October 13, 2025 • 31 mins
Fitzy’s feeling a bit torn on one hand, he’s loving that his son is raiding his wardrobe (a sure sign he’s still got style), but on the other, he’s not ready to part with some of his prized fashion pieces. He also shares the story behind the viral Ibiza Final Boss meme. On Song To Be, we dive into the history of the 90s classic Iris by the Goo Goo Dolls. Plus, Graham Norton reveals the worst celebrity interview he’s ever done, and the team gets into a heated chat about phone etiquette after one of them gets called out for how they hang up the phone.
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Episode Transcript
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Speaker 1 (00:01):
The City and with Kate Wiki Podcast.
Speaker 2 (00:05):
It's Fitty Member with Kate Richie. Welcome to the Tuesday Podcast.
Do you know what I've realized today? It's great that
my son's finally having a growth spurt at the moment
sixteen years of age.
Speaker 3 (00:16):
But he's caught up to me. He's the same shoe size.
Speaker 2 (00:21):
Mate, He's just flogging shoes wardrobe. Okay, I mean, is
this a moment that you should be happy about or
I don't know. I'm feeling really weird about it at
the moment that he's just going through my stuff and
flogging clothes out of my wardrobe.
Speaker 4 (00:36):
To think he wants to wear anything that you've got
surprises in a big way.
Speaker 3 (00:39):
It's crazy. So that's what we're going to be talking
about in the pot.
Speaker 5 (00:43):
This is the Fitz and Whipper with Cape Ritchie Podcast.
Speaker 3 (00:46):
Do you know the Ibtha Final Boss.
Speaker 2 (00:49):
I'm trying to get my head around this stuff because
this bloke I've seen him before. He was the guy
there was a video that went viral right over in
Ibetha a guy on the dance floor and.
Speaker 3 (01:01):
Did you see him? He had that comb over haircut, whip.
Speaker 2 (01:04):
He's got a pair of sunglasses on muscles, tattoos.
Speaker 4 (01:08):
Oh yes, I saw him, Yeah, that guy.
Speaker 3 (01:11):
And then they put this over the top of it.
Speaker 1 (01:13):
This was over the Nothing beats the Jets holiday.
Speaker 3 (01:17):
Right now, you can this guy became.
Speaker 2 (01:21):
He exploded, his his fame exploded overnight. And I don't
know why everyone just wanted to be around the Iba
final Boss. I'm trying to work out what a final
boss is. But I found out in the gaming world,
it's the big baddie that you face at the end
of the game. Okay, but it can meet the best
of something and a in a video game, the final
(01:43):
boss is what everyone's trying to get to. They're trying
to beat the final boss anyway. So he's his fame
has exploded. And now this would have been a few
months ago, but this guy is now. And I'm thinking
to myself, when you think about his fame exploding, what
is he just rocking up to? Is he rocking up
to a few nightclubs? Does he get paid just to
wave to everyone in the crowd.
Speaker 4 (02:04):
Because I saw a bit a few people fits who
were getting his hairstyle, because his hair almost looked like
a lego man, it was like stuck on.
Speaker 2 (02:12):
Yes, so he's brushed it forward. It's exactly like a
lego It's like a lego guy. So his name is
Jack Kay. He's twenty six years of age. He's from
Newcastle over in the UK and he works in construction.
Like he comes from a pretty bad area. Yeah sure,
And he's had one weekend with the mates and the
lads over an I BEFA and his world has changed.
(02:34):
Now there's a television show that's just been released and
he's been picked up by a talent agency called Neon
Management and Mats Skyton Dave Reid is this guy's name
from Neon Management, and he's sitting down with the final
Boss and telling him how his life has changed.
Speaker 6 (02:54):
You're the most vocal guy on the planet probably at
the minute. The last thirty days you've had it got
a whach about one hundred and fifty million on your Instagram,
which is it's incredible. Even with someone with my years
of experience, I'm overwhelmed by it. So for you, I
can't imagine everybody's going to want to slay. Our office
has been receiving a boxibly four to five hundred individual
(03:14):
inquiries per day for you, but we've got to harness
that making sure you're getting paid and that's kind of
my job and that's what I'm doing at the moment.
Speaker 3 (03:23):
Five hundred inquiries in a day, the rubbish.
Speaker 2 (03:28):
For the ibetha Final Boss now and I'm thinking of myself,
what are some of these inquiries?
Speaker 6 (03:33):
Here's one, you know, we're working on your own vodka brand,
Final Boss Vodka. If we can get this rolled out
into supermarkets and nightclubs and you're earning six figures, you know,
you earning hundreds of thousands is life changing many.
Speaker 3 (03:50):
Now this is where I was like this, this cannot
be true.
Speaker 2 (03:54):
And in Australia, You've really let us down here because
Australia has got involved.
Speaker 3 (04:01):
Have a listen.
Speaker 6 (04:02):
I had an inquiry from Australian mushrooms.
Speaker 7 (04:05):
Australia's in the top three countries that you're that your
reaches from.
Speaker 1 (04:09):
You have a huge audience over there.
Speaker 6 (04:12):
They want to pay you a load of money talking
about why people should eat more mushrooms because they're healthy.
Some of these jobs are mad, but if you can
laugh with it, you're going to fly and bank the
check one hundred percent.
Speaker 3 (04:25):
Boy, who is the.
Speaker 2 (04:27):
Mushroom company in Australia that's prepared to pay a lot
of money for him.
Speaker 3 (04:32):
Tommy, we've got to track down this mushroom company.
Speaker 4 (04:34):
We have to. It can't be. There's no way a
mushroom company in Australia. That has to be a joke.
Speaker 3 (04:39):
This guy is full of no no, no, Whip.
Speaker 2 (04:42):
He's earning hundreds of thousands of dollars already. They're saying
that it could go into the millions now and obviously
there's seasons in IBTH so this guy is obviously he's
the the number one thing this season.
Speaker 3 (04:55):
So he's going to cash in much care.
Speaker 4 (04:57):
He's a new guy who looks like an idiot on
a dance floor or who's going to pop up tomorrow.
So then the mushroom company's going to want him and
not the lego haircut guy Whip.
Speaker 2 (05:06):
If you you've shaved your hair a buzz cut, if
you could grow it out a little bit and be
the next five final boss, get me.
Speaker 4 (05:13):
Over there at a single man. I'm ready for the
dance floor.
Speaker 2 (05:16):
This could be good and then you'll be the face
of mushrooms here in Australia.
Speaker 4 (05:20):
Oh years, you know you've made.
Speaker 5 (05:22):
It when this is the fits in Whipper with Cape
Ritchie podcast.
Speaker 2 (05:26):
It's the race that stops the world this Saturday. It's
the Everest ram week.
Speaker 4 (05:32):
What surprise pool these days? Fifty billion, that's.
Speaker 2 (05:36):
The it's twenty million is it twenty million? What does
first prize get Tommy?
Speaker 8 (05:41):
Yeah, I'm just working out that now, but yeah, twenty
million dollars. The jockey receives five percent of the prize
pool plus.
Speaker 4 (05:49):
Prize pool or winning amount five.
Speaker 9 (05:53):
Percent of the total prize money.
Speaker 3 (05:55):
Gee, and the.
Speaker 2 (05:56):
Trainer gets okay, So there's a favorite. There's a a
standout favorite this Saturday. You've probably never heard of it,
but it's called car Ying Rising. It's trained by David Hayes.
It's owned by the car Ying Syndicate over in Hong Kong.
We're It's had sixteen races already, fourteen wins. It's already
won ten million dollars.
Speaker 10 (06:16):
What a jit?
Speaker 2 (06:18):
Now it's a dollar seventy favorite. This thing is unbelievable.
It's broken so many track records that they reckon that
this horse is going to win so easy, like.
Speaker 4 (06:29):
It's been drug tested yet. How long is the Everest?
Is it a sprinter?
Speaker 3 (06:33):
Is it a staate? Twelve hundred meters a sprint. It's
a sprint mate, it's the sprint.
Speaker 2 (06:38):
It's the fastest race in I think it's the most
lucrative race in the world as well. So this everyone's
keeping an eye out for car Ying Rising but trained
by David Hayes.
Speaker 3 (06:51):
This is the thing. I mean people watch, you watch.
Speaker 2 (06:55):
Horses like this and you go, oh god, you know what,
fuckuld you get a couple of mates together.
Speaker 3 (07:02):
We could own something like that. I imagine standing up
there and holding up the cup.
Speaker 4 (07:06):
You know what I mean. We could have a name
in the book. And even if we only owned half
of it, you know what I mean, fits, I'll take
ten percent. Who's in it now? Seriously, who's in now?
I was.
Speaker 2 (07:16):
I was quite foolish when I was a little bit
younger as well, and that's what I thought.
Speaker 3 (07:21):
Every time the spring carnival comes around.
Speaker 2 (07:24):
You watch, you know, there's always a syndicate, I don't know,
regional people.
Speaker 10 (07:30):
You know what.
Speaker 3 (07:30):
There's an old lady with a fascinator on that says,
and you know.
Speaker 2 (07:33):
What, they've won a group one whip and they've all
won I don't know, fifty to one hundred thousand dollars
each and they're all at the train having a great time,
and everyone goes, that's what I want to do.
Speaker 3 (07:43):
Doesn't always doesn't always work out like that, does it?
Speaker 7 (07:46):
No?
Speaker 10 (07:46):
No?
Speaker 2 (07:47):
So I had a horse years and years ago called
die Golan with a few mates that I grew up with,
and we actually had it with David Hayes. And you
know when you get a horse and you go, okay,
maybe we start out in the country first, and then
it comes to a metropolitan track and if we can
win at a metropolitan metropolitan track, we get to put
a bag of fruit on, we put our suits on, and.
Speaker 3 (08:09):
We get to go and this is going to be amazing.
Speaker 2 (08:12):
Then you start getting a few messages back from the
trainers going, oh, yeah, the horse.
Speaker 3 (08:18):
Is doing okay.
Speaker 2 (08:19):
We're now the Metropolitan's probably not there anymore, so we're
going to go to a regional track. Then we got
a message back saying, oh, we might instead of it
going to be a sprint out, we might see if
it's a long distance horse.
Speaker 3 (08:34):
Then we got another message.
Speaker 2 (08:35):
Back going, then we're actually we might think about doing
it over the hurdles.
Speaker 4 (08:42):
And then you get a few more emails and go, hey,
here's the vet bill that's come in here are your
training fees.
Speaker 2 (08:49):
Well, I've actually found the last message that we got
from the David Hayes stable. It's from a guy called
Tom Davinik. Now, our horse was called Direglan. We thought
it was going to be the next car ying rising
and this was the last last voice message we got
on the horse.
Speaker 11 (09:06):
Hi, it's Tom Damne, just letting you know that die
Goland had a hurdle trial this morning at Waterble. The
ground was between slow and heavy and today's hurdle trial
was all about getting his confidence. But he got around
(09:26):
safely and did everything that we asked of him.
Speaker 4 (09:31):
Such great news. Didn't even get a band aid.
Speaker 3 (09:34):
He got around safely and did everything we asked of him.
We didn't ask a lot.
Speaker 4 (09:41):
We asked him to stay in the horse play wow,
so we asked him.
Speaker 3 (09:47):
To run and guess what he ran. It's just unfortunately
he was forty leaks by and.
Speaker 4 (09:55):
The term got around okay makes it sound like he
didn't know over the hurdles east of and run around them.
Speaker 5 (10:01):
This is the Fits and Whipper with Cape Ritchie podcast.
Speaker 4 (10:05):
Fitsy an absolute panic that his kids have reached a
size that just maybe they want to wear his gear.
Speaker 3 (10:12):
So, huy on for my height, I mean, I don't
have a big foot. I'm size eleven.
Speaker 2 (10:18):
So the other day here he goes, oh, dad, I
really like these added ass sambas that you got.
Speaker 3 (10:24):
Can I have them?
Speaker 2 (10:26):
What I like those shoes? Yeah, okay, you can have
him for a little bit. Then he starts going through
so with his authotics in whips the same shoe size
as me. So he's basically ten and a half at
the moment, he's six sixteen years of age. He's going
through a growth spurt. So I said, do you this
is the hardest thing for any parent out there, you know,
(10:46):
the question of do you want to go shopping today?
Clothes shopping with your kids because they think it's the
end of the.
Speaker 4 (10:54):
World, end of the world. I would never try anything
on Huie.
Speaker 2 (10:58):
Actually, I said, what do you want to want me
to take your shopping? Because he's never really I reckon,
We've done it once when he was younger. He said, yeah,
I'll go with you because he's into uniclo as well.
He likes the clothes from there. So I said, all right,
let's go shopping.
Speaker 3 (11:13):
So we go shopping.
Speaker 4 (11:14):
How's this?
Speaker 2 (11:15):
So now he's basically getting up around my size. He's
starting to flog stuff from my wardrobe. But we talked
Hi about I go to Uniclon and I said, what
are you?
Speaker 3 (11:24):
What are you looking for?
Speaker 12 (11:25):
Like?
Speaker 3 (11:25):
What are you into these days?
Speaker 2 (11:27):
He goes to the he goes, do you know, like, Dad,
I want to dress like Jacob A Lordie the Australian actor.
Speaker 3 (11:37):
Boy.
Speaker 2 (11:37):
But he, I mean he can pull it off because
he's a good looking guy. I mean, I mean Huey
back again. So actually it was a really productive day
because he was he actually he bought a couple of
T shirts, he bought some baggy pants.
Speaker 4 (11:55):
If I see him in a pair of what are
those shoes? Have many pairs of shoes?
Speaker 3 (12:01):
If you got by the way, I do, I reckon,
I do offload my shoes to my mates. So I
passed them onto my mates. But I reckon, I reckon,
I'd have about thirty pears, thirty trainers.
Speaker 4 (12:17):
If I see him in a pair of your runners
with a band T shirt on, I know exactly where
we're a pair of jawts.
Speaker 3 (12:22):
There's four hundred band T shirts that he's got to
choose from as well. Well, he's actually he's rocking up.
Speaker 2 (12:28):
He's asking me to drop him off at friend's house,
and I'm realizing that he's wearing.
Speaker 3 (12:35):
A lot of my stuff.
Speaker 4 (12:36):
Awesome, awesome, Jaquin.
Speaker 3 (12:38):
Penrith, your kids flogging stuff from your wardrobe? Janet, Yeah, she's.
Speaker 12 (12:46):
Eleven, Yeah, almost twelve.
Speaker 7 (12:49):
She's as tall as I am, which is quite scary.
Speaker 1 (12:52):
Yeah, but she says, all my shoes, like my heels,
my boots. She's like, oh thanks, mama walks out with them.
Speaker 12 (12:58):
I'm like, I was looking for to wear myself. That's okay.
Speaker 1 (13:03):
Yes, anytime I wear a dress, she's like, oh, that's
so pretty. I like that it's mine now and I'm like,
it doesn't fit you just yet. I grow a little
bit more.
Speaker 4 (13:14):
Oh my god, she started young. Janet's good luck with that.
Speaker 3 (13:17):
Kelly's in Rowsehel tell us about your daughter, kill Well,
I have.
Speaker 7 (13:22):
My daughter's almost the same age as Hueye. I think
she's fifteen turning sixteen soon, and we're the same size. Now.
She takes everything of mine, my denim, shots, my makeup, everything.
She's even taken some of my underwear recently. My most
favorite thing was she has just cheap came up jewe
because she loses hers all the time. She wore a
(13:44):
very expensive pair of my ear rings to school just
because it was Tuesday.
Speaker 4 (13:50):
Did they come home at the end of the day, Kelly,
They did.
Speaker 7 (13:54):
They were George Jenison's. I did slip it a little bit.
I was like, what are you doing wearing those discools?
Speaker 5 (14:00):
Don't mind?
Speaker 4 (14:02):
My God's keep an eye on that one.
Speaker 5 (14:03):
Kel.
Speaker 2 (14:04):
There is an element though, that you are quite proud
that they don't mind your fashion sense and they want
to go out and show their friends.
Speaker 7 (14:11):
I think that's really cool. I feel like if you
see it's like, it feels like it's like we could
be I don't mind if she should get a job, though,
because then maybe it can come.
Speaker 3 (14:19):
Back to me.
Speaker 4 (14:21):
You you like it because it's making you feel younger
and accepted by the younger crowd, and I need that. Yeah,
there's nothing wrong with them, Kelly, nothing wrong with that.
Speaker 3 (14:31):
Maria in Gladesfield tell us about your daughter, Maria.
Speaker 12 (14:34):
Yeah, so when she was like fifteen and sixteen, I
mean she was always saying how daggy I was and
how she was fashionable and all that, and yet I
would notice my handbags were missing, some of them were missing,
some clothing perfumes, all my makeup, and it's like I'm
looking for stuff. Then I happen to be up in
her room talking to her while she's getting ready to
(14:54):
go to school or do something. It's like, wait a minute,
that's all my handbags and now when I wear my makeup.
Because I was thinking I was going to be crazy
thinking things were disappearing.
Speaker 1 (15:07):
And she goes, well, yeah, I want to use them.
Speaker 12 (15:09):
It's like, well, did you ever think about asking me?
Speaker 10 (15:11):
Oh?
Speaker 4 (15:11):
No, Maria.
Speaker 3 (15:13):
Do you know what?
Speaker 4 (15:13):
There was a girl that worked on this show and
she borrowed her mum's handbag one time, and unfortunately mum
was hiding something in her handbag. So when she was
out and about and went to put the get the
keys out of the bag, there was something else already
in there. There's a bit of a right hiding place.
Speaker 3 (15:28):
What it wasn't your book?
Speaker 10 (15:29):
Was it?
Speaker 5 (15:30):
No?
Speaker 4 (15:30):
No, it wasn't my book, it was it was her
first Personal items can be a dangerous place to play marine.
Speaker 3 (15:40):
I think I think you are right.
Speaker 2 (15:42):
It does make you feel younger as a parent as
you're getting older and you've got teenage kids.
Speaker 3 (15:47):
If they're prepared to wear what you wear in your wardrobe.
It makes you feel a lot better. I don't.
Speaker 4 (15:52):
I mean, Tommy, if they get into sort of waistcoasts
and vests, then your kid, you'll be perfectly just for
your kid.
Speaker 13 (15:58):
Yeah.
Speaker 3 (16:00):
Does he dresses a lot like you?
Speaker 9 (16:02):
He doestely a.
Speaker 4 (16:04):
Middle aged woman.
Speaker 2 (16:05):
Yeah, mate, I felt on top of the world. I
felt a bit weird hanging out at a house party.
Speaker 3 (16:11):
With sixteen year olds on Saturday night. But I was like, yeah, man,
you can wear whatever you want.
Speaker 4 (16:16):
This is cool. Who wants a drink? I'm here.
Speaker 1 (16:19):
This is the Fitting and Whip with Kate Richie podcast.
Speaker 5 (16:22):
Well, bomb, let's age lucky.
Speaker 4 (16:26):
I don't have a lot of it, doesn't.
Speaker 3 (16:31):
This song to be Well, it's not a brand new song.
It's from nineteen ninety eight. It's from the soundtrack of
a movie called City of Angels. I'm talking about Goo
Goo dolls iris the world. Who was in the movie?
Speaker 4 (16:45):
Mate?
Speaker 3 (16:46):
Okay?
Speaker 2 (16:48):
Nicholas Cage Ryan, Yes, Now this is an unbeliever. I've
got to get through this. There's a great podcast called
song Exploder. Now I've got it off this because this
is fascinating how this song came together. The lead singer
is John Resnick, is his name, and John Resnick was
having writer's block whip couldn't come up with a song
(17:10):
months and months, and then Warner Brothers approached him to
write a song for this new movie. If you haven't
seen City of Angels, this is what he was asked
to write a song about.
Speaker 10 (17:21):
So it's the story about this angel who has immortality,
but he's lonely and he sees this woman and he
just wants to know what it feels like to feel
what all these humans are feeling, because he's just going
around watching them, and so he makes this leap and
he gives up his immortality for her for love.
Speaker 2 (17:46):
Okay, So when you're struggling to write, right and they're
paying you a lot of money Warner Brothers to write
this song, I mean, he's freaking out, going what do
I do start?
Speaker 7 (17:56):
So?
Speaker 3 (17:57):
How do you start a song like that?
Speaker 10 (17:59):
I thought, we're I'm going to rate this from and
I said, well, what would I say? What would I
say to that woman? I had a guitar and because
I D tuned and used alternate tunings, I'd gone a
little too far and I popped two strings off the guitar,
so I had four strings on this guitar left and
I detuned the low e to a B, the other
(18:22):
three strings to D's Yeah, and I'm just playing and
I'm just running this like basically the shape of a
power chore, but very simple.
Speaker 3 (18:39):
Okay, so this is the fascinating bit.
Speaker 4 (18:41):
WHI this is?
Speaker 2 (18:42):
This is what blows my mind because you know, he
likes to riff and he likes to put his songs together.
When he impersonates other artists, it gets it gives him inspiration.
Speaker 3 (18:53):
This, this bit blew my mind.
Speaker 10 (18:55):
I did this when I read songs.
Speaker 4 (18:56):
I'll be like.
Speaker 10 (18:59):
You to be new, they got to be we going,
you know what I mean. I'll do I do like
the you know when people do their impersonation of Bob
Dylan Libo this.
Speaker 4 (19:15):
Live, you know.
Speaker 10 (19:18):
So that's how I get melodies. And I always find
melody first, what sits on top of the cords and
what does it make you feel? And then sometimes a
word will come out. You're sitting there going yeah.
Speaker 4 (19:30):
Yeah, yeah.
Speaker 10 (19:31):
And I don't to be like you, ah, don't to
be like I don't want to do.
Speaker 12 (19:38):
And I don't.
Speaker 10 (19:41):
Let's see me because I don't.
Speaker 3 (19:44):
Think they understand.
Speaker 2 (19:48):
Wheverything's made have been broken.
Speaker 13 (19:53):
I just want you to know.
Speaker 3 (19:58):
That, is that I hate just done that on the spot,
just mucking around.
Speaker 2 (20:03):
So but then this blows my mind even more, is
that he Then they go in and they do their
first demo and it's really bad, whipped like the drum
peak just wasn't does it wasn't right. This is the
first demo of iris.
Speaker 3 (20:23):
No doesn't work, terrible, terrible. So what happens right with
the soundtrack?
Speaker 2 (20:37):
And because it's Warner Brothers and there's a lot of
mute money going into this, they bring in this producer,
Rob Cavallo is his name, and then Rob starts introducing
elements to the song because if you left it up
to the Goo Goo Dolls, I mean John Resnick, he
was going through writer's block.
Speaker 3 (20:55):
He didn't know what to do.
Speaker 2 (20:56):
So they've got this guy involved and then all of
a sudden, this Rob Cavallo comes in and starts adding stuff.
Speaker 3 (21:03):
It's amazing. Who's playing that mandolin?
Speaker 10 (21:09):
That's Tim Piers Player, one of the greatest session players
in the history of recorded music.
Speaker 4 (21:20):
On the mandolin.
Speaker 3 (21:21):
Do you know whose idea it was to bring him in? Rob?
Speaker 10 (21:24):
This is where Rob turned us on to some crazy stuff.
Speaker 2 (21:29):
So then then Rob goes, why don't we bring in
some strings? Why don't I bring in a violin and
all this kind of stuff and a bit of a
and the hit. They're like, no, that's not the Goo
Goo Dolls. So they were strongly against it. They didn't
want to bring in a string section, and Rob said,
can you just hear it? And this is the first
time that they heard us.
Speaker 10 (21:49):
And when they came out and started playing, Robbie and
I were like, uh oh, uh oh, it's kind of cool.
(22:10):
And then I'm like, you know, if we do this,
there's no going back to what we were doing. And
He's like yeah, And then we were both like, pet,
let's do it.
Speaker 3 (22:34):
Isn't that amazing?
Speaker 13 (22:35):
You know what?
Speaker 2 (22:35):
That song it wouldn't have It wouldn't have come together
if it wasn't on a soundtrack and it wasn't sponsored
by Warner Brothers, because Goo Goo Dolls would have put
together that first demo and they wouldn't have had Rob
Cavalo there going well you need a mandolin and you
need a string section, and it made it into the
song that it is.
Speaker 3 (22:55):
It's had four billion streams.
Speaker 4 (22:57):
Well that's the other thing. When they look at the
back catalog. Can you know another Gourgo Dolls song?
Speaker 13 (23:02):
You know?
Speaker 4 (23:02):
And they said there's no going back after this. Well
you're on the ways forward.
Speaker 3 (23:05):
I would have thought, and it's you know what. They're
still touring to this day. They just played in Australia recently.
They have to play Iris eight times, but it's an
amazing song.
Speaker 1 (23:16):
This is the Fits In with Kate Richie podcast.
Speaker 4 (23:19):
Let's talk about phone etiquette. We're talking about this because
a lot of people talk loud in the office and
we'll get up very quickly and shut the door because
people don't really hold the phone to their ear anymore.
We were talking about this earlier and Fitz Tommy said, oh, yeah,
I'm a walkie squawky. Ah, I haven't heard that term,
tom That's really cute. Yes, squawk all the time. I'm
(23:40):
alwaukie squawky. So what that means, Tommy, in effect is
you hold your phone out on speakerphone and then you
have a conversation yelling, which is really annoying for everybody else.
Speaker 3 (23:52):
You're the cockatoo of a phone talker. Yeah, I just
it's a lot.
Speaker 8 (23:58):
Have you been a squawky for well, I just don't
like holding to my ear Yeah, it's frustrating and it's
uncomfortable on a long phone call.
Speaker 3 (24:06):
COVID. You don't want to get well, I don't.
Speaker 4 (24:07):
Want to get COVID and all those how many earbud guy?
Air bud guy?
Speaker 3 (24:11):
No, you said they don't fit?
Speaker 4 (24:13):
You know? I know the new ones do the original ones?
Speaker 3 (24:15):
Don't you shaved your head?
Speaker 4 (24:17):
I've got big features, mate, I got you shave your head.
Speaker 3 (24:22):
Got a big task. Come to get your air pods
in nothing to do with they do they make bigger ones?
Speaker 9 (24:28):
Can you care?
Speaker 3 (24:29):
I think you can.
Speaker 4 (24:30):
You can because it's the rubber piece which was the
add on, which wasn't huge heads.
Speaker 3 (24:34):
Yeah, I think you know.
Speaker 4 (24:36):
The other one that I used too is the metaglasses
So cool cool, it looks so cool. It's not a
walking squawky, which a lot of people are doing. A
public transport is the worst place to hear somebody doing
a walking squawky is talking.
Speaker 3 (24:53):
Yeah, that's right.
Speaker 4 (24:54):
I hate the sound of well.
Speaker 2 (24:55):
Metaglasses on on on the metro is a great place
to where you meta glass because I could be halfway
through talk and talk to yourself when there's heaps of
people around and.
Speaker 4 (25:05):
Then I look, okay, take photo. I came how to
start recording?
Speaker 3 (25:11):
Where's the camera?
Speaker 4 (25:12):
Cameras in the glasses?
Speaker 2 (25:14):
So where are you looking back at yourself or you're
looking out? See you're taking photo of people in the train.
Speaker 4 (25:20):
Tommy, grab my backpack and I'll throw the metas one.
Speaker 9 (25:23):
You had an issue with producer Oli with something that
do you know what?
Speaker 4 (25:27):
This is? Like something you see in the movies from
the US, right, and Americans do it all the time,
and it's where they don't actually say goodbye. How do
you answer a call?
Speaker 13 (25:38):
Oli?
Speaker 4 (25:39):
Do you go hello, Hi, it's Ollie speaking. What do
you normally go?
Speaker 13 (25:44):
It depends I my generation. If someone's calling me, I
think something's wrong. So none of my friends we never
call with text, so when someone's calling, it's always like, hello,
what's going on?
Speaker 7 (25:53):
Yeah?
Speaker 4 (25:53):
Why are you calling it?
Speaker 3 (25:54):
Yeah? But what about like if you want to meet
the crew out you know what I mean for lads
the crew? Do you so you don't ring each other?
Speaker 13 (26:03):
Yeah, I would never call unless it's like you need
an answer quickly, you'd never call. Yeah.
Speaker 4 (26:08):
So the next day, like if you're throwing around stories
because you've had a big night at karaoke bo that
you like to do. Will you not call the guys
and go, man, what happened? Where did we end up?
This was crazy?
Speaker 8 (26:20):
What was her name?
Speaker 13 (26:22):
Nah, you'd be on the group chat, and then if
everyone's acting in the group chat, then you'd see and
you might do like.
Speaker 3 (26:27):
A video call. And then everyone's like, oh, no, you never.
You never go and take a phone call.
Speaker 4 (26:32):
Here's the thing that I've noticed. You don't say goodbye. Yeah,
you never. You just hang up when you finished talking.
Speaker 3 (26:38):
Yeah. I've been getting in trouble for this as well.
Speaker 13 (26:40):
I didn't realize this until Jess brought it to my
attention that I don't say goodbye.
Speaker 4 (26:44):
So Olie will say, yeah, that's a good idea, go on,
but that's the end of the call.
Speaker 3 (26:50):
You've got to move on to the next thing. You
don't have time for formalities. You're there, mate, there's got
to be an official sort of yes.
Speaker 13 (27:01):
Maddie and the producer booth as well. Maddie would be like,
did you say goodbye to her?
Speaker 3 (27:05):
I wasn't. No, So I need to be better with
the callers and the listeners.
Speaker 4 (27:08):
So the people that call the show, you just they
don't even know whether they're still on the call or not.
Speaker 3 (27:13):
We've got to get through a lot of calls. We
get so many calls, especially with the Wonder Wonder. There's
a reason.
Speaker 9 (27:17):
Do you know why they don't say it in movies?
Speaker 3 (27:19):
Why so?
Speaker 8 (27:20):
The reason in movies is because it saves time for
them to not say goodbye, the characters not say goodbye.
It also second, it maintains the scenes pacing and aligns
with narrative goals over realism, because it doesn't it stops
the scene moving forward.
Speaker 4 (27:36):
If they say goodbye, oh doesn't mean well, I'm not
hold rubbish movies three and a half hours these days
they take half a day.
Speaker 5 (27:42):
This is the Fits with Cape Ritchie podcast.
Speaker 4 (27:46):
Graham Norton to come out and spoken about the worst interview.
Speaker 8 (27:50):
No, not no.
Speaker 4 (27:53):
Michael Fasbend was on the couch at the same time,
and unfortunately a guy by the name of Mark Wahlberg.
Speaker 3 (27:59):
I mean right, he had a few, didn't He had
a few drinks?
Speaker 4 (28:04):
Yeah, Graham Norton guys on to talk about how something
in Mark's system took over. This was back in twenty
thirteen and he came on to promote the movie Broken City.
But I love that it sort of ended with Mark
Wahlberg city on Graham Norton's knee, almost having him in
a headlock, which graham Norton just loved. But have a
(28:26):
listen to this what he was steering. I decided I
would do sort of I would sort of do opposite balance,
you know, so the outside tires would grip in. Essentially
you get most gripped and take the corners faster. It's
one of those trip and fell and landed in each others.
Speaker 10 (28:41):
No, we crashed.
Speaker 3 (28:44):
Close, close, but it's not.
Speaker 5 (28:46):
Actually that's a happy tale. Okay, ruin the peek story.
Speaker 3 (28:50):
Now you're going to Ruin the golf pro. I have
had I nap for six or seven minutes, and so
tell me how you.
Speaker 2 (29:05):
McAvoy intertwined well his through his creative driving.
Speaker 3 (29:10):
Essentially we pulled into and he was the driver. He
was the driver. I was comfortable.
Speaker 5 (29:14):
Balancing at the back.
Speaker 3 (29:15):
And then I said already if you were listening.
Speaker 4 (29:18):
Mirk, Yes, he'd had a tip of when he falls
to State school, and I think he ended with him
sort of falling asleep on the couch. That's not like
Marky Mark, because he's he's a fitness freak.
Speaker 2 (29:34):
Have we had anyone that's been a bit under the weather,
But I don't think we've had anyone who's been drunk
on the show, Tommy.
Speaker 3 (29:40):
Have we perhaps not drunk?
Speaker 8 (29:41):
You did have I believe was that Jason Priestley who
came in with a nasty pain guy.
Speaker 4 (29:47):
That's different, tom Sometimes.
Speaker 9 (29:49):
He'd been under something else.
Speaker 2 (29:51):
But yeah, which then Whipper got pink eye eight times
after he yes, after we interviewed him, which was weird.
Speaker 3 (29:58):
I don't know what you did with priests we afterwards,
but we wrestled.
Speaker 4 (30:02):
Now that is not a cupcake.
Speaker 3 (30:04):
I would continue, that's for sure.
Speaker 4 (30:06):
We know that from the princess speaking big names red
auras on the show. Plus also this week Lenny Kravitz
is going to be joining us, Sam Pang and also
Jim Jeffries. How good is that? Tell me what a lineup?
Speaker 9 (30:17):
It's a big get.
Speaker 4 (30:18):
Finally, he moved on really quickly. I don't need to
talk about Pinky or did you want to go through
the series of songs you made up for my Pink?
I did you that?
Speaker 3 (30:28):
Would I mean to find them?
Speaker 4 (30:34):
Stuck the showdown and do Pinky's Pretty Fly?
Speaker 2 (30:37):
You got pretty flying there and all the girly said,
speak I for the chile that crawl my laughing.
Speaker 4 (30:47):
We had enough guys, but you got another one there.
Or you want to move on from the pink the traffic,
You want to go to the traffic, or you okay,
It's Whipper with Kate Ritchie is a not for podcast
a great shows like this down the Nova Player via
the app Store or Google Play.
Speaker 1 (31:03):
The Nova player
The City and with Kate Wiki Podcast.
Speaker 2 (00:05):
It's Fitty Member with Kate Richie. Welcome to the Tuesday Podcast.
Do you know what I've realized today? It's great that
my son's finally having a growth spurt at the moment
sixteen years of age.
Speaker 3 (00:16):
But he's caught up to me. He's the same shoe size.
Speaker 2 (00:21):
Mate, He's just flogging shoes wardrobe. Okay, I mean, is
this a moment that you should be happy about or
I don't know. I'm feeling really weird about it at
the moment that he's just going through my stuff and
flogging clothes out of my wardrobe.
Speaker 4 (00:36):
To think he wants to wear anything that you've got
surprises in a big way.
Speaker 3 (00:39):
It's crazy. So that's what we're going to be talking
about in the pot.
Speaker 5 (00:43):
This is the Fitz and Whipper with Cape Ritchie Podcast.
Speaker 3 (00:46):
Do you know the Ibtha Final Boss.
Speaker 2 (00:49):
I'm trying to get my head around this stuff because
this bloke I've seen him before. He was the guy
there was a video that went viral right over in
Ibetha a guy on the dance floor and.
Speaker 3 (01:01):
Did you see him? He had that comb over haircut, whip.
Speaker 2 (01:04):
He's got a pair of sunglasses on muscles, tattoos.
Speaker 4 (01:08):
Oh yes, I saw him, Yeah, that guy.
Speaker 3 (01:11):
And then they put this over the top of it.
Speaker 1 (01:13):
This was over the Nothing beats the Jets holiday.
Speaker 3 (01:17):
Right now, you can this guy became.
Speaker 2 (01:21):
He exploded, his his fame exploded overnight. And I don't
know why everyone just wanted to be around the Iba
final Boss. I'm trying to work out what a final
boss is. But I found out in the gaming world,
it's the big baddie that you face at the end
of the game. Okay, but it can meet the best
of something and a in a video game, the final
(01:43):
boss is what everyone's trying to get to. They're trying
to beat the final boss anyway. So he's his fame
has exploded. And now this would have been a few
months ago, but this guy is now. And I'm thinking
to myself, when you think about his fame exploding, what
is he just rocking up to? Is he rocking up
to a few nightclubs? Does he get paid just to
wave to everyone in the crowd.
Speaker 4 (02:04):
Because I saw a bit a few people fits who
were getting his hairstyle, because his hair almost looked like
a lego man, it was like stuck on.
Speaker 2 (02:12):
Yes, so he's brushed it forward. It's exactly like a
lego It's like a lego guy. So his name is
Jack Kay. He's twenty six years of age. He's from
Newcastle over in the UK and he works in construction.
Like he comes from a pretty bad area. Yeah sure,
And he's had one weekend with the mates and the
lads over an I BEFA and his world has changed.
(02:34):
Now there's a television show that's just been released and
he's been picked up by a talent agency called Neon
Management and Mats Skyton Dave Reid is this guy's name
from Neon Management, and he's sitting down with the final
Boss and telling him how his life has changed.
Speaker 6 (02:54):
You're the most vocal guy on the planet probably at
the minute. The last thirty days you've had it got
a whach about one hundred and fifty million on your Instagram,
which is it's incredible. Even with someone with my years
of experience, I'm overwhelmed by it. So for you, I
can't imagine everybody's going to want to slay. Our office
has been receiving a boxibly four to five hundred individual
(03:14):
inquiries per day for you, but we've got to harness
that making sure you're getting paid and that's kind of
my job and that's what I'm doing at the moment.
Speaker 3 (03:23):
Five hundred inquiries in a day, the rubbish.
Speaker 2 (03:28):
For the ibetha Final Boss now and I'm thinking of myself,
what are some of these inquiries?
Speaker 6 (03:33):
Here's one, you know, we're working on your own vodka brand,
Final Boss Vodka. If we can get this rolled out
into supermarkets and nightclubs and you're earning six figures, you know,
you earning hundreds of thousands is life changing many.
Speaker 3 (03:50):
Now this is where I was like this, this cannot
be true.
Speaker 2 (03:54):
And in Australia, You've really let us down here because
Australia has got involved.
Speaker 3 (04:01):
Have a listen.
Speaker 6 (04:02):
I had an inquiry from Australian mushrooms.
Speaker 7 (04:05):
Australia's in the top three countries that you're that your
reaches from.
Speaker 1 (04:09):
You have a huge audience over there.
Speaker 6 (04:12):
They want to pay you a load of money talking
about why people should eat more mushrooms because they're healthy.
Some of these jobs are mad, but if you can
laugh with it, you're going to fly and bank the
check one hundred percent.
Speaker 3 (04:25):
Boy, who is the.
Speaker 2 (04:27):
Mushroom company in Australia that's prepared to pay a lot
of money for him.
Speaker 3 (04:32):
Tommy, we've got to track down this mushroom company.
Speaker 4 (04:34):
We have to. It can't be. There's no way a
mushroom company in Australia. That has to be a joke.
Speaker 3 (04:39):
This guy is full of no no, no, Whip.
Speaker 2 (04:42):
He's earning hundreds of thousands of dollars already. They're saying
that it could go into the millions now and obviously
there's seasons in IBTH so this guy is obviously he's
the the number one thing this season.
Speaker 3 (04:55):
So he's going to cash in much care.
Speaker 4 (04:57):
He's a new guy who looks like an idiot on
a dance floor or who's going to pop up tomorrow.
So then the mushroom company's going to want him and
not the lego haircut guy Whip.
Speaker 2 (05:06):
If you you've shaved your hair a buzz cut, if
you could grow it out a little bit and be
the next five final boss, get me.
Speaker 4 (05:13):
Over there at a single man. I'm ready for the
dance floor.
Speaker 2 (05:16):
This could be good and then you'll be the face
of mushrooms here in Australia.
Speaker 4 (05:20):
Oh years, you know you've made.
Speaker 5 (05:22):
It when this is the fits in Whipper with Cape
Ritchie podcast.
Speaker 2 (05:26):
It's the race that stops the world this Saturday. It's
the Everest ram week.
Speaker 4 (05:32):
What surprise pool these days? Fifty billion, that's.
Speaker 2 (05:36):
The it's twenty million is it twenty million? What does
first prize get Tommy?
Speaker 8 (05:41):
Yeah, I'm just working out that now, but yeah, twenty
million dollars. The jockey receives five percent of the prize
pool plus.
Speaker 4 (05:49):
Prize pool or winning amount five.
Speaker 9 (05:53):
Percent of the total prize money.
Speaker 3 (05:55):
Gee, and the.
Speaker 2 (05:56):
Trainer gets okay, So there's a favorite. There's a a
standout favorite this Saturday. You've probably never heard of it,
but it's called car Ying Rising. It's trained by David Hayes.
It's owned by the car Ying Syndicate over in Hong Kong.
We're It's had sixteen races already, fourteen wins. It's already
won ten million dollars.
Speaker 10 (06:16):
What a jit?
Speaker 2 (06:18):
Now it's a dollar seventy favorite. This thing is unbelievable.
It's broken so many track records that they reckon that
this horse is going to win so easy, like.
Speaker 4 (06:29):
It's been drug tested yet. How long is the Everest?
Is it a sprinter?
Speaker 3 (06:33):
Is it a staate? Twelve hundred meters a sprint. It's
a sprint mate, it's the sprint.
Speaker 2 (06:38):
It's the fastest race in I think it's the most
lucrative race in the world as well. So this everyone's
keeping an eye out for car Ying Rising but trained
by David Hayes.
Speaker 3 (06:51):
This is the thing. I mean people watch, you watch.
Speaker 2 (06:55):
Horses like this and you go, oh god, you know what,
fuckuld you get a couple of mates together.
Speaker 3 (07:02):
We could own something like that. I imagine standing up
there and holding up the cup.
Speaker 4 (07:06):
You know what I mean. We could have a name
in the book. And even if we only owned half
of it, you know what I mean, fits, I'll take
ten percent. Who's in it now? Seriously, who's in now?
I was.
Speaker 2 (07:16):
I was quite foolish when I was a little bit
younger as well, and that's what I thought.
Speaker 3 (07:21):
Every time the spring carnival comes around.
Speaker 2 (07:24):
You watch, you know, there's always a syndicate, I don't know,
regional people.
Speaker 10 (07:30):
You know what.
Speaker 3 (07:30):
There's an old lady with a fascinator on that says,
and you know.
Speaker 2 (07:33):
What, they've won a group one whip and they've all
won I don't know, fifty to one hundred thousand dollars
each and they're all at the train having a great time,
and everyone goes, that's what I want to do.
Speaker 3 (07:43):
Doesn't always doesn't always work out like that, does it?
Speaker 7 (07:46):
No?
Speaker 10 (07:46):
No?
Speaker 2 (07:47):
So I had a horse years and years ago called
die Golan with a few mates that I grew up with,
and we actually had it with David Hayes. And you
know when you get a horse and you go, okay,
maybe we start out in the country first, and then
it comes to a metropolitan track and if we can
win at a metropolitan metropolitan track, we get to put
a bag of fruit on, we put our suits on, and.
Speaker 3 (08:09):
We get to go and this is going to be amazing.
Speaker 2 (08:12):
Then you start getting a few messages back from the
trainers going, oh, yeah, the horse.
Speaker 3 (08:18):
Is doing okay.
Speaker 2 (08:19):
We're now the Metropolitan's probably not there anymore, so we're
going to go to a regional track. Then we got
a message back saying, oh, we might instead of it
going to be a sprint out, we might see if
it's a long distance horse.
Speaker 3 (08:34):
Then we got another message.
Speaker 2 (08:35):
Back going, then we're actually we might think about doing
it over the hurdles.
Speaker 4 (08:42):
And then you get a few more emails and go, hey,
here's the vet bill that's come in here are your
training fees.
Speaker 2 (08:49):
Well, I've actually found the last message that we got
from the David Hayes stable. It's from a guy called
Tom Davinik. Now, our horse was called Direglan. We thought
it was going to be the next car ying rising
and this was the last last voice message we got
on the horse.
Speaker 11 (09:06):
Hi, it's Tom Damne, just letting you know that die
Goland had a hurdle trial this morning at Waterble. The
ground was between slow and heavy and today's hurdle trial
was all about getting his confidence. But he got around
(09:26):
safely and did everything that we asked of him.
Speaker 4 (09:31):
Such great news. Didn't even get a band aid.
Speaker 3 (09:34):
He got around safely and did everything we asked of him.
We didn't ask a lot.
Speaker 4 (09:41):
We asked him to stay in the horse play wow,
so we asked him.
Speaker 3 (09:47):
To run and guess what he ran. It's just unfortunately
he was forty leaks by and.
Speaker 4 (09:55):
The term got around okay makes it sound like he
didn't know over the hurdles east of and run around them.
Speaker 5 (10:01):
This is the Fits and Whipper with Cape Ritchie podcast.
Speaker 4 (10:05):
Fitsy an absolute panic that his kids have reached a
size that just maybe they want to wear his gear.
Speaker 3 (10:12):
So, huy on for my height, I mean, I don't
have a big foot. I'm size eleven.
Speaker 2 (10:18):
So the other day here he goes, oh, dad, I
really like these added ass sambas that you got.
Speaker 3 (10:24):
Can I have them?
Speaker 2 (10:26):
What I like those shoes? Yeah, okay, you can have
him for a little bit. Then he starts going through
so with his authotics in whips the same shoe size
as me. So he's basically ten and a half at
the moment, he's six sixteen years of age. He's going
through a growth spurt. So I said, do you this
is the hardest thing for any parent out there, you know,
(10:46):
the question of do you want to go shopping today?
Clothes shopping with your kids because they think it's the
end of the.
Speaker 4 (10:54):
World, end of the world. I would never try anything
on Huie.
Speaker 2 (10:58):
Actually, I said, what do you want to want me
to take your shopping? Because he's never really I reckon,
We've done it once when he was younger. He said, yeah,
I'll go with you because he's into uniclo as well.
He likes the clothes from there. So I said, all right,
let's go shopping.
Speaker 3 (11:13):
So we go shopping.
Speaker 4 (11:14):
How's this?
Speaker 2 (11:15):
So now he's basically getting up around my size. He's
starting to flog stuff from my wardrobe. But we talked
Hi about I go to Uniclon and I said, what
are you?
Speaker 3 (11:24):
What are you looking for?
Speaker 12 (11:25):
Like?
Speaker 3 (11:25):
What are you into these days?
Speaker 2 (11:27):
He goes to the he goes, do you know, like, Dad,
I want to dress like Jacob A Lordie the Australian actor.
Speaker 3 (11:37):
Boy.
Speaker 2 (11:37):
But he, I mean he can pull it off because
he's a good looking guy. I mean, I mean Huey
back again. So actually it was a really productive day
because he was he actually he bought a couple of
T shirts, he bought some baggy pants.
Speaker 4 (11:55):
If I see him in a pair of what are
those shoes? Have many pairs of shoes?
Speaker 3 (12:01):
If you got by the way, I do, I reckon,
I do offload my shoes to my mates. So I
passed them onto my mates. But I reckon, I reckon,
I'd have about thirty pears, thirty trainers.
Speaker 4 (12:17):
If I see him in a pair of your runners
with a band T shirt on, I know exactly where
we're a pair of jawts.
Speaker 3 (12:22):
There's four hundred band T shirts that he's got to
choose from as well. Well, he's actually he's rocking up.
Speaker 2 (12:28):
He's asking me to drop him off at friend's house,
and I'm realizing that he's wearing.
Speaker 3 (12:35):
A lot of my stuff.
Speaker 4 (12:36):
Awesome, awesome, Jaquin.
Speaker 3 (12:38):
Penrith, your kids flogging stuff from your wardrobe? Janet, Yeah, she's.
Speaker 12 (12:46):
Eleven, Yeah, almost twelve.
Speaker 7 (12:49):
She's as tall as I am, which is quite scary.
Speaker 1 (12:52):
Yeah, but she says, all my shoes, like my heels,
my boots. She's like, oh thanks, mama walks out with them.
Speaker 12 (12:58):
I'm like, I was looking for to wear myself. That's okay.
Speaker 1 (13:03):
Yes, anytime I wear a dress, she's like, oh, that's
so pretty. I like that it's mine now and I'm like,
it doesn't fit you just yet. I grow a little
bit more.
Speaker 4 (13:14):
Oh my god, she started young. Janet's good luck with that.
Speaker 3 (13:17):
Kelly's in Rowsehel tell us about your daughter, kill Well,
I have.
Speaker 7 (13:22):
My daughter's almost the same age as Hueye. I think
she's fifteen turning sixteen soon, and we're the same size. Now.
She takes everything of mine, my denim, shots, my makeup, everything.
She's even taken some of my underwear recently. My most
favorite thing was she has just cheap came up jewe
because she loses hers all the time. She wore a
(13:44):
very expensive pair of my ear rings to school just
because it was Tuesday.
Speaker 4 (13:50):
Did they come home at the end of the day, Kelly,
They did.
Speaker 7 (13:54):
They were George Jenison's. I did slip it a little bit.
I was like, what are you doing wearing those discools?
Speaker 5 (14:00):
Don't mind?
Speaker 4 (14:02):
My God's keep an eye on that one.
Speaker 5 (14:03):
Kel.
Speaker 2 (14:04):
There is an element though, that you are quite proud
that they don't mind your fashion sense and they want
to go out and show their friends.
Speaker 7 (14:11):
I think that's really cool. I feel like if you
see it's like, it feels like it's like we could
be I don't mind if she should get a job, though,
because then maybe it can come.
Speaker 3 (14:19):
Back to me.
Speaker 4 (14:21):
You you like it because it's making you feel younger
and accepted by the younger crowd, and I need that. Yeah,
there's nothing wrong with them, Kelly, nothing wrong with that.
Speaker 3 (14:31):
Maria in Gladesfield tell us about your daughter, Maria.
Speaker 12 (14:34):
Yeah, so when she was like fifteen and sixteen, I
mean she was always saying how daggy I was and
how she was fashionable and all that, and yet I
would notice my handbags were missing, some of them were missing,
some clothing perfumes, all my makeup, and it's like I'm
looking for stuff. Then I happen to be up in
her room talking to her while she's getting ready to
(14:54):
go to school or do something. It's like, wait a minute,
that's all my handbags and now when I wear my makeup.
Because I was thinking I was going to be crazy
thinking things were disappearing.
Speaker 1 (15:07):
And she goes, well, yeah, I want to use them.
Speaker 12 (15:09):
It's like, well, did you ever think about asking me?
Speaker 10 (15:11):
Oh?
Speaker 4 (15:11):
No, Maria.
Speaker 3 (15:13):
Do you know what?
Speaker 4 (15:13):
There was a girl that worked on this show and
she borrowed her mum's handbag one time, and unfortunately mum
was hiding something in her handbag. So when she was
out and about and went to put the get the
keys out of the bag, there was something else already
in there. There's a bit of a right hiding place.
Speaker 3 (15:28):
What it wasn't your book?
Speaker 10 (15:29):
Was it?
Speaker 5 (15:30):
No?
Speaker 4 (15:30):
No, it wasn't my book, it was it was her
first Personal items can be a dangerous place to play marine.
Speaker 3 (15:40):
I think I think you are right.
Speaker 2 (15:42):
It does make you feel younger as a parent as
you're getting older and you've got teenage kids.
Speaker 3 (15:47):
If they're prepared to wear what you wear in your wardrobe.
It makes you feel a lot better. I don't.
Speaker 4 (15:52):
I mean, Tommy, if they get into sort of waistcoasts
and vests, then your kid, you'll be perfectly just for
your kid.
Speaker 13 (15:58):
Yeah.
Speaker 3 (16:00):
Does he dresses a lot like you?
Speaker 9 (16:02):
He doestely a.
Speaker 4 (16:04):
Middle aged woman.
Speaker 2 (16:05):
Yeah, mate, I felt on top of the world. I
felt a bit weird hanging out at a house party.
Speaker 3 (16:11):
With sixteen year olds on Saturday night. But I was like, yeah, man,
you can wear whatever you want.
Speaker 4 (16:16):
This is cool. Who wants a drink? I'm here.
Speaker 1 (16:19):
This is the Fitting and Whip with Kate Richie podcast.
Speaker 5 (16:22):
Well, bomb, let's age lucky.
Speaker 4 (16:26):
I don't have a lot of it, doesn't.
Speaker 3 (16:31):
This song to be Well, it's not a brand new song.
It's from nineteen ninety eight. It's from the soundtrack of
a movie called City of Angels. I'm talking about Goo
Goo dolls iris the world. Who was in the movie?
Speaker 4 (16:45):
Mate?
Speaker 3 (16:46):
Okay?
Speaker 2 (16:48):
Nicholas Cage Ryan, Yes, Now this is an unbeliever. I've
got to get through this. There's a great podcast called
song Exploder. Now I've got it off this because this
is fascinating how this song came together. The lead singer
is John Resnick, is his name, and John Resnick was
having writer's block whip couldn't come up with a song
(17:10):
months and months, and then Warner Brothers approached him to
write a song for this new movie. If you haven't
seen City of Angels, this is what he was asked
to write a song about.
Speaker 10 (17:21):
So it's the story about this angel who has immortality,
but he's lonely and he sees this woman and he
just wants to know what it feels like to feel
what all these humans are feeling, because he's just going
around watching them, and so he makes this leap and
he gives up his immortality for her for love.
Speaker 2 (17:46):
Okay, So when you're struggling to write, right and they're
paying you a lot of money Warner Brothers to write
this song, I mean, he's freaking out, going what do
I do start?
Speaker 7 (17:56):
So?
Speaker 3 (17:57):
How do you start a song like that?
Speaker 10 (17:59):
I thought, we're I'm going to rate this from and
I said, well, what would I say? What would I
say to that woman? I had a guitar and because
I D tuned and used alternate tunings, I'd gone a
little too far and I popped two strings off the guitar,
so I had four strings on this guitar left and
I detuned the low e to a B, the other
(18:22):
three strings to D's Yeah, and I'm just playing and
I'm just running this like basically the shape of a
power chore, but very simple.
Speaker 3 (18:39):
Okay, so this is the fascinating bit.
Speaker 4 (18:41):
WHI this is?
Speaker 2 (18:42):
This is what blows my mind because you know, he
likes to riff and he likes to put his songs together.
When he impersonates other artists, it gets it gives him inspiration.
Speaker 3 (18:53):
This, this bit blew my mind.
Speaker 10 (18:55):
I did this when I read songs.
Speaker 4 (18:56):
I'll be like.
Speaker 10 (18:59):
You to be new, they got to be we going,
you know what I mean. I'll do I do like
the you know when people do their impersonation of Bob
Dylan Libo this.
Speaker 4 (19:15):
Live, you know.
Speaker 10 (19:18):
So that's how I get melodies. And I always find
melody first, what sits on top of the cords and
what does it make you feel? And then sometimes a
word will come out. You're sitting there going yeah.
Speaker 4 (19:30):
Yeah, yeah.
Speaker 10 (19:31):
And I don't to be like you, ah, don't to
be like I don't want to do.
Speaker 12 (19:38):
And I don't.
Speaker 10 (19:41):
Let's see me because I don't.
Speaker 3 (19:44):
Think they understand.
Speaker 2 (19:48):
Wheverything's made have been broken.
Speaker 13 (19:53):
I just want you to know.
Speaker 3 (19:58):
That, is that I hate just done that on the spot,
just mucking around.
Speaker 2 (20:03):
So but then this blows my mind even more, is
that he Then they go in and they do their
first demo and it's really bad, whipped like the drum
peak just wasn't does it wasn't right. This is the
first demo of iris.
Speaker 3 (20:23):
No doesn't work, terrible, terrible. So what happens right with
the soundtrack?
Speaker 2 (20:37):
And because it's Warner Brothers and there's a lot of
mute money going into this, they bring in this producer,
Rob Cavallo is his name, and then Rob starts introducing
elements to the song because if you left it up
to the Goo Goo Dolls, I mean John Resnick, he
was going through writer's block.
Speaker 3 (20:55):
He didn't know what to do.
Speaker 2 (20:56):
So they've got this guy involved and then all of
a sudden, this Rob Cavallo comes in and starts adding stuff.
Speaker 3 (21:03):
It's amazing. Who's playing that mandolin?
Speaker 10 (21:09):
That's Tim Piers Player, one of the greatest session players
in the history of recorded music.
Speaker 4 (21:20):
On the mandolin.
Speaker 3 (21:21):
Do you know whose idea it was to bring him in? Rob?
Speaker 10 (21:24):
This is where Rob turned us on to some crazy stuff.
Speaker 2 (21:29):
So then then Rob goes, why don't we bring in
some strings? Why don't I bring in a violin and
all this kind of stuff and a bit of a
and the hit. They're like, no, that's not the Goo
Goo Dolls. So they were strongly against it. They didn't
want to bring in a string section, and Rob said,
can you just hear it? And this is the first
time that they heard us.
Speaker 10 (21:49):
And when they came out and started playing, Robbie and
I were like, uh oh, uh oh, it's kind of cool.
(22:10):
And then I'm like, you know, if we do this,
there's no going back to what we were doing. And
He's like yeah, And then we were both like, pet,
let's do it.
Speaker 3 (22:34):
Isn't that amazing?
Speaker 13 (22:35):
You know what?
Speaker 2 (22:35):
That song it wouldn't have It wouldn't have come together
if it wasn't on a soundtrack and it wasn't sponsored
by Warner Brothers, because Goo Goo Dolls would have put
together that first demo and they wouldn't have had Rob
Cavalo there going well you need a mandolin and you
need a string section, and it made it into the
song that it is.
Speaker 3 (22:55):
It's had four billion streams.
Speaker 4 (22:57):
Well that's the other thing. When they look at the
back catalog. Can you know another Gourgo Dolls song?
Speaker 13 (23:02):
You know?
Speaker 4 (23:02):
And they said there's no going back after this. Well
you're on the ways forward.
Speaker 3 (23:05):
I would have thought, and it's you know what. They're
still touring to this day. They just played in Australia recently.
They have to play Iris eight times, but it's an
amazing song.
Speaker 1 (23:16):
This is the Fits In with Kate Richie podcast.
Speaker 4 (23:19):
Let's talk about phone etiquette. We're talking about this because
a lot of people talk loud in the office and
we'll get up very quickly and shut the door because
people don't really hold the phone to their ear anymore.
We were talking about this earlier and Fitz Tommy said, oh, yeah,
I'm a walkie squawky. Ah, I haven't heard that term,
tom That's really cute. Yes, squawk all the time. I'm
(23:40):
alwaukie squawky. So what that means, Tommy, in effect is
you hold your phone out on speakerphone and then you
have a conversation yelling, which is really annoying for everybody else.
Speaker 3 (23:52):
You're the cockatoo of a phone talker. Yeah, I just
it's a lot.
Speaker 8 (23:58):
Have you been a squawky for well, I just don't
like holding to my ear Yeah, it's frustrating and it's
uncomfortable on a long phone call.
Speaker 3 (24:06):
COVID. You don't want to get well, I don't.
Speaker 4 (24:07):
Want to get COVID and all those how many earbud guy?
Air bud guy?
Speaker 3 (24:11):
No, you said they don't fit?
Speaker 4 (24:13):
You know? I know the new ones do the original ones?
Speaker 3 (24:15):
Don't you shaved your head?
Speaker 4 (24:17):
I've got big features, mate, I got you shave your head.
Speaker 3 (24:22):
Got a big task. Come to get your air pods
in nothing to do with they do they make bigger ones?
Speaker 9 (24:28):
Can you care?
Speaker 3 (24:29):
I think you can.
Speaker 4 (24:30):
You can because it's the rubber piece which was the
add on, which wasn't huge heads.
Speaker 3 (24:34):
Yeah, I think you know.
Speaker 4 (24:36):
The other one that I used too is the metaglasses
So cool cool, it looks so cool. It's not a
walking squawky, which a lot of people are doing. A
public transport is the worst place to hear somebody doing
a walking squawky is talking.
Speaker 3 (24:53):
Yeah, that's right.
Speaker 4 (24:54):
I hate the sound of well.
Speaker 2 (24:55):
Metaglasses on on on the metro is a great place
to where you meta glass because I could be halfway
through talk and talk to yourself when there's heaps of
people around and.
Speaker 4 (25:05):
Then I look, okay, take photo. I came how to
start recording?
Speaker 3 (25:11):
Where's the camera?
Speaker 4 (25:12):
Cameras in the glasses?
Speaker 2 (25:14):
So where are you looking back at yourself or you're
looking out? See you're taking photo of people in the train.
Speaker 4 (25:20):
Tommy, grab my backpack and I'll throw the metas one.
Speaker 9 (25:23):
You had an issue with producer Oli with something that
do you know what?
Speaker 4 (25:27):
This is? Like something you see in the movies from
the US, right, and Americans do it all the time,
and it's where they don't actually say goodbye. How do
you answer a call?
Speaker 13 (25:38):
Oli?
Speaker 4 (25:39):
Do you go hello, Hi, it's Ollie speaking. What do
you normally go?
Speaker 13 (25:44):
It depends I my generation. If someone's calling me, I
think something's wrong. So none of my friends we never
call with text, so when someone's calling, it's always like, hello,
what's going on?
Speaker 7 (25:53):
Yeah?
Speaker 4 (25:53):
Why are you calling it?
Speaker 3 (25:54):
Yeah? But what about like if you want to meet
the crew out you know what I mean for lads
the crew? Do you so you don't ring each other?
Speaker 13 (26:03):
Yeah, I would never call unless it's like you need
an answer quickly, you'd never call. Yeah.
Speaker 4 (26:08):
So the next day, like if you're throwing around stories
because you've had a big night at karaoke bo that
you like to do. Will you not call the guys
and go, man, what happened? Where did we end up?
This was crazy?
Speaker 8 (26:20):
What was her name?
Speaker 13 (26:22):
Nah, you'd be on the group chat, and then if
everyone's acting in the group chat, then you'd see and
you might do like.
Speaker 3 (26:27):
A video call. And then everyone's like, oh, no, you never.
You never go and take a phone call.
Speaker 4 (26:32):
Here's the thing that I've noticed. You don't say goodbye. Yeah,
you never. You just hang up when you finished talking.
Speaker 3 (26:38):
Yeah. I've been getting in trouble for this as well.
Speaker 13 (26:40):
I didn't realize this until Jess brought it to my
attention that I don't say goodbye.
Speaker 4 (26:44):
So Olie will say, yeah, that's a good idea, go on,
but that's the end of the call.
Speaker 3 (26:50):
You've got to move on to the next thing. You
don't have time for formalities. You're there, mate, there's got
to be an official sort of yes.
Speaker 13 (27:01):
Maddie and the producer booth as well. Maddie would be like,
did you say goodbye to her?
Speaker 3 (27:05):
I wasn't. No, So I need to be better with
the callers and the listeners.
Speaker 4 (27:08):
So the people that call the show, you just they
don't even know whether they're still on the call or not.
Speaker 3 (27:13):
We've got to get through a lot of calls. We
get so many calls, especially with the Wonder Wonder. There's
a reason.
Speaker 9 (27:17):
Do you know why they don't say it in movies?
Speaker 3 (27:19):
Why so?
Speaker 8 (27:20):
The reason in movies is because it saves time for
them to not say goodbye, the characters not say goodbye.
It also second, it maintains the scenes pacing and aligns
with narrative goals over realism, because it doesn't it stops
the scene moving forward.
Speaker 4 (27:36):
If they say goodbye, oh doesn't mean well, I'm not
hold rubbish movies three and a half hours these days
they take half a day.
Speaker 5 (27:42):
This is the Fits with Cape Ritchie podcast.
Speaker 4 (27:46):
Graham Norton to come out and spoken about the worst interview.
Speaker 8 (27:50):
No, not no.
Speaker 4 (27:53):
Michael Fasbend was on the couch at the same time,
and unfortunately a guy by the name of Mark Wahlberg.
Speaker 3 (27:59):
I mean right, he had a few, didn't He had
a few drinks?
Speaker 4 (28:04):
Yeah, Graham Norton guys on to talk about how something
in Mark's system took over. This was back in twenty
thirteen and he came on to promote the movie Broken City.
But I love that it sort of ended with Mark
Wahlberg city on Graham Norton's knee, almost having him in
a headlock, which graham Norton just loved. But have a
(28:26):
listen to this what he was steering. I decided I
would do sort of I would sort of do opposite balance,
you know, so the outside tires would grip in. Essentially
you get most gripped and take the corners faster. It's
one of those trip and fell and landed in each others.
Speaker 10 (28:41):
No, we crashed.
Speaker 3 (28:44):
Close, close, but it's not.
Speaker 5 (28:46):
Actually that's a happy tale. Okay, ruin the peek story.
Speaker 3 (28:50):
Now you're going to Ruin the golf pro. I have
had I nap for six or seven minutes, and so
tell me how you.
Speaker 2 (29:05):
McAvoy intertwined well his through his creative driving.
Speaker 3 (29:10):
Essentially we pulled into and he was the driver. He
was the driver. I was comfortable.
Speaker 5 (29:14):
Balancing at the back.
Speaker 3 (29:15):
And then I said already if you were listening.
Speaker 4 (29:18):
Mirk, Yes, he'd had a tip of when he falls
to State school, and I think he ended with him
sort of falling asleep on the couch. That's not like
Marky Mark, because he's he's a fitness freak.
Speaker 2 (29:34):
Have we had anyone that's been a bit under the weather,
But I don't think we've had anyone who's been drunk
on the show, Tommy.
Speaker 3 (29:40):
Have we perhaps not drunk?
Speaker 8 (29:41):
You did have I believe was that Jason Priestley who
came in with a nasty pain guy.
Speaker 4 (29:47):
That's different, tom Sometimes.
Speaker 9 (29:49):
He'd been under something else.
Speaker 2 (29:51):
But yeah, which then Whipper got pink eye eight times
after he yes, after we interviewed him, which was weird.
Speaker 3 (29:58):
I don't know what you did with priests we afterwards,
but we wrestled.
Speaker 4 (30:02):
Now that is not a cupcake.
Speaker 3 (30:04):
I would continue, that's for sure.
Speaker 4 (30:06):
We know that from the princess speaking big names red
auras on the show. Plus also this week Lenny Kravitz
is going to be joining us, Sam Pang and also
Jim Jeffries. How good is that? Tell me what a lineup?
Speaker 9 (30:17):
It's a big get.
Speaker 4 (30:18):
Finally, he moved on really quickly. I don't need to
talk about Pinky or did you want to go through
the series of songs you made up for my Pink?
I did you that?
Speaker 3 (30:28):
Would I mean to find them?
Speaker 4 (30:34):
Stuck the showdown and do Pinky's Pretty Fly?
Speaker 2 (30:37):
You got pretty flying there and all the girly said,
speak I for the chile that crawl my laughing.
Speaker 4 (30:47):
We had enough guys, but you got another one there.
Or you want to move on from the pink the traffic,
You want to go to the traffic, or you okay,
It's Whipper with Kate Ritchie is a not for podcast
a great shows like this down the Nova Player via
the app Store or Google Play.
Speaker 1 (31:03):
The Nova player
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