Episode Transcript
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Hello and welcome to Ray of Light, a new podcast all about writing, reading, and happiness, with myself, Eleanor Ray.
I write uplifting book club fiction, and I'd love my readers to feel better for having read one of my books.
I want this podcast to have the same effect.
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This episode, I'm delighted to welcome TE Kinsey, the multimillion selling author of Historical Cozy Crimes.
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He has published 13 Lady Hardcastle Mysteries, two Dizzy Heights Mysteries, and has won over readers across the world with his whimsical charms.
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Tim, thank you so much for coming on to speak with me today.
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I was just mouthing the word whimsy.
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Whimsy is a very good word for you, I think.
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I love whimsy.
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Can you tell.
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I love it too.
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Can you tell us a little bit more about Lady Hardcastle and how she goes about solving crimes? Lady Hardcastle, when we first meet her in the first book, which is set in 1908, she is 40 years old and she's a widow and she is incredibly wealthy.
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We never find out just how wealthy she is, but she's wealthy enough that she doesn't have to worry about money.
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What we find out as the series goes on, perhaps you would probably find out during the first book, but, she used to be a spy, for the British government and together with her redoubtable ladies maid Florence Armstrong.
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They averted all sorts of international crises a round Europe and originally in China and then through India and then, back home in Europe.
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but by 1908 they've decided that they're going to retire for a quiet life in the country, hence the title of the first book.
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And, but obviously 'cause it's a murder mystery, they get tied up in solving a murder, uh, which they do because in initially the police inspector they meet seems to be cutting corners.
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He's not, as it turns out, but he seems to be.
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So they decide to investigate on their own, off their own bat.
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And, it carries on from there.
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The series carries on from there with these two women who are unlikely, best friends because they're from different social classes.
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One is an employer and one is her servant.
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but they are best friends and that causes some, some social confusion.
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But also gives them, uh, brilliant ability to get into places where either one of them couldn't get in, perhaps on her own.
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So, Flo can, can go down and talk to the servants.
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Emily can talk to the, to the, the upper class people upstairs, and it all works out.
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But they, they solve crimes by, oh, do you know what I mean? Let's be honest about it.
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More by luck than by good skill and judgment.
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I mean, they, they figure stuff out, but they there's an awful lot of coincidences and helpful happenstance that leads them in the right direction, but eventually they solve the crime and, uh, Flo.
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Um.
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Flo is she's a martial arts expert, which is one of the reasons I changed their backstory at some point so that they could travel through China and, uh, and Flo could learn martial arts.
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And so there's all sorts of fisticuffs and she's also which she wasn't originally, but she's also the, uh, the daughter of a circus knife thrower.
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So she has extraordinary knife skills as well.
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But yes, they, is that interesting? Well, I mean, well yeah, there is a tale attached to how that came to be, but, uh, well maybe we can touch on that later if, if when we get to some other stuff.
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But yeah, that, so that's who they are.
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They originally created for something else entirely but I added the whimsy and there they are solving crimes and having great fun.
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I.
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I love it and I love with cozy crimes.
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When you have people solving mysteries who aren't the police, it's always good to have a reason why they have these special skills and why they're so good at solving what they do.
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And I think you've crafted their backstory really cleverly there to make it actually all make perfect sense.
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And your readers think so too because how many books have you sold now, Tim? I think it's about two and a quarter million.
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Wow.
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Now, and I know you started off, you've alluded to them having a slightly different past, but you started off self-publishing and I find your journey really inspirational for anyone who's thinking of self-publishing or has, or has already done so because you did it I think to get 20 readers and now you've ended up with two and a quarter million.
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Can you tell us a little bit more about that writing journey and how you came to this incredibly successful place that you've now arrived? I think it's all down to luck.
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Genuinely.
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I think it's all down to luck because I'm not a better writer than all of the other people who are out there writing.
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I haven't got better ideas than all of the other people who are out there writing.
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All that happened was that I written the thing that people wanted on the day that they decided to buy a book.
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That first one, it kind of dribbled along much like, self-published books do a few a day.
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And it hit 20 copies within about 11 days, I think.
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Very good.
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And the second book was finished the middle of the following year, 2015.
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And what hap, I dunno if it still happens, but in those days when you self-publish something on Kindle Direct, which is what the platform I was using, when you released a new book, it would go into the new releases bucket and they would promote it as a new release.
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And because there was a first book.
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People would look at the second book and go, what? Who's this? What's going on here? And they'd look at the first book and it had some good reviews and they started buying both books.
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And there was a period In the middle of 2015 where I was earning more each month from the self-published books than I was earning from my monthly salary.
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And I, wow.
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I suddenly thought, well, this could be a thing.
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I could, yeah, I, this could, but I haven't done, this is the problem.
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You see, I can't, I can't be anyone's mentor or, or a, guide to future success.
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'cause I haven't, I didn't do anything.
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I just wrote two books and put them out.
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You didn't do, you didn't do any marketing? Nope.
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The power of the books.
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The power of books.
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I did a couple of giveaways, which was how I got the first review.
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I gave away something like 150 copies and I got a review out of that, which fortunately was a five star, and they started to come in after that.
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Once there was one review from a stranger, I allowed my friends to review it.
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I never, ever I never solicit reviews, you know? Mm-hmm.
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You review or you don't.
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That's fine.
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Yeah.
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I don't mind.
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But the rule back then was that friends weren't allowed to review the book until it had a, an organic review from a stranger.
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'cause I didn't want it to look like my friends were just reviewing my books.
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Yes.
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I didn't want that.
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So, anyway, so I had these reviews and that sort of that they kind of fueled the whole thing.
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And once, it's the, it's this awful thing.
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Once a book is in the charts.
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People notice it and it stays in the cha rts and people buy it.
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You get into a, a flywheel of success because it's, oh, if you read this, you might also like this.
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So once you're selling it's easy to carry on selling in a way, but if you never get to that first rung, that's when it's difficult.
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And I understand you, you self-published originally and then Amazon saw how well you were doing and approached you.
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Is that correct? Yes, yes.
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November, 2015, I was sitting at work and I got this, I just picked up my phone 'cause I was, I dunno, I must have been bored maybe.
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And I picked up my phone and saw that there was an email and it was from someone who said they were an editor at Amazon Publishing and they were reading my books and really enjoying them.
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And, could we talk.
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And I thought, this is either a scam or it's one of my mates messing about.
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But, I worked for IMDB and, IMDB is owned by Amazon, so I was able to look up this person who was Jane Snellgrove, I was able to look her up in the internal phone book and she's a real person, so I replied and we talked And the idea was that, yeah, we might buy your books, but we don't wanna get your hopes up.
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she liked the first two, which were collections of four short stories each.
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and she said, are you writing, have you thought of writing a third one? And I said, well, I'm writing it now.
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She said, can I see it? Can I see it now? And I, and with a synopsis and I thought, well, no, not really.
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'cause I haven't got a synopsis.
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It's all in my head.
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So I was late for work the following day.
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'cause I wrote a synopsis and posted it off to, I emailed it off to her.
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And a week later she came back to me with, an offer and said, we will buy the first two if you rewrite them both into novel form.
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Okay.
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And we'll buy the third one if just finish it, is brilliant.
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Just finish it.
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She said, can you do that? And I said, yeah, of course I can.
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Don't be daft.
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I had absolutely no idea how I was gonna do this.
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'cause these were four stories each, in these two books that were completely unrelated, apart from the fact they had the same detectives and they were set in the same village.
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I had no idea how to do that, And so I was paired up with this freelance, development editor and we took two of the stories from the first book and we meshed them together.
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We took one as the spine of the story and we dropped another one in as, a country house murder.
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We dropped it in as a set piece in the middle, and that kind of worked.
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So they were released at the end of 2016 and.
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They went off to a really slow start and then something happened.
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And to this day, they, they haven't ever told me what, but they did something.
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They pulled some lever, sent out some marketing email, did something.
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and in January, 2017, they just went bonkers.
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And I've not looked back.
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I think you've written some wonderful books that really connect with people and I think it's the relationships in those books and the way the characters leap off the page that's really made people love them and want to buy them.
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now I wanted to talk to you about the process of writing.
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George Orwell said writing a novel was like a horrible, exhausting struggle, like a long bout with some painful illness.
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Now I have to say, I sometimes felt like that in the past, and then I had a long, painful for illness last year.
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And going through that process, going through chemotherapy reminded me that actually writing makes me feel better.
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And I write books because I love it.
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And yes, you get a high when you finish a novel, which is amazing, but that's a moment.
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And then you start worrying about edits and feedbacks and reviews and sales and things.
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What you want to do is enjoy the whole process of writing from start to finish as much as you can.
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And that's part of my motivation for starting this podcast.
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It's making sure that people enjoy the creative process rather than just enjoying the end result.
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And you, are someone who loves every element of it, is it something that brings you complete joy.
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Can you tell me about it? absolutely every part of it from coming up with the ideas, from planning the story to writing the story, I complain as every author does about structural edits, development, edit, but only because it's hard, not because it's unpleasant, but it's a complex process that can be very tricky to do.
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But I still enjoy doing it.
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I've been writing since I was 11 and it's what I did for fun, mm-hmm.
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Where back in the, back in the days when I had a day job and, my wife and I would, I.
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obviously we would do holidays and stuff together, but we worked different places, so we had different annual leave allowances, and if I had any more left over towards the end of the accounting year, I would just take some time off and sit at home and write something.
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I feel I have a similar experience because I started writing novels while I was working full time and I'd get home from work and I'd put a little hour in my Outlook calendar I'd come home and I'd write for an hour, it wasn't because I wanted to get published.
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I didn't think it would ever be possible, but I did it because I loved it.
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And I think when you're doing it professionally, it's important to try and reconnect to that.
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You're doing this because you love it.
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And now I feel so lucky that I get to do what I love all day, every day.
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Until I have to pick the kids up from school.
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Absolutelythat, When I decided that I was gonna self-publish the first book, I had as little free time as anybody has.
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But when you analyze what you do with your day, you find that obviously there's never a point where you are not doing anything, but there's some stuff that you can jettison if you wanted to do something else.
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So I worked out that, the way that the routine worked out in the morning, it was just youngest son was still at home and I would drop him off at school on my way to work.
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I couldn't leave for work until he was ready to go to school, which gave me about half an hour, three quarters of an hour between me being up and dressed and eating my breakfast to leaving the house.
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So I said, I'll write for three quarters of an hour.
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And there was half an hour in the evening when I had exactly that same thing, and I didn't, it didn't get in the way of anything else.
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I was able to just fit it in.
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But yeah, I would not, I genuinely, I mean, I'm in the lucky position now that if I stopped writing, it wouldn't be a bad thing financially, but bad thing for your readers.
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I like to think, I like to imagine so, but, if I stop liking doing it, I'm going to stop doing it.
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I only do it because it's fun and I've only ever done it because it's fun.
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I can't, it really frustrates me when I see social media full of writers.
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Saying how awful it is to be a writer.
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I mean, I get that you have a bad day and we all have bad days, but on those bad days, I don't post on social media about it.
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I just stop doing it.
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I go and do something else and I come back to it when I feel like it, I do get that it, there is that thing that, oh, this is hard.
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Oh, and it's such a struggle and that whole George Orwell thing that, oh, it's just so awful.
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Well then don't do it.
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Do something else.
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Yeah, do something you like.
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Yeah.
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I think George Orwell could learn something from the Ray of Light podcast perhaps.
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I hope so.
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But yeah, I think it's very important.
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someone once told to me, you vote with your time.
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And that's what I started saying, you know, what I'd like to do is I'd like to write a book.
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And I put aside that chunk of time.
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It wasn't a long time, but it was some time that I had that I would've been watching telly or doing something that didn't matter.
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And I know you say you're not full of tips for aspiring authors, but I think what we are discussing here is very important.
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It's like, just take that little bit of time.
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It doesn't have to be when you feel super inspired and you are at your creative peak, just some time to sit and write and it little by little you'll build something up that maybe one day could, sell two and a quarter million copies.
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Absolutely.
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I mean, it's.
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a habit, you know, it's like practicing a musical instrument.
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or going to the gym.
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If it's a habit that you do and you will do it every day, then it's not a chore.
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It's that thing that you do.
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even if you are not at your sparkly inspired, best, if you've written a couple of hundred words today, you've written a couple of hundred words today and you are 200 words closer to your 80,000 word book and Exactly, exactly.
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It might take you a year to do that, but.
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what else were you gonna do with that half an hour? you're not stealing that half an hour.
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You know? I didn't steal that half an hour from my family.
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I didn't steal it from important work.
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I didn't steal it from other stuff that I absolutely had to do.
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Yes.
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And I think it's not stealing, it's giving yourself a gift.
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Yes.
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And I love that.
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It's, I think, I think the, uh, I think the legal profession might yeah.
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I I, I didn't steal that car, your Honor.
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I gave myself the gift of a car.
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Yes, exactly.
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Um, so, talking of chores, how do you feel about research? You write historical crime and you write it very well.
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It feels very authentic.
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How do you go about your research? Is it a part of the process that you enjoy? Is it something that feels a chore? I absolutely love it.
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My degree, although it was thousands of years ago now, was history.
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And so I still love to read, historical texts and textbooks and original sources.
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I love old newspapers and stuff.
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So I don't have any problem doing the research.
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The advantage I have now 12 books into the series is that the bulk of the major background research is already done.
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I know enough about Edwardian life that I can get the facts in and what I don't know and what I do or what I make up is at least authentic I've created, it's very obvious that if you're doing what I do, which is whimsy and fun times that, it's not, I'm not telling history.
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I'm not telling you the history of Edwardian life.
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I have very obviously created my own version of Edwardian life.
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But I do that based on facts.
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And if you can back it up with facts, you know, if someone says, oh yes, well that didn't happen.
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And you say, well, actually yes, the general election in 1910 did last four weeks.
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It wasn't one day like we have now.
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It was a four week event.
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And they go, oh, was it really? Or there was, what was the one? It's the one I always, I always quote this one 'cause it really bugged me at the time.
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I got marked down in a review back when I read reviews.
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I got marked down in a review because my characters wore wristwatches, in 1909.
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And, they said, oh, everybody knows that people didn't wear wristwatches until the first World War, when army officers began strapping their pocket watches to their wrists.
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And I thought, oh my God, how did I get that so wrong? And I Googled it, and it turns out that Patek Philippe made a wristwatch for a Russian Countess in 1860 something, and they, that must have been very satisfying.
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it was brilliant.
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the beginnings of each story come from an aspect of Edwardian life.
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do you do your research at the beginning of a book? Because I do it partway through, I come up with the idea and then I think, oh no, I don't know very much about this.
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So for See the Stars, for example, it was about, an astrophysicist, right? and that's ambitious and I'm not an astrophysicist at all.
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but I didn't want the research.
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The research bogs me down too early on.
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I want to write the gist of the story.
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And then when I'm maybe a third, two thirds through, I go in and I fill in the gaps and I do my research.
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And luckily my son, he's only seven, but he's very into space and the stars.
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So we went and visited Planetariums together.
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We went to Greenwich Observatory.
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I discovered that my husband has a friend who's an astrophysicist, for the European Space Agency.
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So I got her to read the book and give me all these amazing facts I never would've known.
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But I can't do it at the beginning because I don't know enough about what I need to know.
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I like to do it partway through and then fix everything.
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But you sound like you do it the other way.
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You start from the research and that will make the story flow.
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it's the research that tells me what the story can be.
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So, you know, interesting.
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It's researching Edwardian film industry.
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So a friend of mine did his PhD on Edwardian film.
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And so I, just took him to lunch one day and plied him with really gormless questions about it.
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But it was that research, that's that conversation which is research.
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I mean, it cost me the price of a burger, but it was that.
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Research that, that shaped the story that told me what the story could be.
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I had a vague idea of what it would be like, but it was the research that shaped it.
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Similarly with the theater or with as I say with the aviation thing, it's the research that turns that tells me all the things that could happen and all the people who were involved and all of the, you know, all of the events and the inventions and stuff that, that would shape what we were doing.
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And, and so, yes, I do it around the other way.
237
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I do it around the other way.
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Okay, brilliant.
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I do, I do come up with So though, because I have to come up with the idea that I want to talk about movies.
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Yes.
241
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Yes.
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Before, before you come up the idea.
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Before.
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Yes.
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Because lead that will lead you down a particular route.
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Exactly.
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Before I know that I have to contact Swedish Pete and ask him if, if he'll tell me the secrets of his research for the price of a burger.
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Brilliant.
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And with your research you told, you told me a little bit about how you, you kind of, you get your ideas from the research, your books that you've written.
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Do you have a favorite? Which one do you love the most? I think the one I actually do like most is called An Assassination on the Agenda, which.
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I like, it's the one I enjoyed writing the most.
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I think that's what it was.
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And so I'd said that these two were spies and as the series progresses, they get sucked back into being spies again.
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Because by 1909, the Secret Service Bureau had been established.
255
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And it was just two blokes.
256
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It was, Smith Cummings and Kel, I think his name was, who eventually became MI five for home stuff and MI six for foreign stuff by the time we get to the second World War.
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Anyway, the SSBs founded in 1909.
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So I've got, lady Hard Castle's brother.
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Harry, involved in the foundations of the SSB, which is completely untrue because, it was just these two guys.
260
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But, I've got him involved in it and he brings his sister back into the fold.
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So they're starting to work as spies again.
262
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And they go off and they do spy stuff, but we never know what it is.
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They just come back, you know, in the next book they'll have come back from some spy thing they've done.
264
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But because the readers knew that they'd been spies, and I vaguely told the story of how Lady Hardcastle's husband was murdered and they escaped in China and made their way across Overland, across China, into Burma, and then down to India.
265
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The readers want these prequel stories and they want that story, and they want the stories of how they were spies in Europe.
266
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So they, there's all the, these stories that are untold and they keep going, oh, you should do the prequels, you should do the prequels.
267
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And my editor once said, you should do the prequels.
268
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And I said, yeah, but think of the research.
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I mean, I don't mind research, but that's just nightmarish.
270
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And also, there's a lot of fuss made in the very first book about the fact that it's their first murder investigation.
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So if we do prequels, They can't solve murder.
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Oh, of course.
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They can't solve murders otherwise the whole, I have to recon the whole series to make that work.
274
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Yes.
275
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So I said, people aren't gonna like it.
276
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So I said, why don't we test the waters with a book that is an espionage story, and see if people go for it.
277
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I just loved doing that.
278
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I set it in London, which I had never done before.
279
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I usually set them either in the fictitious village where they live or they've been to Bristol, they've been to Western Super Mare and they've been to a made up place in Rutland, but they'd never been to London.
280
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And so I was able to do all this stuff with, they're around Docklands, and they're around the Berman Sea Suffolk area on the south of the river again, around the docks and stuff around there.
281
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And I got maps and I got all this research And I bet it was very colorful time in London back then.
282
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Oh my.
283
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God, it was brilliant.
284
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I absolutely, I was, I loved writing it.
285
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And there's probably far too much historical stuff in it.
286
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Far too much detail about the exact route that you would take.
287
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'cause I was just so into it.
288
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So that's my favorite.
289
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That's the one that I like the most because I enjoyed writing it so much.
290
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I think that's the one.
291
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Wonderful.
292
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That's brilliant to hear.
293
00:23:25,388.5544112 --> 00:23:46,408.5544112
So talking about favorites, can you tell me about a book you've read, not one of your own that you absolutely love? And what I wanted from this is one that maybe our listeners might not be familiar with, so something that's not necessarily a bestseller yet, but you think is a hidden gem, something that's brought you some joy, some happiness, or you think is just a real treat to read that you would suggest.
294
00:23:47,488.5544112 --> 00:23:48,388.5544112
Yeah, absolutely.
295
00:23:48,388.5544112 --> 00:23:54,548.5544112
So I am asked very often to, read a book, to comment on it, to blurb it so they can have a comment for the cover.
296
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And I've done it for a few people, and you know, they've been some brilliant books.
297
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Anthony Johnston's, Dog-sitter Detective book I loved.
298
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And there's a few others that I've loved.
299
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But sometimes you read them and you think, I'm not sure that this is for me.
300
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But I got this one by Sally Smith, and it's called A Case of Mice and Murder.
301
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And it's set around the same sort of time as my own books, but it's set in London, in the temple, where the barristers live.
302
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And it stars a barrister, and he has to solve a murder.
303
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a weird case of, finding out who the author of a book is about.
304
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The church mice from the Temple Church.
305
00:24:32,848.5544112 --> 00:24:47,168.5544112
And there's something about Sally Smith is, she's a former KC, I think she's retired now as KC, but she was, so, she's a barrister and she'd worked in the temple and her voice was just perfect.
306
00:24:47,218.5544112 --> 00:24:52,378.5544112
it was one of the best, if not the best, cozy crime I had read up to that point.
307
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It was just brilliant.
308
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And I wish more people were aware of it.
309
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I wish more people could read it and enjoy it.
310
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it's, again, because it's my period, I'm appalled by how much more authentic it is, period wise than mine.
311
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'cause I have to add whimsy.
312
00:25:07,908.5544112 --> 00:25:08,713.5544112
But no, it is brilliant.
313
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Yes.
314
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A Case of Mice and Murder.
315
00:25:11,448.5544112 --> 00:25:13,38.5544112
A Case of Mice and Murder.
316
00:25:13,98.5544112 --> 00:25:13,518.5544112
Brilliant.
317
00:25:13,518.5544112 --> 00:25:14,898.5544112
Thank you very much for that, Tim.
318
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Now moving away from writing for a moment, where else do you find happiness in life? I think some of our listeners will be, will be writers, some aspiring writers, some will be readers.
319
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What would you suggest as a means to happiness? Something to bring you joy.
320
00:25:30,608.5544112 --> 00:25:40,448.5544112
So over in the corner of my office, there are a bunch of guitars and a drum kit, and you don't have to have a bunch of guitars and a drum kit to get the fun out of there.
321
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But I've been making music for about the same amount of time as I've been writing, with the same amount of training and skill.
322
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I But yes, now, if I am fed up of.
323
00:25:50,598.5544112 --> 00:26:02,748.5544112
If I'm stuck on a scene, I can either go out for a walk, which is probably healthier and more productive, but if not, I will go and sit at the drum kit or pick up one of the guitars and just noodle around for half an hour.
324
00:26:02,803.5544112 --> 00:26:04,218.5544112
And, and that does bring me joy.
325
00:26:04,248.5544112 --> 00:26:10,218.5544112
I've been playing drums in a band for, oh God, I don't know, since 2007.
326
00:26:10,558.5544112 --> 00:26:11,668.5544112
It's 18 years.
327
00:26:11,768.5544112 --> 00:26:15,638.5544112
one of the most joyous things for me is making music with other people.
328
00:26:16,638.5544112 --> 00:26:22,308.5544112
I think it's interesting that you've chosen something, something else creative, but something physically very different.
329
00:26:22,308.5544112 --> 00:26:29,518.5544112
Because one thing I never liked when I first started writing, as I said, I'd work during the day and then I'd come home and open up my laptop and carry on writing.
330
00:26:29,758.5544112 --> 00:26:33,388.5544112
And it was physically so similar to what I'd been doing during the day.
331
00:26:33,388.5544112 --> 00:26:36,118.5544112
So I used to trick myself to make it seem a little bit different.
332
00:26:36,358.5544112 --> 00:26:39,873.5544112
So I'd lie on the sofa with my laptop on my lap instead of sitting at a desk.
333
00:26:39,873.5544112 --> 00:26:41,433.5544112
And that's still how I write to this day.
334
00:26:41,433.5544112 --> 00:26:45,453.5544112
If I'm sitting upright, I can't, it's too much like being in the office, I don't enjoy it.
335
00:26:45,933.5544112 --> 00:26:55,983.5544112
But things like playing an instrument, or painting or walking or cooking even, it's just physically a little bit different to that kind of sitting down and writing.
336
00:26:56,253.5544112 --> 00:27:03,963.5544112
And so, one thing, I wrote my first couple of books while I was working and then I wrote a book while I was on maternity leave.
337
00:27:04,343.5544112 --> 00:27:17,133.5544112
And I found that the physical difference between kind of pushing a baby along in a pram and carrying a baby around and then sit down, get my laptop out right, that physical difference was really refreshing.
338
00:27:17,133.5544112 --> 00:27:20,983.5544112
And I think it's really important that you don't spend all your time in the same position.
339
00:27:21,343.5544112 --> 00:27:23,113.5544112
Things like that just gives you a nice break.
340
00:27:23,413.5544112 --> 00:27:29,968.5544112
how did lying on the sofa with a laptop work while you were pregnant? I actually, it was a challenge.
341
00:27:29,968.5544112 --> 00:27:33,748.5544112
I had to build up some pillows around it 'cause the laptop got really hot on the bump.
342
00:27:33,748.5544112 --> 00:27:33,808.5544112
Yeah.
343
00:27:33,868.5544112 --> 00:27:35,878.5544112
So you had to make sure you didn't overheat.
344
00:27:36,188.5544112 --> 00:27:46,298.5544112
And then later on, once I've had the baby, I kind of used another kind of collection of cushions to sort of balance the baby on my shoulder or, or wherever so I could carry on typing at the same time.
345
00:27:46,298.5544112 --> 00:27:51,918.5544112
And then when they got a bit a bit bigger, they started joining in on the typing and just the book suddenly got a lot more literary.
346
00:27:52,218.5544112 --> 00:27:54,673.5544112
When you have a baby brilliant.
347
00:27:54,713.5544112 --> 00:27:55,698.5544112
A baby contributing.
348
00:27:55,698.5544112 --> 00:27:57,318.5544112
So then I just write in nap times.
349
00:27:57,318.5544112 --> 00:28:03,338.5544112
But again, it's that kind of physical difference and that kind of difference in motion and position that I found really helpful.
350
00:28:03,338.5544112 --> 00:28:04,928.5544112
But it's doing it with other people.
351
00:28:04,928.5544112 --> 00:28:07,248.5544112
I think it's the social aspect of it as well.
352
00:28:07,268.5544112 --> 00:28:07,388.5544112
Very.
353
00:28:07,388.5544112 --> 00:28:13,208.5544112
So, I mean, I can no longer sing, but, I would join a choir if I could.
354
00:28:13,508.5544112 --> 00:28:21,988.5544112
Because again, I was in school choirs, and I just love that thing where, you know, a collection of voices, harmonies and stuff.
355
00:28:21,988.5544112 --> 00:28:25,408.5544112
I've, I've always been a sucker for harmony, but especially vocal harmony.
356
00:28:25,408.5544112 --> 00:28:30,208.5544112
But, yeah, doing it, making music with other people I think is my proper pleasure.
357
00:28:30,448.5544112 --> 00:28:33,878.5544112
But even just noodling around on your own is very satisfying.
358
00:28:34,68.5544112 --> 00:28:37,248.5544112
And, I broke my wrist, 2011, I think.
359
00:28:37,248.5544112 --> 00:28:39,558.5544112
I broke my wrist and, and the orthopedic surgeon said, duh.
360
00:28:39,618.5544112 --> 00:28:43,578.5544112
Oh yeah, you'll never get full motion back in that wrist, and you'll get arthritis in it as well.
361
00:28:44,398.5544112 --> 00:28:48,858.5544112
ha It was the, they were one of those supportive, one of those special surgeons.
362
00:28:49,278.5544112 --> 00:28:57,238.5544112
And, um, uh, because I play the drums, I do have full range of motion in my left wrist, which I shouldn't have apparently.
363
00:28:57,958.5544112 --> 00:29:00,268.5544112
but I'm convinced it's drumming that's done it.
364
00:29:00,268.5544112 --> 00:29:02,428.5544112
So again, it's good physical exercise as well.
365
00:29:03,358.5544112 --> 00:29:10,618.5544112
Yes, and I think you make an important point about doing something with other people, because writing can be quite, it's quite a lonely thing.
366
00:29:10,618.5544112 --> 00:29:14,108.5544112
You're sitting there writing, which I enjoy a lot of that.
367
00:29:14,108.5544112 --> 00:29:16,568.5544112
I like not having to be around people all the time.
368
00:29:16,958.5544112 --> 00:29:19,448.5544112
But it's nice to have a social aspect to it as well.
369
00:29:19,448.5544112 --> 00:29:23,78.5544112
So I started writing my first books as part of a writing group.
370
00:29:23,288.5544112 --> 00:29:26,558.5544112
So we'd write and then we'd come together every six weeks or something.
371
00:29:26,558.5544112 --> 00:29:30,888.5544112
We'd share what we wrote, we'd get feedback, and then we'd kind of go back to it on our own.
372
00:29:31,198.5544112 --> 00:29:35,568.5544112
I mean, again, that's one of those things that I'd have to rely on other people to recommend.
373
00:29:35,568.5544112 --> 00:29:43,698.5544112
I can't think of anything that I would hate more than trying to share a work in progress with strangers.
374
00:29:43,728.5544112 --> 00:29:47,178.5544112
even if they were strangers who had become great friends, I just couldn't do it.
375
00:29:47,383.5544112 --> 00:29:48,733.5544112
it has to be perfectly run.
376
00:29:48,733.5544112 --> 00:29:59,783.5544112
So I'm very lucky that the person who runs my writing group, who might come on the podcast one day, Philippa Pride, she's Stephen King's UK editor, And she takes, creates this amazing safe space where you feel you can share what you've written.
377
00:29:59,783.5544112 --> 00:30:09,223.5544112
'cause it sounded terrible to me as well at the beginning, but actually, I love it and I find it really motivating and it gives me deadlines and it makes it social in a way that, that writing isn't always.
378
00:30:09,223.5544112 --> 00:30:09,283.5544112
Yeah.
379
00:30:09,973.5544112 --> 00:30:18,463.5544112
So can you tell me a little bit more about what's coming up next? You've just published, lady Hardcastle book 13, I believe.
380
00:30:18,463.5544112 --> 00:30:18,853.5544112
Officially.
381
00:30:18,853.5544112 --> 00:30:19,723.5544112
It's book 12.
382
00:30:19,723.5544112 --> 00:30:22,173.5544112
Because The Christmas story is a short Yes.
383
00:30:22,623.5544112 --> 00:30:28,183.5544112
The Christmas story of 2017 is a short, so what's next I'm working on the 13th one.
384
00:30:28,733.5544112 --> 00:30:36,33.5544112
I'm due to submit that by the end of this month, for publication next May sneak peak.
385
00:30:37,293.5544112 --> 00:30:41,983.5544112
It's, I haven't done a country house since book three in Oh wow.
386
00:30:42,323.5544112 --> 00:30:43,433.5544112
2017.
387
00:30:44,573.5544112 --> 00:30:56,8.5544112
And, so I wanted to do a country house, but I also, I'd been to Holy Island, last year? So we'd been to Holy Island and we'd been to Lindisfarne Castle.
388
00:30:56,878.5544112 --> 00:30:59,488.5544112
So you can only get to Holy Island at low tide.
389
00:30:59,608.5544112 --> 00:31:02,368.5544112
So you got two opportunities a day to get onto the island.
390
00:31:03,538.5544112 --> 00:31:13,663.5544112
And, Lindisfarne Castle was built reign of Henry viii, as a protection against the Scots, and, fell disuse, blah, blah, blah.
391
00:31:13,663.5544112 --> 00:31:21,223.5544112
And was bought by the editor of Country Life Magazine, in, sometime in the early 19 hundreds.
392
00:31:21,253.5544112 --> 00:31:28,393.5544112
And with, ned Lukins as the architect, he turned it into a country retreat and it became his country house.
393
00:31:28,393.5544112 --> 00:31:30,403.5544112
And it would, it was, he would take his friends there.
394
00:31:31,93.5544112 --> 00:31:39,853.5544112
Um, and there was one guy, Litten Stre, I think, who mostly just complained about how awful it was to get to, which I thought was hilarious.
395
00:31:39,903.5544112 --> 00:31:41,943.5544112
And they just drank and stuff.
396
00:31:41,943.5544112 --> 00:31:45,663.5544112
And there was, um, there was a famous cellist at the time that used to go there as well.
397
00:31:45,673.5544112 --> 00:31:55,873.5544112
And I just loved the idea of this, this converted fort that was now a country house where everybody lived, uh, where, you know, where they just went for their country weekends.
398
00:31:56,293.5544112 --> 00:31:58,63.5544112
So I wanted to do something like that.
399
00:31:58,63.5544112 --> 00:32:02,383.5544112
So I moved the fort to the Devonia coast.
400
00:32:02,833.5544112 --> 00:32:08,563.5544112
I removed the causeway so that you could only get there by boat, so that I could strand them there.
401
00:32:09,463.5544112 --> 00:32:10,903.5544112
And they're stuck.
402
00:32:10,933.5544112 --> 00:32:24,353.5544112
They're stuck in this fort and there's a murder and and thefts and stuff, and oh, it's just, I, it's a real challenge because my usual thing is is loads of characters and loads of people.
403
00:32:24,383.5544112 --> 00:32:33,533.5544112
And if I get the feeling that the story is getting a bit flat, I would just take everybody off and they'll go, just go and do something else for a chapter.
404
00:32:33,533.5544112 --> 00:32:34,913.5544112
And they'll chat and they'll have fun.
405
00:32:34,913.5544112 --> 00:32:38,453.5544112
And, but I can't do that here because there's, there's a limited cast of characters.
406
00:32:38,453.5544112 --> 00:32:54,693.5544112
There's a limited number of rooms where they can be, and it's just one of those claustrophobic, country house murders, but which also has a locked room element in it because it's, at the moment, it's not entirely clear how the murder could possibly have been committed.
407
00:32:55,463.5544112 --> 00:33:00,143.5544112
So yes, I'm really quite excited by this one, just because it's a challenge to write something slightly different.
408
00:33:00,143.5544112 --> 00:33:06,633.5544112
Same characters, you know, same central characters and same relationship and the same, bickering and comedy remarks between them.
409
00:33:06,693.5544112 --> 00:33:11,673.5544112
But this new setting on this island, I think that's, I think that's really interesting.
410
00:33:11,673.5544112 --> 00:33:28,143.5544112
And I agree that when you've, when you are a few books in, I've only got, I've only got three, but when you are a few books in, you start to want to think, how can I keep it fresh? How can I keep it different? How can I not write exactly the same book over and over again? And so with my fourth book, I'm bringing in an element of magic.
411
00:33:28,513.5544112 --> 00:33:35,63.5544112
So I'm still about halfway through, but it's still the kind of uplifting, character driven, book with a little bit of mystery.
412
00:33:35,183.5544112 --> 00:33:38,743.5544112
But I've got a little, Real magic or imagined magic.
413
00:33:39,718.5544112 --> 00:33:40,348.5544112
Real magic.
414
00:33:40,828.5544112 --> 00:33:40,918.5544112
Oh yeah.
415
00:33:41,33.5544112 --> 00:33:41,963.5544112
it's not a metaphor.
416
00:33:41,963.5544112 --> 00:33:43,43.5544112
It's some real magic in there.
417
00:33:43,43.5544112 --> 00:33:45,133.5544112
So I'm excited to just write something different.
418
00:33:45,133.5544112 --> 00:33:45,403.5544112
Fantastic.
419
00:33:45,403.5544112 --> 00:33:47,263.5544112
It feels like a new, a new challenge.
420
00:33:47,413.5544112 --> 00:33:50,683.5544112
How that works so busy with that at the moment.
421
00:33:50,893.5544112 --> 00:33:51,673.5544112
Fantastic.
422
00:33:51,733.5544112 --> 00:33:55,108.5544112
'cause I did some spiritualism ghost stuff in the second book.
423
00:33:55,708.5544112 --> 00:33:59,338.5544112
But only so that they could debunk it.
424
00:33:59,398.5544112 --> 00:34:00,538.5544112
It wasn't real.
425
00:34:00,778.5544112 --> 00:34:01,948.5544112
But yeah, no, that sounds brilliant.
426
00:34:01,978.5544112 --> 00:34:07,58.5544112
I do keep, I occasionally say to my editor, how'd you feel about science fiction? She said, absolutely hate it.
427
00:34:07,583.5544112 --> 00:34:08,513.5544112
Don't do that.
428
00:34:09,203.5544112 --> 00:34:11,253.5544112
So, yeah, we are not gonna have any time travel.
429
00:34:11,253.5544112 --> 00:34:13,268.5544112
That would be a laugh, wouldn't it? Have your That would be fun.
430
00:34:13,268.5544112 --> 00:34:14,943.5544112
Historical characters, time traveling.
431
00:34:15,213.5544112 --> 00:34:16,893.5544112
Oh, that would be amazing.
432
00:34:16,893.5544112 --> 00:34:21,183.5544112
maybe a special one time, one time special short story where they traveled through time.
433
00:34:21,273.5544112 --> 00:34:22,473.5544112
Self-published special.
434
00:34:22,473.5544112 --> 00:34:23,73.5544112
Yeah, that would be great.
435
00:34:23,73.5544112 --> 00:34:23,403.5544112
Yes.
436
00:34:24,303.5544112 --> 00:34:24,813.5544112
Brilliant.
437
00:34:24,813.5544112 --> 00:34:28,773.5544112
Well, thank you so much Tim, and thank you to everyone for listening.
438
00:34:29,193.5544112 --> 00:34:33,903.5544112
Tim's latest book, the Beast of Littleton Woods, is available now on Amazon.
439
00:34:34,593.5544112 --> 00:34:37,253.5544112
So I hope you've enjoyed Ray of Light.
440
00:34:37,473.5544112 --> 00:34:40,163.5544112
If you have, please do subscribe for more.
441
00:34:40,493.5544112 --> 00:34:45,473.5544112
You can find me @EleanorRayBooks across Instagram, TikTok, and Facebook.
442
00:34:45,773.5544112 --> 00:34:48,473.5544112
And please do reach out to me there to let me know your thoughts.
443
00:34:48,473.5544112 --> 00:34:49,853.5544112
I'd really love to hear from you.
444
00:34:50,468.5544112 --> 00:34:54,308.5544112
And if you've like what you've heard today, then perhaps you might like what I write too.
445
00:34:54,578.5544112 --> 00:34:56,408.5544112
It's uplifting book club fiction.
446
00:34:56,558.5544112 --> 00:35:03,98.5544112
My newest book is called See the Stars, about a woman who finds solace in the stars when her life doesn't go to plan.
447
00:35:04,58.5544112 --> 00:35:08,768.5544112
So see you next time for more tips on writing, reading, and happiness.