Clipse Album Review, Drake's New Tattoo, UNO Coming to Las Vegas, Does Ciara Have Hits? & More!

Tone Kapone, KeKe, and Zach Boog talk Clipse Album Review, Drake's New Tattoo, UNO Coming to Las Vegas, Does Ciara Have Hits? & More!

Episode Transcript

Speaker 1 (00:00):
Welcome to a Welcome to the one more can I
say podcast? Ever?

Speaker 2 (00:03):
So right, oh two forty damn, that's a lot of those.
I'm wearing my sunglasses. And because I gluten poisoned myself
pot found earlier this fine morning, on on whatever day
this pod lands on. But I, uh, yeah, I poisoned myself.
So this is gonna be an interesting pot. I might

(00:24):
have to falls it and get up and go to
the bathroom.

Speaker 3 (00:27):
All right.

Speaker 2 (00:27):
That lady over there laughing at my gluten poison and
she's the first lady of the pot only lady that pod,
and she is fluffy and find her name is what's up?

Speaker 1 (00:37):
Give me? Hey?

Speaker 4 (00:38):
Okay, I got your cake, I got your okay, I
got your Oh.

Speaker 1 (00:44):
Oh oh that key? What are you doing here? Do it?
Stop doing that? It's stop that. So hello, Hello, how
was your weekend?

Speaker 3 (01:00):
It was fabulous? It was amazing.

Speaker 1 (01:02):
Where'd you go?

Speaker 5 (01:02):
I hung out with my best sies and I went
to see Country Wayne and.

Speaker 1 (01:07):
Prov Country Wayne.

Speaker 5 (01:09):
Yes, shout out to Country Wayne, super nice guy, dope show. Yes, Yes,
very country and rich. Definitely squad country and rich.

Speaker 1 (01:18):
You like that though?

Speaker 3 (01:18):
It was wonderful And then uh, Sunday I don't do nothing.

Speaker 2 (01:23):
Okay, the Lord's Day and that guy asked Kik what
she did this week and said, okay, okay, that.

Speaker 1 (01:33):
Is the funny man of the bro Zach book. What up,
my guy?

Speaker 3 (01:37):
Now, what did you do this weekend?

Speaker 1 (01:39):
Oh?

Speaker 4 (01:39):
I went to the Socks game. I went to Sox
game on for free Friday and Saturday. Did win Creek
and judge the talent sing for one hundred K competition
Friday night and Saturday night.

Speaker 1 (01:50):
And then on Sunday I went to Soxs game, not
for free. I did pay.

Speaker 4 (01:53):
I bought my tickets, but Sox tickets weren't that bad.
I got three good seats in one hundred level, four
hundred dollars.

Speaker 1 (01:58):
Wow. Three tickets. Wow. Yeah, so I did very well. Yeah.
Now did I argue with the people that was in
my seats for fifteen minutes? Yes? Oh.

Speaker 3 (02:07):
They didn't want to get up.

Speaker 1 (02:09):
They were all trying to sit together.

Speaker 4 (02:11):
So I was like, hey, So the lady warned me
as I was coming up, She's like you on the
other side, but they not gonna want to move, and
she's like I had to go get the help get
them to move. I said, well, I guarantee they gonna
move when I come over here. I'm about to come
over here like straight and or you're gonna see me.
And I ran in O Ryan, I said, Ryan, if
you start seeing me cussing and yelling, call.

Speaker 1 (02:30):
Security oo bit I'm about to go off.

Speaker 4 (02:32):
So I was like, hey, can y'all I'm in five
six seven, y'all in my seat.

Speaker 1 (02:36):
And they was like, oh, yeah, are.

Speaker 4 (02:38):
You know how they trying to act like they didn't know,
oh looking around and stuff. How many people you got? Hey, hey, hey,
don't ask me questions. You five six and seven is mine?

Speaker 1 (02:51):
Okay?

Speaker 4 (02:52):
Then we go sit that, we sit down, and then
they're like, oh you uh do you mind sitting here?

Speaker 1 (02:59):
What did it ma'am? I told her.

Speaker 4 (03:01):
I said, ma'am, I'm sitting where where I paid to
see sit.

Speaker 1 (03:05):
That's why I'm gonna sit. Okay, that was my seat.
That's where I'm gonna sit.

Speaker 4 (03:08):
Anywhere else y'all decide to do, y'all can do that,
but five six seven for this time, for during this game,
on my seat from the first inning of the ninth
that is yours. You can do that hell you want
to do, please leave me alone. And then her I
could tell the dude she was with kind of like
he kept talking to me because he could tell that
he started to get irritated with her.

Speaker 1 (03:28):
He went and gave a.

Speaker 4 (03:29):
Glove to Noah and everything kind of be my friend
because she was really getting on everybody nurves. She's like,
can you just do this? And I just, man, I'm
trying to sit down. I just I just wanted to
sit down and drink my beer. And it's hot. By
the time I drank my beer. Guess what it was
damn near luke warm. After I finished going back and
forth work, so I had to get another beer, but
still had.

Speaker 1 (03:49):
A good time.

Speaker 3 (03:50):
And you did not budge, You did not move.

Speaker 1 (03:53):
You know me better than that. I ain't no way
I was gonna move on principle.

Speaker 3 (03:57):
Was you sitting like you know, like you had Were
you tense the whole game?

Speaker 1 (04:00):
Though I got very comfortable. I had a good time because.

Speaker 5 (04:04):
When I get when I have to check somebody in public,
I'm on edge the entire event. Now now because like
I gotta let you know, I'm not playing.

Speaker 4 (04:11):
With you, but stop playing, like, just stop talking. That's
what I want her to do. As soon as she
shut up, I can enjoy what I was trying to do,
but you will sit down for a while.

Speaker 1 (04:19):
It was hot out there.

Speaker 2 (04:19):
That's why I don't go tonding events. It's not unless
I gotta go. It's a certain day. Like the closer
you are to the floor, the more people I've learned
loved the sport.

Speaker 1 (04:31):
So the closer you are to the.

Speaker 2 (04:32):
Action, the more if you are up, it's a good
further away from the action. It's all type of conversations
going on. People that don't even don't want to be there.
They like talking about fools. They want to know what's
going on. And I am irritated as hell because I
really came to watch the live action. I want to
hear them say switch, I want to hear the calls.

Speaker 1 (04:54):
I want to hear everything. And these dudes and these women.

Speaker 2 (04:58):
I haven't all hype of conversation. So yeah, I get that, man,
and I prefer I much rather watch sports if I'm
not close at home. Yeah, yeah, I get it.

Speaker 3 (05:10):
That's funny though.

Speaker 1 (05:11):
Oh how was Country Wayne?

Speaker 3 (05:12):
Country? Wayne was great? He is amazing good. Yeah, he
was amazing.

Speaker 1 (05:17):
You know.

Speaker 5 (05:17):
I like a comedy show, like get up there, tell
your jokes in there. Let's all, wrap this up and
go home.

Speaker 3 (05:21):
Don't keep on.

Speaker 5 (05:22):
Don't hold me hostage, but you know, like, don't please
don't hold me hostage at the comedy show.

Speaker 1 (05:27):
I have that.

Speaker 5 (05:28):
I gave you a couple of laps and wrapped this
up and he did a good, perfect time, and he
was great. His opener was great. I'm gonna figure out
his name, but he was great too. And my friends though,
they my best friend and her sister, they love Country Wayne,
so they bought VIP tickets, which I would.

Speaker 3 (05:46):
Never do for a comedy show.

Speaker 5 (05:48):
You know what I'm saying, Like you came back VIP
tickets at a comedy show because that means you are
in the front, right, But uh, I don't know if
you you've probably been to the improv. It's it's a it's
a like a it's all venue.

Speaker 1 (06:01):
So it's about three hundred people, is it.

Speaker 5 (06:04):
He kept calling it the cafeteria like he was he
was making jokes about it, but we were sitting up front,
and I was just like worried about that, Like, damn,
I don't want to have to go on Country Wayne,
because you know, you just never know what a comedian
might do.

Speaker 1 (06:18):
Like Country Wayne, don't make me one of these jokes.

Speaker 2 (06:21):
I know I look normal, but I know, but I
am really I really got some ship with me, because
if you play with me, I'm getting on this podcast,
I am going to talk some ship.

Speaker 1 (06:33):
Man. I would have loved to see that.

Speaker 5 (06:36):
I would have felt like, oh, it would have been
great though, because it's like it's country Wayne, you just
gotta eat that. But it was holding on, like, please Lord,
don't let this go wrong because I don't know why
y'all were bad tickets in the VIP at a comedy show.

Speaker 1 (06:53):
I get it. I saw some of that. I saw
that go bad.

Speaker 4 (06:56):
Do you remember when Matt Barnes and Steven Jackson what's
the name of that podcast? All the smoke all the
smoke that went bad? So Stephen Jackson, you know, he
thinks he can go and he's funny. But the person
he was talking about in the crowd, he was like, yeah,
what you gotta say. He asked the question. He had
a little joke in the question, and then Stephen Jackson
went back at him like they was roasting. Know he

(07:18):
was roasting Mickey Mickey House is a comedian. Oh no,
he didn't know. I was like, he don't know that.
I said the voice I heard the said that sounded
like Mickey. I look sure enough. He was like, nah,
but we ain't gonna talk about that Jackson.

Speaker 1 (07:35):
It was he thought he had was like, oh it,
don't get into the and he didn't.

Speaker 2 (07:48):
He had no idea. I do not want to have
no commedee. I'm not necessary any comedian on the duzz
And I just like, oh, yeah, shut your head, okay, like,
get somebody else, right, don't play with me, man, All right,
let's go aheadlet's jump into the pod, y'all. Clay Thompson
confirms that he is dated mag THEE Stallion. I actually
went to his Instagram to see the post. Yeah yeah,

(08:09):
Clay is like I did.

Speaker 1 (08:11):
I had to. I like it. I was worried about
I was.

Speaker 2 (08:14):
I was worried about Clay in the way, like, yo,
we've never seen Clay with this high, high level of
a woman. So I'm like, man, man, i'll kick your coverage.
But I like it though, man shout out Clay Thompson.
Bro Megae Stallion. That's surprised, bro.

Speaker 3 (08:30):
Happened to the other guy once she dated one of
the bulls.

Speaker 1 (08:33):
Yeah yeah, yeah. Tyler Craig Tory Craig. You call him Tyler?
Why do you do that?

Speaker 3 (08:43):
Sorry that you're right, You are right. I need to
stop stop.

Speaker 2 (08:48):
Made it all the way to the league and you're like,
we ain't knowing what the play in lifetime fitness.

Speaker 5 (08:55):
If you are an athlete, you do not like my
opinion matters. Doesn't matter at all, whether you are propping
or not. Like please understand that if I say I
don't know you and you are coming, I mean you
an athlete.

Speaker 3 (09:07):
That means nothing.

Speaker 1 (09:09):
You're not wrong. The average fan does not no who
Tory cre That's what I'm saying. The average fan you.

Speaker 4 (09:14):
Hate people and people that's not relevant. You don't you
hate old people. You have you have to be you
have to be a basketball fan and know who Toy
Craig is. I'm just saying you have to watch the
game vigorously to know who he is.

Speaker 1 (09:30):
You don't you do? You are not just knowing that
casual person like this toy Crag for the book. You
don't know that. If you're in Chicago, you do, and.

Speaker 4 (09:40):
You watch the Bulls because Kiki is in Chicago every day. Again,
there's not no who toy Crag.

Speaker 1 (09:46):
People and people that's not superstars.

Speaker 2 (09:48):
I have nothing against toy Kreb. You don't like, you
don't like not one person that's a supporting cast.

Speaker 1 (09:53):
But it's not true.

Speaker 4 (09:54):
I love supporting casts. You're just putting this on me
right now, but it's not true. I'm not gonna let
you do that. And even just in the background of
anything like they're not important. It's not your whole joke
about the people that was in drew Hill. You sure
did know those were new Those who were those people,
they were not in drew Hill. That's why I made

(10:16):
fun of them. They were really weren't Andrew.

Speaker 1 (10:19):
They did some major things they ain't got I don't
know what.

Speaker 3 (10:27):
No, what was the one public.

Speaker 1 (10:29):
Public the public announcement here with I tell you the
public announcement?

Speaker 4 (10:38):
No one smoking black could have been town in act
and nobody wouldn't know the difference.

Speaker 3 (10:45):
But that's the problem with us. We always talk.

Speaker 1 (10:51):
I don't know. All right, let's get to this. To
a couple of things from Drake over the weekend.

Speaker 2 (10:57):
Drake responsive fast of the concert chatting Kendrick, he said,
I'll drink to that. Also, Drake covered up his lebron
tattoo with the Shay Gilders, Alexander Jersey one. You gotta
stop putting other people's name on you unless they're your kids.

Speaker 1 (11:12):
But I respect it. I respect it.

Speaker 2 (11:14):
But Lebron, you gotta remember, when Drake was coming up,
Lebron is homie, one of the people he admired. Lebron
is one of them, and he gets a tattoo and
then Lebron and that friendship goes left. When I see
this Bron, I hope this light skinned dude does not
know anything, which I know he does. He is going

(11:36):
that's why it's called ice man. He is going to
get Bron some bars, some real bars, and people mad
at Drake. I've watched over the end of the Man.
Jermaine Dpre said it. Why, I just hope Drake doesn't,
you know, go at. You know, all of the stuff
that was happening, none of us got called by the
world a freaky ass nigga. None of us got called

(11:58):
a pedophile. None of us got call for months on
months on months.

Speaker 3 (12:03):
Are you a freaking in work? No, I'm not a
freak Are you a pedophile?

Speaker 1 (12:07):
No?

Speaker 3 (12:08):
Okay, then so why would you get called that?

Speaker 2 (12:10):
But still you're not gonna fill away Kiki you.

Speaker 3 (12:13):
I mean, I don't know why you came in here
on a Drake apology tour.

Speaker 1 (12:16):
Right now, I just gonna fell away you.

Speaker 3 (12:19):
So you are defending if Drake goes in on Lebron.
You're saying Lebron deserved it.

Speaker 1 (12:24):
I just think if you somebody, I don't.

Speaker 2 (12:25):
I don't never agree with people and friendship when they
betrayal in friendship. So I don't know where the betrayal
came from. But if you my man's and we obviously
know they friends because he got a tattoo on them.
Lebron showed up and shows all types of stuff.

Speaker 1 (12:40):
I mean, their friend. You could you It's impossible to
not think that they friends not friends, and.

Speaker 4 (12:45):
Nigga, you better be more than friends. You get them
tatted they should have been. They had a relationship the
way you got it.

Speaker 3 (12:52):
Every day.

Speaker 2 (12:52):
I just said, I'm just saying to me, when you
go even if even if I get mad at I've
gotten mad at plenty of people that we used to
make money with. Now I don't know what they do,
but the real thing at me is not going to
let I can't go talking about you publicly.

Speaker 1 (13:08):
I can't go.

Speaker 2 (13:08):
I'm not gonna go side with somebody that I know
talking about you. I'm not even gonna get in it.
If I let's say I don't mess with you. Let's say, well,
I don't even mess with but we used to be cool,
and you having a public beef for somebody, I'm not
going to get in it.

Speaker 1 (13:22):
I'm just gonna stay away. I don't mess with you.

Speaker 2 (13:24):
But I ain't finna, So I ain't gonna be dancing
to the song. I'm not gonna be doing all of
that unless I really don't mess with you.

Speaker 4 (13:30):
For a reason, he went to the pop out and
he was showing love to the Kendrick record. He was
dancing to it on court, the biggest record in the world,
just seeing his But what he doesn't realize, what Drake
doesn't realize. It's a couple of things. The same way
that you're a fan of Lebron, Lebron is a fan
of other people. Lebron is a rap fann. He always

(13:51):
be in the back of that car, not driving, listening
to people. Kendrick is listening. He's a Kendrick fan. I
think Lebron was saying, I don't have a dog in
this fight. I'm literally just like But I can see you,
I can know to your point. I can see why
Drake is upset.

Speaker 3 (14:08):
I get that.

Speaker 1 (14:09):
I agree.

Speaker 4 (14:10):
I'm not I'm not saying that he ain't you know
what I'm saying. But I agree with you one hundred percent.
If that's my man's I feel, I feel a way
you might listen to it. Yeah, you might listen to
it by yourself. You don't need to be publicly doing that.
I get that, but we're missing the point. Yeah, Drake
is the first man in African American history to cover
a man's name with another.

Speaker 1 (14:29):
Man's name, and we have to talk about that. Yep.
Why are you getting dudes tatting on you?

Speaker 4 (14:36):
So when that dude break your heart, you're gonna get
it find another man to put on top of you.
Stop it, Drake, that's the problem. Quit putting me in
on your arm. You don't why put people on your arm?
You don't put men on your arm.

Speaker 1 (14:51):
You don't putting nobody.

Speaker 4 (14:53):
Even when women put a man on their arm that
they used to have a relationship with, guess what they do.
They recover it with a rose. A man's name is bad,
You're gonna put another man, he said, not him, him,
what kind of not him? I'm mad at him. I
want you to get him on here, just a different
hymn because I like this him because he is my him.
And guess what when he lets you down.

Speaker 1 (15:15):
What you're gonna do?

Speaker 3 (15:16):
Yep?

Speaker 1 (15:17):
How many? How many men are you? Because that's what
it is, y'all keep giving this a passage. He talks
about the beef, that's what.

Speaker 3 (15:28):
Yeah, I don't know what tone was at this.

Speaker 1 (15:30):
What you mean?

Speaker 2 (15:31):
I know why, man, I feel honestly, I feel bad
for a dude. I don't know if he did what
did he do to cause it? That's my thought because
I don't know. I think the Kendrick is is and
Kendrick kind of said, Okay, you want to they going
back and forth, you want to talk about some stuff,
Let's get to it.

Speaker 1 (15:48):
I just do it better than you.

Speaker 2 (15:50):
Fine, But I have a problem with the way everybody
was kind of piling on with him. So I'm like, what,
I don't know the other side, nobody is even talking.
I don't think Drake is totally innocent in this whole
name I'm cause I'm gonna keep it a buck. I
listen to that Joe, Butden rat Joe, Butden from what

(16:11):
I've listened to over these years on his podcast, he
normally doesn't talk about stuff that's not factual, so I
or maybe maybe a bit of hearsay, but he's heard
it from a reliable source.

Speaker 1 (16:23):
So I think maybe Drake brought this on itself. But
I still feel a little bad. I don't. I don't.

Speaker 5 (16:28):
I don't feel bad about it. I think he need
to leave Lebron alone. Okay, you are, you have enough enemies.

Speaker 1 (16:34):
He getting it.

Speaker 3 (16:35):
You need to leave Lebron alone.

Speaker 5 (16:37):
You look, it looks you already lost that because you
had the man tatted on you. So you just look
weird at this point and stop tattening men, especially men.

Speaker 1 (16:45):
That are alive.

Speaker 3 (16:46):
Yes, you know what I'm saying. That can still hurt you, Drake.
You know what I'm saying.

Speaker 5 (16:49):
You gotta wait, go get tupaca some I'm like, waitsin
somebody's You can't go get them.

Speaker 3 (16:54):
You still getting me in out here. That can hurt you.

Speaker 5 (16:56):
They can switch teams, they can do everything. It's just
very odvy behavior.

Speaker 1 (17:00):
That man ain't thirty yet. You got a young man
of your arm. You gotta stop that. That's a young
man on his arm.

Speaker 4 (17:08):
You tomorrow, come on twenty five, twenty six years old
from Canada.

Speaker 1 (17:13):
I don't give a damn way from you know how
many people?

Speaker 4 (17:15):
So so I should just go get so who's still
alive that is younger than me from Geary that I
can go. You mean to get CJ so Cool on me?
Wait wait YouTube, Yeah, you mean just get CJ so
Cool tatted on me because.

Speaker 1 (17:30):
He from Gary. That's weird. Actually we went to high
school together, but still it was just weird. It would
be weird to do that. Stop doing that. So you
just gonna get go ahead, get Dirk on your back.

Speaker 4 (17:44):
You're from Chicago, Get Dirk on you, and then when
Dirk make you mad, get hurt.

Speaker 1 (17:49):
That's weird.

Speaker 3 (17:50):
Yeah, that's weird.

Speaker 5 (17:52):
Very god, man, my god, my guys. Man, now you
too excited. You liked the basketball too much. That's very
weird for a grown man.

Speaker 2 (18:05):
If you saw another man's name that wasn't his family
member or another dude, what would you think.

Speaker 3 (18:11):
I wouldn't be like are y'all lovers? Is there's something
I need to know?

Speaker 1 (18:16):
Dude.

Speaker 4 (18:17):
It's a very high possibility that they could mess with
the same chick they both from Canada and both are
super successful. Yeah, they could run into the same girl.
So imagine Drake getting ready to smash the girl's married. Okay,
but let's just hypothetical speaking. Let's say getting ready to
smash the girl and he like, she was like, is
that shake?

Speaker 1 (18:37):
Oh no, that's that's that's my ex.

Speaker 4 (18:41):
Now you now what that's the fact. Now you see
now you'll look at it. Yeah, I put your eggs
on my arm. That's weird.

Speaker 3 (18:47):
Drake need to heal. That's what he needed to heal.

Speaker 1 (18:50):
I think the music is gonna be the music is
gonna be good.

Speaker 2 (18:53):
But I think when I see this, when I see
a cover up, I just all I'm like, Bron, brace yourself.
You get some I know, Kicky, you could probably whatever
could happen or whatever cap Lebron James, whether if he
say his name or not, or saying something because we
all know rappers all say stuff to people subliminately in

(19:14):
a sense. If you listen to the Cliffs album, it's
so many subliminis in there.

Speaker 3 (19:19):
Can we get to it?

Speaker 1 (19:20):
Yeah? I can't listen to it. It's amazing.

Speaker 5 (19:24):
Drake already lost the thing with Lebron, just gonna put
that out there that he's already already lost that so
he can go make all the this records he wanted
about Lebron.

Speaker 1 (19:31):
You already lost.

Speaker 5 (19:32):
You had me tattooed on you. You had me tattooed
on you got a step Yeah, you know what I'm saying. Like,
you already lost. So it ain't nothing, ain't no bar
you can think of baby. Ain't not you getting a
lab and produced that's gonna make you win against him
because you had him tattooed on you and now you
wrap it about him, which would mean you really hurt
baby daddy?

Speaker 1 (19:49):
Why you basketball? Was that the basketball section?

Speaker 5 (19:51):
In your.

Speaker 2 (19:55):
Basketball section? Tattoos are creative expressions. I didn't even know
you have a lot of tattoo keys. I didn't know
key's doves all the time. I just I thought she
just got drunken vegas. It got birds on her arms.
I didn't know the meaning.

Speaker 1 (20:10):
Yes, we all have different meanings.

Speaker 4 (20:11):
When I got the tattooed on your arm, at least
and I do, but at least it's not nobody baby,
It ain't the baby.

Speaker 3 (20:21):
It ain't little baby.

Speaker 1 (20:25):
Baby. Once I get it coming up, I don't put
nobody else exactly. That's crazy.

Speaker 3 (20:32):
Were on the pile with he go and put Joe
button on his arm.

Speaker 1 (20:35):
Next, that's weird, No, it's weird. And then they cut
him off. No, I don't like him the mom putting Now.

Speaker 3 (20:44):
That's weird.

Speaker 1 (20:45):
That's so weird.

Speaker 5 (20:47):
To defend them, that's crazy. Stop doing that, man, Stop
putting them dudes on your arm. Bro, you ain't got
no real friends. Seriously, when it came up to I
would have been like another nigga.

Speaker 3 (20:58):
That's a good thing. He don't know what the tattoo lit.

Speaker 1 (21:02):
He ain't got no strug.

Speaker 5 (21:03):
You know, most of us got a stormy to tell,
gonna tell. He don't know what to put on his body.
He putting anybody on.

Speaker 2 (21:09):
That, And you gotta think a little longer. That wasn't
a way without thought our tattooing the boys. That the
fact that that happened, I get it, I get it,
I get it. But the fact that he doesn't have
anybody be like yo, slow down. Let's let's get on
Pinterest and look at some ideas. Bro, Let's look at

(21:30):
like his homies they had that From all the stuff
that folks be doing, he has to have the most
yes men, around him in his life. I believe, like
flip it to Lebron, if you look the way Lebron
and his boys are, I believe Bron if he getting
ready to do something stupid, I believe rich Or Madre

(21:51):
gonna be like, yo, I know you want it. He
got and they got his ear, Well he gonna be like,
for real, well, Drake doesn't have anybody.

Speaker 1 (22:01):
This is fault. What were you.

Speaker 4 (22:07):
And what did you say when he got it? And
he came in there and was like you shouldn't been like, yeah,
that's hard. If you said that job, you should have
roasted him to.

Speaker 2 (22:14):
The point where he went and got another like come on, G,
what you on G We're gonna let that hell and
cover that up.

Speaker 1 (22:21):
We went along.

Speaker 4 (22:22):
You know how many jokes I would have on you
every day on this pot if you had another dude
on you.

Speaker 1 (22:26):
Dog, I just still playing.

Speaker 2 (22:30):
I think, I think what it is is and I said,
I ad apologist. I want to still be a Drake apologist.

Speaker 5 (22:39):
Man.

Speaker 1 (22:39):
I think that folks, he got his ass kick in
front of the world.

Speaker 2 (22:44):
You got the number one rapper that got his ass
kicked in front of the world, and we're looking at
the fall out.

Speaker 1 (22:50):
From it still, heal, he would just move on. We
would move on. You can't move on. How many people
you know move on from getting an ass kicking.

Speaker 5 (22:57):
You keep getting your ass kicked though you can't reverse
the ass kicking. That's the problem, Like you keep once
the footage is there, it can't be undone.

Speaker 3 (23:03):
So let's just move on.

Speaker 5 (23:04):
We forget about stuff all the time. When Drake put
out a here record, we was off that. But then
when he started putting out more versus about Ken drag
and he every time he bring it up and do
some weird Now we gotta be reminded that you got
your ass whip when we could have been moved on.

Speaker 1 (23:18):
I like, what push your t in? Them?

Speaker 2 (23:20):
They still kicking him around, They kicking him, and that
that whips had changed Kendrick kicking.

Speaker 1 (23:26):
Him around a little bit, a little bit in that
a little bit he give him a little I'm gonna
tell you something about them clips.

Speaker 4 (23:33):
Boy, you want to talk about perfect execution, perfect roll out,
perfect execution, perfect bars.

Speaker 1 (23:41):
Did y'all listen to that?

Speaker 5 (23:42):
Yes?

Speaker 1 (23:42):
What I'm.

Speaker 4 (23:46):
Times And it's got to be really good for me
to like the style of rap. You know how good
it got to because it's not even my mind style.

Speaker 1 (23:54):
I had to. I was rewinding records. I was like,
I got to hear that again. What did he just say?
You going in and then on that uh later huh.
It's like she's gonna like me later. Bruh.

Speaker 4 (24:06):
So be it, so be it, gonna wake up to
so be it every day I've been my life like,
I just want to hear I want that to be
the soundtrack of my existence.

Speaker 2 (24:15):
I'm trying to I'm trying to figure out the Instagram
post got to me it's so cold.

Speaker 1 (24:22):
That is so cold. I was like, Oh, it's just
it's it's just a good It's just a great album.

Speaker 2 (24:28):
This is what and this, like you said, Zack, for
a person that doesn't even like this style of rap,
they don't really like that kind of bari.

Speaker 1 (24:38):
But the way the production is it keeps you in it.

Speaker 2 (24:42):
What they say, you'll be like, oh you can hear
it clear, It's just a lot of It's just a
lot of cool ship in that out lot, like a
lot of that's a lot of That's how you creator
went crazy.

Speaker 1 (24:53):
Yes he did.

Speaker 2 (24:54):
And I'm not really a big Tiler fan. I rock
with him, but not like that. But I was like, Yo,
maybe I gotta go back.

Speaker 1 (25:00):
Did I said, I don't. I must have been sleeping
on dude. Yeah, that was a good one. You ain't
got no bars. You don't have to come in here
with a whole ball.

Speaker 3 (25:07):
I'm looking him up, y'all pushing tea as that dude.

Speaker 5 (25:12):
But malice, yes, malice is I mean, I ain't you
know how I'm in my rap era now, so like
I look for lyrics and meanings and I'm so deep
off of malice right now. Like I'm so impressed because
we don't get these type of bars from nobody else.
Right now, they are snapping and it was a part
not on the song where he did and Jones, Yes,

(25:35):
when he did, he did Jim Jones.

Speaker 3 (25:37):
Can somebody tell me the beef? Where did the beef.

Speaker 1 (25:39):
Start with Jim Jonson?

Speaker 2 (25:41):
Jones just basically was saying, like, y'all be talking about
pushing tea in here. You can't even name me a
push of t record here that I ain't got that.
He basically saying that he's more rough you given push
your tea all of this love and nobody knows him
except rapidly rap people and and to an extent, Jim
Jones's popularity comes from him being a part of dip Set.

(26:03):
Dip Set is a legendary group. You by yourself is
a are a good member and people rock with you.
Gotta hit records. But as far as popularity, no, push
your Tea. I'm not gonna say push your Tea is
more popular than him, because Jim Jones has a lot
of different different things. But as far as the skill

(26:24):
level of wrapping close, I can't see him.

Speaker 5 (26:28):
Close called chain and whips. Yes, talk about your Yes,
that's where you went on Jim Jones. It was so
uncomfortable a head.

Speaker 4 (26:37):
He said that it was mud. He said, reality TV
is mud wrestling. He said your diamonds or something. You
remember he was doing a lot of plaque on him
or something. Man what he said, it's blocking yourself. You're blood.

Speaker 3 (26:48):
I said, man, this you chasing a feature that's too
I said, I was one.

Speaker 1 (26:57):
You chasing a feature that's too big for you, something
like that.

Speaker 5 (27:02):
But run from the spirit of repossession. That means they
on your ass. Renaissance is on your ass too much.
Ennimal covers your next it's fake, it's it's from the
beauty supply, I buy bitches, you buy them sections now footshot.
I don't know what that meant because sex traffick, don't
buy no bitches. Misery fuel and your regression. Okay, so
you're so angry that you're going backwards, my boy.

Speaker 3 (27:24):
Okay.

Speaker 5 (27:25):
Then he said jealousies turned into obsessions. Reality TV is
mud wrestling, my god.

Speaker 3 (27:40):
Oh he went on.

Speaker 5 (27:41):
Man, he said, some sign checks. I know better than
beware of my name that there is delicate. You know,
I know where you're delicate. So he's saying, no way
to get you, So leave me alone.

Speaker 3 (27:57):
Brush you to pieces. I'll hum a breadth of it.
I will close your heaven.

Speaker 1 (28:01):
For the elean. And if you hear did you hear malice?

Speaker 2 (28:10):
Come in with the What he was talking about the
Zeus network and people hosting fees for fifty five hundred?

Speaker 1 (28:16):
I said, what are y'all doing? I was like, why
y'all mad? In reality starts like this? Crazy? Like your
hosting fifty undred?

Speaker 5 (28:26):
That's y'all last piece? You think it'd be valor amongst veterans.
He's calling you, O, I'm watching your fame escape relevance. Oh.
We all in a room, but there's an elephant an elephant,
You chasing a feature out of your element?

Speaker 3 (28:41):
God, you ain't right?

Speaker 1 (28:43):
You're right? Is Ge're right?

Speaker 3 (28:46):
He's so lethal And that's why.

Speaker 5 (28:49):
And I think it's great how they drop music because
you don't need a push you all the time, we
all being here fighting. If she was putting out music
every day, we need years in between big push and projects.
Because he's too he too cold, like he too.

Speaker 2 (29:04):
The way he was talking on that tiny desk and
like and the way they was looking at the camera.

Speaker 1 (29:11):
I said, I said, oh, he is pick. He wants
you to know. He looks at that camera. So when
you see this video and they say he talking about you.

Speaker 2 (29:21):
He gonna looking you right in your eyes, like bro, like, hey,
whatever you got going on with me, let that slide me.

Speaker 1 (29:29):
All wow, this is the craziest thing. All wow.

Speaker 2 (29:33):
Their best friend is making fucking beats and clothes for
Louis Batana.

Speaker 1 (29:38):
Yes, that is the wildest shit.

Speaker 2 (29:40):
Parreal comes out of retirement because they told you on
the album this No More Neptunes. He comes out of retirement,
makes crazy beats and then you see what they wearing.

Speaker 1 (29:50):
It went so much, Louis Baittona, they were so this
rollout is.

Speaker 4 (29:56):
It's the best, especially if somebody coming back. I've never
seen the group come back like this. They they they
skin look good. Them brothers ain't even as their brothers
look great, and it's so great. They're healthy, they ain't
doing drugs.

Speaker 1 (30:13):
And then he came the thing about it for some reason.
I don't know why. I see for real in a purse?

Speaker 4 (30:19):
Wait what do I just feel like they did because
you know they did it at the Louis vatime. They
recorded that album in the Louis Vaton headquarter. Okay, they
recorded that album. So all I see is for real
coming in one of his outfits with this with the
person putting that mug down, like getting on that beat
machine and going to going crazy. I don't think you

(30:42):
should wrap like you shouldn't wrap that good? Yes you
should something wrong?

Speaker 1 (30:49):
Oh this is what I heard? This is I want
to get your thoughts on this. Nineteen ninety nine is
the first CLIPS album. Yeah, I remember YEP, and now
it was I was. I interviewed them. He what's that?
That's old? First?

Speaker 4 (31:05):
The first years ago, a first album, come out and
come out this hard like this this relevant. But I
saw somebody somebody put on tweet. Put somebody put on
Twitter or Instagram whatever. They made a video and they said,
this is the first time in rap history that the
older rappers are better than the young rappers. And they
said even the ones that you don't even consider old old.

(31:25):
They was like, Thurk is thirty what two? They said,
Herb is in his thirties. Herb in the bag right now,
he's killing it in the bag. Herbs in his thirties. Uh,
push your fifty two. Maalys is like forty eight years old.
They everybody, all the people who are winning what Drake's
almost forty, Kendrick is in his thirties, Like thirties or forties.

Speaker 1 (31:50):
I mean what I told you. He said that it's
the rap game now is controlled.

Speaker 4 (31:55):
It's like the younger they said, the older guys thirty plus,
it's selling out. They don't want to know and they
don't want putt out the music. They don't want to
people to music. And the young guys are the one struggling.
They say, this's the first time that this has ever
happened in hip hop, where the usually the young are
pushing the culture.

Speaker 2 (32:13):
Yeah, yeah, Playboy Cardi, Playboard CARDI would be safe. But
Playboy Cardi, they say, it's not like a black artists.

Speaker 1 (32:21):
He more and more white.

Speaker 2 (32:22):
They say Travis Scott. They tell you say point to
Travis Scott, another person. They got more white fans than that.
So it's a lot of times where they said, I
say that already. I mean, you got big extra plug.
People pushing the pushing it forward for the young, younger cats.
But I just think once the once the younger cats
get out of the hustle music, because there was a

(32:43):
there's a hustle music where it's like, yo, I can
out of touhem myself, call myself blah blah blah, and
then I could do it. We've seen people steal people's names,
steal people's mantras, all type of ship while they still rapping,
and they and then like, yeah, the kids gonna listen
to it because it's new, it's young, it's popping, but
when it goes to buying shows, it's not happening. You

(33:04):
think about it, if you look at Summer Smash as
a young festival, but you had old dudes closing it out.
You filled it up with with with the DDGs, the Pluto's,
the all of the different little ones. But then when
you it's time to really sell something and you need
some bodies out there. You bringing fucking young thug out there.
You bringing future out there, And I think, yeah, until

(33:28):
you get a young dude that's gonna get in there
and really be an artist. Even Tyler the Creator said
it on He said it on many podcasts. A lot
of these dudes, y'all call them artists, ain't even music dudes.
They hustling it.

Speaker 3 (33:39):
I told y'all this is back to my microwave theory.

Speaker 5 (33:43):
Everything is. It's in the microwave. It's you bought a
lot of streams or you bought a lot of followers.
So let's give you a record heal and see what
you do. You know, Yogo Yello ball.

Speaker 3 (33:53):
You know we still we're still awaiting Yellow.

Speaker 1 (33:55):
Got hits man. I tell you yere the state real
artist Jello got records.

Speaker 5 (34:04):
Gave him a three million dollar heal if he was
he got records, one song tone, he got one and
a possible bro the.

Speaker 1 (34:13):
Police record will glo. Rella is good.

Speaker 2 (34:16):
It's better than a lot of people. Second joint after that,
that's the possible The please record.

Speaker 1 (34:20):
Please's good, It's good. It might not be.

Speaker 2 (34:24):
It's not the first one, but it's good. It ain't
a bad it ain't a bad second offering.

Speaker 1 (34:30):
It's a record. It's a record usually when you record. Okay,
I'm exaggerated. I mean, he had you did.

Speaker 5 (34:38):
And that's what's wrong with the culture right now. That's
why we can't let we got to take care of
our legends. Are pushers.

Speaker 1 (34:45):
Don't take care of me.

Speaker 3 (34:46):
We do take care of you, we do.

Speaker 4 (34:49):
You know what a good follow up single was? What
a glow follow up with after C G I G
I it got better?

Speaker 2 (34:58):
But can't we cat Yello is not Jello is not
even close to the level of artists, a real artist,
AD major artist.

Speaker 1 (35:09):
He like a mid major school. He like Bowling Green,
a mid major school.

Speaker 2 (35:15):
They're good, they got athletes, they played, but they just
not Ohio State, you know what I mean.

Speaker 1 (35:20):
It's just it's rap is always there.

Speaker 3 (35:23):
You said that he was.

Speaker 4 (35:25):
I said he had had five records, at least five,
and we've heard one and a possible.

Speaker 1 (35:29):
Well that's two I'm giving them. I'm telling you, I
don't I think yellow Ball gonna be straight. He won't.
Will he ever get superstar? I doubt it? Because he
until he gets better performing.

Speaker 5 (35:39):
It's just that's and I don't even mean to make
this about him. It's just y' y'all hate not relevant,
y you were artists.

Speaker 1 (35:49):
It's just sorry, y'all.

Speaker 5 (35:51):
They just they don't And it's not their fault. They're
not being trained, they're not they don't have time to cook,
they don't have time to be in the crock pot.
They just gotta go, and you gotta as much as
you can while you're out there. And we don't even
know their names. We can't put the we can't match
their faces. We know the records are nice, the good,
but then we don't. They're not stars. You're right, key,
you gotta be.

Speaker 2 (36:11):
You gotta everybody, but Kiki's everybody is stalling me.

Speaker 1 (36:15):
Ask you that question.

Speaker 3 (36:16):
No, everybody's not gonna be a star.

Speaker 1 (36:19):
Okay, So I mean, if they don't pop the swim,
but it.

Speaker 5 (36:21):
Should never be this dire to the point where our
whole genre of music is depending on the old dudes.

Speaker 3 (36:28):
Hey, that's that's what I'm saying. No, that's that's a problem.

Speaker 5 (36:31):
You know what I'm saying, Like if like in radio,
if there's not another tone somewhere and I were doing.

Speaker 1 (36:37):
Something round let them sleep.

Speaker 3 (36:40):
It should be at least somewhere, but learn how to
work the borders to Kiki.

Speaker 5 (36:50):
If it's not another somewhere, well I don't know if
that I'm kidding, but for real, like in hip hop,
if it.

Speaker 4 (36:58):
Should be the momentum because hip hop is was a
young man's sport, it is, you know what I'm saying.

Speaker 2 (37:04):
So that's why it's especially for hip hop. But but
still the thing of it is is though what it
is is because it's a newer genre. It was created
by us. It's so this is the first time in
history that also that hip hop has gotten older and
it's just gotten old.

Speaker 1 (37:18):
True, we didn't have when it first started. You didn't have.

Speaker 2 (37:20):
Fifty year old rappers. We did, but they weren't they
were it was so new. So this is like this
is a thing you It's like rolling stones. It's like
all of them people that are in the rock genre
and I can't name them, but I mean, like like
jay Z could released three songs right now, we'll listen
to them, and we're gonna listen to mutely. See what
you're saying, it's this is the first time hip hop

(37:41):
got it just turned fifty. Yes, so it's the first
time that we've ever seen yeah with the new generation getting.

Speaker 4 (37:48):
Older, right, and that happened and since we came up
in it. Now it's an audience for that. Who want
to hear that?

Speaker 1 (37:54):
You know what I'm saying?

Speaker 4 (37:55):
Like, who want to hear what clips gotta say? Yeah,
they want to hear like they sold so much dope
on that tiny desk and got a scale kick almost
this five.

Speaker 1 (38:08):
Love it.

Speaker 3 (38:08):
I just so good looking at the camera like I'm
talking directly to you. What are you going to do
about it? That's my favorite thing about pushing, like what
are you going to do about it?

Speaker 1 (38:17):
Because he knows he know he can beat most people.

Speaker 2 (38:19):
He push your head, pushing like the dude at the
at the basketball court that knows he's better than everybody.
He knows it's not even he didn't play everybody in
the area. And no matter he every time somebody talks
it to him, he destroys him. And he looking at
he looking at anybody like you know what I'll.

Speaker 1 (38:37):
Do to you?

Speaker 3 (38:38):
Yes, you know what I'm capable of.

Speaker 5 (38:40):
Why y'all try to get me in these different little
clicks and try to silence me and stuff and I
feel you.

Speaker 3 (38:46):
I like him. I like him a lot.

Speaker 2 (38:48):
Looks like you are going to be at the salt
shed when push your team and the clips come.

Speaker 1 (38:52):
To Are they coming? They're coming ship. I'm there when
they're coming, and you.

Speaker 3 (38:58):
Know what the thing is and there rapping so hard.

Speaker 1 (39:00):
It's so messed up. So be it that song, so
you know what bothers me though.

Speaker 4 (39:09):
It was so much music that came out this weekend,
and one of my things was I was like, I'm
gonna listen to all this this weekend. Man, it was
so much Justin, Justin Bieber, Give On, Dropped Clips, Jack Boy,
Don't sleep on Blue, My man, b e l you
what's his name?

Speaker 3 (39:25):
Young Blue?

Speaker 1 (39:26):
Young Blue? Do not sleep on Young Blue? Young Blue
is Cold and listen.

Speaker 4 (39:31):
I listened to the first two songs that mother came in,
Good It, Blue, Ski, Get It and Mug was riding.
From the first two songs, I was like, oh, but
I couldn't even I couldn't get past I couldn't get
past clips. All I listened to was good Clips and
give You On. I kept going back to Clips. I

(39:51):
couldn't get through it, I said, it kept going back
to the clips. At the clip, Justin Bieber disappointed me.
I didn't listen to j has to be Kiki from
from a pop standpoint, what's Up Chicago?

Speaker 1 (40:06):
He had Key from Kiss one, three five right here,
Justin Biber.

Speaker 3 (40:10):
Album Key on Kiss check me out every Sunday now
from two to six. What did you say? Yeah, I'm
about seven days a week around this month, every day.
I don't never shut up. But what was the question?

Speaker 1 (40:25):
Just a yeah, okay.

Speaker 5 (40:26):
I started off listening to it and I was like,
this is okay. I kind of like it, but I
didn't get all the way through it because he started
doing a little weird stuff I feel like in the
middle of the album, and I was like, Justin, I
don't like you enough to sit through your weird stuff,
so I had to let it go. But it's one
song on there that he sounds exactly like Sizza, to
the point where I thought it was a siss a

(40:48):
feature on the album. I was talking to Kaitlin and
she said, no, that's him. He just tuned his voice
to sound like Sissa, And if that's the case, I
got a big problem with that.

Speaker 1 (41:00):
Helped him write it because I think they were hanging out.

Speaker 3 (41:02):
Been hanging out, so that that's what made me.

Speaker 2 (41:03):
I think I think I think she wrote, I think
she wrote. I think she helped right there the record
that he sounded like that, I will say.

Speaker 1 (41:09):
She helped me.

Speaker 3 (41:10):
Don't drop a record sounding like me.

Speaker 1 (41:11):
But that's that's real.

Speaker 3 (41:12):
That's weird.

Speaker 1 (41:13):
Unless she got he must have got her blessing.

Speaker 3 (41:14):
I hope. So I'm gonna find out and I report
back because if not, I'm on his ass.

Speaker 4 (41:19):
All I heard was his clip was this sexy red
verse and I was like, not with just everybody mad
about that.

Speaker 1 (41:23):
I said that sounded everybody was horrible. I don't know
how he went.

Speaker 2 (41:29):
I mean, I got it he was trying to go
a little bit more poppy than he was the last album.
But that that that last album he had trash scot
on there.

Speaker 1 (41:37):
It was. That was a good album. Album. That was
a great album. I gotta listen to it though. It's
a great album. What was What's the other one that
I wanted to say? What?

Speaker 3 (41:46):
Another album was justin Bieber?

Speaker 2 (41:48):
Uh No, yeah, that's what it was. Jack Boys, twenty
one Savages Verse. Everybody on the internet was dog and
twenty one Savage over that.

Speaker 5 (41:59):
I told you he always somewhere he don't need to
be what the twenty one Savage always pop up somewhere
that nobody invited.

Speaker 3 (42:06):
Don't you do not need to be here?

Speaker 1 (42:08):
Why?

Speaker 5 (42:08):
He? And I love him on his own stuff, but
he always on somebody else on that He ain't got
no business being there.

Speaker 3 (42:13):
It's like the song be good?

Speaker 1 (42:15):
What was the one he just then?

Speaker 3 (42:18):
It was like, what the how did you get here?
Who turned your mic on? On this record?

Speaker 1 (42:25):
So?

Speaker 5 (42:25):
Yeah, I love that though he's not. Yeah, I ain't
even heard what you're talking about. I just know he
probably wasn't supposed to be there?

Speaker 1 (42:31):
Is it? Travis Scott album? Didn' he dropped Travis Scott
on track? Yeah? I heard Travis took a shot at
Push It too. He needs to stop barking up that tree.

Speaker 3 (42:38):
Travis dropped an album an album.

Speaker 1 (42:40):
Yes, on Sunday. I haven't even that was calculated.

Speaker 5 (42:44):
Yeah, I think he did that because the Clips album.
Who drops an album on Sunday? Absolutely it was I
don't even know you could do that.

Speaker 4 (42:50):
He dropped it on Sunday. He dropped the album. I
think it was jack Boys Too was coming out anyway.

Speaker 3 (42:55):
See they trying to go up against the clips. That's
why Justin. This is what I heard this songk okay,
what's going on?

Speaker 5 (43:00):
I heard that that that Justin dropped his album on
purpose surprise to go after the clips. Everybody knew the
clips was coming, so they started trying to drop albums
to suppress the clips being able to populate the charts.

Speaker 1 (43:14):
That's what I heard, number one.

Speaker 4 (43:16):
Let me tell something, the cream gonna rise to the top,
and I don't care what the charts. That's nothing because
that can be manipulated. But it's no better album. It's
not a better body of music that has come out
in a long time. And that clips out from beats
to lyricists.

Speaker 1 (43:29):
That's a fact. I don't know what got into Pharaal again.

Speaker 4 (43:32):
He put that sewing pinning down, his sewing machine down,
picked up his beat machine and went crazy.

Speaker 5 (43:38):
That's the deadliest combination. A great producer and a great
lyrics That is a scary combination.

Speaker 1 (43:46):
You know it's good because they hooks ain't even all
that good.

Speaker 3 (43:48):
No, you don't need them.

Speaker 1 (43:51):
I just be waiting. I'll be trying to calculate, waiting
on the next verse while the hook going.

Speaker 3 (43:54):
I still thinking about what.

Speaker 1 (44:00):
The hook is there for you to just pace like,
I just need hold. I'm mad this, so so let
me like because I'm about to start listening hard again.

Speaker 2 (44:08):
That's the that is the key to it again. The
person been man, I've been around for a long time.
When you get a rap album that you really like,
every time he's saying something, you really you trying to
dissect everything.

Speaker 1 (44:22):
What do you mean by that? Ohays, I gotta go
back and listen to it.

Speaker 2 (44:25):
It's just in the way it said the delivery to
be as classical any time all three of us I
own the same project and say it's good.

Speaker 1 (44:33):
Y'all know it's good to show for shore. Let's get
to this man.

Speaker 2 (44:35):
Shannon Sharp sexual assault ecuser fails to appear in court
as the judge delays the case forty five days. My
thought was that she been got that bag of money,
that money gone that court case. Finn disappeared. My Michelle,
My Michelle is gone. This ain't gonna say, oh, that's

(44:58):
what happened. That's why the lawyer didn show.

Speaker 1 (45:00):
Allegedly allegedly, allegedly, yeah, allegedly.

Speaker 5 (45:03):
Legend yeah, don't tell us nothing else. As long as Shannon,
don't tell us nothing else, because he told us all
of this. Nobody asked.

Speaker 3 (45:12):
He told us all that.

Speaker 4 (45:13):
It is a brutal video that's gonna There is a
video that's gonna come out where I am being really
nasty for only like ten seconds.

Speaker 1 (45:20):
But you should see the whole video because you should
see that she only.

Speaker 3 (45:23):
Got text, I mean messages and on my text. We
didn't ask me any of that. So as long as
Shannon don't say nothing else, he will get past this.

Speaker 2 (45:31):
We will forget now. He just has to just be cool.
I don't think he's ever gonna be on ESPN again
now that's over. I don't people be on ESPN. I
think he'll get I think he'll I think he'll go
back to Fox. I think he'll go back to Fox
before he ends up on ESPN. I think he'll go

(45:52):
to NFL Network before he ends up on ESPN. He's
never going back to ESPN.

Speaker 1 (45:57):
I get them a little two days back though, no
first take.

Speaker 2 (46:02):
I don't think so on ESPN before for him, before him,
I just don't you had two. That's that's just if
this was the first one, maybe you had two. You
were so popular. People rock with you so much that
you were able to get away with uh you accidentally
going live, which again I don't believe that. It's no
way you can accidentally go live. Can It's a lot

(46:23):
to go live. It's a lot. It's a lot.

Speaker 1 (46:26):
But anyway, let's get to this. Oh, Coco Jones, your girl,
he got engaged to Donovan Mitchell.

Speaker 3 (46:33):
Yes, Coco, I love me some Cocoa. I'm so happy
for her.

Speaker 1 (46:37):
Now how long they was day?

Speaker 5 (46:38):
They've been on a loaf for a while, which is
how you really should do it. You you don't say nothing,
you just pop out. Because had she told us months
ago that they were dating and confirmed it, every chick
in his town would have been in her DM. Now
young man, she kept it on the low. She popped
out with a ring. I love this for Coco shout
out to see Aaron Russell because I heard that they're

(46:58):
the ones looking everybody up.

Speaker 1 (47:00):
And I like that. I was that one. I was wondering.

Speaker 2 (47:04):
I mean, I was wondering how the Coco and Donovan
Mitchell get it. Donovan Mitchell to seem like he just
hoop a lot, and he don't.

Speaker 1 (47:10):
Never Russ said, he put to help them with the engagement. Yes,
oh he did. Yeah, shout out Russ.

Speaker 5 (47:15):
That's what I'm talking about, your man, And that's how
people should do. Friends need to do this more often. Well,
actually it can get sticky.

Speaker 4 (47:22):
So I don't think I think that this can only
be done by Russe and Sierra. I don't think that
people should jump into this business. I don't know, you
should go to the minor business era because right now
they won for one. Okay, it was the first one
they put together didn't work.

Speaker 5 (47:35):
Yeah, what happened? I gotta look at it was the
first one Normiani and her Man her Man, that.

Speaker 4 (47:41):
One didn't work out, but then this one did. So
I think they just need to keep their record clean,
you know what I'm saying, Like walk away five hundred,
walk away five hundred one, and want to get out,
to get out the people up gag because then eventually
people gonna start getting mad at y'all.

Speaker 3 (47:55):
But that's how you know.

Speaker 5 (47:55):
You a girls girl like Sierra. She she looking around
like my life, So lit bro, I want this for
my girls.

Speaker 3 (48:02):
You know what I'm saying.

Speaker 1 (48:03):
Let me put y'all on and you'll never have to
sing again.

Speaker 5 (48:07):
You put out an album when you want to see
Era very much. How whole demeanor is. I work when
I want to and how I want to. You know
what she told Zak and that she owns her own label.
She puts out the record, she wants to put it out.
She tours when she wants to.

Speaker 3 (48:21):
She wants this for her friends. That's a real home girl.

Speaker 1 (48:24):
That's real.

Speaker 3 (48:24):
So I love seeing her put these people together.

Speaker 1 (48:26):
That's real. That's real.

Speaker 2 (48:29):
I ain't man, you ain't mad. Coco and then Coco Jones.
And she comes from an athlete because she saw all
the time she was talking. I remember we interviewed her,
she was saying to her, I think her dad played football. Oh,
I think her dad played football. So she understands athletes.
She understands athletics. And it just when you around her,
this one looks when you see it, you're like.

Speaker 1 (48:49):
Oh, this was gonna be good. I think this was
gonna I think this was gonna make it.

Speaker 4 (48:52):
I'm mad to see her. I should have said this
in the interview because she she she led us astray.
What remember the song when she first came out, she
had that song, and I, yes, you remember how did
that song start off? And you know how this the
first verse said, I don't need me a basketball player.
All I need is somebody is down for me, and

(49:14):
the next verse was, and he ain't guy to have money.

Speaker 1 (49:18):
You're lie, she lied, She lied, She went and got
her football player that got money.

Speaker 2 (49:24):
So don't listen to the song here she told that song,
he said, Sierra Sierra saying that, and that was a
good song.

Speaker 1 (49:33):
Was a song?

Speaker 5 (49:34):
Sleep on how many hits Sierra actually has? Sierra has
a wonderful catalog, and she's still putting out great songs.

Speaker 1 (49:40):
I love that song?

Speaker 3 (49:42):
What ton what? Please don't make me pull up the charts.

Speaker 1 (49:45):
Now if you now you can't sit up here and
defend yellow ball. And then she hits like, this.

Speaker 3 (49:51):
Is what I'm talking about? He just be choosing violence
because what.

Speaker 1 (50:02):
Talking about?

Speaker 2 (50:03):
God?

Speaker 5 (50:05):
What?

Speaker 2 (50:06):
Seerra is an amazing artist. See Era is bowling green.
She's not Ohio State. You mean you are you kidding me?
You are telling me seer You acting like see error.

Speaker 1 (50:20):
Is Mary J.

Speaker 2 (50:21):
Blass?

Speaker 1 (50:22):
See erras not even a shatiase, It's not she is not.
I can't They is solid. You're so solid.

Speaker 5 (50:33):
Your area is solid inlid who've been playing records since forever?
You are to be ashamed of yourself. What do you
mean should go down the list? Please let me when
you ain't, please pull up. I don't Mary J, Mary J,
Mary J.

Speaker 2 (50:50):
Okay, we can take a shot out. Look, Mary Mary
J is a maid. That's when we talk about female.
I'm saying she's got a great, a decent catalog. It
ain't like that though she got about five. Okay, let's go,
let's do okay, let's do it. Her biggest record, she don't.

Speaker 3 (51:08):
Even she how come she don't.

Speaker 2 (51:11):
She don't performing with she don't performing with the dude,
the dude that gave her biggest record. I don't got
nothing to do with Fay Jazzy Faye, Jazzy fad that
the record she did, honestly like you, dude, the record.
Two records that she did she came out with with
Jazzy Fay had his hand on her. Are her biggest records.
And then and then and then and then you had

(51:33):
the record with Bow. I got three, I got three, Okay,
that's on.

Speaker 1 (51:38):
I got three.

Speaker 5 (51:38):
I want to see and I'm not saying her artists
level up? Okay one two step one step goodies, Oh like.

Speaker 2 (51:47):
A boy, Okay, I bet okay, I bet hold on,
I bet i bet I bet I bet I bet.

Speaker 3 (51:54):
You start loving me, start having someone else, somebody come
on record record.

Speaker 1 (52:04):
That's why on for the record. Who gave her? I
bet you know who wrote? I bet future? I bet goodies?
Parties level up.

Speaker 3 (52:14):
I can't leave them alone with.

Speaker 2 (52:17):
This.

Speaker 1 (52:18):
Okay, right, get up?

Speaker 3 (52:20):
Okay here, thank you?

Speaker 1 (52:25):
All right, Jesus Christ. A couple of what are you doing?
You got? I said it was right.

Speaker 3 (52:34):
It's a good record. Though off inlight a candle.

Speaker 1 (52:38):
Dock alright, my bad apodost.

Speaker 3 (52:41):
Every time Sierra drop a hit record, she dropped a
dance move to go with it. That never leaves.

Speaker 5 (52:46):
You can visually put most of her records with a
dance move. You know when she was with Lula, she
was climbing up the car. You know what she was saying, goodies,
she was popping in.

Speaker 1 (52:55):
How many times I have to say you're right, like
a boy.

Speaker 5 (52:57):
She's gonna bet her back all the way? How many
times I got to say you right, I can't believe
you did that. You're gonna bring a shot.

Speaker 3 (53:03):
I love a shanty.

Speaker 1 (53:04):
Okay, you tried it, bro Wait a minute, you tried that.

Speaker 3 (53:07):
I think you had them.

Speaker 4 (53:08):
I listen, calm down, down, stop, stop.

Speaker 1 (53:15):
Let me put back.

Speaker 2 (53:18):
She can foolish right with you? Happy only you baby,
rain on Me up? The Sierra got a song bigger
than rain on Me. Yeah, Goodies is bigger than rain
on Me?

Speaker 1 (53:32):
You think so? Yes?

Speaker 5 (53:33):
One two steps good good because I love a shanty.
I'm not trying to you know what this This is
not a versus battle because it ain't. It ain't gonna
go in your favor or hers. Okay, then when it
comes to Sierra, I'm sorry.

Speaker 3 (53:46):
That's what That's what I meant.

Speaker 5 (53:47):
That's why I'm glad we having this conversation because people
will really sleep on CERR because she's popping in so
many other areas and she's so fine and living this
beautiful life. We forget the catalog this girl I did
and she's still putting out great songs, which.

Speaker 1 (53:59):
Is right, you got me. I'm sorry, Sierra, you.

Speaker 5 (54:03):
Need to apologize to a shot because she didn't get
her shot up and she didn't even ask to be here.

Speaker 1 (54:07):
I don't need to apologize.

Speaker 3 (54:08):
Nobody say you didn't write a shot.

Speaker 5 (54:10):
He in here like she's twenty one savage and she
didn't ask me that, because now you want to put
them catalogs against each other.

Speaker 3 (54:16):
You got to call y'all rule.

Speaker 1 (54:18):
For the for that other whatever. But I said you
were just saying I felt like the way you said it,
I didn't feel like it.

Speaker 2 (54:27):
Sierra on the Rount Rushmore of Women's R and B Hippop.
I mean read Women's rnbe.

Speaker 3 (54:32):
Don't rereadund Rushmore?

Speaker 2 (54:34):
Is she on it?

Speaker 3 (54:35):
I take my male rush More very serious.

Speaker 1 (54:38):
Who's on it?

Speaker 3 (54:39):
Who's on it? A great female artist?

Speaker 1 (54:41):
Yes?

Speaker 3 (54:41):
Beyonce?

Speaker 1 (54:42):
Yeah, okay, Mary J.

Speaker 3 (54:43):
Blige okay, Whitney Houston?

Speaker 1 (54:46):
Okay?

Speaker 3 (54:49):
Who would I get at four spot too? It had
to be somebody older.

Speaker 1 (54:52):
Let me know when y'all done with this.

Speaker 2 (54:53):
What did she even got me? Is she in the
top eight of your first and she is Sierra in
top eight to moving go post. But you don't fall
for this because but she qualified it up for what
you were saying. You you were down playing here like
she didn't have the hits.

Speaker 4 (55:11):
Okay, that and now you're trying to put it in
a whole different greatness of all time conversations we weren't
even having.

Speaker 3 (55:18):
Exactly at the top.

Speaker 2 (55:23):
I'm sorry I was off I'm off a gummy.

Speaker 1 (55:27):
Yeah, whatever you need, I'm high. Listen to me. I'm a.

Speaker 2 (55:38):
Lastly, which I think is a cool thing because I think,
what's what's the generation that my daughter is. I forget
that general Z gen Z that's them, Okay, yeah, because
I don't think gen Z really into gambling and into
like cards like spades and games and stuff like that.
But they are into uno us being at as a
table game to casinos and Las Vegas.

Speaker 1 (56:00):
Is that a big deal?

Speaker 4 (56:04):
Ryan Righter, You're gonna be on the uno. I am
going to be on the THEO. I just feel like
the can it can go one of two ways. Like,
first of all, it's too many negro rules that ain't
doing no skip, So it's gotta be to me. You
can't get that, you can't stack. It's gonna be a

(56:25):
lot okay, So they have to get clear casino no rules.

Speaker 1 (56:29):
That's the first thing. I can't wait.

Speaker 4 (56:30):
Then you must keep all sharp objects in metal because
because Nigga's putting a draw for on somebody who about
to win, it's almost calling somebody out they name is
smacking them and spitting on so that could start a fight.

Speaker 5 (56:43):
A draw for it is about a win and you
got some real money on the table, want to do?
Hit you with a drop for and you mad with
some real money. People get mad when they just got
their pride on the table. So imagine what it is
with real money.

Speaker 1 (56:55):
I can't wait.

Speaker 4 (56:56):
And then what I'm really worried about. What I'm just
wondering is how did Uno skip the ack and order?
How did Uno skip spades?

Speaker 1 (57:04):
I think because I don't know, it doesn't make sense.
It didn't make sense. Doesn't spades should be next?

Speaker 3 (57:09):
Because you know it's commercial commercialized.

Speaker 1 (57:12):
Thank you.

Speaker 5 (57:12):
Space is not Space is a black We keep the
hell out of spade, we do, Okay, I just learned
at my big game, try to play space because everybody
in my family and life gate keep that from you.
All black people do is say you know how to
play spades, and then when you say.

Speaker 3 (57:28):
No, oh my god, you don't know.

Speaker 1 (57:35):
Where are you from you?

Speaker 3 (57:39):
That's what we each other.

Speaker 4 (57:40):
We shame each other. That's why you're supposed to go learn.
Oh yeah, I mean the way you learn you don't
have kiki. You sit at the table like we all learned.
You sit in there and watch and then you realize boom,
boom boom that they boom. Once you look at it,
the simplest simple it's a very simple game. Once you
look at it, and then you ask some questions and
then you have to go out there. See, most people
are scared to tell that first spade lie. To get

(58:02):
on the space table, you have to do that initial lie,
which is you know how to play space, but you
ain't never playing. You know, all you did was watch
it a few times. But that can get you, and
then you get there. The first time you renig or
do something you know you ain't supposed to do, you're
gonna get cussed out and then you're gonna get kicked out.
But then but next time you come, you've got that

(58:22):
experience and now you know how to play it.

Speaker 1 (58:24):
Right, Yes, you get it, but you gotta lie first
or you ain't getting on the table. I ain't never No,
I don't let me show you. I've never heard nobody.
Nobody wants to teach anybody how to play.

Speaker 3 (58:37):
Like, why do we do that to each other?

Speaker 1 (58:39):
It's a it's a it's such a black game. We
treat each other so bad. Teach me. Why do we
talk to each other like that?

Speaker 3 (58:46):
Yeah, Like it's really trauma. It's black people trauma.

Speaker 5 (58:50):
If you don't know how to place Yes, I told
you ain't know what you was doing. Don't talk'st the table.
You re need dollars.

Speaker 3 (59:02):
I was so confused for so long.

Speaker 2 (59:05):
Hilarious, hilarious. Who know it's gonna be one. I have
to play casino. I have to play in the Caino.

Speaker 1 (59:11):
I have to.

Speaker 3 (59:11):
It just don't sound cool though, Like, man, I got it.
I got a thousand dollars. What you was playing?

Speaker 1 (59:17):
You know, y'all move fast?

Speaker 3 (59:18):
How you lose a thousand dollars?

Speaker 1 (59:21):
But what if you win?

Speaker 3 (59:22):
Know even if you came, I want a thousand dollars?

Speaker 1 (59:26):
What you was playing? You know what a game? It
sounds so weak, y'allad on everything that I like.

Speaker 3 (59:35):
Y'all hand table, like what you're going to the table?

Speaker 1 (59:39):
Get a red juice to I'm going to y'all haters.

Speaker 3 (59:44):
They gonna put that table on the kids side of
the See y'all are haters.

Speaker 1 (59:48):
Get your nine alcoholic people that don't gamble.

Speaker 2 (59:52):
Don't you don't gamble, exact, don't gam If I'm a gamble,
I'm a gambler.

Speaker 1 (59:57):
I ain't gonna play no pay.

Speaker 5 (59:59):
I'm playing like the real criminals with them dominos exactly
get you gotta drink and to play that smoke square
and black. Well she left, she had black and Miles Yes,
left coming there.

Speaker 1 (01:00:19):
Smoking the black and the black to stop them because
they get going at tangent Uh. Final thoughts already, Yes,
put nothing else on that list. We ain't got tired
for it. How do we go off on the tent?
It took so long? Push your tea, damn your t

(01:00:41):
that damn clips album did it?

Speaker 3 (01:00:42):
That's crazy?

Speaker 1 (01:00:43):
It's really nothing else. I mean it's a Jonathan majors.

Speaker 5 (01:00:47):
Uh.

Speaker 1 (01:00:48):
Also it's nothing else.

Speaker 3 (01:00:52):
It's so funny.

Speaker 5 (01:00:53):
I'll never be ready to go unless I got an
eyelash appointment. But so final thoughts. Shout out to the
potam love y'all, long long, long time. That's my final thought,
y'all the realist, the biggest.

Speaker 1 (01:01:08):
The largest step. Shout out to Pie family. Man. We're
gonna keep going, man, We're gonna keep doing this thing.

Speaker 3 (01:01:15):
Let me say something. I save it.

Speaker 1 (01:01:21):
Don't be scared scared now you just say.

Speaker 3 (01:01:24):
I'm gonna save it?

Speaker 1 (01:01:26):
Are you okay? I don't know what's going on with
Kiki but we're gonna get us some help in some water.

Speaker 4 (01:01:33):
Ever since, she said, to Sierra's tone, said se Erra
wasn't one of them, been one.

Speaker 5 (01:01:39):
That's how you get what you think you got a
famous friend. Now I understand why I told we going
to have a d d G, because you know, yeah,
my girl. Can't nobody say nothing to be a Bessie ever,
nothing matter, one time.

Speaker 1 (01:01:50):
One time, great conversation. Don't play with with you with
her name.

Speaker 3 (01:01:57):
Don't play word.

Speaker 1 (01:01:59):
Why did you like? She ain't got nowhere? Let me
get this. I ain't never somebody type C. I A
all right passing it up? She was, She handed up,
she said, give me let me tell you the hits
my good and she got damn steps and stay in
your head, stay in your head, in your head period.
Don't ever get mad at me about DDG.

Speaker 3 (01:02:20):
I know because I get it.

Speaker 1 (01:02:23):
All right.

Speaker 2 (01:02:23):
Y'all man, we're gonna wrap this thing up. That do
it for episode two forty like we say, you know
it is? What more can we say?

Speaker 3 (01:02:30):
More can