Hollywood Weekly Ep. 6: Big Swords and Bigger Scores

Today on Hollywood Weekly, Jackson Felts, Christopher Kidd, Anderson Hirst, and Jessamyn McIntyer talk about Black Sails, what they've been watching, animated movies going live action, a new show trailer, and a draft of the best movie scores of all time.

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Episode Transcript

Speaker 1 (00:03):
That's that was an idea. I felt like I was
gonna spake.

Speaker 2 (00:07):
Yeah, I'm not sure what to do with my hand.

Speaker 1 (00:10):
You have part of my attention, you have the minimum amount.

Speaker 3 (00:13):
What name?

Speaker 4 (00:14):
Who are you steal?

Speaker 1 (00:16):
Some men just want to watch the world. Let's see
you drinking one percent?

Speaker 4 (00:22):
Is that because you think you're fat?

Speaker 3 (00:24):
Let's rock?

Speaker 5 (00:25):
Let's rock today.

Speaker 6 (00:26):
I didn't know the studio fit four people. But he's back.
You're back from like.

Speaker 4 (00:32):
Yes, that was an afrono the prodigal child, once a child.

Speaker 1 (00:38):
Yeah, I mean you're married again? Do you does it?
Does it say are you freshly married?

Speaker 7 (00:42):
Do you get to say I'm not a polagon po piliamois. No,
it's I just got married to the same person twice.
It was just another celebration with her family. It was fun,
good times. But I was listening to you guys a
podcasts upgrade.

Speaker 1 (00:56):
Excuse me, I mean, I mean she's much better to
look at.

Speaker 5 (01:01):
Okay, he's got.

Speaker 2 (01:02):
Those baby blues. Oh wait, so do I.

Speaker 6 (01:06):
Anyway, Anderson Hurst is back from Argentina. He's back from
his three weeks away getting married for a second time.
And we fit Jessmon McIntyre in here as well, so
our usual intro gets to change.

Speaker 1 (01:18):
We are not three.

Speaker 6 (01:19):
We are four sports radio producers who have finally been
able to be able to talk about something other than sports.

Speaker 1 (01:25):
This is Hollywood Weekly. We talk movies in TV. Each week.

Speaker 6 (01:28):
We talk about what we're watching. We're talking about what
you should watch. We're talking about the news you need
to know in movies and TVs. And we're doing a
draft today. Andrews, you came back from Argentina and the
first thing we talked about he said, all right, you
know we have the podcast coming up on Thursday or
I don't know if we'll do it every Thursday, but.

Speaker 1 (01:46):
New Day Thursday.

Speaker 6 (01:48):
And you just swung a home run with your draft
idea this week.

Speaker 7 (01:52):
Yeah, I've had a couple in the bag and I
kind of mentioned this to you before I left. I
was like, Okay, I have a couple of things that
I don't want you to do because I want to
do them with you when you guys are doing the podcast.
When I was gone, I know, it was gone for
three weeks. So this week we are gonna do the
draft of the all time best or our favorite I
should say scores in film love It movies only we're

(02:15):
doing today, I think is that I have a ton
I had to drop it down from like fifteen to
ten because I had a lot.

Speaker 1 (02:22):
We're gonna have sixteen picks, yes.

Speaker 7 (02:24):
Yes, so hopefully they don't get all get taken from me,
but we'll see what happens. I think this is gonna
be a good a good one because honestly, I think
scores slash music in movies. There is a distinction between
those two things. By the way, scores are so important
to how good a movie can be. It can elevate

(02:47):
a bad movie, it can put a good movie over
the top. It just makes everything better. I'm sure we'll
hear about this, but actually, know what, I'm gonna save
that little tidbit for don't chase your hand.

Speaker 4 (03:03):
Right there.

Speaker 6 (03:04):
I think it's a great idea for movie scores. And
and I mean we had that great We didn't even
do a draft, Chris. We did we did the kind
of the rankings of comedy movies, and I think one
of the things that that did was a highlighted the
different tastes in this room. And that's why this score
draft is going to be so interesting. To highlight the
different tastes of all of them. We did on Christopher
Nolan draft. Obviously he pairs with Hans Zimmer, so the

(03:27):
question of you know, how much does that factor?

Speaker 1 (03:29):
And I think it's gonna be a real interesting draft.

Speaker 4 (03:31):
It'd be fun. I'm excited to do it. So what
did we start?

Speaker 6 (03:34):
Well, I think we start with what we're watching, and
I want to start with the big question of Andrews.
When you have twenty two hours of travel times two
down to Argentina from Seattle and then back up to Seattle.

Speaker 7 (03:47):
From Argentina, also over to Chile, which is another ten hours,
and then back which is another ten hours.

Speaker 6 (03:53):
That's sixty four hours of travel in sixty four hours.
That's a lot of downtime. Just watch things. What did
you watch?

Speaker 7 (04:03):
Well, Because you guys got me all excited about Black
Sales once again. I started that once again because I
hadn't seen it since really basically since it came out
back in twenty fourteen, I think was the first season.
So I got through halfway all through season one, halfway
through season two. At this point I kind of slowed
down a little bit on the way back because we

(04:24):
were dealing with some travel logistics and stuff, and I
was trying to get some sleep a little bit more.

Speaker 5 (04:30):
But on the way there, I was all in on it.

Speaker 7 (04:32):
I was basically that was the only thing I was watching,
and I forgot how much I love it. I'm excited
that you guys got to experience it.

Speaker 6 (04:39):
So now, I mean we held off talking about it
last weekend, and Jessman, this has really been the show
of the podcast Black Sales. As we fray kind of
how it starts. You may have framed it is the
Game of Thrones on the high season. Yeah, and I
finished it, so we finally get to talk about it.
They stuck the frickin' landing for me. It comes in
at number seventeen all the time in my series.

Speaker 5 (05:00):
Good for you, that's very good for you.

Speaker 6 (05:01):
I mean it is a trum. I mean I have
one hundred and ten shows ranked it is.

Speaker 5 (05:05):
Have you seen his list by the boys?

Speaker 6 (05:07):
To see it might give me anxiety, honestly, And and
you sold it in the first episode of this show.
You said, this is the show I recommend, go for it.
And you sold it really well, Chris. You whipped through
it in like two weeks.

Speaker 1 (05:21):
It took me a month.

Speaker 6 (05:23):
I mean, like I you jump in for Christopher because
for me, just the way and not spoiling anything here
for those who are still working through it, for those
who were starting it, but the way that they they
kind of finished the arc of every single character and
then still left you questioning things and still left you
wanting more but not enough wanting where you're really angry

(05:43):
that they finished it.

Speaker 1 (05:45):
Just the way that they stuck.

Speaker 6 (05:46):
The landing I thought was so damn perfect, in one
of the best ways I've seen from a show in
a long time.

Speaker 4 (05:52):
You would have thought we were watching some own bios
at the Olympics. It was incredible. I mean, no, they
such they nailed it to a t. Yeah, I didn't
expect that to be the ending, and what more could
you want?

Speaker 7 (06:06):
Okay, So I'm gonna ask that, how surprised were you
at that ending?

Speaker 4 (06:09):
Very because extremely that's one of the most surprises I've
bet in. I had to rewind him, like, wait a second,
did I did I see that?

Speaker 1 (06:15):
Miss?

Speaker 4 (06:15):
Something?

Speaker 7 (06:16):
Is there?

Speaker 4 (06:16):
Was there a hint given that I didn't pick up on,
but they never showed A And then you get B
and you're like, well, we're a C and you know what,
that's okay, we don't need c we don't need another season.

Speaker 6 (06:27):
But they didn't even they didn't even tip the hand
at all. Bye, By There's not much I can say here,
but they didn't tip their hand at all to the
final destination of the main character.

Speaker 1 (06:36):
They didn't they didn't tip the handed.

Speaker 6 (06:37):
At all of of where it could go from there.
And I think you're right, Chris going back and watching it.
But one of the lines used in like the second
week of the podcast, because you whipped through the first
season in like three days, was in these situations that
keep popping up, you keep wondering, how the hell is
Flint going to get out of this one? How the
hell is rack them get out of how the hell
are each of these characters is going to get out

(06:58):
of these situations? And I was kind of like, all right,
you know, I wonder how much I'm really gonna be
questioning that, And by god, every two episodes you're saying,
how the hell are they gonna get out of this one? Yeah,
And just it wasn't weird plot devices that got them
out of it. It's the character ingenuity, it's the character intelligence,
and it all feels earned, every moment of getting out

(07:19):
of every situation feels well earned.

Speaker 7 (07:21):
Yeah, and never rarely did I feel like a character
made a decision that was out of their character, if
that makes sense. Yeah, it felt like, okay, that's something
that he would do, even if it like still surprised me,
because like it keeps blowing your mind after everything that
continues to happen, But it never felt out of character.

Speaker 6 (07:42):
One character this is I don't even spoiling too much.
One character allows himself to die without without being rescued.

Speaker 4 (07:49):
I almost put that on one of my top painful deaths.

Speaker 6 (07:51):
Yeah, and honestly, for me, I think to your point
you just said, Anderson, the fact that like that's in
his character to make that decision.

Speaker 4 (08:01):
He looked at his boy, he said, don't you do it?
Don't do it. I'm like, I'm like, no, no, do
it fine for him, don't let him die just because
and he said, and they sid, I got you heartbreaking.
I would have been like no, I would have died

(08:21):
trying to save him.

Speaker 6 (08:22):
The question for the three of us then, and then
I don't if there's anything else we can say about
black Sales, we can move on the question I have
now that the we've wrapped the series, all three of
us is, uh, what was the best appearance of Blackbird
in black Beard in season one, episode one or when
they finally do introduce.

Speaker 5 (08:39):
The real one.

Speaker 7 (08:40):
I know, I know everyone loves the first episode of
black Beard, but not the real one. Ray Stevenson is
a legend. Rest in peace. I think it was a
great choice for that, for that character, and he plays it.
He plays that part so so well through the end.

Speaker 6 (08:58):
So freaking well. Let's continue to move on here. Let
me whip through mind what I've been watching really quick
and we can just move forward. I've been watching this
new show on Netflix called Detroiters. I shouldn't say it's new,
it's just new to my watch for you. Detroitter's with
Sam Richardson from Veep, Tim Robinson from I Think You
Should Leave.

Speaker 1 (09:15):
To very very good comedians.

Speaker 6 (09:18):
They play basically ad executives a lah mad men, but
it's a comedy version because they do, you know, midnight
ads in the City of Detroit. Very funny if you
like I Think You Should Leave and that kind of slapstick.
It's not dry humor. It is full, you know, three
stooges humor. Very very funny show executively produced from Jason

(09:39):
Sedeikis and Lorne Michaels, and you feel that Saturday Night
Live slapstick influence in Detroit.

Speaker 1 (09:44):
Ter's Doune Prophecy is now out on Max.

Speaker 5 (09:48):
Yeah, to ask you about that.

Speaker 6 (09:49):
Dune Prophecy is set ten thousand years before the events
of Dune and Doune.

Speaker 4 (09:53):
Two, long before.

Speaker 6 (09:56):
But the cool thing about Dune Prophecy is that it
folds in still fundamentals of doing it one. In Dune
two the fiends that were from in War how there's
this you know, spice trade coming from Aracus, and they
fold that into the story while kind of diving deep
into how the Bennett jesuit these you know, witches not
really witches have formed very, very.

Speaker 1 (10:17):
Interesting from the start.

Speaker 6 (10:18):
I'm not sure if any of you have caught it yet,
but I think Doing Prophecy has has some interesting fundamentals
to it, good character development, at least in the first
episode that.

Speaker 1 (10:27):
Debut debuted last week.

Speaker 6 (10:29):
All right, So, and then I would rope in my
recommendation Silo that just came back with season two.

Speaker 1 (10:36):
Silo is a show basically set in the future.

Speaker 6 (10:39):
There's been a nuclear war and they're in silos. But
the question is is the air outside of these silos.

Speaker 1 (10:45):
Breatheable or not?

Speaker 3 (10:46):
Uh?

Speaker 6 (10:46):
Season one is only ten episodes? Easy to get through.
I think season two just started. If you're looking for
a new show, I think it's really easy to to
just grab that and dig into it and it's it's
definitely a show to kind of wrap your hand around,
and you get new episodes every single Thursday night at
nine pm Pacific. So Silos, I think off to a
very very fast season two start and quick to catch

(11:09):
up on season one? Christopher, why don't you go next?
What have you been watching?

Speaker 1 (11:13):
Man?

Speaker 4 (11:13):
So? My fiance left for Los Angeles last week and
I found myself checking out a series that I saw
when I was getting a huge tattoo done. I was
in the shop and I was like, what is this Tracula?
And I only saw the subtitles, but I was like,
it looked a little cheesy, not my cup of tea.
And then last Wednesday, I was like, you know what,
why not just pop it on? I ain't got nothing

(11:35):
else out of town. She's out of town. She really
don't care for these type of shows, so let me
just pop it in.

Speaker 2 (11:40):
That's the three to do it.

Speaker 4 (11:41):
Three episodes. They're all about ninety minutes, so it's really
it's like damn near a movie, but like a trilogy.
It's really good and I enjoyed. It's called Jaculates on Netflix,
and it's just a little different spin like the I
like the elements of it. Each episode is its own
story and it's going to the end of the story,

(12:02):
which is just, oh, well, that makes a lot of sense.
But I was really impressed by it. I enjoyed it
number one, and I just thought it was different than
your other Dracula films.

Speaker 1 (12:12):
Sorry, drama or comedy. What is this?

Speaker 4 (12:14):
It's a drama, it's horror drama. It's yeah, it's all
of that. I wish it was. There are some no, no, eh.
The Nun's pretty funny, you know, she has like a
comical is.

Speaker 2 (12:24):
There like comic relief.

Speaker 4 (12:26):
I don't even know if it's relief. That's just her thing,
like she's I'm not afraid of you, Jakalla, you know,
that's her bag. And it was a really interesting series.
I enjoyed it. It came out in twenty twenty during COVID,
so I remember hearing about it. But as I mentioned,
I'm getting tattooed. I'm just like, yeah, no, it's not
my cup of tea. And then years later and let
me check it out, and wow, I might watch it again.

(12:49):
It was that good. I love the story of it.
It starts off with a man that travels in Transylvania
to get his new client, which is the Count. He
doesn't know who the Count is, Count Jackla. You're not like, oh,
he's a bloodsucking human. There's sucking humans lives out you know,
you're not thinking of that. But when he gets to
his castle, he realizes, okay, where's all your workers. It's

(13:11):
just you, my boy, just me. That's strange. Okay. Then
he having nightmares and he's getting older and he was like,
why am I getting older? But you, Drackler, are getting younger.
He's like, I don't know, man, you tell me strange. Well, yeah,
he Count just does a really good job of manipulating people.
Come to find out there's more than one person in

(13:32):
that castle. It just took him a while to realize it.
And he talks about his escape, and then you go
to episode two, and that is a voyage. Dare I
say so, you guys probably understand where that's going. The
Demeter that makes an appearance that was called the Demeter,
the Boat the ship Yeah yeah, oh yeah, so that's
the second episode. Then the third episode is more You're Lost. Yeah,

(13:53):
I've never seen The Demeter.

Speaker 5 (13:56):
No.

Speaker 4 (13:56):
Oh, that's a good that's a good movie. It's I
don't know if you've seen that movie.

Speaker 6 (14:00):
I guess I guess what we're asking for. Chris sell
it in thirty instead of sixty.

Speaker 4 (14:04):
Great show. Check it out, Jacquelina was U Is.

Speaker 1 (14:07):
That all you got? Anything else? So you're watching it?

Speaker 4 (14:10):
No, that's about it.

Speaker 1 (14:11):
I'll turn it out, Jessamine, what are you watching?

Speaker 3 (14:13):
Chris and I have very similar taste actually because he
recommended something and I forgot the name of it. But
I binge the whole thing and it was like a
year after Night Mass.

Speaker 2 (14:23):
Midnight No, it was a haunting a bly bather.

Speaker 4 (14:26):
Well you've heard entry. Yeah, that's why you are.

Speaker 3 (14:27):
I didn't realize I forgot the name of it was, uh,
Midnight Mass, Yeah, that was. It's also a Horrish film.

Speaker 4 (14:36):
Great story.

Speaker 1 (14:37):
You guys love that vampire. I love that death dress.

Speaker 3 (14:40):
Yeah, you know, when the husband's out of town, give
me some murders.

Speaker 4 (14:45):
Okay, you know what she said, instead of a toy,
give me blood and guts.

Speaker 2 (14:52):
Oh my god.

Speaker 4 (14:53):
Okay, wow, okay, the temperature.

Speaker 3 (14:59):
Right now, there is only so much go ahead, go ahead.

Speaker 2 (15:06):
Don't go out in the sun, honey.

Speaker 4 (15:08):
Yeah.

Speaker 3 (15:10):
Uh, there's not so much time because Monday night football,
Thursday night football, Sunday night football, Sunday football.

Speaker 2 (15:16):
I'm traveling every weekend for football, and then we have
the Celtics on top.

Speaker 1 (15:21):
Not talking about sports.

Speaker 2 (15:22):
I'm just saying why my time is and so we
have all of that. But a show that I.

Speaker 3 (15:29):
Don't know, it got canceled and it had an ending
that I wasn't satisfied with.

Speaker 5 (15:34):
But I think was it technically an ending at the
time or was it canceled?

Speaker 3 (15:37):
I think so. But it's called Kevin can Bleep himself.
I don't Annie Murphy of uh Blank's.

Speaker 2 (15:48):
Creek fame, I don't know if.

Speaker 1 (15:52):
You're the only person who.

Speaker 2 (15:54):
I did say that word.

Speaker 4 (15:55):
Yeah, funny.

Speaker 1 (15:56):
We had we had a guest I think it was
Chris Crawford.

Speaker 5 (15:58):
Was he talking about ship streak?

Speaker 6 (16:00):
Chris Crawford was, and we were we had him in
the over studio years ago and Kevin Shockey or producers
at kJ R here in Seattle was producing and we
were talking about favorite shows, and he said Ship's Creek
on the air and Kevin was like, you can't say that.

Speaker 4 (16:15):
He was so, but it's spelled and two T you can't.

Speaker 5 (16:18):
You can't.

Speaker 2 (16:19):
I know you can't say it.

Speaker 6 (16:21):
We're saying Ship's Creek. We're not saying the other word.
We're not saying the title of the show.

Speaker 5 (16:25):
Yeah, there's an it's not technically also.

Speaker 1 (16:27):
Technically a podcast. Oh yeah, we're drinking right now. Anyway,
why did you reveal that that was? Why can't Why
can't we?

Speaker 2 (16:36):
That's it's a good Uh, nobody, just.

Speaker 4 (16:39):
Don't be like crossed away and spilling anything.

Speaker 1 (16:42):
Guys, Well, no, they're all these sippy cups. We can't
spill these sippy cups.

Speaker 5 (16:46):
And they just heard me crack open.

Speaker 3 (16:48):
The anyway, Kevin kN f himself. Annie Murphy of Ship's
Creek is in it. She's there's a lot of Kevin's
out there, and so it is. What I really liked
about it is the dichotomy that they create in it,
because basically, she is half in a sitcom and half

(17:10):
in her real world, and her real world is very dark,
and she can't sit in her husband, and she is
doing all of everything for the family, like almost like
you'd imagine when you watch those comedies, you know, King
of Queens right on CBS.

Speaker 2 (17:24):
Right I've been.

Speaker 3 (17:27):
I watched it on I think it was on Apple TV.
I watched it on streaming okay, so I'm not sure
if it aired actually on because it was very dark,
so I think it was only on streaming Netflix Netflix, Okay.
So what I like is because it's something I'd never
seen in any sort of film before, where she walks

(17:48):
into the living room and then it's just like it
looks like the King of Queens set, and the star
Kevin is actually I think he was a side character on.

Speaker 2 (17:56):
King of Queens too, where you got this you know.

Speaker 3 (18:00):
Wife who's very attractive, a husband who's kind of a
beer drinking and I'm gonna go out with the guy's
wife does the laundry and everything, and then she'll walk
out and she'll be in this dark place and she
basically plots to kill him, and his sister catches her
in this plot and then she can't stand him either,

(18:21):
and it goes through. I don't want to give too
much away, but it was only two seasons and it
it ended on a note that I felt like they
knew they were canceled and they had to rip it again.
It was not that satisfying. I thought it had a
lot of legs, but it was like I said, it was,
it was.

Speaker 2 (18:42):
It was. It was y, just like a centipede, maybe
even a millipede.

Speaker 1 (18:46):
It was.

Speaker 2 (18:47):
If it was a millipead, it would have lasted longer,
but any.

Speaker 4 (18:51):
It was.

Speaker 3 (18:51):
It's really good though, and I would like to see
more creatives take a swing at something new. And when
you see the divide in that where you're like, oh,
I'm watching like a real kind of shameless ish without
the comedy side of things, and then the sitcom side
of it. And you know, you think of all those

(19:12):
sitcoms where like everybody loves Raymond, like I said, King
of Queens where it's his wife and this husband sitcom
draft coming up, absolutely sweet. But anyway, it's just the
you know what, what is the woman really dealing with
because they treat her character wise, always says a nag
and she goes, oh you, and then serving the food

(19:34):
to the guys, bringing them beer, and then they just
are almost like a side character to this and then
also the guy who's.

Speaker 2 (19:43):
Like an oaf Yeah right, you know, and Peter Griffin,
perfect example.

Speaker 4 (19:48):
What was is a smoke show?

Speaker 2 (19:50):
So is she?

Speaker 4 (19:52):
I think so?

Speaker 2 (19:52):
If you watch the episode where she was eighteen and.

Speaker 1 (19:54):
At the pool, I've not seen that, she looks exactly the.

Speaker 2 (19:57):
Same family conson.

Speaker 1 (19:58):
Yeah, we Pawtucket.

Speaker 2 (20:01):
Yeah, I mean that's Rhode Island. We don't even okay,
but the Northeast No.

Speaker 3 (20:07):
I mean I liked it because it was such a
new swing at comedy.

Speaker 5 (20:10):
When it came out, I was like, is.

Speaker 3 (20:13):
This So That's that's why I got into it. But
I mean it's not on my current list anyway, Kevin ken.

Speaker 5 (20:19):
F himself, Okay, I like that.

Speaker 2 (20:21):
It's it's done twenty one to twenty two. But it
is available on stream.

Speaker 6 (20:25):
You know, speaking of things, I think that's a great idea,
is is you love to see studios and you love
to see you know, just various services taking new swings
at things and not just regurgitating old content. And speaking
of regurgitating old content, there was a trailer released yesterday
on Wednesday morning, UH for the live action edition of How.

Speaker 1 (20:47):
To Train Your Dragon Now, tom On, we preface.

Speaker 6 (20:51):
It with I love the animated series of How to
Train Your Dragon. I think that trilogy is fantastically However,
really there needs to be a notion and probably a
question of when has it actually worked? Never that they've
taken an animated film product, gone live action and made it.

(21:11):
I'm gonna use the word good. I think Jungle Book
was okay from Disney, But have we ever seen anything
go from animated to live action and it to be
even good?

Speaker 2 (21:22):
No?

Speaker 7 (21:22):
No, no, So I'm trying to think of ones that
are better than the animated, and that's hard.

Speaker 2 (21:27):
For all, it's not better.

Speaker 3 (21:29):
I think what I liked about the Little Mermaid remake
was at least more representation.

Speaker 2 (21:34):
I like that I felt horrible for the actress.

Speaker 3 (21:37):
For the amount of stuff she got, craps she got
for not being a white redhead playing that role.

Speaker 2 (21:44):
But I didn't think it needed to be remade.

Speaker 3 (21:47):
So what I liked though about that was actually casting
people who look differently than your typical Disney princess.

Speaker 6 (21:54):
One hundred percent, And I think I think that's well said.
I think there's an element of why do study feel
they need to regurgitate their old animated content and put
it on the bike and I'll quite quickly say I
want to quickly say, I think the trailer for the
live action How to Train Your Dragon is fantastic. I
think it looks great. I'll be their opening weekend. It's
also DreamWorks, by the way, it's not Disney. That's an

(22:15):
important distinction. But I am a huge fan of this series.
The music's there, and I am going I love this
product and I'm going to be there to see it,
even if it's bad, I'm going to see it. But
the question needs to be asked of why studios feel
the need to do this kind of Well, we've already
said it once.

Speaker 7 (22:31):
I know I know exactly, I know exactly why, and
it's people around me, not now, but my family. I'm
a huge kind of animated nerd. I love animated movies.
I love animated shows. So I haven't finished Twilet of
the Gods.

Speaker 5 (22:45):
I have not yet. It's on my list. Thanks Chris frounbelievable.

Speaker 4 (22:50):
Went back to watch Black Sales, but can't finish. You
guys were talking about it every episode. I was like,
all right, I gotta get back in one of the recommendations,
but continue.

Speaker 7 (22:58):
Any started yet, any whom go ahead I'm a huge
animated nerd, and there are people out there that consume
a fair amount of movies slash TV shows that have
a thought about if it's animated, it's not for me
and it or if it's it's for kids, they just

(23:18):
take it way less seriously, and I struggle to get
those people to just have an open mind about it.
So these things that I know a lot of people
think are really good content, like Jungle Books a great example.
I am forever scarred by The Avatar, the Last Airbender

(23:38):
remake of live action, both the movie and now the
TV show. Please don't just stop. It's it's it will
never be the same. It's these are things that are
supposed to be cartoons. They're supposed to be animated, and
that's part of the art style that makes them the
way they are, and that's I love about them, and
you can kind of be more creative in that set,

(24:00):
and it's I don't know, there's a whole separate topic,
but my point is they're trying to make it so
that these things that they know are really good stories
and really good adaptations more accessible to that audience, and
maybe that they're more likely to consume them. If they
aren't animated and they are live action, I just think

(24:21):
they need to find a way to get the that's
the word I'm looking for, reputation of animated movies and shows.

Speaker 5 (24:31):
To be for everyone and not just for kids. That's
just my whole take on that.

Speaker 1 (24:36):
I think that's well said.

Speaker 6 (24:37):
I hadn't really thought about it in that context before
over because my thought was people already like this content,
let's just put it in a different format for them.

Speaker 1 (24:46):
The same people to consume.

Speaker 6 (24:48):
But I hadn't thought about it in the context of know,
you're trying to get an entirely different, different audience in
that sense, and I think think you might have unlocked
something there.

Speaker 1 (24:57):
So then the question becomes.

Speaker 6 (24:59):
How do these studios, how does Disney had of I mean,
not not Disney, because they already put out animated products,
but how do other people, you know, continue in other studios,
not DreamWorks, not Disney, put out animated products and make
it palatable for the wide eyes.

Speaker 7 (25:16):
I don't, to be honest, I don't. It's the Denis
Villeneuve concept. He famously it's easy. He's a director, a
director of Dune. He famously took this ip that everyone
has struggled to make mainstream for tons of people, and

(25:38):
his quote on it was, I'm not making it for
everyone else. I'm making it for me because I love
this story and I want to make sure it's something
that I like and that it deserves and because he
personally thought it was good and it's a passion project
for him. I compare the same thing with Peter Jackson
and Lord of the Rings. They had before those turn

(26:00):
to the century Lord of the Rings movies. There was
a huge struggle to turn those into movies and everyone
thought it should have happened. Same thing with Doune. But
because they try to cater it towards a certain audience
or marvelize it for bat lack of a better term,
where it's kind of accessible to everyone, it's never gonna
be that way. You have to create something that you
think is good and not worry about like tailoring it

(26:24):
towards a certain audience. Make it just good and people
will watch it period. And I think the same thing
with Spider Man into the Spider Verse. They didn't try
and make that seriously, Like, there's so many examples of
directors and writers that make content because they think it's
good and they make it for themselves and it's a

(26:44):
passion project, and people that can consume these It may
not originally get the hype that a lot of these
other things do, but they can tell when it's made
that way, and it makes it so much better. It's
in so many ways.

Speaker 6 (26:59):
So we just I mean, the directors that want to
go into these passion projects and have that passion for it,
make the things that they're passionate about, make it and
be okay making it animated.

Speaker 7 (27:10):
Yeah, and who cares if there are a lot of
people that have that thought about animation.

Speaker 6 (27:14):
A good example is, and I haven't seen yet, maybe
one of you have the new Transformers one movie. So
Transformers is you know, in the last really fifteen years,
I have as well.

Speaker 1 (27:23):
In the last fifteen years, Transformers has.

Speaker 6 (27:25):
Been a live action product, right, And we've seen it
everywhere from Shi lah Buff and Megan Fox all the
way to Mark Wahlberg. Right, we've seen the progression of
live action. And then they said we're gonna do a
whole different story and center it on Cybertron and make
it an animated story. And apparently it was a passion project.
And I'm hearing good things. So you need those people

(27:46):
who are in charge. And like the fact is I
haven't seen it. You know, maybe if i'm if I,
you know, back up my words with my dollars, I
should go see it and put the money where my
mouth is to make sure that those type of movies
are getting the money that they deserve, so that passion
projects and animated products are okay to get made, because
that's that's how it all would function.

Speaker 1 (28:08):
I think, yep.

Speaker 7 (28:09):
And it's a whole hurdle because there's these passion projects
that studios don't think we'll make a bunch of money
because they don't cater to a certain amount of audience,
and then they don't get accepted, and then they don't
get the money that they need to make the project.
It's it's a whole thing with all this stuff. I'm
not gonna get in the poll.

Speaker 6 (28:24):
Speaking of studios and speaking of studios really quick. There
was also a trailer for a new show on Apple
called The Studio Seth Rogan plays a studio executive, a
movie studio executive. It also casts Catherine o'haris speaking of
Ship's Creek, Katherine Hahn, Byron, Brian Cranston, Martin Scorsese, Sharlie's
thron Ron Howard.

Speaker 1 (28:46):
Massive cast.

Speaker 2 (28:48):
That is amazing. I haven't seen it. That cast is unbelievable.

Speaker 6 (28:51):
Yeah, so it's so the trailers out for again. The
show is called The Studio. Seth Rogan plays a studio head.
It's a full on comedy. It looks really funny, and
I think it's for me. I don't know how many
duds Apple has put out. Silo has been great, you
have a bunch of other things. I think Shrinking is.

Speaker 1 (29:10):
Off to a decent starting season two.

Speaker 6 (29:12):
So what we're sitting with is a network in Apple
or I says, say streaming service and Apple that is
such a high hit rate right now that anything that
they put out that looks remotely good I think is
worth time investing in. And here with Seth Rogen and
that cast, sign me up.

Speaker 2 (29:30):
Yeah, I'm in.

Speaker 4 (29:31):
I'm in.

Speaker 3 (29:31):
I'm gonna watch the trailer as soon as we finish
this up. Because that cast alone, you named so many
O'Hara and Han two of my favorite actresses.

Speaker 1 (29:40):
So yeah, I get that was great.

Speaker 2 (29:42):
I am very happy about it and very excited to
find out when the next season is out.

Speaker 6 (29:48):
Well, I would think it's done I think I would think, Agatha,
that's it. Now, how would you even do? I don't
know how they would do a season two, because it's
just gonna flow right into probably you know, Marvel's next movie, and.

Speaker 2 (29:59):
Maybe that maybe another spin off show.

Speaker 3 (30:01):
But I really thought that there would actually be another
season because they left you on the road.

Speaker 1 (30:09):
Well no, I mean they sort of. I mean they
leave you with two characters going out in their directions.

Speaker 7 (30:16):
You don't have to worry about spoilers. I'm not watching it,
but for everybody goods that part, I.

Speaker 1 (30:23):
Think it's good.

Speaker 6 (30:24):
All right, So talk about a studio. I think it's
a trailer worth seeing. I think it's a show that's
worth seeing. Comes out next year again, I will say
how to Train Your Dragon live action? I don't like
the fundamentals, I will say, I think this trailer specifically
looks really really good.

Speaker 7 (30:39):
Out of principle not doing it, I completely respect that.

Speaker 6 (30:44):
Sorry, you know next week is obvious Thanksgiving. I don't
know if we'll put out a full episode next week.
You know, there there's I personally have lots of movie
plans in between now and a couple of weeks from now.
Gotta go see uh, the new movie A Real Pain
with and Coulkin and Jesse Eisenberg that's apparently very good,
should get lots of awards early next year. Gladiator two

(31:08):
has officially come out as of tonight.

Speaker 4 (31:10):
So Saturday Morning.

Speaker 6 (31:12):
Fantastic cannot wait to get your thoughts then on the
next episode. And also Moanitu from Disney comes out next week,
so there's a lot of movies to talk about. Freshman
movies we have to dig into just over two weeks
from now. But before we dig into all that in
the next episode, we want to end tonight's show by
doing a draft as we always do, and as Anders

(31:34):
talked about, it is scores.

Speaker 4 (31:36):
Oh yeah, so yes, let me just.

Speaker 6 (31:39):
Quickly say this and then we'll figure out the draft order.
I think that there are great scores, but.

Speaker 1 (31:45):
I do not want to I do not want to
mix up great scores with great themes.

Speaker 5 (31:53):
I think there are great themes.

Speaker 6 (31:55):
And there's great theme songs, and there's great themes that
you hear inside of movies, but we are talking about
full on movie.

Speaker 4 (32:02):
Score, like the whole movie, the whole movie.

Speaker 6 (32:05):
I was sitting around with my wife last night. We
were talking about scores and she's listing off. Listen, if
you guys have these on your board, that's fine. But
she listed off Rocky, she listed off Up, she listed off.

Speaker 1 (32:15):
Star Wars, Indiana Jones.

Speaker 6 (32:17):
And I'm saying to all these, yeah, they're great themes,
but are they great scores? Gonna we are going to
dig into it, so let's bring up the randomizer here.

Speaker 4 (32:31):
So random number she's gonna be.

Speaker 1 (32:34):
What we're gonna do is we're gonna go max four,
right exactly.

Speaker 6 (32:38):
So we're gonna start with Jess, right, So we're gonna
generate Jess's Jess will go second, okay, and then Andrews,
we're going to you here. You're gonna go first, Chris
you're gonna go third, and I get the fourth. Pick
all right, So and one Jessmine is two, Christopher's three,
I'm four.

Speaker 4 (32:57):
Let's kick this baby off first overall pick.

Speaker 7 (33:00):
You know, we talked about this a little bit before because, uh,
you know, I kind of went into it without thinking
about it super in depth, like, Okay, I'm gonna have
a lot of Hans Zimmer scores in here.

Speaker 5 (33:09):
He's known for making really good scores.

Speaker 7 (33:11):
And then by the time I started looking at it,
a lot I'm like, man, I don't really have a
lot of Hans Zimmer stuff in here.

Speaker 5 (33:17):
Uh.

Speaker 7 (33:18):
And especially I knew when my first overall pick was
going to be I'm just gonna say it, Lord of
the Rings.

Speaker 5 (33:22):
Number one, easy choice.

Speaker 6 (33:25):
Easy, easy, easy, easy, easy choice.

Speaker 1 (33:28):
A bit, it's my number one, easiest choice.

Speaker 4 (33:33):
I didn't even know it had music or score.

Speaker 1 (33:34):
Are you I didn't think, yes, what are we doing here?

Speaker 5 (33:37):
Any here? AnyWho?

Speaker 7 (33:40):
The amount of emotion it evokes don't cry, my god,
I'm not listening to it now, so I don't.

Speaker 4 (33:46):
I won't.

Speaker 5 (33:47):
But if I am here in your here, it's a possibility.

Speaker 2 (33:49):
Uh.

Speaker 7 (33:49):
The amount of emotion that it evokes in the exact
perfect moment every single time, for all three movies.

Speaker 5 (33:57):
By the way, there's not a specific movie. It's all
of them.

Speaker 1 (33:59):
You might as well be a Return of the King.

Speaker 7 (34:00):
No, no, it's all of them. It's all of them.
I I I honestly. One of the reasons I love
The Fellowship the most is because of that Moria scene
with the with the the chanting of only men because
they're only dwarfs, like, oh my.

Speaker 4 (34:13):
God, so good.

Speaker 7 (34:15):
Uh, and then the looks on the faces after Gandalf
dies and.

Speaker 4 (34:21):
Go ahead, Chris, let me explain.

Speaker 6 (34:24):
Chris, go ahead, because I am soaking right now.

Speaker 3 (34:28):
Uh.

Speaker 1 (34:31):
Quiet, quiet, and go ahead.

Speaker 7 (34:33):
That Sam's monologue and the second one, uh, and then
the Gollam theme every time. It makes you feel so uneasy.
And there's so many different parts about it. It's not
just the the classic dum dum. There's way more than that.
There's the Battle of Polenar Fields. There's the Yes, there's

(34:55):
the these two nerds.

Speaker 1 (34:58):
Shut up.

Speaker 4 (34:58):
You already know this.

Speaker 5 (34:59):
You already know this.

Speaker 4 (35:00):
No I don't. I don't know.

Speaker 5 (35:03):
I was a nerd.

Speaker 4 (35:04):
This is just.

Speaker 1 (35:06):
Please go ahead. This is great.

Speaker 7 (35:09):
You keep cooking the Rohan theme with like the strings.
It's very theme. Jesus Christ, Chris, this is about scores,
is it not. I'm talking about the scores number one
of our pick.

Speaker 6 (35:23):
And the music that when they hit the certain notes
in Return of the King, I wish.

Speaker 4 (35:27):
Just wasn't here, because he's just trying to compress her.

Speaker 1 (35:29):
Of course, for the big for the big moments. I'm
just gonna talk over.

Speaker 6 (35:32):
I would be impressed by us Anders when you have
you know, aer Gorn saying you shall bollow to no
man and then then Howard Shore comes in with the.

Speaker 1 (35:42):
Beautiful note drop.

Speaker 6 (35:43):
Right after that, as everybody kneels down, the note draw
and the way they kind of, you know, cascade up
the noise as Bilbo boards the boat to the far west.

Speaker 1 (35:54):
God it is. It is the number one score of
all time.

Speaker 6 (35:59):
I would say Turn the King is the best of
all three, but it doesn't really matter.

Speaker 1 (36:03):
It's just Howard Shore. Take a freaking bow.

Speaker 4 (36:06):
You know what.

Speaker 7 (36:06):
I always say, Howard Shore's name should be Howard's Score
because that's what he does.

Speaker 6 (36:11):
Killer freaking pick. Well done, tip of the hat. It
really pissed at you, Jess, go ahead with number two.

Speaker 3 (36:18):
Well, I'm gonna throwback. This was before my time. But
did scare me out of the ocean for.

Speaker 2 (36:26):
Well, I'm sorry.

Speaker 3 (36:27):
Like if it's gonna be a first round draft pick,
I am going with Tom Brady of scores, it's Jaws now.

Speaker 1 (36:32):
The thing about Tom Brady was the first It's not only.

Speaker 4 (36:34):
The theme he would be now.

Speaker 1 (36:37):
He wouldn't only the.

Speaker 6 (36:38):
Theme though, it's the ability of the music consistently throughout
the movie to keep you out. I spent three and
a half hours over the last two days looking into
scores I listen to more music from Jaws.

Speaker 1 (36:48):
It's it's it's through score throughout the movie.

Speaker 3 (36:51):
It's classic too, like that, like the music is the theme.
The music made that movie and every time you heard it,
you were tense, you were scared, you knew who something
was happening. And the I just like you know, you
obviously have like the cello, the way like the crescendo.

(37:11):
William and that score from John Williams is absolutely amazing,
and especially because considering the technology at that time, totally
this is a full orchestra pit.

Speaker 5 (37:19):
And that's why music, that's why music is so good.

Speaker 3 (37:23):
Yes, but they are literally recording a full orchestra. This
isn't layering tracks in Adobe audition. This is legit music
that he is conducting at the time, and everybody remembers that.
It doesn't matter how well you know at some point,
I don't know, maybe younger, younger people don't know Jaws,
but it's a classic movie. And I have an aunt

(37:44):
that didn't get in the ocean for thirty years because
of that movie.

Speaker 6 (37:47):
And it's because of the again talking about it's what
Anders said, it scores that elevate the movie.

Speaker 1 (37:53):
The score of Jaws.

Speaker 6 (37:54):
Elevates that movie maybe as much as any movie ever.

Speaker 4 (37:58):
Well, I will go ahead and take this is tough,
now you know what? Give me Jurassic Park Williams again,
but again more is so good.

Speaker 1 (38:15):
I encourage you to.

Speaker 2 (38:16):
Okay, okay, so I played. I played that out. Now, yeah,
I played that entire movie is worth a thing and
an orchestra of.

Speaker 1 (38:27):
Encourage.

Speaker 5 (38:31):
I encourage you to watch that movie again.

Speaker 7 (38:32):
Like, there will be a lot of these where you
don't really realize how much the score is elevating each
and every scene. I'm gonna say that for a lot
of like go back and watch, but like specifically listen
to the music and like, because that's what I do
when I watch movies sometimes is I pick out, like
one aspect of it and I kind of hear it
or I see it, and I follow that throughout the

(38:53):
entire movie. If it's something I really really love, do
that with Jurassic Park. You will be mind blown about
how much it elevates every single.

Speaker 4 (39:02):
Are you sure you don't want this as your first pick?
My goodness, you know, so there's a lot, there's a lot.

Speaker 2 (39:06):
I think you made a good pick for the amount
that you see.

Speaker 4 (39:09):
It's all good. We're all going to have difference.

Speaker 6 (39:10):
I also think it out with Jurassic part especially the
first one is that the music, and John Williams has
done this in a few products. I don't want to
tip my hand on anything, but in the first of
a franchise, the whimsical not whimsical, but the magical nature
of the music kind of makes you feel like you're
in this magical world.

Speaker 5 (39:28):
He does that with everything he touches.

Speaker 6 (39:29):
And I think that John Williams is able to kind
of put his stamp on that where you feel. Ironically,
I think Star Wars is not one of these products false.

Speaker 1 (39:37):
I think I think, I think that.

Speaker 4 (39:39):
Not even a top ten score.

Speaker 6 (39:40):
Jurassic Park is a fantastic example of something that he
adds this magical tone delusional.

Speaker 4 (39:47):
Well, so be it.

Speaker 3 (39:48):
I agree with you because and what I like we
talk about adding to the movie. When you talk about
feeling like you're in this magical place, that was a
whole point of this park, right, So how can a music,
like a score emulate exactly what the fictional park is
trying to make.

Speaker 4 (40:06):
The visitors feel.

Speaker 2 (40:07):
It's amazing.

Speaker 1 (40:09):
Good pick, It's a great pick.

Speaker 6 (40:11):
It's just a great point pick, Well, two of my
top five are already gone, so we're gonna move forward.

Speaker 4 (40:19):
And Seme Street. Oh it's a TV my bed.

Speaker 6 (40:22):
Howard Shore was going to be my first. So I
got to go to number two here, and that is
Interstellar by five Zimmer.

Speaker 1 (40:28):
Interstellar by Hans Zimmer.

Speaker 4 (40:29):
He just said that because Picks minted it on Blue Sky.
I mean, listen, kidding, you know what I did. You
know what I did.

Speaker 6 (40:35):
I actually screenshoted my list at eleven twenty.

Speaker 1 (40:38):
Am all right, just to make sure to make sure
that I just show you.

Speaker 4 (40:41):
I don't want to because I want to make sure
I'm not stealing anything, but continue.

Speaker 5 (40:45):
He also told me that like earlier.

Speaker 1 (40:46):
So oh, well there you go.

Speaker 6 (40:47):
So I mean, listen, Interstellar has been for me. I
think because we talk about you know, we talk about
the full movie, right, and it adds. It just builds
throughout the whole movie, and it has these kind of
peaks in valleys, but the score keeps pushing the plot forward,
and I think it adds to these big moments. Matthew
McConaughey's big scene and the way that the score folds

(41:09):
into seeing how long it's been when he gets back
to the ship.

Speaker 1 (41:12):
You know.

Speaker 6 (41:13):
I love the scene where they're sitting like that's Those
aren't mountains, those are waves. The score in that scene
I listened to it this morning, builds the whole way
through where you feel the doom coming all the way
up until you know the docking scene, I think is
one of the best scored scenes in movie history. So overall,

(41:33):
I mean the intensity of the score of that scene.
I remember just like my heartbeat was just blowing out
of my wrists when I saw it in theaters, that
docking scene, because I was holding my way. You're holding
your wrists as you feel your pulse right, so I'm
just like, what's my post right now? Because it feels
way too way too fast and I don't hold my neck.
I hold my wrist when I when I this more
gangsta those I think, I think elevated that movie and

(42:05):
the intensity of it. You feel on the edge of
your seat almost the entire movie, and a lot of
it is because of the Hans.

Speaker 4 (42:11):
And well you sucker here you get back to back,
so who are you gonna swoop? Are you going to
screw up? Now?

Speaker 6 (42:16):
So now that I've gotten like, whether I think is
objectively like not only a great pick, but I think
a favorite pick. I'm now going to go into the
realm of of a favorite pick here.

Speaker 4 (42:24):
Okay, here we go.

Speaker 1 (42:25):
I mentioned How to Train Your Dragon earlier.

Speaker 4 (42:27):
Oh no, you did not. I did not expect this guy. Yeah,
I don't know if I ever heard of this one.

Speaker 2 (42:36):
But it's a good movie.

Speaker 5 (42:37):
But have you seen it?

Speaker 4 (42:39):
What?

Speaker 5 (42:40):
Yeah, you need to watch it.

Speaker 4 (42:42):
I think, especially cute.

Speaker 5 (42:44):
It's a great loot.

Speaker 4 (42:46):
That is why I will not watch it. I don't
screw you, so going home? Cute. He screw him, He
took your pick.

Speaker 6 (42:54):
John Powell is the composer here, and John Powell specifically,
I want to go with How to Train Your Dragon
three because it folds in themes from the first and
the Yeah, I think I think John Powell's the theme,
and then you have themes for each character. You have whimsical,
magical moments, but at the same time you have you know, huge,

(43:14):
you know battles that I think he scored perfectly well.
I think How to Train Your Dragon is one of
one of the I think it's probably the best animated
theme in for my money, And and that's going up
against a lot of really good scores that I might
even draft later. But How to Train Your Dragon is
a basic kids fun movie, but the score by John

(43:36):
Powell is what elevates, I think.

Speaker 1 (43:38):
To a great trilogy.

Speaker 5 (43:40):
I have nothing else to say because I did not
think you were gonna pick that.

Speaker 7 (43:43):
Okay, Number three on my board was number.

Speaker 1 (43:47):
Chris is back up? I think with Witheeah?

Speaker 4 (43:52):
Do I get back to backwards?

Speaker 3 (43:53):
One?

Speaker 4 (43:54):
One?

Speaker 6 (43:54):
Here?

Speaker 2 (43:54):
Damn only one in four I got back to.

Speaker 4 (43:58):
Or you gotta be okay, let's take a deep breath,
let's come on. I will go with Mission Impossible.

Speaker 2 (44:07):
Oh that was not even phenomenal pick.

Speaker 4 (44:11):
When you hear that, you know what's go time. Here's
my point, though he's the theme, we can we can
disagree to it.

Speaker 5 (44:21):
There's more than just that song.

Speaker 4 (44:24):
You know, we just reverse it. That's all. I like it.

Speaker 5 (44:27):
You don't have to.

Speaker 4 (44:28):
It's my pick.

Speaker 2 (44:28):
I think it's great.

Speaker 4 (44:30):
You know, we got we got three people that like
it and one person that doesn't.

Speaker 1 (44:34):
I think it's a great theme, and I think it's.

Speaker 5 (44:36):
There's more than that theme in the movies.

Speaker 1 (44:37):
Though it is.

Speaker 6 (44:39):
The Mission Impossible too, I believe was Hans Zimmer By
the way I was, I was looking into this likeause.

Speaker 1 (44:45):
I listened to it last night.

Speaker 6 (44:46):
I did three and a half hours of research for
this damn draft. Han Zimmer had his hands in the
mission Impossible score.

Speaker 2 (44:52):
I have a post it.

Speaker 4 (44:58):
I'm looking for.

Speaker 1 (45:00):
What are you looking for? I found it?

Speaker 4 (45:01):
I found it.

Speaker 1 (45:01):
We're good? Are you looking for your taste in movies?

Speaker 4 (45:06):
I just wanted to actually listen to it again and
just hear the so I'm plugged it and plugged into
my life.

Speaker 5 (45:14):
Surprise you chose that one over another spy movie.

Speaker 4 (45:19):
Well, you know, I think this one's bigger. It's been along,
been around for how long?

Speaker 5 (45:23):
What are you talking about?

Speaker 2 (45:24):
Quite a big franchise too.

Speaker 4 (45:25):
I think it's pretty big.

Speaker 7 (45:26):
Like I like this one, James Bond is bigger than
it's Impossible fifties.

Speaker 4 (45:29):
Well, hey, I love it.

Speaker 2 (45:30):
I was thinking about it.

Speaker 4 (45:31):
I mean, there's there's there's two others on my board.
So if someone wants it all for it, I'm good
with it.

Speaker 5 (45:36):
Okay, sounds good?

Speaker 2 (45:38):
All right, I have a lot. I'm gonna go a
little you know what, nobody's going to take that one.
I'm going to keep that one.

Speaker 4 (45:45):
That's how I feel about it.

Speaker 1 (45:46):
That's how we just thought about how to Train Your Dragon.

Speaker 2 (45:48):
Though, I think I've got this one.

Speaker 4 (45:51):
Eat. That's a good, fantastic, fantastic I'm sorry, I don't
even never even seen the movie, but I hear.

Speaker 2 (45:57):
You eat, I'll be right. He is absolutely wonderful.

Speaker 3 (46:07):
And we're also talking about a throwback movie before all
of the digital software that we have now to create
and manipulate music. This was actually recorded and performed. And
I think I have some nostalgia.

Speaker 5 (46:21):
You like old movies, good, we get it, we get it.

Speaker 8 (46:25):
Old.

Speaker 2 (46:27):
No, I like the music in old movies.

Speaker 3 (46:29):
And because there was no technology, I also played the violins,
so I have a lot of respect for orchestra.

Speaker 7 (46:38):
Yeah, screw you, I didn't. That's the reason why I
like it. God have some more nuanced opinion than that
better disc.

Speaker 4 (46:49):
Next is it.

Speaker 2 (46:56):
Just gets back to baccident.

Speaker 1 (46:58):
Who's going listen? I think it's so. I think it's
a really good pick.

Speaker 6 (47:01):
And and the fact John Williams correct, I want to
say I want to star Trek means it is everything
in the seventies, eighties, and nineties.

Speaker 1 (47:09):
I feel like that was at least good.

Speaker 6 (47:11):
Was John Williams. He had his hands on everything. Yeah,
And I mean we're talking about themes. I mean the
Oscars has a movie theme that they I think bring
in or out of every single show with and Et
I want to say leads that that score into or
out of the Oscars.

Speaker 1 (47:27):
I don't like that it's that famous.

Speaker 5 (47:29):
Yeah, I love that pick.

Speaker 7 (47:31):
It wasn't on my list, but because I'm not as,
I tried to pick movies that I feel really close to.
I've only seen it a couple of times. It's not
one of my absolute favorite movies, but I love the
score and it that is something that I remember very
distinctively about them, do you.

Speaker 2 (47:44):
Know, And if that's what you take away from it,
then thank you.

Speaker 7 (47:48):
Okay, I you've mentioned it a couple of times. I'm
I am surprised that no one took.

Speaker 2 (47:57):
This sounds like factor fiction.

Speaker 7 (47:59):
Yeah, Star Wars fas. I'm surprised that this game is
still on the board. Oh my god, it's Star Wars.
I know, I know what Jackson is gonna say. Oh,
it's a great theme, but watch just just watch episode
four over and take out the main theme there is.

Speaker 5 (48:19):
There is so much more than that.

Speaker 7 (48:22):
And George Lucas himself even mentioned that he like it
was famously just a complete like the filming and production
process of the original Star Wars was a disaster. He
like he has said this multiple times in interviews, where
he thought everything was going to be awful. It was

(48:42):
not to the point of where where he wanted it
to be. He knew the special effects more to the
the place that they he wanted.

Speaker 1 (48:51):
It to be.

Speaker 7 (48:51):
The they were filming out in the desert in like
Africa somewhere, and all the all the actors were complaining
and like it was not good. He he was so
worried that it was just going to be this absolute bomb.
And then the one thing he could lean on was
John Williams's score. It supposedly when he watched it without
the score, he thought, this is awful.

Speaker 5 (49:12):
My career is over.

Speaker 1 (49:13):
Wow.

Speaker 5 (49:14):
And then when John Williams put the score on, He's like,
you just saved my movie.

Speaker 4 (49:18):
Why are you making this up?

Speaker 1 (49:19):
Wow?

Speaker 5 (49:19):
This is no, this is true, this is true.

Speaker 1 (49:22):
I've got hours.

Speaker 7 (49:25):
Yeah, But I'm telling you what, there's just so much
and it's not just that one movie. But that's the
best example because you could tell it's like there was
there was these struggles in the production process, but that's
what a great score does is it elevates the entire movie,
not just in the main theme, but in every single
scene that it's in. And I really encourage you, like

(49:47):
like I said with Jurassic Park, same thing. Rewatch that movie,
especially if you're into it, and focus on the score
and how in every scene it hits perfectly about what
you're supposed to be feeling. That's why Star Wars is
so good. And again, it's not just that one, It's
not just the original trilogy. I actually think one of
these strengths of the uh prequel trilogy is its score.

(50:08):
It's fantastic. The love theme between Anakin and Padme is awesome.
The fight scenes are always really really good. That Me
and Jackson are it's there's there's so many parts to
it that are really, really really good.

Speaker 1 (50:29):
You're making good points, and I think.

Speaker 7 (50:31):
And the Yoda lifting the the X Wing, rewatch that
scene with the score and tell me that is not
the most like oh my.

Speaker 6 (50:41):
Because I listened to some I listened to some Empire
scores last night. Sure, I listened to some Empire scores
last night, and it was sort of the thing where
it just it's not necessarily my taste, But I think,
what do you know, I don't think. I don't think
we actually can can we? Oh yeah, I don't think
we can actually do that? Chris, I think you know what,

(51:06):
I will say that story about how how listen elevate
because that's the thing that we talked about, is that
it elevates movies and the fact that the director is
willing to, like, listen, the score saved by movie, the
score elevated by movie.

Speaker 1 (51:18):
Enough to save it.

Speaker 6 (51:19):
That's something that I buy into and and that's something
that I say and listen. The more the more I
think about the more themes, especially from that from the
new from the prequel trilogy episodes one, two, three, I
think I think you you bring up a good point
there that I'm willing to kind of say, like, listen,
it wasn't on my list, and I kind of pigeon
hold it in.

Speaker 1 (51:37):
I'm also a Star Trek guy, not a Star Wars guy.

Speaker 6 (51:39):
No, it wasn't, Wow, but but I'm a Star Trek guy.

Speaker 1 (51:43):
I'm not a Star Wars guy.

Speaker 6 (51:44):
And I think I may be having my tastes influenced
not having on the list. I think it should have
been because I think you bring up enough good points
where it should.

Speaker 4 (51:53):
Thank you. The second pick here, buddy, let.

Speaker 7 (51:56):
Me wrap around hot take, super super hot take. I
know you guys won't agree with me, but Hans Zimmer's
best score The Lion King.

Speaker 1 (52:06):
Oh fantastic facts, son of Yeah, it's I.

Speaker 4 (52:11):
Love this draft. No one's taking anything I want.

Speaker 5 (52:13):
This is great. The same same thing as I said
about Star Wars.

Speaker 7 (52:18):
Every single of Life so good, every single emotional beat
hits so hard. And I think Elton John helped with
a lot of that stuff as well, because he's technically
attributed to half of it as well. I don't know
if it was just that one song, but yeah, Elton
John did it with Hans Zimmer, so I so so
so good. There's it's one of the reasons why it's

(52:40):
one of it's probably critically known as the best Disney
movie ever. I think The Lion King is yeah, so
toy story beat. Sorry it's that's the other one. Uh so,
I mean the Lion Kings score. Same same thing. I'm
telling you that there are these movies where toys.

Speaker 4 (52:58):
Or animals come on, guys, shut ups, I'm talking here.
You don't play with Jesus, are you kidding me.

Speaker 2 (53:06):
Sorry, go ahead and listen.

Speaker 6 (53:09):
You're yes, yes, yes, Randy Newman, that's nice. So I
think it's the point. It's the point you said about
Star Wars that I think fits it very accurately. Hans
Zimmer makes you feel exactly what he wants to in
every moment of that movie, and and he elevates Lion

(53:29):
King from being a fun kids movie into an emotional
master exactly.

Speaker 5 (53:34):
That's I could not have said any better. Thank you.

Speaker 1 (53:36):
It's it was on my list at number nine.

Speaker 4 (53:37):
Okay.

Speaker 1 (53:37):
I think it's a phenomenal pick all.

Speaker 2 (53:40):
Right, I'm up, yes, okay, I'm going a little.

Speaker 3 (53:42):
This is a pick three correct, yeah, okay, uh uh,
this is not.

Speaker 2 (53:48):
It's off the beaten path.

Speaker 3 (53:49):
But the score in this movie is what made it
for me and why I watch it and why my
husband gets really mad at me when I put it
on because he doesn't.

Speaker 2 (53:57):
Like it because it hits him to his core.

Speaker 7 (54:00):
Arrival, Oh you missed our first episode.

Speaker 4 (54:04):
That was one of my favorite movies of all time,
all time.

Speaker 2 (54:08):
I have it.

Speaker 3 (54:09):
I bought it. I think it's on Amazon, like. I
bought it so I could own it. And it was
one of those that always comes up for rental. But
when you hear the score, it's not necessarily music all
the time too.

Speaker 1 (54:20):
It's like this gets you to your course.

Speaker 3 (54:24):
Sound Johann Johansson, Oh yeah, I stunt go by.

Speaker 2 (54:28):
Yeah.

Speaker 3 (54:29):
And anyway, So if you haven't seen that movie, highly recommend.
I think it was twenty sixteen that movie came out,
but I didn't watch it until twenty twenty, when you know,
we were all in the COVID binge thing.

Speaker 2 (54:39):
I was like, what is this. I watched it probably
every day for a week.

Speaker 5 (54:45):
Woo, such a good movie.

Speaker 3 (54:46):
I could not because I felt like there were easter
eggs here and there, and you know, it's all about
time as a flat circle or not. It's all about
like non linear time when it comes down to it.
There's aliens, there's everyday work, evil moves, the important, the
importance of communication, which is something that is very important
to me.

Speaker 2 (55:06):
So all of that just tied that all.

Speaker 3 (55:09):
Together for me. It is one of my favorite movies.
But without that score, I don't think it would have
hit me.

Speaker 4 (55:14):
Totally agree, totally agree.

Speaker 7 (55:15):
It's so I didn't even think about that one because
I just love the movie so much. But I can
apply my own theory. I'm gonna rewatch that movie and
just listen to the score.

Speaker 2 (55:23):
We should it's outstanding.

Speaker 1 (55:24):
I only have much. I'm in the same boat I think.
I think. To really appreciate it, I need to watch
it again.

Speaker 5 (55:28):
I do, I really really do.

Speaker 3 (55:30):
You'll you'll notice it. And that's it's actually the first
movie that stood out to me because that's what I
noticed the most about it. Okay, yeah, good, Yeah, so
that's why it was number one of my list. But
I didn't think you guys would take it.

Speaker 5 (55:41):
Yeah, yeah, No, I love the pick. I love the pick.

Speaker 1 (55:43):
Oh han Yo Hanson.

Speaker 7 (55:45):
Interesting, it's not a couple of other good ones too, Chris,
go ahead, how many picks I got here?

Speaker 1 (55:48):
I got one pick?

Speaker 4 (55:49):
Damn it. Jackson's the right. I want back to back. Well,
since no one took it, and give me James Bond,
that's a great. Oh yeah, still on the board had taken.

Speaker 1 (55:57):
Do you have a specific score though, because you.

Speaker 4 (56:00):
Mentioned that's I don't know. I don't changes so that.

Speaker 6 (56:06):
Jesus Christ, Chris, that's one song.

Speaker 4 (56:13):
It's like we're talking about like over a course of
a whole movie. Well, I don't know. There's tons in
that movie. You tell me which one do you like
the best? I couldn't tell you. I have to google it.

Speaker 1 (56:21):
Probably there's like twenty four of them.

Speaker 5 (56:24):
You haves to have a favorite James Bond movie.

Speaker 4 (56:27):
There are.

Speaker 6 (56:29):
All right, So here's AT's have a real conversation here.
So one of the things interesting about James Bond is
how much the scores.

Speaker 1 (56:35):
Have changed, because as actors change.

Speaker 6 (56:38):
You have a whimsical scorer for Sean Connery so much,
you have more of an action score for Roger Moore
James Bond.

Speaker 1 (56:45):
And then is Daniel Craig is gone.

Speaker 6 (56:46):
You've gone from a very dark score in Casino Royale
very much.

Speaker 1 (56:50):
I love exactly, it's a very very good score. Good
I'm blanking on the name right now.

Speaker 6 (56:55):
But then you go all the way to you know,
the last couple you got Sky or Specter, I should say, uh,
And and then No Time to Die.

Speaker 1 (57:02):
Specter and No Time to Die are very softer scores.

Speaker 6 (57:06):
And they've changed the score of James Bond as both
actors have changed, and both as kind of the roads
have changed for their their their kind of plots as
the movies go on, and it's very interesting to kind
of go over. You know how specifically Daniel Craig's movies
have blended his plot from one to the next, and

(57:27):
I kind of think it's worked in every dimension. I
love all of Daniel Craig's every single movie, but it's
so interesting how the scores have been so massively different
from movie to movie.

Speaker 5 (57:39):
A little bit of a tangent. Is Daniel Craig the
best James.

Speaker 7 (57:41):
Bond, No, Connor Connory is still I think Daniel Craig
is not Pierce Bros.

Speaker 1 (57:48):
Daniel sucks.

Speaker 3 (57:51):
I mean, Connor is my Connor is my favorite, obviously,
but because you're the fifth, the hottest.

Speaker 6 (57:57):
What do.

Speaker 1 (57:59):
I just think Connory?

Speaker 6 (58:00):
I think Connery plays the most to come out with
the James Bond.

Speaker 7 (58:03):
But everyone knows. Yeah, I know, I personally like Daniel
Craig the best.

Speaker 2 (58:07):
I think he's the most handsome.

Speaker 4 (58:09):
I don't think I don't think it's a bad to
this not a look show, Okay on radio Sis we're going.

Speaker 6 (58:13):
To and it's a movie, so so Christopher, do you
know what we're doing here?

Speaker 4 (58:19):
Yeah, we're doing scores. And I guess there's like choosing
your favorite question with those films. So with that being said,
give me all thirty. I can't do that, do you can't?
Does anyone else? Does anyone else want James bond s?
I don't think so, so give me them all.

Speaker 5 (58:35):
I don't mind. I don't mind it.

Speaker 4 (58:37):
I knew this would happen. I knew it.

Speaker 2 (58:39):
Let the listeners decide once they vote on.

Speaker 6 (58:41):
And they're going to say, you know what, I like
three I've gone two picks and I haven't shows. Michael Gacchino,
who I think is the best composer alive, Michael generally,
and that is specifically influenced because you all know that
Lost is my number one show of all time. Michael Michael,
I think does It does a absolutely tremendous score in

(59:02):
that show. He's done many incredible scores over the years.
And the fact that I don't have a Michael Giacchino's
score yet, uh is kind of just.

Speaker 1 (59:10):
Eating at me.

Speaker 6 (59:10):
So my number four overall is inside out by Michael Giacchino.

Speaker 5 (59:15):
It's a great one, great one.

Speaker 1 (59:16):
Andrews.

Speaker 6 (59:17):
I think what you said a few minutes ago is
that makes you feel the emotions you want to feel
at a certain moments, and in a movie that is
all about emotions, you really got to be on point
with that, and I think Michael Giacchino was on point
with that in all of these moments of dealing with
hope and of sadness and or I guess said joy
and sadness right, and of discussing they make you, you know,

(59:39):
play into all of these different sounds for each of
these emotions. And I think the way that he develops
these sounds and then he does it again for Inside
Out Too here in the in the last few months.

Speaker 5 (59:49):
I was gonna say, which one did you choose?

Speaker 1 (59:51):
It's it's I mean, like, at this point do I
I was gonna choose number one, but choose this one them.

Speaker 5 (59:59):
Yeause.

Speaker 1 (01:00:00):
The way that he then incorporated a whole new scores.

Speaker 4 (01:00:02):
Ok No, I'm saying, what are we doing? Okay, just
go with it.

Speaker 6 (01:00:05):
The way that he incorporated a whole new score for
anxiety and Inside Out Too, I thought was really really good.
But you know, from from just the basic theme of
Inside Out to then individual character themes and then to
incorporate various tones like when she runs away, you know
in the first movie, and the way that the music
flows with the color palette when she eventually runs back

(01:00:27):
home Uh, the way that that scene was built score wise,
I think I listened to it last night was just excellent.
So I'm I needed a Michael Giacchino theme in here.
I think it's his best score h and an inside out.
I think both one and two were just a masterpiece
by Michael Giacchino when we started this from my wrap round,
when we started, before we did the draft, anders, you

(01:00:49):
and I had a conversation about you going kind of somewhere,
you know, a little bit off the wall, and this
is the direction I thought you were gonna go because
we also have a little bit similar tastes and I,
you know, I don't know if you'd call it sophisticated,
but I think this score and I listened to thirty
minutes of it this morning, and I bumped all the

(01:01:10):
way up from not on my list, like at number fourteen,
basically all the way up to number five.

Speaker 1 (01:01:15):
Okay, it's the Social Network.

Speaker 4 (01:01:17):
I like it. Oh, I like it.

Speaker 6 (01:01:19):
The Social Network score done by Trent Reznor and Atticus Ross.

Speaker 1 (01:01:23):
And that is a theme that it's.

Speaker 6 (01:01:25):
I mean, the whole movie is basically just it's a
it's a legal battles, it's a really Honestly, if you
were to explain the movie to somebody, it bore the
shit out of them. It's just so wildly boring, and
it just comes to a legal battle.

Speaker 5 (01:01:38):
I mean, if you hate Mark Wahlberg, you like it.

Speaker 6 (01:01:42):
But but this score in it, that just makes you
feel on the edge of your seat for an hour
and a half, two hours, whatever it is that makes
you just wonder, what the hell's gonna.

Speaker 1 (01:01:51):
Happen next, What the hell is gonna happen?

Speaker 6 (01:01:52):
How like it just it makes you just constantly with
your heart racing because the theme keeps pushing the next scene,
pushing the next scene, building the tension, building the tension.
And in what is a basic story, we're talking about
scores elevating movies. This is a It's a fine movie.
The score for me makes it an A movie. Okay,

(01:02:14):
So for me it goes from a C to an A.
And and I had to get this on my list,
and I'm glad that you didn't go with this kind
of off the wall with that pick.

Speaker 5 (01:02:23):
Train the Dragon it okay.

Speaker 6 (01:02:25):
But it really is I think a score that definitely
does take a mid movie and makes it a great movie.

Speaker 1 (01:02:31):
So once again, it's it's the social network there.

Speaker 5 (01:02:34):
Okay, I love the pick.

Speaker 7 (01:02:36):
Wasn't on my list, but maybe it's because I haven't
listened to it, like the same kind of thing with
a rival. I kind of put that in the same
category where I think the movie's really really good, but
I never saw it in the lens of Oh my god,
this score is amazing. But I need to go back
and watch it and kind of just pick that out
and see again.

Speaker 6 (01:02:52):
It took thirty minutes for me to actually get it
up this high. So I mean, maybe if I'd invested
thirty minutes in another theme, fair enough, but I.

Speaker 5 (01:03:00):
Went you so be it, all right, Chris, your last one.

Speaker 4 (01:03:03):
I will take John Carpenter's Halloween.

Speaker 2 (01:03:05):
Oh fantastic. That was not even on my list. I
don't even think about it.

Speaker 5 (01:03:14):
That is terror.

Speaker 4 (01:03:16):
I mean, you hear that. You know that those coming.
This is modern day. He just carrid for forty years,
you know. So I'll take that one.

Speaker 2 (01:03:24):
That's a good one.

Speaker 4 (01:03:25):
Oh, I know, it's a great one.

Speaker 7 (01:03:27):
It like single handedly made a music genre basically, like.

Speaker 4 (01:03:32):
I didn't think of it. But now that you put
that out, what.

Speaker 3 (01:03:34):
It is like the Halloween song you go to a party,
you walk past decorations, that's what's playing.

Speaker 4 (01:03:39):
All you know is when you hear it, nothing good
is going to happen.

Speaker 3 (01:03:41):
Okay, well so that yeah, why are you walking so slowly?

Speaker 4 (01:03:45):
Terrif? Yeahs running?

Speaker 2 (01:03:48):
How are you keeping up with her at that pace?
I don't get it.

Speaker 4 (01:03:51):
Hearing that theme song? Just yeah, I'm getting chills on
my Okay, next pick Jess, I believe you're okay?

Speaker 2 (01:03:57):
Yes, oh man, I have a couple.

Speaker 5 (01:03:59):
That I want to go anyone. You're the last one.

Speaker 3 (01:04:02):
Yeah, okay, I'm gonna go. Oh man, everything everywhere all
it was good. Yeah, it's a really really good scene.

Speaker 2 (01:04:20):
It's a it's.

Speaker 3 (01:04:21):
A long haul and you have to buy into it
because you have to everything everywhere all at once. Well
it it won several awards. There were several.

Speaker 2 (01:04:35):
I think, well I know that.

Speaker 3 (01:04:39):
My gosh, why is the name is giving me the
lead actor?

Speaker 1 (01:04:45):
Yeah?

Speaker 3 (01:04:45):
From from Goonies that we knew him and then you
know forty five years later Indiana Jones. Yeah, he comes
and makes his beautiful masterpiece. Also, I loved his acceptance speech.
It was so beautiful. Anyway, that movie is intense and
amazing and makes you think about everything. You kind of

(01:05:06):
suspend reality, but you could see the reality within it
and without the score in that movie, I don't think
you could buy into the theme of it and everything
that they were trying to accomplish.

Speaker 2 (01:05:17):
So that's my pick.

Speaker 1 (01:05:18):
I love it.

Speaker 4 (01:05:18):
I like it.

Speaker 5 (01:05:19):
Thank you uh for my last pick. I have a
lot to choose from here.

Speaker 1 (01:05:23):
You do, can I can? I?

Speaker 6 (01:05:24):
Can?

Speaker 1 (01:05:25):
We get honorable mentions before anders is?

Speaker 3 (01:05:27):
Fine?

Speaker 4 (01:05:27):
Go ahead?

Speaker 1 (01:05:27):
You have honorable mentions? Do you have anybody else have
honorable mentions? Jess you twenty forty nine? Is that your pick?

Speaker 5 (01:05:34):
That's no, it's my honorable mention.

Speaker 1 (01:05:35):
That's a great, that's a great.

Speaker 7 (01:05:37):
It's not on my list, but I it's It's one
of the few things when I saw that movie first,
same thing with Dune and Dune too, Like it was
one of the first things I noticed. And it hasn't
gotten to the point where I think it's like a
bresh Alon, probably because I need to take it in
a little bit more hot.

Speaker 6 (01:05:53):
Take Blade Runner is better than Blade Runner putting twenty
forty nine, but the point, yeah, I mean, like listen,
it goes together, so you get the franchise, get all
you would get all the franchise if you went with it,
and I think it would be a phenomenal pick if
that was your last pick.

Speaker 3 (01:06:05):
But I have a lot that deserve mentioned, so I'm
just gonna say them without diving in. Godfather, Brave Heart, Passengers.
I know that's a little out there.

Speaker 1 (01:06:17):
But that Chris Pratt movie.

Speaker 4 (01:06:18):
Yeah, two people but one ship.

Speaker 2 (01:06:21):
Yeah, so okay, see kept on the same page.

Speaker 4 (01:06:24):
Anyway, I don't know the music.

Speaker 3 (01:06:26):
I thought it was a good film, but the only
reason I liked it was because of the music anyway.
And Forrest Gump, obviously it's more about the soundtrack than.

Speaker 4 (01:06:35):
Just give me one that just hates this movie. But
the soundtrack or the score, I.

Speaker 2 (01:06:40):
Liked that movie.

Speaker 4 (01:06:41):
But Titanic, what drew see? I knew it was coming
the score on, that's amazing. You kidding me exactly? Didn't
I say this? I said, you would not.

Speaker 1 (01:06:51):
Be I don't think I've gotten through Titanic.

Speaker 4 (01:06:54):
No, it's not, It's gonna happen. It's okay, need like crying.

Speaker 7 (01:06:59):
I love it, Like my wife, that's like one of
her favorite movies of all, A.

Speaker 4 (01:07:03):
Really good movie, but we just don't love it.

Speaker 5 (01:07:05):
But I could I watch.

Speaker 3 (01:07:06):
Every thought it was stupid that she said I'll never
let go and then drops them down to the bottom.

Speaker 6 (01:07:10):
Of the Before you give your final pick, Anders, I'll
give you my gun. My honorable I mentioned list is
a nice shot. My honorable mention list is a little
bit longer, so I'll roll through it really quickly. Dune
to Hans Zimmer Endgame, Alan Silvestri inception Hans Zimmer Toronto
Legacy by Daft Punk was one that's I think that
I came in. I should have been higher, but it
got bumped. Kung Fu Panda three by Hans Zimmer along

(01:07:34):
the Lion Kings. It has kind of the East Asian
influence with Hans Zimmer's typical stuff, Schindler's List, John Williams,
Rogue One, Michael Giacchino, Pied to the Caribbean, Hans Zimmer,
Finding Nemo, Thomas Newman, Harry Potter, and the Sorcerer's Stone.
We talk about the magicalness of John Williams Sorcerer's Stone
from John Williams, Paul thirteen by James Horner, Back to
the Future by Alan Silvestri. It was hard narrowing it down,

(01:07:58):
but those are my honorable mentions now Andrews, Well.

Speaker 7 (01:08:01):
Since you took probably the one I was gonna pick
an your honorable mention.

Speaker 1 (01:08:04):
I might change it.

Speaker 5 (01:08:05):
Now because I was. I was gonna pick Carry Potter.

Speaker 1 (01:08:07):
It's great, great, it's a great.

Speaker 7 (01:08:10):
But but I upon thinking about it, and I want
to keep it as your honorable mention. I think it's
a good honorable mention. I'm gonna pick Pirates of the Caribbean.

Speaker 4 (01:08:20):
That was Yeah, that was.

Speaker 5 (01:08:23):
Old. Yeah, it's everyone knows the theme.

Speaker 6 (01:08:29):
Say the thing, because I know you're gonna say the thing,
and you're gonna nail it.

Speaker 5 (01:08:32):
What thing that is not?

Speaker 1 (01:08:34):
It's more than just yea it is.

Speaker 5 (01:08:35):
Oh yeah, I thought you meant like something more than that.

Speaker 4 (01:08:37):
But I've said that four times already.

Speaker 1 (01:08:39):
Everybody thinks Heights of the Caribbean is just the themes.

Speaker 5 (01:08:42):
More than that, it's it's so much more than that.

Speaker 7 (01:08:45):
Every scene, like I'm gonna say it, I'm gonna sound
like a broken record, broken record.

Speaker 8 (01:08:52):
Let's I don't have a dune, buddy. It's in every
scene that it is in you.

Speaker 7 (01:09:03):
If you think about it and you really pay attention
to score, it helps so much. It makes Jack Sparrow's
character of what he is if you watch every scene
that he's in with Johnny Depp. Johnny Depp does a
great job of it, but the score elevates him.

Speaker 4 (01:09:17):
I love.

Speaker 5 (01:09:19):
Hans Zimmer's score in The Lion King.

Speaker 7 (01:09:21):
I think emotionally that hits a little bit more, but
in terms of just probably a more complex project for him,
Hans Zimmer is known for kind of being a little
bit more electronic and more futuristic and maybe not as
like complicated as a John Williams score. That's like super
symphonic with a bunch of different actual instruments, which I

(01:09:43):
think it makes a little more impressive for me because
I'm a music nerd. But yeah, I played trumpet jazz band.
Let's go get with the picture here, Christopher.

Speaker 1 (01:09:51):
I've ever heard of that keep cooking.

Speaker 7 (01:09:53):
Yeah, but I think this one was probably Hans Zimmer's
biggest project to where he made it as about as
close to a prototypical movie score as possible, and he
does a fantastic job with it.

Speaker 1 (01:10:09):
I like your team more than I like my.

Speaker 6 (01:10:10):
Own, and on that no, we should go over full teams, Anderson,
I think I think your team is the clear best
team here.

Speaker 1 (01:10:21):
But but go ahead and give it to us more time.

Speaker 7 (01:10:22):
I got the Lord of the Rings Star Wars, what
was my third line king Lion King and prior to
the Caribbean.

Speaker 6 (01:10:31):
I think that's a that's a killer fricking team. I mean,
I think, yeah, absolutely nailed it on all accounts. And
Lord of the Rings is just I mean.

Speaker 1 (01:10:37):
It's so for me, it's so far Howard Howard's score
for me, it's it's so far above everything else. Is
number one.

Speaker 6 (01:10:44):
I think, I think I would I would encourage people
if they've listened to it this far. If you've seen
the Twitter poll of the voting of the scores, vote
for Anderson.

Speaker 4 (01:10:53):
I don't know enourage it.

Speaker 5 (01:10:55):
I want everyone Point.

Speaker 1 (01:10:57):
Is clearly the best team.

Speaker 6 (01:10:59):
Because my team, I like my team Interstellar how to
Train Your Dragon inside out the Social network, see, I.

Speaker 4 (01:11:04):
Like your how to Train Dragon pick that was that
was gonna be my number two, by.

Speaker 6 (01:11:07):
The way, I think, I think so, I think I
have a really I think I have a great team.
I think you have an A plus team. Jessman, what
is your team?

Speaker 2 (01:11:14):
Let's see, I started with Jaws.

Speaker 7 (01:11:16):
Jaws thanks East of Coast.

Speaker 3 (01:11:22):
So I have Jaws, E T Arrival and everything everywhere
all at once.

Speaker 5 (01:11:27):
I love you.

Speaker 2 (01:11:28):
I like my picks too. I'm pretty proud of them.

Speaker 4 (01:11:31):
Tremendous Christopher, Jurassic Park, James Bond, Mission Impossible, and I
can't forget Halloween.

Speaker 2 (01:11:39):
Those two.

Speaker 4 (01:11:40):
I like all of our teams.

Speaker 1 (01:11:41):
Honestly, I like all of our teams. I just think
there's a clear one.

Speaker 4 (01:11:45):
Nope, I'm right there. Debatable.

Speaker 6 (01:11:46):
Well, Chris, you're saying that, but you picked. You picked
themes instead of scores.

Speaker 4 (01:11:50):
I picked scores.

Speaker 1 (01:11:52):
I think your taste is.

Speaker 6 (01:11:53):
Under the table, by the ways, Well, that'll do it
for to show. We want to thank you for listening.
Jessman McIntyre, Anderson Hurst, Christopher Kid. My name is Jackson Felts.
We'll be on I think in a couple of weeks
for the next episode of Hollywood Weekly. Big big movies
coming out over the next couple of weeks, make sure
to hit them all in theaters.

Speaker 1 (01:12:14):
Have a good time. We'll talk to you soon here
on Hollywood Weekly.