August 28, 2025 • 25 mins
This conversation explores the evolution of the werewolf myth, examining its roots in ancient mythology, its transformation during the medieval period, and its psychological implications in modern society. The werewolf serves as a metaphor for the darker aspects of human nature, reflecting our fears, instincts, and the thin veneer of civilization that separates us from chaos.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Year Joe, straight from the broadcast studio, and then the
static This ain't no beat sound story, So as prophetic
encrypt the signals from the shadows of the party we
did where the trot got secret snow parted, microphone alchemists
scriptures with a twist, peat the frequency seeds in the
midst We dropped fass like plagues revelations in the catus,
(00:23):
broadcasting truth while they trapped in surveillans wisdom with a
watchman's blade, forth whatt sound while your whole system faith, blood,
moons that for love, echoes in the pond, sasquars talking
through the fault lines of time. We ain't mainstream, we
ain't just stream safer with the prophets to code the dreams.
So with you trom in better guards to mind. That's
(00:43):
broadcasting seeds and were breaking the design. Yeah, yeah, yo yo,
straight from the broadcast.
Speaker 2 (01:02):
You ever notice how the scariest monsters aren't the ones
from outer space or the bottom of the ocean. They're
the ones that look a little too much like us.
That's the werewolf in a nutshell, half man, half beast,
all nightmare fuel. But if you peek back the Hollywood
(01:27):
howling at the moon and the silver bowl at cliches,
you find something deeper, something older. The werewolf isn't just
a monster lurking in the woods. It's a mirror, a
reflection of what we're terrified of becoming when the thin
veil of civilization slips. Think about it. Wolves have always
(01:50):
been camped out on the edges of our villages, our myths,
our nightmares, revered in some cultures as spirit guides, feared
and others as the hungry mouths waiting just beyond the firelight.
And the were wolf. That's the human story colliding with
(02:11):
the animal instinct, the saint turning sinner, the neighbor suddenly
sprouting claws, And it's about losing control, about asking ourselves
what happens when the beast inside us breaks free. Today,
we're going to follow that trail from the myths of
(02:34):
ancient Greece, where the kings were cursed to wear fur,
to the witch hunks of Europe, where men and women
burned for running with the wolf, to modern psychology, where
people genuinely believe they've transformed. Each era leaves its poprint
(02:55):
on the story, and the further we track it, the
closer it gets to us. So this isn't just about
Harry monsters in the moonlight. It's about the raw, unfiltered
part of human nature we'd rather pretend doesn't exist. And
like every good campfire story, it comes with a warning.
(03:18):
Maybe the wolf we're afraid of isn't out there in
the woods. Maybe it's in here waiting. And before we
dive in headfirst into the dark, do me a favor
like share and review this show. That's how broadcasting seeds grows,
and how these stories keep reaching more people like you.
(03:40):
All right, let's pull back the curtain on the beast
wolves at the threshold myth, ritual and punishment. Let's roll
the clock back a few thousand years before Hollywood, before
(04:01):
medieval witch hunters, before the Brother's Grim scared the life
out of kids with bedtime stories, where wolves were already
prowling the edge of myth, and like all good monsters,
they started with God's kings and punishments. The tale of
Lichen of Arcadia. Picture this guy, ancient Greek royalty, totally
(04:27):
full of himself, thinks he can pull a fast one
on Zeus, and not just any prank. He tries to
serve Zeus human flesh at a banquet. That's like trying
to play beer pong with a Molotov cocktail. You know
it's not going to end well. And Zeus sees through
(04:48):
the trick, blows a gasket and punishes Lichen by turning
him into a wolf. So that's the origin of lycanthropy.
The message was crystal clear, break sacred taboos. You're not
just cast out, you're cast down into the dirt, into
(05:12):
the fur, into the beast. But the Greeks weren't the
only one sniffing around this idea. Herodotus, the so called
father of history, wrote about near I, a tribe up
north near Scythia. According to him, every year these people
(05:33):
would shape shift into wolves for a few days and
then change back. Was this literal, a ritual, a cultural misunderstanding? Frankly,
it's hard to say. But what it does show is
that transformation wasn't just horror. It was initiation, maybe a
(05:56):
rite of passage, a way to brush up against the
wild and come back maybe different. The Romans picked up
the theme with the term verus spellus literally wait, ver cuspellus,
(06:17):
literally turn skin. These weren't cuddly bedtime stories. They were
cautionary tales, reminders of what happens when you crossed the
thin line between man and beast. Now here's the thing.
Wolves weren't just predators. They were rivals. For early people.
(06:39):
Lolves hunted the same game, stalked the same paths, tested
the same survival instincts. Frankly, they were a competition, and
competition breeds both respect and fear. Some cultures elevated the
wolf into a totem animal, a guide, and others demonized
(07:00):
it into a monster. Both reactions come from the same place,
staring at a set of glowing eyes in the dark
and wondering if you're the hunter tonight or the hunted.
What you start to see in these early myths is
that the werewolf is less about claws and fangs and
(07:21):
more about the rules. It's about boundaries. Cross them and
you're cursed. And those rules weren't just about God or rituals.
They were about society itself. Stay in line, act civilized,
respect the sacred, or risk becoming the thing everyone fears.
(07:47):
So in these early myths, the werewolf isn't the villain.
It's actually the punishment, the shadow waiting when humans slip
too far. It's the embodymy embodiment of chaos, of that
nagging truth you don't want to face. Civilization is fragile
and beneath the robes and titles were all just one
(08:10):
bad decision away from sprouting fur, trials, terror, and the
wolf among us. Fast forward to medieval Europe, a place
where fear wasn't just superstition, it was law. You had
(08:33):
the plague rolling through towns, starvation stocking the countryside, and
the church tightening its grip on every part of daily life.
If you were poor, hungry, and desperate, sometimes the scariest
monster wasn't hiding in the woods, it was hiding in
the neighbor next door. This is where the werewolf legend
(08:59):
mutated into something darker. Forget gods and miss now we're
talking trials, torture, and executions. To be accused of being
a werewolf. In the sixteenth century Europe was basically a dessence.
The church and local authorities started treating like aanthropy the
(09:19):
same way they treated witchcraft as they packed with the devil.
If crops failed, if livestock disappeared, if kids went missing,
somebody had to pay, and that somebody was often the
one accused of running with the wolves. The most infamous
(09:40):
case is Peter Stump at fifteen ninety eight in Germany.
The story reads like a medieval horror script. Stump was
accused of being a werewolf who slaughtered men, women, and children.
Some stories even say he ate them. The trial records
dripping with hysteria. The trial records dripping with hysteria and torture.
(10:06):
Extracted confessions claimed he had a magical belt given to
him by the devil that let him transform into a
wolf at will. When they finally caught him, the punishment
was as brutal as it gets, execution by wheel, beheading
(10:27):
and burning. It wasn't just about killing a man, It
was about erasing the idea that someone could live outside
the boundaries of faith and law. But here's the catch.
These weren't isolated cases werewolves. Werewolf trials spread across France, Switzerland,
(10:48):
and Eastern Europe. They often overlapped with witch hunts because
both were painted as Satan soldiers. The difference was the
werewolf was just accused of sorcery. It was accused of
devouring the community. Literally, the wolf became the scapegoat for
(11:09):
everything a society couldn't explain, and by turning ordinary people
into monsters, authorities got to flex their control. Why wolves
simple They were the perfect symbol of wilderness and chaos,
and in an era where Europe was pushing back forests,
(11:30):
domesticating land, and building ordered villages, the wolf was the
last holdout of the untamed. To accuse someone of being
a wolf wasn't just calling them a predator. It was
branding them as an enemy of civilization itself. And that's
the twisted beauty of these stories. The werewolf wasn't just
(11:53):
about some hairy creature under the moonlight. It was about
what happens when a society needs a monster to blame
a missing child blame the werewolf. A failed harvest must
be a curse social unrest. Somebody made a deal with
the devil. It's scapegoating with fangs. So by the time
(12:18):
the Middle Ages were wrapping up, the werewolf had gone
from divine punishment to a weapon of control. The beast
wasn't just in the woods anymore. Frankly, it was in
the courtroom, on the execution stage, and in the very
laws that governed people's lives. The beast in the mind
(12:48):
from folklore to psychology. Now, let's drag the werewolf into
the modern age. The moon is still hanging overhead, but
instead of priests and witch hunters, we've got psychiatrists, case studies,
and medical journals. And believe it or not, the were
(13:10):
wolf didn't vanish with the steak and the torch. It
just shifted shape again. There's an actual psychiatric condition called
clinical lycanthropy. Rare as hell, but it's real. It's something
someone genuinely believes they're transforming into a wolf, or sometimes
(13:34):
it manifests in another animal they're talking about. We're talking
about people who swear their teeth, are lengthening their faces,
stretching their body, sprouting fur. Around fifty or so documented
cases over the last couple centuries, but that's enough to
(13:55):
prove the legend didn't just haunt the forests. It slipped
into the So take a French case in the nineteenth century,
a man admitted to an asylum convinced heva's growing hair
all over his body and prowling like a wolf at night.
In more recent cases, patients describe tasting blood, growling, or
(14:20):
even walking on all fours. Doctors chalk it up to psychosis.
Schizophrenia or severe mood disorders. But the symptoms look suspiciously
like the folklore, as if the old stories themselves crawled
inside the human brain and set up shop. And here's
(14:43):
the kicker. Wolves and were wolves have always been metaphors
for losing control. That's exactly what mental illness feels like
for some your own mind betraying you, instincts hijacked your body.
The monster outside becomes the monster within. And it's no
(15:05):
coincidence that modern werewolf movies, like The wolf Man from
nineteen forty one or even more recent movies, always center
on that tragic theme. I didn't choose this, I can't
stop it, and it might destroy the people I love.
That's not a fairy tale. That's a reflection of human suffering.
(15:29):
But the modern werewolf isn't just about madness. It's about identity.
Think about it. Teenagers hitting puberty, wrestling with hormones and anger, addicts,
battling urges that feel inhuman trauma, survivors carrying a rage
that can't they can't always control. The werewolf becomes a
(15:54):
metaphor for all of it. That's why it survives. It
doesn't matter if you live in medieval France or twenty
first century America. Everybody knows what it feels like to
fight and inner beast. Now we can say this is
also something else, maybe more spiritual, But that's a whole
(16:15):
other episode. Right then, we've got poop culture softer side
of the wolf, from Twilight to Teen Wolf, the where
wolf gets a makeover. Suddenly the Beast isn't just about destruction.
It's about freedom, about primal strength, even romance. And almost
(16:42):
like society's relationship with the wolf has mellowed. We don't
fear the wilderness quite like we used to first world problems.
Right now we fantasize about reconnecting with it. The wolf
becomes less of a curse and more of a super power. Still,
(17:02):
whether it's fear or fascination, the through line is the same.
The werewolf reflects us. It's our shadow self, our suppressed instincts,
our wild side, clawing at the surface. Strip away the
silver bullets and the Hollywood makeup, and the real horror
(17:24):
story is that deep down we know it's true, we
are never too far from the beast. So what do
we make of the werewolf? Is it just a bedtime monster,
a creature of bad cgi and Halloween masks. Or is
(17:49):
it something closer, something that's been stalking us across history.
Because it is us. From kings cursed by gods, two
villagers burned in the town square, to modern patients and
padded rooms. This story just doesn't go away, It just
(18:12):
changes costumes. The werewolf forces us to confront the part
of ourselves we don't like to talk about. The hunger,
the rage, the instinct to lash out, the urge to
run wild and break the rules. Some cultures turned that
(18:32):
into a warning, control itself, or you'll pay the price.
Control yourself, or you'll pay the price. Others turned it
into ritual. Step into the fur, live with the beast,
and come back changed. Today, we spin it into metaphors
(18:54):
about trauma, addiction, or the awkward chaos in becoming an adult.
Different masks, same face. Maybe that's why the werewolf won't die,
because it's not really about wolves at all. It's about us.
The thin layer of civility we wear, the fragile skin
(19:15):
we call humanity, and every now and then, when the
moon is full, or the stress gets to be too much,
or the fear takes over, that skin feels like it
could split. And maybe that's the real, the real horror story,
(19:36):
not that the beast is out there in the woods,
but that it's pacing just under your own rib cage,
waiting for a crack in the door. If that made
you think, if it planted a seed you can't quite shake,
then do me a favor. Share this episode, leave a review,
(19:58):
hit that like button. That's how Broadcasting Seeds grows, how
we keep digging into the strange, the hidden, the uncomfortable
truths that live just beyond the firelight. This is Benettanton,
and you've been listening to Broadcasting Seeds. Until next time,
keep your eyes on the shadows and maybe just maybe
(20:22):
listen for the howl.
Speaker 3 (20:38):
In the fire light of ancient hall. Lucky arm served,
God is fall, Blood on the table, truth in disguis zoo,
(21:00):
caston down with the wool.
Speaker 4 (21:08):
Round.
Speaker 5 (21:09):
When the moon is high, hide from the hunger, don't
ask why.
Speaker 4 (21:15):
The beast with it will break.
Speaker 3 (21:18):
The skin and howl.
Speaker 4 (21:20):
Your sends to the night's cold.
Speaker 3 (21:22):
Wind, which fires burned in the village. Square chains and whispers.
(21:48):
Fill the Peterstons with the devil's grid. The its am
a card for the wolf within.
Speaker 4 (22:08):
Run. When the moon is high, Hide from the hunger.
Don't ask why the beast within will break the skin,
and how your sends to the night's cold wind.
Speaker 3 (22:37):
Some same madness, some sake, curse, some same something worse.
When resom breaks and shadows come, the wolf and the
(23:01):
heart will devour it all.
Speaker 4 (23:08):
Run when the moon is high, Hide from the hunger.
Don't as fly the beast women will break the skin,
and how your sands.
Speaker 1 (23:21):
To that nice cold wind.
Speaker 3 (23:23):
There's not the monster and the trees you try.
Speaker 5 (23:29):
It's the wolf that wastes beneath your flesh.
Speaker 1 (25:00):
Assass
Year Joe, straight from the broadcast studio, and then the
static This ain't no beat sound story, So as prophetic
encrypt the signals from the shadows of the party we
did where the trot got secret snow parted, microphone alchemists
scriptures with a twist, peat the frequency seeds in the
midst We dropped fass like plagues revelations in the catus,
(00:23):
broadcasting truth while they trapped in surveillans wisdom with a
watchman's blade, forth whatt sound while your whole system faith, blood,
moons that for love, echoes in the pond, sasquars talking
through the fault lines of time. We ain't mainstream, we
ain't just stream safer with the prophets to code the dreams.
So with you trom in better guards to mind. That's
(00:43):
broadcasting seeds and were breaking the design. Yeah, yeah, yo yo,
straight from the broadcast.
Speaker 2 (01:02):
You ever notice how the scariest monsters aren't the ones
from outer space or the bottom of the ocean. They're
the ones that look a little too much like us.
That's the werewolf in a nutshell, half man, half beast,
all nightmare fuel. But if you peek back the Hollywood
(01:27):
howling at the moon and the silver bowl at cliches,
you find something deeper, something older. The werewolf isn't just
a monster lurking in the woods. It's a mirror, a
reflection of what we're terrified of becoming when the thin
veil of civilization slips. Think about it. Wolves have always
(01:50):
been camped out on the edges of our villages, our myths,
our nightmares, revered in some cultures as spirit guides, feared
and others as the hungry mouths waiting just beyond the firelight.
And the were wolf. That's the human story colliding with
(02:11):
the animal instinct, the saint turning sinner, the neighbor suddenly
sprouting claws, And it's about losing control, about asking ourselves
what happens when the beast inside us breaks free. Today,
we're going to follow that trail from the myths of
(02:34):
ancient Greece, where the kings were cursed to wear fur,
to the witch hunks of Europe, where men and women
burned for running with the wolf, to modern psychology, where
people genuinely believe they've transformed. Each era leaves its poprint
(02:55):
on the story, and the further we track it, the
closer it gets to us. So this isn't just about
Harry monsters in the moonlight. It's about the raw, unfiltered
part of human nature we'd rather pretend doesn't exist. And
like every good campfire story, it comes with a warning.
(03:18):
Maybe the wolf we're afraid of isn't out there in
the woods. Maybe it's in here waiting. And before we
dive in headfirst into the dark, do me a favor
like share and review this show. That's how broadcasting seeds grows,
and how these stories keep reaching more people like you.
(03:40):
All right, let's pull back the curtain on the beast
wolves at the threshold myth, ritual and punishment. Let's roll
the clock back a few thousand years before Hollywood, before
(04:01):
medieval witch hunters, before the Brother's Grim scared the life
out of kids with bedtime stories, where wolves were already
prowling the edge of myth, and like all good monsters,
they started with God's kings and punishments. The tale of
Lichen of Arcadia. Picture this guy, ancient Greek royalty, totally
(04:27):
full of himself, thinks he can pull a fast one
on Zeus, and not just any prank. He tries to
serve Zeus human flesh at a banquet. That's like trying
to play beer pong with a Molotov cocktail. You know
it's not going to end well. And Zeus sees through
(04:48):
the trick, blows a gasket and punishes Lichen by turning
him into a wolf. So that's the origin of lycanthropy.
The message was crystal clear, break sacred taboos. You're not
just cast out, you're cast down into the dirt, into
(05:12):
the fur, into the beast. But the Greeks weren't the
only one sniffing around this idea. Herodotus, the so called
father of history, wrote about near I, a tribe up
north near Scythia. According to him, every year these people
(05:33):
would shape shift into wolves for a few days and
then change back. Was this literal, a ritual, a cultural misunderstanding? Frankly,
it's hard to say. But what it does show is
that transformation wasn't just horror. It was initiation, maybe a
(05:56):
rite of passage, a way to brush up against the
wild and come back maybe different. The Romans picked up
the theme with the term verus spellus literally wait, ver cuspellus,
(06:17):
literally turn skin. These weren't cuddly bedtime stories. They were
cautionary tales, reminders of what happens when you crossed the
thin line between man and beast. Now here's the thing.
Wolves weren't just predators. They were rivals. For early people.
(06:39):
Lolves hunted the same game, stalked the same paths, tested
the same survival instincts. Frankly, they were a competition, and
competition breeds both respect and fear. Some cultures elevated the
wolf into a totem animal, a guide, and others demonized
(07:00):
it into a monster. Both reactions come from the same place,
staring at a set of glowing eyes in the dark
and wondering if you're the hunter tonight or the hunted.
What you start to see in these early myths is
that the werewolf is less about claws and fangs and
(07:21):
more about the rules. It's about boundaries. Cross them and
you're cursed. And those rules weren't just about God or rituals.
They were about society itself. Stay in line, act civilized,
respect the sacred, or risk becoming the thing everyone fears.
(07:47):
So in these early myths, the werewolf isn't the villain.
It's actually the punishment, the shadow waiting when humans slip
too far. It's the embodymy embodiment of chaos, of that
nagging truth you don't want to face. Civilization is fragile
and beneath the robes and titles were all just one
(08:10):
bad decision away from sprouting fur, trials, terror, and the
wolf among us. Fast forward to medieval Europe, a place
where fear wasn't just superstition, it was law. You had
(08:33):
the plague rolling through towns, starvation stocking the countryside, and
the church tightening its grip on every part of daily life.
If you were poor, hungry, and desperate, sometimes the scariest
monster wasn't hiding in the woods, it was hiding in
the neighbor next door. This is where the werewolf legend
(08:59):
mutated into something darker. Forget gods and miss now we're
talking trials, torture, and executions. To be accused of being
a werewolf. In the sixteenth century Europe was basically a dessence.
The church and local authorities started treating like aanthropy the
(09:19):
same way they treated witchcraft as they packed with the devil.
If crops failed, if livestock disappeared, if kids went missing,
somebody had to pay, and that somebody was often the
one accused of running with the wolves. The most infamous
(09:40):
case is Peter Stump at fifteen ninety eight in Germany.
The story reads like a medieval horror script. Stump was
accused of being a werewolf who slaughtered men, women, and children.
Some stories even say he ate them. The trial records
dripping with hysteria. The trial records dripping with hysteria and torture.
(10:06):
Extracted confessions claimed he had a magical belt given to
him by the devil that let him transform into a
wolf at will. When they finally caught him, the punishment
was as brutal as it gets, execution by wheel, beheading
(10:27):
and burning. It wasn't just about killing a man, It
was about erasing the idea that someone could live outside
the boundaries of faith and law. But here's the catch.
These weren't isolated cases werewolves. Werewolf trials spread across France, Switzerland,
(10:48):
and Eastern Europe. They often overlapped with witch hunts because
both were painted as Satan soldiers. The difference was the
werewolf was just accused of sorcery. It was accused of
devouring the community. Literally, the wolf became the scapegoat for
(11:09):
everything a society couldn't explain, and by turning ordinary people
into monsters, authorities got to flex their control. Why wolves
simple They were the perfect symbol of wilderness and chaos,
and in an era where Europe was pushing back forests,
(11:30):
domesticating land, and building ordered villages, the wolf was the
last holdout of the untamed. To accuse someone of being
a wolf wasn't just calling them a predator. It was
branding them as an enemy of civilization itself. And that's
the twisted beauty of these stories. The werewolf wasn't just
(11:53):
about some hairy creature under the moonlight. It was about
what happens when a society needs a monster to blame
a missing child blame the werewolf. A failed harvest must
be a curse social unrest. Somebody made a deal with
the devil. It's scapegoating with fangs. So by the time
(12:18):
the Middle Ages were wrapping up, the werewolf had gone
from divine punishment to a weapon of control. The beast
wasn't just in the woods anymore. Frankly, it was in
the courtroom, on the execution stage, and in the very
laws that governed people's lives. The beast in the mind
(12:48):
from folklore to psychology. Now, let's drag the werewolf into
the modern age. The moon is still hanging overhead, but
instead of priests and witch hunters, we've got psychiatrists, case studies,
and medical journals. And believe it or not, the were
(13:10):
wolf didn't vanish with the steak and the torch. It
just shifted shape again. There's an actual psychiatric condition called
clinical lycanthropy. Rare as hell, but it's real. It's something
someone genuinely believes they're transforming into a wolf, or sometimes
(13:34):
it manifests in another animal they're talking about. We're talking
about people who swear their teeth, are lengthening their faces,
stretching their body, sprouting fur. Around fifty or so documented
cases over the last couple centuries, but that's enough to
(13:55):
prove the legend didn't just haunt the forests. It slipped
into the So take a French case in the nineteenth century,
a man admitted to an asylum convinced heva's growing hair
all over his body and prowling like a wolf at night.
In more recent cases, patients describe tasting blood, growling, or
(14:20):
even walking on all fours. Doctors chalk it up to psychosis.
Schizophrenia or severe mood disorders. But the symptoms look suspiciously
like the folklore, as if the old stories themselves crawled
inside the human brain and set up shop. And here's
(14:43):
the kicker. Wolves and were wolves have always been metaphors
for losing control. That's exactly what mental illness feels like
for some your own mind betraying you, instincts hijacked your body.
The monster outside becomes the monster within. And it's no
(15:05):
coincidence that modern werewolf movies, like The wolf Man from
nineteen forty one or even more recent movies, always center
on that tragic theme. I didn't choose this, I can't
stop it, and it might destroy the people I love.
That's not a fairy tale. That's a reflection of human suffering.
(15:29):
But the modern werewolf isn't just about madness. It's about identity.
Think about it. Teenagers hitting puberty, wrestling with hormones and anger, addicts,
battling urges that feel inhuman trauma, survivors carrying a rage
that can't they can't always control. The werewolf becomes a
(15:54):
metaphor for all of it. That's why it survives. It
doesn't matter if you live in medieval France or twenty
first century America. Everybody knows what it feels like to
fight and inner beast. Now we can say this is
also something else, maybe more spiritual, But that's a whole
(16:15):
other episode. Right then, we've got poop culture softer side
of the wolf, from Twilight to Teen Wolf, the where
wolf gets a makeover. Suddenly the Beast isn't just about destruction.
It's about freedom, about primal strength, even romance. And almost
(16:42):
like society's relationship with the wolf has mellowed. We don't
fear the wilderness quite like we used to first world problems.
Right now we fantasize about reconnecting with it. The wolf
becomes less of a curse and more of a super power. Still,
(17:02):
whether it's fear or fascination, the through line is the same.
The werewolf reflects us. It's our shadow self, our suppressed instincts,
our wild side, clawing at the surface. Strip away the
silver bullets and the Hollywood makeup, and the real horror
(17:24):
story is that deep down we know it's true, we
are never too far from the beast. So what do
we make of the werewolf? Is it just a bedtime monster,
a creature of bad cgi and Halloween masks. Or is
(17:49):
it something closer, something that's been stalking us across history.
Because it is us. From kings cursed by gods, two
villagers burned in the town square, to modern patients and
padded rooms. This story just doesn't go away, It just
(18:12):
changes costumes. The werewolf forces us to confront the part
of ourselves we don't like to talk about. The hunger,
the rage, the instinct to lash out, the urge to
run wild and break the rules. Some cultures turned that
(18:32):
into a warning, control itself, or you'll pay the price.
Control yourself, or you'll pay the price. Others turned it
into ritual. Step into the fur, live with the beast,
and come back changed. Today, we spin it into metaphors
(18:54):
about trauma, addiction, or the awkward chaos in becoming an adult.
Different masks, same face. Maybe that's why the werewolf won't die,
because it's not really about wolves at all. It's about us.
The thin layer of civility we wear, the fragile skin
(19:15):
we call humanity, and every now and then, when the
moon is full, or the stress gets to be too much,
or the fear takes over, that skin feels like it
could split. And maybe that's the real, the real horror story,
(19:36):
not that the beast is out there in the woods,
but that it's pacing just under your own rib cage,
waiting for a crack in the door. If that made
you think, if it planted a seed you can't quite shake,
then do me a favor. Share this episode, leave a review,
(19:58):
hit that like button. That's how Broadcasting Seeds grows, how
we keep digging into the strange, the hidden, the uncomfortable
truths that live just beyond the firelight. This is Benettanton,
and you've been listening to Broadcasting Seeds. Until next time,
keep your eyes on the shadows and maybe just maybe
(20:22):
listen for the howl.
Speaker 3 (20:38):
In the fire light of ancient hall. Lucky arm served,
God is fall, Blood on the table, truth in disguis zoo,
(21:00):
caston down with the wool.
Speaker 4 (21:08):
Round.
Speaker 5 (21:09):
When the moon is high, hide from the hunger, don't
ask why.
Speaker 4 (21:15):
The beast with it will break.
Speaker 3 (21:18):
The skin and howl.
Speaker 4 (21:20):
Your sends to the night's cold.
Speaker 3 (21:22):
Wind, which fires burned in the village. Square chains and whispers.
(21:48):
Fill the Peterstons with the devil's grid. The its am
a card for the wolf within.
Speaker 4 (22:08):
Run. When the moon is high, Hide from the hunger.
Don't ask why the beast within will break the skin,
and how your sends to the night's cold wind.
Speaker 3 (22:37):
Some same madness, some sake, curse, some same something worse.
When resom breaks and shadows come, the wolf and the
(23:01):
heart will devour it all.
Speaker 4 (23:08):
Run when the moon is high, Hide from the hunger.
Don't as fly the beast women will break the skin,
and how your sands.
Speaker 1 (23:21):
To that nice cold wind.
Speaker 3 (23:23):
There's not the monster and the trees you try.
Speaker 5 (23:29):
It's the wolf that wastes beneath your flesh.
Speaker 1 (25:00):
Assass
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