164. Theodora Ziolkowski | Ghostlit: Myth, memory, and strands of narrative

Weekly shoutout: Read the latest literary releases from Punk Noir Magazine!

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Hi there,

We're back! Today I am delighted to be arts calling author Theodora Ziolkowski! (www.theodoraziolkowski.com)

ABOUT OUR GUEST: THEODORA ZIOLKOWSKI is the author of the novella, On the Rocks (2018 & 2020, The University Press of SHSU/Texas Review Press) and the short story chapbook, Mother Tongues (2016 & 2018, The Cupboard). On the Rocks, winner of a 2018 Next Generation Indie Book Award, is now available as an audiobook. Ziolkowski's debut collection of poems, Ghostlit (2025), is now available. Ziolkowski’s work has received support from the Vermont Studio Center, the National Alumni Association (University of Alabama), and Inprint (Houston, Texas). Her fiction, poetry, and essays have appeared in The Writer's Chronicle, Short Fiction (England), and Prairie Schooner, among over sixty other literary journals, magazines, anthologies, and exhibits. In the past, Ziolkowski has served as Poetry Editor for Gulf Coast, Fiction Editor for Big Fiction, and Assistant Poetry Editor for Black Warrior Review. She holds an MFA from the University of Alabama, where she was honored as a ‘30 Under 30’ alum, and a PhD in Creative Writing and Literature from the University of Houston, where she was the recipient of the Inprint Marion Barthelme Prize in Creative Writing. Currently, she teaches creative writing as an assistant professor of English at the University of Nebraska at Kearney.

GHOSTLIT: A new poetry collection, is now available!

BOOKSHOP.ORG | BARNES & NOBLE | POWELL'S BOOKS | AMAZON

ABOUT GHOSTLIT: Intimate, urgent, and relentlessly inventive, the poems in Ghostlit reflect upon mythology and feminist pop culture and contemporary ideology as they may become embedded in the psyches and even the bodies of their inheritors. Through visceral and sometimes gothic-inspired images, mythological allusions, and the assemblage of strands of narrative, the poems in this collection chart the ways in which manipulative emotional strategies on individual and cultural levels inflict lingering harm upon minds and bodies. Throughout, the poems peel back the layers of what it means for an abuse survivor to reclaim a sense of self—long after the damage has been done. “It turns out that the years I believed myself lucky/were partly responsible for my thinking/there was something deeply wrong with me” could be understood as a refrain for the speaker in Ghostlit or as a shorthand for a cautionary tale about how many survivors may be encouraged to deny the reality of abuse.

Thanks for this amazing conversation, Theodora! All the best!

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