11-7-25 - 6am - Rules of Engagement and Listener Map

Episode Transcript

Speaker 1 (00:00):
Listen up you listen joices Michael Brown, something Gason or
Phil my rasp radio app then microphone lesson le witty

(00:26):
fuck back it must be witty. Get it good, Michael,
best do here dot com? Check out what for? Use
the Dragon red beer coast it you also want text
you're not so very very fine wanted breath. I sudn't
he Come on, Dragon, let's hear what goobers have to say.

Speaker 2 (00:51):
So long, farewell. I hate to say it. Bye Michael
and Dragon Monday through Friday morning six to ten am
are not going to be the same without you. I
wish you all the success on your news station and
new time slot. Dragon, keep Michael in line, Michael, keep

(01:15):
your complaining and passive aggressive behavior. Wishing you all the luck.

Speaker 3 (01:22):
That was sweet, But what what? What passive aggressive behavior?
What complaining? Wish?

Speaker 1 (01:30):
Never been passive agressive?

Speaker 3 (01:32):
Not at all, not at all? Now? Can we go
back to those rules of engagement? So I didn't quite
know what was going on until I looked up and
saw what you were doing on next gym?

Speaker 4 (01:44):
Right?

Speaker 3 (01:47):
Are those four?

Speaker 1 (01:49):
Patty made that for us?

Speaker 3 (01:51):
Okay?

Speaker 1 (01:51):
And she did in the email that she sent that
over in Okay, it doesn't have the eight fifty or
KOA in it, but wanted to know what our thoughts were.

Speaker 3 (01:59):
Okay, so what are your thoughts?

Speaker 1 (02:02):
First?

Speaker 3 (02:02):
Let me before you say anything. Excuse me, I'm sorry,
May I go first?

Speaker 1 (02:06):
I mean your name's on the show.

Speaker 3 (02:10):
Well, without getting into the substance of it, here's what
fascinates me is, Yeah, I don't think Patty has a
rock and roll band. I'm just saying I don't think so.
I might be wrong, but she might, you know, she might,
and she I don't quite think she probably has the

(02:30):
sound equipment that it would take to do the production
of something like that, which leads me to be to
confirm my absolute fascination with what you can now do
with artificial intelligence. Yeah, it's just.

Speaker 1 (02:46):
Mind blowing what you can do, fascinating, and it's scary.

Speaker 3 (02:51):
It's really scary because for someone you think about, what
freaking out AJ. Now AJ doesn't do that kind of stuff,
but AJ does kind of magical stuff with production. And
remember Mark used to work in production downstairs. Mark was nothing.
I'm not saying anything against Tom because Tom's only one
still here. But Tom's now busy doing like you know,

(03:12):
five thousand markets across the country. But Mark, occasionally when
I would go down to cut spots with him, would
just have He said, you want to have a little
fun with this, Sure, what do you want to do?
And he would kind of do some stuff. He'd lay
in some sort of bed you know, we even never
use on air, but he says, if you want to
send it to the client just for the fun, you know,
we do that. But even then that was him having

(03:37):
to mix and match everything as opposed to just saying
here's what.

Speaker 1 (03:40):
I want correct. Yeah, yeah, yeah. It hurts to those
people that have that skill, that do that stuff for
a living when you can just type in a couple
of keystropes into AI and go do this.

Speaker 3 (03:53):
Yeah.

Speaker 1 (03:53):
Yeah, Now, without really knowing, you could think that, hey,
wait a minute, did fn essence really come in? And
you know, cut of Michael Brown rule of engagements, because
that's got a very evanescence feel to it.

Speaker 3 (04:04):
Yes, I.

Speaker 1 (04:07):
Would say, Patty, it's it's fantastic. I love it. I'm
I'm the rock kind of era guy. I would try
and re organize the text line just a little bit
differently because it didn't really sound like it said three
three one zero three or three three one oh three.
It kind of had a little hiccup in between there,

(04:29):
So I don't I can't use this on a regular basis.
I wanted to play it today as an example as
to how fun and creative the goobers can be when
making a new rules of engagement for us.

Speaker 3 (04:40):
Yes, absolutely, and out of just personal preference. Uh, the
numbers three three one zero three three three one o three,
there's not an O in it. It's zero three three
one zero three. That's I don't know if I ever
talked about that on air, but really is one of

(05:01):
my bugget house Well you hear me, Like when I
give for a client, it's always three zero three six
nine five, seven thousand, you know, for American financing, you know,
for Dan Capitlis it's three zero three, you know. So
it's it's I've always I had an English teacher that well,

(05:21):
just I had an English teacher that was like, it
is not an oh, it's not an oh, it's a zero. Okay,
So it's a zero. So that that would be one
thing I think too, just in terms of the production value,
the music needs to be toned down just a little bit.
It's it's overpowering for the for the voice.

Speaker 1 (05:43):
I mean the aggressiveness to it, or you're aggressiveness is fine.

Speaker 3 (05:48):
Just the music what I would call it music bed
is a little overpowering for the voice. Yeah, that's that.
That would be my only I mean, as we see
here in just niitpick it apart.

Speaker 1 (05:59):
Oh yeah, and no no shade towards Patty at all.
But you know, you asked for a little bit of
advice as to what you what we think of it,
and you yourself said you would probably add in the
eight fifty koa. So Michael would like the music down
just a touch, keep the vocals up nice and high,
and I would try and reward the AI algorithm to

(06:22):
make sure that it says three three one zero three.
Other than that, it's really good.

Speaker 3 (06:31):
Now we have we have six in rotation right now
that people have sent correcting you.

Speaker 1 (06:37):
For for the starting money and care, plus some of
the older ones that we'll have here, but we will
like to eventually phase those out because we want new,
new and improved.

Speaker 3 (06:47):
New and improved. So I would just say to Chris
and some of the others, we need Forrest Gump, we
need Cheech and Chong.

Speaker 1 (06:54):
We're waiting.

Speaker 3 (06:55):
Uh. You know, maybe somebody's got a George Carlin that
they could do.

Speaker 1 (06:58):
You know, maybe there's a Kim sent in a mister
Rogers that sounds a little bit like Clint Eastwood and
Bob Ross. What I know parts of that. Yeah, give
me one second. I pull that up.

Speaker 3 (07:16):
Clint Eastwood and Bob Ross. So Clint sitting on the
front yard painting by numbers.

Speaker 1 (07:22):
I'm just critiquing how he does the impersonation of of
mister Rogers. I just know where you get the mister
Rogers and the Clint Eastwood to Rogers look Clint Eastwood. Yeah,
well here it is here.

Speaker 5 (07:38):
Well, good morning, and welcome to the Situation with Michael
Brown on eight fifty k away. Rules are important, so
we hope you'll follow them. Text the word Mike or Michael.
The three three one o three, download the iHeart app
and favorite two shows The Situation with Michael Brown and
The Weekend with Michael Brown. Gently touch, don't double click

(07:58):
that tiny red button and leave it.

Speaker 1 (08:00):
Talk back.

Speaker 5 (08:00):
He'd really like that. Or if you like, you can
follow Michael on x, Facebook, Instagram, or pay him a visit.
Michael says, gohere dot com that's about it. Have a
wonderful day.

Speaker 1 (08:12):
So I pick up a little Clint Eastwood in there,
and I got a little Bob Ross. Not quite so much,
mister Rogers. I mean maybe if you threw it a
good morning boys and girls, you know, something like that
to kind of distinguish her.

Speaker 3 (08:24):
That right now, I found that pretty clever because my
heart kind of jumped in my throat when he said,
or you can pay him a visit. Oh my god, no, no, no,
my god, no, no, no no visits. No, no, we
don't no, we don't. We look, we don't like that
promote promo any more than you do. We don't like
you guys anymore than we I don't know why they
picked that out. AJ was just thought, AJ, you know,

(08:45):
I know, I know what happened. AJ heard me, you know,
he's trying to find something, and he heard me say
because we love you guys. So he grabbed that, thinking, oh,
that was kind of nice. Well, the thought that, oh sweet,
not realizing that no, no, Aj, we can't stand them.

Speaker 1 (08:58):
We don't.

Speaker 3 (08:59):
We want them, we want them to come over, but
it's not because we love them. It's just simply because
we need them. That's that's the only reason why. But
that that wasn't that I would say that was okay.

Speaker 1 (09:09):
Yeah, and again yeah, just you know, if it'd be
like if.

Speaker 3 (09:14):
We're in a kindergarten class, which is pretty much what
this audience is, if we were in a kindergarten class,
we would you know, tell them, you know, this was
a this was a really good effort, and you know,
I might do this or I might do that, and
you know, why don't you think about.

Speaker 1 (09:29):
This or that maybe a neighborhood reference because it's mister Rogers,
you know, mister Rogers neighborhoods or something with boys and girls.

Speaker 3 (09:36):
You know, yeah, it's something kind of like yeah, because
you have you have to remember. And this is this
was part of our meeting with our program director this
past week because Dragon and I we we have now
had reinforced to where there's no doubt in my mind,
there's no doubt in my mind. I to make sure

(09:56):
there was still no doubt in my mind there weren't
in certain things up and we do. We don't do
what everybody else does. We we just don't do it.
Rules of engagements themselves are going to be huh. I
mean the KOA audience on Monday morning isn't gonna go
what what was that?

Speaker 1 (10:16):
I don't understand?

Speaker 3 (10:17):
Yeah, I don't. What do you mean rules?

Speaker 1 (10:19):
First?

Speaker 3 (10:20):
Do you think they'll understand what we think about the
layers of satire, the layers of sarcasm, the layers of
just the concept of rules of engagement. When you think
rules of engagement outside this program, what do you normally
think of military intervention? How are you going to confront
the enemy? So it's going to be a shocker for them,

(10:43):
and we're not trying to be shock jocks. It's just
the way. It's just this is just the way we
do radio. So think about that and be you know,
this is why we want to fine tune it so
that well, it reflects exactly what this program is. A
big heap and pile of crap. Let's see, Oh, talkbacks?

(11:07):
Do you want to talk about talkbacks for a moment, Well,
let me just say before you say whatever you have
to say, sorry to be so aggressive this morning and
trying to keep control of my own program. So you
like the idea, I like the idea of what talkbacks? Yeah, well,
we're gonna.

Speaker 1 (11:23):
Keep doing talking about I mean of the suggestion that
I made this morning off air.

Speaker 3 (11:26):
Oh yes, okay, So I think that we have been
patted on the back incessantly by the corporate suits, the
people that really have not much idea about what goes on,

(11:46):
except we found out that they've been listening to us
for a year, which scares the crap out of me.
They absolutely love the way we use the talkback, which
he kind of started out as kind of a.

Speaker 1 (12:02):
Joke exactly because because we kind of iHeart introduces this
new thing and make fun of it. That's right.

Speaker 3 (12:09):
So we made fun of it, and then it turned
into a real thing. And now I've gotten to where
I absolutely love the talkbacks. And as you guys know,
the talkbacks can oftentimes completely derail a program. I've got.
You know, I'm coming out of a break, I know
exactly what I'm getting ready to talk about, and then
drag and play some talk back, and I you know,
I'm like one of the great the Limberger's. I go

(12:31):
chasing the squirrel or the rabbit, and there we go
and we're off to the races. So what did you
think about talkbacks, mister producer?

Speaker 1 (12:39):
I was just posing the question early early this morning
before we went on air, It's like, we're going to
have to play a first talkback on KOA, and I
was just kind of curious as to how we can
do that. It's like, do is there like a competition
for the first talkback or you know, maybe a raffle
or you know, Venmo, I don't know, just throwing that

(13:02):
out there.

Speaker 3 (13:03):
You know, well, let me see if I got cash
my Venmo first beget it. Let's see if there's anything
in here, Venmo, Venmo? Where's Venmo?

Speaker 2 (13:12):
I mean?

Speaker 1 (13:12):
Because seriously, how would you goober out there feel about
being the first talk back on the New Situation with
Michael Brown on eight fifty AM and ninety four one
f nine.

Speaker 3 (13:24):
I have no cash in my Venmo. I think I
have some of my PayPal. But do I have my PayPal?

Speaker 5 (13:32):
Oh?

Speaker 3 (13:33):
I'm not. That's too much money. I've got eighty eight dollars.
I have no idea where it came from, but I've
got I wonder how long it's been sitting in here too.
I've been sitting in here for a year, but got
eighty eight dollars and twelve cents of my PayPal. I
ain't paying no eighty eight dollars and twelve cents for
a talkback that just like't happened.

Speaker 1 (13:52):
No, no, no, no, no, you just think you've got
this way wrong.

Speaker 3 (13:54):
Oh, they're gonna pay us to be the first Okay, okay,
goodness Michael, Okay, So I need like twelve, I mean
eleven dollars and eighty eight cents to get to one
hundred dollars. Well, how are we how are we gonna decide?
First of all, you're the one that decides the talkbacks
I have?

Speaker 1 (14:11):
Oh, I'm the one. Oh, so you know.

Speaker 3 (14:15):
How many have I have? How many times have I
ever in the past five years or so ever said
I want that I don't have. I don't have a
clue what the talkbacks are.

Speaker 2 (14:24):
Going to be.

Speaker 1 (14:25):
I don't know. You never tell me you even think
you know how to get to the talkbacks screen?

Speaker 3 (14:31):
Is there a way here for me to get to
a talkback screen?

Speaker 1 (14:33):
Have you ever used radio edit, maybe four or five
years ago? Yeah, then you're not gonna be able to
get to Yeah. No, it's it's just yeah, you're not gonna.

Speaker 3 (14:42):
Be able to again. That's one of those things that
I really don't want to learn.

Speaker 1 (14:45):
So all I'm really saying about the talkbacks is that
it's got to be good in order for me to
play it as the first talkback for the Michael the
situation with Michael Brown on eight fifty am ninety for
one away. Yeah, I want some work to do, right,
and you've got all weekend to do it.

Speaker 3 (15:04):
I was just gonna say, I don't want to inundate
you to where you're spending, you know, but well you'll be.

Speaker 1 (15:09):
Here in the mornings anyway, correct you My eyes when
they can sleep in now, not your exactly, So do
inundate him, you know, over the weekend you think about that, Oh,
this would be the best talk aback to start that
new show out with.

Speaker 3 (15:22):
Well, then have at it, have at it now. We
we really should give away something or or or should.

Speaker 1 (15:28):
Pay joy of us playing their their talkback to be
the first talkback on KOA the fifty thousand, What blowtorch.

Speaker 3 (15:37):
What you're saying is you don't have any money in your.

Speaker 1 (15:38):
Venmo, I've got no money, but I work in radio.
Somebody may get a raise for you.

Speaker 3 (15:46):
You have a high You have a high powered wife,
executive level, sweet level wife.

Speaker 1 (15:53):
True.

Speaker 3 (15:53):
Yeah, so maybe she had loaned you a couple of
bucks for your venmo and we could pay I'm sure
this is a violation to some you know, iHeart code
of ethics that we're going to pay a listener.

Speaker 1 (16:06):
For cod I never said a damn thing about paying
a listener.

Speaker 3 (16:11):
Okay, Well, I just want some incisive you know what
am I saying? Because these people are so first exactly,
these people are so pathetic that they all want to
be the first, right, So I don't know why I'm
even worried about it.

Speaker 1 (16:24):
Better be good and you know, and partially I want to,
you know, show KOA management to sit there and say,
oh wow, look at how many talks back they got.

Speaker 3 (16:33):
I mean, oh see, now you're talking my language. Yeah see,
I want them to walk in Monday morning and go,
what the hell is that?

Speaker 1 (16:40):
One hundred and twenty seven talkbacks before the show even started?

Speaker 3 (16:43):
Yeah, whoa, yeah, yeah, you have your assignment. You've got
your assignment, and you know what you can be. Remember this,
you can be anywhere anytime. Leave a talkback doesn't make
any difference. Correct, You're you're you know, you're at the
strip clubs, as you know many.

Speaker 1 (17:05):
Of you do, so Chassie to help you out with.

Speaker 3 (17:10):
So guys, well, here. So while the guys are visiting
the strip club, while the male while the male demo
of this program is visiting the strip club, and while
the female demo of this program is working at the
strip club, you can certainly leave us a talk back,
and maybe some of you could get together leave a
duo talk back. We I don't think we've ever had

(17:33):
a duo talk back.

Speaker 1 (17:34):
There'd be some pour some sugar on in the back round.

Speaker 3 (17:43):
We maybe maybe we could just go out to Mayor Mike's,
you know, one of one of his wife's clubs over
in Glendale and just get you know, doniphant to just
give us, you know, hey, can we just come in
and hold our phones up and get some talk backs
from some of the bold answers. I know, Mike, but
I have never been in any of those clubs. I

(18:03):
just want to make sure everybody understands that I do.
We have something to tell you that freaking hilarious. I
got a few things I want to talk about today,
But honestly, it's like your last day at work. I
don't give a flying rats af We're not doing a

(18:25):
thing the flying rats ask about anything today.

Speaker 4 (18:34):
Hey, Mike, I am going to call k h ow
uh Safeway and koa King Supers, So now safe way,
our King Supers is now taking all the products away
from the Safeway and adding it to the shelves in

(18:54):
King Soupers, leaving Safeway empty and reason.

Speaker 1 (19:04):
That's an example of a high quality talkback that could
make the first talkback on KWA.

Speaker 3 (19:11):
Except he didn't quite compress it quickly enough to get
it all in.

Speaker 1 (19:15):
And I'm confused as hell, I have no idea what
that he's talking about.

Speaker 3 (19:18):
No, he's what he's saying is over here. We are
the product and they're taking it all away here and
sticking it over on the shelves on k Away.

Speaker 1 (19:27):
You got all that from that, Yeah, I was making
fun of it, going, hey, this is terrible, but sure
if you want to say it was good, Well, it's
both good and bad.

Speaker 3 (19:38):
They're taking all the product out of here and putting
it over there, and good for us, bad for them,
because we're of a higher quality product. See that spoiled milk.
That's the thing, right, We're not expired milk. We're not
you know, stale bread. We're fresh and you know, young
and youthful and vibrant and you know, you know, we

(20:00):
don't even need Rocky Mountain Men's Clinic. I mean, who's
even thinking about that. We're just fine, and they're putting
us over there because well they need some class over there.
They've all they're all stuck up, you know what I mean.
We're gonna bring a little class, a real kind of
just every every man class to KOA. That's what I know.

Speaker 1 (20:21):
You've got something that you want to talk about. I'm
going to completely derail that.

Speaker 3 (20:24):
Are we going to talk about it? Well, they're railed. Look,
I'm trying to get to tax payer relief shots.

Speaker 1 (20:30):
Oh you do have that in your hand? Look at you?
Okay you I thought you had something else. Oh no, no, no,
I have that, But I thought you had real work
that you were about to do.

Speaker 3 (20:39):
No, no, no, no, no, okay. If I can at
least get rid of the if I I'm trying to
get to touch pay relief shots. Is all I'm trying
to do today, and you get the hell out of here,
that's all that is all. That's my sole objective's day
is to get to nine o'clock. Because at nine o'clock,
all I got to do is screw up the double
click and then just get the hell out of here.

(21:00):
And I'm I've already moved you know, this file cabinet
back here where I keep my stuff. It's empty, it's empty.
I already moved it over. I told Meger and them,
I said, I've take the key on top of it.
You can have it because because I don't need your
stay in file cabinet anymore. Now Saturday, I've got to
get into that studio when nobody's around, and I've got
to check out and make sure that you know, I know,

(21:21):
here's here's what bugs me. When I come in here
in the morning, I'm the first one in correct, So
I get it set up just the way I want it. Now.
When I go over there on Monday, Kamensky and Gina
are going to be in there and they're gonna screw
everything up. So I got to get in there and
straightened things up because to do a proper radio program,

(21:43):
things have to be And like I'm just it's like
a baseball batch. It doesn't go off, No, it's like
a baseball bat. When I get over there on Monday morning,
I'm gonna have to time it out because I've gotta
I gotta sit down, make sure everything's in the right place,

(22:05):
make sure my diet coach is within reach, and then
you know, and then that stupid arrangement they've got over
at Koa Grass. It's just du It's so dumb, and.

Speaker 1 (22:17):
You've only got like three and a half minutes to
do it.

Speaker 3 (22:20):
I know, that's the thing. So I all I know
is I've got to be here early enough that I've
got my laptop open ready to go, so at least
I can just just set my laptop down and get
the first the first story going and then take it
from there. Do you hear that?

Speaker 1 (22:40):
Oh? Yeah, I know exactly what that is by that sound.

Speaker 3 (22:44):
Do you want to talk about? Did you have a
thing you want to talk about before we talk about this?

Speaker 1 (22:46):
No, So, like I said, I thought you were gonna
have You had a real story in your hand, so
I needed to do rail that.

Speaker 3 (22:52):
Well, before we say anything about the substance of what
this is, we need to first think about the procedure.
This is like in law school. We're not going to
talk about the substance of the law. Yet we're going
to talk about the procedure. And in this case, it
happens to be the mail. In fact, did you look closely.

(23:14):
While this may be from the Amazon Jungle, right, that's
not how it was delivered.

Speaker 1 (23:22):
Oh, of course they don't use the regular USPS. Well,
on rare occasions they may.

Speaker 3 (23:27):
Yeah they do.

Speaker 1 (23:28):
I mean you can.

Speaker 3 (23:29):
I mean that's one of the options. But I didn't
realize this is now, this is new to me. USPS
ground advantage. And let's see if I can find a
price on this.

Speaker 1 (23:44):
Shipping cost Yes, well as the Amazon user, they probably
did not pay anything outside of the twenty eight cent
Colorado tax.

Speaker 3 (23:52):
Fright, you know what you do when you when you
buy a prime membership, what you really do is just
paying your shipping costing advant pretty much. That's all you're
really doing. But what fascinates me about this this was
delivered yesterday. It was shipped on the third, and it

(24:16):
arrived yesterday. Somehow it made it from because usually when
I leave, the mailman is at those boxes downstairs putting
stuff in the boxes.

Speaker 1 (24:27):
They're not even labeled. I still don't understand how those
are used.

Speaker 3 (24:30):
I don't either. I have no idea unless they've told
some secret, you know, maybe Chris Donaldson is the only
person in the entire building than those which of those
could be sixteen boxes belonged to iHeart.

Speaker 1 (24:42):
We don't have ron Smith or Corey anymore exactly.

Speaker 3 (24:45):
But here's what fascinates me about those. I'm guessing, what
do you think sixteen boxes down there?

Speaker 2 (24:49):
Four y four?

Speaker 3 (24:50):
Yeah, yeah, so maybe sixteen boxes. But they're all just
pretty much regular size except the bottom rows slightly larger,
a little bit bigger, y, yeah, a little bit bigger.
Something like this does not fit in. So my question is,
did the mailman bring it up and put it on
the fourth floor.

Speaker 1 (25:06):
No, it was the Amazon person, the FedEx person, the
UPS person, whoever they used. They all brought it upstairs.

Speaker 3 (25:12):
That's what That's what I said. Did the post office?
Did the mailman or the Amazon delivery guy is which
everyone it was. Did they bring it up and put
it out here on the fourth floor.

Speaker 1 (25:25):
Yeah, of course.

Speaker 3 (25:27):
What's fascinating to me is this is the first item
I think in January something will be my twentieth I'll
start my twenty first year that something has arrived on time,
within the same week, within the same week. We shipped
the third and it's today's the seventh, four days and
it was shipped from Clearwater. Yeah, Clearwater Florida.

Speaker 1 (25:51):
Now, just for a little clarification here, it was sitting
out there in the red room lobby. Nobody said anything,
nobody did anything. I just came in this morning four
fifty five, saw a few packages sitting there and was
just out of my own sheer curiosity. It was like, hmm,
what are these? Right as I walked up to it,
I saw it said.

Speaker 3 (26:11):
KOA Radio Dash Michael and Dragon.

Speaker 1 (26:16):
So something that was ordered before we were going on air,
arrived before we're going on air over there.

Speaker 3 (26:22):
And that's and there's the new story right there. Wow,
that's that is the story. The substance of what's in here,
eah whatever, And but the fact that you now I
don't know. Here's here's all we know. Ship to KOA Radio,
Michael and Dragon, forty six to ninety five South monticoch Street,
Sweet four hundred, Dinver, Colorado eight two three seven three

(26:43):
five two five US order number blah blah blah blah,
date ten thirty. So it was actually ordered. The date
was October thirty. First ship was no ship date was
November three.

Speaker 1 (26:54):
It took a week.

Speaker 3 (26:55):
Yeah, user number. Here's what pisses me off because now
we have no idea user number is S S seven
N Z nine kg one P one zero one d
N at marketplace dot Amazon dot com, chip date eleven three,
twenty five. It is item number S M R M

(27:15):
C w O R News Station w O R S
I G.

Speaker 1 (27:21):
L A M F B S.

Speaker 3 (27:23):
It is swift Maps thirty two inch by fifty inch
r MC large World wall map poster laminated rolled thirty
two by fifty signature world map and then a barcode
and sure enough it is a world map laminated.

Speaker 1 (27:41):
No double sided, double sided? Yes, one side's got one.
You know what that means?

Speaker 3 (27:46):
We can do? We can put it on the glass. True,
we can put it on the glass out there in
the al A studio.

Speaker 1 (27:54):
So every single one of us hates being in that
fish bowl as somebody walks by, right, Oh, it covering
that glass.

Speaker 3 (28:01):
How long you think before I give the first person
that taps on the glass that wants to get in somewhere,
I give them the finger.

Speaker 1 (28:08):
You give them the finger even before they tap on
the glass.

Speaker 3 (28:15):
Maybe we shouldn't we should Would this be funny just
just to irritate management, which I mean, I can't imagine.
I never want to do that. Why don't we invite like,
how many people we think we could cram into that.

Speaker 1 (28:28):
Space into the red room or in the in the
red room sized room, we can cram fifty people in there,
don't you at least so cram fit because I'm even
talking back behind the counter. Yeah, so maybe seventy five
people and some people standing on the bench and some
people standing on the chairs. Yeah, there's more than that, right,
So let's.

Speaker 3 (28:48):
Invite seventy five of the googers to show up at
nine o'clock and this just have the take a picture
and have them all with as many as possible, just
their faces pressed up against the glass in the Koi student.

Speaker 1 (29:00):
We're going to do that the phone booth, phone booth
plank exactly? Just how many people get in the phone booth?
How many people?

Speaker 3 (29:07):
Because because you think about it, at nine o'clock they
can get.

Speaker 1 (29:11):
In correct, Yeah, so they can get They're just a
regularly two building at nine Yeah, yeah, which means wait minute.

Speaker 3 (29:18):
Does the locks automatically turn off at nine am? So
also have to use my key card? Yes, so I
won't know if I've been fired.

Speaker 1 (29:24):
It might be eight. I've never really tried it. I
really don't know we'll have to experiment today during this show.
Why not? What else you got better to do? Go
walk the dogs, take a break.

Speaker 3 (29:41):
So with twelve goobers, one hundred and twenty seven top backs,
what does that break down to? I'm on the I
seventy stuck in traffic, so let me.

Speaker 1 (29:50):
Know, thanks, why do we have to do all the
work around here?

Speaker 3 (29:54):
Yeah, and you're the most stuck in traffic. That's not
it's not our fall time. Go for it. You're just
sitting there. Come on, you know they're so damn lazy.

Speaker 1 (30:04):
It is there.

Speaker 3 (30:07):
This is why we can't have nice things. I mean,
she's obviously a socialist and a communist because she just
wants us to do everything for her, just hand out everything.

Speaker 1 (30:15):
Just oh my gosh, it is it is our last
day over here? Oh fine, okay, fine on twenty seven
dot back twelve. Uh that would be ten point five
eight three three three three three three three three three
talkbacks per person.

Speaker 3 (30:33):
We have a confession to make too, Guba number fifty
five sixty six sas well. You've outed this, Mike, how'd
we go from twelve to seventy five goobers? Which kind
of sits you know? It kind of fits in with
Gubernerbert nine zero two six, who asks, Mike, will you

(30:56):
still have your Saturday syndicated show. Yes, I letting that go.
Three hundred and fifty stations across the entire continent. No,
I'm not gonna let that go.

Speaker 1 (31:06):
I like how Summer put it better. Three hundred million treasure, yes,
vigillion stations.

Speaker 3 (31:11):
By the way, Summer, if you're listening, we all like
your rules of engagement, you know, it's just it's we
like them all. But you're up there. You're up there.
And then Dragon reminded me of something yesterday. Can't may
I pat myself on the back just a little bit.

Speaker 1 (31:28):
I don't even remember what you're talking about. What I
said yesterday?

Speaker 3 (31:30):
What number of stations I'm on?

Speaker 1 (31:34):
Oh yeah over here? Yeah, yeah, the only one in
the building. I'm pretty sure.

Speaker 3 (31:39):
I think so Rick can kind of claim too because of.

Speaker 1 (31:42):
Kaway, the Broncos and the Fox, right.

Speaker 3 (31:46):
But I'm on three. It's true, I'm on all three.

Speaker 1 (31:51):
Well you will be starting Monday. You will be on three?

Speaker 3 (31:54):
Yes, yeah, starting Monday. Do you think they'll change your
mind between now and Monday? There's always that chance that possibly.

Speaker 1 (32:02):
No one we could be fired, that's right.

Speaker 3 (32:04):
I mean, I could try to get into the building
tomorrow and do the Saturday program and it's like me, Yeah,
we've got more than twelve goobers. There's only twelve of
you that we like. That's what we really wanted to say.
Doesn't lead twelve of you that we like? We like
less than half of you. The more than half of
you deserve, that's rights. The best thing about the only

(32:25):
twelve of you that we like. That's kind of on
a rotating basis too, because I don't think that because
today you might be one of the of the twelve,
that come Monday you're one of the twelve because you
know what, you might. You know, we just might find
some new goobers over there come Monday.

Speaker 1 (32:40):
It is a fifty thousand what blowtorch?

Speaker 3 (32:46):
Oh, I don't want to start this story yet. What
do you want to talk about? I honestly, God, do
not want to be here today. I do not want
to be here today. Why did I not take today off?
Here we go and remember Pepper told us, you know,
I'm not really on big goodbyes, and I'm really on
big you know, celebrations and stuff. So I guess you

(33:08):
know the door's not gonna fly open with you know,
balloons and coffetti and dancing girls and stuff. So then
why did I show up? No going away gift to
cross the across the hallway.

Speaker 1 (33:19):
Where's my cake? Dammit?

Speaker 3 (33:24):
Somebody bring us some old out daily Halloween candy. About that,