Chelsea Woolley

About This Episode: This week on Stageworthy, host Phil Rickaby is joined by playwright Chelsea Woolley. Chelsea discusses her latest play, Enormity, Girl, and the Earthquake in Her Lungs, which is being produced by Nightwood Theatre. She shares the fascinating, eight-year journey of the play's development, from its original concept to a workshop production with theatre students, and the challenges of being a playwright in the rehearsal hall. Chelsea also talks about her unique approach to writing, which involves infusing humor and absurdity into a serious subject to create a piece that can only exist as live theatre.

This episode explores:

• The development of Enormity, Girl, and the Earthquake in Her Lungs, from its original idea to its current form.
• Chelsea's collaborative process with director Andrea Donaldson and the cast during rehearsals.
• The strategic use of humor and absurdity to make a serious play more engaging and a unique theatrical experience.
• Her theatre origin story, from writing plays in grade school to her realization that playwriting could be a career.

Guest: 🎭 Chelsea Woolley

Chelsea’s playwriting work includes: Enormity, Girl, and the Earthquake in Her Lungs (Nightwood Theatre), Paint Me This House of Love (Tarragon Theatre), The Mountain (Geordie Theatre), and The Only Good Boy (Theatre BSMT). Her work has been featured at the Kennedy Centre in Washington D.C., and at the “Shakespeare is Dead” Festival in Belgium. She is the founder of the Mixed-Arts Performance Partnership Program connecting young artists living in precarity to professional mentorship, and co-wrote a script titled, One Day with teens at Red Door Shelter. Chelsea is the Head of Drama at the Canadian Children's Opera Company where she has directed a number of operas including the 2025 production of Dido and Aeneas. Chelsea is the 2025 Tarragon Theatre Bulmash-Siegel New Creation Development Residency Award recipient, and is a graduate of the National Theatre School of Canada’s Playwriting Program.

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