June 19, 2025 • 23 mins
Chef Boy came by the Cruz Show to talk about his song "Gang Gang" and what it actually means. He also let us know that an album is on the way. He talked about his childhood, how he got the name Chef Boy & so much more. It's a fun, high energy interview. Check in!
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Episode Transcript
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Speaker 1 (00:00):
This is chef boy and you're checking out the Cruise
Show podcast.
Speaker 2 (00:05):
Make sure you subscribe, like and share for you. She's
gonna get your shaped like an artway. That's like you're
doing it under.
Speaker 3 (00:13):
What they're going to pray brown away's sucking up, sucking
up a gap, gap.
Speaker 2 (00:22):
Don't talk back, flippy word. Why didn't you double back
to that gap? The gap? You don't talk back? How you?
Speaker 1 (00:32):
Oh what.
Speaker 3 (00:50):
Slap up?
Speaker 2 (00:51):
Call you in this game? Can be outside with my
gun outside cruise.
Speaker 1 (01:06):
Ship dash crazy Nico Blitz And that was like the
coldest intro ever got.
Speaker 2 (01:12):
I just got to chill. Come on man, some of
the records. I was like, damn, I forgot I did that?
Oh crazy. I can't wait till my concert.
Speaker 1 (01:18):
Man. Listen, man, y'all make sure I tapp in concert
coming to man. Man, you know, let's running back, running
back one time.
Speaker 2 (01:25):
Oh my god, is that Nico Blitz. She's gonna make
it shake like an earthquake. She gonna check that ass.
Speaker 1 (01:32):
It's her heart.
Speaker 3 (01:38):
Baseline, rapping a waist like sucking up, sucking up after
the gap, don't talk smash the bliss watt?
Speaker 2 (01:44):
Then why didn't you double back? Use this. Somebody sent
me there, close this on my page. Collaborate your ans
with me, elaborate.
Speaker 3 (02:07):
Nast car and I ain't got a man hard back
your brain, yeah, yelling, I got you.
Speaker 2 (02:18):
Be outside.
Speaker 1 (02:22):
I'll be outside of my cruise showy yo.
Speaker 2 (02:27):
Three, that's crazy. I'm gonna be honest though. The hits
make it easy. Yeah yeah, but damn throwing them in
there like crazy. It was crazy.
Speaker 4 (02:35):
I mean, listen, I don't know if it'll get better
than that. So that's the interview. Thank you very much
for something.
Speaker 2 (02:41):
I take that. I take that guy. All you need
is a couple of seconds.
Speaker 4 (02:49):
That's are you intro Bynico blitz man, let's get that's
dope man.
Speaker 2 (02:54):
Sure you know the Cruise show man, Sure this is
the Cruise Show. Yeah, yeah, we're here man. Yeah, it's real,
real here, it's really let's go ganggang out now. Yo.
It just took on right crazy like yo.
Speaker 4 (03:06):
TikTok, got ahold of it, radio, got ahold of it, video.
Speaker 1 (03:09):
Dropped and it was going crazy. Now it's just organically
just spreading. It's like it's like a wildfire man shout
out to the wildfires that we all got control of.
Eventually it was spreading, like, well, he respectful. I was
helping the people. I was there and people know me,
people following me, and I was helping, so it was spreading.
So I kind of looked at it like that, like
(03:30):
I was sitting back. I probably made the record a
month after everything calmed down with the wildfire, so I
had did probably four records in that time of being
in the studio, so you know, you never know. When
I did it, I didn't.
Speaker 2 (03:41):
Think this is going to be. It's gonna be.
Speaker 1 (03:43):
I just added it to the catalog for that night,
and then when I released it, it took over and
I wasn't even focused on it. But then I had
to focus on it because now it's a part of
the algorithm. And then when they made the dance and
then shout out to Cinco and his boy Cash, the
TikTok actually took off and went crazy. Then all over
the world see it, and I'm talking from the east
coast to the west, cause they going they're going back
(04:04):
and forth like, oh, you could do it this way, No,
you do it this way, right man, listen, do it
whatever way you want to do it, because you're using
the song.
Speaker 2 (04:09):
And I appreciate the support bro. When I saw it
getting done at graduations, I was like, yo, he's out
of thing.
Speaker 1 (04:15):
When I when I said I said it to my
to my sister, we was on a SPRINTERVN. We was
on our way to a show, and I was like, man,
all it take is like the right celebrity to do
the TikTok and it's out of here. And then Cordla
Ray she did it pregnant and all everybody send it
to me and I was like, oh, it's out of here.
Speaker 2 (04:32):
And then from men it was like shaky.
Speaker 1 (04:34):
Now we got like remy my doing it like they're
going crazy doing the dance. So it's a real trend
in dance that's really affecting a good effect for the world.
Speaker 2 (04:43):
For sure. Saw families doing it, right, man, I seen
football gang doing it.
Speaker 1 (04:47):
Man. Yeah, And like I said, when you say, when
I say gang gang, it could be your day one hommies,
it could be the people you grew up with, it
could be your day one best friend, somebody that will
ride with you. It's your gang gang. So anybody feeling like, oh, well,
this is my ganggang. I don't gang bang, but I
be with them every day. That's my game. That's my ganggang.
I'll ride with him. That's my best friend, that's my
day one. That's your gang gang. So you know it
(05:08):
ain't just for the hoods, but shout out to everybody
that's representing their culture and represent where they're from, because
that's what I made it for. But then the way
it's took it off, it's like, damn, it's for everybody.
Speaker 2 (05:19):
And the live shows and energy, I gotta get you.
I put it there for sure.
Speaker 1 (05:24):
Don't book me if you don't want that. Now, don't
book me if you don't want that, if you don't
want me jumping around, I want to throw up one time.
Speaker 2 (05:33):
I want to people like, damn, he was all over
the place. He threw up.
Speaker 1 (05:36):
Like I want to be on some like rock star
type ship with these records because it's so energetic, and
I just feel like as an artist, when you're booked
and you're performing and it's a live show, you have
to show a different side of you. The people that
loves my music can't be more turned and excited than me.
You're paying the scene, and I feel like, if you're
paying to see me, I have to give you a show.
Speaker 2 (05:58):
That's where we lacking with artists. You might be dope,
you might have hit.
Speaker 1 (06:02):
So the artist when you're doing the show, the artist
is all over the place and you're just standing alone.
Speaker 2 (06:07):
Yeah that's cool.
Speaker 1 (06:10):
But if your tickets one hundred and fifty bucks and
you're selling out and you want people to do VIP
meet and Greece, then come on, have a little bit more.
These are your fans because without them, you're nothing. So
I always stay humble. I always stay ground and know
that this is the people. I'm not behind no bots.
I'm not behind robots, not a machine. This is organically,
so I gotta respect it. Even with what's going on
with Ice and everything. It's like, bro, I I'm with y'all.
Speaker 2 (06:32):
You feel me. I'm with the.
Speaker 1 (06:32):
People because I sell out shows with the brown community.
I sell out shows with the black and brown community together.
Sohouth Observatory always had me up there rocking out. So
it's like, I'm with y'all. But at the same time,
everybody got to do their own part. So yeah, I'm
gonna just do my part and just support.
Speaker 4 (06:50):
I've seen the crowd of the shows.
Speaker 2 (06:54):
I give my love for y'all throwing it up, giving it.
Speaker 1 (06:57):
Up, they was around before songs took off off because
I was presented to them a lot of songs like
beat it Up, she Goes, she Goes. They like it
more than I knew to where when I start performing
and not seeing the reaction, I was like, Okay, we
got to add this into the rotation because what if
I do a sold I'll show of if I do
a show this mixed crowd. I got to make sure
everybody feel me. You know what I'm saying, Not my people,
but all the people.
Speaker 4 (07:18):
And that's what it is since twenty sixteen, bro, for sure,
you know. And we got a project on the way.
We're working on something, and what are we working on?
Speaker 2 (07:26):
First? Tell me.
Speaker 1 (07:30):
What do we got so right now? Project on the way? Yeah,
project is them.
Speaker 2 (07:35):
They're done. I'm probably need like one more or two
more songs.
Speaker 1 (07:37):
Put everything through the master and other than that, I
got a nine a nine track EP on the way Easy.
Speaker 2 (07:43):
Where did the name chef boy come from? Uh? Cooking?
Speaker 1 (07:46):
I actually cook, but I actually did like a music
class in high school. I went to a continuation school.
I was bad, Like when I was in high school.
I was getting kick out all the high school. So
when I like I had to get my credits up.
I went to a continuation school. It was all boys school.
In that school, we had different classrooms like music room.
Speaker 2 (08:02):
People.
Speaker 1 (08:02):
It was only three or four bungalows, probably like sixty people,
and we were segregated.
Speaker 2 (08:07):
Spanx was here, the Blacks was here. If you didn't
gang bang you in the middle.
Speaker 1 (08:10):
And you know, fresh out of the county or fresh
out of juvenile you're trying to get your shit up,
you go there.
Speaker 2 (08:15):
So we was in music class.
Speaker 1 (08:16):
I'm probably like sixteen, feel me, and then I'm watching
people go in and out going back to jail. And
they was like, man, you better either get your credits
up and go back to school, or you better figure
it out.
Speaker 2 (08:25):
We're gonna put a music class in here.
Speaker 1 (08:27):
We're gonna have a teacher come twice a week, and
if you do these assignments.
Speaker 2 (08:32):
You'll be able to go to the music class.
Speaker 1 (08:34):
So I was doing my assignments and while everybody want
to watch movies, all the estates kicking, they want to
cheer and watch movies.
Speaker 2 (08:39):
I want to go to the music room. So I
go in the music room. I'm cooking up.
Speaker 1 (08:42):
And then the teacher was like every time I asked you,
did you do something for the day? You got something
cooked up? You're like a chef. And I was like, yeah,
like I'm gonna call you chef boy or a chef.
You just said something. But I was saying my actual
government name. When I was rapping, I didn't have a name.
I was saying my real name, my real name, and
everybody's like, nah, you do like and then he said chef.
And then when I got my credits up and I
went back to high school, I took culinary arts class
(09:04):
and I was doing bacon and cooking and doing all
the little sweets. I'm like, man, I'm a chef. I'm
chef boy. And then it was that mixed in all together.
And then when I got to twelfth grade or not
like eleventh grade, it was another music class and they
was telling me there was like, we allow you to
perform in front of all the seniors called senior recognition.
(09:25):
This is high school, the last day of school, and
the auditorium will allow you to perform it. If you
can make a clean record, you can make a clean song,
no curse, curse, we allow you to perform it. And
at the time, it was like a jerking era. Everybody's
wearing skinny jeans and rejects was popping jacks. Yeah, but
at the time it was a song that was popping
called Candy.
Speaker 2 (09:45):
He forty Oh I love that dance. Oh my.
Speaker 1 (09:50):
So I was able to find the instrumental. I came
up with some catchy, little jerk type of hook. It
was I was a kid, yeah, but it was clean,
no cursing. They let me perform it. That's right raised
I'm talking about. I'm like fifteen sixteen performing in front
of the five hundred twelfth graders.
Speaker 2 (10:06):
This is like two thousand and seven.
Speaker 1 (10:08):
I got like a Stoke coached Steve Auston jacket off.
It was ordered, it was holographic. I thought I was
the one went crazy. I don't even know if I
could pull up that footage. But back then we only
had like sidekicks and like chirps or it was crazy.
Speaker 2 (10:22):
It was crazy that then. I was like crazy.
Speaker 1 (10:25):
I was like, I'm gonna go crazy with his music.
If you know, either football don't work or you know.
I didn't even know I was gonna cut here to
after football. I pulled my hamstring twelfth grade. I pulled
my hamstring on the field and I was out, and
everybody's telling me, giving me the little speech like yeah,
what football don't work. I was like, why, i'm'na cut hair.
So then the whole rest of the year, instead of playing,
I was cutting all the teammates here. I went and
(10:47):
bought some little Cortless clippers. I was cutting there. The
coach was letting me line them up. I was on
at the time. A lot of my teammates, even though
we was kids, they had face with hair. Like I
was on the on the field with some owens. They
had face with here. So I'm doing little lineups and
even coach like line me up. So I was like,
all right, when I graduated, I'm going to Barber College.
I pulled my hamstring. I was scared I was gonna
pull it again. I'm like, yeah, I play sports, I
(11:07):
hoop and all that, but I mean, let me go
to Barbara College just so moms don't trip.
Speaker 2 (11:11):
I have something to fall back on if it don't work.
I went to Barber.
Speaker 1 (11:13):
College and get a barbershop right in the barbershop right
after me and man and been going crazy ever since.
You feel I feel like you have so many like
different things that Oh no, I got that. You gotta
have different hats. You gotta have different hats. That's why
I look at this as a business. Even though it's
entertainment and it's fun, it's a job. You feel you
get the job done. You know what I'm saying, those goals,
(11:34):
this is.
Speaker 5 (11:34):
Like, this is your coming out party here. They don't
understand all the ship.
Speaker 1 (11:38):
Man, and that's the that's the best part about it
is like the new fans they go back and they
be like, that was him. Yeah, oh I used to
do that to that that that's his song too. It
takes about ten years to be overnight success. So I
don't I'm not mad at it. What I would I
would have probably been mad at it if it was
if it was someone else success that got me where
I'm back, that would have made me mad, like, oh
it was because it is or that, or he went no,
it's cool, go back on my artistry and look at
(12:00):
it and be like, damn, we was really sleeping on
this guy.
Speaker 2 (12:02):
Cool, wake up, wake up, wake up. Let them catch up.
Speaker 1 (12:08):
Sure man, the labels is catching up now. I'm talking
about people walk me in these labels two years ago
and they was like, oh, we heard it. Okay, cool,
we tik talking. We're gonna now, we're gonna keep We're
gonna keep watching them. And now they're like, can we
go on on the phone? Can we get them back
on the phone? I remember you brought them, you brought
them to it's two years ago. But now can we
get them back on the phone. Now it's hard. Now
you've got to talk. And now I'm talking. I'm the
(12:29):
one that got I got.
Speaker 2 (12:30):
Not only am I talking, I'm also listening. The ball
is my court. I'm dealing the cars. You feel me.
Speaker 1 (12:35):
Now, we're gonna figure out. Y'all can make it make sense.
If it makes sense to me, then we can figure
something now. But other than that, people was already bringing
me to these people and telling them and they didn't believe.
But at the end of the day, that's why I
just dropped the single I believe When.
Speaker 2 (12:47):
You're yeah, that's when you're a new artist. How does
a label try to play you by not believing? But
I believe it.
Speaker 1 (12:54):
The best part about my motion is that I created it.
So it's like you have no choice but to kind
of listen to what I'm saying, because what I'm doing
is working, it'll be different. I was an up and
coming artist and you put the marketing in the back
end behind me and you make me work, and you'd
be like, it's because of us.
Speaker 2 (13:11):
No, I'm bringing this wave to y'all.
Speaker 1 (13:14):
So either y'all can put the this is an oil machine,
either y'all could plug me to the bigger machine, or
I'm gonna just stay alled up and we're gonna polish
this mother again till we know what I'm saying.
Speaker 2 (13:24):
They fall apart.
Speaker 1 (13:25):
Other than that, it's like I created a wave in
emotion and I have leverage right now. You know I'm
not trying too my own horn and sound cocky, but
right now it's a lot of artists want to be
where I'm at organically because people sign so fast to
shit and then blow up later and be like, damn,
I wish I would never I'm one of the artists
that never signed to no one. I've never signed to nobody.
(13:45):
I have nothing but distribution. I have just distribution, man.
Shout out to DJ Charisma. All I have is distribution.
She plugged me with distributions twelve years ago the right
and I just been going good with distribution, bro, because
signing to a major unlesson makes since they're gonna try
to squeeze what they want to squeeze out of you,
unless you could bring something to the table.
Speaker 2 (14:05):
Now I got something to bring to the table. You
feel me.
Speaker 1 (14:07):
I didn't want for them to I didn't want them
to create for me. I wanted to create a plan
for them and for us.
Speaker 4 (14:13):
I'll bring in the energy. Don't worry about it. Yeah, yeah, yeah,
I got your supported.
Speaker 1 (14:17):
When it's time the things that they expect right from
a label, your numbers, Can you sell out shows? Are
you able to present, create, present whatever? I'm already doing
all of those things organically naturally. Studio sessions. I'll fuck
around to do a whole other project and just sit
on it because I'll be in a studio so long
with nobody. I can knock out six or seven songs
(14:38):
and one day and then come back next day listen
to them and they be like, okay, master that master
that master that master that. Oh, let me go back
in there and edit that, say some other shit on that.
Master it up. Now that's another project. But people not
working like that. They coming in with twenty guys, they
smoke in their drinking, They do two songs maybe one yeah,
and then and then they never get the record back
until the producers like, what's up with the record you
did two weeks ago? You're like, Nigga, I'm taking every
(15:00):
thing home with me that day. Yeah, I'm grinding over.
I'm listening from the ride home all the way. We're
doing the car test on the way home. Bro, let
me know if I can edit it or That's why
I make so much music, because I'm polishing it as
i'm hearing it. And it's all freestyle organic. I don't
write nothing. All these songs y'all mixed in. I don't
write none of it. None of that I can write. Yeah,
I'm in Tellison is a month. I'm not gonna write
(15:20):
for people, but I don't because it's so organic and
the energy there when I hear to beat. Once I
create a concept a topic, I stay on top. Man.
Speaker 2 (15:27):
That's a gift. Once you create a hook, the hook
is the song, stay on topic.
Speaker 4 (15:33):
Is that why it's just you, maybe an engineer and
one other person in the studio when you're recording.
Speaker 2 (15:37):
That's exactly why.
Speaker 1 (15:38):
Because it's mo organic, I might just need somebody there
to capture the moment or if I got a big feature,
or I know, like it's not hangout time, but we
celebrating that. These verses then came in I'm not really
doing a lot of work. I might bring three four
people mass, but it's never a party. It's like, Nigga,
this is a listening celebration. You feel mean you want
to listen and you want to be a.
Speaker 2 (15:57):
Part of this.
Speaker 1 (15:58):
Take some little videos and then when I dropping, you
could be like, yeah, I was there when you did that.
Speaker 2 (16:01):
That's cool. Other than that, I'll be so.
Speaker 1 (16:04):
So everyone has so everyone has to serve a purpose.
Is they're going to be in the studio for sure,
somebody gonna hold the camera, somebody gonna go get the drink,
somebody gonna be able to go get let people in.
So I don't got to stop record. If not, I
don't need nobody there for what for? What I need
you there for? To just be sitting there waiting for
me to give you a blunt? That's the best part.
(16:25):
That's if you walking in here, you got a job.
That's what you call a team. It's like you got homies,
you got people, you got family, But what's your team?
Everybody can't be the same. Everybody can't have the same
job title. You can't have the same people around you
and call them the same thing. It's like my family.
This is my family because I'm with my family, from
my team, with my team, and with my people, you
can me. So everybody has a position, from the security
(16:46):
guard to the camera woman or camera guy. It's a
position management, uh, and anything. You have to play a
role because at the end of the day, you're not
going to be a part of my spotlight. And I
feel like you don't deserve to be there. You'll be
you'll be removed, easy to exe you out. And then
when the bag coming you feel like I owe you
something and I feel like you did nothing. That's how
I feel like.
Speaker 4 (17:06):
It starts to get funky when people don't understand what
position they are playing.
Speaker 2 (17:09):
Yeah, a lot of people don't know. That's why I
tell them, fast, what were we doing? What you do?
You do this right?
Speaker 5 (17:15):
Discipline success even though you know it wasn't you have
a certain amount of discipline.
Speaker 2 (17:22):
I had a hell of it. Yeah, because and being
an athlete as well.
Speaker 1 (17:26):
Right, because being the and that's the thing, going through
the stimulations and the tribulations of being other things like
Barbara and athletes and having downtime. I know, you have
to have discipline. I used to be almost four hundred pounds.
That's one of my biggest keys to discipline. Not eating
after a certain hour, will sticking to my watermelon juice, dyeing,
(17:47):
going vegetarian, or they.
Speaker 2 (17:48):
Say never trust a skinny chef. Hey, they say that right.
Speaker 1 (17:53):
People know I was the big chef. They know health
as well. Health as well for sure, So longevity is
that thing. But yeah, it's all about discipline.
Speaker 2 (18:02):
How did you even get to four hundred pounds? I
play football? So I played football.
Speaker 1 (18:05):
Then I cut hair, so being a barber standing up
and just cutting hair, I used to eat a lot,
like three four times and I got twelve clients. They're
bringing me food because I don't have time to go
on to lunch break or they get mad, They're like,
I'll go get it.
Speaker 2 (18:17):
Yeah, so you don't really got to leave it, and
I gotta wait.
Speaker 1 (18:20):
So while they client, I'm cutting them eating. So after
a year or two out of gay fifty sevunds and
I'm like that was that.
Speaker 2 (18:27):
Your tip as well? Pause? Like was that like all right? Man?
Like I'm gonna pay you your fee and I'm gonna
bring you some food. They be doing that. They used
to do that.
Speaker 1 (18:33):
I used to be like, don't do that. I ain't already.
Some people will be like, no, I know you.
Speaker 2 (18:38):
Need to eat.
Speaker 1 (18:38):
I'm gonna just bring it anyway. I had to feed
my kids. I got an extra one for you. I
ain't turn it down.
Speaker 2 (18:42):
No food.
Speaker 1 (18:42):
Back in the day, I wasn't. I'm like, no, I'm
cool man eating. I'm telling you. I used to get
like a look, I used to get a twenty piece
for we stop, right, is a twenty piece with fries
right now? I could get a six with some celery stick.
He is, and no rats either. You gotta have it regular.
Speaker 2 (19:05):
No rat.
Speaker 1 (19:06):
Yeah that's the best person. Like if I work out,
you're already bad eating his fry food. Don't dip it
in the ra You're already doing the basket. But they grilled,
so just eat the chicket. Don't be dipping and scooping
and the rat sticking like well, yeah, judging sometimes because
he doesn't put dressing on his salad.
Speaker 2 (19:28):
Yeah dry salad. Yeah that's cool, but what about balsamic vinaigrette.
At least you can try to try it. Try it.
I tried it, you know, not for you. So you
don't like your salad, pro I don't like the salad,
wet proceed proceed.
Speaker 4 (19:47):
Like have any artists like pulled you aside and give you,
giving you some real advice. Uh yeah, ship yeah, yeah
yeah when you get to this level.
Speaker 1 (20:01):
Yeah Jones and pull me to this side a few
times like man J Moses, Moses. I didn't talk to
g Perico know, hey, man, you're doing anything, you know,
so you know, everybody had their moments. It depends on
where we're at. I didn't talk to r J and
pulled me to the side. We done had our real ones,
you know. So yeah, a lot of cats that I
either we grew up on or listened to, you know,
(20:22):
or I paid how much you are are once one
of the feature with our reached Out even got a
feature with It's like now they're like tapping, like okay,
I see you and it's good, you know, yeah, man,
it's good. It's good to get my flowers. You know,
it's supposed to be right, for sure.
Speaker 2 (20:33):
Compton, that's mad Latinos bro a lot of Mexicans everywhere,
for sure.
Speaker 4 (20:39):
I think I'd read that there's more Mexicans in Compton
more than anyone else.
Speaker 1 (20:43):
Yeah, I mean they well from downtown, from downtown to
watch to watch the compent.
Speaker 2 (20:48):
Yeah yeah, they're everywhere.
Speaker 1 (20:52):
We are everywhere you guys are you guys are everywhere
like air.
Speaker 2 (20:56):
That's why it's like it's crazy.
Speaker 1 (20:58):
I've been seeing like a little footage of like downtown,
like Santa fe Aia. The little district is all just
like desert. I just don't believe it, Like, huh, there's
too many people to just house this desert. Bro, everybody,
somebody should be protesting or just saying fuck it, we open,
because I'll be going downtown shopping and now I'm scared
because they blocking everything off exit on the exit, I.
Speaker 2 (21:16):
Just keep going on the sixty. Go back to the team.
What you're Spanish like, here's can give us thrice? Uh no, no,
we in. I don't know.
Speaker 1 (21:29):
I don't know what you're saying the gona be way.
I only know I'm not gonna lie. I only know
like bad words like what running dog? What?
Speaker 2 (21:39):
So what do we go? Fuck?
Speaker 1 (21:42):
Y'all gonna hate me? Like what y'all be what? I'll
be done for sure? Nah, Bro saying, held, no, I
don't know what you coming on this regular they go
deeper now, hey man, but we're gonna it's a few ship.
(22:03):
I ain't gonna say too much. You're gonna use this
as a clickbait hat all. It's just gonna remix it.
Come on, come on, come on, what the Chef Boy
says that?
Speaker 2 (22:17):
Come on? Coming on?
Speaker 1 (22:18):
What you didn't use against they use it. I don't
be now everybody talking about boy and I like what.
Speaker 2 (22:28):
I love you here, I.
Speaker 1 (22:31):
Love y'all were the same. Come on, don't do me
like that. Y'all not on the real cruise.
Speaker 4 (22:41):
Chef Boy, congratulations, Come to see us any time. Hell yeah,
for sure, drop them the intro to Bro send me
that I'm posting posted on me that click when y'all do,
y'all want to drop it? Collaping, I'm well doing that
all right, we'll collapse for sure. Raise project on the web.
Speaker 2 (22:55):
What hell you're probably going to wait?
Speaker 1 (22:56):
Singles dropping and then the remixes on the way, well,
the new version, the new verses.
Speaker 2 (23:03):
Please check your rich for the Cruise Show.
Speaker 1 (23:04):
Thanks for listening to the Crui Show podcast.
Speaker 2 (23:06):
To make sure to subscribe and hit auto download so
you don't miss
Speaker 1 (23:09):
An episode, so so so so
This is chef boy and you're checking out the Cruise
Show podcast.
Speaker 2 (00:05):
Make sure you subscribe, like and share for you. She's
gonna get your shaped like an artway. That's like you're
doing it under.
Speaker 3 (00:13):
What they're going to pray brown away's sucking up, sucking
up a gap, gap.
Speaker 2 (00:22):
Don't talk back, flippy word. Why didn't you double back
to that gap? The gap? You don't talk back? How you?
Speaker 1 (00:32):
Oh what.
Speaker 3 (00:50):
Slap up?
Speaker 2 (00:51):
Call you in this game? Can be outside with my
gun outside cruise.
Speaker 1 (01:06):
Ship dash crazy Nico Blitz And that was like the
coldest intro ever got.
Speaker 2 (01:12):
I just got to chill. Come on man, some of
the records. I was like, damn, I forgot I did that?
Oh crazy. I can't wait till my concert.
Speaker 1 (01:18):
Man. Listen, man, y'all make sure I tapp in concert
coming to man. Man, you know, let's running back, running
back one time.
Speaker 2 (01:25):
Oh my god, is that Nico Blitz. She's gonna make
it shake like an earthquake. She gonna check that ass.
Speaker 1 (01:32):
It's her heart.
Speaker 3 (01:38):
Baseline, rapping a waist like sucking up, sucking up after
the gap, don't talk smash the bliss watt?
Speaker 2 (01:44):
Then why didn't you double back? Use this. Somebody sent
me there, close this on my page. Collaborate your ans
with me, elaborate.
Speaker 3 (02:07):
Nast car and I ain't got a man hard back
your brain, yeah, yelling, I got you.
Speaker 2 (02:18):
Be outside.
Speaker 1 (02:22):
I'll be outside of my cruise showy yo.
Speaker 2 (02:27):
Three, that's crazy. I'm gonna be honest though. The hits
make it easy. Yeah yeah, but damn throwing them in
there like crazy. It was crazy.
Speaker 4 (02:35):
I mean, listen, I don't know if it'll get better
than that. So that's the interview. Thank you very much
for something.
Speaker 2 (02:41):
I take that. I take that guy. All you need
is a couple of seconds.
Speaker 4 (02:49):
That's are you intro Bynico blitz man, let's get that's
dope man.
Speaker 2 (02:54):
Sure you know the Cruise show man, Sure this is
the Cruise Show. Yeah, yeah, we're here man. Yeah, it's real,
real here, it's really let's go ganggang out now. Yo.
It just took on right crazy like yo.
Speaker 4 (03:06):
TikTok, got ahold of it, radio, got ahold of it, video.
Speaker 1 (03:09):
Dropped and it was going crazy. Now it's just organically
just spreading. It's like it's like a wildfire man shout
out to the wildfires that we all got control of.
Eventually it was spreading, like, well, he respectful. I was
helping the people. I was there and people know me,
people following me, and I was helping, so it was spreading.
So I kind of looked at it like that, like
(03:30):
I was sitting back. I probably made the record a
month after everything calmed down with the wildfire, so I
had did probably four records in that time of being
in the studio, so you know, you never know. When
I did it, I didn't.
Speaker 2 (03:41):
Think this is going to be. It's gonna be.
Speaker 1 (03:43):
I just added it to the catalog for that night,
and then when I released it, it took over and
I wasn't even focused on it. But then I had
to focus on it because now it's a part of
the algorithm. And then when they made the dance and
then shout out to Cinco and his boy Cash, the
TikTok actually took off and went crazy. Then all over
the world see it, and I'm talking from the east
coast to the west, cause they going they're going back
(04:04):
and forth like, oh, you could do it this way, No,
you do it this way, right man, listen, do it
whatever way you want to do it, because you're using
the song.
Speaker 2 (04:09):
And I appreciate the support bro. When I saw it
getting done at graduations, I was like, yo, he's out
of thing.
Speaker 1 (04:15):
When I when I said I said it to my
to my sister, we was on a SPRINTERVN. We was
on our way to a show, and I was like, man,
all it take is like the right celebrity to do
the TikTok and it's out of here. And then Cordla
Ray she did it pregnant and all everybody send it
to me and I was like, oh, it's out of here.
Speaker 2 (04:32):
And then from men it was like shaky.
Speaker 1 (04:34):
Now we got like remy my doing it like they're
going crazy doing the dance. So it's a real trend
in dance that's really affecting a good effect for the world.
Speaker 2 (04:43):
For sure. Saw families doing it, right, man, I seen
football gang doing it.
Speaker 1 (04:47):
Man. Yeah, And like I said, when you say, when
I say gang gang, it could be your day one hommies,
it could be the people you grew up with, it
could be your day one best friend, somebody that will
ride with you. It's your gang gang. So anybody feeling like, oh, well,
this is my ganggang. I don't gang bang, but I
be with them every day. That's my game. That's my ganggang.
I'll ride with him. That's my best friend, that's my
day one. That's your gang gang. So you know it
(05:08):
ain't just for the hoods, but shout out to everybody
that's representing their culture and represent where they're from, because
that's what I made it for. But then the way
it's took it off, it's like, damn, it's for everybody.
Speaker 2 (05:19):
And the live shows and energy, I gotta get you.
I put it there for sure.
Speaker 1 (05:24):
Don't book me if you don't want that. Now, don't
book me if you don't want that, if you don't
want me jumping around, I want to throw up one time.
Speaker 2 (05:33):
I want to people like, damn, he was all over
the place. He threw up.
Speaker 1 (05:36):
Like I want to be on some like rock star
type ship with these records because it's so energetic, and
I just feel like as an artist, when you're booked
and you're performing and it's a live show, you have
to show a different side of you. The people that
loves my music can't be more turned and excited than me.
You're paying the scene, and I feel like, if you're
paying to see me, I have to give you a show.
Speaker 2 (05:58):
That's where we lacking with artists. You might be dope,
you might have hit.
Speaker 1 (06:02):
So the artist when you're doing the show, the artist
is all over the place and you're just standing alone.
Speaker 2 (06:07):
Yeah that's cool.
Speaker 1 (06:10):
But if your tickets one hundred and fifty bucks and
you're selling out and you want people to do VIP
meet and Greece, then come on, have a little bit more.
These are your fans because without them, you're nothing. So
I always stay humble. I always stay ground and know
that this is the people. I'm not behind no bots.
I'm not behind robots, not a machine. This is organically,
so I gotta respect it. Even with what's going on
with Ice and everything. It's like, bro, I I'm with y'all.
Speaker 2 (06:32):
You feel me. I'm with the.
Speaker 1 (06:32):
People because I sell out shows with the brown community.
I sell out shows with the black and brown community together.
Sohouth Observatory always had me up there rocking out. So
it's like, I'm with y'all. But at the same time,
everybody got to do their own part. So yeah, I'm
gonna just do my part and just support.
Speaker 4 (06:50):
I've seen the crowd of the shows.
Speaker 2 (06:54):
I give my love for y'all throwing it up, giving it.
Speaker 1 (06:57):
Up, they was around before songs took off off because
I was presented to them a lot of songs like
beat it Up, she Goes, she Goes. They like it
more than I knew to where when I start performing
and not seeing the reaction, I was like, Okay, we
got to add this into the rotation because what if
I do a sold I'll show of if I do
a show this mixed crowd. I got to make sure
everybody feel me. You know what I'm saying, Not my people,
but all the people.
Speaker 4 (07:18):
And that's what it is since twenty sixteen, bro, for sure,
you know. And we got a project on the way.
We're working on something, and what are we working on?
Speaker 2 (07:26):
First? Tell me.
Speaker 1 (07:30):
What do we got so right now? Project on the way? Yeah,
project is them.
Speaker 2 (07:35):
They're done. I'm probably need like one more or two
more songs.
Speaker 1 (07:37):
Put everything through the master and other than that, I
got a nine a nine track EP on the way Easy.
Speaker 2 (07:43):
Where did the name chef boy come from? Uh? Cooking?
Speaker 1 (07:46):
I actually cook, but I actually did like a music
class in high school. I went to a continuation school.
I was bad, Like when I was in high school.
I was getting kick out all the high school. So
when I like I had to get my credits up.
I went to a continuation school. It was all boys school.
In that school, we had different classrooms like music room.
Speaker 2 (08:02):
People.
Speaker 1 (08:02):
It was only three or four bungalows, probably like sixty people,
and we were segregated.
Speaker 2 (08:07):
Spanx was here, the Blacks was here. If you didn't
gang bang you in the middle.
Speaker 1 (08:10):
And you know, fresh out of the county or fresh
out of juvenile you're trying to get your shit up,
you go there.
Speaker 2 (08:15):
So we was in music class.
Speaker 1 (08:16):
I'm probably like sixteen, feel me, and then I'm watching
people go in and out going back to jail. And
they was like, man, you better either get your credits
up and go back to school, or you better figure
it out.
Speaker 2 (08:25):
We're gonna put a music class in here.
Speaker 1 (08:27):
We're gonna have a teacher come twice a week, and
if you do these assignments.
Speaker 2 (08:32):
You'll be able to go to the music class.
Speaker 1 (08:34):
So I was doing my assignments and while everybody want
to watch movies, all the estates kicking, they want to
cheer and watch movies.
Speaker 2 (08:39):
I want to go to the music room. So I
go in the music room. I'm cooking up.
Speaker 1 (08:42):
And then the teacher was like every time I asked you,
did you do something for the day? You got something
cooked up? You're like a chef. And I was like, yeah,
like I'm gonna call you chef boy or a chef.
You just said something. But I was saying my actual
government name. When I was rapping, I didn't have a name.
I was saying my real name, my real name, and
everybody's like, nah, you do like and then he said chef.
And then when I got my credits up and I
went back to high school, I took culinary arts class
(09:04):
and I was doing bacon and cooking and doing all
the little sweets. I'm like, man, I'm a chef. I'm
chef boy. And then it was that mixed in all together.
And then when I got to twelfth grade or not
like eleventh grade, it was another music class and they
was telling me there was like, we allow you to
perform in front of all the seniors called senior recognition.
(09:25):
This is high school, the last day of school, and
the auditorium will allow you to perform it. If you
can make a clean record, you can make a clean song,
no curse, curse, we allow you to perform it. And
at the time, it was like a jerking era. Everybody's
wearing skinny jeans and rejects was popping jacks. Yeah, but
at the time it was a song that was popping
called Candy.
Speaker 2 (09:45):
He forty Oh I love that dance. Oh my.
Speaker 1 (09:50):
So I was able to find the instrumental. I came
up with some catchy, little jerk type of hook. It
was I was a kid, yeah, but it was clean,
no cursing. They let me perform it. That's right raised
I'm talking about. I'm like fifteen sixteen performing in front
of the five hundred twelfth graders.
Speaker 2 (10:06):
This is like two thousand and seven.
Speaker 1 (10:08):
I got like a Stoke coached Steve Auston jacket off.
It was ordered, it was holographic. I thought I was
the one went crazy. I don't even know if I
could pull up that footage. But back then we only
had like sidekicks and like chirps or it was crazy.
Speaker 2 (10:22):
It was crazy that then. I was like crazy.
Speaker 1 (10:25):
I was like, I'm gonna go crazy with his music.
If you know, either football don't work or you know.
I didn't even know I was gonna cut here to
after football. I pulled my hamstring twelfth grade. I pulled
my hamstring on the field and I was out, and
everybody's telling me, giving me the little speech like yeah,
what football don't work. I was like, why, i'm'na cut hair.
So then the whole rest of the year, instead of playing,
I was cutting all the teammates here. I went and
(10:47):
bought some little Cortless clippers. I was cutting there. The
coach was letting me line them up. I was on
at the time. A lot of my teammates, even though
we was kids, they had face with hair. Like I
was on the on the field with some owens. They
had face with here. So I'm doing little lineups and
even coach like line me up. So I was like,
all right, when I graduated, I'm going to Barber College.
I pulled my hamstring. I was scared I was gonna
pull it again. I'm like, yeah, I play sports, I
(11:07):
hoop and all that, but I mean, let me go
to Barbara College just so moms don't trip.
Speaker 2 (11:11):
I have something to fall back on if it don't work.
I went to Barber.
Speaker 1 (11:13):
College and get a barbershop right in the barbershop right
after me and man and been going crazy ever since.
You feel I feel like you have so many like
different things that Oh no, I got that. You gotta
have different hats. You gotta have different hats. That's why
I look at this as a business. Even though it's
entertainment and it's fun, it's a job. You feel you
get the job done. You know what I'm saying, those goals,
(11:34):
this is.
Speaker 5 (11:34):
Like, this is your coming out party here. They don't
understand all the ship.
Speaker 1 (11:38):
Man, and that's the that's the best part about it
is like the new fans they go back and they
be like, that was him. Yeah, oh I used to
do that to that that that's his song too. It
takes about ten years to be overnight success. So I
don't I'm not mad at it. What I would I
would have probably been mad at it if it was
if it was someone else success that got me where
I'm back, that would have made me mad, like, oh
it was because it is or that, or he went no,
it's cool, go back on my artistry and look at
(12:00):
it and be like, damn, we was really sleeping on
this guy.
Speaker 2 (12:02):
Cool, wake up, wake up, wake up. Let them catch up.
Speaker 1 (12:08):
Sure man, the labels is catching up now. I'm talking
about people walk me in these labels two years ago
and they was like, oh, we heard it. Okay, cool,
we tik talking. We're gonna now, we're gonna keep We're
gonna keep watching them. And now they're like, can we
go on on the phone? Can we get them back
on the phone? I remember you brought them, you brought
them to it's two years ago. But now can we
get them back on the phone. Now it's hard. Now
you've got to talk. And now I'm talking. I'm the
(12:29):
one that got I got.
Speaker 2 (12:30):
Not only am I talking, I'm also listening. The ball
is my court. I'm dealing the cars. You feel me.
Speaker 1 (12:35):
Now, we're gonna figure out. Y'all can make it make sense.
If it makes sense to me, then we can figure
something now. But other than that, people was already bringing
me to these people and telling them and they didn't believe.
But at the end of the day, that's why I
just dropped the single I believe When.
Speaker 2 (12:47):
You're yeah, that's when you're a new artist. How does
a label try to play you by not believing? But
I believe it.
Speaker 1 (12:54):
The best part about my motion is that I created it.
So it's like you have no choice but to kind
of listen to what I'm saying, because what I'm doing
is working, it'll be different. I was an up and
coming artist and you put the marketing in the back
end behind me and you make me work, and you'd
be like, it's because of us.
Speaker 2 (13:11):
No, I'm bringing this wave to y'all.
Speaker 1 (13:14):
So either y'all can put the this is an oil machine,
either y'all could plug me to the bigger machine, or
I'm gonna just stay alled up and we're gonna polish
this mother again till we know what I'm saying.
Speaker 2 (13:24):
They fall apart.
Speaker 1 (13:25):
Other than that, it's like I created a wave in
emotion and I have leverage right now. You know I'm
not trying too my own horn and sound cocky, but
right now it's a lot of artists want to be
where I'm at organically because people sign so fast to
shit and then blow up later and be like, damn,
I wish I would never I'm one of the artists
that never signed to no one. I've never signed to nobody.
(13:45):
I have nothing but distribution. I have just distribution, man.
Shout out to DJ Charisma. All I have is distribution.
She plugged me with distributions twelve years ago the right
and I just been going good with distribution, bro, because
signing to a major unlesson makes since they're gonna try
to squeeze what they want to squeeze out of you,
unless you could bring something to the table.
Speaker 2 (14:05):
Now I got something to bring to the table. You
feel me.
Speaker 1 (14:07):
I didn't want for them to I didn't want them
to create for me. I wanted to create a plan
for them and for us.
Speaker 4 (14:13):
I'll bring in the energy. Don't worry about it. Yeah, yeah, yeah,
I got your supported.
Speaker 1 (14:17):
When it's time the things that they expect right from
a label, your numbers, Can you sell out shows? Are
you able to present, create, present whatever? I'm already doing
all of those things organically naturally. Studio sessions. I'll fuck
around to do a whole other project and just sit
on it because I'll be in a studio so long
with nobody. I can knock out six or seven songs
(14:38):
and one day and then come back next day listen
to them and they be like, okay, master that master
that master that master that. Oh, let me go back
in there and edit that, say some other shit on that.
Master it up. Now that's another project. But people not
working like that. They coming in with twenty guys, they
smoke in their drinking, They do two songs maybe one yeah,
and then and then they never get the record back
until the producers like, what's up with the record you
did two weeks ago? You're like, Nigga, I'm taking every
(15:00):
thing home with me that day. Yeah, I'm grinding over.
I'm listening from the ride home all the way. We're
doing the car test on the way home. Bro, let
me know if I can edit it or That's why
I make so much music, because I'm polishing it as
i'm hearing it. And it's all freestyle organic. I don't
write nothing. All these songs y'all mixed in. I don't
write none of it. None of that I can write. Yeah,
I'm in Tellison is a month. I'm not gonna write
(15:20):
for people, but I don't because it's so organic and
the energy there when I hear to beat. Once I
create a concept a topic, I stay on top. Man.
Speaker 2 (15:27):
That's a gift. Once you create a hook, the hook
is the song, stay on topic.
Speaker 4 (15:33):
Is that why it's just you, maybe an engineer and
one other person in the studio when you're recording.
Speaker 2 (15:37):
That's exactly why.
Speaker 1 (15:38):
Because it's mo organic, I might just need somebody there
to capture the moment or if I got a big feature,
or I know, like it's not hangout time, but we
celebrating that. These verses then came in I'm not really
doing a lot of work. I might bring three four
people mass, but it's never a party. It's like, Nigga,
this is a listening celebration. You feel mean you want
to listen and you want to be a.
Speaker 2 (15:57):
Part of this.
Speaker 1 (15:58):
Take some little videos and then when I dropping, you
could be like, yeah, I was there when you did that.
Speaker 2 (16:01):
That's cool. Other than that, I'll be so.
Speaker 1 (16:04):
So everyone has so everyone has to serve a purpose.
Is they're going to be in the studio for sure,
somebody gonna hold the camera, somebody gonna go get the drink,
somebody gonna be able to go get let people in.
So I don't got to stop record. If not, I
don't need nobody there for what for? What I need
you there for? To just be sitting there waiting for
me to give you a blunt? That's the best part.
(16:25):
That's if you walking in here, you got a job.
That's what you call a team. It's like you got homies,
you got people, you got family, But what's your team?
Everybody can't be the same. Everybody can't have the same
job title. You can't have the same people around you
and call them the same thing. It's like my family.
This is my family because I'm with my family, from
my team, with my team, and with my people, you
can me. So everybody has a position, from the security
(16:46):
guard to the camera woman or camera guy. It's a
position management, uh, and anything. You have to play a
role because at the end of the day, you're not
going to be a part of my spotlight. And I
feel like you don't deserve to be there. You'll be
you'll be removed, easy to exe you out. And then
when the bag coming you feel like I owe you
something and I feel like you did nothing. That's how
I feel like.
Speaker 4 (17:06):
It starts to get funky when people don't understand what
position they are playing.
Speaker 2 (17:09):
Yeah, a lot of people don't know. That's why I
tell them, fast, what were we doing? What you do?
You do this right?
Speaker 5 (17:15):
Discipline success even though you know it wasn't you have
a certain amount of discipline.
Speaker 2 (17:22):
I had a hell of it. Yeah, because and being
an athlete as well.
Speaker 1 (17:26):
Right, because being the and that's the thing, going through
the stimulations and the tribulations of being other things like
Barbara and athletes and having downtime. I know, you have
to have discipline. I used to be almost four hundred pounds.
That's one of my biggest keys to discipline. Not eating
after a certain hour, will sticking to my watermelon juice, dyeing,
(17:47):
going vegetarian, or they.
Speaker 2 (17:48):
Say never trust a skinny chef. Hey, they say that right.
Speaker 1 (17:53):
People know I was the big chef. They know health
as well. Health as well for sure, So longevity is
that thing. But yeah, it's all about discipline.
Speaker 2 (18:02):
How did you even get to four hundred pounds? I
play football? So I played football.
Speaker 1 (18:05):
Then I cut hair, so being a barber standing up
and just cutting hair, I used to eat a lot,
like three four times and I got twelve clients. They're
bringing me food because I don't have time to go
on to lunch break or they get mad, They're like,
I'll go get it.
Speaker 2 (18:17):
Yeah, so you don't really got to leave it, and
I gotta wait.
Speaker 1 (18:20):
So while they client, I'm cutting them eating. So after
a year or two out of gay fifty sevunds and
I'm like that was that.
Speaker 2 (18:27):
Your tip as well? Pause? Like was that like all right? Man?
Like I'm gonna pay you your fee and I'm gonna
bring you some food. They be doing that. They used
to do that.
Speaker 1 (18:33):
I used to be like, don't do that. I ain't already.
Some people will be like, no, I know you.
Speaker 2 (18:38):
Need to eat.
Speaker 1 (18:38):
I'm gonna just bring it anyway. I had to feed
my kids. I got an extra one for you. I
ain't turn it down.
Speaker 2 (18:42):
No food.
Speaker 1 (18:42):
Back in the day, I wasn't. I'm like, no, I'm
cool man eating. I'm telling you. I used to get
like a look, I used to get a twenty piece
for we stop, right, is a twenty piece with fries
right now? I could get a six with some celery stick.
He is, and no rats either. You gotta have it regular.
Speaker 2 (19:05):
No rat.
Speaker 1 (19:06):
Yeah that's the best person. Like if I work out,
you're already bad eating his fry food. Don't dip it
in the ra You're already doing the basket. But they grilled,
so just eat the chicket. Don't be dipping and scooping
and the rat sticking like well, yeah, judging sometimes because
he doesn't put dressing on his salad.
Speaker 2 (19:28):
Yeah dry salad. Yeah that's cool, but what about balsamic vinaigrette.
At least you can try to try it. Try it.
I tried it, you know, not for you. So you
don't like your salad, pro I don't like the salad,
wet proceed proceed.
Speaker 4 (19:47):
Like have any artists like pulled you aside and give you,
giving you some real advice. Uh yeah, ship yeah, yeah
yeah when you get to this level.
Speaker 1 (20:01):
Yeah Jones and pull me to this side a few
times like man J Moses, Moses. I didn't talk to
g Perico know, hey, man, you're doing anything, you know,
so you know, everybody had their moments. It depends on
where we're at. I didn't talk to r J and
pulled me to the side. We done had our real ones,
you know. So yeah, a lot of cats that I
either we grew up on or listened to, you know,
(20:22):
or I paid how much you are are once one
of the feature with our reached Out even got a
feature with It's like now they're like tapping, like okay,
I see you and it's good, you know, yeah, man,
it's good. It's good to get my flowers. You know,
it's supposed to be right, for sure.
Speaker 2 (20:33):
Compton, that's mad Latinos bro a lot of Mexicans everywhere,
for sure.
Speaker 4 (20:39):
I think I'd read that there's more Mexicans in Compton
more than anyone else.
Speaker 1 (20:43):
Yeah, I mean they well from downtown, from downtown to
watch to watch the compent.
Speaker 2 (20:48):
Yeah yeah, they're everywhere.
Speaker 1 (20:52):
We are everywhere you guys are you guys are everywhere
like air.
Speaker 2 (20:56):
That's why it's like it's crazy.
Speaker 1 (20:58):
I've been seeing like a little footage of like downtown,
like Santa fe Aia. The little district is all just
like desert. I just don't believe it, Like, huh, there's
too many people to just house this desert. Bro, everybody,
somebody should be protesting or just saying fuck it, we open,
because I'll be going downtown shopping and now I'm scared
because they blocking everything off exit on the exit, I.
Speaker 2 (21:16):
Just keep going on the sixty. Go back to the team.
What you're Spanish like, here's can give us thrice? Uh no, no,
we in. I don't know.
Speaker 1 (21:29):
I don't know what you're saying the gona be way.
I only know I'm not gonna lie. I only know
like bad words like what running dog? What?
Speaker 2 (21:39):
So what do we go? Fuck?
Speaker 1 (21:42):
Y'all gonna hate me? Like what y'all be what? I'll
be done for sure? Nah, Bro saying, held, no, I
don't know what you coming on this regular they go
deeper now, hey man, but we're gonna it's a few ship.
(22:03):
I ain't gonna say too much. You're gonna use this
as a clickbait hat all. It's just gonna remix it.
Come on, come on, come on, what the Chef Boy
says that?
Speaker 2 (22:17):
Come on? Coming on?
Speaker 1 (22:18):
What you didn't use against they use it. I don't
be now everybody talking about boy and I like what.
Speaker 2 (22:28):
I love you here, I.
Speaker 1 (22:31):
Love y'all were the same. Come on, don't do me
like that. Y'all not on the real cruise.
Speaker 4 (22:41):
Chef Boy, congratulations, Come to see us any time. Hell yeah,
for sure, drop them the intro to Bro send me
that I'm posting posted on me that click when y'all do,
y'all want to drop it? Collaping, I'm well doing that
all right, we'll collapse for sure. Raise project on the web.
Speaker 2 (22:55):
What hell you're probably going to wait?
Speaker 1 (22:56):
Singles dropping and then the remixes on the way, well,
the new version, the new verses.
Speaker 2 (23:03):
Please check your rich for the Cruise Show.
Speaker 1 (23:04):
Thanks for listening to the Crui Show podcast.
Speaker 2 (23:06):
To make sure to subscribe and hit auto download so
you don't miss
Speaker 1 (23:09):
An episode, so so so so
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