B2K Reunited, The Carter 6 Album Review, R.Kelly's New Claims & More!

Tone Kapone, KeKe, and Zach Boog talk B2K Reunited, The Carter 6 Album Review, R.Kelly's New Claims & More!

Episode Transcript

Speaker 1 (00:00):
Right, y'all, welcome to it? And what more can I say? Podcast?
Episode what number are we on? Rider to two eight?
That came after two two seven? Man shout out to
two seven. I liked the episode two two seven. I
want your host soul, Paul. Let's go ahead and find out.
I'm gonna like to too.

Speaker 2 (00:15):
Eight.

Speaker 1 (00:15):
She is the first lady pod, the only lady out
of the pod, and one of the traders that went
to lunch today without me?

Speaker 2 (00:23):
Keith Key, what's up?

Speaker 1 (00:24):
Hey, Hey ki KEI?

Speaker 3 (00:26):
Where am I a trader?

Speaker 1 (00:28):
Y'all?

Speaker 2 (00:29):
I would have told y'all I was going to lunch,
but it's okay.

Speaker 3 (00:32):
Do you know that we eat lunch every day together?
We might tell you right now.

Speaker 2 (00:39):
So y'all eat lunch every day and I ain't never
been included.

Speaker 1 (00:41):
You know what happens?

Speaker 4 (00:43):
Let me say something. What happens is we work different shifts.
Don't tell the truth. We work different shifts. We work
the mornings. After the morning we'd be like, hey, going
to get food? We do that at least two three
times a week. Yeah, we go downstairs. Usually we go downstairs,
get something that's here, come back up here and eat.
Usually when you come in. Every day you come in,
we're eating together. Yes, the only difference is today we

(01:04):
was like, it's a nice day.

Speaker 2 (01:06):
We don't want the food. This's here. Tied to that,
Kiki was like, I want something good, and then she
did some type of row.

Speaker 4 (01:12):
She was like she did he said, she said I
want something, dude, and then I was like okay. So
we was trying to figure it out. He was like,
what do we want to eat? And then we was
looking around. Didn't nobody want nothing that we have all
the time? Nice day outside? All right, well let's go outside.
Maybe we can get something across the street.

Speaker 1 (01:32):
Yep.

Speaker 4 (01:32):
So then we got to walk in and then we
went to We were gonna go to sweet Water, but
Sweetwater on open till eleven. Were there at ten thirty,
So what do we do? We rode bikes for thirty
minutes the past time. Then we went back eight and
then you pull it up on us like you always do,
and you walked up on us eating like you always do.

Speaker 2 (01:50):
Around eleven o'clock.

Speaker 1 (01:52):
Well, you know what did we do? Even time for
your what even time for your intro? And I even said,
you god damn name yet how about that, you little trading.
I'm like, that long ass explanation about nothing was a
funny man at the pod Zach, next time, give me
the cliff notes.

Speaker 2 (02:12):
That's what happened.

Speaker 1 (02:13):
Give me the cliff note to that. He was like,
and I stopped listening out to ride bikes. I won't
let you know. Well, there wasn't much after that.

Speaker 2 (02:22):
It wasn't.

Speaker 3 (02:23):
It's just so funny how you can't really go nowhere
in Chicago and not see somebody in no tone, you
know what I'm saying. I was getting my hair done
week off, my whole ceiling missing, and this man is
in here talking to me about how he know talk
upon and I'm like, sir, please right now, And that's
a lie. He was getting his locks done and I
mean not getting my wig put on, and he is.

(02:44):
He had to tell me that he know talkaupone. We
had lunch today. Man and I business sitting outside and
his man walked past and he just said, he looked.
He said, hey, y'all, he said, I'm on the phone
with tone right now, And next thing you know, here
comes Tone up the street.

Speaker 1 (02:59):
By city out of day.

Speaker 2 (03:00):
That's crazy.

Speaker 3 (03:01):
Yeah, why no, you're not safe from ike in the city. Okay,
he will find he gonna find you.

Speaker 2 (03:07):
I'm gonna find you. I'm gonna find you. Shout outa shot.

Speaker 1 (03:11):
They all traders, and our producer Ryan is also included
in the trader. Yes righting Rider. Rider got off the bus, like,
what's up?

Speaker 4 (03:22):
I don't know if you've ever seen anybody get off
a bus. There's so much confidence, Like he got off
the bus like a private jet.

Speaker 2 (03:37):
What up, y'all?

Speaker 3 (03:40):
I ain't never seen nobody on the C T A
that fresh, fresh, fresh fresh.

Speaker 1 (03:45):
That is so funny.

Speaker 2 (03:46):
And the bus didn't even stop at the corner. It
just kind of.

Speaker 1 (03:49):
Stopped in the street. Rider hopped off. They closed the
door and kept going. That's it.

Speaker 3 (03:53):
He got eating on the sidewalk. Were literally eating at
a restaurant outside and Rider just pulled up next our table.
It hopped off a C T A bus.

Speaker 2 (04:02):
It was like an uber but it was crazy.

Speaker 1 (04:04):
And I'm mad. I'm mad at. I'm more mad I
think Ryan because Ryan's Ryan's will considerate than you too,
and he forgot about me.

Speaker 2 (04:12):
Mm hmm right, that's crazy. Ryan mean is here.

Speaker 1 (04:16):
It's crazy man to talk about this, so.

Speaker 2 (04:19):
We don't really talk about enough.

Speaker 3 (04:21):
Please people don't because I can't say it.

Speaker 2 (04:24):
Ryan Mean is here, Ryan Nice.

Speaker 3 (04:32):
I feel vindicated.

Speaker 2 (04:33):
Mean Ryan Mean. It's crazy. He's sensitive.

Speaker 4 (04:38):
He's sensitive, but he mean I just ad ship else.

Speaker 2 (04:43):
Sensitive bully a sensitive all around.

Speaker 1 (04:48):
Why I can't do Oh?

Speaker 3 (04:58):
I feel so vindicated?

Speaker 1 (04:59):
Thank you?

Speaker 3 (05:01):
WHOA like toy Lane with new evidence not the new
evidences dropping, I might think I'm so mean.

Speaker 1 (05:15):
Yeah they did. I know they did.

Speaker 2 (05:18):
I know they did. It's all right. I feel like R.

Speaker 1 (05:21):
Kelly Man like A lawyers they founded an emergency motion
demanded his release. I'm the man at my release from
this pot I plan to They are trying to kill
me the fan Bob fam. They trying to kill me
like they're trying to kill R. Kelly in in prison.

(05:43):
Uh So, when you think you think this is gonna work,
Kells is gonna get out. Actually A lawyers are actually
asking President Trump to get Kills out of jail because
of potential death.

Speaker 4 (05:54):
Threats on his life. Get him out of that, man,
get him out of there, Get him out of that.
I say, Kills out of that. However, you can get
Kills out of there. We need Kaills out him making
I know his kill has been in jail, it got
to be Oh no, it's been a while, big, a
five piece. No longer than that, right, No, he ain't
been in jail, it ain't been longer than five. But

(06:15):
I think he should just like get house arrests where
nobody can come. You know, you got to be at
least thirty to come to his house and twenty nineteen.

Speaker 2 (06:23):
Yeah, let him have a studio.

Speaker 1 (06:26):
Damn. He's been in jail since twenty ninth.

Speaker 3 (06:28):
Yep, since year.

Speaker 2 (06:30):
Do you remember when he first got locked up. There
was trying to get him out for.

Speaker 4 (06:32):
COVID We got a six pieces already done, a six
piece and he got fifty years because he got sentenced
to thirty years in prison for racketeering and sex trafficking
in New York.

Speaker 3 (06:45):
Then he got an additional twenty year sentence for child
sex abuse convictions in Chicago.

Speaker 2 (06:52):
Damn, that's crazy.

Speaker 1 (06:56):
Wooh yeah, well you hear those numbers, you were like, God, damn, Yeah,
it's tough, that's tough.

Speaker 2 (07:04):
We'll see, we'll see what happens.

Speaker 3 (07:05):
Man.

Speaker 1 (07:05):
You know, President Trump, you never know what's gonna happen
with him.

Speaker 2 (07:10):
I mean, he ain't partner r Kelly. You know, I
think something He ain't.

Speaker 4 (07:13):
Partner r Kelly, how many telling you think Trump listened
to bump and grind? But I ain't never heard when
a woman's feed up. He ain't got no connection, got
no connection?

Speaker 2 (07:24):
See him? And did he got the money? Connection?

Speaker 1 (07:27):
You know?

Speaker 2 (07:27):
We rich in New York.

Speaker 4 (07:29):
That's true. Rich guys in New York. We see each
other all the time. Connection. Yeah, that's what I'm saying.
What connection?

Speaker 2 (07:34):
Does Trump really got to kails?

Speaker 1 (07:36):
That's true?

Speaker 2 (07:37):
I don't know.

Speaker 1 (07:38):
We'll see all right, bow Wow speaks up and we'll
probably be read all of this, man, bow Wow Sierra,
like me, Kei Ki, you are tied into all things millennium,
this generation. What do you think about this bow Wow performing?
You know, like, is it like me?

Speaker 3 (07:56):
Like you?

Speaker 1 (07:58):
Like you? Yeah?

Speaker 2 (07:59):
Like you?

Speaker 1 (08:00):
And then the B two K get back together, a
tour being announced? Is what's going on with all of this?

Speaker 3 (08:05):
I think it's what the world needs?

Speaker 2 (08:07):
Of course you do.

Speaker 3 (08:08):
I think, yes, I think it's what the world needs,
especially at this time. You know, this is a time
where all all of our new Millennium acts are trying
to transition the next phase of their careers, and that
we need to appreciate the times and the art that
they gave us, and I think this is the perfect opportunity.

(08:29):
B two K just announce the tour, so.

Speaker 4 (08:32):
That ain't gonna happen. To tell the truth, this tour
is not gonna happen. Why B two K don't like
each other? Okay, we are just acting like little fears.
Didn't try to try to steal O Marion's baby mama publicly,
not on the low, publicly for the world to know.
O Marion literally became this whole calm person and this

(08:56):
whole image of being a calm I don't care about
what's going on because of the mess the B two
k's dragged him through.

Speaker 3 (09:02):
Yes, okay, RASB was just going off talking about you
get me and O Mario and they did this to us.
They doing they can't wait. They always talking about on Mario.

Speaker 4 (09:09):
So I saw the flyer it said spring twenty twenty six.
So you mean tell me they're gonna rehearse for a
year then go on tour without nothing popping off.

Speaker 1 (09:18):
This tour ain't happening, Yes it is. I want to
let you know what that new audition has stuff like this,
not maybe not this public because it was it was
back then and things more public now. But I'm sure
New Addition has some real issues there groups that had
real issues.

Speaker 2 (09:35):
Difference between you know, I'm gonna tell I'm gonna tell.

Speaker 3 (09:37):
You she had a baby mama. Yeah, to the cousins,
they got one burn brother.

Speaker 2 (09:44):
Gout us what Mike never might never went back on
to it.

Speaker 1 (09:48):
Yes he did when, yes he did. Michael Jackson did
a reunion cho with his brother. Guess what them it's
his real brothers. That's that's different. That's the fact.

Speaker 4 (09:55):
You know, the difference between New Addition, New Addition is
all talented.

Speaker 2 (10:00):
They need each other. They can all sing. Zach, I'm
gonna tell you what.

Speaker 1 (10:05):
I don't need this, but no, but look, Zach, A
Marian is a smart business person. He understands that A
Marion I already did that. A Marion, by myself, think
it was good. But I also know everybody was always
like man saying this. I wish B two K would

(10:26):
get back together and guess what the B two K
members was probably doing. Man, I wish I was on
that tour with them. I need this check little Fizz,
Little Fizz, and rast be no shade to them. But
I'm sure they could use a B two k check.
They forty years old. Money and need will make people
be like, you know what, I'm cool. It was the same.

(10:48):
It's the same reason why they stayed together when they
was out when they were younger. They were having issues
when they were younger. What do they I'm not feinna pack.
Are you crazy? I'm not finna give up on his
money and I'm not gonna get his fame, So I'm
gonna be cool. All the bs happened once they cooled down.
They now they they need that money. Bro, I'm telling

(11:09):
you this is gonna work out.

Speaker 3 (11:10):
Yes, it's a great need dog needs. It's gonna work out. O.
Marian is doing this because he is a man for
his fans and he wants us to be happy. You know,
everybody wants to say he, oh Marion, think he bigger
than the program, O Marion. Think he is a Marion?
Think he that? And he is. But he's being humble

(11:30):
and giving the fans what they deserve. So I think
it's gonna work out. I'm gonna be there and we're
gonna have a great time and everybody. All I want
to let the guys know is watch your mouth. You know,
watch how you deal with a man because he's throwing
y'all a bone, and whether y'all want to acknowledge that
he is.

Speaker 1 (11:52):
Yes, Now, some people like we, just like Zach named
his Gary Indiana homie. Michael Jackson was bigger than that program,
one hundred percent, didn't need the program. Destiny's Child Beyonce
is bigger than the program. Yes, but there's some people
that you need the program. S w V. Everybody knew

(12:13):
Coco sang everything, but without without the other.

Speaker 2 (12:17):
It wasn't the same.

Speaker 3 (12:18):
That's a good point.

Speaker 2 (12:20):
One one twelve Slim tried to go by himself.

Speaker 1 (12:23):
Every Slim slang a lot of the songs, but guess
what it was better to guess.

Speaker 3 (12:28):
That's a good point you make. But all those people
you just named who were not able to succeed, they
don't have solo hit records, and we're not gonna sit
here and act like a Mario Ishmail Grandberry don't have
hit records that he can go out and perform and
has been performing for the last two years.

Speaker 1 (12:41):
Coc Gotta had a hit record where it was one.
What was she had one?

Speaker 2 (12:46):
She had one?

Speaker 1 (12:47):
You know?

Speaker 3 (12:48):
Okay, Well, he has way more than one, how many?
He has several enough to do a set and a
tour alone. The only thing on Mariani's is somebody to
craft his show. That's it. He needs a stage what
do they call him? Not manager, but like a No,
he needs somebody. He needs somebody to put the heats

(13:08):
in the order.

Speaker 2 (13:09):
That's so he needs a don't.

Speaker 3 (13:15):
Yeah, y'all see that's what y'all like to do. But
let me tell you something. If the proof is already there,
he men on tour alone. They can't alone, they can't.

Speaker 1 (13:28):
He needs the two other dudes.

Speaker 3 (13:33):
First of all, there's three other dudes.

Speaker 2 (13:35):
But yeah, all the three other dudes.

Speaker 3 (13:37):
Sorry that was that was But yeah, he just needs.

Speaker 1 (13:44):
Y'all. B K.

Speaker 2 (13:45):
No, what is that called a stage manager?

Speaker 1 (13:48):
A producer?

Speaker 2 (13:50):
You know, the same who's the guy? It's like a
music director, a ranger.

Speaker 3 (13:54):
Yeah, like that's it.

Speaker 1 (13:55):
That is not that is the music arranger.

Speaker 3 (14:00):
It's great on tour, he don't. He's already tour without them.
None of them can tour without him. That's that's true.

Speaker 1 (14:08):
Without that.

Speaker 3 (14:09):
So that's when you talk about bigger than the program. Yes,
he's bigger than the program.

Speaker 2 (14:12):
He needs a program. Okay, okay, answer to this.

Speaker 1 (14:16):
And because I wasn't ass tapped in, I played the record,
but I wasn't going to but he'll be two K
show who had bigger hits A Marion or a Marion.

Speaker 2 (14:27):
When he was with B two K, which had the
bigger hit.

Speaker 3 (14:29):
We went over this a couple of pots ago, and
we pulled up the list and it was equal. Almost.

Speaker 5 (14:38):
I ain't missed no pods. I see all the pods.

Speaker 1 (14:53):
Reported for.

Speaker 2 (14:57):
I must have missed that. Well, no, we did this
too positive.

Speaker 3 (15:00):
Yeah, y'all try to argue me, and I said, oh, Mario,
I got more hits than B two K. You specifically
pulled up the damn list of B two K songs
and I pulled up with Mario songs and it was
them the neck and neck. That's what I'm saying. You
guys act as if he hasn't had success outside of
this group. You have to ever be two K as
a group hasn't dropped an album or a single since

(15:20):
I was fifteen, So it's you look at fifteen years
later and this man has hit hit songs that still ring.

Speaker 2 (15:27):
Off their places.

Speaker 1 (15:28):
So let's not act like he.

Speaker 3 (15:29):
Doesn't like he's not able to what O Marian is
doing is doing something for his fans and saying, hey,
y'all all everybody on the blogs, everybody want to say.
He think he better than that, he think he need
be two K. He like, you know what I'm gonna
get y'all be two K and I'm gonna show y'all
on this tour why B two K don't work when
they all get to doing what they normally do.

Speaker 4 (15:50):
AWA's saying, I'm not taking anything for away from Marian hits.
I think all we're saying is O Marian needs be
two K two that's it. I'm just I know, I
know he saw the oh oh did just come off
of to it O Marian and it was criticized a lot.
People were saying he was screaming at people to get up,
stand up for us, please all that. When B two
K come out and they do that little you ain't

(16:12):
gotta worry about nobody sitting down.

Speaker 2 (16:14):
The whole ruin is gonna.

Speaker 1 (16:20):
By hisself. They said, put your shirt on, you got
big titties. They said titties top of everywhere. You know why,
because they only focused on him With B two K there.

Speaker 4 (16:31):
Was I guess what I'm saying is like you said,
they haven't put out an ounsince fifteen. But the pandemonium,
the millennials who are gonna buy these tickets, loved other people.

Speaker 3 (16:38):
In that group other than on Maria and without any talent.
It's people who it's women who loved Little Fizz. He
had two verses on maybe one song. They loved jay
Bug jay Bug ain'ty nothing but talk in the beginning.
So when you bring all that together, you can't act
like that. Doesn't that don't you bring it together? O'Mara
needs that to do, but you cannot. You just said

(17:00):
here and said Jay Bull had two lass little fears
ain't got no talent, and then sit around and tell
me that O. Marian ain't bigger than the program. He
is the goddamn program musically he is overall. He is
for what but byan tigkets purchase power. You want to
see be kout him. There are no suns without him.
Everybody's at home, everybody's at home without that. But without them,

(17:23):
we at the wind.

Speaker 4 (17:23):
Trust fifty percent gone though, But we at the wind truck, no,
we at the genes we have no.

Speaker 1 (17:29):
No, it wasn't just him. It was everybody. Now bow
Wow was on that tour two do and Ray James, Oh,
Marian ain't selling up centerbou himself, he to be you
and thirty people that niggas Ei though I'm saying O.
Marion O'Mara went on a he went on a tour
with twelve with twenty acts, like he went on the

(17:50):
world to himself with the it was.

Speaker 2 (17:55):
Forty niggas he did. They came to see what that
would have a lot today.

Speaker 1 (18:11):
That's a festival line up. They took a festivalund.

Speaker 3 (18:14):
But guess what if you would have put the same
three on the lineup. Guess who it would have been.
Nobody come to.

Speaker 1 (18:21):
See them around them show up now one person.

Speaker 3 (18:26):
They can't. They can't do the millennium to it without him.

Speaker 2 (18:29):
Okay, okay, that's.

Speaker 3 (18:30):
When you know you're bigger than the program.

Speaker 1 (18:32):
Now he is here is here is an integral part
of that of that era. He is he is He
is definitely bow Wow like you couldn't do it, like
if Marion went out without bow Wow. That's why they
even though they don't like each other, they know well
now they made up.

Speaker 2 (18:47):
They know they're powerful together.

Speaker 1 (18:49):
They smart enough to know business wise, because if Marion
went out with them same acts, the power not gonna
be the same. If you got bow wow with him,
it's a whole nother situation now shout out to like.
I think there was somebody that asked, I don't want
to put them on the spot. They asked about Sierra
being a part of the Millennium Tour, and I guess
she didn't.

Speaker 2 (19:08):
She didn't feel feel she felt a way about that.

Speaker 1 (19:11):
But if to me, to me, you asked Sierra to
the Millennium Tour, it changes it.

Speaker 3 (19:16):
It increases the brand of the Millennium too. She's definitely
it would be a positive asset to add to the
Millennium Tour. I don't know if that would be the
same she would get the same thing in response for
her personal brand. We sat across with cerfra.

Speaker 2 (19:28):
Is very rich.

Speaker 1 (19:30):
Oh he's very rich.

Speaker 3 (19:31):
She's very wealthy. So you know, I could I don't
know if I if I'm if I'm on her team,
I would advise her to take that opportunity because what
does it truly do for her? Because what it is,
it is a lot for the fans. I would love
to see it. I think her music is definitely a
part of that era. To me, it would heighten her music,
but her as an overall entity at the Met Gala,

(19:52):
at the Millennium Tour, I don't think that.

Speaker 2 (19:55):
I don't think it changed.

Speaker 1 (19:56):
I don't think it changed. I don't think it cheapens it. Honestly,
I don't think it because she's so solid, right, She's
so solid. The the whole image is, it's been crafted.

Speaker 2 (20:08):
It's solid. I don't think Sierra.

Speaker 1 (20:11):
I always had to say, her jersey already in the rafters,
it's up there, it's done. She's nothing she could do
to mess it up. It's nothing she could do to
increase it, increase the value of it. What it does
is allow her fans to celebrate her. I don't think.
I guess should because she didn't get celebrated, But I
don't think celebrate Hold on second, I don't think she

(20:31):
got celebrated with Buster and miss I don't think so.

Speaker 2 (20:36):
You're right about that.

Speaker 4 (20:37):
But it shouldn't be the It shouldn't be under that
brand of Millennium to it. It shouldn't be under it
should be under a different brand. It needs to be
like Sierra and then at them or something around Sierra's
where her level is now, and I think it was
it would work.

Speaker 2 (20:50):
It needs to be rebranding Sierra the biggest artist from
that time.

Speaker 4 (20:52):
Period as not not musically I don't know how to
explain it, but like lifestyle brand, like her personal brand.

Speaker 1 (20:59):
That they were talking about music though right music.

Speaker 3 (21:02):
I think it would work for her, of course she
would fit right in, but she.

Speaker 2 (21:08):
Elevates it though. I like that changes it.

Speaker 1 (21:14):
And I honestly think adding a person like a Sierra
now it may sound crazy, even though he's getting to
do his own thing, do his own thing, but add
a Sierra, it's like adding like a T Pain to that,
to that now that to it becomes something different.

Speaker 2 (21:29):
It becomes something.

Speaker 1 (21:30):
When you add a name like Sierra now you can
start plugging in some some other names from that time period.
They're just and make that thing crazy.

Speaker 3 (21:38):
Yeah, I think, I mean, I think T Pain could
do it tomorrow. I still would if I'm Sierra's team
would have to think about it and be thought just
because and it's not because of the bow Wows and
the Marios, because they they all they were that era.
It's just that you have you know, you gotta look
at it. Like I'm open, I'm closing, and no, I
don't want to call nobody name.

Speaker 2 (21:58):
But you know, I get with.

Speaker 1 (21:59):
You, you get what I'm saying.

Speaker 2 (22:02):
I don't know, man, I don't know. I get what
y'all saying what Sierra is.

Speaker 1 (22:05):
But maybe I'm just looking at it football wife.

Speaker 3 (22:10):
If I'm sier, I'm not going. If I'm I'm not
going on tour RAYJ.

Speaker 1 (22:15):
You know what I'm saying.

Speaker 3 (22:16):
That's the type stuff I would have to like God
would have to pick the lineup, like, I'm not not
going on tour RAYJ. It's certain people. I love ray J,
but I'm a person. I just want better for Rag
and I think we talked about it yesterday.

Speaker 1 (22:28):
We did.

Speaker 3 (22:29):
Yeah, it's like a family member that I know no
better and just won't do better.

Speaker 1 (22:32):
Yeah, all right, let's go ahead, keep it moving. Wayne's
album Card is six thoughts on.

Speaker 3 (22:37):
It amazing a body of work, ten out of ten.

Speaker 1 (22:40):
Uh.

Speaker 3 (22:40):
He reminded everybody he is the goat and he's the
diverse king and everybody needs to give him his flowers.
And if y'all don't appreciate this project, I'm starting to
think you don't know good music. And I wish that
you could sit with it for a while. I know
you're used to microwave and popcorn and quick and fast,
and you know the same beat, the same cadence, the
same features. I know that's what y'all used to. But

(23:02):
I would tap you out into y'all to go deeper
into a truly appreciated.

Speaker 2 (23:07):
What rap nigga have you been listening to?

Speaker 1 (23:12):
What extra hip hop ass blog read?

Speaker 2 (23:16):
Come with I?

Speaker 1 (23:17):
This is?

Speaker 2 (23:18):
This is?

Speaker 1 (23:20):
I don't want to do it to put like this
Wayne another person in the raptors.

Speaker 2 (23:26):
This project would never.

Speaker 1 (23:27):
Make me judge Wayne and thinking that he's not what
he was or whatever.

Speaker 2 (23:31):
I just say, this just wasn't to me.

Speaker 1 (23:33):
It didn't. This project didn't grab me.

Speaker 3 (23:36):
Really now, I would like to ask how much time
have you spent with the project?

Speaker 1 (23:41):
I listened to it back and forth on my way
to LA, and then I gave it another chance on
my way back to LA. So it got four good spins,
and I listened to it in the room just to see. Now.
I do like like Zach said, I like the first
half of it. The first it just some stuff just
didn't get it, you know what I mean. I was
excited for it. I don't think it. I wouldn't say

(24:03):
ten out of ten. I wouldn't say five out of ten.
I would give it like a six ish seven ish
seven seven seven.

Speaker 4 (24:10):
If you're giving it a seven, I think that's solid
for the stage of Lil Wayne or what career stage
of his career he's in right there, you know what
I'm saying. And when people were trashing it, I thought
I was getting ready to hear some disgusting things that
I couldn't stomach. I can stomach that album, okay, And
the first and the first the first four songs are
fire the way it comes on, And you know that

(24:32):
matters a lot because sometimes we listen to albums and
we'll listen to the first few songs and you listen
to the end. I like that record with Many Fresh,
Oh yeah record crazy. So I'm just trying to figure
out why is it so much bad? When I when
I talk to people about it, they tell me this
is what I've been hearing. The beginning hard, and then
I'll point out the Many Fresh record. Yeah, that one

(24:53):
good too. We done talked about seven eight good records exactly,
so what but then when it then we talk about
but in the same breath. They'll say it's seven eight
good records, and they'll say it's it's so trash.

Speaker 2 (25:05):
Which one is it?

Speaker 1 (25:06):
People?

Speaker 4 (25:07):
Just ain't nobody gonna like every song on every album
of no album, you know what I'm saying, especially as
a person like Lil Wayne at the stage he is
in his career, So I'm just trying to figure out
what scale are we graining him on?

Speaker 1 (25:20):
Yeah, I mean everybody, it's music, So it's all opinions.
Kiki things a ten out of ten. Why, I don't know, but.

Speaker 3 (25:29):
Okay, it's a great body of work. He starts it
off with this strong intro which I can just picture
him coming out at the tour, you know, welcome to
the car to Then he comes in and he tell
y'all straight on the second line of the song is
y'all get on my nerves? He literally said that, like
y'all get on my nerves. And I understand him. I
get everything he's saying. He's given the culture so much
at this point and still delivering, and it's not appreciated

(25:52):
when you when you get when when Lil Wayne dropped
an album on Friday and on Saturday, you're telling me
it's trash. You don't appreciate it because you ain't even
sat with it on that's you know what I'm saying.
So to people that were so quick to get on
the internet, this is garbage you. I don't even respect
your take on it because you haven't even sat with
the project. It's so diverse that you have to sit

(26:13):
with it because when you start at the first track
doesn't sound like number four, doesn't sound like number eight.
They all sound different, So you have to be in
a mold to kind of listen and appreciate what he
giving you. The production to me is fire. The features
on every feature, I could feel and hear the chemistry
that he had with the person on the track. He
had jelly Roll, Big Sean, he had got Damn Bono

(26:34):
and Andrea Bocelli. Nobody else in hip hop can give
you that type of diversity like that other than Wayne
and I just love it and it was great. My
favorite song is Sharks with Jelly Roll, and after that
the one with Big X. I if you have if
you just want to take a peek at the album,
I would say, pe get those two records.

Speaker 2 (26:53):
What made Big X want to go on there and
wrap his ass.

Speaker 3 (26:55):
Off like that, because you on track with the big
X in that mug and I'm about to He've been
Big Sean. People don't want to get Big Sean what
he do. Big Sean got on this.

Speaker 4 (27:07):
He wanted them, he snapped, Big Sean one of the
most underrated rappers.

Speaker 3 (27:10):
Underrated.

Speaker 1 (27:10):
Oh yeah, he one of them. That's one of my favorite.

Speaker 3 (27:13):
Big Sean got on there and rapped his ass off.
And when you listen to what they're saying, snakes ain't
always Here's.

Speaker 2 (27:23):
What I'm so tired of listening the album.

Speaker 3 (27:28):
You gotta sleep with one out.

Speaker 4 (27:30):
Ever since she has been ever since Kendrick, she been woke.
So you got to understand what Keiki you dealing with
right now. I want to know what.

Speaker 1 (27:40):
Look you listen to? What the first word y'all them
O cool rap.

Speaker 3 (27:51):
Let's be clear. I don't like No, don't come in
here doing all that breakdance and then won't think I
don't like that. But what I like is when people
can people do make it make sense. Little ain't said
I just talked to he.

Speaker 2 (28:05):
Said what he said?

Speaker 3 (28:09):
I just talked to Hole. He said that he sees me.
He said, that's the same thing. That happened. When I
talked to Stevie, y'all better put that together. Y'all better
put that together. He said, hof you say you see me?

(28:33):
Said see me?

Speaker 1 (28:35):
I know.

Speaker 3 (28:36):
When I talked to Stevie, and y'all know Stevie, he saying,
hope you don't see me. Bo you you say you
see me, but you don't see me. Another track, he said,
don't act like you my nigga today and act like
the man Nama.

Speaker 2 (28:52):
Oh my god, I cannot tell you. I could.

Speaker 1 (29:03):
I could not.

Speaker 3 (29:05):
He's don't play with me.

Speaker 1 (29:06):
He's don't play the way I can't. I couldnot. Is
telling all of these notes because he can make um
captures on the Instagram, like I.

Speaker 2 (29:18):
Ain't gonna like that second line, ship.

Speaker 1 (29:26):
I start you got it here?

Speaker 3 (29:28):
I love jelly Roll, got on there like in jelly Roll,
he giving you country, Wayne gave you. Don't forget. Wayne
was doing collass with all these rock people back in
the day.

Speaker 1 (29:39):
People didn't like that, and I did before the rock
album was Fire you mean I love I love that
rock album and people were like, man, you told you
talking about the rock album.

Speaker 2 (29:48):
That rock album. If you go back and listen to
it was nice dog.

Speaker 1 (29:52):
It was nice. I mean, I don't know, I just
thought he did a great Nobody doing it like.

Speaker 3 (29:56):
Wayne Bron Wayne always in the grass.

Speaker 1 (30:00):
Wayne is Wayne is probably my second or third, second
or third.

Speaker 2 (30:03):
My goat is a little different. I mean, you know, you.

Speaker 3 (30:07):
Go do the yo.

Speaker 2 (30:08):
Your goat is retired. Your go this done.

Speaker 1 (30:12):
My goals last album was a ten out of ten.
Four four four is a ten out of ten. Your
last it came out ten years ago to Don't Matter,
You'll go down, you go, you can't Nobody, Jersey and
the Raptors.

Speaker 2 (30:24):
Your go is done, Your rafters.

Speaker 1 (30:27):
The Raptors, you go to j Mouth cool, it's Rafts.

Speaker 2 (30:34):
Go man, your goat is done. What do you mean, hop.

Speaker 1 (30:39):
Nobody has never done anything like Hope has done Nobody
And that's just a fact, bro. Some of these are
come on, man.

Speaker 2 (30:47):
Yo yo, yo, goad your god.

Speaker 4 (30:51):
Your goal has never been the biggest rapper in the world,
the hottest rapper in the world ever. Every every error, shoot,
every era, every era, there was a nigga hotter than him.

Speaker 1 (31:04):
The police, right, I'll say this, I say this, I'm
gonna keep it. I'm gonna just keep it. A buck
jay Z changed the way culture dressed well. He said,
we putting the Cameron, but that all the time that
I following choice, I wore the.

Speaker 3 (31:32):
Way to go, tap me up.

Speaker 1 (31:34):
I would no, No, it was closed. It was it
was closed. Everybody had everything. He said, Bro, he moved
the culture. Anytime jay Z said a word, it shifted everything.

Speaker 3 (31:48):
He killed him.

Speaker 1 (31:49):
He said, he shifted it. I'm telling you.

Speaker 2 (31:51):
He was the highest selling artist.

Speaker 1 (31:54):
Bro, You're in the highest selling. He released ten summers
all platinum, ten sellers in a row, all platinum. But
I guarantee.

Speaker 3 (32:07):
Here we got.

Speaker 1 (32:11):
All platinum. End of the road, ten summers. I come out,
but it's like it was the number one album. It
was times when he saw more records, and I know
who saw more records, Nati. It was time every time
he came another nigga. That was the toughest era to
come out. He had your ghats, ain't got nobody to
compete with. He was going against the best. He had

(32:31):
to go against Navs, he had to go against Nelly,
and it was good. It was good coming in second.
That is the toughest era to ever come out. Y'all
got to deal with dudes that saying, wait.

Speaker 3 (32:46):
Are you kidding me?

Speaker 1 (32:47):
Are you kidding me? Like Future? Can you your go?
Future came out with six nigs sound like him. It's
it's it's it's literally six dudes that got record contracts
that sound just like Future. How hard is that to be.

Speaker 3 (33:00):
The best bird there?

Speaker 1 (33:03):
His best song, his highest selling anything, how to get
with a light skinned dude from Canada? He ain't never
sold more than when he got with Drake. So what
jay Z ain't never had the team up with nobody.
He's standing there by hisself.

Speaker 2 (33:17):
Set out James the man all I.

Speaker 1 (33:21):
Said he was united. I never said selling out. I
never said. And then he got with it, and then
he got with his wife.

Speaker 2 (33:35):
He got and he married, he married. He ain't getting
no thoughts pregnant Nigga. My goal see on Beyonce and
got her back and got her back is you cannot
say nothing about jay Z. It's not it's nothing.

Speaker 1 (33:52):
He has sold out. Future couldn't fill up the corner
of Soldier Field, the corner of it.

Speaker 2 (33:58):
Michael and he also side Rick Ross, Rihanna listen probably
the West, Yeah, like bro, yes, yo go now can
I go?

Speaker 1 (34:09):
Can I talk?

Speaker 3 (34:10):
You did that?

Speaker 4 (34:13):
First of all? Future cannot compare to the jay Z
future is my goat. I'm not trying to compare that,
so don't. Okay, that's not what we're gonna do. But
your goat went up. I listened to watch The Throne
where I listened to your goat, and I listened to
Kanye West, a producer, and I saw that nigga get
out wrapped on on a lot of them tracks.

Speaker 1 (34:33):
We know who helped out. You don't think somebody help
out Kanye. They wrapped back Nicki, Minajo, Monster. Y'all don't
think who help him right their wraps. You don't think
you think you stop playing? You think you think, Oh
my god, y'all are y'all telling me? Are you your

(34:54):
mouth to say that Kanye West? You can, you can
drop better.

Speaker 2 (34:59):
Than your lost the rap bat, you your go lost? No,
he lost better than everybody you named.

Speaker 1 (35:07):
What are you? He beat him saying you act like
you go. They got no blemishes. He lost, he lost,
It doesn't matter, That's what I'm saying. He he lost,
He does bro like he lost the fucking he got somebody,
but he got a verb. I mean, whoever lose if
a good rapper lose good if a good rapper lose
and something more.

Speaker 2 (35:27):
Dude when I talked, So I'm not going to just
yell you out though. Okay, you have a conversation.

Speaker 1 (35:32):
One Mike saying on the podcast, if a great a
great team, or a great person is gonna lose to
somebody else, great, All I'm saying is you act like
the man is unblemished and I'm sitting here. He went
into a rap battle against another rapping ass nigga from
the same city as him and got it.

Speaker 3 (35:48):
Took an l but okay, but can he got a
verd say why jay Z is the biggest rapper in
the world.

Speaker 1 (35:55):
He is, I'm not. I'm not denying.

Speaker 3 (35:56):
That's where then argument started. You said he's not just
because he always jay Z understood that the money in
the longevity is not in the music when it's hip hop, right,
because the other genres are not gonna allow that for us. Okay,
So what he has always been smart enough to do
is put hisself in positions of power to shape the culture.

(36:20):
That is why he is always going to be the
most powerful in the biggest and what he does not
do when you look at people like the other people
y'all name, even when we talk about Lil Wayne. Lil
Wayne is a rapper's he's just now getting his business bag.
He's a rapper. Jay Z is a businessman. Jay Z
only comes out and raps when he wants to when
it is beneficial for him. That is it to keep

(36:43):
him relevant. He don't drop a whole bunch of albums.
He ain't doing a whole bunch of features. So he's
smarter than that way to understand, I'm always gonna be
the top of everything because I control it. You know
what I'm saying. He has put itself in position to
always control it. So no, he may not, he may
not sell the most records out of the people you name,
because but he also is not supplying music to the

(37:04):
market like the other people you name, because he's bigger
than that. He's controlling the market. He not even trying
to sell the ship he owned the store. Is that
what I'm trying to get you all to see. So
that's why he always But when I come.

Speaker 1 (37:17):
To what you're saying out of your mouth, and the
jay Z success comes from what he was saying, all
of that stuff happened. All of the store that you
say that he owned was built off of the words
that he.

Speaker 3 (37:30):
Was absolutely built off the worst and hit records. It
was absolutely built. But we're not gonna sit here and
act like jay Z did not become the president of
Death Jaim As a rapper, when you put yourself in
those type of positions, you are controlling the budget of
your competition. You are controlling drop dates of your competition.
So if if we're gonna talk, you know what I'm saying,

(37:53):
I'm gonna always be I'm gonna always put myself in
the heart.

Speaker 1 (38:00):
Because because I'm gonna tell you just from a simple pack,
simple as this. Whatever you that's like somebody saying, that's
like somebody saying like, oh okay, Kiki. The only reason
you good, and the only reason you good is because
it's because you are working for iHeart. It's because of
it's because you're doing this. No, it's the talent that

(38:22):
you put on the flow. That's what gets you in
the rooms. And ain't got nothing to do if you
the president of the Death Jam, it doesn't. It was
a lot of great artists over there at Death Jam.
They put you because they know you know what you're doing,
they know what's happening. Everything Jay got was because of
the amount of sales and what he was saying out

(38:43):
of his mouth. The brother just can rap, it's just
what it is.

Speaker 3 (38:47):
Care about He's not. His focus was not just rap.
So niggas who just rap all the time, that's not
fair because jay Z ain't. He don't care about that.
He is so his his mindset is so much bigger
than that. And that's why I'm saying he's always going
to be the top rapper. He's always going to be
the biggest name in hip hop because he has put

(39:08):
himself in position to always be that, whether he dropped
music or not. So to compare him.

Speaker 1 (39:13):
To people, I get what you're saying. He just was.
I just every time he dropped, every time he dropped,
understand you, every time he dropped. These are just this
is a fact.

Speaker 4 (39:25):
And the fact is every time, every time, every summer
dropped and every and every time I'm just making that up,
and every summer he drops, he wasn't the highest hip
hop artist rapper of that summer.

Speaker 1 (39:39):
The most impactful records This again again what y'all say
not Like was his highest selling record six million copies.
Marshall Mathews came out the same year thirteen million, one
of your white man they could rap.

Speaker 3 (39:52):
Now he can wrap this up.

Speaker 2 (39:55):
Lauren Hill came out to that same year.

Speaker 3 (39:56):
Years you could wrap this up because now you just now,
y'all just say.

Speaker 1 (40:00):
Yeah, you just trying to you try to third third
is good consistently. My thought, my thought is this my thing?
You get?

Speaker 4 (40:08):
You get controlling, trolling. I'm trolling.

Speaker 2 (40:14):
We know he to go.

Speaker 3 (40:16):
I'm trying to go. I'm talking say my goat to go. No,
I just when it's time to go.

Speaker 1 (40:22):
We know jay Z used to go. We just im trolling.
Y'all got my presh up. He was about to pass out.

Speaker 2 (40:29):
I'm going crazy.

Speaker 1 (40:33):
I am going. I just wanted him to say that
one more like Okay, Now that y'all pissed me, Back
to our regular schedule program Air. Pierre Tianna Taylor break
the internet as they confirm their relationship at bt uh
surprise birthday party, them kissing.

Speaker 2 (40:54):
I don't know why this is a big deal. We
all knew it.

Speaker 1 (40:56):
They go together.

Speaker 3 (40:57):
Yeah. I like this for her. I like this for him.
I mean it's dope. They I like to see them
and I love to see Tiana getting back into music.
I really hope we support her this round, like, like,
I really hope she gets all the things she needs.
That last album to be successful because she's so dope.

Speaker 1 (41:15):
They did her dirty on that last album. The one
I liked. The last album she did before this one
was good. The song that we heard and the BT
Awards was fire.

Speaker 4 (41:25):
So I don't know what the issue is with because
it seemed like people want to see her win. I
don't know see the issue. I think is it a label?

Speaker 1 (41:33):
First?

Speaker 2 (41:34):
What's the problem? That was the problem?

Speaker 1 (41:37):
And that album that she gave that came out on
that I thought that was good. I mean, I've never
thought that that Tianna Taylor project has been trash. Ever, No,
I think she's always had solid, solid stuff. I'm glad
to see her back acting. Though. If I to be
honest with you, if I had to pick what I
wanted to hear for Tianna Taylor to be acting, I
think she's a powerful actress.

Speaker 4 (41:59):
One thing you're gonna do is get somebody's script. You
always want somebody to ask. I don't know why you
always try to put people on doing what she needs
to that'll be good for her. She needs to act
in her own drama.

Speaker 2 (42:15):
Who shot me? See that music that she needs? You
can do a stage play?

Speaker 3 (42:22):
That's crazy. How y'all am laughing at the black woman
a getting.

Speaker 2 (42:26):
I just can't handle while we just can't. I gotta
be a black one.

Speaker 4 (42:31):
Because you turn it into a different thing when you
say that what it is? It's okay anywhou.

Speaker 3 (42:40):
Yanna Taylor gets all her things in this lifetime. She's
a creative genius, and I feel like she deserves everything good.
I don't know that, lady, but that's how I feel. Yeah,
I don't know a person that just that's how I feel.
I'm rooting for her.

Speaker 4 (42:55):
I'm rooting for the other dude too. What's the Aaron
pr Yeah, hopefully he gets some good little rolls or something,
because we don't.

Speaker 2 (43:03):
Know what he walked down. He walked down that hallway
and got on with That's it.

Speaker 3 (43:08):
That's it.

Speaker 1 (43:09):
It was moved Foss.

Speaker 4 (43:11):
But we didn't see him, you know what I'm saying,
Like we just heard his voice. I didn't know he
was moved Foster until I saw the hallway.

Speaker 3 (43:18):
He is in Marvel? Is that Marvel?

Speaker 2 (43:20):
Is that out already?

Speaker 1 (43:22):
Oh?

Speaker 2 (43:22):
Okay?

Speaker 1 (43:23):
What do you say? Rider?

Speaker 2 (43:25):
Rider City Green that's DC.

Speaker 1 (43:28):
That ain't Marvel. Okay, So d c Hes gonna be
the black green ladder. Now I'm with that. Hopefully he
could do if he can't act, is that effective relationship
with the movie goes the movie goes.

Speaker 4 (43:43):
Bad, like, oh, let me tell y'all something when when
women think you fine, it don't matter if you can't.
That's so true because you know how he had my
pressure get up for the right. They don't care. They
don't care, they don't care. Let me tell you, More's
chestnut play the same role and every movie he put
on a suit, he.

Speaker 2 (44:02):
Oh my god, ches play the same man in every movie.
They love him.

Speaker 1 (44:07):
You don't think more chess.

Speaker 2 (44:08):
Look at I didn't say that.

Speaker 3 (44:11):
I didn't say that.

Speaker 2 (44:12):
I didn't say that. You see how tone do you?

Speaker 4 (44:17):
I said, it doesn't matter if you if women like you,
And then I said more No, I said, he plays
the same role in every movie. He's the same guy.
He's the handsome black dude in the suit love interest
in every movie, even when he was the doctor in
the new series here, he just he just plays More's chestnut. Yeah,

(44:37):
He's just More's chest nut in every movie.

Speaker 1 (44:42):
First of all, do not ever put me more Chester
the same, y'all.

Speaker 3 (44:48):
Just walk in the room, cut and ball like, yes, great, y'all,
he's brilliant, disrespectful.

Speaker 2 (45:07):
Time I spent in learning radio, that's about Rady.

Speaker 3 (45:15):
I'm about acting acting radio. When you started, they couldn't
see you. So I believe that you put in you
earn everything you got in radio. They couldn't see you
back then. Your look skinned to do it. But that
actor you walked on that Monique said yes, get it
the wrong absolutely, give it to his brother too. Audition,

(45:41):
just walking the room, ball and cute.

Speaker 1 (45:48):
All right. Judge denies Diddy's lawyer request for another mistrial.
This is the second time it's been denied. They are
trying to get Diddy out. A lot of people think
that Diddy. Uh, they will whisper there her. You know
people were talking about, you know, at BT about Diddy's case.
You heard people.

Speaker 2 (46:04):
Talking about a lot of people think Diddy's gonna get off.

Speaker 1 (46:10):
No comment.

Speaker 3 (46:12):
I'm nervous because.

Speaker 1 (46:14):
Here's the thing.

Speaker 3 (46:15):
I don't have any faith in our justice system. So
if you get off, I don't want to come look
for me. So I don't have I don't really too much.
I just want to watch this case play out, and
I don't want to keep comment on it.

Speaker 4 (46:31):
He I don't know what's gonna happen. This case confused
me so much and it quit. They now they interviewing
his girlfriend. They're gonna interview this person, and I mean
not interview, they gonna whatever it's called when you put
them on the stands.

Speaker 2 (46:43):
It's just a lot.

Speaker 3 (46:44):
It's a lot.

Speaker 4 (46:45):
And we fast forward to the end, right, I just
want to fast forward to the Like if this was
a series, I would go to the end and see
what he was.

Speaker 1 (46:54):
It's dragging out. I mean I only think I didn't know.
I just didn't.

Speaker 2 (46:58):
I found out.

Speaker 1 (46:59):
People are like there, you ain't know that he was
with fifty six baby Mama, Like I didn't that I
didn't know. And I always wondered why fifty cent hated
him so bad, like I hated him before that. Yeah,
but it was it got it got bad. It got bad.
The first part was because I remember when he would
be talking stuff about it, it was more like it
was like a troll, like yo, this I'm messing with you.

(47:21):
But now it's like, you know over these past couple
of years, but of course you didn't mess with my
baby mama and got her doing some m that money, boy,
I tell you.

Speaker 3 (47:32):
Which is crazy. Ladies come home just do anything for
the money.

Speaker 1 (47:36):
Got like, how do you like in my mind is.

Speaker 3 (47:39):
Watch me dude, choke me in? How do you tell.

Speaker 1 (47:42):
Somebody like you know what, I'm gonna pay for you?
I got you, I like, I got her house, but
you gotta have I just want to watch you have
sex with another dude four times.

Speaker 2 (47:51):
That's weird.

Speaker 3 (47:52):
That's happened you weird, bro.

Speaker 1 (47:54):
I I you gotta go knock down another dude and
I'm gonna pay. But that's again what we are seeing
is what and and people don't know. And these are
these examples when people think there's actually somebody that's gonna
sell your ask you to sign your soul over, but
this is selling your soul. This is all examples of

(48:14):
when you see people selling their soul. That is true,
they do what they If you do anything that you
don't want to do, you're selling your soul. And money
and money can make people do some weird stuff.

Speaker 2 (48:28):
Let's get to this.

Speaker 4 (48:28):
I sold my sould the ups then when I had
when they had got me for them seven dollars, when
I was doing them, and I was stocking the back
of them trucks.

Speaker 2 (48:38):
What I didn't want to do it?

Speaker 1 (48:40):
What happened?

Speaker 4 (48:41):
And they was paying me seven dollars hours. I didn't
sell it for Ups. Yeah, I used to work for ups.
What did Brown do for you?

Speaker 1 (48:46):
They make them?

Speaker 2 (48:48):
You work for ups, you better stop it. I wouldn't.

Speaker 4 (48:51):
I didn't have an outfit because I wasn't. I wasn't
delivering your SAC and US outfit exact.

Speaker 1 (48:58):
No, I didn't.

Speaker 2 (49:00):
I was loading trucks, so they still kept you in
like a brown joint.

Speaker 1 (49:04):
I didn't. I hadn't worked my way up to a driver.
They're the only people that wear the brown joint.

Speaker 4 (49:09):
Yeah, just the drivers. You can wear whatever you wanted
when you loading that truck and you just you just
loaded it up. I was eighteen and I was loading trucks,
trying to make a little money. Then I realized that's
when minimum way was seven dollars and twenty five cents,
and that's what I was making.

Speaker 2 (49:24):
When my check came.

Speaker 4 (49:25):
After two weeks, I'll never forget, it was one hundred
and seven. It was something crazy low. And I said,
as hard as I just slay, I can beg for
this and I quit. I walked off on the shift.

Speaker 5 (49:41):
The he.

Speaker 3 (49:43):
I sold my soul once too to KFC. So I
had got an opportunity to sell knives.

Speaker 2 (49:54):
Cut coke I did.

Speaker 3 (50:02):
I was so excited.

Speaker 1 (50:04):
Don't tell me you bought the knives.

Speaker 3 (50:14):
They said. I had an interview, and I was so excited.
I dressed up. It was an office building with no
no address on it, and I went in. There was
a little couch and they set me down and they said,
you got invest in yourself.

Speaker 1 (50:26):
And so.

Speaker 3 (50:28):
I have no money to buy the night I was
gonna buy the knives. I have no money, so I
called my sister, like you know, they said that. I said,
it has been great.

Speaker 1 (50:36):
They get that.

Speaker 3 (50:37):
They offered me the job.

Speaker 1 (50:39):
I just got to pay for my quitnes. You don't
get you.

Speaker 3 (50:57):
I was so sad. I cried, I.

Speaker 1 (51:01):
Want to let me be great.

Speaker 3 (51:04):
She don't want to invest in me. I don't believe
in me.

Speaker 1 (51:17):
You don't believe in me.

Speaker 3 (51:19):
You don't get yours.

Speaker 1 (51:23):
Somebody told you you got a job. You gotta buy
product seller. Oh my god, Oh yeah, you know.

Speaker 2 (51:34):
I ain't gonna lie, I did. I try. I try
to do it too. I try to do it too.

Speaker 1 (51:38):
I try to do we all feel for I fail
for it. I said, I got a bye what I NAHM.

Speaker 2 (51:45):
Like, No, you guys was expensive too, I said, I
can't buy that.

Speaker 3 (51:48):
Make sure you it cut a penny. Yeah, I got this.
I'm gonna sell that hell out these starts Y'allut she
did not believe in me. She did not invest my god.

Speaker 2 (52:01):
So look, I'm gonna tell you. I worked.

Speaker 1 (52:04):
I for a day.

Speaker 2 (52:06):
Oh you did well.

Speaker 1 (52:07):
I was good.

Speaker 2 (52:07):
I was good for walking out of jobs back then.

Speaker 1 (52:10):
I was. I was.

Speaker 2 (52:11):
I was a walkout. I was never I do.

Speaker 1 (52:13):
I wouldn't walk out in the middle, but I definitely
would do a day. And if it was some bullshit,
I just I just stopped. I worked at now. I
like McDonald's. The McDonald's was cool. I had a great
time at McDonald's.

Speaker 3 (52:25):
What was your position? Was you over the fries?

Speaker 1 (52:28):
Mcdond cook?

Speaker 2 (52:29):
I was a cook every time.

Speaker 1 (52:32):
McDonald's was cool because the McDonald's I worked with had
bad chicks head So I just dated the chicks at
the McDonald's and then I had to quit to play football.
Then I went and I tried to work at Burger King.
Today I hated Burger King. I hated the people that
was working at They were fun. They was too serious.
So I quit that. I worked at Taco Bell for
a day that I hated that.

Speaker 2 (52:53):
That was just too it was too they were too mean.
It was too mean. People was mean to me. I
was gone because I knew.

Speaker 1 (53:01):
I remember that the worst one was like the worst
one was like was I hot?

Speaker 3 (53:07):
I hot?

Speaker 1 (53:07):
Was cool? But the lady was training me and I
had like, you know, they making they get you. You
get the dude fixing the plate to do all of
that stuff. And I gave a lady some you know
how bacon stick together? You know how, I kind of
you kind of like you know what I mean? So
I get they have a certain amount of banking bacon
and I gave her.

Speaker 2 (53:26):
I just it was like two pieces of stuff to it.
I was like, and gave it to it.

Speaker 1 (53:30):
The lady let me have it over two pieces of
over two pieces of bacon.

Speaker 2 (53:35):
I was like, nope, I ain't coming back.

Speaker 1 (53:37):
But their funny parties when they called me and was
telling me, they was like, yo, we need our shirt back,
we need our shirt back, and you go, you know
we're gonna take it out your check. I was like,
I ain't make nothing, I ain't giving you nothing back.
I like this shirt.

Speaker 3 (53:51):
Actually yeah, them jobs didn't play about them uniforms by.

Speaker 1 (53:55):
Yeah.

Speaker 3 (53:55):
I got my too. I got my KFC stuff, my
name tags.

Speaker 4 (53:58):
Everything, Zach, what was you gonna say when I quit
a couple of jobs? I walked out. I walked out
on Hollister. Once you worked at Hollister, I worked at
Hollister that's white and very white, and they don't let
black people. They didn't let me in the front, so
I had to like fold close. I didn't realize how
racist was too, but they never let me in the front.
So I worked there for about two weeks and I

(54:19):
was folding closed. I was a freshman, so I was
trying to sow the sigmas at our at TSU through
a party called the Damn Near Naked Party. This was
a legendary party from which you heard you know what
I'm saying, Especially as a freshman, you'd be like, man,
everybody in the naked and I never forget. I got
off at eleven o'clock. They said, if you don't get
to the Damn Near Naked Party by ten, your ass

(54:41):
is going to be outside. I said, f this job.
I left at nine thirty, went to the naked party
and they called me. She said, you'll never be able
to work at Hollister again.

Speaker 3 (54:51):
I said, everybody Mau's naked man, everybody's I don't care
where I work.

Speaker 1 (55:02):
I am twenty years old, I was.

Speaker 2 (55:05):
That's my freshman year. I was eighteen. That was my
freshman year.

Speaker 1 (55:10):
I didn't care.

Speaker 3 (55:10):
I wish I was, like y'all, I took my first
job way too serious. I take all my jobs way
too serious. That's been my problem my whole life. I
take it way too serious. Like I started at KFC
and I had that job until I go's the radio
because I was serious. I was a manager.

Speaker 4 (55:27):
You always say that she was a manager, and you're
so proud I had that job.

Speaker 1 (55:32):
You know I was.

Speaker 2 (55:33):
I was the manager. You know you know what I mean,
I'm the manager.

Speaker 4 (55:36):
You know how like that old niggas be telling you
about when they hooped, that's how you talk about KMC,
you know, back in the day.

Speaker 1 (55:45):
You know what I'm saying, It was me and I'm
the manager.

Speaker 2 (55:53):
Yeah, good days. Yeah, but that's true.

Speaker 3 (55:57):
Like how y'all could be Like I walked out a
job I walked up.

Speaker 1 (56:00):
Is I want?

Speaker 3 (56:00):
I was like, I take everything too serious, like I
need to start living Like this.

Speaker 2 (56:06):
Made me leave, So you're mean to me once I
had to.

Speaker 3 (56:09):
Go, And that's crazy. I get hazed on every job
that I say.

Speaker 1 (56:13):
You know what I'm saying.

Speaker 3 (56:14):
I work my way up to the top. I'm tired
of that. I need to do, like y'all, y'all walking
out telling people going to naked parties. You know what
I mean, naked parties. I missed to go to work.

Speaker 1 (56:24):
Oh man, that's crazy, that's crazy. A last one, how
about this? It was something that went viral on threads.
What are some of the disadvantages of dating? You me disadvantage, Kiki.
We know there's no disadvanced dating. Well, you better tell

(56:47):
him you can't wear heels.

Speaker 3 (56:48):
Who can't with you?

Speaker 1 (56:54):
So you gotta get ready to catch it with long skirts?
Like help you like flats?

Speaker 3 (57:00):
No, you ain't like that.

Speaker 1 (57:02):
No, I don't care.

Speaker 2 (57:03):
I don't care.

Speaker 3 (57:05):
Keep shrinking. Though his wife got something going on, I said,
God damn, she either got taller or Kevin that got shorter.

Speaker 2 (57:13):
No, it's just they just take a lot of Kevin.

Speaker 1 (57:16):
Kevin Hart is a short guy, like, he's really short, taller.
He comes up to my shoulder. He really, I swear
Kevin Hart is a short guy.

Speaker 2 (57:31):
No, you are, Ryan. I remember.

Speaker 4 (57:33):
I'll never forget this day ever in my life. I
was at my This was a cracking every Thursday, my
cracking that it was the party, okay, Kevin Hart was performing,
was in the city doing stand up. I will never forget.
I was walking to the v P. I was turning
away talking and I turned around and I bumped into somebody.
I said, I'm looking up because I'm so it's me.

(57:54):
I always look up to people excuse me. And I
looked at it.

Speaker 2 (57:59):
And I swear it was Kevin Hart.

Speaker 4 (58:00):
He was right here. He was right here. I'm five seven.
Kevin Hart has to be about five to two five three.

Speaker 2 (58:10):
Kevin, You sure got r teed, Sure guy all that time.

Speaker 3 (58:16):
Sure, but my money loan.

Speaker 2 (58:17):
But it don't matter.

Speaker 1 (58:19):
He's rich as hell and talented. Yeah, he got your favorites.
They got him listed as disadvantage. Come on, Zack, come on,
other than you say you think being being short as
a disadvanta. They got him listed as five You say,
you said, well, I said, disadvantage ain't no disadvantage.

Speaker 4 (58:37):
If you date me, you're gonna be loved, You're gonna
get respected, you're gonna get treated right. Uh, you know
what I'm saying. A lot comes with that. You know,
you're gonna you're gonna cuddle, you know, napdates. Take a
nap date, naupdates.

Speaker 2 (58:57):
You know you're gonna get it. Ain't nothing, it ain't nothing.
It ain't nothing. It's nothing bad. Mine's time.

Speaker 1 (59:07):
Mhmm. Mind style.

Speaker 2 (59:09):
You think it's you don't have time today.

Speaker 1 (59:12):
No, it's just I don't have a lot of time,
a lot of free time.

Speaker 2 (59:15):
I don't have a lot of free time.

Speaker 1 (59:16):
And I don't think people like like to they get
in it, they see all of the stuff that I'm doing,
and then when they like it's cool, like yeah, and
then when when they in it, they like, oh, like
like you realize I do got three kids, realize you know, like.

Speaker 2 (59:33):
An tell you not to come with me or you
know what I'm saying.

Speaker 1 (59:37):
No, it's when it's kids like especially for me, because
I don't get I don't get off of with my kids.
I don't mix it ming on my kids with with
my dating at all. I try not to, you know,
what I mean, unless it's a babysitter, I need to
hold me down for a minute while I go do
something else to make money.

Speaker 4 (59:54):
Now I'm gonna come with me, or I mean to
like work stuff, Like if I gotta do something somewhere
and it's not like, you know, somewhere, she can enjoy
herself too, I'll be like, just come with work or
conscience concerts, hosting things.

Speaker 2 (01:00:07):
You know what I'm saying. I would. I used to
always be like, just come with me, and so you
would bring you were bringing the person was dating to
like a big jam.

Speaker 4 (01:00:17):
Not not big big jams, a little too much going
on in the back for that.

Speaker 2 (01:00:22):
But like, let's say I was hosting.

Speaker 4 (01:00:24):
Uh talent show somewhere or something at a high school
or something, I would bring her.

Speaker 1 (01:00:32):
I can't. I did had.

Speaker 4 (01:00:33):
If I'm doing a comedy show somewhere, you can bring
the comedy shows, yeah, you cold with me?

Speaker 1 (01:00:40):
No, I just can't because it's just I've had it
just go wrong. I get that too.

Speaker 4 (01:00:46):
I think I'm turning more into that of what you're
saying because I've seen I've seen the era in that
in those ways people around, especially if they if they're
not secure. They can't they can't handle it. And you'd
be like, you know what, everybody needs to stay home.
Everybody staying home because you got relationships. I remember, like
especially when I was in my host and club era,
like a lot of whole era, and you know, you

(01:01:08):
know the bartenders, you know all of the you know
the girls that come on a regular you, Hey, what
up y'all?

Speaker 1 (01:01:13):
You having real conversation, But they just people you're cool with.
Oh I saw you talking to that bartender for a
long time. They know what y'all got going on. She
was smiling and she was giving you drinks. I was like, uh,
I've been knowing her for like six months and we've
been cool. Ain't nothing happened with me and her? And

(01:01:33):
you tripping about you? You hear one day making a
judgment on six month friendship. So those times that for me,
it's just time. Though, it's just time.

Speaker 3 (01:01:41):
Yea, there's a million disadvantages today me So made the
strongest man win what, Yeah, made the strongest life. Because
that's like I'm locked in because ain't nobody gonna deal
with that your mouth, you know what I'm saying? Your
career on.

Speaker 1 (01:02:00):
That, you know, wigs, your wigs.

Speaker 3 (01:02:04):
Yea, I lashes all over the house. You know what
I'm saying. I don't know. I'm a good woman, I
got a good heart, but I don't know if I
would even date me. Yeah, you know what I'm saying.
I just moved to be my own drum. I make
plans and then tell you what we're gonna do.

Speaker 1 (01:02:23):
But the same time, that got you never You gotta
be careful for women that gott brothers. Those those are dangerous.
Those are some of the dangerous, most dangerous women on
the They got brothers, sisters. Yeah, it's cool, but the brothers,
especially if they older than.

Speaker 2 (01:02:44):
Her, tough.

Speaker 1 (01:02:45):
Why because your brothers then gamed you up. And your
brothers then gamed you up. And you have always the.

Speaker 3 (01:02:53):
Brothers And I'm the only girl. I was the only
girl in now.

Speaker 1 (01:02:55):
Right, So there your brother So that's who you play with,
that's who you hate out with. So you got they
gotta they got ways in the city.

Speaker 3 (01:03:04):
But a good man will soften you up. A good man,
Okay with that, I can't but for real, and it's
so true, y'all see me with my man, I'm not.

Speaker 2 (01:03:17):
A real that's because that's who you are.

Speaker 3 (01:03:19):
I love being a girl, but that's who you are.

Speaker 1 (01:03:22):
Kiky.

Speaker 2 (01:03:22):
Ain't no man softening you. I hate when women say.

Speaker 4 (01:03:25):
That a good man will make you a change you
either you are or you ain't.

Speaker 2 (01:03:32):
Ain't no good woman making me more.

Speaker 3 (01:03:33):
Mask bring you, it'll bring it, It will bring it
out of you.

Speaker 2 (01:03:37):
You think you should be consciously try to turn it off.

Speaker 3 (01:03:41):
But see if you're not doing your job as a man.
I can't turn it off.

Speaker 2 (01:03:44):
What is your job as a man?

Speaker 3 (01:03:45):
Because it's the thing on Graham now where girls like
who gonna be the boys? Because y'all want the same thing.
We won't at this point treated dwine and dying doors open.

Speaker 1 (01:03:55):
Uh, you know the saying that's what.

Speaker 2 (01:04:02):
I don't know what.

Speaker 3 (01:04:04):
Y'all want us to bring the same thing to the
table that y'all bring. Y'all want us to do work
like y'all work. It's just unbalanced, and so you gotta
find a partner that will.

Speaker 2 (01:04:15):
Help you bring y'all selected feminism.

Speaker 1 (01:04:17):
No, we don't, y'all have select y'all y'all want to.
I want to be treated like but no, I'm a boss.
I wanted to do that, but but at the end
of the day. Look what y'all have led us. But no,
the thing of it is, it's not It's not that
I said all the time about regular life.

Speaker 2 (01:04:37):
Don't be dramatic.

Speaker 1 (01:04:38):
It's economic. I'm gonna get to she don't say anything,
she said she.

Speaker 2 (01:04:44):
When she started doing this. None, So she said, look
where you have led us. Don't fall board, don't but y'all.

Speaker 1 (01:04:52):
Have led us to me to movement. Look at out
we wrap us up. We got an hour five minutes.
I'm not doing that now.

Speaker 3 (01:05:06):
Don't stand talking about I named Jane. Do we let
y'all be in power. That's the problem. So we need
women executives. I gotta, I gotta. We're gonna speak for
the women in radio. If I don't, y'all got to
having to Wendy Wendy Williams.

Speaker 1 (01:05:25):
I gotta.

Speaker 3 (01:05:27):
I gotta be the girl. I gotta step up and
pave the way to take the women. And I don't
want to have to be real, but I got to.

Speaker 1 (01:05:35):
She did all drugs and you trying to blame dudes me.
She had that powder, all right, man, Look gotta do
it for no final thoughts today, Okay.

Speaker 3 (01:05:46):
No, No, I want to apologize to Pat Poofs. I
want to apologize, Pat Pools. I'll be playing a lot
with Pat Poofs, and he don't deserve that. He liked
my picture on Instagram, so I know.

Speaker 1 (01:05:58):
He you got apologize. I told you we're good.

Speaker 3 (01:06:03):
I'm sorry you are.

Speaker 2 (01:06:06):
You saying he don't look like he wear the same outfit.

Speaker 3 (01:06:08):
That I'm not. That's why I'm not trying.

Speaker 1 (01:06:22):
I'm not listening to no more of these conversations.

Speaker 2 (01:06:28):
Apologize, all right, Zach, no final thought?

Speaker 1 (01:06:32):
Good night?

Speaker 2 (01:06:33):
Can I read him? You get mad? I get mad? Y'all?
You maybe mad one time? It's fine, knob over it.

Speaker 1 (01:06:41):
You said something about jay Z that you was trolling,
all right, physical sales bastard. Yeah, all right, don't forget
to check us out. If you missed any episodes, go
watch him back. Also, you know T s R Live
we will be on tomorrow. Check that out stream stream
stream and also remember what more can we say?

Speaker 2 (01:07:04):
Hey, g C I