You Had Me At Skip It

Technical issues aside, Taylor and Mike review The Sheep Detective, the latest in a line of talking sheep movies. They discuss the film and give their thoughts on its comparisons to Babe, a 90s classic. 

This week Mike dives into the high-stakes crime thriller The Rip, while Taylor takes a bite out of the provocative drama Forbidden Fruits. From tension and betrayal to temptation and chaos, the two compare notes on what worked, what didn’t, and which film left the bigger impression.

Let's answer some more fan questions! What's Taylor's favourite Dracula, what TV shows would you reboot if you could and what tv world could you survive in...spoiler alert for Bugonia. 

This week on You Had Me At Skip It, Mike takes a brutal trek through The Long Walk, unpacking whether this dystopian nightmare actually delivers the tension...Meanwhile, Taylor dives into Trust Me: The False Prophet, exploring the shocking world of manipulation, deception, and the people willing to believe almost anything.

This week on You Had Me At Skip It, we hand the mic over to you. It’s a full listener mailbag episode, questions, hot takes, and a few curveballs we didn’t see coming. We dig into your questions and give you the honest answers, no hedging, no fluff. Some answers might surprise you. Others might not...

This week on You Had Me At Skip It, Mike and Taylor split the watchlist and come back with very different takes. Mike dives into The Drama, breaking down whether it actually earns its title. Meanwhile, Taylor checks out Roommates, from Happy Madison and Netflix. 

This week Taylor reviews yet another Dracula project and Mike reviews Send Help from director Sam Raimi. Mike also dives into his post theatre show tradition of tv catchup that includes the new seasons of Euphoria, For All Mankind, Daredevil Born Again and the return of Scrubs. 

Mike returns to the show just in time to save the world from a dying sun! Taylor and Mike welcome Katie Wilson back to the show to discuss Project Hail Mary, the book is now the movie. Has Mike changed his mind on Ryan Gosling? How does the story hold up in a 2 and a half hour movie? Find out...right now.

This is not an episode about time travel movies...though now we may have to do one. This is the previously mentioned pre-oscars recorded episode with Nicole and Taylor talking about Oscars movies! So enjoy knowing way more about the fait of these films then our hosts...stay tuned for Mike's return next week. 

Taylor welcomes back Father Quirk as the countdown to Mike's return is on! This week they discuss Diary of a Country Priest, a thriller from 1951 plus the eastern season in the movie world. 

It's time to dive into The Bride, from director Maggie Gyllenhaal! The Bride stars now Oscar Winner Jessie Buckley in another powerful performance. Taylor and Nicole chat about the film, directing choices and this rendition of Frankenstein's monster. 

Mike's back! For a short time, as he and Taylor take a look at the 2026 Oscar Winners, going through each category to give their thoughts. They also reveal the full standings in our 2026 Oscars Pool. How long will Mike stay? Only time will tell....he'll be back full time April 16, it's fine, everything is fine. 

Mike makes a brief but impactful appearance to announce the 2026 Oscars Pool is now live on solonearts.ca! Go to "Projects" and "Podcasts" and fill out your ballot today. He leaves, Taylor and Nicole do all the work once again. 

www.solonearts.ca/podcasts/ sign up now and send in your Oscars Ballot! 

Father Quirk joins Taylor for a fun Anti-Valentines movie talk as they discuss Don't Look Now (1973) and Picnic at Hanging Rock (1975). 

An absent Mike, a cold fighting Taylor and a sad special guest makes for a great kick-off to the February movie season! Friend of show, friend of Taylor, Nicole, joins us this week to review Dream Lover (1993) and we also hear what else has caught Nicole's eye recently on the big screen. 

Mike dives headfirst into Together, the 2025 supernatural body horror debut from Michael Shanks, to see whether its ambition sticks the landing or collapses under its own weight. Meanwhile, Taylor checks out Song Sung Blue, Craig Brewer’s biographical musical drama, to judge if it hits the right emotional notes or plays it too safe. Two very different films, one shared question: did they actually work?