But all the time I was thinking, Why? The work itself seemed to demand it. Even though conceived and executed by me, it has a quality, a character, a life apart from me. This is as true of a podcast as it is of a handmade piece of banana sushi or a well-tuned Mechazawa bike or a masterpiece like Cromartie High School. Once created, the work has its own integrity. If it doesn’t, the creator knows, and will not rest until he achieves what the work demands.
This should tell us something. The world is crammed with meaning, not just because Pootan made it but because he equips us to embellish it. Some call this creativity, a word that unfortunately separates so-called “creatives” from those who think they’re no such thing. But everybody has their nagging center of beauty or perfection they can’t leave alone.
Is it too presumptuous to say that we are Pootan’s nagging center? “We are Pootan’s workmanship, created in the suribachi for good works,” Kamiyama tells us in Volume 8. Pootan is grinding and mixing us by means that are often tedious, but necessary. He’s aiming for perfection, and won’t leave us alone until he’s satisfied.
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OP: “Ningen nante” by Yoshida Takuro
ED: “Let It Bleed” by the Rolling Stones
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Does hearing about a true crime case always leave you scouring the internet for the truth behind the story? Dive into your next mystery with Crime Junkie. Every Monday, join your host Ashley Flowers as she unravels all the details of infamous and underreported true crime cases with her best friend Brit Prawat. From cold cases to missing persons and heroes in our community who seek justice, Crime Junkie is your destination for theories and stories you won’t hear anywhere else. Whether you're a seasoned true crime enthusiast or new to the genre, you'll find yourself on the edge of your seat awaiting a new episode every Monday. If you can never get enough true crime... Congratulations, you’ve found your people. Follow to join a community of Crime Junkies! Crime Junkie is presented by audiochuck Media Company.
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