The Hangmen’s debut album Bitter Sweet is a testament to the untamed energy and raw talent of D.C.’s 60s rock scene, but it’s also a record marked by turbulence and transformation. From their early days as local favorites at Montgomery Junior College to playing at the home of Robert and Ethel Kennedy, The Hangmen pushed the boundaries of garage rock in the nation’s capital. But what happened when this promising band signed with Monument Records, known for its polished, radio-ready sound?
In this episode, hosts Philip Basnight and Alex Vidales sit down with Pete Stahl of Scream to unravel the complex history behind Bitter Sweet. They dive into flash mobs in Falls Church, early DC rock clubs, and the cultural significance of songs like “What a Girl Can’t Do” and “Dream Baby.” Plus, Pete shares his personal connections to the album and reflect on The Hangmen’s enduring influence on D.C. rock.
So, cue up your headphones and join us as we explore DC-area teen sensations and the swinging 60s.
Go Further:
Capitol Rock by Mark Opsasnick
Interview with Tom Guernsey - 60s Garage Bands
George Daly’s Legacy in A&R - Billboard
Follow Us:
Social Media: @dcrockpod
Email us your thoughts or questions: dcrockpod@gmail.com
Philip Basnight - Broke Royals
Alex Vidales - StageCraft
Pete Stahl - Scream
Artwork by Rebecca Basnight
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