Speaking with local actors in northeast Ohio on their experiences both indie and professional, cohosts Nick Thaman and Anthony Furiga seek to understand the actor experience through the eyes of filmmakers.
We sat down with Jenica Jenick (they/thon/he) and Arianna Sieloff (she/her) and discussed the Kent State theatre experience, as well as discussing if theatre-kid stereotypes are true.
We sat down with Mosse Ahmad (he/him) and Nicholas DeAngelis (he/him) and got to know how they got into acting, as well as acting from the perspective of someone who does acting as a side-gig.
We sat down with Jackson Bivens (he/him) and Kyle Nenadovich (he/him) and discussed funny actor backstories, as well as the importance of being a well-versed actor.
We sat down with Heather Bayles (she/her) and Hailey Reinke (she/her) and discussed typecasting, as well as the nuances that go into being an actor.
We sat down with Stella Naymik (she/her) and Collin Geter (he/him) and discussed their experiences acting for both screen and theatre, as well as understanding how actors operate from a director's perspective.
We sat down with actor Lanier Karpeh (he/him) to learn about his background on getting into acting and his experiences working on larger-scale projects.
We sat down with actors Bella Perrotta (she/her), Steven Livingston (he/him), and Katie Boissoneault (she/her) to discuss the actor-director relationship, as well as how they learn to embody a character.
We sat down with Julianna Marilyn (she/her) and Shannon Metelko (she/her) and discussed our experiences with acting in horror, as well as how special talents can benefit you as an actor.
We sat down with Alex Funk (he/him) and John Capocci (he/him) and discussed the differences in screen versus stage acting, along with Shakespeare works and the challenges that come along with them.
We sat down with Stephen Knight (he/him) and Kurt Telzrow (he/him) and discussed the importance of playing characters that fit your aura, how the Meisner technique is important in acting, and why actors sometimes stop working on films.
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