March 31, 2025 • 57 mins
#157. Big Black Delta meditates on an era of uncertainty, Janet Devlin comes back to her senses, Theodore has musical orgasms, and Ron shares new faves from Courting, Alan Sparhawk, + more.Sponsored by DistroKid. Get 30% off your membership at distrokid.com/vip/independentmindedSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
You're the one that should be worried.
Speaker 2 (00:06):
You're a freak.
Speaker 3 (00:07):
You're reading for beg trouble, trouble.
Speaker 1 (00:12):
What's up?
Speaker 4 (00:13):
Nerds?
Speaker 5 (00:14):
Thanks for joining me to celebrate eleven new songs from
independent artists big and small, young and old, straight, gay,
heavy and mellow for the magnificent month of March. Spring
is Sprung. Touring season has begun, So if you hear
anything you like, go see these bands when they swing
through your town. Bring your friends by their merch buy
(00:37):
them a whiskey.
Speaker 6 (00:38):
After the show.
Speaker 5 (00:39):
We're during it because in the twenty first century music world,
sharing the love is what it's all about. And whatever
you're doing right now, gardening, biking, chilling on the front
porch with Adobie and an Arnold Palmer, I thank you
for participating in the Independent Minded podcast listening experience. This platform,
more than anything else else, has been the biggest and
(01:01):
best excuse for your pal Ronald to engage in new
music discovery. And I gotta tell you, finding eleven new
songs that I actually think are good, that's not an
easy feat, but that's what makes these eleven jewels you're
about to hear that much more special. And along the way,
you'll be hearing from some of the artists who made them,
telling us about the trials and triumphs that bird their
(01:23):
musical babies.
Speaker 4 (01:25):
So let's do.
Speaker 2 (01:27):
Five, six, seven, eight.
Speaker 7 (01:31):
Hello.
Speaker 5 (01:33):
I can't think of a better way to kick off
this eleven episode than with some Big Black.
Speaker 3 (01:37):
D Excuse me while I whip this out.
Speaker 5 (01:42):
LA Musician Jonathan Bates aka Big Black Delta has released
this fifth self produced album at A nine, containing songs
that sonically sit somewhere between Depeche Mode and Nine Inch Nails.
And when the press materials drop those two band names
as comps, you know Ronnie's gonna pay attention, and Bates
doesn't disappoint, making what he describes as quote music for
(02:04):
people while they figure out their own answers to things
or not. I'm not your dad unquote. Here's Jonathan to
further explain the highs, the lows, and the hopelessness behind
Adenize leadoff track, Uncertainty is the Light.
Speaker 8 (02:20):
Our current period of humanity is in its most dynamic
and painful flux. I don't know anybody that isn't suffering
on some kind of level looking for peace somewhere. Through meditation,
I started channeling the greater consciousness, if you will. And
these were the not answers, but these were some of
(02:41):
the explanations as to what's happening now. Depending on your religion,
the body that you inhabit, the time period that you
were born into, everybody has a different set of standards
and morals. But we're all seeming to hit and being
aiming for a singularity speak of consciousness. Everything you see
(03:03):
and everything you feel comes from a greater consciousness, and
it's time for us to own that and take responsibility
and choose who you want to be in the universe.
Not what was chosen for you, but who do you
want to be now that all our establishments, all our archetypes,
(03:24):
all these things are crumbling. All it's going to be
left is your intention. What are you going to do
with that? But this is where this song is coming from.
And the only answer I found is love and empathy.
This is big black delta and this song is called
Uncertainty is delight.
Speaker 9 (03:58):
Light or me.
Speaker 1 (04:03):
With love with hell?
Speaker 7 (04:06):
It's equals the pain he sick.
Speaker 10 (04:11):
That is why.
Speaker 11 (04:16):
Something up right, That is why I'm.
Speaker 1 (04:23):
Certain to bes to like.
Speaker 11 (04:58):
Oh no, the cycle, girls, women in love, man fucking.
Speaker 10 (05:10):
From their holes. I don't know.
Speaker 9 (05:18):
You leave me. I don't know.
Speaker 10 (05:24):
That's what you've gotten. You're looking for me, then that's
what you've got.
Speaker 12 (05:34):
What you've got, hease gount you eleven.
Speaker 9 (07:42):
Walking down the moons here.
Speaker 13 (07:43):
I try to get to you, but I just get
on my way as the time moves on. In the
moment's going now and I can see the day. I
ain't needing Lance Heaping, And I've been this way for morns.
Speaker 10 (07:59):
He had this film.
Speaker 13 (08:00):
I'm a stomach, got this film, never loans. But the
doctors they won't see me because they only treat for paint.
They keep sending me away because I'm too fucking insane.
Speaker 9 (08:09):
People telling me, lord on with the feeling of.
Speaker 4 (08:13):
The solar, keep our into yourself.
Speaker 9 (08:18):
That be okay.
Speaker 14 (08:23):
People telling me to peace through the field, yest.
Speaker 4 (08:28):
Not go keep her into myself?
Speaker 9 (08:31):
Out the truth? Those friends away, Oh, HOLLI gotta to
the stok time.
Speaker 15 (08:44):
Ho time, Caly, gotta till the all time, hollyda tell
the start time.
Speaker 9 (08:57):
How time.
Speaker 1 (09:18):
Woke up from a tree and got your hands around
my neck.
Speaker 16 (09:21):
But I just can't catch my breath, spitting out my teeth.
While he was smiling back at me. I got a
knife Steve in my back head and she did.
Speaker 3 (09:32):
It ain't fleeing, I guess I here my peek.
Speaker 16 (09:35):
Got this wrapped around my tongue, and got this liveage
and my cheeks.
Speaker 1 (09:38):
But my mother, she don't wonder that. This world don't
ever speak.
Speaker 13 (09:41):
We're gonna keep on playing games, even though.
Speaker 15 (09:44):
On fucking week people tell me hold on, but the
feel of a sore, keep one into myself.
Speaker 9 (09:54):
I'll be okay. He want to me the petrol the field.
Speaker 17 (10:03):
My chance is not going.
Speaker 18 (10:05):
He put the hands on myself, all the troll though
his buns away.
Speaker 14 (10:11):
Hold on, how he gotta to his hold.
Speaker 7 (10:17):
On, hold on, How he gotta do his hold on?
Speaker 9 (10:25):
How they don't know the baby hold on.
Speaker 7 (10:29):
Hoo, he gotta do his hold on?
Speaker 9 (10:33):
Hold on, How he gotta do his hold on? Little black.
Speaker 19 (12:13):
Stop wanting three four?
Speaker 2 (13:00):
I'm six.
Speaker 9 (13:00):
Selevin's the number for me, don't you see? Eleven's the
number for me for.
Speaker 2 (13:11):
Oh shoots feet back the glass, I go down the flame.
Speaker 17 (13:22):
Dennis s.
Speaker 20 (13:29):
With this canon, dude, Darlasander, I just get at the
ratios close. It just seem happy darning And though they
(13:54):
don't want me to rot it you rather Alma final
trying to bath for the lady. I want you to
talk of coffin. I still want to.
Speaker 9 (14:09):
Be money. How I'm sad, fuckings ahausted, so stupid you
(14:55):
might be abusting. Thank you for th.
Speaker 2 (15:50):
If I can't get anything, I'll put that on.
Speaker 9 (16:01):
If i'd.
Speaker 21 (16:04):
Tell me up, if I can tag, if I can't
tell me out fail.
Speaker 9 (16:18):
If I can't tag, I love. If I can't.
Speaker 2 (16:33):
Make sense, feats like a glass.
Speaker 22 (18:00):
What's your name?
Speaker 2 (18:00):
So even.
Speaker 23 (18:18):
Astonishing, utterly divine, exhilarating, preciously sublime.
Speaker 1 (18:49):
Don't you speak? It makes me to cry out the
jacket lamb satin resting in the thigh.
Speaker 23 (19:02):
As from my overtures and might painted on two dimensional
scenario and my taste for Babylian delivery.
Speaker 1 (19:11):
The way you turn your chest on me. I'm embarrassed
to be clever and you're honest. You need me unto
be ready.
Speaker 10 (19:23):
If different now than I did before, I can.
Speaker 24 (19:27):
See almond power on the worst, my fear of.
Speaker 25 (19:32):
The trail in your eyes, my naked and screaming like
a tornado in the dark.
Speaker 10 (19:41):
I can see it has Lain face to face. I
see her winces unders eyes, and I know.
Speaker 1 (19:54):
You are gentle.
Speaker 9 (19:58):
By the way you are.
Speaker 10 (20:01):
Posture is so elegant, and I notice.
Speaker 22 (20:09):
You are noble.
Speaker 23 (20:11):
You are kind, or at least entertained by your time
sitting here with me.
Speaker 7 (20:20):
Okay, I'll share this.
Speaker 26 (20:22):
When I was five, I remember clearly might want to
have a cinderellaper day party.
Speaker 10 (20:28):
And when the moment came in, I changed my mind.
Speaker 2 (20:32):
I was quiet, alone and devastated.
Speaker 24 (20:36):
You make me to be ready. I feel now than
I did before. I could see only was my apaturna
in my mind. I am naked and screaming like a tornado,
(20:57):
and you die.
Speaker 10 (20:59):
I can see play face to face as they turn
says under the laws.
Speaker 7 (21:06):
Just know hast clean the way. Just know I won't
leave that I came.
Speaker 4 (21:19):
Just know, oh keep doll me.
Speaker 9 (21:25):
Game.
Speaker 7 (21:27):
Just know I won't leave that I came.
Speaker 25 (21:37):
I on leave as I came. I only as I can.
You will be got due fifty three before you can.
Speaker 1 (21:58):
See my way on the worst, my fear of the true.
Speaker 10 (22:05):
In their eyes, on the mad, screaming like a toy.
They were in the down. I could see his playing
face to face as he heard Helen.
Speaker 26 (22:17):
Says on the stars, just SnO op clear, Wait just
snow out a.
Speaker 17 (22:29):
Ve us and.
Speaker 27 (22:54):
I see a bus lights, I see s Stresa, some
boys watches some nice summer access states.
Speaker 2 (23:02):
Left, Bill's ball right.
Speaker 9 (23:04):
I see joy in the city. I don't believe it.
Speaker 27 (23:08):
And I see I said in waiting your lights. I
see somebody's watching somebody's sign it EXAs states left, Bill's
ball right. I see joy in the city.
Speaker 9 (23:20):
I don't believe it.
Speaker 7 (23:23):
I don't believe.
Speaker 2 (23:35):
I see you sometimes with her glossies.
Speaker 28 (23:39):
You only see that when the lifestyle seeing the round,
always see her.
Speaker 9 (23:49):
She working see us in the night side.
Speaker 3 (23:53):
City told me, I got podas I see.
Speaker 5 (23:55):
Her und.
Speaker 9 (23:58):
Hello, we see around.
Speaker 13 (24:09):
With me.
Speaker 4 (24:10):
I guess wasn't the change smoke. My patience is so
oldcoln Legally.
Speaker 3 (24:15):
Somebody stop me.
Speaker 7 (24:16):
I saw the movie the Store.
Speaker 28 (24:18):
I feel the boy in my homes got a girl,
said got somebody stum me?
Speaker 27 (24:23):
Yeah because a girl sis God, somebody stop me, Yeah, because.
Speaker 9 (24:27):
A cursis God. Somebody stop me.
Speaker 28 (24:30):
Serious, God, somebody stop me, because said goss Sun, I
see you sometimes with my glasses, Rice, you won't be
seen me with the lifestyle seeing your found.
Speaker 9 (24:45):
If we see your ron she wanted to see in
the night sid you.
Speaker 22 (24:54):
Know she call me, I got riders on seeing your fund.
Speaker 9 (25:11):
Sound Sound.
Speaker 5 (25:46):
That's new music from recording and the song pause at
You off their new album You Ready, Lust for Life
or how to Thread the Needle and come out the
other side to tell the story Good luck fitting that
on a T shirt. The Brits are touring the UK
in early April, followed by a bunch of US states
beginning May thirtieth in Chicago, all in support of their
(26:06):
new record out now on Lower Third and Pious Before that.
One of my favorite Newish noise rock bands, Model Act
Trees with Cinderella, the first single teasing their sophomore album, Pirouette,
out May second on Troop. Panther and Dirty Hit Washington,
DC songwriter and producer Bartees Strange gave us once Needs
(26:28):
my favorite track off his latest album Horror, out now
on four AD. Tash Sultana's new single is called Hold On.
The Australian Prodigy is coming to the US for a
bunch of mostly West Coast shows starting June tenth in
San Diago, and we kicked off eleven with Big Black
Delta's Uncertainty is the Light from the Dope new album
(26:50):
at a nine.
Speaker 10 (26:52):
If you can see yeah, the numbers will go to eleven.
Speaker 5 (27:04):
I've said it before and I'm happy to repeat that.
Ippacac Recordings, the California based indie label run by one
of my idols, Mike Patton, is a favorite imprint of mine,
so it's no surprise that the new release by Melvins
has caught my ear. Only this is Melvin's nineteen eighty three. No,
they haven't gone back in time. The Reagan era surname
is included on the band's upcoming album Thunderball, since it
(27:27):
features the band's lineup from that year, drummer Mike Dillard
and founding member Buzz Osbourne. The new single King of
Rome reminds me of the song that turned me on
to the Melvins in the first place, Honeybucket from nineteen
ninety three's Houdini, And just like that one, this one
definitely goes to eleven.
Speaker 3 (28:07):
You say, show you the let saying it's not it's you, it.
Speaker 9 (28:31):
Stag. They say it's the Monday.
Speaker 2 (29:39):
To make a bat.
Speaker 3 (29:42):
You get me the first I would have to be.
Speaker 9 (29:47):
I wish you had that me. You made me. You
know me?
Speaker 22 (29:58):
You mean.
Speaker 5 (30:47):
Melvin's nineteen eighty three with King of Rome off the
forthcoming album Thunderball, out April eighteenth on Ippacac Recordings. The
band's current lineup kicks off a massive US tour alongside
my mom's favorite band, Napalm Death on April fourth. I
got five more coming out of the break, including a
welcome return to form from one of the founding members
(31:09):
of my favorite shoegaze band, plus two former independent minded guests,
one from Greece who's making new magic and another from
Ireland who changed your style in the year since we
first talked. All due to an emotional rodeo. Gideo and
don't hit that skip button. Eleven is made possible by
distro Kid.
Speaker 10 (31:29):
Somebody call me for help?
Speaker 4 (31:31):
Whoa who pray teller you?
Speaker 25 (31:34):
I'm distro Kid.
Speaker 29 (31:36):
When an Indian artist needs help get in their new
pop on the web, I swoop in to save the day.
I get you unlimited uploads. I make sure you get
one hundred percent of your innings. And if you'll want
to get creative with your promo, I got all these
sweet pools in my utility belt to mix. Spread in
the words simple and fun. Just send me your files.
(31:58):
Sign up for the Basic Plan watch me go to
rest distro kid.
Speaker 4 (32:02):
That's incredible.
Speaker 5 (32:03):
Where do I sign up?
Speaker 29 (32:05):
Don't be coy ron. You know where you've been using.
Speaker 10 (32:09):
Me for years.
Speaker 5 (32:10):
Well, don't give people the wrong impression. Go to DistroKid
dot com slash vip slash independent minded and get saved
by distro kid at thirty percent off the regular price.
You'll find out what I already know. Distro kid is
the best place for independent minded artists and indie labels
to take care of their digital distro.
Speaker 2 (32:36):
I'm all time six seven eight n Hello.
Speaker 5 (32:43):
Singer songwriter Janet Devlin traveled many miles from Northern Ireland
to join me in studio in New York City for
episode forty four of Independent Minded. All the way back
in twenty sixteen. We talked about then fresh subjects like
our success on the TV show The X Factor and
our new Christmas EP Out of Positivity. But the first
song wake Up It's Christmas.
Speaker 2 (33:04):
Let's talk about this song dark dark DK.
Speaker 5 (33:07):
Yeah, dramatic dark. Definitely a brave choice I would say
for the first track on a Christmas release, especially Yeah.
Speaker 30 (33:14):
Well, it started off I'd sat down at the piano,
which I don't play. I do not play the piano.
But I sat down and was like, let's write a
Christmas song. Originally the lyrics were like all about being
a kid and being so excited for Christmas. So but
then I realized that the melody was so dark.
Speaker 31 (33:32):
I was like, this doesn't marry.
Speaker 30 (33:33):
It's too happy for this melancholy chords that I have.
So I I'd written the song and then I just
scrapped all the lyrics and started again. So I just
like listened to the song this time instead of just
writing as I went along and listened to what the
music would telling me. And it just told me this story,
which isn't something that I've ever actually experienced, because it's
this idea of you're in a serious relationship with someone
(33:56):
and then Christmas is happening and you get dumped, basically,
and it's this idea that like, you know, there's Christmas
cards being sent to the both of you, and like
that's heartbreaking, and you know you've had to change the
locks on the door, and you your walls have like
pictures of them, and it's just but the chorus is
(34:19):
obviously like the little uplift, which is like wake up,
it's Christmas trying to get that little bit of power
back in your day. Were's like, no, it's fine, we'll
get up.
Speaker 25 (34:27):
I'll do it.
Speaker 30 (34:28):
There's Christmas. It's a pretty dark start.
Speaker 5 (34:31):
I'm still going to get depressed when I hear it again.
I like it though, I like it a lot too.
I mean I say that as a compliment, like I
love music that moves me, whether it's in a positive
way or not so positive way.
Speaker 2 (34:44):
And it definitely did.
Speaker 1 (34:54):
There's no times you and I don't need to see
here his face.
Speaker 5 (35:01):
So a lot can happen in eight plus years. And
not only has Janet climbed greater heights since then, but
the twee Nora Jonesy pops she offered back in sixteen
has evolved into some mature country rock, most recently on
a rapidly titled album, Emotional Rodeo. Here's Janet with her
new single back to My Senses.
Speaker 9 (35:22):
I can hear your.
Speaker 32 (35:24):
Voice every time I burst your host in the street
and I don't have choice. You're running duringing myne like
a recorirl left on the I'm down and letuda forget
what I said is matuna monies they forgive me? Please,
(35:47):
let's do it orfferently, no armber my sensor. It makes sense,
joy listed.
Speaker 2 (35:56):
And you loved my bed, not your thought.
Speaker 22 (36:00):
I'm back to my sensor.
Speaker 9 (36:03):
Han, I'm back from my man's going back from my word,
and I never mean to hurt you.
Speaker 33 (36:09):
We see don and your defensive beause I'm back to
my senses.
Speaker 32 (36:17):
I still find your fish and everything I see there
is no whiskipping. All it took was one sex a
cent a man ever snanded. I'm going meursed up and
I let you down down, forget what I said.
Speaker 2 (36:37):
It's not true.
Speaker 4 (36:38):
I'm growing on mounties, bab.
Speaker 32 (36:41):
Give me please, let's stood over differently not I'm back
from my sensor, so it makes sense.
Speaker 17 (36:48):
So we left it and you're.
Speaker 32 (36:51):
Not back in my baddy gotcha, But I'm.
Speaker 33 (36:55):
Back to my sensor hand. I'm back come my man,
going back on my words. I never meant to search you,
sake time, your defensives. You signed back to my sensor.
Speaker 1 (37:26):
I don't know where it comes.
Speaker 32 (37:28):
From, but I know that I'm sorry for what I've done.
I don't know how to pisiness, but if you save
me that.
Speaker 7 (37:37):
Please won't take me.
Speaker 1 (37:39):
Back to my answer?
Speaker 10 (37:42):
Pick it back up?
Speaker 9 (37:43):
Well, your life day.
Speaker 19 (37:45):
Because I'm back from my sensor.
Speaker 33 (37:49):
Don't make sense on bday and you're not back in
my bedy about you.
Speaker 22 (37:56):
But I'm back to my senses.
Speaker 34 (38:00):
And from a man going back from the world, and
a nervous man to Orcher to say, down your distance
with some black from.
Speaker 17 (38:11):
My mesle.
Speaker 9 (38:33):
And m h.
Speaker 22 (38:43):
M hm mm hm m hm.
Speaker 32 (38:52):
M hm m hmm.
Speaker 2 (38:58):
Good days where we say, well you mean.
Speaker 1 (39:07):
If you don't be I know me.
Speaker 9 (39:10):
Now you're you're wrong. I don't care.
Speaker 18 (39:19):
We all make say sidon't take anyone on your side.
Speaker 2 (39:32):
I'll take my side to.
Speaker 22 (39:39):
Lonely say, it's the way that perfinds you.
Speaker 11 (39:49):
H m hm.
Speaker 9 (39:52):
M h m hm mm hmmm. They're so long, stand up,
pause and your turn.
Speaker 22 (40:07):
Now you.
Speaker 9 (40:16):
They are long than man j time.
Speaker 22 (40:29):
The old say everything you strive.
Speaker 9 (40:36):
No way, s.
Speaker 22 (40:43):
Lo ma say, said las Joe.
Speaker 10 (40:56):
Little lad said they can't cross.
Speaker 18 (41:03):
Their sun.
Speaker 10 (41:05):
Our hands bad and so run.
Speaker 4 (41:10):
So we try to decide all.
Speaker 10 (41:14):
The bed stops the tongue, you step.
Speaker 9 (41:20):
Do wrong bad, come back?
Speaker 1 (41:51):
Well what a little alive?
Speaker 35 (41:54):
They could sell our heads cross saw himself did in song. Rather,
that's true that we do, but we shot don't don't.
Speaker 10 (43:18):
Where else.
Speaker 12 (43:23):
What we do is if we need that extra push
over the cliff, you know what we do, put it
up to a line even exactly.
Speaker 9 (43:32):
M hm.
Speaker 22 (43:34):
M hm.
Speaker 9 (43:44):
Hm.
Speaker 6 (43:48):
Never be sorry for the lack of response. You have
no my all we will lost the rise and slag
to see if all long your faces in the jar
or cars in they try.
Speaker 9 (44:06):
You have him now?
Speaker 10 (44:08):
Bout hours?
Speaker 9 (44:09):
Have you?
Speaker 1 (44:09):
Leader Onis of Gossis Flock.
Speaker 6 (44:13):
He is a murderer times a burden, your voices a
soft How long af we been here?
Speaker 1 (44:22):
I can't quite remember?
Speaker 7 (44:24):
I how had you beat this warm?
Speaker 6 (44:36):
You thrown me away from the shoulder like any of
the galaxy? Oh time who stars? Finally turning you? Long
after voice and half written dust, and long after the
voice is return from the telephone, cut it out from
(44:57):
color leave have you long no.
Speaker 1 (45:00):
That she's down?
Speaker 6 (45:02):
I'll legend talk into the sky that he keys turning off.
Light raises far shore from the hands of the choir
(45:23):
who was stand and judging the funeral's power. Now that
she's dead, they wait for the symphonies, conductors retired to
the better of a sympathy, losing a minds on yesterday's tragedy?
Are you surprising singing in harmony, loading the poles. I
(45:48):
noticed the exercise, pointing away.
Speaker 1 (45:52):
I knew they were wrong.
Speaker 9 (45:54):
She was.
Speaker 6 (46:03):
Your silkcase. What's well in the room you are living in?
Quickly to the town Is it how you imagined it?
Along with your ghosts and the question of protects, leaving
you in deserts and surgeal the answers, all the questions
(46:23):
that lead to more questions.
Speaker 2 (46:26):
Afraid to stand up or lose your.
Speaker 6 (46:29):
Salvation, starting why they all change the station.
Speaker 1 (46:35):
The story had song to.
Speaker 6 (46:37):
Close Father alive and set to the strip when you
love as a die or and a knowing you're not
even try and shot to the sound man, and the
(46:58):
building was on fire, and I saw step by a
free of your ghosts.
Speaker 7 (47:05):
Highly you got you.
Speaker 6 (47:09):
Not even cloud with every standing songs from your mouths,
and they took all.
Speaker 9 (47:17):
Your strips and the range from.
Speaker 31 (47:19):
Your eyes to catching me in as passing ride, some
of the si you made up in your mind, then
sting you dies hidden your why where.
Speaker 7 (47:34):
Good is living?
Speaker 31 (47:36):
If you can write you in.
Speaker 2 (47:39):
Your always and down drews you defended.
Speaker 6 (47:43):
Seen your se any other's ideas, I'll write you from summer.
Speaker 1 (47:50):
I'll call you from later on.
Speaker 7 (47:52):
I'll need a good talk.
Speaker 9 (47:54):
You need a danger everless be us. I'm alive.
Speaker 10 (48:00):
Can you hear me?
Speaker 6 (48:01):
Steeping motion?
Speaker 14 (48:05):
Washington stays sleeping motion.
Speaker 10 (48:31):
I love you, Washington step.
Speaker 9 (48:38):
Sleeping motion.
Speaker 2 (48:41):
You Washington stay.
Speaker 1 (48:46):
My sleeping motion.
Speaker 9 (48:50):
Watch she can stand sleep motion? No s she.
Speaker 6 (49:09):
S.
Speaker 4 (49:43):
You gotta put up with stranger people.
Speaker 7 (49:49):
Then you know, now.
Speaker 4 (49:53):
You gotta go through some danger.
Speaker 9 (50:00):
Said you thought you have.
Speaker 4 (50:03):
Dude, you gotta do a little.
Speaker 9 (50:06):
Resec for you say that you know.
Speaker 4 (50:15):
Even then you gotta retort from using your own Uh.
Speaker 9 (50:24):
You.
Speaker 36 (51:08):
Gotta take to the deed. You gotta rut that shit down.
You gotta cut him a big say you gotta clean
your dashboard cup cold. You gotta put him with stranger.
Speaker 22 (51:35):
People.
Speaker 9 (51:35):
Then you don't know.
Speaker 4 (51:40):
You gotta go through some danger.
Speaker 32 (51:45):
Some things and you.
Speaker 9 (51:47):
Thought you have to na.
Speaker 22 (51:56):
None.
Speaker 5 (52:14):
Some much needed new music from Allance Barhawk. That was
Stranger off the upcoming album with Trampled by Turtles, out
May thirtieth on sub Pop Records. Before that, Seattle, Washington's
Damien Herado, a longtime favorite of mine, with his new
single The Last Great Washington State Upstate New York indie
(52:36):
folk duo Toledo made amends. The new single is out
now and we kicked off the long set with Janet
Devlin and back to My Senses off the album Emotional
Rodeo out now on Okay Good Records.
Speaker 2 (52:52):
If you can see Yeah, the numbers will go to eleven.
Speaker 5 (53:04):
Back in twenty nineteen, I worked down the hall from
NPR's tiny Desk, and when I wasn't passing by to
give Bob Boyle and a noogie, I got to catch
the occasional desk set from artists like Jim James, American
Football and Kurt Vile and this cat from Athens Grease
alternative rocker Theodore.
Speaker 37 (53:22):
From when I was very very young, when I was
going on my piano and started playing, there were some
moments that the feeling that I had playing music was
almost orgasmic.
Speaker 2 (53:33):
It's pretty much a sexual thing.
Speaker 37 (53:34):
Probably for me. It's it's an addiction. If you experience
multiplying this feeling by the number of people that they
are watching you play, watching you having this orgasmic moment,
this feeling is multiplied by the number of these people.
So what I'm trying to say is multiple orgasms.
Speaker 11 (53:54):
Yes.
Speaker 5 (53:55):
The new single Breathe Into me is a typical sonic
journey from Theodore gonna take us out and take it
all the way up to eleven.
Speaker 2 (54:03):
I'm covered in on my feet, are sofa.
Speaker 9 (54:07):
Waiting for you.
Speaker 7 (54:14):
But enough since down.
Speaker 10 (54:15):
In the sun now, hassa.
Speaker 9 (54:18):
Waiting for you.
Speaker 7 (54:25):
From the little I have a little line know.
Speaker 9 (54:29):
Take I will give all my youth. I will give
it it, I swear.
Speaker 20 (54:41):
To weird.
Speaker 4 (54:52):
Too bad.
Speaker 9 (55:00):
Wait, chill me, so, chill me.
Speaker 38 (55:25):
So my mind is dring, my memories broken, waiting for you.
(55:59):
I've been trying to say alone, but I'm still not
there yet.
Speaker 6 (56:03):
Waiting for you.
Speaker 1 (56:10):
A little.
Speaker 9 (56:11):
I have a little I know.
Speaker 7 (56:14):
Thank Kato, I will give.
Speaker 3 (56:21):
One of you because I will give eight ice wae.
Speaker 9 (56:26):
To your.
Speaker 10 (56:33):
Read too many.
Speaker 7 (56:45):
Really to me.
Speaker 5 (56:59):
Y gotta give a big thanks to the artists who
shared stories and music with us on eleven and you
can check out this episode's full playlist at baldfreak dot
(57:20):
com slash podcast. If you're an indie artist or you
represent one who wants to be featured on the podcast,
send your note and your links to Ron at baldfreak
dot com. Follow me online at Baldfreak Music and subscribe
and leave a kind review on Apple Podcasts and Spotify
Independent Mind. It always was and still remains a bald
(57:41):
freak music production and me, I'm still Ron Scalzo put
Nak
You're the one that should be worried.
Speaker 2 (00:06):
You're a freak.
Speaker 3 (00:07):
You're reading for beg trouble, trouble.
Speaker 1 (00:12):
What's up?
Speaker 4 (00:13):
Nerds?
Speaker 5 (00:14):
Thanks for joining me to celebrate eleven new songs from
independent artists big and small, young and old, straight, gay,
heavy and mellow for the magnificent month of March. Spring
is Sprung. Touring season has begun, So if you hear
anything you like, go see these bands when they swing
through your town. Bring your friends by their merch buy
(00:37):
them a whiskey.
Speaker 6 (00:38):
After the show.
Speaker 5 (00:39):
We're during it because in the twenty first century music world,
sharing the love is what it's all about. And whatever
you're doing right now, gardening, biking, chilling on the front
porch with Adobie and an Arnold Palmer, I thank you
for participating in the Independent Minded podcast listening experience. This platform,
more than anything else else, has been the biggest and
(01:01):
best excuse for your pal Ronald to engage in new
music discovery. And I gotta tell you, finding eleven new
songs that I actually think are good, that's not an
easy feat, but that's what makes these eleven jewels you're
about to hear that much more special. And along the way,
you'll be hearing from some of the artists who made them,
telling us about the trials and triumphs that bird their
(01:23):
musical babies.
Speaker 4 (01:25):
So let's do.
Speaker 2 (01:27):
Five, six, seven, eight.
Speaker 7 (01:31):
Hello.
Speaker 5 (01:33):
I can't think of a better way to kick off
this eleven episode than with some Big Black.
Speaker 3 (01:37):
D Excuse me while I whip this out.
Speaker 5 (01:42):
LA Musician Jonathan Bates aka Big Black Delta has released
this fifth self produced album at A nine, containing songs
that sonically sit somewhere between Depeche Mode and Nine Inch Nails.
And when the press materials drop those two band names
as comps, you know Ronnie's gonna pay attention, and Bates
doesn't disappoint, making what he describes as quote music for
(02:04):
people while they figure out their own answers to things
or not. I'm not your dad unquote. Here's Jonathan to
further explain the highs, the lows, and the hopelessness behind
Adenize leadoff track, Uncertainty is the Light.
Speaker 8 (02:20):
Our current period of humanity is in its most dynamic
and painful flux. I don't know anybody that isn't suffering
on some kind of level looking for peace somewhere. Through meditation,
I started channeling the greater consciousness, if you will. And
these were the not answers, but these were some of
(02:41):
the explanations as to what's happening now. Depending on your religion,
the body that you inhabit, the time period that you
were born into, everybody has a different set of standards
and morals. But we're all seeming to hit and being
aiming for a singularity speak of consciousness. Everything you see
(03:03):
and everything you feel comes from a greater consciousness, and
it's time for us to own that and take responsibility
and choose who you want to be in the universe.
Not what was chosen for you, but who do you
want to be now that all our establishments, all our archetypes,
(03:24):
all these things are crumbling. All it's going to be
left is your intention. What are you going to do
with that? But this is where this song is coming from.
And the only answer I found is love and empathy.
This is big black delta and this song is called
Uncertainty is delight.
Speaker 9 (03:58):
Light or me.
Speaker 1 (04:03):
With love with hell?
Speaker 7 (04:06):
It's equals the pain he sick.
Speaker 10 (04:11):
That is why.
Speaker 11 (04:16):
Something up right, That is why I'm.
Speaker 1 (04:23):
Certain to bes to like.
Speaker 11 (04:58):
Oh no, the cycle, girls, women in love, man fucking.
Speaker 10 (05:10):
From their holes. I don't know.
Speaker 9 (05:18):
You leave me. I don't know.
Speaker 10 (05:24):
That's what you've gotten. You're looking for me, then that's
what you've got.
Speaker 12 (05:34):
What you've got, hease gount you eleven.
Speaker 9 (07:42):
Walking down the moons here.
Speaker 13 (07:43):
I try to get to you, but I just get
on my way as the time moves on. In the
moment's going now and I can see the day. I
ain't needing Lance Heaping, And I've been this way for morns.
Speaker 10 (07:59):
He had this film.
Speaker 13 (08:00):
I'm a stomach, got this film, never loans. But the
doctors they won't see me because they only treat for paint.
They keep sending me away because I'm too fucking insane.
Speaker 9 (08:09):
People telling me, lord on with the feeling of.
Speaker 4 (08:13):
The solar, keep our into yourself.
Speaker 9 (08:18):
That be okay.
Speaker 14 (08:23):
People telling me to peace through the field, yest.
Speaker 4 (08:28):
Not go keep her into myself?
Speaker 9 (08:31):
Out the truth? Those friends away, Oh, HOLLI gotta to
the stok time.
Speaker 15 (08:44):
Ho time, Caly, gotta till the all time, hollyda tell
the start time.
Speaker 9 (08:57):
How time.
Speaker 1 (09:18):
Woke up from a tree and got your hands around
my neck.
Speaker 16 (09:21):
But I just can't catch my breath, spitting out my teeth.
While he was smiling back at me. I got a
knife Steve in my back head and she did.
Speaker 3 (09:32):
It ain't fleeing, I guess I here my peek.
Speaker 16 (09:35):
Got this wrapped around my tongue, and got this liveage
and my cheeks.
Speaker 1 (09:38):
But my mother, she don't wonder that. This world don't
ever speak.
Speaker 13 (09:41):
We're gonna keep on playing games, even though.
Speaker 15 (09:44):
On fucking week people tell me hold on, but the
feel of a sore, keep one into myself.
Speaker 9 (09:54):
I'll be okay. He want to me the petrol the field.
Speaker 17 (10:03):
My chance is not going.
Speaker 18 (10:05):
He put the hands on myself, all the troll though
his buns away.
Speaker 14 (10:11):
Hold on, how he gotta to his hold.
Speaker 7 (10:17):
On, hold on, How he gotta do his hold on?
Speaker 9 (10:25):
How they don't know the baby hold on.
Speaker 7 (10:29):
Hoo, he gotta do his hold on?
Speaker 9 (10:33):
Hold on, How he gotta do his hold on? Little black.
Speaker 19 (12:13):
Stop wanting three four?
Speaker 2 (13:00):
I'm six.
Speaker 9 (13:00):
Selevin's the number for me, don't you see? Eleven's the
number for me for.
Speaker 2 (13:11):
Oh shoots feet back the glass, I go down the flame.
Speaker 17 (13:22):
Dennis s.
Speaker 20 (13:29):
With this canon, dude, Darlasander, I just get at the
ratios close. It just seem happy darning And though they
(13:54):
don't want me to rot it you rather Alma final
trying to bath for the lady. I want you to
talk of coffin. I still want to.
Speaker 9 (14:09):
Be money. How I'm sad, fuckings ahausted, so stupid you
(14:55):
might be abusting. Thank you for th.
Speaker 2 (15:50):
If I can't get anything, I'll put that on.
Speaker 9 (16:01):
If i'd.
Speaker 21 (16:04):
Tell me up, if I can tag, if I can't
tell me out fail.
Speaker 9 (16:18):
If I can't tag, I love. If I can't.
Speaker 2 (16:33):
Make sense, feats like a glass.
Speaker 22 (18:00):
What's your name?
Speaker 2 (18:00):
So even.
Speaker 23 (18:18):
Astonishing, utterly divine, exhilarating, preciously sublime.
Speaker 1 (18:49):
Don't you speak? It makes me to cry out the
jacket lamb satin resting in the thigh.
Speaker 23 (19:02):
As from my overtures and might painted on two dimensional
scenario and my taste for Babylian delivery.
Speaker 1 (19:11):
The way you turn your chest on me. I'm embarrassed
to be clever and you're honest. You need me unto
be ready.
Speaker 10 (19:23):
If different now than I did before, I can.
Speaker 24 (19:27):
See almond power on the worst, my fear of.
Speaker 25 (19:32):
The trail in your eyes, my naked and screaming like
a tornado in the dark.
Speaker 10 (19:41):
I can see it has Lain face to face. I
see her winces unders eyes, and I know.
Speaker 1 (19:54):
You are gentle.
Speaker 9 (19:58):
By the way you are.
Speaker 10 (20:01):
Posture is so elegant, and I notice.
Speaker 22 (20:09):
You are noble.
Speaker 23 (20:11):
You are kind, or at least entertained by your time
sitting here with me.
Speaker 7 (20:20):
Okay, I'll share this.
Speaker 26 (20:22):
When I was five, I remember clearly might want to
have a cinderellaper day party.
Speaker 10 (20:28):
And when the moment came in, I changed my mind.
Speaker 2 (20:32):
I was quiet, alone and devastated.
Speaker 24 (20:36):
You make me to be ready. I feel now than
I did before. I could see only was my apaturna
in my mind. I am naked and screaming like a tornado,
(20:57):
and you die.
Speaker 10 (20:59):
I can see play face to face as they turn
says under the laws.
Speaker 7 (21:06):
Just know hast clean the way. Just know I won't
leave that I came.
Speaker 4 (21:19):
Just know, oh keep doll me.
Speaker 9 (21:25):
Game.
Speaker 7 (21:27):
Just know I won't leave that I came.
Speaker 25 (21:37):
I on leave as I came. I only as I can.
You will be got due fifty three before you can.
Speaker 1 (21:58):
See my way on the worst, my fear of the true.
Speaker 10 (22:05):
In their eyes, on the mad, screaming like a toy.
They were in the down. I could see his playing
face to face as he heard Helen.
Speaker 26 (22:17):
Says on the stars, just SnO op clear, Wait just
snow out a.
Speaker 17 (22:29):
Ve us and.
Speaker 27 (22:54):
I see a bus lights, I see s Stresa, some
boys watches some nice summer access states.
Speaker 2 (23:02):
Left, Bill's ball right.
Speaker 9 (23:04):
I see joy in the city. I don't believe it.
Speaker 27 (23:08):
And I see I said in waiting your lights. I
see somebody's watching somebody's sign it EXAs states left, Bill's
ball right. I see joy in the city.
Speaker 9 (23:20):
I don't believe it.
Speaker 7 (23:23):
I don't believe.
Speaker 2 (23:35):
I see you sometimes with her glossies.
Speaker 28 (23:39):
You only see that when the lifestyle seeing the round,
always see her.
Speaker 9 (23:49):
She working see us in the night side.
Speaker 3 (23:53):
City told me, I got podas I see.
Speaker 5 (23:55):
Her und.
Speaker 9 (23:58):
Hello, we see around.
Speaker 13 (24:09):
With me.
Speaker 4 (24:10):
I guess wasn't the change smoke. My patience is so
oldcoln Legally.
Speaker 3 (24:15):
Somebody stop me.
Speaker 7 (24:16):
I saw the movie the Store.
Speaker 28 (24:18):
I feel the boy in my homes got a girl,
said got somebody stum me?
Speaker 27 (24:23):
Yeah because a girl sis God, somebody stop me, Yeah, because.
Speaker 9 (24:27):
A cursis God. Somebody stop me.
Speaker 28 (24:30):
Serious, God, somebody stop me, because said goss Sun, I
see you sometimes with my glasses, Rice, you won't be
seen me with the lifestyle seeing your found.
Speaker 9 (24:45):
If we see your ron she wanted to see in
the night sid you.
Speaker 22 (24:54):
Know she call me, I got riders on seeing your fund.
Speaker 9 (25:11):
Sound Sound.
Speaker 5 (25:46):
That's new music from recording and the song pause at
You off their new album You Ready, Lust for Life
or how to Thread the Needle and come out the
other side to tell the story Good luck fitting that
on a T shirt. The Brits are touring the UK
in early April, followed by a bunch of US states
beginning May thirtieth in Chicago, all in support of their
(26:06):
new record out now on Lower Third and Pious Before that.
One of my favorite Newish noise rock bands, Model Act
Trees with Cinderella, the first single teasing their sophomore album, Pirouette,
out May second on Troop. Panther and Dirty Hit Washington,
DC songwriter and producer Bartees Strange gave us once Needs
(26:28):
my favorite track off his latest album Horror, out now
on four AD. Tash Sultana's new single is called Hold On.
The Australian Prodigy is coming to the US for a
bunch of mostly West Coast shows starting June tenth in
San Diago, and we kicked off eleven with Big Black
Delta's Uncertainty is the Light from the Dope new album
(26:50):
at a nine.
Speaker 10 (26:52):
If you can see yeah, the numbers will go to eleven.
Speaker 5 (27:04):
I've said it before and I'm happy to repeat that.
Ippacac Recordings, the California based indie label run by one
of my idols, Mike Patton, is a favorite imprint of mine,
so it's no surprise that the new release by Melvins
has caught my ear. Only this is Melvin's nineteen eighty three. No,
they haven't gone back in time. The Reagan era surname
is included on the band's upcoming album Thunderball, since it
(27:27):
features the band's lineup from that year, drummer Mike Dillard
and founding member Buzz Osbourne. The new single King of
Rome reminds me of the song that turned me on
to the Melvins in the first place, Honeybucket from nineteen
ninety three's Houdini, And just like that one, this one
definitely goes to eleven.
Speaker 3 (28:07):
You say, show you the let saying it's not it's you, it.
Speaker 9 (28:31):
Stag. They say it's the Monday.
Speaker 2 (29:39):
To make a bat.
Speaker 3 (29:42):
You get me the first I would have to be.
Speaker 9 (29:47):
I wish you had that me. You made me. You
know me?
Speaker 22 (29:58):
You mean.
Speaker 5 (30:47):
Melvin's nineteen eighty three with King of Rome off the
forthcoming album Thunderball, out April eighteenth on Ippacac Recordings. The
band's current lineup kicks off a massive US tour alongside
my mom's favorite band, Napalm Death on April fourth. I
got five more coming out of the break, including a
welcome return to form from one of the founding members
(31:09):
of my favorite shoegaze band, plus two former independent minded guests,
one from Greece who's making new magic and another from
Ireland who changed your style in the year since we
first talked. All due to an emotional rodeo. Gideo and
don't hit that skip button. Eleven is made possible by
distro Kid.
Speaker 10 (31:29):
Somebody call me for help?
Speaker 4 (31:31):
Whoa who pray teller you?
Speaker 25 (31:34):
I'm distro Kid.
Speaker 29 (31:36):
When an Indian artist needs help get in their new
pop on the web, I swoop in to save the day.
I get you unlimited uploads. I make sure you get
one hundred percent of your innings. And if you'll want
to get creative with your promo, I got all these
sweet pools in my utility belt to mix. Spread in
the words simple and fun. Just send me your files.
(31:58):
Sign up for the Basic Plan watch me go to
rest distro kid.
Speaker 4 (32:02):
That's incredible.
Speaker 5 (32:03):
Where do I sign up?
Speaker 29 (32:05):
Don't be coy ron. You know where you've been using.
Speaker 10 (32:09):
Me for years.
Speaker 5 (32:10):
Well, don't give people the wrong impression. Go to DistroKid
dot com slash vip slash independent minded and get saved
by distro kid at thirty percent off the regular price.
You'll find out what I already know. Distro kid is
the best place for independent minded artists and indie labels
to take care of their digital distro.
Speaker 2 (32:36):
I'm all time six seven eight n Hello.
Speaker 5 (32:43):
Singer songwriter Janet Devlin traveled many miles from Northern Ireland
to join me in studio in New York City for
episode forty four of Independent Minded. All the way back
in twenty sixteen. We talked about then fresh subjects like
our success on the TV show The X Factor and
our new Christmas EP Out of Positivity. But the first
song wake Up It's Christmas.
Speaker 2 (33:04):
Let's talk about this song dark dark DK.
Speaker 5 (33:07):
Yeah, dramatic dark. Definitely a brave choice I would say
for the first track on a Christmas release, especially Yeah.
Speaker 30 (33:14):
Well, it started off I'd sat down at the piano,
which I don't play. I do not play the piano.
But I sat down and was like, let's write a
Christmas song. Originally the lyrics were like all about being
a kid and being so excited for Christmas. So but
then I realized that the melody was so dark.
Speaker 31 (33:32):
I was like, this doesn't marry.
Speaker 30 (33:33):
It's too happy for this melancholy chords that I have.
So I I'd written the song and then I just
scrapped all the lyrics and started again. So I just
like listened to the song this time instead of just
writing as I went along and listened to what the
music would telling me. And it just told me this story,
which isn't something that I've ever actually experienced, because it's
this idea of you're in a serious relationship with someone
(33:56):
and then Christmas is happening and you get dumped, basically,
and it's this idea that like, you know, there's Christmas
cards being sent to the both of you, and like
that's heartbreaking, and you know you've had to change the
locks on the door, and you your walls have like
pictures of them, and it's just but the chorus is
(34:19):
obviously like the little uplift, which is like wake up,
it's Christmas trying to get that little bit of power
back in your day. Were's like, no, it's fine, we'll
get up.
Speaker 25 (34:27):
I'll do it.
Speaker 30 (34:28):
There's Christmas. It's a pretty dark start.
Speaker 5 (34:31):
I'm still going to get depressed when I hear it again.
I like it though, I like it a lot too.
I mean I say that as a compliment, like I
love music that moves me, whether it's in a positive
way or not so positive way.
Speaker 2 (34:44):
And it definitely did.
Speaker 1 (34:54):
There's no times you and I don't need to see
here his face.
Speaker 5 (35:01):
So a lot can happen in eight plus years. And
not only has Janet climbed greater heights since then, but
the twee Nora Jonesy pops she offered back in sixteen
has evolved into some mature country rock, most recently on
a rapidly titled album, Emotional Rodeo. Here's Janet with her
new single back to My Senses.
Speaker 9 (35:22):
I can hear your.
Speaker 32 (35:24):
Voice every time I burst your host in the street
and I don't have choice. You're running duringing myne like
a recorirl left on the I'm down and letuda forget
what I said is matuna monies they forgive me? Please,
(35:47):
let's do it orfferently, no armber my sensor. It makes sense,
joy listed.
Speaker 2 (35:56):
And you loved my bed, not your thought.
Speaker 22 (36:00):
I'm back to my sensor.
Speaker 9 (36:03):
Han, I'm back from my man's going back from my word,
and I never mean to hurt you.
Speaker 33 (36:09):
We see don and your defensive beause I'm back to
my senses.
Speaker 32 (36:17):
I still find your fish and everything I see there
is no whiskipping. All it took was one sex a
cent a man ever snanded. I'm going meursed up and
I let you down down, forget what I said.
Speaker 2 (36:37):
It's not true.
Speaker 4 (36:38):
I'm growing on mounties, bab.
Speaker 32 (36:41):
Give me please, let's stood over differently not I'm back
from my sensor, so it makes sense.
Speaker 17 (36:48):
So we left it and you're.
Speaker 32 (36:51):
Not back in my baddy gotcha, But I'm.
Speaker 33 (36:55):
Back to my sensor hand. I'm back come my man,
going back on my words. I never meant to search you,
sake time, your defensives. You signed back to my sensor.
Speaker 1 (37:26):
I don't know where it comes.
Speaker 32 (37:28):
From, but I know that I'm sorry for what I've done.
I don't know how to pisiness, but if you save
me that.
Speaker 7 (37:37):
Please won't take me.
Speaker 1 (37:39):
Back to my answer?
Speaker 10 (37:42):
Pick it back up?
Speaker 9 (37:43):
Well, your life day.
Speaker 19 (37:45):
Because I'm back from my sensor.
Speaker 33 (37:49):
Don't make sense on bday and you're not back in
my bedy about you.
Speaker 22 (37:56):
But I'm back to my senses.
Speaker 34 (38:00):
And from a man going back from the world, and
a nervous man to Orcher to say, down your distance
with some black from.
Speaker 17 (38:11):
My mesle.
Speaker 9 (38:33):
And m h.
Speaker 22 (38:43):
M hm mm hm m hm.
Speaker 32 (38:52):
M hm m hmm.
Speaker 2 (38:58):
Good days where we say, well you mean.
Speaker 1 (39:07):
If you don't be I know me.
Speaker 9 (39:10):
Now you're you're wrong. I don't care.
Speaker 18 (39:19):
We all make say sidon't take anyone on your side.
Speaker 2 (39:32):
I'll take my side to.
Speaker 22 (39:39):
Lonely say, it's the way that perfinds you.
Speaker 11 (39:49):
H m hm.
Speaker 9 (39:52):
M h m hm mm hmmm. They're so long, stand up,
pause and your turn.
Speaker 22 (40:07):
Now you.
Speaker 9 (40:16):
They are long than man j time.
Speaker 22 (40:29):
The old say everything you strive.
Speaker 9 (40:36):
No way, s.
Speaker 22 (40:43):
Lo ma say, said las Joe.
Speaker 10 (40:56):
Little lad said they can't cross.
Speaker 18 (41:03):
Their sun.
Speaker 10 (41:05):
Our hands bad and so run.
Speaker 4 (41:10):
So we try to decide all.
Speaker 10 (41:14):
The bed stops the tongue, you step.
Speaker 9 (41:20):
Do wrong bad, come back?
Speaker 1 (41:51):
Well what a little alive?
Speaker 35 (41:54):
They could sell our heads cross saw himself did in song. Rather,
that's true that we do, but we shot don't don't.
Speaker 10 (43:18):
Where else.
Speaker 12 (43:23):
What we do is if we need that extra push
over the cliff, you know what we do, put it
up to a line even exactly.
Speaker 9 (43:32):
M hm.
Speaker 22 (43:34):
M hm.
Speaker 9 (43:44):
Hm.
Speaker 6 (43:48):
Never be sorry for the lack of response. You have
no my all we will lost the rise and slag
to see if all long your faces in the jar
or cars in they try.
Speaker 9 (44:06):
You have him now?
Speaker 10 (44:08):
Bout hours?
Speaker 9 (44:09):
Have you?
Speaker 1 (44:09):
Leader Onis of Gossis Flock.
Speaker 6 (44:13):
He is a murderer times a burden, your voices a
soft How long af we been here?
Speaker 1 (44:22):
I can't quite remember?
Speaker 7 (44:24):
I how had you beat this warm?
Speaker 6 (44:36):
You thrown me away from the shoulder like any of
the galaxy? Oh time who stars? Finally turning you? Long
after voice and half written dust, and long after the
voice is return from the telephone, cut it out from
(44:57):
color leave have you long no.
Speaker 1 (45:00):
That she's down?
Speaker 6 (45:02):
I'll legend talk into the sky that he keys turning off.
Light raises far shore from the hands of the choir
(45:23):
who was stand and judging the funeral's power. Now that
she's dead, they wait for the symphonies, conductors retired to
the better of a sympathy, losing a minds on yesterday's tragedy?
Are you surprising singing in harmony, loading the poles. I
(45:48):
noticed the exercise, pointing away.
Speaker 1 (45:52):
I knew they were wrong.
Speaker 9 (45:54):
She was.
Speaker 6 (46:03):
Your silkcase. What's well in the room you are living in?
Quickly to the town Is it how you imagined it?
Along with your ghosts and the question of protects, leaving
you in deserts and surgeal the answers, all the questions
(46:23):
that lead to more questions.
Speaker 2 (46:26):
Afraid to stand up or lose your.
Speaker 6 (46:29):
Salvation, starting why they all change the station.
Speaker 1 (46:35):
The story had song to.
Speaker 6 (46:37):
Close Father alive and set to the strip when you
love as a die or and a knowing you're not
even try and shot to the sound man, and the
(46:58):
building was on fire, and I saw step by a
free of your ghosts.
Speaker 7 (47:05):
Highly you got you.
Speaker 6 (47:09):
Not even cloud with every standing songs from your mouths,
and they took all.
Speaker 9 (47:17):
Your strips and the range from.
Speaker 31 (47:19):
Your eyes to catching me in as passing ride, some
of the si you made up in your mind, then
sting you dies hidden your why where.
Speaker 7 (47:34):
Good is living?
Speaker 31 (47:36):
If you can write you in.
Speaker 2 (47:39):
Your always and down drews you defended.
Speaker 6 (47:43):
Seen your se any other's ideas, I'll write you from summer.
Speaker 1 (47:50):
I'll call you from later on.
Speaker 7 (47:52):
I'll need a good talk.
Speaker 9 (47:54):
You need a danger everless be us. I'm alive.
Speaker 10 (48:00):
Can you hear me?
Speaker 6 (48:01):
Steeping motion?
Speaker 14 (48:05):
Washington stays sleeping motion.
Speaker 10 (48:31):
I love you, Washington step.
Speaker 9 (48:38):
Sleeping motion.
Speaker 2 (48:41):
You Washington stay.
Speaker 1 (48:46):
My sleeping motion.
Speaker 9 (48:50):
Watch she can stand sleep motion? No s she.
Speaker 6 (49:09):
S.
Speaker 4 (49:43):
You gotta put up with stranger people.
Speaker 7 (49:49):
Then you know, now.
Speaker 4 (49:53):
You gotta go through some danger.
Speaker 9 (50:00):
Said you thought you have.
Speaker 4 (50:03):
Dude, you gotta do a little.
Speaker 9 (50:06):
Resec for you say that you know.
Speaker 4 (50:15):
Even then you gotta retort from using your own Uh.
Speaker 9 (50:24):
You.
Speaker 36 (51:08):
Gotta take to the deed. You gotta rut that shit down.
You gotta cut him a big say you gotta clean
your dashboard cup cold. You gotta put him with stranger.
Speaker 22 (51:35):
People.
Speaker 9 (51:35):
Then you don't know.
Speaker 4 (51:40):
You gotta go through some danger.
Speaker 32 (51:45):
Some things and you.
Speaker 9 (51:47):
Thought you have to na.
Speaker 22 (51:56):
None.
Speaker 5 (52:14):
Some much needed new music from Allance Barhawk. That was
Stranger off the upcoming album with Trampled by Turtles, out
May thirtieth on sub Pop Records. Before that, Seattle, Washington's
Damien Herado, a longtime favorite of mine, with his new
single The Last Great Washington State Upstate New York indie
(52:36):
folk duo Toledo made amends. The new single is out
now and we kicked off the long set with Janet
Devlin and back to My Senses off the album Emotional
Rodeo out now on Okay Good Records.
Speaker 2 (52:52):
If you can see Yeah, the numbers will go to eleven.
Speaker 5 (53:04):
Back in twenty nineteen, I worked down the hall from
NPR's tiny Desk, and when I wasn't passing by to
give Bob Boyle and a noogie, I got to catch
the occasional desk set from artists like Jim James, American
Football and Kurt Vile and this cat from Athens Grease
alternative rocker Theodore.
Speaker 37 (53:22):
From when I was very very young, when I was
going on my piano and started playing, there were some
moments that the feeling that I had playing music was
almost orgasmic.
Speaker 2 (53:33):
It's pretty much a sexual thing.
Speaker 37 (53:34):
Probably for me. It's it's an addiction. If you experience
multiplying this feeling by the number of people that they
are watching you play, watching you having this orgasmic moment,
this feeling is multiplied by the number of these people.
So what I'm trying to say is multiple orgasms.
Speaker 11 (53:54):
Yes.
Speaker 5 (53:55):
The new single Breathe Into me is a typical sonic
journey from Theodore gonna take us out and take it
all the way up to eleven.
Speaker 2 (54:03):
I'm covered in on my feet, are sofa.
Speaker 9 (54:07):
Waiting for you.
Speaker 7 (54:14):
But enough since down.
Speaker 10 (54:15):
In the sun now, hassa.
Speaker 9 (54:18):
Waiting for you.
Speaker 7 (54:25):
From the little I have a little line know.
Speaker 9 (54:29):
Take I will give all my youth. I will give
it it, I swear.
Speaker 20 (54:41):
To weird.
Speaker 4 (54:52):
Too bad.
Speaker 9 (55:00):
Wait, chill me, so, chill me.
Speaker 38 (55:25):
So my mind is dring, my memories broken, waiting for you.
(55:59):
I've been trying to say alone, but I'm still not
there yet.
Speaker 6 (56:03):
Waiting for you.
Speaker 1 (56:10):
A little.
Speaker 9 (56:11):
I have a little I know.
Speaker 7 (56:14):
Thank Kato, I will give.
Speaker 3 (56:21):
One of you because I will give eight ice wae.
Speaker 9 (56:26):
To your.
Speaker 10 (56:33):
Read too many.
Speaker 7 (56:45):
Really to me.
Speaker 5 (56:59):
Y gotta give a big thanks to the artists who
shared stories and music with us on eleven and you
can check out this episode's full playlist at baldfreak dot
(57:20):
com slash podcast. If you're an indie artist or you
represent one who wants to be featured on the podcast,
send your note and your links to Ron at baldfreak
dot com. Follow me online at Baldfreak Music and subscribe
and leave a kind review on Apple Podcasts and Spotify
Independent Mind. It always was and still remains a bald
(57:41):
freak music production and me, I'm still Ron Scalzo put
Nak
Popular Podcasts
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!