Halloween Horror Novellas: Three Scary Stories for Spooky Season

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hello, my spookies, Halloween is getting closer and closer, and
tonight we're turning the lights down low and diving deep
into something truly frightening. Three full length tails to carry

(00:22):
you straight through the witching hour. These aren't your average
bedtime stories, Oh No, We're talking about cursed soil that
doesn't stay quiet, haunted technology that refuses to die, and
a bridge that remembers every scream it's ever heard. So

(00:48):
grab yourself a blanket, pour yourself something pumpkin, spy stoor,
blood red if that's your thing, and settle in for
three terrifying novellas that prove just one thing. Halloween is
not a single night. It truly is a state of mind,

(01:12):
because here at Weekly Spooky we celebrate Halloween all year long.
Now let the stories begin. Dirt Babies by Bruce Haney, prologue,
Halloween Night, nineteen forty six at the Locust Grove Insane Asylum.

(01:39):
It's not right to judge everybody who's been institutionalized as
some drooling, crazed killer. For some people, being put in
a mental hospital is the thing that turns their lives around.
Jonathan Allison was not one of those who was saved
by his experience. If anything, he got worse, much worse

(02:03):
after being put in the Locust Grove Insane Asylum. Modern
day researchers have revealed that they were administering shock treatment
to some patients as much as five times a week.
Common practice was just twice a week. Not much is
known about Jonathan Allison outside his time at the asylum.

(02:26):
There were rumors that he had killed a few local boys,
and that after being arrested, he was found not guilty
by reason of insanity and put into the asylum to rod.
The only other thing known about him is that he
loved that old folk poem known as the Hearse Song.

(02:47):
There are rumors that during his murder spree, he was
heard reciting lines from it. For a drooling, crazed killer,
he was smart enough to set up his night of horror,
though it was a copy of a similar incident that
happened at another Oregon hospital. It was October thirty first,

(03:08):
nineteen forty six when his reign of terror began. He
wanted to do it on Halloween. Luckily, for his plan,
they had eggs for dinner. The first victim was Aaron Roots,
who began to shake and then vomit blood onto the

(03:28):
table and then, to everyone's horror, on to the other
people that sat near him. Nurse Kleine saw this after
swallowing her first bite of eggs and went to see
what the matter was. She only made it a few
feet before her legs gave out. Other patients didn't take
notice or didn't put two and two together. Twenty more

(03:53):
would die before the other nurses could stop them. The
gluttons and suicidals guarded theirs and shoveled the food in
as the nurses tried to take them away. Their deaths
were most violent. Once the chaos was calming down, Jonathan
Allison wanted more fun, so he made his way out

(04:16):
of the lunch room, where he attacked the first patient
he saw, an elderly gentleman named Bob. He grabbed the
man and smashed his face against the wall repeatedly until
his legs gave out and he fell to the floor.
In the common room, he threw a chair at another patient.

(04:38):
That patient dodged it and ran at Jonathan. The two
fought hard until Jonathan bit his neck open and then
reached into the gaping wound, grabbed the patient's jugular vein
and pulled hard. Blood went all over the room and
all over Jonathan. A patient who witnessed this, recalled him singing,

(05:03):
the old gray hearse goes roll in by. You don't
know whether to laugh or cry for No. Someday it'll
get you two, and the Hearse's next load may consist
of you. Later, while Jonathan was stomping the head of

(05:24):
a nurse, witnesses heard him singing another refrain from the
Hearse song.

Speaker 2 (05:29):
The worms crawl in, the worms crawl out. They crawl
all over your chin and mouth. They invite their friends
and their friends friends to and you look like hell
when they're through with you. You would think that this
chaos would have ended quickly with him being attacked by

(05:51):
a group of people since he had no weapon, but
his singing and being covered in blood kept everybody at bed,
that is until he was gunned down by the police
some forty minutes later. Within a week, he was buried
with the others in the asylum cemetery. Two weeks after that,

(06:13):
the whole facility was shut down. It was a big
deal when the accidental egg poisoning happened at the other
Oregon hospital. For it to happen again with intention this
time was unthinkable and unforgivable. Just like the patient at
the Oregon State Hospital. He had switched out the powdered

(06:36):
milk for sodium fluoride, which the hospital kept in huge
quantities to kill cockroaches. Halloween Night, nineteen ninety seven. Yes,
Missus Gardner, no problem, Missus Gartner, Kristen said, lying through

(07:02):
her teeth. It was a problem, but she agreed anyway
to babysits Simon on Halloween night of all nights. Thank you,
thank you, missus Gartner said, my sister was supposed to
watch him, but something came up.

Speaker 1 (07:18):
It won't be bad. I'll leave you cash for pizza,
since it's a holiday and all. And Simon has a
project to do, so that should make the night go
by fast. What kind of project, Kristin asked. He has
everything to make a dirt baby. His whole class is
making them and having a show and tell. Simon is

(07:39):
excited about it. Missus Gartner said, what's a dirt baby?
Kristin asked, let me tell her. A small voice could
be heard saying then, after a few seconds of phone
fumbling noises, Simon was on the phone Hi, Kristin, he said,
Hi Simon, Kristen said in a friendly tone while checking

(08:02):
her watch. Her smile slipped while looking at the time. Okay, Simon,
tell me what a dirt baby is. A dirt baby
is a plant with a face. Basically, you fill a
stocking with dirt and grass seed, tie it off to
make it head shaped, and then you decorate it to
look like a person. Simon said, ah, so like a

(08:25):
homemade chi ahead. Kristen asked, I guess. Simon said. We
called them turf babies when I was a kid. Simon,
can you put your mother back on the phone, Kristen said,
after a couple more seconds of phone shuffling sounds, I'm back.
Missus Gartner said, okay, easy, peasy. He has everything for it.

(08:48):
Kristen asked, yeah, he oh, oh, dang, I forgot I
was supposed to pick up the soil. Oh He's going
to be so bummed. Missus Gartner said, don't worry about it.
I can pick up soil on my way. Kristin offered,
you sure, I don't want I'm sure I knew there
was a reason I hadn't removed the basket off my

(09:09):
bike yet. Okay, Okay, you are a life saver. I'm
so glad that you're the one watching him on Halloween.
He prefers you to my sister. Anyways, missus Gartner laughed.
Kristin was bummed about the job. At fifteen years old,
she was too old to trick or treat, but she
had plans to hang out with her friends. They were

(09:31):
meeting at the old abandoned Cemetery before going to Jennifer's
house to listen to the new Gloom Macabre album. She
was also thinking tonight might be the night that she
tried pot for the first time, her friend Sid was
always holding. Then there was the boy Bram was supposed
to be in attendance, and she had a major crush

(09:53):
on him, but missus Gartner's offer of one hundred dollars
was too much to say no to it. She had
been eyeing a pair of Doc Martin's at the mall
that just happened to be one hundred bucks. All her
favorite rock stars wore them. The most she had ever
gotten before for babysitting was forty dollars, but since it

(10:14):
was short notice and a holiday, they were paying much more.
Kristin looked at her freshly done goth makeup in the mirror.
She thought about washing it off for the babysitting gig. Typically,
she would dress down when she had one, but she
figured that since it was Halloween, she could dress like
her typical self and play it off as a costume. Plus,

(10:37):
she still had time to meet her friends at the
cemetery and at least enjoy part of her original plans.
She didn't want to do that in blue jeans in
a sweater. She wasn't ready for Bram to see her
dressed like a normy. Before she left her house, she
grabbed a few items that she needed for the night's events.
For the cemetery, she grabbed a black candle and her

(11:00):
Book of Shadows. She only had it for a few weeks,
but she made time to write a few spells in
it from the last time she was able to get
on the internet. At the library. Kristen was an exceptional artist,
so she filled some pages with dark drawings. Once she
caught herself absent mindedly drawing a picture of Bram on

(11:21):
one of the pages, which wasn't good since she planned
on showing the book to her friends to impress them,
so she had to turn him into a creature. She
could still tell it was him, though, because she left
his nose intact. To her, he had the most beautiful
and perfect nose, and she was so proud of herself

(11:42):
forgetting it just right. As a professional babysitter, she kept
some tools of the trade. She filled her backpack with
a couple of coloring books, plus her craft box that
included items like paint, various colored felt sheets, and a
low temp hot gluegag, all the stuff that would make
the best dirt baby that Simon could ever hope for.

(12:06):
She was going to grab some candy for bribing purposes,
but figured that the gardeners must have candy on hand
for the holiday. Kristen thought they better. I am not
responsible for any egging or tepeeing that happens because they
didn't prepare. The last thing she did in preparation for
the night was to look through the VHS tapes in

(12:28):
the living room for something from her childhood that would
be Halloween themed but not too spooky. Since Simon was
only seven years old, she wasn't seeing much, but then
she spotted one. Oh perfect, I haven't watched this in years.
She always loved the spooky and she was excited to

(12:50):
have a reason to rewatch The Witchy Woods again. It
was scary to her the first time she saw it,
but she was six at the time. She hoped that
Simon wouldn't be too scared by that one scene. The
main plot of the movie is about a young girl
who gets lost in the woods when her family is camping.

(13:10):
She gets so lost that she ends up in a
part of the woods known as Witchy Woods, where people
have been known to disappear. It sounds dark, and parts
of it are, but it's also a kid's movie, so
the main message is not to wander off and to
not judge women who live in the woods by their looks,
because that alone doesn't mean that they're evil. Kristin always

(13:33):
had hoped the story would end with the little girl
protagonist turning into a witch, but it didn't happen. The
ending song and dance number about not judging a book
by its cover was annoying and hard to stomach. Don't
judge a book by its cover. Love one another. You
just might discover a friend. But those first forty minutes

(13:55):
were perfection in Kristin's eyes. Imetery was a few miles
from her house, so if she wanted to make it
on time, she had to use her bicycle with its
pink color and white basket with daisies on it. She
wasn't excited for her friends to see it. She had

(14:15):
the bike since her preteen pre goth days. Her father
was cheap and bought it a size bigger than what
she could ride at the time so it would last longer.
She had talked to her father about helping her paint
it black, which she said he would, but had not
gotten around to it yet. He wasn't a big fan
of what he called her cure phase. As she went

(14:40):
out the back door on her way to the garage
to get her bicycle, she put on her hot topic
Conjuror's coat that cost three months of babysitting money. The
goth lifestyle wasn't cheap. The garage was full of old
furniture and boxes, which to Kristen gave it a claustrophobic feel.
She hated it being in there. She was always afraid

(15:02):
that one day one of the piles would fall on
her and it would be weeks until someone discovered her
rotting body with her face half eaten by rats. Once
she grabbed her bike. She heard the door she entered
through close. Mom, she said, Dad, Still hearing nothing, she

(15:23):
said her brother's name, Tommy. She was starting to get worried,
then thought better of it. Whoever it was probably just
swung it closed from the outside, not knowing I was
in here. With her. Fear pushed aside, she made her
way to the exit, being careful to look around to

(15:43):
make sure nobody was in there hiding. Before she opened
the door, she noticed a sheet that was draped that
she didn't think she had seen before. She quickly pulled
it off and yelled, gotcha, but it was just an
old life lamp, Kristen laughed to herself. Ah, she suddenly

(16:06):
heard behind her. She turned just in time to see
a werewolf coming at her, screaming with its claws up
ready to attack. Kristin screamed, reached for the door, and
ran out. A moment later, she heard laughter. It was
her older brother, Tommy, you jerk. I thought you were

(16:27):
too old for Halloween, she yelled, too old for the treat,
never too old for the trick. I can't believe you
fell for that, Tommy said, yeah, yeah, Kristin replied, while
getting on her bike. Then she flipped him off as
she rode away. She cursed her brother's name the whole

(16:48):
way to the cemetery. He knew she hated to be scared,
but he still always did it, not just at Halloween
time either. The previous month, on the first day of school,
Tommy hid a fake rat in her backpack. The worst
part was she didn't notice until she was at school
putting her books away in her locker. Everybody heard her scream.

(17:14):
She didn't talk to Tommy for a whole week after that.
For today's incident, she thought maybe just a couple of
days of the old cold shoulder would be sufficient. On
her way to the cemetery, she rode past the hardware store.

(17:35):
She thought about grabbing the soil first, but then thought
better of it. I'll get the soil on the way back.
No reason to carry the extra weight. Once she was
no longer upset with her brother, her mind shifted to
thoughts of Bram. She was nervous about this meeting. This
was the first time they had hung out outside of school,

(17:58):
and she suspected that he was more interested in her friend, Sarah.
Kristin looked at her watch. She was only running a
few minutes late. She hadn't expected the call from missus Gardner,
nor did she expect it to go on as long
as it did. Kristen sped up on her bike. She
wanted to get there before Bram had too much time

(18:19):
with Sarah. She didn't worry about Sarah stealing him, but
didn't want to be the second choice either. Better to
make sure he likes her before he decides who he
likes best. The best way to the cemetery was through
the woods by taco time, but from her house, the
quickest way was to go through the parking lot of

(18:40):
the abandoned asylum that the cemetery belonged to. Before getting
to her friends, she ditched her bike near an old tree.
She didn't want Bram or her friends to see her
girly bike. At the cemetery, she saw Sarah sid and Bram.

(19:05):
Bram was talking about something and was quite animated. As
he spoke. She stopped and listened. I couldn't believe it.
He was drenched in blood and walking through a church,
Bram said. Kristin gave him a curious look. Then he
made it to the pulpit just in time to sing
the chorus. God doesn't know what you need. Yeah, he

(19:30):
thinks we're just fleas. Yeah, we can be the disease. Yeah,
because he can't be pleased, Bram sang. While he sings,
they cut to the regular church goers in various stages
of shock. That is, until don't spoil it. I haven't
seen the new Gloom Macob video yet, Kristin piped up. Hey, Kristin,

(19:52):
Bram said, we were wondering when you'd show up. Sid said, Kristin.
Sarah yelled while walking, looking over and giving her a
big hug. We were waiting for you before we started
the first part of our Sarah was interrupted. Evening of debauchery.
Bram said in a voice that he meant to sound

(20:13):
smooth and sophisticated. Sarah pulled out a bottle of wine
and a chalice from her backpack. Oh, Kristen said, did
you bring a new spell? Sarah asked I did, but
Kristen said great, let's get set up by the tree.
Sarah pointed, yeah, just so you know. Kristen started, Are

(20:36):
you scared? Bram asked, no, I just need to Kristen
started once again to gather the blood of a virgin.
Sid asked, can I finish a thought, Kristen said, feeling annoyed. Yeah, sorry,
of course, Bram said, I can't stay long, Kristen said,

(20:58):
and sighed she didn't want to disappoint her friends. What
we've been looking forward to this night all month, Sarah said,
What could be more important than hanging out with your friends,
listening to the new Gloom macab record and doing witchy things?
Sid asked, one hundred bucks? Kristin said, understandable. Sarah replied,

(21:21):
I get that, Brahm said, And what lurid thing are
you doing to obtain these hundred bucks? Sid asked, just
babysitting the hundred is because it was short notice and
to holiday crad. I was worried that you would become
a teenage prostitute. Sid said, ha ha. Kristin replied, in

(21:44):
a dismissive tone. At least I made it to the cemetery.
It was the most important part of the evening, wasn't it,
Kristin asked, I thought, Sarah. Letting me get to second
base was the most important part of the evening. Sid said,
like you want that? Sarah said, of course I do.
Sid replied, we know. Okay, you don't have to pretend.

(22:09):
Sarah said, know what. Sid asked, you're gay? Sarah said, no,
I not. Everyone knows it. Brahm said I don't, and
I would appreciate it if you stopped saying that. I
would appreciate it if you stopped objectifying me and talking

(22:29):
about touching my breasts. Sarah said, okay, I'll stop talking
about your breasts and you stop talking about me being gay.
Sid said, of course, we won't talk about it until
you're ready to come out of the closet. Sarah said,
fuck you. Sid replied and gave her the middle finger.

(22:50):
Sarah hugged him, and then they both laughed together. Where
should we set up? Kristen asked, I was thinking over
there under the tree. Sarah said, with an evil smile,
really under that tree. Kristin asked, why, what's wrong with

(23:11):
that tree? Brahm asked, that's where they buried the killer.
Sid said, a murderer is buried over there. Brahm asked,
not just a murderer, the murderer, probably the most infamous
killer in five hundred miles. Kristin explained, really, what did

(23:34):
he do? Brahm asked, poisoned forty people, most of whom
died and then killed ten more with his bare hands.
Sid said, while holding up his scrawny teenage arms and hands,
imitating the killer. Where did this happen, Brahm asked. Sarah

(23:54):
pointed through the trees to the old asylum. What is
that place, Bram inquired. It's the Locust Grove Insane Asylum.
That's where his spree happened. This cemetery that we're hanging
out in is the cemetery for that asylum. Kristin explained.

(24:17):
So all these people buried here were crazy, Bram said, crazy, unwonted, handicapped,
whatever society deemed at that time as undesirable. Kristin explained,
back then, Sid could have been putt in here. Sarah said,

(24:37):
why why would I be putting there? Sid asked, um,
never mind, we just agreed not to talk about it.
Sarah replied, you could be putting an asylum for being gay.
Sid asked, it's deviant, Unchristian behavior, my buddy, that's what
makes you so cool, Hal Satan, Brahm said, and then

(25:02):
did devil horns. Thanks, I guess, Sid said. Kristin walked
over to Jonathan Allison's grave and the others followed. The
first step is to draw our circle. Kristin said, I'll
do it. Bram was quick to find a broken limb
for the task. Kristin was well studied on the history

(25:25):
of magic, but lacked confidence, so she preferred chaos magic
to the more well established spells. She did hers based
on what she thought and felt would work with a
bit of informed knowledge. The spell was a simple one,
a modified version of one for bringing back the dead.

(25:46):
Kristin didn't believe in that kind of power, and if
she did, she didn't think a beginner like her could
accomplish it anyway. The funny thing about Sid asking if
she had trouble getting the virgin blood was that the
original spell did have blood as a part of it,
it didn't specify that it had to be from a virgin.

(26:07):
She hoped that this modified spell would let them see
a ghost. The circle was formed. Excellent, Can I see that?
Kristin motioned towards the stick. Yeah. Bram handed it to
her while smiling and making eye contact. She could feel
herself starting to blush, so she looked away and composed herself.

(26:33):
Then she drew a strength symbol in the dirt next
to the circle. See this it's just an X with
a line through it. Can you draw three more of
these around the circle? One for each of us? Kristin asked,
of course, Bram said, while pushing his long hair from
his face. What can I do? Sid asked? Can you

(26:55):
get the wine bottle open and fill the chalice? Kristin replied,
of course, Sid said, a task for me, Great sorceress
Sarah inquired, do you recall how to make the protection symbol?
Of course, but Sarah had misremembered and ended up drawing

(27:15):
four energy symbols. This meant that they had strength and energy,
but no protection. Once all the tasks were done, they
sat down in the circle on the murderer's grave and
Kristin lit the candle. Okay, I need everyone to follow
my direction and to follow my lead. It's of utmost

(27:39):
importance that you take this seriously, or there could be
dire consequences. Kristin took a moment to look each of
her friends in the eyes. Is everybody ready? Yes? They
all said in unison. She noticed that Sid was nervous. Relax.

(28:02):
We're in a protected circle. We are amongst nature, the wind,
the trees, and earth, Christin said as she took a
small amount of dirt from the ground and poured it
out over her hand, slowly around the candle. Then she
picked up the chalice. Drink and speak after me, Christin said,

(28:25):
as she handed it to Sid, who took a drink.
We seek power, Christin said, we seek power. Sid repeated
as he handed their hot topic chalice to Bram. We
seek sight, Kristin said, we seek sight. Bram repeated. Sarah

(28:45):
reached over and took the chalice. Kristin nodded to her,
and then in unison, they said their magic phrase, we
are receptive, we are ready. Then Sarah took a drink
before handing it to Kristin. Show us the past. We
wished to see here and speak with the spirit of

(29:09):
Jonathan Allison, Kristen said. Sarah, Brahm, and Sid looked around
the woods, noticing for the first time how dark it
was getting. The candle flickered, though they felt no wind.
Do you see that, Sarah asked. They all looked around.

(29:31):
I don't see anything, Kristen said, look at the candle.
They all did. I don't see anything. Sid began to say,
is that a face? Bram asked. Kristin's heart filled with joy.
She wasn't one hundred percent positive, but she too thought

(29:52):
she could see a face in the flame of the candle.
Had she, for the first time, had a result from
her study of the so called black arts. The flame
began to get bigger, and then a tiny voice was heard.
Where am I? This freaked Sid out, who scooted backwards,

(30:14):
ruining their circle. The flame went back to normal. Damn it, Sid,
Sarah said, we were making contact. Kristin exclaimed that was
so cool. Bram said, smiling. Kristin smiled too, Sorry, I panicked.
Sid said, Let's do it again, that is, if Sid

(30:39):
can control himself this time. Bram sneered, okay, but first
we need Kristin said, beep, beep, beat. Kristen's watch alarm
went off. Aw man, I gotta go. I'm gonna be late.
I need to get to the Gartner's, Kristin said, bomber.

(31:00):
Bram added, oh no. Kristin remarked what Sarah asked, I
was supposed to pick up soil on the way back.
We're making something called dirt babies tonight. Dirt babies, Bram
commented and laughed. The kid has his heart set on it.
But frick, I don't have time. Where does the kid

(31:23):
live Sycamore Street? Kristin said, no problem, that's by my house.
I could drop some off in an hour or so.
Really that would be so helpful. I'll pay you back.
Of course, it's the blue house with all the gnomes
out front. Kristin explained, I know that house. Bram said
to Kristin, who was already shoving her candle and book

(31:47):
back in her bag. Thank you, see you, then, Kristin said,
and ran off. What store are we stopping by before
going to your house? Sid asked, store? Do you have
dirt all around us? Brahm said, and then scuffed his
foot on the grave. Seems like fairly soft soil. Brahm

(32:10):
didn't look down as he scuffed his foot. If he had,
he might have noticed the dirt swell and retract ever
so slightly. Kristin jumped on her bike and made her
way to the Gartner's house, not thinking of the implications

(32:31):
of Sid breaking the circle and not closing the spell properly.
By the time she made it to the Gartner's she
was huffing and puffing from pushing herself so hard. Her
biggest struggle was keeping up her speed while dodging all
the kids walking around trick or treating, She nearly ran
over a kid dressed as a Laddin and another one

(32:53):
in a cryptkeeper mask. Aladdin was her fault, but with
the kid in the mask, it was the fact that
the mask was obviously too big on him and he
couldn't see where he was going. Typically, she put her
bike in the backyard, but she was in a hurry,
so she just leaned against the front porch and knocked. Kristen,

(33:15):
Are you okay, missus Gartner asked, yeah, sorry, I just
got stuck at the store with my mother. Oh okay,
missus Gartner said, while looking over the bike, where's the soil? Oh,
don't worry, my friend is dropping it off on her
way home in a little while. Kristen said, lying a
little bit. Didn't you say you were at the store,

(33:37):
missus Gartner asked, Uh, well, not that kind of store.
We were clothes shopping. Kristin said, okay, but remember I
don't want I know no friend's over. Have I ever
disappointed you? Kristin asked, well, no, missus Gartner said, opening
the door wider for Kristin to enter. Come in by

(34:00):
the way, What are you supposed to be a cure fan,
Kristen said and laughed to herself. Hmm was missus Gartner's response. Goth,
Kristin explained, ah, trying out a different personality for all
Hallows Eve. Missus Gartner asked, Yeah, it seemed like a

(34:21):
fun look. It is, and you do look adorable, missus
Gartner said. Kristin hated that she didn't want to look adorable.
Just don't get into that witchy stuff. Missus Gartner laughed.
Don't worry about that, Kristin said. Kristen. Simon yelled when

(34:42):
he saw her. Then he looked her up and down.
You look so cool, Simon exclaimed. He was sporting a
pirate costume with a fake rubber sword and an eye patch.
Kristen smiled, you look great too, nice eye patch. I
get a pirate r R. Simon said, and then laughed,

(35:06):
very impressive. Have you been practicing or did it just
come naturally? Kristen asked missus Gartner, and Kristen watched as
he thought about how to answer. I it just came naturally.
Simon remarked, Wow, that's great. Kristen said, He's been practicing,

(35:29):
Missus Gartner said, while turning and walking into the kitchen. Kristen,
I'm going to need to leave soon to meet up
with mister Gartner. Let's go over everything real quick, okay,
Kristen said, and followed. On the fridge, missus Gartner pointed
out all the contact numbers like she had every time

(35:50):
she had babysat. The only new part was a post
it note with seven numbers on it. What's this, Kristen asked.
Missus Gartner sighed, my husband's dumb friends want to relive
their youth and do a Halloween pub crawl. I don't
know the order, but the plan is to have a
drink at all these establishments. Missus Gartner said, Oh, so

(36:14):
you have a taxi to get you home, asked Kristin. No,
I'll be the sober one and make sure the hooligans
don't get too wild. Missus Gartner replied, good on you.
I don't think I'm going to drink when I'm old enough.
Kristin lied, that's a good choice. It brings a lot
of people down. After that, the typical speech about the

(36:37):
ground rules. Missus Gartner again thanked her for getting the soil,
but reminded Kristin that her friend was not allowed in
the house. With all the speeches given, missus Gartner walked
to the door. Have a fun night, and Simon behave
for Kristen. I will, Simon said. As soon as the

(37:00):
door was closed. Simon wanted to work on his craft project.
Can we build the dirt babies now? Simon asked, not yet,
I'm waiting for the soil to arrive. Oh, Simon said, disappointed,
But that gives us time to set up everything. I
brought some extra art supplies to make them fancy excellent?

(37:23):
Can we make it scary? Sure? We can even make
more than one if they sent you with enough material.
When I was your age, they always sent extras in
case you messed up. This was the case with his
supplies too. They sent two sets of nylons so they
would be able to create four if they didn't mess

(37:43):
any up. On the table, they placed newspapers, the nylons,
some rubber bands, and pipe cleaners, and then Kristin pulled
out her art box. Wow, he brought all types of stuff.
Simon commented, I want you to win. Kristin replied, well,
you don't really win officially. Well, I want you to

(38:07):
have something cool to show off. Yeah, Simon replied and
hugged her. You choose what supplies you want to use,
and I'll set up our special Halloween movie for the night.
Kristin said, it's not too scary, is it not? Really?
There is one scary scene, but we can fast forward

(38:28):
that part if it gets to be too much for you. Okay.
It's a favorite from my childhood. It's called The Witchy Woods.
Kristin explained. That sounds scary. It's not, except for one scene.
It's based on a book by one of my favorite
writers from my youth, t L. Cloward, Kristin explained. While

(38:52):
Simon looked through the various items that Kristin brought, she
slipped the VHS tape out of its well worn sleeve.
It was an earthly produced videotape, so the art was minimal.
The box was all yellow, and the poster art was
smushed into a square on the front cover. In that
square was a young girl with oversized witch garbond walking

(39:14):
into a wooded area deep in the woods. Barely noticeable
on the too small artwork is a cabin with a
plume of smoke coming out of its chimney. Kristin looked
at the tape. At fifteen, she already had the nostalgia
bug for her early youth. She slid the tape in
and hit play on the front of the VCR, then

(39:36):
made moves to find the remote to switch it to
channel three. She had just pressed play on the VCR
when there was a knock on the door. Finally, Kristin
murmured to herself as she walked away, a commercial for
a pizza chain came on. Do you want to win
free pizza? An over excited announcer voice said over cutaway

(40:00):
footage of pizza's being cut and removed from ovens. Then
it cut to a young teen with swept over blonde hair.
He wore a washed out jean jacket over a darker
blue jean jacket, and he carried a skateboard. Yeah, how
cool would that be? Outside of perfecting the nar flip

(40:20):
was the last line Kristin heard as she made her
way to the front door. Kristin opened the door, expecting
to see Bram holding a bag of soil, but instead
she was greeted by a menacing hockey masked killer trigger
treat said the Jason wannabe, Oh, I almost forgot, Kristin said,

(40:43):
and then rushed to grab the candy bowl. She gave
a few pieces to the kid in the slasher outfit
and then closed the door. Can we get pizza, Simon said,
pointing to the commercial on TV which was just ending.
On screen, the cool kid was sitting in the pizza restaurant,
leaning back in his chair with his feet up on

(41:05):
the table. He was holding a slice of pizza in
one hand and a copy of T. L. Cloward's book
The Witchy Woods in his other. Grind chow and read
That's how I lived my life. The cool kid said, yes,
we can get pizza. Your mother left me money for it.
Kristin clarified yes. Simon beamed, what kind do you want?

(41:31):
Kristin asked, though she knew the answer. She had babysat
him long enough to know he would say pineapple and cheese.
On the TV, the movie began. The first scene was
a little girl being ignored by her family during a
camping trip. It reminded Kristin of her life before she
reinvented herself as a goth kid in the eighth grade.

(41:55):
There was a knock at the door. Pizza. Simon yelled, no,
not this soon, Probably just another trick or treater, Kristin said.
Hopefully it's the soil so we can build the dirt babies.
Simon bubbled hopefully, Kristin replied. She opened the door and

(42:16):
a tall man was there in a robe and sickle.
He didn't ask to come in, he just did. Kristin,
in shock, tried to push the intruder out. Excuse me,
who do you think you are? Behind her? She heard
Simon's feet hit the floor and then started heading in

(42:38):
her direction to see what was up. Get out of here,
Kristin demanded, who's that, Simon? Get back to the front room.
It's just a dumb tricker treater, Kristin explained, trying to
protect the young boy. Get out. Kristin once again yelled,

(42:59):
is this guy bothering you? A voice from outside was heard, Yes,
Kristin said, and Bram entered behind him. Who's this guy?
Death said? Kristin recognized that voice. Are you freaking kidding me? Tommy?
Kristin yelled, come on, buddy, you gotta get out of here.

(43:21):
Bram said as he grabbed his shoulder, Stand down, Bram,
It's just my dumb brother. Quarterback of the football team, Tommy,
Bram asked nervously, Yes, that one, Tommy said, well, uh,
Bram knew what kind of damage could come from upsetting

(43:42):
the football elite. I can't believe you would come to
my babysitter gig and scare me. That's a new low,
Kristin yelled at him. Trick or treat, Tommy asked. She
grabbed the bucket and gave him two pieces. Thank you,
see you at home, Tommy said, I'm telling mom, Kristin

(44:03):
yelled after him. As he left. Bram walked back outside
and picked up the soil that was in a makeshift
bag made from his old school pe shirt. What's this,
Kristin asked, the soil you requested, Bram smiled, handing the
bag to her. Uh huh, I was expecting store bought soil,

(44:28):
Kristin said, as she took the shirt of dirt. This
is better than store bought soil. I dug this with
my own hands, Bram said, while holding his dirty hands
out to show her. Kristin laughed, okay, well, thank you.
She placed the bag of dirt on the floor in
the house. I'm going to need that shirt back by Monday,

(44:52):
Bram said, no problem. You're sweet for doing this for me.
Simon will appreciate it. Is everything okay now, Simon asked,
appearing behind her. Everything was always fine. My brother was
just stopping by for candy, and this is the soil
delivery person, Kristin said, and then winked at Bram. Let's

(45:16):
get going. A voice from the road could be heard.
Kristin looked behind Bram and saw Sarah and Sid on
the street waiting. Hey, Kristin, Sid said. Kristin waved, all right, yeah,
I should be getting going. We have a full night planned.
Have fun with the new record. Kristin said, Nah. I

(45:40):
told them we should wait to hang with you. I
can wait a day or two to listen to the
new Gloom Macabre record with you. Bram said and smiled
at her. We're going to watch Eraserhead and then stop
at Walton's Home Haunt like we planned. I forgot about that.
I'm gonna miss it this year. Kristin said, yeah, Yeah,

(46:00):
that's a bummer. I was hoping you'd hold my hand
through it so I wouldn't get too scared. Bram laughed
and then walked back towards Sid and Sarah. Later by
Kristin said, and began to close the door, but then
she spotted the pizza person pulling up. With all the

(46:21):
visitors out of the way, Kristin and Simon were ready
to enjoy their Halloween night. Simon was smiling ear to
ear as he watched the movie and ate his pizza.
Kristin was happy that he seemed to be enjoying it,
even laughing at the few funny moments. When they were
done with the pizza, they moved to their craft project.

(46:42):
Per the instructions, she put a scoop of soil in
each stocking. For the first one, she showed Simon how
to make legs and arms by pushing the soil around
and using rubber bands to hold them in shape. Simon
laughed as she added a purple mustache to it, using
the high glue gun and a purple pipe cleaner. For

(47:02):
the mouth, she brought out a piece of white felt
from her art kit and cut out teeth. For this
first one, she cut a couple of them bigger to
give it buck teeth. The last step was to put
on the googly eyes. That thing is looking funny, Simon laughed.
That thing has a name. We're naming them. Simon asked, yeah,

(47:26):
you have to name them. This one is Bucky, so
named for his large teeth. Simon, to her surprise, wanted
to make his scary. If I'm going to have the best,
it needs to be halloweeny. Simon said, Okay, what do

(47:46):
you want to make it? Simon thought about it momentarily
before saying, a vampire. That's easy. I just need to
cut you some fangs, Kristen said, while cutting out a
couple of trying teeth. Then she grabbed the black piece
of felt and cut out a couple of crooked black lines.

(48:07):
What are those for, Simon asked. Kristin signaled for him
to hand his dirt baby over, which he did. She
held the lines at an angle, making scary eyebrows. That's great,
Joey is going to be so jealous, Simon squealed, Wait
until you glue these and the teeth on. Kristin said,

(48:28):
I can glue it on sure with my assistance. I
trust that you can be safe with the hot glue gun.
I can, Simon exclaimed. Kristin wasn't too worried anyway. She
was smart enough to bring her low temp hot glue gun,
so even if he did get himself. It wouldn't be
too bad. Simon was pleased with his creation and kept

(48:51):
looking it over. What are you gonna name him? Kristin asked, hmm,
I guess he looked the thing over trying to think
of a proper name. Vampire Baby. Kristin laughed, that's great.
Simon set Vampire Baby down and hugged Kristin. Thank you

(49:13):
for your help. This guy is sure to impress, no problem.
They're fun to make. Want to make two more? Yes, yes, yes,
Simon beamed. What are you going to make? This time?
A jack o' lantern? Simon said, interesting, I like it.

(49:33):
Kristin took time on her next one. She cut out
black circles to go under the googly eyes, and then
cut lips out of the black felt. It looks like
your costume, Simon said, not knowing that this was how
she dressed every day when she wasn't babysitting. Kristin hated
lying about who she was to her clients, especially the kids.

(49:55):
It made her feel dirty. With its black lips and
dark and eyes. It looked like a dirt baby version
of Dave Vanian from The Damned. Of course, once its
green hair comes in, it'll look a lot less goth.
What's his name? Simon asked, uh, goth baby like vampire baby? Yep, cool.

(50:21):
Kristen smiled, then looked to the TV. This is my
favorite part of the movie, Kristin said. On screen. The
little girl opened the door of the cabin and inside
the decrepit building is nothing like its dark, cobwebbed exterior.
It's dark, but it's also beautiful with its Victorian furniture.

(50:44):
Who would drag all this amazing furniture out here, the
girl on the screen asked out loud, that would be me,
an off screen voice said. Then she walked out, dressed
much like the little girl. Was big hat, black dress,
but she didn't look silly like the little girl did.

(51:06):
She looked powerful and confident. Are you a witch? The
girl asked? Are you? The witch echoed, I want to be?
Are you a wanna be witch or are you a
real witch? What's the difference, the girl asked. The first

(51:29):
step to being anything is declaring it. So, So are
you a witch? The witch questioned yes. The girl replied, well,
my sister in spirit, how can I assist you? The
witch inquired. It was a simple scene, but Kristen, even

(51:51):
at an early age, appreciated the message that the first
part of being something is saying that you are that thing.
Anybody can want to be something, but to be something
one must have the courage to be it and then
move towards making it. So. When does the scary scene happen?

(52:11):
Simon questioned, soon when the witch tries to help the
little girl back home. Are you almost done with the
dirt baby, Kristin asked. Simon held his up to show
her the triangle eyes glued to it. I just need
to glue the teeth on. He reached for the hot
glue gun. Then the door rang. Kristin hoped it was

(52:35):
another tricker treater and not her dumb older brother. Again.
At the door were two kids. One was dressed as
a mummy and the other was dressed as a princess
trigger treat. The two kids said in unison. In the
other room, Simon realized that he didn't have enough teeth

(52:55):
left for his dirt baby. He thought about waiting for Kristin,
but decided that he could cut them out on his own.
How hard could it be? Kristin put the bucket back
where it had been, but the doorbell rang again. Trigger
treat said. Two more kids, this time one was dressed

(53:16):
as a vampire, while the other one was dressed as
a baseball player. How is that a Halloween costume, Kristin
thought to herself, but gave the two kids candy anyway.
Simon had cut two teeth so far. He was cutting
them into jagged shapes, like you would with a pumpkin.

(53:37):
In the other room, He heard another knock at the
door and thought, I'm sure glad I didn't wait for
her to come back. On screen, the witch and the
little girl were heading through the woods. It was very dark.
As long as we have the moonlight, we should be
able to find our way, said the witch. But then

(53:59):
in the distance, howling could be heard. What was that,
the little girl asked, We need to move a little faster.
Don't worry about it, okay, the witch pleaded, Oh okay,
the little girl replied. Simon was beginning to feel a
little more tense. He was worried about the little girl

(54:22):
and the witch. He continued cutting the teeth out while
focusing on the television. He finished another tooth as the
witch and the little girl hid behind a down tree.
I'm scared the little girl confessed, it will be okay
as long as we stay quiet. The witch tried to

(54:44):
console her. At the door, Kristin was giving a couple
of kids candy have a good night. In the other rooms,
she heard a character from the TV yell run, oh no.
Kristin thought the big scare was only a f a
few moments away. She went to close the door to
go fast forward the tape, but then a lone kid

(55:05):
walked up in a dinosaur costume and said trick or treat.
She hesitated, then said I'll be right back. A scream
was heard from the other room. She thought it was
from the TV, but then realized no, it was Simon's scream.
Kristin swung the door closed on the young kid's face

(55:27):
and ran to the living room, where she discovered Simon
holding his hand. There were drops of blood spreading on
the newspaper, and White felt, I'm sorry, Kristin. I was
trying to cut some more teeth out for my dirt baby.
Kristin looked at the dirt baby he was working on.
It looked nearly done, with its various weird teeth glued

(55:50):
haphazardly to it, and whose eyes were blank triangles. She
also noticed that blood had landed on the two first
dirt babies, on vampire Baby and her goth baby. None
of his blood got on Bucky or the yet to
be named Pumpkin dirt baby. Kristin grabbed Simon by the
other arm and took charge of the situation. She was worried,

(56:14):
but kept calm for his sake. It's no problem. Let's
get you cleaned up. Kristin walked him to the bathroom,
praying that he wouldn't need stitches. If they had stayed
in the front room any longer, they might have noticed
that two of the dirt babies began to move. In

(56:40):
the bathroom, she ran cold water over Simon's cut. Kristin
sighed in relief. It's fine, no, biggie, nothing that a
band aid won't cure, she said, hoping that Simon's parents
felt the same way. So what happened, she asked, I
was cutting teeth and gluing them on my dirt baby,

(57:03):
but I was also watching the movie, which was real scary.
Simon said, sorry. I meant to be there for that scene,
but I kept getting trigger treaters. It's all right. Can
we turn that movie off and finish the dirt babies,
Simon asked, Yes, of course, Kristen said, feeling awful about everything. Kristin, Yeah,

(57:30):
does the little girl make it out of the woods?
She does, and she learns the power of friendship. That's nice.
Maybe sometime in the future you can bring it over
again and I might be ready to watch it. Okay, Simon,
Too bad. There was nobody in the room to watch

(57:52):
as the dirt babies transformed, because it was quite the sight.
The first one to change was the vampire. The eyes
were the first thing to come to life. They transformed
into large, moist orbs, almost like full sized human eyeballs

(58:12):
on a thing the size of a potato, but with
no ability to blink, as the kid didn't create any eyelids,
the blacks of the eyes still shifted wildly as they moved.
The next thing to happen was the rapid growth of
green grass that popped out of its head, followed by

(58:32):
the mouth forming with the vampire fangs. They were still
stained with the boy's blood. His legs and arms popped
out at the same time. His feet were formless, but
each of his hands had five fingers that popped out
like switchblades with fingernails that were just as sharp. As

(58:55):
his transformation was finishing, the gothwe started to change too.
The black felt behind the googly eyes became the dark
circles of a creature of the night. Its black felt
mouth became full black lips, like they just had a
fresh coat of onyxx lipstick applied. When it smiled, you

(59:16):
could see its mouth full of little, sharp, crooked teeth.
The other two didn't transform at all. When the newly
transformed dirt Babies heard the footsteps of Simon and Kristin
coming back toward the living room, they looked at each other,
then jumped down from the table and ran off. When

(59:40):
Simon and Kristin entered the room, Simon noticed their absence.
Where's the other two dirt babies? Simon inquired, Maybe they
got knocked down during the chaos of you cutting your finger.
Kristin offered, maybe, Simon said, unsure. Kristin got on her

(01:00:00):
knees near the coffee table and looked around. She didn't
see anything under it or underneath the couch. That's strange,
Kristin said, yeah, Simon responded. Kristin hopped up and looked
all around the room, nothing, she said. Then she peeked

(01:00:22):
her head into the adjoining kitchen, and there too saw nothing.
If she looked a little harder, she would have spotted
the two of them hiding behind the clear flower and
sugar containers on the counter. The two thought they were
well hidden because both the flower and the sugar were

(01:00:44):
just about to their eyes, so they were mostly covered, except,
of course, for their tall green grass hair. That was close,
said the vampire baby it was, now tell me again,
why are we hiding? GoF Baby asked, well, we are

(01:01:05):
about six inches tall and she's about a million. I
want to get those other two moving before we make
our move. Should we kill the little one first for practice?
GoF Baby asked, maybe, but she might be easier. Vampire
Baby said, and whipped his head to the right so

(01:01:28):
that momentarily his googly pupils would be pointing towards the window.
GoF Baby did the same to follow his gaze. From
the window, they could see into the neighbor's house, where
an old lady could be seen moving around slowly in
her kitchen. That one will be for practice, Vampire Baby said.

(01:01:52):
The dirt babies laughed an evil laugh together in the
other room, Kristen could be heard saying, did you hear that?
It sounded like laughter? Simon said, sh vampire baby said
while putting his finger to his mouth. Kristin looked around
the room for a potential weapon. She was putting two

(01:02:15):
and two together. First the dirt babies went missing, and
now she heard what sounded like an intruder. Her first
thoughts were about protecting Simon from the threat. Then Kristin laughed,
realizing what the most logical explanation was. I bet it's

(01:02:36):
my brother again, Kristin groaned. You think I'm scared, don't
be scared. He just scares other people because he's a
scaredy cat. Kristin replied, really, Kristin began to whisper, So
let's sneak in the kitchen and when we spot him,

(01:02:59):
we yell as loud as we can, and maybe we
can scare him. Yeah, Simon said in an excited whisper.
They walked slowly to the kitchen, careful not to make
a sound, but when they looked in, it was just
as empty as the last time. She took a peek.

(01:03:21):
Kristin pointed to the tall cupboard and then walked in
that direction. Simon followed close by. She swung open the
tall cabinet to reveal boxes of cereal and other shelf
stable foods. I could have told you that nobody would
fit in there, Simon whispered, Then why didn't you? Kristin

(01:03:43):
looked around the room further, but saw no hiding spots
except for the sink area. So she knelt in front
of the cabinet under the sink and opened it slowly.
There was nothing. As she stood up, she looked in
the sink and saw the two evil dirt babies staring

(01:04:06):
back at her. They weren't moving, but she knew something
was up. Their legs and arms looked functional. Their eyes
even looked realistic, yet somehow still googly. How did the
grass grow so fast? She felt like she was losing

(01:04:27):
her mind. Simon, can you come look at this, Kristen called.
Simon walked to the sink and looked in. What the
he trailed off. They look so real. It makes no
sense that Kristen stopped as one moved slightly. It's magic,

(01:04:50):
Simon said, It's insane. How do they already have grass growing?
They look so different, They look alive. I feel like
I'm losing my mind. Everything's okay, Simon said, and took
her hand. This is just like a Disney movie. Maybe

(01:05:11):
we get wishes now, only if that wish is to die,
screamed the Vampire one. Then it grabbed a dirty fork
that was next to him in the sink and threw
it at Simon, who screamed as the projectile flew at
his face, hid him in the cheek, and then fell
to the ground, not harming him in any way. You

(01:05:33):
a little turd, Kristin yelled and grabbed Vampire Baby, which
immediately tried to bite her. Then Goth Baby began to
move such a temper, it said, and then looked around.
The only other utensil in the sink was a corn
cob holder. Goth Baby picked it up and ran its
finger on the tip. This just might do it, said,

(01:05:57):
before stabbing Kristin in the hand. Fuck Kristin screamed. She
dropped Vampire Baby. While Kristin was being stabbed, Simon grabbed
the phone receiver from the wall and dialed nine one
one Hello. Yes, my name is Simon, and we need
a police car. Kristen turned and looked at him as

(01:06:18):
he continued the call. Um my dirt babies came to
life and just attacked my babysitter, Simon said reluctantly. Kristin
could hear the laughter coming from the phone receiver. It's true,
Simon said, and then listened. It's not a hello. Hearing

(01:06:39):
no response, Simon hung up the phone. What did they say?
Kristen demanded, Happy Halloween? Then they hung up. That's not good,
Kristin said, yeah, Simon replied, defeated. It seemed like such

(01:06:59):
a simple solution. Now, what should we do with these two?
Kristin said, and turned back around to look at them,
but they were gone. Uh oh, Kristin said, what do
you mean? Uh oh, they're gone. Simon wrapped his arms

(01:07:20):
around her for protection. What do we do? Simon looked
up and asked, we catch them? The first thing they
did was secure the two. That didn't change. Simon was
tasked with holding the box. He held it out as
far from himself as he could, his knees shook. The

(01:07:41):
plan was for Kristin to grab them and put them
in the box, but she kept chickening out because she
was afraid that they could turn at any moment. Move closer.
Kristin demanded, I am, Simon pleaded, though he was four
feet away from the dirt babies and standing still. Come on, Simon,

(01:08:03):
I need the box right next to the coffee table.
I'm scared. Kristin sighed and walked over and grabbed the
box from him and set it on the ground next
to the table. Then she went to grab one, but
pulled her hand away before touching it. Come on, Kristin,
get them in the box before they turn, Simon begged.

(01:08:25):
Kristin looked around the room for something to use. That'll work,
she said to herself, as she walked over to the
fireplace and made her selection of which fire pokers to use.
She settled on the poker and the shovel. She put
the poker on the left side and the shovel on
the right, and picked up the first one she created,

(01:08:47):
the one called Bucky, with its purple mustache and bucked teeth.
It still made her want to laugh. She was almost
to the box with it when she lost grip and
it fell. Kristin was able to pick it up and
move it to the box with one more attempt. Now
for the one they made to look like a jack

(01:09:08):
o' lantern, The only one not to have googly eyes.
She got that one in the box with no incident.
She was getting good at it. Kristin put the lid
on the box and then moved it near the fireplace.
She stacked some wood on top of the box as well,
so that they couldn't lift the lid if they too

(01:09:28):
became the world's dorkiest looking killers. If your parents let
me use the fireplace, I would just chuck them in now.
But then what would I bring to show and tell?
Simon asked. Kristin gave him a long, serious look. Then
Simon laughed. Kristin joined in his laughter. Their laughter was

(01:09:51):
interrupted by the sound of screaming in the distance. Kristin
and Simon locked their eyes, then broke to run to
the window to look outside. At first, they saw nothing
except a few tricker treaters walking on the sidewalk. Did

(01:10:12):
you see that? Simon asked? What the kid in the
Darth Vader costume? Kristen asked. Simon pointed to the window
of the house next door. She watched, seeing nothing at first,
Then the old lady who lived next door ran through

(01:10:32):
her living room and headed upstairs. Do you think, Simon asked,
But before Kristen could respond. They saw the vampire dirt
Baby appear on the stairs, holding a kitchen knife above
its head that was nearly as big as he was.

(01:10:52):
Kristin handed Simon the poker and dragged him to the bathroom.
She did a quick search of the room to make
sure the other dirt baby wasn't in there. Stay here,
I'll be back, Kristen said, I'm scared. Simon begged, don't worry.
This door has a lock and the handle is three

(01:11:14):
feet off the ground. They're not going to be able
to get in here, she assured him. As she closed
the door, she hit the button so it would lock
behind her. The chaos next door started when Missus Kinders,
the seventy five year old neighbor lady, was going to
her kitchen to get another cup of coffee and a

(01:11:36):
bag of chips. She was staying up late, as she
always had on Halloween. Missus Kinders grew up during the
first big wave of horror films. As a young kid,
she got to see the original Dracula, Doctor Jekyl, and
Mister Hyde and Frankenstein in theaters. She had been hooked
ever since. Tonight. She wasn't feeling nostalgia for her youth,

(01:12:01):
so she was watching Texas Chainsaw Massacre too. She paused
the VHS right before her favorite character was introduced. She
wanted snacks in place so she could sit and enjoy
chop Top with all his weirdness without having to get
back up. Her other friends her age never knew what

(01:12:21):
she was talking about when she quoted his lines dog
will hunt or It's like death eating a cracker, but
her years of watching horror did nothing to prepare her
for the terror of the dirt Babies. As a lifetime
coffee drinker, she went through many different methods of preparing

(01:12:42):
the sacred caffeine elixir. She had a French press, a
poorover system, a regular coffee maker, and then her espresso machine.
Tonight was an espresso night. She reached into her cupboard
and grabbed her favorite coffee of the moment, Midnight Dreary,
a dark roast named after a line from Poe's most

(01:13:05):
famous poem. Because she always kept it in the same place,
She grabbed it without looking and didn't notice goth Baby
hiding in that cupboard waiting to attack. She measured the
beams out and placed them in the grinder. Then she
opened the cupboard to put the bag back, but something

(01:13:25):
was in the way. She looked and saw goth Baby
giving a seductive smile with its black lips. She screamed.
His eyes widened, but he waited for her to stop.
Don't worry, ma'am, none of this blood is mine, goth
Baby said, while pointing to Simon's dried blood that still

(01:13:46):
stained him. When Missus Kinders made her move to close
the cabinet, he jumped at her. Goth Baby was aiming
for her neck, but had to adjust his trajectory when
she turned to run, she didn't move fast enough, and
he caught her by the ear with his mouth. She
screamed when he bit through it. Because he didn't think

(01:14:08):
of the consequences, the dirt Baby fell to the floor
with her right lobe and a little bit extra in
his mouth. Missus Kinders screaming continued as she grabbed what
remained of her ear. The only thing that stopped her
from screaming was seeing the other dirt baby on the counter.
Is that one a fucking vampire? She yelled. Vampire Baby

(01:14:33):
showed its fangs and then pulled the biggest knife she
had from her countertop knife holder. What the hell is
going on? Missus Kinders yelled. Vampire Baby looked at her
for a moment, trying to come up with something clever.
Your death, Vampire Baby yelled. Missus Kinders screamed, that's the

(01:14:56):
best line you got. Goth Baby asked, and then like laughed.
Missus Kinders looked down on the ground as Goth Baby
looked at Vampire Baby. You got something better, Vampire Baby asked, Well,
she asked what the hell is going on? So you
should have responded with I am worse than hell. GoF

(01:15:20):
Baby said, that is slightly better. I think it's kind
of on her, though she didn't set it up well
for me to have a good She's running. GoF Baby
said that she is. Vampire Baby took his knife, jumped
down and chased after her as she ran into the
front room. They played ring around the chair for a

(01:15:41):
moment before she was able to make a break for
the stairs. All those years of horror movie watching, she
didn't learn the fundamentals of survival. Run out the door,
never upstairs. Vampire Baby ran after her, with his tiny
legs moving as fast as they could and his googly
eyes bouncing in every direction. It was quite the sight

(01:16:04):
to behold. Once on the stairs, he had to jump
to make it up each one. Back in the kitchen,
goth Baby was using a little spatula to put her
blood in a ziplock bag. Once it got all that
it could, it made its way towards the stairs to
help vampire Baby. But when he got near them, the

(01:16:25):
front door flung open. It was Kristin with a fireplace
shovel in hand. You you must want to die, goth
Baby said, I think I can take on two potato
sized cretans like you. Kristin said, what about when there
are four of us? Goth Baby asked, I've already secured

(01:16:47):
the others and they haven't transformed anyway, not yet, but
they will, goth Baby threatened. Kristin held up her weapons
in attack mode. She hit him with the metal place shovel,
which flung him across the room and over the couch.
On the flight, it lost the bag of blood it
was carrying. Kristin looked at it curiously, wondering why it

(01:17:11):
was collecting blood. When she looked behind the couch, he
wasn't there, of course not, Kristin said to herself. Then
she got on her hands and knees to look underneath.
Kristin wanted to catch him, but was afraid of looking
and seeing him ready to attack. She found nothing under

(01:17:32):
the couch except the usual a sock, a candy wrapper
in a bottle cap. Kristin put her hands out in
a push up position and prepared to lift herself back
up when suddenly, goth baby landed on her back and
began to run towards her neck. Kristin tried to get
up quickly and spin to look around at the same time,

(01:17:54):
but she lost her balance and fell hard on her back.
She felt him squish under her weight. She was thankful
that he didn't have a weapon with him, but then
she felt a chewing sensation. This thing was smashed and
was still attacking. It didn't take long for it to

(01:18:15):
chew through her conjuror's coat. Asshole, Kristin yelled. Then it
sunk its teeth into her flesh. She screamed in pain
as she jumped up. She stared down at the smashed
dirt baby on the ground, moving its jaw like it
was still chewing. It only took a few seconds of
her weight being off it for it to begin reinflating.

(01:18:39):
Go to hell, Kristin said, again it asked. Then Kristin
put the shovel through its body, severing it in. Two,
one down, one to go. Kristin smiled to herself, but
then goth Baby began to laugh as its body pulled

(01:19:02):
itself together. Damn it, Kristen said. Ah, Missus Kinders could
be heard yelling upstairs. Double damn it, Kristin said, then
left goth Baby behind to go save Missus Kinders. Goth
Baby didn't follow her. Simon was still in the bathroom

(01:19:32):
when Gothbaby returned to the Gartner house. He hoped the
sounds he heard were Kristin, but they didn't quite sound
like teenage footsteps. Dang it, Simon cursed. Then he heard
something fall onto the floor. Simon just knew this was
the box containing the other two dirt babies. Double dang it.

(01:19:58):
Goth Baby had to use one of the remaining fire
pokers to wedge between the wall and the wood to
get the job done. It looked up upon his accomplishment wonderful.
Then he leaped into the box ziplock bag in hand.
Each dirt baby was born with the knowledge of their creation,

(01:20:20):
so he knew he just had to add the blood
to the dirt that had the spell put upon it,
and they too would come alive. Goth Baby opened the
ziplock and squeezed the blood onto the dirt baby that
had buck teeth and a purple mustache, then put the
rest onto the one that had the characteristics of a pumpkin.

(01:20:42):
Knowing that the transformation took time, goth Baby jumped out
of the box. He knew the kid was hiding in
the house somewhere, and he wanted to find him. In
the Kinder's household, the homeowner was fighting for her life,
cornered in her bedroom, and vampire Baby was toying with her.

(01:21:04):
When Kristin arrived in the doorway to missus Kinder's room,
she saw the old woman stuck in the corner, up
against her nightstand, which didn't provide much in the way
of self defense items. All she had on it was
a small bowl of candy and a book. The candy
bowl was plastic, and the book was a paperback collection

(01:21:25):
of H. P. Lovecraft's stories. Though it was a scary read,
it's two hundred pages didn't add much weight to its
soft cover. Always a frugal shopper, she never splurged for hardcovers.
Missus Kinders was already bleeding, but mostly from superficial cuts
that Vampire Baby had inflicted upon her. You ready for another,

(01:21:49):
the Vampire Baby asked, as it jumped up and down
on her bed. No, Missus Kinders, screamed, too bad, it said,
and then threw it self adder. It slashed at her
shoulder and used her body to bounce back to the bed.
It laughed the entire time. When Missus Kinders noticed Kristen,

(01:22:10):
she looked like a baseball player going up to bat
with the bases loaded. The difference was that instead of
a bat in her hand, she had a cheap shovel
from a fireplace, cocked back, and the object she was
aiming for was moving up and down instead of coming
at her. Kristin breathed in and took her swing. The

(01:22:31):
shovel went right under Vampire Baby, which flipped itself to
face her direction in its next bounce. Strike one, Vampire
Baby said. Kristen swung again, this time only making contact
with the grass on his head. Strike two. Ha, fuck you,
Kristin said, and swung again. The little creature got a

(01:22:52):
big smile on its face as she went to swing
again and missed. Strike three, You're out. Vampire Baby leaped
at her. She backed up as fast as she could,
then swung up instead of at it. She made contact
with its bottom, and from the momentum of the hit,
it smashed into the ceiling. The dirt baby used the

(01:23:14):
momentum of the hit to bounce off and threw itself
towards Missus Kinders. Kinders watched in horror as the little
guy sailed towards her, smiling, holding his big knife in
front of him. She tried to move, but wasn't fast enough.
With the momentum that he had, the knife entered her
throat as easily as putting a straw through the hole

(01:23:34):
of a McDonald's coke lid, so little resistance that it's
not even worth mentioning For a moment, she stared in
shock at the little creature that hung from that blade.
It just smiled at her and then pulled the blade out.
With that, blood cascaded out of her neck and she

(01:23:56):
collapsed to the ground, taking him with her. Kristen had
watched in horror, with no time to try to help.
Now she wondered where the little dirt demon went. She
searched for a minute, shovel in hand, ready to smash
it if given the opportunity. Then she thought of Simon

(01:24:17):
and wondered where the other one had gone. It could
be heading up the stairs at this moment. Then it
would be two of them against her in a small room.
Missus Kinders was dead. There was no saving her. At
this point, Simon was back to being the number one priority.

(01:24:40):
There was a knock on the outside of the bathroom door.
Simon approached it with caution, Hey kid, goth Baby could
be heard saying on the other side, Simon stepped back
from the door. Kid, let me in. No, Simon said,
if I have to break my way in, you are

(01:25:00):
not gonna like it. Simon heard two thumps that seemed
to be further away. You hear that, kid, Simon said, nothing,
I bet you did. That was the sound of backup.
Simon heard more thumping, and it sounded like it was
coming closer and closer. Outside of the bathroom door, goth

(01:25:23):
Baby looked in the direction of the approaching dirt babies. Bucky,
the one with the giant buck teeth and a purple mustache,
was the first to enter the hallway. Goth Baby couldn't
help but laugh. What Bucky asked, goth Baby didn't respond.
She just waited for the other one to appear. Finally,

(01:25:45):
the pumpkin hopped into the hallway. As he was the
only one not given legs. He had large black triangle
eyes that gave no hint of life or personality. His
mouth was ghoulish, as any other pumpkin should be, with
sharp teeth going in every direction. I'll right you two,

(01:26:05):
We need to get into this door, goth Baby said.
The pumpkin made an approving, guttural, slimy growl sound. Why
Bucky asked to kill the little boy inside, of course,
goth Baby laughed. Inside the bathroom, Simon was freaking out.
He didn't think they could get in the door, even

(01:26:27):
if it was unlocked. They couldn't even reach the knob.
Even if they stood on each other's heads like in
a cartoon, the height wouldn't be enough. Simon's true worry
was for Christen. Could she fight off all of them?
And what if his mother and father came home before
it was handled. I need to warn them, Simon said

(01:26:49):
to himself. If only I had access to the phone,
he thought that was when he made the decision that
he had been thinking about the whole time he was
in there. He was going out the window. If he
was lucky the dirt babies wouldn't hear him, then he
could sneak back into the house, grab the cordless phone

(01:27:11):
and the note on the fridge to call his parents.
This was unbeknownst to Kristen as she quietly re entered
the Gartner house. The first sound she heard when she
entered was the sound of crunching wood. She walked as
lightly as she could towards the noise. Oh no, she thought,

(01:27:32):
as she realized the sound was coming from the hallway
that the bathroom was on. When she peered her head
down the hall, she was shocked to see three live
dirt babies, the goth one, the one that looked like
a pumpkin, and Bucky, who was using the buck teeth
she gave him to chew its way through the bathroom

(01:27:52):
door like it was a little beaver hey. She yelled
to get their attention. She had no plan, She just
wanted to stop them from going after Simon. All three
of them stopped what they were doing and looked at her.
To her, the pumpkin was the most frightening. With its
lack of any real human characteristics. It made its slimy,

(01:28:14):
guttural growl noise at her. She screamed, first from fright
then from the pain in her ankle. She looked down
to see Vampire Baby had followed her back from next
door and just bit into her ankle. She swung around,
you little shit. Without even thinking, she kicked the thing,

(01:28:36):
flinging it towards the front door. She thought, if only
I had those Doc Martins already, I could have kicked
it even further. Then she went down the hallway towards
the bathroom door, ready to fight the others. Vampire Baby
got itself back up and began walking towards Kristin and
the other dirt babies. He almost made it back to

(01:28:59):
the hallway when the front door opened. It was Simon
who stepped in quietly and made his way towards the kitchen.
He didn't notice Vampire Baby, but Vampire Baby noticed him.
It turned around and followed him to the kitchen and
watched as Simon grabbed the note off the fridge and

(01:29:19):
then the phone off the wall. Simon dialed one of
the numbers and waited for an answer. Hi, I'm calling
to see if my mom and dad are there, Simon said,
and then listened Gartner. Simon responded, then waited for an answer,
which was a negative. Okay, thank you. No, I have

(01:29:43):
other numbers to call, thank you, Simon said, disappointed. He
then hung up and started to dial the next number. Bill,
Vampire Baby said and jumped at Simon, whose response was
to scream and drop the phone. The phone looked like
it might have survived the fall, but Vampire Baby grabbed

(01:30:03):
it and ran from the room. Vampire Baby did seem
to be the most playful of the creatures. Simon ran
after it, following it through the front room to the hallway,
where it found Kristin fighting the other three dirt babies.
He and Vampire Baby stopped and watched as Kristin struggled.
She was kicking the one that looked like a pumpkin

(01:30:25):
while swinging the fire shovel at the bucktoothed one. Goth
Baby was climbing up her dress, and it had just
reached the small of her back when she noticed them.
Aren't y'all a motley crew, Vampire Baby said and smiled,
addressing his batch of monsters for the first time, the
dirt Baby stopped for a second and looked at him.

(01:30:48):
Vampire Baby then threw the phone to the pumpkin, who
caught part of it in his horrid mouth and chomped
a chunk right out of it, then another, until there
was nothing left but small bits of plaster and metal.
The others watched as it did this. Kristin used the
distraction as an opportunity to attempt escape. Simon run. Simon listened,

(01:31:14):
and she followed him towards the front door as goth
Baby continued to climb up her back. When they got outside,
it bit her. Damn it, get off me, she screamed,
and tried reaching for the thing that was now at
her neck. It bit her finger. Ugh, you little fucker,
Kristin scolded. Simon looked back at her in shock. Sorry,

(01:31:37):
you'll learn that there are appropriate times to curse, and
one an unholy little dirt demon is attacking you. That
is an appropriate time, Kristin clarified. Oh well, this night
has been fucked, little, Simon said with confidence. Goth Baby
and Kristin couldn't help but laugh. While goth Baby was laughing,

(01:32:00):
Kristin jumped into the air and threw herself to the ground,
smashing the dirt baby into the soil once again. She
screamed in pain as this hurt her too. This, of course,
wouldn't kill it, but it gave them enough time to
get it off her and make their escape before it reinflated.
They ran down the street until Simon couldn't run anymore.

(01:32:23):
Kristin looked behind them and was relieved to not see
any of the dirt babies coming after them. She stood
there for a moment as she caught her breath and
watched for them. Kristin, a familiar voice said that she
couldn't quite place. She turned around to see her friends
approaching from the direction she had been running. Kristin looked

(01:32:45):
up to see Bram, Sarah and Sid. Uh Hey, Kristin said, reluctantly,
you okay, Sid asked, you wouldn't believe the night we've had.
Simon entered. Kristin laughed, I have one question, Bram. Kristin said,

(01:33:06):
what Bram said, looking confused, Where did you get that
soil the graveyard? Bram answered, from the killer's grave, Sarah added.
Kristin pushed Bram, we did a spell on that dirt.
You idiot. Then Kristin looked over at Sid. A spell

(01:33:27):
that Sid fucked up. Also, you didn't close the spell,
Sarah said, and frowned. You're right, Kristin slumped. What are
you talking about? Who cares? Bram demanded. In the distance,
someone screaming could be heard, but they didn't notice as
they had their own thing going on. I care. It

(01:33:51):
all led to the worst night of my life where
little Simon could have Kristin was saying, until Simon pulled
at her dress back. All the kids looked down the
road to where Simon was pointing, and there they were.
All four were attacking three people. Blood flew and more
screams came as they bit, cut, and tore at the people.

(01:34:16):
It only took a few seconds before each body dropped
to the ground. But this didn't stop the dirt babies.
They continued their mutilations of the bodies. What the fuck?
What are those Brahm fretted, that's fucked. Sid added, I
don't understand what am I even looking at? Sarah blurted,

(01:34:41):
their killer dirt babies. Simon said, what Bram was bewildered.
Made from the grave dirt of a killer that you
brought us that had a spell put upon it. Kristen
explained what Brahm said in shock. That's beyond crazy. Sarah said,

(01:35:02):
that's not possible. Sid Wine. Tell that to those people
that are being murdered as we speak, Kristin said, pointing
at the dirt babies. Vampire Baby turned its head in
their direction. Kristin grimaced. Vampire Baby smiled at her. Then
it held up its kitchen knife and waved at her,

(01:35:24):
before jumping off the now dead body and running in
their direction. With each step, the black centers of its
googly eyes moved around wildly. The other dirt babies followed suit,
jumped down and ran toward Kristin. Now is the time
when we run, Kristin shrieked. They all ran. They ran

(01:35:48):
a few blocks to the Walter's House. We can lose
them in here. Follow me, Brahm said, taking the leadership role.
Kristin thought this was a bad idea, but went with it.
Walter's House was famous in these parts because it was
the best home haunt in the area. It was nothing
in comparison to a commercial haunted house with paid actors,

(01:36:11):
but it was impressive for a home made affair. Every
year mister Walters planned and built an epic home haunt
with a theme. The theme this year had been deemed
controversial because of the history of the town. This year,
asylum was the theme. Out front of Walter's house was

(01:36:33):
a cemetery featuring headstones with punny names like bary m
Deep and classic childish joke Ben Dover. The house had
fake bars over the window and an oversized, fake but
believable lock added to the front door, one that mister
Walters himself would operate to let people in. I mustn't

(01:36:57):
leave it unlocked for a moment, or the the inmates
will flood the neighborhood. You don't want to wake up
with an insane person in your bedroom, do you. Mister
Walters laughed and let a couple of kids in. Are
you ready to be committed to the Locust Grove Hospital
for the criminally insane? Mister Walters asked sure. A tall

(01:37:21):
guy and a girl with a letterman jacket said I
think so. A third kid with combed over bleach blonde
hair and a pukah necklace said and then laughed. The
big lock was undone. The tall kid put his arm
around his date and they walked in the Puka necklace.
Kid followed. Mister Walters gave the same speech again about

(01:37:43):
the insane roaming the streets if he wasn't careful to
relock the door. By the time it was their turn,
the dirt Babies had gotten close. Are you ready to
be committed? Yes, they all said, not giving him ach
chants to finish his line. Okay, if you dare, you're

(01:38:05):
in for a scare, mister Walters said. In any other instance,
one of the kids would have called him out for
the stolen goosebumps line or high fived him, depending on
their mood, but they were just happy to get in. Kristen,
Simon and Bram entered. Mister Walters closed the door behind them. Hey,

(01:38:30):
Sid said, three at a time. Mister Walters said, come on,
Sid replied. Sarah pushed past mister Walters and opened the door.
He tried to push it closed. Hey, it's just that
the haunt works, mister Walters tried to explain, but she
pushed him aside to enter. Sid looked behind her. Sarah

(01:38:54):
was all Sid was able to yell before he was
attacked by all four of the dirt baby who leaped
onto him. Mister Walters screamed and attempted to run away
from his own house, but Vampire Baby jumped from Sid
to him as they bit small chunks off Sid and
mister Walters. Sarah jumped off the front steps, picked up

(01:39:17):
one of the headstones and swatted at goth Baby. Being
that they were made of styrofoam, hitting them did nothing, fuck,
Sarah said as she frantically looked for some kind of weapon.
Is there anything not made of fucking styrofoam? She yelled
at mister Walters. Vampire Baby then slashed his throat before

(01:39:40):
he could answer. As mister Walter's body dropped, Vampire Baby
leaped back over to Sid. May I see that, goth
Baby asked vampire Baby while pointing to the knife. Vampire
Baby handed it over. Goth Baby repeated, what but he
had just seen happen to mister Walters. He slit Sid's throat.

(01:40:05):
Sid grabbed at the profusely bleeding wound, but the blood
still flew all over, including onto Sarah and the house,
adding more production value to the exterior of the home. Haunt.
A few seconds later, his body dropped. What an efficient

(01:40:26):
and simple method, goth Baby said, as he handed the
knife back to vampire baby. Kristen, Bram and Simon waited
just inside the doorway until they heard the screaming. They
tried to push the door open, but it wouldn't budge.
That's a total fire code violation, Brahm said. Sarah was brave,

(01:40:52):
but she wasn't dumb. Once she knew it was too
late to save Sid, she went back to the door,
opened the latching system, and entered the haunt. Sarah closed
the door behind her, but it swung slightly back open.
She looked for a way to get it to stay closed.

(01:41:14):
It's rigged to only latch and lock from the outside.
Bram said, what kind of bullshit is that? Sarah questioned,
total fire code violation. Bram reiterated, who cares? Do you
have a solution for the door? Kristin asked no. Bram replied,

(01:41:36):
then let's get moving. Kristin grabbed Simon's hand and began
to move down the hallway. The dirt babies were enjoying
themselves destroying Sid's body, so they slashed, bit and mutilated
for another minute before they were done having their fun.
After that, they entered the home haunt. Kristin, Simon, Bram

(01:42:02):
and Sarah were heading down the first hallway. Simon was scared.
Are we going to die? Simon asked, no, of course not.
Kristin said, what about your other friend and the people
on the street they died. Simon said, you will not die.

(01:42:24):
Rule number one in the babysitter's handbook. Don't let the
child die, Kristin said, as they hurried past a mannequin
dressed as a doctor with an oversized syringe in hand.
They had always enjoyed the haunt growing up, but in
their hurry they weren't taking the time to notice all
the decor choices, like the fake decrepit wall covering that

(01:42:47):
was tacked up, or the floor that had a long
carpet stained with fake blood. The flickering lights that were
used added to the scare factor as well. Okay, Bram,
entering the haunted house while being chased by killer dirt
babies was your big idea. So what now, Kristin asked.

(01:43:09):
Bram was only a few steps behind them. Bram uttered, great,
let me think. Bram demanded, have you not been thinking already?
Sarah asked, well, no, I was listening to Sid being
murdered by walking dirt clots. Kind of distracting to my

(01:43:30):
mental process. Bram defended himself. Well, the one benefit that
we have is that they are small, So let's just
find the kitchen, get some knives and cut them up.
It's three full sized humans against four baseball sized mutants.
We should be able to take them. Bram said confidently. Yeah,

(01:43:53):
sounds good, But I cut one open. Kristin replied, yeah,
Bram into rupted and it just reformed. Really, is there
something in your spell book? Sarah asked, maybe with Kristen said,
before being interrupted by Simon pointing behind them. They're here,

(01:44:17):
he yelled. They all looked behind to see the four
dirt babies coming down the hallway. Vampire Baby was holding
up its big knife still, and they were all dripping
with blood. Ah, so you have friends. The one outside
was easy to kill, Vampire Baby said, I wonder how
easy the rest of you will be to kill. Goth

(01:44:39):
Baby added. Simon let go of Kristen's hand and ran off.
How do we stop them, Sarah asked, I don't know.
I've only thought about getting away from them, Kristin explained.
Then she looked behind to check on Simon, but he
was nowhere to be seen. Kristin took off, running down

(01:45:02):
the hallway. Sarah and Bram jogged behind. Where the fuck
did he go? Kristin yelled. At the end of the hallway,
she could turn left or right. Suddenly she heard a
scream down the right hallway, so she went in that direction.
Kristin ran down and then around the corner where she

(01:45:23):
found Simon. He had screamed when he saw the dummy
in the room. This one was dressed as an inmate.
It wore a strait jacket. It had stringy, dirty hair,
and its fake teeth looked as gnarly as the pumpkin.
Sarah and Bram caught up. You found him, Bram exclaimed.
Kristin smiled at Bram, then grabbed Simon's hand. Then they

(01:45:47):
began moving again at a quickened pace. Around the next corner,
they ran into the kids that went in just before
they did. This place is pretty spooky, huh. The te
teenager with the combed over bleach blonde hair said, just wait.
Simon replied what the girl wearing the letterman jacket asked.

(01:46:10):
The tall kid gave Simon a puzzled look. They didn't
have to wait too long. The dirt babies caught up
to the group and each went for different victims, which
was a mistake. Goth Baby went after Simon, who ran.
Vampire Baby attacked Kristen, which kept her from chasing after Simon.
Bucky leaped at the jock, who caught it in his hand,

(01:46:34):
but Bucky bit him in between the index finger and
the thumb, which began spurting blood. Asshole, he said, and
then took his other hand and grabbed him from the
back so that Bucky was helpless to attack. Bucky struggled
to try and free himself from the jock's strong hands,
but was completely stuck. Hah, try and bite me now.

(01:46:58):
Vampire Baby stopped by Kristin, and the Pumpkins stopped his
ascent up the letterman jacket wearer's leg. They both leaped
over to the jock. Vampire Baby used his knife to
stab him, while the pumpkin made its way to the
hand that was holding Bucky and bit into the wrist.
In that one bite, the Pumpkin Baby took out a

(01:47:20):
plum sized amount of flesh. The jock lost control of
his hand, which opened, causing Bucky to fall to the floor.
Vampire Baby laughed at Bucky, then the jock started screaming.
Bucky looked at him flailing around, and then he too laughed.
The pumpkin made its slimy guttural noise. Kristin grabbed Sarah's

(01:47:45):
hand and began to run. Bram followed. Mister Walters had
used black tart material to create fake turns, of which
there were a few, and they must have made the
wrong choice because they could not find Simon. While they
were running around, they came across a fake operating room
with the one actor that the Haunt could afford. Are

(01:48:08):
you ready for your lobotomy? The deranged doctor asked. Once
it saw the dirt Babies on their tail, it broke
character immediately and ran away. Lucky for him, the dirt
Babies continued their pursuit of Kristin, Bram and Sarah. Eventually
they found their way back outside, where they saw that

(01:48:32):
a single police vehicle had arrived and was parked in
front of the house Freeze. An officer yelled while a
second one was checking for life from the heavily mutilated
corpses of Sid and mister Walters. Kristin, Bram, and Sarah
held up their arms come this direction, the officer said,

(01:48:53):
as he moved backwards. Once at the street, lay down
face forward on the cement. The three of them listened
and laid down on the ground, hands behind your back,
he said. They complied, I need to find Simon. Kristin said,
we need to find your spell book. Sarah retorted. They

(01:49:15):
were startled by the sound of screaming behind them as
vampire Baby, Bucky and the Pumpkin attacked the police officer
that was nearest to the house. What the hell, the
other officer said, and pointed the gun in their direction.
Being that their size was so small, he didn't even
attempt to shoot them for fear of hitting his partner.

(01:49:36):
Kristin looked around and down the road. That's when she
spotted Simon running with goth Baby on his tail. Being
young and able, she used her arms to jump up
in one fluid motion and ran towards Simon. Sarah and
Bram followed to make a break for it too. The

(01:49:56):
cop sensed their movement and turned away from the caseaos
he was witnessing. He had just watched in horror as
the one that had pumpkin features was biting, tearing, and
then spitting chunks off his partner's face. Another one was
biting his neck. What he didn't see because he turned

(01:50:18):
towards the teens a second too soon, was that Vampire Baby,
seeing that this officer was moments from death, decided to
head in his direction. Hold it, stay there, the cop
yelled at the fleeing teens while pointing his gun in
their direction. While this was happening, Vampire Baby approached from

(01:50:40):
behind and then slashed the tendon in the officer's ankle.
The officer screamed in pain, which caused his trigger finger
to flinch, and the gun went off. The bullet entered
the back of Sarah's exposed upper calf, which looked like
it had exploded. She instantly fell forward with full force

(01:51:01):
her body and such shock that she didn't even put
her arms out to break her fall, so she landed
on her face, shattering her nose. The amount of blood
coming from her broken nose was nearly comparable to the
amount coming from her leg. Kristin stopped her sprint and
turned around to see her friend splayed out on the

(01:51:22):
road bleeding horribly. Fuck, she said, but Christin was a
better babysitter than a friend, so she turned back around
to pursue Simon. Bram, being the good friend he was,
stopped to take care of Sarah, who had just started
to come out of shock. She began screaming and writhing

(01:51:44):
on the ground. Bram sat down next to her and
then picked her up to hold her and try to
comfort her. He then looked behind and saw the dirt
Babies heading their way. Simon was almost to his house,
but goth Baby was catching up to him. His youthful energy,

(01:52:07):
while strong, was no match for goth Baby's demon stamina.
Goth Baby leaped at Simon. I'm done chasing you, it said,
as it bit into the shoulder of Simon, who screamed
out in agony and then began to cry. You're so mean,
Simon yelled through his tears. You haven't seen anything yet,

(01:52:31):
goth Baby said, while laughing. Simon used this opportunity of
his laughter to grab him then flip him around so
his teeth were facing away from him. Unlike when the
jock did this move, goth Baby didn't have backups. Let
me go, goth Baby said, while struggling. I'm not gonna

(01:52:52):
let go of you, but I will, Simon said, and
then cocked his arm back and threw the dirt Baby
as far as he could, about two hundred feet. Throw you,
Simon said to himself, then took off toward his house.
Since Simon threw goth Baby in the direction that they

(01:53:14):
came from, Kristin ran into goth Baby only a minute later.
Where's Simon, you pile of crud? Dead, goth Baby lied,
Where is he? Kristin demanded, dead, I said, I don't
believe you. You must be the worst babysitter ever. You
can't even keep the kid alive. Ha ha, goth Baby laughed,

(01:53:37):
Fuck you, Kristin replied, there certainly were circumstances out of
my control, weren't there. I would have thought you would
be bawling or freaking out. Goth Baby said, confused. I
don't believe you, and I won't until I see his
corpse now for the last time, before I kick you

(01:53:58):
down the road. Where where is he? GoF Baby shook
his head down into the right so that his googly
eyes would for a second point to the right that way,
he said. As she looked to the right, GoF Baby
leaped at her. Before she could react, she felt something
hit her on the back, and then she felt something

(01:54:20):
poking her in her calf muscle. She looked Bucky was
on her back and Vampire Baby was pressing its knife
against her calf ow. She yelled. Behind her, she saw
the pumpkin dirt Baby bouncing to catch up. I wonder
how quickly you would drop if I pressed a little harder,

(01:54:41):
as hard as your friend back there did when the
cop shot her. Vampire Baby chuckled and then pressed ever
so slightly harder. Ah Kristin screamed. The dirt babies all laughed.
What do you want, Kristin begged, At first, I just
wanted you dead. Why it's fun to kill? Vampire Baby said,

(01:55:07):
you should try it. Goth Baby echoed, but then I
heard that girl, you know, the one that was hilariously
shot by the cops bullet. She mentioned that it was
a spell you did that was responsible for our creation,
Vampire Baby said, and Kristin asked, we thought you could

(01:55:30):
use your powers to Vampire Baby started to say, make
us bigger dirt babies. Bucky said, what, no, you idiot,
Vampire Baby said, we want human bodies. I can't. I
don't know how to do that, Kristin replied. The knife
was pushed in a little deeper her blood began to

(01:55:54):
run down the edge of the knife blade. I guess
I could figure it out. Kristin pled. Vampire Baby pulled
the knife out. Wonderful, much obliged, goth Baby said. The
pumpkin made its weird, slimy guttural noise. He's going to

(01:56:14):
make a weird human. Vampire Baby remarked, I can't wait
to see it. Goth Baby laughed. Simon found Kristen's backpack.
He remembered his mother saying that you never go in
a woman's purse or bag. But he figured, just like

(01:56:35):
he had learned tonight, that there is an appropriate time
to curse. This was the type of situation where it
was okay to go through a lady's bag. He unzipped it.
Inside he found a leather notebook. He pulled it out,
opened it, and flipped through the pages. I had better
not tell my mother about this. She would never let

(01:56:56):
Kristin Baby sit me again if she knew she was
a witch. Before he left the house in search of Kristin,
he went up to his room and traded the fire
poker for his aluminum baseball bat. Simon made his way downstairs,
then to the front door. You can do this, Simon said,

(01:57:17):
to hype himself up before opening the door. Simon was
greeted by Kristin and four dirt babies. Three of them
were walking on the ground, while Bucky had his mouth
on her neck, ready to bite her jugular if the
order was given. How cute you going to take us

(01:57:38):
on with your toy, goth Baby asked, Simon. You saw
how far I threw you. How far do you think
you'd go if I hit you with a baseball bat?
Simon asked, is that the book? Vampire Baby asked. Simon
looked down at her spell book that he was holding,
Getting no response, Vampire Baby once again poked her cat

(01:58:00):
with the knife. Yes, Kristin said, good Simon. Would you
be a deer and hand it to Kristin? Vampire Baby
asked Simon. Did getting the book in her hands was
his plan anyway? Kristin looked through the pages for a moment.
We're gonna need more dirt. Kristin said, all right, let's

(01:58:23):
get to the backyard. You can dig a hole for Simon.
Goth Baby said, it has to be from the graveyard. Okay,
let's go, Vampire Baby said. They all stood up and
headed to the door. Goth Baby started pushing Simon. We
don't need Simon, Kristin pleaded, true, GoF Baby said, then

(01:58:48):
started climbing up him. If you hurt him, I'm not
helping you, then we'll kill you. Vampire Baby said, all
I care about is saving Simon. If you kill him,
you might as well kill me. Right after stop, the
vampire Baby yelled, well, bring the boy, he reasoned. Goth

(01:59:09):
Baby frowned. Before they left, Kristin grabbed her backpack. Simon
rode on the back pegs of her bike while the
dirt babies rode in the basket. Vampire Baby sat with
its knife right next to him. Though they were quite
the sight to behold, none of the trigger treaters seemed
to notice them as they rode by. They were all

(01:59:31):
focused on finding those few houses that were still giving
out candy at this hour. Kristin kept moving forward as
she rode past Walter's house. Even though she saw two
bodies on the ground covered in white sheets, she could
only assume that both Sarah and Bram were dead. Tears

(01:59:52):
ran down her face, but she was now more determined
than ever to stop these creatures. She knew before she
got to her destination that she was going to try
to get rid of the vampire's knife. She watched for
a moment when Vampire Baby was distracted, then grabbed his
knife and threw it behind him. Hey, Vampire Baby, yelled,

(02:00:16):
should have been holding onto it. She said, you'll pay
for that. Vampire Baby replied, yeah, yeah. Kristin responded, Simon
held on to her tighter and smiled. Kristin cut through
the Taco Time parking lot to get to the woods.
She wished that she had brought a flashlight because it

(02:00:37):
was pitch dark before she got to the cemetery, she
saw lights. Being that it was Halloween and all, she
wasn't surprised. Daring your friends to go to the creepy
graveyard of the asylum was always a popular dare victims.
Vampire Baby said, s play dead if you want this

(02:00:58):
to work, Kristin said. The dirt Babies listened. At the
old cemetery, there were two kids around twelve years old.
One was dressed as Superman while the other one was
dressed as a Jedi. Both seemed scared as they looked
around the cemetery with their flashlights. Eventually, their flashlights landed

(02:01:22):
on Christen. They both screamed out of shock, but calmed
down when they realized who it was. Joey. Mike, what
are you doing here, she asked, but assumed she knew
the answer. Kids in these parts have been daring each
other to stay the night at the cemetery for decades,

(02:01:42):
especially on Halloween. Jacob dared us, Joey said, while looking
down at his feet. I figured, well, tell Jacob that
you ran into me and you were going to stay
the whole night, but I threatened to tell your parents. Okay,
Mike said, Thanks, Kristin, you're a life saver. Joey said,

(02:02:04):
Now hurry home, it's getting late. The two kids picked
up their candy bags and headed towards Kristin. Bye, Kristin. Hey, Simon,
Joey said, noticing Simon for the first time. Hey, Simon said, Hey, Joey,
Hey Mike, get home safe. Actually, guys, do you think

(02:02:26):
Simon could go home with one of you? What? Joey said,
We're not old enough to babysit, Simon, We're only Mike said,
of course, of course your parents are home, though, right
I just need an hour. I have something, Kristen started.
The boy stays goth Baby suddenly said. Joey and Mike

(02:02:47):
looked towards the voice and saw the four dirt babies
moving around. What the hell, Mike said. Vampire Baby leaped
out of the basket towards him, but Chris and caught
him mid air by his green hair, called down or
I'm not helping you, Kristin said, turning his body to
look her in the face. Let me just kill one

(02:03:10):
of them, It said, yeah, let us just kill one
of them. Bucky said. The two boys didn't wait around
to find out if she was going to sacrifice one
of them for those things. They ran fast. Goth Baby
jumped to the ground. Ah, let them go. There'll be
others to kill, Vampire Baby assured them, But I prefer

(02:03:34):
to kill children. GoF Baby said, that's awful. Simon retorted, yeah,
you're gross, Kristin said. Vampire Baby and Bucky both laughed.
Pumpkin made its noise. What I'm a murderer, What do
you expect? GoF Baby asked. Preferences make it creepy, especially

(02:03:56):
when the preference's kids, Kristin explained. Gothbaby bit her ankle hard,
tearing the flesh open. She dropped like a bag of bricks. No,
Simon called out. Goth Baby walked right up to her face.
It's not gross, it's not sexual, it's evil. They have

(02:04:17):
more life to lose, goth Baby said, then made its
way to her neck. Don't vampire Baby jumped to the
ground next to Gothbaby. We still need her, fine, goth
Baby said. The two walked over to the grave as
Simon moved to help Kristen up. As he did, she

(02:04:39):
whispered in his ear. The grave still had a hole
in it from where Bram had taken the soil. Kristin
stared at that grave for a second, noticing the faint
remnant of the symbols that Sarah had drawn. It wasn't
protection like it was supposed to be. Chris and handed

(02:05:00):
Simon the salt as she took a stick and carved
a new symbol around the grave. This time it would
be protection and another. She lit the black candle. She
hoped it would work by herself, as she no longer
had the others to help. Kristin. A voice said behind

(02:05:21):
her Bram. Kristin was puzzled. Bram looked like he had
been in quite the fight and had blood all over him.
I thought you were dead. I ran once they killed Sarah.
I promise I tried to savorr Bram explained Chicken. Bucky said,

(02:05:44):
buck Buck. The other two said. The pumpkin just garbled.
I'm here now, Bram said, dibbs. Goth Baby said Dibbs.
Vampire Baby asked, yeah, I want to be him. Look
at that chin line that knows he has a bit
of muscle plus like me, he's a goth. Goth Baby explained,

(02:06:10):
you're only goth because those two kids glued black pieces
of felt to you. Does that make you goth? Vampire
Baby asked. As they argued, Kristin grabbed Vampire Baby and
Goth Baby and threw them in the grave. Bram grabbed
Bucky and did the same. Then he reached for the pumpkin,
which turned and bit Bram's thumb off. With one bite,

(02:06:34):
Bram dropped him. Kristin was quick to respond and kicked
him into the hole. Now Simon, Kristin exclaimed. He quickly
poured the salt circle and Kristin frantically added the binding
cymbals and then went to a sped up and abbreviated
version of an opening that she made up on the spot.
From the powers of the north, south, west, and east.

(02:06:57):
I'd bind them to the dirt to this grave, Kristin commanded.
Vampire Baby was the first to try to jump out,
but failed, bouncing off the invisible protection barrier. And so
shall they remain, Kristin finished, and then reached down and
grabbed some of the loose soil. Wait, he still has

(02:07:20):
my thumb, Bram said. Kristin looked at the pumpkin, who
still had the nail side sticking out of its horrid mouth.
She contemplated trying to retrieve it for Bram, but then
the pumpkins started chewing it into pulp with just a
few bites. Never mind, go go. Kristin picked up a

(02:07:41):
handful of dirt. From dust to dust, Kristin said, and
then threw it on them. As the dirt landed, it
acted like acid. Their knitting dissolved and the dirt flowed out.
Help me, Christin yelled, as the four dirt babies began
to panic and try once again again to get out.

(02:08:01):
From dust to dust, Bram said, throwing a big handful
with his one good appendage at the pumpkin, whose left
side of his face dissolved and fell off from dust
to dust. Simon yelled, throwing his dirt at goth Baby.
It hit the front of his face, which dissolved and
fell off, taking much of its power away. Its arms

(02:08:26):
frantically flung around like it was in pain. This made
Simon smile. Two more handfuls each, and they were all dissolved,
leaving behind the pipe cleaners, felt and now plain old
googly eyes that had transformed back to their mass produced state.

(02:08:47):
It's done, Kristin exhaled, good writtance, Bram celebrated. Before they left,
They put out the candle and covered the rest of
the grave. Then Kristin took care of Bram's wound with
the first aid kit she always brought on babysitting gigs. Simon, Bram,

(02:09:08):
and Kristin walked back towards Simon's house. This is my street.
I need to, you know, have my parents take me
to the hospital. Bram explained, all right, see you at school.
Kristin said, Hey, just so you know, I was excited

(02:09:30):
for tonight. Bram confessed, yeah, because I wanted to hang
out with you. I did too. Kristin smiled, but it
ended up being the worst night of my life. He said, yeah,
sorry about all that. It's all right. I still like you,

(02:09:54):
Bram said, then walked away. Bye, take care of yourself,
Simon called out to him. Bram turned around and put
his hands up like he was giving two thumbs up,
but of course he was missing a crucial element of
being able to give a proper double thumbs up. Kristin,

(02:10:15):
Simon asked, yeah, she responded, looking down at him, covered
in dirt. Do you think my mother will ever let
you watch me again? No, Simon, I don't Yeah, I
don't think so either. Epilogue, Halloween Knight, nineteen ninety eight.

(02:10:44):
After the wreck that the house was in and the
rumors of killer dirt babies attacking the neighbors, missus Gartner
was hesitant to use Kristin for over two months, but
one night she couldn't get anybody else, and she didn't
really believe that killer dirt babies could be a thing,
so she called Kristen up. After a few months of

(02:11:07):
no other incidents, she became Simon's only babysitter again. Simon
was happy with this, and on Halloween of that following year,
he was finally ready to finish watching The Witchy Woods.
They watched it while eating pizza and drinking soda. They
had sworn off doing any arts and crafts. Across town,

(02:11:32):
a boy named Thomas stood in the old graveyard. He
was acting out a dare. He agreed to it after
a friend promised him a share of their candy hall.
Thomas had just moved to town during the summer. If
he had been there last Halloween, he might not have agreed.

(02:11:53):
Not many were accepting the dare this year. The boy
read the grave markers out loud. Thomas Leary, he read
on one of the graves, then Jonathan Allison. He read
that's the killer, I think so. Thomas pulled out a

(02:12:15):
baggie from his pocket, bent down, scooped up some of
the dirt, put it inside, and walked away to show
his friends. Where the dirt had been, a single googly
eye was exposed. If Thomas looked back, he would have

(02:12:36):
noticed the dirt moving. By the time the next kid
came out to complete the dare, all they would see
was an empty hole. Erasure by Morgan Moore McGhee, his

(02:13:01):
brother Chris, and Chris's friend Mac walked down Main Street
on a Chris October afternoon as normal. Joey was forced
to walk behind them. The other two not willing to
admit it, but it was due to them being afraid
of being seen out and about with a little kid.
They were at the age where all any kid cared

(02:13:22):
about was being cool and in. Joey didn't get it,
and usually when he said as such, his parents would
say that he would understand when he was older. Chris
usually said it was just because he was a seven
year old baby. Even if he had to stay in
the back, Joey didn't mind, since it meant he got

(02:13:43):
to hang out with his brother. They never did anymore
unless their parents made them, and Joey missed having fun
with Chris. It just sucked that they were out and
about with Mac, a kid Joey thought was the embodiment
of the big dumb dog from the Tom and Jerry cartoons. Besides,
Joey kept reminding himself that while Mac was hanging out

(02:14:04):
with them right now, it wasn't going to take away
from their weekend together. Mister and Missus mc gee were
going away for the weekend to visit some of their
extended family. They initially intended to bring Joey and Chris
with them. That was until Chris threw a fit, begged
and pleaded to stay home alone. Their mom and dad

(02:14:26):
agreed that it wasn't something they were extremely open to doing,
especially with it being the weekend of Halloween, when lord
knows what could happen to their boys, let alone what
they might get into. But they also agreed that Chris,
now being twelve, was old enough to stay home alone,
as that was the age they had been allowed to
start being left alone themselves, and so they made the

(02:14:49):
decision to let Chris stay home while they were gone,
but only under one condition. Joey got to stay and
Chris had to watch him for the entire of the
time they would be gone. Chris naturally threw a fit,
but eventually agreed to the condition. Joey was excited when

(02:15:09):
he heard the news. Finally he could spend some time
with his big brother, and maybe the two away from
Chris's friends or school, could finally reconnect. Their parents had
even given them some cash so they could run a
movie and order some pizza. It was the movie in
question that brought the two in mac out and walking.

(02:15:31):
They were headed to their local rental store, Binford Video.
The McGee's had been going there since Chris was little,
and while there were a few big name rental stores
around the area, they preferred the personal, homie feeling of Binford's.
The trio stopped as they reached the door of the
video store. Well here we are, Chris said to Mac.

(02:15:54):
You ready, he asked, Of course? Chris answered, ready for what?
Joey asked? The younger McGee went unanswered as the older
boys gave each other high fives, fist bumps, and friendly
shoves to amp each other up. When done, the two
of them looked at the video store in silence. So

(02:16:15):
who's going in? Mac questioned, Hugh mean you're not. Chris responded,
Why would I be the one doing it? His friend retorted,
doing what? Joey asked again, getting no answer, Quit being
a wimp and go in, Chris commanded his friend. Hell no,
it was your idea to begin with. Mac shot back, guys,

(02:16:40):
Joey shouted. What the two older boys shouted at their
young companion. Joey shrank back some at the two on
one verbal attack. What are you guys even talking about?
I thought we came here to run a movie. Why
does it matter who goes in? Joey asked, Now, that
he had their attention. Because we're not just getting any movie, twerp.

(02:17:03):
We're renting foot. Mac begins to explain before catching one
of Chris's elbows in his gut. Shut up, Chris intervened, No,
tell me, I can handle it. Whatever it is, Joey insisted.
The two older boys looked at each other. Chris sighed
and turned his back to his little brother. We're getting

(02:17:25):
flesh for the android. Mac is spending the night, and
we're gonna watch it. Joey frowned as disappointment set in.
He should have known Chris was going to have his
friend over instead of spending time with him. But while
disappointment took hold, a sudden realization came to Joey and
his eyes and mouth widened in shock. But but that's

(02:17:48):
a horror movie, an R rated horror movie, Joey stammered out,
Uh huh, and we're gonna get it. Mac chimed in,
and you're not going to say anything to mom and
dad about it. Of course, somebody has to stop being
a pussy and go in and get it, Chris explained,
before shoving Mac. Oh, screw you, Chris. It's your plan,

(02:18:12):
so you should do it Mac shot back. Joey watched
the two argue and thought it was one thing that
his weekend with his brother was going to be taken
away from him. It was another thing that the two
were going to get a movie that Joey wouldn't even
want to watch. Horror movies scared Joey to death, whether
they were old ones with no sound, kooky three D

(02:18:33):
ones from the fifties, or some more gruesome ones that
came out anymore. It was also that gruesomeness that made
Joey even more uncomfortable. Chris had been begging and pleading
to watch Flesh of the Android from the moment it
hit theaters, but while his begging got him his way
every so often, it wasn't working this time. Their parents

(02:18:56):
held strong. The movie was rated R, and from what
they had seen the scene of trailers and promotional images
was nothing more than a gross, garbage heap of celluloid.
Everything Chris found attractive about the film their parents found repulsive.
Joey supposed it wasn't too surprising that now that the
movie was on video, Chris was going to try and

(02:19:18):
watch it, but from what he was seeing of the
two boys arguing, it seemed like neither one of them
wanted to go through with whatever it was they were planning.
How are you going to get it? Anyways, there's no
way mister Binford is going to rent either one of
you a movie that's rated r Joey asked, that's the
genius part of our plan. We're going to take the

(02:19:41):
tape for Flesh of the Android and put it in
a case for a movie he would let us rent,
Mac explained, with excitement and accomplishment. Mac shut the hell up.
Chris nearly screamed at his friend, clearly upset that his
little brother now had even more info on their scheme.
What he was bound to figure out what we did

(02:20:03):
when we took it back to your place. Besides, at
this rate, we aren't going to get it, since you're
too chicken to go in and do it, Mack argued.
The two boys fought more. While Joey pondered the situation.
A light bulb went off in his head. Then an
idea to get his time with his brother that he
desperately wanted. I'll do it, he announced. The two older

(02:20:28):
kids looked at the younger one and burst out laughing,
you're serious, Chris, asked, in between laughter. Why not, Joey asked,
Because you're a baby. Mac answered, at least I'm willing
to do it, unlike you two, Joey said. The two
bigger boys looked at him in annoyance. Joey knew that

(02:20:51):
while they had to be mad for what he said,
that they couldn't admit that he was indeed right. While
they bickered about who was going to do it, he
had volunteered. Let's say we let you go do it?
What then, Chris asked, you get the movie you want,
but there's a price. Joey told his brother that being

(02:21:15):
Chris questioned, I get to watch it with you too,
Joey explained. Chris laughed uncontrollably and was eventually joined by Mac.
You you're going to watch Flesh of the Android with us?
Get real? Why not? Kid? That movie is supposed to
be like the grossest thing ever. Mac told Joey, you're

(02:21:40):
scared of Frank and Weeney. Hell, you're scared of Garfield Halloween.
Yet you're going to watch this, Chris questioned mockingly. Yes,
Joey stated, doubt it. Chris retorted, well, I don't think
you have much of a choice. If you want to
watch the movie unless the two of you grow a
set of balls and do it yourselves. Besides, mister Binford

(02:22:03):
likes me more anyways, Joey said angrily. Mac gasped and
softly laughed in surprise at the younger McGee's sudden exclamation.
Chris stared down at his little brother, Knowing that Joey
had him beat, Chris pulled cash out of his pocket
and shoved it into Joey's hand. All right, then, since

(02:22:25):
you think you're some hot tough shit, you do it,
grabbed the movie and swap its tape into another case.
Simple as that, in and out, Chris explained, Easy peasy.
Joey said, uh huh, we'll see. You don't exactly have
a good track record of not spilling the beans or

(02:22:46):
folding under pressure. Chris responded, I won't this time, I promise.
Joey insisted you better not, little man, or else your
ass will be in some deep trouble. Mac told Joey
he means it too. If you mess this up, mister
Binford won't be who you'll be in trouble with the most.

(02:23:07):
Mom and Dad won't even be the worst you could
be in trouble with, not even the police'll be because
for all intents and purposes, you'll be stealing. Naw bro,
I will be the one to be afraid of, especially
if you wrap me out. You screw this up in
any way, shape or form, and I'll make you pay,
Chris explained intensely and menacingly to his little brother. Yeah, yeah, yeah,

(02:23:33):
Joey said, as he pushed past the two toward the
door of the video store. He stopped and stared into
the glass door hazily, able to make out the insides
of the lobby. Joey turned around and looked at Chris
and Mack. The two of them made a shoeing motion
with their hands, gesturing for him to hurry up. Joey

(02:23:55):
looked at the front door and gulped before grabbing the
handle and pulling the door open. A bell rang as
the door to the video store opened and Joey stepped inside.
The interior was the same as it always had been
since Joey and his family had started going there. Walls

(02:24:15):
lined with film reels, posters, and various cutouts of movie
scenes and stars. Shelves were placed in almost every nook
and cranny, and were organized in ways Joey could only
call weirdly specific. The owners, mister and Missus Binford, were
both film lovers and wanted the store to reflect that love. Well,

(02:24:37):
would you look at that, Joey mc gee, my favorite customer,
the old shop keep called out as he watched the
seven year old walk in. Hi, mister Binford, Joey replied,
this is probably a silly question since you're in the shop,
but what brings you in to day? Mister Binford looked
around as if trying to find somebody alone too at that. Oh,

(02:25:01):
is that a problem? My brother and his friend are outside.
I could go get them if you need me to,
Joey said with a blush. Oh, it isn't a problem
at all. I'm just not used to seeing you by yourself.
So what brings you in? Mister Benford asked with a smile.
My parents are away for the weekend, so we're using
some of the money they left us to get a movie.

(02:25:22):
Joey explained. This year guy's first time being left alone.
The shop keep asked, yeah, big milestone for kids to
be left alone for the weekend, right in time for Halloween, too,
got any scary movies in mind to rent, mister Benford
asked with a grin. The Benfords liked all kinds of movies,

(02:25:43):
but from what little Joey knew of the couple, it
was horror movies mister Binford liked, especially the old ones.
I don't know. Chris just sent me in to get
a movie. Didn't say what he wanted. Joey felt a
tinge of pain at lying to the old man. See, well,
I'm running a special right now for the holiday. Rent

(02:26:04):
one horror movie and get one with the price slashed
in half, mister Binford said with an excited menace, before
slamming a fake meat cleaver down onto the counter. Surprised
by the sudden action, Joey jumped back a little before
smiling and laughing a little bit, the old man laughing
along with him. Right, I'll have to see if I

(02:26:25):
find anything I like, the seven year old said. Can
never go wrong with the classics. But that's a ramble
for another time. I'm holding you up while your brother
and his friend wait outside. Mister Binford jabbed a thumb
toward the door the two older boys peered in through
its glass. I'll be up here rewinding some tapes. If
you need anything, kiddo, Thanks mister Binford, Joey said, before

(02:26:48):
heading off into the maze of shelves. Despite boasting about
how he would do it, Joey couldn't help but feel
bad about the whole thing, especially after talking to mister Binford.
He really liked the guy and didn't want to disappoint him.
Joey shook his head and took a deep breath. Come on, McGhee,
we have a mission to do. Joey walked through the

(02:27:11):
shelves and looked at case after case and thought about
his mission in question. It certainly was an easy enough plan.
Swapped the cassette of Flesh of the Android with another movie,
any movie, and it would look like he was renting
anything other than an R rated horror film. Only problem
was trying to pick out a movie to do it with.

(02:27:33):
It couldn't just be any movie. Joey needed a movie
that mister Binford wouldn't think twice about him renting. He
was hesitant to make it be another horror film. Mister
Binford had to have remembered he didn't like scary movies.
Renting two of them might make him suspect something was
going on. Mindlessly Joey wandered into the action section and

(02:27:56):
looked around. He was about to turn a corner and
leave when he had an idea. Joey turned around and
smiled a bit as he stared at the case for
a movie called Quantum Cop. It was a film he
had seen loads of times, and while he hadn't seen
too many movies in his life to make a definitive statement,

(02:28:18):
he did consider it his favorite. It was one that
he and his family rented numerous times, and if he
saw it was going to be on TV, he would
drop everything to watch it. He had toys for it
and even acted it out with some of his friends.
Most importantly, it was rated PG. Joey knew if he

(02:28:38):
did the swap with Quantum Cop, mister Binford would expect nothing.
Joey took the tape off the shelf and made his
way to the horror section. Like the rest of the sections,
it was decorated to its theme with cobwebs and masks
and cutouts of various monsters and other things from horror films.
It amped up even more so with the rest of

(02:29:00):
the store for Halloween. Joey was always intimidated by the decorations.
But this was worse. Whether it be its crank to
eleven nature for the holiday, or because of what he
was planning, he found himself deathly frightened of walking through it.
He gulped and started down the path, making sure he

(02:29:20):
didn't look around too much so that he wouldn't see
something he didn't want to. The way the horror section
was set up, Joey went from classic horror movies up
through to current ones, the boxes getting more and more
intense as he went along, shielding his eyes as they
did so. And yet you're wanting to watch a gross

(02:29:41):
out movie just to be with your brother, he told himself.
Joey stopped when he came to his destination. In front
of him. On the rack was a shiny, near brand
new VHS tape. It was Flesh of the Android. The
front cover depicted what he could only describe as a
between a zombie and a robot ripping its way through

(02:30:03):
a person, blood and viscera flying every which way, while
the title was printed in such a way that it
looked like it had been carved into human flesh. Joey, handshaking,
turned it around to look at the back, while the
front had been drawn or painted artwork. Joey was greeted

(02:30:23):
by images from the movie showing the creature chained to
a wall and on fire, people looking afraid and huddled together,
a scientist with an eye gouged out, and a girl
with no shirt having what looked like her chest but
more balloon shaped, being squeezed while puss oozed out of it.
Joey quickly put it back on the shelf and covered

(02:30:46):
his mouth with his now free hand while he gagged,
Get it together, Joey, It's only a movie. It's only
a movie. It's only a movie. The young boy gathered
his composure and took the film off the shelf. He
stared at it and the other movie in his hand.

(02:31:06):
One was a simple and fun action movie. The other
contained images that, based on the box, were going to
live up to how Chris and Mack had been describing it.
Quantum cop in one hand and Flesh of the Android
in the other. Joey looked back and forth between the two.
He sighed and placed Flesh of the Android back on

(02:31:30):
the shelf. Afterward, he pulled the cassette of Quantum cop
Out and laid it on another movie. Joey then repeated
the action for Flesh of the Android before slipping its
cassette into the case for Quantum Cop. He sighed after
doing so and paused for a second before sliding Quantum

(02:31:50):
Cop into the case of Flesh of the Android. The
deed was done. Joey had successfully completed Chris and Mack's
plan to rent an R rated horror movie right under
the nose of mister Binford. Joey smiled faintly at having
completed his task, but could already feel the guilt eating

(02:32:10):
him up inside. All right, McGee, you did it. Now,
you just have to check out and get it out
of the store. Joey turned around and started back down
the horror section. As he walked, he suddenly remembered mister
Binford's words, rent one horror movie and get one with
the price slashed in half. The old ShopKeep might find

(02:32:34):
it weird that Joey had only grabbed not just one movie,
but a non horror title. At that, he began to
feel anxiety at how his plan might crumble. Joey stopped
when he got to the classic horror section. Maybe if
I rent one of these, mister Binford won't suspect anything.

(02:32:54):
Joey looked over the movies and blindly picked one. After all,
it didn't really matter what the movie was, just that
he had another one to distract from the ruse he
was attempting to pull. Newly satisfied, Joey made his way
out of the horror section and through the maze of
shelves and movies until he reached the front counter. After

(02:33:16):
a couple of moments, mister Binford turned around from his
task of rewinding tapes. The customers hadn't ah if it
isn't mister McGhee back with some plunder. Let's see what
you got, the man said with a smile, holding out
his hand for the tapes. Joey returned the smile and
handed him the movies. Mister Binford looked at the two tapes.

(02:33:38):
Let's see what we have here, quantum cop my mi.
You never tire of this one, do you, with how
many times you rent it? You should save up some
allowance and buy yourself a copy, mister Binford said, with
his usual friendly smile. Yeah maybe, Joey responded, and let's
see we also have Ooh. Phantom of the Opera, the

(02:34:01):
nineteen forty three version starring Claude Rains. Very very nice
choice here, Joey. It's a personal favorite of mine. I
remember seeing this in the theater when I was close
to twenty years old and before I got shipped off
to Europe. Mister Binford explained, with a glee and twinkle
in his eye that Joey never remembered seeing before. That's

(02:34:22):
really cool, mister Binford. Joey said he genuinely enjoyed seeing
the shop owner talk about his childhood. Indeed, those were
the days. Oh, I'm sorry, Joey, I'm rambling and getting
nostalgic again. I'll make sure these are rewound and then
get you checked out and on the way, mister Binford explained.

(02:34:44):
Joey's mind went blank and then flooded with a surge
of anxiety. Rewinding the tapes. That meant mister Binford would
have to take the tapes out of their cases. That
meant he would have to see the cassettes, and that
he would see the title of the movies on the
plastic shells. Joey's plan was about to crumble. That would

(02:35:06):
mean he'd get in trouble with mister Binford, with his parents,
maybe with the police. Worst of all, he knew that
when they asked him about why he did the switch,
he would eventually crumble and reveal that it was Chris's idea,
and then he'd be in deep, deep trouble. Joey nervously

(02:35:28):
stood watching as mister Binford began the process of checking
the tapes and where or if they had been rewound.
He paused at one point and turned to look out
the glass door, catching Chris and Max staring in and
quickly disappearing when they knew they had been seen by
the shop owner. Mister Binford turned his attention back to

(02:35:49):
his task and started humming while doing so. After what
seemed like an eternity to Joey, mister Binford turned around,
holding both movies in their cases in his hand and
stared at Joey. Joey, we have a problem here. The
young McGee gulped and could feel his heart starting to

(02:36:10):
pound faster and faster. What problem, he stammered out, Well, Joey,
you only have one horror movie here. Remember the special
is if you rent one horror movie, you get another
horror movie half off. Oh I guess I wasn't thinking,
Joey said, mm hmm, Well tell you what. Since you're

(02:36:34):
my favorite customer, I'll let you have the deal anyways,
Just don't go telling anybody. How's that sound, mister Binford
asked with a smile. Joey felt a wave of relief
come over him. He smiled and nodded his head. Sounds great,
Mister Binford smiled and nodded his head in agreement. Joey

(02:36:55):
handed the cash for the movies to the shop owner
and watched as mister Binford bagged up the two movies
and handed them over to his young patron. You boys,
enjoy yourselves, he told Joey. As the young McGhee headed
toward the door, Joey turned around and waved goodbye with
a smile. Before leaving the store. He walked away to

(02:37:16):
where Chris and Mack were standing well. The two asked
in both curiosity and simmering agitation. Joey pulled out the
case for Quantum cop then slid out the cassette that
sat inside of it. Chris and Mack looked at the
tape and grinned like a cheshire cat when they saw
flesh of the Android printed on the black plastic in

(02:37:39):
stuttered white. All right, way to go, joe Mac cheered
before giving Joey a playful punch. Good job, little bro,
Good job, Chris told his brother with a smile. Joey's
face grew warm and he smiled, nearly tearing up and
hearing his brother giving him praise. All right, girls, let's

(02:38:01):
go get some pop and pizza and head back, Chris said,
Mac and Joey nodded in agreement, and the three walked
off towards their next destination before what was sure to
be a terrifyingly fun night. After the video store, the

(02:38:22):
boys made their way to the supermarket and filled a
cart with soda, popcorn, and everything they needed to make nachos.
Once done, they went down the street to a pizza
joint called Haha Pizza. They argued over what to get
until they eventually settled on extra cheese with sausage, onions,
and banana peppers. With pizza and various snacks in hand,

(02:38:44):
the trio headed on back to the McGee's. Once they arrived,
the boys got to work on setting up shop for
the night. The pizza box got tossed onto the coffee
table along with the sodas, while the kitchen became an
aroma of salt, butter, tortilla chips, cheese, jlapinoes and tomatoes.
Done in the kitchen, and with the sun starting to set,

(02:39:07):
the trio headed into the living room with their plunder
of buttery, greasy goodness. The older McGee instructed Mac to
put out a bowl of candy their parents left for
tricker treaters and turn off the porch lights so that
when the sun went down they wouldn't be disturbed. With that.
Taking care of, Mac returned and handed Chris their feature presentation.

(02:39:28):
He pulled out the in disguise flesh of the Android
and headed toward the VCR. What about the other movie,
Joey asked, what about it? Chris countered, aren't we going
to watch it? As if Chris and Max said in unison,
why not? Joey questioned, who wants to watch an older

(02:39:50):
than dirt movie? Not us, that's for sure. Chris explained,
what if I wanted to? Mister Binford said it was
really good. Joey said, please, As if mister Binford knows
anything about quality, the man is older than time itself.
Mac said, tauntingly, Besides, we have more important things to do,

(02:40:12):
like watching this awesomeness. Chris told his companions as he
held up the flesh of the Android tape as if
it was a trophy. Aren't you scared of these kinds
of movies anyway? Squirt? Why do you want to watch
that one? Mac asked mockingly. I don't know, I guess
I just wanted to try mister Binford's suggestion, Joey explained

(02:40:35):
as he bowed his head. Well, we're going to show
you real horror, that is, if you can make it
past the trailers, Chris said, with a snicker that was
soon followed by Mac. Shut up, Joey shouted as he
plopped himself down on the floor in front of the
coffee table. Play the movie. Chris and Mack pretended as

(02:40:56):
if they were intimidated by the youngest of the group
before having another chuckle. Chris slid the cassette into the
VCR and turned on the television. The older boys settled
in on the couch and relegated Joey to turning off
the lights. He sighed and reluctantly did so before sitting
on the floor in front of the couch. Chris powered

(02:41:18):
on the VCR using the remote, hit play and the
trio waited for the tape to start. Staticky black faded
into pitch black before the logo of the video company
appeared with its jingle. The boys were then shown trailer
after trailer of various movies the company is about to
release or has released. Genres ranged from the expected horror,

(02:41:43):
to drama, to sci fi, and even to romance, albeit
of a steamier variety. Joey found the majority of the
trailers not to his liking. He had to grit his
teeth to make it through the horror trailers, but he
stuck through them. If he backed out now because of
some trailers, he would never hear the end of it.

(02:42:03):
Once the trailer stopped, the company logo appeared again and
gave way to the opening credits. Blood curdling red splashed
onto a black as night background. Then the title appeared
with a shriek that Joey could only liken to a
small dog having its tail stomped on. When the movie
proper started up, Joey found himself able to handle it

(02:42:27):
for the most part, having not seen a lot of horror.
It seemed boring to him that there was a bunch
of talk about science and not having any viable options left,
and some other junk about morality and stuff he didn't understand,
but seemed to make Chris and Mack excited and what
Joey assumed meant embarrassed with how red they got. But

(02:42:49):
once the horror started, Joey quickly concluded that despite how
much he wanted to show the two older boys how
tough and brave he was, and specially how much he
wanted to spend time with his older brother over the weekend,
he simply couldn't handle the horror in the film. The
way everything looked dark and grimy, the music, and the

(02:43:12):
special effects. By god, the special effects were simply too
much for him. From the crazed doctor dissecting and then
forming his abomination, to how that creature looked once completed
and moving around, to the red oozing blood and the
tortuous cries of agony, Joey did his best to watch

(02:43:33):
as much as he could. However, when the creature skinned
an arm and ripped open the victim's veins to feed
on their blood, Joey could take no more. He ran
out of the living room hand over mouth. Chris and
Mack laughed hysterically while he fled. I told you, he
wouldn't be able to handle it. Mac Shrilly said through

(02:43:54):
his laughter, that's my baby brother for you being a big,
fat baby. Chris mocked, and like a baby, I think
he crapped himself too, Max shouted in humored excitement. The
two continued to watch the movie and make fun of Joey.
As he made his way upstairs. Tears flowed from his

(02:44:15):
eyes and he was doing his best to not let
out the sobbing whimpers building up in his throat. In
the safety of his own room, he buried himself under
his comforter with his face and his pillow. Then Joey
let out his embarrassment and sadness. Confident that the two
wouldn't be able to hear him now, he screamed and

(02:44:35):
sobbed and cursed what little curse words he knew. Joey
swore that he hated the two of them, his brother
in particular for ruining what was supposed to be their
weekend together. It was just like Chris to twist everything
into what he wanted and not what others or Joey wanted.
I hate you, I hate you, I hate you, Joey

(02:44:57):
shouted into his pillow. He turned to stare at the
clock on his bedside table. To him, knowing what time
it was didn't really matter, it was simply something to
look at to help him fall asleep. He certainly wanted to,
but every time he closed his eyes, the images of
flesh of the android replayed in his mind, distorted in

(02:45:20):
even more nightmarish ways. Joey cursed Chris for wanting to
watch such a thing, but equally cursed himself forgetting the
tape for them and watching something that he knew he
couldn't handle. Their father would say he had polluted his
mind and that it would poison him for the rest
of his life. Garbage in, garbage out, his father would say.

(02:45:43):
Joey continued to stare blankly at the clock as he sobbed.
The red glow of the numbers began to blur from
the tears, before blurring more so from an inability to
keep his eyes open. Eventually, mercifully, even Joey fell asleep.
A loud thud woke Joey up from his slumber. Dazed

(02:46:06):
from the sudden awakening, he sat himself up and stared
off into the darkness of his room, his eyes half shut,
widened quickly when screams filled his ears, Joey turned to
his clock. Midnight too late for tricker treaters to still
be out having fun. It could be older kids trying

(02:46:29):
to scare people. Joey tried to think it through logically
so that his mind his imagination wouldn't kick in due
to the influence of the movie. Maybe it's Chris and
Mack trying to have more fun at my expense, he
told himself. Joey laid back down and closed his eyes.

(02:46:49):
The sound of something crashing, followed by shrieks, disturbed Joey
from his attempt to sleep. He bolted upright in his bed,
eyes wide open, and crashing was one thing. It was
the shrieks that had Joey upright and starting to be afraid.
They sounded too close to be coming from outside the
house and didn't sound as if they were emanating from

(02:47:12):
the television, which left only Chris and Mac. Are they
pretending or is it? Joey found his train of thought
cut off as the sound of footsteps pounding up the
stairs assaulted his ears. At the top. They continued down
the hall and only ended once a door was slammed shut.

(02:47:35):
Shocked from the sudden and frantic sequence of events, Joey
sat stunned and unsure of what to do. The boy,
who was known to be greatly susceptible to fear, was
equally horrified at what he had heard, but was also curious.
It could well be Chris and Mac simply messing with
him as one final Halloween prank and to taunt him

(02:47:58):
for being unable to handle the movie despite all his boasting.
But what if it wasn't. What if something really did
happen that was so horrific that it scared even his
older brother and Mac. Joey weighed his options and eventually
took a calming, deep breath before climbing out of bed.

(02:48:20):
He squeezed his fingers into his palms as he walked
towards his bedroom door, the only action he could do
to keep himself steady in his decision to investigate and
not just hide under the covers. Whatever was going on,
Joey was determined to not let it get to him
as much as possible. You can do it. You can

(02:48:42):
do it. You can do it, You can do it.
The young McGhee reached his bedroom door and stared at
it doubt crept into his mind. It has to just
be a trick, just a trick to scare me one
more time. Don't let them get the satisfaction, joe just
climb back back into bed and go back to sleep. Yet,

(02:49:03):
even with the doubt, Joey's curiosity was too much to
not indulge in. He unclenched his right hand and took
hold of the doorknob. Joey took several deep breaths, turned
the knob, and pulled his door open. He stuck his
head out dark nothing but darkness in the hallway. The

(02:49:26):
shapes of picture frames were there, but the images inside
were hidden. Not only that, but so was the light switch.
Sure Joey knew where in theory it should be, but
with the pitch black blanket of darkness, it was as
lost as those images in the picture frames. He looked
to where the stairs were nothing, or at least nothing

(02:49:50):
that seemed to be lurking or out of place. Joey
turned his head to the other side of the hall
where hiding behind closed doors where the remain rooms a bathroom,
Chris's room, and their parents room, along with a closet.
Again nothing, What's going on, Joey wondered aloud. He shrugged

(02:50:15):
as he continued to stare in the darkness. The door
to a room down the hall burst open and out
flew a body into the wall across from it. Joey
screamed in response to the suddenness of the event and
ran back into his room. His mind screamed at him
to hide, but one thought shut down that idea. He

(02:50:36):
didn't know who it was he saw flung into the wall.
It could be Mac, it could be his brother. Joey
scrambled to his bedside table and opened the drawer under
the top of it. He searched frantically and sighed until
his hand found the shape of the object he was
looking for. Joey pulled his hand out a flashlight grasped

(02:51:00):
in it. He pushed the power button on and a
yellowish white light shined out from it. Joey ran into
the hallway and shined the light down where the body was.
The light revealed that the body was of Mac. He
rushed to the older boy and kneeled down by his side. Mac,

(02:51:21):
what happened? What's going on? Joey asked in a frantic manner.
Mac looked at Joey, his movement slow and pained. His
eyes were partially glazed over and showed to be unaffected
by the light being shined directly into them. Mac's lips
moved in an attempt to speak, but no sound came out.

(02:51:43):
Joey didn't know much about injuries outside of scrapes, cuts,
and bruises, but he had heard and seen his dad
care for Chris and himself if they got hit roughly
on their head. He remembered the word he heard his
father used in those situations. Joey set the flashlight down

(02:52:04):
and put his hands on Mac's shoulders gently. He tried
to remember everything his father would do in situations like this.
Come on, Mac, stay with me. What's your full name?
Where are you countdown from twenty? Who's your best friend?
Who am I? Joey asked each question frantically, but also

(02:52:25):
with brief pauses to try and give Mac an opportunity
to answer. Mac's eyes slowly became less glazed as Joey
talked to him, repeating each question in no particular order.
He stared at the younger McGhee and tried to gather
strength to speak. His eyes widened suddenly, as if he
had awakened in the middle of the night, not unlike

(02:52:48):
Joey had earlier. Max stared at Joey and gulped Mac.
Joey asked, surprised at the older boy's sudden awareness and expression, run,
Mac stammered out. Joey blinked, confused by the statement. Before
he could respond, Mac was suddenly pulled away by an

(02:53:10):
unseen force, his body being dragged forcefully down the stairs,
screaming all the way. Joey screamed in shock, in horror,
and ran back into his bedroom and quickly shut the
door he ran to and then jumped into his bed,
hiding under the covers. What the what the heck just happened?

(02:53:30):
How can somebody just fly out of a room and
then get pulled away? Whatever the answer was, Joey could
definitely say that Mac and Chris were not playing a joke.
How could they? There was no way they could have
done all that. Maybe Chris could have pushed or thrown
Mac out of a room, but pull him down the
stairs without being seen, not even with a rope or

(02:53:52):
a cable could his brother do that? Seeing what happened
to Mac only moments ago, left Joey unsure what to
do next. Every fiber of his being screamed in fear
and told him to simply stay in his room and hide,
stay unseen, and eventually the sun would come up and

(02:54:13):
all the darkness would be gone. Then he could explore
the house and see what exactly was going on, or
at that point, what all had happened. However, Joey knew that,
as much as he wanted to do just that, there
was something that would not let him do it. The
knowledge that it was Mac who ran upstairs to hide

(02:54:35):
before being pulled away meant that Chris was likely still downstairs.
Joey wasn't sure what had caused Mac to be thrown
from whatever room he had hid in, and even less
of a clue as to how he had been dragged
down the stairs by an unseen force, even with Joey
having a flashlight handy to illuminate the darkness, But he

(02:54:56):
did know that meant Chris was downstairs where all the
commotions stood gard and was likely where whatever had taken
Mack was now at. Chris, Joey's older brother, one of
the people whom he loved most in the world, was
down on that first story with some unknown being that
had hunted down Mac and dragged him downstairs without being seen.

(02:55:20):
Joey crawled out from under his blanket and stared at
his door again. He couldn't begin to imagine what was
happening to mac Let alone. In general, however, Joey did
know that none of it was good, and that most
likely what happened to Mac was bound to happen to
his older brother. Normally, when the two boys were in

(02:55:40):
trouble or something bad happened, they would turn to their
father and mother to help them. They weren't in the house,
though they were miles away visiting family. Joey couldn't even
recall who they had gone to see. No phone call
would likely bring them back. Chris was in an unknown state,
and Mac was likely no longer able to help. That

(02:56:03):
left only one option, and Joey, while aware of it,
did not want to admit it. If there was going
to be any happy ending to what was going on,
it was up to Joey to do it. Trepidaciously, Joey
climbed out of bed and walked back to his bedroom door.
He was not sure as to what was down there,

(02:56:26):
and even less so that he would be able to
do much of anything to either help Chris and Mac
or stop whatever it was. But Joey knew deep down
that he had to at least try both for his
brother and perhaps even more so, for himself. After all,
if his parents, Mac and Chris weren't going to save him,

(02:56:48):
then he had to do it himself. Just like switching
from a tricycle to a bicycle, Joey couldn't rely on
training wheels in this case others to help him get
a long Joey told himself that was a pretty cheesy
and probably dumb comparison, but it was a way to
motivate himself. Maybe he needed that silly level of TV

(02:57:12):
sitcom Dad pep talk to do what he knew he
had to do. Joey closed his eyes and prayed for
protection and the courage to get through the night and
protect his brother and himself from whatever it was that
had come into the McGee's house. The youngest McGhee opened

(02:57:32):
his eyes, took a deep breath, and grasped the knob
of his door. He twisted it, and, with a newfound
courage and intent, pulled open his bedroom door and stepped
out into the hallway. Joey looked up and down the
hallways for any sign of whatever it was that was

(02:57:55):
inside the house and terrorizing the boys. He couldn't see
anything that looked out of place, nor could he see
anything that looked like it was moving. Thinking through the
sequence of events that had happened only minutes ago, Joey
came to the conclusion that unless this presence had come
back upstairs to get him, it was most likely downstairs

(02:58:17):
where Chris was. Joey thought briefly about why it hadn't
come back upstairs to get him. After all, whatever it
was must have seen or sensed, or had some way
of knowing he was there. When it took mac not
to mention that if Joey's worst fears were true and
the presence had already done something to Chris, then why

(02:58:39):
not come back upstairs and finished the trio off. Maybe
Chris had ran out of the house and whatever it
was had chased after him. Perhaps it wanted to save
Joey for last. Maybe it didn't want Joey at all.
All of these possibilities the young McGee thought about. Joey

(02:59:00):
shook his head. While his thoughts were of genuine concern
as to what was going on, and why this thing
hadn't come back for him. He also knew it was
partially him trying to talk and psych himself out of
going downstairs. Get it together, Joey, you can do this.
You can do this. The young McGhee headed to the

(02:59:22):
stairs and started to descend them. He briefly considered going
back up to retrieve his flashlight, but opted not to,
if only because he suspected Chris and Mack had continued
to watch TV after finishing Flesh of the Android, and
thus the television would still be on and provide some
form of light that or, at the very least the

(02:59:45):
windows that were peppered on the first floor would allow
light from the moon and street lamps to illuminate the
house just enough for Joey to make his way through.
Joey continued down the stairs, and when at the bottom,
looked in the entryway and to the front door. The
door was shut, meaning either Chris was still in the

(03:00:07):
house somewhere or he had left and closed it on
his way out. If the latter was the case, then
it must have been before this thing had gone after mac.
Joey wasn't quite sure which option seemed more likely. He
thought about it and how to proceed. Ultimately, Joey landed
on continuing to look around the house for Chris and

(03:00:29):
to see what had happened to Mac. Joey made his
way toward the living room. There he found, as he suspected,
the television was on its screen a bright blue, the
default sign for when the VCR was on, but no
tape was playing. Joey looked around the room and saw

(03:00:49):
no sign of his brother or of Mac. However, Joey
did see that a lamp had been knocked over, as
had the coffee table. Picture frames and other various objects
in the room were strewn about. The couch itself had
its cushions half off the frame. Broken bottles of pop
lined the floors, with the glow of the television showing

(03:01:12):
where the fragments of glass were. What in the world
happened here? The younger McGee questioned both himself and the room.
With the living room empty of his brother and Mac,
that left only the kitchen, the downstairs bathroom, and the
garage of his options. Joey decided to check the bathroom first,

(03:01:35):
empty with no signs of a disturbance like in the
living room. One down, two to go. The young McGee
walked to the kitchen, light faintly shining through the window
over the sink and the glass sliding door that led
to the backyard. With this, Joey was met with a mess.

(03:01:55):
Parts of it were clearly left over from when he,
Chris and Mac had prepared the food for their movie,
but containers of flour and sugar, a cutting block and board,
pots and pans, dishes, and a nearly tipped over refrigerator
were not something that the three boys had caused. At
least Joey and the other two hadn't caused it when

(03:02:16):
they were prepping for the movie. Did Chris and Mac
do this or did whatever this thing is do this?
Joey scratched his head and felt his brain starting to
hurt from trying to deduce what exactly was going on.
He could also feel himself tensing up as he hadn't

(03:02:37):
found his brother yet, which meant all that was left
was the garage. He turned and looked down a small
hallway on the left hand side of the kitchen. There
he saw the outline of the door that led to
the garage. Joey gulped and felt a chill run down
his spine and the cold stickiness of sweat starting to

(03:03:01):
drip down his face. With another gulp, to regain his
composure and summon some bravery, Joey headed down the hall,
stood at the door to the garage and clutched the
knob and threw it open. Stepping into the garage, Joey
was once more met with darkness that was darker than

(03:03:22):
the darkness he had been met with upstairs. How much
of his fear was from the unknown and how much
of it was the usual unsettling feeling he always had
when he was in the garage, or maybe the real
fear was of not finding Chris in this final room,
of having no real answers as to just what was
going on in their house. Unlike the other rooms in

(03:03:46):
the house, the garage did not have a light switch
to flip. The only way to have light on in
the garage was to either pull a cord attached to
the ceiling to turn on a light bulb, or to
open the garage door and let light in. The latter
option was not possible in the dead of night. Joey
would need to turn on the light in the garage
if he had any hope of actually seeing what all

(03:04:09):
was inside. Joey held his arms straight out and started
to walk toward the center of the garage, where the
cord should be. While walking, he moved his hands in
twisting motions to try and find and grab on to
the cord. After what seemed like an eternity to him,
he found the cord with his left hand. He let

(03:04:30):
out a sigh of relief and yanked on it. Nothing.
No light came on. Joey looked up in surprise. He
pulled again.

Speaker 2 (03:04:42):
Nothing.

Speaker 1 (03:04:43):
He pulled a third time, this time harder, and once
more nothing happened. Joey felt an unsettling feeling flood his
whole body, a dread of not being able to search
the basement and being stuck in pitch blackness. Along with that,
he felt an anger he couldn't remember ever feeling before.

(03:05:05):
In that anger, Joey thought about moments he had seen
his father and even his grandfather angry at something that
wasn't going their way. Shit, he shouted in the same
way he heard his father and grandfather do so when
they were upset. Joey thought about what to do next.
I guess I could turn on all the lights in

(03:05:26):
the house. I could get my flashlight, and then I
could see in the garage with a new on the
fly plan made, Joey turned to leave. As he exited,
facing the door, Joey saw a face illuminated in yellowish
white light that was coming from a flashlight. Joey, A

(03:05:47):
voice said, in relief, it was Chris. Chris. Joey cried
in joy at being reunited with his brother. He flung
himself into him and the two hugged. Where have you been?
Chris asked, looking for you. Where have you been? Joey responded, hiding.
I was hiding for a while in the pantry. Then

(03:06:08):
I remembered you were upstairs, and so I went to
get you, but you weren't there. I found the flashlight
in the hallway and saw some of mom and Dad's
pictures knocked off the wall. Chris explained, Joey remembered what
had happened upstairs, mac he he came flying up the stairs,
and then he Chris, what's going on? Joey asked his brother.

(03:06:33):
I don't even know how I could explain it. We
watched Flesh of the Android, rewound the tape and watched
it again. Well, we tried to. We fell asleep, and
then Jesus, I can't just out of nowhere, this thing
or force or whatever it is appeared and came after us.

(03:06:54):
I ran and hid, and Mac ran the other way.
Chris explained as best he could, his voice heavy with terror,
something that Joey had never heard before. What do we do,
he asked his older brother. I don't know what to
tell you, Joey. Mom and dad aren't here. It's too
late to go to any of the neighbors too. We

(03:07:17):
can't really call the police, either, So what do we do?
Joey asked again. I guess just go to our rooms,
turn on a light, and then wait until morning, Chris suggested,
And then what, Joey asked? I don't know. Let's just
get through the night and go from there, Chris said.

(03:07:40):
Joey nodded in acceptance, and he and Chris left the garage.
The brothers walked through the house, passing the entryway to
the living room. Joey turned his head and saw the
television was still on. He stopped. Chris noticed and looked
at his brother, then the TV, then back to his brother.

(03:08:01):
What is it? Chris asked? Shouldn't we turn the TV off?
Joey said, does it matter? Chris asked in honest confusion
as to why his brother felt the need to turn
off a television. I mean, I guess not, but it's
something we always do before we go to bed if

(03:08:22):
we've been watching it, Joey explained. Chris looked at his brother.
He smiled at the simplicity of his brother's explanation. Okay, squirt,
I'll humor you. Joey smiled, and Chris returned it with
a loving punch. The two walked to the television and
Chris turned off the VCR and then the TV. Joey

(03:08:44):
and Chris walked out of the living room into the staircase. Suddenly,
they heard the click of both the TV and the
VCR turning on, and the glow from the television shining
into the hallway. The brothers McGee looked at each other
in surprise and growing dread. They cautiously walked into the

(03:09:04):
living room and stared in awe at the sight. How
Joey started, I don't know, Chris stammered out. Chris grabbed
the remotes to both the TV and VCR and powered
both of them. He then threw the remotes into the hallway.
Not even a minute later, they powered back on. The

(03:09:26):
blue of the VCR screen started to distort in colors.
Flesh of the android flickers on and off in its
goorious moments, the screen eventually turning into black and white static.
Joey and Chris stare at each other in surprise and
horror at the scene unfolding before them. They turned their

(03:09:46):
attention back to the television and see the black of
the static dripping down to the bottom of the screen
until none of it is left only white. The dust
cover of the VCR shoots open, and the boys watch
in horror as a blackish brown substance begins to drip
out of it. At first liquid and substance, it begins
to solidify and become almost transparent. As it solidified, it

(03:10:12):
took on monstrous and exaggerated human qualities. Joey and Chris
watched as a black and nearly transparent hand reached out
of the VCR and dug into the carpeted floor In
a violent, jerky motion, the hand pulled the rest of
the growing form out of the VCR and onto the
floor of the McGee's living room. Joey and Chris stood

(03:10:33):
in shock and horror at the scene that was unfolding.
Joey tried to gather the strength to say something, but
was quickly silenced by the form shooting itself upright. The
creature stood almost to the ceiling, and, save for its limbs,
had no other features recognizably human. Both Joey and Chris
saw from the glow of the television that the creature

(03:10:56):
still had a transparent nature to it. However, they also
saw that all over the creature's body it looked as
if something was moving back and forth. Joey, in shocked,
awe and unable to think of anything else, likened it
in his mind to a video cassette being re wound

(03:11:16):
and fast forwarded to him. It made sense considering where
this thing had come from, Chris, Joey started, Yeah, Joey,
Chris stammered out, what do we do? The younger McGhee asked,
almost exactly at the end of Joey's question, the creature
leaped to the ceiling and began crawling around on it run.

(03:11:40):
Chris shouted and shoved Joey out of the living room
and towards the stairs. Joey looked back toward the room
and started to head back. Chris was no longer in sight,
but he heard him, and the sounds emanating from Chris
were inhuman and the most pained and terror filled noises
Joey had ever heard. Poe Run, run, goddamn it, run.

(03:12:04):
Joey began to tear up at his brother's words as
he turned around and rushed up the stairs and into
his bedroom. He slammed the door shut and moved his
dresser and anything else he could get in front of
the door as a barricade. He then ran to and
slid under his bed. The young McGee curled up in
a ball and continued to cry, hearing the sounds of

(03:12:25):
the living room and likely his brother being torn apart.
It's only a dream, It's only a dream. It's only
a dream, Joey shouted to himself, repeating the statement until finally,
due to exhaustion and the stress of what was happening,
he fell asleep. Joey woke up, gasping for breath and

(03:12:49):
covered in sweat. He looked around, remembering that he had
hid and spent the remainder of the night under his bed.
He remembered watching flesh of the an until he ran
out nearly vomiting. He remembered seeing mac throne and dragged
around in the darkness Chris, not even knowing what ultimately

(03:13:11):
happened to Chris and that creature, that thing which came
spilling out of the VCR. Joey started to hyperventilate and
felt tears starting to run down his face. The young
McGhee caught himself and started to take slow and deep
breaths and counted back from ten to rein in his

(03:13:33):
panic attack. When the anxiety was at a manageable level,
Joey crawled out from under his bed and slowly stood up.
His eyes blink and then widen as he sees that
his room, barricaded to protect him from whatever that thing was,
was back to normal. Every piece of furniture, every item,

(03:13:56):
everything was as it was before the horror had happened.
Joey turned to look at his clock. Nine to thirty am. Noises.
Joey heard noises emanating from downstairs. Was it Chris, mac
the creature, somebody or something else. He had to know

(03:14:20):
what it was and perhaps figure out why his room
was back to normal. Joey quickly got dressed and rushed
out of his bedroom and down the stairs. Once downstairs,
Joey immediately went to the living room and found it
not in the state of chaos it was last night,
but in a state of ideal cleanliness and organization, just

(03:14:44):
like it was before the boys took it over for
their movie. This is Surreal. The young McGee heard noises
emanating from elsewhere in the house. He followed them, deducing
that the noises are com from the kitchen. Joey slowly
moved closer and closer to the kitchen, readying himself in

(03:15:06):
case the creature was back. His heart drummed fiercely in
his chest, to the point where he could hear it
in his ears. Over the sounds that were coming from
the kitchen, Joey stopped right near the entryway. He closed
his eyes and let out a breath before jumping into
the kitchen with what he thought was a battle cry.

(03:15:26):
What was that about, Joey, an older male asked. That's
certainly a way for you to say good morning, sweetie,
an older female said. Joey opened his eyes and found
his mom and dad in the kitchen. His father sat
at the kitchen table, a cup of coffee in one
hand and a pencil in the other He used it
to work on a crossword. His mother was hopping between

(03:15:50):
the stovetop and the fridge in preparing breakfast. Mom, Dad,
why what I thought you guys were out of town,
Joey questioned, in utter confusion. We were until we got
home last night, his father explained, But I didn't see
her hear you, guys, Joey said, you were out cold

(03:16:12):
in bed when we got home. His mother added, what
time did you get home, Joey asked, Oh, about eleven,
his mom answered. Joey walked to the kitchen table and
took a seat across from his father, His head hurt
from the shock of seeing his parents and the revelation
that they had been home last night. Joey's thoughts swirled

(03:16:35):
with the possibility that the creature might have gone after
them first before Mac and Chris. If so, why, maybe
it was surprising that two people came into the house
and attacked them in response, But that left the question
that plagued Joey from the moment the horror started and
still had yet to be answered. Why did it go

(03:16:58):
after them? And seeming he left Joey alone? Are you okay? Sport?
Joey's dad asked, yeah, why, Joey said, you look clammy.
His father replied, oh, I didn't sleep that well, Joey
offered as an answer, I think it's more that you

(03:17:20):
ate too much candy and junk food for Halloween. Does
your stomach hurt? His mother asked him, yeah, Joey answered
it was the truth, though Joey didn't think he had
eaten too much junk food and was chalking it up
to how anxious and scared he had been and still was.
I think your mother's right then. That isn't to say

(03:17:41):
you didn't toss and turn, but eating all that crud
won't do you any favors. His father said, I guess
you're right, Joey responded. Joey looked around the kitchen. Everything
was put back in place and clean, just like it
had been in the living room. If the creature had
gone after his parents, for Chris Mack and himself, then

(03:18:02):
who did the cleaning? Did Chris survive his encounter, defeat
the creature and then clean up? How did his parents
come back if the thing had gotten hold of them?
If they were back, did that mean so was Mac.
It was in this avalanche of thoughts that something struck Joey.
Chris wasn't down yet. Sure, it was still the weekend

(03:18:25):
and his brother usually slept in, but their mom was
making her homemade biscuits and gravy, and that was one
of the few things Chris would wake up for, no
matter the time. Where's Chris, Joey asked his parents. I
don't know who's Chris. His mom answered, and then asked

(03:18:46):
the question hit Joey like a freight train. Who's Chris?
You know Chris, Chris McGee, my brother, Joey said. The
older mcgeees chuckled a little at what their son was saying. Oh, Joey,
you don't have a brother, his father explained, But I do.

(03:19:06):
It's Chris, Joey stated, Oh, Bill, maybe this is Joey's
way of telling us he wants to be a big brother,
his mother suggested. Joey's father snapped his fingers to what
his wife was saying. That's gotta be it. Are you
ready to be a big brother, joe How can I
be a big brother to Chris? He's older than me.

(03:19:28):
Is this Chris maybe an imaginary friend that you believe
is your big brother? His mom asked, it's okay, if
you have an imaginary friend, joe we all did. After all,
it can be lonely being an only child, his father explained.
Joey cannot believe what he's hearing. An only child, how

(03:19:49):
is that possible. I've known Chris my whole life. Mom
and dad know him too. What's going on? Joey stood
up from the table and ran out of the kitchen,
his parents shrugging at his action. His feet carried him
back to the living room and right up to where
the family's fireplace was. Joey looked at the mantle above
it and the row of family photos. There were the

(03:20:12):
ones of just Joey and Chris's parents, the ones of
Joey as a baby and a school photo, and the
ones of their other family members. But photos that were
supposed to have Chris in them, whether it was of
just him or with other family members, were missing. Chris
was somehow now absent in all the photos he was

(03:20:32):
supposed to be in. This this can't be happening, Joey
choked out. The young McGhee bolted upstairs to where Chris's
room should be and flung open the door, only to
discover the room was filled with various supplies and stations
for his mother's sewing and crafting. Normally, Joey had seen

(03:20:53):
these items in the downstairs office where his father usually worked,
apparently having been moved from where Joey's room was was.
After the mcgeese found out they were expecting this isn't right,
Joey ran back downstairs to the office and found it
filled with everything he knew should be there that belonged
to his father, and only those items that belonged to

(03:21:14):
his father. No cramp, tight space, no room divided by
sports memorabilia in his father's work area along with his
mother's sewing and crafts. What the hell is going on?
Joey asked the room, finding the situation appropriate for what
he was told was a curse word but frequently heard
and saw in church. A thought shot through Joey's mind,

(03:21:38):
the tape flesh of the Android. The boy walked to
where the TV stand was. Joey kneeled down and looked
at the VCR. Sweat started to drip down his face.
Joey hit the eject button, not sure if he wanted
flesh of the Android to pop out, have another movie
be ejected, or have nothing happen at all. The VCR

(03:22:01):
made various worrying and clicking sounds before ejecting the cassette.
With his hand shaking, Joey took hold of the videotape
and pulled it out. He moved it to where he
could read the label. His mouth gaped and a sound
of horror and confusion came from his throat. Flesh of
the Android was printed in blood red on a bright

(03:22:23):
white label. How, Joey questioned, how was any of this possible?
If Chris no longer existed to the point that he
wasn't in pictures or more shockingly, their parents memory, then
that would mean the trio of the two macgees and
Mac never went to Biinford's video to get the movie.

(03:22:45):
So how was the tape? How was Flesh of the
Android here Binford's video? Joey sprinted upstairs and hastily put
on and then tied his shoes. He threw on a
zip up hoodie before rushing back downstairs, through the kitchen
and into the garage. Whoa speed racer, Joey's dad called out.

(03:23:07):
Joey ignored his father as he hit the button to
open the garage door. Once opened, Joey hopped on his
bike and sped out of the garage, hands clasped on
the handlebars, with the tape gripped in his right hand,
high hose silver away. His feet pedaled harder and harder
to build up speed, Joey leaning forward to try and

(03:23:28):
do so even more. Joey kept pedaling down his street
and through the town. The seven year old paid no
attention to anybody on the sidewalks or even traffic lights
and cars. He heard the screeching of tires and disgruntled
drivers shouting and cursing at him as he rode on.
Joey had only one thing on his mind, and that

(03:23:49):
was Binford's video, and he was hell bent on getting there.
Everything seemed as if it could be traced back to
flesh of the Android. But why and how? How was
it that a movie played in theaters and had been
seen by others on tape? But yet this happened to
Joey and his family. Has it happened to anybody else?

(03:24:11):
Joey didn't know for sure if mister Binford could give
him the answers he wanted, but it was his best
chance of figuring out what was going on. If only slightly.
Joey approached a hill that, once descended, would take him
to Binford's video. The young boy pedaled as hard as
he could before beginning to go downhill, letting his momentum

(03:24:32):
carry him down. His left hand poised over the break
on the left handle. Joey winced as he flew downhill,
hoping that he wouldn't crash when he braked. When close
enough to the bottom, Joey began to slowly break, making
sure to not do it too hard or too fast
and cause him to go flying off of the bike.

(03:24:53):
Just before he reached the end of the hill, Joey
gave one final break, this time harder than he breathed
a sigh of relief as he successfully came to a
stop at the bottom of the hill. With the video
store in sight, Joey went back to peddling and raced
up to the storefront. He hopped off of his bike

(03:25:16):
and let it fall to the ground. Videotape in hand,
Joey ran to the door, threw it open, and then
rushed inside. The bell to the store rang as Joey
rushed inside and went straight to the counter. Mister Binford
stared at the boy in surprise. Why if it isn't

(03:25:37):
Joey McGhee, what has you up this early? And out
of breath, the man asked his patron. Joey nearly slammed
the tape for Flesh of the Android down on the
counter while he tried to catch his breath. Mister Binford
stared at it while Joey composed himself before his eyes
shifted to the boy. Joey stared at the elder man

(03:25:58):
until he was back to a relatively normal state. What
is this tape, Joey asked. It looks like a videotape
for a movie, horror movie at that, and one which
is rated R. I'm actually curious as to why you
have it, both the movie itself and why you don't
also have a case for it. Mister Binford responded, No,

(03:26:21):
I mean, what is this tape? Joey asked again, I
don't know if I follow. Mister Binford said in a
calm and collected manner. Look, me and my brother and
his friend came here yesterday. They wanted to rent this
stupid movie, but were too chicken shit to come in
and do their stupid plan to swap it with another movie,

(03:26:43):
so they could rent it, so I said I would
do it, and I came in and I did it
by swapping it with quantum cop because I knew you
wouldn't bat and eye at me renting that again. We
went home and put it on, but I couldn't finish
it because it was too terrible, so I went to bed.
Then in the middle of the night, my brother and
his friend started screaming and running all over the place

(03:27:06):
and woke me up doing it. Some thing got spat
out or crawled out of the VCR and attacked us.
It did who knows what to Mack apparently also did
something to my mom and dad, and then I don't
know what it did to Chris because he told me
to run, so I did. I hid under my bed

(03:27:27):
until morning. But then I woke up to find my
house not in a mess. It was last night, my
parents going about their day like normal, but they don't
remember Chris. His room's now my mom's sewing room, and
he isn't in any pictures that he should be in.
And guess what, this stupid movie was still in the VCR,

(03:27:50):
So what is this damned thing? Mister Vinford looked at
Joey as he unloaded the whole story on him. He
watched as when finished, joe He had to catch his
breath again and cool off. He hadn't meant to get
as fired up as he did, but it was the
only way he could think to get mister Binford's attention,
and he found it came naturally. As he went on

(03:28:12):
about the previous day, the elder man looked at Joey,
then at the tape of flesh of the android, then
back at Joey. He took a deep breath before leaning
his elbows onto the countertop. I know, Joey, he said.
Joey blinked. What I know everything that you just said.

(03:28:35):
I know what happened. Actually, it's more accurate to say
I knew it would happen, mister Binford explained. Joey's face
went blank, then a scowl formed and tears started to
bubble up. What mister Binford gave a smile the kind
only an older person could let me explain. Joey knew

(03:29:00):
exactly what was going on yesterday. I might be getting
older and losing some of my faculties, but my peepers
worked just fine. I saw that you would swap the
movie with quantum cop, and I saw how Chris and
his friend were acting. I've seen a lot of kids,
both here and in general over my years, people too,

(03:29:21):
so I know when a person, especially a kid, is
trying to do something they shouldn't. So I let you
take the movie and I let them have it. Mister
Binford explains, I don't get it. What did you let
them have and what does this have to do with
what happened to us and why Chris is just gone?

(03:29:42):
Joey asked, what you saw was an eredaire or if
you don't want to use Latin and erasure. It's a
creature that has been used throughout history to eliminate things
that have been deemed unneeded or for a multitude of
other uses. It depends on entirely on who the summoner
needs it for, Mister Binford explained, like a teacher explaining

(03:30:06):
history or any other subject. Joey stared at the old man,
open mouthed and visibly confused. In simpler terms, Joey, it's
a monster that people have used to make things disappear completely.
But but how Joey started but trailed off. The monster,

(03:30:27):
once summoned, goes after who or what it has been
told to erase, and it does not stop until its
task is done. When it erases something, it does so
completely from existence and history. In this instance, it erased
Chris and Mack. Mister Binford told Joey. So that means

(03:30:48):
Joey started, they have been utterly erased from existence. That's
why your parents don't remember Chris and why he isn't
in photos, and all of his belongings are gone, the
same with family. Joey wanted to throw up. He felt
his stomach churning, and his body began the motions of
heaving before vomit would be produced, but nothing came up.

(03:31:11):
Joey dropped to his knees while he continued dry heaving,
and only stood up once he was able to control
his body again. That's that's terrible. Why why did you
do this, Joey demanded. Mister Benford sighed, Joey, I've seen
how people act over the years. There are those that

(03:31:34):
are some of the finest examples of goodness and humanity
you'll ever see. Some are so so or middle of
the road, Some aren't the best, but you can tell
there's some good deep down. But then there are those
you can look at and just tell their bad apples.
I hate to say this so matter of fact to you,

(03:31:55):
but Chris was the latter. I've known him since he
was little, and over the years I've seen him act
like to be frank and utter brat. I've seen how
he manipulates your parents and how he treats you. When
the three of you came yesterday, I saw how they
were acting, in particular, how they were when I looked

(03:32:15):
out my window when I was rewinding the tapes. I
had seen what the movie was, and once I saw them,
I knew what was up. Joey, You're a good kid,
a good person, one of the kindest and most honest
I've ever seen. I know you would never do anything
wrong purposefully, so it was easy to piece together that

(03:32:36):
you had been put up to this. I know you
said you volunteered to do it, but I know deep
down you wanted to impress your brother so he would
like you more. That is why I gave you the movie.
But how how are you able to do this? Joey questioned.
Back when I was a younger man, I served in

(03:32:58):
World War Two over in Europe. While we were in Italy,
I had found a book containing old dark magic. A
combination of my natural curiosity and the pool I've always
had to things otherworldly or dark or horror. I've had
an interest in the occult. Once I moved out on
my own, I slowly started to practice it. So when

(03:33:19):
I found the book, I couldn't just leave it there.
I put it in my bag and brought it home.
I studied it and found out about the Eradaire spell
and all. At first, I tried it out on a
random drunkard at a local bar. When I saw that
it did, in fact work, I started using it more.

(03:33:40):
Despite my interest and practice of the occult, I still
believe in doing right and being the best you can be.
So when I would observe the worst of humanity and
felt that something needed to be done, I did something
and used the Eradaire. Mister Binford explained to the boy.
Joey listened and took it everything in. He didn't fully

(03:34:02):
understand all of it, nor could he believe what he
was hearing. Stuff like this was the kind of thing
he would find in books or movies. Not to mention,
it was hard for him to believe that mister Binford
would be into stuff like that. Or do something that
was so terrible, erasing people completely from the world to
where nobody could remember them and there were no signs

(03:34:24):
that they ever existed. Joey looked mister Binford in the
eyes and took a deep breath to calm and assure himself.
So my parents, Joey said, it never went after them.
Why was the tape still there this morning, Joey asked.
The Aradare was simply placed into the tape by me

(03:34:46):
using the spell. At the end of the day, it
is still just a videotape of flesh of the Android. Usually,
if the Aradare is placed in an object, the object
still remains unless the summoner wants to object to vanish
as well, mister Binford told the boy. Joey thought for
a second and then gulped. So why didn't it come

(03:35:10):
after me? And why do I still remember him? Joey asked.
Mister Binford smiled sweetly as I said a moment ago,
you are one of the best kids I've ever seen
or met. You're as pure and honest as anybody I've
ever had the pleasure of meeting. And while you could,
in theory use the creature to go after anybody. I

(03:35:32):
don't like using it for just anybody, only for those
that are examples of the worst of humanity, or those
I think need to learn their actions and character have consequences.
In this case Chris and how he treated you in
your parents and probably others. As for his friend, well,
let's just call that a bonus. Bad apples tend to

(03:35:55):
attract bad apples after all. For your other question, I suppose,
if anything, it's so that you can remember how he
was and where it led him. I know he had
his moments of being good, most likely, but he still
chose to be the way he was. Think of it
in a way as a cautionary tale. Joey wasn't really

(03:36:18):
sure what to think. He loved his brother and had
looked up to him even when Chris wasn't being that great.
Life without him, especially having the knowledge of what happened
was something Joey didn't know if he could handle. He
had just been told that magic and monsters were in
fact real, and that it was because of this his

(03:36:38):
brother was gone in every sense of the word. But
Joey had to admit that Chris wasn't always the best
to him, let alone how he might be toward other people. Still,
it was hard to fathom that he would never see
Chris again. Joey turned away from mister Binford and started
to head to the door. Joey, Mister Binford called out.

(03:37:03):
Joey stopped at the sound of his name. He turned
around and looked at mister Binford. The old man using
a hand to beckon the young McGee over. Joey walked
back to the counter and stared at mister Binford. What
is it, mister Benford, he asked, Well, I was wondering something, what,

(03:37:24):
Joey asked. You know, Joey, you remind me a lot
of me when I was younger. Back when I was
a kid, my father got me a job at a
general store. I didn't earn much of anything, but it
did teach me about how to work hard, and it
helped me build my character. So I was wondering, would
you like to work at the store with me, mister

(03:37:46):
Binford questioned. Joey was dumbstruck by the offer me work here.
I couldn't. Why not, mister Binford asked, I'm only seven
and I don't know anything about movies. What would I
even do? Joey asked the old man, I can teach

(03:38:06):
you about movies. As for what you would do, you
could help me put the movies back and make sure
they're in the right spots and help me tidy up
a little bit. What about how old I am? That
is true, but I'm sure if I explained my reasoning
to your parents they would understand. Besides, I would make
your pay free rentals of any movie you like. Mister

(03:38:28):
Binford elaborates, I don't know, Joey said, well, I'll tell
you what then. How about we call this an offer
for down the road when you're a little older. But
if you still want to come in every so often
and learn about movies, I'll talk to you about them,
and if you want to do some stuff to help out,
I can pay you with those free rentals. How's that sound,

(03:38:50):
mister Binford asked, with a hand outstretched to Joey. Joey
stood there thinking he liked the idea of being able
to rent movies free of charge, and he was sure
his parents would enjoy it too. He also liked mister
Binford and liked that he might be able to learn
more about movies. At the same time, though he thought

(03:39:10):
it would be weird working with the man who made
his brother disappear and had apparently been using some creature
to do the same for others. In any story that
he had ever been told that would make mister Binford
a bad guy. Yet Joey could understand mister Binford's reasoning
for doing it, and, if he was being honest with himself,

(03:39:32):
felt a pull to wanting to be able to do
the same. Could I ask for an extra way of
being paid? Joey asked mister Binford, chuckled. Only seven years
old and already negotiating for pay, What do you have
in mind? Joey looked the old man in the eyes. Well,

(03:39:53):
could you teach me about this magic of yours? Mister
Binford smiled widely, My boy, I would gladly do that.
Joey smiled in return and took mister Benford's hand with his.
Then you have a deal. Nine years later, Joey stood

(03:40:16):
behind the counter of Binford's video organizing tapes that had
been recently returned. Mister Benford sat on a stool behind him,
rewinding tapes. Now sixteen years old, Joey had been officially
working at the store for about two years up until
that point. Joey would go into the store once a

(03:40:36):
week to help mister Binford with some odd tasks and
talk movies with him along with learning other nuggets of information. Surprisingly,
his parents were okay with him having a job, his
father even saying it made sense as he too had
worked as early as eight years old with a paper route.
The only thing they probably didn't enjoy was the love

(03:40:57):
of collecting films Joey now had. Mister Binford once said
he had become quite the cinophile, and it certainly showed
in his bedroom that had become cramped with a TV VCR,
LaserDisc player and shelves and stacks of videotapes, laser discs,
and books about film, as well as walls that were
covered with posters. The bell on the door rang, letting

(03:41:21):
the two know they had a customer. Welcome to Binford's video,
Joey started to greet, before stopping mid sentence. A group
of teenagers had walked in, and it was a group
Joey knew well. They were a bunch of kids from
his class in high school, mostly a mix of quote
unquote cool kids. Leading the pack was a wrestler named

(03:41:43):
Fred Tennyson and his girlfriend Cameron Collins. Joey was frequently
bullied by most of the kids in the group, but
was tormented the most by Fred. If a person could
name the things a typical bully would say and do
to somebody, Fred had done them to Joey. The animosity
stemmed from Joey being labeled a weirdo, but Joey knew

(03:42:06):
it was most likely due to the fact that he
had a crush on Cameron. For every bit of bad
Fred was, Cameron was that good? Hey there, it's the
film fairy, Fred called out to Joey. The kids laughed,
save for Cameron. She gave Joey a small smile and
a wave. What do you want, Fred, Joey asked, in

(03:42:29):
as flat and annoyed a tone as he could. A
movie duh, a kid said mockingly, didn't know you were
that stupid Josephine. Another taunted, don't give me shit, McGee.
I don't want to be here either, but Blockbuster in
Hollywood Video didn't have what we wanted, so unluckily for

(03:42:49):
me and you, we came here. Fred explained he matched
Joey's tone, but with the upped ante of getting in
his face. Well, and get whatever it is you want
and get out. I don't have time for your bullshit,
Joey countered behind him. Mister Binford turned his head to
the conversation behind him. Fred gave Joey a push before he, Cameron,

(03:43:14):
and the rest of their group headed to a wall
of new releases. Mister Binford joined Joey at the counter
and watched the group with him. What was that all about,
he asked his young employee and friend. Oh, just some
blowhards from school. Joey told him. They give you trouble always, Well,

(03:43:35):
all of them, but one, Joey said, as he pointed
to Cameron. Mister Binford smiled at Joey. Is she somebody
that you're sweet on? Joey blushed and smiled a little.
I wish you should tell her sometime, mister Binford told Joey.
I can't. She's taken by Fred, the guy I had

(03:43:57):
in my face, Joey explained, And that means you can't,
at the very least talk to her. Mister Binford asked,
pretty much, She's off limits unless I want to get
put in an early grave. The two return their attention
to the group they watch as Cameron pulls a movie
off of the shelf and shows it to Fred. Unable

(03:44:18):
to hear them, Joey can only make an educated guess
as to what was being said, but was able to
clear his day see that she said or did something
to tick Fred off. The next thing, the two clerks
knew they were watching as the two started to have
an argument that ended with Fred chewing his friends away.
Believing that no one was watching, Fred smacked Cameron with

(03:44:41):
the tape she had picked out. Joey clenched his hands
into tight fists at the scene. It was not the
first time he had observed how Fred treated her when
he believed no one was paying attention. Mister Binford watched
the scene unfold in front of him and how his
protege was reacting Joey. Things change Sometimes people are into

(03:45:04):
something one day and then simply forget about it the next.
Mister Binford explained, he giving Joey a pat on the back.
Joey looked at his mentor a small smirk on his mouth.
Excuse me, geezer and nerder rama. The two returned their
attention to the counter. It was Fred with a movie

(03:45:24):
in hand. You found what you're looking for, son, mister
Binford asked. Finally, Fred said, in his usual gruff fashion, Well,
I'll get you checked out while Joey here, make sure
the movie's been rewound, mister Binford tells the teen. Yeah, yeah, yeah,
just make it snappy, all right, Fred told the two
before shoving the movie into Joey's hands. Joey turned around

(03:45:48):
and headed for the tape rewinder. He slid the movie
out of its case and popped it into the machine.
As he watched the tape rewind, mister Binford's words echoed
in his head. Sometimes people are into something one day,
then they simply forget about it the next forget. Joey

(03:46:09):
hung on that word. He thought back to everything mister
Binford had taught him, both for movies and for what
the two decided to refer to as extracurriculars. A grin
formed across Joey's lips. He held a hand over the rewinder,
and under his breath he uttered a series of words

(03:46:30):
in Latin that mister Binford had taught him, and all
two important string of words Joey had learned about all
those years ago. Once finished with the string of words,
the taper winder stopped and popped open. Joey took the
tape out and slid it back into its case. He
returned to the register and placed it on the counter.

(03:46:53):
That'll be two dollars and fifty cents for the night,
Joey tells Fred. Fred fishes the money out of his
pocket and pushes it towards Joey before picking up the tape.
As the two finish their transaction, Cameron and the other
kids walk back up to Fred. Enjoy your movie night,
Joey tells them, whatever freak Fred said, Is it good?

(03:47:17):
Cameron asked, in her always cheerful but matter of fact voice,
a voice that Joey compared to Barbara Stanwick. What do
you mean, Joey replied the movie? Is the movie any good?
She asked him again. Joey smiled at her, Yeah, I
think you'll like it. That doesn't tell us if it's good,

(03:47:39):
dumbass A kid said, yeah, you only said she'd like it.
What about the rest of us? Fred questioned, Oh, don't worry.
You have my word that it's something you'll never forget.
Joey told them, with his best customer service smile. Whatever

(03:47:59):
Fred said, before he and the others head towards the door.
Mister Benford stood beside Joey, whose smile was turning into
a smirk. What's you thinking about, my boy, he asked Joey. Oh,
just something my father used to tell me. What was that?

(03:48:20):
Garbage in? Joey started as the bell to the door rang.
As the group of teenagers left the video store, the
door closing behind them, Garbage Out returned to cry Baby

(03:48:40):
Bridge by Rob Fields. Ah Man, Yeah, I suppose I
ought to be glad. Ariel Mirrn invited me to another
one of her parties. There's two problems with this. The
first one it's another mirror and only event. These parties
take place at a different mirror, Man inside the gated community.

(03:49:02):
This time up it's at Ariels. If you're wondering if
I'm feeling kind of scared right now, you ain't far off.
Imagine you being the only one at this thing who
ain't a mirror. Everybody's dressed all fancy and stuff. The
gents are wearing nice suits and the ladies are wearing gowns.
I'm the only one here who ain't wearing fancy clothes.

(03:49:24):
I'm sure getting dirty looks from people either. For the
clothes I'm wearing, or because they know I ain't a mirror.
Maybe it's both, which brings me to the second problem.
Tonight is Halloween. I was hoping to be out trick
or treating with Carter Cross, my next door neighbor and buddy. Unfortunately,

(03:49:45):
Ariel intercepted me when she saw me at Strickfield Town
Center Mall with Mom this afternoon. As soon as she
saw me going into Spirit Halloween, Ariel all but cornered
me and said I was coming to her party, and
with Ariel, you can't it really refuse because she's Ariel.
So here I am at Ariels and keeping on high

(03:50:06):
alert while holding a saucer and drinking a cup of coffee.
I almost got half a mind to bail and go
trick or treating with Carter, but I know I'll never
hear the end of it from Ariel, speaking of whom
she's back, I'm telling you, Mouse, the only reason I
think Mom makes me attend these parties is to keep
my little goober of a cousin, Stewart away from everything.

(03:50:29):
Ariel tells me he's the cousin. You're always babysitting, right,
I ask Ariel, groans, I might as well be his mom,
since I'm the only person who has to watch him
all the time. Either Aunt Margaret drops him off here
for me to babysit, or I'm told to entertain him
at family events to keep him out of trouble. I've

(03:50:49):
been meaning to ask Ariel why she keeps inviting me
to these things. I think I get it now. I'm
probably the one person here keeping her saying. Also, Ariel's
mom told her, on no uncertain terms that Mona Abeles
and Bailey Downs ain't allowed at mir and only functions.
So what makes me so special? Ariel's dressed like a

(03:51:10):
proper princess like the other girls here her age. I
know what you're thinking, Mouse. I invite you to these
events because I've got to have someone I know that
I can talk to. Mom can't stand Bailey and Mona,
but seems to like you. I barely even know your parents, Ariel.
I tell her, my mom knows your mom. She explains,

(03:51:33):
she pays your mom to do the artwork for the
video games. My mom codes she's got another one coming
out just in time for the holidays. Don't you mean
your mom knows me? I say, and then I'm in trouble.
Next thing, I know Ariel's mom, Adrian comes over to
where we are. Now, She's given me this weird scowl,

(03:51:54):
probably upset i'm here. Then again, she always looks like that.
Next thing, I I know, Adrian's examining my scarf. Do
you always dress this way, Madeline? She asks me. I
ain't really sure how to answer. He is everything okay, mom,
Ariel asks her. Oh yeah, Ariel's practically a smaller, younger

(03:52:15):
version of her mom. By the way, May I ask
where you purchase your berets and scarves? Adrian asks me,
ignoring Ariel. I start to talk to Adrian, but then
I remember Ariel telling me not to talk too loosely
around her. I buy them at Dillard's store at your
family's mall. It's the only place I know that sells them.

(03:52:37):
Adrian looks me over again. I'm the only female here
who ain't wearing a dress, just wearing a pair of
dress pants, a nice blouse with a match in vest, dress,
shoes with comfy socks, and my beret and scarf. Oh
in my velma dinkly looking glasses. Then Adrian lets go
of my scarf. Next thing, I know her eyes are

(03:52:58):
wide open. Are you drinking coffee, Madeline? It's quite delicious, ma'am,
I reply. She raises an eyebrow. Aren't you a bit
young to be drinking coffee? Well, you did tell me
to help myself to whatever I wanted. I remind her,
I wanted to try some of your coffee. I'm guessing

(03:53:20):
you don't buy it from anywhere here in town. Out
of the corner of my eye, I can see Ariel
giving me a worried look, like she's asking me what
I'm doing. Then I quickly compose myself. I'm thinking you
offered some of your coffee to mom when you invited
her here to talk about her artwork for your games.
She brought some home and let me try some. I've

(03:53:40):
been drinking coffee since I was nine. Adrian nods once.
Then I'll give you some more to take home with you.
I actually don't drink coffee myself. My sister brought it
for me from one of her travels in Brazil. I
only put coffee out at our family gatherings. She reaches
over and picks up the cathay. Then she tops me off.

(03:54:01):
I'll be sending your mom's artwork home with you as well.
Don't worry, I've approved it, so she'll be pleased to
know that. Adriane and I talk a little longer. Then
she excuses herself and walks away. Now I slowly turn
and face Ariel. You could have at least made a
little plate of cheese or something. Ariel groans, Oh, cause

(03:54:22):
you call me mouse right? I reply.

Speaker 2 (03:54:24):
Now.

Speaker 1 (03:54:25):
Ariel just looks at me and tightens her fists. I
hate you, mouse Ah, What I do now? I ask?
I get another Ariel groan before she grabs my arm
and pulls me into the garage, turning on the light.
After she pulls the door shut, she faces me. Mom
never talks to me at these parties, she confesses, not

(03:54:46):
unless Stuart's getting into trouble again. You want to know
the real reason Mom doesn't want Mona and Bailey here.
I invited them once and told them they needed to
dress up. Know what they wore school clothes? Can do
you believe Mona and Bailey don't own any dresses? I
don't own any either, I pipe up. Ariel growls again,

(03:55:09):
you three are girls. What do you mean you don't
own any dresses? I shrug, Give me something to wear
a dress for, and I'll go buy one. Ariel balls
her fists. I told you to wear a dress when
I invite you to family gatherings. Then she clears her throat.
Mom immediately recognized Mona and Bailey and practically threw them out.

(03:55:32):
That was great Uncle Bartholomew's ninetieth birthday party, by the way,
But ain't mere and family party supposed to be that,
I ask. Ariel closes her eyes and sighs. I'm so
bored of these things. Mouse. I hate these parties. Unfortunately,
Mom won't let me skip them, at least if I'm

(03:55:53):
going to attend them, then I want somebody I know
here with me. Since Mona and Bailey are out, that
only leaves you face it. Mom likes you. That's why
she's never kicked you out of any of the family
parties I've invited you to. I smirk that end you
always say, and you'll kill me at the next slumber
party if I didn't come, which you know I would.

(03:56:17):
Ariel grins and points right at me. See, there are
a few things I can own you on. Then she
tightens her jaw. Now I just have to figure out
how to own Carter Cross and all can be right
in my world. Suddenly the garage door we came through opens.
Ariel's Mom's right there now. I thought I specifically instructed

(03:56:41):
you to keep little Stewart from getting into things. He
just climbed up onto one of the buffet tables and
knocked all kinds of food to the floor. Get in
here and get him. Ariel surprises her mom by tightening
her fists and growling, how about you go after that
little goober for once? And gasps, I beg your pardon.

(03:57:03):
I am done being Stuart's babysitter. Ariel hits the main
garage door opener, and just where do you think you're going,
young lady, Adrian demands, don't you dare think for one
second that you're leaving this event. Next thing I know,
Ariel's grabbing my arm. Come on, we're leaving. I give
Adrian an apologetic look as Ariel's tugging me out of

(03:57:26):
the garage with her. You'll be sorry for this, Ariel
renaissance mirror, we hear Adrian calling out behind us. Soon
as we start moving down the driveway, the door closes.
Ariel breathes a huge sigh of relief. I'm sorry you
saw that. Not sorry, I'm just looking at her. Now.

(03:57:47):
You don't think your mom's gonna get you when you
get back home. Then, Ariel sees, I still got my
cup of coffee. Finish your drink and don't break those
mom really will go ballistic. Then, and she holds herself
and shivers. Okay, I didn't think this through. Nope, my
jacket's still at your place too. I sip my coffee.

(03:58:09):
We can always go back to my place and get jackets.
I don't live far from your gated community. Ariel shivers more.
Now I guess we're going to your little mouse hole.
Ariel and I walk quickly to the main gate and
step through the side door to leave the mir and
gated community. We keep walking fast. Good thing it's a

(03:58:29):
straight shot from the Miran's main gate to my place.
Is that coffee still warm? Ariel asks, not much. I reply,
knowing what she's implying. You ain't gonna like it. When
Ariel's still looking at me, I hand her the rest
of the coffee. She takes it and takes a drink.

Speaker 2 (03:58:48):
Augh.

Speaker 1 (03:58:49):
I look at her with wide eyes. When the cup
and the saucer both fall and shatter on the sidewalk.
Then she looks at me again. I don't know how
you drink this crap mouse. I point down. Um, yes,
I broke them, Ariel snaps. Mom can disown me for
all I care. I sigh. Come on, we ain't far

(03:59:11):
from my place. I want to offer Ariels something to
help cover her bare arms. That's what you get for
running away in just a princess dress. Right anyway, We
keep walking fast until we get to my place. Nice house.
Ariel mutters, looking at the red brick one. Oh that's
Carter's place. I tell her I live in this one.

(03:59:34):
My place looks more like an American dream type place,
you know, the nice white house with the picket fence,
with two cars in a garage. Suddenly, the back porch
light next door comes on. As Ariel and me are
about to reach my back porch. We both turn to
see Carter Cross opening up and stepping outside. Madeline donnerly, Hey,

(03:59:58):
he points at me. Your parents wanted me to tell
you that they went to North Ridgeway to see your
aunt and uncle there. Yeah, they said they might, I reply.
Now Carter sees Ariel, what are you doing here, shouldn't
you be sitting on your throne at your palace, your highness,
Ariel growls and points at him. You can just shut up,

(04:00:19):
Carter Cross. Carter laughs, Hey, you ain't in your wald
off kingdom now, Princess. You're out here with the rest
of us peasants. Now. Then he notices, Oh, I get it.
Since you got ice water in your veins, you're nice
and comfy in the cold, right, Ariel screams and runs
right up onto his porch. Real easy, since Carter and

(04:00:42):
I share our wide driveway. Carter tries to hurry in
and slam the door, but he greatly underestimated both how
close Ariel was and how fast she can run, even
in her princess dress. Ah man, I mutter and walk
to Carter's I come inside and see Harder and Ariel
circling each other at his kitchen table. Ariel tightens her fists.

(04:01:06):
Oh you just wait, Carter Cross. Just as soon as
I get my hands on you, what you're gonna call
your royal guards and have them boil me in oil?
Out in the driveway, Princess, Carter teases, Yeah, time to
put this thing to bed for the moment I open
Carter's refrigerator and grab a coke here, Ariel ooh. Ariel

(04:01:27):
takes the can and quickly cracks it. Carter's given me
his weird look. Now, really, Madeline, I shrug. You wanna
keep tempting fate with Ariel? Carter sees I'm right and
backs off. He comes over to us. Now, okay, so
what are you guys doing here? What happened to her

(04:01:48):
Majesty's royal ball? Ariel looks at him and growls again.
Her hands are starting to crush the can. I quickly
step in between them. Her Majesty escaped from the ball
to avoid the stroke of midnight. I look at Ariel.
She didn't want to turn back into a Halloween pumpkin.
Ariel gawks at me. Now I hate you mouse. I

(04:02:12):
laugh a little, sorry, couldn't resist. Then I get serious.
Ariel had to escape from yet another family party. She
really hates doing them. Carter laughs, Well, looks like Princess
Ariel is human after all, Carter. Ariel yells, hey, rich girl,

(04:02:34):
you're in my house now. He reminds her, I'm the
king here, Queenie great Ariels hoppin mad again? Oh you
you before? Ariel can scream her blood curdling scream. I
quickly raise my hands in between them. Come on, you

(04:02:55):
two truce just for tonight. They both look at me.
Now they're looking at each other again. Nah, they utter together.
Carter points at Ariel. Come on, your majesty, what are
you doing here? Huh? Ariel growls again. Mouse just told you,

(04:03:17):
you buffoon. What's the matter you got butter in your ears?
Carter sneers better than rocks in your head? Ah man.
Ariel screams her blood curdling scream and drops the pop.
Now she's right on top of Carter and attacking him
like a wild creature. Carter's holding her wrists and laughing.

(04:03:40):
I sigh and work on cleaning up the pop. Next thing,
I know, they just stop. I look right at him
and see they're just looking right at each other. Ariel's
still mad, and Carter's still holding her wrists. You want
to know what, I know? Carter and Ariel like each other.

(04:04:02):
They don't want to admit it, but I can see it. Yeah, yeah,
I know. They fight all the time. Ariel's always drinking
his SODA's and treating him like he's beneath her. Carter
won't give in to Ariel at school and makes fun
of her instead. But I seen this kind of thing
between them. I even caught Carter looking at picks of

(04:04:22):
her on his phone. And no, he don't know. I know.
I quickly move to him. Now truce, you guys, please.
Carter slowly lets Ariel's risks go when I help her up.
Then Carter gets up too. He holds out his hand
to Ariel. Okay, truce. Ariel's still looking mad, but she

(04:04:47):
shakes his hand. Truce, but just for tonight. Suddenly there's
a knocking at the front door. Probably tricker treaters, I
tell Carter. He shakes his head. Can't be Madeline. I
ain't got the front porch light on. Besides, I'm about
to go trick or treating myself. You two can come

(04:05:07):
with open up. We know you're in there. Don't make
us kick this door in, Carter. We hear from the
front door. Ariel groans and moves to the front door.
She opens it to reveal Mona Abels and Bailey Downs,
two of Ariel's besties. I look at Carter, who gives

(04:05:30):
me a kind of angry look for Ariel letting her
friends in his house. I just shrug. Ariel's gonna be Ariel.
How did you two know I was here? Ariel asks him.
Bailey laughs, Mona, and I heard you scream when we
passed by while we were trick or treating. She's dressed
up like a Ghostbuster, complete with a replica proton pack. Yeah,

(04:05:53):
you're the only girl we know who can scream the
way you do. Mona adds. She's the one who threatened
to kick Carter's door in, and she's dressed up like food.
Mona sees me, now, what are you looking at? Mouse? Yes,
I'm a Denoyer's grilled cheeseburger. Shut up, I shrug, you
do you? Then Carter speaks up, long as you three

(04:06:16):
are here in my house, you ain't picking on Madeline.
Ariel actually backs him up. Truce for tonight, you guys.
Then Bailey notices, hey, wait a minute, ain't you supposed
to be at your party? Mouse and I both made
a jail break, Ariel told him in a nutshell, now
we're here, Bailey and Mona listen to Ariel's story. Okay,

(04:06:40):
so what now? Mona asks? Then her eyes go wide,
what are you looking at? Carter? Then she's walking into
the den. The rest of us follow her. Then we're
all around the computer. Carter sits down and tells us
I was just looking over some strickfield life local legends
on the university's website. He looks at Mona. What's the

(04:07:04):
big deal? Bailey answers for her. Mona and I were
actually just talking about that legend, the one you're looking
at right now, Carter, what are the chances? Carter looks
at the screen the cry Baby Bridge. I was just
looking at it. Never really heard of this legend. I

(04:07:25):
look his way now, really Nope. Then he looks at
Mona and Bailey. Okay, so you two were saying this
is a local legend. Yeah right, it is a local legend.
Mona snaps. The bridge is located on Indian Hollow Road.
It ain't far from Denoyer's grill. Ariel rolls her eyes.

(04:07:48):
Listen to you talking about ghosts and things again, Mona
growls and bumps. Ariel, you don't get to go there,
especially when we all ended up seeing Bloody Mary last month.
When the three of them see Carter and me just
looking at him, they sure get quiet fast. Something you
want to tell us, Carter asks, No, they all say together.

(04:08:14):
Ariel points at me, now and you be quiet, Mouse,
I just shrug. I ain't said nothing. We pinky promised
on that, remember now. Carter looks at me. Sorry, buddy,
but a pinky promise is a pinky promise. We made
a few ourselves. Ariel's gotta tell you because I can't.

(04:08:36):
Carter nods. Then he asks Mona and Bailey, what made
you two talk about the cry baby bridge anyway? People
were talking about it at Roth's rings. Bailey says, we
stopped there for a little bit, then we came this way.
Heard Ariel scream. You know the rest. Okay, since we're

(04:08:56):
all here together, Now, what's the plan? Ariel asks? Carter says,
I guess we can all go trick or treating since
everybody's dressed for it, Ariel and me ain't wearing costumes,
I point out. Ariel smirks and puts a hand on
her shoulder, Princess. Then she puts a hand on my shoulder, Aristocrat.

(04:09:18):
Problem solved, mouse or maybe put mickey Mouseer's on her.
Mona cracks. Carter's about to get on her, but Ariel
beats him to it. Truce tonight. That means you and
Bailey too. Mona ain't wanting none of it, but Bailey
puts a hand on her shoulder. Come on, girl, we
can truce for one night. It's Halloween. Let's just have

(04:09:41):
some fun. Mona size fine truce, but we're going to
Denoyer's grill right after we're done trick or treating. Sounds
like a plan. Carter agrees. Carter's wearing his Strickfield Junior
High football uniform as his costume. Then he gets Ariel
in me a couple of how Halloween trick or treat baskets.

(04:10:02):
Ariel's is a green skull and mine's a purple jack
a lantern. After he gets Ariel and me jackets, he
grabs his pillow sack and we're all out the front door.
The five of us make the rounds in the village
and get all kinds of goodies. Carter and me went
trick or treating a few times this week. Sure is
nice that the people of Strickfield voted it a week

(04:10:22):
long and there's no school today or tomorrow. Also, you
should see all the decorations. People really go all out
for Halloween here. It's the most wonderful time of the
year for sure. We eventually decide after Denoyer's grill that
will all gather in my living room since mom and
dad ain't coming home till tomorrow afternoon, sometime, we'll watch

(04:10:45):
scary movies and just hang out. I think I suggested
that because it's Halloween and because Ariel's mom called. We
all just looked at each other as Ariel and her
mom got into it. Ariel ended up screaming and dropping
her phone into a creek on purpose as we crossed
a bridge. That was when I suggested movies. We end

(04:11:06):
up dropping back at Carter's a few times to drop
off all the candy we got. When we drop by
there again, Mona speaks up, guys, let's go to Denoyer's grill.
I'm really hungry. You already ate three candy bars, Ariel says,
and those caramel apple donuts you just had at Roth's rings.
Bailey ads, Mona groans, I'm sorry you guys. All the

(04:11:30):
walking we're doing is making me hungry. Then Carter asks everybody,
you guys think we got enough candy? Looks like Mona's
gonna win. We got more than enough candy, so we
stop trick or treating. Around nine thirty and walk out
to Denoyer's grill. About twenty minutes later, we're going in.

(04:11:50):
Denoyer himself seats all of us in a booth and
gives us menus. I can't wait, I've been thinking about
this place all day, Mona says excitedly. Bailey turns to her,
why don't you just move out here already? I'm sitting
outside the booth with a chair from another table. Carter
and Ariel kind of look at each other as they

(04:12:10):
sit together and watch Mona and Bailey bicker. Truth is,
I've been hanging out with everybody here for years. Mona
loves to eat. Fortunately for her, she doesn't show it.
When we have pizza at Ariels sleepovers every Friday night,
Mona eats the most. Anyway, I'm used to her and
Bailey's bickering. By now, Denoyer comes and takes our orders

(04:12:33):
and puts a cheeseburger that almost resembles Mona's costume down
in front of her Mona. Ariel asks, Mona's got a
big smile now. When she sees us looking at her,
she points to the door. Fler there says, if you
come dressed like a Denoyer's cheeseburger on Halloween, you get
one for free, and there's yours. Denoyer tells her. I

(04:12:56):
look up at him. How many of you given away
for that today? Mona here makes six? He tells me.
Not too many people take it seriously. I do it
every year. Soon as we give our orders, it ain't
long before there's more surprises. Maddie, I look and see
Aine Aine's short for Einstein, a name cousin Aileen's older

(04:13:18):
brother Martin gave her years ago. Wow they really are twins,
I hear Ariel whisper to Carter. People say, cousin Aileen
and I look exactly alike, twin cousins. We got the
same long brown hair, same faces, same height, same voices,
and even the same velma dinkly looking glasses. Keep in mind,

(04:13:42):
though I'm in the seventh grade, Aileen's a senior at
Strickfield High. Now everybody else at my table can gawk
when cousin Aileen and I hug. Then I see she
ain't alone. Bell's Hi, bella Tabon smiles. Didn't think Ainie
and I would run into you here, Maddie. Cousin Aileen

(04:14:04):
and Bell's sit in the booth across from mars So
I sit with them. It's all the same, since we're
all here to eat and have fun. I can see
Ariels admiring Bells's costume. She's dressed up kind of like Elvira,
except she's got her vampire face on. For the record,
Bell's is a real vampire cousin. Aleen's dressed up like

(04:14:25):
an eighties chick. Anyway, you should have seen the faces
on everybody I came here with. When Bells gives her order, yep,
they heard her order five bacon cheeseburger platters and a
big pitcher of coke. See, Bell's is a different kind
of vampire. She don't drink blood. She's a day walker,

(04:14:45):
and she eats lots and lots of food. And you
guys give me a hard time about my appetite, Mona mutters.
So the seven of us are just hanging out and
enjoying the great food. Much to the surprise of everybody else,
Bella eats every bite. She even orders a whole pumpkin
silk pie for dessert. And then Bells gives everybody a

(04:15:08):
huge treat by paying for everybody. Yeah, being a tab on,
she's definitely got money. I don't know if it's like
Ariel's money. But but Bells can definitely afford to eat
and pay her fair share of everything since she lives
with Iiny, I'm stuffed. Ainy says, you only ate a

(04:15:29):
plate of fries. Maddie, you never eat much. I eat
what I gotta eat, and I'm done. I tell her.
Bell's sneers more like you drink what Iiny eats. That's
your fifth cup of coffee, I shrug. Denoyer's got pumpkin
chie death wish coffee. That and I gotta stay up
all night with my people movies, Iiny asks, Yeah, Mom

(04:15:53):
and dadd ain't home, so I can host at my place.
You and Bells should come, I say, Iiny yawns. I
don't think it's gonna happen. I got up way too
early this morning, forgot we didn't have school today and
couldn't get back to sleep. When we're all done, I
share hugs with Bells and Iiny. We leave Denoyer's grill

(04:16:13):
just after they do. Q two could be sisters. Mona
tells me, ain't the first time I heard that one?
I reply, I don't think I can tell them apart.
Ariel says, I can. Bailey speaks up. How Mona challenges her.
Bailey smirks, it's all in the eyes. No, come on,

(04:16:36):
Ariel groans, how do you know, Bailey? I just told you?
She groans back. When Ariel and Mona sigh like they've
been crushed, I snicker to myself, Get what Bailey's trying
to tell them. That's right, it's our eyes. Aleen's got
brown ones and mine are blue. Okay, let's go to

(04:16:57):
Madeline's and watch some movies, Carter said. Then he says
to Ariel, I still can't believe you just tossed your
phone in the water like that. Mom will get over it.
Ariel replies. As we're almost off Denoyer's property, Mona suddenly
stops us. You guys, remember when we were talking about

(04:17:18):
the cry Baby Bridge earlier. We're not far from there.
We should totally go and check it out. Bailey's excited now.
Mona's right, Indian Hollow Road ain't far from here, maybe
a half hour walk to that bridge. Tops. Let's go
check it out. Then we can go to Mouse's house
and watch movies. Carter bumps my shoulder a little. What

(04:17:42):
do you think, Madeline? I shrug. It's Halloween right for
at least another half hour anyway, Ariel says, looking at
her smart watch. Yeah, but who really goes by the
clock on Halloween night? Bailey mutters, people are still I'm
going to be celebrating into the late hours, kind of

(04:18:03):
like us. Now I get a little goofy. I don't know, Carter,
I don't think these other girls want to tempt fate
going out to that bridge. I point to him. Now,
remember you three said you saw Bloody Mary last month
at one of Ariel's sleepovers. Ariel holds yourself a little Oh,

(04:18:23):
shut up, Carter and I start laughing. Ariel titans her fists.
I hate you mouse, I'm just funning. Come on, you guys,
it's Halloween, I remind him. So we turn and start
walking to Indian Hollow Road. Mona kind of shivers a little. Now,

(04:18:43):
thank god, we ain't seen Bloody Mary in our mirrors
again since last month, assuming we weren't really just seeing
things to begin with, You three afraid of ghosts? Carter
asks him. Then Ariel slaps his arm. Ow shut up, Carter,
she mutters. After Carter pulls his phone out, what are

(04:19:05):
you looking at? Bailey asks him, Since it'll take us
a little bit to get to the cry Baby Bridge.
We might as well look into it, he answers. Here
we are right on Strickfield University's website. Carter tells us
the story about how the bridge was built. During the
American Civil War years, Abigail Tomlin was promised to this

(04:19:28):
rich lord named Alvin. Abigail had no real desire to
marry Alvin and fought him every step of the way.
And even though Abigail became pregnant with Alvin's child, she
still refused to marry him. Shortly after she'd given birth
to Arthur, Abigail took her son and fled. It wasn't

(04:19:49):
long before Alvin learned she ran away and pursued her.
It was on that bridge we're all on her way
to now where Alvin caught up to her. Abigail Tomlin
still refused to marry him. Furthermore, she refused to hand
Arthur over to him. She knew Alvin had a pistol

(04:20:10):
Abigail had won herself. They both drew and were at
a standoff. Alvin was more treacherous and shot her first.
Abigail shot and wounded him too. More shots were fired
until Abigail was about to die, she still refused to
marry Alvin and give the crying Arthur to him. Since

(04:20:32):
Alvin knew he could never have Abigail's heart, he shot
her and finished her off. Alvin hadn't planned on Abigail
leaning against the bridge's railing and taking both her and
their son into the raging waters of the Castalia River.
It was said Arthur was crying all the way down.

(04:20:54):
Carter gets a few shivers out of the other girls
when he says how both Abigail Tomlin and baby Arthur's
bodies were never found and there were huge search parties
out looking for him. Then he finishes up in an
eerie tone, and it was on such a night just
like tonight. Bailey, Mona and Ariel shriek. Ariel wants to

(04:21:17):
smack him again, but he quickly moves out of her way.
Then Carter moves behind Bailey and grabs her shoulders. On
nights just like tonight, he resumes, just go to that
very bridge off Indian Hollow Road and wait there. He
moves his head right next to Bailey's just for a while,

(04:21:39):
you might just might hear the sounds of little baby Arthur. Crying.
Bailey laughs. Now, maybe if you ask Veranda, Queen of
the Knight nicely, she might let you be your assistant
on Friday Night. Fright. Carter moves out from behind Bailey
and this time does slap his arm again. Creep. Suddenly,

(04:22:04):
Carter turns and makes these ghostly groans. Ariel cries out
and runs as Carter's chasing her. I'm going to kill you, Carter,
Ariel yells you already did. Carter cries back in a
ghostly groan. Your driver ran me over with your limo

(04:22:24):
last week. Now I'm back to claim you, my darling. Ariel,
No stop, Ariel laughs, still running. Then Carter trips on
a route and falls over. Suddenly Ariel's on top of
him and trying to slap him some more. I'm going

(04:22:45):
to kill you, Carter's laughing as Ariel growls and tries
to pry his arms apart so she can slap his face.
He's too strong for her, though. Then Carter makes Ariel
cry out when he grabs her and turns her onto
her back. Now they're just looking at each other again.
Like I told you earlier, these two really like each other.

(04:23:09):
Get off me, Carter, Ariel says in a menacing voice,
or I shall kill you when Carter don't get off her.
She surprises him by suddenly lifting her head and clacking
her teeth. Carter quickly gets off. Mona, Bailey and Me
laugh when Ariel's on her feet and chasing him around.
Now you just wait until I get my hands on you,

(04:23:31):
Carter cross, Ariel shouts, I'll teach you to scare me.
Ariel does catch Carter and actually takes him down to
the grass. I ain't gonna be the one to tell
Ariel she's got green stains on her dress. Then again,
I don't think she even cares. Remember, Ariel did drop
her cell phone in a creek earlier when she didn't

(04:23:53):
want to talk to her mom anymore. Now it's Ariel's
turn to stare at Carter. Then she lowers herself. Is
Ariel really gonna kiss him? Yuck? Carter cries out when
Ariel sticks out her tongue and licks all the way

(04:24:13):
up his face. Cooties. Now the three of us are
laughing so hard we're falling onto the grass ourselves. Then
I feel myself crying when I hear Carter yelling get
off me. You crazy Freako. By the time we finish
laughing it up, Carter and Ariel are waiting at the road.
We're making our way to him, slowly, but surely. I'm

(04:24:37):
so glad we can make your night. Ariel mutters, yeah,
thanks a lot, Madeline. Carter adds, you know you could
have pulled Ariel off me. I quickly shake my head. Nope,
you're the one who tempted fate. Then Carter resumes his
eerie tone again. But do we dare tempt fate? Do

(04:24:59):
we dare take those steps to the bridge told in
local stric Field legend. He quickly steps out in front
of us. This might very well be our last opportunity
to turn back. Suddenly, he pulls a flashlight out from
behind him and turns it on to light up his face,

(04:25:20):
making Ariel, Mona and Bailey shriek while we still can.
When Carter turns off the flashlight, Ariel turns and gives
me a little slap on my shoulder. And again, you
never get scared, and on Halloween, what's with you? Mouse?

(04:25:40):
I shrug like I keep telling you give me something
to be scared about. Ariel growls her usual growl. I
hate you mouse. How much further we gotta go? Mona asks,
we can't be too far now. Carter points ahead. We
just gotta go down that hill and we're there. I

(04:26:02):
think I think I can see it, Bailey says, so
can I. I add, when we're at the top of
the hill, we can see the metal skeleton bridge going
over the Castalia River. That's really it. Mona whispers, yep.
Carter lets Mona look at his phone. You guys, look

(04:26:23):
at this, Mona says, showing us the phone. The picture
looks just like that bridge. Well, looks like the bridge
rusted over time. Carter notes, must still be a good bridge,
since it's never been closed. So how do we do this?
Ariel asks, I mean, we don't really just wait up here, right.

(04:26:46):
Ariel's right. Carter agrees, I think we're supposed to actually
go to the bridge and just hang out there. Believe
it or not, none of us are moving to head
down the hill and go to the bridge, truth be told.
I'm waiting to see who's gonna do it first. Then,
Ariel says, we'll follow you and Mona. Carter, let's go,

(04:27:09):
Carter replies. Carter and Mona are leading the way. They
get a little bit ahead of us. Then I hear
Bailey and Ariel talking. You know you like him, Bailey
tells Ariel. Excuse me, Ariel mutters. Bailey smiles, flashing teeth.
That's right. You keep telling Mona and me how you

(04:27:31):
hate Carter Cross, but we can see you really like him.
Oh shut up, Ariel snaps, but Bailey keeps going. He'll
become boyfriend and girlfriend next year. I'm guessing then you'll
be high school sweethearts. You'll be dating and going to
the Strickfield High dances together. You'll marry Carter after graduation

(04:27:52):
and start a family. When Ariel doesn't reply, I think
Bailey and me both know it. Ain't no secret in
our group. That's for sure. Ariel and Carter really like
each other more than they ever want to admit. I
hate you, Bailey, Ariel mutters. Truth hurts. Bailey says. We're

(04:28:14):
a quarter of the way down the hill behind Carter
and Mona. We keep going until we're all at the
bottom of the hill. Then we follow the road to
the right curve. Shortly after we walk into the left curve.
Then we all stop just at the bridge. Ain't nobody
walking out onto it? Right away. Before long. I go

(04:28:35):
for it and walk right on to the cry Baby
bridge and stop when I reach the middle. Then I
turn and go lean on the rail. Carter's on my
left and Ariel's on my right. Now Bailey stands on
the other side of Carter, and Mona's on the other
side of Ariel. Okay, we're here, what now, Bailey asks.

(04:28:57):
I don't see anything else on the university's web site.
Carter tells her it just says we wait. Looks like
we got here just in time. It's ten minutes till midnight.
Mona takes a big, deep breath. Wow, I can't believe
we're really doing this on Halloween night, the five of us. Yeah,

(04:29:18):
we normally don't hang out with you, Carter. Ariel says.
It's just usually Mona, Bailey, and me. Then there's you
and Mouse, except for Friday night sleepovers, I remind her,
and all the other times you text me saying I
gotta meet up with you guys right now. Yeah, i'd
say Madeline's a part of your little girl group, Carter says.

(04:29:40):
Mona points at Carter. Don't you think you're going to
start hanging out with us after tonight? Carter laughs a little.
Why do you and Bailey even stop over at the
house if you didn't want to hang out with Madeline
and me? But Ariel ain't having this. You two just
stop it. Remember we're having a truth tonight. How come

(04:30:02):
you want to hang out with Carter and Mouse, Ariel
Mona asks. Ariel turns to her, Well, like Mouse said
at Carter's, we jail broke and got away from a
boring family gathering at my house. So Mouse and I
were kind of stuck with each other. I wasn't going
to just kick her to the curb. I mean, I

(04:30:23):
made her come to my party tonight. Also, I didn't
want to be alone. We actually had fun tonight. You
know how long it's been since I got to actually
do Halloween. Did you ever do Halloween? Bailey asks her.
Ariel size not much. My parents often wouldn't let me.

(04:30:44):
They'd always tell me to learn my place. They never
cared if I had a Friday night's sleepover with all
of you. But we never celebrate holidays at my house,
well except Christmas. Anyway, we're supposed to be proper aristocratic, arrands.
Carter shakes his head. Wait a minute here, Ariel If

(04:31:05):
what you say is true, how come you're in public
school with us and not at Strickfield Academy. From what
I heard, they have kindergarten through twelfth grade over there.
Ariel looks his way. Oh, believe me. They tried in
rolling me at Strickfield Academy. Mom and dad both went
to and graduated from there, But I wasn't having it.

(04:31:27):
She snickers a little, carter. You know how you've called
me a spoiled brat at school before. Well this was
one time it would have been warranted. We listen as
Ariel tells us how her parents enrolled her at Strickfield Academy.
A few hours into her first day of kindergarten, her
parents had to come and get her. Ariel went on

(04:31:49):
a rampage and literally wrecked anything and everything she came
into contact with. Even the nuns running the place couldn't
get their hands on her. I think I did tell
you Ariel could run really fast. Anyway. Head Mistress Hiltonson
told Ariel's parents, on no uncertain terms that she was
never to return to Strickfield Academy ever again. Not only that,

(04:32:13):
Ariel's parents had to pay a large sum of money
for everything she wrecked. I was horrid Carter, she admitted
to end her story. Mom's still very angry with me
to this day for it. You know what, I really
don't care. I'm glad my little goober of a cousin
wrecked that party. She looks up into the dark sky. Now,

(04:32:34):
I'd much rather be here with all of you right now.
She looks at Mona truce. Okay, just until we're all
done with Halloween. Please. I think we were all speechless.
Ariel Miron was the one person we knew who never
had the word please in her vocabulary. But she'd finally

(04:32:56):
said it, and we were all there to hear it.
Even Carter looked like his jaw was ready to drop
through the bridge deck. Mona nods once. Okay, Ariel still Truce.
Ariel nods herself. I just want to be with all
of you tonight. I want to leave here and go
watch scary movies at Mouse's when we're done. I think

(04:33:17):
all the pizza places are open super late tonight, so
I'll pay for pizza if we want to order any
Just let's enjoy Halloween while we have it. Okay. Mona
nods quickly. Okay. The five of us just stand on
the bridge. Then the wind starts to pick up. Must
be the spirit of Halloween, letting us know it's the

(04:33:39):
witching hour, Bailey says, kind of half joking, maybe I reply.
After a few minutes, we start hearing these sounds. We
all look at each other and see none of us
ain't doing it. The sounds are baby cries. Ah man, Look,

(04:34:01):
Ariel suddenly yells. We see she's pointing down at the
now raging waters of the Castalia River. Then the rest
of us see what Ariel's seeing. You wouldn't believe it
unless you were here with us, But we ended up
seeing the faces of three boys, boys who disappeared a
year ago tonight. It's kind of like how Mary Worth

(04:34:24):
and I communicate with each other. I'll tell you more
about that in a little bit. We all see the
faces of Richie Horton, Bill Chapman, and Brian Chunk. It's
like there calling out to us, go away, get out
of here, Leave before it's too late. Don't stay here.

(04:34:49):
The ghost is coming. Run now. I'd like to think
those guys didn't disappear out here, not when a search
for him after last year's Halloween led to village cemetery
where all their candy was found. I remember reading a
few articles about those guys in the Strickfield Journal. But
what are they doing in the river, you guys? I

(04:35:13):
don't think I like where this is headed. Carter stammers.
Then we hear another voice quickly overshadow the ones in
the river. You are being very bad. Children. You were
told never to communicate with mortals. We're still looking into
the water to see those boys get chased off. Next

(04:35:37):
thing we know, the face of a ghastly, ghostly woman
is looking right at us. More children, Mother shall come
for you this instant. The wind's really starting to pick up. Now,
let's get out of here, I yelled to the others. Man,
I can barely move against this wind. Carter yells, feels

(04:35:59):
like this there's a tornado out here. Mona yells back.
It seems like. It takes us almost a few minutes
to get off the bridge. Soon as we do, we
all get that bad feeling. We ain't alone. Bailey confirms
our feelings when she screams. Then we turn to see
that ghastly woman standing on the center of the bridge.

(04:36:21):
She looks like she's drenched from the rage in waters.
She's glowing bright enough to light up the whole bridge.
She also looks hideously decayed, and her eyes are glowing
bright red. But we all know who this ghost is
for sure when we see her blood stained wedding gown,

(04:36:42):
Abigail Tomlin aw Man. Something tells me I should have
talked to Mary Worth about this first. Abigail Tomlin holds
out her arms. New children. I already have three boys
from last Halloween, but I do so love children. I
can bring five more into the afterlife. Come to me now.

(04:37:09):
We're practically tripping over our own feet when we turn
around and run for it. This enough to scare you. Mouse,
Ariel yells, what do you think? I call back, man,
that wind's really slowing us down. I look over my
shoulder and see Abigail Tomlins just walking casual, like the
wind ain't bothering her at all. There's no use trying

(04:37:32):
to escape my new children. You shall join my boys
very soon, and my son Arthur will have some more playmates.
When I look over my shoulder again, she points right
at me. I've always wanted a little girl, but to
have four not happening. Lady Ariel screams, defiantly, even in

(04:37:56):
this horrifying Halloween experience, Ariel's gonna be Ariel split up.
Bailey yells that ghost can't get us all if we
split up. I don't want to split up, but that's
what we end up doing. Mona and Bailey go in
a direction. Carter grabs Ariel's hand and pulls her in
another Madeline over here. Carter yells, I'm trying to run

(04:38:19):
his way, but I end up tripping. Just go, I'll
find you. Go. You are such a cute little girl.
The ghost murmurs and almost touches me. I quickly get
up and face her. Me. Nah, you ain't seeing straight
with them glowing eyes. I hold up my hands in
front of me and smile and shake my head. I

(04:38:41):
I ain't cute at all, No way, I'm just ah Yeah.
Ariel would miss out on that one too. For the
longest time she'd been trying to scare me. First time
I got scared was when I first met Mary Worth.
And this one's number two. Anyway, I turn and run

(04:39:02):
for all I'm worth. Ah man, this is really really bad.
Two bad bells ain't here right now. Then I see
a barn and run to it. I hope I can
find a mirror in there and summon Mary Worth. Okay,
here's my story with her. Over the summer, I ended
up watching Urban Legend with Bells and Aileen. I did

(04:39:23):
some more research into Bloody Mary the Urban Legend after
seeing Rebecca Gayheart and Alicia Witt acting like they were
summoning her. I couldn't get Bloody Mary out of my
head and kept reading into her. Then I decided to
go into the bathroom across from my bedroom and try
playing the game. So I kept chanting Bloody Mary many

(04:39:46):
different times. Nothing happened, so then I remember her real name,
Mary Worth. Enchanted three times. When Maryworth appeared, I got
real scared and screamed. I tried running away, but the
bathroom door suddenly closed in front of me. Mary Worth

(04:40:07):
assured me she wouldn't hurt me, and then she told
me her story. Long story short here. She was a
witch who practiced white magic. The villagers of Salem, Massachusetts
didn't really like her. She ended up being wrongfully tried
for black magic witchcraft when children disappeared from the village,

(04:40:30):
and was sentenced to burn at the stake. When the
burning was gonna happen. A mirror was brought up to
Mary for her to see how evil she was. All
Mary did was use the mirror to escape her body
and enter the afterlife in a less fiery and tormented way.
I believed Mary and wanted to help her, so we

(04:40:52):
became friends. She told me she could only come into
the mortal realm if I agreed to let her possess
me more like bond with me. All I'd have to
do is say her name three times while looking in
a mirror to let her possess me and have my body.
When she'd finish whatever it would be, I'd summoned her
for she'd return to the afterlife through the mirror and

(04:41:13):
give me my body back. Sure would be nice to
have a mirror right about now. I'm sure Mary Worth
could drive this ghost away. I'd gotta be able to
make it to the barn first. These heavy winds are
making me so tired, even with all the death wish
coffee I drank it the Noyer's grill. Come to me,
my precious little darling, Abigail Tomlin says, I groan and

(04:41:36):
keep running until I can get inside the barn. The
winds practically slam the door on my back. After I
go in, I turn around and pull the latch across it.
This shall not keep me out, little one. I hear
the ghost outside. Now that the wind ain't blowing at me,
I can think for a sec. I got an idea,

(04:41:57):
but it's gonna be risky. Gotta go. When I reach
the car sitting in here, I remember they got mirrors
on him. As I'm ready to call out Mary Worth,
I groan, really, I mutter, both door mirrors are broken off.
Ain't no rear view mirror either, Oh man. I quickly

(04:42:19):
climb in the open window and wonder if I'm even
gonna have time to Abigail Tomlin just passed right through
the door. Not good. I know you're playing hide and
seek with me, little girl, she calls out. I look
up at the sun visor. Can't be that easy, right,
I pull it down and gasp when the keys fall

(04:42:41):
right into my lap. I pick them up and slide
them into the ignition. Please start, Please start, Please start? Yes,
the motor roars to life. Okay, Molsie, Remember cruising the USA?
No better yet, Grand Tarismo. Now the ghost is standing

(04:43:04):
in front of the big door, looking at me. Found you,
little one. Now it's time for you to come home
with your new mother. I take the biggest deep breath
I ever took. Here goes nothing. I put the car
in gear and stomp on the gas. I cry out
when the car shoots forward. I go right through Abigail

(04:43:28):
Tomlin and crash right through the big door. I'm almost
Indian Hollow Road. When I remember to play the game.
I stomp on the brake and turn the car onto
the road. Then I hit the gas again. I gotta
find the others. I look at the gas gauge. Oh man,
the needle's on the big e. But the car ain't stopping. Yeah,

(04:43:52):
the gauge ain't working. Guess I gotta take my chances
until the gas runs out unless I'm just driving on fumes.
So far, I ain't seeing that horrible ghost nowhere. Those
darn winds make it a little tricky to steer, but
I keep the car on the road. Can't believe I'm
really driving this thing. It ain't long before I hit

(04:44:13):
the brakes when I see Mona and Bailey waving. What
the Mona shrieks? Mouse, Bailey ads you come in or staying?
I ask when they're screaming. That tells me the ghost
is close. They quickly climb through the passenger window and
get in the back. I floor the gas again. I

(04:44:33):
gotta look for Carter and Aeriel. When did you learn
to drive a car? Mouse? Bailey demands, kind of like,
uh now, I answer. I glance over my shoulder and
see Mona and Bailey looking at each other. Then they scream, oh,
give me a break, will you. I mutter, we're gonna die.

(04:44:55):
Mona whales Shut up, Mona, we are not Bailey's. Then
she says to me, we ain't even old enough to drive. Mouse. Yeah,
tell me something I don't know. I return, Come on,
where are you guys? Mona and Bailey scream When Abigail
Tomlin appears in the road ahead of us, Hang on,

(04:45:17):
I tell him, and remember Grand Tarismo again. I quickly
make the car spin around so the back end's facing
the ghost. Then I floor the gas again. There's Carter
and Ariel. Bailey shouts, pointing at him. Go mouse on it, Bailey,
Just don't run them over, you little squeaker. Mona tells me, hey,

(04:45:37):
you wanna take the wheel be my guest? I say, oh,
shut up, I drive the car up the grass and
turn to go to Carter and Ariel. Then I hit
the brakes, Madeline. Carter gasps in surprise. Yeah, I'm driving
this thing. I tell him quickly, get in here already.
Carter climbs through the window and sits in the back

(04:45:59):
with Mona and Bailey. Ariel climbs in and rides shotgun.
Then Ariel screams when Abigail Tomlin's face is in her window,
drive you, little mouse, drive. I floor the gas again
and get us out of there. Then Ariel hears me, gulpin.
You're really gonna be gulpin if you crash this car, mouse,

(04:46:19):
Ariel tells me, because I'll kill you first, and you
could write that one in my senior yearbook before we
graduate too, I tell her. Then Ariel gulps. You two
think you can ease up a little? Carter tells Mona
and Bailey no doubt they were probably clinging to him.
Anybody seeing that ghost back there? I ask, I ain't

(04:46:43):
got no mirrors on this thing. Looks like we're in
the clear, Madeline, Carter says, First, bloody Mary, Now Abigail Tomlin.
Mona groans, why does this happen to us, and then
the car sinks a little mouse. Bailey cries, what are
you doing? I think one of the tires blue, I

(04:47:06):
tell her. With those winds, it doesn't take long for
the car to come to a stop. We quickly get
out and look around. You think we lost that ghost,
Mona stammers. We get our answer when Ariel screams, we
look and see that glowing ghost floating our way. Come

(04:47:27):
my new children, no more running away. It's time to
come home, she calls out. Over there, Carter yells, pointing
to a nearby house. Are you kidding? Mona yells back,
That place looks like it ain't been lived in for years.
You got a better idea, Mona, Carter demands. When she don't,

(04:47:49):
we go up and into the house. It doesn't do
much to keep the winds out, since there ain't much
in the way of windows. We can't stay here long.
I tell everybody she can float right through walls. I
tell him about the barn before getting the car, and
then Ariel and Mona both run upstairs. Classic horror movie mistake.

(04:48:10):
But I'm gonna make that mistake myself when I have
an idea. I know I'm taking a gamble, but it
may be a chance to finally bring Mary Worth out.
I follow Ariel and Bailey upstairs. When I'm at the top,
I find a nasty looking bathroom. Drat, no mirrors. I

(04:48:30):
run out and into the bedroom across the hall. Nope,
running out of options here. Then I run into another
bedroom and end up scaring Ariel and Bailey. Don't do that, mouse.
Bailey shrieks, sorry, I reply, and then my eyes get wide.
There it is right behind Ariel. I quickly go to it.

(04:48:54):
How can you think of looking in the mirror at
a time like this, mouse, Ariel snaps. We hear Carta
and Mona screaming downstairs. Peekaboo. We hear Abigail Tomlin downstairs.
Then Ariel and Bailey run out of the room. I
got a risk of hearing me and say Maryworth's name
three times. Suddenly, the face of Mary Worth appears in

(04:49:20):
the mirror. Then her ghostly form comes out of the
mirror and enters my body. In no time, I see
Mary Worth looking at herself. Now I'm kinda along for
the ride now with Mary in charge. Mouse, stop looking
in that mirror. Ariel snaps, coming back into the room

(04:49:42):
soon as she sees Mary Worth standing right there. She
really screams. Before Ariel can run away, Mary grabs her
arm and pulls her behind her remain here. Then she
pulls Bailey back into the room. You as well. Then
she turns to them, No harm shall befall your friends.

(04:50:04):
Mary turns and floats out into the hallway and down
the stairs. It ain't long before Mona sees Mary and
screams Carter. Mona grabs his sleeve and turns him to
see Mary. Get behind me, both of you. Mary tells
him I'm here to protect you. Then Abigail Tomlin sees

(04:50:25):
Mary Worth, who are you? You shall not claim these mortals,
Abigail Tomlin, They are under my protection now. Mona and
Carter hesitate before they choose Mary and move behind her.
Abigail Tomlin's real mad. Now, I shall not allow you

(04:50:46):
to take from me what I have already claimed. They
shall never be yours so long as I am here.
Mary glances at Carter and Mona. Go and join your
friends upstairs. They don't question Mary and bolt right upstairs.
Then Mary floats up after them, uttering one of her

(04:51:06):
witch spells. Then Mary finds the others together in the
bedroom with the mirror and finishes the spell. The mirror
glows white now and to the mirror if you wish
to be safe, Mary tells everybody they don't argue and
do what she says. Suddenly, the five of us are

(04:51:29):
back at Carter's house. No more bad wins and no
more Abigail Tomlin. Ariel quickly comes to me and shakes
me where were you mouse? Then she actually hugs me,
something she only does very rarely. I'm here, I assure her.

(04:51:52):
Mary must have stayed in the mirror after putting me
back here with the others. Wow, I can't believe we're
all back in my house. Carter says, yeah, we're all
glad we ain't back at the cry Baby Bridge. But
there are things I gotta know. Carter, you mind if

(04:52:13):
I use your bathroom real quick? Carter motions in the
direction you know where it is, Madeline. I turn and
go to the stairs. I head on up and walk
into the bathroom. I close the door behind me and
walk to the sink and mirror. Mary Worth is looking
back at me. Now, thanks for saving all of us,

(04:52:34):
I say, I shall never allow harm to come to innocence,
so long as you call upon me to protect them.
Mary tells me, will Abigail Tomlin find us? I ask,
it would depend on how powerful her ghostly aur is
and what powers she possesses from it? Should she come

(04:52:57):
to you here? Call upon me once more? Then I
tell her what happened with us seeing Richie Horton, Bill Chapman,
and Brian Chunk in the Castalia River. They disappeared a
year ago tonight when we were at the bridge. They
were trying to warn us. Mary, you know anything about that?

(04:53:18):
I can show you what transpired with those children that
you speak of. I nod quickly, Yeah, show me very well.
Mary's face is replaced by what looks like village cemetery.
I listen as Mary explains the events that happened one

(04:53:39):
year ago. Ritchie, Bill and Brian were finishing up with
trick or treating. They each had a pillowcase full of candy.
They were on their way back to their clubhouse at
Brian's place when they heard noises. The guys found some
little kids playing in village cemetery late on Halloween night.

(04:54:01):
Knowing something wasn't right, the guys went in to check
it out. The kids were playing a game called ghost
in the graveyard. One of the kids named Arthur, convinced
Richie Bill and Brian to play. Everything seemed innocent enough.
Turns out Arthur was a ghost who was luring other

(04:54:23):
kids to his mother, Abigail Tomlin, who brings the souls
of children into the afterlife to keep as her own kids.
It seemed that Richie Bill and Brian had escaped Abigail
Tomlin before and were looking to settle the score. She
ended up coming out of a crypt she was hiding

(04:54:44):
in and chasing him down. I don't get it, Mary,
If Abigail Tomlin is tied to that old bridge on
Indian Hollow Road, what was she doing in Village Cemetery
last Halloween? I asked. The water flowing underneath the bridge
you ask of also branches into separate creeks. A few

(04:55:06):
such creeks flow into Village Cemetery, allowing Abigail Tomlin free
reign so long as she stays close to the water.
I continue watching the mirror. Richie Bill and Brian escaped
from Abigail Tomlin a second time. They could have got
away and stayed away. Knowing those other kids were still inside,

(04:55:31):
they went back into the cemetery and distracted Abigail long
enough to let the kids escape. It wasn't until the
last kid was out that Abigail Tomlin finally touched them
and brought them into the afterlife. Whither ain't nobody seen
those guys since until we did a little while ago.

(04:55:54):
All that was found of those kids after Abigail got
them were their pillow sacks full of Halloween candy. But
how did Richie, Bill and Brian escape Abigail Tomlin the
first time? Mary, I ask, I shall show you that
as well. Mary shows me the summer night a few

(04:56:16):
months before Halloween where the three of them were camping
out off Indian Hallow Road, not too far from the
cry Baby Bridge. It was in the middle of the
night and they decided to check out the legend of
the bridge and see if it was just that much
like we were doing. You know, they ended up finding

(04:56:37):
out the same way we did that it ain't just
a story. Abigail Tomlin appeared and tried to claim Richie,
Bill and Brian as her children, like how she wanted
to claim the five of us. The only way they
ended up surviving was sunrise. Mary told me before. There
are many ghosts who can't be out during the daylight.

(04:57:00):
Abigail Tomlin was just such a ghost. Abigail Tomlin sore
she would claim those boys Madeline Mary finishes. Last Halloween,
she resurrected her son as a ghost to assist her
in bringing those boys to her. I've already shown you
that outcome. I'm sad. Now, are those guys really dead?

Speaker 2 (04:57:25):
Mary?

Speaker 1 (04:57:26):
The fact that they were able to communicate with you
the way they did says that they are not truly dead.
Their life essences have been ensnared by Abigail Tomlin. I
feel my tummy hurting with hope. Is there any way
to save them? Bring them back? Can you do anything?

(04:57:48):
I'm afraid that even my powerful White magics have limitations.
Abigail Tomlin herself must release their essences. I believe I
have an idea that may persuade her to do so.
It will require us to return to the bridge. Before
I can ask Mary her plan, I hear Ariel calling upstairs.

(04:58:11):
You fall in mouse, Perhaps you would best return to
the others for now, Mary suggests, I want to save
those guys. Mary, I tell her, and we shall Madeleine.
But it may not be for the best that your
friends know of our connection to one another unless you disagree.

(04:58:33):
And suddenly I got a plan. I know what I
gotta do. When I'm heading back down to the others.
You okay, Madeline, Carter asks, fine, I tell everybody. Then
Carter comes to me. Talk to me, Madeline, what's up nothing,

(04:58:55):
I quickly say. He shakes his head. You ain't being
hone with me. We've known each other since we were
in second grade. Come on, what's on your mind? I sigh. No.
I ain't a very good liar and never was. Carter's
right about us knowing each other that well. Even Ariels
told me that before, which is why I can never

(04:59:17):
get out of going to her family events. That I
don't really want to go to that, and I more
or less do it for Ariel's sake. I really don't
want to tell the others what's on my mind, but
Carter's gonna make me talk. Also, I definitely can't outrun Ariel.
Maybe if she was wearing heels with her dress, but

(04:59:37):
her dress shoes are flat enough to wear, she can run.
Carter puts his hands on my shoulders, Madeline, I can't
lie to my buddy. I'm going back what. Everybody utters
all at once, just what I said? I say, do
you have any idea how insane that sounds? Mouse Bailey snaps, yeah,

(05:00:01):
I kind of sort of do, I tell her? Just why?
Mona shrieks. I always knew you were crazy, but this.
You ain't gotta come with me, I say. Ariel quickly
moves up behind me. We don't have to let you
go either. Carter looks me in the face. Now, why Madeline.

(05:00:26):
At least he's being calm because there might be a
chance to save Richie Horton, Bill Chapman and Brian Chunk.
I say, we all saw him in the river earlier.
Ariel tightens her grip on my shoulders a little. How
can you possibly save them? Mouse? Yeah, I really want
to hear this, Mona adds. I don't want to tell

(05:00:50):
them about Mary Worth, and I don't want to put
any of my friends in danger. This is something I
gotta do by myself, or at least once I call
on Mary to take my body again. I only got
two options here. Either one's gonna have to be sneaky.
One I can try slipping away from Ariel and getting

(05:01:10):
out of the front door. Two, I can try slipping
away from Ariel and running back upstairs. The other girls
call me mouse, so I think it's time to act
like one. I quickly drop to the floor. Both Carter
and Ariel try grabbing me, but then I scurry in
between Ariel's legs. When I'm back up, I quickly head
back upstairs. Get her. Mona yells, I know I ain't

(05:01:34):
got much time. When I hear people on the stairs.
If Carter's in front, I got a little more time.
You just stop Mouse. Ariels in front of Carter. Not good.
I move with everything I got and quickly lock myself
in Carter's room. Open the door, Madeline. Carter calls out,
come on, don't do this. Open this door, you, you

(05:01:57):
wicked little rodent. Mona yell. I quickly get to the
window next to Carter's bed and open it. I'm outside
and on the old TV antenna. Before climbing down, I
close the window back up should buy me a few seconds.
I'm on the ground and running away from Carter's house.
Madeleine Carter yells from his window, I ain't got much

(05:02:21):
time now. When Carter's mountain the antenna himself, I quickly
get in my garage and ride my bike out of there.
I got to ride around the other side of my
house so Carter don't grab me. I shriek. When Carter's
right there, Like I said, we know each other very well.
Quick decision. I hit my brakes and spin my bike around.

(05:02:42):
Carter's running after me. Now, ah no, Now Ariel's right
there to box me in. Ah man. Quick decision again.
I slide my bike into the ground. When Ariel jumps
at me, I hear her take Carter down. I'm back
up fast and back on my bike. I ride around
the house and easily avoid Mona and Bailey. Now I'm

(05:03:04):
out on the road and pedling fast. Unless they're gonna
try driving a car like what I did earlier, they
ain't catching me in a big hurry. I'm a master
at riding my mongoose. I end up taking several shortcuts
to make sure Carter don't catch up with me in
a hurry. He will definitely find me, though, especially since
they all know where I'm going. Only questions whether or

(05:03:27):
not Carter will come after me himself. I'll be honest here,
I'm really scared right now. I'm definitely afraid Carter's gonna
get to me before I can reach the cry Baby Bridge. Also,
you know, I'm kind of scared to death of Abigail
Tomlin right now, I'm more scared of the former. I
can't let Carter stop me. If there's any chance in

(05:03:49):
saving Richie Horton, Bill Chapman and Brian Chunk, I gotta try. Okay,
let's be honest here. If I wasn't tied to Mary Worth,
I'd probably feel helpless and get agitated about it. But
since mary Worth and I are tied together, I've been
trying to use our connection to help people. Want to

(05:04:10):
know something the others don't. Aleen and Bells know my secret.
In fact, I've been out with them when they've been
out looking for baddies around Strickfield. Why don't I trust
Carter with my secret? Simple? I don't want anything happening
to him. You don't know how many times I wanted
to tell him, or even Ariel. I know under pinky

(05:04:33):
promises they both keep my secret, but I don't want
to risk either of them. I can't. After taking enough
short cuts, I finally reached Denoyer's grill. I can see
the places packed now usually is on Halloween night, especially
when people are still out and about after the witching hour.
I keep pedaling hard and fast. I'm taking other shortcuts

(05:04:56):
to get me to Indian Hollow Road faster. My gut
tells me to look over my shoulder. Ah, No, Carter's coming.
I got a good lead on him, but he figured
me out. Madeleine stop. I gotta take a real risk now.
I'm riding fast enough to where I can make the
big jump coming up. I've been able to make it before,

(05:05:17):
but it ain't easy. I hit wrong. I'm gonna really
wipe out. I'm faster on a bike than Carter, but
he can make the big jumps better, or I should
say he makes them look real easy. If I want
to have any chance of getting Carter off my back
long enough to get back to the bridge and summon Mary,
I gotta make my jump. Don't do it, Madeline. Carter

(05:05:40):
yells no turning back now. I feel my tummy dropping
out of me fast. When I'm airborne. I gotta hit
this jump just right. Feels like I'm in the air
for the longest time. Always does. I always try being calm,
but it never works out. I'm going down, down, down,

(05:06:04):
boom landed. It had to use my feet to keep
from wiping out, but I make it. I quickly pedal
again and coast down the hill on Indian Hollow Road
leading to the cry Baby Bridge. Can't let Carter stop
me now. I get off my bike and feel warm
enough from all the riding I did. Now, I just
gotta wait, and I ain't gotta do it long. The

(05:06:27):
winds starting to pick up again. Won't be long before
Abigail Tomlin's gonna show up. I'm really scared now. I'm
not gonna lie. Huh is somebody moving over in the trees? Yeah?
I do see somebody? Is that a little kid? Oh? Man?

(05:06:50):
I really don't need this right now, Abigail Tomlin's gonna appear.
I was gonna be the bait, but I ain't risking
a little boy being out here with me. I move
until I reach him. What are you doing out here
so late? Kid? The little boy don't seem to be
afraid just outside. I don't live far from here. What
are you doing out here? The winds are really picking

(05:07:14):
up now. I turn the kid around. We gotta move,
but we can't stay here, I yell. The ghost will
be here any second. Now the little boy looks confused
ghost and then I see Carter making the jump and
making it look so easy. Like I said, he's better
at jump stunts than I am. I wait for him

(05:07:36):
to turn away. Then I look over my shoulder and
see Abigail Tomlin appearing on the bridge in her disgusting,
glowing ghostly manifestation. You've returned to me, my darling, little girl,
she says, floating for me and the little boy. Come
to your new mother. I take a huge breath and yell,

(05:07:59):
ain't happening, lady. I point to her, and I want
you to let those three guys go. Now she stops.
I'm thinking she's surprised. They are my children, little girl.
They can never return to the mortal realm again, yeah,

(05:08:20):
says you. Then I pull the compact I snagged from
the sink drawer in Carter's bathroom out of my pocket. Okay,
Abigail Tomlin, let's finish this. I yell. Carter and the
little boy are gonna see, but I gotta do this.
I open the compact to bring Mary Worth back. But
then no, I checked the compact when I took it

(05:08:44):
out of Carter's bathroom. The mirror was perfect. Now it's shattered.
Mary told me the mirror glass has gotta be whole
or she can't come through. I must have busted it
on the jump. I feel hands on my shoulders. Now
it's Carter. Leave her alone, he shouts at the ghost.

(05:09:04):
Then he grabs my hand and turns. The little boy.
Come on, no chance getting on the bikes with Abigail
Tomlin that close, Not with that little boy with us.
We gotta leave him and run this way, Carter yells
over the winds. We follow Carter down the slope beside
the raging river. Do you really think you can escape

(05:09:25):
that way, my new children, The ghost calls out. With
the river water raging, there ain't no chance of getting
a reflection. Oh man, I really messed up, and I
mean bad. We ain't gonna get away from Abigail Tomlin
this time. No way for me to regroup and find
another mirror. But we ain't gonna make it easy for

(05:09:45):
that ghost to catch us. We're tired and exhausted, but
we keep moving. We go under the bridge and make
our way back up. The winds almost make us fall back,
but we lunge forward and climb. When we're back on top.
We run, and again there's no use running any further.
You belong to me now, No way. Abigail Tomlin's getting

(05:10:07):
us if I can help it. I turn around and
face her. Take me, but you ain't getting Carter or
the kid, Madeline. No, Carter, yells, come on, no Carter,
just go. When Carter turns me around, I see that
barn where I found the car earlier. The three of
us pour it on, making one final attempt. We run

(05:10:31):
for all we're worth. You children are just delaying the inevitable.
We're so close to the barn. Now as I'm ready
to open the small door, the little boy suddenly stands
in front of it. I try to move him aside,
but he won't budge. The game is over, you two.
It's time for you both to come home with your

(05:10:54):
new mother. Isn't that right? Arthur? We see little boy smiling,
a wicked little smile. You're right, mom. Now he's all
soaking wet like his mom, and we can hear his
voice as clearly as we hear Abigail's. And now, my son,
you shall have new playmates. We're gonna have so much

(05:11:19):
fun together. Arthur cheers excitedly, no way, Carter shouts. As
Carter and I turn and run, A huge gust of
wind makes us both fall and tumble downward away from
the barn. When I stop rolling, I look to see
Carter ain't moving. Carter, I yell shaken him. He still

(05:11:41):
isn't moving. Oh man, he must have got knocked out.
I'm so exhausted now I can't run no more. I
can't run no more. I feel like crying at having failed.
I shake my head fast. I ain't gonna let that
ghost take me like that. I'm gonna go no, and
I stood up to her. Suddenly the winds die down.

(05:12:07):
What is this, Abigail Tomlin growls, Morning is several hours away. Yeah,
but I ain't. A voice that makes my heart pound fast,
tells her. I turned to face her. Belle's Bella Tabon
is still wearing her Elvira looking dress, but she has

(05:12:29):
her normal face. Surprised. I know we are at seeing
you out here, we I ask. Then cousin Aileen appears
we were out doing our thing with hunting supernatural batties, Maddie.
Then we heard people saying they saw that ghost out
by Denoyer's grill. She points at Abigail Tomlin. Did you

(05:12:51):
summon her? I just wanted to rescue the boys. Abigail
Tomlin took a year ago. I tell him I messed
up though. I point to Arthur and now her boys
in the picture. Then Abigail Tomlin smiles. Twin girls and
so cute. I shall have you both. Bella faces the ghost. Now,

(05:13:14):
uh huh, ain't happen in ghosty. Even you don't hold
power over a vampire. How do you think I stopped
your wins? Then she suddenly looks down in Arthur's face
and vamps out buzz off. Arthur cries out and runs away,
but the ghost laughs, Arthur will return. Even you, vampire,

(05:13:36):
with all your powers, cannot save these children. You wanna
bet on that, Belle says boldly. If I could just
find a mirror, I mutter. Then Bella turns to Aileen.
Give matt to your flashlight fast. Aileen hands it to me.
Belle's looks at me. Now take off your glasses and
shine the light on them. I gasp, Why why didn't

(05:14:00):
I think of that? Oh right, I didn't have a light.
I take the flashlight from Aileen and do what bell says.
When I think I got a reflection. I quickly say
Mary Worth's name three times. Nothing happens. I try again.
Still nothing, ha ha, Come on, I cry please. Aileen

(05:14:30):
quickly takes my glasses and holds them. You have to
shine it on yourself, Maddie. Then I finally see myself
in the lenses and say Mary Worth's name three times again. Yes,
I shriek. The ghostly energies come out of the lenses
and into me again. I'm in the back of Mary's
mind as she takes over my body and appears again.

(05:14:54):
Bell's asks Mary, you know what's going on? I do,
Mary tells her. Then she faces Abigail Tomlin, release those
boys to me. Their souls do not belong to you, never,
Abigail Tomlin roars. Suddenly, Tomlin changes into something scary like

(05:15:17):
right out of the opening scene of the original Ghostbusters,
you know, the scene in the library after Dan Ackroyd
yells get her. Mary easily floats away from her. Now
I feel Mary's eyes glowing bright, Then her face glows bright.
Soon her whole body's glowing bright. Do not feel that

(05:15:37):
you hold power over me, Abigail Tomlin, You are only
a ghost. I hold power of the white light. Be
gone never, Tomlin roars again. She gets real ugly now.
Then she starts glowing and eerie red. Even though I'm safe,
seeing Abigail Tomlin like that really scares me. Now I

(05:16:00):
can see Bells easily lifting Carter into her arms and
carrying him to safety. Aileen goes with her. It's up
to Mary now. Suddenly these hot lights come out of
Tomlin's eyes and mouth. Mary is sent flying backward and
goes through a couple of trees before she falls near
the Castalia River. Mary's floating back into the air. She

(05:16:22):
utters one of her witch spells before discharging her white
light at Tomlin. Tomlin screams and flies back herself, but
she's quickly back up again. I will never surrender my boys,
Tomlin declares. Mary laughs a little. Do not be so
certain you shall release them back to the mortal realm

(05:16:44):
this very night. Tomlin roars again and charges at Mary.
Now I know enough about ghosts to know you don't
want one passing through another. If Tomlin passes through Mary,
that can make for a bad night. As tom Tomlin's
about to collide with Mary, a blue energy appears in
between them and repels Tomlin. You forget that we are

(05:17:08):
not the same, Abigail, Tomlin, you became a ghost in death.
I am an astral projection. I left my body of
my own free will. In other words, our energies are
not the same. I look and see that Ariel, Bailey,
and Mona finally reached the area. They rode the other

(05:17:29):
bikes in Carter's garage, Bell's and Aleen moved to them.
I can hear how scared Ariel is when she sees
Bell's holding Carter. I know the others are safe. Now
that means Mary and I don't have to worry about him.
I offer you one last opportunity. Relinquish those boys to me.
Mary tells Abigail. If you do not, then you shall

(05:17:53):
leave me no other choice but to force your hand.
Tomlin glows red hot. Now never even you do not
have the power to ultimately destroy me. I am aware
of this, and that was never my intention. Then she
utters another incantation, Mom help. Tomlin turns to see little

(05:18:17):
Arthur's ghost in some kind of glowing sphere. Mom, I
can't get out, help me, Arthur cries. Now. Arthur's mom
is the maddest we've ever seen release my son at once,
Not until you allow Richard Horton, William Chapman and Brian
Chunk to return to the mortal realm once more, and

(05:18:41):
you shall give your word that you shall never pursue
them again. Only then shall I release your son. Decide now,
even though Abigail Tomlin's a bad ghost, she's still a
mom deep down. Arthur is her actual kid. Tomlin turns
back to Mary and howls with rage again, but Mary

(05:19:05):
ain't swayed. She even tries using her own power to
break Arthur free, but Mary just said their energies ain't
the same. Finally, Tomlin turns back to Mary, curse you,
I shall release them. Mary watches as Tomlin points to
the Castalia River. The river glows red for a moment.

(05:19:27):
Then yes, Richie, Bill and Brian are coming out of
the river. They're holding themselves at being wet and cold,
but there they are. Now, give me your word that
you shall never pursue them again. Abigail Tomlin looks at
the boys. Then she laughs, a long, scornful laugh. Do

(05:19:50):
you really think it's that simple? Now? The boys are
scared when they see both Abigail Tomlin and Mary Worth together.
Tomlin points to them, You boys are in the mortal
realm again, but know that you shall never be free.
I claimed you last Halloween. There can never truly be

(05:20:12):
any return for you three. Richie turns to Bill and Brian.
You mean we're going to stay dead. I have only
allowed for you to be in the mortal realm. You
shall continue to be in your ghostly forms from the
time when I claimed you last Halloween. Then Abigail says
to Mary, you never said I had to restore them

(05:20:35):
to life. Mary utters another spell and puts a white
light on the guise that should dry and warm the
three of you, and do not trouble yourselves over Abigail
Tomlin any longer. But Brian utters. Mary tells Tomlin again, promise.

(05:20:55):
Tomlin growls angrily in defeat. I promise, now release this
my son. Mary speaks a spell again and removes the
energy on Arthur. He floats to his mother right away.
Tomlin points to Mary, you have made an enemy today.
This shall not be the last time we meet. Perhaps

(05:21:17):
perhaps not. Then Bells comes back for the boys. Come on,
come with me. Richie, Bill and Brian quickly go to
Bell's and let her take them to be with the others.
After that, Abigail and Arthur Tomlin return to the cry
Baby Bridge. Once they're at the center, the two of

(05:21:39):
them disappear. She'll be back, won't she? I ask Mary?
Even I cannot truly end her Madeline. Mary tells me, however,
I can make it most difficult for her and Arthur
to return. Should there be foolhardy mortals who wish to
explore this particular local legend. Mary speaks her which language

(05:22:05):
again and makes me awe when she changes the road
so that it don't cross the bridge. Then she puts
an energy around the bridge to make it invisible. Will
that keep people away? Mary? I ask? It shall prove
difficult for mortals to find this accursed bridge, But do

(05:22:26):
remember that everything has limitations. I cannot promise that Abigail
Tomlin will never return again. My work is finished here.
I think it is best for you to return to
your friends now. But there ain't no mirrors. No. Mary
produces the busted compact and restores it. Then she opens

(05:22:49):
it and gives me back my body. When she goes
back into the little mirror. It ain't long before Bells
finds me and brings me to where everybody's at. Looks
like quite a group here. Then Ariel comes and grabs me.
Don't you ever do that again, Madeleine? Then she actually

(05:23:09):
hugs me in front of everybody. She only calls me
Madeline when she's dead serious. I'm sorry, I tell her.
When we come apart, I tell everybody else I'm sorry.
Then I look at the guys. We just saved you. Okay,
how can we be? Okay? Bill yells. Then he points

(05:23:32):
to the river. Didn't you hear? Abigail Tomlin? We're still ghosts, right,
are you? Bell's asks, Then she shoves him a little.
You can't do that to a ghost. But but Brian sputters.
Bell's smirks. Now even ghosts can lie same as people.

(05:23:52):
So who's hungry? Brian quickly brightens up. Oh I could
sure go for some sweet potato pope at Denoyer's grill
right now. Uh no way, Chunker, Bill mutters, Yeah, that's right.
Brian's nickname is Chunker. Forget it, Chunker. Richie adds, but

(05:24:13):
I am hungry. Then let's get you guys some food,
Aileen says. After that, we'll get you back to your families.
The lot of us leave Indian Hollow Road and make
our way to Denoyer's grill. Looks like our Halloween parties
turning into a celebration. Boy, did copies of the Strickfield

(05:24:36):
Journal sell out fast when it read that Richie Bill
and Chunker returned. It sure was nice to see the
parents crying for joy at having their kids back. Definitely
a Halloween to remember for many reasons. When November two came,
everything was kind of sort of back to normal. Ariel
Bailey and Mona were back to picking on me, but

(05:24:57):
our group ended up being expanded by three. Yep, Richie
Bill and Chunker became our new friends, which I don't
really mind. We're all gonna have to get to know
each other. But hey, Fortunately for me, nobody saw me
call Mary Worth at the cry Baby Bridge. I think
at least someone would have gave me a hard time

(05:25:18):
about it if they did so far, only cousin Aileen
and Bells know my secret. Speaking of Mary Worth, I
still hear Ariel Bailey and Mona talk about her. Sounds
like Mary's still giving him the creeps. At least they
ain't seeing her in their mirrors. Right When it came
to Carter He was mad at me for a while,

(05:25:39):
but after a day of cooling off, we were buddies again.
I could tell he wanted to tell me never to
risk my life the way I did. Ever again he
couldn't though, not after Free and Richie, Bill and Brian, Oh,
that's right, they go by Horton, Chapman and Chunker. Oh,
and they end up not Humor and Ariel and call

(05:26:00):
me Maddie, just like cousin Aileen does. It don't take
him long to start getting under Ariel's skin when they
won't acknowledge her as the queen of Strickfield Junior High.
So Carter's got some friends there. As for school, it
takes a little bit for everybody to get used to
seeing Horton, Chapman and Chunker alive and well again, those

(05:26:21):
guys are just glad to be walking the halls of
Strickfield Junior High again. Friday comes again. I'm sitting with
our new friends at lunch period. Then I hear the
familiar hands slamming on the table. Yes, I say, Ariel

(05:26:43):
gives me her usual menacing look. Now, you wouldn't be
thinking of skipping my sleepover at my house tonight, would you? Mouse.
I turned to face her. You mean your mom didn't
massacre you for running out on Halloween night? Ariel tightens
her fists. You really, I think I'd let mom do
that to me. I hate you Mouse. Then she sees

(05:27:05):
the guys and what are you looking at? Chapman just
looks at her and yawns. Hum, you guys hear anything.
Horton looks at Ariel. The sound of self importance chunk
or grins sounds about right. Horton, Oh does that make
Ariel mad? Oh? You you? I quickly stand up before

(05:27:28):
Ariel can belt out another one of her blood curdling screams. Yeah,
I'll be there, what time, same gatecode. I'd have expected
Ariel to give me a hard time, but she just
looks at me. Then she says, to where only I
can hear her, you're a good friend, Madeline. I just
want to tell you that. Then she points right at me.

(05:27:50):
You repeat what I just said to anyone, and I'll
deny it. Repeat what I utter exactly. Then she tells
me seven and I texted you the new gatecoade. Then
she points to the guys and you three will learn
your places here at my school. Okay, Chapman tells her

(05:28:11):
in a crazy tone. Then I quickly diffuse, Ariel, see
you soon. I'll bring those scary movies tonight. Ariel nods
and leaves us alone. There really ain't much more to tell.
We survived Halloween and saved our new friends. I guess
this means you'll be seeing more of us again. It

(05:28:31):
may be a few of us, or it may be
all eight of us, who knows, but we'll have more
adventures coming real soon. Until next time. The end, and
that my Spookies wraps up our Halloween novella compilation. Three

(05:28:55):
long chilling tales to carry you through the heart of October.
But before we wander too far into the dark, I
should mention something strange has been happening again. Every once
in a while, a broadcast seems to find its way

(05:29:16):
into our feet. Old voices, crackling, static, strange music from
seemingly nowhere. I never upload it, I never schedule it,
but it always arrives on Sunday. If you listen tomorrow
you might hear it too. Stories whispered from another time

(05:29:41):
about men who tempt fate, music that kills, and things
that live in the dark. Between the notes It's a
truly unknown broadcast. I don't know where it comes from.
I only know it's come. So tune in tomorrow if

(05:30:03):
you dare, and don't hold me accountable.

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