November 18, 2025 • 27 mins
Xzibit & The Yotes came through to talk about their special event coming up to celebrate the Restless Album 25th anniversary. They also talked about AI artists, working with Dr Dre & so much more.
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Speaker 1 (00:00):
What's good, it's what ups muscle.
Speaker 2 (00:04):
You're checking out the Cruise Show podcast.
Speaker 3 (00:06):
Make sure to subscribe, right, y'all. Exhibit and Yodie's is here.
Speaker 2 (00:10):
Let's go Cruise Show exce Disease and Yodi salute.
Speaker 1 (00:14):
What Up?
Speaker 4 (00:15):
What's up?
Speaker 5 (00:16):
Man?
Speaker 3 (00:16):
What's up?
Speaker 4 (00:16):
Cruise going down?
Speaker 2 (00:20):
Exhibit twenty five years of Restless at Thunder Studios in
Long Beach. Exhibits performing the album from start to finish.
Speaker 6 (00:26):
Well, we're gonna see okay because listen, special guests, special guests.
There's a lot of people on that record. Eminem Snoop Free.
It's gonna be follow niggas coming to Long Beach. You know, look, no, no, no,
(00:49):
I'm putting positive thinking out there. It's gonna be an
amazing day. We are gonna do a combination of Restless records, uh,
the records that we just put out with.
Speaker 4 (00:58):
The Keen Maker album. You know it's gonna be one
of them ones.
Speaker 6 (01:01):
You know.
Speaker 4 (01:02):
So we perform over a live band.
Speaker 6 (01:04):
There's there's only a few tickets, you know what I'm saying, Like,
there's the only two thousand tickets that we make it available,
you know, so now yeah, yeah, yeah, yeah, yeah, it's
gonna move and don't hit me on the fucking day
of the event. Talk about hey, man, coming to your thing. Man,
you got some passing, No, nigga, we told you this
ship Thanksgiving, you know what, your entire career, Yeah yeah, yeah,
(01:27):
but hey yeah, but we're doing this ourselves, you know,
shout out to Tato, Bobby d all the folks that
are putting this together. You know what I'm saying, all
the all the folks that are coming together to actually
do this. Man, I appreciate my friends and you know,
my people coming out to support. So it's gonna be
an all day event, cars, culture, cannabis. It's gonna be
low riders here. You know, if you haven't been to
(01:49):
the stores that exhibits, West Coast Cannabis is out there,
and we got a lot of vendors, a lot of
good people showing up. And then at the end of
the night, we just gonna top it off with you know,
not only performances throughout the day from like Coyote, you know,
Fig Newton. You know what I'm saying, a lot of
my folks is showing up.
Speaker 4 (02:06):
You know what I'm saying. I know, I'm trying to
tag Planet Asia, and you know what I'm saying, chain game.
Speaker 6 (02:11):
You know, like I know, King Tea and the Alcoholics
are gonna perform, That's what Yeah, yeah, yeah, King Tin
Alcoholics gonna perform. They are responsible, you know for me
being here, having the opportunities I've had, So you know,
we're it's gonna be a celebration of everything that that
we've been able to do, on top of just knowing
that Restless was like the catalyst for all of that.
Speaker 2 (02:30):
Okay, and the Yodi's bringing.
Speaker 1 (02:31):
Look, we're gonna be on stage just playing. Look, I'm
gonna do M and M's parts too.
Speaker 3 (02:40):
I'm playing.
Speaker 4 (02:42):
Will around Coyotes eight they bar out man.
Speaker 2 (02:47):
We're performing California.
Speaker 3 (02:48):
Yeah, yeah, come on man a few times.
Speaker 6 (02:51):
Yeah.
Speaker 1 (02:54):
Yo.
Speaker 2 (02:54):
When when you heard the yodis writing both of you guys,
I mean, I'm sorry, all three of you all very
demented when it comes to rapping, right, psychos out of here,
just killers?
Speaker 4 (03:03):
Right when you heard them was it's just instant, uh,
the Coyote the collective.
Speaker 6 (03:09):
Let me say that first, I pay attention to the skill,
and the skill aspect of what they do is something
that I haven't seen in everyone. Right, So when I
hear the coyote flow and the flow that they choose
to use. You know what I'm saying, It don't sound
like any other thing that's coming from from that side,
(03:31):
you know what I'm saying. We appreciate it.
Speaker 4 (03:32):
And and that's the thing.
Speaker 6 (03:34):
It's like they care about the craft and they care
about what they're doing, and they're not just just getting
out there. I mean, they have a certain style and
swagen presentation on top of being skilled them seas. That's
a combination right there, that doesn't you don't see often
you see people just take me on face value because
I'm from this area or this region, then you're just
(03:55):
supposed to respect it. That way, you can tell they
taking several steps into the creative process and thinking about
what they putting out and being being creative about what
they put in. Once I find finally was able to
meet up with him, I actually told them that. And
you know, in this business, in this town, you hear
getting a lot of lip service. You get a lot
(04:17):
of people that say things, and you got a lot
of people that you know, just just you know whatever,
just to be cordial.
Speaker 1 (04:23):
You know.
Speaker 4 (04:24):
The l a typical ship, you know. But when I
met them, I would I.
Speaker 6 (04:29):
Made I made a very serious decision to not only
support them, but be involved, right so so so yeah, man,
just going and actually doing getting on their record, showing
up for them, they showing up for us, you know,
doing doing shows and getting I want them to win,
like I would want one of my friends or one
of my people myself to win, you know, and theyin't
(04:51):
gonna get there.
Speaker 4 (04:51):
They want song away from being you know whatever.
Speaker 6 (04:54):
You know what I'm saying, Coyote is one song away
from being l a represent in itatives that.
Speaker 4 (05:00):
You're gonna see for many, many many years. Man, that's
the fact happened.
Speaker 3 (05:04):
Man, for sure.
Speaker 6 (05:06):
You guys like.
Speaker 1 (05:08):
It's surreal still sometimes you know, it's crazy exhibited talking.
I mean that Restless album, you have, the speed of
life like there used to be my soundtracks scene yeah, man,
like so so to even be talked about in that
light from someone that only we admire, but we study, uh,
what he's done, both visually lyrically, how he would package stuff,
(05:32):
you know what I'm saying. So all those little things
that he notices from us, it's stuff that we learned
from him and a few others that we now consider
friends and collaborators.
Speaker 4 (05:43):
So it's kind of crazy.
Speaker 2 (05:44):
This is a perfect sparring session right here. We don't
have to jump on.
Speaker 3 (05:50):
If we're talking about rapping, rappers sport, you know what
I'm saying. Yeah, if my knees don't work like that,
no more.
Speaker 1 (06:08):
The first session too with this dude, when we met
up with them, like we just clicked, like what eight am, Yeah,
I have to go drop my son off.
Speaker 4 (06:16):
All I gotta go, man, Yeah, I wanted to go home.
Speaker 6 (06:22):
But it's it's dope, man, because I see that they
care about what what what they're producing, and it's not
about the attention factor. They already carry themselves in a
certain way that that I think is very is very
dope to see, right.
Speaker 4 (06:36):
I mean, and and you know they taking in past
just being rappers. You know what I'm saying.
Speaker 6 (06:41):
They have They have a message, They have a social
commentary and and and yeah yeah live stage show all
of that.
Speaker 4 (06:51):
You know what I'm saying. They start their own marsh pits.
Speaker 6 (06:53):
It's awesome, you know what I'm saying, Like, uh, Suco
come out with the two wrestling belts like that.
Speaker 2 (07:02):
Who do they remind you of?
Speaker 4 (07:04):
I think they are this Generation Cypress Hill. Okay, man.
Speaker 2 (07:11):
Be a couple of days ago we got some shit
cooking up with Cypress Hill too, So.
Speaker 6 (07:15):
Yeah, you see, I think this is just Generation Cypress Hill.
I think it is a different lens that that, you know,
when we came through, you know what I'm saying. Like,
you got to remember when Cypress hit. You know what
I'm saying, there was there wasn't a lot of uh
Latino presence in hip hop outside of what was you know,
the New York break dance community, what was coming out
of there.
Speaker 4 (07:34):
You know, Fat Joe, you know, all of that was
kind of the staple what it is.
Speaker 6 (07:38):
And then when Cypress came in with the weed and
the cannabis and the you know, the the you know,
the banging and you know the ad libs with sind
Dog and high pitched with that. You know what I'm saying,
they had They had something. You know what I'm saying,
They had something that didn't exist that's happening here. Because
you know what I'm saying. You listen to you know,
anybody else that's coming in from that of things. They
(08:00):
don't sound like the coyote, you know what I'm saying.
But you you can hear a bunch of people that
sound kind of the same over after them, you know
what I'm saying.
Speaker 4 (08:08):
But for them, they got a unique sound.
Speaker 6 (08:10):
Man and and they and they and they got they
got a skill set that's like, you know, fu fuck
the region, Like that ship is dope.
Speaker 4 (08:17):
It's not easy to do.
Speaker 2 (08:18):
And bro, if I could remind y'all man, I know
it's tough. It's because everyone's a critic, right, Everyone has
an audience, everyone has a platform. But people want to
see y'all win. I promise you, yeah, promise, people want
to see y'all win. Sometimes it's this morning. I wasn't
gonna make it to this interview. I was ready to
quit this morning.
Speaker 4 (08:34):
Man, be real, he's he's being but yeah, it's certain.
Speaker 1 (08:42):
He was like.
Speaker 4 (08:49):
Like that.
Speaker 6 (08:50):
But it's but it's certain cats. It's certain cats in
the city that I tell that to. You know what
I'm saying, Like Simba, Simba is is right there, you know,
Coyote is right there, Newton is right there. You know
what I'm saying, Like these catches is one one pivow
to move away from being like okay boom. And that's
(09:10):
the thing about the West coast.
Speaker 4 (09:12):
When you own, you own. You know what I'm saying,
You gotta really fuck up to get off.
Speaker 2 (09:20):
A lot of bridges and fuck up.
Speaker 6 (09:21):
Yeah, you gotta rich because I mean LA, you know,
l a West coast hip hop. You know it's Southern California.
Hip hop is based on fucking gang rules, you know
what I'm saying, Like, people respect the ogs if they
act like O g's, But you can get put off
the motherfucker too, you know what I'm saying.
Speaker 4 (09:36):
You do some weirdo shit and then and thether fucker's
like dps.
Speaker 3 (09:41):
Everybody leaves the building.
Speaker 4 (09:44):
Gets real quiet.
Speaker 3 (09:45):
It gets real quiet.
Speaker 2 (09:47):
Bro at the speed of life forty days, forty nights,
and then Restless. Restless is an album that sets you up. Correct,
How did that album change it?
Speaker 6 (09:58):
Uh?
Speaker 4 (09:58):
Well, you know I was just coming on and it
was reckless.
Speaker 6 (10:01):
Yeah, yeah, we I was just coming off of the
Upper Smoke Tour the two thousand and one, you know, bitch,
please be in the beginning of that, and being from
the LA underground to be now in this you know,
high representative state, you know, it felt good to be
(10:21):
able to put an album out that the whole city
got behind. The whole world got behind and it was
like I'm being considered as one of these guys that
I've always been, you know, looking up to and feeling like,
you know, I'm reading their CDs and now I'm on
stage with them, right, So that was a yeah, that
was that was a pivotal point for me. So this
(10:43):
album represents a real turning point in my career and
my life. It was like, you know, of course Papa
ROSSI was the first thing I ever put out, and
then to get up to you know, some people plateau, right,
some people come out they call it the sophomore Jinx
their second album, third album is hard, you know what
I'm saying, but still continuing if you get past a
certain amount of albums like I'm working on on ten
(11:06):
right now, right, and I don't I don't put out
a lot of music, but when I do put it out,
it's for a reason, right, And it feels like when
I have that opportunity to go up and do better
than I did before, that's when it's time for me
to drop, right. So that's where that's where all of
this came from. And Restless was a big stepping stone.
Speaker 2 (11:25):
In that, right, huge, huge, right, and like, yo, not
too many rappers if at all, right, doctor Dre outside
of aftermath interscope, that's not really happening, right, But with you,
it did happen. And I think it's more not necessarily how,
but more of why. And I think that's the sound
of your voice, your delivery. I think help that right
and your thoughts man.
Speaker 6 (11:45):
Man, my delivery. And I'm still I feel like I
grew up with my audience. Like I was nineteen twenty
years old when I put out my first record, so
I didn't know what these you know what I'm saying,
Like you think you know, you know, but how I
am now and what I've experienced now up to this point,
I feel like Keeam Maker was a great representation of
(12:07):
who I am and what I believe and what I've
experienced now, like rapping, doing a whole bunch of gun
busting and bitch slapping and you know what I'm saying,
and all that other ship your game and dry car
driving and like that was the easy wraps to write, right,
they write themselves, you know what I'm saying. It's like
it's like we're doing right, right, right right, every even
(12:28):
soccer moms know about you know dry es and you
know what I'm saying, Yeah, yeah, drinking whole hendysy fishs.
Speaker 3 (12:37):
That no ship's over.
Speaker 2 (12:45):
That is over alcoholic thanks to this.
Speaker 4 (12:49):
Ship him and man, thank you guys.
Speaker 3 (12:53):
Is sober now?
Speaker 1 (12:56):
Yeah?
Speaker 3 (12:57):
Yeah, it's a smokerholic.
Speaker 4 (13:03):
One down.
Speaker 3 (13:03):
To put one addiction down, big up another one.
Speaker 2 (13:07):
One's just less harmful, like yes, who knows right?
Speaker 1 (13:14):
You know?
Speaker 2 (13:14):
To Get your Walk On beat? Did you was that
beat handed to you or did you witness it from
the start?
Speaker 4 (13:20):
We we did that from the ground up. He was
actually met me and Mailman.
Speaker 6 (13:26):
Uh.
Speaker 4 (13:26):
Mailman did the program of the drums right.
Speaker 5 (13:29):
Uh.
Speaker 4 (13:29):
And then battle Cat came in and put the pant
his tones right and then uh.
Speaker 6 (13:37):
And then he also did live drums on that on
top of what was there. And funny thing about that
song Get Your Walk On was we were finishing up
the record and dre hated that record. He was like,
don't put that on the record. I was like, I
was like, can I throw a vegan? Is there a
is there a red card I can use here?
Speaker 1 (13:58):
Like?
Speaker 3 (13:58):
Is there a vita?
Speaker 4 (13:59):
He's like, look, it's your record. If you like it,
you can put it on there.
Speaker 3 (14:04):
You know, what I'm saying.
Speaker 6 (14:04):
Like he always made he always put it back on
you like of course, I was like, you know what
I'm saying. I was like, okay, all right, I'm gonna
use it.
Speaker 4 (14:12):
You know what I'm saying. He was like, all right,
there it is.
Speaker 6 (14:15):
But but I mean, but it was dope because that
record ended up being one of the like pound stand
down records.
Speaker 4 (14:21):
On the one Yeah, he's like, all right, you know,
not bad, you got lucky.
Speaker 6 (14:28):
He's like, no, like, he's not one of my favorites still,
you know, but he's staying up, he's staying on business
and that's raight.
Speaker 4 (14:35):
So we respond. But I was like, yo, there's something
about the song really dig He's like, all right, well,
there it is.
Speaker 2 (14:41):
Yeah, that next beat it was one of those as well.
Yes it comes on when you're performing it live, the
entire play shakes.
Speaker 6 (14:47):
Oh that's dope, man. Yes, Scott Storche, we was. That
was the last record we did for the whole album,
and we did that right uh a few days before
we left on the Up and Smoke tour. So while
we were on on tour, this album was being mixed
and mastered. So that was the first song that that.
That was the last song we did for this whole process.
Scott Storch was in the studio. Dre was in the studio.
(15:11):
We went in there and and and he was like, okay,
so you need a single, you need a single. He
kept saying that you need a single, you need a single.
He said, why don't you do X. I was like, yes, okay, cool.
He you know, he named the record. I had this
tattoo on the back of my neck before the album existed,
so I got Restless on the back of my neck
right here, and he was walking by me one day
(15:33):
he was like, yo, what's that. I was like, I
say Restless. He says, that's the name of your album,
walked out the room and I was like, that's it.
Speaker 1 (15:41):
And then it was it.
Speaker 6 (15:42):
And so so when we did X, it was like
we didn't have an idea and then so so Scott
Scott Storts was like, he just started playing his riff.
Speaker 4 (15:53):
And then he played it right there. He played it
one time. He's like, that's it. He was working under Yeah, yeah, yeah, understand.
Speaker 5 (16:00):
Yeah.
Speaker 6 (16:01):
We was all I think we was in Larabie. In fact,
we were at Larabie Studios before that's shut down now.
Speaker 1 (16:05):
Is it as difficult as they say to work with Dre,
like he's such a perfectionist.
Speaker 3 (16:09):
Yes, we got a testament with him.
Speaker 2 (16:12):
When we are recording it again, I'm like that, I
feel like I'm with right again. Write those stories we
hear right, Like, Yo, Dre made someone do the same
verse one hundred times or a line a thousand times
just to get it right.
Speaker 4 (16:25):
I don't believe you. I don't believe you.
Speaker 2 (16:26):
Say it again, say it again.
Speaker 4 (16:27):
Yeah, yeah, that is absolutely correct.
Speaker 6 (16:30):
But what you get when you actually accomplish and hit
that note or that frequency that's looking for, it sounds
like it jump out the speaker, you know.
Speaker 4 (16:39):
Yeah, perfect? Yeah yeah bro.
Speaker 2 (16:41):
So like in the beginning of Restless Right, such a
classic album, you have listener fan testimonial, and then it's
you on the mic, you know, ladies, right, fellas where
you're at you say it differently, Yeah, I can't say,
I can't say, only you can say it right, and
then fucking just oh and then that ship just.
Speaker 4 (17:01):
Drops, man, and it's go time.
Speaker 3 (17:02):
From there.
Speaker 6 (17:04):
I think the energy of what we were doing at
the time, really it translates well through that album.
Speaker 2 (17:11):
I mean, but the started with front to back and
that was rock Roller produced that beat.
Speaker 4 (17:15):
He did, yeah, rock Whiller did. Yeah. Uh he produced that.
He's like, yo, I gotta do something for you with
some low riders, you know what I'm saying. I was like,
all right, cool.
Speaker 6 (17:25):
So so he got the low Riders from the intro
to Chronic two thousand and one, chopped it up, put
them big ass drums behind it. That's him in the car.
If you look at the video, he's in the video
sitting in the low Rider. We shut down Hollywood Boulevard
and was just hopping up and down Hollywood.
Speaker 4 (17:41):
That was dope.
Speaker 6 (17:44):
The California Music video.
Speaker 7 (17:45):
How long was that shooting?
Speaker 2 (17:47):
Because I feel like that's just a whole Saturday for.
Speaker 1 (17:52):
Two days, right, Yeah, there's a two day shoot. Yeah,
that day, I think the barbecue day was probably like
eight hours.
Speaker 4 (18:00):
And then the first day.
Speaker 1 (18:00):
How long did it take longer than we wanted to? Like,
it was probably like total of like a twelve hour No,
then we shout your shot. It's probably like eighteen hours.
Speaker 4 (18:10):
Yeah, it was.
Speaker 3 (18:11):
It was dope.
Speaker 6 (18:12):
You know, we're driving up and down the street and
the low Rider. Yeah, and you know, we just you know,
we we We're just getting footage, and so we it's
trying to turn around. We'll put it worked out perfectly
because we pulled right up in Athens Park and it
just happened to be some members there.
Speaker 2 (18:30):
This could go right up, This could go two ways,
like real, this could go nice. Everybody in the cars.
Speaker 6 (18:40):
So we pull up and it was like, yo, niggas,
that's exhibiting it all man, And so we caught that moment, right,
I swear right, yeah yeah somebody yeah, yeah, yeah, yeah,
it's a given man.
Speaker 4 (18:53):
But it was like dope to be able to catch
that moment on film.
Speaker 3 (18:56):
You know what I'm saying.
Speaker 4 (18:57):
I just pulled up real just real ship.
Speaker 3 (18:59):
You know what I'm saying.
Speaker 4 (19:00):
Nobody was staged. That was a really dope video.
Speaker 1 (19:03):
Man.
Speaker 4 (19:04):
I appreciate them for having include me in that.
Speaker 2 (19:07):
Filling up man the Suco's house, tell them exactly where that.
Speaker 3 (19:14):
What's the address?
Speaker 2 (19:17):
People that live in the neighborhood know where his house.
Speaker 1 (19:21):
But even then some song we just walked up like
what y'all got exhibit here? And then he came a
part of the shoot. Yeah, I'm gonna be yeah.
Speaker 3 (19:30):
It was a real it was.
Speaker 4 (19:31):
It was a real deal.
Speaker 6 (19:32):
Man.
Speaker 2 (19:32):
Now you can tell organic vibes, people having a good time,
maybe a couple of smoke breaks here and there.
Speaker 1 (19:36):
You know, yeah, like legends would like to bring them
into like the Mexican American culture unfold. Absolutely, we gotta
have mariachi for exhibits scene man. Yeah, it was dope, man,
super legendary moment. We even started to rap the song
with the mariachi playing. Yeah, good bro man. Yeah, it's
(19:59):
the legit emerge.
Speaker 5 (20:02):
Because you guys, necessity, necessity right right, Bills ship No,
probably subconsciously our parents, you know, they're immigrants, so but
to this day they're workaholics.
Speaker 1 (20:15):
So my mom and dad both are workaholics. And I
think just subconsciously maybe that, but a bit of necessity too,
like we have to be. No one's gonna do it
for us, so we're completely independent, man, So we do
distribution deals and shit like that for now.
Speaker 4 (20:30):
It helps for now for now, so you know, no
one's gonna do it for us.
Speaker 1 (20:36):
And sometimes when you hand it over, you're not happy
with it, so it's like I could have done this myself, man.
Speaker 2 (20:41):
So uh, but we do tag people in that help
us with our vision.
Speaker 1 (20:45):
Like Pro Club did that video and then we have
the Homie Marmo moves, so we have like a team
of people that help bring our vision to life.
Speaker 4 (20:53):
Of course, yeah, ten times out of ten is our
vision for sure.
Speaker 2 (20:56):
With the way the music businesses, though, are we looking
forward to signing with a major? We're keeping it independent.
Speaker 4 (21:01):
How not necessary?
Speaker 2 (21:02):
No, no, it's not necessary.
Speaker 1 (21:05):
No. The distribution deals help for the train because they
give you a bag up front, except you own all
the music. Still, well, they till once it recoups, then
it's like a ninety ten ten split with favoring us.
Speaker 2 (21:17):
But I don't know.
Speaker 1 (21:19):
The money has to be crazy, I guess, because then
we're partnership. Yeah, partnership would be cool. But as long
as we have creative freedom and we could whenever we
say we want to drop something, we could drop because
that's what hinders the momentum. And right now, like we
have momentum, and if let's say hypothetically we sign Sometimes
labels want everything to be perfect, you know, before you
(21:40):
release it, and right now we have the freedom to
try and error, like, well, I don't care, I'm gonna
just try it. If it don't work, we don't lose nothing,
you know, And sometimes labels are too precious with that.
Speaker 4 (21:51):
No, for sure, for sure.
Speaker 8 (21:52):
What's what's the advice to them? Yeah, X well I've
learned what to look out for. Uh well, I think
they don't really need advice. I just think they support, man,
you know, that's real.
Speaker 6 (22:09):
Like I don't think they I think they're doing everything
they're supposed to be doing. I think people need to
get behind them. I think people need to support them.
Don't wait till because this is this thing in l
A right when you become the ship somewhere else and
everybody's like, oh, yeah, that's my people.
Speaker 3 (22:26):
You know what I'm saying, Like, oh, I went to
school with them. Oh I know them.
Speaker 7 (22:29):
I think we see now, bro, Like come on, like
come on man, like, don't be on the late freight,
don't wait to you know, don't hate so much.
Speaker 6 (22:40):
And they ain't even hate. It's just like being oblivious
to things. Yeah yeah, yeah, not even bitter, because they
that's a form of love too. It's just that they
don't know what I'm saying. They don't know, they don't
know how to express it, so it comes out of
hate because there's something, you know, in their mind that
they wish they could be doing. Right with the kind
of love and support that they're getting early on, and
(23:00):
it's still early, right, So I think they need the
support from not only just their community, but the hip
hop community or music in general. Like there's not a
lot of stronger groups that are coming out, and it's
hard to see groups everybody solo anyway, right, and the
thing that they choose to rap about is really dope.
So I think they just need support. But what I
(23:22):
was gonna say is the old way of doing things
is dead, like that those dinosaur kind of movements don't
really work right. So I'm a big fan of alternative marketing.
I'm a big fan of being able to make your
brand kind of coexist with other things outside of music,
(23:43):
and I think that they are going their prime position
to do that. So I would say if there's any
kind of suggestion or any kind of advice, is don't
ally yourself to anything locked in permanent, you know, and
leave that room in space and bandwidth for somebody.
Speaker 4 (24:00):
He's gonna come in and really sit behind you with
some motherfucker support, you know. Yeah, yeah, when you when
when it stopped, when it's when, when it when it right?
Now you're doing it?
Speaker 6 (24:11):
You would do this for free, just like you know
what I'm saying, like like like you like you love
it that much, but when you get to a certain
point and things become super valuable, you know what I'm saying,
don't make sure that make sure you're not dragging a
whole bunch of motherfuckers that just got on you know
what I'm saying, the right on board because they they
saw it like you did. You know what I'm saying, Yeah,
(24:32):
it's all good. You know, we could do a couple
of things together, but don't lock in unless they lock in.
And when you lock in, there's some zeros behind that
motherfucker some and some banners going and ship.
Speaker 3 (24:42):
Up around you.
Speaker 6 (24:42):
I'm saying, it's like, like, you know, your reputation is
your reputation is presenting you.
Speaker 3 (24:48):
You know what I'm saying, She is going right, This
is how you know you really make it.
Speaker 4 (24:52):
Your craft services is off the chain.
Speaker 3 (24:54):
They got the little steamers.
Speaker 6 (24:55):
Underneath it, you know what I'm saying, Like, you know, yeah,
your craft service take is cracking, you know what I'm saying.
But when it just got a little bit one the
little half bag of chips and gold fishing, you know,
a couple of sprites and water, some redvines.
Speaker 4 (25:08):
We got work to do.
Speaker 3 (25:09):
We got pizza box, that's a fact.
Speaker 2 (25:17):
Yeah, little season, you guys are getting a bonus.
Speaker 4 (25:21):
It's a pizza. But if we're lucky, we get the pizza.
Speaker 5 (25:24):
Man.
Speaker 2 (25:25):
That's right, that's right.
Speaker 6 (25:26):
But these brothers right here, these brothers right pizza All
jokes aside. Man, these brothers right here. He worked really hard.
They really they're gonna They're going to get to where
they want to go. And I think the sky's the
limit for him.
Speaker 4 (25:37):
Man, we agree with that.
Speaker 1 (25:39):
Under a lot of cool ship on the way exhibit
just gave us the sickest intro to for our next album,
Morgan Freeman.
Speaker 3 (25:48):
Yeah, it should be a narrative that voice over work,
you know, Yeah he does. He's good at what he does.
Speaker 2 (25:57):
Yeah, ways for sure, gonna be the intro to all
our live shows from.
Speaker 6 (26:02):
Yeah, but I think I think we could. We're putting
a nice little conglomerate together.
Speaker 1 (26:08):
Man.
Speaker 6 (26:08):
You know, things are working really well man, and Coyote
is big a big part of that. Like, the next
few years that I'm dedicating to music is going to
be like really dope, and I'm pushing people to the
forefront that I that I feel like are really deserving it.
Speaker 4 (26:21):
A light man, they deserve that.
Speaker 2 (26:25):
Yeah, hell yeah, let's get it man.
Speaker 6 (26:27):
Thunder Studios and Long Beach Thunder Studios, Long Beach Man
were smoking. Yeah man, all day event, cannabis, cars, culture
is going down.
Speaker 4 (26:35):
Come join us. It's gonna be crazy. I love that.
Let's get it. Go to exhibit dot com.
Speaker 3 (26:40):
Oh yeah yeah yeah yeah.
Speaker 2 (26:44):
Dot Com and you gotta perform best of Things.
Speaker 3 (26:46):
Okay cool Yeah Scott did that too.
Speaker 2 (26:54):
Yeah that's crazy. Yeah yo, we'll see everybody in Long Beach.
Speaker 1 (27:00):
Yeah.
Speaker 6 (27:00):
Man, a Cruise show man, Thank you, bun Appreciate it,
Appreciate it X thank you, yodies is love you already
know real ninety two to three, Let's go, sir.
Speaker 1 (27:09):
Hey checking Rich.
Speaker 5 (27:09):
From the Cruise Show. Thanks for listening to The Cruise
Show podcast.
Speaker 1 (27:12):
To make sure to subscribe, and hey.
Speaker 3 (27:13):
Auto download so you don't miss an episode.
Speaker 6 (27:15):
So so so so so
What's good, it's what ups muscle.
Speaker 2 (00:04):
You're checking out the Cruise Show podcast.
Speaker 3 (00:06):
Make sure to subscribe, right, y'all. Exhibit and Yodie's is here.
Speaker 2 (00:10):
Let's go Cruise Show exce Disease and Yodi salute.
Speaker 1 (00:14):
What Up?
Speaker 4 (00:15):
What's up?
Speaker 5 (00:16):
Man?
Speaker 3 (00:16):
What's up?
Speaker 4 (00:16):
Cruise going down?
Speaker 2 (00:20):
Exhibit twenty five years of Restless at Thunder Studios in
Long Beach. Exhibits performing the album from start to finish.
Speaker 6 (00:26):
Well, we're gonna see okay because listen, special guests, special guests.
There's a lot of people on that record. Eminem Snoop Free.
It's gonna be follow niggas coming to Long Beach. You know, look, no, no, no,
(00:49):
I'm putting positive thinking out there. It's gonna be an
amazing day. We are gonna do a combination of Restless records, uh,
the records that we just put out with.
Speaker 4 (00:58):
The Keen Maker album. You know it's gonna be one
of them ones.
Speaker 6 (01:01):
You know.
Speaker 4 (01:02):
So we perform over a live band.
Speaker 6 (01:04):
There's there's only a few tickets, you know what I'm saying, Like,
there's the only two thousand tickets that we make it available,
you know, so now yeah, yeah, yeah, yeah, yeah, it's
gonna move and don't hit me on the fucking day
of the event. Talk about hey, man, coming to your thing. Man,
you got some passing, No, nigga, we told you this
ship Thanksgiving, you know what, your entire career, Yeah yeah, yeah,
(01:27):
but hey yeah, but we're doing this ourselves, you know,
shout out to Tato, Bobby d all the folks that
are putting this together. You know what I'm saying, all
the all the folks that are coming together to actually
do this. Man, I appreciate my friends and you know,
my people coming out to support. So it's gonna be
an all day event, cars, culture, cannabis. It's gonna be
low riders here. You know, if you haven't been to
(01:49):
the stores that exhibits, West Coast Cannabis is out there,
and we got a lot of vendors, a lot of
good people showing up. And then at the end of
the night, we just gonna top it off with you know,
not only performances throughout the day from like Coyote, you know,
Fig Newton. You know what I'm saying, a lot of
my folks is showing up.
Speaker 4 (02:06):
You know what I'm saying. I know, I'm trying to
tag Planet Asia, and you know what I'm saying, chain game.
Speaker 6 (02:11):
You know, like I know, King Tea and the Alcoholics
are gonna perform, That's what Yeah, yeah, yeah, King Tin
Alcoholics gonna perform. They are responsible, you know for me
being here, having the opportunities I've had, So you know,
we're it's gonna be a celebration of everything that that
we've been able to do, on top of just knowing
that Restless was like the catalyst for all of that.
Speaker 2 (02:30):
Okay, and the Yodi's bringing.
Speaker 1 (02:31):
Look, we're gonna be on stage just playing. Look, I'm
gonna do M and M's parts too.
Speaker 3 (02:40):
I'm playing.
Speaker 4 (02:42):
Will around Coyotes eight they bar out man.
Speaker 2 (02:47):
We're performing California.
Speaker 3 (02:48):
Yeah, yeah, come on man a few times.
Speaker 6 (02:51):
Yeah.
Speaker 1 (02:54):
Yo.
Speaker 2 (02:54):
When when you heard the yodis writing both of you guys,
I mean, I'm sorry, all three of you all very
demented when it comes to rapping, right, psychos out of here,
just killers?
Speaker 4 (03:03):
Right when you heard them was it's just instant, uh,
the Coyote the collective.
Speaker 6 (03:09):
Let me say that first, I pay attention to the skill,
and the skill aspect of what they do is something
that I haven't seen in everyone. Right, So when I
hear the coyote flow and the flow that they choose
to use. You know what I'm saying, It don't sound
like any other thing that's coming from from that side,
(03:31):
you know what I'm saying. We appreciate it.
Speaker 4 (03:32):
And and that's the thing.
Speaker 6 (03:34):
It's like they care about the craft and they care
about what they're doing, and they're not just just getting
out there. I mean, they have a certain style and
swagen presentation on top of being skilled them seas. That's
a combination right there, that doesn't you don't see often
you see people just take me on face value because
I'm from this area or this region, then you're just
(03:55):
supposed to respect it. That way, you can tell they
taking several steps into the creative process and thinking about
what they putting out and being being creative about what
they put in. Once I find finally was able to
meet up with him, I actually told them that. And
you know, in this business, in this town, you hear
getting a lot of lip service. You get a lot
(04:17):
of people that say things, and you got a lot
of people that you know, just just you know whatever,
just to be cordial.
Speaker 1 (04:23):
You know.
Speaker 4 (04:24):
The l a typical ship, you know. But when I
met them, I would I.
Speaker 6 (04:29):
Made I made a very serious decision to not only
support them, but be involved, right so so so yeah, man,
just going and actually doing getting on their record, showing
up for them, they showing up for us, you know,
doing doing shows and getting I want them to win,
like I would want one of my friends or one
of my people myself to win, you know, and theyin't
(04:51):
gonna get there.
Speaker 4 (04:51):
They want song away from being you know whatever.
Speaker 6 (04:54):
You know what I'm saying, Coyote is one song away
from being l a represent in itatives that.
Speaker 4 (05:00):
You're gonna see for many, many many years. Man, that's
the fact happened.
Speaker 3 (05:04):
Man, for sure.
Speaker 6 (05:06):
You guys like.
Speaker 1 (05:08):
It's surreal still sometimes you know, it's crazy exhibited talking.
I mean that Restless album, you have, the speed of
life like there used to be my soundtracks scene yeah, man,
like so so to even be talked about in that
light from someone that only we admire, but we study, uh,
what he's done, both visually lyrically, how he would package stuff,
(05:32):
you know what I'm saying. So all those little things
that he notices from us, it's stuff that we learned
from him and a few others that we now consider
friends and collaborators.
Speaker 4 (05:43):
So it's kind of crazy.
Speaker 2 (05:44):
This is a perfect sparring session right here. We don't
have to jump on.
Speaker 3 (05:50):
If we're talking about rapping, rappers sport, you know what
I'm saying. Yeah, if my knees don't work like that,
no more.
Speaker 1 (06:08):
The first session too with this dude, when we met
up with them, like we just clicked, like what eight am, Yeah,
I have to go drop my son off.
Speaker 4 (06:16):
All I gotta go, man, Yeah, I wanted to go home.
Speaker 6 (06:22):
But it's it's dope, man, because I see that they
care about what what what they're producing, and it's not
about the attention factor. They already carry themselves in a
certain way that that I think is very is very
dope to see, right.
Speaker 4 (06:36):
I mean, and and you know they taking in past
just being rappers. You know what I'm saying.
Speaker 6 (06:41):
They have They have a message, They have a social
commentary and and and yeah yeah live stage show all
of that.
Speaker 4 (06:51):
You know what I'm saying. They start their own marsh pits.
Speaker 6 (06:53):
It's awesome, you know what I'm saying, Like, uh, Suco
come out with the two wrestling belts like that.
Speaker 2 (07:02):
Who do they remind you of?
Speaker 4 (07:04):
I think they are this Generation Cypress Hill. Okay, man.
Speaker 2 (07:11):
Be a couple of days ago we got some shit
cooking up with Cypress Hill too, So.
Speaker 6 (07:15):
Yeah, you see, I think this is just Generation Cypress Hill.
I think it is a different lens that that, you know,
when we came through, you know what I'm saying. Like,
you got to remember when Cypress hit. You know what
I'm saying, there was there wasn't a lot of uh
Latino presence in hip hop outside of what was you know,
the New York break dance community, what was coming out
of there.
Speaker 4 (07:34):
You know, Fat Joe, you know, all of that was
kind of the staple what it is.
Speaker 6 (07:38):
And then when Cypress came in with the weed and
the cannabis and the you know, the the you know,
the banging and you know the ad libs with sind
Dog and high pitched with that. You know what I'm saying,
they had They had something. You know what I'm saying,
They had something that didn't exist that's happening here. Because
you know what I'm saying. You listen to you know,
anybody else that's coming in from that of things. They
(08:00):
don't sound like the coyote, you know what I'm saying.
But you you can hear a bunch of people that
sound kind of the same over after them, you know
what I'm saying.
Speaker 4 (08:08):
But for them, they got a unique sound.
Speaker 6 (08:10):
Man and and they and they and they got they
got a skill set that's like, you know, fu fuck
the region, Like that ship is dope.
Speaker 4 (08:17):
It's not easy to do.
Speaker 2 (08:18):
And bro, if I could remind y'all man, I know
it's tough. It's because everyone's a critic, right, Everyone has
an audience, everyone has a platform. But people want to
see y'all win. I promise you, yeah, promise, people want
to see y'all win. Sometimes it's this morning. I wasn't
gonna make it to this interview. I was ready to
quit this morning.
Speaker 4 (08:34):
Man, be real, he's he's being but yeah, it's certain.
Speaker 1 (08:42):
He was like.
Speaker 4 (08:49):
Like that.
Speaker 6 (08:50):
But it's but it's certain cats. It's certain cats in
the city that I tell that to. You know what
I'm saying, Like Simba, Simba is is right there, you know,
Coyote is right there, Newton is right there. You know
what I'm saying, Like these catches is one one pivow
to move away from being like okay boom. And that's
(09:10):
the thing about the West coast.
Speaker 4 (09:12):
When you own, you own. You know what I'm saying,
You gotta really fuck up to get off.
Speaker 2 (09:20):
A lot of bridges and fuck up.
Speaker 6 (09:21):
Yeah, you gotta rich because I mean LA, you know,
l a West coast hip hop. You know it's Southern California.
Hip hop is based on fucking gang rules, you know
what I'm saying, Like, people respect the ogs if they
act like O g's, But you can get put off
the motherfucker too, you know what I'm saying.
Speaker 4 (09:36):
You do some weirdo shit and then and thether fucker's
like dps.
Speaker 3 (09:41):
Everybody leaves the building.
Speaker 4 (09:44):
Gets real quiet.
Speaker 3 (09:45):
It gets real quiet.
Speaker 2 (09:47):
Bro at the speed of life forty days, forty nights,
and then Restless. Restless is an album that sets you up. Correct,
How did that album change it?
Speaker 6 (09:58):
Uh?
Speaker 4 (09:58):
Well, you know I was just coming on and it
was reckless.
Speaker 6 (10:01):
Yeah, yeah, we I was just coming off of the
Upper Smoke Tour the two thousand and one, you know, bitch,
please be in the beginning of that, and being from
the LA underground to be now in this you know,
high representative state, you know, it felt good to be
(10:21):
able to put an album out that the whole city
got behind. The whole world got behind and it was
like I'm being considered as one of these guys that
I've always been, you know, looking up to and feeling like,
you know, I'm reading their CDs and now I'm on
stage with them, right, So that was a yeah, that
was that was a pivotal point for me. So this
(10:43):
album represents a real turning point in my career and
my life. It was like, you know, of course Papa
ROSSI was the first thing I ever put out, and
then to get up to you know, some people plateau, right,
some people come out they call it the sophomore Jinx
their second album, third album is hard, you know what
I'm saying, but still continuing if you get past a
certain amount of albums like I'm working on on ten
(11:06):
right now, right, and I don't I don't put out
a lot of music, but when I do put it out,
it's for a reason, right, And it feels like when
I have that opportunity to go up and do better
than I did before, that's when it's time for me
to drop, right. So that's where that's where all of
this came from. And Restless was a big stepping stone.
Speaker 2 (11:25):
In that, right, huge, huge, right, and like, yo, not
too many rappers if at all, right, doctor Dre outside
of aftermath interscope, that's not really happening, right, But with you,
it did happen. And I think it's more not necessarily how,
but more of why. And I think that's the sound
of your voice, your delivery. I think help that right
and your thoughts man.
Speaker 6 (11:45):
Man, my delivery. And I'm still I feel like I
grew up with my audience. Like I was nineteen twenty
years old when I put out my first record, so
I didn't know what these you know what I'm saying,
Like you think you know, you know, but how I
am now and what I've experienced now up to this point,
I feel like Keeam Maker was a great representation of
(12:07):
who I am and what I believe and what I've
experienced now, like rapping, doing a whole bunch of gun
busting and bitch slapping and you know what I'm saying,
and all that other ship your game and dry car
driving and like that was the easy wraps to write, right,
they write themselves, you know what I'm saying. It's like
it's like we're doing right, right, right right, every even
(12:28):
soccer moms know about you know dry es and you
know what I'm saying, Yeah, yeah, drinking whole hendysy fishs.
Speaker 3 (12:37):
That no ship's over.
Speaker 2 (12:45):
That is over alcoholic thanks to this.
Speaker 4 (12:49):
Ship him and man, thank you guys.
Speaker 3 (12:53):
Is sober now?
Speaker 1 (12:56):
Yeah?
Speaker 3 (12:57):
Yeah, it's a smokerholic.
Speaker 4 (13:03):
One down.
Speaker 3 (13:03):
To put one addiction down, big up another one.
Speaker 2 (13:07):
One's just less harmful, like yes, who knows right?
Speaker 1 (13:14):
You know?
Speaker 2 (13:14):
To Get your Walk On beat? Did you was that
beat handed to you or did you witness it from
the start?
Speaker 4 (13:20):
We we did that from the ground up. He was
actually met me and Mailman.
Speaker 6 (13:26):
Uh.
Speaker 4 (13:26):
Mailman did the program of the drums right.
Speaker 5 (13:29):
Uh.
Speaker 4 (13:29):
And then battle Cat came in and put the pant
his tones right and then uh.
Speaker 6 (13:37):
And then he also did live drums on that on
top of what was there. And funny thing about that
song Get Your Walk On was we were finishing up
the record and dre hated that record. He was like,
don't put that on the record. I was like, I
was like, can I throw a vegan? Is there a
is there a red card I can use here?
Speaker 1 (13:58):
Like?
Speaker 3 (13:58):
Is there a vita?
Speaker 4 (13:59):
He's like, look, it's your record. If you like it,
you can put it on there.
Speaker 3 (14:04):
You know, what I'm saying.
Speaker 6 (14:04):
Like he always made he always put it back on
you like of course, I was like, you know what
I'm saying. I was like, okay, all right, I'm gonna
use it.
Speaker 4 (14:12):
You know what I'm saying. He was like, all right,
there it is.
Speaker 6 (14:15):
But but I mean, but it was dope because that
record ended up being one of the like pound stand
down records.
Speaker 4 (14:21):
On the one Yeah, he's like, all right, you know,
not bad, you got lucky.
Speaker 6 (14:28):
He's like, no, like, he's not one of my favorites still,
you know, but he's staying up, he's staying on business
and that's raight.
Speaker 4 (14:35):
So we respond. But I was like, yo, there's something
about the song really dig He's like, all right, well,
there it is.
Speaker 2 (14:41):
Yeah, that next beat it was one of those as well.
Yes it comes on when you're performing it live, the
entire play shakes.
Speaker 6 (14:47):
Oh that's dope, man. Yes, Scott Storche, we was. That
was the last record we did for the whole album,
and we did that right uh a few days before
we left on the Up and Smoke tour. So while
we were on on tour, this album was being mixed
and mastered. So that was the first song that that.
That was the last song we did for this whole process.
Scott Storch was in the studio. Dre was in the studio.
(15:11):
We went in there and and and he was like, okay,
so you need a single, you need a single. He
kept saying that you need a single, you need a single.
He said, why don't you do X. I was like, yes, okay, cool.
He you know, he named the record. I had this
tattoo on the back of my neck before the album existed,
so I got Restless on the back of my neck
right here, and he was walking by me one day
(15:33):
he was like, yo, what's that. I was like, I
say Restless. He says, that's the name of your album,
walked out the room and I was like, that's it.
Speaker 1 (15:41):
And then it was it.
Speaker 6 (15:42):
And so so when we did X, it was like
we didn't have an idea and then so so Scott
Scott Storts was like, he just started playing his riff.
Speaker 4 (15:53):
And then he played it right there. He played it
one time. He's like, that's it. He was working under Yeah, yeah, yeah, understand.
Speaker 5 (16:00):
Yeah.
Speaker 6 (16:01):
We was all I think we was in Larabie. In fact,
we were at Larabie Studios before that's shut down now.
Speaker 1 (16:05):
Is it as difficult as they say to work with Dre,
like he's such a perfectionist.
Speaker 3 (16:09):
Yes, we got a testament with him.
Speaker 2 (16:12):
When we are recording it again, I'm like that, I
feel like I'm with right again. Write those stories we
hear right, Like, Yo, Dre made someone do the same
verse one hundred times or a line a thousand times
just to get it right.
Speaker 4 (16:25):
I don't believe you. I don't believe you.
Speaker 2 (16:26):
Say it again, say it again.
Speaker 4 (16:27):
Yeah, yeah, that is absolutely correct.
Speaker 6 (16:30):
But what you get when you actually accomplish and hit
that note or that frequency that's looking for, it sounds
like it jump out the speaker, you know.
Speaker 4 (16:39):
Yeah, perfect? Yeah yeah bro.
Speaker 2 (16:41):
So like in the beginning of Restless Right, such a
classic album, you have listener fan testimonial, and then it's
you on the mic, you know, ladies, right, fellas where
you're at you say it differently, Yeah, I can't say,
I can't say, only you can say it right, and
then fucking just oh and then that ship just.
Speaker 4 (17:01):
Drops, man, and it's go time.
Speaker 3 (17:02):
From there.
Speaker 6 (17:04):
I think the energy of what we were doing at
the time, really it translates well through that album.
Speaker 2 (17:11):
I mean, but the started with front to back and
that was rock Roller produced that beat.
Speaker 4 (17:15):
He did, yeah, rock Whiller did. Yeah. Uh he produced that.
He's like, yo, I gotta do something for you with
some low riders, you know what I'm saying. I was like,
all right, cool.
Speaker 6 (17:25):
So so he got the low Riders from the intro
to Chronic two thousand and one, chopped it up, put
them big ass drums behind it. That's him in the car.
If you look at the video, he's in the video
sitting in the low Rider. We shut down Hollywood Boulevard
and was just hopping up and down Hollywood.
Speaker 4 (17:41):
That was dope.
Speaker 6 (17:44):
The California Music video.
Speaker 7 (17:45):
How long was that shooting?
Speaker 2 (17:47):
Because I feel like that's just a whole Saturday for.
Speaker 1 (17:52):
Two days, right, Yeah, there's a two day shoot. Yeah,
that day, I think the barbecue day was probably like
eight hours.
Speaker 4 (18:00):
And then the first day.
Speaker 1 (18:00):
How long did it take longer than we wanted to? Like,
it was probably like total of like a twelve hour No,
then we shout your shot. It's probably like eighteen hours.
Speaker 4 (18:10):
Yeah, it was.
Speaker 3 (18:11):
It was dope.
Speaker 6 (18:12):
You know, we're driving up and down the street and
the low Rider. Yeah, and you know, we just you know,
we we We're just getting footage, and so we it's
trying to turn around. We'll put it worked out perfectly
because we pulled right up in Athens Park and it
just happened to be some members there.
Speaker 2 (18:30):
This could go right up, This could go two ways,
like real, this could go nice. Everybody in the cars.
Speaker 6 (18:40):
So we pull up and it was like, yo, niggas,
that's exhibiting it all man, And so we caught that moment, right,
I swear right, yeah yeah somebody yeah, yeah, yeah, yeah,
it's a given man.
Speaker 4 (18:53):
But it was like dope to be able to catch
that moment on film.
Speaker 3 (18:56):
You know what I'm saying.
Speaker 4 (18:57):
I just pulled up real just real ship.
Speaker 3 (18:59):
You know what I'm saying.
Speaker 4 (19:00):
Nobody was staged. That was a really dope video.
Speaker 1 (19:03):
Man.
Speaker 4 (19:04):
I appreciate them for having include me in that.
Speaker 2 (19:07):
Filling up man the Suco's house, tell them exactly where that.
Speaker 3 (19:14):
What's the address?
Speaker 2 (19:17):
People that live in the neighborhood know where his house.
Speaker 1 (19:21):
But even then some song we just walked up like
what y'all got exhibit here? And then he came a
part of the shoot. Yeah, I'm gonna be yeah.
Speaker 3 (19:30):
It was a real it was.
Speaker 4 (19:31):
It was a real deal.
Speaker 6 (19:32):
Man.
Speaker 2 (19:32):
Now you can tell organic vibes, people having a good time,
maybe a couple of smoke breaks here and there.
Speaker 1 (19:36):
You know, yeah, like legends would like to bring them
into like the Mexican American culture unfold. Absolutely, we gotta
have mariachi for exhibits scene man. Yeah, it was dope, man,
super legendary moment. We even started to rap the song
with the mariachi playing. Yeah, good bro man. Yeah, it's
(19:59):
the legit emerge.
Speaker 5 (20:02):
Because you guys, necessity, necessity right right, Bills ship No,
probably subconsciously our parents, you know, they're immigrants, so but
to this day they're workaholics.
Speaker 1 (20:15):
So my mom and dad both are workaholics. And I
think just subconsciously maybe that, but a bit of necessity too,
like we have to be. No one's gonna do it
for us, so we're completely independent, man, So we do
distribution deals and shit like that for now.
Speaker 4 (20:30):
It helps for now for now, so you know, no
one's gonna do it for us.
Speaker 1 (20:36):
And sometimes when you hand it over, you're not happy
with it, so it's like I could have done this myself, man.
Speaker 2 (20:41):
So uh, but we do tag people in that help
us with our vision.
Speaker 1 (20:45):
Like Pro Club did that video and then we have
the Homie Marmo moves, so we have like a team
of people that help bring our vision to life.
Speaker 4 (20:53):
Of course, yeah, ten times out of ten is our
vision for sure.
Speaker 2 (20:56):
With the way the music businesses, though, are we looking
forward to signing with a major? We're keeping it independent.
Speaker 4 (21:01):
How not necessary?
Speaker 2 (21:02):
No, no, it's not necessary.
Speaker 1 (21:05):
No. The distribution deals help for the train because they
give you a bag up front, except you own all
the music. Still, well, they till once it recoups, then
it's like a ninety ten ten split with favoring us.
Speaker 2 (21:17):
But I don't know.
Speaker 1 (21:19):
The money has to be crazy, I guess, because then
we're partnership. Yeah, partnership would be cool. But as long
as we have creative freedom and we could whenever we
say we want to drop something, we could drop because
that's what hinders the momentum. And right now, like we
have momentum, and if let's say hypothetically we sign Sometimes
labels want everything to be perfect, you know, before you
(21:40):
release it, and right now we have the freedom to
try and error, like, well, I don't care, I'm gonna
just try it. If it don't work, we don't lose nothing,
you know, And sometimes labels are too precious with that.
Speaker 4 (21:51):
No, for sure, for sure.
Speaker 8 (21:52):
What's what's the advice to them? Yeah, X well I've
learned what to look out for. Uh well, I think
they don't really need advice. I just think they support, man,
you know, that's real.
Speaker 6 (22:09):
Like I don't think they I think they're doing everything
they're supposed to be doing. I think people need to
get behind them. I think people need to support them.
Don't wait till because this is this thing in l
A right when you become the ship somewhere else and
everybody's like, oh, yeah, that's my people.
Speaker 3 (22:26):
You know what I'm saying, Like, oh, I went to
school with them. Oh I know them.
Speaker 7 (22:29):
I think we see now, bro, Like come on, like
come on man, like, don't be on the late freight,
don't wait to you know, don't hate so much.
Speaker 6 (22:40):
And they ain't even hate. It's just like being oblivious
to things. Yeah yeah, yeah, not even bitter, because they
that's a form of love too. It's just that they
don't know what I'm saying. They don't know, they don't
know how to express it, so it comes out of
hate because there's something, you know, in their mind that
they wish they could be doing. Right with the kind
of love and support that they're getting early on, and
(23:00):
it's still early, right, So I think they need the
support from not only just their community, but the hip
hop community or music in general. Like there's not a
lot of stronger groups that are coming out, and it's
hard to see groups everybody solo anyway, right, and the
thing that they choose to rap about is really dope.
So I think they just need support. But what I
(23:22):
was gonna say is the old way of doing things
is dead, like that those dinosaur kind of movements don't
really work right. So I'm a big fan of alternative marketing.
I'm a big fan of being able to make your
brand kind of coexist with other things outside of music,
(23:43):
and I think that they are going their prime position
to do that. So I would say if there's any
kind of suggestion or any kind of advice, is don't
ally yourself to anything locked in permanent, you know, and
leave that room in space and bandwidth for somebody.
Speaker 4 (24:00):
He's gonna come in and really sit behind you with
some motherfucker support, you know. Yeah, yeah, when you when
when it stopped, when it's when, when it when it right?
Now you're doing it?
Speaker 6 (24:11):
You would do this for free, just like you know
what I'm saying, like like like you like you love
it that much, but when you get to a certain
point and things become super valuable, you know what I'm saying,
don't make sure that make sure you're not dragging a
whole bunch of motherfuckers that just got on you know
what I'm saying, the right on board because they they
saw it like you did. You know what I'm saying, Yeah,
(24:32):
it's all good. You know, we could do a couple
of things together, but don't lock in unless they lock in.
And when you lock in, there's some zeros behind that
motherfucker some and some banners going and ship.
Speaker 3 (24:42):
Up around you.
Speaker 6 (24:42):
I'm saying, it's like, like, you know, your reputation is
your reputation is presenting you.
Speaker 3 (24:48):
You know what I'm saying, She is going right, This
is how you know you really make it.
Speaker 4 (24:52):
Your craft services is off the chain.
Speaker 3 (24:54):
They got the little steamers.
Speaker 6 (24:55):
Underneath it, you know what I'm saying, Like, you know, yeah,
your craft service take is cracking, you know what I'm saying.
But when it just got a little bit one the
little half bag of chips and gold fishing, you know,
a couple of sprites and water, some redvines.
Speaker 4 (25:08):
We got work to do.
Speaker 3 (25:09):
We got pizza box, that's a fact.
Speaker 2 (25:17):
Yeah, little season, you guys are getting a bonus.
Speaker 4 (25:21):
It's a pizza. But if we're lucky, we get the pizza.
Speaker 5 (25:24):
Man.
Speaker 2 (25:25):
That's right, that's right.
Speaker 6 (25:26):
But these brothers right here, these brothers right pizza All
jokes aside. Man, these brothers right here. He worked really hard.
They really they're gonna They're going to get to where
they want to go. And I think the sky's the
limit for him.
Speaker 4 (25:37):
Man, we agree with that.
Speaker 1 (25:39):
Under a lot of cool ship on the way exhibit
just gave us the sickest intro to for our next album,
Morgan Freeman.
Speaker 3 (25:48):
Yeah, it should be a narrative that voice over work,
you know, Yeah he does. He's good at what he does.
Speaker 2 (25:57):
Yeah, ways for sure, gonna be the intro to all
our live shows from.
Speaker 6 (26:02):
Yeah, but I think I think we could. We're putting
a nice little conglomerate together.
Speaker 1 (26:08):
Man.
Speaker 6 (26:08):
You know, things are working really well man, and Coyote
is big a big part of that. Like, the next
few years that I'm dedicating to music is going to
be like really dope, and I'm pushing people to the
forefront that I that I feel like are really deserving it.
Speaker 4 (26:21):
A light man, they deserve that.
Speaker 2 (26:25):
Yeah, hell yeah, let's get it man.
Speaker 6 (26:27):
Thunder Studios and Long Beach Thunder Studios, Long Beach Man
were smoking. Yeah man, all day event, cannabis, cars, culture
is going down.
Speaker 4 (26:35):
Come join us. It's gonna be crazy. I love that.
Let's get it. Go to exhibit dot com.
Speaker 3 (26:40):
Oh yeah yeah yeah yeah.
Speaker 2 (26:44):
Dot Com and you gotta perform best of Things.
Speaker 3 (26:46):
Okay cool Yeah Scott did that too.
Speaker 2 (26:54):
Yeah that's crazy. Yeah yo, we'll see everybody in Long Beach.
Speaker 1 (27:00):
Yeah.
Speaker 6 (27:00):
Man, a Cruise show man, Thank you, bun Appreciate it,
Appreciate it X thank you, yodies is love you already
know real ninety two to three, Let's go, sir.
Speaker 1 (27:09):
Hey checking Rich.
Speaker 5 (27:09):
From the Cruise Show. Thanks for listening to The Cruise
Show podcast.
Speaker 1 (27:12):
To make sure to subscribe, and hey.
Speaker 3 (27:13):
Auto download so you don't miss an episode.
Speaker 6 (27:15):
So so so so so
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