telling someone else. Get ready to uncover hidden truths and buckle up for truly edge-of-your-seat storytelling. New, fully scripted, sound-designed episodes are released every Tuesday. Bonus chat-style episodes where Jake responds to voicemails, texts, and emails from Disgos hit on Thursdays, and "Rewind" episodes from our archive drop on Sundays. DISGRACELAND is not a journalistic podcast. It's an entertainment podcast inspired by true events. Certain dialogue and scenes are dramatized, as is common in scripted entertainment based on real stories. Sources and credits for each episode are available at www.disgracelandpod.com. To unlock ad-free listening, exclusive content, and connect with your fellow Disgos, go to www.disgracelandpod.com to become an All Access member. Rocka Rolla.