Nicola Peltz's Vanity Project: A Critique of Lola
In this episode of Not a Rich Kid’s Review, the hosts delve into the film 'Lola' created by Nicola Peltz, daughter of billionaire Nelson Peltz. The film, which centers around the struggles of a poor white woman and her younger brother, is heavily criticised for its lack of authenticity, poor writing, and offensive portrayal of poverty. The hosts discuss the numerous flaws, from the unrealistic depiction of drug addiction and sex work to the insincere emotional portrayals and heavy-handed use of religious imagery. They also reflect on how the film reflects Nicola Peltz's disconnect from the reality of working-class struggles. Despite the film's flaws, the hosts find unintended humor in its execution and critique it for its pretentious and offensive nature.
00:00 Introduction to Not a Rich Kid
00:26 Who is Nicola Peltz?
01:29 Plot Summary of 'Lola'
04:22 Initial Reactions and Critique
06:40 Discussion on Cinematography and Acting
08:42 Analysing the Script and Storytelling
12:09 Final Thoughts on 'Lola'
17:02 Critique of Sean Baker's Approach
17:22 Character Analysis: Mikey's Struggles
18:58 The Film's Conservative Undertones
19:21 The Brother's Tragic Fate
20:29 Inauthentic Portrayal of Poverty
21:24 Religious Symbolism and Critique
22:23 Absurd Details and Inconsistencies
29:26 Final Thoughts and Ratings
Get in touch:
Are you a working class person who wants to pursue a creative career but don't know where to start? Get in touch via the instagram - we'd be happy to give you some advice.
Tell us who you would like to hear from. Is there someone we should invite on the podcast? Let us know!
The Not a Rich Kid Team:
- Kath Dolheguy
- Frankie Kanatas
- Sarah Ryan-Linstrom
Post audio - Mike Tillbrook
Theme song:
‘Barry Michael Takes a Train’ by Sand Pebbles - Written & performed by Ben Michael and performed and mixed by Murray Ono Jamieson.
Not a Rich Kid would not be possible without the support of:
- VCA who provided studio space
- City of Melbourne Arts Grants
Supported by the City of Melbourne Arts Grants
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