Jon Caldara on The Louvre Museum Heist

Episode Transcript

Speaker 1 (00:00):
Oh, esta key, who knows what he's doing. It probably
involves bad whiskey. I mean, I don't mind whiskey. I
fill in for Michael Brown. And you know, at least
at least his liquor comes from a bottle made out
of glass instead of plastic. You decide what that means

(00:21):
all on your own. I'm John Keldara. Thanks for spending
some time with me. Feel free to give me a call. Number,
as always is three h three seven to one, three
eight two five five.

Speaker 2 (00:33):
All right.

Speaker 1 (00:36):
The Bronco game first and foremost, what a frigging game
that was?

Speaker 2 (00:42):
Oh my god.

Speaker 1 (00:43):
So yesterday was this beautiful, beautiful day and I went outside,
and I've missed a lot of the Bronco games because well,
I have a life, and I think it's better to
be doing things than watching football.

Speaker 2 (01:00):
But if I can, I try to at least get
the second half.

Speaker 1 (01:03):
And I did get the second half, and I'm glad
I watched the second half. I don't think I've ever
seen a fourth quarter like that since Elway was quarterback.

Speaker 2 (01:15):
Yeah, that sense of.

Speaker 1 (01:16):
Wait a minute, we're gonna lose. No, we're gonna win, No,
we're gonna lose. No, we're gonna win. No, we're definitely, definitely,
definitely gonna lose and then we win. Oh that poor
place kicker. I don't know the whole story because I'm
not a sports fanatic like you know some people.

Speaker 2 (01:35):
But that poor guy for by the Giants.

Speaker 1 (01:39):
Oh oh he lost the game because you missed an
extra point.

Speaker 2 (01:45):
Oh my god. You know what he's thinking, and he's right.

Speaker 1 (01:52):
I always thought there are two positions, and at my
age in the early sixties, I think I could still
pull this off. There are only two positions I would
want if I was on a football team. One of course,
is quarterback because that would be fun. I mean, that's

(02:13):
the position, it's big, it's important to do it.

Speaker 2 (02:18):
If I couldn't do that one.

Speaker 1 (02:20):
And I can't understand why I wouldn't be able to
do it unless it was some sort of anti Italian
racism in the NFL, which we know is rampant, I
would want to be the placekicker. Now. The placekicker is
kind of like a stand up comic. You are there,
completely naked to the world. There is nobody you can

(02:41):
hide behind. There's nothing you can do. It's not like
you throw the ball well, like I maybe he could
have caught it if he tried a little harder. Well,
he didn't get the blocking you needed in order to
get the running game. There's all sorts of things you
can you can blame on other people in a team, sport,
a place kicker. It's just you all alone with the

(03:04):
entire world watching what your little tiny foot does.

Speaker 2 (03:13):
And especially something like Lutz did yesterday. By the way,
what a great name LUTs.

Speaker 1 (03:20):
The pressure to do that, it makes you wonder. It
just makes you wonder how you deal with the pressure
part of it because you know that during the during
the breaks, during the practice, the guy's probably nailing sixty

(03:41):
yard kicks pretty regularly. In the music world, and I
have some experience in this, not as the musician on stage,
but as the stage hand and the lighting guy who's
put a lot of people on stage, there is hmm,
and I'm not looking at anyone in particular, right shouoling,

(04:02):
But sometimes people have Ryan Schruling performance anxiety when it
is time to perform. Fortunately, there's all sorts of medications
these days, but still some people it doesn't work Ryan Schuling.
So when people go on stage there is performance anxiety.

(04:24):
I know musicians who say, I've got a practice so
that I can be twenty.

Speaker 2 (04:31):
Five percent.

Speaker 1 (04:34):
Less qualified than I am now on stage, because I
know when I get in front of people, I gotta
screw up. I'm gonna be in my head. I won't
be in the zone. And and so I got to
get twenty five percent better during practice. So when I
fail and I'm only eighty percent of where I should

(04:54):
be or seventy five percent of where I should be
on stage, it still could enough for a good performance.
So I gotta I gotta think the same is true
with football players, and particularly when it comes to a
place kicker.

Speaker 2 (05:13):
The quarterback's got too many things.

Speaker 1 (05:15):
Going on all the time, all at once, all the time,
all at once, observing, getting calls, calling audibles, running, throwing
the kicker. I take two steps and I swing my leg.

Speaker 2 (05:28):
That's it.

Speaker 1 (05:29):
Your whole life boils down to take two steps, swing
my leg. You get paid half a million a million
dollars a year. Take two steps, swing my leg. Just
so in those rare instances, like it was yesterday, you
become the hero or in the same game for the

(05:53):
guy and the guy and the other team, the buffoon
who lost the game. For as fans, all right, three
or three seven, one, three, eight, two five five. You
also heard at the top of the news the heist
at the louver. Is the louver? Or is it the Louver?
I've been there, it's cool. I've seen the Mona Lisa,

(06:17):
which by the time you see it, it's behind all
this glass and you go, yeah, there it is. Check
it off the list. I was disappointed to hear of
this theft, this incredible theft to get these Napoleon's crown
and all these jewels. You see, I've always wanted to

(06:39):
either be an art thief or a jewel thief, or
an arts and jewel thief, which you know, because you
need you need to have a couple of du jobs.
These days, there is no cooler type of crime than
stealing fancy artwork or fancy jewel. But there is still

(07:03):
a level of professionalism amongst us jewel thieves.

Speaker 2 (07:07):
You don't do it the way they just did it.

Speaker 1 (07:10):
You don't. You don't smash and grab Napoleon's crown, all right,
That's that's not how you do it. Haven't they ever watched,
you know, the Thomas Crown affair, or Ocean's eleven or
any good heist movie. You do not just bust in there,
smash the glass and run. Why because you could damage

(07:34):
the goods number one, and remember you got to bring
him back, you know, in in pristine shape. But because
there's no class in that, You've you've got to have
the guy on the inside, the guy on the outside,
the guy who's the the locke specialist, the guy who's

(07:55):
the laser specialist, the guy who's small enough to hide
inside a box on until three o'clock in the morning,
and then you can sneak out and undo the things.
And then that's the whole idea of a heights and
then the getaway driver and the whole.

Speaker 2 (08:09):
You know, just take a lift up, smash and grab.

Speaker 1 (08:14):
I am very disappointed with this, very disappointed with this.

Speaker 2 (08:27):
This is a big deal.

Speaker 1 (08:30):
This is an opportunity to steal famous stuff. I mean,
this is to catch a thief kind of great stuff.
What was along with it was that Audrey Hepburn and
I think it was Peter O'Toole who they were stealing
the artwork. That's how you do it, that's how you

(08:52):
do it. Remember some sixties movie about stealing the crown
jewels from the Queen of England. That's that's how you
do it, all right? Which art work or jewel would

(09:13):
you steal? I gotta tell you there are two works
of art that I've got my eye on, and I've
had my eye on it for a long time. They're
both at the Museum of Modern Art in Manhattan. I
want to Salvador Dolly's Persistence of Memory. If you don't

(09:36):
know that by name, you've seen it, it's it's it's
the one that has the pocket watch that is melting
over a tree branch.

Speaker 2 (09:48):
Yeah.

Speaker 1 (09:50):
When I saw that, I was amazed how small it was.
I thought it, you know, be the size of you know.

Speaker 2 (09:58):
This huge painting. No, No, it's like twenty inches long tops.

Speaker 1 (10:04):
In other words, very very stealable.

Speaker 2 (10:12):
And just letting you know, just letting you know.

Speaker 1 (10:15):
Let'scribe a few of these phone calls three or three seven, one,
three eight, two five five. Let's go out to share Cheyenne.
Talk to Scott.

Speaker 3 (10:23):
Scott, welcome shot to say it's Scott the nurse now
retired of course in Cheyenne. Yeah, I called you a
couple of times from up here in God's Country, but.

Speaker 1 (10:37):
You used to live live here in America, didn't you yes.

Speaker 3 (10:41):
In the People's Republic Apartment, park Hill.

Speaker 1 (10:44):
Yeah, yeah, how is how is wy I'm curious when
did you move up to Wyoming.

Speaker 3 (10:50):
It's been a year and a half now and it's spectacular.
I still have to skirmish down into Colorado to get
a couple of things, and I'll be down there this Wednesday.
Have to get a pine at knowledge, you know, my
my water and hole.

Speaker 2 (11:08):
So let me if you don't want me.

Speaker 1 (11:09):
I know this is not what you called, but lots
of Coloraden's are becoming refugees. They cannot take the politics
in Colorado, the high prices in Colorado, and Wyoming is
one of those places where refugees are going. And I
hear the locals they are getting pretty tired of. But
the way that we get tired of Californians coming here?

(11:30):
What made you go to Wyoming?

Speaker 3 (11:34):
It got me closer to Omaha, where my elderly mom is,
and I've got a special need sister, so I couldn't
go to the Western slow for the Southwest, and Chyenne
just worked out.

Speaker 4 (11:50):
It just worked out really well.

Speaker 3 (11:51):
I still get to hang out with my children's hospital people,
speaking of which doctor K is out of retirement. Again
going back to Saint Jude's for yet another year there.
They called him begged her to go back to work there,
So she's going back to Saint Judes.

Speaker 1 (12:09):
I'm assuming we're talking about our favorite Caye mc david.

Speaker 3 (12:13):
Absolutely all right.

Speaker 1 (12:14):
For those who don't know, she's one of the great
anesthesiologists who's worked with my son Chance as a patient
several times, and she's she never It's like everyone else
at Children's Hospital. They're just incredible and life saving and
I'm just amazed and glad to have people like that
in my life. So, yes, what do you What do

(12:39):
you got for us from Wyoming?

Speaker 3 (12:43):
You said artwork I want to steal. I bought some
gold sequined sport coach that I saw a couple cool
dudes wearing this weekend.

Speaker 1 (12:53):
Eh, Now you weren't there, were you? No?

Speaker 3 (12:57):
No, I just saw your posting. You guys looked great.

Speaker 1 (13:00):
So Colorado not only has Children's Hospital. I want to
give a quick plug here for the Global Down Syndrome Foundation,
Global Down Syndrome Foundation. Michelle se whose daughter has Down syndrome.
I was so jealous of that. I needed to have
my own son with Down syndrome. It took a while

(13:21):
to achieve that. Anyway, they do incredible work and once
a year they put on a big gala event which
was Saturday night downtown Denver, and they call it a
fashion show where they have people with Down syndrome along
with celebrities. In this case was Jane Lynch walking the runway,

(13:45):
strutting their style and raising money for Down syndrome. And
it's not just raising money to help people with Down syndrome.
Global Down Syndrome Foundation does medical research, and that medical
research is there to find not a would be wrong
to say a cure for Down syndrome, but to find

(14:07):
treatments for all the side effects and the weird, terrible
things and that happened to people with Down syndrome, including
it's a huge amount of Alzheimer's, and so we're learning
a lot about Alzheimer's from people with Down syndrome who
get it tremendously. We're also learning a lot about cancer

(14:27):
because people with Down syndrome don't get cancer at the
same rate as typical people. So it's really amazing. So
they do great work. And so my son and I
were there and we were how to put it, we
were looking good. We were looking good in our gold
lemee tuxedos, because you know that's how you do it

(14:50):
when you're stylish.

Speaker 3 (14:53):
Well, you and Chance looked great. And keep up the
good work down there, fight the good fight. Sorry, I
uh sorry.

Speaker 1 (15:03):
So in other words, you guys, keep up the good
fight while I retreat to Wyoming and live the good
life in America while the rest of you deal with
that socialistic armpit you call Colorado. Uh, but you just
keep on fighting.

Speaker 2 (15:17):
I'll be living the life of Riley up in Wyoming.

Speaker 3 (15:21):
I'll still send the checks to I.

Speaker 1 (15:23):
I all right. The last question on Wyoming, I think
about all of us, think about where can I go?
Because this state is turning into a socialist haven. I
just couldn't do Wyoming because of the wind. How do
you put up with the wind? In Cheyenne?

Speaker 2 (15:42):
It just continues to blow constantly? Help nothing there?

Speaker 1 (15:51):
You see?

Speaker 2 (15:52):
The wind probably knock down the telephone pole.

Speaker 1 (15:54):
All right? Three oh three seven to one, three eight
two five five Scott from Cheyenne. Thank you. Have you
thought about where you would go if you didn't live
here in Colorado? Have you thought about where you would escape? Now?
You might not be thinking about that right now, but
I guarantee you in a few years you're going to

(16:16):
be thinking about it. Now. I hope you don't leave.
I still think Colorado can be saved. That's why I
do what I do at my real gig, which is
Independence Institute. I hope you go to thinkfreedom dot org.
That's thinkfreedom dot org. Check out what we do. Go
to Complete Colorado dot com every day. That's a news
site where we aggregate all local stories, all Colorado stories for.

Speaker 2 (16:39):
You without a paywall.

Speaker 1 (16:41):
You get to do it for free. So check out
complete Colorado dot com. But some people just can't take
it anymore in a few years, when the minimum wage
law destroys more and more small businesses, when the Family
Leave Act goes, when they start chasing away productive people

(17:03):
with a progressive income tax. When the power starts to fail,
and this is the big one, When the power starts
to fail, where are you going to go?

Speaker 2 (17:21):
Where will you go?

Speaker 1 (17:21):
By the way, when I say the power is going
to fail, they give a quick explanation.

Speaker 2 (17:26):
So Colorado has put itself on a track to.

Speaker 1 (17:29):
Get rid of all fossil fuels and have only renewable energy.

Speaker 2 (17:35):
That's just adorable.

Speaker 1 (17:38):
And I think.

Speaker 2 (17:38):
Adorable is the right word. Why because two.

Speaker 1 (17:42):
Thirds of our energy comes from coal and natural gas,
an impressive one third comes from wind power and solar
when the wind's blowing and the sun is shining, and
some hydro. That's all. That's all terrific.

Speaker 2 (18:01):
But you see, here's the problem.

Speaker 1 (18:04):
To get from sixty six percent to zero percent on
fossil fuels is well impossible, impossible, It cannot, will not happen.
And with our energy demands looking like they are going.

Speaker 2 (18:25):
To quadruple.

Speaker 1 (18:27):
Or at least triple in the next fifteen years, that
only means we're going to have rolling blackouts. If it
means if you don't have a backup generator or a
backup battery in your home or your work, you're gonna.

Speaker 2 (18:44):
Be sol.

Speaker 1 (18:46):
And when all this happens, you might be saying, why
am I paying this much money to live in a
place that I can no longer afford?

Speaker 2 (18:57):
Where the lights keep going out? Where would you go?

Speaker 1 (19:01):
Give me call three oh three seven one three eight
two five five and keep it here six thirty a
h o W. The most famous museum in the world,
the Louver, has been broken.

Speaker 2 (19:18):
Into and in.

Speaker 1 (19:20):
A incredible, incredible theft. They smashed and grabbed basically and
stole Napoleon's crown and a whole bunch of other really
expensive cool stuff. Now, don't get me wrong, I'm very
pro art theft. I mean that's I want to do

(19:43):
that for my own life at some point. I've seen
it in the movie after movie. Is there a more
glamorous life than than you know, big time art thief,
the Thomas Crown affair kind of thing, you know what
I'm talking about.

Speaker 2 (19:59):
But you don't smash and grab. There is no classic
smashing and grabbing.

Speaker 1 (20:05):
If you could steal an artwork or famed jewel, I
remember stealing it which one would just steal? And have
you thought about how you would do this, I've got
a few ideas.

Speaker 2 (20:23):
Scott to Lakewood and talked to Bo.

Speaker 1 (20:25):
Bo.

Speaker 2 (20:25):
Welcome here with John Kelder. I'm glad to have you.

Speaker 4 (20:29):
Yes, first about Napoleon's crown. You know that is a
significant piece of history. I think that is the point
in time where Napoleon, Napoleon himself actually took the crown
and placed it on his head from the pope, signifying
that the power is really within the friends of military

(20:52):
in the Catholic church. Yeah, that was very significant. He
actually took the crown and placed it on his head himself.
Their monarch has ever done that. But as for the
theft of the crown, I think that's wasn't a very
good move because what are you going to Everyone on
the planet knows what that is.

Speaker 1 (21:13):
I mean, haven't you watched the movies. I'm trying to
remember which movie it is. I'm pretty sure it was
No not Oceans eleven. I think it was Peter o'tool
and Audrey Hepburn. I think Audrey Hepburn's grandpapa was a
famed art forger, a forger, And so what you do

(21:39):
is you steal the artwork, you have forgeries, masterful forgeries
of it created, and you.

Speaker 2 (21:48):
Sell that to rich people.

Speaker 1 (21:51):
Now these rich people will not be able to put
it on display, They cannot loan it to a museum.
All they can do is keep it in their own pride.
I have a little collection and ougle it every day
and go wah, not knowing that really what you've done
is has sold them a fake. And you can do
that to several people while you keep the original. That's

(22:15):
how you do this.

Speaker 2 (22:16):
It's all about leverage.

Speaker 1 (22:17):
My friend financial leverage.

Speaker 4 (22:21):
And John, if I were to take something, I thought
about this, the most logical piece of art or gem
to take would be that large Hope diamond at the Smithsonian.
I believe it is. And now with the government shutdown,
there's probably not a lot of people wandering around there.

Speaker 1 (22:44):
And you know, I imagine this whole shutdown was just
a way for Trump to be able to steal things
from the Smithsonian without people knowing.

Speaker 4 (22:56):
And replace it with fakes, and replace it.

Speaker 1 (22:58):
All with fakes. We're gonna to go there, and when
they it opens up again, you're going to look at
the Declaration of Independence and and you hold it up
to the light, it's going to have a trumpet symbol
on it. It will be a forgery, yes, But as for.

Speaker 4 (23:12):
The diamond, a guy could take that and then cut
it up in like thirty forty little pieces. Then it'd
be easily easily marketable.

Speaker 2 (23:22):
True, except that.

Speaker 4 (23:23):
Would be taking it.

Speaker 1 (23:25):
Isn't it supposed to be cursed? Doesn't everyone who has
it come into some sort of bad.

Speaker 4 (23:34):
That's true. I wouldn't want John, You're right, it is curse,
but I wouldn't want to handle it.

Speaker 2 (23:39):
Very long, all right, So you just take it and
sell it.

Speaker 4 (23:43):
No, I would cut it up. You sell it. That's
how you're going to get caught. And that's how the
people I believe stole Napoleon's crown, if they don't make
forgeries or cut that up, they're going to get caught.

Speaker 1 (23:56):
The you know, the great painting by Monk the he
actually did a few versions of that. It's it's that
one where it's this ghastly looking ghostly character and he's
got his hands next to his face. It's it's surrealistic,
and he's he's obviously screaming. It's called the Scream.

Speaker 2 (24:17):
One of those was stolen. I guess there were a
few of them.

Speaker 1 (24:22):
One of them was stolen like forty years ago and
kept in somebody's barn, and they they found it just
a few years back.

Speaker 4 (24:33):
Wow, I didn't know that. So he must have made
extra paintings of the Scream.

Speaker 1 (24:39):
Yeah, tell you, I'll poke around on that one because
that'd be fascinating to know it's and it's just such
a beautiful painting.

Speaker 2 (24:45):
I mean, I.

Speaker 1 (24:47):
Mean, I don't want to own the artwork.

Speaker 2 (24:49):
I want to steal the artwork.

Speaker 1 (24:52):
That's that's where the challenge that's the excitement.

Speaker 2 (24:58):
So how are you going to steel the Hope diamond?

Speaker 4 (25:02):
Oh, I can tell you I haven't planned out. I'll
just apply over there as a security guard. Get a
security guard job, take a few years, get entranced into
the museum system and maybe be a lieutenant or sergeant
and get into a higher position and earn the museum
people's trust. And then then you've got to try to

(25:23):
take it yourself. You can't have cab friends or cohorts,
because that's how people get caught to people start talking
in bars and hey, look what I did. I stole
this diamond for my friend Bo. You got to be
able to do the whole job yourself without any accomplices.

Speaker 1 (25:43):
And you have to be able to go through the
duckwork of a building and come down via some sort
of wires, and.

Speaker 4 (25:53):
Then I'd have to get on that. Try Zeppetite for
a bout.

Speaker 1 (26:00):
Yourself. A great Monday, thanks for the phone call. Three
oh three seven one three eight two five five. Reading
from the Wall Street Journal. On Sunday morning, a team
of four burglars managed to park a truck mounted furniture lift.

Speaker 2 (26:13):
You know, there's a little crane thing.

Speaker 1 (26:17):
At the foot of the Louver Palace without drawing the
attention of police or other security personnel.

Speaker 2 (26:24):
The elevator allowed.

Speaker 1 (26:25):
The thieves to go directly from the street to the
Louvers Upper I'm not going to pronounce it, which houses
the nation's crowned jewels. Crowned jewels. The burglars then use
angle grinders. Those are the power tools that have a
play that spins around to cut through a window and

(26:48):
the display cases, perloining the priceless jewels in an operation
that took less.

Speaker 2 (26:53):
Than seven minutes. Wow.

Speaker 1 (26:59):
And like all Frenchmen, it wasn't their fault. Some museum
staff are blaming the years of staff cutting because they
only get thirteen weeks of vacation a year. Therefore, you know,
no one wants to work there. I left the Louver

(27:23):
with tough choices over where to position a limited number
of security guards.

Speaker 2 (27:28):
Yeah, come on, come on.

Speaker 1 (27:31):
Former security guard and union official told French radio that
the museum staff gave authorities repeated warnings about security risks. Yeah,
that's what unions always do. We were shouting from the rooftops,
he said. We can now see how little we were
listened to, So.

Speaker 2 (27:48):
Pay us more.

Speaker 1 (27:51):
The Burglar's decision to conduct the heights at nine to
thirty am local time, right after the museum opened its doors,
left museum security juggling competing demands, the evacuation of a
large crowd, and the need to protect workers. So the

(28:12):
prosecutor question whether guards could tell the alarm was coming
from that area as they scramble to protect visitors from
thieves who were wielding their grinders like weapons. All right,
So in America, somebody is there with a power tool,
an angle grinder, and they hold it like a weapon.

Speaker 2 (28:32):
You just laugh. Come, come, come and.

Speaker 1 (28:37):
Get me now now, all right, give me a call
on this one three or three seven, one three eight
two five five. I'm John Kelder and for Ryan, keep
it right here six point thirty k. How let's talk
to Tim. Tim welcome, Yo. Well, I don't think the

(28:59):
way steal art is to get to the big museums, the.

Speaker 4 (29:03):
Smithsonians Museum of Modern Art. You gotta you gotta case
out rich people's private collections.

Speaker 1 (29:16):
But isn't that what you're doing when you go to
the Smithsonian or the Louver or the Momah. I mean
those those are where the rich guys that put it
on display.

Speaker 4 (29:27):
I don't know who loans the Hope Diamond, but I.

Speaker 1 (29:30):
Don't know either. So what was that?

Speaker 4 (29:34):
You know?

Speaker 1 (29:35):
Apple? Apple TV has this thing with John Hamm playing
a guy who was basically robbing from rich people. Yeah, yeah,
it was yeah, friends and neighbors maybe that was what
it was called. And yeah, so he's stealing from all
the people he knows and steals their stuff. No, no, no,
people steal too much. Now, all right, what artwork would

(29:58):
you steal? Though you have you have a friend that
you you you you wanted. The only art that my
friends have are like rock and roll posters. I don't
know any rich people with fancy artwork, you know.

Speaker 4 (30:14):
I think anything, Well, you know, I just completely misguided
my point because now I thought to myself, anything from
the Rock and Roll Hall of Fame, But I guess
that would be a museum itself.

Speaker 2 (30:26):
Museum. Have you been to the Rock and Roll Hall
of Fame?

Speaker 4 (30:30):
I have not.

Speaker 1 (30:31):
It is the most hard rock it is. It is
the most awesome thing you've ever been to for about
seven and a half minutes. But after a while then
I'm yeah, one, you had a good Cleveland and then
all you're doing is looking at other people's guitars. Now,
the coolest thing I saw there was John Lennon's outfit

(30:51):
from the Sergeant Pepper's Lonely Hearts Club band cover, and
I was like, oh my god, that is that? That there,
it is that was worth a price with a mission.
After that, the Museum of the Museum of Rock and
Roll Rock and Roll Museum. There's Bo Diddley's square guitar terrific,

(31:12):
there's Pete Townsen's guitar terrific.

Speaker 2 (31:14):
They're all guitars.

Speaker 1 (31:17):
You couldn't pick them up and play with them. And
they they didn't like have guys that are doing concerts.
I think it'd be the same thing going to like
the Baseball Hall of Fame. Well, this is somebody's mitt,
and that's somebody else's mint. And look it's somebody else's mint.
Oh and here's a ball.

Speaker 2 (31:36):
Oh, and here's a bat.

Speaker 1 (31:37):
And there's a bat and a ball.

Speaker 2 (31:38):
There's a bat and ball in a mint.

Speaker 1 (31:41):
Oh.

Speaker 2 (31:41):
You gotta steal artwork back after this, keep it on
khow