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June 1, 2025 32 mins

Victoria Beckham is under fire for the dog act she pulled at her son's wedding earlier this year and we are just enjoying the spilt tea. Fitzy gives us a history lesson on Who Let The Dogs Out? by Baha Men and goes through the trauma of being a parent during a sleepover with teenage boys. One of the biggest stories over the weekend was Taylor Swift buying back her music catalogue, we have Chrissie and Producer Jess here to break it all down but all you have to know is the Swifties are celebrating!

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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
It is the city and with her with Kate Podcast
Ever with k Richie. Welcome to the Monday Podcast today,
And god, this is an absolute dog act by a
mother in law at a wedding. And you know this
mother in law, mate, she's one of o, yes, high
profile in the world. No, it's got nothing to do

(00:23):
with my fammable Chris would never do this. What Victoria
Beckham did at her son Brooklyn's wedding is disgusting, disgusting, unbelievable.
It was in Cubercle three. She didn't flush and people
were just absolutely flabbing against his by crawled out. In fact,

(00:43):
it was I'd tell you what, you can definitely bend
it around the whole did she what?

Speaker 2 (00:50):
Bend it like? Oh Beckham? They all do it.

Speaker 3 (00:55):
They all back out.

Speaker 4 (00:56):
Like.

Speaker 1 (01:00):
Them playing for the older liver stool.

Speaker 2 (01:04):
That's good, Tom, send that one into the galaxy.

Speaker 1 (01:07):
Really good. Okay, penalty gosh.

Speaker 3 (01:12):
Yes please, I'll tell you what. That's hard to kick
off in the corner.

Speaker 1 (01:16):
That's for sure.

Speaker 2 (01:17):
That's stuck on my shoe.

Speaker 3 (01:18):
That classic.

Speaker 1 (01:23):
Just so many jokes that we don't have at the moment,
but you will hear them in the podcast.

Speaker 5 (01:29):
This is the Fitzian Whipper with Cape Ritchie Podcast.

Speaker 1 (01:32):
This story has a current affair written all over it.
I'm surprised that they haven't done it already. Have you
got a cut of shanks? They're just get them ready, yes,
because I mean the story starts with a center Link
recipient has been awarded two hundred and fifty thousand dollars
after his insurer refused to pay him out when he's

(01:53):
sixty five thousand dollars BMW was damaged while parked on
a street. So it is confusing, isn't it, Because he's
a center Link recipient.

Speaker 3 (02:03):
Let's go through this.

Speaker 1 (02:04):
So, so he's getting the payments from Centelink, right, but
he's claiming right, okay, seller, he's boughted sixty five thousand
dollars BMW, which when you think of BMW, I mean
a sixty five thousand dollars one is.

Speaker 3 (02:20):
An old one.

Speaker 6 (02:20):
He's a seventy five thousand dollar car is still an
expensive car, especially if you're on Settlink.

Speaker 3 (02:26):
You're exactly right with it.

Speaker 1 (02:27):
But what he did when he went to go and
insure it, right, he ensured it for two hundred and
eighty thousand dollars.

Speaker 3 (02:35):
He only bought it for sixty five thousand.

Speaker 1 (02:37):
Then two days later he rang the insurance company back
and said, can I lower it? I don't want to
pay for two hundred and eighty thousand dollars for a car.
I want to lower it to two hundred and fifty thousand.
I don't think it's worth that much. But what the
insurance company's in a bit of trouble here because they
actually when he did the phone call, he said, well,
that make of BMW, we're actually we're actually value at

(03:00):
between one hundred and seventy five to three hundred and
twenty five thousand. So he said, all right, do it
in the middle. Let's make it two hundred and fifty thousand.
So seven months later, WHEP, he took his missus out
for a meal. They've gone to a restaurant and while
they're at the restaurant, car at home has been smashed
from behind. No way, so thought so a truck. A

(03:24):
truck was doing a three point turn and smashed into
his BMW.

Speaker 3 (03:29):
He's gone to make the claim.

Speaker 1 (03:31):
The insurance company has said, no, we're not going to
give you two hundred and fifty thousand dollars. He's disputed
this right, they've gone to court. What's happened is that
they're going, well, you know what, like this guy can't
get he can't get that kind of money. He's he's
getting sinder Link payments. He's actually won the case whip

(03:51):
and he's got two hundred and fifty thousand dollars for
a sixty five thousand dollar car. Now in court, they
were saying, but why you on center Link benefits and
he said, well, I earned forty thousand dollars a month
trading on the stock market and with cryptocurrency.

Speaker 3 (04:07):
Wow, how is this happening?

Speaker 6 (04:10):
So he doesn't have a real job. And the other
one is a case that's going on in Victoria at
the moment where they're looking at classifying crypto as money
so therefore you won't have to pay capital gains on it.

Speaker 2 (04:26):
So this guy could be knocking it out of the water.

Speaker 1 (04:30):
But see, don't you still so you don't have to
claim on crypto carry you do at the current moment?

Speaker 6 (04:36):
Yes, right, I takes department. Yeah, you've got to pay
capital gains on it. Okay, got as a capital gain
from an investment.

Speaker 1 (04:43):
And if he reckons that, he's earning forty thousand dollars
a month trading on the stock market as well. How
the hell is this guy still getting seasonally injured?

Speaker 2 (04:53):
Like, is there an injury in there?

Speaker 6 (04:55):
I also want to know how we bought the car
for sixty five thousand, So I reckon down the path
if we kind of wind it back a little bit about.

Speaker 2 (05:04):
How this guy's eroding. He's obviously got someone.

Speaker 6 (05:07):
He's probably paid someone fifty thousand dollars to steal a car, right,
and then he's bought it for sixty five So the
thief claims this fifteen k there, he's done well. So
then he goes it, insures the car for what two
eighty or two fifty, and then writes it off.

Speaker 3 (05:25):
So iag was the insurer.

Speaker 1 (05:28):
They refuted his They refuted his claim, and then he
took it to the AFCA, and he's won. I can't
you know what usually, I mean, it's not very often
you win against an insurance company. God, but this guy
has won. He's sixty five thousand dollars BMW we will

(05:49):
will be replaced with a two hundred and fifty thousand dollars.

Speaker 6 (05:53):
Car, allegedly, Tom I said, allegedly, Yeah, he's got it.

Speaker 3 (05:58):
Make him dodgy. I mean he's had a win. So
the court says that the moral of the story is crypto.

Speaker 6 (06:07):
Current Trading guaranteed forty k This is.

Speaker 7 (06:11):
The Fit and with Kate Richie podcast.

Speaker 1 (06:14):
Okay, we need to talk about this. This is unbelievable
because mother in laws can ruin weddings. This is now, mate,
this is this is the biggest wedding of all I
mean we're talking the Beckham's wedding.

Speaker 2 (06:29):
Oh okay, so this was Brooklyn.

Speaker 1 (06:32):
Oh yes, Brooklyn was marrying Nicola Pelts.

Speaker 3 (06:37):
Beautiful wedding. God, how good a wedding?

Speaker 2 (06:39):
When was this not long ago?

Speaker 3 (06:43):
It was last year? Remember last year?

Speaker 1 (06:46):
So there's more details that have come out about this now.
The performance at the wedding, My gosh, what a voice
this man has. Grammy Award winner Mark Anthony. You would
know Mark Anthony. He was married to j Low for
a while.

Speaker 2 (07:04):
Just trying to work it out.

Speaker 6 (07:06):
I mean, nobody's sitting there going finally, they're playing some
Mark Anthony on Nova. The Brooklyn's are worth a fortune, yep,
he's a yeah.

Speaker 1 (07:16):
The Pelts is a what is the pelt? What is
the old man pelts own whip? Is it top Shine
or something like that.

Speaker 6 (07:21):
I don't know's. I think it's more industrial. So they decided,
with all the cash in the world, they'd go with
Mark Anthony.

Speaker 1 (07:27):
So yeah, well, Mark Anthony's got a beautiful voice made
and he's just he's a lovely but one.

Speaker 3 (07:33):
I text him the other day. Actually he was upset
with a swan. He's losing waiting.

Speaker 1 (07:37):
But so anyway, Mark Anthony gets up this these details
have just emerged. So he gets up and before the
song begins, Before he goes into his first song, Mark
Anthony asks Brooklyn to come to the stage. He knows Brooklyn,
He knows the Beckhams very very well. Then Mark Anthony
goes and now I would like to invite up the

(07:59):
most beautiful woman in the room tonight. Please come on up,
Victoria Beckham.

Speaker 2 (08:06):
Oh, for the first.

Speaker 3 (08:08):
Dance at the wedding.

Speaker 1 (08:09):
What do you mean Mark Anthony got Victoria Beckham to
have a dance with her Brooklyn before Brooklyn had a
dance with Nicola Peltz. Work that out, mate, Work that out.
That is a dog act at a wedding from a
mother in law. I don't care what you say. It
should be the bride and groom that kick it off

(08:31):
first and then Mum can come in afterwards for a
little bit of a shindy.

Speaker 6 (08:34):
Maybe Brooklyn didn't know about it, but if you were
in that situation it happened to you, you would very
quickly go. But it's not about you, mum. Where's my
beautiful bride on her beautiful day?

Speaker 3 (08:46):
A second source, I mean, this is coming here.

Speaker 2 (08:48):
A second not a direct source or second a second source.

Speaker 3 (08:52):
I think it was barbecue, something like that.

Speaker 1 (08:54):
Who witnessed the moment said everyone then watched Nicola run from.

Speaker 2 (08:58):
The room crying.

Speaker 1 (09:00):
Oh no. Nicola felt like Victoria did this on purpose
when she knew it was a pre planned romantic dance
meant for Brooklyn and Nicola. What she couldn't understand was
why why would they do this? Why would Mark Anthony
do this? I mean, the Anthony family would not be
happy that Mark's doing this Mark with the Sea.

Speaker 3 (09:22):
Not many people have Mark with a.

Speaker 1 (09:24):
Film with the Sea.

Speaker 3 (09:25):
Camilla and Mark, so this was absolute mayhem.

Speaker 1 (09:29):
And this is just another case of a mother in
law trying to take over a wedding so she's happy.
Thirteen twenty fourteen. If a mother in law has ruined
a wedding if you get a story.

Speaker 2 (09:38):
A couple of further questions. I don't know if source twice.

Speaker 6 (09:42):
Removed mentioned this, but did she come back into the
wedding okay? Like, did she dry her eyes Nicola and
then find her way back into the the party or
was she out for half an needed to sit down
and a make up touch up.

Speaker 1 (09:55):
Well, a third source said it was such a jaw
dropping moment that left the whole room in absolute shot.

Speaker 3 (10:01):
You could hear a pin drop.

Speaker 1 (10:02):
Wow, And unfortunately Mark Anthony kicked off with some deplorable song.
Another one, Hearty's given us a call from Campbelltown. Hardy,
is this as a mother in law ruined a wedding
for you? Yes?

Speaker 4 (10:18):
I think she has. I believe she's it's ruined.

Speaker 2 (10:22):
What happened?

Speaker 4 (10:23):
Well, she's only up and told me that my was
my mother in law and flung me up and told
me that my husband had who was at work, and
told me that he had because he works in avatoire
and that he had lost his arm down the machine

(10:44):
and I had to get the hospital. Oh gosh, yeah, yeah,
so I'm very heavily pregnant. I was very heavily pregnant.
So I've just dropped the phone and just gone and
gone straight up to the hospital. And they couldn't find
him anywhere. That couldn't They had no rest election of
even being there. And it was a complete joke.

Speaker 2 (11:03):
It was a joke.

Speaker 1 (11:05):
What was that?

Speaker 4 (11:06):
Filled around with me?

Speaker 2 (11:07):
Where's the funny part?

Speaker 3 (11:08):
It was a gotcha a fit?

Speaker 2 (11:11):
Was it April Fool's Day or anything?

Speaker 7 (11:12):
What?

Speaker 4 (11:13):
I don't think so? No, Yeah, she was just an
evil woman. Evil if she didn't like me, this is good.

Speaker 6 (11:21):
So you turned up in the hospital and said I
think my husband's aries lost his arm in an accident.

Speaker 4 (11:27):
And I was very very I was like, may.

Speaker 6 (11:30):
Full, you're heavily pregnant, your sweating, you're uncomfortable, and there's nobody.

Speaker 4 (11:35):
There was wild I wanted I was out for blood.

Speaker 3 (11:40):
You would have, yeah, haid, are you still with the guy?

Speaker 2 (11:44):
Are you still.

Speaker 4 (11:45):
Married thirty seven years?

Speaker 2 (11:48):
Oh?

Speaker 3 (11:48):
Well, what's your relationship with the with her? The evil woman?

Speaker 4 (11:53):
She is gad and buried and did you kill her?

Speaker 5 (11:58):
This is the City with Cape Ritchie podcast.

Speaker 6 (12:02):
Let's celebrate the one and only Taylor Swift. She's done it, guys,
She's taken control back of her Original Masters three hundred.

Speaker 2 (12:12):
And sixty million dollars.

Speaker 3 (12:14):
She bought the back. I dare say, chrisy, you will
mention this later on.

Speaker 1 (12:17):
She will be celebrating today, so she she owns her
whole catalog.

Speaker 2 (12:22):
Now is that correct? Got it back?

Speaker 3 (12:24):
I wonder how much she paid. Let's throw it out.

Speaker 2 (12:26):
Three sixty I just said it three sixty.

Speaker 1 (12:30):
Where that's what.

Speaker 3 (12:32):
Scooter Braun paid.

Speaker 2 (12:34):
He paid three hundred.

Speaker 1 (12:37):
Wait, no, no, no, But then Scooter Braun sold it
to a private equity company mate did he un sell?

Speaker 2 (12:43):
Did he?

Speaker 1 (12:44):
Yeah? And he made a lot of money, so there's
no he sold it for like he doubled his money.

Speaker 3 (12:50):
So it's going to be six hundred.

Speaker 1 (12:51):
So why would they lose money and give it back
to Taylor Swift?

Speaker 8 (12:54):
So Shamrock who is Disney? They paid three hundred mili
from Scooter Braun for it. The reason it is so
devalued is because of the Taylor's versions, because she's re
released every other song. Anytime someone wants to buy it
and put it in a film, which is where they'd
make money, they got cheaper for Taylor's version. So it's
good about I think a bit, but probably a bit

(13:16):
below the three hundred mil, right.

Speaker 2 (13:19):
And then Shamrock took it for three hundred.

Speaker 8 (13:20):
Shamrock took it for three hundred. Interesting to note the
erarors to her, which was the most successful concert film
ever that was on Disney, So you start to wonder
if they've been talking for the past year and that
might be part.

Speaker 1 (13:32):
Of the deal.

Speaker 6 (13:33):
You know what was funny to see some of the
comments over the Wicked talking about that she'd prefer to
pay six three hundred and sixty million dollars then have
to re record lines in her songs about X's fits.

Speaker 2 (13:45):
So if you can imagine she's got Joe Jonas.

Speaker 5 (13:51):
Joe Awen, what is it, Joe Harry.

Speaker 6 (13:55):
She doesn't want to sing those lyrics again to record them.
So that was sort of the joke running around that
she would prefer to spend the money instead of have
to lay those tracks out again with those words in them.

Speaker 1 (14:06):
I just hope this is a lot of money, and
I just hope she's going to be okay, because it's
just I hope she infested well that little tour.

Speaker 8 (14:17):
She said that it was the success of the Taylor's version,
So making all that money on that and the success
of the Ears tour that allowed her to actually be
able to purchase the albums, as in to give her
enough coin to do that. That's the success of the
brand in so.

Speaker 1 (14:31):
Me purchasing all these new you know Taylor versions that
came out, Was that just a waste of time?

Speaker 2 (14:38):
Now?

Speaker 3 (14:38):
Like, did I just waste a lot of money doing that?

Speaker 4 (14:41):
Now?

Speaker 5 (14:41):
I think you would.

Speaker 8 (14:42):
You can officially call yourself a Taylor Swift stakeholder now,
anyone that went to the Ears tour we own a
little bit of that.

Speaker 6 (14:48):
I've done a Whipper's version of a lot of the songs.
I'm hoping the Scooter boorn Braun will buy it.

Speaker 8 (14:54):
You actually did a Whipper's version in front of Taylor,
which I think is on our socials.

Speaker 2 (14:57):
I did too, didn't I She was very.

Speaker 8 (14:59):
Generous her reaction on that.

Speaker 1 (15:00):
I think it's really good to know that we are
stakeholders in Taylor's because there was a lot of families
out there that wasted.

Speaker 3 (15:09):
Oh my god, moms out to see her before.

Speaker 2 (15:13):
It wasn't a waste, make it.

Speaker 8 (15:14):
You don't say Taylor Swift in waste, No, you do not.

Speaker 6 (15:17):
I mean my daughter I took along she was four
with the MUFS on and she slept through the entire thing.
But her seat was four hundred dollars, which is good,
so good to donate that.

Speaker 2 (15:25):
Take it to get from the real fans, Hapy to
help out.

Speaker 3 (15:27):
For Francesca's version, she snored the whole.

Speaker 2 (15:30):
Way through it.

Speaker 6 (15:31):
So, according to Taylor Swift, all of the music I've
ever made now belongs to me.

Speaker 8 (15:37):
Congrat Scooter Braun's reaction. He just said, I am very
happy for her. She was very clear in her letter,
and her team actually came out released a statement saying
it was in spite of him, wow that they got
this deal done. Remember, earlier in the week fits we
spoke about him saying that he had actually broken the deal,
not at all, have shut that down completely.

Speaker 6 (15:55):
During this time, also tell us Scooter Braun parted ways
with him his wife Yale. Now, what I can tell
you about Yale is she's heavily followed by tom like
like like like like like like black black like like
like like black black black like like made that is,
I mean, Tommy loves the.

Speaker 1 (16:14):
Music and broad loves Yale is a successful business woman.

Speaker 2 (16:19):
Like like his Instagram at break there and.

Speaker 1 (16:24):
Sorry that is a total Yale failed to my wife,
and she's just not going to be happy.

Speaker 2 (16:29):
About She's single. Now, Yale, Tommy, I thought you.

Speaker 3 (16:32):
Met my wife. Probably Yale is single.

Speaker 2 (16:35):
Yes, she keep an eye on it, mate.

Speaker 1 (16:38):
She's also broad. He was also married married to Oprahs bestman.

Speaker 2 (16:48):
Tom's trying to.

Speaker 3 (16:50):
The old Yale and.

Speaker 2 (16:53):
We could go on and off this movie. Yeah, this
is the Fits.

Speaker 5 (16:57):
And Whipper with Cape Richie podcast is clickabe.

Speaker 9 (17:02):
Well, it seems we're not going to be getting a
refutation a TV and Taylor's version after all, because there's
no need anymore. Jess, Isn't this great news for our
Queen and Sea?

Speaker 3 (17:15):
Most amazing news from the weekend, can't.

Speaker 9 (17:18):
I just want to give you a little explainer because
there's so many conversations that go on about Scooter Braun
and blah blah blah and Taylor's version. I think a
lot of people may have missed out on what the
situation is, and.

Speaker 10 (17:31):
You've got to know it.

Speaker 9 (17:32):
Because it's over, we don't need to worry about it anymore.

Speaker 10 (17:36):
So.

Speaker 9 (17:36):
Originally, Taylor Swift was with her record company, as is
what happens. Everything written during that tenure belongs to the
record company. Scooter Braun bought that record company and ended
up buying her catalog. Right. She wasn't happy with that
because she wasn't given an opportunity to put her hand up,

(17:59):
much like Whipper at auctions and gazump everybody, and.

Speaker 10 (18:05):
So she was angry.

Speaker 9 (18:06):
So what she did was she thought on her feet,
and she thought, hang on a minute, if I re
record them and call them Taylor's version, then my fans
know what's going on and they can listen only to that,
and Scooter Braun is not going to get the money.

Speaker 1 (18:25):
So this is where I've got to ask, because she
did the Taylor versions, right, does that bring the price
down of her back catalog? Because if someone was going
to use wanted to use Taylor Swift's let's just say
for a mitsubishiad, right, they could go through Taylor Swift
and get the Taylor's version and get it that way
if they're going to use the old catalog. So the

(18:47):
old ones weren't worth it, they weren't worth as much money.

Speaker 9 (18:52):
Christ I would say, so, yes, I think her plan worked.
So original owner was Big Machine Group. Then if the holdings,
which was owned by Scooter Braun, bought that company, swallowed
it hole like a round of hungry hippos. Then Shamrock
Capital bought the Masters from Scooter's company.

Speaker 3 (19:15):
So he would money off that night. He would have
made a lot of money Scooter.

Speaker 9 (19:19):
Three hundred million dollars old. Now Taylor Swift Productions has
been successful in their bid to buy them back, and
that means our Queen and Savior now owns what was
always hers, which is all her magical magical song.

Speaker 3 (19:42):
So what did she buy it for? Sixty or no?

Speaker 9 (19:46):
They they're not one hundred percent sure up to up
to a billion. She's got it, she's got it.

Speaker 3 (19:53):
I thought.

Speaker 1 (19:54):
I still think like you're if you're that public equity
firm that bought it off, Scooter Braun.

Speaker 3 (20:00):
You're you're in. You've got the power having you.

Speaker 1 (20:03):
Because you know Taylor Swift wants to buy her old
catalog back. So wouldn't you be in the box seat?

Speaker 6 (20:09):
Yeah, but there's no there's because she's recorded her own
versions too. You've devalued it and no one else is
going to be bidding, so that we know, bidding war
over it. You've only got one possible buyer.

Speaker 2 (20:19):
So it's great. It's going very.

Speaker 9 (20:21):
Still on, still on, still on Taylor Swift a personal,
very sad moment and a lot of mums will relate.
I took down a sign today, no yesterday, something you
know I.

Speaker 1 (20:32):
Want to stop. Sign wasn't a stop in your area
because dangerous sidism.

Speaker 9 (20:40):
Anyway, Above my daughter's bed was a beautiful tapestry that said,
best believe I'm still.

Speaker 2 (20:50):
Jeweled right And it's a great song.

Speaker 9 (20:54):
I asked all my kids, here's here's a big garbage bag.
Check anything that's not you anymore in it. And I'm
going to take it into a intotent when it when
all the laminated posters, when all the tailor quotes, when
oh my god, or the wind cheater, the nineteen eighty

(21:14):
nine win cheater can't go?

Speaker 3 (21:16):
Are they Is there a new artist? Is there a
Gracie Abrams there into now or a Spriano.

Speaker 10 (21:22):
I don't know that that's a question for their new mother.
They're free to good homes.

Speaker 2 (21:25):
Oh my god. Now in the trading person, this is the.

Speaker 7 (21:28):
Fits and with with Kate Richie podcast.

Speaker 1 (21:30):
We just had songs for song, songs, song and when
you think of the greatest songs ever written, I mean
three come to mind for me.

Speaker 3 (21:37):
The Beatles, let it be.

Speaker 1 (21:38):
I would say Zeppelin's Stairway to Heaven's right up there.
And the other one for me is Baha Mens, Who
Let the Dogs Out?

Speaker 2 (21:48):
Could I throw something out there?

Speaker 9 (21:50):
Is that's got a different sort of younger boys backtrack?

Speaker 1 (21:54):
Yeah?

Speaker 3 (21:54):
It no, that was no, but I didn't know this.

Speaker 1 (21:58):
Can I give you some information on Baja Men's Who
Let the Dogs Out?

Speaker 10 (22:03):
I never thought I would want something so badly? Yes, fits, OK,
so give it.

Speaker 1 (22:10):
Actually it's an actual cover because it was first written
in nineteen ninety eight by a man by the name
of ANSLM.

Speaker 3 (22:17):
Douglas.

Speaker 1 (22:17):
He's a Trina He's from Trinidad. He's a musician, and
he first released the song as Doggie.

Speaker 2 (22:24):
Look.

Speaker 1 (22:24):
The song was called Doggie in ninety ninety eight before
the Baha Men came in a couple of years later
and said to Anslom can we please do a cover
of your song?

Speaker 3 (22:34):
And it.

Speaker 1 (22:36):
Earned the band around about five million dollars. It was
number one all world wide. It was it was crazy.
Anslom Douglas was asked, did you who Let the Dogs Out?
Had that been around before? Were you aware that it
had been played before? This is what he had to say.

Speaker 2 (22:54):
Have you heard the phrase who Let the Dogs Out?

Speaker 3 (22:56):
Before?

Speaker 2 (22:57):
He knew Again, clearly somebody was seen it before.

Speaker 1 (23:02):
Now I had no idea about this, but let's go.
We're going to start by going back to nineteen ninety two,
because there was a song in nineteen ninety two that
was called who Let the Dogs Out by two blokes
by the name of Brett Hammick and Joe Gonzalez.

Speaker 3 (23:16):
Have a listen to this?

Speaker 1 (23:21):
So that is in nineteen ninety two. Fast forward three
years there was a female performer by the name of Gillette.
She had a song called You're a Dog, Oh.

Speaker 10 (23:35):
Hang on a minus Man.

Speaker 1 (23:38):
Then two years after that there is a song called
Pump Up the Party in nineteen ninety seven.

Speaker 3 (23:46):
Have a listen to this.

Speaker 10 (23:52):
We're on a minute. What all of this is allowed?

Speaker 9 (23:56):
And yet Gotcha has to pay the writers of Black Sheep.

Speaker 1 (24:01):
Yeah, I agree with this money. But then the origins
go back even further than that. So there is evidence
in the eighties that this guy who was a part
of a grid iron team started haven't listened to this?

Speaker 11 (24:14):
For what's really strange is that the man named Ben's
Sistem actually found VHS home video of a high school
football team singing that chant who let the dogs out
with the bark in the mid nineteen.

Speaker 2 (24:29):
Eighties, You've had a big weekend.

Speaker 1 (24:36):
Fifth mate that it has been ripped off, Oh my god,
five times before it got to the Baha. Men, they're
the ones that have taken home the millions of dollars.

Speaker 10 (24:48):
I am actually, I'm traumatized.

Speaker 2 (24:51):
I wasn't expecting to hear that this morning.

Speaker 9 (24:53):
Because one of my greatest teenage memories. By greatest, I
mean most humiliating was I was struck out with my mates.
We were feeling great and a group of private school
boys pulled up and.

Speaker 10 (25:10):
Asked that question.

Speaker 1 (25:12):
Did they do the did they do the bark?

Speaker 2 (25:16):
Yeah, that's not fair at all.

Speaker 9 (25:18):
And I just went to the nearest phone booth and
called my mum one three hundred reverse and said, please
go and.

Speaker 7 (25:25):
Make me up.

Speaker 6 (25:27):
You know, college doesn't matter if they're private or public.
Kids would have been hard to tell and doesn't really.

Speaker 10 (25:33):
Matter or I like to poll th ship that night,
though I.

Speaker 2 (25:38):
Realized it was years ago and I was young, and
I regretted it.

Speaker 10 (25:42):
But you know it was salmon. Salmon was more of.

Speaker 6 (25:46):
A watermelon, yes, but it went well with my loafers.

Speaker 1 (25:50):
If you noticed on the day, I didn't think the
orange chinos were needed to be.

Speaker 6 (25:54):
Honest, but I wanted to show off my my Louis
Vuitton belt on the mask.

Speaker 3 (26:01):
I do love a pair of Todds on you.

Speaker 2 (26:03):
That's thank you, thank you. Cutie had shorts underneath.

Speaker 10 (26:08):
Talk with one d.

Speaker 2 (26:12):
Who let the dogs out.

Speaker 6 (26:13):
I never thought when I woke up this morning we
were going to get a history lesson about dogs out.

Speaker 10 (26:19):
Harden dated if you don't hardly.

Speaker 2 (26:21):
World done, Ryan James.

Speaker 7 (26:22):
This is the Fitting and with Kate Richie podcast.

Speaker 1 (26:26):
Yeah, let's talk about the sleepover, because as a kid,
is there nothing better knowing that you're having a sleepover
at a mate's house.

Speaker 3 (26:33):
Staying up late.

Speaker 1 (26:34):
We're going to be up until the sun comes up.

Speaker 6 (26:37):
Midnight, midnight Feast has got the lollies.

Speaker 1 (26:41):
You're playing Alex the Kid and wonder Boy and oh man,
this is awesome.

Speaker 3 (26:45):
Dad puts on.

Speaker 9 (26:46):
I'm not scared. I'm not scared by the pencil scene
and Evil Dead.

Speaker 10 (26:49):
I'm cool.

Speaker 2 (26:50):
No, I'm all right, I'm all right. It's so good.

Speaker 1 (26:52):
You're talking about all the girls that you like in
the school.

Speaker 2 (26:55):
I got three hugs last weekend.

Speaker 1 (26:58):
Anyway, Lenny had a sleepover Friday night. Well, this is
the thing. This is where alarm bells went off. So
it was Jesse's birthday, twelve years of age, and Jesse
is my best mate's son. So Coops had eight kids
staying over for a sleepover.

Speaker 3 (27:15):
Now, I said, Coeps, it's a Friday night, way too many.

Speaker 1 (27:19):
And I said, mate, I'm sorry to do this to you,
but Lenny's got a Lenny's got to beat a footy
game at quarter past seven Saturday morning.

Speaker 3 (27:27):
I'm sorry, but he can go and play with the
boys on Friday night.

Speaker 1 (27:30):
But we'll pick him up and bring him home because
he's got to prepare for the footy.

Speaker 3 (27:35):
He goes, yeah, totally understand, mate, that's fine.

Speaker 1 (27:37):
Saw Coeps the next day with the biggest bags under
his eyes. I said, what's wrong? He goes, He goes, mate,
absolute disaster. So the other boys that were at the
sleepover whip. They play in a soccer in a soccer
team together, and they had soccer on the Saturday.

Speaker 3 (27:57):
Morning, right, So I said to Keeps, why would you
have it on Friday night?

Speaker 1 (28:00):
And he goes, well, not all the kids could get
their Saturday night. They had other things on perfect, so
we had to do it Friday. He said, mate, they
didn't get to sleep until five am.

Speaker 2 (28:10):
Don't no, don't.

Speaker 3 (28:12):
So what happened one kid?

Speaker 1 (28:15):
One kid went to sleep at ten pm, right, and
the boys woke him up at one am and he
was it was like he had a full night's sleep.
And this kid was the only one who had a phone.
So they're all eleven and twelve year olds, but he
was the only one who had a phone, and for
the rest of the night he was playing Bollywood music
to make all the other kids laugh on his phone.

Speaker 2 (28:38):
It was weird that Brett Lee arrived.

Speaker 1 (28:41):
Two hour So at one stage Hayley the mum went
down to the room and said, boys, this is ridiculous.
I'm going to sit here until you go to sleep.
This was at three am, right at three am.

Speaker 10 (28:55):
It's all coming back to me now.

Speaker 3 (28:57):
It's horrific. And then so she said, she said.

Speaker 1 (29:01):
I'm falling asleep. I'm falling asleep on the chair watching
the boys. They go all quiet, and then all of
a sudden, this kid gets his phone out and all
of a sudden, why Bollywood, It must be a hit
song at school at the moment, and all the boys
found it funny.

Speaker 2 (29:20):
Well, they're not doing one pound fish, come on, laders.

Speaker 1 (29:24):
So then the joke was, let's how often how often
can we make Jesse's mum get really angry? So everyone
would be quiet and is sniggering, and then all of
a sudden he bring the phone out again and bang
on it.

Speaker 2 (29:42):
Where's Coops? At this stage? In bed?

Speaker 1 (29:45):
Coop said, at five am there was a moment where
he went down and he just yelled at the boys,
give me the phone on. To take the phone, boys,
you need to get to sleep. This was the thing
that The soccer match the next morning was the top
of a It was the top of the table clash.
It was first verse second. The boys lost seven.

Speaker 10 (30:05):
Of course they did.

Speaker 2 (30:07):
But in the change rooms all you could hear.

Speaker 10 (30:13):
Of course.

Speaker 9 (30:14):
You know I've got in the words of meat life,
i will do anything for love, but I won't do that.
I've got one rule, one rule, And early on when
I had kids, I thought, Okay, I'm not going to
say no unless there's a really good reason. So right
from the get go with my three kids, if they
have a fanciful idea, instead of just going no, I

(30:37):
can't be bothered.

Speaker 10 (30:37):
I go.

Speaker 9 (30:39):
Yes, so my my my best friend calls my house
the land of do as you please. Okay, but the
one rule I have.

Speaker 10 (30:51):
Is that there are no sleepovers.

Speaker 3 (30:53):
At your house, Chrissy, never.

Speaker 9 (30:56):
Ever, ever, ever ever. And I went back on it.
My middle son begged and begged, please please can I
And you know you feel sorry for the middle ones
because they're not the headline act like the firstborn, and
they're not the baby like the third one. So if
there's anyone that I'm going to be a bit flexy with,

(31:17):
it's kit. Anyway, I let him have it. The next
morning were eyes hanging out of our head. I've been
storming around the house like the worst, most revolting prison
warden ever.

Speaker 10 (31:30):
At three am.

Speaker 9 (31:32):
Anyway, finally the boys leave and he looks at me
and he goes, mom, oh, my year, sleepovers suck. Finally,
finally I told you, yes, never ever, ever, ever again ever.

Speaker 2 (31:49):
Christy rule.

Speaker 1 (31:51):
Lenny loves them, but there have been moments, you know,
when you sleep in a new house, like different environment,
kids freak out. So we've got many a phone call
at nine pm at night, can you come and pick
up Lenny?

Speaker 6 (32:04):
Yes, he's done, He's wet the bed.

Speaker 9 (32:10):
I wanted to call all of their parents and go,
can you please pick up Benjamin. He's ready now. And
when they say, oh is her homesteak? I go, no,
I'm about.

Speaker 10 (32:19):
To commit this very serious crime.

Speaker 2 (32:22):
Yeah, I just thought i'd I'd give you a call.

Speaker 6 (32:24):
You left a little turd here at about three pm yesterday,
and at this stage it really starts to small.

Speaker 2 (32:30):
Could you come and get that little?

Speaker 6 (32:32):
With Kate Ritchie is a Nova podcast walk great shows
like this. Download the Nova Player, Fire, the App Store
or Google Playing
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