Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Boston's Bulldozer Never sleeps. The Kooner Report weekend edition on
the Voice of Boston WRKO.
Speaker 2 (00:07):
Six one seven two six six sixty eight sixty eight
is the number.
Speaker 3 (00:12):
Okay, lines are jammed. I'm gonna go to the phone lines.
Speaker 2 (00:16):
Let me just ask a couple of questions, and I
want to read one message, uh from Mark on Messenger?
Have you seen the ads? Obviously, I'm gonna ask all
of you, and do you find them offensive?
Speaker 3 (00:29):
Do you see them as code? And that's what the
left is arguing that this.
Speaker 2 (00:33):
Is somehow code for fascism, for aryan superiority, for white supremacy,
for a kind of a new Nazi culture that celebrates whiteness,
blonde haired, blue eyed people above everyone else. That's what
(00:56):
the left is now arguing. Do you see this and
what do you make now of this boycott campaign over
American Eagle genes and over the actress Sidney Sweeney, And
let me throw it out there. And I think it's
very obvious. I think this is blatant, vile, disgusting, anti
(01:18):
white bigotry. It is anti white racism masquerading as quote
unquote wokeness. This is not just cancel culture. Censorship and
the exertion of political power to silence people. It is that,
but it's now much worse. It's as if now they're
declaring war on whiteness itself, on being white, as if
(01:42):
being white is somehow a disease. And it's a different
kind of racism, but it is just as ugly, just
as ugly as the racism that you saw, say, under
the eugenics movement of one hundred years ago. And that's
what the left is saying, that this is pushing a
(02:03):
modern form of quote unquote eugenics. They're openly saying that,
and they're saying this is something that Hitler would be
proud of, that the eugenicists that back to KKK and
that was very prominent in this country in the nineteen
twenties in the nineteen thirties, would be very very proud of.
So do you see that, or, like me, are you
(02:26):
asking yourself what is wrong with all of you? There's
nothing wrong with this ad. It's a perfectly normal ad,
run of the mill ad. And I see a white,
blonde haired, blue eyed actress who's famous, who is using
some sex appeal to sell jeenes. I don't see Adolf Hitler.
(02:49):
And if you see Adolf Hitler, we you're either insane,
literally you're insane, or you're a stone cold bigot.
Speaker 3 (03:00):
Agree, disagree.
Speaker 2 (03:02):
Six one seven two six six sixty eight sixty eight
is the number. Okay, this is from Mark on messenger. Jeff,
I'm sorry, but if you or anyone else isn't going
to say it, then please let.
Speaker 3 (03:17):
Me say it.
Speaker 2 (03:19):
It's time to get off the plantation and out of
the cotton fields. Nobody is oppressed anymore. They only choose
to be two words Jeff, Abraham Lincoln. I mean, it's
(03:41):
just you know, and the again, just one side point
and then I want to keep, you know, I want
to They're saying, well, it's directed against brown and black women.
What so what if I see an ad And there
are many black actresses and many black models who use
their sex appeal to sell genans. American Eagle actually had
a campaign just a few years ago with nothing but
(04:04):
black women or brown women, Latino women promoting jeans.
Speaker 3 (04:09):
You know, I don't go around and.
Speaker 2 (04:10):
Say, oh, if I see a black model, it's directed
against me.
Speaker 3 (04:14):
So directed against white.
Speaker 2 (04:16):
People, like these people are sick just because there's a
white woman selling jeans doesn't mean it's somehow directed against
black women or Latino women. They just chow Sidney Sweeney
because they find they're young. It's the demographic. She's twenty seven,
(04:37):
she's a rising star. They think she's attractive that she
can sell the jeans, promote the jeans, want people to
buy it. I'll be honest with you. She sells them
really good.
Speaker 3 (04:48):
They looks.
Speaker 2 (04:49):
I'm serious, she looks. I'm like, those jeans look really comfortable, man,
and Sandy's telling me, trust me, they are. That's why
Sandy only wears American Eagle jeans.
Speaker 3 (04:58):
But let that go.
Speaker 2 (05:00):
So when I see someone promoting a product and they
happen to be of a certain race or skin color,
I don't automatically assume it's directed against every other race.
Speaker 3 (05:15):
I mean, this is what I'm talking about.
Speaker 2 (05:18):
They literally now are judging people based on the color
of their skin, and they're stigmatizing people, harassing people, persecuting people,
targeting people simply because of their skin color. Hitler is
laughing from hell. Agree, disagree six one seven two six
(05:44):
six sixty eight sixty eight. Enough of me. I want
to hear from you. Anthony in Michigan you're gonna kick
us off, Anthony, thanks for holding and welcome.
Speaker 4 (05:55):
Jacooner is better minute. It's great to be back. Hey.
The only thing wrong with that is that they didn't
play girls Girls, Girls by poison in the background. No,
seriously yet, God forbid a young man want a attractive
young lady that he may want to wife up, go
back to church and have a bunch of babies.
Speaker 3 (06:15):
With number one?
Speaker 4 (06:18):
Is this femininity versus feminism? Now, let's focus on the
subtle message in that whole video. Do you know what
that car was?
Speaker 3 (06:27):
I think it's a Mustang, right, Anthony, the.
Speaker 4 (06:30):
Chief either a nineteen sixty five or nineteen sixty six
Shelby Mustang GT. Now do you know what a bad
and it rhymes with gas? Harold Shelby was they all
want to go back to the Nazism. He was a
fighter pilot during World War Two, became a race car
guy that gave up racing because he had Angina. He
(06:51):
won Lamaron's in fifty nine in his class, and he
went off to build not only the Cobra, but he
had to deal with Ford to convert the Mustang to
a winner. Jeff, that's the big deal. That car screams
of America and winning America is back. That car is
a holy rail car right now. Why don't you have
Sandy look on the internet what those things are going for.
(07:13):
I think one crossed the auction block at a million bucks.
There's so many subtle messages here that you know. I
was a huge fan of that car and still am.
I remember seeing when I was a kid going up
this access road and looking over at the local highway
and a couple of guys drag racing them. They were rough, brutal.
(07:35):
It was a race car for the street. They rode
like a tank, but they handled and they went like
stink and it's like it's so indicative of what America is.
And she was driving it, and that's got to drive
them nothing.
Speaker 3 (07:46):
Oh it's on. I look by the way.
Speaker 2 (07:48):
Just Ashton now is really like you, Anthony. He's really
getting into cars. He's like, he loves cars, and he
loves the Mustang, every any kind of Mustang. He's a
huge Mustang guy. Loves mustangs, loves these muscle cars, and
he loves the ad. He loves that ad, that ad
in particular. And you know, and the best part is,
(08:08):
you know she's doing donuts in the you know, the
she's doing donuts in the Mustang at the end of
the ad, and you're right, it screams Americana. It screams
you know, Ford Mustang, muscle cars, blue jeans. You know,
it's you know what it you know what it really screams, Anthony. Honestly, normalcy.
Speaker 3 (08:31):
This is the way I would describe the whole ad.
Speaker 2 (08:33):
It's just normal. Sidney Sweeney is normal. The jeans are normal,
the cars are normal. The message is normal. It's almost
as if it's saying it's time to return to normalcy
from the crazy wokeness of the last four to five years.
That that's that's what this is. And you can see
(08:56):
that the left for them normalcy means not. That's the
way I read this. But I'm with you to me
that ad is a great ad, and I love it
how she's working underneath the hood of the Mustang and
then plugging the jeans and then gets in the car
and there's a couple of donuts with smoke, you know,
(09:18):
just coming out of the wheels, and then she just
rides off into the sunset. Look, I'm telling you, these
are great ads and this is going to blow up
on the left. People are gonna buy American Eagle jeans now.
Speaker 1 (09:33):
Jeff doesn't get a day off. This request came from
his wife. The Kuner Report weekend edition on the Boys
of Boston WRKO
Boston's Bulldozer Never sleeps. The Kooner Report weekend edition on
the Voice of Boston WRKO.
Speaker 2 (00:07):
Six one seven two six six sixty eight sixty eight
is the number.
Speaker 3 (00:12):
Okay, lines are jammed. I'm gonna go to the phone lines.
Speaker 2 (00:16):
Let me just ask a couple of questions, and I
want to read one message, uh from Mark on Messenger?
Have you seen the ads? Obviously, I'm gonna ask all
of you, and do you find them offensive?
Speaker 3 (00:29):
Do you see them as code? And that's what the
left is arguing that this.
Speaker 2 (00:33):
Is somehow code for fascism, for aryan superiority, for white supremacy,
for a kind of a new Nazi culture that celebrates whiteness,
blonde haired, blue eyed people above everyone else. That's what
(00:56):
the left is now arguing. Do you see this and
what do you make now of this boycott campaign over
American Eagle genes and over the actress Sidney Sweeney, And
let me throw it out there. And I think it's
very obvious. I think this is blatant, vile, disgusting, anti
(01:18):
white bigotry. It is anti white racism masquerading as quote
unquote wokeness. This is not just cancel culture. Censorship and
the exertion of political power to silence people. It is that,
but it's now much worse. It's as if now they're
declaring war on whiteness itself, on being white, as if
(01:42):
being white is somehow a disease. And it's a different
kind of racism, but it is just as ugly, just
as ugly as the racism that you saw, say, under
the eugenics movement of one hundred years ago. And that's
what the left is saying, that this is pushing a
(02:03):
modern form of quote unquote eugenics. They're openly saying that,
and they're saying this is something that Hitler would be
proud of, that the eugenicists that back to KKK and
that was very prominent in this country in the nineteen
twenties in the nineteen thirties, would be very very proud of.
So do you see that, or, like me, are you
(02:26):
asking yourself what is wrong with all of you? There's
nothing wrong with this ad. It's a perfectly normal ad,
run of the mill ad. And I see a white,
blonde haired, blue eyed actress who's famous, who is using
some sex appeal to sell jeenes. I don't see Adolf Hitler.
(02:49):
And if you see Adolf Hitler, we you're either insane,
literally you're insane, or you're a stone cold bigot.
Speaker 3 (03:00):
Agree, disagree.
Speaker 2 (03:02):
Six one seven two six six sixty eight sixty eight
is the number. Okay, this is from Mark on messenger. Jeff,
I'm sorry, but if you or anyone else isn't going
to say it, then please let.
Speaker 3 (03:17):
Me say it.
Speaker 2 (03:19):
It's time to get off the plantation and out of
the cotton fields. Nobody is oppressed anymore. They only choose
to be two words Jeff, Abraham Lincoln. I mean, it's
(03:41):
just you know, and the again, just one side point
and then I want to keep, you know, I want
to They're saying, well, it's directed against brown and black women.
What so what if I see an ad And there
are many black actresses and many black models who use
their sex appeal to sell genans. American Eagle actually had
a campaign just a few years ago with nothing but
(04:04):
black women or brown women, Latino women promoting jeans.
Speaker 3 (04:09):
You know, I don't go around and.
Speaker 2 (04:10):
Say, oh, if I see a black model, it's directed
against me.
Speaker 3 (04:14):
So directed against white.
Speaker 2 (04:16):
People, like these people are sick just because there's a
white woman selling jeans doesn't mean it's somehow directed against
black women or Latino women. They just chow Sidney Sweeney
because they find they're young. It's the demographic. She's twenty seven,
(04:37):
she's a rising star. They think she's attractive that she
can sell the jeans, promote the jeans, want people to
buy it. I'll be honest with you. She sells them
really good.
Speaker 3 (04:48):
They looks.
Speaker 2 (04:49):
I'm serious, she looks. I'm like, those jeans look really comfortable, man,
and Sandy's telling me, trust me, they are. That's why
Sandy only wears American Eagle jeans.
Speaker 3 (04:58):
But let that go.
Speaker 2 (05:00):
So when I see someone promoting a product and they
happen to be of a certain race or skin color,
I don't automatically assume it's directed against every other race.
Speaker 3 (05:15):
I mean, this is what I'm talking about.
Speaker 2 (05:18):
They literally now are judging people based on the color
of their skin, and they're stigmatizing people, harassing people, persecuting people,
targeting people simply because of their skin color. Hitler is
laughing from hell. Agree, disagree six one seven two six
(05:44):
six sixty eight sixty eight. Enough of me. I want
to hear from you. Anthony in Michigan you're gonna kick
us off, Anthony, thanks for holding and welcome.
Speaker 4 (05:55):
Jacooner is better minute. It's great to be back. Hey.
The only thing wrong with that is that they didn't
play girls Girls, Girls by poison in the background. No,
seriously yet, God forbid a young man want a attractive
young lady that he may want to wife up, go
back to church and have a bunch of babies.
Speaker 3 (06:15):
With number one?
Speaker 4 (06:18):
Is this femininity versus feminism? Now, let's focus on the
subtle message in that whole video. Do you know what
that car was?
Speaker 3 (06:27):
I think it's a Mustang, right, Anthony, the.
Speaker 4 (06:30):
Chief either a nineteen sixty five or nineteen sixty six
Shelby Mustang GT. Now do you know what a bad
and it rhymes with gas? Harold Shelby was they all
want to go back to the Nazism. He was a
fighter pilot during World War Two, became a race car
guy that gave up racing because he had Angina. He
(06:51):
won Lamaron's in fifty nine in his class, and he
went off to build not only the Cobra, but he
had to deal with Ford to convert the Mustang to
a winner. Jeff, that's the big deal. That car screams
of America and winning America is back. That car is
a holy rail car right now. Why don't you have
Sandy look on the internet what those things are going for.
(07:13):
I think one crossed the auction block at a million bucks.
There's so many subtle messages here that you know. I
was a huge fan of that car and still am.
I remember seeing when I was a kid going up
this access road and looking over at the local highway
and a couple of guys drag racing them. They were rough, brutal.
(07:35):
It was a race car for the street. They rode
like a tank, but they handled and they went like
stink and it's like it's so indicative of what America is.
And she was driving it, and that's got to drive
them nothing.
Speaker 3 (07:46):
Oh it's on. I look by the way.
Speaker 2 (07:48):
Just Ashton now is really like you, Anthony. He's really
getting into cars. He's like, he loves cars, and he
loves the Mustang, every any kind of Mustang. He's a
huge Mustang guy. Loves mustangs, loves these muscle cars, and
he loves the ad. He loves that ad, that ad
in particular. And you know, and the best part is,
(08:08):
you know she's doing donuts in the you know, the
she's doing donuts in the Mustang at the end of
the ad, and you're right, it screams Americana. It screams
you know, Ford Mustang, muscle cars, blue jeans. You know,
it's you know what it you know what it really screams, Anthony. Honestly, normalcy.
Speaker 3 (08:31):
This is the way I would describe the whole ad.
Speaker 2 (08:33):
It's just normal. Sidney Sweeney is normal. The jeans are normal,
the cars are normal. The message is normal. It's almost
as if it's saying it's time to return to normalcy
from the crazy wokeness of the last four to five years.
That that's that's what this is. And you can see
(08:56):
that the left for them normalcy means not. That's the
way I read this. But I'm with you to me
that ad is a great ad, and I love it
how she's working underneath the hood of the Mustang and
then plugging the jeans and then gets in the car
and there's a couple of donuts with smoke, you know,
(09:18):
just coming out of the wheels, and then she just
rides off into the sunset. Look, I'm telling you, these
are great ads and this is going to blow up
on the left. People are gonna buy American Eagle jeans now.
Speaker 1 (09:33):
Jeff doesn't get a day off. This request came from
his wife. The Kuner Report weekend edition on the Boys
of Boston WRKO
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