July 20, 2025 • 32 mins
“Myrtle Beach was a good place, if you stay in your place, I’ll put it like that.”
At the height of segregation, when everywhere else was divided. Black and white people danced together to the biggest R&B acts of the time at Charlie’s Place. How was this possible? And who was the mythic proprietor of this mythic space?
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Episode Transcript
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Speaker 1 (00:17):
Pushkin a quick warning. Some of the language and imagery
used to describe this period of time maybe upsetting. Please
take care while listening.
Speaker 2 (00:37):
I was interviewing a gentleman about his participation in student
demonstrations in nineteen sixty. He stopped me and he said,
you know, I'm from South Carolina. Have you ever heard
of Charlie Fitzgerald? He mentioned specifically knowing Charlie Fitzgerald, knowing
(00:57):
his wife, and then relating to me what he remembered
happening in nineteen fifty. Charlie Fitzgerald. It was notorious. That's
a good adjective for him. He was constantly having the makeovers,
seemingly always reinventing himself. He was a roving entrepreneur who
(01:24):
was beloved and respected by some and despised and ridiculed
by others. Trader, turncoat, folk hero, defiant. The atmosphere is
thick with this vehement rhetoric of white supremacy. Here was
(01:47):
a black man who thumbed his nose at laws and customs,
and that is why he's a threat. What happened to
Charlie Fitzgerald was almost I guess it would be an
imit till moment. It would be a Pearl Harbor moment
people remembered vividly. An ordinary person would say, the hell
(02:15):
with it, I'm going to the Promised Land, I'm going elsewhere.
But Charlie was not ordinary.
Speaker 1 (02:49):
I came to Myrtle Beach, South Carolina in search of
a folk hero, a man who died in nineteen fifty five,
a man who's almost forgotten, but whose name is still
in the air. He was the mythic proprietor of a
mythic space, a place that sounded like a mirage.
Speaker 3 (03:11):
It did exist.
Speaker 1 (03:12):
On a Saturday night in nineteen forty in the seaside
town of Myrtle Beach, South Carolina. The smell of salty
air and perfume, a night out on the town. Everyone
is filing into a nightclub. The sound of Count Basie's
(03:35):
orchestra carries into the night. Jim Crow laws are in
full effect.
Speaker 3 (03:40):
It would still be.
Speaker 1 (03:41):
Decades before black and white people were allowed to even
eat together in a restaurant. But something surprising is happening
inside the club, something the laws were designed to prevent.
Throughout the South, black and white people dance together. They partner,
press against each other, swing and sway to the music.
(04:06):
It doesn't feel dangerous, it feels joyous. Nothing else seems
to matter. The lines on the outside don't exist. This
was Charlie's place. It doesn't seem real, but a few
people still remember. I heard a phrase on one of
(04:30):
my visits to Myrtle Beach about Charlie's place.
Speaker 4 (04:33):
Segregation in the day, integration.
Speaker 1 (04:37):
That night, Segregation by day, integration by night. The people
who lived it even have a hard time explaining it
how this nightclub existed when it did for as long
as it did from nineteen thirty seven to nineteen sixty six.
But they say it had everything to do with Charlie Fitzgerald.
(04:57):
Things just went that way with Charlie. He blurred the lines.
The rules just didn't seem to apply to him, and
when I asked why, it just led to more questions.
Speaker 5 (05:09):
Charlie was big question mark. A lot of people knew
him but didn't really know him.
Speaker 6 (05:15):
He always had an aura about him, and people you
say he was a serious man. I took that to
mean that he could be a dangerous man.
Speaker 7 (05:26):
He carried two pistols.
Speaker 8 (05:29):
He had a forty five on one side and the
thirty eight or another side, and he carried those guns
with him all the time.
Speaker 9 (05:35):
The rumor was spread that Charlie was running a prostitution
ring over there.
Speaker 1 (05:43):
Charlie was a source of constant speculation and misinformation. I
got to work separating rumors from the facts. Now, as
far as businesses go, what we learned about Charlie was
he had gambling in the back, yes, yes, and.
Speaker 3 (06:02):
Some other businesses.
Speaker 5 (06:05):
Yeah, But I can't disclose that.
Speaker 1 (06:08):
When I came to Myrtle Beach, these questions were sometimes
met with a guarded attitude. There was something here people
were compelled to protect. I was on a mission to
find out what that was. I Marine Giese and this
is Charlie's Place. Episode one was Spring Pines. I had
(06:46):
to prepare to go back to the South, a place
I've rarely been since I was a girl in Louisiana.
I usually wear my hair natural bud for the trip
to Myrtle Beach, I straightened it. My parents and I
first moved to the South when I was twelve years old.
We came here from the Ivory Coast. I didn't speak English,
(07:08):
and I still remember what my teacher told me. While
I learned the language. She said listen. Things we do
not talk about, sex, religion, politics, do not touch those
subjects that never made sense to me as a kid.
What else is there to talk about that stuck with me?
(07:30):
And this story, it turns out, would touch on all
the things that you don't talk about in polite conversation
in the South. Coaxing out the truth would be delicate.
I had one shot to get this right, and I
didn't have a lot of time because most of the
people who really knew the story were well into their eighties.
(07:52):
There weren't a lot of people left, but there was
Miss Pat. But Miss Pat, I was curious, do you
still stay in contact with everybody you grew up with?
Speaker 3 (08:04):
That's still you know?
Speaker 5 (08:06):
You do?
Speaker 10 (08:07):
Yeah?
Speaker 9 (08:08):
The most fan I might take. Yeah, there's so many.
I'm younger than me dead, and it bothers me. I
get nervous. I'm not ready to go yet.
Speaker 5 (08:23):
M m.
Speaker 1 (08:25):
Miss Pat has a wheelchair ramp leading into her house
because she has very limited mobility. She had a heart
attack recently and can't leave her home. She says most
everyone who worked dry cleaners and Myrtle Beach in the
fifties like she did, ended up with either cancer or
heart trouble because of the cleaning fluids they used. Each
time I walked up to her house, she'd spot me
(08:47):
first and call out through the screen door from her
lazy boy, hey baby, And each time it was good
to be reminded of the warmth in her voice.
Speaker 9 (08:56):
Charlie fitzher was a good man to the whole neighborhood,
the town, everywhere. And you either respect him or you
hate him. And see I respect him because see he
didn't mind putting something on you. Next with mister Charlie
was to us, you respect him.
Speaker 1 (09:17):
Not many folks really knew him, and I would come
to believe that maybe that was intentional on Charlie's part.
But Miss Pat knew Charlie, and everyone that sent me
her way described her as a mess. I knew exactly
what that meant. A mess in the South is someone
who talks a lot.
Speaker 9 (09:35):
Now you stop me, because I don't know when the hoosh.
Speaker 3 (09:39):
A mess was exactly what I needed.
Speaker 9 (09:42):
Mm, Now, what do you want to talk about? How
I was raised on Myrtle Beach on Clver Street.
Speaker 1 (09:50):
Miss Pat helped me understand the setting around Charlie's Club
in the nineteen forties before integration. Carver Street was the
center of black life in Myrtle Beach. There were shops, restaurants, clubs,
juke joints, all owned by black people for black people.
Speaker 9 (10:07):
Crver Street was the only street that we could sell anything.
Oop Moub a business. We weren't allowed on Oak Street
at all.
Speaker 1 (10:17):
Back then, there were boundaries around where black people lived
and where they were allowed to move freely.
Speaker 3 (10:22):
In Myrtle Beach.
Speaker 1 (10:24):
This neighborhood was known as the Hill, made up of
several streets including Carver Set, a few blocks back from
the ocean. Miss Pat was born on the Hill in
nineteen forty three. By the time she was two years old,
her mother and two sisters died from tuberculosis. She was
raised by her grandmother. They survived by knowing where to
(10:46):
find cracks in the system. They existed between broken rules
and abandoned materials. During this time of extreme segregation. Miss
Pat's grandmother was resourceful. Black people weren't allowed to buy
coal in town, so they collected fragments that fell off
the coal train. They dug tar out of the street
before it dried to patch their roof. They worked at
(11:09):
night to avoid the police.
Speaker 5 (11:11):
Sure did the.
Speaker 1 (11:12):
First gasto of her family owned was fished out of
the ocean after Hurricane Hazel.
Speaker 9 (11:16):
And raged it out for three weeks before we could
put it together.
Speaker 1 (11:20):
They kept pigs, grew their own fruits and vegetables, sold corn, liquor,
and did laundry for Taurus.
Speaker 9 (11:26):
Oh god, there's some nasty girls come to Murtle Beach.
Speaker 4 (11:29):
Oh my god.
Speaker 9 (11:31):
I wouldn't touch your clothes. I said, no, no, I
don't want the germs clean your clothes. The girls, the
mens was all right, but them, girl, Oh my god.
Speaker 1 (11:43):
She shared her vivid memories with me, revealing them as
kind of a mental map. Geographically, her world was small,
but the details she shared conveyed something much bigger. It
helped me understand what the community on the Hill was
made of and what it took for Miss Pat to survive,
To live out an entire life here. It was almost
(12:04):
freedom as long as she stayed in the lines. Outside
the hill, Miss Pat was barely allowed to exist because
outside the hill, she couldn't eat inside restaurants outside the hill,
she couldn't wear shorts on the boardwalk along the ocean.
Outside the hill, she couldn't step barefoot on the sand,
let alone touch the water.
Speaker 9 (12:26):
Maryle Beech was a good place. If you stay in
your place. I put it like that. You couldn't go
into the ocean. We couldn't go in none of the water.
Speaker 1 (12:38):
Until the late nineteen sixties, it was forbidden for black
people to swim in the ocean in Myrtle.
Speaker 9 (12:43):
Beach because they say the dirt would come off and
go in the water. That's why we couldn't. We could
daminate the water. But other than that, it was all right.
(13:17):
I love family. My family was the biggest thing that
ever happened to me.
Speaker 1 (13:23):
When Miss pat wasn't helping her grandmother, she was hanging
out at her grandfather's barbershop.
Speaker 9 (13:28):
My granddaddy was something you didn't nobody ever had a
granddaddy like mine. And he will call me to cut
his hair and say if I cut him, to go shoot.
Speaker 7 (13:37):
Me and shoot.
Speaker 9 (13:39):
And showed me how to shoot the gun, the pistol
and the shotgun. Howse were you fifteen?
Speaker 1 (13:48):
Everything happened in her grandfather's yard behind the barbershop. It's
where she learned how to shoot a gun, how to
shave her granddad's head with a street razor without cutting him,
and where she learned how to.
Speaker 11 (14:00):
Dance and dance.
Speaker 9 (14:02):
Oh my god, we dance in the yard. We didn't
worry about what went on outside, but we dance all
we won't. I love the dance more than I need anything,
Yet didn't Drake, didn't hang out? I dance. Anybody want
to dance?
Speaker 7 (14:20):
All Ridney.
Speaker 1 (14:21):
When Miss Pat says we didn't worry about what went
on on the outside, she means outside of the hill.
That world didn't matter. What mattered was who she was
on the hill, and on the hill, Miss Pat was
known as one of the best dancers in Myrtle Beach.
Dance was everything, and right on Carver, in the center
of all the action was the best place to dance.
(14:43):
Charlie Fitzgerald's nightclub, Charlie's Place. The insiders know that before
it was Charlie's Place, everyone knew it as Whispering Pines.
Speaker 3 (14:58):
They called it that because of a legend.
Speaker 1 (15:02):
Once Billy Holliday and Count Basie came and played two
nights in a row. The locals say, Billy Holliday's voice
lingered like a whisper through those pine trees.
Speaker 9 (15:13):
And that's why they called it Prisburne Pines. Because the
wind blow those trees was Oh my god, it was beautiful.
Speaker 1 (15:22):
Whispering Pines was run by a married couple, two black entrepreneurs,
Charlie and Sarah Fitzgerald. According to the people who lived
on the hill, Charlie and Sarah were forces of nature,
two outsiders who came to town in nineteen thirty seven.
When I asked people, where did Charlie come from? I
thought it was a simple question with a simple answer.
Speaker 5 (15:44):
So I'm saving you from Georgia. I think Charley went
from New York ghwere so I think he came from Jamaica, simplace.
Speaker 6 (15:49):
And he came from north Nobody knew exactly where. Nobody
talked about where he came from.
Speaker 1 (15:54):
So yeah, not so simple. But wherever Sarah and Charlie
came from, they ended up in Myrtle Beach. When they
opened their club in nineteen thirty seven, it drew entertainers
and visitors from all over the country. On Saturday night,
carswood line, Carver Street, women emerged in evening gowns and
men in white tuxes. The crowd felt enormous, and they
(16:17):
were all there for the music, and not just any music.
It was the best music.
Speaker 9 (16:29):
Oh yes, God, Ruth Brown, James Brown, Girl. I see
so many people up in there.
Speaker 5 (16:36):
Bill Richard, you haven't heard of him?
Speaker 9 (16:37):
Oh my god. They don't talk about Wilson Pickett. They
don't talk about him there.
Speaker 4 (16:42):
Right now from the country, Roy Hamilton, Johnny is my
favorite to drift to, Fat.
Speaker 10 (16:51):
Diaminal's, Johnny Taylor, Rossi Clarke, Curtis Mayfield.
Speaker 5 (16:56):
The Impressions.
Speaker 4 (16:57):
Marvin Gable was here. Marbin Gare used to come to
there the shop get his haircut.
Speaker 10 (17:04):
The last concert that I tend to hear with Otis Redding.
We were having such a good time that the floor
was really caving in.
Speaker 9 (17:12):
It was crowded, people from all over South Carolinas. Please.
Speaker 1 (17:18):
Charlie's Place or with Spring Pines, was a stop on
the Chillin Circuit, safe venues for black entertainers in the
Jim Crow South. These clubs and Duke Joints launched artists careers,
and Charlie's Place contributed to that. I wanted to know
what it felt like to be inside that history. Most
people I interviewed, their memories are of a specific era
(17:39):
at Charlie's Place. Maybe if you remember the late forties
and a lot like miss Pat. Remember the fifties and sixties.
I would have loved to be a fly on the wall.
Speaker 9 (17:48):
It was like stepping in another world. And they had
these black and white squares on the floor. You had
never seen nothing like that. All you see the wood flow,
I mean, it was so pretty and so different.
Speaker 1 (18:04):
Charlie and Sarah kept tabs on the kids and let
them in to dance while the acts warmed up. As
long as you were out of there by nine point thirty.
Miss Pat took advantage of that. She put on a
dress and went to see all the artists who came through.
Speaker 9 (18:16):
You couldn't wear no pants, no slacks at all, and
my oldest sister went out the slacks on it.
Speaker 12 (18:21):
He marched or red bag home. That's right, and you
had to be out of there by nine thirty. He
just was strict when he come down to children. He
didn't allow children to be in grown people company.
Speaker 1 (18:32):
The more time I spent in Myrtle Beach, the more
people turned up with something to share about Charlie's place.
The club isn't there anymore, but I heard many stories
about what it looked like inside. I'd sketch as I
listened and tried to capture it in as much detail
as possible, piece together from people's distant memories. Roddy Brown's
family ran Club Bamboo next door to Charlie's place. He says,
(18:54):
Charlie's Place was always packed.
Speaker 4 (18:57):
Okay, you got it a huge building here, and you
could see maybe fifteen hundred people in here.
Speaker 5 (19:05):
Fifteen hundred, that's a thousand, five hundred. See that.
Speaker 4 (19:10):
We have no need to get some un daddy pictures
because there got to be some pictures of Charlie's there.
Speaker 3 (19:15):
There aren't any other than that bar in pictures.
Speaker 11 (19:18):
No.
Speaker 1 (19:20):
What I can gather is when you stepped inside, there
was a big bar in front, and towards the back
there were a set of folding tables and chairs. They
were in clear view of the front door. Miss Pat
says she always found her dad there with his girlfriends.
If his wife walked in the door, he'd have time
to spot her and move the girlfriend out of you.
Speaker 9 (19:39):
I didn't care what he did, as long as he'd
bothered me. I didn't like my daddy too goood.
Speaker 1 (19:45):
Further behind the tables was Charlie's back room. As a kid,
you'd be in trouble if Charlie caught you trying to
sneak in there.
Speaker 9 (19:52):
But you're never allowed to go in that back room. Well,
missus Charlie would let you know, I'll get you tomorrow
if I don't get you today.
Speaker 1 (20:01):
Miss pat says that didn't stop kids trying to get
back there to rob him. That's where the money was
in the back room, or the grown up scambled. On
the right side was a patio. That's where the musicians performed.
It was sort of a makeshift enclosure made from old
signs and a big green canvas curtain, so you couldn't
watch the music from outside.
Speaker 5 (20:22):
I used to listen in my bed.
Speaker 4 (20:24):
I used to slip out of my bed to slip
round the Charlie's and see the performance.
Speaker 5 (20:30):
That was twelve years old.
Speaker 1 (20:32):
Roddy and his friends climbed the trees outside to try
to catch a glimpse of the performers. Of course, Charlie,
the man of mystery, didn't make it easy for him.
Speaker 4 (20:40):
He had curtains, big military curtains to block off the view.
Big I don't know where Childy got those curtains. Those
things were so big you'd take a whole day to
put them up.
Speaker 1 (20:54):
Everything happened at Charlie's place. The dancing, the music, yes,
but it was also a place where people came to
blow off steam, and that could look like a lot
of things. Roddy remembers being there in the daytime and
seeing something that would stick with him. In broad daylight
in Charlie's club, Roddy saw a man get shot right
(21:16):
in front of him, he said, a guy he knew
named Nathan pulled the trigger. As Roddy puts it, he
witnessed an almost killing.
Speaker 4 (21:25):
Yeah, yeah, yeah, Trevor is looking at it, almost to
killing all kinds.
Speaker 5 (21:31):
We were so terrified. You.
Speaker 4 (21:32):
So this was during the day, these guys getting drunk,
getting ready for the dance and starting some foolishness. Charlie
came up to the board, Nathan put that good up,
a better cussin and all that.
Speaker 5 (21:45):
But it was a time. You see, we were listening.
We're living in an age.
Speaker 4 (21:49):
It's totally different from this atmosphere, totally cardval and the
sin City.
Speaker 1 (21:58):
But Charlie was prepared for anything. He always carried two pistols.
Everyone knew they were there under his coat. If the
hell was one big family, Charlie and Sarah were the
matriarch and patriarch to many who lived there. They were
miss Pat's neighbors and they looked out for her and missus.
Speaker 9 (22:20):
Charlie is a good looking man. He is real told
and his wife was kind of halfway short, and she
had real curly hair, but she was so pretty and
she would make hot dog the best hot dog he
ever had on her beach.
Speaker 1 (22:33):
The Fitzgerald's also owned a motel next to the club.
The building bent around in a horseshoe. In the center
of the horseshoe was a house where the FitzGeralds lived.
They ran a supper club out of it and sometimes
invited the kids in for hot dogs and candy.
Speaker 9 (22:47):
Charlie was a good man.
Speaker 1 (22:49):
Charlie made sure Miss pat got her share.
Speaker 9 (22:52):
What he said, he meant it, and he said, Patrician,
I was real skinny. He said, if you don't get
in here and get the candy on the candy. If
you go and you too little, let him take all
the candy. And Miss Sarah will give me my hot
dog first so I can gain weight. My other sister
was big and I was little skinny. But there was
a nice people.
Speaker 1 (23:13):
They were kind, but they were more than that, they
had standards everyone learned to maintain.
Speaker 9 (23:19):
And Miss Sarah was a sweetheart.
Speaker 11 (23:20):
She was a pretty goodman, but she was very strict.
Speaker 9 (23:24):
You didn't go in her house any kind of where
you come through the side.
Speaker 3 (23:28):
Ms Pat says.
Speaker 1 (23:29):
The FitzGeralds were big on education. Before there was an
integrated school in Myrtle Beach, the kids on the hill
had to ride a bus to Conway, fourteen miles away,
and they never knew when it was going to come,
and when it did it got stuck on a hill
heading out of town. The bus would start to roll
backwards and the kids would have to jump out and push.
Speaker 9 (23:51):
It over every time.
Speaker 1 (23:54):
But Sarah made sure Miss Pat got to school.
Speaker 9 (23:57):
And we missed that school bus. She a fuss all
the way to come away fourteen miles. Why did you
miss the school bus or the bus too early?
Speaker 11 (24:05):
Or was you lazy?
Speaker 9 (24:06):
You couldn't get up?
Speaker 11 (24:07):
What was the problem?
Speaker 9 (24:10):
Oh, my god, as long as you wasn't involved in
it doing wrong, she would take it to school and
wouldn't see nothing. But if it's your fault you didn't
get up on time? Oh when did you first?
Speaker 7 (24:22):
The whole time?
Speaker 5 (24:23):
Uh?
Speaker 8 (24:24):
Huh?
Speaker 9 (24:24):
And takes your breakfast.
Speaker 1 (24:26):
That sounds brutal, but also very loving.
Speaker 11 (24:29):
It is she was.
Speaker 1 (24:31):
And since the kids on the hill couldn't go to
the beach, Miss pat says, the Fitzgerald's put a kiddie
pool in the back. But another neighbor, Leroy Brunson, mainly
recalls the great lengths Miss Sarah took to keep the
kids out of it. So she wasn't always sweet, well.
Speaker 7 (24:46):
Missus Fitzgerald was. She had a temple.
Speaker 1 (24:55):
She didn't care for kids the way Leroy tells it.
Instead of a guard dog, the Fitzgerald's had a garden monkey,
a spider monkey. Leroy remembers Miss Sarah kept the monkey
near the pool, tied to a tree.
Speaker 8 (25:08):
She took the monkey and she put a longer line
on him so he could reach all the way to
the front of the pool. So my little niece and
my son, he told her that don't go around the pool.
Speaker 7 (25:29):
That monkey about then excuse me, she went anyway.
Speaker 8 (25:39):
She tried to run and the monkey caught on to
her shirt and he was holding them man. So Miss
Sarah came out there and she got the monkey off
and told us I told you kids, and don't come
run yet said get off and around here, don't come
run here anymore.
Speaker 3 (25:54):
That's so funny. I didn't hear anything about a monkey.
Speaker 8 (25:57):
And she had out front used to be her little
palm trees with the little fruits on them, the little
orange type fruits on the path of the tree, and
the kids used to come in and pick them and
they would eat them because they were really sweet. And
she went out there and she chopped him down.
Speaker 1 (26:14):
It's hard to tell if she was a contradiction all
along or changed over the years, but Miss Sarah lived
into her nineties, so people in town have much more
vivid memories of her. Either way, people remember Sarah and
Charlie's kindness.
Speaker 9 (26:29):
He would allow the children to come overay for Christmas.
He give everybody child who could walk, who could crawl,
who could dance, who could do anything. He'd give everybody
child a gift.
Speaker 8 (26:40):
He get all the kids on Christmas come out there,
and he would have a bucket with dollar bills. I
mean maybe I don't know, back there, probably hundred dollars
and all the kids line up and he would throw
them up in the air.
Speaker 7 (26:54):
Boy, we would we would tussle for that money.
Speaker 1 (26:57):
It always seemed like the FitzGeralds had cash to spare
and spread around to neighbors, and Leroy said something about
that money when I first met him that stuck in
the back of my mind.
Speaker 3 (27:08):
He told me Charlie went to New York.
Speaker 5 (27:09):
A lot, go to New York. About once a month.
He would go to New York.
Speaker 7 (27:14):
And we thought maybe Charlie was, you know, with the
big boys. You know, I'm not saying that he was.
Speaker 1 (27:24):
You know, others would have mentioned potential ties to organized
crime to Charlie did spend time in New York, but
that's about all I could verify. It was hard to
find anything concrete about Charlie. I could only find two
photographs of him. People that knew him told me he
didn't like to get his picture taken.
Speaker 3 (27:43):
In fact, there's a book about.
Speaker 1 (27:45):
Myrtle Beach with a picture of a man labeled Charlie Fitzgerald,
and it's clearly not him. For such an important figure,
someone larger than life, who shaped the attitudes and culture
in Myrtle Beach and beyond, this is bizarre and honestly
kind of shocking. Charlie is someone everyone knew.
Speaker 3 (28:04):
How does that.
Speaker 1 (28:04):
Knowledge get lost? Has it been lost? It's clear Charlie
was going to be hard to pin down. Despite Miss
Sarah's help with getting to school, Miss Pat dropped out
when she was sixteen. She says it was because she
was mad at her dad.
Speaker 3 (28:26):
He spent the.
Speaker 1 (28:26):
Money she'd saved for her graduation cap and gown, so
she just quit and started working full time, and there
weren't many jobs. Miss Pat didn't like cooking slapping the hogs,
but she loved working at the dry cleaners the best,
even though it paid the worst.
Speaker 9 (28:42):
I love the sea clot of nice and fresh and
now PAOs creased down to the mags.
Speaker 11 (28:48):
I love that.
Speaker 1 (28:50):
And for the most part, she liked taking care of
the kids of white families, even though it brought her
into the lions Den. There was a family in town
she babysat for often in the summer, she took the
little girl to the beach. Miss Pat was careful to
never let the waves lap at her feet and get
her socks wet. If she came back with wet socks
(29:11):
would know she had touched that water and she could
get fired. But Miss Pat says they were a nice family,
nice enough. One day, while babysitting, she saw something laid
out on a bed. It looked like a white dress.
Then she saw it had a hood. She knew exactly
(29:31):
what it was.
Speaker 9 (29:33):
And you had them in Ni Kleana's all the time,
because that work in Ni Kleanans all the time. You
just go ahead and do it.
Speaker 1 (29:39):
You washed an iron the white KKK suit. Although her
friends and family had a good life on the hill,
they knew that the klu kutz Klan was everywhere, white
clad ghosts that threatened all their lives. And here it
was again in the house of the white family. She
(30:00):
babysat for a KKK robe. As she looked at the
clan uniform laid out on the bed, the little girl
she was watching turned and threatened her.
Speaker 3 (30:12):
She said, you see this.
Speaker 11 (30:14):
I said, yes.
Speaker 9 (30:16):
She said, if you don't do what I'll tell you
to do, my daddy put this back on and he'll
do you like I didn't missus Charlie.
Speaker 11 (30:25):
And I just let it go.
Speaker 1 (30:54):
Coming up on Charlie's place, it.
Speaker 3 (30:57):
Is a feeling that says you belong, this is home.
Speaker 8 (31:02):
The slop and then there was the bump.
Speaker 9 (31:05):
Yeah, I need to shake.
Speaker 5 (31:06):
That's the main thing. Charlie was lixemple a power.
Speaker 8 (31:14):
No one told him what to do, what he wanted
to do, That's what he did.
Speaker 9 (31:19):
Where you come in here, stir up trouble and gonna
beat trouble. Will you think somebody making more money than
you make they're gonna stir up trouble? We would intreat
and in the woods on Call Street, waiting on them
to come.
Speaker 1 (31:44):
Charlie's Place is a production of Atlas Obscura and Rococo
Punch in partnership with Pushkin Industries and presented by Visit
Myrtle Beach. It's written and produced by Emily Foreman. Our
story editor is Erica Lance. Our team at Atlas Obscura
is Doug Baldinger, Chris Naka, Johanna Mayer, Linda Lobel, and
Emily Yates. You can follow us on Instagram at Atlas Obscura.
(32:09):
Please head to Charlie'show dot com for more information about
the locations mentioned in the series and how you can
visit yourself. I'mrin guise, Thanks for listening. Binge the entire
(32:36):
season of Charlie's Place, add free by subscribing to Pushkin Plus.
Sign up on the show page on Apple Podcasts or
Pushkin dot Fm, Slash plus. Pushkin Plus subscribers can access
ad free episodes, full audiobooks, and exclusive binges of other
true crime podcasts throughout the year.
Pushkin a quick warning. Some of the language and imagery
used to describe this period of time maybe upsetting. Please
take care while listening.
Speaker 2 (00:37):
I was interviewing a gentleman about his participation in student
demonstrations in nineteen sixty. He stopped me and he said,
you know, I'm from South Carolina. Have you ever heard
of Charlie Fitzgerald? He mentioned specifically knowing Charlie Fitzgerald, knowing
(00:57):
his wife, and then relating to me what he remembered
happening in nineteen fifty. Charlie Fitzgerald. It was notorious. That's
a good adjective for him. He was constantly having the makeovers,
seemingly always reinventing himself. He was a roving entrepreneur who
(01:24):
was beloved and respected by some and despised and ridiculed
by others. Trader, turncoat, folk hero, defiant. The atmosphere is
thick with this vehement rhetoric of white supremacy. Here was
(01:47):
a black man who thumbed his nose at laws and customs,
and that is why he's a threat. What happened to
Charlie Fitzgerald was almost I guess it would be an
imit till moment. It would be a Pearl Harbor moment
people remembered vividly. An ordinary person would say, the hell
(02:15):
with it, I'm going to the Promised Land, I'm going elsewhere.
But Charlie was not ordinary.
Speaker 1 (02:49):
I came to Myrtle Beach, South Carolina in search of
a folk hero, a man who died in nineteen fifty five,
a man who's almost forgotten, but whose name is still
in the air. He was the mythic proprietor of a
mythic space, a place that sounded like a mirage.
Speaker 3 (03:11):
It did exist.
Speaker 1 (03:12):
On a Saturday night in nineteen forty in the seaside
town of Myrtle Beach, South Carolina. The smell of salty
air and perfume, a night out on the town. Everyone
is filing into a nightclub. The sound of Count Basie's
(03:35):
orchestra carries into the night. Jim Crow laws are in
full effect.
Speaker 3 (03:40):
It would still be.
Speaker 1 (03:41):
Decades before black and white people were allowed to even
eat together in a restaurant. But something surprising is happening
inside the club, something the laws were designed to prevent.
Throughout the South, black and white people dance together. They partner,
press against each other, swing and sway to the music.
(04:06):
It doesn't feel dangerous, it feels joyous. Nothing else seems
to matter. The lines on the outside don't exist. This
was Charlie's place. It doesn't seem real, but a few
people still remember. I heard a phrase on one of
(04:30):
my visits to Myrtle Beach about Charlie's place.
Speaker 4 (04:33):
Segregation in the day, integration.
Speaker 1 (04:37):
That night, Segregation by day, integration by night. The people
who lived it even have a hard time explaining it
how this nightclub existed when it did for as long
as it did from nineteen thirty seven to nineteen sixty six.
But they say it had everything to do with Charlie Fitzgerald.
(04:57):
Things just went that way with Charlie. He blurred the lines.
The rules just didn't seem to apply to him, and
when I asked why, it just led to more questions.
Speaker 5 (05:09):
Charlie was big question mark. A lot of people knew
him but didn't really know him.
Speaker 6 (05:15):
He always had an aura about him, and people you
say he was a serious man. I took that to
mean that he could be a dangerous man.
Speaker 7 (05:26):
He carried two pistols.
Speaker 8 (05:29):
He had a forty five on one side and the
thirty eight or another side, and he carried those guns
with him all the time.
Speaker 9 (05:35):
The rumor was spread that Charlie was running a prostitution
ring over there.
Speaker 1 (05:43):
Charlie was a source of constant speculation and misinformation. I
got to work separating rumors from the facts. Now, as
far as businesses go, what we learned about Charlie was
he had gambling in the back, yes, yes, and.
Speaker 3 (06:02):
Some other businesses.
Speaker 5 (06:05):
Yeah, But I can't disclose that.
Speaker 1 (06:08):
When I came to Myrtle Beach, these questions were sometimes
met with a guarded attitude. There was something here people
were compelled to protect. I was on a mission to
find out what that was. I Marine Giese and this
is Charlie's Place. Episode one was Spring Pines. I had
(06:46):
to prepare to go back to the South, a place
I've rarely been since I was a girl in Louisiana.
I usually wear my hair natural bud for the trip
to Myrtle Beach, I straightened it. My parents and I
first moved to the South when I was twelve years old.
We came here from the Ivory Coast. I didn't speak English,
(07:08):
and I still remember what my teacher told me. While
I learned the language. She said listen. Things we do
not talk about, sex, religion, politics, do not touch those
subjects that never made sense to me as a kid.
What else is there to talk about that stuck with me?
(07:30):
And this story, it turns out, would touch on all
the things that you don't talk about in polite conversation
in the South. Coaxing out the truth would be delicate.
I had one shot to get this right, and I
didn't have a lot of time because most of the
people who really knew the story were well into their eighties.
(07:52):
There weren't a lot of people left, but there was
Miss Pat. But Miss Pat, I was curious, do you
still stay in contact with everybody you grew up with?
Speaker 3 (08:04):
That's still you know?
Speaker 5 (08:06):
You do?
Speaker 10 (08:07):
Yeah?
Speaker 9 (08:08):
The most fan I might take. Yeah, there's so many.
I'm younger than me dead, and it bothers me. I
get nervous. I'm not ready to go yet.
Speaker 5 (08:23):
M m.
Speaker 1 (08:25):
Miss Pat has a wheelchair ramp leading into her house
because she has very limited mobility. She had a heart
attack recently and can't leave her home. She says most
everyone who worked dry cleaners and Myrtle Beach in the
fifties like she did, ended up with either cancer or
heart trouble because of the cleaning fluids they used. Each
time I walked up to her house, she'd spot me
(08:47):
first and call out through the screen door from her
lazy boy, hey baby, And each time it was good
to be reminded of the warmth in her voice.
Speaker 9 (08:56):
Charlie fitzher was a good man to the whole neighborhood,
the town, everywhere. And you either respect him or you
hate him. And see I respect him because see he
didn't mind putting something on you. Next with mister Charlie
was to us, you respect him.
Speaker 1 (09:17):
Not many folks really knew him, and I would come
to believe that maybe that was intentional on Charlie's part.
But Miss Pat knew Charlie, and everyone that sent me
her way described her as a mess. I knew exactly
what that meant. A mess in the South is someone
who talks a lot.
Speaker 9 (09:35):
Now you stop me, because I don't know when the hoosh.
Speaker 3 (09:39):
A mess was exactly what I needed.
Speaker 9 (09:42):
Mm, Now, what do you want to talk about? How
I was raised on Myrtle Beach on Clver Street.
Speaker 1 (09:50):
Miss Pat helped me understand the setting around Charlie's Club
in the nineteen forties before integration. Carver Street was the
center of black life in Myrtle Beach. There were shops, restaurants, clubs,
juke joints, all owned by black people for black people.
Speaker 9 (10:07):
Crver Street was the only street that we could sell anything.
Oop Moub a business. We weren't allowed on Oak Street
at all.
Speaker 1 (10:17):
Back then, there were boundaries around where black people lived
and where they were allowed to move freely.
Speaker 3 (10:22):
In Myrtle Beach.
Speaker 1 (10:24):
This neighborhood was known as the Hill, made up of
several streets including Carver Set, a few blocks back from
the ocean. Miss Pat was born on the Hill in
nineteen forty three. By the time she was two years old,
her mother and two sisters died from tuberculosis. She was
raised by her grandmother. They survived by knowing where to
(10:46):
find cracks in the system. They existed between broken rules
and abandoned materials. During this time of extreme segregation. Miss
Pat's grandmother was resourceful. Black people weren't allowed to buy
coal in town, so they collected fragments that fell off
the coal train. They dug tar out of the street
before it dried to patch their roof. They worked at
(11:09):
night to avoid the police.
Speaker 5 (11:11):
Sure did the.
Speaker 1 (11:12):
First gasto of her family owned was fished out of
the ocean after Hurricane Hazel.
Speaker 9 (11:16):
And raged it out for three weeks before we could
put it together.
Speaker 1 (11:20):
They kept pigs, grew their own fruits and vegetables, sold corn, liquor,
and did laundry for Taurus.
Speaker 9 (11:26):
Oh god, there's some nasty girls come to Murtle Beach.
Speaker 4 (11:29):
Oh my god.
Speaker 9 (11:31):
I wouldn't touch your clothes. I said, no, no, I
don't want the germs clean your clothes. The girls, the
mens was all right, but them, girl, Oh my god.
Speaker 1 (11:43):
She shared her vivid memories with me, revealing them as
kind of a mental map. Geographically, her world was small,
but the details she shared conveyed something much bigger. It
helped me understand what the community on the Hill was
made of and what it took for Miss Pat to survive,
To live out an entire life here. It was almost
(12:04):
freedom as long as she stayed in the lines. Outside
the hill, Miss Pat was barely allowed to exist because
outside the hill, she couldn't eat inside restaurants outside the hill,
she couldn't wear shorts on the boardwalk along the ocean.
Outside the hill, she couldn't step barefoot on the sand,
let alone touch the water.
Speaker 9 (12:26):
Maryle Beech was a good place. If you stay in
your place. I put it like that. You couldn't go
into the ocean. We couldn't go in none of the water.
Speaker 1 (12:38):
Until the late nineteen sixties, it was forbidden for black
people to swim in the ocean in Myrtle.
Speaker 9 (12:43):
Beach because they say the dirt would come off and
go in the water. That's why we couldn't. We could
daminate the water. But other than that, it was all right.
(13:17):
I love family. My family was the biggest thing that
ever happened to me.
Speaker 1 (13:23):
When Miss pat wasn't helping her grandmother, she was hanging
out at her grandfather's barbershop.
Speaker 9 (13:28):
My granddaddy was something you didn't nobody ever had a
granddaddy like mine. And he will call me to cut
his hair and say if I cut him, to go shoot.
Speaker 7 (13:37):
Me and shoot.
Speaker 9 (13:39):
And showed me how to shoot the gun, the pistol
and the shotgun. Howse were you fifteen?
Speaker 1 (13:48):
Everything happened in her grandfather's yard behind the barbershop. It's
where she learned how to shoot a gun, how to
shave her granddad's head with a street razor without cutting him,
and where she learned how to.
Speaker 11 (14:00):
Dance and dance.
Speaker 9 (14:02):
Oh my god, we dance in the yard. We didn't
worry about what went on outside, but we dance all
we won't. I love the dance more than I need anything,
Yet didn't Drake, didn't hang out? I dance. Anybody want
to dance?
Speaker 7 (14:20):
All Ridney.
Speaker 1 (14:21):
When Miss Pat says we didn't worry about what went
on on the outside, she means outside of the hill.
That world didn't matter. What mattered was who she was
on the hill, and on the hill, Miss Pat was
known as one of the best dancers in Myrtle Beach.
Dance was everything, and right on Carver, in the center
of all the action was the best place to dance.
(14:43):
Charlie Fitzgerald's nightclub, Charlie's Place. The insiders know that before
it was Charlie's Place, everyone knew it as Whispering Pines.
Speaker 3 (14:58):
They called it that because of a legend.
Speaker 1 (15:02):
Once Billy Holliday and Count Basie came and played two
nights in a row. The locals say, Billy Holliday's voice
lingered like a whisper through those pine trees.
Speaker 9 (15:13):
And that's why they called it Prisburne Pines. Because the
wind blow those trees was Oh my god, it was beautiful.
Speaker 1 (15:22):
Whispering Pines was run by a married couple, two black entrepreneurs,
Charlie and Sarah Fitzgerald. According to the people who lived
on the hill, Charlie and Sarah were forces of nature,
two outsiders who came to town in nineteen thirty seven.
When I asked people, where did Charlie come from? I
thought it was a simple question with a simple answer.
Speaker 5 (15:44):
So I'm saving you from Georgia. I think Charley went
from New York ghwere so I think he came from Jamaica, simplace.
Speaker 6 (15:49):
And he came from north Nobody knew exactly where. Nobody
talked about where he came from.
Speaker 1 (15:54):
So yeah, not so simple. But wherever Sarah and Charlie
came from, they ended up in Myrtle Beach. When they
opened their club in nineteen thirty seven, it drew entertainers
and visitors from all over the country. On Saturday night,
carswood line, Carver Street, women emerged in evening gowns and
men in white tuxes. The crowd felt enormous, and they
(16:17):
were all there for the music, and not just any music.
It was the best music.
Speaker 9 (16:29):
Oh yes, God, Ruth Brown, James Brown, Girl. I see
so many people up in there.
Speaker 5 (16:36):
Bill Richard, you haven't heard of him?
Speaker 9 (16:37):
Oh my god. They don't talk about Wilson Pickett. They
don't talk about him there.
Speaker 4 (16:42):
Right now from the country, Roy Hamilton, Johnny is my
favorite to drift to, Fat.
Speaker 10 (16:51):
Diaminal's, Johnny Taylor, Rossi Clarke, Curtis Mayfield.
Speaker 5 (16:56):
The Impressions.
Speaker 4 (16:57):
Marvin Gable was here. Marbin Gare used to come to
there the shop get his haircut.
Speaker 10 (17:04):
The last concert that I tend to hear with Otis Redding.
We were having such a good time that the floor
was really caving in.
Speaker 9 (17:12):
It was crowded, people from all over South Carolinas. Please.
Speaker 1 (17:18):
Charlie's Place or with Spring Pines, was a stop on
the Chillin Circuit, safe venues for black entertainers in the
Jim Crow South. These clubs and Duke Joints launched artists careers,
and Charlie's Place contributed to that. I wanted to know
what it felt like to be inside that history. Most
people I interviewed, their memories are of a specific era
(17:39):
at Charlie's Place. Maybe if you remember the late forties
and a lot like miss Pat. Remember the fifties and sixties.
I would have loved to be a fly on the wall.
Speaker 9 (17:48):
It was like stepping in another world. And they had
these black and white squares on the floor. You had
never seen nothing like that. All you see the wood flow,
I mean, it was so pretty and so different.
Speaker 1 (18:04):
Charlie and Sarah kept tabs on the kids and let
them in to dance while the acts warmed up. As
long as you were out of there by nine point thirty.
Miss Pat took advantage of that. She put on a
dress and went to see all the artists who came through.
Speaker 9 (18:16):
You couldn't wear no pants, no slacks at all, and
my oldest sister went out the slacks on it.
Speaker 12 (18:21):
He marched or red bag home. That's right, and you
had to be out of there by nine thirty. He
just was strict when he come down to children. He
didn't allow children to be in grown people company.
Speaker 1 (18:32):
The more time I spent in Myrtle Beach, the more
people turned up with something to share about Charlie's place.
The club isn't there anymore, but I heard many stories
about what it looked like inside. I'd sketch as I
listened and tried to capture it in as much detail
as possible, piece together from people's distant memories. Roddy Brown's
family ran Club Bamboo next door to Charlie's place. He says,
(18:54):
Charlie's Place was always packed.
Speaker 4 (18:57):
Okay, you got it a huge building here, and you
could see maybe fifteen hundred people in here.
Speaker 5 (19:05):
Fifteen hundred, that's a thousand, five hundred. See that.
Speaker 4 (19:10):
We have no need to get some un daddy pictures
because there got to be some pictures of Charlie's there.
Speaker 3 (19:15):
There aren't any other than that bar in pictures.
Speaker 11 (19:18):
No.
Speaker 1 (19:20):
What I can gather is when you stepped inside, there
was a big bar in front, and towards the back
there were a set of folding tables and chairs. They
were in clear view of the front door. Miss Pat
says she always found her dad there with his girlfriends.
If his wife walked in the door, he'd have time
to spot her and move the girlfriend out of you.
Speaker 9 (19:39):
I didn't care what he did, as long as he'd
bothered me. I didn't like my daddy too goood.
Speaker 1 (19:45):
Further behind the tables was Charlie's back room. As a kid,
you'd be in trouble if Charlie caught you trying to
sneak in there.
Speaker 9 (19:52):
But you're never allowed to go in that back room. Well,
missus Charlie would let you know, I'll get you tomorrow
if I don't get you today.
Speaker 1 (20:01):
Miss pat says that didn't stop kids trying to get
back there to rob him. That's where the money was
in the back room, or the grown up scambled. On
the right side was a patio. That's where the musicians performed.
It was sort of a makeshift enclosure made from old
signs and a big green canvas curtain, so you couldn't
watch the music from outside.
Speaker 5 (20:22):
I used to listen in my bed.
Speaker 4 (20:24):
I used to slip out of my bed to slip
round the Charlie's and see the performance.
Speaker 5 (20:30):
That was twelve years old.
Speaker 1 (20:32):
Roddy and his friends climbed the trees outside to try
to catch a glimpse of the performers. Of course, Charlie,
the man of mystery, didn't make it easy for him.
Speaker 4 (20:40):
He had curtains, big military curtains to block off the view.
Big I don't know where Childy got those curtains. Those
things were so big you'd take a whole day to
put them up.
Speaker 1 (20:54):
Everything happened at Charlie's place. The dancing, the music, yes,
but it was also a place where people came to
blow off steam, and that could look like a lot
of things. Roddy remembers being there in the daytime and
seeing something that would stick with him. In broad daylight
in Charlie's club, Roddy saw a man get shot right
(21:16):
in front of him, he said, a guy he knew
named Nathan pulled the trigger. As Roddy puts it, he
witnessed an almost killing.
Speaker 4 (21:25):
Yeah, yeah, yeah, Trevor is looking at it, almost to
killing all kinds.
Speaker 5 (21:31):
We were so terrified. You.
Speaker 4 (21:32):
So this was during the day, these guys getting drunk,
getting ready for the dance and starting some foolishness. Charlie
came up to the board, Nathan put that good up,
a better cussin and all that.
Speaker 5 (21:45):
But it was a time. You see, we were listening.
We're living in an age.
Speaker 4 (21:49):
It's totally different from this atmosphere, totally cardval and the
sin City.
Speaker 1 (21:58):
But Charlie was prepared for anything. He always carried two pistols.
Everyone knew they were there under his coat. If the
hell was one big family, Charlie and Sarah were the
matriarch and patriarch to many who lived there. They were
miss Pat's neighbors and they looked out for her and missus.
Speaker 9 (22:20):
Charlie is a good looking man. He is real told
and his wife was kind of halfway short, and she
had real curly hair, but she was so pretty and
she would make hot dog the best hot dog he
ever had on her beach.
Speaker 1 (22:33):
The Fitzgerald's also owned a motel next to the club.
The building bent around in a horseshoe. In the center
of the horseshoe was a house where the FitzGeralds lived.
They ran a supper club out of it and sometimes
invited the kids in for hot dogs and candy.
Speaker 9 (22:47):
Charlie was a good man.
Speaker 1 (22:49):
Charlie made sure Miss pat got her share.
Speaker 9 (22:52):
What he said, he meant it, and he said, Patrician,
I was real skinny. He said, if you don't get
in here and get the candy on the candy. If
you go and you too little, let him take all
the candy. And Miss Sarah will give me my hot
dog first so I can gain weight. My other sister
was big and I was little skinny. But there was
a nice people.
Speaker 1 (23:13):
They were kind, but they were more than that, they
had standards everyone learned to maintain.
Speaker 9 (23:19):
And Miss Sarah was a sweetheart.
Speaker 11 (23:20):
She was a pretty goodman, but she was very strict.
Speaker 9 (23:24):
You didn't go in her house any kind of where
you come through the side.
Speaker 3 (23:28):
Ms Pat says.
Speaker 1 (23:29):
The FitzGeralds were big on education. Before there was an
integrated school in Myrtle Beach, the kids on the hill
had to ride a bus to Conway, fourteen miles away,
and they never knew when it was going to come,
and when it did it got stuck on a hill
heading out of town. The bus would start to roll
backwards and the kids would have to jump out and push.
Speaker 9 (23:51):
It over every time.
Speaker 1 (23:54):
But Sarah made sure Miss Pat got to school.
Speaker 9 (23:57):
And we missed that school bus. She a fuss all
the way to come away fourteen miles. Why did you
miss the school bus or the bus too early?
Speaker 11 (24:05):
Or was you lazy?
Speaker 9 (24:06):
You couldn't get up?
Speaker 11 (24:07):
What was the problem?
Speaker 9 (24:10):
Oh, my god, as long as you wasn't involved in
it doing wrong, she would take it to school and
wouldn't see nothing. But if it's your fault you didn't
get up on time? Oh when did you first?
Speaker 7 (24:22):
The whole time?
Speaker 5 (24:23):
Uh?
Speaker 8 (24:24):
Huh?
Speaker 9 (24:24):
And takes your breakfast.
Speaker 1 (24:26):
That sounds brutal, but also very loving.
Speaker 11 (24:29):
It is she was.
Speaker 1 (24:31):
And since the kids on the hill couldn't go to
the beach, Miss pat says, the Fitzgerald's put a kiddie
pool in the back. But another neighbor, Leroy Brunson, mainly
recalls the great lengths Miss Sarah took to keep the
kids out of it. So she wasn't always sweet, well.
Speaker 7 (24:46):
Missus Fitzgerald was. She had a temple.
Speaker 1 (24:55):
She didn't care for kids the way Leroy tells it.
Instead of a guard dog, the Fitzgerald's had a garden monkey,
a spider monkey. Leroy remembers Miss Sarah kept the monkey
near the pool, tied to a tree.
Speaker 8 (25:08):
She took the monkey and she put a longer line
on him so he could reach all the way to
the front of the pool. So my little niece and
my son, he told her that don't go around the pool.
Speaker 7 (25:29):
That monkey about then excuse me, she went anyway.
Speaker 8 (25:39):
She tried to run and the monkey caught on to
her shirt and he was holding them man. So Miss
Sarah came out there and she got the monkey off
and told us I told you kids, and don't come
run yet said get off and around here, don't come
run here anymore.
Speaker 3 (25:54):
That's so funny. I didn't hear anything about a monkey.
Speaker 8 (25:57):
And she had out front used to be her little
palm trees with the little fruits on them, the little
orange type fruits on the path of the tree, and
the kids used to come in and pick them and
they would eat them because they were really sweet. And
she went out there and she chopped him down.
Speaker 1 (26:14):
It's hard to tell if she was a contradiction all
along or changed over the years, but Miss Sarah lived
into her nineties, so people in town have much more
vivid memories of her. Either way, people remember Sarah and
Charlie's kindness.
Speaker 9 (26:29):
He would allow the children to come overay for Christmas.
He give everybody child who could walk, who could crawl,
who could dance, who could do anything. He'd give everybody
child a gift.
Speaker 8 (26:40):
He get all the kids on Christmas come out there,
and he would have a bucket with dollar bills. I
mean maybe I don't know, back there, probably hundred dollars
and all the kids line up and he would throw
them up in the air.
Speaker 7 (26:54):
Boy, we would we would tussle for that money.
Speaker 1 (26:57):
It always seemed like the FitzGeralds had cash to spare
and spread around to neighbors, and Leroy said something about
that money when I first met him that stuck in
the back of my mind.
Speaker 3 (27:08):
He told me Charlie went to New York.
Speaker 5 (27:09):
A lot, go to New York. About once a month.
He would go to New York.
Speaker 7 (27:14):
And we thought maybe Charlie was, you know, with the
big boys. You know, I'm not saying that he was.
Speaker 1 (27:24):
You know, others would have mentioned potential ties to organized
crime to Charlie did spend time in New York, but
that's about all I could verify. It was hard to
find anything concrete about Charlie. I could only find two
photographs of him. People that knew him told me he
didn't like to get his picture taken.
Speaker 3 (27:43):
In fact, there's a book about.
Speaker 1 (27:45):
Myrtle Beach with a picture of a man labeled Charlie Fitzgerald,
and it's clearly not him. For such an important figure,
someone larger than life, who shaped the attitudes and culture
in Myrtle Beach and beyond, this is bizarre and honestly
kind of shocking. Charlie is someone everyone knew.
Speaker 3 (28:04):
How does that.
Speaker 1 (28:04):
Knowledge get lost? Has it been lost? It's clear Charlie
was going to be hard to pin down. Despite Miss
Sarah's help with getting to school, Miss Pat dropped out
when she was sixteen. She says it was because she
was mad at her dad.
Speaker 3 (28:26):
He spent the.
Speaker 1 (28:26):
Money she'd saved for her graduation cap and gown, so
she just quit and started working full time, and there
weren't many jobs. Miss Pat didn't like cooking slapping the hogs,
but she loved working at the dry cleaners the best,
even though it paid the worst.
Speaker 9 (28:42):
I love the sea clot of nice and fresh and
now PAOs creased down to the mags.
Speaker 11 (28:48):
I love that.
Speaker 1 (28:50):
And for the most part, she liked taking care of
the kids of white families, even though it brought her
into the lions Den. There was a family in town
she babysat for often in the summer, she took the
little girl to the beach. Miss Pat was careful to
never let the waves lap at her feet and get
her socks wet. If she came back with wet socks
(29:11):
would know she had touched that water and she could
get fired. But Miss Pat says they were a nice family,
nice enough. One day, while babysitting, she saw something laid
out on a bed. It looked like a white dress.
Then she saw it had a hood. She knew exactly
(29:31):
what it was.
Speaker 9 (29:33):
And you had them in Ni Kleana's all the time,
because that work in Ni Kleanans all the time. You
just go ahead and do it.
Speaker 1 (29:39):
You washed an iron the white KKK suit. Although her
friends and family had a good life on the hill,
they knew that the klu kutz Klan was everywhere, white
clad ghosts that threatened all their lives. And here it
was again in the house of the white family. She
(30:00):
babysat for a KKK robe. As she looked at the
clan uniform laid out on the bed, the little girl
she was watching turned and threatened her.
Speaker 3 (30:12):
She said, you see this.
Speaker 11 (30:14):
I said, yes.
Speaker 9 (30:16):
She said, if you don't do what I'll tell you
to do, my daddy put this back on and he'll
do you like I didn't missus Charlie.
Speaker 11 (30:25):
And I just let it go.
Speaker 1 (30:54):
Coming up on Charlie's place, it.
Speaker 3 (30:57):
Is a feeling that says you belong, this is home.
Speaker 8 (31:02):
The slop and then there was the bump.
Speaker 9 (31:05):
Yeah, I need to shake.
Speaker 5 (31:06):
That's the main thing. Charlie was lixemple a power.
Speaker 8 (31:14):
No one told him what to do, what he wanted
to do, That's what he did.
Speaker 9 (31:19):
Where you come in here, stir up trouble and gonna
beat trouble. Will you think somebody making more money than
you make they're gonna stir up trouble? We would intreat
and in the woods on Call Street, waiting on them
to come.
Speaker 1 (31:44):
Charlie's Place is a production of Atlas Obscura and Rococo
Punch in partnership with Pushkin Industries and presented by Visit
Myrtle Beach. It's written and produced by Emily Foreman. Our
story editor is Erica Lance. Our team at Atlas Obscura
is Doug Baldinger, Chris Naka, Johanna Mayer, Linda Lobel, and
Emily Yates. You can follow us on Instagram at Atlas Obscura.
(32:09):
Please head to Charlie'show dot com for more information about
the locations mentioned in the series and how you can
visit yourself. I'mrin guise, Thanks for listening. Binge the entire
(32:36):
season of Charlie's Place, add free by subscribing to Pushkin Plus.
Sign up on the show page on Apple Podcasts or
Pushkin dot Fm, Slash plus. Pushkin Plus subscribers can access
ad free episodes, full audiobooks, and exclusive binges of other
true crime podcasts throughout the year.
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