Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:29):
One of everybody is en Vy Jess Hilarious, Charlamage, the
guy we Are the Breakfast Club were still kicking it
with Kevin Hart. Juicy said, you actually set him up
in that in that stream with that little kid. He
said that boy, he said, it was you that actually
said him. This is what that that that's that's what
you did. You did start he said, you started follow.
Speaker 2 (00:49):
O g. They followed your lead.
Speaker 3 (00:50):
First of all, what you need to understand is where
the cameras are at all times. What I said, the
juice was in his ear. I said something in his here. Okay,
nobody really knows what I said. He knows what I said.
And then he took the liberty of going and saying
very harsh things.
Speaker 2 (01:04):
By the way, you know things it should be seeing
you move walk right out like you see.
Speaker 3 (01:08):
I mean, I don't want to be around that. I've
seen a lot of people get in fights. I've seen
what it's about.
Speaker 2 (01:13):
The happening the Breakfast Club.
Speaker 1 (01:18):
Morning everybody, it's the j NV, Jesse, Larry and Cholamaine.
The guy we are the Breakfast Club. We got a
special guest.
Speaker 4 (01:24):
In the building who refuses to stop ladies and gentlemen.
Speaker 2 (01:27):
Kevin Hart, welcome back, brother. He just won't sit down.
Speaker 3 (01:32):
Yourself. Life is great, no complaints. Man here to talk
about more, which means great, that's happening. Still moving, still tracking,
still working, still doing the same thing, but bigger. Talk
to us about this new two part documentary you got
one to call.
Speaker 2 (01:50):
She congratulates to Jamie Fox Man.
Speaker 3 (01:53):
This is a Jamie Fox idea that he came to me.
Speaker 2 (01:58):
With at heartbeat.
Speaker 3 (01:59):
And you know, it was the concept about being one
of the call sheet and the good and bad of it.
Speaker 5 (02:04):
Right.
Speaker 3 (02:04):
He's like, you know a lot of people experience it,
but it doesn't do the same for everyone, you know,
and whether it's the ego, whether it's the money, whether
it's the idea of the money, whether it's the thought
of my career is now about to be, and it
doesn't become like there's so many different concepts attached to it.
I thought it was a great idea, man, you know,
(02:25):
Fox is a brilliant mind. And I said, to make
it real, like we got to go out and you know,
of course happened too all our relationships, so it started
off is just the idea for men like we were
heavy on the men's side, and then we were like, yo,
it's dope if you have it to where you know
there's a male version. Then we go and we tap
into a female version as well, and really just expand
(02:46):
the conversation of success or lack thereof, And it's it's
dope to hear all these people talk about it. So
I think people are gonna be blown away by hearing
the good and the bad, like everybody doesn't with the
concept of it.
Speaker 4 (02:57):
You know we'll be a number one on the cause
everybody doesn't. When did you become number one on the
car sheet? And what does it mean to be there?
Speaker 2 (03:03):
I've been numbering for a while. I love it. I
love it like I don't know. I don't want to
make it very clear. I love it now. You never
left the road. Why is the road so important to you?
Because you control it, You own it. There's no small venues.
You do big venues, like nothing better than stand up coming.
Speaker 3 (03:20):
There's no job better than the job of live entertainment,
live audience, your fans, your connection, your relationship. It doesn't
die if you treat it like a plant and you've
ever water it, the plan is never going to die,
right Like so if it can grow and you have
good seasons, bad seasons, it's always going to be there
(03:41):
and those fans are just gonna ride with you forever.
So I'm very adamant on staying true to stand up coming.
Nothing takes the place to stand up coming. I don't
give what i'm doing the level that i'm doing at.
I will go and do comedy clubs. I will come
to New York for months on a time and just
do a run of pop ups.
Speaker 2 (03:56):
That's my muse, that's my stress reliever.
Speaker 1 (03:58):
So if you get demon ways say that he would
never do stand up anymore because he was like.
Speaker 2 (04:02):
People are too sensitive, people are stupid. Well yeah, it's.
Speaker 1 (04:06):
Basically, you know he says anything, people get offended too fast, and.
Speaker 3 (04:09):
It's like it's just not worth the distress. I understand.
I don't see it the same way because I don't
have that level of giving. I don't want to do
the thing that I love to do because I'm caring
so much about what everybody else is thinking about what
I'm doing. Like, I don't I think he meant that
on you know how the WAYNS used to be like
they no limit, like you talk about anything. But now
that since the new trend is being offended and a
(04:30):
lot of people are just you know, it is what
it is though communities.
Speaker 2 (04:35):
I mean, Dame is Dame. Dame is a legend.
Speaker 3 (04:38):
Like if Dame wanted to go on stage and around,
Dame can do what he wants when he wants. The
idea of people being upset or triggered. If you're thinking
about that, like, then you're you're going down a crazy spiral.
I'm not doing comedy and thinking about the thought of
what you think about what I'm saying. I have the
things I want to talk about. I know the direction
I want to go in. I'm not here to offend.
(04:58):
I'm not here to aggravate or pissed people off. I'm
here to do my craft.
Speaker 1 (05:02):
Have you apologized yet to Delaware State University for what
you don't?
Speaker 2 (05:07):
Let it go?
Speaker 4 (05:08):
Come on, let it be know way did you she didn't?
Speaker 5 (05:12):
Here's I thought I was trying to State University.
Speaker 6 (05:16):
Let me know, Delaware Sean Jackson said, you was sorry.
Speaker 3 (05:37):
I mean, first of all, it is all right, but
it's like smart people there too. We're talking about Delaware
State knows I have no ill will towards them.
Speaker 2 (05:48):
We love you guys. But it was a funny bit.
Speaker 3 (05:53):
You gots your animated show out little kids, Yes, talk
about your.
Speaker 2 (05:57):
Life growing up?
Speaker 3 (05:58):
I mean you want to do that animations? You know, crazy,
This has been a this is a crazy development, man.
This is I want to say, like seven eight years
in the making before we could actually do it properly.
Shouts out to Scott Mills over there at BT man
for understanding like my world of want and allowing me
to do it the way I wanted to do it.
Speaker 2 (06:16):
You know, it's an adult animation.
Speaker 3 (06:18):
And I wanted to like flip the story of the
conversation attached to the Hood, right, Like everybody talks about
the Hood from one point of view, you know, the
Hood is the hood, and people like the Hood.
Speaker 2 (06:27):
Is so bad.
Speaker 3 (06:29):
Yeah, Like, and I think that there's a there's a
positive side to it. You know, there's a role that
everybody plays in the Hood, especially when it comes to kids, families,
Like everybody's part of the village. Everybody's raising everybody's child,
everybody is aware, everybody's in the know. Everybody's trying their
best to service and need a good and even bad
just happening. You know, when people find out there is
(06:49):
an energy attached to trying to solve it and make
it better. And this is a way of just flipping
the conversation on the hood upside down. So it's about me,
my upbringing, being in the hood, but having such a
high level of love for the hood, for my family
and for all the people around.
Speaker 2 (07:03):
It, and just Larrus is in it keeping her away
from breakfast club. Come on, okay, just don't listen to that.
I don't. I don't. First of all, I want to
make something very clear.
Speaker 3 (07:12):
When people say like, kah, thank you for giving people
a job people earn them like, I'm not giving thank
you anything. I'm not out like hey here, just here's
a gift, Like that's just that's her team, that's people
working and saying, hey, this is a good thing to
possibly put just up for it just for a process.
I mean, you could say no, but when people are
talented and earning things in their own it's.
Speaker 2 (07:32):
Happening the way it's supposed to be.
Speaker 3 (07:34):
I'm not in the space of know of everything and
I'm hand picking people and doing like that would mean
that I'm I mean the time and the day to
do that and do it and do it and do it.
Then that means that the people around me aren't doing
what they're supposed to do. So is your job to
like properly package and put people in places to make
these projects good. And it's my job to see it.
(07:54):
At the end stage, we're going, Wow, this is a
great cave. These are great personnel, great roles.
Speaker 2 (07:58):
I like this. I like this configure, but justice earning.
Speaker 4 (08:01):
It and you know, you do take the time to
pour into the next generation. You know, drewski was up
here and Drewskie said that you gave him and Kyson
not a bunch of movies to watch and told them
to get you stupid whatever your stupid asses is doing
right now, watch these movies.
Speaker 3 (08:14):
Yeah, and prepare for the next level. That's I like
what the younger generation is doing.
Speaker 2 (08:19):
It's crazy.
Speaker 3 (08:20):
I'm saying that, like I'm I'm really am a part
of like a time of old forty five. Well doesn't
look it.
Speaker 2 (08:29):
I definitely you.
Speaker 3 (08:34):
Know, uh, that older generation of like how we approach
the business, how we approach the craft right like, And
I think it's dopest to see this new generation navigate differently,
Like the comedians of today did not go and work
at it the same way that we did. Like they're
they're breaking new ground, finding ways to be the personalities
(08:55):
first and then get to the stage after. And the
way they're engaging with their audience, the way the audiences
responding to them. I think it's dopest and being a
fan of it, I feel like it's my job now
to figure out ways to like grab this personnel when
and where I can, and you know, try to push
them forward with Kay and Drewski.
Speaker 2 (09:12):
Kai is such a monster man. I told him.
Speaker 3 (09:14):
I said, look, man, I want to show you guys
ways to like give your audience more and ways to
do more. So I came up like with some dope
ass ideas concepts for us to rock in together, but
stay true to the space of what they're doing. So Drewski,
I know, he came and he was like, tell you
guys about the movie. I don't want to tell yall
what it is, but it's a big it's a big
idea that we're working now. But I was like, to
(09:34):
do it. You guys got to educate yourself on things
in this space. So it wasn't homework. I was like,
understand production, Understand how movies are made, understand the look
and feel. I want you to be a part of
the process so you can understand the process. And after
you do this with me, go do it yourself. Go
do it and figure out ways to you know, do
it with the other people that you're around.
Speaker 2 (09:54):
All Right, we got more with Kevin Hart. When we
come back, don't move. It's the Breakfast Club. Good morning,
the Breakfast Club.
Speaker 3 (10:00):
Uh throat dust thro.
Speaker 2 (10:10):
The Breakfast Club. Warning.
Speaker 1 (10:13):
Everybody's d J n V Jess Hilarrys Charlamage. The guy
we are the Breakfast Club is still kicking it with
Kevin Hart. Juicy said, you actually set him up in
that in that stream with that little kid. He said, boy,
he said, it was you that actually said him. This
is what that that that's that's what I did. Start started.
They follow your leader.
Speaker 2 (10:33):
First.
Speaker 3 (10:34):
What you need to understand is where the cameras are
at all times. What I said, the juice key was
in his ear. I said something in his ear. Okay,
nobody really knows what I said. He knows what I said.
And then he took the liberty of going and saying
very harsh things. By the way, you know things it
shouldn't be seeing you walk right out like you said,
I mean, I don't want to be around that. I've
seen a lot of people getting fights. I've seen what
(10:56):
it's about to happen. I go, I shouldn't be here, right,
I shouldn't be here. They're about to start shooting. By
the way, he's got the gun.
Speaker 2 (11:03):
I see it. I'm gonna leave right now.
Speaker 3 (11:05):
So I just exited the room because I think I
think at the time, I had to go to the
vathroom actually, and then a lot of stuff from what
I was told happen.
Speaker 2 (11:12):
From what I was told, the kids started crying and
stuff like that.
Speaker 3 (11:15):
I came back and I was like, what's going on?
Right at that time, I'm the adult in the room
trying to calm down, right, like, man, what's happening? And
I think all the cameras caught me saying that, which
is good for me legally, So I was never attached.
Speaker 4 (11:29):
Drewskie said he felt like he could make those jokes
because he's fat and y'all were teething him all day
about being fat or justkey.
Speaker 3 (11:35):
First of all, calling people fat, that's aggressive. When you
saw the big thinking of you, I just want to
that's what juicy big a little bigger, right, he had
(11:55):
problems breathing when he walks up the steps. Yeah, of course,
But but you know that little kid, I think it
was on his way to a healthy lifestyle. You got
to support that, right, the little kid because he was talking.
I think the little kid was talking about exercising and stuff,
which is good and I'm always glad to just be
on the positive side of conversation. That's what I'm about,
you know, a beacon of light. Joy Kevin. At the
(12:17):
level of success that you are being an actor, do
you still have to audition for roles or actually not?
What are you talking to la Lawrence that he had
said that he does.
Speaker 4 (12:28):
I think Martin said he had to he pitches. He
still got to pitch projects.
Speaker 3 (12:32):
That yeah, that makes sense if he's pitching things, man,
am I am I really pitching things? I think I'm
pitching ideas to my team. I'm more in the business
of creating the things that I think best service my
want in my direction and the business like when you
think about the dramas, you think about all the things
that I've done as serious like that's been me so
true story. I was like, I want to I want
(12:53):
to kill somebody on camera. I think it'll be dope,
and I want to found a guy that created Narcos
and I was like, yo, to be dope if we
could collab and talk. But we developed it and then
I was like, Okay, this is great, let's go and
take this out Like that's developing it and then going
to sell it fight Night that was me Will Packer
will tell me you had the rights, and I was saying, hey,
to do it. This can be dope with but let's
(13:15):
do it this way and put the right people in it.
So like the creative side of from start to finish
is where I'm playing at now. But like auditioning, I'm
not really auditioning. I think people they have a project,
They're like, oh, Kevin would be good for this, and
I'm getting those calls, hey, we want you to do
and then I got a decision.
Speaker 2 (13:32):
Of if I want to do it or not.
Speaker 3 (13:33):
Like fans is the upside, That's still one of my
favorite movies. You and Brian Cranston, they already saw you
for that role. They said, we want to do the
remake and we see you and Brian Cranston doing this,
are you interested?
Speaker 2 (13:44):
And absolutely and Nicole Kitman.
Speaker 3 (13:46):
I was like, absolutely, hands down, but it's it's it's
coming out and having an ask, not saying I would
an audition you would, trying to clean it up, trying
to clean it up, trying to cameras there. I just
wanted to look in and make it just look like
I'm willing to do right right?
Speaker 2 (14:05):
What about like social media?
Speaker 4 (14:06):
Backlund, because everybody, for whatever reason was highly upset when
you hosted a NBA All Star Weekend. There was a
a section of the Internet that was acting like they.
Speaker 3 (14:14):
Were you know, you know, what energy do you give
that I'm a partner to the NBA, Like, I understand
what that means. I'm I'm not coming on to be
Kevin Harten have funny moments to the NBA. The NBA
has been a servicing aid to my career for over
fifteen years. Like you go back and you'll look at
how much I've been on NBA T and T and
(14:36):
All Star weekends, celebrity weekends, all these events like this,
and I look at it's it's almost host adjacent, right,
Like the personalities that we lean on because we're familiar
with family and we know how they work.
Speaker 2 (14:49):
That's what that is. So the All Star I'm not
going to the All Star Game to trying to create
a big moment for me.
Speaker 3 (14:55):
I'm there because the energy of the All Star Game
comes with Chuck, Ernie Kenney, myself, Shack, Like we've been
doing this for years, like just talking and playing with
one another, bantering on camera. That's not an easy thing
to do. They make it look easy, they make it
look great. That's not an easy thing between you and Shack. Yeah,
that's not an easy thing to do. Like that chemistry,
(15:15):
that rapport. It comes from like having a real understanding
for how TV works, So you can't just throw new
things in there because it gets weird. People don't understand
the times, people understand the cuts, how much time you
got to go cut back to the game. They're trying
to do so much new, they're trying to discover it.
So why they're trying to figure it out. Here's personality
that we can lean on, so at least we don't
have dead space or dull moments on camera.
Speaker 2 (15:36):
That's what that is.
Speaker 3 (15:37):
So when you understand the technicality behind it, then you
you understand my involvement. I don't I don't feed into
the other like I know why I'm here partnership.
Speaker 4 (15:45):
Do you ever tell Shack to like really back up
off you and then you kind of sexually assaulting you in.
Speaker 2 (15:49):
A little bit.
Speaker 3 (15:50):
Sha only one time with Shack has done some crazy
okay where I was uncomfortable real husbands, that whole thing
that's on the internet that they wasn't scripted.
Speaker 2 (16:03):
I wasn't scripted it.
Speaker 3 (16:05):
It was a moment, but honestly, be really, I couldn't
do nothing about it.
Speaker 2 (16:11):
They gotta cut this.
Speaker 3 (16:13):
You know before before I put a little size on
not to say I could do something to shock, but
I didn't.
Speaker 2 (16:20):
That was a very fraim version of me.
Speaker 3 (16:22):
And you know it was this is when Shaq was
like when they were like just talking about Shaq being
a cop and he.
Speaker 2 (16:28):
Really was a cop.
Speaker 3 (16:30):
To be funny at Shack pulled me over on Real
Hollywood and you know, like Shack is like basically about
the arrestment.
Speaker 2 (16:35):
You know, everybody can't him problem.
Speaker 6 (16:40):
They kept.
Speaker 2 (16:44):
You don't even have to say this. We're not even
gonna discussing people haven't seen a great show. It's a
great show, but it's not online.
Speaker 3 (16:50):
But we're not gonna do is make it seem like
something that. So, but what he did was he grabbed
me when I got out the car, and he just
tried to get a little physical right. It was like
you but it's like like everybody doesn't improve the same comedy.
Speaker 2 (17:04):
Comedy is an art. Like you ever see.
Speaker 3 (17:06):
Comedians when they try to like improvate, some of them
go too far or they don't know when to stop,
like hey man, we got to end the scene. Like
they can't go over there like oh yeah, well your
mama And you're like, well mom, you can't bring up
moms to you don't know who our moms are in
the scene.
Speaker 2 (17:19):
It's like I just.
Speaker 4 (17:21):
Says hashtag call of the week. He yo, nah shock
you straighted by lady Kevin Hart. You literally took that
man in the pound town.
Speaker 3 (17:29):
This is this is what you're doing. That's actually that's
actually nuts.
Speaker 2 (17:34):
That's nuts. That's what he grabbed me. He grabbed me,
throws me.
Speaker 3 (17:38):
Over the over the carr and he and he he
starts humping me.
Speaker 2 (17:42):
So I'm like, I remember turned you around, bit you
over face and said you want to tell you hell,
let me tell you what I can tell.
Speaker 3 (17:51):
Charlote Mayne, Charle Mayne is perfect, like he's a nasty man.
That's like, in this brief time, I just found out
a lot about him by the way he starts to
describe and stuff, very graphic.
Speaker 2 (18:01):
Nasty man. I just told you.
Speaker 3 (18:03):
Just driving with sh you grabbed me and he throws
me over the car.
Speaker 2 (18:07):
He's like, you don't know what.
Speaker 3 (18:08):
He starts talking me. I remember Ralph about rest of
the episode. I remember I looked at Ralph. I'm like, hey,
did you the job it?
Speaker 7 (18:16):
Pa?
Speaker 2 (18:17):
Something happened and it was like, uh, they were like
all right, Uh. Nobody wanted to say shock. They was like,
all right, we got it, so let's just move on.
Speaker 3 (18:28):
We just we just moved on about address.
Speaker 2 (18:34):
Just like everybody just shut up trying to get you
again off, just shut up.
Speaker 4 (18:39):
Did you get.
Speaker 2 (18:39):
Triggered a little bit? I saw you he was creeping up.
Speaker 3 (18:42):
That's a very young I'm older and I'm in a
much more controlling state in my in my life, right,
you know, I would say something to show you know,
don't do that. You gotta stop it, right, like confirm
stop that right. But in that moment, that was shocked
trying to be funny. That's my that's my shout out
to the big dummy himself.
Speaker 1 (19:05):
How we got more with Kevin Hart when we come back,
it's the breakfast club.
Speaker 2 (19:08):
Good morning.
Speaker 7 (19:10):
You baby, shell Eli you well, well, it's good. I
can tell come give me hell come in your baby
till I tell your spelled.
Speaker 2 (19:20):
I am she gets all.
Speaker 8 (19:23):
I guess I don't run out of hot chunce can't
keep an inside in.
Speaker 7 (19:29):
Uh uh, I'm calling you so eaganock can.
Speaker 2 (19:33):
But you call me tied.
Speaker 8 (19:35):
Say you may get easy with me to believe in love,
you better believe it this baby, I'm leaving with something
better than your hay r smiling cause you know I
know you know.
Speaker 7 (19:52):
You baby said Eli, you well or well, it's good.
I can tell come give me hell, come in very tail.
Speaker 2 (20:01):
I'm to your speed. I am she gets your nail
all streaming.
Speaker 6 (20:07):
Yeah.
Speaker 2 (20:08):
I can't come for help for men.
Speaker 8 (20:10):
You leading webs up to your.
Speaker 7 (20:12):
Nails for us.
Speaker 8 (20:14):
I hate your good you're sleeping good for her ivy.
Speaker 4 (20:18):
I off.
Speaker 2 (20:22):
Off you right, will offer you like no one is
hell off C. I will offer you. I don't will
offer you freaking like the one that's having game.
Speaker 1 (20:35):
Do you want to come funds doing warning everybody's d
j M V j Hilarius Charlamage, the guy we are
the Breakfast Club.
Speaker 2 (20:42):
We're still kicking it with Kevin Hart Charlamagne.
Speaker 4 (20:44):
I want to go back to number one on the
car she because Darling Kate Brown did an interview with
He said that people wanted to put him number one
in the car sheets, but he was superstitious about it
because he's been successful enough not being number one, so
he was okay with being number two.
Speaker 2 (20:56):
What do you think of that? I don't. I don't
mind that, you know.
Speaker 3 (21:00):
I mean, as somebody that's been there, when when you're
there and you've you've experienced whatever the conversation attached to
it is, it's not the same level of important, right,
Like it's it's not important. Like I was joking out
earlier about the idea of number one of culture, but
it's not that important to me. I don't I don't
give a I don't care about top billing. I don't
need my name to be first. I don't need my
(21:20):
name to be the biggest when they first put the
movie or the TV show out, Like if that's more
important to you, I'm like, all right, let him get it.
So when you in the rock do a movie's number
one on the calture. I let him get it, but
he's DJ's an ass. Ye, yeah, he's an ass him
get it?
Speaker 2 (21:36):
Joking? Yeah, DJ, By the way, he trumps me every time.
What do you mean? It's not even conversation. I don't
even bring it up. You number one on this right?
The box office number is like?
Speaker 8 (21:47):
How do they?
Speaker 3 (21:49):
I think he deserves to be number one when we
do the project. He's an international superstar. Not to say
that I don't have international success, but I don't think
that we're equal in that regard. I think that his
movies have performed and done crazy business internationally, and when
we do projects that we want to appeal to the world,
(22:10):
you should be first. I'm coming in and I'm on
that train with you. I'm adding value to it, but
I'm not bumped by you being first. We put an
amazing cast together to help us get those audiences when
we do. But I don't feel any type way about that.
I think he deserves it and he should have it.
Speaker 4 (22:27):
Congratulations too, man, you got is announced that Heartbeat Is
it working with the pass Yes, heart Beat it to
be the official cultural curator to provide entertainment and live
experiences for.
Speaker 2 (22:36):
Fans in the Indianapolis claus. Yes, first of all, what
does that look like?
Speaker 3 (22:39):
It's an opportunity for our company, right, Like you're our
company is a creative engine for any resource that allows
us to be right Like, we are a business. So
our business thrives when we can implement ourselves in places
to create or elevate a brand, a company and then
to an activation, whether it be live entertainment, storytelling, et cetera.
(23:04):
Indiana with the Pacers and the Fever have an attraction coming.
I think they have an all star coming up. But
it's more about they're like, look, we're looking for ways
to expand and elevate what we've done. They spent a
lot of money on a new facility, they have a
team that's thriving, a younger team Fever or thriving with
star power, etc. So they're like, how do we elevate?
(23:28):
How can we better tell our story? And I'm like,
that's what we do. I'm looking to be a better
partner for the NBA. How do we better tell stories
for your brand? How do we better promote and market you?
How can we amplify or activate differently? Like these are
words in the business that companies desperately want to hear from.
Speaker 4 (23:46):
Potential party, Will heartbeat call Mike EPs to do Absolutely,
He's gonna call you to do something.
Speaker 2 (23:53):
Absolutely.
Speaker 3 (23:54):
I mean, me and Mike's relationship now is we're ten times.
Speaker 2 (23:58):
But it took a long time to get to where
we are now.
Speaker 3 (24:01):
But I'm I'm happy at the road of like dumb
because it got us to a place of real grown
man and we're not We're not doing the dumb like tweets.
No more like Mike call me, I'm calling you. And
we talked, so you know when that did. Mike was
the first one we got on the phone. We had
a conversation, and me and Mike are are very much
(24:23):
on the same page. And I think, you know, a
lot of the disconnect was from assumption. That's the realization
that came about. But I have no it will no
be towards anybody, damn sure, not Mike. And you know,
right now the priority between me and Mike are figuring
out the thing that we're going to do together. And
you know, I told Mike like it's a it's a
(24:43):
real thing, Like we haven't done it because of this
disconnecting our relationship we've never been on the screen together.
We did Real Husbands together in the beginning. Mike did
an episode and that's the only time we've ever jousted
on camera. And I was like, at this point in
our career, like, we're not nobody ourselves, so you know,
how do we make it work? And he's like, yeah, keV, Like,
(25:03):
how do we make it work? And it's a it's
a mutual understanding. And I think now having that as
a priority, his fans will be happy. My fans, I
think will be happy, and I think it'd be dope
for the culture when we do it. Yeah, where is
that version of Harlem Knights for this era? It's hard,
it's hard to happen because the idea of it being
just one is what people can't let go of me, Like,
(25:25):
that doesn't have to be just one star.
Speaker 2 (25:28):
But Hall of Knights wasn't just one star.
Speaker 3 (25:30):
That's why I worked. That's why I worked. Richard didn't
give about Eddie. Eddie didn't give by Richard the two
biggest comedians minus the boy. The only person that was
missing that should have been in that Cosby in some
degree right a showing of him. But they had Red
Fox Robert Harris, like, if you go on, you look
at the names that reason like you, you look at
(25:51):
the names and the people in Harlem Knights. You looked
at a conglomerate cast of hard hitting comics of color.
Speaker 2 (25:58):
We don't have that to date.
Speaker 3 (26:00):
And even when it comes to like the younger comics, man,
it's been a few of Like DC young Fly has
countless scripts that he has and he's trying to get
all of us like in this generation. But egos and
what she gonna be getting and who gonna be the
main character up, I ain't working with her or how he.
Speaker 4 (26:18):
You know what I mean.
Speaker 3 (26:18):
So the problem with the with the younger generation of comics,
man made money so fast, good money, that little money.
Speaker 2 (26:26):
They made money so fast. So definitely the idea of.
Speaker 3 (26:30):
Doing that for that I'm over here againting it's like
the idea come here. I mean, just just just made money,
still making money, right, Like, just understands that road money,
that road money is a different type of money. These
comics or new comics influencers churn com I'm making real money.
So until you get to a point where you understand
(26:52):
the money isn't going to drive your next stage of success.
If your next stage of success or what for success
is attached IP projects, whatever, you cannot do it by yourself.
Speaker 2 (27:04):
You gotta tap in.
Speaker 3 (27:05):
That's what people are afraid to do, and they're afraid
to do it, especially in our culture because we feel
like there can only be one and that younger mindset
in this business today is a cash driven mind. The
money will come, I'm telling you, the money will come.
The ideas don't. Relationships and partnerships don't. That's the difference,
(27:29):
Little keV. I'm excited about it. Adult Animation BT plus
ones getting shot.
Speaker 2 (27:33):
Out to BT.
Speaker 3 (27:34):
Shouts out to my amazing team and heartbeat man. This
is a piece of IP that I worked on for
a long time and to have it finally come to
light as dope, as as funny as it's raw, it's edgy.
It's a true testament to my mom and dad who
aren't here. So r I p to the heart upstairs
and maybe down so you know my dad, They say
he could be I don't know, so uh you know,
(27:55):
just in the middle. Shout out to Pops wherever you are. Yeah,
I don't know what side uh this is. I don't
want I don't want to assume I don't want to.
I don't if if God ever closed the door, my
dad might have been on the outside.
Speaker 5 (28:13):
Uh.
Speaker 3 (28:13):
But it's a testament to them, So I can't with
you guys, enjoy a BT plus watch it, lock it in.
Not one of them, call sheet, shout out the Fox,
lock it in.
Speaker 2 (28:20):
That's it. I'm done.
Speaker 1 (28:21):
It's the Breakfast Club, It's Kevin.
Speaker 2 (28:23):
Watch y'all.
One of everybody is en Vy Jess Hilarious, Charlamage, the
guy we Are the Breakfast Club were still kicking it
with Kevin Hart. Juicy said, you actually set him up
in that in that stream with that little kid. He
said that boy, he said, it was you that actually
said him. This is what that that that's that's what
you did. You did start he said, you started follow.
Speaker 2 (00:49):
O g. They followed your lead.
Speaker 3 (00:50):
First of all, what you need to understand is where
the cameras are at all times. What I said, the
juice was in his ear. I said something in his here. Okay,
nobody really knows what I said. He knows what I said.
And then he took the liberty of going and saying
very harsh things.
Speaker 2 (01:04):
By the way, you know things it should be seeing
you move walk right out like you see.
Speaker 3 (01:08):
I mean, I don't want to be around that. I've
seen a lot of people get in fights. I've seen
what it's about.
Speaker 2 (01:13):
The happening the Breakfast Club.
Speaker 1 (01:18):
Morning everybody, it's the j NV, Jesse, Larry and Cholamaine.
The guy we are the Breakfast Club. We got a
special guest.
Speaker 4 (01:24):
In the building who refuses to stop ladies and gentlemen.
Speaker 2 (01:27):
Kevin Hart, welcome back, brother. He just won't sit down.
Speaker 3 (01:32):
Yourself. Life is great, no complaints. Man here to talk
about more, which means great, that's happening. Still moving, still tracking,
still working, still doing the same thing, but bigger. Talk
to us about this new two part documentary you got
one to call.
Speaker 2 (01:50):
She congratulates to Jamie Fox Man.
Speaker 3 (01:53):
This is a Jamie Fox idea that he came to me.
Speaker 2 (01:58):
With at heartbeat.
Speaker 3 (01:59):
And you know, it was the concept about being one
of the call sheet and the good and bad of it.
Speaker 5 (02:04):
Right.
Speaker 3 (02:04):
He's like, you know a lot of people experience it,
but it doesn't do the same for everyone, you know,
and whether it's the ego, whether it's the money, whether
it's the idea of the money, whether it's the thought
of my career is now about to be, and it
doesn't become like there's so many different concepts attached to it.
I thought it was a great idea, man, you know,
(02:25):
Fox is a brilliant mind. And I said, to make
it real, like we got to go out and you know,
of course happened too all our relationships, so it started
off is just the idea for men like we were
heavy on the men's side, and then we were like, yo,
it's dope if you have it to where you know
there's a male version. Then we go and we tap
into a female version as well, and really just expand
(02:46):
the conversation of success or lack thereof, And it's it's
dope to hear all these people talk about it. So
I think people are gonna be blown away by hearing
the good and the bad, like everybody doesn't with the
concept of it.
Speaker 4 (02:57):
You know we'll be a number one on the cause
everybody doesn't. When did you become number one on the
car sheet? And what does it mean to be there?
Speaker 2 (03:03):
I've been numbering for a while. I love it. I
love it like I don't know. I don't want to
make it very clear. I love it now. You never
left the road. Why is the road so important to you?
Because you control it, You own it. There's no small venues.
You do big venues, like nothing better than stand up coming.
Speaker 3 (03:20):
There's no job better than the job of live entertainment,
live audience, your fans, your connection, your relationship. It doesn't
die if you treat it like a plant and you've
ever water it, the plan is never going to die,
right Like so if it can grow and you have
good seasons, bad seasons, it's always going to be there
(03:41):
and those fans are just gonna ride with you forever.
So I'm very adamant on staying true to stand up coming.
Nothing takes the place to stand up coming. I don't
give what i'm doing the level that i'm doing at.
I will go and do comedy clubs. I will come
to New York for months on a time and just
do a run of pop ups.
Speaker 2 (03:56):
That's my muse, that's my stress reliever.
Speaker 1 (03:58):
So if you get demon ways say that he would
never do stand up anymore because he was like.
Speaker 2 (04:02):
People are too sensitive, people are stupid. Well yeah, it's.
Speaker 1 (04:06):
Basically, you know he says anything, people get offended too fast, and.
Speaker 3 (04:09):
It's like it's just not worth the distress. I understand.
I don't see it the same way because I don't
have that level of giving. I don't want to do
the thing that I love to do because I'm caring
so much about what everybody else is thinking about what
I'm doing. Like, I don't I think he meant that
on you know how the WAYNS used to be like
they no limit, like you talk about anything. But now
that since the new trend is being offended and a
(04:30):
lot of people are just you know, it is what
it is though communities.
Speaker 2 (04:35):
I mean, Dame is Dame. Dame is a legend.
Speaker 3 (04:38):
Like if Dame wanted to go on stage and around,
Dame can do what he wants when he wants. The
idea of people being upset or triggered. If you're thinking
about that, like, then you're you're going down a crazy spiral.
I'm not doing comedy and thinking about the thought of
what you think about what I'm saying. I have the
things I want to talk about. I know the direction
I want to go in. I'm not here to offend.
(04:58):
I'm not here to aggravate or pissed people off. I'm
here to do my craft.
Speaker 1 (05:02):
Have you apologized yet to Delaware State University for what
you don't?
Speaker 2 (05:07):
Let it go?
Speaker 4 (05:08):
Come on, let it be know way did you she didn't?
Speaker 5 (05:12):
Here's I thought I was trying to State University.
Speaker 6 (05:16):
Let me know, Delaware Sean Jackson said, you was sorry.
Speaker 3 (05:37):
I mean, first of all, it is all right, but
it's like smart people there too. We're talking about Delaware
State knows I have no ill will towards them.
Speaker 2 (05:48):
We love you guys. But it was a funny bit.
Speaker 3 (05:53):
You gots your animated show out little kids, Yes, talk
about your.
Speaker 2 (05:57):
Life growing up?
Speaker 3 (05:58):
I mean you want to do that animations? You know, crazy,
This has been a this is a crazy development, man.
This is I want to say, like seven eight years
in the making before we could actually do it properly.
Shouts out to Scott Mills over there at BT man
for understanding like my world of want and allowing me
to do it the way I wanted to do it.
Speaker 2 (06:16):
You know, it's an adult animation.
Speaker 3 (06:18):
And I wanted to like flip the story of the
conversation attached to the Hood, right, Like everybody talks about
the Hood from one point of view, you know, the
Hood is the hood, and people like the Hood.
Speaker 2 (06:27):
Is so bad.
Speaker 3 (06:29):
Yeah, Like, and I think that there's a there's a
positive side to it. You know, there's a role that
everybody plays in the Hood, especially when it comes to kids, families,
Like everybody's part of the village. Everybody's raising everybody's child,
everybody is aware, everybody's in the know. Everybody's trying their
best to service and need a good and even bad
just happening. You know, when people find out there is
(06:49):
an energy attached to trying to solve it and make
it better. And this is a way of just flipping
the conversation on the hood upside down. So it's about me,
my upbringing, being in the hood, but having such a
high level of love for the hood, for my family
and for all the people around.
Speaker 2 (07:03):
It, and just Larrus is in it keeping her away
from breakfast club. Come on, okay, just don't listen to that.
I don't. I don't. First of all, I want to
make something very clear.
Speaker 3 (07:12):
When people say like, kah, thank you for giving people
a job people earn them like, I'm not giving thank
you anything. I'm not out like hey here, just here's
a gift, Like that's just that's her team, that's people
working and saying, hey, this is a good thing to
possibly put just up for it just for a process.
I mean, you could say no, but when people are
talented and earning things in their own it's.
Speaker 2 (07:32):
Happening the way it's supposed to be.
Speaker 3 (07:34):
I'm not in the space of know of everything and
I'm hand picking people and doing like that would mean
that I'm I mean the time and the day to
do that and do it and do it and do it.
Then that means that the people around me aren't doing
what they're supposed to do. So is your job to
like properly package and put people in places to make
these projects good. And it's my job to see it.
(07:54):
At the end stage, we're going, Wow, this is a
great cave. These are great personnel, great roles.
Speaker 2 (07:58):
I like this. I like this configure, but justice earning.
Speaker 4 (08:01):
It and you know, you do take the time to
pour into the next generation. You know, drewski was up
here and Drewskie said that you gave him and Kyson
not a bunch of movies to watch and told them
to get you stupid whatever your stupid asses is doing
right now, watch these movies.
Speaker 3 (08:14):
Yeah, and prepare for the next level. That's I like
what the younger generation is doing.
Speaker 2 (08:19):
It's crazy.
Speaker 3 (08:20):
I'm saying that, like I'm I'm really am a part
of like a time of old forty five. Well doesn't
look it.
Speaker 2 (08:29):
I definitely you.
Speaker 3 (08:34):
Know, uh, that older generation of like how we approach
the business, how we approach the craft right like, And
I think it's dopest to see this new generation navigate differently,
Like the comedians of today did not go and work
at it the same way that we did. Like they're
they're breaking new ground, finding ways to be the personalities
(08:55):
first and then get to the stage after. And the
way they're engaging with their audience, the way the audiences
responding to them. I think it's dopest and being a
fan of it, I feel like it's my job now
to figure out ways to like grab this personnel when
and where I can, and you know, try to push
them forward with Kay and Drewski.
Speaker 2 (09:12):
Kai is such a monster man. I told him.
Speaker 3 (09:14):
I said, look, man, I want to show you guys
ways to like give your audience more and ways to
do more. So I came up like with some dope
ass ideas concepts for us to rock in together, but
stay true to the space of what they're doing. So Drewski,
I know, he came and he was like, tell you
guys about the movie. I don't want to tell yall
what it is, but it's a big it's a big
idea that we're working now. But I was like, to
(09:34):
do it. You guys got to educate yourself on things
in this space. So it wasn't homework. I was like,
understand production, Understand how movies are made, understand the look
and feel. I want you to be a part of
the process so you can understand the process. And after
you do this with me, go do it yourself. Go
do it and figure out ways to you know, do
it with the other people that you're around.
Speaker 2 (09:54):
All Right, we got more with Kevin Hart. When we
come back, don't move. It's the Breakfast Club. Good morning,
the Breakfast Club.
Speaker 3 (10:00):
Uh throat dust thro.
Speaker 2 (10:10):
The Breakfast Club. Warning.
Speaker 1 (10:13):
Everybody's d J n V Jess Hilarrys Charlamage. The guy
we are the Breakfast Club is still kicking it with
Kevin Hart. Juicy said, you actually set him up in
that in that stream with that little kid. He said, boy,
he said, it was you that actually said him. This
is what that that that's that's what I did. Start started.
They follow your leader.
Speaker 2 (10:33):
First.
Speaker 3 (10:34):
What you need to understand is where the cameras are
at all times. What I said, the juice key was
in his ear. I said something in his ear. Okay,
nobody really knows what I said. He knows what I said.
And then he took the liberty of going and saying
very harsh things. By the way, you know things it
shouldn't be seeing you walk right out like you said,
I mean, I don't want to be around that. I've
seen a lot of people getting fights. I've seen what
(10:56):
it's about to happen. I go, I shouldn't be here, right,
I shouldn't be here. They're about to start shooting. By
the way, he's got the gun.
Speaker 2 (11:03):
I see it. I'm gonna leave right now.
Speaker 3 (11:05):
So I just exited the room because I think I
think at the time, I had to go to the
vathroom actually, and then a lot of stuff from what
I was told happen.
Speaker 2 (11:12):
From what I was told, the kids started crying and
stuff like that.
Speaker 3 (11:15):
I came back and I was like, what's going on?
Right at that time, I'm the adult in the room
trying to calm down, right, like, man, what's happening? And
I think all the cameras caught me saying that, which
is good for me legally, So I was never attached.
Speaker 4 (11:29):
Drewskie said he felt like he could make those jokes
because he's fat and y'all were teething him all day
about being fat or justkey.
Speaker 3 (11:35):
First of all, calling people fat, that's aggressive. When you
saw the big thinking of you, I just want to
that's what juicy big a little bigger, right, he had
(11:55):
problems breathing when he walks up the steps. Yeah, of course,
But but you know that little kid, I think it
was on his way to a healthy lifestyle. You got
to support that, right, the little kid because he was talking.
I think the little kid was talking about exercising and stuff,
which is good and I'm always glad to just be
on the positive side of conversation. That's what I'm about,
you know, a beacon of light. Joy Kevin. At the
(12:17):
level of success that you are being an actor, do
you still have to audition for roles or actually not?
What are you talking to la Lawrence that he had
said that he does.
Speaker 4 (12:28):
I think Martin said he had to he pitches. He
still got to pitch projects.
Speaker 3 (12:32):
That yeah, that makes sense if he's pitching things, man,
am I am I really pitching things? I think I'm
pitching ideas to my team. I'm more in the business
of creating the things that I think best service my
want in my direction and the business like when you
think about the dramas, you think about all the things
that I've done as serious like that's been me so
true story. I was like, I want to I want
(12:53):
to kill somebody on camera. I think it'll be dope,
and I want to found a guy that created Narcos
and I was like, yo, to be dope if we
could collab and talk. But we developed it and then
I was like, Okay, this is great, let's go and
take this out Like that's developing it and then going
to sell it fight Night that was me Will Packer
will tell me you had the rights, and I was saying, hey,
to do it. This can be dope with but let's
(13:15):
do it this way and put the right people in it.
So like the creative side of from start to finish
is where I'm playing at now. But like auditioning, I'm
not really auditioning. I think people they have a project,
They're like, oh, Kevin would be good for this, and
I'm getting those calls, hey, we want you to do
and then I got a decision.
Speaker 2 (13:32):
Of if I want to do it or not.
Speaker 3 (13:33):
Like fans is the upside, That's still one of my
favorite movies. You and Brian Cranston, they already saw you
for that role. They said, we want to do the
remake and we see you and Brian Cranston doing this,
are you interested?
Speaker 2 (13:44):
And absolutely and Nicole Kitman.
Speaker 3 (13:46):
I was like, absolutely, hands down, but it's it's it's
coming out and having an ask, not saying I would
an audition you would, trying to clean it up, trying
to clean it up, trying to cameras there. I just
wanted to look in and make it just look like
I'm willing to do right right?
Speaker 2 (14:05):
What about like social media?
Speaker 4 (14:06):
Backlund, because everybody, for whatever reason was highly upset when
you hosted a NBA All Star Weekend. There was a
a section of the Internet that was acting like they.
Speaker 3 (14:14):
Were you know, you know, what energy do you give
that I'm a partner to the NBA, Like, I understand
what that means. I'm I'm not coming on to be
Kevin Harten have funny moments to the NBA. The NBA
has been a servicing aid to my career for over
fifteen years. Like you go back and you'll look at
how much I've been on NBA T and T and
(14:36):
All Star weekends, celebrity weekends, all these events like this,
and I look at it's it's almost host adjacent, right,
Like the personalities that we lean on because we're familiar
with family and we know how they work.
Speaker 2 (14:49):
That's what that is. So the All Star I'm not
going to the All Star Game to trying to create
a big moment for me.
Speaker 3 (14:55):
I'm there because the energy of the All Star Game
comes with Chuck, Ernie Kenney, myself, Shack, Like we've been
doing this for years, like just talking and playing with
one another, bantering on camera. That's not an easy thing
to do. They make it look easy, they make it
look great. That's not an easy thing between you and Shack. Yeah,
that's not an easy thing to do. Like that chemistry,
(15:15):
that rapport. It comes from like having a real understanding
for how TV works, So you can't just throw new
things in there because it gets weird. People don't understand
the times, people understand the cuts, how much time you
got to go cut back to the game. They're trying
to do so much new, they're trying to discover it.
So why they're trying to figure it out. Here's personality
that we can lean on, so at least we don't
have dead space or dull moments on camera.
Speaker 2 (15:36):
That's what that is.
Speaker 3 (15:37):
So when you understand the technicality behind it, then you
you understand my involvement. I don't I don't feed into
the other like I know why I'm here partnership.
Speaker 4 (15:45):
Do you ever tell Shack to like really back up
off you and then you kind of sexually assaulting you in.
Speaker 2 (15:49):
A little bit.
Speaker 3 (15:50):
Sha only one time with Shack has done some crazy
okay where I was uncomfortable real husbands, that whole thing
that's on the internet that they wasn't scripted.
Speaker 2 (16:03):
I wasn't scripted it.
Speaker 3 (16:05):
It was a moment, but honestly, be really, I couldn't
do nothing about it.
Speaker 2 (16:11):
They gotta cut this.
Speaker 3 (16:13):
You know before before I put a little size on
not to say I could do something to shock, but
I didn't.
Speaker 2 (16:20):
That was a very fraim version of me.
Speaker 3 (16:22):
And you know it was this is when Shaq was
like when they were like just talking about Shaq being
a cop and he.
Speaker 2 (16:28):
Really was a cop.
Speaker 3 (16:30):
To be funny at Shack pulled me over on Real
Hollywood and you know, like Shack is like basically about
the arrestment.
Speaker 2 (16:35):
You know, everybody can't him problem.
Speaker 6 (16:40):
They kept.
Speaker 2 (16:44):
You don't even have to say this. We're not even
gonna discussing people haven't seen a great show. It's a
great show, but it's not online.
Speaker 3 (16:50):
But we're not gonna do is make it seem like
something that. So, but what he did was he grabbed
me when I got out the car, and he just
tried to get a little physical right. It was like
you but it's like like everybody doesn't improve the same comedy.
Speaker 2 (17:04):
Comedy is an art. Like you ever see.
Speaker 3 (17:06):
Comedians when they try to like improvate, some of them
go too far or they don't know when to stop,
like hey man, we got to end the scene. Like
they can't go over there like oh yeah, well your
mama And you're like, well mom, you can't bring up
moms to you don't know who our moms are in
the scene.
Speaker 2 (17:19):
It's like I just.
Speaker 4 (17:21):
Says hashtag call of the week. He yo, nah shock
you straighted by lady Kevin Hart. You literally took that
man in the pound town.
Speaker 3 (17:29):
This is this is what you're doing. That's actually that's
actually nuts.
Speaker 2 (17:34):
That's nuts. That's what he grabbed me. He grabbed me,
throws me.
Speaker 3 (17:38):
Over the over the carr and he and he he
starts humping me.
Speaker 2 (17:42):
So I'm like, I remember turned you around, bit you
over face and said you want to tell you hell,
let me tell you what I can tell.
Speaker 3 (17:51):
Charlote Mayne, Charle Mayne is perfect, like he's a nasty man.
That's like, in this brief time, I just found out
a lot about him by the way he starts to
describe and stuff, very graphic.
Speaker 2 (18:01):
Nasty man. I just told you.
Speaker 3 (18:03):
Just driving with sh you grabbed me and he throws
me over the car.
Speaker 2 (18:07):
He's like, you don't know what.
Speaker 3 (18:08):
He starts talking me. I remember Ralph about rest of
the episode. I remember I looked at Ralph. I'm like, hey,
did you the job it?
Speaker 7 (18:16):
Pa?
Speaker 2 (18:17):
Something happened and it was like, uh, they were like
all right, Uh. Nobody wanted to say shock. They was like,
all right, we got it, so let's just move on.
Speaker 3 (18:28):
We just we just moved on about address.
Speaker 2 (18:34):
Just like everybody just shut up trying to get you
again off, just shut up.
Speaker 4 (18:39):
Did you get.
Speaker 2 (18:39):
Triggered a little bit? I saw you he was creeping up.
Speaker 3 (18:42):
That's a very young I'm older and I'm in a
much more controlling state in my in my life, right,
you know, I would say something to show you know,
don't do that. You gotta stop it, right, like confirm
stop that right. But in that moment, that was shocked
trying to be funny. That's my that's my shout out
to the big dummy himself.
Speaker 1 (19:05):
How we got more with Kevin Hart when we come back,
it's the breakfast club.
Speaker 2 (19:08):
Good morning.
Speaker 7 (19:10):
You baby, shell Eli you well, well, it's good. I
can tell come give me hell come in your baby
till I tell your spelled.
Speaker 2 (19:20):
I am she gets all.
Speaker 8 (19:23):
I guess I don't run out of hot chunce can't
keep an inside in.
Speaker 7 (19:29):
Uh uh, I'm calling you so eaganock can.
Speaker 2 (19:33):
But you call me tied.
Speaker 8 (19:35):
Say you may get easy with me to believe in love,
you better believe it this baby, I'm leaving with something
better than your hay r smiling cause you know I
know you know.
Speaker 7 (19:52):
You baby said Eli, you well or well, it's good.
I can tell come give me hell, come in very tail.
Speaker 2 (20:01):
I'm to your speed. I am she gets your nail
all streaming.
Speaker 6 (20:07):
Yeah.
Speaker 2 (20:08):
I can't come for help for men.
Speaker 8 (20:10):
You leading webs up to your.
Speaker 7 (20:12):
Nails for us.
Speaker 8 (20:14):
I hate your good you're sleeping good for her ivy.
Speaker 4 (20:18):
I off.
Speaker 2 (20:22):
Off you right, will offer you like no one is
hell off C. I will offer you. I don't will
offer you freaking like the one that's having game.
Speaker 1 (20:35):
Do you want to come funds doing warning everybody's d
j M V j Hilarius Charlamage, the guy we are
the Breakfast Club.
Speaker 2 (20:42):
We're still kicking it with Kevin Hart Charlamagne.
Speaker 4 (20:44):
I want to go back to number one on the
car she because Darling Kate Brown did an interview with
He said that people wanted to put him number one
in the car sheets, but he was superstitious about it
because he's been successful enough not being number one, so
he was okay with being number two.
Speaker 2 (20:56):
What do you think of that? I don't. I don't
mind that, you know.
Speaker 3 (21:00):
I mean, as somebody that's been there, when when you're
there and you've you've experienced whatever the conversation attached to
it is, it's not the same level of important, right,
Like it's it's not important. Like I was joking out
earlier about the idea of number one of culture, but
it's not that important to me. I don't I don't
give a I don't care about top billing. I don't
need my name to be first. I don't need my
(21:20):
name to be the biggest when they first put the
movie or the TV show out, Like if that's more
important to you, I'm like, all right, let him get it.
So when you in the rock do a movie's number
one on the calture. I let him get it, but
he's DJ's an ass. Ye, yeah, he's an ass him
get it?
Speaker 2 (21:36):
Joking? Yeah, DJ, By the way, he trumps me every time.
What do you mean? It's not even conversation. I don't
even bring it up. You number one on this right?
The box office number is like?
Speaker 8 (21:47):
How do they?
Speaker 3 (21:49):
I think he deserves to be number one when we
do the project. He's an international superstar. Not to say
that I don't have international success, but I don't think
that we're equal in that regard. I think that his
movies have performed and done crazy business internationally, and when
we do projects that we want to appeal to the world,
(22:10):
you should be first. I'm coming in and I'm on
that train with you. I'm adding value to it, but
I'm not bumped by you being first. We put an
amazing cast together to help us get those audiences when
we do. But I don't feel any type way about that.
I think he deserves it and he should have it.
Speaker 4 (22:27):
Congratulations too, man, you got is announced that Heartbeat Is
it working with the pass Yes, heart Beat it to
be the official cultural curator to provide entertainment and live
experiences for.
Speaker 2 (22:36):
Fans in the Indianapolis claus. Yes, first of all, what
does that look like?
Speaker 3 (22:39):
It's an opportunity for our company, right, Like you're our
company is a creative engine for any resource that allows
us to be right Like, we are a business. So
our business thrives when we can implement ourselves in places
to create or elevate a brand, a company and then
to an activation, whether it be live entertainment, storytelling, et cetera.
(23:04):
Indiana with the Pacers and the Fever have an attraction coming.
I think they have an all star coming up. But
it's more about they're like, look, we're looking for ways
to expand and elevate what we've done. They spent a
lot of money on a new facility, they have a
team that's thriving, a younger team Fever or thriving with
star power, etc. So they're like, how do we elevate?
(23:28):
How can we better tell our story? And I'm like,
that's what we do. I'm looking to be a better
partner for the NBA. How do we better tell stories
for your brand? How do we better promote and market you?
How can we amplify or activate differently? Like these are
words in the business that companies desperately want to hear from.
Speaker 4 (23:46):
Potential party, Will heartbeat call Mike EPs to do Absolutely,
He's gonna call you to do something.
Speaker 2 (23:53):
Absolutely.
Speaker 3 (23:54):
I mean, me and Mike's relationship now is we're ten times.
Speaker 2 (23:58):
But it took a long time to get to where
we are now.
Speaker 3 (24:01):
But I'm I'm happy at the road of like dumb
because it got us to a place of real grown
man and we're not We're not doing the dumb like tweets.
No more like Mike call me, I'm calling you. And
we talked, so you know when that did. Mike was
the first one we got on the phone. We had
a conversation, and me and Mike are are very much
(24:23):
on the same page. And I think, you know, a
lot of the disconnect was from assumption. That's the realization
that came about. But I have no it will no
be towards anybody, damn sure, not Mike. And you know,
right now the priority between me and Mike are figuring
out the thing that we're going to do together. And
you know, I told Mike like it's a it's a
(24:43):
real thing, Like we haven't done it because of this
disconnecting our relationship we've never been on the screen together.
We did Real Husbands together in the beginning. Mike did
an episode and that's the only time we've ever jousted
on camera. And I was like, at this point in
our career, like, we're not nobody ourselves, so you know,
how do we make it work? And he's like, yeah, keV, Like,
(25:03):
how do we make it work? And it's a it's
a mutual understanding. And I think now having that as
a priority, his fans will be happy. My fans, I
think will be happy, and I think it'd be dope
for the culture when we do it. Yeah, where is
that version of Harlem Knights for this era? It's hard,
it's hard to happen because the idea of it being
just one is what people can't let go of me, Like,
(25:25):
that doesn't have to be just one star.
Speaker 2 (25:28):
But Hall of Knights wasn't just one star.
Speaker 3 (25:30):
That's why I worked. That's why I worked. Richard didn't
give about Eddie. Eddie didn't give by Richard the two
biggest comedians minus the boy. The only person that was
missing that should have been in that Cosby in some
degree right a showing of him. But they had Red
Fox Robert Harris, like, if you go on, you look
at the names that reason like you, you look at
(25:51):
the names and the people in Harlem Knights. You looked
at a conglomerate cast of hard hitting comics of color.
Speaker 2 (25:58):
We don't have that to date.
Speaker 3 (26:00):
And even when it comes to like the younger comics, man,
it's been a few of Like DC young Fly has
countless scripts that he has and he's trying to get
all of us like in this generation. But egos and
what she gonna be getting and who gonna be the
main character up, I ain't working with her or how he.
Speaker 4 (26:18):
You know what I mean.
Speaker 3 (26:18):
So the problem with the with the younger generation of comics,
man made money so fast, good money, that little money.
Speaker 2 (26:26):
They made money so fast. So definitely the idea of.
Speaker 3 (26:30):
Doing that for that I'm over here againting it's like
the idea come here. I mean, just just just made money,
still making money, right, Like, just understands that road money,
that road money is a different type of money. These
comics or new comics influencers churn com I'm making real money.
So until you get to a point where you understand
(26:52):
the money isn't going to drive your next stage of success.
If your next stage of success or what for success
is attached IP projects, whatever, you cannot do it by yourself.
Speaker 2 (27:04):
You gotta tap in.
Speaker 3 (27:05):
That's what people are afraid to do, and they're afraid
to do it, especially in our culture because we feel
like there can only be one and that younger mindset
in this business today is a cash driven mind. The
money will come, I'm telling you, the money will come.
The ideas don't. Relationships and partnerships don't. That's the difference,
(27:29):
Little keV. I'm excited about it. Adult Animation BT plus
ones getting shot.
Speaker 2 (27:33):
Out to BT.
Speaker 3 (27:34):
Shouts out to my amazing team and heartbeat man. This
is a piece of IP that I worked on for
a long time and to have it finally come to
light as dope, as as funny as it's raw, it's edgy.
It's a true testament to my mom and dad who
aren't here. So r I p to the heart upstairs
and maybe down so you know my dad, They say
he could be I don't know, so uh you know,
(27:55):
just in the middle. Shout out to Pops wherever you are. Yeah,
I don't know what side uh this is. I don't
want I don't want to assume I don't want to.
I don't if if God ever closed the door, my
dad might have been on the outside.
Speaker 5 (28:13):
Uh.
Speaker 3 (28:13):
But it's a testament to them, So I can't with
you guys, enjoy a BT plus watch it, lock it in.
Not one of them, call sheet, shout out the Fox,
lock it in.
Speaker 2 (28:20):
That's it. I'm done.
Speaker 1 (28:21):
It's the Breakfast Club, It's Kevin.
Speaker 2 (28:23):
Watch y'all.
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