Episode Transcript
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Speaker 1 (00:00):
All right, y'all, welcome to the one More Can I Say? Podcast?
This is episode What Rider two hundred and ninety, one
of those things I want your host song upon Wooo
I do that? Yes, I'm trying to shout out to
the shout out to my sister. She gave me a
(00:23):
she repaid me for her Marcus Houston drop that I
got her b tated. I was so excited about. I
don't know why I was, but I don't know why.
I'm sorry. I just feel like everybody for that, you
know what that drop was like?
Speaker 2 (00:39):
That drop is like when you ask for timblance and
your mamma give you them Colorado.
Speaker 3 (00:44):
She was like, I want to Maria.
Speaker 2 (00:46):
She was like, she was like, I don't have O Mario,
but I got Marcus Houston.
Speaker 1 (00:52):
That ain't right. Marcus Houston is a huge star.
Speaker 4 (00:56):
It was it was just it's just not not my like,
he not for me. He's not the one for me.
But I appreciate what you was thinking. What it was
that was all, yeah, definition of thought that I appreciated.
I don't listen to them, but it's just very it's
just always so funny.
Speaker 2 (01:18):
As five, you got the phone, why would you want
to it's not cool.
Speaker 1 (01:25):
I know what you mean. He's not cool. I just
I just think.
Speaker 2 (01:28):
It's like, you want to Nelly drop and then I
go get you Murphy Lee.
Speaker 1 (01:33):
You'd be like, cool, it ain't Nelly, but it's cool.
But I'm saying, shot, take a shot. Yeah, no, we'll
get you it. Man. Shout out to keeper my Nelly
shout out. Shout to her. Exactly what do you want
to shot? Well, first of all, that's that's who would
(01:55):
you want to shout out from?
Speaker 2 (01:57):
I would love a future drop. Yeah, y'all could ever
get if he talks to people. He doesn't talk to people.
Speaker 1 (02:02):
So so we are able to get a future drop
or get me somebody close like keep it on?
Speaker 2 (02:08):
Yeah, we can just get it on theme. Who's close
around future Metro? Yeah, Like I ain't got future, but
I got you a Metro drop. I appreciate that we're close.
It's kind of like when I went and this is
no disrespect because she's a goat, but I went to
the Janet Jackson concert because I was like, this is
the closest I'm going to get to seeing Mike Damn
what so funny did?
Speaker 1 (02:30):
No, That's how I know what I'm saying. It was
the closest I'm not saying this. I would.
Speaker 2 (02:41):
Michael Jackson passed away when I was in the eighth grade,
so I can't. I'm never gonna be able to see
Michael Jackson, who's the closest Jackson that I could see.
But Janet was the closest one. So I was excited
to see that. But for y'all, But I can't say
that I was like before, like I would just be like, oh,
I'm such I respect everything Janet has done and accomplished.
Speaker 1 (03:02):
He's Janet, But I don't know go without Janet and
Michael thing separate entities. They are separate. When Mike, Mike
was so and it's hard. Like again, y'all wasn't around
for it, so it's hard for me to really explain
it to you. It explains you Mike was so. Mike
(03:23):
was the biggest artist in the world.
Speaker 3 (03:26):
No, he's still.
Speaker 4 (03:29):
Ain't that crazy that man is dead. It's not one
artist bigger than right, right, That's what I'm in the
midst of right now.
Speaker 1 (03:36):
There was nothing of it, nothing, but we always looked
at Mike, We always looked at Janet. It's Mike's little sister,
but we were. But Janet got so big in her
own right. It kind of was just like Michael Jackson,
Janet Jackson, you really didn't.
Speaker 2 (03:50):
They became their own star without need what say. Yeah,
But still when I bought that ticket, I was like,
this is the closest'm gonna get see and Michael Jackson.
Speaker 3 (04:00):
And I was excited to see the DNA on the stage. Damn,
I didn't give it there. It could have been t
O Jackson. I don't care.
Speaker 2 (04:07):
The DNA made me happy, like it fulfilled a little
bit of me who wanted to see Michael Jackson perform
and I wasn't able to do that.
Speaker 1 (04:14):
I wish I would have got a chance to see
Janet in her prime. Uh Well, like I said when
I saw her xence fast and I've seen a lot
of shows, a lot of them, and Janet is probably
one of the best performers I've ever seen. At what
howard Janet sixty? Yes, yeah, at that it didn't even
matter the age, that's She's still one of the best.
(04:35):
The presence to everything, I was like, this is a
great show. The way is put together and everything, so
shout out to them. Let's get to it man, ray J,
stephen A Smith a bit. We started a beef. We
started started one. Yeah, that's blood on our hands. Come on,
(04:58):
well be with the pop family. Chance to see stephen
A Smith on the TSR Live. You missed it, You
missed it. Shout out to stephen Able to stop it
by let's take a listen, all right.
Speaker 5 (05:13):
He's entitled to his feelings. I guess for me personally,
it's really not about ray J. It's about anybody. I mean,
what you caught up in your feelings for to the
point where you have to, you know, broadcast it to
the world. Why you know, I mean, the worst things
to happen to us to not have pictures taken with somebody.
Speaker 1 (05:32):
Okay, all right.
Speaker 4 (05:33):
That was stephen A And that was in response to
us asking him his thoughts on ray J's calling out
Beyonce and jay Z for not speaking to Brandy tour.
Speaker 1 (05:43):
Right, he didn't just bring it up out the blue.
Speaker 4 (05:44):
Yeah, I mean they could have left that party in
but actually no, I didn't want to be in the beef.
Speaker 1 (05:50):
But yeah, yeah, we didn't ask him about the blue.
Ray J was trending, We were doing hot takes. Stephen
A was a part of it, and we asked him
and actually played the video for him, and he responded
to that, All right, let's go ahead and keep it moving.
Let's hear what re J had to say to stephen.
Speaker 6 (06:04):
A At y'all, stephen A Smith, my sister is all
I have. She's my only sibling. She's paved the way
for me. I'm dedicated to her in every way, win,
lose or draw. I'll take the l and I'm good
with that as long as I'm doing it for the
right reasons.
Speaker 1 (06:20):
What are you talking about, steven A. I don't know you.
Speaker 6 (06:23):
I'm shocked that you're even commenting on this because this
isn't your lane. You're speaking on me and my sister,
and you say I'm in my feelings. Of course, I'm
in my feelings because I love my family. But everything
was respectful, everything was respectful, and it was all in
good love. What you're doing doesn't make any sense. And
now you're being a hypocrite because you're talking about me
(06:44):
about this situation when I don't even know you. You
don't have no relation to nobody on this this whatever
this thing is. But how dare you say I'm in
my feelings? You're in your feelings, bro, why are you.
Speaker 1 (06:56):
Talking about it? Yeah? So, I don't think this is
the case where two things could be right and wrong
at the same time, and ray J's and both of them.
I told y'all when it's broke, he y'all, y'all told
me I was wrong. Well, I was like, I understood
why ray J did it. That's his sister, That's who
put them on. That's his system. That's his system, whether right,
(07:18):
wrong and different, that's his system. Now, the other part
of it is he didn't you know, the context of
it is steven A didn't even just bring up ray J.
You were trending. We brought it up, We asked the question.
Stephen A responded, he's being interviewed. And then even in
that clip, if you watch the whole thing, ray J
was like, you a journalist. I'm a journalist. No, you're not,
(07:40):
ray J. You don't have a degree in journalism. You're
not a journalist. You're a blogger. You give you an opinion.
You an actor and a singer and entertainer, but not
a journalist. Stephen A is a journalist, and that goes
to the world we live in now because everybody could
call themselves models, and they just because they take pictures
on Instagram, because they do comedic sketches, they are comics,
(08:02):
which is a flat out non truth. You're not a
comic until you do stand up. So it's a lot
of different things that was in there. No, it's just
a real it's a real thing people. It be like, man,
I gave you some night quill Like, hey man, I'm
a doctor.
Speaker 4 (08:17):
Not my favorite is the dentist. They got the teeth whitening,
so now they yeah, yeah.
Speaker 1 (08:23):
I'm a dentist. I've been whitening teeth and giving out
these phoney veneers and now I'm a dentist.
Speaker 2 (08:29):
You know, you gave somebody some fake ass shots. You're
not a surgeon.
Speaker 1 (08:32):
No you're not. You know what I mean, everybody wants
to be and now I remember that was a big thing.
Side note, like when Instagram came out, people were saying women,
I'm a model. I'm a model. I'm a model. You're
not a model. You're not a classically trained model. The models.
That's a real it's a discipline to being a real
life model. It's a discipline that comes with that, not
(08:54):
just taking pictures. And I think that you know now
saying your Instagram model gives it a little a little thing.
But yeah, when he said I'm a cheat one time,
you're not a cheetah? Oh please, yeah, yeah, you know
you are. I'm not cheated with just because I like
other women. Yeah, I mean cheat. No, I just like
us that one time, my barber.
Speaker 4 (09:15):
Oh my god, I just love to see it. I mean,
you know, here we are being messy and stirred up
the pot. And you know, two of the most entertaining
people in our culture, whether we agree with their stance
or like them or not, is Ray J and stephen A. Smith.
So I think that both of them should come on
(09:37):
T s R Live this week and thus just hash
it out where it all began. That's what I'm here for.
That's what I want to watch. So you know, the
door is open and the invite has been extended.
Speaker 1 (09:50):
You can tell somebody when they study somebody, can't you
tell them who I study? Maybe Wendy Williams exact what
he's thinking about. No, it was dope. I like that.
Speaker 2 (10:02):
Ray J responded, you know what I'm saying that he
should because he was talking about him, And you know,
but the only thing I disagree with what ray J
said is and you know, black people not gonna agree
with me on this. I'm ready for the backlash. We
always love to say, like we could just end it.
That's my sister good, right or indifferent? You know what
I'm saying, And I should say whatever I want because
(10:24):
I'm defending her, and we act like that's the past
to say whatever you want to say because you love
your sister. Just because you're doing something I loved don't
mean it's right. So do want to say that like
it could be inappropriate And if your sister doesn't even
want you to do it, then you probably shouldn't do
it if you love your sister. If that's the if
(10:44):
that's the angle you take it, Oh, I love my sister,
but she wouldn't want me to say this, Then respect
your sister and honor her by not saying it publicly.
Speaker 1 (10:53):
But you don't think there's another part of this. Another
way to look at it is that ray J obviously
knows that Brandy and Beyonce don't rock with each other,
so he's like, yo, it's been forever, like it's been forever,
bro Like, it's been a long time. But y'all could
rock with each other. Let's let's take pictures and get
(11:14):
to talking to each other. Because it didn't make it.
Speaker 3 (11:16):
If he tried to do that privately. I respect it.
Speaker 2 (11:19):
Like if he privately tried to create some type of
fix the situation, that's cool. But to go live publicly
isn't the way. And she know that's just gonna bring
more eyes, more fuel to the fire, and it doesn't
help their relationship. So you know, like you said, you
love your sister, so respect her wishes.
Speaker 4 (11:36):
Rey Ja is a professional attention seeker. He knows how
to get the people talking, and this is a prime
example of him doing that again. And it's something I
hate that sometimes it ended up it ends up being
at the cost of Brandy because like she's so out
the way and unproblematic, but now you've put this negative
spin on her tour that was going amazing. She didn't
(11:58):
need the extra press for she didn't need the extra
publicity for this tour. But now it's like a whole
nother thing, and now it's awkward with Beyonce and Kelly
probably you know, like all this nonsense that didn't need
to be called. So sometimes if you speak it on,
behalf of your family member. Think about all the angles
of what it's gonna cost him, not just you getting
attention in that moment makes sense, Yeah, because I mean
(12:22):
we love I love right, but Hit at this point
in his career, I think he his mission is to
stay on the blogs. Like he don't have no no,
there's no there's no solid like one job that we
can pin him with right now, a certain show or anything.
He's just kind of just viral. And so every day
I think he wake up like, where's the viral moment today?
And that was the viral moment that day?
Speaker 1 (12:44):
Well, come on make one on TSR Live this week.
Come on, come on, finish it up, finish it up.
All right. There's a southern also going around on the blogs.
What's the name of this? What is it? What are
they call him? May No and fab and Jim Jones
and Davies? How they dress? What are they calling them? Oh?
(13:05):
Tenior citizens, tenior cities.
Speaker 4 (13:07):
That's hilarious, right, So that's hilarious.
Speaker 1 (13:10):
They are I might be one, Uh you a tenor citizen?
That's so funny. Yeah, I got a couple of different
I got I got a couple of different takes on
it in real life. But academics made a comment about it,
did you see it, called him tenior citizens, and it
was like, you know, they dressing like this, y'all doing this,
and they responded, Now, Mayo took it a little farther
(13:34):
on the response. The first part of the response was
good because he's like, you're trying to divide young and old.
That don't make sense. You're trying to you know, put
you know, and put us against each other when we
the people who started the trends that they everybody win.
We just wear well we we wear and but then
he started talking about academics to get he was getting
(13:55):
something off on him. Academics responded basically saying, y'all can't
rap no more make money on wrap, So now y'all
in my space and and y'all need to stay out
of my space. And then he said something about killing
radio and all of that. That was a beef I
had with it. But what do you think about this
whole mess? Zach Well?
Speaker 2 (14:13):
Originally that the tenior citizen thing was something that was
going on on the internet.
Speaker 1 (14:18):
People were saying that what's the name?
Speaker 2 (14:20):
Like it started I saw first with Jim Jones, and
they were saying he dressed like he a tenior citizen,
like a teenager, you know what I'm saying, still at
his big age or whatever. Then they started talking about fabulous,
of course, and I didn't really see anybody really talking
about Maynold dressing like that except academics. But I just
(14:41):
think that these do you ask me about academics or
the or the situation just in general. Yeah, I just
feel like academics regurgitated some stuff that he saw online. Okay,
and then they responded, but academics isn't known for fashion
at all. I can't tell you, right, I've never seen
a fit from academics. Was like academics put that on
(15:05):
that day, you know what I'm saying, right, So it
just doesn't and he'd be like he's he he always
says it, but ever since she said it, I can't
stop seeing it. It do look like he in the
basement when he when he streams, like he hasn't elevated
his stream to like you know, people got like lights
now and he be dark all the time.
Speaker 1 (15:22):
So in that little dark room, we don't you don't look.
Speaker 2 (15:26):
Like you, you know what I'm saying, Like you that's
not where people gonna take they fashion and fly advice from,
especially not those guys.
Speaker 1 (15:32):
They don't care nothing about what you talking about. Academics.
Speaker 2 (15:34):
You couldn't tell them, they wouldn't fly. No, they're not
gonna listen to you.
Speaker 1 (15:38):
Nah. So I understand.
Speaker 2 (15:39):
And I don't think that there's a age limit to
how you You know what I'm saying, Like, I don't
think there's an age limit to how you dress. I
just think stuff either looks good on you or it
don't look good. I don't think it's no necessarily no
age limits.
Speaker 1 (15:54):
What is it?
Speaker 2 (15:54):
And Nelly had on a jersey yesterday, cut off jersey,
and that goes against everything that I would think in
my mind because I don't be liking the cutoffs.
Speaker 1 (16:04):
But that was fly like the way he rocked it,
it was super.
Speaker 2 (16:09):
He made an adjustment and it was super fly so like,
and it looked great on him. So I was like,
that works, Like, if it works for you, it works
for you. I don't think there's an age limit to dressing.
You see, dudes, especially if you look at the fashion people.
Everybody leading fashion is older. Yay Jerry Jerry Lorenzo all
(16:35):
the fashion design Virgil ever, I mean rest in peace.
Speaker 1 (16:38):
Take a shot.
Speaker 2 (16:39):
The people, the people who run the fashion trends, and
they be older people and they run they run it.
So I can't. I can't put age to it. It's
either you got it or you don't.
Speaker 1 (16:51):
Yeah, for real, either you got it you don't.
Speaker 3 (16:57):
It ain't an age to sauce.
Speaker 4 (16:58):
Either you got it you don't.
Speaker 3 (17:01):
Now we're gonna tell you if you start.
Speaker 2 (17:03):
It showed a little, you know, Michael Jordan rich and
he dressed terrible.
Speaker 3 (17:09):
It ain't gonna do it age. It's them big ass jeans.
And he wasn't that old.
Speaker 1 (17:13):
Yeah, Mike, Mike, Mike was once considered one of them
when suits was in, but suits went out of style.
He lost it, He lost it. The regular Lebron probably
is a mega star. Is the best mega star we've
ever had, maybe him and Doctor J and that Doctor J.
But I'm gonna go Lebron. I I'm a fan of
Lebron's dress. He'd be fly. Yeah, Lebron, I'm a fan.
(17:37):
What do you think I gotta I got a long take.
Speaker 4 (17:43):
So about this, sweeping on this for forty minutes. I
don't have much to say. I'm not nobody's listening to
academics in the basement period about it's funny.
Speaker 1 (17:53):
I'm not.
Speaker 4 (17:53):
I don't care to be honest, right, so go ahead.
Speaker 1 (17:57):
No, I just I just don't like I just don't
like the old a young thing. Like I think I
agree with Maynos's initial take when he responded, he said, man,
he was basically said, either you a lame. Basically what
you said, either you got it or you don't. What
you said, you gotta you don't if you're a lame
or you're not. And then also you look at the thing,
it's like yo, Like he also said, is that man,
(18:17):
we started this, We started all of this, so we
really just kind of dressing how we been dressing, y'all
dressing like us, the same way we using content creation
like y'all. We looked at y'all like, oh, y'all really
making some money over here talking about stuff on a podcast.
It's your phone in front of you. Y'all showed us
(18:39):
how to make money with your phone, planning with your WiFi.
So everybody eating off each other. So I think that
this is a pure example of I just hate the
young and the old stuff because I feel like it's
so much each people can, each people can learn, and
then for all the young people to just quit to say,
oh my dog, you're coming on your wave right now.
(19:01):
If you twenty, trust me, you can remember your fifth
grade experience. You remember everything that happened to you in
fifth grade. If you in your twenties, when you in
your thirties, you remember your twenties like it was, Oh
my god, ten years goes by so fast, and you
look up, you be like you're twenty two, you're thirty two, Like, damn,
you're thirty two, you're forty two, damn, And I mean so,
(19:24):
I just I think when people get to doing the
young and old and all of that, like either you
fly you not. My last piece is like you said,
is that academics? And whoever was calling them? What is it?
What's the term tenior citizens teen? Which is absolutely it's hilarious,
it's funny. But you gotta remember, Jim had a wave
(19:46):
where people were dressing like Jim Davies had a style
of people was trying to follow his style. May no
drug dealer Fresh people were trying to dress like him.
And the same thing with fab Fab controlled the hype beasts.
He had the sniggers before everybody. Everybody was watching all
the jerseys, all the jerseys, everything. People were watching fab
(20:08):
how he was dressing. Nobody has ever checked for academics dressing.
We do check for your yo beef analysis, We do
check for your when people got cases, gossip on on
on certain certain people, and I mean we checked for
him for a lot of different things. You can't make
a comment about fashion not with them, guys, I.
Speaker 2 (20:31):
Don't think so. I think you're right, though, I think
you're right. But like I said, fly either you fly,
you're not. I like the beautiful thing about right now
though in fashion you can go so many different ways
and it's all like it can be unique and it
can all be in the same everybody could be in
the same room. I don't think we've had an error
like that in a while because the errors used to
be like this was.
Speaker 1 (20:51):
In you know, we were all in the same thing.
Speaker 3 (20:53):
But now we kind of like you can do your
own things.
Speaker 1 (20:55):
So if you fly, you fly. Yeah, that is true
that we take though a lot of people. You could like,
it ain't just jerseys, it ain't just but anything. Yeah, right, yeah,
that's a good take. Let's get to this bow Wow,
says he still looks young at thirty eight. Let's go
(21:17):
ahead and get to bow Wow. Why are y'all laughing?
Man about bro What about talk about about?
Speaker 5 (21:26):
Weezy got twenty five years in the game, it still
looked like he's nineteen.
Speaker 1 (21:30):
Hey, what was you doing? Man? Crazy broke? When people
be asking me that question, and it's probably like it
might be like a crazy answer, but always tell me, like, bro,
I never had red meat or pork in my life.
I never ate it. You never ate red meat or pork.
I don't know what it tastes liked. It started with
your mom. Your mom said, we Yeah, it was definitely
early childhood. Like what you mean, read me at it?
(21:54):
You never had steak, beef burgers? You turkey burgers. Hell no,
he's following the ways you know, the brothers, the Buzzer Islam.
They be looking pretty young. They don't never touch pork. Okay,
I'm gonna just say it. Please go bow Wow. Don't
(22:16):
look nineteen. Let's let's let's tell the truth. He looks.
Speaker 2 (22:26):
No, he looks like he's in his thirties. To me,
to me, I see I see the thirties, Maybe not
thirty eight. I get thirty four, thirty three.
Speaker 1 (22:33):
You look he he does not. He does not look
much younger than Mano.
Speaker 2 (22:39):
Look at the interview. Look at them both in that interview.
He does not look much younger than Mano. I don't
look at bow Wow and be like I'm looking at
a nineteen year old.
Speaker 1 (22:49):
I don't. I don't see that.
Speaker 2 (22:50):
And I understand you don't have You didn't eat beating
beef and pork, but you did drink liquor in.
Speaker 1 (22:55):
That age too.
Speaker 2 (22:56):
Yes, I love to talk about beefing port, but then
drink fifths. You can't if you don't have a fifth? Like,
what are we talking about?
Speaker 1 (23:06):
You drinking all that? Lest Oho report? You might as
well have a steak. Got so little, a little little little.
Speaker 2 (23:15):
You took ten shots of it was spoken like ten
shots of Don Julio, and.
Speaker 3 (23:21):
Smoked the whole hookahs, smoke three hookahs.
Speaker 2 (23:25):
But you healthy because you don't eat. You keep your
your looks because of beef and get that. Okay, bow Wow,
you look like you're in your thirties, just like I do. Okay, God,
that's how we look. This is how thirty year olds
look now.
Speaker 1 (23:42):
Like us. That's a fact.
Speaker 2 (23:44):
Though, this is just how we look now. We know
we don't look like our daddy them when they was
in their thirties. But this is the this is the
face for in your thirties.
Speaker 1 (23:54):
Stop it. You don't look nineteen.
Speaker 3 (23:56):
Go around some nineteen year olds and then we'll put
bow Wow in there.
Speaker 1 (23:59):
But look at this old that you can't you look
at some nineteen year olds. You were looking like whoa that?
Like you in high school? Like you look like a child.
But yeah, man, what you think about this? Kiki?
Speaker 4 (24:13):
I love bow Wow? I think bow Wow looks amazing, so.
Speaker 1 (24:18):
Oh my gosh, this because the scream tool coming up.
Speaker 4 (24:27):
I love me some bad Wow. Y'all know that he's
a he's a friend, and I don't I I admire
that he's never had red meat.
Speaker 1 (24:36):
Before because I want you to remember this, nigga, what this?
But boy oh boy, well you cool with somebody? You
like him? Especially for my childhood. Gonna get your slide.
Speaker 4 (24:52):
I love Wow all the time on this probably remember
bow Wow cuts me out in the comments up this
podcast because I I talked about him not want to
throw money in the strip club.
Speaker 1 (25:02):
Straight.
Speaker 4 (25:03):
He did not scare me nobody straight?
Speaker 1 (25:06):
What's that?
Speaker 4 (25:06):
But I just at this point, Zach said, at all,
I don't need to I don't need to poll on today.
He said it, and I you know, hey, hey, I
get it. Sometimes we all just you know, give myself
the credit we don't deserve.
Speaker 2 (25:21):
But set them up for that. Why you look nineteen?
I was like, you know it, just beat the mountains. Yeah, nothing,
This might be crazy, right.
Speaker 4 (25:30):
He should have just said that, I do.
Speaker 1 (25:32):
Look, I see you all hold tequila bottle. I seen
you smoke hookah. Bro, I've seen you do shots. Are
you telling me be important? The thing you're worried about
you got?
Speaker 2 (25:47):
I guess something gonna be a little hat in your bed?
Almost got it? Not quite you to get mirror?
Speaker 1 (25:55):
Got the mirror today? I don't know. I think I
left it at Big Gems. There you go, got it.
A sorry guys, I don't know how they're gonna edit
that out, but we can thank you. No, they're gonna
see it. It's okay, all right, thank you, that's all right.
That's that's our family. Shut oop, fam.
Speaker 4 (26:11):
That's what you get for talking about battle.
Speaker 1 (26:13):
I know that's what we get. I said. He looked
his age. He just look at his age. It's nothing
wrong with looking look at it, look at it. But
I don't think it's like it's thirty eight. Thirty eight
is crazy for Bou. Definitely thirty late late twenties, like
twenty eight, twenty nine, not thirty eight. You think thirty
eight thirty eight.
Speaker 4 (26:33):
Yeah, I think partying has partying has aged him a
little bit. You can see it on him. You can
see the partying on them. And I am here.
Speaker 1 (26:40):
I was at the screen just bad and I saw him. Now.
Speaker 4 (26:42):
Now, now, don't do that, because the performance ain't. The
bow shuts it down on stage.
Speaker 1 (26:47):
I don't do that. Don't do that.
Speaker 3 (26:49):
I'm gonna say my truth, and y'all got true.
Speaker 4 (26:51):
Your truth ain't.
Speaker 1 (26:53):
Videos.
Speaker 2 (26:55):
But when I'm talking about one specific move that looked aged,
and I'm speaking the Harlem shape, No, his Harlem shake
used to be. I'm talking about the coldest Harlem. Everybody
wanted to do the bow by Harlem shake. He only
do it a little bit now. It's kind of like
you know, when artists get a little older, they don't
do all the steps. That's what he did, and you're
(27:16):
judging his one move he look age appropriate. That's all
I'm saying. I ain't saying, look bad, but it looked thirties.
Speaker 1 (27:24):
Y'all know who don't look their age?
Speaker 4 (27:27):
Oh, marian and so that now if y'all want to
talk about it a realistic lifestyle. He don't eat all
that meat. He you know, he eats healthy vegetarian. You
take his herbs and his vitamins. That is somebody who
doesn't look their age.
Speaker 1 (27:45):
Okay, how does Marion forty get out of here? Yes,
that is impressive, thank you. You know who else don't
look the age.
Speaker 4 (27:55):
Facts facts, that's the truth. That is the truth.
Speaker 1 (27:58):
He eat beef poor.
Speaker 2 (28:02):
First of all, bow wow, you just got genetics. Stop
putting it on something like that's all I'm saying. That
was just my issue.
Speaker 4 (28:12):
Somebody gonna pull up a picture of him eating a steak.
Somebody's gonna find a picture of him pizza with some
meat on his state.
Speaker 1 (28:20):
They look, he's gonna get yet they look it. Look
that's the crazy right, Let him get his live. Mike
Tyson announced this he's boxing Floyd Mayweather Junior Africa in
March twenty twenty six. Mike Tyson said.
Speaker 4 (28:35):
It he gonna box Floyd.
Speaker 1 (28:37):
Yes, that is a fight middle weight. Going is a
heavyweight one of the greatest heavyweights of all time. Why
are we watching it? It's a clown fight.
Speaker 4 (28:47):
To me, somebody needs to fix boxing. Boxing and it
fell off like bad though. It's it just ain't hitting
them more. I don't know, you got it. It's like
it said, I know. It's a it's a group. It's
a group of people that support, you know, that really
followed box for real and they care about the fights.
But the general, the commercialized of boxing, it just fell off.
(29:07):
I used to want to be on the money team
like I, you know, I was invested, and I used
to order fights like we were watching out. I don't
give it. Damn who fighting now? That's terrible. We need
to fix boxing.
Speaker 1 (29:18):
Star power in boxing. Y. Yeah, they need it. I'm gonna
tell you to be honest with you. They and I
hate to do it because it seems like it's a
monopoly or corporate doing too much corporate to it. I
guess I don't know. They need to let DANEA. White
fix it. Let Dana White fix it. Dana White will
fix his wife or something. Well he did ufc ufc UFC.
(29:45):
We won't bring up him and his wife's altercation.
Speaker 4 (29:48):
But that's how I know they need it in the
mouth somewhere. You bring it up anytime we talk about
our people out Dana White ass whooping time. That's the man.
Speaker 1 (30:01):
I'm trying to.
Speaker 4 (30:01):
Tell me her protect his name or something.
Speaker 1 (30:04):
Women in the mountains.
Speaker 3 (30:05):
Brown can't do the super Bowl, but the White need
to fix my hell.
Speaker 1 (30:10):
No. I returned into the house digger. Okay, y'all turn
into the just I was trying to think the sport.
Speaker 4 (30:21):
Hey, I'll just said y'all went on y'all and talked
about academics and bow out for forty minutes, and then
I bring up Dana White. Whoop past that's problem.
Speaker 1 (30:32):
Okay. I was going to make sure I had the
right day. No White, I got him now, Oh you
got him? All Representative Jazz and Crockett announced that she'll
make a run for the US Senate. Girl do Girl,
do Girl go gral.
Speaker 4 (30:46):
Show Yes, yes, and everybody need to support her. So
make sure y'all donate to her her. What's that called campaign?
Speaker 1 (30:55):
You wanna donate that? Absolutely?
Speaker 4 (30:58):
I made my donating bag. I don't know what come
over me? You're getting money? No, No, I think it's
ain't been a church in a while. So I ain't
paying times like I'm supposed to. I'm trying to get Yeah,
but that's.
Speaker 1 (31:12):
What it is. I don't know what it is.
Speaker 7 (31:14):
I'm in my donating bag. I'm rub the two corners together,
trying to get this stove, and you donating donate to me?
Speaker 3 (31:29):
No, no, noufer brother get hot meals.
Speaker 4 (31:32):
But yes, please. She out donating support Jasmine Crockett because
it is she has proven take a shot, I know,
take another shot. This man keep getting emails. She has
proven what she's about and what she's ready to do
for the culture. And she she has no fear. So
it's been a long time since we had a leader
that that gave the feeling that they couldn't be bought.
Speaker 1 (31:54):
Yeah, I just enjoyed listening to her. She's one of
my favorite people to listen to. Asmin Crockett is, she
definitely running.
Speaker 2 (32:02):
For Senate, means she would be over to state if
she was to win. That means she would be over
the state of Texas. I think that's what that means, right, Yeah,
So shout out to her, man, I would love to
see you know, that is a traditionally red state, so
she does have a heel to a battle, So she
needs all the support.
Speaker 3 (32:19):
What she got a heal to climb. It's gonna be
a battle to the hill to tap.
Speaker 4 (32:24):
Said, battle to battle and didn't makes sense, But he
was He's heart was in the right place.
Speaker 1 (32:33):
He meant, well, don't worry about it, just vote for
Shut up if y'all giving my political speech, right like,
please don't give me any more support, right, we got you.
She loved our support.
Speaker 4 (32:48):
That's what I'm sorry.
Speaker 1 (32:51):
All right? Love it? Hip hop Atlanta Erica Banks was
arrested on drug distribution charges during a traffic stop into
Cow County. She was moving that wait what happened? That's
what I'm talking about? What?
Speaker 2 (33:04):
No, she was They found her with ecstasy, according to
the reports, Allegedly they found her with ecstasy, But I
don't know.
Speaker 1 (33:12):
Distribution is a lot. That must mean that she must
have had a lot of it. She liked it. She
liked ecstasy.
Speaker 2 (33:19):
Sometimes they put the distribution charge on you just because
you got more than whatever the limit is.
Speaker 1 (33:26):
You don't necessarily mean that she was an ecstasy dealer.
She's just got it on deck. Right.
Speaker 2 (33:32):
If I had a pound of weed and I just
smoke a lot of weed, and I didn't want to
keep going to my weed.
Speaker 1 (33:37):
Man all your distribution.
Speaker 3 (33:41):
Size, you got enough that people could assume you district Damn.
Speaker 1 (33:44):
Erica, well she look, hope you get out that jam.
Speaker 7 (33:47):
Uh.
Speaker 1 (33:47):
Let's do what that X do to you? Mm hmm. No,
you took X.
Speaker 4 (33:55):
Don't lie.
Speaker 1 (33:56):
Mm hmm. Okay, he lied.
Speaker 4 (34:00):
Everybody did back in the day.
Speaker 1 (34:02):
Everybody did you took something. No.
Speaker 2 (34:03):
I wasn't old enough back in the day, so said, so,
like you be having so much experience and you've been
doing this.
Speaker 1 (34:12):
It took me. I felt that you patronized me when
you said that first part. But I'm gonna let you
get away with it.
Speaker 2 (34:18):
No, you said, that's what you tell me out of
time when we talk about the other stuff. I figure
you got some experience with I don't know.
Speaker 1 (34:24):
What you're talking about. If I did, I just heard this.
It makes a lot of things fun.
Speaker 4 (34:31):
Said Diddy was doing, and that's how he was able
to like have sex for days.
Speaker 1 (34:36):
Wow.
Speaker 4 (34:37):
Yeah, I remember talking about it before.
Speaker 1 (34:39):
It's like an enhancer. It's like a limitless pill.
Speaker 4 (34:42):
Really superman like you could just but that's what I
hear go all day and all night.
Speaker 3 (34:49):
Mm hmm.
Speaker 1 (34:51):
Interesting you're interested. Where are you access that?
Speaker 3 (34:53):
Because that's what she was, Uh got caught with where
you get it from?
Speaker 1 (35:03):
I don't want nothing. I have no idea. One ecstasy
please new Rocky up. I got a long weekend. I
want one ecstasy please. Alright, let's check on Michelle Williams.
What she's saying.
Speaker 8 (35:26):
Beyonce came on in. Let me tell you something about that. Beyonce,
Giselle and I've been talking about them the past few episodes.
Beyonce comes to something and she sees something. She's gonna
make some suggestions.
Speaker 2 (35:39):
I love it.
Speaker 8 (35:40):
Kelly's show. The news that I'm hearing Kelly's show was
the bomb. And then when Sister Carter came on in,
now you're seeing something else.
Speaker 4 (35:51):
Amazing.
Speaker 1 (35:54):
M that's dope.
Speaker 4 (35:55):
Okay, I'm gonna get enough of talking live. You're gonna
put NDAs on all y'all.
Speaker 1 (36:01):
I don't think that was bad.
Speaker 4 (36:02):
Everybody's just talking too much.
Speaker 1 (36:04):
Man.
Speaker 4 (36:05):
You know, Beyonce is starting to feel.
Speaker 1 (36:06):
A little normal. You know what I'm saying.
Speaker 4 (36:08):
You never want to feel like, you know. For some reason,
I'm starting to think like I would have an opportunity
to speak to Beyonce because the way everybody's talking. So
y'all gotta stop all the talking. We don't need to
know that Beyonce fix kelly show. We don't need to
know that, period. That's a fact.
Speaker 1 (36:26):
I get what y'all saying. Yeah, that's too much.
Speaker 2 (36:29):
It's a sister, this Michelle. She has a license. She
has a bigger license to talk to them, not us
more than us.
Speaker 4 (36:35):
Don't talk to us about them.
Speaker 1 (36:36):
You know that. We all know that we do. But
I'm just saying she has a license.
Speaker 2 (36:40):
She's Michelle, So she has a license, and I'm pretty
sure she knows the things that she can and can't
say that she can get away with.
Speaker 1 (36:46):
Pretty sure. Kelly, like yo, she got the yeo text,
Like Yo, it's in no way you don't want to.
Kelly is a She's not an amateur. Kelly is a
real deal.
Speaker 2 (37:03):
Performer, letting one of arguably one of the best performers.
See your show and give you a few pointers. You
want to see, No, you want to.
Speaker 1 (37:11):
See Kelly's show and look at it as Kelly did
this all on her own. You don't want to think
all her show good now because Beyonce fixed it.
Speaker 4 (37:21):
And it's not Michelle's intent. It's our filter that we
put on it.
Speaker 1 (37:26):
Yes, we messy, they're not.
Speaker 4 (37:28):
You know what I'm saying, it's not. So that's why
Beyonce and them have to protect their camp so much,
because it's not what they're doing. It's not Kelly Michelle,
like you said, she didn't do nothing wrong. She talking
about sisters. She's nothing wrong. But once you say a
statement like that, now you got all of us on
a podcast talking about if Beyonce did this for them,
and then like you just don't want to open that
(37:48):
conversation up to the world because the world don't have
the same heart as Michelle.
Speaker 1 (37:52):
You know what I'm saying. Get I get your point, Kiki,
but I just disagree.
Speaker 2 (37:55):
I think I think that's a sisterly thing that you
do because I know and it might be different in
the performing world, but in the comedy world, if Chappelle
goes and sees keV set and be like, hey, man,
on this joke, do this, this, this, and do it
this way. I saw something in there, and then keV
keV and other comics would tell it like, hey, Dave
saw this joke and then he tweaked this part.
Speaker 4 (38:17):
And that's for Kevin to tell. Here's the person.
Speaker 1 (38:25):
I'm about to give you an example.
Speaker 4 (38:26):
If I was doing a show and y'all my brothers
and came to the show, and after the show, Tom
gave me a list of critiques. It's not for you
to get on the podcast and say Tom really helped
punch up Kiki show. That ain't for you to talk about.
That's for me to talk about or for you know,
that's not for you.
Speaker 1 (38:43):
I wouldn't even say nothing. I would the person that
got the help is the person that's supposed to say, man,
thanks to blah blah blah. Perfect example. You told me
about somebody who was like, yo, you know, he went
and saw this one comic and I'm talking about the
people we saw was in Atlanta and you went, we
went and saw this one comic and this person helped
(39:06):
refine their craft. I never knew it. I was like,
oh for real. You was like, yeah, no, he really
the o G and he helped refine his craft. I
was like, oh damn. Here here I'm thinking the whole
time is that that person got better on their own.
They did. It's his them too, but yeah, yeah, yeah,
but but they.
Speaker 4 (39:26):
Got they need a little help and little coaching. But
it's just about when you when you're when you say help,
it opens that up for other people to have the
conversation in which we shouldn't even be talking about that.
We should just be talking about how amazing Kelly Show is.
Kelly want to give Beyondce help flowers for helping her.
That's for Kelly to do, That's not for somebody else
to do.
Speaker 2 (39:44):
I just think when you hit a certain level, it's
certain people that you respect what they say, and everybody
respects what they say. And when Beyonce has done something,
it's different than just me tone correcting you and me.
It's different because it's beyond s talking and when Beyonce
speed or the goats, when a goat give you a correction,
I don't think that there is a sense of embarrassment.
(40:06):
I don't feel like there's a sense of you can't
say that because it's a goat and it's like Beyond
said something.
Speaker 1 (40:12):
I don't I don't look at like that, but.
Speaker 4 (40:15):
I'm doing to me gonna get cussed out?
Speaker 1 (40:17):
Okay, all right, Oxat, we please don't tell if helps
me out with something, let okay.
Speaker 3 (40:27):
Just fair enough appreciate That's how you feel about it.
Speaker 1 (40:34):
It's just like to toad shrip tastes like that because
Ki told him put the oil on.
Speaker 3 (40:39):
The when it's a different No.
Speaker 4 (40:45):
But it's like it's already this this stigma that Kelly
is in her shadow and Kelly is in beyond runs
this like let Kelly out of a moment and everybody
shut the hell up. Ray Jay included, like everybody just
be quiet, let the girl go on tour. Just why
she on Tourn'll talk.
Speaker 1 (41:00):
To us all. Let's go to Marla Wayans. Look, fifty
and puff of a long term beef. It's per okay,
my bad, take a shot. Look fifty and puff of
a long term beef. It's personal. It's people we're saying
fifty is wrong for doing it, the fifties right for
(41:20):
doing it. It's between him and Puff and before it
between him and Puff. It's between both of them and God.
Just the way Puff is down on his luck and
fifties kicking a man when he's down, and fifty of
a luck turning on fifty. You know that you gotta
be careful what you put out.
Speaker 2 (41:37):
Yeah, I got about it, but I think that we okay,
what I think that we're getting upset at the wrong
person when it comes to this, And I understand the
point of what they're saying of like fifty kicking on
when he's down, but I think more of this needs
to be on. When you talk about karma and different
(41:58):
things turning on you, is who's been putting out this
type of stuff in the in the world. Now we
know Fifty does get into it with a lot of people,
and you know it's people that he's worked with who probably.
Speaker 1 (42:11):
Don't like them or or for whatever reasons.
Speaker 2 (42:14):
But when you talk about the stuff that Diddy has
been accused of, I think we were worried about the
wrong thing. You know, somebody tell you some bad news
and then you work, you worried about the look the
other part that may be off, Like nah, but we
need to look at this though. This is what we're
this is what we're talking about, is the the years
of abuse, extortion, possible murders. Allegedly, this is way bigger
(42:38):
than what fifty doing. Were worried about Fifty right now?
Speaker 4 (42:44):
It's almost how stupid we like we look when we
be trying to defend our Kelly, Like I always look
at it from that point, like Chicago people have a
it's something programming, like wrong in our brain. When it
comes to R Kelly music and stuff.
Speaker 3 (42:57):
Like you know, your childhood, it's like, yeah.
Speaker 4 (43:01):
You can't, you you just it's I don't even know
how to explain it, but it's like it's something chemically
wrong with every people, most people in Chicago who cannot decipher,
like we just cannot let the music go. We just can't.
And it's okay. But you think about all the things
he's accused of and allegedly done, and you be like,
something wrong with us, you know what I'm saying. And
(43:22):
I think that's when it comes to Diddy, like the
people that are trying to not kick him while he
down and like, something wrong with y'all. And that's okay,
you've been brainwashing this. Yeah, it's like a I don't know,
like calling a trance or something like, it's okay.
Speaker 1 (43:37):
I mean there's a couple of things to this, right one,
the kicking while he's down and the documentaries when it
came out or whatever, like my thing is Diddy in jail.
I understood Surviving R Kelly because that came out in
the midst of R Kelly going through his stuff. And
they wanted to make sure R. Kelly wasn't going to
(43:58):
skate again.
Speaker 4 (43:58):
You don't think that's the same thing.
Speaker 1 (44:00):
But Diddy stuff Diddy is locked up in jail. He
got his karma. You know, he got more time than
normally for that type of situation. He for his charges.
So it was a way he's already been punished. Right now.
I get it, I get it. You put all of
that energy out there, so fifty sicond go grab it
(44:23):
and do whatever he wants you because we know him
and didd he don't have a good relationship. And it's
almost to the point just watching some of it because
I'm on episode two, almost done with it. It is
that I feel like, did he use women as pawns?
(44:44):
As pawns? It's like, okay, I can't mess with you.
I can't mess with you right now. I'm gonna get
your girl. People, I'm gonna go get your girls. Like
the guy was in there talking about, well, he gotta
have your girl. I think he used women as a
way to get with your fifty troll and troll and
trolling him and going at him. Puff was like, all right, cool,
(45:06):
I'm gonna get your baby. Mama, I'm gonna go get
your baby, mama, because I know this is gonna hurt
and all of the different things that were going going
on between them. So I just think this is one
hundred percent fifty a get back. It feels like, but
I mean, puff put the energy out there for it
to happen. But our one hundred percent believe that fifty cent, Like,
(45:31):
all right, you did all that, you got me back,
you got, but I got the final say, bang, here's
something I'm gonna Here's something I'm gonna put out on you.
That's all final get back.
Speaker 2 (45:41):
I don't know if you got all the way in
that doc though, tone But in the dock, one of
the people who used to work right behind him and
said that Diddy specializes in one of his strong points
is revenge and getting PEPSI you know what I'm saying,
and getting revenge, and yeah, he's going up like it's
almost like these two wolves, you know what I'm saying,
and these both guys who go low. So I don't
(46:03):
I don't know how we're looking at fifty like he's
the one that's morally wrong because he's up right now,
you know what I'm saying, Like, yeah, that's why.
Speaker 1 (46:13):
They both do the same thing. When I saw when
I started watching and they were saying and they were
talking about how he revenge and how he get back
and the women thing, I was like, Oh, said, are
you this was a play? This was a this was
a play. There's many women that are after you in
this world, Diddy, and you go to that man, baby Mama,
(46:36):
that feels like what it looks like. I don't know
if it's true.
Speaker 4 (46:40):
Shot they say, have been doing that from I'll be
sure and like all them women that you know, he
saw other power for me and with he wanted to And.
Speaker 1 (46:48):
You don't know how al was treating Diddy when he
was just an intern. Albu was at the top of
his top of his chart. So he like, oh you
you want to play with me and talk to me
and treat me anytime i'd have met, I'll be sure
a couple times, a couple of times, I look, I'll
be in his face. You're not a nice guy, bro,
(47:08):
not you're not a you're not a nice guy, not
saying a mean guy, but not not a mean person.
But you have a dismissive person, a person that didn't
want to be interviewed the person that it didn't feel
with the times that I've interviewed with him, it didn't
feel like that. So I mean, when you was hot
(47:30):
and they weren't lying when they said that. When you
think about when he was in there popping and ship
talking about all the things he accomplished, I'll be sure
was that dude? He was that dude. So do I
think that when you were that dude, you may have
treated the intern like an intern and he remembered it,
(47:51):
and he like, I got you, I'm gonna get you back,
I'm gonna get your girl. And I think that's been
his whole thing, the whole play, the whole way. And
you know, I'm a I'm an advocate for players revenge,
and I think this is just fifty getting players revenge.
Speaker 4 (48:08):
It's players revenge. But can't nobody tell stories about you
that you ain't made it happen? And that's that's that's
really what it is. That's really what it bought down to,
to remember, can't nobody tell a story about you that
you didn't give them the script for.
Speaker 1 (48:20):
So that's a lot of stuff that's out there.
Speaker 4 (48:22):
It's a lot of stuff and everybody not lying, you know,
what I'm saying. I give them credit. I give some
people might exaggerate, some people might add a little flavor
on their stories. But everybody ain't lying. Making the band
your business partner from back in the day, the kid
that lived upstairs from your your you know, the assistance
that everybody's not lying about you.
Speaker 2 (48:44):
So and then when you see stories kind of like
coincid each other so like that weren't even each other.
So then so you know the diddy thing when you
remember one thing that stock out to me. Did he
performing right after the Biggie Pass and you know when
he danced around the stage and it's yep and it's
all white and everything, And they said that he kind
of used that moment to, you know, to make his
(49:05):
solo career pop off. Faith Evans wrote in her book,
I don't I'm not comfortable singing right now.
Speaker 1 (49:12):
It just happened.
Speaker 2 (49:14):
And in her book she said, did he told her, Oh,
you don't care about your career just because you're gonna
let go yo career. I ain't letting go on mine,
like and then he had Sting, the dude from Sting
singing the song instead of Faith.
Speaker 4 (49:27):
And I remember as a kid feeling weird.
Speaker 3 (49:29):
Did those stories come together like it's truth in this man?
Speaker 4 (49:32):
It's like as a kid, I felt that that was wrong.
I remember watching that because Biggie had just died, and
I just remember how Tupac died and death Row handled it.
They got quiet, everybody somber la was like it was
just did like just a gloom. Biggie died and this
came out with a new album, was on a couple
(49:54):
of magazines doing interviews everywhere. I'm a kid, and I
felt in my spear like that's a little weird that
because because I thought that was your best friend, that
was weird to me. So to see it play out,
like see how it played out them saying that he
took Biggie off the cover of the magazine to put
itself on there.
Speaker 1 (50:12):
Crazy work. So I mean, I don't know, Yeah, but
was amazing And I'm not Craig Mac. Is it Eric?
And another one? Mark Mark Mark Curry?
Speaker 4 (50:28):
He was great.
Speaker 1 (50:28):
I thought Mark Curry was a coming.
Speaker 4 (50:30):
I did too, But is it another one?
Speaker 1 (50:32):
But I know Curry is another. But it was a
rapper name Mark too, right, I know who you're talking about. Yeah,
I can tell you this is that why did the
Diddy thing so did? He seems so disconnected to Puff
And this is just rumors, I said, I mean sorry,
(50:54):
I said disconnected from Puff. That Biggie is disconnected from Puff.
This is just rumor, y'all. Is that Biggie was getting
ready to get out of the out of that deal.
He wanted to be out. He wanted to be done.
That's why he went to l A. He he got
out and he went to He got out and he
(51:14):
went to LA and he went to LA to kind
of get away. Remember, he was like, man, I ain't
gonna I ain't got nothing to say. I really, I
don't want to make it worse. He was shook. Bigg
was shook, but big but this this is the thing,
like I gotta get away. But here's the thing is
that Diddy and him, they say during that time when
(51:39):
when Biggie got shot, Diddy and Biggie weren't in the
best space. So that's why Diddy was like, hey, man,
I'm I'm being an artist anyway, because that was his thought,
like all right, if you leave me, I'm gonna go
do this artist thing. I gotta keep bad Boy going.
So it was already in motion because Biggie. That's what
they say. Biggie was getting ready to get up out
(52:00):
of that. But now we don't know it's true.
Speaker 2 (52:02):
But in the documentary to say that Biggie did not
want to go to LA that night, didn't want to go,
and he did his thing, the performance or whatever, and
then he was ready to go that morning.
Speaker 1 (52:13):
He was in LA initially, so it's a part of
the documentary. In episode two, well, he's doing he's doing
an interview in the Coolie that he like, yeah, and
they asked him about responding and you know, the East
West beef and all that. He's like, I don't want
to make it worse. I'm just gonna just chill like
bro like you got to remember.
Speaker 2 (52:30):
But if somebody but he even in the doc they
were saying that did he was pressuring him to respond,
pressuring him to create this beef, like pressuring him to respond,
pressuring him to stay.
Speaker 1 (52:41):
But he had release hit him up. He had to
pot came out with hit him up and it was
which is still the best didn't the documentary.
Speaker 4 (52:51):
But the documentary also reveals that the beef between Biggie
and Tupac initially started between Puffy and Sue, and so
you had Sugar hyping tupac up and then you had
a puffy hype and big up to fight. So it's
both of them to put these two against each other. Yeah,
and did he was just more calculated, allegedly according to
the documentary, to the point where he was able to
(53:13):
get both of them to out about him, is what
they allegend.
Speaker 1 (53:17):
So it is very scary but crazy. And it even
just the way he started.
Speaker 4 (53:22):
His career with that party with people died, and then
he took the he took his bad boy check and
put everything in his mother's name so he wouldn't have
to pay the victims of the of the party. It's
just like it's so many different things that kind of,
like you said, connects the behavior like you've been this way.
There is no humanity in what you're doing. You tried
(53:43):
to take out Andre Hral and that's your boy, he's
your mentor, and you got bigger than him at his company.
Speaker 1 (53:49):
He had to fire you.
Speaker 4 (53:52):
It's a lot of like so much it's so much.
Speaker 2 (53:57):
Evil genius, you know what it is, and it's all alleged,
we're saying, but to still not see usually everybody got
that one person who's got they back and fighting for
him like that ain't true. This my man's I'm talking
about the people that we saw you with. Biggie's not
here to speak Mace is you see, Mace's.
Speaker 4 (54:15):
Been telling us for years. He been telling us for himself.
Speaker 2 (54:17):
Look at the people who are still here, alive speaking
that ain't saying nothing or getting no hell away from him.
Speaker 1 (54:23):
He damned there got married j Blige. That's about it.
She ain't saying she quiet as quiet as that is.
That isn't crazy. That's what makes me believe it. People
speaking out everybody you're like, man, well wait a minute though,
and people that was around them, drivers or people like
ain't wait but wait a minute though. Nobody This document
(54:45):
has been out and it's been streaming for what about
a week now, and you have not heard anybody doing
an interview like, hey, no.
Speaker 4 (54:54):
His Anlama just said. All she thenad was that.
Speaker 1 (54:57):
He slapped her in the biggest state. They did say
that he jig say.
Speaker 4 (55:00):
They said he paid for the funeral, which he may
have paid for the funeral, but the businessman and for
the company is telling you that he recouped it a
different way. Yes, they wouldn't know that. How would they
have as they told them that did he went when?
But when Big died did he said? Okay, Big had
just signed a new contract. We're gonna change the terms
in the middle of the contract so that his family
don't get as much access as they would have gotten
(55:22):
had he's still been alive because they don't know any better.
They don't have access to our documents. They just have
where it says Biggie signed, So we could change that
paperwork in between as long as we got a signature
that he this is what he agreed to. This is
allegedly what's being said in the documentary, and that's how
he was able to then fund his personal career. Also
getting in your artist videos and charging them a fee,
getting uh, charging your art like it's it's an evil genius.
Speaker 1 (55:46):
I heard that thing was crazy.
Speaker 4 (55:48):
Some of that charging charging you I work for iHeart,
but they charged me two hundred thousand.
Speaker 1 (55:54):
Dollars a podcast.
Speaker 3 (55:55):
I will say that that's not just did he the
music industry together.
Speaker 4 (56:00):
That's why I start building their own studios and getting
the own engineers. Now, I get that, but I'm just saying,
like for him to be dancing in the video. I
didn't ask you to pull up here. You just decided
to come stand next to me, and then you build
me for you being here. It's crazy like or you're
sitting in the studio and you haven't produced a thing.
You can't watch. We watched Little Rod and then this
ain't a lage because we had the video footage is
(56:21):
in the documentary. Little Rod is trying to help him
make a song. He said it took them eight months
for Diddy to get the rhythm of a song right.
So you have zero musical talent, but you know, as
producer again, you win and and sh for being a producer.
Speaker 1 (56:39):
Produced that damn thing. We had time. Or we're gonna
have to do a Diddy documentary part too, and I'll
be done with it by then.
Speaker 2 (56:47):
It's gonna be good. And don't forget the clip of
going viral of Nipsy. It still it goes viral every time. Yes, Nipsey,
So you know he got some producer read on that
on Victory Lap. So he's playing victory Lap for Diddy.
He's playing it. It's finished, but he's playing it right.
(57:08):
And then you hear like Nipsey is like excited clapping
right fifty. I mean, did he say, don't clap, Nipsey, Look,
I'm a clap every time. I'm a clap every time,
like basically like who the hell you talking to? And
then you see the girls over there, like it's Lauren
and Cassie sitting next to each other, and they kind
of like weird, so he kind of like laughs it off.
(57:32):
Lauren kind of looks like she scared the clap, and
then she starts to clap, but then Cassie know better.
Speaker 3 (57:37):
She didn't clap, but she did this like, you know
that awkward, like I have to do something in this moment,
but I know.
Speaker 2 (57:44):
If I clap, he gonna look at me like the
hell wrong with you? I was like, this dude is
really power hungry man. You could just see it in
certain things now so and the escort stories.
Speaker 4 (57:55):
Oh, and I mean, but I heard, you know, there's
always been a story that Ja Cole slapped him, so
at least somebody, y'all. I never heard j Co slap Diddy?
Speaker 1 (58:04):
Who did Wiz hit? Though I heard Wiz hit him?
I heard that.
Speaker 3 (58:07):
I heard the wis you heard whizz with j Co?
Speaker 1 (58:10):
I heard I heard j Cole. But I mean I
heard it's a lot. It's a lot to unpack. We
will do it more of a deep dive on the
Diddy documentary and other hot topics. But look, we got
one what's it Tuesday? Yeah, we got a pod tomorrow,
so I'll probably done with it. But I'm planning on
watching the old thing.
Speaker 4 (58:29):
You ain't got nothing else to do.
Speaker 1 (58:31):
I ain't got nothing else to do. I'm all right,
y'all know what it is. What more can we say? Well? No, no, no,
no come pod comments. I was gonna let you go. No, no,
come on, I ain't want to hold you.
Speaker 3 (58:45):
Brother.
Speaker 4 (58:45):
We was at time.
Speaker 1 (58:46):
We had time, We got time, We got man, we got.
Speaker 4 (58:49):
Four minutes, two minutes, all right, pie faun. First of all,
I would like to say love y'all appreciate all the
support on us for Big Jam and everything we been doing.
Speaker 1 (59:02):
Watch a commercial. Uh let me see, let me see here,
something that's called episode.
Speaker 3 (59:13):
Tell me that you line man, you said at this point.
Speaker 4 (59:18):
Share a pot fam waiting on that episode. They even
posted it.
Speaker 1 (59:23):
I was looking for it and I ain't ain't.
Speaker 4 (59:25):
Nobody told me nothing. Well pot fam, y'all see how
this goes.
Speaker 1 (59:32):
Let me see.
Speaker 4 (59:34):
Yeah, these are these are these are We're gonna make that.
We're gonna read some new comments tomorrow, yes, yesterday. So
what we're doing double the comments double?
Speaker 1 (59:47):
That's crazy.
Speaker 4 (59:48):
I got no episode up yet.
Speaker 1 (59:49):
Oh my god, but boy can we say damn Nelly?
Well we turned these characters off.
Speaker 4 (59:54):
We got even get to talk about Nelly. We will
talk about tomorrow, all right,