May 24, 2025 • 28 mins
Step into the world of a private investigator who solves complex cases with keen observation and intellect. His adventures are filled with suspense and unexpected twists.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
William Gargan stars as Barry Clay Confidential Investigator. I knew
a murderer once who was planning to get married, so
he killed a man for money enough to furnish the house.
Speaker 2 (00:18):
He didn't work out though, all he got was the chair.
Speaker 1 (00:29):
A National Broadcasting Company presents William Gargan in another Plan,
Number one, Detective Barry Clay Confidential Investigator.
Speaker 2 (00:51):
That Craig, it gets dark early these days. It's always
cold and.
Speaker 1 (00:57):
A confidential investigated business guys slow down. Maybe it's because
the weather discourages romance. Why stay home knitting? Husband's decide?
The blonde wasn't born?
Speaker 2 (01:08):
Who was work to fit through the icy city.
Speaker 1 (01:10):
So I'm in the office pretending to go through the file,
trying to keep the cork warm.
Speaker 2 (01:16):
The buzzer buzzers, and I looked up. Maybe I think
it'll be a fireman. It's opened.
Speaker 1 (01:23):
If it is, he forgot to bring the fire with him. You, Craig,
I'm Craig to down. Yeah cool, That's why I'm still here.
Mister hen You mean, how.
Speaker 2 (01:37):
Do you do?
Speaker 1 (01:38):
And are you in the position to take them and
jam a job for when night?
Speaker 2 (01:45):
Oh you're lucky. It so happens. I'm free tonight.
Speaker 1 (01:49):
Now, if you'd wanted me to go to work tomorrow,
you'd still be lucky.
Speaker 2 (01:52):
I'd be free then too. What the matter? Pump hum? Oh?
This wo and influence un anymore? Who is the job
of the night? What about it? Interested? I want you
to go along with me? Yeah, to pay a vision
susy feel Yeah, I used to have one to do?
Speaker 1 (02:17):
What?
Speaker 2 (02:17):
Oh? Go to get his life? Yeah? Nothing but the
night watching?
Speaker 1 (02:22):
Now then dad won't take one in a couple dollars?
Would h with twenty five bucks? You know?
Speaker 2 (02:31):
Sure? Anything I need to deal with now?
Speaker 1 (02:36):
It traved and U stet nine ouchy, it didn't do
bad you you can stay inside in the ferry. He ay,
you better meet me down day fifty h okay and
down in the They drive corner Western eight thirty and
Bass going. There's maybe a five minute walk from there.
Speaker 2 (02:54):
Pay drive Western eight thirty.
Speaker 1 (02:56):
Yeah, right there?
Speaker 2 (03:00):
He gets any you think him? Oh, mister Hearn, Yes.
Speaker 1 (03:06):
Twenty five bucks for company on a Visitor's a little
on the ridge side for you, isn't it?
Speaker 2 (03:12):
Then that's visit? Then I want to make sure I
don't get cared, mister Hearn. Didn't pause to explain.
Speaker 1 (03:31):
I started after him, shrug my shoulders, went back to
the desk and put my files away.
Speaker 2 (03:35):
A client's got a right to his privacy.
Speaker 1 (03:39):
I wondered how I'd like being a night watchman if
I ever washed up as a private eye.
Speaker 2 (03:44):
I decided I wouldn't.
Speaker 1 (03:45):
Then headed for a Hamburger Jordan instead of a steakhouse
for dinner. He had been fine, but Bay drives turned
out to be right on the back.
Speaker 2 (04:00):
I didn't care for the result.
Speaker 1 (04:03):
I was maybe three quarters of a block away from me,
the affection that they drive in Western When the car
passed me, the street didn't run.
Speaker 2 (04:10):
The many lamp posts and the productionans were all home.
Speaker 1 (04:13):
I didn't threat the cars driving without lights, with accidentals.
Speaker 2 (04:16):
I began to run.
Speaker 1 (04:17):
I could see Johann shopping you freet, trying to keep
warm on the corner.
Speaker 2 (04:20):
The car moved in fast, and then it went away,
no life place.
Speaker 1 (04:28):
I got to wear her with hugging the pavement and
bent over him. He's given up trying to keep warm.
He'd never be warm again. They drive ran parallel to
(04:48):
the water. Something was below it except the crooked shoreline
and the cold darkness.
Speaker 2 (04:53):
Of the bay itself.
Speaker 1 (04:55):
I'd plied the passing car and had the news phoned in.
After a while, Joe Hearn had a spotlight on him,
the undivided attention of a half a dozen cops in
a nervous intern Joe Hearn wasn't particularly interested. Barry, Welcome
to Staten Island, Lieutenant Rogers. Thanks, and I could use
a red carpet for windbreak.
Speaker 2 (05:16):
Turn haired. You do help and pay a visit to
whom me I would have said to.
Speaker 1 (05:22):
Who it's an interesting sidelight on your grammar. Doesn't tell
me anything now, that's because I don't know anything. Hearn
wasn't giving out information.
Speaker 2 (05:30):
N was a night watchman for the Coastlines.
Speaker 1 (05:33):
He worked one of their ware houses near here, half
an hour warm, no help there, His date was closer,
his dad has been canceled.
Speaker 2 (05:41):
Nobody spunded the car. Berry probably put.
Speaker 1 (05:44):
The lights on again once he's got a few blocks away.
Trev were you're a man able to dig up anything
on Hearn's actions. Just before he wound up here, land
out in his morning house said he had dinner there,
and he stopped off of a place called Old Tyroll
for beer. A manager a man named Grunham found up
with nothing. Aren't always had a beer down its way
(06:05):
to work?
Speaker 2 (06:06):
That did, Yeah, I hope he enjoyed his beer. They
finished through the off marks in the flashbow.
Speaker 1 (06:24):
Aarn wasn't a heavy man. I had no trouble rolling
him onto a stretcher and taking him away. The last
I saw of him with a pair of tired shoes,
the right one had a hole in it. I thought
(06:45):
maybe I'd try the beer at the old Tyroll. I
wasn't fooling anybody. The twenty five bucks in my cartet
was bothering me. I hadn't earned it. The place was
full of people the way that were girls. That's a costume.
I suppose they're bare. Needs improve the customer's advertising.
Speaker 2 (07:05):
I hope nobody was stot yodeling. What do you mean
that you want a table? Maybe? Well, I'm looking for
mister Guhner. I am cooner.
Speaker 1 (07:14):
My name's Craig Barry, Craig Young. I'm working for Joe Hearn.
Speaker 2 (07:19):
But the man is dead.
Speaker 1 (07:21):
No, I'm still working for him. I'm a confidential investigator.
It's very sad what happens to mister Hann. But I
have already told the police everything I know.
Speaker 2 (07:32):
Suppose you tell me all over again.
Speaker 1 (07:34):
I do not know exactly what the confidential investigator means,
but I am a friend that the police kept him.
Speaker 2 (07:41):
Here in the district. That's nice.
Speaker 1 (07:44):
He would not drink it that I am disturbed and
didn't like trying to break through the blood and as lungs.
You do not make yourself very pleasant. I will not
talk with you more. Now. Many might advent of your
looked at mister ConA. I say you let that look
pretty straight. They die with their eyes open. Keiller's got
so little time he doesn't bother shutting their eyes. And
(08:05):
what you've see in a munded man's eyes isn't pleasant.
Mister grown up, There's nothing much anybody can do about
it except turning up the killer.
Speaker 2 (08:12):
That's what I'm trying to do.
Speaker 1 (08:13):
I understand we should help. Only yeah, you are mistelling.
Yeah coming, I noticed, I've had two stories.
Speaker 2 (08:23):
What's upstairs? More restaurants? No hit the store rooms and
and things like that, things like that. Why do I
take a look?
Speaker 1 (08:32):
I do wish that maybe I'm thinking of retiring and
hoping a rest with storerooms upstairs. It's closed upstairs. I
cannot put it to my mind. Yeah no, if you excuse.
Speaker 2 (08:44):
I got to that.
Speaker 1 (08:46):
But perhaps you will be a gift to the management. Huh,
the English it's here, very good?
Speaker 2 (08:53):
Those are beer, I understand. No. Thanks.
Speaker 1 (08:57):
For some reason, I can't think of what that is exactly.
I haven't got an appetite. Good night, mister Grunnard. Well
come to the Big Drive Precinct battery. Hello, trial, how's
the beer at the old Tyrole?
Speaker 2 (09:19):
What makes you think I've been there?
Speaker 1 (09:21):
We've met the form you bothered about her, and sure
I own twenty five bucks rather investigation, Uh huh, worrying
about money?
Speaker 2 (09:30):
What else? I won't tell.
Speaker 1 (09:32):
Anybody your sentimental bearing says, I'll keep quiet about your
reading books.
Speaker 2 (09:37):
That makes us even? Would you find out if anything
hit the old Tyroll? Nothing?
Speaker 1 (09:42):
You You gave us the fact that Hanne was a
private eye once upon a time. So reasoning quick was
because the commission revoked his license.
Speaker 2 (09:50):
They must have had a reason.
Speaker 1 (09:51):
They had the good one, not too good so they
couldn't help themselves. Happen around ten years ago.
Speaker 2 (09:57):
You're going to talk without promptings.
Speaker 1 (10:00):
The other the way it went was Joe Hearn had
an office downtown on the waterfront, had a lot of
job for shipping outfits. Was doing pretty well until he
testified against a man named Pete Solder. They had a
law then about testifying against men named Pete Solder.
Speaker 2 (10:14):
The charge against Soldo was smuggling.
Speaker 1 (10:17):
His lawyer brought in a lot of witnesses in the
higher income bracket, starring that made them good witnesses, not
a help. The case against Salu shop for lou holes.
Speaker 2 (10:28):
Turn almost got himself charged with perjury for solar Gillie
sure ran gambling harvest tomb.
Speaker 1 (10:33):
He was reported a few years later, but at the
time of the trial his guilt couldn't be.
Speaker 2 (10:38):
Proved, so Hern had his license taken away. Was that
or a perjury charge? Twelve?
Speaker 1 (10:45):
We have a list of the witnesses to testify. The
solder him, Yeah, I bet it here, Thanks Grunner, is
not the list?
Speaker 2 (10:53):
No, thanks, firm. You're leaving? Uh huh and going where?
Back to the waterfront? Got a lead? No, we are
you going anyway? All the twenty five bucks? No? I
keep remembering Hern's shoes. What about them? They had holes
in them.
Speaker 1 (11:19):
I went back to the corner of Bay Drive in
Western The cops were gone Herne was gone, gone, anything
left with a bloodstain on the pavement, not much to
show for a lifetime. I remember what Hearn had told me.
His visit was to a place five minutes from bay
and western. It wouldn't have been back along the way
I'd come. It couldn't be down western to the water.
(11:43):
It might have been up western, going inland. It might
have been a long bay.
Speaker 2 (11:47):
Drive where it hugged the shore.
Speaker 1 (11:49):
I had invested five minutes along the shore. Hern's life
had been played near water and ended there five minutes
with a small endorsement. The pay drive died on me
in five minutes. The high brick walls stared at me.
Speaker 2 (12:06):
I backed up away.
Speaker 1 (12:07):
From it, and there was a house rising above the walls.
Set peek behind it. Maybe it was the wind that
lifted the small hands out of the back of my neck.
Speaker 2 (12:17):
I found the gate in the walls. There were lights
in the house, the oven, the gate. How I'm playing
a visit to the house. The time do you think?
It is? Two thirty in the morning, no.
Speaker 1 (12:36):
Time for visiting. Everybody's asleep. The lights are on, and
nervous up at the house. They sleep at the lights on.
Speaker 2 (12:43):
Now now no, I don't want to get wrong. I'm visiting.
Oh you're on your way out out? Can we book
my arm? Keep your hands out of your pocket. I'm
not interested in your gun. How wouldn't you mean you're
not the ouse.
Speaker 1 (12:58):
I'm okay, okay, I don't know what you think they're
doing here. You visit to announced mes Craig Gray, Yeah,
Barry Craig, you're.
Speaker 2 (13:11):
A private eye.
Speaker 1 (13:12):
Confidential investigator. Sounds more expensive. Onely, you're so kind of
Reggie tonight. Maybe I'm always at you again on missus Lyon,
like this won't do you any.
Speaker 2 (13:22):
Good, though, I'm not looking for any good. What's your
name is? Tholen? Got a license?
Speaker 1 (13:28):
That that gun you're carrying, Smari, you've got a license
complex or something?
Speaker 2 (13:32):
Forget it? That gun been used, Lily, keep popping on
my gun?
Speaker 1 (13:37):
Lay off the open out the grounds all night. I
didn't ask you, this is why, and run to a butler.
He goes to bed early. All right, get back to
the gatehouse. Oh wait, I'll make get back. You like
to throw your weight around, don't you.
Speaker 2 (13:52):
I've got plenty of it. Yeah, only one thing, there's
just so much. I'll taking it and then nothing I'm
not stolen, so I see the name is Barry Craig.
Speaker 3 (14:10):
Mind if I come in that might depend on just
who Barry Craig is.
Speaker 2 (14:15):
The confidences as together.
Speaker 1 (14:17):
He's got an opposite the sitting license under glass and
uh and a necessity for visiting.
Speaker 3 (14:24):
Does it happen office?
Speaker 2 (14:25):
No?
Speaker 3 (14:26):
Well, I said, there's no harm in indulging you. Mite take.
Speaker 2 (14:34):
It's up to you.
Speaker 4 (14:36):
Would you go away? If I asked her to no,
come in with the gad. It's strange hour to visit Micato.
Speaker 2 (14:49):
You're up, missus?
Speaker 3 (14:49):
Wye, I keep strange allys why did you come here?
Speaker 1 (14:55):
A man named Joe Hearn was shot to death a
little while ago. Oh but he was a private eye
once upon a time. Well recently he's been a night watchman.
Right now he's dead.
Speaker 3 (15:07):
Well, I'm sorry about that. I suppose investigators they are
all fine men.
Speaker 1 (15:11):
They'll breed when they're shot, and when they've fled.
Speaker 2 (15:13):
Long enough, they die.
Speaker 3 (15:16):
That was hardly necessary.
Speaker 2 (15:18):
People don't always realize. Think how you've got here?
Speaker 1 (15:22):
Yes, around eight thirty, the night you were aware.
Speaker 3 (15:27):
I don't really see why I should answer your question.
Speaker 2 (15:30):
Do you mind answering the good? Then?
Speaker 3 (15:34):
Eighth thirty, I was here.
Speaker 2 (15:36):
I've never been reading alone.
Speaker 3 (15:39):
My husband's dead. The buttoner go to bed very early.
Speaker 1 (15:43):
But of course they're doing They're always doling. The grounds
run right out of the water's head, don't they they do.
They're a beautiful woman, missus Swan Hice. Thank you, beautiful
and rich? Why did you let me walk through your
front door?
Speaker 3 (16:03):
Meaning that I didn't have to?
Speaker 2 (16:05):
I put it that way, but perhaps I wanted to?
Was it my hand tailed suits or my polished manners, your.
Speaker 3 (16:14):
Polished manners, or perhaps the hat you're wearing. It's still
on your head.
Speaker 1 (16:21):
In the child of a man named Pete Solder, a
number of years ago, another man named Thomas Warren testified
on Solder's bass.
Speaker 3 (16:28):
Thomas Warren was my husband, I know.
Speaker 1 (16:31):
Thomas Warren's testimony helped a private investigator named Joe Hearn
lose his license.
Speaker 3 (16:36):
Oh we're back to that.
Speaker 2 (16:37):
We never left it. It was that Joe Hearn who
died tonight.
Speaker 3 (16:42):
What possible interest could I have?
Speaker 2 (16:44):
Older new lots of people like the Thomas Warren. You
must have had something.
Speaker 3 (16:49):
I hardly knew him.
Speaker 2 (16:51):
You must have been what eighteen at the time, A
few years older when soldo was deported. Did you still
hardly know him? Then?
Speaker 3 (17:00):
I'm trying to understand why you're asking me these questions.
Speaker 1 (17:03):
Earn was killed a few minutes after they left. The
restaurant and bar called the Old Tyroll. It's run by
a man named Groener. He keeps the supplies upstairs behind
drawn blinds.
Speaker 2 (17:12):
And with the lights on.
Speaker 3 (17:13):
I know nothing about the Old Tyrol or a man
named Groooner. Mister Craik, why don't you take your hat off?
Speaker 2 (17:20):
Why should I?
Speaker 3 (17:22):
Because I want to see what your hair is like.
Speaker 2 (17:24):
I'm not a cop.
Speaker 1 (17:26):
Those rooms upstairs the restaurant could be used for gambling.
I wouldn't be interested, except the fete Solder ran a
string of gambling houses.
Speaker 3 (17:33):
You're very stubborn. I'll take it all for you.
Speaker 2 (17:38):
This is pretty quicker.
Speaker 3 (17:39):
You're very real, mister Creek, very real and disturbing.
Speaker 2 (17:44):
I still think it's pretty quick.
Speaker 3 (17:46):
You underestimate yourself. The world's full of dittle men, halfman.
Speaker 2 (17:52):
Do you want me?
Speaker 3 (17:53):
You're excited?
Speaker 2 (17:54):
I'm not buying what It's a nice performance, but your
price take showing. No.
Speaker 1 (18:02):
I just still not be slept, not even by a
beautiful woman. Let's get back to the gambling houses.
Speaker 3 (18:08):
If you don't mind, I'll show you.
Speaker 1 (18:11):
You mean, he's had time enough by now to get away.
Speaker 2 (18:14):
Yeah, truly, the car's gone very nice, Missus Vaughan, would
you please me?
Speaker 1 (18:24):
You stow me just long enough? Didn't you to let
him get out of here?
Speaker 3 (18:28):
I don't know who you're talking about?
Speaker 1 (18:30):
No, but hearn did, Missus van Hern did? I let
Dolan didn't try to stop me. I hadn't expected him
to out in the bay. The boats lay at anchor,
(18:50):
rocking with the tide. The old tyroll was still open
for business.
Speaker 2 (18:55):
I gave it mine.
Speaker 1 (19:00):
Out in the restaurant a handful of people they tired
passes at cool The.
Speaker 2 (19:04):
Bar was doing better. The part tender a.
Speaker 1 (19:07):
Very high class of sictem Hey, yes, sir, i'd really
it's a great Allow me to go on to our
back again.
Speaker 2 (19:16):
Yeah, well, what is it you want now?
Speaker 1 (19:20):
Let's not disturb the parttender. Let's go where we can talk.
I do not wish to go where you do.
Speaker 2 (19:26):
Only you don't realize it yet. I still say, you
know what I've been. It's not my business. I've been
visiting Missus Warren. It means nothing to me. I who
is missus Ronan.
Speaker 1 (19:40):
A lady with a lawn sloping right down to the
shore of the bay. So, yeah, the go to my office. Fine,
is upstairs, no objection, right up.
Speaker 2 (19:56):
Among the storeroom home store.
Speaker 1 (20:00):
Oh yeah, you didn't hit those Yeah it's hot. Now,
what you really mean is that you're closed up for
the night. Upstairs, you see things which I do not understand.
Never mind, my office is here, very pretty.
Speaker 2 (20:22):
You do not come to admire my office. It's a craig.
What is that you wish to say to me? How
well did you know Joe Hearn? I hardly knew him
at all.
Speaker 1 (20:32):
He stopped in every night for a beer. It must
have been more than a casual thing.
Speaker 2 (20:36):
No, the cops know better.
Speaker 1 (20:38):
Well, what I meant is that, of course I knew
mister hern, but not very personally.
Speaker 2 (20:45):
Understand. I understand you served him a bed to night. Yeah,
an old customer while he was drinking that bear. What
did he tell you? Nothing except how the letter is
and yeah, and that is on a couple of boys
chatting about the weather. No, ghuna, what do you mean? No,
(21:06):
I don't like your answer. Please you.
Speaker 1 (21:08):
I'm not being brooke, wal just making sure you stay
with me, Corona? Why did I tell you tonight? I'm
not to please You're just beginning to feel sick.
Speaker 2 (21:17):
It'll get worse, Gunna.
Speaker 1 (21:18):
I am not concerned to you what you and Hern't
talked about. Aren't mentioned the tact that on his way
to work he always passed the way in the state.
He told her that when he passed it last night
he saw someone go in that estate, someone who's faced.
Speaker 2 (21:30):
He had a very good reason to remember. Is not
what he told you? No? No, I sware to you. No,
Why den't it with such excitement, Conna? Why swear to me?
Speaker 1 (21:39):
Because you know what it means, don't you. That's why
you're so anxious to get out of it, isn't it, Corona?
Speaker 3 (21:44):
I say nothing.
Speaker 2 (21:45):
Let's go back to storytelling. Aren't told you that? He
also told you he was going to pay.
Speaker 1 (21:50):
A visit with a private eye me, although he wasn't
mentioning names, was he? No?
Speaker 2 (21:56):
I don't be so anxious to agree with me on
unimportant things. And turnis is there? And left? And what
did you do? Nothing?
Speaker 1 (22:02):
Nothing except make a little phone call to a lady Grounna. Yeah,
they've got a funny law. Roughly It says that if
you know about him murder and don't talk, you go
to the chair right alongside of that all actually pull
a trigger.
Speaker 2 (22:16):
I know about this. Maybe you'll think it's unfair.
Speaker 1 (22:19):
You'll go right on thinking that until they shoot the
high voltage through that.
Speaker 2 (22:22):
Fat body of your eye.
Speaker 3 (22:23):
I know nothing.
Speaker 1 (22:25):
You follow missus Warren. You passed on with her and
had told you maybe I did.
Speaker 3 (22:30):
It is not against the law.
Speaker 1 (22:31):
Why did you think would happened with that information? Gronna,
What do you think did happen?
Speaker 2 (22:36):
It is not my doing it.
Speaker 1 (22:38):
I got to hearn before I met him. He didn't
die very pleasantly.
Speaker 2 (22:43):
I'm angry about that. Every reduced to crave. You are
hurting your.
Speaker 1 (22:46):
Type breathing with rungs full of blood.
Speaker 2 (22:48):
Sometimes got hurt. Law put her and tell you we
saw lettering much is one to save life night you
let's go off there. I tell you thanks.
Speaker 1 (22:58):
I wish that it's on the record that I did
not know what will happen.
Speaker 2 (23:02):
It'll be on the record.
Speaker 1 (23:04):
Now, stop washing the blood off your hands and talk
all right?
Speaker 2 (23:07):
Then?
Speaker 1 (23:08):
I speak two men hand sees who goes into the
water and shut upnor nice shooting dollum, come out to
behind that door.
Speaker 2 (23:25):
I've had a beat on it since we came into
the room. The angle's wrong for you. Come out for
behind that door, Dollum. Okay, all drop the gun.
Speaker 1 (23:40):
Now keep coming, I said, keep coming to me or
do you want to find out if my shirt straight?
Speaker 2 (23:47):
Oh? I'll keep walking. That's fine. Stop stopping.
Speaker 1 (23:54):
Turn around back to me. Thanks that door you just
came out of. Yeah, now you start back to the door, Dolan.
Speaker 2 (24:06):
But put your here. One dead pivate eye is enough
for the night. So we play it this way. Start walking.
I'll be right behind.
Speaker 1 (24:15):
So if anybody gets nervous and start shooting, I'll see
to it that you don't fall down.
Speaker 2 (24:20):
When you get shot. You can't do this, I'm doing it.
Speaker 1 (24:23):
Keep walking, go shooting the boy in the room you
came out of. That was the idea, wasn't it.
Speaker 2 (24:31):
You were coming in.
Speaker 1 (24:32):
I was supposed to think you've been alone. I wouldn't
be watching the next room.
Speaker 2 (24:36):
I'd make a nice target. But I like you better
as a target.
Speaker 1 (24:40):
No, kick the door open all the way okay, yeah, better,
much better all the Dolan.
Speaker 2 (24:50):
As for you, you can try shooting it out with me.
Speaker 1 (24:55):
That much of a chance for you know, or you
can drop your gun and hope you may stay alive
a little while longer that.
Speaker 2 (25:02):
Way, till a jury gets around you. What will it be?
Mister soldier.
Speaker 1 (25:17):
Dropped his gun and surrendered to the authority. I dropped
him in Lieutenant Rogers last. The lieutenant dumped him in
a cell. And then he'll keep for a while, not
too long. He's turning spoiled right now. But Pete Solder,
after all these years, Yeah, funny, he sneak back into
the country and might have got away with him. The
(25:39):
place he ticks out turns out to be the one
place he.
Speaker 2 (25:42):
Should have stayed away from. He had no way of knowing.
Speaker 1 (25:44):
Joe Hearn's route to his job took compass Missus Lawren's estate.
Speaker 2 (25:47):
Now, so Hearn saw him, and.
Speaker 1 (25:51):
What I'm not sure he wanted me to come with
him when he visited. They were in a state. He
wouldn't tell me why. If he come to us, he'd
be alive now. But he was too bitter. I guess
he wanted to make a citizens to rest himself, get
back to soda. For all the years he worn out shoes,
the tiredness it might have worked out if he hadn't
(26:11):
talked to Gruner Bruno, who ran a gambling them upstairs
in his restaurant, who had a tie in.
Speaker 2 (26:17):
With Solda, And and that was it. But what led
you to it?
Speaker 1 (26:23):
Little things, mostly something Hern came across on his way
to work, led to his debt. The warrants had figured
and the reports on Solda trial. A small boat could
land on the estate without being seen, and Dolan said
something about this being a knight where a private eye
would be edgy. But he had no way of knowing
about her. And unless he had a hand in his debt, well,
(26:46):
it's all washed up.
Speaker 2 (26:48):
What are you doing the rest of the night, Marry
go home?
Speaker 1 (26:51):
No, I ear in my twenty five bucks. I'm going
out and spend it on what a steak?
Speaker 2 (27:00):
Folks. See you next week.
Speaker 1 (27:17):
You've been listening to William Gargan in another exciting transcribed
mystery drama on the adventures of Barry Craig, confidential investigator.
Tonight's story death of Book Fi That I was written
by Lou vittis Next week it's a strange story titled
Murder Island, about which Barry Craig has this to say,
(27:39):
next week, I meet a burless queen with a knack
for unveiling.
Speaker 2 (27:43):
Corpture, a lawyer who is his own worst.
Speaker 1 (27:46):
Argument, and a gun turning client who throws me a
shroud for a food.
Speaker 2 (27:52):
See your next week's fo Featured in the role.
Speaker 1 (28:02):
Of Missus Warren was Plam Collins Marry Craig, starring William
Gargan was under the direction of Timond Brown.
Speaker 2 (28:10):
Mister Don Pardo speaking now. Enjoy Meredith Wilson's Music Room
on NVC
Speaker 1 (28:24):
M M
William Gargan stars as Barry Clay Confidential Investigator. I knew
a murderer once who was planning to get married, so
he killed a man for money enough to furnish the house.
Speaker 2 (00:18):
He didn't work out though, all he got was the chair.
Speaker 1 (00:29):
A National Broadcasting Company presents William Gargan in another Plan,
Number one, Detective Barry Clay Confidential Investigator.
Speaker 2 (00:51):
That Craig, it gets dark early these days. It's always
cold and.
Speaker 1 (00:57):
A confidential investigated business guys slow down. Maybe it's because
the weather discourages romance. Why stay home knitting? Husband's decide?
The blonde wasn't born?
Speaker 2 (01:08):
Who was work to fit through the icy city.
Speaker 1 (01:10):
So I'm in the office pretending to go through the file,
trying to keep the cork warm.
Speaker 2 (01:16):
The buzzer buzzers, and I looked up. Maybe I think
it'll be a fireman. It's opened.
Speaker 1 (01:23):
If it is, he forgot to bring the fire with him. You, Craig,
I'm Craig to down. Yeah cool, That's why I'm still here.
Mister hen You mean, how.
Speaker 2 (01:37):
Do you do?
Speaker 1 (01:38):
And are you in the position to take them and
jam a job for when night?
Speaker 2 (01:45):
Oh you're lucky. It so happens. I'm free tonight.
Speaker 1 (01:49):
Now, if you'd wanted me to go to work tomorrow,
you'd still be lucky.
Speaker 2 (01:52):
I'd be free then too. What the matter? Pump hum? Oh?
This wo and influence un anymore? Who is the job
of the night? What about it? Interested? I want you
to go along with me? Yeah, to pay a vision
susy feel Yeah, I used to have one to do?
Speaker 1 (02:17):
What?
Speaker 2 (02:17):
Oh? Go to get his life? Yeah? Nothing but the
night watching?
Speaker 1 (02:22):
Now then dad won't take one in a couple dollars?
Would h with twenty five bucks? You know?
Speaker 2 (02:31):
Sure? Anything I need to deal with now?
Speaker 1 (02:36):
It traved and U stet nine ouchy, it didn't do
bad you you can stay inside in the ferry. He ay,
you better meet me down day fifty h okay and
down in the They drive corner Western eight thirty and
Bass going. There's maybe a five minute walk from there.
Speaker 2 (02:54):
Pay drive Western eight thirty.
Speaker 1 (02:56):
Yeah, right there?
Speaker 2 (03:00):
He gets any you think him? Oh, mister Hearn, Yes.
Speaker 1 (03:06):
Twenty five bucks for company on a Visitor's a little
on the ridge side for you, isn't it?
Speaker 2 (03:12):
Then that's visit? Then I want to make sure I
don't get cared, mister Hearn. Didn't pause to explain.
Speaker 1 (03:31):
I started after him, shrug my shoulders, went back to
the desk and put my files away.
Speaker 2 (03:35):
A client's got a right to his privacy.
Speaker 1 (03:39):
I wondered how I'd like being a night watchman if
I ever washed up as a private eye.
Speaker 2 (03:44):
I decided I wouldn't.
Speaker 1 (03:45):
Then headed for a Hamburger Jordan instead of a steakhouse
for dinner. He had been fine, but Bay drives turned
out to be right on the back.
Speaker 2 (04:00):
I didn't care for the result.
Speaker 1 (04:03):
I was maybe three quarters of a block away from me,
the affection that they drive in Western When the car
passed me, the street didn't run.
Speaker 2 (04:10):
The many lamp posts and the productionans were all home.
Speaker 1 (04:13):
I didn't threat the cars driving without lights, with accidentals.
Speaker 2 (04:16):
I began to run.
Speaker 1 (04:17):
I could see Johann shopping you freet, trying to keep
warm on the corner.
Speaker 2 (04:20):
The car moved in fast, and then it went away,
no life place.
Speaker 1 (04:28):
I got to wear her with hugging the pavement and
bent over him. He's given up trying to keep warm.
He'd never be warm again. They drive ran parallel to
(04:48):
the water. Something was below it except the crooked shoreline
and the cold darkness.
Speaker 2 (04:53):
Of the bay itself.
Speaker 1 (04:55):
I'd plied the passing car and had the news phoned in.
After a while, Joe Hearn had a spotlight on him,
the undivided attention of a half a dozen cops in
a nervous intern Joe Hearn wasn't particularly interested. Barry, Welcome
to Staten Island, Lieutenant Rogers. Thanks, and I could use
a red carpet for windbreak.
Speaker 2 (05:16):
Turn haired. You do help and pay a visit to
whom me I would have said to.
Speaker 1 (05:22):
Who it's an interesting sidelight on your grammar. Doesn't tell
me anything now, that's because I don't know anything. Hearn
wasn't giving out information.
Speaker 2 (05:30):
N was a night watchman for the Coastlines.
Speaker 1 (05:33):
He worked one of their ware houses near here, half
an hour warm, no help there, His date was closer,
his dad has been canceled.
Speaker 2 (05:41):
Nobody spunded the car. Berry probably put.
Speaker 1 (05:44):
The lights on again once he's got a few blocks away.
Trev were you're a man able to dig up anything
on Hearn's actions. Just before he wound up here, land
out in his morning house said he had dinner there,
and he stopped off of a place called Old Tyroll
for beer. A manager a man named Grunham found up
with nothing. Aren't always had a beer down its way
(06:05):
to work?
Speaker 2 (06:06):
That did, Yeah, I hope he enjoyed his beer. They
finished through the off marks in the flashbow.
Speaker 1 (06:24):
Aarn wasn't a heavy man. I had no trouble rolling
him onto a stretcher and taking him away. The last
I saw of him with a pair of tired shoes,
the right one had a hole in it. I thought
(06:45):
maybe I'd try the beer at the old Tyroll. I
wasn't fooling anybody. The twenty five bucks in my cartet
was bothering me. I hadn't earned it. The place was
full of people the way that were girls. That's a costume.
I suppose they're bare. Needs improve the customer's advertising.
Speaker 2 (07:05):
I hope nobody was stot yodeling. What do you mean
that you want a table? Maybe? Well, I'm looking for
mister Guhner. I am cooner.
Speaker 1 (07:14):
My name's Craig Barry, Craig Young. I'm working for Joe Hearn.
Speaker 2 (07:19):
But the man is dead.
Speaker 1 (07:21):
No, I'm still working for him. I'm a confidential investigator.
It's very sad what happens to mister Hann. But I
have already told the police everything I know.
Speaker 2 (07:32):
Suppose you tell me all over again.
Speaker 1 (07:34):
I do not know exactly what the confidential investigator means,
but I am a friend that the police kept him.
Speaker 2 (07:41):
Here in the district. That's nice.
Speaker 1 (07:44):
He would not drink it that I am disturbed and
didn't like trying to break through the blood and as lungs.
You do not make yourself very pleasant. I will not
talk with you more. Now. Many might advent of your
looked at mister ConA. I say you let that look
pretty straight. They die with their eyes open. Keiller's got
so little time he doesn't bother shutting their eyes. And
(08:05):
what you've see in a munded man's eyes isn't pleasant.
Mister grown up, There's nothing much anybody can do about
it except turning up the killer.
Speaker 2 (08:12):
That's what I'm trying to do.
Speaker 1 (08:13):
I understand we should help. Only yeah, you are mistelling.
Yeah coming, I noticed, I've had two stories.
Speaker 2 (08:23):
What's upstairs? More restaurants? No hit the store rooms and
and things like that, things like that. Why do I
take a look?
Speaker 1 (08:32):
I do wish that maybe I'm thinking of retiring and
hoping a rest with storerooms upstairs. It's closed upstairs. I
cannot put it to my mind. Yeah no, if you excuse.
Speaker 2 (08:44):
I got to that.
Speaker 1 (08:46):
But perhaps you will be a gift to the management. Huh,
the English it's here, very good?
Speaker 2 (08:53):
Those are beer, I understand. No. Thanks.
Speaker 1 (08:57):
For some reason, I can't think of what that is exactly.
I haven't got an appetite. Good night, mister Grunnard. Well
come to the Big Drive Precinct battery. Hello, trial, how's
the beer at the old Tyrole?
Speaker 2 (09:19):
What makes you think I've been there?
Speaker 1 (09:21):
We've met the form you bothered about her, and sure
I own twenty five bucks rather investigation, Uh huh, worrying
about money?
Speaker 2 (09:30):
What else? I won't tell.
Speaker 1 (09:32):
Anybody your sentimental bearing says, I'll keep quiet about your
reading books.
Speaker 2 (09:37):
That makes us even? Would you find out if anything
hit the old Tyroll? Nothing?
Speaker 1 (09:42):
You You gave us the fact that Hanne was a
private eye once upon a time. So reasoning quick was
because the commission revoked his license.
Speaker 2 (09:50):
They must have had a reason.
Speaker 1 (09:51):
They had the good one, not too good so they
couldn't help themselves. Happen around ten years ago.
Speaker 2 (09:57):
You're going to talk without promptings.
Speaker 1 (10:00):
The other the way it went was Joe Hearn had
an office downtown on the waterfront, had a lot of
job for shipping outfits. Was doing pretty well until he
testified against a man named Pete Solder. They had a
law then about testifying against men named Pete Solder.
Speaker 2 (10:14):
The charge against Soldo was smuggling.
Speaker 1 (10:17):
His lawyer brought in a lot of witnesses in the
higher income bracket, starring that made them good witnesses, not
a help. The case against Salu shop for lou holes.
Speaker 2 (10:28):
Turn almost got himself charged with perjury for solar Gillie
sure ran gambling harvest tomb.
Speaker 1 (10:33):
He was reported a few years later, but at the
time of the trial his guilt couldn't be.
Speaker 2 (10:38):
Proved, so Hern had his license taken away. Was that
or a perjury charge? Twelve?
Speaker 1 (10:45):
We have a list of the witnesses to testify. The
solder him, Yeah, I bet it here, Thanks Grunner, is
not the list?
Speaker 2 (10:53):
No, thanks, firm. You're leaving? Uh huh and going where?
Back to the waterfront? Got a lead? No, we are
you going anyway? All the twenty five bucks? No? I
keep remembering Hern's shoes. What about them? They had holes
in them.
Speaker 1 (11:19):
I went back to the corner of Bay Drive in
Western The cops were gone Herne was gone, gone, anything
left with a bloodstain on the pavement, not much to
show for a lifetime. I remember what Hearn had told me.
His visit was to a place five minutes from bay
and western. It wouldn't have been back along the way
I'd come. It couldn't be down western to the water.
(11:43):
It might have been up western, going inland. It might
have been a long bay.
Speaker 2 (11:47):
Drive where it hugged the shore.
Speaker 1 (11:49):
I had invested five minutes along the shore. Hern's life
had been played near water and ended there five minutes
with a small endorsement. The pay drive died on me
in five minutes. The high brick walls stared at me.
Speaker 2 (12:06):
I backed up away.
Speaker 1 (12:07):
From it, and there was a house rising above the walls.
Set peek behind it. Maybe it was the wind that
lifted the small hands out of the back of my neck.
Speaker 2 (12:17):
I found the gate in the walls. There were lights
in the house, the oven, the gate. How I'm playing
a visit to the house. The time do you think?
It is? Two thirty in the morning, no.
Speaker 1 (12:36):
Time for visiting. Everybody's asleep. The lights are on, and
nervous up at the house. They sleep at the lights on.
Speaker 2 (12:43):
Now now no, I don't want to get wrong. I'm visiting.
Oh you're on your way out out? Can we book
my arm? Keep your hands out of your pocket. I'm
not interested in your gun. How wouldn't you mean you're
not the ouse.
Speaker 1 (12:58):
I'm okay, okay, I don't know what you think they're
doing here. You visit to announced mes Craig Gray, Yeah,
Barry Craig, you're.
Speaker 2 (13:11):
A private eye.
Speaker 1 (13:12):
Confidential investigator. Sounds more expensive. Onely, you're so kind of
Reggie tonight. Maybe I'm always at you again on missus Lyon,
like this won't do you any.
Speaker 2 (13:22):
Good, though, I'm not looking for any good. What's your
name is? Tholen? Got a license?
Speaker 1 (13:28):
That that gun you're carrying, Smari, you've got a license
complex or something?
Speaker 2 (13:32):
Forget it? That gun been used, Lily, keep popping on
my gun?
Speaker 1 (13:37):
Lay off the open out the grounds all night. I
didn't ask you, this is why, and run to a butler.
He goes to bed early. All right, get back to
the gatehouse. Oh wait, I'll make get back. You like
to throw your weight around, don't you.
Speaker 2 (13:52):
I've got plenty of it. Yeah, only one thing, there's
just so much. I'll taking it and then nothing I'm
not stolen, so I see the name is Barry Craig.
Speaker 3 (14:10):
Mind if I come in that might depend on just
who Barry Craig is.
Speaker 2 (14:15):
The confidences as together.
Speaker 1 (14:17):
He's got an opposite the sitting license under glass and
uh and a necessity for visiting.
Speaker 3 (14:24):
Does it happen office?
Speaker 2 (14:25):
No?
Speaker 3 (14:26):
Well, I said, there's no harm in indulging you. Mite take.
Speaker 2 (14:34):
It's up to you.
Speaker 4 (14:36):
Would you go away? If I asked her to no,
come in with the gad. It's strange hour to visit Micato.
Speaker 2 (14:49):
You're up, missus?
Speaker 3 (14:49):
Wye, I keep strange allys why did you come here?
Speaker 1 (14:55):
A man named Joe Hearn was shot to death a
little while ago. Oh but he was a private eye
once upon a time. Well recently he's been a night watchman.
Right now he's dead.
Speaker 3 (15:07):
Well, I'm sorry about that. I suppose investigators they are
all fine men.
Speaker 1 (15:11):
They'll breed when they're shot, and when they've fled.
Speaker 2 (15:13):
Long enough, they die.
Speaker 3 (15:16):
That was hardly necessary.
Speaker 2 (15:18):
People don't always realize. Think how you've got here?
Speaker 1 (15:22):
Yes, around eight thirty, the night you were aware.
Speaker 3 (15:27):
I don't really see why I should answer your question.
Speaker 2 (15:30):
Do you mind answering the good? Then?
Speaker 3 (15:34):
Eighth thirty, I was here.
Speaker 2 (15:36):
I've never been reading alone.
Speaker 3 (15:39):
My husband's dead. The buttoner go to bed very early.
Speaker 1 (15:43):
But of course they're doing They're always doling. The grounds
run right out of the water's head, don't they they do.
They're a beautiful woman, missus Swan Hice. Thank you, beautiful
and rich? Why did you let me walk through your
front door?
Speaker 3 (16:03):
Meaning that I didn't have to?
Speaker 2 (16:05):
I put it that way, but perhaps I wanted to?
Was it my hand tailed suits or my polished manners, your.
Speaker 3 (16:14):
Polished manners, or perhaps the hat you're wearing. It's still
on your head.
Speaker 1 (16:21):
In the child of a man named Pete Solder, a
number of years ago, another man named Thomas Warren testified
on Solder's bass.
Speaker 3 (16:28):
Thomas Warren was my husband, I know.
Speaker 1 (16:31):
Thomas Warren's testimony helped a private investigator named Joe Hearn
lose his license.
Speaker 3 (16:36):
Oh we're back to that.
Speaker 2 (16:37):
We never left it. It was that Joe Hearn who
died tonight.
Speaker 3 (16:42):
What possible interest could I have?
Speaker 2 (16:44):
Older new lots of people like the Thomas Warren. You
must have had something.
Speaker 3 (16:49):
I hardly knew him.
Speaker 2 (16:51):
You must have been what eighteen at the time, A
few years older when soldo was deported. Did you still
hardly know him? Then?
Speaker 3 (17:00):
I'm trying to understand why you're asking me these questions.
Speaker 1 (17:03):
Earn was killed a few minutes after they left. The
restaurant and bar called the Old Tyroll. It's run by
a man named Groener. He keeps the supplies upstairs behind
drawn blinds.
Speaker 2 (17:12):
And with the lights on.
Speaker 3 (17:13):
I know nothing about the Old Tyrol or a man
named Groooner. Mister Craik, why don't you take your hat off?
Speaker 2 (17:20):
Why should I?
Speaker 3 (17:22):
Because I want to see what your hair is like.
Speaker 2 (17:24):
I'm not a cop.
Speaker 1 (17:26):
Those rooms upstairs the restaurant could be used for gambling.
I wouldn't be interested, except the fete Solder ran a
string of gambling houses.
Speaker 3 (17:33):
You're very stubborn. I'll take it all for you.
Speaker 2 (17:38):
This is pretty quicker.
Speaker 3 (17:39):
You're very real, mister Creek, very real and disturbing.
Speaker 2 (17:44):
I still think it's pretty quick.
Speaker 3 (17:46):
You underestimate yourself. The world's full of dittle men, halfman.
Speaker 2 (17:52):
Do you want me?
Speaker 3 (17:53):
You're excited?
Speaker 2 (17:54):
I'm not buying what It's a nice performance, but your
price take showing. No.
Speaker 1 (18:02):
I just still not be slept, not even by a
beautiful woman. Let's get back to the gambling houses.
Speaker 3 (18:08):
If you don't mind, I'll show you.
Speaker 1 (18:11):
You mean, he's had time enough by now to get away.
Speaker 2 (18:14):
Yeah, truly, the car's gone very nice, Missus Vaughan, would
you please me?
Speaker 1 (18:24):
You stow me just long enough? Didn't you to let
him get out of here?
Speaker 3 (18:28):
I don't know who you're talking about?
Speaker 1 (18:30):
No, but hearn did, Missus van Hern did? I let
Dolan didn't try to stop me. I hadn't expected him
to out in the bay. The boats lay at anchor,
(18:50):
rocking with the tide. The old tyroll was still open
for business.
Speaker 2 (18:55):
I gave it mine.
Speaker 1 (19:00):
Out in the restaurant a handful of people they tired
passes at cool The.
Speaker 2 (19:04):
Bar was doing better. The part tender a.
Speaker 1 (19:07):
Very high class of sictem Hey, yes, sir, i'd really
it's a great Allow me to go on to our
back again.
Speaker 2 (19:16):
Yeah, well, what is it you want now?
Speaker 1 (19:20):
Let's not disturb the parttender. Let's go where we can talk.
I do not wish to go where you do.
Speaker 2 (19:26):
Only you don't realize it yet. I still say, you
know what I've been. It's not my business. I've been
visiting Missus Warren. It means nothing to me. I who
is missus Ronan.
Speaker 1 (19:40):
A lady with a lawn sloping right down to the
shore of the bay. So, yeah, the go to my office. Fine,
is upstairs, no objection, right up.
Speaker 2 (19:56):
Among the storeroom home store.
Speaker 1 (20:00):
Oh yeah, you didn't hit those Yeah it's hot. Now,
what you really mean is that you're closed up for
the night. Upstairs, you see things which I do not understand.
Never mind, my office is here, very pretty.
Speaker 2 (20:22):
You do not come to admire my office. It's a craig.
What is that you wish to say to me? How
well did you know Joe Hearn? I hardly knew him
at all.
Speaker 1 (20:32):
He stopped in every night for a beer. It must
have been more than a casual thing.
Speaker 2 (20:36):
No, the cops know better.
Speaker 1 (20:38):
Well, what I meant is that, of course I knew
mister hern, but not very personally.
Speaker 2 (20:45):
Understand. I understand you served him a bed to night. Yeah,
an old customer while he was drinking that bear. What
did he tell you? Nothing except how the letter is
and yeah, and that is on a couple of boys
chatting about the weather. No, ghuna, what do you mean? No,
(21:06):
I don't like your answer. Please you.
Speaker 1 (21:08):
I'm not being brooke, wal just making sure you stay
with me, Corona? Why did I tell you tonight? I'm
not to please You're just beginning to feel sick.
Speaker 2 (21:17):
It'll get worse, Gunna.
Speaker 1 (21:18):
I am not concerned to you what you and Hern't
talked about. Aren't mentioned the tact that on his way
to work he always passed the way in the state.
He told her that when he passed it last night
he saw someone go in that estate, someone who's faced.
Speaker 2 (21:30):
He had a very good reason to remember. Is not
what he told you? No? No, I sware to you. No,
Why den't it with such excitement, Conna? Why swear to me?
Speaker 1 (21:39):
Because you know what it means, don't you. That's why
you're so anxious to get out of it, isn't it, Corona?
Speaker 3 (21:44):
I say nothing.
Speaker 2 (21:45):
Let's go back to storytelling. Aren't told you that? He
also told you he was going to pay.
Speaker 1 (21:50):
A visit with a private eye me, although he wasn't
mentioning names, was he? No?
Speaker 2 (21:56):
I don't be so anxious to agree with me on
unimportant things. And turnis is there? And left? And what
did you do? Nothing?
Speaker 1 (22:02):
Nothing except make a little phone call to a lady Grounna. Yeah,
they've got a funny law. Roughly It says that if
you know about him murder and don't talk, you go
to the chair right alongside of that all actually pull
a trigger.
Speaker 2 (22:16):
I know about this. Maybe you'll think it's unfair.
Speaker 1 (22:19):
You'll go right on thinking that until they shoot the
high voltage through that.
Speaker 2 (22:22):
Fat body of your eye.
Speaker 3 (22:23):
I know nothing.
Speaker 1 (22:25):
You follow missus Warren. You passed on with her and
had told you maybe I did.
Speaker 3 (22:30):
It is not against the law.
Speaker 1 (22:31):
Why did you think would happened with that information? Gronna,
What do you think did happen?
Speaker 2 (22:36):
It is not my doing it.
Speaker 1 (22:38):
I got to hearn before I met him. He didn't
die very pleasantly.
Speaker 2 (22:43):
I'm angry about that. Every reduced to crave. You are
hurting your.
Speaker 1 (22:46):
Type breathing with rungs full of blood.
Speaker 2 (22:48):
Sometimes got hurt. Law put her and tell you we
saw lettering much is one to save life night you
let's go off there. I tell you thanks.
Speaker 1 (22:58):
I wish that it's on the record that I did
not know what will happen.
Speaker 2 (23:02):
It'll be on the record.
Speaker 1 (23:04):
Now, stop washing the blood off your hands and talk
all right?
Speaker 2 (23:07):
Then?
Speaker 1 (23:08):
I speak two men hand sees who goes into the
water and shut upnor nice shooting dollum, come out to
behind that door.
Speaker 2 (23:25):
I've had a beat on it since we came into
the room. The angle's wrong for you. Come out for
behind that door, Dollum. Okay, all drop the gun.
Speaker 1 (23:40):
Now keep coming, I said, keep coming to me or
do you want to find out if my shirt straight?
Speaker 2 (23:47):
Oh? I'll keep walking. That's fine. Stop stopping.
Speaker 1 (23:54):
Turn around back to me. Thanks that door you just
came out of. Yeah, now you start back to the door, Dolan.
Speaker 2 (24:06):
But put your here. One dead pivate eye is enough
for the night. So we play it this way. Start walking.
I'll be right behind.
Speaker 1 (24:15):
So if anybody gets nervous and start shooting, I'll see
to it that you don't fall down.
Speaker 2 (24:20):
When you get shot. You can't do this, I'm doing it.
Speaker 1 (24:23):
Keep walking, go shooting the boy in the room you
came out of. That was the idea, wasn't it.
Speaker 2 (24:31):
You were coming in.
Speaker 1 (24:32):
I was supposed to think you've been alone. I wouldn't
be watching the next room.
Speaker 2 (24:36):
I'd make a nice target. But I like you better
as a target.
Speaker 1 (24:40):
No, kick the door open all the way okay, yeah, better,
much better all the Dolan.
Speaker 2 (24:50):
As for you, you can try shooting it out with me.
Speaker 1 (24:55):
That much of a chance for you know, or you
can drop your gun and hope you may stay alive
a little while longer that.
Speaker 2 (25:02):
Way, till a jury gets around you. What will it be?
Mister soldier.
Speaker 1 (25:17):
Dropped his gun and surrendered to the authority. I dropped
him in Lieutenant Rogers last. The lieutenant dumped him in
a cell. And then he'll keep for a while, not
too long. He's turning spoiled right now. But Pete Solder,
after all these years, Yeah, funny, he sneak back into
the country and might have got away with him. The
(25:39):
place he ticks out turns out to be the one
place he.
Speaker 2 (25:42):
Should have stayed away from. He had no way of knowing.
Speaker 1 (25:44):
Joe Hearn's route to his job took compass Missus Lawren's estate.
Speaker 2 (25:47):
Now, so Hearn saw him, and.
Speaker 1 (25:51):
What I'm not sure he wanted me to come with
him when he visited. They were in a state. He
wouldn't tell me why. If he come to us, he'd
be alive now. But he was too bitter. I guess
he wanted to make a citizens to rest himself, get
back to soda. For all the years he worn out shoes,
the tiredness it might have worked out if he hadn't
(26:11):
talked to Gruner Bruno, who ran a gambling them upstairs
in his restaurant, who had a tie in.
Speaker 2 (26:17):
With Solda, And and that was it. But what led
you to it?
Speaker 1 (26:23):
Little things, mostly something Hern came across on his way
to work, led to his debt. The warrants had figured
and the reports on Solda trial. A small boat could
land on the estate without being seen, and Dolan said
something about this being a knight where a private eye
would be edgy. But he had no way of knowing
about her. And unless he had a hand in his debt, well,
(26:46):
it's all washed up.
Speaker 2 (26:48):
What are you doing the rest of the night, Marry
go home?
Speaker 1 (26:51):
No, I ear in my twenty five bucks. I'm going
out and spend it on what a steak?
Speaker 2 (27:00):
Folks. See you next week.
Speaker 1 (27:17):
You've been listening to William Gargan in another exciting transcribed
mystery drama on the adventures of Barry Craig, confidential investigator.
Tonight's story death of Book Fi That I was written
by Lou vittis Next week it's a strange story titled
Murder Island, about which Barry Craig has this to say,
(27:39):
next week, I meet a burless queen with a knack
for unveiling.
Speaker 2 (27:43):
Corpture, a lawyer who is his own worst.
Speaker 1 (27:46):
Argument, and a gun turning client who throws me a
shroud for a food.
Speaker 2 (27:52):
See your next week's fo Featured in the role.
Speaker 1 (28:02):
Of Missus Warren was Plam Collins Marry Craig, starring William
Gargan was under the direction of Timond Brown.
Speaker 2 (28:10):
Mister Don Pardo speaking now. Enjoy Meredith Wilson's Music Room
on NVC
Speaker 1 (28:24):
M M
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