The Countdown of Monte Cristo

The Countdown of Monte Cristo

Welcome to The Countdown of Monte Cristo, the daily podcast where we break down one of literature’s greatest adventures, bite by bite. For the next four years—yes, you heard that right—host Landen Celano will be reading a passage from Alexandre Dumas’ The Count of Monte Cristo every single day. Each episode offers a short escape into this timeless tale of betrayal, revenge, and redemption, paired with Landen’s reflections, insights, and occasional forays into 19th-century oddities. Never read The Count of Monte Cristo? Perfect—you’re not alone. This show is for first-timers, seasoned fans, or anyone who’s curious about exploring a literary masterpiece one small morsel at a time. Along the way, we’ll dig into historical tidbits, unpack the story’s twists and turns, and maybe even stumble over a French pronunciation or two. (Phonetics are hard, okay?) Whether you’re a lover of classics, a casual listener looking for a daily dose of culture, or just someone who needs a momentary escape from the noise of the modern world, this podcast has something for you. So grab your metaphorical ticket to Marseille, and let’s set sail on this absurdly ambitious journey together. Subscribe now on your favorite podcatcher or find us on YouTube. And don’t forget to support the show at https://patreon.com/gruntworkpod. Join us as we count down The Count!

Episodes

December 20, 2025 12 mins

Exhausted by grief and gratitude, M. Morrel dismisses his loyal sailors, unable to bear their devotion any longer. He promises they will meet again in better days, though the words ring hollow. Emmanuel escorts the men out, leaving the merchant alone with the Englishman from Thomson & French — the quiet observer who has watched the collapse of a man’s fortunes without a word.

Morrel’s wife and daughter withdraw as well, though ...

Mark as Played

In the wake of his ruin, M. Morrel meets despair with dignity. Accepting the loss of the Pharaon as the will of God, he turns to his rescued sailors to settle their wages — the last act of a man determined to remain honorable even in bankruptcy. Though he insists on paying each of them two hundred francs for their service, his voice falters as he admits that what little remains in his coffers no longer belongs to him.

The sailors, ...

Mark as Played

Penelon’s voice softens as he reaches the end of his tale. The gale had passed, the sea calmed, but the Pharaon was doomed — water creeping up inch by inch, the slow arithmetic of disaster.

Captain Gaumard, resolute to the last, gave the final order: abandon ship. The sailors obeyed reluctantly, torn between loyalty and survival. When the captain refused to leave, Penelon wrapped his arms around him and hurled him bodily into the l...

Mark as Played

The old seaman continues: they had done more than reef the topsails — they had run before the tempest, stripped bare, and fought through twelve hours of fury before the Pharaon sprung a leak. Down in the hold, the water rose faster than the pumps could fight it. “Since we are sinking,” Penelon had cried, “let us sink!” But Captain Gaumard, defiant to the last, emerged with pistols in hand. “I’ll blow out the brains of the first man...

Mark as Played

The old sailor, Penelon, shifts his tobacco and begins his tale — rough, vivid, and steady as the sea itself.

Even now, the room seems to tighten with his words. The sailors nod; they remember. The storm had come fast — a wall of black rolling across the horizon, the wind rising like cannon fire. Orders flew: take in the studding-sails, stow the flying jib, lower the mainsail. Within minutes, the Pharaon was straining under a sky t...

Mark as Played

Julie’s trembling voice confirms what her father already fears — the Pharaon is gone. Morrel’s face collapses under the weight of the words.

Moments later, the room fills with sorrow and salt air. Madame Morrel enters weeping; Emmanuel follows; and behind them stand the Pharaon’s sailors, rough and sunburned, their faces lined with fatigue and loss. The Englishman, startled by their sudden presence, retreats into the shadows of the...

Mark as Played

The Englishman tries to offer cautious optimism — perhaps the ship entering port, La Gironde, has spoken to the Pharaon. But M. Morrel only shakes his head. “Uncertainty is still hope,” he murmurs. “She left Calcutta the fifth of February; she should have been here a month ago.”

A sudden noise breaks the stillness — hurried steps, muffled sobs, voices on the stairs. Morrel goes pale. The stranger watches him closely, pity softening...

Mark as Played

M. Morrel straightens in his chair, summoning the dignity of a lifetime built on honor. “For more than twenty-four years,” he says, “nothing bearing the name of Morrel & Son has ever been dishonored.” The words carry both pride and despair.

Morrel’s composure wavers.

Outside, the world continues in silence. Only one thread of hope remains — a single ship still at sea. And as they speak, a young man keeps watch from the rooftop,...

Mark as Played

Morrel sits motionless as the Englishman begins to unfold his papers. Each sheet rustles like a verdict. The names and numbers are precise: 200,000 francs owed to M. de Boville, 32,500 francs in promissory notes, and another 55,000 francs from Pascal and Wild & Turner — debts that together crush him under 287,500 francs.

The merchant’s hand trembles as he wipes the sweat from his brow. Never before has he heard his own name — o...

Mark as Played

Julie retreats down the stairs, pale with dread, as the Englishman and Cocles climb higher. At the top, Cocles unlocks a door leading to M. Morrel’s private room and silently ushers the visitor inside.

There sits the once-proud merchant, hunched over his ledger — a monument of debts. His hair, once black and full, is now white; his steady eyes, dulled by sleepless years. The man who once commanded ships and fortune now trembles at ...

Mark as Played

The Pharaon has not returned. Another ship from Calcutta arrived weeks ago, but of Morrel’s vessel there is still no word. The silence tightens like a noose around the failing house of Morrel & Son.

Into this fragile quiet steps a stranger — the confidential clerk of Thomson & French of Rome. Emmanuel, anxious at every knock, fears another creditor come to press the debt that cannot be paid. He tries to intercept the visito...

Mark as Played

Through every loss, Cocles alone remains steady — not from ignorance, but from faith built on twenty years of perfect balance sheets. To him, ruin is an impossibility; numbers do not lie, and M. Morrel has never failed to pay. Even as the other clerks abandon ship like rats sensing the storm, Cocles stays at his post, guided by arithmetic and devotion.

When he finds an extra fourteen sous in his ledger, he brings it to Morrel with ...

Mark as Played

The once-bustling house of Morrel & Son now stands hollow and still. Where laughter once echoed through bright corridors and the air smelled of salt, goods, and prosperity, there is only dust and silence. The courtyards are empty, the offices dark, and of all the clerks who once filled this hive of commerce, only two remain.

One is a young man — loyal beyond reason, bound by love to M. Morrel’s daughter and unwilling to abandon...

Mark as Played

At last, the name Edmond Dantès stares back from the prison register — and beside it, the line that sealed his fate.

The Englishman’s gaze hardens as he compares the ink, the slant of each letter, the flourish of the final stroke. It is unmistakable — the handwriting of Villefort himself, the man whose ambition had destroyed him. The truth lies in plain sight, preserved by bureaucracy and indifference.

Quietly, he folds the denunci...

Mark as Played

The Englishman’s tone remains mild, but his purpose sharpens. He asks to see the prison records — those of the Abbé Faria, and of the other prisoner whose story has so interested him. M. de Boville obliges, leading him into a study of immaculate order: numbered ledgers, catalogued files, the bureaucracy of forgotten lives.

While the inspector buries himself in his newspaper, the Englishman leafs through the records with deliberate ...

Mark as Played

The Englishman listens with careful detachment as M. de Boville delivers the tale’s grim conclusion. The government, he says, needn’t have feared Edmond Dantès any longer — for the Château d’If has no cemetery. Its dead are given to the sea.

Believing he was to be buried in consecrated ground, Dantès had instead been sewn into his shroud, weighted with a thirty-six-pound cannonball, and hurled from the fortress cliffs into the blac...

Mark as Played

With the ink barely dry on their transaction, the Englishman’s true purpose unfolds. His calm curiosity sharpens as M. de Boville recounts a story he calls “a singular incident.” The Abbé Faria — the so-called madman who dreamed of treasure — died only months ago, in February. But his death, Boville explains, was not the end of the tale.

Faria’s cell lay just fifty feet from another prisoner — one of Napoleon’s agents, dangerous an...

Mark as Played

The Englishman’s composure never wavers, producing a thick bundle of banknotes — far more than M. de Boville had dared to hope for. Relief floods the inspector’s face as ruin gives way to salvation. Yet the stranger refuses any percentage or commission. His price, it seems, is something altogether different.

What began as a transaction of francs now turns into an exchange of secrets. Money changes hands easily; the truth requires a...

Mark as Played

When the Englishman enters M. de Boville’s office, recognition flickers across his face — though the inspector of prisons, sunk in despair, is too distraught to notice. The visitor repeats his polite inquiries about the finances of Morrel & Son, but this time the answer is worse than rumor: M. de Boville is ruined. Two hundred thousand francs — his daughter’s dowry — lie trapped in Morrel’s failing firm, and the deadline for pa...

Mark as Played

A new chapter — and a new game begins. The morning after the events at the Pont du Gard inn, a man appears in Marseilles: thirtyish, well-dressed, and unmistakably English in bearing. Introducing himself as the chief clerk of Thomson & French of Rome, he claims concern over a large loan made to Morrel & Son — the very firm now whispered to be on the verge of ruin.

Before the mayor of Marseilles, the stranger’s questions are...

Mark as Played

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