Episode Transcript
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Hello and welcome to Ray of Light, a new podcast all about reading, writing, and happiness, with myself, Eleanor Ray, the author of uplifting book club fiction.
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This episode, I'm delighted to welcome Clare Leslie Hall.
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Clare's most recent book is the gorgeous, heartbreaking sensation Broken Country, which has been a New York Times and Sunday Times bestseller.
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It's been a Reese's Book Club Pick and Fearne Cotton chose it for her book club too.
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Plus it's been optioned for film by a major production company.
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Even more importantly, perhaps it's been recommended by my 90-year-old Aunt Norma living in Indiana.
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So Clare, thank you so much for being with us today.
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Oh wow.
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Thanks so much for having me.
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And Aunt Norma, I love you.
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That's so nice to hear.
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Now it's not only my Aunt Norma, who's loved Broken Country, it's really connected with readers around the world, and I'd love to know a little bit more about the book and what inspired you to write it.
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Yeah, so Broken Country's basically a story of a, a very passionate love triangle that, ends with a murder trial at the old Bailey.
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And it's a story of Beth, who's a young woman who is completely torn between two very different men, two very.
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Different lifestyles.
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And it's about what happens when her first love comes back into the village and turns her life upside down.
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And the story came to me in a real kind of thunderbolt moment.
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[Mic bleed] my husband was out running in the fields behind our house during lambing season with our son's [Mic bleed] And the farmer, he ran into fields of lambs and the farmer threatened to shoot him, which did not happen.
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But what did happen was that my husband John came back and we started talking about this horrible moment.
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And suddenly within talking, 15 minutes of chatting about it, this, this.
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Very vivid scene came into my head and it was, [Mic bleed] a farmer and his wife in the field of sheep and a little boy running towards them.
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And I knew instantly that the little boy reminded them of the son that they'd lost, which is a very big part of the story.
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And I also thought there's gonna be, a very strong chemistry between the boy's father and the farmer's wife.
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So it was literally like this love story.
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The, and that the book, took a lot of rewriting, but that initial scene that inciting incident was there from start to finish over four years of writing it.
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I love that.
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And I love it when things come in a flash of light, like that it doesn't always happen.
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but when it does, it feels amazing and it's a long, hard road to get to a wonderful, finished book from there.
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but starting like that is, is a gift.
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now Broken Country has been a massive hit, but you've mentioned you've been writing for a long time.
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Can you tell me a little bit more about your writing journey? Yeah, absolutely.
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I mean, so long, so winding.
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I only ever can remember wanting to be a novelist and I grew up in a family of readers.
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but I sort of assumed you couldn't be a novelist straight away.
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So after university where I read English, I became a journalist and I worked on newspapers, lots of different kinds of jobs.
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A lot of the time I was working in finance, which if for anyone who knows me was a crazy, crazy area for me to be in.
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But, when I was about 30, I thought, right, it's now or never.
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And, I started writing fiction.
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I had a very young family.
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You know what that's like.
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So time is very poor.
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And, I just remember, feeling quite a lot of despair around that time because John Would.
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Really kindly take the children off to stay with his mom so that I could write, it would be bliss.
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I'd get those weekends was really how I got the book written.
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And then he'd send me photographs of the kids and they'd be playing in a stream or dangling upside down on a rope swing.
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And I'd think, what are you doing? you should be with your kids.
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And I, I distinctly remember, being awake in the middle of the night and just thinking.
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Should you stop? This is becoming so painful.
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And then I just asked myself, could you stop? And I really thought about it and I thought, no, I couldn't.
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Writing is who I am.
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It's what I've always done.
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And what I realized was that the whole thing about being published had become almost like a stick to beat myself with.
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And that I've lost the joy of writing and I don't know why, but something really relaxed in me.
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At that point I thought, you're gonna write whether you get published or not, it doesn't actually matter.
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And it helped so, so much.
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And actually I think I probably, maybe my writing relaxed as well because I got a book deal quite quickly after that.
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Amazing.
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And I think it's really important if you are writing a book and you're not yet published, it doesn't mean you're not a writer.
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you are still a writer.
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Yeah, I completely agree.
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And I think that, I, was in this writer's group and we used to say how we felt embarrassed if people asked us about our books because we haven't been published.
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And you know, the validation is all about being published, but actually that's not true.
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Yes, I agree.
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And there are more routes to publication now as well.
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So I spoke to TE Kinsey in another episode who started off self-publishing and has now sold two and a quarter million books.
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amazing.
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And.
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If you write a wonderful book, whether or not a traditional publisher accepts it, you've still written a wonderful book so I think that's really important.
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Thank you.
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thank you for that.
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Now, you've mentioned your earlier books before Broken Country.
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Because Broken Country, massive hit.
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But you'd written two books before that, is that right? Two published books.
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Can you tell me a little bit more about them, because I understand they're gonna be re-released now Yes.
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so they were called Him and Mine, and then they've been republished in the UK and the US excitingly.
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they're now called Pictures of Him and Days you were Mine It was interesting actually because when the US bought the books, the backlist, I had to go back and, do a little light edit on them and Days you were Mine, my second novel.
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I never liked the ending, so I got to change the ending, which was really amazing.
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Oh, wow.
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Who, whoever gets to do that.
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So it's way more redemptive.
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and I, did do like little light edit just to make sure everything was still okay and, you know, some things I felt just could have done with a little bit more nuance.
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[Mic bleed] the first novel is about A woman who's mute and she's got selective mutism.
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She's in a hospital, a psychiatric hospital.
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You know that she's witnessed something very traumatic and that she's lost the power of speech and she's been visited by her husband and her children, and then it flashes back to this very passionate love affair from her past.
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it's funny because I think all my books are the same.
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they're really cross genre, but with that first novel, which was Him originally, I remember my agent at the time saying to me it was one of the hardest books she'd ever had to position.
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And it's because it was.
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[Mic bleed] suspenseful.
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It's very dark.
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It's a love story.
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So it's a cross genre book.
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And then my second novel Days you were Mine is the same because, and that was actually inspired by something, um, personal.
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So it's a, the story of a young man who has a baby and.
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It inspires him to find his birth mother.
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and that was actually something my husband did.
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He found his birth mother.
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Oh, wow.
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Yeah.
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And [Mic bleed] all it is, but it is kind of, it's very much inspired by where we were at that time in life and him finding his birth mother you talk about writing cross genre, I'd say it sounds like both of those books, if you loved Broken Country, you'd enjoy your previous books as well.
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It sounds like there's certain elements which are always there.
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There's the passion and there's some element of crime.
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is that true? would say absolutely, I would say the first two books are probably very similar to Broken Country.
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they always start from a place of emotion.
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and then I, I think, I hope they're quite suspenseful as well.
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Yes, I love, I actually love books which are cross genre like that because I think there's wonderful elements from the thriller and the mystery and, but I, when I read thrillers and mysteries, I want the passion and the love and that kind of deeper meaning to them as well.
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And that's what I try to do with.
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Everything is Beautiful.
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I actually have a past writing Cozy Crimes under a different name, which I'll talk about one day.
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But when I started, when I sat down to write something a little bit different, a little bit more character based, I really wanted that page turning kind of mystery.
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running through my books as well, You want to have something where you really want to find out what's happened.
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So Everything is Beautiful is about a hoarder who uncovers the secrets to her past underneath some towers of her belongings.
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And then it's a healing journey of trying to find out what actually happened And I think that element of mystery, I love it in books.
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I love writing it, and I love it when I read it as well.
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it really keeps me focused on the page and stops my attention wandering at all.
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Yeah, I completely agree.
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And I think, you know, some of my favorite books, like The Secret History or The Great Gatsby, they, are books that have love in them and crime in them.
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And I, I just love that and mystery and I love that combination.
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Now we've talked about, authors.
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you are a writer whether you have success or not, but you have had loads of success.
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Um, having a breakout hit midway through your career is a writer's dream.
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It's certainly my dream, and I would love to live vicariously through you for a minute.
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when did you realize that Broken Country was going to be something special? [Mic bleed] Okay.
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great question.
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Well, if I, I talk about my, this with my husband all the time.
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You, I'm like, he says, have you processed yet? And I'm like, no, not yet.
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so I dunno if I'll ever [Mic bleed] [Mic bleed] have happened in the last year, but I would say [Mic bleed] the book in a vacuum.
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I was out of contract.
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I, it was actually quite heartbreaking Broken Country for me because in the middle of writing the book, um, I had an agent who I, I really loved, and I'd had for five years.
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I think the problem was that I was trying too hard to write my way out of crime fiction.
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But anyway, she called me in and said, Clare, it's not landing.
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You need to put this book away and write something else.
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And I did do that because I didn't wanna lose her.
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And, after about eight months, I was just so low without the book and I went back to it and I changed agent.
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And it felt like a very heartbreaking and difficult decision doing that.
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And I, I was worried it was going to be career sabotage because this was this wonderful agent I'd had.
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Everybody respected.
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But anyway, I went with my gut and I went with a new agent who's been amazing, but still, I only knew that she loved the book.
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And then I knew that her foreign rights agent loved the book.
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But that was it.
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And then it went on submission and quite quickly it started selling.
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Um, I think it's, it went to 22 countries within.
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A couple of weeks, and I think it's now in 35.
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So I guess around that time, which happened to be London Book Fair, around that time I had a feeling, but you still don't know whether it's going to connect with readers.
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But what was amazing about that time, because it had been this quite hard book, Was getting letters from international editors who were, saying they were crying on the train or, in Paris or whatever, and it was just, oh my God.
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they wrote such lovely letters.
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It was the most amazing thing.
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And now the most amazing thing is getting emails from readers and it's just, it's wonderful.
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Yeah, that's been a theme, um, in the earlier podcast episodes as well.
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How wonderful it is when readers reach out to tell you that they've enjoyed your book.
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Like there's no better feeling than getting an email from someone or a message on Instagram or anything saying that something about your book really touched them and really connected with them.
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It's just the best feeling you can have as an author, I think.
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You know, people tell you incredible things and it, it feels like a real privilege to hear them.
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Definitely.
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so readers have been loving it.
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Reese Witherspoon, a particular reader who's rather liked it.
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she's obviously hugely influential in the book world, and I saw some pictures on Instagram of you and her hanging out at your launch party.
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How was that? Tell me everything.
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Oh gosh.
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Eleanor, it was so amazing.
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I mean, uh, she's been incredible support and her book club is just.
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So amazing.
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It really champions female authors.
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So obviously the first thing was just to be picked was, I remember my editor saying, you won't believe it, but guess what? you are the March pick.
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And I was absolutely so thrilled by that.
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they told me that, Reese was gonna do a interview with me on my launch day at Apple Books.
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and that was just.
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Incredible and surreal.
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But she is so lovely.
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I mean, she's [Mic bleed] I think with, with Reece, you know, the thing is everything you think she's going to be from looking at her social media is what she actually is.
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She's just very caring she's incredibly intelligent but she makes everything very easy.
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She's a professional, of course.
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So she, she made that interview so easy for me.
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[Mic bleed] she's just so warm.
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um, it was a really joyous experience, I have to say.
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I felt incredibly lucky to have had it.
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Fantastic.
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Now, we've talked about the book success and I've lived vicariously through it, so thank you very much.
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you mentioned how painful and difficult it was writing it and the process.
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What, how did you get through that? You, you had to change agents, you had to stop it, you had to start it again.
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What got you through that? Yeah, it was so hard.
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I think the first, it was also lockdown was when I started the first two Oh.
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Lockdown was a terrible time for writing.
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It was a terrible time.
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Oh, worst.
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I think what happened was a, I was probably trying to write myself out of crime fiction.
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So there were a lot of poems in that, those first drafts, which I don't know.
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I remember saying to a girlfriend, what would you do if you read a, a novel that had lots of poems? And she went, I'd skip the poems.
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And I'm like, okay.
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Me if I get it.
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Me too.
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so only one poem survived the poem at the end.
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So I, I think I did a lot of research and I think I got, I probably went down some rabbit holes.
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And basically, I think my agent really liked it, the writing, but then she said, it's not landing.
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And I think she was right.
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It just broke my heart because those characters were, I was just so fond of, them.
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I loved them so much.
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And actually I spent eight months writing, a new novel, which I'm going back to in the setting anyway.
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But I was just trying and failing to fall in love with it.
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Like I loved Broken Country.
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And I remember going to the cinema and driving back with a girlfriend who knows me really well, and I think sometimes you need your friends to show you what's in front of your nose.
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And she said, Clare, I don't know why you did this.
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You loved those characters.
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Why have you done it? And I just went home and I started thinking about Broken Country again.
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And I have said to my previous agent, thank you.
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Because I realize now that eight month break.
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I suddenly thought [Mic bleed] do it.
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I know it's a woman's story.
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I know it's a 'cause it had had male voices before.
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I know it's a period novel, so it's gonna be in the fifties and the sixties and the bigger thing, I think I wanna write a murder trial.
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And so in a way, that book.
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Some of the scenes came across, but a lot of it really, really changed and I think it was the gap that enabled me to do it.
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But the leaving my previous agent, who I really got on so well with and respected, was very painful and in a way, particularly having had this 20 year, journey trying to get published.
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So I felt like I was almost, am I setting fire to my career here and all I had was 10,000 words of the new draft, and I went to five agents.
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This 10,000 word submission, all agents that, friends had recommended.
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the first one who came back was Hattie, who's my agent.
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And it, honestly, it was one of the most exciting phone calls of my career because.
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she just got it and she just got who I was and who, what my writing was because, and she just, I said, look, I want to include a murder trial, but I don't wanna be positioned as a crime author.
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And she said, you didn't write crime fiction.
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You write book group fiction.
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It was like, that was the first time I'd heard that.
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and then I said.
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[Mic bleed] passionate love triangle at the heart of it, I think maybe a comparative title could be the Paper Palace, which is one of my favorite books.
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And she said, I love that book.
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Uh, she said, I'm thinking The Crawdads.
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I'm like, oh, okay, okay then.
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So she just really got it and she put her head into the book.
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And, even though it felt like it took quite a long time to get over the change, because I just felt, I don't know, it's like a breakup.
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I felt, I felt very devastated by it, but I.
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I just, I also knew I had to be brave.
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I had to push myself to do something I didn't wanna do.
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And my goodness, it changed my life.
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So, um, I'm glad I did.
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So I love how, I love your attitude Isn't one of bitterness or anger towards the other agent.
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It's like, no, it wasn't, it wasn't working.
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And I think that's true with edits.
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Often if something isn't working.
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people can tell you what to do with it, but only you can really solve the problem.
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But if there's something that isn't working, you need to work out what it is and rewrite it until until it works and it can go through many, many stages.
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Um, and it's so interesting that it was from a more of a male point of view before.
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yeah.
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How was it? I can't imagine that because it's so much about kind of female empowerment and, and her being the the main agent.
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Yeah, it's funny, isn't it? so Frank and Gabriel, the, so the love triangle, the men both had voices.
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and I, interesting and in, in a way, I'm glad because I think I knew those characters by the time I finally knew the way to do it.
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I knew them very well.
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Yes, and, Frank, team Frank, or Team Gabriel, as some people have said, Frank was the guy that I went back for.
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Frank broke my heart and it was Frank more than Beth that I really couldn't give up on.
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It's funny, isn't it? And there was a, there's a particular scene in the book when he's sets fire to this, this tree.
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And I, it was, I just couldn't give up on that scene.
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I couldn't give up on him.
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And the way I wrote Frank in those early drafts was very, um, [Mic bleed] It was quite experimental.
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but I think it really made me know exactly who he was.
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And the same with Gabriel too.
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I think that's true.
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it's like research.
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You do loads of research for a book and people always say it's like an iceberg, isn't it? You have the tip of the iceberg is all that shows, but there's all of this underneath it.
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But for you, it sounds like it was more about getting to really know the characters and understand them.
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And I think sometimes as a creative writing exercise, it's worth writing from someone else's.
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Point of view, one of the other characters in the story, to really get to know them and get to know what they're thinking so that all the characters can feel like people who do have their own voice, even if they don't have it on the page of the final novel.
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Yes, I definitely think so.
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I think that's good advice actually.
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I might take it for this.
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Tricky next book is to write from another perspective.
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I think you are right.
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because I'm not somebody, I don't know if you are.
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I find too much detail closes me down.
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So I would never fill out a character chart, green eyes and where, no, I can't do that.
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I can't do all that stuff.
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But I think to write their voice [Mic bleed] a very good idea.
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I'm going to do it.
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Yes, that, idea is.
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From Philippa Pride, who's my writing mentor, she's Stephen King's UK editor and she's absolutely brilliant and she's gave me things like that when I was just starting out and I still use them all the time now, and I still meet up with her regularly, so I just wanted to give her a credit for that Philippa Pride.
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Great tip.
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I'm gonna do this.
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I'm gonna do it.
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Now, your book, it's a love story.
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It's very passionate.
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I, oh my goodness, I loved it.
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I devoured it.
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[Mic bleed] it is about something very, very sad.
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At its core.
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It's about child loss.
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I have three children.
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You have three children.
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Was it something that you found difficult to write? Yeah, absolutely.
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And it's funny because, I instinctively shy away from dramas where children die.
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I, I shy away from books where.
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Children die.
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It's just something I couldn't ever bear to read about and I never thought I would ever write a book about a child that died.
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However, what happened was, Beth just came into my head that day after my husband had been out running with a dog, and I just knew exactly who she was.
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And again, you know.
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That's quite rare.
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I knew who Beth was and the reason I knew who she was because I knew that every single decision she made was driven by the loss of her son and the missing of her son.
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And a lot of Beth is [Mic bleed] she's attracted to this first love that went wrong.
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But a lot of it also I think is, um, was something I wanted to explore.
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It's just nostalgia and the power of that and how it can be really quite menacing.
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And so a lot of.
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That is her looking back and wanting to be who she was before her life went wrong.
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And I just understood her and so I had to write her, but it was very painful.
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And there are certain scenes in the book, which you'll know what they are, that when I'm reading and I get towards it, I'm like, oh, my heart just [Mic bleed] so I did find it very, very difficult.
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Having those moments of utter sadness bring out the moments of joy as well.
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you and you have to feel the pain to get to the other sides.
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and it makes the story much more powerful.
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And you are right.
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it couldn't have been any other way.
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So, moving away from sadness, because we are a podcast all about happiness here.
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which part of the writing process brings you the most joy? Well, there are a couple of things that I really love.
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I love it when I am three or four drafts in.
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and the characters just become literally like invisible friends.
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I work in a really tiny office, which used to be my son's cot room, and so it's like my writing cave and I just love it when I just get inside and I, I guess it's like a safe space in a way.
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it's me and them and I, I literally do feel we're back together again when I open up my drafts.
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And so that's my favorite.
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But that does take quite a lot of.
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[Mic bleed] weren't that great to get to that stage, but I adore it and I don't mind being edited.
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I love the editing process.
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I mean, yes, sometimes you'll get a structural edit and I'll think, oh, at, at the beginning, but I just love it once I know the characters well enough to enjoy it.
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That's the bit of the writing I like most.
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And the other thing I really love is, you know, when you get those things that.
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Just come to you.
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Those, I'll give you an example was when I was, I think three years into writing Broken Country and I was walking the dog and suddenly this twist.
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Which is quite a big twist in the story just came into my head and I just thought, of course it makes sense of the whole story and I absolutely.
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It's just um, I guess it's so exciting when that happens.
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So when you suddenly you've been struggling with something and suddenly it comes to you, those light bulb moments.
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That's my favorite thing.
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Those gifts that just appear when you've been thinking and pulling your hair out over something and then all of a sudden you're like, of course.
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This is what should happen.
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And then you write it and it happens and it's amazing.
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I had one for, Everything is Beautiful.
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It's about hoarder who uncovers clues to her past.
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And suddenly I was like, why is she collecting all of these things? And so I did it in front and backstory.
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So I had some backstory that showed her, being with the people she loved who subsequently disappeared.
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That's the mystery of the novel, uncovering what happened to them.
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But we, I had scenes where she would be, With some glasses and her boyfriend or her best friend, and they'd be sharing something together that really meant something to her.
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And then in the front story, she'd be surrounded by towers and towers and towers of glasses, always threatening to fall down on her.
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But you know, why those objects meant so much to her? And that really changed the book for me, I think when I put that in, it just made it all make sense.
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I love that.
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It's just so satisfying when it happens.
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Really, is so away from our books for a moment.
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Can you tell me about another book that you've read that you absolutely love, maybe one that isn't a bestseller or not a bestseller yet that you wish more people would discover? it's The Tomorrow Project by Heather Critchlow [Mic bleed] [Mic bleed] this book had everything I love from the very first page.
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I could not put it down.
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It's so gripping, but.
341
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The prose is absolutely beautiful and it's just got so much heart and also the world building.
342
00:26:24,678.0220046 --> 00:26:30,618.0220046
she has created this world 25 years, hence, which is so believable.
343
00:26:31,188.0220046 --> 00:26:33,498.0220046
so it's an absolutely fantastic novel.
344
00:26:34,348.0220046 --> 00:26:36,568.0220046
I've read The Tomorrow Project and I loved it as well.
345
00:26:36,568.0220046 --> 00:26:38,148.0220046
It's, it's this amazing world and this.
346
00:26:38,743.0220046 --> 00:26:42,703.0220046
Kind of everything ending, but then there's new beginnings and there's hope.
347
00:26:43,183.0220046 --> 00:26:45,103.0220046
there's hope at its core as well, which I love.
348
00:26:45,103.0220046 --> 00:26:48,813.0220046
And Heather's actually going to come on the podcast as well so we've got that to look forward to.
349
00:26:49,293.0220046 --> 00:26:50,668.0220046
We'll find out more about it.
350
00:26:51,993.0220046 --> 00:27:01,443.0220046
Now do you have any tips for aspiring authors? Is there anything that you would say to someone who thinks, right, I've got a novel in me, and I want to get it out.
351
00:27:02,73.0220046 --> 00:27:22,538.0220046
what would you say? when I moved to Dorset, I, and by which time I'd had a few knocks and been trying to get published for 10 years, I met two women and we really connected and I discovered that they'd done a writing course and I said, Hey, shall we, start up a writer's group? So we did.
352
00:27:22,598.0220046 --> 00:27:26,558.0220046
And I just had a baby, so they used to come to my house and.
353
00:27:27,518.0220046 --> 00:27:40,628.0220046
During my baby's nap time once a week and we would read out a piece of writing, which is how my first novel got written really? And the thing was, firstly it raised the bar because the first time they were, their prose was so beautiful.
354
00:27:40,628.0220046 --> 00:27:43,208.0220046
I was like, right, I'm gonna have to try a lot harder for next week.
355
00:27:43,658.0220046 --> 00:27:44,708.0220046
Um so there was that.
356
00:27:44,708.0220046 --> 00:27:52,748.0220046
But also it was just these friendships that we formed were so, it felt like I had suddenly I'd been so alone with writing.
357
00:27:54,518.0220046 --> 00:28:15,103.0220046
suddenly I had these two amazing friends to walk through the whole journey with, and we shared everything, the highs and the lows, the rejections, and it was just, it was the best feeling and I, and, and what it really did was, I think it can be quite hard and there are moments of real despondency with writing that go along with the high moments.
358
00:28:15,953.0220046 --> 00:28:21,143.0220046
But what finding these two friends did was just gave me the joy back in writing.
359
00:28:21,223.0220046 --> 00:28:21,523.0220046
Excellent.
360
00:28:21,523.0220046 --> 00:28:22,873.0220046
I think that's brilliant advice.
361
00:28:22,873.0220046 --> 00:28:23,413.0220046
Thank you.
362
00:28:24,643.0220046 --> 00:28:30,643.0220046
aside from writing, where else do you find happiness in life? You've mentioned walking your dog a few times.
363
00:28:30,643.0220046 --> 00:28:30,703.0220046
Yeah.
364
00:28:31,183.0220046 --> 00:28:46,708.0220046
what else do you enjoy? Oh, gosh, what do I enjoy? Well, I mean, walking the dog is quite a big thing because I have learned since, Research with farmers that I, now try and walk the dog without my phone.
365
00:28:47,848.0220046 --> 00:28:51,148.0220046
that's my daily dose of, [Mic bleed] [Mic bleed] joy.
366
00:28:52,78.0220046 --> 00:28:58,78.0220046
I also, I'm just gonna say, 'cause my children are grown up now, the youngest is 17.
367
00:28:59,188.0220046 --> 00:29:05,578.0220046
just if being with them is, my favorite thing in the world because they're so funny and I just love.
368
00:29:05,813.0220046 --> 00:29:07,13.0220046
Love spending time with them.
369
00:29:07,373.0220046 --> 00:29:17,213.0220046
And something else that I do, it's almost become sort of ritualistic for me, is when I finish a draft, which is not gonna be for a while.
370
00:29:17,543.0220046 --> 00:29:20,388.0220046
I, I treat myself always.
371
00:29:20,883.0220046 --> 00:29:23,703.0220046
To the cinema in the middle of the day, and it feels so decadent.
372
00:29:23,913.0220046 --> 00:29:24,93.0220046
Lovely.
373
00:29:24,93.0220046 --> 00:29:27,133.0220046
I go to the Everyman and I have, oh, very nice.
374
00:29:27,133.0220046 --> 00:29:29,223.0220046
I have something delicious to eat.
375
00:29:29,283.0220046 --> 00:29:35,193.0220046
Ice cream, all these things, and it's just me, usually just me in the cinema and I love it.
376
00:29:35,283.0220046 --> 00:29:36,843.0220046
So that's my kind of treat.
377
00:29:37,663.0220046 --> 00:29:43,813.0220046
I used to do, um, I, there, there's a cinema near me and Everyman actually that had mom and baby screenings.
378
00:29:43,993.0220046 --> 00:30:01,423.0220046
Um, when my kids were like tiny little babies, I'd go in the middle of the day with all these other moms and we'd, there'd be a pile of prams and you just have a baby sleeping on you, hopefully while you, and they'd bring you a coffee and a piece of cake and you'd just watch a film and it takes you away from all the dirty nappies and all the struggles.
379
00:30:01,423.0220046 --> 00:30:03,283.0220046
And if your baby cries, no one minds, they're just.
380
00:30:03,298.0220046 --> 00:30:04,988.0220046
Pleased Their one is asleep.
381
00:30:05,498.0220046 --> 00:30:06,878.0220046
It's just so lovely.
382
00:30:07,868.0220046 --> 00:30:08,408.0220046
great advice.
383
00:30:08,408.0220046 --> 00:30:10,163.0220046
Oh, I wish they've had that in my day.
384
00:30:11,273.0220046 --> 00:30:12,423.0220046
That sounds heavenly.
385
00:30:12,488.0220046 --> 00:30:13,448.0220046
It's, it is, it is.
386
00:30:13,448.0220046 --> 00:30:13,778.0220046
Lovely.
387
00:30:13,778.0220046 --> 00:30:18,578.0220046
you mentioned you are not gonna have a first draft finished for a while.
388
00:30:18,728.0220046 --> 00:30:26,848.0220046
What have you got coming up next? it's quite early to talk about it, um, because I think it's likely to change knowing me and my process.
389
00:30:27,868.0220046 --> 00:30:36,88.0220046
but I, I'm working on, I did go back to the book that I was writing in between, agents and in, in the Middle of Broken Country.
390
00:30:36,598.0220046 --> 00:30:38,188.0220046
I always love the setting.
391
00:30:38,248.0220046 --> 00:30:55,388.7120046
And the setting is a crumbling clifftop hotel on the Jurassic Coast and it's this very eccentric family who, who run it are the fathers a retired actor and it's, it's not cultish, but it's a very, very popular hotel.
392
00:30:55,748.7120046 --> 00:31:10,348.7120046
And basically it's a love story, So that's all I can really tell you because, I'm fighting my way through my first draft, [Mic bleed] I, I went off all guns blazing and, and I absolute adore the characters and the setting.
393
00:31:10,778.7120046 --> 00:31:17,758.7120046
But then it's just that tricky, thing of not really knowing all the mystery threads and not really knowing The whole story.
394
00:31:18,178.7120046 --> 00:31:25,988.7120046
and you just have to write the book to find it out, don't [Mic bleed] how do you do it? I always know how I want the book to end.
395
00:31:25,988.7120046 --> 00:31:33,538.7120046
I have a final scene that's as vivid to me as anything, and then I have to work the story backwards to see how do they get to that end point.
396
00:31:33,808.7120046 --> 00:31:34,903.7120046
So that's generally how I do it.
397
00:31:35,633.7120046 --> 00:31:37,343.7120046
Do you write the end thing? no.
398
00:31:37,343.7120046 --> 00:31:41,753.7120046
I force myself to do it, do it the, uh, the right way round, I suppose.
399
00:31:41,903.7120046 --> 00:31:46,973.7120046
So I will write two pages of a plan, working towards that end scene.
400
00:31:47,153.7120046 --> 00:31:50,633.7120046
And then from there I'll flesh out the whole book and sometimes it will.
401
00:31:51,568.7120046 --> 00:31:52,378.7120046
flow beautifully.
402
00:31:52,378.7120046 --> 00:31:54,958.7120046
And my plan is a kind of a blueprint for my novel.
403
00:31:54,958.7120046 --> 00:31:57,358.7120046
And other times it will diverge completely.
404
00:31:57,538.7120046 --> 00:32:01,628.7120046
But I always, always get to that same end point I had in mind at the very beginning.
405
00:32:02,372.5220046 --> 00:32:10,48.7120046
And do you follow beats or anything like that? Or, you know, like, Save the Cat or any of those things? Things? The cat I love Save the Cat.
406
00:32:10,258.7120046 --> 00:32:11,128.7120046
Yeah.
407
00:32:11,128.7120046 --> 00:32:11,148.7120046
Yeah, yeah.
408
00:32:11,488.7120046 --> 00:32:15,373.7120046
I think it helps you have a stick sticky moment, doesn't it? Yes.
409
00:32:15,373.7120046 --> 00:32:24,403.7120046
I try not to follow it too closely because then you kind of, I, I get, oh no, I haven't got my midpoint exactly in the middle, and where am I gonna do that? And oh, the dark night of the soul isn't dark enough, I dunno.
410
00:32:24,643.7120046 --> 00:32:29,758.7120046
generally I'll have a, a sense of that as I'm putting my, my two pages together.
411
00:32:31,168.7120046 --> 00:32:32,548.7120046
And then, I'll try and ignore it.
412
00:32:32,873.7120046 --> 00:32:35,903.7120046
And then maybe when I come back to edit, if I think, oh, this is a bit slow.
413
00:32:35,903.7120046 --> 00:32:53,183.7120046
It's like, oh, is it because there's a beat missing? Could I do something with that and bring it back in that way? Do you use, how do you, what's your method? What do you use? Um, I, I, I, I basically do similar to you, I, I, I, I usually know my ending am my beginning and sometimes my midpoint.
414
00:32:53,693.7120046 --> 00:32:55,253.7120046
and then I write an outline.
415
00:32:56,638.7120046 --> 00:33:08,578.7120046
and then I can tell you, because I'm going through it right now, I sort of set off and I'm all, it's all wonderful and I keep thinking, gosh, will it, will I hit the road bumps at 30,000 words? And yes, I always do.
416
00:33:09,28.7120046 --> 00:33:12,928.7120046
And at that point I get out, save the cat, and I plot.
417
00:33:13,58.7120046 --> 00:33:19,108.7120046
I often read this, article an essay that Zadie Smith gave once I'd like to say.
418
00:33:19,138.7120046 --> 00:33:31,498.7120046
Anyway, it was, about writing and it was about writing On Beauty And I find it really comforting because she says that she spent the first two years of writing On Beauty, which is one of my favorite books.
419
00:33:31,498.7120046 --> 00:33:32,128.7120046
I love that book.
420
00:33:32,728.7120046 --> 00:33:47,638.7120046
But the first two years on the first 30 pages, and she says when she looks at the book, it's like being incarcerated in a cell because she can remember what it was like because she was just trying to get it right tonally and, and, and, and find the right form.
421
00:33:47,638.7120046 --> 00:33:51,418.7120046
And she was putting it into one tense and one point of view in another.
422
00:33:51,812.0820046 --> 00:33:53,807.2720046
And then the rest of it took five months.
423
00:33:53,807.2720046 --> 00:33:57,587.2720046
So I usually read that article just to tell myself it's all okay.
424
00:33:58,97.2720046 --> 00:34:02,27.2720046
Zadie Smith was stuck on her 20 pages for the first two years.
425
00:34:02,97.2720046 --> 00:34:02,847.2720046
It's reassuring.
426
00:34:02,847.2720046 --> 00:34:06,27.2720046
I love it when other, I hate to say this, I love it when other people struggle too.
427
00:34:06,582.2720046 --> 00:34:07,122.2720046
Yeah, me too.
428
00:34:08,112.2720046 --> 00:34:09,432.2720046
This makes me feel much better.
429
00:34:11,112.2720046 --> 00:34:12,772.2720046
so thank you Clare.
430
00:34:13,2.2720046 --> 00:34:14,742.2720046
This has been so brilliant.
431
00:34:14,792.2720046 --> 00:34:16,982.2720046
Clare's novel Broken Country is out now.
432
00:34:18,362.2720046 --> 00:34:22,952.2720046
So if you've enjoyed Ray of Light, please do like and subscribe for more.
433
00:34:23,252.2720046 --> 00:34:28,892.2720046
You can find me @EleanorRayBooks across Instagram, TikTok, Facebook, and X.
434
00:34:28,982.2720046 --> 00:34:33,2.2720046
So please do reach out to me there to let me know your thoughts.
435
00:34:34,15.4020046 --> 00:34:38,132.2720046
And if you've liked what you've heard, it might be that you like what I write too.
436
00:34:38,362.2720046 --> 00:34:47,192.2720046
It's uplifting book club fiction, and my newest book is called See the Stars about a woman who finds solace in the skies when her life doesn't go to plan.
437
00:34:48,167.2720046 --> 00:34:52,602.2720046
See you next time for more tips on writing, reading, and happiness.