June 15, 2025 • 6 mins
Robert Cooperman shares with Mindy information about Stage Right Theatrics and auditions!
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
All right, we are back.
Speaker 2 (00:02):
But we are short one person because Boots had to
hit the road literally cards.
Speaker 3 (00:08):
I'll talk about cars. Got a question about cars, call in.
I know all about.
Speaker 1 (00:12):
Cars, cars and women. Then you can handle Boots's job
for sure.
Speaker 3 (00:17):
You bet. So.
Speaker 2 (00:18):
This is such good news for all of you guys listening.
If you want to think outside the box, if you
want to do something you've never done before, or if
you are trained professional when it comes to the acting world,
this is just for you. You are hiring actors right now.
We are.
Speaker 3 (00:30):
We are looking for actors. We have a show coming
up in September. It's going to run two weeks at
the Abbey Theater of Dublin and the show is entitled
Desire under the Elms by Eugene O'Neil. And we are
looking for actors. And I need a fiddle player. I
need somebody who can come on and play the fiddle
and say a few lines. So if that's you, contact
me at stage right eight two six at gmail dot com.
(00:51):
That number again is stage right eight two six at
gmail dot com. Well look for me Robert Cooperman on
Facebook and you can see all the information about auditions
that are coming up, I need actors and a fiddle player, and.
Speaker 1 (01:03):
He pays, and the fiddler doesn't have to be on
the roof for this.
Speaker 3 (01:07):
Right, correct, correct, it's just not that kind of for show. Right,
Believe me, it's not that kind of a show.
Speaker 2 (01:12):
How many actors are you looking for? You just looking
for guys? Orre you looking for actresses?
Speaker 3 (01:15):
So this actress says it's Eugene O'Neil. So it's more
women men's parts than there are women. So we're looking
for a couple of women and mostly guys. Figure about
five or six guys.
Speaker 1 (01:26):
So what are the ages that you're looking for.
Speaker 3 (01:27):
Well, one of the main characters is about sixty to
seventy years old, and then we have in the thirties.
People can get away with it by in their twenties,
so I'm looking for anything from twenties up to seventy five.
Speaker 2 (01:40):
Oh my gosh, you guys do it. Reach out to
stage right theatrix. I know he threw out a lot
of information, but he's also on Facebook. You can look
at them up that way, or get a hold of
me on any social media outlet, or email me at
men ran that's n r A N fifty four at
yahoo dot com and I'll you up with Robert. I
(02:01):
hope you listening audition and try out for this. Why
would you not write, It's just fun to be part
of something like this.
Speaker 1 (02:09):
Well, so you want to.
Speaker 2 (02:10):
Hire these actors or actresses win? And then how long
do they have to want to rehearse?
Speaker 3 (02:16):
We do rehearsals about five to six weeks, and then
the show runs two weeks.
Speaker 1 (02:22):
And you're paying each of them two hundred grand. That's
really Wait.
Speaker 3 (02:26):
Wait a minute, call me up and let's talk carburetors.
Speaker 1 (02:30):
Back to boots, Yeah.
Speaker 3 (02:31):
Back to boots yet. No, no, we don't pay two
hundred grand. We pay a nominal stipend, but we do pay.
There are theater companies in town that don't pay. There
are theaters companies in town. At least there were theater
companies in town that would ask you as an actor
to pay them. Really yeah, insurance purposes?
Speaker 2 (02:48):
Really?
Speaker 1 (02:49):
Oh so you got it made with stage right theatrics?
Speaker 3 (02:51):
That's right?
Speaker 1 (02:52):
How many times do you rehearse a week?
Speaker 3 (02:54):
It could be up to five.
Speaker 2 (02:55):
Ooh, yeah, you better pay. Well, is it evening so
they can have a daytime job than you were?
Speaker 3 (03:00):
Her sweet fay time jobs. It's being directed by mine.
Speaker 1 (03:03):
Don't know about you, missus Cooperman. Oh, she was in
here for Mother's Day.
Speaker 3 (03:07):
She was, Yeah, she's She and I both a mother's I.
Speaker 2 (03:10):
Have to say, though, you threw out this playwright's name,
like we all should know. I don't really know enough
about you. Like you know, they have more men actors.
Tell us a little bit about.
Speaker 3 (03:18):
What Gene O'Neill. Eugene O'Neil is considered the first major
American playwright. He was on the scene in the late
nineteen tens all through the nineteen fifties. He died in
nineteen fifty three. He was an important theater innovator.
Speaker 1 (03:35):
Something that he wrote that we would know.
Speaker 3 (03:37):
A long Day's Journey in tonight. Okay, okay, you don't
know it, but okay, if I.
Speaker 2 (03:42):
Played Graziella in West Side Story in Western North High
School's play, was that you?
Speaker 1 (03:47):
That was me?
Speaker 3 (03:48):
Wow, I'm sure you did very well.
Speaker 1 (03:51):
Yeah, I'm not well educated on plays.
Speaker 2 (03:54):
You know.
Speaker 3 (03:54):
There was a time in this country when we would
study things like Eugene O'Neil and important places and important Yeah,
artists of all types, and now people just don't know them,
and they don't know how people like Eugene O'Neil influenced
not only the time they lived in but the the
contemporary American theater. So it's important to know.
Speaker 1 (04:15):
And that breaks your heart, doesn't It.
Speaker 3 (04:16):
Does break my understand. It's the reason why Stage Right
is doing this. We're putting on plays this year by
Eugene O'Neil, part of a program that we call before
they were God. So it's plays by playwrights who are
master American play rights. But these are works that are lesser.
Speaker 1 (04:32):
Known, and you're getting them out there, getting.
Speaker 3 (04:35):
Them out there, that's right. Next year we'll see if
we're going to do Offhamilla, Tennessee.
Speaker 1 (04:39):
Williams So, Eugene O'Neill, Eugene Eugene, I know who Paul
O'Neill is. Do you know who Paul O'Neill is?
Speaker 3 (04:48):
Of course I know.
Speaker 1 (04:49):
Baseball player for the Yanks, that's.
Speaker 3 (04:51):
Right, and the Reds. I mean, I'm surprised the Ohioans
are going to get upset with you if you don't
say that he played for the Reds.
Speaker 1 (04:56):
Well, he was from here, Cincinnati, I think.
Speaker 2 (04:59):
So. Anyway, that's our little thank you. Yes, a plug
for Stage Right Thettrick.
Speaker 3 (05:04):
But again, call me if you have transmission problems.
Speaker 2 (05:07):
Boots the second. That's that, I am best way to
get a hold of you. At stage right Theatrics, stay
it again and say it slowly. Sometimes you talk so
fast because it's that New York.
Speaker 3 (05:15):
In New York. It's stage right eight to six at
gmail dot com. It's all one thing missed. Stage right
eight to six eight two six is my birthday?
Speaker 1 (05:26):
There you go.
Speaker 3 (05:28):
You didn't wish me a happy Father's Day today?
Speaker 2 (05:30):
How we totally forgot. We talked about everybody else's father's Day. Yes,
happy Father's Day, Robert Cooper.
Speaker 3 (05:36):
Both of my children, Well I would hope, so you
would hope.
Speaker 1 (05:39):
So, Oh my goodness. Can you imagine if you didn't.
Speaker 3 (05:41):
Yeah, I can imagine that. I think that one of
them skipped my wife for Mother's Day.
Speaker 1 (05:44):
Oh that's not good. Yeah, yeah, that's not good. Look
up stage right Theatrics.
Speaker 2 (05:49):
If you want to audition for this upcoming play, you
can also reach out to me and I will get
you in contact with Robert Cooperman, who's off to New
York next week.
Speaker 3 (05:56):
I am I'm going to Jamestown, New York, just for
a little vacation and that was the home of Lucille Ball.
Speaker 1 (06:01):
I know who Lucille Ball is.
Speaker 3 (06:03):
Thank god.
Speaker 1 (06:03):
I used to watch the shield Ball so many times.
Speaker 3 (06:06):
No, that's not true.
Speaker 1 (06:07):
She dated Paul o' neil.
Speaker 2 (06:08):
I'm just kidding, all right, guys, Remember whatever you do,
you treat your family like friends and your.
Speaker 3 (06:14):
Friends like family.
Speaker 2 (06:15):
You got that right, And what matters is coming up next.
Michayla's just walked into the studio. Keep it here, we're next.
All right, we are back.
Speaker 2 (00:02):
But we are short one person because Boots had to
hit the road literally cards.
Speaker 3 (00:08):
I'll talk about cars. Got a question about cars, call in.
I know all about.
Speaker 1 (00:12):
Cars, cars and women. Then you can handle Boots's job
for sure.
Speaker 3 (00:17):
You bet. So.
Speaker 2 (00:18):
This is such good news for all of you guys listening.
If you want to think outside the box, if you
want to do something you've never done before, or if
you are trained professional when it comes to the acting world,
this is just for you. You are hiring actors right now.
We are.
Speaker 3 (00:30):
We are looking for actors. We have a show coming
up in September. It's going to run two weeks at
the Abbey Theater of Dublin and the show is entitled
Desire under the Elms by Eugene O'Neil. And we are
looking for actors. And I need a fiddle player. I
need somebody who can come on and play the fiddle
and say a few lines. So if that's you, contact
me at stage right eight two six at gmail dot com.
(00:51):
That number again is stage right eight two six at
gmail dot com. Well look for me Robert Cooperman on
Facebook and you can see all the information about auditions
that are coming up, I need actors and a fiddle player, and.
Speaker 1 (01:03):
He pays, and the fiddler doesn't have to be on
the roof for this.
Speaker 3 (01:07):
Right, correct, correct, it's just not that kind of for show. Right,
Believe me, it's not that kind of a show.
Speaker 2 (01:12):
How many actors are you looking for? You just looking
for guys? Orre you looking for actresses?
Speaker 3 (01:15):
So this actress says it's Eugene O'Neil. So it's more
women men's parts than there are women. So we're looking
for a couple of women and mostly guys. Figure about
five or six guys.
Speaker 1 (01:26):
So what are the ages that you're looking for.
Speaker 3 (01:27):
Well, one of the main characters is about sixty to
seventy years old, and then we have in the thirties.
People can get away with it by in their twenties,
so I'm looking for anything from twenties up to seventy five.
Speaker 2 (01:40):
Oh my gosh, you guys do it. Reach out to
stage right theatrix. I know he threw out a lot
of information, but he's also on Facebook. You can look
at them up that way, or get a hold of
me on any social media outlet, or email me at
men ran that's n r A N fifty four at
yahoo dot com and I'll you up with Robert. I
(02:01):
hope you listening audition and try out for this. Why
would you not write, It's just fun to be part
of something like this.
Speaker 1 (02:09):
Well, so you want to.
Speaker 2 (02:10):
Hire these actors or actresses win? And then how long
do they have to want to rehearse?
Speaker 3 (02:16):
We do rehearsals about five to six weeks, and then
the show runs two weeks.
Speaker 1 (02:22):
And you're paying each of them two hundred grand. That's
really Wait.
Speaker 3 (02:26):
Wait a minute, call me up and let's talk carburetors.
Speaker 1 (02:30):
Back to boots, Yeah.
Speaker 3 (02:31):
Back to boots yet. No, no, we don't pay two
hundred grand. We pay a nominal stipend, but we do pay.
There are theater companies in town that don't pay. There
are theaters companies in town. At least there were theater
companies in town that would ask you as an actor
to pay them. Really yeah, insurance purposes?
Speaker 2 (02:48):
Really?
Speaker 1 (02:49):
Oh so you got it made with stage right theatrics?
Speaker 3 (02:51):
That's right?
Speaker 1 (02:52):
How many times do you rehearse a week?
Speaker 3 (02:54):
It could be up to five.
Speaker 2 (02:55):
Ooh, yeah, you better pay. Well, is it evening so
they can have a daytime job than you were?
Speaker 3 (03:00):
Her sweet fay time jobs. It's being directed by mine.
Speaker 1 (03:03):
Don't know about you, missus Cooperman. Oh, she was in
here for Mother's Day.
Speaker 3 (03:07):
She was, Yeah, she's She and I both a mother's I.
Speaker 2 (03:10):
Have to say, though, you threw out this playwright's name,
like we all should know. I don't really know enough
about you. Like you know, they have more men actors.
Tell us a little bit about.
Speaker 3 (03:18):
What Gene O'Neill. Eugene O'Neil is considered the first major
American playwright. He was on the scene in the late
nineteen tens all through the nineteen fifties. He died in
nineteen fifty three. He was an important theater innovator.
Speaker 1 (03:35):
Something that he wrote that we would know.
Speaker 3 (03:37):
A long Day's Journey in tonight. Okay, okay, you don't
know it, but okay, if I.
Speaker 2 (03:42):
Played Graziella in West Side Story in Western North High
School's play, was that you?
Speaker 1 (03:47):
That was me?
Speaker 3 (03:48):
Wow, I'm sure you did very well.
Speaker 1 (03:51):
Yeah, I'm not well educated on plays.
Speaker 2 (03:54):
You know.
Speaker 3 (03:54):
There was a time in this country when we would
study things like Eugene O'Neil and important places and important Yeah,
artists of all types, and now people just don't know them,
and they don't know how people like Eugene O'Neil influenced
not only the time they lived in but the the
contemporary American theater. So it's important to know.
Speaker 1 (04:15):
And that breaks your heart, doesn't It.
Speaker 3 (04:16):
Does break my understand. It's the reason why Stage Right
is doing this. We're putting on plays this year by
Eugene O'Neil, part of a program that we call before
they were God. So it's plays by playwrights who are
master American play rights. But these are works that are lesser.
Speaker 1 (04:32):
Known, and you're getting them out there, getting.
Speaker 3 (04:35):
Them out there, that's right. Next year we'll see if
we're going to do Offhamilla, Tennessee.
Speaker 1 (04:39):
Williams So, Eugene O'Neill, Eugene Eugene, I know who Paul
O'Neill is. Do you know who Paul O'Neill is?
Speaker 3 (04:48):
Of course I know.
Speaker 1 (04:49):
Baseball player for the Yanks, that's.
Speaker 3 (04:51):
Right, and the Reds. I mean, I'm surprised the Ohioans
are going to get upset with you if you don't
say that he played for the Reds.
Speaker 1 (04:56):
Well, he was from here, Cincinnati, I think.
Speaker 2 (04:59):
So. Anyway, that's our little thank you. Yes, a plug
for Stage Right Thettrick.
Speaker 3 (05:04):
But again, call me if you have transmission problems.
Speaker 2 (05:07):
Boots the second. That's that, I am best way to
get a hold of you. At stage right Theatrics, stay
it again and say it slowly. Sometimes you talk so
fast because it's that New York.
Speaker 3 (05:15):
In New York. It's stage right eight to six at
gmail dot com. It's all one thing missed. Stage right
eight to six eight two six is my birthday?
Speaker 1 (05:26):
There you go.
Speaker 3 (05:28):
You didn't wish me a happy Father's Day today?
Speaker 2 (05:30):
How we totally forgot. We talked about everybody else's father's Day. Yes,
happy Father's Day, Robert Cooper.
Speaker 3 (05:36):
Both of my children, Well I would hope, so you
would hope.
Speaker 1 (05:39):
So, Oh my goodness. Can you imagine if you didn't.
Speaker 3 (05:41):
Yeah, I can imagine that. I think that one of
them skipped my wife for Mother's Day.
Speaker 1 (05:44):
Oh that's not good. Yeah, yeah, that's not good. Look
up stage right Theatrics.
Speaker 2 (05:49):
If you want to audition for this upcoming play, you
can also reach out to me and I will get
you in contact with Robert Cooperman, who's off to New
York next week.
Speaker 3 (05:56):
I am I'm going to Jamestown, New York, just for
a little vacation and that was the home of Lucille Ball.
Speaker 1 (06:01):
I know who Lucille Ball is.
Speaker 3 (06:03):
Thank god.
Speaker 1 (06:03):
I used to watch the shield Ball so many times.
Speaker 3 (06:06):
No, that's not true.
Speaker 1 (06:07):
She dated Paul o' neil.
Speaker 2 (06:08):
I'm just kidding, all right, guys, Remember whatever you do,
you treat your family like friends and your.
Speaker 3 (06:14):
Friends like family.
Speaker 2 (06:15):
You got that right, And what matters is coming up next.
Michayla's just walked into the studio. Keep it here, we're next.
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