Have you noticed the shift? A whole new generation of gallerists is emerging around the world—and they’re transforming how we experience art. Gone are the days of cold, intimidating gallery spaces that left first-time visitors feeling unwelcome. Today’s gallerists are opening their doors—and their minds—to a new kind of collector. They’re making art more accessible, more personal, and more social. Whether you’re just beginning your journey or you’re a seasoned collector seeking deeper connection, these new voices are changing the game.
Leading that charge is the exceptionally dynamic Andrew Reed—the 30-year-old founder of the Andrew Reed Gallery, with vibrant spaces in both Miami’s Allapattah district, downtown New York City and at art fairs around the world. He is a breath of fresh air in the art community. He always looks like something exciting is going on and wants to share his enthusiasm and thoughts with everyone else. He has studied at the best schools for art and has worked at some of the most prestigious art establishments.
Born and raised in Miami, he studied Politics, Philosophy, Economics and Art History at the University of Pennsylvania, then deepened his knowledge with a Master’s from London’s prestigious Courtauld Institute.
Andrew cut his teeth at art-world heavyweights like Sotheby’s, David Zwirner, and David Kordansky, mastering everything from auction strategies to online sales—and gallery expansion.
Get ready for Andrew. It’s a whole new world.
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CrimeLess: Hillbilly Heist
It’s 1996 in rural North Carolina, and an oddball crew makes history when they pull off America’s third largest cash heist. But it’s all downhill from there. Join host Johnny Knoxville as he unspools a wild and woolly tale about a group of regular ‘ol folks who risked it all for a chance at a better life. CrimeLess: Hillbilly Heist answers the question: what would you do with 17.3 million dollars? The answer includes diamond rings, mansions, velvet Elvis paintings, plus a run for the border, murder-for-hire-plots, and FBI busts.