You may have heard that Thomas Perry, the best-selling mystery writer, died this week at age 78. I was immediately saddened by the news, not just for the passing of a skilled, dependable, and imaginative author, but for the loss of someone who had become a friend. Though Tom and I were members of the mystery community, I hadn't had the pleasure of getting to know him and his wife, Jo, also an acclaimed writer, until fairly recently. They went quickly to the top of my list of people I would seek at conferences for companionship and counsel. In this interview, recorded in February, I trust you'll get a sense of why I so admired Thomas Perry.
My guest on this episode of Writers at Work is author Thomas Perry, whose latest thriller is PRO BONO. Thomas had a long, exemplary career as a mystery and thriller writer. His debut, THE BUTCHER'S BOY, in 1983 won the Edgar Award for Best First Novel from the Mystery Writers of America.
It was the first in a series in which three subsequent novels appeared three separate decades apart. His VANISHING ACT, featuring his recurring character Jane Whitefield, was named by Parade magazine as one of the 101 Best Mysteries of All Time. Tom was a PhD in literature, wrote and or produced for such TV shows as Star Trek, The Next Generation and Simon and Simon.
He's enjoying well deserved attention these days, thanks to the FX series The Old Man, based on his 2017 novel of the same name. We of a certain vintage applaud Tom for creating a hearty protagonist who is AARP eligible but hardly in need of assistance.
Since then, he's published eight more novels, including additions to the Butcher's Boy and Jane Whitefield series. Last year's HERO introduced readers to Justin Poole, a private security agent for Hollywood celebrities and the 1%. Booklist, Kirkus and Deadly Pleasures magazine called HERO the best thriller of the year. How lucky we would all be if we maintain such high standards across more than four decades and through 31 novels.
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