Classic Rock And Prog Almanac

Peter and Shaun were busy this week, so Tim did the second part of his ‘Birmingham Beatles’ duology: the first album by the Electric Light Orchestra. The ‘conversation’ included: the Move connection, the differences between ELO and the later prog movement, the incredibly high quality of ELO’s musicianship and the nature of the creative relationship between Jeff Lynne and Roy Wood. Also, why did so many ...

Peter and Shaun were busy this week, so Tim did a monologue about the debut album by The Move, Move. The ‘conversation’ included: the multicultural nature of The Move’s music, the ELO connection, whether this is the best UK album of the 1960s and why this was both the beginning and the end for the band. Also, why didn’t they make a concept album about gardening? Who the hell is singing each song? How di...

Peter, Shaun and Tim discuss their favourite Top Ten UK Bands of the 1970s. The discussion includes: the difference between cultural importance and musical importance, punk versus pre-punk genres, whether we trust one band to write better than another, and why we had so many honourable mentions. Also, who were the real heirs to The Beatles? Why did Phil Collins play on everybody’s records? Did Shaun pre...

Shaun and Tim discuss their opinions of the second album by Black Sabbath, Paranoid. The discussion includes: whether Black Sabbath started heavy metal, who the most important member of the band was, the influence of drugs on their performance, what their influences were and what the relationship is between jazz and heavy metal. Also, what would Kant have made of Black Sabbath? Why did they keep setting the drummer on fire? Who can...

Tim and Peter were busy this week, so Shaun had a conversation with himself, about the debut album by Mike Oldfield, Tubular Bells. The following topics were covered: how Tubular Bells relates to the rest of the Oldfield catalogue, the relationship between Tubular Bells and early minimalism and how Oldfield's early life affected his compositional processes. Also, did Oldfield exclusively write his music...

Peter and Shaun were busy this week, so Tim did a monologue, on the first album by 10cc. ‘We discuss’ the history and pre-history of the band, the gap between 10cc’s talent and the way they’re remembered, the nature of the band’s harmonic and creative gifts, as well as the poor quality of 10cc reissues. Also, are 10cc the Beatles of the 70s? Why did they open the album with what is objectively the worst...

Peter, Shaun and Tim discuss their opinions of the third album by Yes, The Yes Album. The discussion includes: the rebirth of Yes as a group, why they decided to get rid of Tony Kaye and Peter Banks, why the band sounds so American, whether Jon Anderson’s lyrics are good or not, and whether this is an example of a perfectly programmed album. Also, we know what Tony Banks thought of this album, but what ...

Shaun, Peter and Tim discuss their favourite female rock artists. On the agenda for today: is cultural importance relevant to musical importance? Which is the best period for female rock stars? How do we distinguish an individual contribution from a collective one? And do women appreciate certain female artists more than men, and vice versa? Also, how many of the contributors owned a dansette? Can we ge...

Tim and Peter were busy this week, so Shaun had a debate with himself, about the fifth studio album by Hawkwind, Warrior On The Edge Of Time. The ‘discussion’ includes the following topics: where ‘Warrior’ stands in the Hawkwind canon, Hawkwind’s relationship to the British counterculture and whether ‘the Warrior’ was a metaphor for the band itself. Also, is it pronounced Elrich, or Elrich? What happene...

Peter, Shaun and Tim discuss their opinions of the tenth album by Pink Floyd, Animals. The discussion includes: whether the album was an attempt to fit in with the punk aesthetic, whether Roger Waters is a genius or not, to what extent is the band channeling George Orwell and what role love has to play in the album’s theme. Also, what is the band’s problem with the animals? Who was Mary Whitehouse? Is i...

Peter and Shaun were busy this week, so Tim had a conversation with himself, about the unreleased album by The Beach Boys, Smile! The ‘discussion’ includes: the myth versus the reality of Smile!, whether it really would have changed the course of rock history if it had been released, how it relates to the following album Smiley Smile and how The Beach Boys and The Beatles saw each other. Also, why did C...

Peter, Shaun and Tim discuss their favourite 60s bands, minus ‘the big two’. How does the British rock and pop scene stand up without its two most famous elements? The guys discuss: the difference between musical contributions and cultural contributions, the influence of folk and blues, what it means to say that a band made its key contributions in the 60s (if they continued into the 70s) and whether th...

Peter, Shaun and Tim discuss their opinions of the third album by Cream, Wheels Of Fire (Studio). The discussion includes: whether the band can be considered psychedelic or not, why they are masters of the art of syncopation and why they hated each other so much. Also, was Cream really a jazz band but noone had bothered to tell Eric? Is Pressed Rat And Warthog really like Wind in the Willows on acid? Is...

Peter and Shaun were busy this week, so Tim had a conversation with himself, about the third album by Iron Maiden, The Number Of The Beast. The ‘discussion’ includes: the programmatic nature of Maiden’s music, why this album is considered their best, why they always use the same chords, and which their best line-up was. Also, was Hallowed Be Thy Name based on a book by Dostoyevsky? Is this Iron Maiden’s...

This week, Peter, Shaun and Tim discuss their least favourite songs by possibly the greatest band of all time, thus providing a potential track listing for a third mythical album to add to “The White Album” and “The Black Album”: “The Brown Album”. Topics discussed include the following. Will George and Ringo be over-represented in the list? Are later bad Beatles songs worse than early bad Beatles songs? Is ‘over-McCartneyish’ a le...

Peter, Shaun and Tim discuss their opinions of the seventh studio album by King Crimson, Red. The discussion includes: the band’s incredible musicianship, the relative merits of the albums in the Mark III period, whether the group sounds better with or without violin, and whether Starless is the greatest King Crimson track of all time. Also, can Robert Fripp play the blues? Does Phil Collins sound like ...

Peter, Shaun and Tim discuss their opinions of the third album by Camel, The Snow Goose. The discussion includes: the quality of Camel's musicianship, why they decided to do an instrumental album, where does the band stand in the British prog canon and to what extent can music represent images? Also, were the band influenced by 70's game show music? Why did they choose duck sounds to represent a goose? Why didn't the Nazis finish o...

Peter and Shaun were busy this week, so Tim did a monologue about the newly-rereleased Queen 1. The monologue includes: the uneven development between Queen’s songwriters, the brilliance of Brian May’s guitar playing, whether Queen’s singles are better than their albums, and is the cover an early example of ‘queering’? Also, was Freddie a Christian? Did Roger Taylor really need a drum solo? And would Le...

Peter, Shaun and Tim discuss their opinons of the second album by Led Zeppelin. The discussion includes: the British blues explosion of the sixties, the difference between English folk and American folk, why couldn’t the band think of proper names for their albums?, and did John Bonham write Whole Lotta Love? Also: are the lyrics on this album good or not? Did they understand that the name Led Zeppelin ...